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#I guess part of it was done in dark crisis but i don't think it was really concluded well
disco-troy · 4 months
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problems with beast world aside im loving the JLA/titans parallels to the Titans protecting Gar/Vic at all costs.
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I think its a super interesting way to bring the titans in their first crisis, a callback to arguable their first crisis that involved the whole dc universe and to really dig into what it means to be the Titans.
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malereadermaniac · 3 months
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Low self-esteem ~ Your Crush x Male Reader
Your crush is your bestfriend, you two talk about everything - even your insecurities
You also subject your bestfriend to gay panic
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You and (y/c) were chilling in your car, the night sky dark and starry as the radio played quietly in the background
The two of you were chatting and singing along to your playlist for hours in some random parking lot - empty fastfood bags in your backseat
As the conversations shifted in topic, the slightly tired man next to you brought up relationships
There were no secrets between you two - tmi practically didn't exist, so of course (y/c) knows that you're a FAT virgin
In fact, you've never dated anyone at all
"Bro how is it that you can't get a man?" The (h/c) man asks you jokingly, leaning back in the car seat
"It's not like I don't want to, dickhead!" You respond, a chuckle escaping your lips as you gently punch your bestfriends arm
"....I dunno, guess I'm just worried no one would like me like that" you mumble, resting your head on your knee
(y/c) felt sad at what you said, empathising with you - but a small part of him grew angry?
The (h/c) man knew you were the insecure type but he couldn't wrap his head around why
'How could he think that? Even I'd date him! And I'm straight for God's sake!'
'I'd date him?...' (y/c) thought to himself
But he swatted the impending sexuallty crisis away and kept chatting to you about the deep stuff
As the night came to an end, you dropped your best friend off at his house and went back to yours
That night was weird for (y/c), not extraordinarily strange but the man struggled to go to bed that night for some odd reason
A few months later, some guy in your class was having a birthday bash
You weren't extremely popular - but (y/c) was, so you were his plus-one
The two of you were on call as you were getting ready, you chose his outfit for him and he promised not to drink as to drive you home
What a gentleman
He leaves for your house as you end the call and finish dressing up
A knock at your door jolts you from your phone and you happily swing over to open your front door
Facing you was (of course) (y/c), looking as gorgeous as ever - his hair done in a way he doesn't normally wear it " 'cause it's too much effort" and clothes he saves for going out
To sum it up, (y/c) look hot - so hot he made you blush
On the other hand, the taller man couldn't take his eyes off of you whatsoever
The way your clothes suited you so well, brought out your best features - you were so, so handsome
Your lips and face in general looks so soft, the way your eyes looked up into his in such a cute way and how perfect your body looked
'What the fuck am I doing?' (Y/c) asked himself as he snapped out of his very gay trance
He slung an arm around your shoulders and led you to his very nice and very fancy car
"Why thank you kind sir~" you tease the man as he opens the door for you - putting an arm on his shoulder in a jokingly flirtatious manner
(Y/c) really starts to experience gay panic when the simple, friendly gesture makes him break out into yet another blush
The drive there was difficult for your bestfriend, your cute rambling reminded him of the fact that he found you cute, which would then spiral into a sexuality crisis
Once the two of you arrived at the party, you shut up - following behind (y/c) like a puppy as he greeted everyone
He knows you always subconsciously become his shadow at parties - so he makes an effort to include you, always
(Y/c) intends to sling his arm around your shoulders, but as he does so he can't help but think about his arm around your waist
God how he'd love the feeling of his arm fitting so perfectly around you, so warm, so hot, so real... too real.
Instead of going for your shoulders, the now blushing man's arm wrapped around your waist
You didn't move away though, you didn't mind of course - he was your closest friend - so (y/c) kept his arm around you for the rest of the conversation he was having with his mates
As the evening went on, and you got tipsy, (y/c) really couldn't keep his eyes off of you
You shed some of your clothing, feeling hot from the alcohol
The liquid courage erasing your slight social anxiety led to you dragging (y/c) on the dance floor once the good music started playing
Which inevitably lead to you drunkenly holding and dancing on the flustered man
Even though (y/c) was struggling with an internal conflict, looking at you was enough to drown the thoughts out - he liked seeing you enjoy yourself, having fun and not worrying about "looking stupid"
"Fuck it' he thought to himself
(Y/c) came to terms with the fact that he liked you - not that he was gay or that he was bi or whatever, he didn't want to figure that out now
But the taller man knew that he definitely had feelings for his bestfriend
So as the song changed to a slower one, as cliché as it was, (y/c) moved one of his bigger hands to your cheek
The action immediately pulled your focus to your bestfriend, a blush evident on your face as you looked into his eyes
You bit your bottom lip out of nervousness - not even alcohol could hide your anxious nature
You saw (y/c) swallow his nerves and move in closer to you
You could somehow hear your heartbeat over the loud music as you closed your eyes
You didn't give much thought to it in the moment, you just enjoyed the kiss - a message worth a thousand words being conveyed in the kiss the two of you shared
Your arms wrapped around (y/c)'s neck, one hand running through and grabbing his specially styled hair
His one arm was wrapped around your waist, his other hand holding your waist
The moment was perfect - despite being so public, the people surrounding you were too busy with their own matters or had too many substances in their system to notice your shared moment
However once the two of you pulled away from eachothers lips, the reality of the situation hit you both - simultaneously you thought to yourselves 'fuck I just kissed my BESTFRIEND! What if I just fucked up our friendship?!'
You blush and look down at your feet, taking (y/c)'s hand in yours and dashing towards the nearest bathroom
You lock the door and look up into (y/c) worried eyes
"Well...?" He mumbles
"Well what?! You're the one that just kissed me!" You shout frantically, a blush very evident on your face
"I... I don't know what I was thinking- I'm so sorry, (y/n)!"
"So you didn't mean it...?" You say as your face drops, looking worried
"No! It meant everything I-... I think I like you, (y/n)..." (y/c) manages to muster up the courage and put his emotions and thoughts into words
Your face drops and your face darkens even more with a blush
"YOU LIKE ME?! WHY?! SINCE WHEN?!" You shout eith a flustered look on your face
"I ONLY JUST REALISED TODAY! And what do you mean why?? I fucking love everything about you, (y/c)!"
"Oh shut up you know I'm insecure in that sense... Well then... what do we do?" You mumble, looking only into (y/c)'s eyes
"We could get outta here? Go back to mine?" The taller man suggests
"Okay... and do what?" You say as your heartbeat begins to calm down
"I mean upt to you... but kissing you felt pretty good~" (y/c) suggests with a flirtatious tone
"Shush" you say as you avert your eyes, hitting the taller man's chest playfully
The night was even better spent once you two got back to (y/c)'s place - the two of you started making out in his car and ended up in his bed without breaking contact!
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inmyhorrorsera · 8 months
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S5E8 "The Roast" thoughts:
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Ok, I watched this episode three times and I'm still smiling. I love when you think and episode is gonna be about something because of its title and then surprise you when its all a misdirection (see also: Succession's "Connor's Wedding").
At first Laszlo's err… state intrigued me, love everyone projecting and imposing their own insecurities (Guillermo's secret, Nadja's hex) as a reason on why he is behaving like that. And of course it's a stupid reason 😭.
"And a flat pepsi for Guillermo". Oh Nandor, that's the worst thing you ever done to Guillermo, that's the worst thing you could do to anyone. And yes, I remember a certain S4 episode.
I screeched like a bird when Colin mentioned dreaming about being a baby under Laszlo's care, not only because I wanted this shit to happen since the past finale, but also I really thought the episode was going on that direction (and also bc its another W for my predictions).
Having said that, LOVED the nonchalance of Nadja and the others when they were like 'no, it wasn't a dream, that totally happened'.
I mentioned it in a separate post: they really had a Sweet Dee in IASIP moment when The Guide gave the roast idea, only to be ignored and then the same idea being stolen by a dude who is celebrated.
Seanie's poor brain it should be soup at this point, we don't know if he can hazily remember the event like it happened before.
What can I remember is his line after Nadja's roast because it was one of the biggest laughs for me: "Women CAN be funny!" I fucking loved it so much, it's the perfect condescending shit straight men say all the time, even when they're trying to be complementary to you they can't stop being garbage. It was a simple line but Anthony nailed the delivery and timing. Seriously, rewatch that part.
At first I was confused why all the jokes were so mid, but shortly I realized this episode wasn't about the roast at all, lol.
Just by watching screenshots of other users I noticed that in the scene of Nandor resting his head on Guillermo's shoulder there's a BIG flame between them. LMAO. There's no way that is unintentional.
Good for The Guide being the catalyst of Baron Afanas learning the truth. I was demanding more screen time for her lately, so having some incidence in the main plot goes on the plus column.
The other guests present at the roast being shocked at the knowledge of Guillermo killing vampires surprised me; I always assumed Guillermo being a familiar/slayer was a known fact in the vampire community after his very public massacre at the Théâtre des Vampires.
Fuck yeah when I realized this is a Doug Jones spotlight episode, I just fuckin ahgdjkaksdf, love him, perfect, no notes.
The Baron being terrifying!! Guillermo was seriously scared for the others and he barely tried to show off his Van Helsing abilities.
Nandor and Nadja begging the Baron to not hurt Guillermo!! 😭 Them being dragged while grabbing the cape!! 😭 They're spiritual siblings to me!! 😭😭
They really reminded me a little bro and sis begging their mom to not hit their beloved older brother with the chancla for talking back or something.
I fell for the two fake-outs with the sack lol I'm so gullible when it comes to vampires I guess.
NANDOR PAINFUL SOUNDS (MOANS???) WHEN HE BELIEVED HE WAS IN FRONT OF GUILLERMO'S INERT BODY. IT WAS SAD BUT ALSO A LITTLE HORNY!!!
"At least he died doing what he loved: beating off in the toolshed."
A wonderful small detail: After Laszlo opened fake Guillermo with the knife he cleaned his hands on The Guide's dress.
Idc if you think its dark, the whole 'Nandor will kill you and then kill himself' bit becoming a recurring joke it's peak writing.
I wish I can say something more serious about Baron Afanas' sadness over how boring his life is now. But I just keep thinking that the way he talks about his homelife with The Sire and the Hellhound sounds exactly when a dude has a middle life crisis and suddenly he doesn't enjoy his marriage anymore. They're husbands!! And I loved how cunty he looked at the end all half-charred (see posted gif) Queen!
Now, the Nandermo of it all: What more can I say than incoherent screaming and foaming from the mouth? Episodes 8 are all about them again!! Nandor on the window looking all cliched melancholic heroine of a romance novel?? How relieved he was when he found him in the coffin??? Him still remembering Guillermo's card word for word???!! Knowing that this toxic dark sided devotion goes both ways???!!! Borrowing the words of Fleabag: THIS IS A LOVE STORY.
Seriously, I know all these soft Nandor moments are here so the heartbreak when he learns about Guillermo being turned it's even bigger. But still denying that there is a romantic undertone between these two it's just being purposely adamant at this point (i'm looking at you wwdits reddit). Even if nothing explicitly romantic happens on screen, just by watching these moments, I know, we know.
Now, go listen to the ending song again. You will not regret it.
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darkmagicmirror · 9 months
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I've been thinking about @spicyviren 's post about Claudia preventing the sun from rising (and they made a more in-depth post today as well, which is also very good!), so last night I got curious and Googled mythology and eclipses because what if the eclipse actually happens and it's not just Viren's dream? And we know TDP likes mythological references. So...
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This is so fascinating because of the "I swallowed her" comment Aaravos makes in Janai's dream.
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A demon (or dragon, or-- (etc)) is eating the sun?
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(*Personally, I don't think Janai's dream is necessarily accurate for telling us what happened -- but Aditi getting "eaten" by someone especially a dragon wouldn't surprise me.)
And speaking of "swallowing"...
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And some of the other mythological explanations mentioned in the article I linked are also really interesting:
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(The highlighting was done by Google, so it's not necessarily more important.)
And canon material, especially the Ripples short specifically, reflects a few themes here:
Abandonment - the humans are essentially abandoned by the stars (and the sun is a star): "It cannot be, wept others. The stars would not betray us!" - after the "star" falls from the sky and changes the land.
Crisis/existential threat - "With its impact came a long and terrible night: The earth bled! The seas churned! The sun and moon hid for weeks behind the sky’s screaming storm!" (Also bolded for emphasis because the sun hiding? The fact the moon does too is interesting, but the sun specifically is called out later: "And when the long, dark night had finally passed—for the sun must always rise, mustn’t it?" VERY interesting considering the sunrise mentions in S5.)
Eclipse as an act of creation - though much of the story talks about the calamity, there's also how "[the stars] had rejoiced to look down upon their newborn sea."
The Sun and Moon coupling and creating more stars - this is more of a stretch, but the Sun and Moon did get hidden together, and the Sea (of the Castout) serving as a mirror of the stars... like they're duplicating the stars, though only in image.
Mischievous acts - I personally think Aaravos is mischievous, so hmm.
One side note on the second-to-last point: if Viren learns the Star arcanum, which is very rarely understood, could that, too, be analogous to creating another star?
Anyway this all implies that perhaps a similar eclipse occurred before, when Aaravos had fallen and the Sea of the Castout was created? And we know how the Rise Again short story, which is about her pseudo-resurrection of her pet cat, correlated to S4 opening with Claudia having brought her father back to life, sort of in a repeating history sense. Aaravos's Patience story foreshadowed the fact that all he could do in S4 is wait and bide his time. Ripples could foreshadow S5 being that first "touch" that sets off greater change... and, like with the resurrection, perhaps history repeating itself, in a sense, with a potential upcoming eclipse?
And another interesting line: "The sky opened its maw and spat from its black jaws a tiny star."
It's not exactly black, but I know some people say the ridges here look like teeth...
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Also, even though Sol is referring to his blindness, these lines about the Sun "never [rising] again" and an "eternal night" fit into similar themes to the eclipse and the Ripples short.
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Also, just going back to the abandonment theme of the eclipse really quick--
The Midnight Star poem also talks about the stars abandoning humanity. "Elarion, unworthy whelp, / Wept as the stars turned black the sky, / They donned their masks / They turned their backs / And left Elarion to die."
(I have more to break down about that entire stanza in another post; I just want to point out the bolded parts for now.)
Now, most of these are references to the past... so what about now?
If I were to guess on how the same themes I compared to the Ripples story might apply to "current" series events...
Abandonment - Claudia feeling abandoned by Aaravos (as mentioned in the Lost Child short)? Or, alternately, Aaravos feeling abandoned (by either Claudia, after she had to flee from the battle, and/or Viren, after his rejection)?
Crisis/existential threat - IMO the biggest threat is Karim potentially joining up with Sol Regem right now. Though some would say Aaravos being close to being freed could be the threat/crisis here. But I'm an Aaravos apologist, so I am not part of that group LOL
Eclipse as an act of creation - Claudia regenerates her missing leg, perhaps?
The Sun and Moon coupling and creating more stars - Viren Star arcanum?
Mischievous acts - Aaravos again.
All of this to say-- I don't think the eclipse is just for show/because it looks cool, but if we consider the mythological beliefs surrounding eclipses, it ties in significantly to the story.
Also I leave you with a few last bits from the article that just remind me of TDP things:
"In many cultures, the darkening of the sun meant the gods were very, very angry with humanity, and about to inflict some punishment. Often, that meant that in order to appease them, you had to kill someone."
That reminds me of the stars seeming to punish humanity for daring to use magic... which is also when Aaravos gets cast down?
"The Greeks thought an eclipse meant that the gods were about to rain punishment down on a king, so in the days before an eclipse, they would choose prisoners or peasants to stand in as the king in the hopes that they’d get the eclipse punishment and the real king would be saved. Once the eclipse was over, the substitute king was executed."
This is so far off, but it reminds me of Harrow anyway? Mostly with the soulfang serpent idea of switching Harrow with someone else. Interesting.
"For the Inuits, the sun and moon weren’t a married couple but brother and sister. At the beginning of the world they quarreled, and the sun goddess Malina walked away from her brother, the moon god Anningan. Anningan continued to chase after her, and whenever he caught up to her, there was an eclipse."
Which reminds me of the line in Strangers, the short from Soren's perspective, where "Claudia had appeared and he’d done it again, a little boy chasing after his sister..."
A lot of it is probably coincidence, but it's still really interesting!
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wetcatspellcaster · 3 months
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You mentioned in an ask that Rose would have likely spent the rest of her natural life looking for a way to cure Astarion. I was wondering if there's a point where Ascendant Astarion ever gives up trying to get Rose back? Or turns to a weird alternative (I know hemlock mentioned he was kinda into the idea of the simulacrum for a while)? Like Rose was eventually gonna die, whether by natural causes or one of her adventures going awry. What if she had died before he could lure/strong arm her into coming back?
oh boy, anon, we're delving into the darkest timelines with these questions, huh??? i genuinely hadn't considered some of these before so had to think about it.
there's a few lines to unpick here.
is there a point where Astarion ever gives up? if Rosalie had not reacted to the first murder rampage, he would've done another, bigger murder rampage. if she did not react to that one, he'd do another one, etc, until he's actually doing the whole 'take over the world' thing. basically he'd stack up a body count until she was provoked, which is why this hadn't really occurred to me as a timeline, bc I think there would always reach a point where she's like "fuck he's super evil now, gotta go put him in the ground". in that timeline, she doesn't bother with Wish, it's just a fight to the death.
weird alternative? probably, but not for me as I'm not a Dead Dove writer. Some parts of Pieces are curbed by what genre it's in. I have avoided a lot of the worst implications of plot points i've introduced bc I'm not interested in writing them, not out of moral judgement (in fact, I enjoy dead dove content, I just don't have fun writing it). in my tamer timeline, he probably just starts dating a string of tieflings in full mid-life crisis mode lmfao.
what if Rosalie had died before ever seeing Astarion again? If none of Pieces ever happened? Guess what, it happens in an entirely different, dark-timeline form. This is one of the reasons Astarion would want a Wish spell in his arsenal lmfao. We'd be doing a Pieces from his perspective where he's the hero bringing his lost love back to life.
if she'd died of old age? I mean, probably a little bit of the above, some kind of Wish spell to reset the timeline. Or he does exactly as he says he would do in Chapter 12, and goes full nuclear option Ascendency - with his one chain to morality gone, he just goes full evil.
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zealfruity · 8 months
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Clones as Incorrect Quotes 2/2 Master Post (Domino Squad Lives AU and Fives+332nd Live AU version)
Unholy mixture of random generators, unsolved/ghost files banter, and things my friends have said
Mostly just headcanons following below
A few notes for these: Tup is NB he/they. Hardcase is genderfluid. Vaughn is agender they/them. Nax is a she/her. Jesse has no idea how any of this works, someone help him. Domino Squad Lives AU has the main blue boys interact with the 212th on a more personal level, so some of these involve a mix of the two groups. Every single character is having an existential crisis in the other AU. NO CLONESHIPPING HERE!
(Domino Squad Lives Fix-It AU):
Echo: Do you take constructive criticism?
Cutup: No, only cash or credit.
Waxer: The best part of an oreo is the cookie part, not the frosting. Deal with it.
Echo: Darkness without light is an abyss. Light without darkness is blinding. You cannot have a coin with one side.
Boil: YO SOCRATES! IT'S A FUCKING COOKIE!
*Everyone is playing a board game together*
Cutup: I will put 'A' down to make 'A'.
Droidbait: I will add onto your 'A' to make 'AT'.
Hevy: I will add onto your 'AT' to make 'RAT'
Echo: I will add onto your 'RAT' to make
'BIOSTRATAGRAPHIC’.
Hevy: *flips the board*
Cutup: *standing on a balcony and sneezes*
Fives: *standing on the roof* Bless you.
Cutup: God?!
Cutup: Get in loser, we're going shopping.
Droidbait: This is a McDonald's drive thru.
Nax: Arson? Oh, you mean "crime brûlée".
Wooley: I need life advice.
Cutup, sipping Gatorade and eating cookie dough: You came to the right person.
Fives: *coughs blood*
Droidbait: Don't die, Fives!
Fives: Don't tell me what to do!
Cutup: I'm not mean. Name one mean thing I've ever done.
Droidbait: When we were younger, you convinced me eggs weren't real.
Cutup: They're not.
Droidbait: Haha, very funny.
Cutup: I'm serious. Didn't you hear?
Droidbait: No... what happened?
Cutup: …Why would you fall for this again-
Shapeshifter: *transforms to look like Cutup*
Cutup: Okay, are you like BLIND? You look nothing like me. First off, I'm way taller. Secondly, I DO NOT look so sleep deprived and lastly, if you could drag comb through that hair you're like a 7 on a good day and I've been told I'm a constant 10.
Droidbait: Quitting! It's like trying, but easier.
Hevy: I like to play this game called nap roulette. I take a nap and don't set an alarm. Will it be 20 min or 4 hours? Nobody knows. It's risky and I like it.
Cutup: Hello friends!
His Squad:
Cutup: You might be wondering why I'm stuck to the ceiling
Cutup: You're mean!
Droidbait: You're meaner!
Cutup: Yeah, well, you're ugly too!
Droidbait: You're uglier!
Cutup: You're a dumbass!
Droidbait: You're a dumberass!
Cutup: You think "dumberass" is a good insult!
*Cutup and Hevy are planning to break in somewhere*
Cutup: We need to distract the guards.
Hevy: Right.
Cutup: What are we gonna do?
Hevy: I'm gonna break their elbows while you poke their eyes.
Cutup:
Hevy:
Cutup: Deal.
Nax: Hey, DB! Did you know you’re my BFFLWYLION?
Droidbait: What the hell is that supposed to mean?
Nax: Best Friend For Life Whether You Like It Or Not.
Droidbait:
Droidbait: That’s one way to say it, I guess…
Wooley: I am strong! I beat Droidbait at arm wrestling!
Hevy: Anyone can beat Droidbait at arm wrestling!
Droidbait: Hey-
*Cutup sends more than 5 messages in a row*
Hevy: I ain’t reading all that.
Hevy: I’m happy for you tho.
Hevy: Or sorry that happened.
Cutup, to Wooley: You know, Hevy can be really aggressive, so it's important to take all the necessary precautions when approaching.
Cutup: *blows airhorn at Hevy* GET FUCKED!
Hevy: *Posts a super low-quality image to the group chat*
Cutup: If I had a dollar for every pixel in this image, I’d have 15 cents.
Hevy: If I had a dollar for every ounce of rage I felt in my body after I read this text, I would have enough money to buy a cannon to fire at you.
Jesse: Actually I did the math, Cutup would have $225, not $0.15.
Cutup: Fam I’m right here....
Wooley: If I had a dollar I would buy a can of soda :)
Tup: while you’re there could you buy me an apply juice please?
Wooley: Sorry I only have a dollar.
Tup: :(
Jesse: Hey I just realized my friend is right, Echo would have $22,500 because it's a dollar for every pixel, not a cent.
Wooley: If I had $22,500 I would buy a can of soda and an apply juice.
Jesse: You can buy anything you want with $22,500.
Fives: Yeah and he wants soda and apply juice.
Echo: Apply juice to what.
Fives: Directly to the forehead.
Rex: Great chat everyone.
Droidbait, opening a Capri Sun: Guess I'll drink my sorrows away.
Echo: Time for plan G.
Wooley: Don’t you mean plan B?
Echo: No, we tried plan B a long time ago. I had to skip over plan C due to technical difficulties.
Droidbait: What about plan D?
Echo: Plan D was that desperate disguise attempt half an hour ago.
Tup: What about plan E?
Echo: I’m hoping not to use it. Cutup dies in plan E.
Boil: I like plan E.
Oddball: Are we really going to let Hevy keep Beam?
Cody: We kept Cutup.
Kix: Someone’s trying to break in. Call the cops!
Droidbait: *loads shotgun* I got this.
Kix: Last week you fell up the stairs, what do you mean-
The poor Jedi that got Cutup assigned to them after the war: I assume you realize that this kind of idiocy will not be tolerated in this Order.
Cutup: Is there any kind of idiocy you would be more comfortable with?
*At the police station*
Denal: Hi, I’m here for Domino Squad.
Corrie guard: Who’s Domino Squad?
Denal: Ah, you must be new.
Fox: What has the galaxy ever done for you?! Why would you wanna save it?!
Jesse: Cause I’m one of the idiots who lives in it!
Hevy: How does that even work?
Droidbait, mocking him: hOw dO yOu UsE a cOmPUteR aNd KnOw wHaTS GoiNg oN iT DoEsNt mAke SeNSe?!
Hevy: Your face doesn't make sense.
Cody, to Trapper: If you see Cutup, give him this message *makes a neutral face*
Cody: He’ll know what it means.
*later*
Trapper: oh, and Cody said to give you a message.
Trapper: *makes a neutral face*
Cutup: Oh no. The neutral face of displeasure.
Hairdresser: How would you like your hair cut?
Fives: Preferably with scissors, but a sword could be badass.
Longshot: If you don't stop talking, I'm going to jump out of that window.
Cutup: ...We're on the ground floor.
Longshot: I know but I want a dramatic exit.
Hevy: I have no respect for Santa. Don’t sneak in through the chimney and undermine my authority by bringing my family presents. Walk in through the front door and fight me like a man.
Denal: What do you call disobeying the law?
Domino Squad: A hobby.
Denal: *crosses his arms*
Domino Squad: That we do not engage in.
Droidbait to Tup: First rule of battle, vod’ika... don’t ever let them know where you are.
Hardcase, shooting out of frame: WHOO-HOO! I’M RIGHT HERE! I’M RIGHT HERE! YOU WANT SOME O’ ME?! YEAH YOU DO! COME ON! COME ON! AAAAAH! Whoo-hoo!
Droidbait: 'Course, there’re other schools of thought.
Hevy: Really love that airports have to specify that you're NOT allowed grenades. Like damn there go my traveling plans
Droidbait: Ideally we get down there and Cutup’s just dead. And then we can end the mission, and I can go home. Obviously very sad, thoughts and prayers, but... I don't have to go down there, then. So... *weighs options between his hands* Lose brother, don't have to go in the tunnel. I think it comes out to be a wash, to be honest, so…
Hevy, about possibly getting too beefy for the armor: Regulations won’t look as good as my thighs will so they aren't valid.
Fives+332nd Live AU (possible official titles include Bones In The Ocean AU and Resistance Leaders AU, I’m workshopping it rn)
*The squad has just arrived in a new city. Fives looks around at the wanted posters to see if he’s on any of them.*
Omega: Fives, are you a criminal?
Fives: Not here, I'm not!
Rex: Uuh, watcha got there?
Fives, with a lightsaber: A smoothie.
Fives: Damn, Tech, are you secretly cool?
Tech: Well, poker is just math, so I guess it depends on if you consider the mathematician, Carl Friedrich Gauss, cool.
Fives: I do not.
Ahsoka, texting CF99: Want to help me murder someone?
Echo: Sure who we hitting?
Ahsoka: someone who looks evil
Some guy: What am I supposed to do?
Bounty Hunter Fives: If I were you? I’d try and make peace with whatever deity, pantheon, or Divine Other you believe in.
Some guy: I’m an atheist.
Fives: Then just get ready to die I guess.
Fives: So, are you two friends?
Omega: Yes.
Crosshair: No.
Fives: Hello Crosshair, made anyone cry today?
Crosshair: Sadly, no. But it’s only 4:30.
Fives: If you put a milkshake in one yard and crack open a cold one in another yard, which yard would the boys go to?
Echo: Schrödinger's boys.
Crosshair: FUCK!
Wrecker: What about cracking open a cold milkshake?
Tech: As we all know, the milkshake brings the boys to the yard. The presence of the boys is a prerequisite for the cracking open of a cold one, but cold ones do not have any inherent boy-attracting abilities. Milkshakes, however, do.
Tech: All else being equal, the boys would proceed to the milkshake yard. While it is possible to announce the presence of cold ones in the hope of attracting some boys, the pull of the milkshake is much more powerful by comparison.
Fives: ...
Echo: ...
Crosshair: ...
Wrecker: ...
Tech: Mind you, all of this nonsense hinges on whether or not the boys are back in town.
Fives: It’s impossible to make a sentence without using the letter a.
Tech: Despite your thinking, it is quite possible, yet difficult, to form one without the specific letter. Here’s one more to further disprove your theory.
Fives: Fuck you.
The self-taught medic with no license in the lower levels: Fives’ a 10 but that's all we know about him.
Kix: Bottling up negative emotions is bad for your health, so you shouldn't do it.
Ahsoka: I know, that's why I bottle up all my emotions, both positive and negative, so it cancels out.
Kix: Th-that's not how that works-
Fives, to the BB: The real secret to immortality? Not dying. You want to be immortal? Okay, that’s easy. Just don’t die. That’s it. Refuse to die. There you go.
Tech: But how-
Fives, ignoring him: “But how”, you may ask. Well, easy. Just don’t do it. Refuse to. Say “no thanks”.
Echo: *nods sagely*
All of them: If I can't cause tiny bits of chaos every day, I think my body will shut down.
Fives: FIGHT ME, YOU NERD ASS SLUT!
Tech: At least try to sound slightly more sophisticated when you threaten someone.
Fives: Oh, I'm sorry. I should ask; dost thou want to engage in a duel, my good bitch?
Tech: Somehow that's worse.
Rex: Think you can answer some questions without the usual level of sarcasm?
Crosshair: If you can ask the questions without the usual level of stupid.
Hunter: Didn't you die?
Fives: That was months ago, dude. Things change.
Omega: A mosquito tried to bite me and I slapped it and killed it.
Omega: And I started thinking.
Omega: Like, it was just trying to get food.
Omega: What if I went to the fridge and it just slammed the door shut and snapped my neck?
Hunter: Are you ok?
Jesse 5 months into Resistance work: You know I think my life has value.
Wrecker: Who are you and what have you done with Jesse?!
Fives: I'm so sad woa woa womp womp.
Echo: I am tired of fighting my own demons, give me physical ones.
Fives, months into being on the run: I’d kill to go absolutely ham on a dexter-grade hamburgussy.
Echo: Nothing wrong with a little government overthrowing in the sake of friendship.
Wrecker: Aw you little reg guy.
Dogma: Shut up do not call me that.
Omega: Gentleman ori’vod.
Dogma: Stop I am a STRANGER who is RUDE!
Echo after Fives tells him that he tried to assassinate Palpatine: Yeah I think fighting the Chancellor’s a pretty good way to get labeled a traitor.
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gemma-collins-ily · 2 years
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hi so you know this post? i was looking at all the things you were originally gonna do with it and i saw the hogsmeade with harry so i was just wondering if you could write that also with gof harry :) it’s really such a pain in the ass trying to find fics of him cuz he’s so criminally underrated </3
Going to Hogsmeade with Harry
a/n - I kinda forgot the gof part sorry bestie I really wrote this over a WHILE and didn't look at your request for a hot sec there's literally no mention of it being gof Harry😭✋
Warnings: drinks??? (butterbeer not alcohol) not sure what else???
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sorry but the bestie takes forever to even ASK
doesn't matter if you are together, he's speaking to Ron at literal midnight
"Yeah, I know they'd probably say yes but would they really? 'Cause I did that really annoying thing last week and I don't know if they're holding a grudge!"
and at some point he even managed to get Ron doubtful of if you'd want to go
and they both have a mini crisis because Ron's just a little too invested in your love life after Harry has spoken about it for weeks
"Mate, to be honest, you're making me doubt them - which is odd because I've never really done that before, they obviously like you." "But do they lOVE ME enough to go with me?!?"
why's he acting like this is a proposal???
Ron has no clue but just goes along with it slightly
after a minute to pause, Ron gets the fantastic idea of going to see Hermione for help
kind of 'forgets' to tell Harry because Harry may have asked he didn't tell anyone
but Ron had kept the secret for WEEKS okay, cut him some slack
"So, if, uh, theoretically, someone with dark-ish hair and a holy scar on his forehead wanted to ask someone that he really likes to go to Hogsmeade, how would he... go about that?"
she shakes her head because girl WHAT are these boys doing
also, Ron is totally indiscreet and basically just told her over breakfast before Harry was there
and bess frenn was not quite using an indoor voice
he used a very shouty stage whisper
and now Ginny knows
and Ginny may or may not have told Neville in transfiguration
and Neville may or may not have told Cho in the greenhouse
and Cho may, okay, she definitely told Luna
who was kind of forgetful in the fact that you weren't meant to know
so, she mentions it whilst on a walk with you
"Harry wanted to take you to Hogsmeade, although now I'm not so sure. I heard about it on Monday so maybe it was a sudden impulse since he hasn't asked. What do you think?" "Well... I think I'll wait it out until he says something for now. Thanks, Luna."
okay so now she's done half his job for him
should be easy from then on, right?
wrong
and you really give him every opportunity
I mean EVERY
bestie is fumbling and you're stood there like ummm is he going to ask me out???
then one day you basically give up the pretence that you have no clue what's going on and straight up talk about it like you are already going together
"So, I'm thinking that when we go on Saturday, we should obviously go to Madam Puddifoot's because apparently she knows everyone's tea strength and milk to sugar ratio and whatever so that's really cool, and then-" "Huh? Did I ask last night because I don't really remember and I was really tired so I mean... I'm sure I would have woken right up if you had said yes though, so I'm not sure how I can't remember asking!" "Harry, you didn't. Until now, kind of, I guess. So, yes, Harry, I'll go with you to Hogsmeade and now we need to sort out where we're going. Talk later, yeah?"
woah
he's astounded
Ron hears about it in Potions through a note/several ones that have literally quoted what you said word for word
Hermione hears in Transfiguration from Harry and Ron, with the latter instantly telling her as soon as he walks up to her
now Ron and Hermione are basically Harry's therapists till Saturday
Neville is sat next to them whilst Harry's going off on a rant and has wide eyes whilst Ron and Hermione are like 'yup, this is nothing new, getting a bit bland'.
so, when Saturday comes and you wait in the Great Hall, Hermione literally runs up to you
"Take him away from us, like, now. I can't listen to any more from him and he keeps asking if his scarf is askew? Since when does he care?"
so you're off
he apologises for making you go through the tunnel to Hogsmeade and you tell him multiple times it's no problem
besides, it gives you privacy to hold hands and have him swing them whilst they're clasped together
bestie he hit your hand on the wall by accident and five minutes were spent with him asking if you were okay and examining your hand
when you finally get out of the tunnels and whatever you naturally gravitate to Madam Puddifoot's because Harry wants you to be happy with where you're going and you already mentioned it so it's the first stop
aww adorable
anyways
you and Harry swap drinks at a point even though they're meant to be tailored to you specifically not the person you're on a date with
but you swap to see what the other person likes even if you both end up pursing your lips at how sweet or not sweet the other person's is
you swap back and laugh together as you talk about practically anything
if you're a bookish person then you definitely stop by a book shop and Harry frowns as he sees an old book by Gilderoy Lockhart until you steer him away
he reads the blurb of every book you pick up because he wants to know what you like and you try to recommend books to each other
if you end up with a kinda big stack of books propped up by one arm while you look for others, he'll take half the pile no matter how many he already has
then oopsie daisy he accidentally pays for a few of them
"Harry, I could have paid myself! When do you want the money back by?" "You don't need to pay me back, Merlin knows I have enough money anyway, and you don't owe me anything, promise. If you're that worried you can pay me back whenever you want, I don't mind."
okay that earns him a hug with the bags of books looped around your arms
if you jostle a bag and he sees it has left a stripe on your arm from the handles or anything, he's taking the bag
asking first, of course
you go to the Three Broomsticks and drink butterbeer together or another drink and then try not to laugh at the froth that appears above each other's lips
"I see only one solution." "What's that?" "Obviously gotta get it off somehow." Then, he runs his thumb over your lip before saying, "Nope, don't think I got it off. Only one thing for it." Next, he's kissing you, something you eagerly return.
then a teacher walks in and since basically everyone knows Harry, basically everyone knows he's not supposed to be in Hogsmeade
you duck immediately
Harry's quizzical before he spots the teacher and drops to be under the table
he bumps his hand on the way
you facepalm before kissing his knuckles, claiming the classic 'a kiss will make it better'
he blushed before a look of disappointment crosses his face
"What is it?" you hiss from below the table, "Does it hurt more now that I did that, sorry." "No, no, it's great, never felt better! Just realised I could have done that in the tunnels. Missed opportunity." "It's never too late," you grin and raise an eyebrow, "I actually think it still stings, maybe you should return the favour, make it better." "I think I should, too." And he does, as you giggle together under the table in the Three Broomsticks on a Saturday, muffling laughs in each other's shoulders and hoping the teacher doesn't hear you.
it becomes a thing you do whenever you have free time on Saturdays and Harry isn't defeating someone or anything
after a while, Harry becomes less nervous for each date
but don't worry, they're all just as special as the first
that scene where there's snow in Hogsmeade?
yeah, you go together in winter too
you have snowball fights against Ron and Hermione
it's half so that they'll maybe actually get together finally and half because you and Harry really want to be on a team with each other
you make little bases which are just mini hills of snow you hide behind while you make snowballs to chuck
if you forget gloves, don't even worry, he's got a spare pair
there are some moments where Ron rolls his eyes at the displays of affection you two have
for example, once Harry didn't have spare gloves so he just made snowballs and guided you to put your hands on top of his and make them with him
cuties alert 🚨🚨🚨
another time is when you are scrambling across the snow to try to invade your opposition's base to pelt them with snowballs, you fall to the ground and Harry, who had been distracting them, rushes out to check on you
woah, sacrificing himself to the snowballs for you, that's true love
he leans over you as you flat on your back before you laugh and put your hands on his cheeks
he ignores the chill from your gloves sourced by making snowballs and grins down at you
just as he's about to kiss you, Ron hits the two of you with a snowball in the literal tiny gap between your lips
Hermione thwacks him (gently) and then the moment is sort of, but not really, over
so she joins Ron in chucking snowballs at you until they run out and literally just start gathering fistfuls of snow
Harry pushes over so that you're both on your sides facing each other but his back is to Romoine (I can't keep writing both their names again I'm sorry-) as he gets attacked with snowballs and is basically your shield
and he just chuckles every time he's hit before acting like he's wounded, asking you to kiss it better-
then, he signals for you to run as he grabs the invisibility cloak from his pocket and hands it to you
you know what he means and get up carefully, darting behind a little snow mound whilst Romoine are grabbing more snow armfuls
you sneak around in the cloak to your previous base and carry as many snowballs as you can manage in your arms until you stand behind the two
they couldn't see you weren't there since all they can see is Harry shuffling around and as silly as it sounds, it's a major tactic
you pat a snowball into the base of Ron's neck as he jumps and looks at Hermione
then, when he looks away, Hermione gets one there too
Hermione looks at Ron before practically tackling him, a new pyramid of snowballs set up by you and they don't stop to think about how they got there
you run back to Harry as he smiles
"Every person for themselves?" "Godric, no. Let's just wait to see how long they fight, it's funny."
when they realise it was you, Harry states 'all is fair in love and war' smugly before you two end up running, you trying to unfurl the cloak from where it lies over your arm and toss it over the both of you
like it would help cover the footprints in the snow but whatever
you run back to Hogwarts and sit in front of the fire together later, Harry and you sharing a blanket
if McGonagall sees you huddled together and wonders why you would have gone into the snow if Harry didn't have parental permission to Hogsmeade even when she already knows the answer, she says nothing
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negative-speedforce · 7 months
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Crisis on Infinite Earths - E-2002 Edition
might make this a series, might not, here's some recommended listening if you want to get emotional
"The sky- it's red." Hailey stood up, looking out the window. "Crisis has started. We should go."
Siv nodded. "You're right."
Hailey hesitated for a moment. "There's nothing we can do, is there?"
Siv shook their head. "I don't think so. If the sky's red, most likely, it's already too late."
"I'm not ready to die." Hailey took a deep breath. "I mean, I've already died once, but twice?"
"It's a lot. I know." Siv took Hailey's hand. "Want me to grab a couple bottles, for the end of the world?"
Hailey sat down next to Siv. "Yeah. I guess. Get the 2014 Merlot, the one in the grey bottle."
Siv stood up, walking to the kitchen, where they took two of the wine bottles from the counter, bringing them back to Hailey's bedroom. "These ones?"
Hailey nodded, putting down her phone. "Yeah. Cell service is down, by the way." She took both the corks out, tipping her bottle against her lips. "If you could talk to anyone right now, who would you talk to? What would you say?"
Siv thought for a moment, taking a sip from their bottle. "My sister. Her name's Esme. We were close as kids, but drifted apart as I got older and my dad started showing very clear favoritism for me. I wish I could tell her I'm sorry. Fuck, I miss her so much. I haven't seen her since I was eighteen. Part of me is scared that she'll hate me for what I am now. What about you?"
"Me?" Hailey pondered, studying the label of her wine, adjusting her position so Siv could lean on her shoulder. "Probably Arya. They're basically my fairy godsibling. They saved my life, back in Afghanistan, and I've known them since I was six. I just want to see them one more time, tell them thank you for everything they've done for me."
"It's funny, isn't it?" Siv wiped wine from their lips with her sleeve. "Out of everyone we could be with for the end of the world, it's you and me. It could be some kind of poetic justice, since we're enemies of a sort, or perhaps, it's just coincidence or fate. But, if I had to spend the end with anyone, I'm glad it's you."
"Me too." Hailey put her bottle down. "Sky's getting redder. Are you still holding out hope?"
"I don't know. Maybe." Siv lay down next to Hailey, who quickly moved to a lying position to curl up next to them. "I've learned not to hope too much. Maybe I'm just grizzled and bitter."
"Maybe. Or you might have a point." Hailey stared up at the ceiling as the light in the room went dark, a harsh red glow as the only illumination. "Siv, listen. There's not much time left- I think that light was the sun. I just want to say, I think I'm in love with you. A lot."
"Honestly?" Siv replied, rolling so she was facing Hailey. "I have those feelings too. I wish it could have been better between us. I promise, if we get a second chance, things will be better between us."
Hailey watched as a wave of light spread through the city, obliterating everything in sight. "Close your eyes. Please."
"No. I know it's the end. But I just want to see you."
Hailey watched as the wave drew closer, averting her gaze down to Siv's deep grey eyes just before the wave hit her condo. She stroked her thumb against the scar on Siv's cheek as searing light burned through both of them.
Siv could feel her body being torn apart (again), and as time seemingly slowed to a halt, they pressed their lips to Hailey's, allowing their last moments to be spent with the woman they loved.
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sodiumlamp · 4 months
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Picard
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I just did the math, and Star Trek: Picard is approximately 22.5 fucking grueling hours, so that made me kind of sad.
This episode tries. It doesn't quite succeed, but I see the effort and I appreciate it. I'd like to believe that this marks a turning of the corner, and the rest of this season will get better, but it's too late to redeem this series, which currently stands as one of the all-time worst shows I've ever seen.
With a lot of bad media, I will often see apologists offering up defenses like "It had some good ideas, but they were poorly executed." And I have watched TV shows where that simply isn't true. The ideas were bad and the execution was bad, so it was bad all around. Picard, on the other hand, actually does have some pretty great ideas. There's a lot of stuff that would totally work if only it were being done anywhere else but here. And that's actually more tragic, because Star Trek Picard is like this graveyard where good ideas go to die. And of course, they're buried alongside a ton of bad ideas, which the show also has.
All right, so in this episode, they're stuck in the gravity well of a nebula that isn't actually a nebula, and they've only got four hours left to live. The gang have hit rock bottom, but they slowly start to dig their way out, which is kind of uplifting to see. Riker admits to Picard that he was right about not wanting to fight the Shrike. Picard spends some QT with his new son Jack Crusher. Seven and Captain Shaw have to work together to flush out the Changeling saboteur. Beverly figures out that the nebula is actually some sort of alien womb, because it's sending out energy pulses at regular intervals, comparable to a human experiencing contractions during childbirth.
I mean, that last part is pretty ridiculous, but I'll allow it, because it's on-brand for Star Trek. Still... I'm beginning to wonder if anyone in Starfleet has ever seen an actual nebula before. It just seems like this thing turned out to be very different from a nebula, which makes me wonder why anyone thought it was a nebula in the first place.
Anyway, they finally come up with a plan to use the energy pulses from the space-womb to carry the ship back out before they all die. It mostly relies on this weird premise that's also on-brand for Star Trek: that all starships can magically be drained of their power, or absorb power like a sponge. In this case, Bev can predict the next wave, so once they're prepared they can just time it right and use the power of the wave to re-energize the ship. When they escape, they're treated to a swarm of alien squid creatures born from the "nebula".
So what's the problem? Well, two main issues here. First, even though there's a happy ending to this crisis, this episode gets really fucking dark. The crew morale is in the toilet. Riker confesses that he's in a profound depression from the death of his son, so he left his family to get back into space just to try and feel something. He tries recording a message for his family when he thinks they're all going to die, and when the others come to him with their escape plan, he's so despondent that he thinks it would be better to wait for a rescue, because at least that way the ship might still be intact and they could leave something behind. I don't know what the hell happened between Season 1 and this, but that's a pretty dark mindset he's in.
We also learn that Jack approached Picard years ago, without telling him who he was, and asked Picard if he ever considered having a family, and Picard replies that Starfleet was the only family he ever needed, which would have been an innocuous comment except he was saying it to his son without even realizing it, so that's really grim. Also, Jack has some spooky hallucinations near the end of the episode. I guess he really is his father's son, since Picard had the prophetic dreams in Season 1 and the Silent Hill jumpscare flashbacks in Season 2.
Oh, and there's a lot of body bags in this thing. It's kind of tough to appreciate the Titan surviving this mess when you see so many crewmen who definitely did not survive it.
Oh, and Captain Shaw is high on painkillers and he finally opens up about why he's such a giant douche: Turns out he was at Wolf 359, and he and 50 of his closest friends had to figure out which ten of them got to use the only functioning escape pod. Did anyone actually die at Wolf 359? The way I remember it, there were a lot of broken hulls and the Enterprise scanned for life signs and found none. But Sikso got out and Shaw got out. Shaw describes himself as a "dipshit from Chicago," and I gotta admit, ripping off Ben Sisko's origin story is a pretty dipshit move. I'm voluntarily subjecting myself to Star Trek: Picard, so I can't judge.
Oh, right, there were two issues with this episode, but there was so much dark stuff in this one that I got sidetracked.
The other issue is that they just sort of blew off the original problem that got them in trouble in the first place: The Shrike. On their way out of the "nebula" they almost run right into it, but Riker uses the tractor beam to snag an asteroid and fling it into the Shrike before it can attack. It's kind of cool that he got his groove back and managed to one-shot this enemy that had seemed unstoppable a few hours earlier, but it also undermines all the buildup we had with the Shrike in the previous two episodes.
The Shrike's captain looks like she's auditioning for the role of Oswald Cobblepot. She acts like a maniac, and her ship is supposed to be loaded with incredibly powerful weapons. When Titan falls into the gravity well of the "nebula" she cuts off her own hand, which then turns into a floating head and it orders her to pursue the Titan and recover Jack Crusher at all costs, and she reluctantly obeys. The Shrike sucks and she sucks as a villain, and Episodes 2 and 3 sucked, but I assumed they were going somewhere with all of this. Instead, Riker throws a rock at them and that seems to solve everything.
I mean, they didn't destroy the Shrike, so maybe it comes back to menace Picard later, but we spent three episodes on it and I'm not impressed at all. I'm certainly not looking forward to a rematch.
Worf isn't in this one, which is pretty disappointing, but it allowed the episode to focus on the A-plot, which was a good thing. Also we get a day off from Raffi's nonsense. Wait, that means we'll probably have to get double the Raffi in the next episode. Where the fuck is Geordi, anyway? They promised us the whole TNG crew would reunite for Season 3, and we can barely get more than three of them in a single place. At least Worf and Troi are in the show, though. Data's not around, but he's dead, so what's Geordi's excuse?
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Without having read it yet here's what I'm thinking the Dark Crisis timeline is:
Barry Allen is missing -> His friends and family are told -> the Justice League goes after the villain who did it while the Flash family searches for Barry through the multiverse and speedforce -> the Justice League 'dies' -> the Flash family finds Barry and brings him home -> there's a vigil for the JL
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We already know that Wally gets told that Barry is missing next issue and we know that the Justice League's 'fatal' mission is because of Barry's disappearance. So that places these events at the same time. "With the Justice League gone" could mean that they're already missing as well when Wally gathers the family to search for Barry but I'm interpreting that to mean that they left on their last mission.
Regardless, the Flash family rescue mission happens before the vigil. This is important.
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We know that they successfully find Barry (and fairly fast as well... part of the gig I guess) and that they snap him out of the fantasy but we don't know if they manage to rescue him in the end.... or do we?
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In the vigil, which happens after this rescue mission, Dick lists out all of the dead heroes and Barry? He's not on the list. Either this is a massive error or the Flash family is able to successfully rescue one Mister Barry Allen.
Which raises some questions. Because the Justice League all got stuck in alternate universes just the same as Barry so why stop there? Why not save them all? I guess they might think Barry lived because of speedforce and everyone else is actually dead. Or maybe they were only able to save him/locate him because of the speedforce and they can't rescue the others because of that.
It's a little bit funny to think that the speedsters rescued Barry and went "whelp.... that's that. job well done guys. my condolences to everyone else. rip to them but we're different."
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Text
Shy!Calum Masterlist
Breathe You In Like A Vapor (ao3) - im_just_a_sucker_for_bromance michael/ashton, michael/calum, luke/calum E, 37k
Summary: Calum fell for Michael the very first time his eyes landed on him. However, his best friend, Ashton was quicker and happened to be the one who asked Michael out. Being the quiet kind of guy, Calum kept his feelings to himself and instead, focused himself on being as equally annoying to Michael as the other boy was to him. Everything was going fine until that one night and Luke was introduced into the picture. Little did anyone know that innocent Calum's world would turn into something completely opposite.
Cadences (wattpad) - close_as_strangers_7 luke/calum 19 parts
Summary: Calum Hood and Luke Hemmings couldn't be more different. Calum is the shy introverted pianist in the classical music department, whereas Luke is the popular tattooed vocalist in the rock and metal department. What happens when these two cross paths? And more importantly, which cadence will they form?
cant believe i made you weak (ao3) - orphan_account michael/calum E, 2k
Summary: calum probably stares at michaels asshole longer than intended. hes been a bottom in his only relationship hes ever had; with michael. hes never ate a boy out, never done anything with a boys ass. but now michaels ass is spread open right in front of his face and he was excited. he wants to make michael feel as good as michael makes him.
Hey boy, stop pacing around the room (ao3) - Extras0fts michael/calum, luke/ashton G, 2k
Summary: Michael read the name written on his coffee cup. He sighed, cringing at the misspelling of his own simple name. In messy handwriting, 'Meekle' was scrawled along the side of the cup. He shrugged before taking his coffee and leaving for his next class while daydreaming about the clumsy barista boy.
Or the story where Calum is a clumsy barista who always gets his crush's order wrong.
i let my guard down for a moment (wherever you go, i'll be going too) (ao3) - burstintocolor (anchormate) luke/calum, michael/ashton M, 11k (WIP)
Summary: He’s not sure what he guessed the baker would look like, but whatever his assumption was, Luke is surprised. He’s dressed far more casually than he had expected, no fancy chef coat and uniform in sight - in its place a black t-shirt with the name of a band Luke vaguely recognizes, gray slacks, and a blue striped apron with plenty of flour on it, the only indicator that Calum has been the one baking all the delicious items they sell. When Luke’s eyes reach Calum’s face, he sees he was wrong, actually - there’s flour in his hair as well. His dark curly hair, seemingly bleached in some bits, is mostly covered by the red ball cap Calum wears, but one of the longest curls near his eye is streaked with flour, and Luke can’t help the slight smile that escapes him. He also hadn’t expected how pretty the baker would be, of course.
or; luke has a career crisis and gets a job at a bakery. calum is a beautiful baker. you know how it goes from there.
Innocent (wattpad) - -smolmichael ot4 19 parts
Summary: Michael walked up to the front door his hands shaking in pure fright. His mother had enough of his acts, the way he was different then someone else. All Michael had imprinted in his mind was the last words his mother would probably ever speak to him, "Get out, you're a waste of space! you aren't normal and you DON'T belong here."
Let's be unpredictable (ao3) - orphan_account michael/calum, luke/ashton G, 5k
Summary: the one where malum meet at a detention and everyone thinks Luke's hair is a myth, but it isn't.
Mirrors (wattpad) - prettyboymalum michael/calum 49 parts
Summary: In which Michael Clifford never has trouble getting anything he wants, except for the insecure shy boy who hates looking in the mirror.
say what’s on your mind (i couldn’t be more in love) (ao3) - orphan_account calum/ashton/oc, sierra/luke T, 3k
Summary: Calum struggles with the newfound aspect of his headspace, but thankfully Ryan and Ashton are here to give him love and snuggles.
The Upside of Everything Wrong (ao3) - orphan_account michael/calum, luke/calum, luke/ashton N/R, 24k
Summary: “Well we’ve always kind of deviated, don’t you think?” He says with a sly little smile that metaphorically knocks Calum on his ass. His face turns red again, and why, why is Michael doing this to him? “I do think that.” He whispers. He leans a bit closer to Michael, and lets his head rest against the boy’s shoulder. “But this isn’t a date.”
or the one where Calum's been betrayed by everyone he's put trust in, and believes he's unlovable until Michael appears, and shows Calum just how easy being loved can be
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fumblingmusings · 10 months
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Do you have any music that you associate with characters when you write or in general?
My music taste is objectively bad I hope you know. I like Eurovision and K-Pop (BEFORE IT WAS 'COOL' I HAVE STANNED GIRLS GENERATION SINCE 2011 GET ON MY LEVEL BTS ARMIES OR WHOMSTEVER) so my choices are... bad. Basic. Melodramatic. Problematic? Another adjective ending in tic.
So uh. Music. You can guess if you like which songs refer to whom. I think many of them are generic enough to span many nations at one point or another. They're all far more dramatic than canon I can say that much. :|
Melanie Martinez - Void
Pipe down with the noise, I cannot bear my sorrow / I hate who I was before / I fear I won't live to see the day tomorrow / Someone tell me if this is Hell / I gotta escape that void / There is no other choice, yeah / Tryna turn down the voices / The void ate me / Look at the mess I've done / There is nowhere to run, yeah / Holding a loaded gun / The void / Like a priest behind confession walls, I judge myself / Kneeling on a metal grater / Bloody, like a body that has died and it's myself / Tangled in my own intestines
Konata x Generdyn - Fight Back
Nah, this ain't hate speech, this is faith preached / This is Shakespeare mixed with Banksy / This is screaming out until you can't breath / This is I don't care how long it takes me, yeah (I don’t care) / 'Cause I know freedom reigns here / Already overcame fear / So if I wanna see it then I gotta be / Imma be the change (Yeah) / I'm defiant, I rise in a crisis, I know what the price is, I'll show 'em what a fight is / I'm the leader of the pack / I'm here, where you at? / Set the flame light a match / I will fight back
Rina Sawayama - Holy Til You Let Me Go
Tried to pray the pain away / Just like you taught me (But something had changed) / Came to shelter from the blame / But I left taking all the shame / Oh, you saw a light starting to shine / Wanted it only for your eyes / Older and wise, God on your side / I was the martyr who paid for your life / I was innocent when you said I was evil / I took your stones and I built a cathedral / Found my peace when I lost my religion / All these years I wished I was different / But, oh, no, now I know / I’m holy till you let me go
Chelsea Wolfe - The Waves Have Come
Creation was the only word that made you feel you never were / An endless hope is all it was and holding sacred all were / And don't forsake the way we were and don't tell me you never would / And we don't need physical things to make us feel and make us dream / When earth cracks open and swallows then / We'll never be tired again / And we'll be given everything the moment we realize we're not in control / And all you know gets older when the sun goes down and everything / Begins to fade away the waves have come and taken you to sea / Never to return to me
Lana del Rey - National Anthem
It's a love story for the new age / For the six-page, we're on a quick, sick rampage / Winin' and dinin', drinkin' and drivin', excessive buyin' / Overdose and dyin' on our drugs and our love / And our dreams and our rage / Blurrin' the lines between real and the fake / Dark and lonely, I need somebody to hold me / He will do very well, I can tell, I can tell / Keep me safe in his Bell Tower Hotel / Money is the anthem of success / So put on mascara and your party dress / I'm your national anthem, boy put your hands up / Give me a standing ovation / Boy, you have landed, babe, in the land of / Sweetness and danger, queen of Saigon
Marina - Immortal
I wanna be immortal like a god in the sky / I wanna be a silk flower like I'm never gonna die /I wanna live forever, forever in your heart / And we'll always be together from the end to the start / That's what we do it for, to reserve a place / It's just another part of the human race / That's what we do if for, to reserve a space / In history it's just part of the human race, race / I'm forever chasing after time but everybody dies, dies / If I could buy forever at a price, I would buy it twice, twice / But if the Earth ends in fire and the seas are frozen in time / There'll be just one survivor, he memory that I was yours and you were mine
Loreen - Under Ytan
I often think about you / As if you were my own brother / I have changed too / Into a merciless monster / When I see all the evil / That we, as human beings, have unleashed / The senseless suffering / Then I find it harder to understand / That we all were children once / And we all were helpless once / We loved without limits / We loved unconditionally / Under the surface / We're all small / Under the surface / A good soul can be lost
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theharpermovieblog · 3 months
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#HARPERSMOVIECOLLECTION
2024
www.tumblr.com/theharpermovieblog
BAD MOVIE TRIPLE FEATURE pt.2
I watched Septic Man (2013)
It's hard to write a review of something this boring and bad, but I guess I'll try. (I usually don't love to take down smaller films, but this one is too hard to find something I actually like.)
During a water born disease crisis, a worker gets trapped in an underground septic tank, which a serial killer and his giant brother have been using to store dead bodies. Over time the worker begins to hideously transform within his toxic prison.
With a title like "Septic Man", I highly expected a ridiculous Troma-esque movie, made up of pure ridiculousness and lame sleazy jokes. This is not that kind of movie. That would at least be interesting, but god forbid a movie be interesting.
This whole movie takes itself very seriously, despite not being nearly good enough to do so. The worst part of taking itself so seriously and being simultaneously so bad, is that it absolutely destroys any and all fun or enjoyment which a premise like this could have going for it.
Yeah, this movie is kind of gross, but being gross isn't fun enough to make this worth your time. It may surprise you, but watching people puke and shit and play around in shit water isn't exactly engaging enough on it's own.
Why is taking itself seriously so bad for this movie?
When the acting, directing and writing are all sub-par in a film, the hardest thing to pull of is drama. But, despite it's complete lack of good filmmaking, Septic Man doubles down on trying to be a dark and drab drama.
Mostly, the writing here is awful and the worst part of the equation. The movie overcomplicates several simple ideas by jamming them together and not blending them properly. The writing, as a result, never feels cohesive or engaging. It feels dumb and lazy. Like a writer who believes their first draft is good enough and doesn't actually bother to work on structure or character or plot.
Maybe, just maybe, a sense of humor could have made this tolerable. At the end of the day, It's a movie about a man becoming a shit monster, so it would at least create a tone that plays well. But, then again, I'm not sure I want to find out what this writer thinks is funny.
This movie wants to be an emotional drama, but also a gross-out body horror flick, but also a serial killer movie....and it never once puts in the effort to pull off any of this off. It's devoid of any point or meaning or scares or anything interesting.
A serious body horror drama can be done. Director David Cronenberg does it a lot. "The Fly" is a clear example of a smart, brutally dramatic body horror that, despite it's somewhat silly plot, works and works well. The writing and attention to detail and character are there, and therefore create a movie that engages the audience while simultaneously challenging them to keep watching.
"Septic Man" fails everywhere a film like "The Fly" succeeds.
Veteran actors Julian Richings and Stephen McHattie (McHattie is barely in this) both show up in this movie, and both deserve better than shit like this.
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This Might Be It
I should really start taking this more seriously. Today is our second anniversary of being *legally* married, but there are so many ugly and dark things that have been born within our marriage. Matt denies a lot, if not all, the responsibility. He says that I am seriously damaged and that I have all these issues to work on. I am so sad he feels this way because I don't know if I can cope with being seen that way. I am bawling as I write this because I don't want to be damaged. I feel like I've done so much work on myself and yet the whole part of carrying the relationship emotionally comes back to bite me in the ass. I think I'm a HSP or something like that because I do feel too deeply.
However, now it's time to turn inward. I have been abusing alcohol. Matt and I quit our weed consumption. I think this has been a good substitute. I quit therapy because I really didn't like my therapist. I feel so broken. The problem is, either I am crazy or I just bullshit myself about my feelings because sometimes I feel like my life is actually okay. But also, to be fair, this week, which Matt blames for being so awful, I had been wondering to myself if I was depressed. I guess I did start feeling some form of depression.
Right this second, I don't want to do life. It just feels too complicated, too painful but mostly I feel so alone. I need to find a proper support system here in Zurich.
I just went ahead and updated my goals board. Also, Matt came and gave me a hug and said "Happy Anniversary," and I cried into his chest and it was so horrible and beautiful and I think I'd never felt so comforted and hurt by someone simultaneously.
Most importantly, I updated my goals board. I am in a moment of crisis, of sadness, of despair, but as it was revealed to me in The Power of Now, I only have the choice to act or do now. So I am taking all the information that is useful, I am using all the information of my past mistakes, to structure a life with goals and acts that center around where and what I want to be: at peace, and present, and kind.
What I wrote for my goals is the following:
Daily gratefulness
Daily meditation
4x week exercise
3x week journaling
2x week meaningful socializing
1x week therapy
Sobriety
Practice creativity
Keep working towards Lillywhite G Plan
Driver's license
German
I feel like this goals will really help me become a better spouse.
Matt was breaking my heart, accidentally, by talking about all the things that were wrong with me and saying that he didn't know if we were going to make it. But something that I'm learning about Matt is that when he is in his dark space, he expresses it as an absolute truth. I have that space in my mind, too, and I like to think, and I assume, that every human in a marriage or any kind of romantic relationship has that space where they see a future in which they don't make it. Not all the time, but sometimes. For me it's rare, but it exists and it's sometimes dark and lonely and sometimes it's a relief and almost a secret wish - being single again, not for the sake of being single, but being free of Matt's judgement. However, I don't say it out loud, I don't bring him into this brain space of mine. The fact that he does bring me into his is perhaps not very healthy, I'm strong enough to handle it, but barely... it really crushes me. I am choosing not to dwell on that too much.
I am choosing life, I am choosing the now, I am choosing me. I am going to take a shower and then go downstairs and be with my husband. I have an amazing life and sometimes humans have feelings and feel pain. But I will not choose suffering. I don't want it. I choose peace.
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We Met Within This Screen [chapt. 6]
[Donnie x reader]
sfw, chapter 5 here
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Come on, save it, save it, Donnie chanted to himself later that night, at home and tucked away in his room trying to figure out how to neutralize the situation. He paced along his bed back and forth, phone in hand as he wracked his brain thinking about how he'd get her to let it go. He could tell her that she was...overtired? Go the stereotypical route and say it was just her eyes playing tricks on her? Try to play it off as human teenagers messing around on the roof?
She'd gone to bed already. He hated that he couldn't pursue the subject until morning, her morning, but by then, he'd be tired. When she woke, he slept. But he needed to get it resolved as quickly as possible, so he reckoned it was time to pull an all nighter. Luckily, that wasn't anything he wasn't used to.
He figured he'd get the preliminaries out of the way so he could get right to it when she eventually texted back.
"Good morning
I know you're not awake yet but I figured I'd get an early start today.
I want to know, what exactly did you see last night?"
He shut his phone off and set it down on the bed, fingers rubbing his temples. Depending on her answer, this would either be difficult, or near impossible.
The rest of his time was spent just waiting around for her to finally wake up, dodging all his brothers and trying to occupy himself with something. He was fiddling with the radio he kept on the floor next to his bed when his phone notified him of a message. Turning the volume up, some old-school rock played softly. He didn't always keep music on when he worked, which was what he was doing felt like, but something needed to fill the silence. It also made it feel more casual to have the radio on, for both himself and for whoever might stop by his room.
"Good morning to you too
That was...sudden??"
How nice it was to read those words coming from someone who wasn't his family. Not that they said it like that often anyway, but the small gesture hit differently.
"I'm just really curious about what you said you saw."
Curious? Not quite. More like dying to know, and not because he fancied himself some cryptid hunting.
"That's fair I guess
But don't laugh, ok?"
"I'd never, [y/n]"
"Well
Okay
They were big
But no like not the overweight kinf, not even just 'tall guy' kind of big
kind*
You know?"
Yeah, I aware. I'm 6'8" and have a giant shell on my back.
"They?"
He was hoping she'd only seen one of them. Maybe it would have been easier, but, of course, that wasn't the case.
"I think there were two
Idk it just looked really weird, it was dark but the silhouette from the light made them look bulky, I don't know what it was"
Lips pursed tight, he looked up from his phone, and all of a sudden that music in the background was suffocating. He quickly reached over and shut it off. He needed to be able to divert all of his attention to one thing. Except, even though he should have been spazzing over her spotting them (even if just for a split second), a concern crept up in the back of his mind that made him scoff at himself. The need to know was too great.
His eyes fell on his scaled, three-fingered hand as he typed.
"Did it scare you?"
Perhaps it wasn't what he should have been focusing on. But he was. He knew she hadn't seen much, but what if she quipped that it was frightening, or gross, or…?
"I don't know, Bo
I guess it was kind of freaky
Uh, do you actually believe me? That I saw something?"
"'Freaky?'" he repeated to himself in a whisper, brow ridge furrowed. What was I expecting?
He had to shake himself of whatever was going on in his head at the moment, because there were more pressing matters at hand. Like what he was going to answer her question with. Theoretically, he could go two routes; one, invalidate the experience and try to walk on the line of telling her that it was not real without making her feel crazy. And then probably get mad at him. Or two, go along with it, if he didn't have the heart to do that to her. The answer was already here; he let out a deep sigh. Two, it is.
Nothing could make him want to make her feel that way, even if it meant he'd have to put in a little extra effort in fixing his mistake.
"I wouldn't doubt your judgement, [y/n]."
"Thanks
That makes me feel a lot better
You're a really good guy, Bo :)"
Freezing, he sat and stared at the screen before slowly taking the phone away from his face, lips moving, but no sound coming out. He had no idea what to say; all he could focus on was the fact that the girl he undeniably liked thought he was a good guy. And that, presumably, it meant she might have liked him as well. Big on the "might", he realized as the logical part of his mind took over once again. Regardless, he licked his lips and got to preparing a worthy response. He didn't want to come off as flustered as he felt. Donnie was aware he was not particularly suave—he took solace in the fact that she couldn't see his face or hear his voice. He contemplated on acting a bit more "cool guy" than he actually was, but wanted her to like him for him, not a facade. Which was a major contradiction to all that he had done up to that point, but the least he could do was be the person he was on the inside!
"You there?"
"Sorry, I got distracted…
You really think so?"
"That I think you're a great guy?"
"Well...yes."
"Totally. 100%"
His heart was going, he was stammering to himself, and a new feeling enveloped him. He was no stranger to the different emotions; he'd gotten familiar with many of them. Because though he didn't always show it, he had a lot of feelings. These, he felt most viscerally. But he had to get back on track. If he could push last night's incident under the rug, all would be well. More well than it already was, considering.
"Thank you, [y/n]
To be honest, I've never had a friend like you
So, do you want to talk more about what you saw? I know I'm switching tracks quickly, it's just very….interesting."
It was a jarring and awkward subject change, he knew that, but he desperately wanted to get it out of the way. The sooner, the better.
"I suppose
You seem pretty interested in it"
Maybe she wasn't hanging onto the experience like he'd thought she would. There were so many tales of people seeing inexplicable things and becoming enraptured by the experience that he guessed he should only expect the worst, but it appeared that she was not so obsessed. Crisis averted?
"Not too much, I was just wondering
We can forget about it."
"Oh, I'm not going to forget about it, Bo"
There it is, he thought, not surprised.
After thirty minutes of attempting to throw her off without coming off as suspicious himself, he had to take a breather, reorganize his mind. Only to come back and find that she had to go take care of things, and that she'd talk to him later. He'd done as much fixing as he could; at that point, it was as good as it was going to get. The thought of being looked for by his unknowing friend loomed about in the coming weeks as they did their patrols, when they would pass by her residence, and the times that he snuck off to stop by himself. Sometimes accompanied by Mikey, but he tried to keep it as solitary as possible. Soon, watching her on her balcony from that roof became part of his routine. He vaguely thought sometimes that watching her like that could be considered creepy, but that ship had already sailed.
For the third time in the last month he was there yet again, on the same roof, watching the same balcony, watching the same girl. Sometimes they texted, sometimes they didn't. The times he wasn't talking to her as he sat there were the times he daringly crossed the threshold onto the fire escape. There were only a few instances of that. But did he still feel out of his mind doing so? Yes. The window only looked into part of the living room and kitchen, but he felt scandalous to do it. Most of his time there was spent only with his shell against the wall next to the window, just out of sight. He could always hear her faint but noticeable footsteps coming and could easily vault the railing and climb up or drop down. She couldn't get past his keen hearing unless she knew to tread lightly.
Mikey was with him once again, this time out to look for scrap rather than patrol. He'd been buddied up with his younger brother more often ever since their talk that night in Donnie's room. They only stopped by because they were already out and had a viable excuse.
"Does she know about us? Like, me, Leo, Raph..." rambled Mikey, curious, as he practiced one of his new moves with his skateboard. He kicked up onto the ledge of the roof and skidded before hopping off, tucking the board under his arm. "You guys have been together like, what, two months? And she doesn't even know your name."
Fiddling with the strap reaching around his shoulder, Donnie replied matter-of-factly to hide the embarrassment that was ailing him at the thought, "Okay, for starters, we're not 'together'. And secondly, she hasn't mentioned voice chatting in a while."
"And?" He got back on his board, zooming by Donnie.
"My name? It just hasn't come up," Donnie shrugged.
"Call her, then!" Mikey smiled, still preoccupied with his board and trying out his new tricks. Donnie gave a light scoff and shook his head. His brother passed behind him where he sat leaned against the water tower.
"I don't want to just call her out of nowhere, Mikey, she might be asleep."
He also didn't want his brother there when he did.
"You gotta not be so shy!...oh, look, in the window. Right there. See? She's up," he quipped with a small smirk. The curtain was drawn, but the light had turned on at some point, and they could see her silhouette moving past. Donnie looked over his shoulder to say something but felt a hand slip into his pocket on the other side, stealing his phone right off of him. He was fast, but Mikey was faster in jumping into his board and gliding all the way to the other side of the roof with the fussy turtle hot on his trail.
"Mikey, quit it!" Donnie barked, lunging toward him for the phone.
"You'll thank me later!"
The two wrestled for the phone, Mikey holding it just out of reach as he tried to navigate the screen without dropping it.
"Come on," grunted Donnie as the tussle led them near the edge, where Mikey held it precariously over the alley below. His glasses were jostled off his face when a stray hand bumped them, causing them to fall amongst their feet. Squinting, he partially knelt down and searched for the pair while still looking at his brother and his phone, trying to stretch his arm long enough to snatch it. "Really?" he groaned, "just give me the phone!"
Donnie slung out his staff and used the other end to whack his wrist from underneath just as he pulled away from the edge, losing his grip on the phone. Mikey tried to catch it but it bounced off his hand, going right over the side of the roof and plummeting down into the alley.
Mikey froze. Donnie finally found his glasses.
Laughing nervously, Mikey turned back to him, "Whoops…"
When he didn't immediately find the phone on the ground, Donnie knew what happened. He looked over the edge, and there it was, sitting on the pavement in the alleyway. The building wasn't incredibly tall, but enough to do some major damage. He'd have to switch for one of his spares if he didn't want to deal with a busted-up screen.
"I don't need your 'help', Mikey, so leave it alone next time," Donnie said and gave him a narrow-eyed look, huffing as he leaped down to retrieve it.
Mikey may have been insistent, but he knew then it was time to stop. All he wanted to do was help. For his shy, flakey brother to come out of his shell (no pun intended). Donnie, at that time, had the biggest shot out of all of them for something unique and good. He hadn't yet worked out the logistics of how to bridge the gap between the two, but it was a calling of his to help him along.
Donnie watched for people from behind a corner before creeping out to get the phone, which was face down on the concrete. No doubt cracked to all hell if not completely shattered, though it did have a case.
But as he got closer, he heard a voice. From the phone.
He picked up the phone timidly and shot a glance up at the roof, where Mikey was peeking over the edge in apprehension. Without a word, Donnie activated the taser in his staff, pointing it at his brother and zapping it briefly. He flinched and retreated out of sight.
"Hello?"
"Hello? Bo?" she asked again, tone riddled with confusion. "What was that?"
"Uh, yes—hol—hold on, please," stammered out donnie, flying around the corner and pressing flat against the wall as a group of laughing people passed by the alley. "Just one second," he said nervously. Above him, Mikey was rapidly motioning for him to get up there, eyes wide and body trying to stay low. Baffled, Donnie gestured back at him, mouthing at him to keep his pants on for one more minute while he made his way up.
"Hey, what's going on there?" she inquired, concerned.
A street cat abruptly skittered out from between his legs from the dumpster he stood next to, and he had to stifle a startled yelp. He hopped up onto the nearest fire escape, trying to control his breathing. "Hey, hello…[y/n]," he half-chuckled, distracted by working up the building one-armed as he kept as quiet as possible.
"What was all that? And who's 'Mikey'?"
There was suddenly a shout—Mikey's shout—and his stomach did a jump. He sputtered as fast as he could, "I'm sorry [y/n] but this really isn't a good time, and I mean it really isn't," he pulled himself up onto the roof, and there was Mikey, fending off men clad in black, "so I have to go, but—"
"Don, dude! I need help over here!" cried his brother, sliding out of the way as a sword was jabbed towards him. He countered with a harsh uppercut to the man's chin, sending him stumbling backwards. The blade fell to the concrete with a clank.
"'Don'? Bo, what the hell?! Who is with you? And—"
Donnie jumped into the battle, a mix of nine or ten armed men with swords other weapons, and Mikey trying to stave them off, swinging his chucks with nothing short of reckless abandon. But he still didn't hit himself with them.
Ending the call, he secured the phone in his pocket. He wailed the guy closest to him in the side of the head with the heavy staff, then kicked him in the chest. The man fell to the blow, and Mikey ducked underneath the length of Donnie's weapon just in time as the two came together. Stray bullets flew past them, some colliding with their shells as they spun around for protection.
"How was it?!" Mikey yelled over the clamor, breathless. Donnie sidestepped from the rapid hit he sent towards the human to his left.
"What are you talking about?!" Donnie loudly questioned, flummoxed of what could have been going on in his brain during a fight. "We're kind of in the middle of something here!"
"Your phone call!"
"Yeah, the hell's the talkin' about, Don?" a gruff voice cut through the jumble.
Both of the boys whirled around to see their older brothers there, weapons drawn.
"Oh, right. As soon as I saw those bad guys coming, I let them know," said Mikey casually to Donnie, throwing his fist into the face of the man coming up behind him. "You know, standard biz."
With the rest of the team there, the fight was over twice as fast. Some groaning in pain and some unconscious bodies littering the area, along with their weapons. Leo finished the last one and sheathed his swords, eyes on their tallest brother while Raph kept watch around them. Donnie swallowed as Leo approached him.
"Don, you said you were going out for scrap metal," Leo stated.
In the background, Mikey grabbed his skateboard and was going to try to kickflip over one of the knocked out guys, but Raph yanked the board from him, growling. He checked all of the men to make sure they were down and would stay down.
"We were...just on our way back?" Donnie answered. Nearby, there was a small pile of scrap he'd collected, though definitely not enough to justify being out that long.
"So you stopped at your friend's place?" Leo deadpanned, crossing his arms. "Didn't you think that this could get her in trouble, too? Her apartment's right there, dude!"
Mikey budded in and corrected him, "Ah, we stopped by [y/n]'s. And nah! It's all good."
Donnie's face twitched. "Of course I thought about it! That's why I've only come here three times since, and only thirty minute intervals!" he bit back, throwing his hands up. The rest of his brothers all looked at him and his specificity. "I'm not naive, Leo."
The leader pushed past the both of them, signalling that it was time to leave, and they followed. Not before Donnie got what little metal he had collected and put away his staff, tucking the stuff under his arm. Raph joined alongside Donnie as they ran. "What's with all the secret' stuff, Don? First, ya hide it to begin with, then, ya make out like you were done, and now you get jumped by Foot guys by her place when you shoulda been gettin' scrap!" he said. "How were we supposed to cover for ya if you're lyin' even after we let you off?"
"Technically, I did get some!" Donnie remarked. He held up a piece of the scrap for him to see, and Raph snorted. "But..."
Well, his question would be a little harder to answer.
Next block was the nearest manhole, where each turtle swiftly jumped in, knowing by heart (and years of wandering) most of the sewers and the way back home. In some tunnels was Mikey's telltale graffiti, but it was scattered throughout the place enough to not be a giant arrow to their hideout. In the last portion of the run was the tunnel they always slid down, and once they were actually home, Donnie knew what was coming. Master Splinter was already waiting for them by the time they arrived.
"Uh-oh," Mikey said upon seeing him, sinking behind his brothers. Raph pushed him back up front.
Dropping the scrap in his arms, Donnie squeaked, "That's not good." He quietly cursed how high pitched his voice became when he was nervous.
"Yeah…" Leo cleared his throat, looking down at his hands clasped in front of him. The situation had an awkward tension for everyone in it, save for Raph, who was immune to it by then and Splinter himself. "We took care of the soldiers," he added more seriously. "Got out of there before too much attention was drawn.
"The police may be able to handle them from here, but it will not make a dent in the Shredder's forces," explained Splinter, grave as he paced along the line of brothers. "He owns the city. Until I say so, there will be no venturing to the surface. You are all lucky to be unharmed."
"That ain't it," Raph piped up. "But they'll be bringin' the big guns, next time."
"Oh, I am well aware."
"Um...of which thing?" the nervous turtle questioned, exchanging glances to Raph and then Mikey.
Splinter raised his brows knowingly, and that was all it took for Donnie. The floodgates of his signature anxious chatter opened. He grabbed the edge of Mikey's shell and pulled him over into the spotlight with him, "I met someone over an online game and we started texting after a few weeks, and—and Leo found out and I said I would stop, but we never told you," he gestured toward their brother in blue, who refused to make eye contact, "so I told her that it was through and then Mikey somehow convinced me to go back on it," he sucked in a breath, and Mikey grinned uncomfortably, "and then we started talking again and I don't know why, but I went back there to her apartment building and it was just…stupid."
There was a cumbrous pause. Donnie was stiff as a board, Mikey couldn't look at any one thing too long, Leo stood in his polite but awkward stance, and Raph started to whistle.
As poised as ever, Splinter spoke. "I know."
All four pairs of eyes shot to their father.
"What?"
"Uh..."
"Huh?"
"Wait."
They expressed their collective confusion at the same time, and Splinter chuckled. Donnie wanted nothing more than to be able to retreat into his shell, but that was physically impossible. "Nothing gets past me, especially not you and your nervous habits, Donatello. You are scratching that spot on your neck again, son."
Flinching, Donnie pulled his hand away. He'd be damned; Splinter was right.
But unbeknownst to them, there had been spectator of their fight on the roof that night.
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shh do not think too deeply about this my children
a/n: haha plot device go brrrr
i need to finish this cursed fanfiction
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videoplanchette · 3 years
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Okay to avoid ranting to legitimately everyone on my discord contact lists. I am a pretty big Goosebumps fan. I'm not going to say the largest there was. But one of my first impulse purchases, when the pandemic started, was getting a bunch of assorted Goosebumps books from the original 90s run. Goosebumps were one of the first series of books to get me interested in reading aside from Guardians of Gahoole. I was always intimidated by the Fear Street novels as a kid bc they looked way too scary from the lens of a 3/4th grader. I never got the chance to read them. Now that I'm quite a bit older I hope to one day get all the way through the R.L Stine books in production order. All this to segue into the new Fear Street adaptation on Netflix.
I'm not the pickiest person when it comes to movies, I don't approach them with the mindset that I'm going to hate something. I'm rather the opposite, I find that approaching something with a positive attitude typically gives me positive results. That being said I have a weird relationship with these movies. I feel like this should be something I really enjoy. Anyone who knows me knows I love horror, I love the 90s/80s vhs nostalgia punk setting, I love R.L Stine's both whimsical and clever approach to writing horror (which this movie did borrow from in the last installment.) I don't want to say I hated it, because I didn't. I really enjoyed what it had to say and the commentary it had about the systemic inequality between both towns, even if it was a little basic. It borrows a lot from the pages of Wes Craven when it comes to saterization and critique of horror tropes. I love the attitude the films had. I loved the soundtrack. I loved the representation this gave to poc without making it solely into racial trauma. In that regard, it was a total breath of fresh air. I loved most of the performances and I loved the jittery editing style that was still comprehensive. The characters while starting off unlikeable did eventually grow on me.
I don't want to dissuade anyone from watching the films, I implore everyone to watch these movies and reach their own conclusion.
Personally, for me, these films range on the side of a strong 6-7 out of 10. I live in a town very similar to Shadyside, not as much murder obviously, but still written off as white trash drug-addicted criminals. And there's something almost kind of like wish fulfillment about "it's just a curse" or "its just one bad guy" conclusion the movie comes to, where it feels really immature. Like the movie clearly has a lot to say about systemic injustice but the thing about systemic injustice is that it doesn't suddenly become unwoven after a person of power dies.
and the thing about Sunnyvale is that despite those people profiting off of a curse they didn't know about, there is very little done in the way to make them sympathetic. I don't think the narrative of the movie wants us to come to that conclusion esp since Sam (the main love interest of the film) is relatively harmless and moreso used as just a prop character is supposed to be "good". She is unwillingly moved to Sunnyvale after her mother divorces her father, so I don't think her or her family is the rich single entity the movie wants us to seek vengeance against. Yet it feels messy. Really messy. I'm going to link to a video from the channel folding ideas talking about the book of henry to sort of better illustrate my point about framing versus actual direction.
The way the movie also sort of scoffs at drug use, especially marijuana almost seems out of character for a movie made in 2021. I feel like that could be its separate post. Like it feels in character for a horror movie in the 70s and 80s, but with the more educated perspective in 2021, I feel like we all know that most of the over-policing on drugs came from the US government actively flooding the ghettos with narcotics in order to police them better?
If you didn't know that I'm going to link to a couple informative videos. I suggest researching further of course. these just provide the broadest strokes as to why the "war on drugs" was largely used as xenophobic and homophobic propaganda.
youtube
youtube
But maybe that discrepancy was intentional? Like its baked in so many layers of irony, I just can't keep up with it? I dunno. Like it wants to say something about addiction, it wants to say something about the over-policing of drugs, it wants to say something about the opioid crisis-- but I couldn't tell you what it was. I legitimately couldn't tell you if this movie was on the side of addicts and drug dealers as the means of using any method you could for escaping poverty-- or actively finger-wagging at addicts for like... being addicts? And the self-harm thing in part two... I-- I genuinely don't know what to say about that other than it felt exploitive. like the ending of part two felt so... fucking weird? like it was funny in the way it just totally caught me off guard but it was out of keeping tonally with the rest of the work. I don't expect a horror movie of all things to get its commentary 100 percent correct-- that would make me an idiot. But I guess I am particularly tired of seeing this one trope repeatedly crop up. this post is getting a little out of hand so maybe next post I'll talk about the comparison between Fear Street, Goosebumps, and Scary Stories to Tell in the Dark.
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