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sisterdivinium · 4 months

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It’s the questions that keep us going, that taunt us so we’ll come back again and again, whether we’re given any “definitive” answers which we might each interpret differently or left to wonder and imagine possibilities all on our own.

“I’ve been waiting a long time for this, warrior nun.” Doesn’t this line invite us to ask who Adriel might be talking to, exactly?

Of course Ava currently occupies the rank of warrior nun that gives the show its name… But we also know Ava is not a nun and that her qualification as a warrior is recent (setting aside the psychological fortitude she surely possesses as a survivor of the traumas that have shaped her past, to be sure). Even from his prison, Adriel was aware of the happenings in the outside world, be it from his connection to the divinium once used in his armour, be it thanks to informants such as Vincent in whatever modes of communication they might have had between them — so Adriel knows this, he knows of how unconventional it is for Ava to be the warrior nun. Isn’t it possible that, in this moment, he’s not talking to her, at least not as Ava Silva, the individual?

“I’ve been waiting a long time for this, warrior nun.” Only a couple of months have elapsed since Adriel has been freed of his tomb and made Ava’s direct acquaintance. Why would he make a reference to the millennium spent beneath the Vatican to her while calling her by her title rather than her name? It certainly cannot be a mention of those two months, as those are negligible in the conscience of an immortal being who has already waited a thousand years for reckoning.

He isn’t hinting at a vengeance against Ava Silva, as herself, even if she is the one standing in front of him in flesh and blood; he’s orchestrating a vengeance against “the warrior nun”, the abstract class of those responsible for his captivity in the first place.

It’s hard to say he necessarily sees Areala in Ava when he says “warrior nun”. Perhaps so, perhaps not. But he does seem to see in the current halo bearer an avatar of someone (or multiple “someones”) he intends to defeat, the echoes of the past embodied in a single woman, a vessel through which their voices may yet ring after they are long gone. Perhaps he can see more than any of us can — just as he sees the wraith demons and passes the ability on to Lilith, might it not be possible for him to see something else when he looks at Ava or, at least, in the direction of the halo?

Could the halo, as once suggested to me by @ghostofcatscradle, carry some of its previous bearers’ “essence” — providing one explanation to Ava’s “meetings” with Shannon or Areala in season one — preserving some portion of them even as it inhabits another woman’s flesh? Could that be readily visible to a being of Adriel’s species and provenance, as the wraiths are?

Or could he think he saw something? Adriel is posed as a much more powerful creature than a human, with much more knowledge at his disposal. He mentions how no human can carry the halo for long before becoming somehow twisted — but what if there is truth in the reversed idea as well and his own long stay on Earth has warped him? Sometimes we find that those deemed “mad” are the most lucid, but would it be such a strange inversion to consider that this amazing being who boasts of his greater lucidity might be the greatest madman himself? He barely attempts to solve the contradictions so clear to Ava when she points out how his discourse of wanting to save the world from Reya's oppression is unaligned with his own forceful, violent methods of combat which cause suffering to the same creatures he claims to champion. Perhaps he comes from a pre- or post- logic realm. Perhaps he is insane. Maybe he is just a power-hungry sophist who will use whatever justification is at hand to legitimate his own selfish cause.

“I’ve been waiting a long time for this, warrior nun.” Vindication, yes, but in what form? At the end of season one, Adriel sought to seize the halo, yank it out of Ava and be done with it. In season two, he wants a fight instead of just trying to reach for it and accomplish his goals. Yes, his plans concerning Reya had just been spoiled… But if he had been “waiting a long time”, then this battle is not about what just happened in regards to Reya and the ark. It’s ancient, it’s personal. It’s not just the halo anymore — was it ever?

When Ava resurrects, is that the halo’s doing? When Mother Superion is brought back to life, is that the halo’s handiwork? Could it be sentient as some like to hypothesise it is? Or, as an object said to have been stolen from Reya, is it accomplishing her mysterious will by manifesting such powers? Or could it be that the equivalence between Reya and God made by Michael after a lifetime under the former’s spell is not as true as he was led to believe and there might be another, grander, perhaps even will-less entity pulling the strings?

Or could it be that the miracle is not divine, but Ava’s? Perhaps not even just hers, but something available only to humans, that Suzanne might carry as well, something that recognised her as it recognised Ava while she was brought back. There are no records of the halo resurrecting people…

… But it is said to give different bearers different powers. How or when does a bearer develop a new ability? Is there a limit to how many she can find and use? Might they not overlap sometimes?

Moreover, in an environment that firmly believes the halo is a weapon against its enemies, did anyone ever bother to ask whether it could do the opposite of slaughter, if it could be used for purposes unrelated to war against so-called Hell? It takes Jillian, an outsider to the Order, to voice that curiosity.

For each possibility listed above as far as who is behind performing miracles, what accompanying conclusions might there be?

The halo as a sentient object seems to open less interesting consequences than a world where a higher force has confusing aims or is truly neutral and both favours and hampers the living; or one where even common people, even “freaks”, as Ava calls herself more than once, are capable of miracles, of changing their world given the right support and tools.

We don’t actually need hard, official answers.

It’s the suggestions, the maybes, the could bes that really hook us in — is it any wonder that the more dedicated avatrice shippers are so focused on the potential for that time period spent in Switzerland, off-camera, which we did not witness?

The questions are inexhaustible — even with just eighteen total episodes, even when there was yet so much to see. If we can keep asking questions, if we see the beauty in them and how much more enticing they can be compared to a creator’s answers or incomplete plans (Mary taking vows and replacing Superion, really?!), we’ll have perhaps even more on our plates than another season would have given us. Which isn’t to say we shouldn’t mourn the loss of a continuation but merely to duly cherish what we have effectively received and give it its due attention.

It’s what’s left unsaid or unexplained, it’s what even creators might say isn’t set in stone and still open for debate (such as the halo being sentient or not); the blanks, the doubts and possibilities are where we come in with our understanding or our own stories. Why? How? What if?

Keep finding questions to ask... And Warrior Nun lives on.

#warrior nun #this has been sitting here for weeks on end lol time to post it #my plea so that you don't move on i guess #exercises in observation #sometimes when i express surprise at the amount of aus i see floating around it's because i think the show has enough questions #to warrant fics that hover a bit more close to home. not necessarily canon-compliant but just more in tune with it #if that makes sense. i'd give an example of something i myself have written but #my big au that changes One Detail is yet to be written. it's all in my head just not on paper.#i also express surprise at how little we talk about all of these things and more -- the worldbuilding the lore the what ifs #but anyway. if you follow me you probably knew that already #i suppose this also classifies for that other tag of mine #meta fandom talk i guess

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swinging-stars-from-satellites · 2 years

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I don’t know your girl from your restaurant show but she looks cool and I want to know the song 🔊

SYDNEY!!!!! she's a mess and a little bit crazy (as in like... really crazy about her passions) but I don't mean that in like, a derogatory way, she's so real and kind of obsessive and impulsive and intuitive and creative and I love her so much. she's got a bit of a hero-worship thing about Carmy for a bit and part of her arc in the season is just kind of deconstructing that until it all falls apart and she's kind of at base zero about it all (they both kind of put each other on a pedestal and that does not work out well bc they're both human beings and make a lot of mistakes. and Carmy screws up big time and they both have to reckon with that) and like... I know you didn't come here for meta but it really is all about making things (and people!) better than they are and building from that base zero. so anyway, music-

Punisher by Phoebe Bridgers

What if I told you/ I feel like I know you?/ but we never met/ it's for the best/ I can't open my mouth and forget how to talk/ 'cause even if I could/ wouldn't know where to start/ wouldn't know when to stop

#I've been thinking about this for DAYS #like... syd and carmy have an immediate connection and like... weird sixth sense for each other from the moment they meet #and also she... talks really weird???#she straight-up does not call him by his first name i think AT ALL??? the ENTIRE SEASON????#and she is the most rambly character i have ever seen. forgets how to speak fairly consistently lots of fillers lots of random phrases #bc she's a bit uncomfortable maybe??? like she just... talks like a tumblr user a little bit somehow??? idk idk #I'm just like. what is up with this girl i love her so much #punisher started playing in my head on loop like halfway through watching the show shfkdbskdhdj #THANK YOU FOR ASKING AURELIA you probably got way more than you expected but thanks sjfhskdbdsk #Lu rambles #asks #ask games #music #meta finding tag #i guess??#the bear

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thebeautifulfantastic · 2 years

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i've made several attempts at watching season 4 of the marvelous mrs maisel, but i can only take so much because every character has started to become a little too annoying, and at this point the only arcs i’m still invested in are midge & joel & somewhat lenny, so there’s really no motivation in me to watch the whole season. and yet at the same time i want to say i watched it all the way through so i keep making my way through it in little bits and pieces

#don't get me wrong i Loved the first two seasons of this show #they made me laugh so much and it was a good brand of comedy #lots of swearing but i got used to that pretty quick #it was just a very tongue in cheek and somehow endearing journey of this cast of slightly broken messed-up people #and especially with midge. how she learned to find herself again and cope with her separation through humor and laughter and comedy #but after season 2 it just started going downhill #idk it seems less genuine after that #season 3 was tolerable and had some good moments but then there was that ENDING #so of course i have to watch season 4 to find out what happens #but honestly it's the constant on and off relationship between midge and joel that started to put me off it #because yeah of course their relationship is messy (understandably so) but they've made no attempt to actually communicate #that's the main problem for most of the characters here actually #it's a show about stand up comedy but ironically everyone has the most difficult time communicating in their personal relationships #and ok. i don't even ship midge and joel. BUT it seems disrespectful and rather flippant to treat a divorce/separation so lightly #especially without ever delving into the underlying issues and causes (they explored this a little bit in season 1 and 2 which is why those #seasons were stronger and more compelling in my opinon)#anyways. character arcs wrapped up nicely in season 2 so that's where i want to say the show ended #i like my comedies deep and insightful as well as funny #meta finding tag #the marvelous mrs. maisel #belle speaks

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hypewinter · 1 year

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Bruce carefully approached the child playing by himself in the park. The child giggled as they played with chalk, the sidewalk illuminated by a single street lamp.

"What are you drawing?" he said softly, not wanting to alarm them.

The child turned, revealing themself to be a little boy, no older than 5. He had raven black hair and icy blue eyes. Bruce could practically already hear Oracle snickering on the other end of the comms. She had probably already taken a snapshot of the boy through his visor and posted to the batkids group chat which contrary to popular belief, he did know about. Bruce sighed internally. He'd never hear the end of it when he got home. Especially if he had the kid in tow. Let's hope that didn't happen.

"Hello Batman!" a cheery voice broke him out of his thoughts. "I'm drawing a gargaggle!"

Bruce refocused on the boy who showed no signs of fear. He didn't even look surprised which was strange to say the least. "A gargaggle? Do you mean gargoyle?"

The boy furrowed his brows for a bit before piping up again. "I do! It's such a funny word. I can never get it right."

"I know the feeling," Bruce said, crouching down next to the boy. "Sometimes I struggle with words too."

The boy's eyes went wide as if he couldn't believe the Batman struggled with words. "Say-" Bruce started, "-it's pretty late out are your parents nearby?"

The boy shook his head. "No, I don't have parents," he said as he went back to doodling.

Ok Bruce don't freak out just yet. "Oh, then do you have a guardian of sorts? Like an older sibling, or another family member? Like an aunt or grandparent?"

The boy shook his head again. "Nope. Oh! But I do have a friend. She's very nice and gives me lots of gifts and special things."

Alright, he could work with that. Maybe this 'friend' was the kid's guardian and he just didn't realize it yet. That could happen if he was put in their care recently. Bruce cleared his throat to get the boy to look up at him again. "Do you know where your friend is right now?" he asked.

The boy smiled wide. " 'course I do! She's right over there!" As he spoke, he pointed to a clutter of trees, just to his left. "She really loves you and your family," he said. "She's shy though, so she hid when she saw you coming."

"I see," Bruce replied as he got up. "Well maybe I can convince her to come out." He walked over to where the boy had pointed and pulled apart the bushes, hoping to find a woman who he could talk to about the dangers of wandering around at night. Instead he found nothing.

Bruce heard a giggle from behind him. "That's not where she is silly," he said.

"But that's what you-"

"She's not in the bushes, she's in the shadows. She's really good at hide and seek you know. Once we were playing and she hid in the shadows. Then she snuck up behind me from another shadow. It was really unfair! I never win hide and seek or tag against her," the boy said, starting to pout.

She's in the shadows? A meta? And one with a similar power set to Signal no less. Hmmmm.

Bruce began making his way back to the boy. "Then where is she right now?" he asked.

The boy shrugged, as he returned to his drawing once again. "I don't know. Sometimes she leaves and doesn't return for days. Since you're around, I don't think she's coming back for a while."

Great, just great. He had managed to scare off a little boy's only guardian in the middle of the night. Good going Bruce. he chided himself. He crouched down next to the boy again. "Do you know how to get home? Maybe we can wait for your friend there."

The boy turned to Bruce again. "Sure do!" he said, puffing out his chest. " 'cause I'm a big boy and big boys know how to get home on their own." he recited.

That was another point for the growing concerning information checklist. "Okay let's go wait for her then."

The boy's face dropped as he looked longingly at his gargoyle drawing. For a moment, Bruce thought he would have to bribe the kid with a lollipop but instead he held up his arms to be carried. "Okay," he said solemnly.

Bruce exhaled in relief as he picked up the boy. After pulling out his grappling gun he turned to the boy. "Where to...." Shit. Had he really forgotten to ask for the kid's name?

The boy in question didn't seem all too bothered by that fact. "Danny," he answered seamlessly. "And it's that way." Bruce aimed his grappling gun and off they went.

----

It took Danny all of two directions before he was out like a light. Bruce sighed, switching directions. Yep, he would truly never hear the end of it.

#dp x dc #dc x dp #winter's tales #this could be a de-aged danny thing #but i imagine it to be more of an early accident thing #gotham sees a tiny baby wondering around her streets alone and decides none of that #she doesn't have to worry now though #since her precious bats will take care of him from now on #meanwhile oracle is cackling as she patches bruce's comms through to everyone else

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gallusrostromegalus · 2 months

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Ehehe, I see that Josuke Araki has made his way into your script :P

Are there any other JoJo's floating around in Soul Society and beyond?

So I like to populate the background characters of my fic with characters from another series as just a fun reference, but I feel like some people are reading into it a little to much. It's like- well, there's a watsonian perspective on it and a doylist one and a sort of meta-watsonian one.

From the watsonian/in-narrative perspective? You know that line from that Stucky fic everyone loves about "we deserve a soft epilogue?" I like to imagine AUs for main characters where they still live in an animeverse, but are free from the burden of being The Main Character. Usuke Urameshi lives in Karakura town, but he was never The Spirit Detective. He's just some former punk with mild psychic abilities who runs the ramen shop Ichigo goes to sometimes. Josuke is just some guy that has enough power to be a shinigami, but he's just like, rank and file. You see him in crowd shots. They're alternate universe versions of their full powered, main character selves and probably happier than those versions.

From a doylist perspective, it's a fun game of reference tag to play with the reader. A sort of where's Waldo of random characters from related series. Sort of like putting Samuel L Jackson in a bit part in your movie and giving him a purple prop to fiddle with. He's not playing Mace Windu, but for sharp-eyed nerds, he is making a star wars reference. Sometimes it's just for fun, sometimes is a way to lay on some really subtle thematic context. Like overlaying a 8% opacity layer of yellow on a digital piece to give the impression of late afternoon. Nothing explicit. Nothing relevant to the plot. Just a bit of seasoning.

From a meta-watsonian perspective, a lot of how I write fic was influenced by the old Kids WB bumps where the voice actors would play their characters *as though they were actors hanging out on the warner studios lot* Batman was still Batman, but he was also a guy playing Batman on TV. Yugi moto still had the cosmic powers of the millennium puzzle but also complained about how much time he had to spend in hair and makeup. So when you see a character from another series in my fic, they're an alternate universe version of themselves that is Not Relevant To The Plot, and on another level they're like an actor famous on another show, coming in to do a bit part on their friend's show for funsies.

...but mostly I do it so I don't have to make up names for OCs I'm only using for four seconds.

To actually answer your question: Yuzu is a HUGE fan of this educational YouTube channel run by Marine Biologist Jotaro Kujo. He's the only guy who gives echinoderms their due. She shows Ukitake and Unohana and they like him a lot too. Unohana writes to him to put him in touch with Hanataro and the two put together a major survey of venomous marine life with potential medical applications. Ukitake just likes fish :).

#AEIWAM #An Elephant Is Warm And Mushy #bleach #bleach fanfic #metanarrative #the thing to remember is that i don't do intergated crossovers #but sometimes friends will do a bit on thier friend's show

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river-bottom-nightmare · 2 years

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au where the batkids just sort of,,,,,,invent a new batkid

it starts fairly innocuously, a cowl for someone’s costume ends up the wrong shape or the wrong colour. dick, having dropped by the cave to hand off some evidence or beg alfred for his new potato recipe (most likely both), sees it and his instant reaction is oh my god did bruce adopt another child vigilante? he’s colour-coding us now? fucking splendid

the confusion is cleared up quickly, but everyone got such a good laugh out of it that they keep the new helmet, insisting it belongs to bruce’s new kid ecurb. their vigilante name is Shadow The Dark Lad Blackwing Moron-With-An-Orange-Helmet Batbird. ever so creative.

(bruce doesn’t want to know.)

they collectively design a new costume for him. they convince oracle to help them get ecurb into the system, though it really doesn’t take much convincing, just a bit of dick’s puppy eyes and the utter ridiculousness of the situation that has her cackling. ecurb’s backstory is that he was part of travelling circus in america when he was kidnapped, held as a hostage, and tortured by the joker, during which he learned of batman’s true identity and also How To Fight Good, then was sent to kill bruce but was adopted by him instead. he’s a little older than damian but a little younger than duke, fights exclusively with brass knuckles, and his costume is black with orange polka dots.

(bruce really doesn’t want to know)

they talk about good old ecurb, or batbird depending on the company, amongst themselves all the time. good old ecurb, the only bat fast enough to get cass in rooftop tag. i heard ecurb took on bane with nothing but a water balloon and an empty laptop case and won. well i heard ecurb can get the gotham’s corrupt politicians to apologize to him. yeah, well i heard ecurb’s secretly a meta whose power is to neutralize other metahumans, and bruce keeps him as the ultimate contingency plan.

they talk about ecurb so much that the justice league believes bruce really did acquire a new child. other superhero teams are a little more skeptical, but after several select appearances in which different batkids donned batbird’s armour and were conveniently caught on camera, even they start to believe it. the titans really want to meet this new vigilante who can actually, consistently get dick to sleep. young justice want to fight him. but ecrub’s always undercover, or on a mission, or recovering because bruce trusts him so much, he’s already putting him in charge of the big stuff.

(bruce really really doesn’t want to know)

there are legends about ecurb. photos of him looking powerful yet mysterious, a carbon copy of batman but with orange polka dots. there are stories of the villains ecurb took on singlehandedly and won. apparently the green lantern corps contacted him and he turned them down. apparently he infiltrated the fortress of solitude and now is the leading expert on kryptonian tech. ecurb doesn’t fall off a cliff, he just changes the altitude of his fight. ecurb crashed a plane into a mountain and the mountain apologized to him.

they fake ecurb’s death as part of a plan to save the world. over a hundred heroes show up at the funeral. clark’s heart aches at bruce’s red-rimmed, watery eyes. bruce is two seconds away from collapsing on the floor in disbelieving laughter. ecurb rises from the dead a couple weeks later, no worse for the wear. his new costume now includes orange and pink polka dots.

the bats swear to take the secret to the grave.

#i have no idea where i was going with this #utter crack i swear #i just want them to joke about a new child bruce adopted #and it just. snowballs #kaahkgkaegarehgahe #scribbles from the swamp #batman #batfam #batfamily #dc #batman headcanon #batfam headcanon #batfamily headcanon #dc headcanon

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syrena-del-mar · 4 months

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An Ode to Older Siblings: New in Dead Friends Forever, Episode 9

Spoilers ahead for Dead Friend Forever Episode 9. Allusions to suicide and all other triggers that have accompanied this show will be here. Tagging @slayerkitty for the DFF Meta compilation.

Can you imagine New, who sacrificed his relationship with his little brother to make it into a university abroad with a scholarship, one that would open opportunities that Thailand did not have to offer him, having to come back on a plane ride? A minimum of 12 hours in a plane, in an airport, packed with people going on business trips and vacations, yet where nobody knows that you're going to back home to a hell that you never could have imagined? It was supposed to be a holiday for him, a chance to see his family again after months of being apart.

But instead, his baby brother was now missing. The same baby brother that had given up on having any semblance of a relationship with him because he felt abandoned, forgotten. His little brother who would find no difference if he was abroad or not, because it's not like Tan had ever paid him any attention when he was so focused on just getting out of their home. But New was trying, extending an olive branch, hoping that Non would accept even the smallest bit of it. He'll bring him the best snacks that England has to offer, he'll listen to any problems that Non may have, even while he's thousands of miles away. But no calls ever came from his little brother's number. No, he hadn't even known that Non had gotten into trouble until his mother called him. Non's missing.

And, now he's returning home. The snacks that he had promised Non probably weighed like a ton of bricks as he carried them, they were his burden to carry. Maybe if he had been there a little more for Non, had been a little bit more present, maybe Non would have reached out. Maybe he wouldn't have had to turn to his tutor. His home is broken, but it's still a home. He's the oldest, he's the one that has to repair it when his parents can't.

He knows his mom had mentioned Non's boyfriend in passing before, even though Non had never told him directly. So he had searched through Non's belongings, looking for his number, hoping that Phee might have more information. He's doesn't, they're both at a loss. Maybe Phee didn't know Non as well as he thought he did, but New knows his brother. Non was never good with his words, never good at speaking directly of the problems he faced, but he would have left a sign, something, that might show them what demons he was facing alone.

So, he pretends that he can go back to his life in England, pretends for his parents' sake, so they don't have to worry about their only other son. But he can't, not when his little brother is out there...alone, again. He takes a leave of absence from school. Maybe it's crazy, reckless, but he puts himself back in high school. If the cops won't give him answers, then he'll get them himself. He forges his records, pretends that he was Non's same age, changes his identity. He's now Tan. A new kid that just happened to meet Phee at the office on their first day of school. Tan can charm his way into the same friend group that likely destroyed his brother. Tan can dig for the answers that nobody was willing to get.

And Phee helps, maybe he helps a little too much and little too close. For a moment, a part of New's heart breaks for his baby brother, as he sees his boyfriend get close to one of the bastards that had a hand in Non's disappearance. Maybe this is why Non always felt abandoned. So New smokes, one pack turns into hundreds more. A bad habit that he picked up with his English friends as they hit the pubs. It's the only sense of normalcy he has anymore.

He builds a makeshift lab with the money his parents wired him, nothing like the state-of-the-art equipment that he had grown accustomed to at his university, but it was enough. He researches, he experiments with the one concoction that might finally get Non's friends to tell him the truth. He's so close to perfecting it. Then his dad calls, and it feels strange. He rarely talked to his dad, it's his mom that usually calls him. Mom's dead. For a moment, he forgets that he was supposed to be in England, that he was never supposed to be in Thailand. He's not Tan anymore, he's just New. His house isn't just broken anymore, it's crumbling.

His father resents him. He's drunk and he's spitting fire, New can't blame him. Afterall, he is a liar. He lied that he was back at university, back in England. He never visited his mom when they were only miles away from each other and now she's dead as well. Was Non right all those years ago? Does he abandon everyone? He was never his dad's favorite, he knew that, but how he could he go and leave him behind too?

Now there was no broken house, no dilapidated house, no place that he called home. He couldn't fix this anymore. And he's tired, he's so tired. There's nothing for him to salvage anymore. Maybe if he takes a hit of his own concoction, he can end his pain as well. But Non... Non deserves justice and New is so scared, scared of failing him again. He wants this to end, he can't save anyone. But Phee arrives and holds him steady, lets him cling tightly to his shirt like he used to cling to his mother as a child.

Maybe he won't live for himself anymore. This all started with the bastards who were supposed to be his brother's friends. They cost him his whole family. No. he wasn't going to give them the satisfaction of destroying his home, of destroying his baby brother. He once told Non that he would steal his novel, get it sold for other people to read. Maybe it can't be sold anymore, but maybe Non's story can finally be told as Non had wished.

How could New have ever known that getting onto that plane would just be the prelude to the hell that he was about to raise? He's the oldest brother of the family, he was supposed to protect them, take his responsibility for his parents and his baby brother, but he failed. His dad was right, he wasn't a good enough son or brother, but maybe this could be the start of his atonement.

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antimony-medusa · 6 months

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"There's just something about that guy that means I don't trust him"

Okay so, Phil has got the wrong read of Sunny. I'm gonna start off with that. He thinks they're a confident unconcerned material girl who is comfortable in the fact that their dad loves them, and potentially he thinks that they're a bit older than they are? Whereas people who have been able to see her one-on-one with Tubbo know that she's quite a bit more shy and insecure and young than she puts on! He's been taken in by the facade they're putting on, and I think that's part of why he is making jokes and comments that don't hit well. To understate how yesterday went. I think he botched the interaction with Sunny in the musuem and I hope someone tells him that, so he can apologize and fix that. And to be clear, as a phil viewer, this does interesting character work with Sunny as a sensitive child and I'm in favour of Sunnymin pursuing this line of lore. I'm staring with my little cube guy watching googles looking for the result when Phil realizes he scared a child, with great interest.

Because when you look at the musum one in context, my read is that was phil pivoting badly from an out of lore discussion into "oh hey I can explain something to sunny, who is confident and centred and knows her dad adores her" and then jokingly tried to explain the tallulah experience, and then we know from Sunny signs later that that went over like a ton of bricks. Mistake. However, when we're discussing it, I think it's fair to not have that understanding of the lore though, and to take a more pointed, villainous read of the lore! Go for it with discussing phil as cold and brusque to people who aren't his family, discuss Sunny feeling all alone in the musuem, fill your boots.

But guys, when you're discussing this as meta, I am seeing a lot of tags that are really really eager to paint Phil entirely and unequivocally as a villain and specifically cruel to children and cruel within the family, and there's an element to that that concerns me.

Phil, the cc, the guy, acts working class. He has an accent from a particular part of england that is traditionally working class, but he also has storytelling cadences and humour styles and attitudes towards challenges that are very familiar if you are from a working class or lower income community. I'm from an entirely different continuent, but the area I'm from is the sort of area that people make jokes about, and the whole way Phil acts as a CC is very familiar to me. (Note: even when he's talking about travel or stuff, he still has the "worked retail for a decade" mentality and pays attention to the staff and stuff and what they're doing, check out the brazil storytelling vod.)

And Phil's cubito, when he's not deliberately making a character like osmp crowfather, tends to have the mannerisms of someone who is working class. Even if you're not from a lower income area, I think most people can clock this, subconciously if nothing else. He swears a lot! He banters and roasts his friends and family but would absolutely do anything for them. He's informal in a very specific way.

Which is why when people pivot immediately into "why is he threatening and bullying children again" and "his wicked is showing", and "oh he's a evil stepfather/cruel stepmother" and "can we kill the child abusers now" I go Oh No.

Working class mannerisms are already stereotyped as especially prone to domestic abuse, among other ills. If you are going "oh something about him just always seemed like he would be cruel to children" maybe— push back on that one?

In the same way that during the election I was going "that may not be the play" about americans who didn't know what it was but something about Forever was just so angry and agressive (and they were talking from a perspective that viewed forever as a person of colour, regardless of how he's perceived at home), you might be talking from a perspective that encourages you to interpret Phil's behaviour with children as especially suspect. Potentially. Consider it.

And again, Phil biffed it in the musuem. That was a misstep that had me (autistic) going "oh no I see how you got there but you can all but see the sims negative relationship marker thing pop up". But I'd ask you at least to consider that it wasn't intentional cruelty, and that people can make social missteps before you jump immediately to interpreting their actions in the worst light possible.

#discourse #fandom meta #qsmp #philza #qphilza

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tamelee · 3 months

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pls bottom naruto is disgusting stop drawing this ooc cringe

Eh? And it hadn't even been a full day.

Anyway, do you know what this means?:

It means… that I don’t give a damn about your whiny gibberish about this top/bottom bullshit, because it sounds incredibly silly. (And wrong because I draw both?)

It’s fine to have a preference, good for you (I have one too!), but if all you care about between a character-dynamic is the single notion which establishes a rule within a fandom that demands only this particular dick in only that particular booty and nothing else, while dividing yourselves between "us and them" while seeing the people who like the same exact characters as your "enemy" and treating them as such— well,

I have nothing to say to you, I couldn’t care less what you think about me and I don’t know you.

But for the sake of other creators who are often a target also, some which I know quit because of this… there is a little something I'd like to say about these servers:

You don’t think I (we) know what is said in there and by who? 👀 That your rules of "what is said on here stays here" with a bunch of people online that you don't know, is actually respected? Why do you think I never join any. And bet your ass that I'm not the only one. This constant fighting between NS/SN is such an embarrassment for this fandom, seriously. I hope you realize that.

Because, instead of encouraging a (new) creator to share something about the characters you claim to love (for fucking free) you go off chastise them for not “doing it right”/“your way”, pretending it's some unspoken commission no one knew of or was paid for. Instead of being happy there’s still so much creative contribution for characters from a story that ended years ago, you go complain under fanfics and dishearten writers, often grinning away with your little server-“friends” and make fun of work someone poured their heart in. Or, you huff, puff and breathe fire as you make plans to cancel them out of pure bitterness, to the point (especially new) creators are too scared and dispirited to ever share anything again. It's easy to do anonymously, aye? And if you think that doesn’t affect their lives and sends them right back into a crestfallen pit of dark hell because it prevents them to do/share the single thing in life that gave them a bit of joy, then...

Congratulations; you’re a heartless bastard.

And you, as a fan, did yourself dirty too.

Do you know how many people don’t want to share anything at all for this fandom because you people leave comments, tags, asks, tweets constantly complaining about an incorrect portrayal of the (in your opinion) only acceptable dynamic, like a bunch a brats? Do you? Because I’ve talked to quite a few of these discouraged creators, they have to hope for the best and pray they’re spared from your scrutiny. I receive it from both sides every now and then.

Again, congratulations: you’re the reason there’s less chance of you getting what you want in the first place.

Do you... really not realize?

The more you squabble with "your enemy" (lol) the more it affects the "us" you care about while the rest of us just bask in the glory that is SNS/NSN and couldn't care less about what you think/have to say. So, keep everyone else out of it and go mope elsewhere.

But, between you and me? There are better ways to share what you think is right. Make something yourself, because what's stopping you?

You’re perfectly capable, it doesn’t have to be art or a fic, maybe there’s just something in the story that you really enjoyed— write about it. Make a meta. Post the panel, show the moment that determined your undying love for this single dynamic and why— whatever. Because, wouldn't it be nice having someone encourage you to create something you like? 😬 Especially because you and your server feel so strongly about it? And then you don't have to depend on others either?

Wouldn't it be nice?

Well?

Hm!?

Try it, ffs.

#asktamelee #fandom talk

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bronzeagepizzeria · 9 months

Text

A COMPREHENSIVE DEFENCE OF EVERYTHING TENTOO (PART 1)

Because unfortunately there’s a lot of stuff out there to refute.

so i guess a lot of people are watching doctor who right now because of good omens. and that, for some reason, means the tags are being constantly subjected to Certain tentoo takes so...it's meta time.

in this meta, i'll be rehashing how, exactly, tentoo is the doctor, and answering some other commonly posed objections to the pairing that is tentoo x rose.

But he's not the Doctor! Rose ended up with a copy!

First things first. The entire show revolves around the philosophical concept of Cartesian Dualism--the idea that the soul/spirit/mind has an entirely separate existence from the physical body. This is the basic principle of regeneration; when the Doctor regenerates, every organ, every cell in his body changes, and yet he remains the same man. What makes the Ninth Doctor the same man as the Tenth Doctor? There's something underlying here---the memories, the mind, the spirit. The body, has absolutely no significance.

In S6E6, The Almost People, we are introduced to the Ganger!Doctor. This is a man made out of like, slime, but he has the Eleventh Doctor's memories. Thus, he IS the Doctor. The Doctor himself says this.

In S9E11, Heaven Sent, the Twelfth Doctor is reduced to ashes millions and millions of times, and yet each time his body is 'recreated' or 'cloned', he remains the same person. Why? Because the memories persist. The soul lives on.

Here, have it straight from the horse's mouth.

"A man is the sum of his memories. A Time Lord even more so." - The Fifth Doctor, The Five Doctors, 1983

More evidence? What's the first thing the Tenth Doctor tries to do in Born Again to convince Rose that he really is the Doctor she knows?

DOCTOR: Very first word I ever said to you. Trapped in that cellar...Surrounded by shop window dummies. Oh...such a long time ago. I took your hand...I said one word. Just one word...Run.

Right. He shows her that he has the same memories.

Now cast your minds back to S4E13. What does the Metacrisis Doctor say when he's trying to convince Rose he's the same man?

Therefore, according to the lore established by the show itself, his missing heart has no significance to who he is. He is the Doctor.

2. But he's a CLONE.

Okay, first of all, he's not. He's a biological metacrisis, the only one of his kind. He has only one heart, i.e, he is not biologically identical to the Time Lord Doctor.

Second, even if he was, he would STILL be the Doctor. As established above.

Third, we see a Martha clone in S4E4, The Sontaran Stratagem, and she is a far cry from what we see of Tentoo.

3. Alright so he's not a copy. He's still only A Doctor! He isn't Ten, he's Half-Donna!

So. We've established that what makes a man is his memories.

If the Doctor had Donna's memories, he wouldn't be the Doctor anymore--which makes him ending up with Rose redundant. Here's the silver lining though.

Tentoo has only ten's memories. His own memories.

'How do we know this?' you may ask. Let's examine the script of S4E13, Journey's End.

(The Daleks spin around on the spot.) DALEK: Help me. Help me! DONNA: And the other way. NEW DOCTOR: What did you do? DONNA: Trip switch circuit-breaker in the psychokinetic threshold manipulator. NEW DOCTOR: But that's brilliant! DOCTOR: Why did we never think of that? DONNA: Because you two were just Time Lords, you dumbos, lacking that little bit of human. That gut instinct that comes hand in hand with planet Earth. I can think of ideas you two couldn't dream of in a million years.

Not very likely if Tentoo had her memories, right? This happens again, in the TARDIS Coral deleted scene:

DONNA: If you shatterfry the plasmic shell....you accelerate the growth power by fifty-nine. DOCTOR & NEW DOCTOR: We never thought of that.

There we go. Canon evidence that Tentoo does not have Donna's mind/memory/thought process. Instead, we see his mind being constantly referred to as that of his Time Lord counterpart.

4. So what exactly happened during the 'metacrisis' then? Why was Donna unable to sustain the change whereas we're meant to assume Tentoo is doing fine?

What happened in JE was a two-way metacrisis.

Tentoo is a biological metacrisis, i.e his mind remained the same, but the regeneration energy in his hand picked up on Donna's human biology and grew a human body. (His body is PART human, as in the ageing part. He'll grow old, and never regenerate.)

Whereas, Donna's body remained the same; she got the Doctor's mind, becoming the DoctorDonna. She is essentially the Doctor AND Donna, at this point in time.

At one point in JE, there are three Doctors ("There's three of you?") because as proved earlier, anybody that has the Doctor's memories, is the Doctor. There is: the Time Lord Doctor (Ten), the Human Doctor (Tentoo) and the Doctor Donna.

Since Donna was a human, she could not sustain the Doctor's mind alongside her own, which is what led to it burning up. It was simply too much for a human brain to take.

Tentoo, as proven earlier, does not have Donna's mind.

5. But he talks funny.

We are shown the Doctor picking up her mannerisms. The Doctor regularly picks up things from people he travels with. He "imprints" on Rose as a newly regenerated being and is shown to pick up on his companions' accents very often.

On a more analytical level, the "Donna mannerisms" bit is obviously comedic relief in an extremely action packed episode (evidenced by the fact that he literally never sounds like Donna again throughout the episode) and isn't meant to be taken that seriously. In every other scene, he is played by David Tennant, exactly as ten.

Tentoo is the Tenth Doctor, but human. In every way that matters, he is exactly Ten.

6. But he's Season 2 Ten! He doesn't have any of the character development Time-Lord Ten does!

Erm. Yeah. You've got to watch the show again.

7. Alright. Okay. If Tentoo is the exact same man, he would get bored of a life on earth with Rose. They'd never last.

Now we've got to address a key aspect of the Doctor's arc. (Keep in mind, when I refer to the Doctor herein, I only mean the Ninth and Tenth, the ones written by Russell T. Davies.)

The Doctor always wanted to be human.

The Doctor, and the Tenth Doctor in particular, wants to be human. It’s peppered here and there throughout the first four seasons, but if you watch closely, there’s this underlying current of wistfulness in him (“I’ve never had a life like that”; “The one adventure I can never have”), not to mention the entirety of the Human Nature two parter.

I think to some extent Rose made him feel human, and it’s his alienness that’s the big barrier in their relationship. He doesn't allow himself to love her the way he wants to because of the difference in their life spans. Because he's a Time-Lord, and he has a responsibility to the Universe, and he can't be more selfish than he's being already, keeping her with him.

She makes him want to be human, to be loved and to be free to love her as he wants to. She even helps him forget, sometimes, that he isn't human. Remember his expression in The Stolen Earth when he sees her again? He is so glad to see her. In that moment, it doesn't matter that they can never be together, because Rose loves him so much she came back.

I'm reminded of a quote from Buffy The Vampire Slayer:

I know that I'm a monster. But you treat me like a man.

And then bam. The almost-regeneration. The crushing reminder that he is intrinsically different from her species, from what he aches to be. Constant and selfish and free. Human.

Giving Rose up to his other self was the most selfless, loving thing he could’ve done. His other self, who is uninhibited, unburdened from the responsibilities of a Time Lord—can and will give Rose everything she deserves.

8. Just make Rose immortal then! Happy endings all around.

Now you might say, the earlier problem could be solved simply by making Rose immortal—she’d stay with the Doctor forever and she’d never have to leave him!

Here's the thing. Being immortal is Not Good.

A constant theme throughout seasons 1-4 is that immortality is not desirable. There is a constant motif of “living too long”, whether it be from Jack, the Face of Boe (cough), or the Doctor himself.

Things are only precious and meaningful because they end—the human way of doing things? Fast, and bright, and temporary? It’s the right way.

One of the many reasons the Doctor loves Rose is because she’s human—it’s a big part of why he’s attracted to her in the first place.

Besides, an immortal Rose would mean having to outlive her family, her friends, everyone she’s ever known—who else has experienced that? Oh, yeah. The Doctor. I can’t imagine him wanting her to go through the same thing under any circumstances.

9. Rose would never accept him. She wanted the adventure too, not just the Doctor.

This is the Rose who instantly felt connected to a parallel version of her parents. Remember, this Pete and Jackie had NO memory of her, and yet, she loved them. Tentoo IS Ten.

She also constantly refers to Tentoo as The Doctor, so I have faith in her figuring it out just fine.

As for the adventure, being human doesn't mean they're suddenly going to become accountants or work in childcare or something. (Looking at you, Jenny Colgan.)

Canon (Big Finish) tells us that they both work with UNIT/Torchwood, so we know that they're out there, defending Pete's World together.

'What about the TARDIS?' you may ask. Well, the writer considers it canon that the previously linked TARDIS coral scene did take place, so we can imagine that they're out there, exploring a new Universe.

But even if they didn’t have a TARDIS, we only need to look to S1E13, The Parting of the Ways, to understand that Rose cares about the Doctor above all else.

ROSE: But what do I do every day, mum? What do I do? Get up, catch the bus, go to work, come back home, eat chips and go to bed? Is that it? MICKEY: It's what the rest of us do. ROSE: But I can't! MICKEY: Why, because you're better than us? ROSE: No, I didn't mean that. But it was. It was a better life. And I don't mean all the travelling and seeing aliens and spaceships and things. That don't matter. The Doctor showed me a better way of living your life. You know he showed you too. That you don't just give up. You don't just let things happen. You make a stand. You say no. You have the guts to do what's right when everyone else just runs away.

Of course Rose loves the TARDIS. She just loves the Doctor more.

More evidence? S2E8, The Impossible Planet:

DOCTOR: ....They were grown, not built. And with my own planet gone, we're kind of stuck. ROSE: Well, it could be worse. This lot said they'd give us a lift. DOCTOR: And then what? ROSE: I don't know. Find a planet, get a job, live a life, same as the rest of the universe.

Clearly, she doesn't mind settling down---not if it means staying with the Doctor.

DOCTOR: I promised Jackie I'd always take you back home. ROSE: Everyone leaves home in the end. DOCTOR: Not to end up stuck here. ROSE: Yeah, but stuck with you, that's not so bad. DOCTOR: Yeah? ROSE: Yes.

Here's another conversation she has with Jackie in S2E12, Army of Ghosts:

JACKIE: No, but really. When I'm dead and buried, you won't have any reason to come back home. What happens then? ROSE: I don't know. JACKIE: Do you think you'll ever settle down? ROSE: The Doctor never will, so I can't. I'll just keep on travelling.

"I can't." Not I don't want to, or I'm not interested---I can't. Rose is in love with the Doctor, and she knows at some level that the feeling is mutual. She also knows, he will never fully act on it.

But that's alright, because she loves him so much she's made her peace with it and with his limitations.

And instead of the typical female protagonist sacrificing things for her love interest trope, we get RTD flipping it on its head and letting Ten deliver the ultimate sacrifice, perform the ultimate act of love---letting Rose go.

By doing this, he's giving her everything he never could. It's beautiful. It's heartbreaking. It's the best love story ever put to television.

Let me conclude with this quote:

“Firstly, Rose is neither shallow nor stupid. She doesn’t settle for second best. She gets the person she fell in love with. And, as a bonus, he’s now able to spend the rest of his life with her, as she with him. Secondly, the very same person who experienced the heartbreak of losing Rose for the first time now experiences joy at the prospect of a lifetime in her company. In this full sense, the Doctor who lost, finally wins.” - Paul Dawson, Doctor Who and Philosophy.

10. But the Doctor and Rose ending up together is disgusting! They were platonic!

…..

Part 2 coming soon. I have loads more to say, but feel free to send in any other tentoo questions you want answered here. There's no such thing as too much meta!

#nothing brings me back to dw faster than tentoo hate #no one touches my boy #my meta #meta #rose tyler #tentoorose #tentoo #tenrose #tenth doctor #doctor who #ten x rose #tentoo x rose #timepetals #doctor x rose #ninerose #nine x rose

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powderblueblood · 3 months

Text

THE BOY IS MINE (POWDER'S VERSION)

delighted to be involved in @carolmunson's eddie challenge because when do i not want to write about the boy! looping in @vvitchwords and @howdidyouallgetinmyroom for no pressure funsies, and you if you're reading this and want to do it. tag me! cw: here you'll find eddie x fem!reader in almost an implied situationship... a little bit angsty, a little bit cosmic, a little bit meta. ambiguous ending! mentions of dick and horniness but no outright smut. wc: 2k

“Ding dong.”

Hey, it’s you! Eddie grins under the flickering porchlight, crossing his arms as he leans against the door frame, paint chips falling.

“Howdy, little hobo.”

“Tch– what a deeply unflattering and libelous nickname. Can I come in?”

“I don't know, it’s been a while…” he says, smacking his tongue against his teeth, “How do I know you haven’t caught something?”

“Look, can we dispense with the cleverness and give me a ‘y’ or an ‘n’ here? I've had a day.” You prop up the brown grocery bag like an infant against the dip of your hip. “and I brought libations.”

“Booze?!” Eddie's mouth bounces around the ‘b’ and he ushers you inside with a flourish. “Well, why didn’t ya say so? M’lady, right this way…”

And he’s right, by the way. It'd been a while, just the two of you. He'd been here doing god knows what with god knows who and you’d been up the walls doing a whole lot of nothing. But coming back together, it always felt like putting on an old shoe. Comfortable, reliable, broken in. Eddie watches you breathe in a lungful of the Munson trailer’s fragrant air, top notes of stale cigarette smoke and Beefaroni sparkling alongside Eddie's dark eyes as he hops up on the counter. Barefoot, beatific, lovely as all hell.

You wag your finger in warning.

“Don’t get comfortable, chicken. I have a very romantic meal planned.”

“Oh, you do, do you?”

“Yeah!” you chirp, digging a bottle of horrible merlot out of the brown paper bag. Thunk. “I brought dessert…” followed by a tub of vanilla frosting. Thunk. “...followed by dessert.”

Eddie, from where he perches, tries to peer further into the bag. “Where's the rest of it?”

“There’s– what? that’s it.”

“Wine and frosting?”

“I cut to the chase,” you tell him, popping open the can and stepping into the living room, “Whose favourite part of the cupcake is the cake part? Get real.”

“You’re nothin’ if not pragmatic,” Eddie sighs wistfully, slipping back off the counter and casting a glance to the pile of dirty dishes in the sink. He swallows and tacks on, “and that is why I like you so bad.”

Eddie shuffles around the kitchen, looking around for appropriate receptacles with absolutely none in sight. Shouldn’t matter, right? But even after all this time, he’s still trying to impress you. even with how… low maintenance this thing between you is.

“I ran out of, like, nice cups. Is this okay?”

You stare at the novelty mug he’s holding out to you. Like, really stare at it.

“I'll bring you my ten dollar-est bottle of wine and you’re gonna make me drink out of the haunted bear chalice?”

That thing is really fucking awful. It’s shaped in a convincing enough impression of a teddy bear, but pockmarked like a peanut shell and staring at you with the milky, demonic eyes of an ancient evil. Where does Wayne find this shit?

“Well, I never know when you’re gonna show up so I never know when I oughta, like, polish the crystal!”

“You’re too busy polishing something else in my absence, I'm guessing.”

Eddie's eyelids lower, his brows quirk, his lips curl over all Don Juan-like. “What happens between me and my buffering rag is none of your business.”

“How come you get the Garfield one?” you poke, gesturing to the bright orange cat shaped thing in his opposite hand.

“Because it’s my trailer and it’s my party and I'll Garf if I want to.”

“What if I wanna Garf?”

“Tough break, sweetheart.”

“I'm the guest, I should be allowed to Garf.”

“Nope.”

“Please?”

“Nuh-uh!”

“Garf me!”

“If you don’t stop, we’re gonna have a problem,” Eddie says, all-mock glowery and stern. “Take your fugly little bear and pass the frosting.”

You brought red wine because you know how docile and touchy it makes him, and he knows that you know. Eddie relishes in it, that faint berry buzz staining his lips and the outer edges of his brain. He digs another fingerful of frosting out of the container and sucks it right down his gullet, so noisily that it makes you clear your throat. You look up from your end of the couch, from that notebook you’re always scribbling in. He wonders how you can even see, since the only real light source in the living room is from the television blaring Headbangers Ball.

“Oh shit. Am I distracting you?” he says, all mock-coquette, and sucks his finger right down to the hog’s head ring with an exaggerated slurp. “From your investigative journalism or whatever?”

You note something down, pointedly, and shove him in the thigh with your socked foot.

“Stop trying to seduce me. It’s not gonna work.”

“I'm sorry, Mrs. Robinson.” Eddie's voice is a smooth sing-song with some grumble under the surface, his bared, smiling teeth catching the light of the TV. Jeez.

“I'm writing the biography of some graceless idiot,” you prod a little further, scribbling on the page just to scribble.

Eddie hikes up in his seat, wine almost sloshing over Garfield's open cranium.

“I fucking knew it!” he cackles, jabbing a triumphant finger into your calf, “I'm your muse. I'm the reason for which your artistic heart beats. I’m your bottomless well of inspiration–”

“You have frosting on your nose.”

Eddie leans toward you, hand still on your leg. His tongue pokes out and swipes nowhere near his nose. “Did I get it?”

“No.”

Another attempt. “How ‘bout now?”

“Mm-mm.”

His dark eyes round out, pout very much pouting. He's a great pouter. That could be what you miss most about him, when you’re away.

“I think I need help,” Eddie whines.

You scoff, setting down the bear mug and the notebook on the ground.

“You’re fuckin’ relentless, you know that?”

With a couple of shuffles, you plant your thighs on either side of Eddie's lap and cup the back of his head. He's got a smug little look splashed across his face now, one that you know just how to wipe off. Your tongue licks a smidge of frosting from the tip of his characterful, unforgettable, rideable nose and Eddie's breath hitches. His hands, his fingers cuffed up in silver, dig into your thighs. Your faces, inches apart and his lashes falling as his hips ever-so-gently kick into yours.

“Shit,” he breathes, teeth pressing into his lower lip as his face tilts you-ward. “I’m at your mercy, you know that?”

You wind a couple of his curls around your fingers and Eddie presses his forehead to yours with a hum. He’s so sweet. so eager, even at the first touch. teasing his way into it but immediately losing the fight, already begging for more.

“You’re missing your show,” you inform him uselessly as his hands move up your thighs.

“Doesn’t matter,” Eddie tells you, with a hairline crack running through his voice, “It’s only fucking Mötley Crüe. I wanna run Vince Neil over with a ride on lawnmower. This is quelling my rage.”

You pull your head back a little and shake it. “You wait all week for The Ball, Eddie.”

“I wait—…” he nearly chases you as you move from him, neck going stiff. A grin masks the earnestness teeming out of him, but the wine has made it a little more obvious. He doesn’t want to come on too strong, but strong is all Eddie knows. “I wait all week for you.”

Your tongue clucks against your teeth and he kind of can’t stand that pitying way you’re looking at him, and it’s kind of all he ever wants to see again ever forever in his whole life ever.

“Baby,” you mumble, like it’s stupid, and he knows it.

Eddie’s slowly losing the last fuck he has to give. He chuckles, lightly, desperately.

“But I do!” he tells you, hands sure on your hips, “I do. I wrote you into a campaign this week, y’know—even though I knew you’d hate it.”

“Mm. Even though I told you not to.”

“Yeah, even though,” he shrugs, defiant. “She's great, though—she’s a creature of the fae that’ll bewitch you on sight. And she bends around the light, appearing and disappearing at will, but you can always kinda feel her there.”

“Like psoriasis.”

“Tchyeah. her flare ups are a bitch to handle.”

“Scabby and painful, just how you like your women.” You sit back a little. He registers.

“Aw. Don’t be like that. That’s not even—...” he runs a thumb along your cheek, more for him than for you. “She just needs some soothing and she’ll be okay.“

“Eddie,” you say, and your tone’s not dark, but it could be, “do me a favour. Don’t immortalise me.”

“Huh?” his brows knit.

“It's not good for you. It’s gonna make you think I'm something that I'm not.”

“But…”

“But but.”

“But what if that’s the only way I can get close to you?” Again, that facetious look on his face, that sardonic smile that’s masking everything except the spellbound look in his eyes. Dark stars dancing in his irises from the twilight of the TV. “And I really wanna be close to you?”

“Making up stories about me? Living in your own head?” It’s something he’s heard his whole life, but you phrase it soft. But he knows what you mean. “And you like that?”

“Fuck yeah,” Eddie insists. because it’s something worth protecting, actually. “Have you been outside lately? It sucks.”

You give a little. “Salient point.”

“Besides. You write about me, how is it any different?”

“Well, I write the facts. So I can remember you. You write fantasies, so you can enjoy me.”

Eddie shakes his shaggy haired head. you’re not winning this one.

“Sorry, smartass, but there’s no way you’re writing objective facts in there. It’’s all gonna be tainted from your point of view,” his clutch on you moves to your waist and he sits up a little straighter, “which, I don’t mind. I like your point of view.” A beat. “I like that you’re seeing me at all.”

“Oh. Eddie.” It’s not as if people don’t, it’s not as if… you know, he has nobody, but the way you dig him is special. The way you dice him up.

“God,” he groans, his forehead sinking into your chest, “How can someone make me so emotional and horny. Not right. Feels like a spy tactic. You workin’ for the opposition, trying to take me down?”

“Yeah, because you’re such hot patriotic property,” your hand pets at the crown of his head, “Who died and made you America's sweetheart?”

“This boner is a betrayal of my countrymen.”

“Try a couple of bars of the national anthem and maybe you’ll calm down.”

Eddie's head pulls back so he can look at you, trying to pull focus from the way his dick is straining in his flannel pants. But, tough shit, crapshoot. He wants to press you into this sofa and rut into you slow, feel the suction of you surrounding him.

“Why aren’t we doing this again?” he asks, bleary-kinda.

“Because you get too sad when I have to leave,” you say into his curls, “and sometimes I have to leave.”

“So why do you still come here?” and when he asks you this, he doesn’t feel sad. doesn’t feel a cold shock, an empty feeling like you’ve described before. Eddie just wants to know, now, while he’s in the warmth of you.

“Because… well… no one else is worth writing about right now.”

That's okay. It’ll do. He'll take what he can get from you, even if it isn’t everything. Because what he can get is great. you smile at each other, wineskinned and a little lopsided, and you ease yourself off to cuddle into his side while The Ball plays on.

“God, those pants really leave nothing to the imagination, do they?”

“What’s that?” Eddie or Vince Neil?

“I can see the full outline of your penis head.”

“And what a glorious sight, you ungrateful degenerate.”

“Never said it wasn’t. It’s a nice shape. But.”

You push a throw pillow into Eddie's lap and he hisses a little. “If you don’t stop…”

“You’re gonna hump that pillow and think of me?”

Eddie's brain staggers alongside the beat of Ride My Rocket by Pantera as it blares from the set, looking at you with a cocked open mouth. “Yes! Obviously!”

#published by powder #e. munson by powder #eddie munson x reader

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bidisasterevankinard · 3 months

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Buck breakdown meta(+ a little bit of divorce 2.0 era)

“Did you know you were clinically dead for three minutes?” - “Bobby” from Buck’s coma dream or Buck’s part of the brain that always helps him to find the answers (6x11)

“Buck, you died” - Maddie(6x12), Bobby (6x14)

“You died, Buck” Eddie (6x12)

Before I started this meta I remembered these three (well, technically four but how you can see Maddie and Bobby said the same thing) times someone said in real words what happened with Buck, what exactly he experienced in his life, how he lost it. Because it wasn’t just “an accident on the job”(Buck 6x14), not even a near death experience Buck had in his life before(and not once), because Buck is indeed a good “friend” and “old acquaintance”(Buck 6x15) with death since he was born (as a donor to dying child) and not just “for a moment” how he believes. But I haven’t remembered Buck himself (not a coma Bobby), especially after he woke up and “started his healing” (the lyrics of the song right before we see Buck after hospital in 6x11) saying it. And I really thought aha, you sneaky boy, you haven’t really recovered as you never even said “I died”. But he actually said it once, but, to whom do you think he said it?

To his sister who raised him as a parent and said “Buck, you died”? No.

To his father figure who he knows was praying to God sitting in his room, thinking his another child is dying and he can’t AGAIN do something? To the man who was cradling him like a baby to put him on a gurney and wanted to take it easy on him in 6x14 because “Buck, you died”? No.

To his best friend, to whom he ran to hide from his sister’s fussing? To the man on whose couch he fell asleep seconds after sitting on it? To the man who tried hard to support him, how Buck supported him during his breakdown? No.

He said it to the woman he never met before (btw Natalia is cute and it’s not her bashing post. so DO NOT DO IT IN TAGS PLEASE), just a matter of factly, when helped her with her injury because he heard that she is “death doula”(but before it, he tries to say it in the other words)

But even to her he says it ONLY THIS ONE MOMENT. When they met again he spoke about his death experience in the pattern we saw before.

And this pattern is : “When i woke up,” “I woke up in a world” “I recovered” “accident on the job”, joking with Maddie, “it’s all a gift” or with Eddie not even himself in 6x12 talking about HIS death experience. With Eddie he asks about shooting, but Eddie makes it a conversation about “You died, Buck”.

Buck doesn’t like when people talk about death, showing him their grief, so he tries to talk about his new life. He jokes, or moves the conversation to the point of talking about his new life, new possibilities for him, about how he processes he is still here, but NOT HOW HE DIED. Buck refuses to process that he died. Yeah, it happened, he knows everyone grieved him, but he refuses to talk about how it changed him and others. He just wants to accept changes not to “act” like an “old same Buck”(Buck 6x15) for everyone, but to be a new Buck. And who is perfect to make him think about not his death, but about how many new experiences he can have, if not the person who is amazed by his death, who thinks it is “cool” he had the opportunity to experience it and get back, if not the person who never grieved him? Natalia wasn’t around to see him dead, she wasn’t the one who saved him. And Buck knows his family had to see him like that and act to save him, but he can’t think about it. He concentrates on good things, on being alive, on moving forward, to see “what’s next” for him. And he refuses to look and speak about what happened before it, to really move from it.

But I think we all remember how Maddie said that Buck is more than good at pretending that he is ok(4x4). Remember how in therapy he said “You said, I hide my true feelings from others. You might be right”, but then what happened? Oh yeah “new Buck 3.0” and him forgiving his parents for going to therapy with him. Because he hides it not just from others, but from himself too. Acting as Buck 1.0, 2.0, etc. Buck knows how to repress his feelings and move on to a new stage. How to act as a new Buck, not just for everyone, but for himself too. How to believe he is ok.

And he for years was mistaken or even hiding a lot of his feelings, so it’s not hard for him to play like he moved on. And on the way to make everyone, except one person who till the last moment (cemetery seen) tried to make Buck talk about his death. Who was the last person to say it to Buck, who used death, and died, in one conversation right to the point till Buck with his words “She sees me. like she really sees me for who I am and what I’ve been through. I think she might even see more in me than I see in myself” almost stopped him. He stops for a moment. Tries to play with Buck on his rules, tries to wait for Buck again how he did in 6x12, but tries one more time to make Buck talk about death.

“You cheated death”

But Buck speaks about life. About lightning. About his new life being a gift.

“My life could have ended right then and there,but it didn’t. That has to mean something, right?” (Buck looks at Eddie because even closing himself he still need Eddie)

“It means you are one lucky guy”(Eddie does’t not look at him)

“Yeah, well, I don't think I’m gonna get that lucky again.”

“We, maybe you don’t have to. Lightning doesn’t strike twice at the same place.”

“Which is why I have to make the most of every single moment. Because from here right now out it's all a gift”

And after that, Eddie, who thought he could give Buck the same “shoulder to cry on” and “sit with you” while you experience bad moments, stopped doing it. He looked at Buck and saw the man he saw, the man he thinks doesn’t need his help. Because Buck doesn’t look affected as Eddie expected him to be. Buck overplayed Eddie with his tires to prove he is ok. Eddie believed him. But also he heard that he is not that Buck needs to feel ok. He needs not that Eddie expected he would need (talks about his death and Eddie’s help), but someone else living with Buck his life and Eddie understood that Buck doesn’t need him at all.Not in the way he needed the man a year ago, crushing his room. And the feeling of loneliness he started to experience while he gave Buck time to come to him, before Buck pushed him away when he wasn't ready in the cemetery, just became all consuming. Because now Eddie believes Buck never needed him, how Eddie needs him. But the thing is, Buck needs him. He just pushed Eddie from him, because he feels that it’s dangerous to look at his death, because he doesn't want to be a burden, because he doesn't want to run in a circle of “someone loves me when I’m in pain” he did all his childhood. He doesn't want to experience love when he is broken, so he closes his death deep inside him, in a box. But we know how boxes explode if it’s too many things inside.

And let’s think that Buck has in his box: childhood of neglect, truck bombing, tsunami and embolism, well and shooting, ambulance hostage situation, Bobby shot, Maddie almost killed by Doug, the secret about Daniel being revealed, and then his real death. All it packed neat inside him, never spoken about. And after shooting we never heard him talking about therapy again. So Buck acts as a “new Buck” ALL THE TIME. Buck 1.0, 2.0, 3.0 it’s a proof. And he is just ready to be another “new Buck”, but others don't, because to see the new Buck they should fully grieve the old Buck. But Buck doesn’t want them to grief, he wants to joke and move on and that’s why he is feeling like he should stay “same old Buck”, act the same, but IT’S A PROBLEM. Because old Buck can’t help to mask the pain and fear from the death he experienced. Old Buck never looked at his life as a “gift”. This old Buck can’t help Buck to hide under this mask of everything being fine. And let’s nor forget how old Buck tried hard to find HAPPINESS. OLD BUCK WASN’T HAPPY. But the new Buck should be. He is still alive. His life has ended yet. But has he found his answer for happiness after death when Lev did it? No.

Buck's answer for happiness wasn’t shown, which means he tries to be happy, but he still doesn’t know HOW. And on the way he pushed his best friend from him, starting their as we call it in a fandom “divorce era 2.0”. Because it is what Buck does when he feels trapped (lawsuit waves at us). When Buck thinks he needs other things, not that others try him to do, speak about, heal properly before move on, not just “rush with his head first”, he pushes everyone from himself (yes yes boy with abandonment issue does it, but it is easier this way). In the lawsuit it was easier to blame Bobby, right now he ofc doesn’t blame Eddie, but he also doesn’t want Eddie to constantly talk about his death. So he pushed Eddie from himself.

So Buck can’t hide behind old, and new Buck is not something his family is ready to see, and it’s still an act. Buck is on the edge of breaking, and I’m sure in 7s it will happen. After Bobby's near death or maybe something else, but it will break him.

Now Eddie. Eddie, who already felt kind of alone, started his journey of trying to find someone who makes him feel not alone anymore. Who will make him feel enough. Because for Shannon, for Buck he wasn’t(at least it’s how he sees it).

That’s how he sees the cemetery. Buck pushes because Eddie is too much for him at this moment, because he isn't ready (something something “you need to move on. I did.” Eddie himself pushed Buck from himself when he wasn’t ready, but he thought if he would make Buck talk NOW Buck wouldn't break like him.) Buck wasn’t ready to be supported by Eddie, because he never was supported like that (Eddie wasn’t in a place to really support him after the fire truck. don't even start. Eddie was deep into his grief and “suck it up and move on” era to really support Buck on this deep mental level). But Eddie was finally in the place to give this support, and he felt like it’s not enough. So he dates, he meets Marisol. He opens himself to the world and new opportunities. Maybe even starting something serious in season 7, when Buck goes deeper and deeper in his own grief and pain of losing the life he had, of losing the part of himself, of not knowing who he is right now, how he should act.

Now we add Bobby’s and Athena’s water related near death experience and … BOOM. Buck is broken, a crying mess. Because he feels grief and fear of losing people he loves so hard, and he can’t imagine who they felt, and he can’t even say what the fuck is the answer to happiness. He doesn’t remember his death, but he remembers his coma, he remembers how he woke up, he remembers old him, but who is new Buck? To this we also add that he feels that his best friend pushed him away, not understanding he did it first(because he did it subconsciously trying to hide from his feelings).

Buck will break in season 7, because it's long overdue. He has so many things he never “allowed to feel it” before moving on. They can’t just stay forever inside him. “At some point that box is going to blow open. And take everyone around you”. Eddie was ready to support Buck and eventually in season 7 Buck would need it and Eddie would see that Buck needs him, he never allows himself to ask, to see what and who he needs. Buck always tries to look at himself through other people's eyes, still tries with Natalia. Maybe look at himself thought Eddie’s feel help him to see something new

Why I also see the possible divorce era 2.0 it’s because we started and continued 6s with domestic Buckley-Diaz scenes but scenes 6x13 Buck wasn't even talking about Chris. So I see it as a possible proof of divorce era, but after new stills I’m not so sure anymore

#yes it's 2k words. i'm not sorry #i could say more #buck will break in season 7 #911 loves parallels so I used moments not related to the Buck as talk about him relation to his arc too #buddie #evan buckley #eddie diaz #evan buck buckley #911 #911 abc #911 meta #911 season 7 #my 911 thoughts #oliver stark #911 on abc #911 speculation

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sage-nebula · 19 days

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"Friede's using himself as a decoy to keep us safe."

I rambled about this in the tags of a reblog, but hell, I'm going to go ahead and make a separate meta post about it as well, because it's something that I think could have a delicious narrative impact on a future Horizons arc if the writers choose to utilize it. (And even if they don't, it could make for some delicious fic.)

So, one thing I noticed on my catch up binge of Horizons is that Liko and Roy (and to a lesser extent Dot) see Friede not only as the leader of the Rising Volt Tacklers, but also as a hero -- as their hero. This especially jumped out at me in episode 25, when Friede had them take shelter in the tower of the ancient castle while he battled Amethio. Not only did they readily listen to him when he told them to stay put inside the tower while he alone went to the exposed top, but then we were treated to this:

This whole sequence is notable for several reasons:

Friede jumps off the tower to draw Amethio away from the higher floor of the tower where Liko and Roy are sheltering, so that Amethio has a lower chance of going after them.

As he passes by their window, Friede gives them a wink and a smile, to comfort and encourage them.

The animators made sure to show us not only how Friede looked from Liko and Roy's perspective (heroic), but also how awed they were by giving us a full shot of their own facial expressions.

Just in case it wasn't obvious enough, Roy and Liko spell it out themselves that Friede is using himself as bait for Amethio in order to protect them, not only telling the audience what he's doing in case the audience didn't pick up on it (which, young children do watch this show), but also showing how this knowledge affects them, because Roy's voice is shaking a little when he says his line, and Liko's is hushed.

This was a very scary night for these two kids. They were outnumbered, their enemies were much stronger than they were, they were being pursued and in hiding. But Friede put himself between them and the greatest, nearest threat, and did his best to comfort them as he did so. To give them a wink and a smile as if to say, "Don't worry, it'll be okay."

And this isn't the only time.

We would be here all day if I grabbed screenshots of every time Friede rushed in to either save the kids from danger (either directly himself or by sending Cap in his place), or check on their well being after the fact to make sure that they were unharmed. Often, he does both in the course of the same episode, sometimes multiple times. Hell, his establishing character moment in the very beginning of the series is a heroic rescue whereupon he enters the scene to protect Liko from Amethio on the rooftop of her school. Friede makes it a point to prioritize the kids' safety and well-being, and as a result, they've reached the natural conclusion: they view him as a hero. As their hero.

So then, the question must be asked: what happens if their hero is taken out of the picture?

The question needs to be asked for a few reasons, and not just because I have a love for angst. The first reason is because we've already been given a teaser of what would happen at the end of the Terapagos Shine arc. In episode 44, Friede was trapped in a tower of Spinel's design. Though neither Liko nor Roy knew that the tower was a trap by Spinel, they did know that Friede was trapped inside -- and both immediately panicked upon seeing that Friede was trapped in a tower beyond their reach in enemy territory.

Roy immediately tried opening the door and, when repeated attempts to yank it open wouldn't work, banged it on it with his fists while yelling Friede's name. Liko, meanwhile, stared in abject terror. And even after Friede reassures them, Roy still frantically demands more answers while Liko just as frantically wants to know if Friede is okay, and a little bit after that has to take a deep breath to try to get herself to calm down. Keep in mind that just an episode prior to this, when faced with a sudden attack by the Explorers, Liko's first instinct was to call Friede for help, while Roy said that he would battle because there was no time to call Friede (not because calling for backup wasn't necessary). Don't get me wrong, I'm not saying the kids aren't brave. Of course they are! They both insisted on going on this mission in the first place! And they're there because, as concerned as Friede is for their safety, he is also Professor Pushover when it comes to them and caved immediately to their puppy eyes. But they also feel much safer on that mission because Friede is there with him. Feeling that he is in danger, cut off from them like that -- the stakes suddenly became that much more real.

And on the other side of the door, Friede knew it as well. And how did he react?

He's not happy. He knows this is a bad situation. But --

He does what he always does: he doesn't let on at all that this is a bad situation, so as not to worry and scare the kids. He also tells them to leave the area, because Spinel is there and Spinel is dangerous, and he wants to get them away from that danger. To date, Spinel is the most dangerous Explorer that they've encountered. Remember, Spinel is the one who successfully stole Terapagos' pendant, and the one who wiped Liko's memory and had her missing in Levincia for awhile. It's understandable why Friede would prioritize getting the kids as far away from him as possible.

So, to recap:

In a situation where, as far as the kids knew, Friede was just temporarily locked in a room away from them (in enemy territory but not with an enemy) and could still talk to them, it freaked them out enough to make them panic, and it took Landau telling them that they had to believe Friede could get himself out of the room and that they had to move forward for Liko to deep breath her way out of her mounting panic attack so she and Roy could move on. In a situation where Friede was actually captured, then, we could probably expect their reactions -- at least, their initial reactions -- to be much worse.

And I consider this possibility for two specific reasons: one genre, and one narrative.

First, genre. Pokémon has always been a coming-of-age story of sorts, but I feel that the Horizons anime feels especially so, focusing very strongly on Liko, Roy, and Dot as they grow up and discover both who they are, and who they want to be when they're older. (This has been especially emphasized with Liko and Dot, I feel; with Roy, he hasn't really thought about the future beyond battling Rayquaza.) The thing about coming-of-age stories set in fantasy settings, though -- rather, the thing about coming-of-age stories set in fantasy settings wherein the young protagonist has a stronger mentor that they can lean on to bail them out of jams is that, if they can consistently rely on the mentor to bail them out of jams and danger, then it doesn't give them the opportunity to overcome that danger themselves. Therefore, very often those stories will kill off the mentor character to force the younger protagonist character to go off on their own to face the primary villains in the end. Hence the deaths of characters like Obi-Wan Kenobi in Star Wars, Gandalf in Lord of the Rings, and so on.

Now, given that this is a Pokémon anime, obviously they're not going to have Spinel murder Friede. I mean, true, they let Zygarde kill Lysandre on Bonnie's order at the end of the XYZ anime, but Lysandre was the big bad and we didn't see his corpse, it was just heavily implied that he didn't survive what Zygarde did to him. Same with Hunter J and her crew in the DP anime. Did she live? Probably not, but we never saw the bodies, so hey, plausible deniability, and they were villains anyway, so. But Friede is a main character, and a hero, so we can be 99.9% sure that they're not going to have Spinel or anyone else murder him in order to force the kids to get by without him for awhile.

However, Friede doesn't have to die for him to be taken out of the action. He just needs to be put into a position where it is physically impossible for him to get to them to save them when they're in danger (and for them to know that he can't get to them when they're in danger). But I'm getting ahead of myself. The point I'm making here is that, for genre reasons, the writers have a reason to want to remove Friede from the field of play in order to force Liko, Roy, and Dot to stand on their own against the Explorers. Because while they would still have the rest of the adult crew of the Rising Volt Tacklers, the rest of the adult crew aren't really battlers. The only one among them who has a fully evolved pokémon is Orio with Metagross, and we've only seen her attempt to battle once. It doesn't mean she can't, of course, but it does imply that perhaps she's not an active battler. Certainly, she's not the one rushing in to save the kids all the time like Friede is. The rest of the RVT crew is important as well, but Friede is the one who would cause the real narrative impact here, as well as the psychological impact on the kids.

(And to briefly address Dot, since I've barely talked about her: Dot hasn't received as much focus in this discussion since she rarely leaves the ship, and thus hasn't been in as much danger as Liko and Roy. However, Friede has had as much of an impact on her life and I believe she sees him as a personal hero just as much. He is, after all, the one who gave her the new life that has impacted her so greatly. He's the one whose thesis first caught her attention. He showed an interest in her interests. He called her abilities special. He invited her to join the Brave Asagi. He brought her aboard no questions asked, made her feel welcomed, has never shamed her for being a shut-in, so on and so forth. Friede treats Dot with as much respect as he does the rest of the crew and his offer to let her become a crew member changed her life for the better. So while he hasn't had to rescue her as much as the other two, I think she does see him as a hero just as Liko and Roy do, and would be just as affected if something happened to him as they would be.)

The other reason why I think the question needs to be asked is a narrative one. I think, from a narrative perspective, it would simply make sense for the Explorers to want to do something about Friede at some point, particularly if they wish to take Terapagos from Liko (or get the kids out of the way of their plans for Rayquaza / Terapagos / Rakua). Again, whenever the kids are in danger, Friede swoops in and saves them. This is something that Spinel, at least, has noticed; he built the trap on the island specifically to imprison Friede. Why would he do that, if Friede was not at the very least a nuisance, at the very most a threat? And at the end of it all, we got this:

Which then brings me back to what I mentioned earlier: since the anime clearly can't (and won't) murder Friede, because that would be going way too far for a Pokémon anime, if the writers do choose to temporarily remove him from the field of play in order to give the kids room to stand on their own two feet without Professor Safety Net, then I could see this playing out one of two ways.

The first (and most delicious) way is obvious: have him be captured by the Explorers. I feel that this is already set up by Spinel's little smirk and comment above. Spinel has already designed one trap meant to imprison Friede; there is nothing stopping him from designing more. Of course, it would require nerfing Friede (and Cap) a bit, in order to leave them captured for a good while; but it would also give the kids a mission, that mission being rescuing Friede and Cap in a reversal of all the rescues Friede and Cap have provided for them thus far, while simultaneously taking the fight to the Explorers, versus the Explorers always coming after them. Of course, this does carry the risk of still seeming too dark for the writers to want to consider, since Friede would be a prisoner during all this, but if nothing else, I can always write fic.

The second possibility that is less obvious and more bonkers, but less dark and so somehow more plausible in my mind, is that Friede could somehow end up trapped in Rakua with Lucius. And before you're like "what," consider this:

Friede has a plan that involves the three Heroes they've obtained so far. If I had to guess, Friede is going to continue pursuing the remaining Six Heroes while the kids are on their Terastal course. And that's fine / good; he's continuing the mission so they don't lose time, although how he's going to do that without Terapagos is a mystery. (Although I'm sure Liko would let him borrow Terry if he just asked.) But the point is, he's got this mysterious plan involving the three Heroes they currently have. Rakua is some mysterious place that isn't on any maps and so could very well be another dimension or something similar, because those are 100% canonically real in the Pokémon world (e.g. the Distortion World). It would behoove the writers to have Friede off the field of play for awhile, to the extent that it is physically impossible for him to help the kids. And the kids also intend to reach Rakua because that's what Terapagos wants. So if Friede somehow got trapped in Rakua, then they would be killing two birds with one stone: Friede can no longer help the kids when they're in danger from the Explorers, and the kids can rescue Friede when they take Terapagos to Rakua to see Lucius' spirit (or just Lucius himself if Lucius has been alive in Rakua all this time because it's like a fountain of youth or limbo or something). Bonus points if the kids don't even know that's where Friede is, if they just know that something happened to him but don't know what, but they keep working toward Rakua anyway because the other adults on the crew convince them that Friede would want them to. (But Friede can maybe still somehow get messages to them through Terapagos visions or something, I don't know.)

I could honestly see this being the way they go with it, simply because it's less dramatic than "the enemy has taken your mentor hostage and taunt you about how powerless you are to do anything about it and also they're going to hunt you down to steal your little turtle, too." Plus they're setting Friede up to do something with the three Heroes, and it can't be for nothing. But then again, neither can Spinel's interest . . .

Either way, the fact that the kids so clearly see Friede as their hero, and the way it would impact them to have something happen to him as a result, has lived in my head ever since episode 25. Particularly since it would have a narrative impact as well, given how often he is their safety net, and what it would mean if he couldn't be any longer. Not because he chose not to, because he would never choose that; but because he couldn't, because external forces took that choice away.

Well. Even if the anime itself doesn't deliver, that won't stop me. :)

#pokemon #pokeani #anipoke #pokemon horizons #horizons anime #professor friede #trainer liko #trainer roy #trainer dot #rising volt tacklers

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matan4il · 24 days

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911 ep 707 first watch reactions

Oh man, I'm actually not sure I have that much to say about this ep.

The entire plot with Mara and her brother Tyson was very sweet, very nice, and way too convenient. One day, shows are going to stop using the phrase, "There must be something you can do!" like it's some secret magic phrase, that makes this sentiment into a reality, AND turns the person addressed into someone willing to risk everything, in order to do that one thing they can do, which is usually something they're very much not supposed to... That said, Denny was sweet, Mara was lovely, her with Tyson was very endearing, and Henren continued to rule.

The storyline with Maddie was nicely handled, both her trauma, and the way Chim helped her use it to figure out the case and help save everyone from the stalker. My little Madney heart absolutely loved it. And Maddie's distress over a baby involved felt very real and understandable, when she's a mom herself now.

But then in a sense, it was clear this has no long term repercussions, other than bringing Brad into contact with Bobby. With his burn scars, and what we know about the fire that Bobby caused in the past, we can guess where this is headed. I trust that 911 will delve into this coming clash with the same humaneness with which it tackles most storylines.

But I'll be honest, I don't really like where Eddie's headed. I know Shannon scarred him deeply, but he was able to let go of her, and allow her to walk away from him twice while she was alive. It's weird if it's now being implied that the reason why he was never able to move on to another serious r/s is that he was stuck on her. The way she died was traumatic and painful, and it made sense that, even accepting that they as a couple were over, he had a hard time dealing with her death, but Eddie seemingly moved on in s4 at the latest. It feels a bit like they don't really know what to do with him, and how to move him on, so they keep going in circles with his character. Kinda like they were with Buck in s6. None of what we saw in that season helped Buck get to some major breakthroughs that we've seen in this one, so this current storyline with Eddie might end in the same way.

I'm not saying it doesn't have the potential to move him forward, and I'm sure it will be presented as if it has whether it actually does or doesn't (kinda like how 618 presented Buck and Natalia as a move forward, even though it very obviously was not), but right now, I'm not enjoying it. I also... even with this idea of having Eddie run into a Shannon look-a-like, I feel they could have gone in a lot of different ways, and the one where he goes on a date with her while having a serious gf he's essentially cheating on, it just doesn't feel great, or true to Eddie's values. Which can be the point, right? That sometimes we're so shaken up, we do stuff that's uncharacteristic. If that's where they'll take it, then it's working, 'coz right now, everything about this feels a little off. Let's hope they do something actually constructive with this, and give Eddie real progress (rather than just give Tim an opportunity to re-use an actress he already said he really likes).

Small mandatory Buddifer moment was really lovely, even if far from what my shipper heart would want. Then again, I honestly feel it's so funny that Buck is dating Tommy, while being married to Eddie, his actual baby daddy. If there aren't a lot of fics shipping all three men already, then IDK fandom.

Thank you for reading! If you’re looking for more, you can find my s7 reactions tag here, and more of my Buddie meta and content in my pinned post. xoxox

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the-kipsabian · 5 months

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wrestling fic writers!!

i have decided to be the change i wanna see, so lets do a nice little thing for each other, as a community full of incredible and talented writers. yes this is writer specific only, but thats cause thats where the main problem of people not interacting with creative works lies in this fandom as far as i can tell and have seen people talking about it especially in the last couple of months

if you read this, please add links to your written works. it can be just a single fic youre really proud of, your writing blog, your writing tag, your ao3 account, anything where your works can be found

and if you leave your link here, PLEASE check out someone else that has left their works, and interact with them. leave them a comment, even just a kudos, REBLOG their fic, etc. interacting is the keyword i want to emphasize here, along with building a sort of a masterpost of where to find people writing in this fandom

and if you are not a writer, youre still highly encouraged to interact with this post and share it and show love to the writers in this fandom, obviously!! i think that should go without saying, but adding it in anyways

a bit more about my vision and resources and such under the read more, but thats the gist of it. happy linking and please be kind and supportive to each other!! 💜

nobody is too big or too small to add their things on this list. if you write and post anything in this fandom whatsoever, be it fics or drabbles or headcanons, any companies or any kind of ships or reader inserts or any content whatsoever no matter how 'dead dove dont eat' or hell even if its just meta, we welcome all here and nobody can say that one thing is less valid than another. just please tag your content accordingly, especially if theres content warnings, and feel free to mention what you write, who you write, any info you wish to leave that would help people before they click on your links. but even so, that should not and hopefully will not deter people from interacting, no matter what it is. someones trash is another ones treasure, i promise you

and unless the amount gets really overwhelming, im personally going to be checking out everyone that leaves something here. unless it squeaks me out, but even then, i'll spread the word. and i just wish as many people as possible will do the same, and not just use this as a potential board to only get eyes on their stuff. ofc thats also the point, but you should give as much, if not more, than you get. we need to be kind and supportive of one another (besides, from personal experience, if you show love to someone else, they are more likely to do it back than without you taking the first step, so... pay it forward)

as for resources, heres a few links that should be helpful in leaving comments and feedback. of course everyone does their own thing and no comment is too big or too small to leave, but for those who need them. if you have anything you'd like added to this list, dont hesitate to get in touch or drop it in the post yourself!!

101 comment starters

ao3 floating comment box

kudos html

dont know how to comment? easy solutions

a quick hot guide to commenting (by yours truly)

an overall guide to appreciating fanfic writers

and just in general.. leave people comments. leave them asks about their projects. just go over and gush about their work. i know it sounds embarrassing but writers love nothing more than to hear that someone likes what they are doing. if you find a fic that hasnt been updated in forever, comment on it. it might just be the spark the author needs to continue. while kudos and likes are nice, and just as valuable to some, its definitely in the words the people leave for them that matter the most. im not saying this to put pressure on anyone, its just how it is, and i feel like unless people are writers themselves, and even then sometimes, thats just hard to grasp, especially if the writer is a smaller and less popular one who doesnt get a lot of traffic in the first place

i think thats all. just be nice and considered to everyone, reblog peoples works, this post with others add ons and so forth. and if i find anyone talking shit here or at other writers for something they share, you'll be blocked and im probably taking your kneecaps. be fucking nice. we are all struggling here and we need to stick together

happy sharing and commenting 💜💜

#wrestling fanfiction #wrestling fic #aew fanfic #aew fanfiction #wwe fanfiction #wwe fanfic #i hope this make some sort of coherent sense #despite being a writer im really bad at words lmao #i also dont know what to tag this with without clogging main tags so im going to trust moots to get this going first #just. this is a topic im passionate about. i love writing i love writers and having seen the wrestling fandom as of late really struggling #with this. we need to do something. even a little bit helps. actually get people leaving feedback and commenting again #supporting each other. we can do this together #dont let dreams be dreams lets fucking do this #just be nice and help each other out #im gonna stop now before i get overly emotional. if theres any questions let me know tho i think i got the main parts pretty clear here #again moots. im trusting you to get this started. im not gonna add my own shit here immediately this isnt about me #this is about the community as a whole #i also hope nobody is afraid of adding themselves here. you are all valid and worth the attention no matter what #just remember to also give if you leave something here. look at the previous links. look in the notes to find more people #okay thats it i need to make dinner now #lets just be kind and support one another. promise me that 💜#night is an absolute mess on main

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