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#I NEED TO SEE THE FULL VIDEO IT LOOKS AWESOME

blumineck · 1 year

Note

question for you!! ive been doing some research on bows to draw and write about the character pictured below, the huntress from shattered pixel dungeon. i was wondering if you knew what type of bow would be closest to the one pictured in this art? i can't find any that curve so sharply that don't also have more than one string, and at this point i wouldn't be surprised if there wasn't one at all. thank you!!! i love your videos by the way they make excellent drawing practice :]

Ok, sorry @themichaelvan, I'm gonna piggyback a rant onto your ask.

One of the curses of being highly invested in a topic is that you start to get uncanny valley much more easily when you see it represented.

A lot of drawn or animated bows suffer from one of 3 problems:

1: the bow is shown at rest in a shape that just doesn't have enough length in the string/limbs to reach full draw (as in the above case)

2: the bow is shown at full draw in a way that could never return to a resting position (usually because the string is way too long, resulting from drawing the limbs too close to their resting position- see below)

Think about how long that string would be if it was straightened. There's no way the limbs of that bow are that long.

3 (usually in fantasy/gaming): the bow is designed in such a way that the limbs simply would not bend the way they need to (usually due to being unfeasibly bulky, or made of a material- e.g. A human spine- that just doesn't have the right kind of physical properties to make a bow from.

So, discounting 3., because people who draw those usually know they're ignoring physics and don't care (in which case: that's awesome, carry on!), how do you avoid this?

Let's look at the different stages of drawing a bow:

- at rest

This is a horsebow. It's 55" end to end. The string is completely taut at rest, and the limbs have a destinctive curve, which gives them enough length to reach a 30" draw. Bows with less curve (e.g. Longbows, and the one in the ask) would need to be a lot longer (68"+), to reach the same draw length.

- starting to draw

The limbs start to straighten slightly, but it's mostly in the limb tips, which frees up some string length.

-half draw

The ends of the limbs have uncurled significantly, but the curves closest to the riser (grip) are still mostly the same

-full draw (ignore my face)

The second half of the draw changes the shape more dramatically, as the central curves bend more sharply.

Notice that at each point, the tips of the bow reach mord than half of the length of the draw? If the string needs to cover more distance than the limbs, something's gone wrong!

...

...anyway, to answer your question, the bow in the picture is probably a recurve or horsebow, but it's a bit too small, and the string isn't far enough along.

#sorry for the rant #anyway #archery #art #bows #arrows #drawing #fantasy

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ayeforscotland · 3 months

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Sora looks awesome from OpenAI and then also Chat with RTX (Nvidia) will have a personal local LLM on your own machine but new windows updates will have co-pilot too. The future of AI is going to be awesome. As someone in the data field, you have to keep moving with it or be left without. IT is definitely an exciting time.

As someone else in the data field, my full background is in data and data flow, AI is the latest buzzword that a small group of people in Silicon Valley have pushed to work people up into a frenzy.

The people cheering on AI are the same people who said NFTs were going to radically change the world of work.

I think there’s positive uses for AI, particularly in pattern recognition, like detecting cancer.

However, Sora looks like shit. It’s producing videos of three-legged cats, and it’s using stolen work to do it. And sure, it’ll get better, but without regulation all it will do is poison the well of human knowledge as certain groups begin to create things that aren’t real. We move into a world where evidence can be fabricated.

Why are generative AI fans targeting artists who voice their concerns? Every day I see some AI techbro tweeting an artist and saying they’ve just scrolled through their art and fed it to an algorithm. It is scummy behaviour.

As a fellow ‘data field’ person, you’ll know that AI is also only as useful as what we feed it. Most organisations don’t know where their data actually is, they’re desperately trying to backpedal their huge push to the cloud and host things on premise. The majority of digital transformation projects fail, more fines are being handed out for failing compliance than ever, and companies can’t possibly claim to be cyber secure when they don’t know where they’re holding their data.

AI won’t fix any of this. It needs human engineering and standardisation to fix, non-technical and technical teams need to understand the connectivity of every process and piece of technology and maybe then some form of AI can be used to optimise processes.

But you can’t just introduce AI and think it fixes large-scale issues. It will amplify them if you continue to feed it garbage.

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yesterdayiwrote · 5 months

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Greg James (Radio 1 DJ/Fast & The Curious host) was on the Sky Sports podcast a few months back and he made a really lovely and important comment about Fandom in F1 that I think more people need to hear...

"They are popstars, that is the closest comparison. They are popstars but I don't look at that as a negative. People like these people for a reason and you're a snob or you're shortsighted if you think it's fluff, because the people that love... I'll just do a comparison. People that love Harry Styles, if you're 14, 15, 16 and you're a girl...for example my niece, 15 years old, incredibly smart, worldly, has got big dreams, big ambitions, she is obsessed with Harry Styles, and it's dangerous and shortsighted to dismiss people that are obsessed with things... that are passionate about things, because those people will grow up and those things are really important to a human. Those first touch points of 'That's my favourite Formula One driver', or 'That's my favourite popstar', you never forget that sort of thing, they shape who you are, they help you shape what you like, and I know that sounds a bit grand but how amazing to have Lando Norris as your favourite celebrity, what a great person because that's an incredibly talented person. That's a person who's worked hard and is so great at their job.

So there's a lot of 'Oh, you only like Formula One because you fancy the drivers.' Great! Whatever your way in is, that's fantastic. My niece, told me the other day 'I want to marry a Formula one driver' and she's joking with me, but how fantastic, this thing that, to a 15 year old is mad to dive into the data of a Formula One car, but just kind of likes it... I don't know how you could not find that charming and sort of sweet. You can like any bit of sport that you like. Noone is supposed to be gatekeeping this thing.

I'd also like to say, not to generalise, there will be many 14, 15 year olds who want to get into the sport and they love the granular detail of the sport and they will become the next generation of engineers. Whatever your doorway into the sport is... Amazing. You've sort of won. If you're Lando Norris you've got people who know who you are and you're brilliant at your job and that's how sport can make a difference in people's lives because these characters have to transcend the sport"

The full video is HERE - the fandom section is at 47:00 and if anyone can rip it that would be awesome because you can really see and hear the sincerity in his voice as he talks (my transcribing skills don't do it justice!) But it's so great to finally hear a guy say this out loud.

#f1 #greg james #He uses lando as an example because the question mentions him specifically but he speaks highly of so many drivers #I love Greg he's great on a lot of things #But this really struck a chord with me hearing a guy who fully gets the fandom side of things and how it's weaponised against women #I know Christian made some dodgy comment a year or two back #But if you get into f1 because you fancy drivers...GOOD!#If that's your gateway to something new that you learn to love that's fine and VALID

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asmolfolk · 1 year

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Hi! Sooo, theres a tiktok video that is "Ivan, how did you bag that baddie?" and this come to my mind: Tesla, Buddha, Sasaki, Jack and Ares (separate) hcs with a s/o like that? They're like: Idk how, but she picks me up like I'm nothing. Let's just say I can imagine it, lol - Sorry for my English and kisses from Brazil <3

Oh my! A fellow brazilian! I'm also brazilian, so, kisses from the southeast part of Brazil <3 Hope you liked this one, I really loved to make this one, it was very fun!

🥀♥︎.•° Fandom: Shuumatsu no Valkyrie. Characters: Nikola Tesla, Sasaki Kojiro, Jack the Ripper, Buddha and Ares (Separate) Ask: Inspired by the video 'Ivan, how did you bag that baddie?' 🦋♥︎.•°

Nikola Tesla

"Tesla, how did you bag that baddie?" The one who asked him was his friend, Robert... And that got him... Thoughtful. Tesla looked to the side, looking directly at your direction...

He was thinking about the differences between the two of you... And the similarities too. How you react to things, how you smile, how you show affection or interess in something... He is thinking all of those things at the same time. It would be a reason to "Why he stayed", after all, he never showed any interest in love or relationships that were romantical... But seeing that you were just like a Math question... [A lot of outcomes - Needs hard work and understanding to seek the problem...] That was enough to make his mind so... Full of love and interest. Of course, he couldn't not remember how did 'he bag this baddie'... Spoiler, he didn't. He still remember the day you just looked at him and straight up said "Oh, I don't have this color yet" and just picked him up like a cat and walked with him in your arms. He would tell anyone who saw that the exact thing "I accept it for cience!" But the truth was that he just didn't care to be holded... He liked that and the fact that he could still write his notes was a plus one. Since that, both of you started to talk and later on, date... It is still a surprise to most of Tesla's friends... He can still remember the first dates... And now, you are his... Girlfriend, aren't?... He can't be happier. You respect his space and actually, you were the one to start a lot of intimacy stuff with him... You seemed to always knew when he wanted something or when he acknowledges that you want something from him, but was too tired or busy and didn't want to leave you feeling unwanted by his lack of effort... So you - seeming to read his mind - do exactly what he wanted and started to give him some words of affirmation and to be sure that he knows that it's okay to not fit into some category... Or to not want to do something like sex, PDA or others.

It seemed like a he was off for some seconds IRL while in his mind, he just saw yours love story together... When he noticed that, he knew... He knew his answer. He looked to Robert and started his monologue. "Oh, you are surely mistaken, my dear friend. I'm aware of what could give the impression for you to think like that... But!" He stands there, smilling as if he is explaining math to someone "She, indeed, picked me up and straightly putted me into a consensual relationship that I do really, extremely, like." He puts a hand over his heart, as to give emphasys to his next words "This woman has a exceptional mind and strenght... Aren't I a lucky guy? Her mind is as brilliant as mine... Of course, in Differents/Same matters... Do you understand, Robert?" Robert is lost in words, he doesn't know what to say or what to do... After all, he just saw all of his - 'Don't want to date' - friend being so deeply in love with someone... He could only chuckle as his wife carries a surprise and shocked expression. "Oh my! I'm so happy that you found someone that matches you perfectly, Tesla! And her body is so pretty too... She would look awesome in a wedding dress, don't you think so?" "Hm... Wedding? I think it's a strange concept... But if she wants one..." Tesla, even having his disagreements over weddings... He couldn't say no to you. After all... You are his everything.

Sasaki

"Kojiro Sasaki, how did a loser like you bag that baddie over there?" It was the question of his opponent... He was looking directly at your face, seeing how it changed... After all, you were in fiery! How dare them say call Sasaki a loser... And before you could start approaching to 'ora ora' this person face, Sasaki holded your hand to stop you and smiled brightly. "Well... I may be a loser in battle... But she picked me from the ground and made me her boyfriend, resuming the whole story" He told his opponent as he chuckles as he feels you pinching his cheecks a bit "Ow-Ow! Sorry, sweetheart..." He laughing a bit. "It was nothing like that. I saw him on the ground and thought he was deeply hurt, so I carry him home so I could take care of him." You said, explaining it better than Sasaki resume... Or trying to. "...Okay...? Look, I don't really care..." Sasaki's opponent tried to say that but he wasn't heard, now, Sasaki and you were discussing about this first meeting and he seemed overly in joy after hearing your version of the facts. "So... How were you capeable to hold me?" He finally asked "I mean, I'm pretty heavy-" "I carry boxes that weight more than you, Sasaki."

Jack the Ripper

"How a serial killer like you got to bag that baddie?!" That was the question of Hlökk, who was actually curious to know more about this whole relationship between the two of you... After all, nobody seemed to know about Jack's partner. "Oh my... Well, it's interesting that you asked me this... Well, may I just tell you..." He said with his british accent and sweet tone appearing, he was at your side, holding your hand while looking directly at Hlökk. "She was the one and only who got me, who actually had me on her arms... When she was carrying me around." As he said it, his other hand started patting your head "Isn't it the most romantical and sweet thing someone could ever do to their partner? Carrying them around like they weight nothing" His explanation was not meant to make you feel that proud of yourself... Or to blush like you did. But in a way or other, you could only feel how much you matter and is loved by him... He is trully a gentleman. "EWWW, YOU CLINGY OLD MAN!" Hlokk seemed to think in a different way.

Buddha

"Buddha, my deaaaar friend. How did you manage to bag this baddie?!" Said Zeus... The sluttiest god "Oh my me! You should help me get a baddie like her, I swear to you... I give you candies... Hehe" Zeus - again - couldn't hide his horny. "No." A short and straight answer coming from Buddha, who looked unimpressed by Zeus atticts "I'm not helping you cheat on your wife." as he explained that, Zeus only rolled his eyes - remembering that he is married. "Aw,come on, Buddha, my great friend... It's not like I would steal your... Partner~ I just want to know what did you do...!" "...You have some serious problems, Zeus." With that said, Buddha just moved along his way... But Zeus question was enough to make him think about... That. How did this all happened?

You just looked straight at him and picked him up, saying "This is mine." and just straight up runned away from the gods. That was enough to make him be not only proud but happy - that reunion was a really shitty one.

"Hah... It seems like the puberty made her really strong." Remembering that day, Buddha couldn't hide his smile as he made his way towards you... He WILL use you as his pillow, after all, you can pick him up.

Ares

"Not that I don't respect you, Ares... But how did you... And her got together?" Asked Aphrodite with a rather... Amused expression, she seemed to be making fun of him. "How did you just do that? How did you manage that...? Did you finally follow your daddy ways?~ Because I don't see how you couldn't do that properly... You get no bitches at all~" "She isn't a bitch or anything like what dad do with Hera! She is different, I love her... I want her, she is the only one I truly love." He said, with a confused expression. "Oh love? Now you feel that... How patheti-" She is interrupted when you just walked straight to her, looking to her eyes with a hateful rage. "What did you just say to MY partner? Do you have a fucking problem with him?" As you started to swear at Aphrodite... Ares looked at you with a little smile on the face... Finally... He finally has someone who sides with him and stands up for him...

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hufflepuffwritingstuff2 · 7 months

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Forced Family- Part 4

Part 3

Hero remained mildly sedated for the next few days. Villain wheeled them around the estate, going into each room so Hero could see. Villain fed them all of their meals; Hero had tried to resist at first, but being so out of it made it easy for Villain to push the food past their lips and coax them into swallowing. When that wouldn’t work, Villain would offer for Supervillain to try, and then Hero would quickly comply.

“Good job,” Villain would praise.

When it wasn’t a mealtime, Hero was placed on the couch in the living room, where Villain would hold them while Supervillain sat next to them. Villain would put on a movie, always one of Hero’s favorites, and Supervillain would run their hand through Hero’s hair.

“No need to be afraid,” Supervillain would say.

Sidekick would zip in and out all day, stopping to tell Hero about their training or their latest criminal exploits. Sidekick would share their snacks and show them funny videos on their phone.

After ages of falling asleep and waking up freshly drugged, Hero opened their eyes and felt… alert? They looked down at their body and saw that they weren’t restrained in any way. They sat up in bed, puzzled. There was a knock on their door, and Supervillain entered.

“Hey there,” they said gently, “How do you feel?”

Hero gulped.

“F-fine,” they answered.

Supervillain smiled.

“Good,” they said, “you’d been punished enough. Won’t you come down for breakfast? Villain’s making your favorite.”

Hero gingerly climbed out of bed. They approached Supervillain and let themselves be led down to the kitchen. Villain was making chocolate chip pancakes topped with whipped cream.

“Hero,” they said brightly, “come sit down!”

Hero sat down at the kitchen table. Villain set a plate of pancakes in front of them. Hero didn’t feel like eating, but they picked up their fork anyway and took a bite. The pancakes were delicious, just like Villain had always made them. Hero ate slowly while Villain watched them.

“Thank you,” Hero said quietly.

“Of course,” Villain said, “you know I love cooking for you.”

Sidekick sped into the room in the blink of an eye.

“Hey, you’re awake awake,” Sidekick said, “awesome!”

Sidekick poured themselves a glass of lemonade and stuck a popsicle stick in it. They handed it to Hero.

“Can you freeze this?” they asked.

Hero nodded numbly, letting the cold seep out of their hands and into Sidekick’s drink. It was frozen in seconds.

“Awesome!” Sidekick beamed.

They took the frozen treat out of the glass and began to eat it. Hero finished their pancakes and sat there, expressionless. Supervillain sat down next to them.

“You seem to have accepted your position,” Supervillain said, “that’s good… Sidekick, Villain, and I are planning on heading out today. Henchman will keep an eye on you.”

Henchman waved from their spot by the sink. When everyone finished their breakfast, the three criminals headed out, leaving Hero alone in the kitchen with Henchman. Henchman sat down next to Hero.

“Listen to me very carefully,” Henchman said in a hushed tone, “I need your full cooperation if I’m going to get you out of here.”

Part 5

Patreon

Ko-Fi

Tags: @mythixmagic @infinityshadows @fishtale88 @thelazywitchphotographer @the-beasts-have-arrived @princessofonwardsworld @surplus-of-sarcasm @d-cs @cardboardarsonist @whumpterful-beeeeee @mentalityofacoolduck @rejectedbytheempty @whump-on-a-log @discordzero @caspersdelusion @steh-lar-uh-nuhs @bluesoulpeace @prettyboynoahhh @iamapotatoe

#writeblr #writing #creative writing #whump #snippet #hero x villain #heroes and villains #drugging #captivity #yandere family #yandere #hero darling #yandere villain #yandere supervillain #yandere sidekick #yandere whumper

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lowkeyrobin · 2 months

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Hellooo, I was wondering if you could do MCYT with an S/O who has ADHD? (Mostly hyperfixates on horror games, etc.) I personally have a bad habit of walking around till my legs are sore (my leg has been sore for the past three days please help I can't get rid of this energy ahh-) and how MCYT would react to that/stop Y/N from. Doing that lol

HELP THIS IS SO REAL BAHAHHAHABA ; thank you for the request 🫶🫶 ; sorry if anything seems a little wrong, I'm kinda looking into if I have adhd but obv idk and I'm not diagnosing myself, but I obviously am not diagnosed so I don't know the full ins and outs and I know it's a spectrum, so uh yeah 👍 hopefully I did good lol

MCYT ; ADHD shenanigans

includes ; tommyinnit, tubbo, ranboo, badlinu, nihachu & quackity

warnings ; language

masterlist

TOMMYINNIT

he'll walk into your stream, sit down, look at your screen, then blankly stare at you when he realizes what you're playing

"Dude. are you streaming FNAF again?"

you nod with a smile "yupppp"

he spends the rest of your stream talking to chat and trying to scare you more

you're just talking about the lore and shit and he's loosely hanging onto it LMAO

if you're just like pacing around the house he'll look up at you like "bro you okay?"

will genuinely join in as well, he's always got the energy

he doesn't mean to enable like hurting yourself to a point, but once he realizes he is kind of enabling it he'll immediately stop

"sit down, here, skip leg day for once, focus on those noodle arms of yours"

"says you! the fuck?"

TUBBO

he'll walk into your bedroom for the first time in like a month and just see posters and little trinkets and merch of your new fixation and be like "christ, man"

"I'm a little hyperfixated"

"I see that. also considering the 150 hours worth of streams you've put into FNAF, yeah..."

he gets you a vr headset and buys you the fnaf vr games.

he doesn't understand how you have so much energy but it's whatever

"dude, sit down, your legs are gonna fall off, you've been pacing for like three hours! drink some water at least"

"tubbo, I can't! I have too much energy and I can't get rid of it"

that commences three hours of wrestling in the living room 💀🙏

RANBOO

let's you rant about your fixations and the lore and whatnot

I mean they won't deny that the Blair Witch Project video game is really good

they even buy you posters of the Blair Witch Project movie and video game (we don't talk about the movies after the first...)

even gets you merch off the official game site too (if that exists? I'm not sure istg there was merch tho)

they start to get a little fixated on it too considering they love hearing about the lore and theories from you and stuff

they even play it on stream and dedicate it to you

"thanks for the content y/n"

when you're running through the house, he'll race with you for a while before finding some other ways for you to release energy without making yourself sore

at one point he just gives you coffee that way you'll crash and burn after a few hours

I mean at least you don't feel like your legs are about to pop off your body

FREDDIE BADLINU

invested in the resident evil lore because of you

"I saw this and thought of you" AND ITS A LEON KENNEDY EDIT LMFAOOO

I mean yeah

loves hearing you rant about the games and everything, he could listen to you talk for hours

when you're all strung up on energy he also enables it without realizing at first

when he can tell it's more than just being energetic he'll help you find ways to calm down

if need be, he'll read to you, instant sleep I swear

or when he starts talking you'll be fully invested in his words

"yknow, Google listed among us as a horror game and I really cannot-"

NIKI NIHACHU

the amount of dead by daylight merch and the amount of money that you've spent on it is kinda concerning

but she loves listening to you rant about how the kill animations are so awesome and about new maps and characters and dlcs

I mean it's your current fixation, of course she'd listen to every single word you'd have to say

she even plays with you on stream a lot as well

when you're strung up on energy, she'll take you out for a run, you're like a dog on a leash though because she's not trying to lose you

"niki, come on! I wanna see the water snakes!"

"I'm coming, I can't sprint like you do, darling!"

QUACKITY

"of all the games, why is five nights at freddy's the one you're fixated on?"

he loves hearing you rant and explain lore and theories to him tho

genuine love language

he'll even play it on stream with you

"and the purple guy basically killed all the kids, and the kids basically scared him into the springlock suit and it literally killed him so he possesses that suit now-"

he'll just joke about the amount of energy you have

like Ranboo, will serve you coffee so you can crash and burn considering you end up begging him to help you

#lowkeyrobin #mcyt x reader #mcyt preferences #mcyt oneshot #tommyinnit x reader #quackity x reader #ranboo x reader #badlinu x reader #tubbo x reader #freddie badlinu x reader #niki nihachu x reader #nihachu x reader #gn reader #gender neutral reader #they/them reader

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rxmqnova · 3 months

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Lizzie & sister

R is a YouTube er who does pranks. R's new target (by popular demand) is her famous big sister.

- maybe the feather and shaving foam prank. - fake phone calls - fills car full of balloons?

Stuff like that maybe ? ...... THANKS 👍

SURPRISING MY SISTER WITH A BRAND NEW ROOM

NO ONE'S POV "Hey, guys, it's Y/N and welcome back to my YouTube channel" Y/N smiles, greeting all of her subscribers.

"For this week's video… I decided to… pull out a few pranks on my sister Lizzie" She announces, making a mental note to add an applause later.

"You, guys, wanted Lizzie to be in my videos, so I thought that this would be a great opportunity. She won't be really happy about it, but what wouldn't I do for you, guys" Y/N sighs, adding a chuckle at the thought of all those pranks she's prepared.

"Alright. Right now I'm at Lizzie's house. She's still at work and will be for a few more hours, so I thought that it would be such a great idea to wrap her entire bedroom in wrapping paper. So let's start with that" She announces, taking the camera and walking upstairs to her sister's bedroom.

She bought tons of red wrapping paper this morning and already brought it to the room, so now she just needs to wrap everything. Oh boy, Lizzie won't be happy…

After filming a few more scenes, she gets to work, wrapping every single item in Lizzie's bedroom into wrapping paper.

It takes hours, but now it's finally done and to be honest, Y/N is actually pretty proud of her work.

"Well, this is the final product. I think it looks quite awesome. What do you think, guys?" Y/N questions, showing the room from every possible angle on camera.

"I mean… Lizzie's definitely going to kill me, but I really like it. It actually looks so cool. Oh boy, she's definitely going to make me clean this up" She sighs with a chuckle, filming a few more scenes before going back downstairs.

She sits on the couch, thinking what could she entertain herself with until Lizzie arrives. She's planned 2 pranks on her sister.

The first one is wrapping Lizzie's entire room in wrapping paper which she only just finished. And the other one is to fill her sister's car with balloons, but that needs to wait until Lizzie arrives home.

"Oh, hi, Y/N/N" Lizzie smiles, stepping into the living room where Y/N still is. "What you're doing here?"

"Well, I thought I'd come to surprise my sister and guess what. She wasn't home" Y/N says, standing up to give her sister a hug.

"I'm happy to see you. I'll just change real quick and be right back, so we can catch up on everything" Lizzie presses a kiss to her little sister's forehead, earning a smile and a nod from her.

Just in the moment when Lizzie starts walking upstairs to the direction of her bedroom, Y/N grabs her camera and follows her sister.

"Oh. My. God. Y/N! What did you do?!" Lizzie says as soon as she opens the door of her bedroom, her voice filled with anger.

"What? You like it? I think it looks good. I thought your room needs a bit of a color, you know. And red really suits you, so you're welcome" Y/N teases, only to receive a death glare from her sister, her head even tilting slightly. "Oh no, the headtilt. If these are the last few seconds of my life, I just want to say that I love you, guys, and-"

"You better clean that up right now, Y/N. I have a few friends coming over in like 3 hours, so you better hurry up" Lizzie states, patting her sister's shoulder before walking out of the room, forgetting why she went here in the first place.

"Alright, I guess I won't get any appreciation for my work, so let's get into cleaning" Y/N sighs, putting the camera on the nightstand and getting into work.

It takes much less time to clean up than it took to make it and Y/N's now carrying tons of wrapping paper to her car.

And then comes the last prank… filling Lizzie's car with balloons. She has some blowed up balloons in the trunk of her car already, so now she needs to blow up the rest and put them into Lizzie's car without her knowing.

And that successfully happens. She places Lizzie's car keys right at the same spot she took them before, flopping on the couch and waiting for the right opportunity.

"I need to head out to buy some drinks. You want anything in the store?" Lizzie questions, taking her car keys.

"I'm good, thanks" Y/N smiles.

"Alright, I'll be back soon" Lizzie announces, walking out of the door and Y/N's quick to follow with her camera in her hand. "Y/N, I swear to god-"

"Surprise!" Y/N cuts her sister off, receiving just a glare from her.

"Y/N, I need to go to the store" Lizzie sighs. "I'm taking your car, this better be cleaned up until I come back. And don't even think about pulling another prank on me" She warns, raising an eyebrow.

"You're no fun" Y/N sighs, taking her car keys out of her pocket and giving them to her sister.

"I love you too"

----------------------

Elizabeth Olsen masterlist

Masterlist

#elizabeth olsen #elizabeth olsen x you #elizabeth olsen x female reader #elizabeth olsen x reader #elizabeth olsen fanfic #lizzie olsen x you #lizzie olsen x reader #lizzie x reader #lizzie olsen #fanfiction #fanfic

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venusandsaturnsrings · 1 year

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VENUS IM BACK!! LIKE A WEEK BEFORE MY BIRTHDAY (it's the 24th!!)

I present inceltaru with ANGEL GF <333

Incel childe how just things you're the cutest thing!! Ofc just because ur an angel doesn't mean you're free from his sinful thoughts<33 ugh he's such a little freak that he researches angels mating habits so he knows what signs to look for:((( definitely not so he can fuel his little fantasies in a more accurate way!! He would never!!! Imagine him reeling when you ask him to preen you're wings cause it's only something mate's do</33 he's SO hard at the thought of being your beloved mate that it hurts!!<33 the purrs you let out when he preens you're wings aren't helping either:(( all he can think about is just pushing you down and fucking you :((( ofc he wouldn't do that without you're permission, BUT!! Later when he's done with preening you're feathers and being the perfect little doting mate he's watching angels be fucked stupid on different sites <333 he likes imaging its you while pumping his cock while you sleep all curled up on his bed!!

Ugh bringing back his filthy panty stealing habit he just snatches them right out of your basket when you're distracted (they're all cute and frilly!! Ofc you don't know what it does to him </33) imagine him slipping in some aphrodisiacs into you're food cause angels don't rlly go into heat :(( he just thinks you look soooo cute all sobbing and needy <333 he can't help but playing and teasing you're pretty pussy for hours on end not letting you come until he sits your cute cubby body on his face for him to eat out!! When he's finally had enough of you're juices (he could never have enough but his cock is painfully hard, and he's cum once untouched!!) he starts to fuck ur fat pussy the right way, praising you for being such a good girl<333 he def creampies you cause he just wants you're cute little chubby belly full of his kids!! I forget to mention the amount of marks he leaves to show others you're HIS pretty little angel and no one elses!! He definitely messes with the base of you're wigs to get you all whiney from how sensitive they are on aphrodisiacs :(((

-chubby darling anon!!

WAHHHH OH HOW IVE MISSED YOU… omg!! birthday!! i love birthdays :3 i love festivities and balloons and cake and confetti and sprinkles!! you better have had a super duper awesome birthday OR ELSE!! happy one week belated birthday :3 but… my god… your brain is huge… angel girl and yucky inceltaru :((

any sort of creature or hybrid has the blood rushing lower in his body but, he admittedly has a soft (hard?) spot for pretty angels. put the prettiest little angel ever in front of him? he’s a goner. now, have that little angel be absolutely fascinated by him? double whammy, he’s done for.

the soft and nearly iridescent feathers of your wings called out to his mind and hands incessantly. with fluffy down at the base, it was difficult to repress his constant need to mess with the soft surface. Ajax eyed them up day and night while flicking through various adult videos or books divulging the mating habits of angels. if he became your mate, he’d get to care for you constantly which includes getting his dick wet AND petting your wings. what does he truly have to lose? so when you approach him shyly following your afternoon nap requesting he preen your wings, he thinks he’s died and finally gone to heaven alongside you. yet, he sits himself down and fixes up all your feathers. the little hums and whines you let out do nothing to settle the raging boner he’s developed yet he can't find himself wanting to stop; you're just too cute to resist.

later, you request his assistance nesting. with your fluttering lashes and doe eyes the idea of declining doesn't even cross his mind lest crystalline tears fall; that's something he looks forward to seeing when he finally splits you open for the first time. he brings you an infinite source of soft toys and blanks to cozy up in yet you still request some of his clothes to add to the pile under the pretense of wanting his smell to linger. cheeks thoroughly flushed, he hands you a couple hoodies and shirts to bury in the already large nest you've built. the satisfied noise you make upon deeming the nest complete has his heart about to burst from his chest. you're just too cute and you don't even seem to know it!! that said, since you've taken some of his favourite pieces of clothing, it's only fair he steals some of yours, right? sure, his plans are significantly more lewd but he's a man that regularly thinks with his dick more than his head. his favourite panties are always the ones in sweet pastel colours with pretty bows. your pussy most certainly would be a present so a bow suits the piece of clothing. Ajax always makes sure to aim right for the crotch, where your entrance would sit, when he finishes.

angels sure are interesting beings! being monogamous mates and sharing similar habits with other creatures that have heat and rut cycles, one would assume you'd have one as well, but angels are beings with a biological duty of sorts and consequently don't have any such cycles. Ajax isn't opposed to manipulating your body and needs to the slightest degree so if aphrodisiacs are what it takes to finally fully have you, he won't turn away at the idea. he justifies it as simply appealing to a biological process you sadly don't have!! it's no crime to finish what your body had already started.

every morning he lets you take care of the cooking while preparing a glass of juice for you. this particular morning, he had chosen orange juice due to the opaque nature disguising any cloudiness made by the drug; he does have brain cells. with eyes low over his glasses, he watches as you eagerly drink the beverage, feet lightly kicking underneath the table and a smile playing on your lips. you really are too sweet for your own good, he thinks. it takes mere minutes for the warmth to build up in your body and the slick to gather in your panties. your eyebrows are furrowed with short pants of breath leaving you mouth. Ajax plays the caring mate roll perfectly, asking if you're alright and gently touching your forehead with the back of his hand. even that slightest bit of contact has you keening and begging him to keep touching you exactly the way you both want. he's quick to scoop you up and place you back in the sweet nest of your own creation while murmuring promises of taking care of you. long fingers slide your panties off your hips and drool drops from his mouth onto your stomach at the sight of the spider web like strings of arousal clinging from your cunt to the flimsy cotton. thoughts and rationality left behind, he dives into your pussy slurping and sucking on every part he can. Ajax nibbles gently at your lips, clit, and thighs just to hear you sob more for him; these are the tears he wanted to see. he takes time easing you to orgasm after orgasm on his face until the wetness against the front of his boxers becomes unbearable to which he shucks them off in favour of slowly rubbing his tip back and forth between your folds. he soothes your watery cries with his own mouth as he sinks into you slowly. the aphrodisiac did its job in getting you needy but certainly couldn't bypass just how tight you are around him. he's, regretfully, anything but slow while he fucks you. it's your first time but he knows you need it hard. with fingers playing at the base of your wings, he fucks your velveteen hole with vigor only matched by agression you see in one of his big gaming matches. it's sloppy and harsh but enough to finish you both off quickly and oh, how you've fallen in love with the sensation of being bred so very full.

#cw: incel #cw: drugging #cw: aphrodisiacs #incel childe #inceltaru #childe x reader #tartaglia x reader #genshin impact x reader #genshin x reader #genshin smut #chubby darling anon my beloved <3 #chit chats

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its-a-me-mango · 1 month

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MANGOOO!! hello, been shy to slide into asks but i got very curious looking at your SMG4 posts.. do you have any headcanons you think are cool ? Would be a blast to see them! :D

OH HAI!!!! Oh my god I love headcanons so much I promise, but I'm one of those people who immediately forgets them all when I'm asked about them. Also I forgot which ones are mine and which ones are someone elses, thought tbh if someone HC is good enough for me to think I made it then like, that would be a huge compliment to me haha! X3

I have a few that I can think of off the top of my head right now, there's a few that need a whole post to explain but I'll do that when I feel like it, gonna leave out any LGBT headcanons because I already agree with everyone else, they are all gay and trans except the ones that aren't and that's so awesome.

Again forgive me if I repeat someone else's HC, or if anything I say is proven to not be possible, I fucking forgorrrrr;

SMG3 has tattoos, I know I've shown that one already but listen. He has 3, one is a half sleeve on his left forearm that's got a skull and a bunch of bombs and explosions around it, another one is on his right mid thigh which is a memorial tattoo for Terence, and one very small one on his back right shoulder blade that's just a little skull (it's very blown out and old). He'd like to get more at some point, none of the others have any tattoos but he's trying to convince them to get one.

All the SMG's have the little arrow thing that was on their guardian pod as a marking somewhere on their body, SMG1 has his on his chest under his scarf, SMG2 has his under his hat, SMG3 has his on his lower back, and SMG4 has his on the back of his neck, they're all pretty hidden and not too visible, but anytime they use their meme guardian powers they glow.

Tari is just a bird fan in general, for someone who stays inside gaming she sure knows every single bird ever. She's not a bird watcher but she can identify any bird you show her easily, and she's always happy and excited to see bird when she does go out. Obviously though ducks are her favourite, but she like all waterfowl in general.

Karen is divorced, she just gives me divorced girl energy. She has full custody of her kids because her ex was a piece of shit and didn't want them anyway, her kids were all too young to know about him thankfully. She probably got married right out of highschool or something, those relationships never seem to work out. I keep thinking of those "day in the life of a divorced 23 year old" videos like, that's her lol.

Bob's secret hobby is fabric work, you will catch him dead before you catch him admitting or even showing anything he makes, but he makes garments and furniture for fun. Sometimes he'll throw them into the black market and lie about their value for a quick buck and to clear out space, he doesn't care much once they're completed he just likes making them.

I think this one's just semi canon, but SMG4 Mario is secretly really good at reading people, yeah he's kinda dumb but he can pick up what people are feeling in depth, he just doesn't always get why. He's also just a good guy to go to for comfort, not advised though don't listen to him, he's just really good to ramble/vent too (mainly because he won't remember what you said lol).

I'm sure I'll think of more as soon as I post this, but come back and ask again at some point and I'll try and remember them lol

#mangos mystery ask box #I love headcanons I love them so much aaaRGFHHGH #Smg4

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klanced · 6 months

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i just finally watched the batman (2022) and need a repository for my thoughts

anyway yes i know i am the voltron blog but you all must understand. and this is key to my lore. that i am an insane batman fan. i haven't kept up with comics in recent years but i am a total sleeper agent when it comes to batman and i've been waiting literal months to watch The Batman (2022) and i finally watched it last night and have been marinating in my thoughts since. and also my parents are tired of hearing my ranting and watching me walk around in circles.

ANYWAY.

cinematography

this is literally the best looking batman film in years, if not the best looking one ever. the color grading was like a balm to my eyes, especially after the slog fest that is some of the other superhero movies... even with the constant rain the city never looked washed out, reeves and his set designers made such awesome choices when it came to fluorescent and neon lighting... the DINER SCENE!!!!!!!!!!! also omfg the way they made battinson the Red and Black Batman like what an excellent color combination. i loved it. i need to buy some of the theatrical release posters post HASTE.

more than anything this movie was SHOT like a comic book and so many scenes looked like they were ripped straight from a comic book, like i could visualize the paneling and everything... so freaking baller.

my family wasn't super impressed but i think it's because they expected an action movie but No You Don't Get It. batman sees the world as a gritty detective noir movie but to everyone else in gotham they're living in a horror movie and that is BATMAN CINEMA!!!!

when the riddler was arrested i was like 'wait there's still 40 minutes?' and then i preceded to have my mind completely blown. i kept questioning what reeves was doing only for him to IMMEDIATELY correct me minutes later. literally, let this man cook he knows what he's doing. when bruce lit the flare i didn't immediately get it -- and then the little mayor's boy reached for batman without any hesitation. and then the crowd began to follow him, closing the distance. and then he began to lead them to higher crowd. And Then I Got It.

2. gotham

yes i'm devoting an entire section just to the city.

gotham city is one of the hardest things to get right in any kind of batman media. like gotham is Not Normal and that should always be something hovering in the background. but many directors just don't bother because gotham architecture is so fundamentally different from normal sensibilities that building lore accurate sets would be both incredibly costly and almost impossible to do. but matt reeves tried and the movie was so unbelievably better for it.

bvs gotham was basically just new york city and don't even get me STARTED on how futuristic minimalistic modern the nolan movies were. ugh.

but when bruce and alfred were in their penthouse suite surrounded by fifty layers of gothic style trim my dad verbally said 'are they in a fucking church or something' and like YES DAD! that's the POINT!!!!!!!!!!!!!!!!!!! gotham is supposed to be borderline CAMPY GOTHIC like the city itself is not just a setting, it's a full blown supporting character. the city looking batshit is essential lore and PIVITOL to the world building that has produced a man dressed up as a bat to fight crime like you DON'T GET IT!!!!!!!!!!!!!!!!!!! batman is divorced from our reality but he is GROUNDED IN GOTHAM!!!!

actually side note i've been playing gotham knights on the PC and 1) the game is way better than critics gave it credit for and 2) GOTHAM LOOKS SO GOOD IN THIS GAME. THE LIGHTING IS CRAZYYYY. best adaptation of gotham city fr, i loved the arkham video game series but the panache. the style. it became so diluted after arkham asylum fr.

my one criticism is that reeves needed to make one more rooftop set it was so silly that all the characters kept returning to the same gcpd roof with the bat signal on it.

3. plot

FINALLY A MOVIE WHERE BRUCE IS A DETECTIVE. i've waited literal years for this. i do wish batman had been a little bit more active/proactive in the plot, i.e. not strictly following with riddler's games, but this is also early batman so i'm more forgiving of his rookie mistakes... however in the second movie i expect him to be on his BALL GAME!!!! give me plot-armor-borderline-prescient batman PLEASE MR. REEVES I BEG OF THEE.

LOVED this adaptation of the riddler. using the zodiac killer as an inspiration for the riddler was amazing, brilliant, showstopping, spectacular. and they kept a little bit of camp in paul dano's performance which i appreciate. i don't think we'll ever go back to batman forever levels of camp, but that's okay </3

there was a nod to the character of hush in the movie (at least that's how i'm choosing to interpret it) but i don't think they could ever use hush in the future because they already adapted so much of his gimmick for the riddler... but that's okay tbh i don't think hush is that interesting anyway.

at its core the batman was a buddy cop movie and i LOVED that. jeffrey wright KILLED it as lieutenant gordon and the dynamic between batman and gordon was amazing. excellent usage of our favorite future-commissioner, you could really see they already had an established rapport but their bond was becoming even stronger... their conversation in the interrogation room was so amazing, as well as their scene with the penguin.

my one criticism is that alfred became non-existent after a certain point. also lowkey the lego batman movie did a better job at the 'bruce realizes that his trauma has made him reluctant to form bonds or deepen them because of his fear of losing anyone else' subplot. lego batman movie on top!

4. characterizations

everyone and their mom has already talked about how this version of bruce wayne is more focused on developing his identity as the batman versus his identity as brucie wayne so i won't repeat those essays. but i will say that i have such high hopes for bruce's development in the sequel. like the way the movie ended with him emphasizing how he needs to become a 'symbol of hope for the city' reads to me as him preparing to finally re-enter gotham society as Billionaire Bruce Wayne and i am SO READY FOR IT.

but what i actually want to talk about is how amazing catwoman's development is. i love how much backstory they gave her in this movie. i will always love the nolanverse version of catwoman but you really learn almost nothing about selina in TDKR. but in the batman selina's is this fully fleshed out character. you can immediately guess what her life has been like. and her motivations in the story... the way she was prepared to run until she found annika... and then she immediately changed gears and focused on vengeance for annika and her mother... god, i love it.

cobblepot's character was also so, so good. you can intimately tell that he's a two-faced bastard who's spent years being a yes-man purely so he can climb the social ladder. i know colin farrell is going to rock the HELL out of that monocle in the sequel.

5. hopes for the future

i know it's too late but i reallyyy don't want joker to be in the sequel. i unfortunately think that's more or less guaranteed though since they've already casted barry keoghan. and his performance was really good. i'm just tired of seeing the joker in batman media. (inb4 keoghan absolutely kills it in the sequel and makes me eat my hat). i don't really consider batman to have one arch nemesis, only that the joker has consistently ruined batman's life more often than all the other villains.

literally the one hill i will die on is that reeves NEEDS to include robin at some point. PLEASE. you can't have batman without a robin, he gets so lonely. literally that's all i want. i want battinson to become a dad so, so bad. you have no idea.

and (and this is key) robin must be a kid. a pre-teen aged 14 or younger. "oh but that's so unrealistic, child superheroes totally break the immersion" well I DON'T CARE. FULL THROTTLE ON THE CHILD ENDANGERMENT. let children fight crime, for the culture.

[okay, okay. make it a robin origin story where dick grayson is introduced and is plot-relevant but he doesn't actively patrol and fight crime and only becomes robin at the very end.]

introduce robin in batman 2, and then have robin be a participating older teen/adult in batman 3.

my incredibly indulgent ideal batman 2:

at least two years have passed (bruce is more or less settled and has finally hit his stride). he has mastered air gliding and now attacks villains from the rafters instead of just constantly walking out of the shadows. i want to see arkham-level combat So Bad.

selina is mentioned, but doesn't really appear (and there are no other love interests.

actually wait i change my mind about joker. joker can be included in the movie IF the red herring "main plot" is that he's using a circus as a base of operations (because clowns and circuses).

i say red herring "main plot" because the movie starts with a joker crime spree, so you think the movie is going to be all about the joker, but then he leads batman to his circus base and it turns out that PSYCH! THIS IS ACTUALLY A DICK GRAYSON ORIGIN STORY. because joker's base of operations is haly's circus.

batman is snooping around looking for evidence and that's when he comes across dick grayson, age 10.

kid dick grayson. PLEASE. PLEASE.

batman decides to visit the circus as bruce wayne. You Know What happens.

plot plot plot

COURT OF OWLS SUBPLOT.

bruce has to balance hunting down the joker while also protecting this little kid he pretends he isn't totally attached to.

this is incredibly indulgent because i have no idea how you would balance joker screentime with that of the court of owls. idk. that's what's fanfiction is for i guess c:

i have decided that over winter break i am going to rewatch all the batman movies from 1980s onwards so i can revise my Batman Cinema power rankings. i will create some kind of metric or spreadsheet so i can grade and quantify each movie.

hell i should also replay all my favorite batman video games. because those are basically just movies anyway. and i miss kevin conroy :(

thanks for reading. god i love batman.

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ziorre · 9 months

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✨Commission info✨

I'm ready, I'm rested, I'm refreshed! And I'm completely charged to take care of your new ideas and characters!! Especially for this, I'm trying to expand the ways to bring your characters to life so that you can see them and be convinsed that they exist! I truly believe that every character is awesome and original and deserves to be shown with their own story! And I'll try to help you with this in a way that is more convenient for you! You just pick one below ;)

✨ PRICES:

- SEMI-REALISTIC STYLE (for the cases, when you want it looks more real without much stylizing)

- USUAL STYLE (for the cases, when you don’t mind it looks more stylized and a lil sketchy)

- STORYBOARD (for the cases, when you want to tell a story and don't mind to do this in very sketchy stile)

(this is a new way to tell your story in several frames. It'll look like still frames from a video, where you can show the dynamics of the scene and insert replicas in the form of subtitles. The form and type of storyboards can be redesigned. Keep in mind that frames will look very sketchy and with visible inaccuracy! DM me for more details ;))

Aaand...

👀COMING SOON!!!👀 - 3D MODEL OF YOUR CHARACTER

* you can find more examples on my page by commission tag and more examples of storyboards by rita diaz tag ** a helpful post describing a right order for your refs

✨ DEADLINES: After you DM me with a brief description of your idea, I’ll tell you the approximate date when I’ll be able to proceed with your commission !!!!Always warn me in advance if I need to draw art by a certain deadline!!!

✨ PAYMENT: What: USD or RUB When: full pre-payment (when you sent me the email and we approved the art idea) Where: Boosty (russian platform, supports payment via PayPal)

✨ THE PROCESS: You write to me in private messages on Tumblr, briefly tell me your idea of our future art, what style and what slot you want (full body / half body / bust). Then I give you my email address and you send me an email (with your Tumblr name as the topic please) with all necessary references (your character's face claim, their pose, clothes, background etc.). You describe the idea of the art in details, where it takes place, and other things that I need to know so that I can base the sketch on all that info, because after you approve the sketch, I don’t change art much in the further stages of the work, just some details. I send you the payment link on my Boosty page. Send you the sketch. After you confirm that you like the sketch, I finish the work and send it on your email😊

✨ OTHER: - I don’t correct the art after you approved the finished version. - I don’t copy other artist’s work or poses from their work. - I publish every commission on my social media, if you don’t want it to be published, just let me know. - If you’re not sure about art idea, I can suggest you 4 sketches with different poses/concepts/angles for extra $20 and you pick the one you like the most. - For significant corrections or a lot of small ones at any stage of work, an additional fee may be charged (this doesn’t apply to some small adjustments or details witch I missed). There are 3 free changes at the each stages of the work (sketch, finished version), further - $2-$5.

___________________________________

And of course I can't skip to say a huge thank you to those who commissioned and continue commissioning art from me! It means a lot! For real! This is not only material support, but also moral one, saying that I’m not wasting my time and energy in vain, that I’m moving in the right direction, that people like what I do! I can't tell how inspiring it is!! 300 commissions! I’ve never imagined that one day I would draw so many art for others! Just.. wow!! Thank you again so much for trusting me bringing to life your ideas! I truly appreciate it!😌

____________________________________

I think this is it, right? If you have any questions, feel free to DM me ;)

I’ll be VERY grateful for your reblogs!! ❤❤❤❤❤❤ (and thank you very much for this in advance, it helps me A LOOOOOOOOOT, I see each and every one of them! You’re the best!!!) Thanks for your attention! Have a good day =)

#commission #far cry 5 #cyberpunk 2077 #baldur's gate 3 #my art

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nanaloveswo-men · 1 year

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a cookie for valentine’s day - erling haaland

pairing: erling haaland x fem!reader (there is any pronuns, so i think that this is maybe a neutral gender? but i wrote this thinking in a fem!reader, so i’m not sure lol)

summary: valentine’s day is near, so you decided to record a tik tok video where Erling and you are trying to bake one cookie.

warnings: fluffy, and a bit of swearing

author notes: i saw a girl baking a heart shaped cookie and this idea came to my mind

again, i’m not a native english speaker, so i’m sorry if there is any kind of error

word count: 1,1k

“oh my god Erling, just shup up!”

“Erling, could you please put a shirt on?” you asked looking right at your half naked boyfriend “No” he answered, not even giving you a glance.

You rolled your eyes, and instead of trying to convince him to dress up, you decide to get the last things you needed to bake the cookie. When you had everything done, you called for Erling, saying that you guys could start the recipe already.

Stil shirtless, Erling came downstairs, holding something behind his back, trying his best to not smile. You only shoot him a glance, quickly turning your attention back to the cellphone ir your hands.

“You aren’t going to put a shirt, are you?” you asked, already knowing his answer. “Nope, but I got a little surprise for you” Erling was still with his hands behind his back, clearly trying to hide something from your curious eyes.

“What is it?” you asked, finally getting out of your phone, and giving him your full attention.

Haaland ran up to you, his smile getting bigger when he was closer. You were just watching the scene, your brows furrowed in confusion and a lit bit of fun. When he was finally in front of you, Erling slowly took his hands off behind his back, showing to you what he was holding.

You couldn’t stop a chuckle when you saw his ‘little surprise’. “Yep, this is really awesome, i love it!” you said still laughing, looking right at Erling, who was enjoying your sweet reaction.

“Can you give me a hand?” Haaland was fast to help you, his hands working to adjust the iconic ‘kiss the cook’ apron around your waist. “Ok, it’s ready!” he said giving your ass a little slap. “I got one for myself too!”

Even though Erling didn’t need any help to put the apron on, you decided to give a hand however. Now you two were matching perfectly.

“I guess you don’t need a shirt now” you joked seeing him with only the apron covering his upper half. “I never needed one, honey” he teased you back.

You put your cellphone in the tik tok’s video mode, asking Haaland if he was ready. When he nodded in agreement, you started the recording.

“Hello guys! Today i’m here with my sweet boyfriend, and we’re going to make a valentine’s cookie!” you explained the situation looking at the camera. “As you can see, we’re already in the cook mode” you giggled talking about the aprons.

“Don’t wait too much from us, or else you’re gonna be disappointed” Erling warned. “Shut up, talk only about yourself, i’m a great cook!” you punched his arm, slight offended. “Well see that, love” he teased.

Actually, Haaland and you formed a great team, and without much mess, you two were able to finish the first step of baking a cookie: the dough.

Key word: without much mess, because of course, there was at least a little bit of a mess.

Half of yours and Erling’s face were covered in flour, and your kitchen counter has defintely had better days.

“Babe, stop!” you screamed at Haaland when he tried to throw flour into your hair “I’m going to drown you in this sink when we’re done” you tried to threaten him, but he was just laughing at you.

“Fuck off” you got as much flour as your hand could hold, and you threw everything at him “Babe! Look at what you did!” Haaland said when he saw the mess you had made.

Now, Erling’s hair, face and apron were dirty with flour. And your floor too.

“You deserved it” you tried to protect youself. “This is what you get when you are dating a kid in a adult’s body” you joked refering to the mess. “You are nothing better, honey” Erling said while he was passing his arms around your shoulders.

You sighed trying to hide your smile. “Ok, we are going to clean the kitchen and ourselves, so we can continue the recipe” you explained looking to your phone’s camera “I’m going to put the cookie inside the oven, so we can come back when it’s ready”.

“I hate you” you said when your cellphone wasn’t recording anymore “Love you too, babe” Erling asnwered, not even a bit offended.

After you two had cleaned everything, you went back to the recipe, now, the last thing to do was to decorate the cookie, and in your opinion, this was the best part.

The cookie was still warm when you and Erling started the decoration, and of course, you recorded every little thing he was doing, knowing that his fans woudl go crazy.

“I want to make a heart-shaped-cookie, babe” you said looking at your boyfriend “We can do it, love” he smiled at you “But i think that it would be better if you make it, cause you know, i’m no good at drawing” Haaland said, kind of ashamed.

“Don’t worry, i got you” you said already picking the knife you would use to make the heart shape “You can do it, you can do it!” he was cheering for you.

“It looks awesome” you were really proud of your work, even though it wasn’t perfect, at least it was looking like a heart “You are an artist, love” Erling was also proud of your work, because for him, anything you did was incredible.

“Now we just have to decorate it with the pink cream and the strawberries” you said more than happy. “What do you guys think of my work?” you showed your heart cookie in the camera “I think it’s really pretty for something that was made by Erling and me” you chuckled when you saw Haaland’s face. “I’m kind of offended now” he screamed and you just rolled your eyes.

“I’m going to finish the cookie with this cream and these strawberries, and we come back to show you guys the final masterpiece” you said and Erling nodded behind you.

“If you are thinking to try this recipe, I have to say: don’t try” you looked at your boyfriend with a choked expression, you didn’t believe he was saying this “Unless if you have an incredible and genius girlfriend like me” he finished kissing the top of your head.

“Oh my god Erling, just shut up” you said feeling your cheeks heating.

You stoped the recording so you and Haaland could finally finish the thing that took all of your afternoon time.

“I love it!!! Oh god, this is so fucking cute, look babe!” you almost screamed of happiness, your smile shining like diamonds. You were feelig like a child again, when you used to get proud by anything you made. “It’s perferct, love” Erling said amused by your happiness “You did such a good job!”

“We did a goob job, Erling” you smiled at him.

“This is the end guys, I hope you liked to see us trying to make a cute video together!” you said to the camera. Haaland was right behind you, with his long arms around you, holding you tight. “See you in a next opportunity!” you said bye and stopped the video.

“We should do things like this more often, love” Erling said hugging you “Totally agree, babe” you hugged him back.

#erling haaland imagine #erling haaland x reader #erling haaland x you #erling haaland one shot #erling haaland fluff #erling haaland #football fluff #football imagine #erling haaland x y/n

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verosvault · 2 months

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🚨SPOILERS FOR FANTASY HIGH JUNIOR YEAR EPISODE 7🚨

Dimension20 "Fantasy High Junior Year"

Episode 7 "Stress Tested"

Timestamp: 00:58:33

Video Length: 3min. & 24sec.

Fig thinks about becoming a Paladin for Cassandra!

Fig: "Riz?"

Riz: "Yeah?"

Fig: "Do you think that I should offer myself to be a Paladin of Cassandra?"

Riz: "A Paladin? Not a Warlock?"

Fig: "Because I'm an archdevil of rebellion and you need doubt to imagine. You need to basically fling yourself into the unknown. That's what rebellion is."

Riz: "Okay. Yeah, that sounds- I mean, that sounds sick."

Fig: "Because maybe that would help bring Cassandra back. If Cassandra had another believer."

Riz: "You could definitely do that. You could also do Warlock with that too, right?"

Fig: "Yeah."

Riz: "Do you prefer Paladin?"

Fig: "I..."

Riz: "Do you have an interest in those classes? 'Cause it's just-"

Ally: "Paladin teacher?"

Siobhan: "How hot is the Paladin teacher?"

Fig: "Stop making me make decisions."

Riz: "No, no, no, it's not about... Look, I think we're just gonna have to put in paperwork and stuff then, though, just to make it official."

Fig: "Can I bring it up with Kristen? Kristen, do you think it would help bring Cassandra back if she had, like, a champion?"

Kristen: "Sure. Yeah."

Fig: "Okay, this feels too rash."

Kristen: "No, no."

Fig: "It's coming to me in this moment and it feels-"

Kristen: "Wait, no. I think you have so much to offer. I mean, look, I love Craig and he smells so good all of a sudden."

Fig: "He smells amazing."

Kristen: "It's like animal piss, but in a good way."

Fig: "Yeah, yeah, yeah, yeah. Like fermented animal piss."

Brennan: "Over in the corner, you see Craig's just sort of talking to Gorgug and says,"

Craig: "I've never seen a spell."

Gorgug: "Never ever?"

The awesome caption team: (Emily laughing)

Gorgug: "At all?"

Craig: "No, just hasn't come up."

Zac: "I kinda position myself over here to do a study over here."

BRENNAN'S LAUGHING!!! 😭😭✋✋💀💀

Gorgug: "I kinda can't help you I don't think."

Craig: "Oh, okay."

Adaine: "Kristen, your adult man is being weird."

Fig: "I'm feeling like doubt in the unknown and rebellion, it's like, rebellion is only strengthened by having no fear and doubt."

Kristen: "Well rebellion is the vehicle to get to doubt from certainty."

Fig: "Yeah."

Kristen: "Which is really claustrophobic. Yeah, I think you're totally right."

Fig: "It feels kinda rash though 'cause I literally just thought of this."

Kristen: "I think we should run with it full speed."

Fig: "What?"

Kristen: "I think you should." *puts hand out*

Ally: "I spit in my hand and put pine needles in it."

Fig: "Wait, ****. I had a whole other plan. I had a whole other plan and this just occurred to me."

Kristen: "Wait, but what classes have you been liking?"

Fig: "So I really like Warlock, I do wanna continue. And then I was gonna go to my Bard teacher and try and get them to let me do an independent study."

Kristen: "For Paladin?"

Fig: "No. No, this Paladin plan just came to me. That's why it's coming up so roughshod."

Kristen: "No, like Helio and all that 💩. Paladin feels very squeaky clean. You know what I mean? I think Cassandra would want a Warlock."

Fig: "Not the way I would do it."

(BRENNAN'S BURST OF LAUGHTER HERE! 💀✋)

Ally: "You'd be a nasty *** Paladin? Dirty Paladin."

Emily: "Dirty Paladin."

Kristen: "I think Warlock could work-"

Emily: "I'd be a Paladin you can't take home."

Kristen: "-...if you wanted to still do that."

Ally: "The Paladin you don't take home to mom."

Fig: "Okay. Okay. I'm just gonna, like, put that on ice."

Kristen: "Okay."

Fig: "This feels really rash."

Riz: "I mean, thinking about it, all this stuff with devils and doing deals and everything, it's not too-"

Fig: "I mean, it's another relationship thing, which is my- pledging myself to people is pretty much all I do."

Riz: "Maybe you were meant to be a champion."

Fig: "It's just too big of a decision to make right now. I don't wanna make any decisions."

Kristen: "Don't run away! Hey, stop!"

Fig skateboards away! 😭✋

Brennan: "Fig, you skateboard away."

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malicious-compliance-esq · 28 days

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Why the World Needs Black Jack Randall: Queer Representation at Its Worst and Best

On March 29 my amazing mutual and fellow Evil Redcoat Pipeline traveler @meerawrites tagged me in a reblog of this video essay from @rowanellis about media literacy and queer villains that mentions both Lestat de Lioncourt from Interview with the Vampire and Black Jack Randall from Outlander. Double bisexual representation from an openly ace creator? Be still my heart!

I’d seen a few of Rowan’s other videos on YouTube—not ever having looked for her on Tumblr before Meera sent me that video—and often enjoyed both the content and the nuance. Certainly true for many aspects of this one as well. I want to make it very clear before going into detail here that I ardently support Rowan as a creator and appreciate that advocacy for diverse queer representation tremendously. I’m tagging her blog here primarily to promote her work and to encourage folks to explore for themselves. Her video essays are excellent in general and this one certainly has its fair share of wonderful content just the same.

I love the analysis here of why queer villains often get embraced as folk heroes by the LGBTQIA+ community, and many of the specific commentaries on beloved characters from iconic films and shows I grew up on like The Rocky Horror Picture Show and The Lion King. Of course, I’m no expert on any of those canons despite many viewings. I don’t consider myself an expert on Interview with the Vampire by any means either, but I’ve read all the books and seen the film and the available season of the new television adaptation. I found a lot of the commentary here insightful and resonant as a more casual consumer of media in that universe. I fully expect that folks who truly do have that depth of expertise would have much to say about the specifics of Rowan’s analysis of Lestat.

If y’all are on my blog, you know why I’m here and you know where my expertise lies. I am here to sustain the collective derangement of the few and the proud who take a deeper interest in Black Jack. Who see him for the complex and complicated person he is rather than writing him off as a Complete Monster or hand waving the things he does that truly are monstrous. And oftentimes who take that deeper look at him from the informed perspective of lived experience with sexual abuse. Many of the folks I’ve met who find Black Jack uniquely resonant and compelling do so from the firsthand perspective of submissiveness and masochism—of finding him alluring because of what he could do for them.

Well then. You could fix him. You could make him worse. I could rail him.

I’m going to out myself in no uncertain terms here because I need to make my authorial standpoint painstakingly clear. Hi, my name is Malicious Compliance. In addition to being quite openly bisexual in every possible area of my life, I am Dominant and sadistic. Are those the only things I enjoy sexually? Not at all. Although I’m not switchy in the slightest when it comes to D/s and S&M activities, I absolutely enjoy sex that does not involve BDSM elements as well. I’ve also had intensely kinky sexual relationships that involved no physical practice of sadism whatsoever. This will come back later—just like Black Jack does at Versailles in S2E05 “Untimely Resurrection” after supposedly being dead from a cattle stampede at Wentworth Prison. Awesome, right? Like me, our favorite randy Redcoat is tough to kill.

Given all this and my general level of immersion in all forms of Outlander canon, once I finally could make the time to give Rowan’s video essay my full attention (more on that below) I found myself going from pumping my fist to shaking my head. I knew I’d have to say something in response. That I would need to address the Republic and set the record accurate if certainly not straight.

Initially I thought about doing a brief reblog commentary noting that although the analysis in the video gets several things quite twisted about Randall, these are understandable omissions considering Rowan does not position herself as having intensive expertise on Outlander canon. But then I started thinking about Rowan’s stated purpose in making the video. The sorts of deeper analysis and nuances that, as Rowan herself points out in her own ways, often get missed with intent in considering the actions of queer villains who are specifically bisexual and sadistic.

And as a bisexual sadist who has frequently encountered the framing of my own sexuality as an automatic threat even by other queer people who otherwise support kink practice I knew it could enhance the positive impact of the original video essay to provide some detailed commentary. Broader systemic issues that Rowan references herself can make it altogether too easy to reproduce the same harms one looks to dismantle. Black Jack Randall is a fictional guy in a fictional world. Yet how the non-fictional world views people like Black Jack—and especially people brought to those dark places in their own minds and actions by their familiar cycles of abuse—matters tremendously to me. Not because I’ve gone down his path myself, but because I understand the stakes of not going down his path.

One thing about me is I would rather pull out what remains of my natural dentition with pliers than take no action when I know I can do something uniquely impactful in addressing that passive reproduction of harm to our community, which very much is our community as both bisexual and asexual creators. In the interest of directly unpacking harmful stereotypes about bisexual sadists, building on the video essay’s overall spotlighting of queer villains and some of the specific ways biphobia factors into those characterizations and storylines, I’m taking this deepest of dives. Doing more. Because it’s my brand, certainly. But moreover because it’s my duty.

As blazingly gay Will Tavington so eloquently stated in The Patriot amid some premium sinister flirting with his enemy Ben Martin: It’s an ugly business doing one’s duty. But sometimes, it’s a real pleasure.

So here, point by point from my own manual transcription of Rowan’s comments—using both the audio and captions for the video to ensure full accuracy, y’all know both my style and my propensity for em dashes—I give you a detailed analysis of the analysis. If you’re envisioning me gesturing wildly at a tangled yarn map like the Pepe Silvia conspiracy theory one from It’s Always Sunny in Philadelphia then you’ve got the measure of things entirely. Much more this energy here than the XKCD angle of Someone is wrong on the Internet. Indeed, I’d say Rowan is very right on the Internet to open this dialogue and provide folks who’ve made this depth of engagement with various characters referenced in this video the opportunity to build on her own insights.

But “duty calls” nonetheless! Happy Culloden Day to all ye Randallites near and far. Have fun and try not to get disemboweled too much.

Across the seven seasons of Outlander, a drama about a World War II nurse who travels back to 1740s Scotland—I know, don’t question it—perhaps the most loathed character amongst the show’s many villains is Captain Jonathan Randall.

The phrasing here made me reflect with sorrow on how that same premise of time travel elements automatically making something not worthwhile for reasons of implausibility—and thus perceived frivolity—has often made others pass on exploring Outlander at all. It also made me wonder, as many other things in the video essay continue to do, if perhaps the commentary draws on familiarity with only the first season of the show despite Black Jack’s storyline extending into the third season in live action and beyond that in impact. That would seem a lost opportunity considering the depth of analysis of other canons like Interview with the Vampire and Hazbin Hotel here. Both of which I highly recommend for folks who’ve not yet had the pleasure!

I also noted how the video essay makes no mention whatsoever of Randall’s canonical nickname of “Black Jack” anywhere, which seems strange given what a major plot point this becomes right from the start in S1E01 “Sassenach”. I see this as a missed opportunity to get into some of the basic nuances here about his sadism, which itself only gets mentioned minimally despite the surrounding context. The video essay sets Randall up as a sadist with the framing of this segment but then doesn’t really connect those dots. I’ve done that for y’all before with my “Red Black and Shades of Gray” meta comparing sadism themes in Outlander and The Patriot canons, which contrasts the former’s frequent depiction of sexual interest in actions causing intentional pain in Black Jack Randall’s actions with the latter’s depiction of strategic interest in actions producing incidental pain in Will Tavington’s.

Speaking of the Outlander and The Patriot contrast between the canons’ respective evil Redcoat characters, I had some notes jotted down in the background of my various in-progress BJR fics that explores canonical nicknames for Randall and Tavington and what these monikers lampshade about their respective characterizations. I also had another meta in much more primal stages of development exploring rape themes in both canons and the nuances of how sexual violence gets invoked in storylines featuring Randall and Tavington. That phrasing is very deliberate for good reason; Will Tavington doesn’t rape anyone. And Randall’s own sexual violence doesn’t play out remotely the way one might think from watching this video. Apropos of this, I had another meta envisioned about homosociality in Outlander and how Randall’s bisexuality makes him an outcast among straight and queer characters alike—inspired of course by a dear mutual exploring similar themes with Tavington in The Patriot canon.

In the first of what became many drafts of this Very Long Essay, I said “it will probably be quite some time until I get any of these finished” and then spent a few days turning that over in my head. Indeed, the process of drafting this piece to encourage readers to peek behind the curtain of Black Jack Randall’s life has necessarily involved some deeper reflection on things behind the curtain of my own life. Including how I still—at 40 unlikely years old and counting—often do things out of feelings of obligation rather than genuine desire.

Did I mention I’m a rape survivor? And that I couldn’t possibly count how many times I’ve let someone take dozens of “no” signals as a “yes” because of what it would cost me to refuse? It’s okay to enjoy certain aspects of fandom casually. Even if one isn’t already doing tons of other activity that’s anything but casual. Let yourself enjoy things. This world robs us of so much joy even when we try with all our might to protect it, to hold onto it. I am begging all of you to let yourself enjoy things before it’s too late. To do what Randall didn’t in canon—to live, and to stop willfully breaking his own heart.

If you read my blog, you know that this year has been an absolute hellscape on many fronts and that I am constantly slammed with even more of a professional overload than usual while dealing with A Lot in both the mental and physical health domains. And I generally publish at least one novella-length transformative work for Outlander each month on top of that. As a good friend put it: If I had a full-time job and had the energy to volunteer on top of that, I don’t think I’d ever write. I do what I do not because it is good for me, but because I am certifiably insane. This is not hyperbole or satire. I easily qualify for the designation per the DSM. Which has faults in spades and I’m not endorsing in the slightest, mind. My point is that I write not because I have the time or the energy to spare, but rather because if I do not write I will feel as if I cannot breathe. Why? Asked and answered.

So, a note for the good of the order: I can wait a long, long time before I write another fandom essay. This is a Sisters of Mercy reference, because of course it is. I’m writing this response to the video essay instead of finishing development on the fic I otherwise could probably have released for the Battle of Culloden anniversary on April 16. Ideally I would have done both, wouldn’t I? In addition to already releasing the prior installment of that continuity on April 13 no less! Perhaps if I’d just tried harder I could’ve given you two different lengthy writings in honor of the specific day. Or at least released something else on AO3 for April without waiting until the last minute like a slacker.

That’s the kind of thinking that made me stop sleeping entirely and wind up having a complete breakdown both mentally and physically. For those who are new around here, this is an even worse idea for me than it is for most humans because of a progressive genetic disease that kills people on the regular even when they do sleep and eat adequately and generally show compassion for themselves.

Accordingly, that sort of thinking about my own self-worth as anything other than an ATM for other people’s consumption of output is also what made me complete a PhD in literally two years while working full-time and being actively in the process of dying from my disease. I got on a medication that saved my lungs and my life just over a year after defending my dissertation. It’s taken another decade to learn the lesson I should have learned back then. How did Annie Lennox put it? Dying is easy; it's living that scares me. Paging Black Jack Randall—because if that isn’t the absolute biggest Culloden energy I don’t know what is.

It is amazing and terrible what sadism can do when turned inward on a person. The original video essay I’m responding to here never quite got around to how masterfully Randall’s character spotlights this pattern in several ways. Because the video is much broader by design than it is deep, and thus does not allow for more thorough engagement of the source material in commenting on Black Jack’s character, a lot of the same tropes the video essay aims to unpack could get repackaged with new hats instead without these additional details. So in the interest of not sending people who aren’t bisexual sadists to do bisexual sadists’ jobs, I’m giving y’all the goods.

As a British captain in an occupied Scotland, Randall radiates pure villainy.

Does he? I’m not so sure at all. First, see here for details focused closely on Outlander itself. Second, see here for use of Black Jack’s storylines in Outlander as examples of a larger trope. Search both of those pages for “Even Evil Has Loved Ones” using your browser’s Find function and you’ll get some telling material. Catch that reference to the Duke of Sandringham and Mary Hawkins in the second link, did you? We’ll get to those in time. Oh, how we will get to those.

The complete lack of mention of Season 2 and especially the iconic BJR episode near the end makes this oversight unsurprising. I think touching on that content just briefly would have supported Rowan’s overall purpose in making the initial video. At the same time, I’m guessing that stimulating nuanced and enduring dialogue about queer villains is the most important aim of the original essay! Indeed, S2E12 “The Hail Mary” represents the absolute pinnacle of my plunge into permanent derangement about Randall for reasons likely obvious considering everything I’ve already shared about my own backstory in the process of waxing loquacious to fill in additional canonical details that didn’t feature in the referenced video essay here.

I promised that the notes about my own sexual proclivities would come back, did I not? As BJR is canonically known for doing, I always keep my word. Not hyperbole in the slightest for either of us. On Black Jack’s end this gets referenced explicitly by Claire in Book 2 / Dragonfly in Amber when she is helping Randall care for his dying brother Alex. It also gets demonstrated consistently by other characters and Randall himself throughout his storylines in both Season 1 and Season 2 of the show.

So indeed, oneof the things I find most resonant about Black Jack is that he leans into whatever the other person in an encounter is giving him and bases his own behavior on that. This is made quite clear on the show in numerous ways—and arguably even clearer in the source novels by Diana Gabaldon, wherein we learn from Book 1 / Outlander that Black Jack frequently has trysts with domestic employees in the Scottish countryside.

Many people find Black Jack charming and handsome, to the point that he has a drawer full of perfume-scented love letters in his office at Fort William. Hilarious comic relief because he’d clearly have no reason for keeping those around other than masturbation fodder. Those of you who’ve circulated that meme about jerking off face down on the bed with the #black jack randall tag applied are entirely understanding the assignment.

For all the times he’s sexually assaulted someone—which seems to be countable on one hand for any person who isn’t Jamie himself, and near zero for anyone who isn’t associated with Jamie Fraser in some way—Randall has clearly had plenty of consensual sex with people who are not only willing but also entirely enthusiastic to get in his breeches. In the books we also learn about some rumors surrounding another prisoner named Alex MacGregor. These are never confirmed and it’s unclear even from the rumors themselves what the exact nature of Black Jack’s relationship with MacGregor was.

Why is this so important to highlight in analysis of queer villains? Here I go again quoting Carmen Maria Machado as I have before in both fic and commentary and surely will again: The world is full of hurt people who hurt people. Even if the dominant culture considers you an anomaly, that doesn’t mean you can’t be common, common as fucking dirt. This, friends, is the thesis of Black Jack Randall.

He shows little to no redeeming qualities, offers no sympathetic backstory to why he acts the way he does, and appears purely to have been driven by rage and violent pleasure.

Oh my. I’m going to leave S2E05 “Untimely Resurrection” and S2E12 “The Hail Mary” alone for the moment. But even in S1E06 “The Garrison Commander” and S1E15 “Wentworth Prison” we start to get some light shed on what Randall is really doing in Scotland. We learn by degrees later just how much his reasons for being there belie what we see on the surface. This gets expanded on in the books where the reveal on Randall’s benefactor the Duke of Sandringham being a secret Jacobite is much more detailed. But even on the show, we learn by S2E11 “Vengeance Is Mine” that Sandringham got outed as a suspected traitor to the Crown.

Goodness knows he's been outed as gay from the start to everyone but Claire, who didn’t learn this until much later after making the initial blunder of falling for Black Jack’s gambit about Sandringham having a wife. Not that this would have stopped him from being gay, of course. So-called “lavender marriage” was indeed relatively commonplace—and remains so now in some communities—both generally and in Outlander specifically. I’ll cover that in detail when we get to the points about Lord John Grey below. Notably for now, Sandringham rather than Randall himself is much more centered in a villain role in Season 2. And apropos of other content here, he absolutely doesn’t qualify for tropes about redeeming qualities. The extent of his monstrosity gets revealed in that same episode near the end of Season 2 when it comes to light that he ordered his valet Albert Danton to attack and rape his own goddaughter Mary Hawkins in an alleyway in Paris.

Even early in the series it thus seems difficult to consider Black Jack the most loathsome villain in Outlander. We’ll get to Mary in earnest—and the extreme tenderness with which Black Jack always treats her from their first meeting until his death at Culloden Moore—as we go along. For now, remember what Claire learned about Black Jack’s fate all the way back in S1E01 “Sassenach” where she and her husband Frank Randall were looking into his family genealogy in the Reverend Reginald Wakefield’s office at Inverness during their long-belated honeymoon. Some details missing there certainly, which only get revealed by degrees in Season 2. Black Jack really is Frank’s 5x great-grandfather though; he’s just not his only 5x great-grandfather.

I should probably mention here that I’m donor conceived and that I wasn’t told the truth… No, that’s putting it too kindly. I did note that I’ve always been quite dedicated to seeing the good in people who do bad deeds, and to working tirelessly to bring it out. But enough is enough. My parents lied to my face for 18 years about my ancestry. I asked them point-blank about it several times and they still told me lies. I finally got the truth out of my mother on a balcony overlooking an olive grove halfway around the world. The bus ride to get back to the nearest city and the airport were the longest four hours of my life. I never traveled with them again. And the hole inside of me never fully closed, and never will.

This too will resurface when I get to the content about Mary Hawkins and her marriage to Black Jack. I’m getting there, I promise. As my spouse once put it: I knew you were going to land the plane.

Getting back to early portions of Outlander canon and what we learn about Black Jack in Season 1 though, there’s also the iconic S1E08 “Both Sides Now” extended scene in which Black Jack gives Claire his own perspective on what he’s doing in Scotland in the first place and how distasteful he finds his work. How badly he wishes he could just go home and be warm and take a bath. How little he cares about the outcome of the conflict and how futile he feels it all is. We already know from a couple episodes prior that he loathes both the British aristocracy and his own superiors in the Army, who treat him like he’s lower than the dirt he then passive-aggressively shakes out all over their wardroom at Brockton. Including and especially his commanding officer Lord Thomas, a general who’s about as flamingly gay-coded as Will Tavington in The Patriot.

Oh, and speaking of being driven only by violent pleasure that is entirely incorrect—S2E02 “Not in Scotland Anymore” alone makes this perfectly clear. I’ve previously covered the finer details about Black Jack bottoming enthusiastically, and also enjoying gentler sexual experiences as well as rougher ones.

Black Jack’s interactions with Jenny in her flashbacks from S1E12 “Lallybroch” also shed light on this; once she goes inside the house with him, he only touches her with gentle curiosity until she bashes him over the head with a heavy object. Even then, he responds by…tossing her onto to the bed and getting partially undressed. When she starts laughing at him because he can’t get an erection (a telling piece of evidence of how Black Jack ultimately loses interest in sex if the other person doesn’t want it to at least some degree, or feel strong emotions about it that they’re willing to show) he panics and conks her head against the bedpost so he can flee without it being obvious that she chased him off.

Then there’s also the prior content from Book 1 / Outlander about the scented letters and the maids, some of which also comes back in Book 8 / Written in My Own Heart’s Blood when Roger Wakefield goes looking for Black Jack at Fort William after time traveling to 1739 a couple of weeks after Randall’s installation as commander there. I’ll come back to that a bit later given how much that scene reveals about Randall’s character and his reasons for being in Scotland.

And most of all, his villainy is compounded by the fact that he will rape, torture, and murder men and women alike—an equal opportunity monster.

Correct in essentials on the first two items as I cover elsewhere. Not so much on the third, though! In fact, the TV adaptation clarifies this beyond the information we get in the books. Whereas Book 1 / Outlander features murky rumors about Randall possibly killing one of his own soldiers at Fort William so he can pin the murder on Jamie, show canon makes little of this and indeed offers several opportunities to see Black Jack deliberately not killing people who attack him.

Nowhere is this clearer than in the final episode where he appears, S3E01 “The Battle Joined”. In that Culloden-centric episode, we watch Randall get fully pulled from his horse by a group of Scots warriors who then proceed to attack him. Up to that point Black Jack has just been shooing people away from his horse by swinging his cavalry saber in the air. Once on the ground, he basically just elbows his way out of the cluster of Jacobite soldiers and makes a beeline for Jamie instead.

Then of course there’s also Black Jack’s aggrieved, hesitant behavior at Wentworth Prison in S1E16 “To Ransom a Man’s Soul” right before the cows show up to give him the business. Although Randall is well known for keeping his word, even by people who despise him absolutely, he looks defeated and anxious when Jamie reminds him that he owes him the debt of taking his life ahead of the gallows in exchange for finally “[making] free of [his] body” (see S2E02 “Castle Leoch”) in the night. Jack takes out a dagger and sort of swings it around idly—with a look on his face that can only be described as “Really?” Any playfulness remaining there seems to come from Black Jack eyeing Jamie’s nude body and thinking about what else he might do with the blade besides killing him.

Randall has a zero kill count onscreen in the television show. I’d be remiss not to note here how this places him behind even his own eventual wife Mary Hawkins, often heralded quite accurately as one of the characters in Outlander who comes closest to embodying pure goodness. But of course, the trauma of sexual violence can twist a person’s mind horribly. I might know just a little about this myself. And it only takes one experience, more so given the horrifying context outlined in S2E11 “Vengeance Is Mine”. Like anyone else, Mary has the capacity for brutal violence herself if pushed sufficiently far. I consider it something of a miracle I never went that route myself considering my own experiences can scarcely even be counted in any meaningful way. I can only think in terms of years. Seven of them whose shadows will never fully retract. When I say Black Jack and Mary were a perfectly arranged marriage, it isn’t for nothing.

We’ll get to her in earnest, I promise! Of course, I’ve already covered that ground in fiction before.

Randall makes his monstrous mark on Season 1 by sexually assaulting both of the show’s protagonists, Claire and Jamie.

Correct in essentials, but potentially a false equivalence. I’m not sure how much the video essay was intended to set the assaults on Jamie and Claire up as direct mirrors of one another. There is however a common thread here worth pulling out: How in Season 1 Black Jack only goes through with assaulting people who show at least some sexual interest in him.

Randall assaults three people in Season 1 overall: Claire in S1E01 “Sassenach” and S1E08 “Both Sides Now”; Jenny in flashbacks from S1E02 “Castle Leoch” and S1E12 “Lallybroch”; and Jamie in S1E15 “Wentworth Prison” and S1E16 “To Ransom a Man’s Soul”. He also propositions Claire and Jamie together in S1E09 “The Reckoning” in an echo of propositioning Jamie individually in the S1E02 “Castle Leoch” flashback. But of the three people he assaults, only two respond with any sustained evidence of interest amid their anger and indignation.

The hateful attraction Jamie feels for Black Jack has been flogged—to borrow Frank’s phrasing about press coverage of Claire’s mysterious disappearance and return from S2E01 “Through a Glass, Darkly”—almost as badly as the man’s own back by this point. So I won’t belabor that here except to say it’s entirely nonrandom that Jamie keeps enticing Black Jack into further conflict after recovering from the brutal assaults at Wentworth and discovering Randall alive in Paris. He’s still having horny nightmares over two decades later about everything from weird group therapy scenarios with shamans on misty mountains (not hyperbole, see Book 6 / A Breath of Snow and Ashes for the goods) to fighting a totally naked Black Jack at Culloden and winding up covered in his “hot, hot blood” while they lie on the ground in a clinch (see Book 9 / Go Tell the Bees That I Am Gone for that especially choice sequence) and exhausting Claire’s patience so badly in rehashing these that he eventually resorts to rambling about the dreams to Jenny instead.

What doesn’t tend to come out as much in analysis of the TV series is the key plot point from Book 1 / Outlander that Claire feels attracted to Black Jack because of his resemblance to Frank. Not just in appearance, but also in certain mannerisms and pleasures—see the shaving scene from S1E06 “The Garrison Commander” and Claire’s flashbacks to shaving Frank thusly with the very same razor, for example. Little surprise then how in Book 1 / Outlander she specifically mentions feeling “compelled to open [her] legs for him” when he ties her hands behind her back at Fort William in the equivalent sequence to later portions of S1E08 “Both Sides Now”.

By her own admission this latent attraction-by-association does not wane entirely until after she and her friends rescue Jamie from Wentworth Prison at the end of Season 1. After that point, things go the other way. Although Claire spends Season 2 in an odd state of détente with Black Jack himself, even after the events of S2E07 “Faith” for which neither she nor Jamie explicitly blame Jack, she initially feels afraid of Frank when she reconnects with him back in the 20th Century as seen in S2E01 “Through a Glass, Darkly”. Why mention this here? That fear only subsides when Claire sees how much Frank treasures being a father to Brianna, the child she conceived with Jamie before going back through the stones to her own time. Indeed, later installments of the book series also show Claire deliberately striving for accuracy in her remembrances of both Frank and Black Jack as complicated men who were capable of deep love.

Scuffling is also arousing for Black Jack. Although the shaving scene demonstrates that this isn’t the only sort of physical pleasure he enjoys, he certainly gets a kick out of it regardless. So Claire’s willingness to scrap with him—including when she literally gives him a kick to the testicles with her knee in S1E01 “Sassenach” after he pins her to the ground in the forest—heightens the arousal and feels like play to him. Contrast this with Jenny’s incredulous laughter and complete unwillingness to take the fight further after hitting him over the head with a blunt object to get him to back off.

Does this take any of Randall’s actions out of the territory of assault? Nope. But it does provide a context to his motivations. Although his means of seeking affection are entirely warped, at the end of the day Black Jack really is after human connection. I’m entirely in agreement with other Outlander fans who’ve mentioned wanting a companion series about the Randall family. I have my own ideas about that history that I’ve referenced in transformative works. I would also love to see Gabaldon’s own perspective on what damaged Black Jack’s psyche so badly.

Finally, Randall’s treatment of women often differs from his treatment of men just in general. By his own admission in S1E06 “The Garrison Commander” he is “not a casual person with women” usually. He says this while expressing regret for how he treated Claire in the woods outside Craigh Na Dun. Which is very genuine per his actor’s own comments about playing the character; Tobias Menzies has mentioned in interviews that Black Jack always believes whatever he’s saying fully in the moment.

Something to note about Black Jack in general is that he will express regret and then claim he doesn’t feel it. This is probably quite accurate considering Jack shows a lot of signs of dissociation and may not feel much of anything most of the time. We see an example of this simultaneous expression and negation of regret in S2E12 “The Hail Mary” during the sequence at the tavern. And although the meaning of Randall’s comment about not being casual initially seems ambiguous, we get the reveal on it entirely in that same episode via the dynamic between Black Jack and Mary Hawkins. He takes her well-being and her safety so seriously that he’d rather die than risk any chance of hurting her.

Of course, his brandy-soaked mind isn’t realizing that she’ll get hurt far worse if he does die. We see enough in both book and show canon to understand how Black Jack treated Mary in life. Even that single moment where he enters the room at the boarding house says a lot; his entire face lights in a genuine smile that reaches his eyes as soon as she looks at him. The interactions between the two of them are some of the most delicate and tender moments of the entire season.

These sequences also provide some context for the different handling of the moments after Alex’s death. In the Book 2 / Dragonfly in Amber version of this sequence Black Jack is crying and so drunk he can barely stand, whereas in episode S2E12 “The Hail Mary” he’s more lucid and vacillates between catatonic silence and a harrowing moment of punching his brother’s cadaver. Calls back to Claire’s comment in S1E02 “Castle Leoch” about how “there’s no joy in flogging a dead man” because of course this wasn’t about joy. Black Jack is entirely devastated, both for himself and for Mary. And although Mary herself looks pained at seeing this unfold, and clings to Claire in response, she looks more heartbroken than afraid. Her depth of emotion in that moment contrasts clearly with her apathy at gazing upon Danton’s dead body and Sandringham’s decapitated corpse back at his Bellhurst Manor estate (or Belmont House depending on which version of canon one consults) in the previous episode.

Finally and perhaps relatedly, I should spotlight Black Jack’s “I choose the whore” comment from S1E01 “Sassenach” about his own taste in women. Although part of an ironic commentary on the juxtaposition of Claire’s accent and vocabulary with her ample use of profanity, this also tells us a fair amount about Randall’s overall attitudes toward class. We learn in other portions of canon such as S2E06 “Best Laid Schemes” and various sequences in the first two books that Randall visits sex workers and that there aren’t lurid rumors swirling around about his treatment of feminine prostitutes. Black Jack’s sexual antagonism toward other men is more intense by design.

Randall’s queerness is a weapon that he wields indiscriminately.

Not really. That would be his dick. Randall generally doesn’t go through with assaulting people who don’t show any sexual interest during the initial scuffle. In fact, he can’t even get aroused physically when the other person isn’t fighting him in a horny way. Even when the person is somewhat horny it still doesn’t work for Randall unless their level of arousal is high. We see this with the assault on Claire during S1E08 “Both Sides Now” and especially in the equivalent scene from Book 1 / Outlander.

The only exception to this is an assault that happens during Season 2—which definitely seems like a missed opportunity to mention in direct parallel to the reference to preying on children in Rowan’s analysis of Lestat from Interview with the Vampire. During the S2E06 “Best Laid Schemes” chronology later revealed in full during S2E07 “Faith” Randall assaults Claudel, a boy who either pickpockets or works (depending on whether one goes with the show or book version of the canon backstory) at the Maison Élise brothel in Paris.

On the show it’s clear that he does this specifically to get Jamie to fight him; he knows Jamie is on the premises collecting debts and that Claudel has been walking around with him. Sure enough, upon hearing Claudel scream Jamie comes bursting into the room, hauls Black Jack into the hallway, and proceeds to beat the daylights out of him. The look of delight on Randall’s face at seeing him appear and subsequently getting pummeled by him leaves little doubt as to his objective in assaulting Claudel.

In Book 2 / Dragonfly in Amber the timing and particulars of this storyline differ substantially. But as in the show, Randall is canonically an alcoholic and gets progressively deeper into his cups throughout the Paris storyline and his brother’s subsequent health decline. At the brothel he’s so drunk he doesn’t know where he is, what is going on around him, or even seem to remember who he is. Given the greater development of intrigue in the books surrounding whether Randall had a sexual relationship with his younger brother Alex, it seems likely that the angle here is Black Jack somehow seeking Alex in a person who reminds him of his brother during his early adolescent years.

No one is safe.

Aren’t they? Here we go, then. Time for some detailed Mary Hawkins content at long last.

The basics: We learn all the way back in S1E01 “Sassenach” and equivalent sequences from Book 1 / Outlander that before dying at the Battle of Culloden, Black Jack Randall married someone named Mary Hawkins and that she later gave birth to a son named Denys. Claire encounters Mary Hawkins for the first time in France in S2E02 “Not in Scotland Anymore” and grows closer to her while having the vague sense that she knows that name from somewhere. It isn’t until learning in S2E03 “Useful Occupations and Deceptions” that Black Jack himself is still alive that Claire realizes where she’s seen Mary’s name before: Frank’s family bible during a meeting with the Reverend Wakefield.

At first glance, Mary is everything one wouldn’t expect in someone who’d eventually marry Black Jack—or at least Claire thinks so. She feels completely befuddled by how someone who seems so meek and timid could possibly end up with someone like Black Jack. This becomes all the more confusing for Claire in S2E04 “La Dame Blanche” when Mary is getting involved with Jack’s younger brother Alex, a curate who has accompanied his employer the Duke of Sandringham to Paris. After Claire and Mary are attacked in an alleyway at Sandringham’s behest, resulting in Mary getting raped by a mysterious assailant later revealed to be the Duke’s own valet Albert Danton, Alex cares for her—and then gets locked in the Bastille for his trouble. Claire wrestles with her conscience about whether to get Alex freed given her own knowledge of how Black Jack and Mary are supposed to wind up together if Frank is ever to be born at all.

Leave it having half the information resulting in getting things half right, as often happens in Outlander and in life alike.

Mary has been leveling up her confidence throughout Season 2 and corresponding portions of Book 2 / Dragonfly in Amber while growing closer to both Claire and Alex. We don’t see onscreen how her social relationship with Black Jack himself evolves once he arrives in Paris—but in the TV series the two clearly know one another well already when Jack shows up at the boarding house in S2E12 “The Hail Mary”. In book canon the different pacing of events puts Black Jack’s wedding to Mary and Alex’s death earlier in the year, leaving a couple months until the Battle of Culloden. On the show Black Jack and Mary are only married for three days but have substantially more history with one another prior to their wedding. Blending the canons offers a portrait of two people uniquely poised to understand each other, united through their shared love of Alex but also oddly well matched on several other fronts.

Have I freeze-framed those sequences of S2E12 “The Hail Mary” that feature Mary and Black Jack interacting? Yes. Several times. Highly recommended for anyone who wants to plummet into that sort of derangement.

For the rest of you fine folk, the cocktail napkin summary here is that Mary represents both the shining gentleness that Black Jack so prizes in his younger brother—and I’d encourage anyone who still thinks of him as a Complete Monster to consider how Alex turned out so well in the first place given Jack is documented as the only member of their family who’s taken responsibility for his well-being—and the capacity for ruthless violence that Black Jack repeatedly points out in himself.

Here I should mention though that Black Jack remains as dedicated to veracity in this as in anything else. When he says “I dwell in darkness, madam—and darkness is where I belong” to Claire at Brockton in S1E06 “The Garrison Commander” he’s saying this as much to convince himself as to convince her. Ditto his comments to her at the tavern, most of all the haunting question: “Do you really want Mary in my bed?” Where exactly would she be safer than with someone who has consistently treated her like gold, who looks at her as if the sun shines directly from her face, and who would move mountains to honor his beloved brother’s wishes? And wouldn’t Captain Zero Kill Count also understand well from Mary’s own history what would happen to him if he were to lay so much as an unwanted finger on her? She killed a practical stranger in all but cold blood with a triumphant hiss of satisfaction!

Badass, by the way. Judging by his responses to Claire throughout the series—see his comments in S1E15 “Wentworth Prison” describing Claire as “no coward” and “a fit match for [her] husband” for example—I suspect Black Jack agreed. He even said explicitly in the same episode that he “cannot give [Claire] a better compliment than that” regarding her bravery and nerve mirroring Jamie’s own. I imagine quite a bit is happening behind those hazel eyes (described by Claire oftentimes as cold but noted distinctly by Roger in Book 8 / Written in My Own Heart’s Blood as being warm) whenever Black Jack looks at Mary.

Especially because Mary herself got Randall’s own abuser offed via Murtagh Fraser keeping a promise of his own in S2E11 “Vengeance Is Mine” by following up Mary’s own dagger-assisted disposal of Danton with an axe swing to Sandringham’s neck. Consider one of the only things Black Jack tells us verbatim about his life offscreen: In S1E06 “The Garrison Commander” a visibly shaken Randall tells Claire about finding Private McGreevey beheaded a couple weeks prior. By contrast, Mary regards her own godfather’s headless corpse with a shrug and says “I think we’d better go” in a matter-of-fact tone. Mary, all of 16 years old at the time, has no combat experience whatsoever and keeps her cool about this absolutely. Quite an evolution even from earlier in the same episode when she questions her ability to assist Claire in communicating with Hugh Munro just outside to help Murtagh and Jamie sneak into the Duke’s house.

Our girl comes through in the end—right before we watch the steel in her spine break through in earnest as she picks up a dagger from a table full of food and ends her rapist’s life after the reveal of this being the same man who attacked her in Paris. And she doesn’t lose her nerve after the immediate danger has passed, either. When we next encounter her at Inverness in S2E12 “The Hail Mary” she’s bullying a pharmacist into giving her more laudanum to ease Alex’s coughing and pain as his illness progresses. Then when Claire recognizes her and says hello, Mary immediately lights into her for conspiring to keep her and Alex apart.

I’ll note that as a person with progressive lung disease myself, I really appreciated Mary’s ire here. However strategic and born of understandable fears that Frank would never get to live, Claire’s invocation earlier in Season 2 of the tired old idea that chronically ill people make undesirable partners—that we can only take from the world and never give—rings both hollow and sour. After all, I’ve been there before. And in many ways I’m still scrambling frantically to escape the shadow of those ideas. To quote my spouse again: You never stop running until long after the demons finally stop chasing you.

I admire Mary Hawkins because she knew when to run—and moreover, because she knew when to stop running and bring the man who chased her in the first place down in sniveling puddle with a knife through his kidney. “It’s messy,” Black Jack said back in S1E15 “Wentworth Prison” of killing people with daggers. But the visceral impact there—exact words and no mistake—never fails to feel any less relatable for me, considering my own experiences.

Here’s the other thing: People came to save Mary Hawkins. When she needed help, people showed up. She killed her own rapist but she had an audience and she had backup. Murtagh demonstrated how seriously he took the promise to avenge Mary if he ever found out who was responsible for the attacks on her and Claire. Black Jack took showing up in Paris to help Alex earlier in Season 2 with similar gravity. In Book 2 / Dragonfly in Amber Claire specifically reflects on how “Jack Randall was a gentleman” with all his promises, and has never given anyone reason to doubt his word despite being awful in many other ways. The fact that Black Jack chose to keep his vows to Mary by caving to the self-loathing fear of being able to love her better by dying and leaving her and Denys his pension than by living and showing her the same fierce devotion he showed Alex doesn’t negate the seriousness of those promises in his mind.

Again exact words there regarding love as action. I’m certain from her own subsequent sharing about Black Jack to their son that Mary would have appreciated both the devotion and the ferocity. And likewise, that Jack himself already appreciated Mary’s own variety of darkness and the specifics of how it manifested after first taking root.

In that spirit I highly recommend visiting the Outlander Wiki page about Mary for additional specifics on her background and character arc. Don’t sleep on the pictures if you do venture over there, especially the ones featuring her looking deep in thought while wearing an elaborate silk gown. That’s not the face of an innocent little lamb with no capacity for brutality of her own. And even prior to her rape, Mary often manipulates people to get what she wants by pouting and playing coy. Which of course tracks—Siri, play “Rich Girl” by Hall and Oates! See also my reblog commentary on a dear mutual’s wonderful art envisioning Black Jack and Mary in a happier timeline.

TL;DR: Mary has a lot of steel in her spine. But it doesn’t save her from additional tribulations. Indeed, those further struggles wind up serving as evidence of Black Jack’s own character and how he treated her himself during their brief marriage prior to his death.

I don’t tend to cry over media. But I absolutely teared up reading Denys Randall’s words about Black Jack in Book 9 / Go Tell the Bees That I Am Gone. Denys is Black Jack’s son who—true to the expanded version in Book 1 / Outlander of the prophecy Claire whispers into Randall’s ear in S1E15 “Wentworth Prison”—never got to meet him because he died in battle. I won’t go into this in detail just here, but that book resoundingly refutes the idea that Black Jack ever treated his family like anything other than gold.

Even in Book 2 / Dragonfly in Amber he speaks with grace and understanding about his older brother Edward, the family heir who is stingy and neglectful and married to a person who clearly and openly hates Black Jack for being queer. In that later book though, we learn how Black Jack actually treated Mary and how carefully he made sure that Denys would always be taken care of financially even if something happened to Mary later on and the income from her widow’s pension was lost. He specifically set aside money for Denys to buy a commission in the Army—or to get an education if he had been considered female, so that he wouldn’t wind up trapped in a loveless marriage for the sake of survival.

The contrast Denys then draws with how Mary’s second husband Robert Isaacs—who was very materially wealthy and very kind to Denys but not a loving spouse—gave me chills. Yeah, Mary Hawkins did get abused by one of her husbands. Just not Black Jack Randall. The clarity with which Book 9 / Go Tell the Bees That I Am Gone shows how much better off Mary would have been socially and emotionally if Black Jack had survived to raise Denys with her wrecked me and still does.

I was and am lucky to have an amazing dad. The lies he and my mother told are wholly understandable stains on the records of two people who have always done their best in an absolutely garbage world that thinks very little of fathers who do not sire their children. And I know some of the members of the sperm donor’s family as well, though not my biological father himself. They’re pretty cool people too. One of my great-cousins on that side said he’d be proud to have been my biological father if he too had chosen to donate to that research study. I did cry then. I’ll never forget opening that letter with my hands shaking while I sat on the stoop of my old house. I can’t impress enough on those of you who are direct genetic descendants of both your parents what that meant to me. I can’t tell you how it feels to look in the mirror and always see a huge question mark. To miss a person you’ve never met, to feel them there like the phantom sensation from an amputated body part.

Denys Randall understands that entirely. And as much as Alex clearly loved his son in life and death alike, we come away from that storyline knowing just how thoroughly Black Jack was a real father to Denys. We also learn how Mary keeps his memory alive and still carries a torch for him as she also continues to mourn Alex. Knowing how much she withdrew into herself haunts me. I keep fixing it in my fics. There will never be a story of mine where Mary isn’t loved and cherished—no matter how much trauma she goes through.

Which also seems to have been Black Jack’s philosophy about both her and Denys. Tragically if quite understandably, he deluded himself into thinking he could love them better in death than in life. The reveal in Book 9 / Go Tell the Bees That I Am Gone on just how tragic a choice this wound up being still crushes me. Because it’s such a hopeless lesson, isn’t it? The idea that cycles of abuse and violence can only be broken by meeting a gruesome end oneself. That humanity has no hope for redemption. That rapists can only ever be rapists, nothing else. Even if they were clearly many other things all along.

This is, incidentally, why as much as I enjoy exploring continuities in which the specific canonical unfolding of events from Wentworth Prison gets averted to at least some degree, I have more active continuities in which this does not happen. I even retconned one of my older stories somewhat because I realized that for the rest of the continuity to play out as I envisioned it, and fully develop the ideas I wanted to develop, straying more than a hair from the exact canonical take in the initial arc didn’t make sense. The results from that deeper thinking are what I just dropped this past Saturday in observance of Alex Randall’s death anniversary. Among my published stories, I presently have three continuities that feature some aversion of the canonical Wentworth sexual assaults and three others that feature no aversion whatsoever.

Someone once asked me if I thought Black Jack and Jamie could ever have a healthy relationship after what happened at the prison in canon. It certainly seems unlikely. But fiction isn’t exclusively about showing healthy relationships. To me, it’s about showing relationships that make sense for the story being told. And in that regard, I do explore the strange intimacy that sometimes grows between trauma bonded people. After all, it’s a tale I’ve come to know well. One I’ve written in my own life. One I’m arguably still writing.

I cannot bring myself to swallow whatever poisonous purity philosophy would lead me to believe that people who have sexually assaulted others in the past cannot have consensual sexual relationships as well. I also can’t ignore the considerable data I’ve amassed on this from direct personal experience.

If people cannot change, what are any of us even doing here? Why not just give up the ghost of life on a burning planet—leave the indignities and hurts of corporeality behind forever? That sort of thinking seems more bleak than anything Black Jack Randall could possibly say or do. Indeed, him winding up looking at his own choices that way in the end broke two hearts irrevocably. And that’s a charitable estimate. Jamie’s own haunting memories, vivid dreams, and enduring obsessions about Black Jack throughout Book 4 / Drums of Autumn and beyond make clear that killing Randall didn’t solve anything, or diminish the formidable pull Jamie feels toward him. Even in show canon, when Claire reveals in S2E03 “Useful Occupations and Deceptions” that Jack is still alive Jamie breathes a sigh of relief and expresses joy at having his will to live restored.

Sure, he frames this around a specific interest in getting revenge against Randall. What’s that saying about digging two graves? There’s no exact source for this in any documented Confucius writings, but the idea certainly holds up. Jamie almost heads to his own grave for the sake of tangling with Randall one last time. For his trouble he winds up nearly dying on the battlefield, then doing the same from a severe infection secondary to his wounds, then goes on the lam for several years and lives in a cave, and then winds up incarcerated under especially deplorable conditions before getting paroled to indentured servitude and winding up coerced into sex again. All while still having relentless horny dreams about Black Jack—which only get hornier after Claire returns to him nearly two decades later. Amazing.

It perfectly correlates that he’s not just a sadistic person, but also holds a powerful position as a member of a colonizing military force.

This came so close to full accuracy. Like frostbitten Edward Little gasping his last with chains in his face levels of close.

Sadistic person? Yes. Powerful position? Kind of. We’ll get to that in a minute. Colonizing military force? Yes. However, is Black Jack himself a colonizer? Only if one discounts what gets revealed in Season 2 and the equivalent portions of Book 2 / Dragonfly in Amber about the Duke of Sandringham having Jacobite sympathies and pulling the strings of Randall’s posting to Fort William.

The Reverend Wakefield and Black Jack’s fifth great-grandson Frank Randall unpack this to some extent in S1E01 “Sassenach” when discussing what Jack was doing in Scotland in the first place and the kind of reputation he built. We don’t get the full goods until close to the end of Season 2 with those scenes in S2E11 “Vengeance Is Mine” where the British Army has Sandringham’s estate surrounded with a massive encampment.

To lay things out quite clearly for those less familiar with Outlander canon: Sandringham was deliberately and strategically trying to incite the Jacobite rebellion. He got Black Jack posted to Fort William specifically because he knew Randall could stir up sentiment against the Crown if given the proper conditions. What’s a better weapon of mass agitation than a terrible guy already maligned by his superiors for being bisexual and kinky and having “unnatural tastes” as Randall himself puts it in S1E15 “Wentworth Prison” while rambling to Claire? If he didn’t give direct orders for Black Jack to lean into his worst impulses when presented with worthy adversaries, the Duke certainly gamed the system as much as possible by marooning Randall in a cold and isolated place where most of the civilians thought he was weird and most of the soldiers thought he was creepy.

Jack doesn’t connect all these dots directly during the scenes at the prison. But in S1E08 “Both Sides Now” during the Fort William sequences—in the broadcast version but even more so in this extended cut—we get Black Jack’s own perspectives on his posting in Scotland and how thoroughly he isn’t invested in the conflict there. All he wants is to go back home and be warm again. Which of course he can’t do, because it would spell serious harm for his younger brother per everything we learn throughout Season 2 and Book 2 / Dragonfly in Amber.

Is Randall powerful in the Army? More so than the soldiers under his command, certainly. But as a Captain—per both what we see in the Brockton sequences of S1E06 “The Garrison Commander” and historical information on British Army ranks—he’s subordinate to many others. Who very much enjoy putting him in his place, at that. So in terms of power relative to other English soldiers, he’s somewhere in the middle of the structure. To those now busily envisioning Office Space type corporate middle management AUs: I salute you! And I’m gonna need you to come in on Saturday.

So what about with respect to other people and contexts? Black Jack definitely isn’t powerful relative to the Duke of Sandringham, per other content here. Indeed, he spends at least the last decade or so of his adult life quite firmly under Sandringham’s thumb. Probably other body parts too—see Randall’s hedging comments in S1E15 “Wentworth Prison” about the Duke liking to talk “especially when he drinks” for example. Book 1 / Outlander and Book 2 / Dragonfly in Amber provide additional context about Black Jack’s positionality relative to others in his world—especially via the Duke telling Claire how much Randall craves punishment.

Finally, let’s talk about Black Jack’s status relative to his self-made enemy Jamie Fraser. By which I mean not at all that Jamie is self-made, because of course he isn’t. As a Laird in charge of his own family estate on which tenant farmers pay taxes, Jamie comes from a more powerful family in the Scottish Highlands than Black Jack’s own back in southern England. We learn more from meeting characters like Mary Hawkins later in canon about how “not all baronetcies are created equal” as I once phrased it. Randall’s own father Sir Denys being a baronet didn’t mean much, as evidenced by Black Jack’s own comments to Claire during S1E06 “The Garrison Commander” and equivalent portions of Book 1 / Outlander about his parents paying for tutors to help their son disguise any hint of a Sussex accent.

Ironically the most power Black Jack could’ve had over Jamie in any structural sense would have come from serving as his commander when the younger man fought in the British Army himself. Which would absolutely make for a splendid fic premise, but never happened in canon. Jamie and Black Jack don’t meet until the former is already back from France and settling in anew on his family’s Lallybroch estate in October of 1740.

We certainly meet other people connected to Jamie’s own family who would qualify as colonizers though. Given I already discuss Lord John Grey elsewhere, here I’ll mention Jamie’s aunt Jocasta Cameron as a prime example. Storylines set at her River Run plantation—yikes—beginning in Season 4 of the TV series and corresponding portions of the novels reveal her as not merely a colonizer but an enslaver. One who has the means—and indeed the implements ready at hand—to liberate her slaves but declines to do so. Even after pressure from people close to her. Double yikes.

I don’t want to set Jocasta up as somehow being more villainous than Black Jack; the two characters show us different aspects of the human capacity for knowing harm. However, I do find it telling that a bisexual person whose worst behavior focuses almost entirely on one guy—and otherwise gets directed at people somehow in his orbit—often gets held up as this shining paragon of evil by viewers outside the queer community, a point Rowan makes herself in the original video essay. What I’m specifically unpacking here is the colonialism angle. The bleak side of humanity shows up in many forms in Outlander with respect to colonialism as well as other forms of violence.

The queer figure is not just a danger to the individual, the men or women who might be their victims, but also a danger to society at large—because their existence contradicts oppose truths about what is natural and right.

This tracks. Randall would say so himself—and indeed he does, in almost those same exact words. “I may have what are called unnatural tastes,” he muses to Claire in S1E15 “Wentworth Prison” while letting her hair down around her shoulders and then giving her a big old sniff and shivering with delight, “but I do have some aesthetic principles.” You know, just in case anyone was still wondering if Black Jack’s interest in women was genuine. Whether in the show or the books, we get plenty of evidence that Randall is in the mood for cunt as often as not, to borrow his own phrasing.

Incidentally, I need to point out how “me myself, I’m not in the mood for cunt today” is probably the most bisexual line ever uttered on television. Today. Mercy.

And so here we see this twisting of a homophobic rhetoric of queer danger to create a monstrous rapist colonial figurehead.

First, a clarification: The relevant phobia here is biphobia rather than homophobia. Rowan’s video essay covers this overall topic and the distinction between the two phenomena with substantial detail and insight. What doesn’t come through clearly in the video is how gay people are treated with much more respect in the story world of Outlander than their bisexual peers. Nowhere do we see this more clearly than with Lord John Grey, another queer Redcoat whose path intertwines with Jamie’s in numerous ways over the years.

After first encountering Grey as a scared teenager whose life Jamie spares in S2E09 “Je Suis Prest” we encounter him anew years later starting in S3E03 “All Debts Paid” as the incoming warden of Ardsmuir Prison where Jamie is incarcerated. Swiftly mortified by conditions at the prison, Lord John enlists Jamie’s help in working with prisoners and eventually forges a tenuous friendship with him. Much chess is also played. However, a wedge also gets driven between the two men when Lord John places his hand over Jamie’s one evening during a chess game, unaware of his history with Black Jack or how it would make him react to any expression of affection by another man.

But over time, Lord John secures Jamie’s parole to the Helwater estate where each of them respectively wind up entangled with one of the Dunsany sisters. The younger Geneva, a feisty and cantankerous person who develops quite a fondness for Jamie, coerces the Highlander into sleeping with her when she reveals that she knows his true identity and could get him in a lot of trouble. To get Jamie employment and ensure that he could stay out of prison, Lord John had to pass him off as a run-of-the-mill parolee instead of the fabled “Red Jamie” who helped to lead the Jacobite rebellion. Rather ironic considering Jamie killed one of the actual leaders of the rebellion and could likely have gotten significantly better treatment from the Crown based on that—but that’s beyond the scope of this analysis.

Throughout his storylines, whether serving as warden at Ardsmuir or Governor of Jamaica or any of the other roles he occupies over the years, Lord John is shown to be empathetic and kind. Not without fault certainly. Amongst other things there’s an intriguing storyline later in canon involving him and Claire that serves as a reminder of how sexuality is often not black and white. But he does get set up consistently as a foil to Randall, perhaps most effectively in his choice to marry Geneva’s older sister Isobel and care for the child she conceived with Jamie prior to dying while giving birth. Lord John presents a different take on fatherhood, choosing to give of his presence to William Ransom rather than feeling he can love him best in absentia.

The books offer some fascinating scenes in which Lord John’s son William and Black Jack’s son Denys encounter each other while both serving in the British Army in the American Colonies. That’s how we learn some of the information referenced elsewhere about what Mary Hawkins has passed on to her son about his father, and how she feels herself. I resonated a lot with both men’s sense of having a hole inside them. At this point William has lost two mothers and two fathers—Jamie having had quite a hand in the boy’s upbringing until age six. By 1778 when he encounters Denys again, he has learned the truth about who sired him.

I could write a whole other essay about that considering how relatable the entire storyline surrounding William’s parentage is. Folks who read my work likely know by this point that I got into Outlander because the interconnected storylines surrounding the Randall and Fraser families resonate with my own trauma in a way nothing else ever has. For purposes of this essay though, I’ll point out that even after lying to his kid for many years and dealing him a psychic wound that will never heal as a result, Lord John gets hailed as a good dad and a good person.

John Grey absolutely isn’t a rapist. In fact, in S3E04 “Of Lost Things” he reacts with horror at the idea of Jamie giving him sexual favors in exchange for raising his son. It turns out that Grey is already marrying Geneva’s older sister Isobel—another fascinating subject for deeper analysis that I’m planning to incorporate into my “Dispatches from Fort Laggan” continuity.

Brief sidebar apropos of general queer representation themes: The relationship between Lord John and Isobel offers an undersung illustration in Outlander canon of the diverse dynamics in queer marriages. I think there’s ample ground for reading the union between Lord John and Isobel as either a “lavender marriage” between a homosexual and homoromantic man with a heteroromantic or biromantic woman who’s asexual or a purely romantic marriage that doesn’t involve any sexual activity because one person isn’t interested at all and the other person is only interested with members of their own sex.

What’s more relevant here is how Lord John and Isobel clearly share a deep affection for one another that engages their shared love for other family members—quite similar to the dynamic between Black Jack and Mary. In serving as a foil for Black Jack on some fronts, Grey serves as a mirror in others. Unsurprising then how by the time he encounters William again, Denys Randall has dropped “Isaacs” from his surname entirely after the death of his stepfather Robert.

On the colonialism front, it would be difficult to frame Black Jack as being somehow the worse offender. Although not a Jacobite himself because he doesn’t care about the outcome of the English-Scottish conflict one way or another, he serves as an agent for the Jacobite cause de facto by agitating unrest at Sandringham’s behest. Ironically an example of punch-clock villainy in that regard. Although I wouldn’t ordinarily associate that trope with Black Jack for his zeal in antagonistic behavior towards Jamie and anyone in his orbit, it certainly seems to reflect how he approaches his career. Randall has no less antipathy for his fellow English people than he does for Scottish Highlanders, and indeed awkwardly hopes for acceptance by the local people while new at Fort William per his exchange with Roger in Book 8 / Written in My Own Heart’s Blood.

Meanwhile, Lord John’s storyline sees him become Governor of Jamaica. Governor of Jamaica. If that isn’t the epitome of white settler colonialism I don’t know what is.

Here’s a monster against which are two culturally opposed heroes; English Claire and Scottish Jamie can feel equally threatened.

I think I covered most of the relevant contrasts here in my musings on the sexual assaults against Jamie and Claire during Season 1. Here I’ll add that indeed a major plot point for Claire is how she often does not feel threatened by Randall—and how readily he comes to consider her an ally deserving of his deepest respect. This seems especially interesting in the context of Claire’s own ambiguous sexuality, which I touch on directly in some brief discussion of Geillis Duncan. And from their encounter in the gardens at Versailles from S2E05 onward, Claire by her own admission doesn’t consider Black Jack any sort of threat. She wants Jamie to leave him alone and let him help his brother out without the two of them getting into trouble for having horny fights. Dueling was illegal in Paris at the time, and indeed Jamie gets arrested for fighting Black Jack at the Bois de Boulogne a couple episodes later.

Prior to that though, Claire frantically ruins Jamie’s original plans for dueling Black Jack by getting Randall locked in the Bastille overnight on suspicion of raping Mary Hawkins. The irony to end all ironies, surely! Randall himself doesn’t even seem that aggravated about it given Claire did this in an effort to spare his life. He does however feel aggravated about Jamie apparently deciding he’s not worth the trouble to fight, not knowing all the history surrounding Frank Randall or why exactly Claire seems certain that he’ll die in April of 1746.

Both Black Jack and Claire wind up badly injured following the duel—her with a complicated stillbirth that leaves the placenta inside her body and nearly causes death from sepsis, and him from a significant stab wound to the groin. In show canon per S2E07 “Faith” this appears to be mainly a soft tissue injury to the pubic mound and possibly a cut to the side of the base of the penis; in the novel version it’s more extensive and involves some maiming of the penis and one testicle. I mention this now because in Book 2 / Dragonfly in Amber Claire reflects specifically on Randall being even less of a threat because of his injuries. He’s also very ill in the novel version, likely from a recent bout of cholera, whereas in the show his physical impairments are caused by the cattle stampede from the rescue sequence at the beginning of S1E16 “To Ransom a Man’s Soul”.

So it seems unsurprising that when Black Jack reconnects with Claire at Inverness (Edinburgh in book canon) and begs her to use her skills in healing to save his brother Alex’s life, the two characters find themselves on remarkably even footing. Claire lampshades this herself in repeating Randall’s “I am not the man I once was” line from S1E06 “The Garrison Commander” back to him. Randall also acknowledges this amid strong praise for her medical acumen. He has long since gotten direct perspective on those competencies himself considering the aid she rendered to a badly injured British soldier at Brockton in the same episode, along with her clear success in rehabilitating Jamie’s hand following the extensive injuries Black Jack inflicted to it in S1E15 “Wentworth Prison”.

In both the show and book versions of canon, Claire shows Randall as much compassion as she can, and also expresses respect in her narrations for how he has shouldered the financial and instrumental costs of caring for his brother largely alone. When she urges him to wed Mary in their interactions at the tavern in S2E12 “The Hail Mary” she echoes many of Alex’s own sentiments about Black Jack’s capacity for tenderness and how seriously he takes caring for his family.

Given she already knows how Randall will die, and continues caring for him as best she can even after it gets revealed that Frank’s family line descends genetically from Alex rather than Black Jack himself, her “I’ll help you bleed him myself” comment to Jamie in S2E05 “Untimely Resurrection” seems more for his benefit than her own. Indeed, in book canon Claire feels threatened by Jamie’s lingering obsession with Randall and his repeated rambling about the strange erotic dreams he has about Black Jack. She wants him to have closure on that part of his life, thinking that Randall dying will put a stop to that fixation. Unfortunately for Claire it’s not that simple.

Even Jamie himself doesn’t consider Randall much of a threat in the end. In the book version of canon, he even attends Black Jack’s wedding and serves as a witness for him, whereas Murtagh does this on the show. Book 2 / Dragonfly in Amber details how Jamie escorts a drunk and crying Black Jack back to his own quarters, holding him up because he can’t walk on his own. We never find out what exactly happened between the two of them in that room, though goodness knows a couple of enterprising fan authors have done heroic work in envisioning potentialities.

Show canon does deliver entirely on the erotic tenor of the final encounter between the two men just as Book 3 / Voyager does, with much of S3E01 “The Battle Joined” getting devoted to Black Jack and Jamie grappling with each other while moaning against each other’s ears and looking as if they’re about to have orgasms. Makes sense considering the showrunners reportedly instructed Tobias Menzies and Sam Heughan to go for a combination of the final battle sequence from The Patriot and the sex scene from Cold Mountain in their choreography. They definitely nailed it on the filming. Very much the same energy in the books from all of Jamie’s flashbacks to those moments and the time he spent lying under Black Jack’s body.

An irony that seems worth mentioning itself for how Randall’s last act was to protect Jamie from getting finished off himself during the British Army’s death sweeps of Culloden Moore. In light of this and all the other history between the two of them, it seems less surprising that Jamie left his wedding present—which Claire had returned to him for safekeeping before going back through the stones to her own time—of a dragonfly preserved in amber on the battlefield with Black Jack’s body.

And it’s by standing up to his reign of terror that the two come together, eventually falling in love.

Reign of terror? Not so much, for reasons I’ve already gone into elsewhere. What precisely is Randall “reigning” over in the first place? He’s an exiled soldier who got given a remote fort on a bunch of barren rocks surrounded by water in a freezing cold place that he hates. He has no power over anyone except his own soldiers.

In terms of more overt antagonism, Black Jack focuses the vast majority of his awful behavior on someone who even while chained to a dungeon floor could still kill him with his bare hands. Jamie does kill Black Jack’s much larger and stronger bodyguard Marley in S1E15 “Wentworth Prison” while restrained thusly. If Randall is keeping the Highlands in any kind of iron grip, it’s so weak that he can’t even keep his own bodyguard alive with a chained-up prisoner. Who isn’t even there by his own doing, mind—Jamie gets picked up by a random Redcoat patrol after getting coerced in S1E13 “The Watch” into joining the Watch with Taran MacQuarrie, a suspected Jacobite accused of treason. More details on this get revealed in S1E14 “The Search” as Claire, Jenny, and Murtagh all strive to locate Jamie.

Much of that falls beyond the scope of this analysis. Directly within that scope though is how whether or not anyone likes it, Jamie survives his incarceration at Wentworth Prison because Black Jack raced down there just in time to get him brought down from the gallows. Given canonical knowledge of how Randall does nothing without sincerity—however twisted that sincerity may be—this paints a complicated picture of his impact.

Indeed, one of the things that makes the dynamic between Black Jack and Jamie so interesting and satisfying is how in many ways they’re equals. I covered that extensively in my Ask response about foil dynamics in Outlander canon, so I won’t rehash it in this analysis. But TL;DR: Black Jack assaulting Jamie, and Jamie assaulting Black Jack in kind, was never an exercise in one person punching up and the other punching down. Rather, it is very much an exercise in two people punching sideways. Which a dear mutual illustrated masterfully in their “Killer” sketch previously shared here on Tumblr.

Claire and Jamie do fall in love though. That process is fairly telling on its own—as Rowan points out herself with the very next insight in the video essay. But a few additional details can further unpack sexuality in the context of that relationship, especially in the context of both characters’ interactions with Black Jack.

By opposing Randall’s villainy, they are essentially fighting to maintain the political and social beliefs of the 1740s Scotland, while also solidifying their own relationship and sexual identities—which are heterosexual and monogamous even across time and space.

Okay, folks. I’m flicking on my megaphone here to remind everyone reading this that Jamie is bisexual and that the omission of this key canonical detail could inadvertently reproduce some of the stigmas against bisexuality the video aims to dismantle. I absolutely do not think Rowan did this intentionally. It may stem from limited engagement with the source material in general. I wouldn’t expect a video essay covering a wide scope of media to go into 16K+ words of detail about a single character! That’s what I’m here for. In that spirit, I highly recommend folks interested in going deeper with Outlander canon revisit Jamie’s own narration of his experiences in S1E16 “To Ransom a Man’s Soul” and the many things he says and does in later episodes regarding Black Jack. The books go into even more detail about how much Jamie still lusts after Randall even after the assault at Wentworth, I’ll note.

The more important point here though is how erasure of Jamie’s bisexuality via inattention to his own words can inadvertently reflect Claire’s own behavior at the abbey in that episode: refusing to listen to Jamie unless he tells her what she wants to hear, and specifically shutting him down every time he tries to make her understand that Black Jack made him face things he already wanted beneath the surface.

Even regarding Claire, nuances abound that seem especially important to explore given the above. Specifically concerning the ambiguity of Claire’s own sexuality—how although she never narrates herself clearly in bisexual context, she certainly gets into some telling situations with Geillis Duncan. Claire may not be explicitly bisexual per her own words as Jamie reveals himself to be from S1E16 “To Ransom a Man’s Soul” and equivalent portions of Book 1 / Outlander onward. But we can certainly spot multiple bi-coded elements of her character before even getting to the whole Malva Christie business in Season 6 and Book 6 / A Breath of Snow and Ashes.

Geillis herself is another bi-coded villain who could put Randall to shame for the extent of her agenda and advance planning. Indeed, Geillis’s deeper intent and systemic aims qualify her much more classically for the villain designation than Randall himself, who behaves much more opportunistically. Let’s not forget that he leaves Jamie entirely alone for three years until the Highlander turns up in his office window at Fort William with an empty pistol! Likewise, Black Jack’s own service as an instigator of Jacobite rebellion only comes in exchange for the Duke of Sandringham protecting his beloved brother Alex—including not raping him, which gets further lampshaded by Jamie’s comments about how the Duke has treated him over the years.

It also seems worth noting how Claire offers a good example of how people who might be capable of polyamory through their capacity to love two different men at once don’t necessarily want polyamory. That’s why I abandoned a storyline in one of my early fic series development efforts—my first actually, which never saw the light of day in its original form because it morphed into “Dispatches from Fort Laggan” with a much greater depth of attention to the relationship between Black Jack and Jamie in parallel to his evolving relationship with Mary. Which winds up catapulting Jamie headlong into a raging attraction to Geneva Dunsany, someone much better equipped to meet his needs as a bisexual and kinky guy who’s perfectly capable of sustaining unspeakable horniness about an absurdly complicated man while also being a loving and devoted life partner to a woman.

But by making Lestat the only bi vampire in the show, his moral depravity can be seen as in some way linked to an assumed sexual depravity too—specifically of voracious appetite that separates his bisexual nature from either straight or gay counterparts.

This would be pretty accurate for Randall too. Kind of a missed opportunity to get things close to spot-on. With Randall though there’s even some Zig-Zagging of this aspect, which is part of what makes his character great. Although Black Jack has a voracious sexual appetite and is pretty much always DTF, he is also very much a Regular Guy with Regular Dick Function. He can’t just constantly get it up over and over. Between his alcoholism and his constant pursuit of sexual pleasure, he sometimes can’t get hard at all. He even has concerns about this with Jamie at Wentworth, gloating in delight when he does get an erection. The “can you feel that” scene in S1E15 “Wentworth Prison” wherein Black Jack pulls Jamie’s hand against his crotch and expresses jubilation at having a boner is one of the funniest moments in the entire series to those of us who enjoy Randall’s character.

This is perhaps a good time to note that one thing queer villain representation often does beautifully is imbuing characters with hilarious and often bizarre senses of humor. When I’ve seen other writers frame Randall as humorless or “harrowingly joyless” I’ve wondered again if we watched the same show. The Brockton sequences from S1E06 “The Garrison Commander” alone ought to debunk this, from Randall’s passive aggressive dust party right down to his impish little wink at Claire while he dumps out the prized claret the senior officers were drinking before getting called out on some kind of wild goose chase.

Then there’s also his sardonic monologuing in S1E15 “Wentworth Prison” about possible methods of killing Jamie in the morning, which is entirely tongue-in-cheek and intended solely to make Jamie get annoyed enough to tussle with him. I also consider the weirdly earnest threesome proposition from S1E09 “The Reckoning” when Jamie appears in the window of his office holding an empty pistol. It’s quite clear here that regardless of whether Jamie takes him up on it or just gets irritated enough to fight him fisticuffs and thus give him some nice opportunities to rub up against him, Randall is delighting in the offering.

Finally, we can’t forget his overjoyed little smiles whenever he sees either Jamie or Mary Hawkins. I covered much of this previously via in-depth discussion of Mary’s storylines. So here I’ll note that for all his own efforts to convince Claire that he’d be terrible for Mary, she doesn’t believe Black Jack in the slightest—because she’s already seen how he behaves with her, and likewise both seen and heard directly from Alex how kind and tender Randall has always been with his younger brother. Whom he basically raised, which is a whole other yarn.

Here’s the thing though: One doesn’t need to watch Outlander in any great depth to see that for Black Jack, much of the point of sadism lies in the aftercare. I haven’t belabored that point here overmuch because I don’t want to suggest that caretaking afterwards in any way negates harm done beforehand. However, Randall does consistently show genuine pleasure in taking care of another person. We see this in some ways with Jamie at Wentworth Prison in S1E16 “To Ransom a Man’s Soul” but then get a whole different context on it in Season 2, especially with S2E12 “The Hail Mary” when the curtain finally pulls back fully on Black Jack’s family life. The only moments where he seems to relax at all is when he’s helping someone feel better after a horrible privation—either by his own hand or from the ravages of illness. And in those moments, we see plenty of vulnerability. Which brings us to…

Unlike Randall, there is a vulnerability in and understanding of Lestat’s backstory that contextualizes his behavior.

I’m not so sure about this. Even midway through Season 1 starting with S1E06 “The Garrison Commander” this understanding of Randall’s character begins to fray at the edges. More details on that below. Likewise, we learn a good bit in Season 2 about Randall’s family and what has been going on behind the curtain of his own life as a result. But even beforehand, the scene in S1E15 “Wentworth Prison” where Black Jack forlornly talks to Jamie in the dungeon cell while seated and looking at him with sad eyes says quite a bit. He finds Jamie’s rejection in the face of a clear attraction painful; this is no less important for his own vicious response to that pain after Jamie taunts him about having no self-control. Subsequently we see in S1E16 “To Ransom a Man’s Soul” the lengths Black Jack will go to for the sake of affectionate treatment.

Not all love is constructive or good, but Randall leaves little doubt in his own behavior that his actions are very much in pursuit of love. This gets lampshaded a final time in Book 6 / A Breath of Snow and Ashes with the reveal of what Randall mouthed to Jamie in that one sequence of S3E01 “The Battle Joined” just before collapsing on top of him and dying from his wounds. During the abbey sequences in Book 1 / Outlander Jamie also recalls Black Jack lying beside him on the dungeon floor, crying profusely and begging him to speak words of love. Adding in the murky context missing from the show—about Jack having some sort of sexual history with either the deceased prisoner Alex MacGregor and/or his own younger brother Alex Randall—paints a telling portrait of a man desperate for affection and connection.

Though he doesn’t excuse it, we see his traumatic past, and feel how much he yearns for family and love.

Very true about Lestat, certainly. But I’d say this could also have easily been written about Black Jack.

In other portions of this essay I cover Randall’s behavior at Wentworth Prison in Season 1 and the Inverness storyline at the end of Season 2. To rehash here in brief, the only things that matter to Black Jack are (A) someone loving him back in a way he understands and (B) doing whatever he can to take care of his family. Black Jack doesn’t say as much directly to this effect, but he certainly shows us through action that yearning for family and love motivate a lot of his behavior. The fact that his pursuit of these things often happens through twisted means scarcely means he doesn’t want them. Quite the opposite.

As for the traumatic past, Black Jack and other characters alike (especially the Duke of Sandringham) drop hints throughout the Season 1 and Season 2 storylines—and even more so in corresponding portions of Book 1 / Outlander and Book 2 / Dragonfly in Amber—that Randall grew up in an abusive home and imprinted on that. It’s also clear from his interactions with Alex that he’s been protecting his brother from a lot over the years. The Duke himself certainly, but also other things. And in the corresponding sequences from the novels Jack goes into some detail about how little support he and Alex have ever gotten from their family back in Sussex, including from their older brother Edward even now that Alex is dying.

Then of course Black Jack himself talks aloud to Claire at Brockton about his traumatic present and how the armed conflict in Scotland has further warped his mind. He’s clearly shaken about finding one of his own men brutally beheaded and speaks in more general terms about being “not the man [he] once was” as a result of his military service. No surprise either that he looks like a fish out of water the one time we see him in non-military dress during S2E12 “The Hail Mary”. Black Jack may not like what serving in the Army has done to further damage his psyche, but at this point it’s all he understands and the only place he feels he belongs at all. On that front…

It’s not difficult to see the parallels between his existence as a vampire, and the isolation and threat many members of the queer community feel.

Here I should also include my response to the aforementioned excellent meta on homosociality in The Patriot canon. As noted previously I’m hoping to release a similarly focused reflection of my own in time addressing Outlander canon directly. For now I’ll applaud Rowan’s general attention in the video to how bisexual people often become isolated within the queer community as well as in the world at large.

Double marginalization is a lonely experience in the utmost—and one that can breed tremendous resentment. That anger has to go somewhere more often than not. Even without the added burden of silent rage from sexual violence and the constant “insult to injury” experience of having our own trauma collide with that of others walking a similar path, things are tough. And the data on experiences of rape and abuse in the bisexual community remain incredibly damning.

So again, I think Lestat and Black Jack would find plenty of common ground in one another’s histories. Although Lestat himself doesn’t really meet the criteria for sexual sadism, he certainly enjoys bloodplay and the general aesthetic of violence as part of intimate congress. This isn’t surprising in the slightest considering how the capacity to enjoy such pleasures often grows and sharpens in response to abuse of any form, including rape and domestic violence.

My own life has certainly been an exercise in this. If that seems confusing, consider: For people who are well accustomed to people bleeding on us when we didn’t cut them, it can feel immensely satisfying to have someone bleed on us because we did cut them.

Whereas the initial seasons of Outlander have no sympathetic or heroic queer heroes at all, Interview with the Vampire does give us another lead who fulfills this protagonist role in Louis.

I’m glad this was the last content in the video that mentioned Outlander directly. I think there’s enough context from the rest of this segment for viewers to understand the intended contrast here. Prior to Season 3 we don’t encounter characters in Outlander who are fully immersed in their queerness other than Black Jack, whereas Interview with the Vampire centers characters who show more of that immersion from the beginning on both the protagonist and antagonist sides.

Given the centrality of Jamie’s character arc to Randall’s though, the omission of his own bisexuality from this video essay seems quite the lost opportunity. To reiterate, in both versions of canon beginning with S1E16 “To Ransom a Man’s Soul” and equivalent sequences from the novels we get verbatim documentation directly from the source that Jamie is bisexual himself. This is in addition to his earlier comments about considering the prospect of sleeping with Randall at Fort William and only turning him down because he thought his dad would be disappointed in him. Not for having same-sex relations, but rather for capitulating to another man. That’s a lot to unpack, folks.

Indeed, Jamie’s storylines throughout the TV and book series alike are often demonstrations of how the ideation of heterosexuality and the pressure to live a heterosexual life do deep harm to bisexual men. This gets lampshaded further by the anvilicious contrasts constantly drawn between Black Jack and the decidedly gay Lord John Grey. The latter is set up as a perennial foil for Randall, getting into similar scenarios with Jamie—starting with his time as warden at Ardsmuir Prison in Season 3 and Book 3 / Voyager—but taking them in entirely different directions. Which I appreciate in essentials for the spinning of a superb narrative about complex post-traumatic stress. More so for living with that particular set of issues myself.

Once again for the good of the Republic: If you don’t heal what hurt you, you’ll bleed on people who didn’t cut you.

Apropos of this, I want to express particular appreciation for the video’s exploration of the “puriteens” phenomenon—and incorporate a caution for those slightly elder members of fandom. It can be very easy for people to fall into the trap of assuming that bisexual people are always hypersexual. And even easier to assume that those bisexual folk who truly are hypersexual are automatically threats because of this. More so if said individuals also happen to be kinky, and especially if they are specifically sadistic.

I mention this now because as queer people marginalized from within the queer community as well as without, bisexual and asexual folk stand on common ground. I have seen the transformative power in allyship between bi and ace people in fighting our shared oppressions. Sadly I have also seen many successful efforts to tear that natural solidarity asunder by making ace people fear us as predators. And the first against the wall, same as always, are the hypersexual and kinky among us.

So I’m happy beyond words to see openly ace creators like Rowan Ellis standing up for bisexual people. Making sure that our struggles and our humanity alike are always seen and valued. In kind, I strongly encourage everyone reading this to take this analysis of Rowan’s commentary on Outlander in the spirit in which I intend it. To say that I strongly support both the general content and overall standpoint of this video would understate the case.

Indeed, I offer this detailed analysis now because I know the depth of Rowan’s commitment to diverse queer representation. I want to build on the dialogue sparked by the video and to bring that depth on Randall’s character to the impressive breadth of focus in Rowan’s overview of queer villains. The fact that doing so amplifies the labor, effort, and insight of an asexual creator made me even more inclined to give this my full effort. I hope Rowan will keep putting her voice and perspective into the world for many years to come.

For now, I’m grateful for this opportunity to once again bring Black Jack Randall to my little corner of the Internet in dizzying detail. And moreover, to do so in amplifying the work of a fellow creator explicitly naming the harm done by respectability politics surrounding queerness.

Randall may not be the bisexual representation everyone wants, but he’s absolutely the bisexual representation the world needs. Because if he isn’t a resounding comeback to respectability politics that attempt to deny “problematic” bisexual people their basic human rights—and indeed an effective illustration of the deep harms those kinds of approaches to queerness not only do directly but also reproduce in cyclical patterns—I don’t know what character possibly could be.

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1moreff-creator · 8 months

Text

An Analysis and Theories of The Purge March…

(By someone who knows very little about Milgram)

Hello Milgram people! First time posting an analysis about it, mainly because I only started getting into it like two days ago. I kept seeing it get mentioned in my dash and I thought "yeah these characters look mentally ill enough to be interesting I'll check this out." And wow, this thing is awesome!

Even though I'm missing massive amounts of critical information (I haven’t even watched all the MVs for the other characters yet), I still want to talk about my thoughts on the newest MV, Amane's "The Purge March". I'm sorry if a lot of what I say has been said before, I tried my best to research other opionions before defining my own, but I still know very little compared to others. Hope you can take something away from here anyways!

CW: Cults and indoctrination, child abuse, torture, waterboarding, electrocution, violence and murder, animal death.

Basic Rundown & Lyrics

Introduction

The video takes place in three main settings: the titular march, the place with the cat, and Amane's apartment/home.

Hold on, you may say. Can we be sure that's Amane's home and not some other place? Well, I believe so, based on this little sign here.

This translation was taken from Napkin's analysis on the MV, which was massively helpful and I recommend you check out yourself!

In case you forgot, Amane's full name is Amane Momose; that's her father on that picture. When combined with the context that Amane walked into the apartment on her own and with a small smile, it really makes it look like that is her home. Adittionally, a leaked storyboard from Milgram Premium apparently says the hand holding the taser belongs to Amane's mother, and I believe this is the case. Not because of the storyboard, as I don't usually trust that type of meta evidence, but because of some stuff I'll get to later.

Anyways, back to the video. We open with the march, alongside this lyrics:

Good morning, ladies and gentlemen! It’s the beginning of a most wonderful day However, there are blasphemers and silent by-standers, who would have it otherwise We must not give into them, they are the ones that should be judged With pure, unsullied body and soul, let us preach all that is true and right

This sets up the main theme of the song: it's about how the cult Amane is in sees the concept of punishment and justice. Those who go against the cult, must be judged, they must be punished. I think it's worth noting that this part not only calls out "blasphemers", but also "silent by-standers". Amane's cult not only condemns """harmful""" actions, but also inaction. There is one part of the MV which I think manifests this, I'll get to it.

Flags and Ordainments

Then, we see four flags corresponding to each of the cult's... uh...

Okay, so, as a refresher. There's this four characters, right? From left to right, Yuri, Gozake, Riyone, and Gachata.

Certain theories claim these are cult leaders, and certain others claim they are just mascots or even deities and not real people. I believe the latter, but of course all theories are valid. I'll explain my reasoning later (take a shot), but for now, I need to establish what I believe.

Anyways, we see flags representing each of them attached to lyrics which are connected to them, indicating some of the cult’s ordainments.

’Tis ordained, thou shall follow thine destiny [Riyone] ’Tis ordained, thou shall discard vulgarity [Gozake] ’Tis ordained, thou shall deliver unto those thou believest in [Yuri] ’Tis ordained, thou shall stay thine course, then perish [Gachata]

Here's what I think they mean:

>Riyone, who has bandaids for ears, represents the cult's belief in medicine. Essentially, they denounce it, and their accepted MO is to only pray for the injured instead of healing them medically. So when Riyone 'says' "thou shall follow thine destiny", it's saying "accept your fate/situation, don't try to change your destiny". This is why we don't see Riyone doing anything other than punishing Amane in the first trial MV; the only thing you're meant to do in relation to Riyone and medicine is pray.

>Gozake has possibly the vaguest ordainment, that being “thou shall discard vulgarity.” Since it’s described as a monk in “Magic”, I believe this means to discard unnecessary, vulgar things, and only accept the things the cult accepts. There is indication that the cult denounces these type of trivial things, from some of Amane’s interrogation questions from trial one.

Q1: Do you have any special skills?

A: Nothing that I can call a talent. Perhaps studying. I do well in my Japanese class.

Q5: When you go to an amusement park, what do you like to ride?

A: That is a place I should not go to.

Q11: What kind of meat do you like?

A: I don’t eat meat.

Q14: Do you listen to music?

A: Not really, to songs that are highly entertaining.

Amusement parks are somewhere she shouldn’t go to, presumably because it’s considered vulgar. Perhaps she says she doesn’t have a talent because she’s not allowed to engage in a lot of activities. It’s certainly possible she doesn’t eat meat out of preference, but it could also be due to religious beliefs. And she only listens to songs which are “highly entertaining”, provided I’m reading that right because it’s worded a bit weird. The reason I bring that up is that we see Gozake teaching her to sing in “Magic”, which relates it to music. While that’s likely metaphorical, it’s possible the cult’s “songs” are the highly entertaining ones, and the rest are vulgar.

Worth noting for "The Purge March" though, Gozake’s flag is on the floor before being waved. It's pretty clear Amane holds some contempt against Gozake and/or his punishments.

I believe it’s because it is Gozake’s ordainment, “thou shall discard vulgarity”, that Amane most disagrees with internally and the one she’s most likely to break. I mean, obviously, she’s a child, she’s going to want to do all sorts of trivial, “vulgar” things for fun, that’s just what kids do. We even see a version her fumble with this flag later, implying she has broken this ordainment before.

This fits a lot of the lines in “Magic”.

Dear wise one, Am I worthy? Is it ok to spoil myself?

Spoiling herself here likely means doing things she wants to do, but which are considered “vulgar” by the cult. Her interrogation questions also imply it.

Q3: If you were allowed to do anything, what would you want to do?

A: Nothing really. I am not lacking anything.

Q17: What would you do if the world ends tomorrow?

A: If everything ends? Then, I might do all sorts of things I have never done before.

Notice how there are things she wants to do if the world ends, but she doesn’t want to do them now. That is because now, she’s still under the threat of consequence, the “vulgar” things she does can be punished. But if the world ends, then she can just do whatever.

>Yuri is meant to represent solidarity and generosity within the cult, as a sort of tactic to make all its members willing to help and lend resources to the cult. We see him collecting money in "Magic", as the animals "deliver unto those they believe in". That's why his clothes are all patchwork, as if to imply the cult is in need of money.

>Gachata represents order and obedience, that's what "thou shall stay thine course, then perish" means. I don't think I need to explain how that's connected to cults. It's styled after an alarm clock, as they represent a regularity of action, a "schedule". An alarm clock tells you when it's time to wake up and work, just like Gachata.

The Purpose of Punishment

We then see a version of Amane fumble with Gozake's flag as this lyric plays:

The “It can’t be helped”, from the scum who can’t be helped

There's something extremely important in this line. "The scum who can't be helped" are those who say "it can't be helped". In other words, acceptance of mistakes, blasphemy, etc, is the most unforgivable crime in the eyes of the cult. That's why "Leader Amane" slams her baton on the ground, causing this "helpless Amane" to sink, with this line.

That makes them doubtlessly, clearly, absolutely, unequivocally, beyond any doubt, GUILTY

The thing that makes them guilty is the sentiment that "it can't be helped".

What does that mean? It means that something is only forgivable if one acknowledges that it can be fixed. Giving up on improvement, claiming "it can't be helped", is unacceptable. And this is why punishment is so important. If someone doesn't accept punishment, they're claiming their faults cannot be helped by it, which makes them guilty.

(Also yes guilty is in caps because Amane was voted guilty in the first trial I think)

What's important, though, is that because of this scene, Amane is not "scum who can't be helped" in her eyes. Because she's both the one judging and the one being judged, that means she understands the value of her own punishment-

IN THE CULT'S EYES. I gotta clarify that sometimes I will speak from the perspective of the cult to make things clearer, but I do not agree with anything they do or believe, obviously.

So Amane believes she should be punished if she does something wrong, though obviously usually she isn't the one punishing herself. The punishment we see happen then is Amane being drowned, which is the punishment related to Gozake as we see in "Magic". Electrocution is connected to Riyone, physical blows to Yuri and verbal abuse to Gachata, please don't question it too much. Rain starts falling as she sinks, but clears after she's fully under and drowning, revealing a rainbow.

This rainbow shows up later a few times, and... frankly, it's hard to know exactly what the hell it means? But I think it represents the twisted and frankly horrifying view the cult has on punishment: even in the rain, which would be the pain of punishment, there is the bright light of improvement shining through it, being the rainbow. Even though Amane is suffering from drowning, she'll grow and improve from it. That is honestly disgusting to write but well here we are.

The lyrics here are:

I disavow you, eyes corrupted must be crushed So nary a sound can be uttered a second time, I’ll crush your throat too

Essentially, those who go against the cult must be silenced, their views disavowed (eyes crushed).

Then, we see Gozake's flag fading into the background as Amane sinks further. After that, we cut to real life, to Amane being waterboarded.

(Btw, I'm using "waterboarding" because it's faster than "controlled drowning", even though I'm not entirely clear if waterboarding is the right term for what she suffers through)

The lyrics are:

After you cry, repent, and kneel, it’s now your turn to say that hopeless “I’m sorry” x2

Amane claims it will soon be "your" turn to apologize and be punished, the "you" likely being her murder victim. How is Gozake related? Well, I believe that's alluding to an aspect of Amane's murder. In fact, this scene might be just a few minutes before her kill, as I believe she killed her victim after suffering from "Gozake's" punishment. I'll get there.

The Cat Incident

(Not the Kazui MV drop, the other one)

We then see what happened for Amane to be punished: she healed a cat. And the cult hates medicine. She gets spotted by a man and a small girl.

See the rainbow? That's because getting caught will lead to punishment, which will lead to improvement. I want you to know I actually feel disgusting writing that, but those are the beliefs of the cult.

Note the girl is holding a balloon with a symbol which is very similar to the symbol on multi-Amane's flags later, so these two likely belong to the cult as well. And since she's wearing the same uniform as Amane, they likely go to the same school, which may be ran by the cult.

I’ll talk about the balloon a bit more later, but for now, who are these two? I said I don’t believe the mascots are cult leaders, so it can’t be them. See, I actually believe they’re simply other average cult members, with nothing special at all about them. This is because the girl, and thus presumably the man with her, never enter Amane’s apartment.

See how that sign with 403 is above the door to the apartment? The balloon stops in front of it, but then goes away. (It's hard to show this with just images but trust me). By the way the string is positioned, it’s clear the girl is still pulling it. Thus we can conclude the girl never went in, and because of that (and the fact the girl has slightly different hair than Amane so she does exist), I believe the man merely told Amane’s mother what he saw, but left before Amane went home. Thus, I find it unlikely this man holds any more importance.

Why is he snitching, though? Well, it goes back to the cult’s beliefs of punishment. If something is wrong, it must be corrected. Remember, “silent by-standers” are just as bad as blasphemers in their eyes. So he wants Amane’s mom to do something about it.

(Btw, I don’t think the cat was a test necessarily, but the fact it’s collared and then gets killed could be an argument for that interpretation)

Oh, and for the uninitiated, I’m saying Amane’s mom because of one of her trial one interrogation questions:

Q: Is there anyone you hold in high esteem?

A: My father. My father has been on a journey for a while, but that is something very honorable.

So, only her mother is in the house.

The lyrics of the scene are relatively straightforward.

If you become a bad girl, monsters will come out. This is the magic that stops that from happening

Then the four “‘tis ordained” things again. Amane broke one of the rules by healing the cat, so she has to be punished, because her actions could cause bad things (monsters to come out). Again, in the cult’s eyes.

After this, we see Amane arrive at her home, where someone, perhaps her mother, is waiting with a taser. Electrocution is Ryone’s punishment, remember. Which makes me think it’s possible the cult specifically assigns each punishment to the ordainment of the mascot. So, because Amane broke Riyone’s ordainment about destiny, she gets electrocuted. That’s a bit half-baked as a possibility, but I think it’s worth mentioning.

The whole thing happens alongside the same “unequivocally GUILTY” line from before, again alluding to Amane receiving punishment.

(Btw, does anyone know what the note behind Amane’s head in that scene says? It fires off alarm bells for me, but my Japanese is null, so)

Amane’s Magical Girl Transformation

Then, we see Amane return to the place of the cat, except its collar is broken and the napkin Amane had used to heal it bloodied next to it, implying the cat died. Amane is obviously heartbroken, and looks up at her umbrella, before we cut to the march again.

There’s quite a few things to note. For one, notice the real Amane has a bruise on her forehead, implying she was hit, and thus received Yuri’s punishment. Assumedly she was also verbally assaulted during the ordeal, Gachata’s punishment so as to complete the set, but it’s sorta impossible to tell.

However, the lyrics are important. It’s stuff we’ve heard before:

I disavow you, eyes corrupted must be crushed So nary a sound can be uttered a second time, I’ll crush your throat too

With “I’ll crush your throat too” notably playing as the transition to the march completes.

But what is she disavowing? Well, think about it. The cult members are not meant to interfere with destiny, with life and death, as per Riyone’s ordainment. That means that while they’re not allowed to heal things, they’re also presumably forbidden from killing them. Though maybe I’m expecting too much logical consistency from a cult but you know. In any case, than means Amane disavows this act, and decides whoever killed the cat, must be punished.

The baton has already been connected to punishment when March Leader Amane slammed it down and caused the other Amane to sink. Which, with this context, we can presume the Drowned Amane to represent Amane before she was punished for healing the cat or some other “offense”.

But the baton is also representative of Amane’s murder weapon, as we’ll see later. And yet, it is also being related in this scene to an umbrella. Why?

Well, it’s simple. Umbrella’s represent protection, in particular protection from the rain which has been related with punishment through this MV. So, to protect herself, Amane punishes others. She does this because, since the cult idolizes punishment, their poster-child (as Amane has been implied to maybe be) should also deal out punishment.

In summary, when Amane sees a wrong, she wishes to correct it because it’s what the cult would want from her, and if she does what the cult would want from her, then she won’t be punished herself.

Q7: Do you like yourself?

A: I have never considered it from the perspective of love and hate, but I do think I am a good child.

…This kid worries me. Severely.

The idea that Amane will punish whoever killed the cat is reinstated in the following lines. As a swarm of Amane’s rushes forward with big grins, proudly holding the flag of the cult and its beliefs, the one with the baton walks forward with conviction. Look at the lyrics.

I don’t need it any more, if you’re going to break your vow Here and now, it’s my turn to tear you apart So there is no second time, I’ll give back the judgment that you gave to me

You wanna know why the swarm of Amanes are so happy? Because now she’s the one who get to punish, instead of being the punished. This is… an unfortunately common reaction to abuse.

It’s important to keep in mind what I said before; the Amanes are still holding the cult’s flag. They’re still acting on the cult’s beliefs. Notice how she specifically says the purpose of returning the punishment is “so there is no second time”, which fits what I’ve been talking about regarding punishment in the cult being to discourage repeat offenses.

Well, she’s following the cults beliefs… in theory. It was pointed out by iris-drawing-stuff in this post that Amane’s eyes have a shade of purple which is not associated with the cult, possibly implying she’s also acting on her own desires, but still rationalizes them through her cult’s twisted logic. The punishment she gave out is death, which sorta goes against the whole “follow thine destiny” logic I said earlier, and more pressingly, doesn’t really fit any of the four established punishment methods of the mascots. Well, I guess Yuri if you squint, but it still isn’t supposed to kill presumably. So she’s not actually entirely going by what the cult says when she kills her victim.

… This kid really worries me.

But hold on. Didn’t I say the symbol of the flags is actually different from the balloon? Is that significant? Well, I think it could be. It could represent how Amane’s views on her cult were changed by the punishment she received after healing the cat.

Think about it. The balloon’s symbol is more simplistic, and is on, well, a balloon. Something childish, something which offers simple bliss without anything wrong about it, and something fragile. I believe this represents how Amane viewed her cult before the cat incident. It was just a nice little thing that brought joy and didn’t require any more thought; it’s a more simplistic viewing, that’s why the symbol is more simplistic. Any small punishments, like Gachata’s finger-flick at the start of “Magic”, aren’t anything to write home about. Obviously I think she’s downplaying the extent of the abuse, but in her mind it wasn’t a big deal.

(That and I imagine the cult doesn’t feel like spending much money on more detailed balloons of all things)

However, this simplistic view “stays at the door” the day of the cat incident, as the other girl never enters the house. This is because after this, Amane’s view on the cult becomes more complex.

And that’s why we then see the symbol on the following flags. Flags are certainly something more mature, and the design is more complex. It is no longer simply colors on a balloon, it represents a fully formed ideology. After the incident with the cat, Amane began understanding the “””value”””” of punishment her cult pushes, and so wishes to begins to act accordingly.

Have I gone insane? Buddy, I was already insane before this, this is nothing new.

Amane’s Justice

Anyways, keeping in theme with the idea that she’s acting on the ideals of her cult, we see her twirling her baton of punishment in front of the four mascots, the rainbow of change after punishment firmly in the background.

It’s important to note, she is firmly planted on the mascots’ side, fighting in their behalf, which is part of what makes me believe she didn’t kill a cult leader as some theories state, but obvs that’s an opinion. The lyrics here are more of the same, Amane is the one punishing now.

After you cry, repent, and kneel, it’s now your turn to say that hopeless “I’m sorry” x2

However, something interesting happens right after. The lyric:

You’re sorry? I don’t care! Please, go ahead and die already

-plays as the baton she’s holding becomes stained with blood, indicating her intent to kill.

This is what separates Amane’s desires from the cult’s. The cult would want her to keep the victim alive as long as they can learn from their punishment and fix what’s wrong, but Amane killed her victim, which sorta goes against that. She’s a child, traumatized and hurt and at her limit, obviously her mind is trying to justify anything that would get her suffering to definitively stop. She explains the reasoning right after.

Remember MY cries, MY repents, MY words of “I’m sorry” that I said to you?

She said sorry, she wanted to repent and change, but her abuser(s) never stopped, so why should she? She should be allowed to go all the way, ignore her abuser(s) pleas of sorry and deal out whatever punishment she thinks fits their crime, right?!

At this time, the video transitions from the march to reality, the baton turning back into the umbrella for protection.

However, two things remain the same: the rainbow of punishment, and the look on Amane’s eyes, showing her excitement. This is to show that her wish to punish her abuser(s) isn’t merely a fantasy, but extends to reality as well.

And that gets us to the final (or, second to last I guess,) shot.

Let’s talk about this.

A Theory on a Murder

Let’s start at the beginning.

The Victim’s Identity

So, I’ll kill the suspense. I think Amane killed her mom. The most direct evidence I have for this is a combination of two of her trial one interrogation questions.

Q13: Who do you want to meet right now? A: My father. I want him to praise me for working hard.

So as far as Amane is aware, her father is alive. However:

Q9: Tell me what your family consists of. A: It was my father, my mother, and I.

Past tense. Peculiar.

That’s obviously a pretty big one, but there’s a bit more. As the lyrics imply, the person Amane killed was someone who had previously “punished” her. But as I also pointed out, it seems unlikely that it was a cult leader, as she is facing away from the mascots when she declares her murderous intent.

Cult Leader Theory runs into a contradiction under this interpretation (and it’s important to clarify, other interpretations are obviously valid, I’m just talking about how I see the MV). If the only people abusing Amane are the cult leaders, then she shouldn’t be facing away from them when she begins her crusade of punishment, and if someone other than the cult leaders is punishing her, then why are the punishment methods each related to one leader?

This is what leads me to believe the alternative: that the mascots are merely fictional characters who represent some of the cult’s ideals. Under that theory, it is Amane’s mother who punishes her, using a combination of all the methods associated to each mascot. And thus, it is her who dies.

There’s another thing that solidifies this belief in my eyes, but for that, we have to explain:

Murder Method

(Now this is more my comfort zone <- Top ten things to never say about murder IRL)

I’m not entirely clear how important exact method is usually, but I swear, this is interesting. If nothing else out of curiosity.

Based on that scene we have of the murder, we can observe the following things.

>There is only one door with the light still on.

>Going from this door to the corpse, there is a trail of water puddles. Since the bigger puddles are closer to the door with the light, it can be assumed it’s the door to the bathroom.

>The corpse lays on a room at the end of the hall, presumably opposite to the entrance (note the shoes at the bottom of our perspective). I will call this room, quite aptly, the murder room.

Now, some of you may take issue with that. Based on the card Amane holds up in her ‘inmate segment’ of “Undercover”, it looks as if her victim died in the bathroom.

(Apologies for the quality)

Those images are meant to represent the room or general area where the murder (or “murder” depending on who you’re talking about) took place.

Here's the issue, though. The corpse doesn’t appear to have been dragged, as there are no bloodstains outside the murder room. So the room on the card is most likely the murder room, which brings up issues for the bathroom idea. Like how several elements near the door to the bathroom don’t match what we see around the murder room (no, the floor wiper-looking thing alone doesn’t count, nothing else comes close to matching), how the floor would be nonsensical because why are we putting a wooden floor on a bathroom, there apparently being a door behind the curtains, among other stuff.

I don’t know what the murder room is, necessarily, but it doesn’t seem to be the bathroom. Probably not a kitchen either since there’s cooking utensils on a sink in the hallway. My bet’s on a dining/living room of some kind, which… has a sink for some reason, but it’s practically impossible to tell.

>The time is around 5:00, based on the clock we see (though admittedly I find it weirdly hard to tell). This isn’t important, but pointing it out makes me feel smart, and attentive! It almost looks like I know what I’m doing!

>We have a kill-shot from “Undercover”, meaning we know something like this happened.

As you can see, Amane’s victim was beaten with some kind of… stick? Pole? Cylinder? It doesn’t matter too much what exactly it is, so you can say anything from a metal pipe, an actual baton, an Inconvenient Cylinder of Unknown Purpose (ICUP)… I’m just gonna go with umbrella, because even though I question its efficacy as a murder weapon, it fits thematically and is at worst a fun headcanon.

So, uh, what do we do with this?

Prelude; Water Puddles and Gozake

Gozake is likely connected to the murder in some way. That’s because the “Old Amane”, the one concerned with “vulgar” things who hasn’t started punishing others’ wrongs, dies underwater and reaching for his flag. This is her transformation into perfection in the cult’s eyes, which involves punishing others and thus the murder of her mother. Thus, it can be concluded Gozake has some connection to the murder. I’ve already established why I don’t think he’s the victim or even a real person, so we have to find some other way to connect him.

And I think the water puddles make the possible connection quite clear. I think those puddles come from Amane herself, and she was likely waterboarded right before she killed her mother. As waterboarding is the method connected to Gazoke, this explains the connection.

Amane in the Bathroom

(Amane flying solo~ /ref)

Of course, I still think it was Amane’s mother dealing out the punishment. But if you think about it, why would Amane’s mother let her walk out from the bathroom when she was still soaking wet, especially onto a wooden floor? Well, that’s where the next part comes in. I believe there was a moment where Amane was left alone in the bathroom after being waterboarded.

Apart from that line of reasoning, which is my strongest piece of evidence for this, I want to draw attention to the fact someone came out of the bathroom, but left the light on. Since that’s not the case with any of the other rooms, it makes me think Amane herself was the last to leave that room, as her mother may not like leaving unneeded lights on.

But that’s sorta weak. In truth, I like this possibility because I think it can explain one thing in particular: Amane’s silhouette scene in “Undercover.”

It’s important to note these scenes always include the prisoners in some way or another, so it’s be weird for Amane to break the trend. Thus, this is likely Amane.

But what are we looking at? The water sorta looks like rain more than a simple shower head, and it certainly doesn’t look like waterboarding. However, the floor sorta looks like bathroom tiles, so we can’t rule out the possibility.

In fact, I actually do think this is in/near the shower. But as I said, it doesn’t look intense enough for waterboarding, and Amane is face-up on her back instead of the kneeling position we see her in during the other shower scene.

That’s why I think this is directly after a waterboarding session, not during. In particular, it would be the moment Amane’s mother leaves her alone in the bathroom. While the girl usually kneels during her torture, she may afterwards collapse on the floor and roll over from pain and exhaustion. Or something. And her mother… left the shower head on… for some reason? Maybe she went to look for a towel to dry up Amane? Maybe she needed something else and this is actually mid-session? Or maybe the rain’s metaphorical. Point is, I think this makes the most sense.

But if you’re not convinced by that, there is actually something else about the murder which makes me think Amane being left alone in the bathroom is what most likely happened.

A Matter of Position

Here's the thing. You can see the victim's hand peeking out from the door. Now, it looks like the hand is palm-down, which doesn't quite seem to fit the "Undercover" kill-shot, but that's actually simple to explain.

The "Undercover" kill-shot is likely taken moments before the victim's death, as Amane is holding the weapon in the air. But what if we extend "moments" to "seconds"? Well, I think it's possible Amane's mom managed to push her off briefly, getting a moment to turn around to turn and try to crawl away. Obviously Amane recovered quickly and managed to kill her anyways, but this little scuffle would explain how the hell her hand ended up palm down. It's the simplest explanation in my mind.

Amane's position isn't weird either. No matter what happened, she could have just stepped away from the body before taking a moment to look at it.

The weird thing, though, is the fact that we can see the victim's hand at all.

See, based on the "Undercover" shot, it seems like the victim must have had their back to the door before they fell to the floor. If you think about it, it would be really hard for them to end up with their hand there otherwise. However, if they had their back to the door, then Amane must have been facing the door as per the kill-shot.

This would be easier to explain if I had...

If I had visuals...

You know, like a- like a diagram.

(You thought you could escape my murder diagrams?! You fool!)

Why is this important? Well, because this means that, unless there was some crazy scuffle in that room (unlikely, as any actual fight would be near impossible for Amane to win), Amane was in the room before her mother entered. Obviously, this sort of only makes sense if Amane was left alone in the bathroom for a moment. Here's sort of the series of events I'm envisioning.

Does this make sense? How crazy am I going here?

Well, I think it follows. This is sorta what the evidence seems to be pointing at.

But it raises one big question. Why is Amane going to the murder room, then? If her mom is on the other side of the apartment, and she wants to kill her, what is she doing?

Well, I believe she's looking for a weapon. The blunt object seems like a possibility, but something like that could probably be improvised with almost anything, it wouldn't require going to that room in particular. No, I think Amane's actually looking for something more specific.

The Second Murder Weapon, and the "Magic" Kill-shot

Have you ever pondered how weird it is that “Magic” seems to have no allusion to Amane’s murder, at all? All the other trial one MVs have at least a reference to it, even if it’s as short as Mahiru’s look of horror in the final frame of her MV. But “Magic” doesn’t seem to have anything like that at first glance.

Well, here’s the thing. Now that we know a bit more, it’s easier to tell what time the kill-shot would have to happen. And it goes back to the wand Amane receives at the end of “Magic”.

As you know, when Amane receives this wand, she becomes the “perfect poster-child” of the cult, at least in her head. This is represented by an entire magical girl transformation sequence.

But when does that happen? If you’ve been paying attention, the transformation from “the regular Amane” to “perfect poster-child” Amane happens when she begins to understand and carry out the cult’s doctrine of punishment; when she kills her mother. In fact, you can even see in the frame we have of the murder, Amane is shown not in her real uniform, but in the March Leader clothes, showing her transformation is no longer a fantasy, but has become reality. Not literally, obviously, but metaphorically. She has become what she considers the ideal cult member.

So it’s fair to say then, that when Amane undergoes the same transformation in “Magic”, what we’re seeing is the time Amane killed her mother. And this transformation happens when she picks up the wand.

If this interpretation is right, then the wand is directly linked to the murder. And there is a very, very interesting detail about this wand.

Judges, jurors, and executioners. That’s a lightning bolt.

It’s not a wand. It’s the taser.

I mean, they could have chosen literally any other symbol to put there, right? A star, a heart, the clouds of the cult’s logo, even a rainbow. But no, it’s a thunderbolt. And it’s not even limited to just the wand, either. Notice how lightning strikes behind her right after she picks up the wand, and how her socks are styled in a lightning pattern.

(Don’t mind the blue in the background: that may look like a water puddle, but it’s always there, so I don’t think it means anything)

Now, to be clear, her socks are always like that in “Magic”, but the point stands. It’s a motif that repeats quite a few times, and yet, it’s nowhere to be seen in “The Purge March”.

Well, aside from the electricity of the taser.

I believe this is because “The Purge March” places more emphasis on the baton as the weapon, but there’s the thing. The baton and the wand aren’t the same thing. Not only is the baton longer, it has absolutely no allusions to thunder or electricity whatsoever. But since they’re both connected to the murder, I believe they’re both different murder weapons. The baton is the blunt object which actually killed the victim, and the wand is the taser.

That would explain how Amane was able to overpower an adult. She first incapacitated her mother with the taser, then started beating her with the "baton". It would also explain why she went into the murder room on her own. She was looking for the taser.

This is "Magic"'s kill-shot, I think. She points the wand at the screen, in a way which sorta looks vaguely like holding a taser, while these lyrics play.

I take an oath! I can only become a better girl!

And we've established what being a good girl is in the eyes of the cult, someone who punishes evil.

Q4: Do you think that your family is proud of you? A: Of course. No daughter is as exemplary as I.

Isn't that a concerning sentence.

Add this to the list of reasons I don't think she killed a cult leader. At the end of "Magic", after this shot, we see her among the four mascots with no indication any of them are hurt.

"Magic" underplays violence a lot, but I think for the murder, that takes the form of hiding the mother from view entirely, behind the camera.

So, a summary of how I think the murder went down.

Closing Argument wait wrong series

-After seeing the cat has died, Amane decided her mother should be punished as per the cult's beliefs. But she isn't looking to get forgiveness out of her mother; Amane was never forgiven, so her mother wouldn't be either.

-However, she wasn't able to get to the plan right away. Her mother was angry at her some nonsensical reason and waterboarded her before she could do anything.

-At one point, her mother left the bathroom, leaving the water running. Amane rolls over on the floor in pain and exhaustion, which is what we see in the silhouette scene in "Undercover".

-After catching her breath, Amane stands and leaves. She needs to look for the taser her mother usually used to punish her. She goes the other way her mother went, into the dininig/living room/bedroom/whatever it is, and picks it up.

-Her mother noticed the water puddles leading to the murder room, and followed Amane in. When she did, she saw her rummaging around somewhere she shouldn't have been, so she rushed further into the room to stop her.

-Too late. Amane had picked up the taser, and now turned to shock her. Her mother was incapacitated instantly, falling to the floor and writhing in pain.

-Amane grabbed an umbrella/baton/convenient cylinder and started beating her mother with it. This is the "Undercover" kill-shot. Even though her mother plead for forgiveness, Amane wouldn't listen, the same way her mother hadn’t listened to her pleas of forgiveness.

-The mother managed to briefly push Amane off, and tried to crawl away. But Amane quickly recovered and kept going until her mother was fully dead.

-Amane stepped off her mother's corpse, stepping over her and turning to look at it. By dealing out punishment, she has become the perfect follower for the cult. The March Leader.

What did we learn?

Well, uh, not much. Apart from morbid curiosity, there isn't much to gain from murder method usually. But there's still a few observations we can gleam.

For one, the whole thing with Gozake and its connection to the murder because of the waterboard thing, and possibly the "Undercover" silhouette scene. But if I'm right about the taser thing, then that means Amane's murder was more well-thought out than we had believed. Something like going to pick up the taser isn't exactly something that comes from a heat of the moment decision. She went in not just with an intent to kill, but an actual plan. Combined with an evidently high pain tolerance, seeing as she did all this right after being tortured, this poses her as quite a dangerous character.

Basically, I think it’s silly to say Shidou wouldn’t be killed by this kid. Y'all we might be fucked.

Verdict

(Oh yeah this is a thing we have to do)

First, I want to clarify: I do not have all the information here, so you probably shouldn't listen to me. Again, I've been here two days. But still, I think voting innocent is the... uh, better answer.

I'm gonna be real, I don't think either of the options are good here. A guilty verdict would make her significantly more volatile, because as we've seen, Amane reacts violently to being hurt. She's also not going to listen to us, since she's claimed she won't listen to the voices. I don't think she's telling the complete truth there, but the sentiment is likely true, she will not be swayed by just us. But an innocent verdict would validate the cult's beliefs of idolizing punishment, which would encourage her to attack Shidou.

But here's the thing. If she doesn't listen to us on guilty verdicts, it's possible she won't care too much about us validating the cult's beliefs. I think the act of forgiving her and showing we're not trying to hurt her is probably the best way we have right now of trying to reach her.

The only argument for guilty would be trying to get the physical restraints on her so she doesn't kill anyone, but I'm not sure we should trust that aspect of the first trial guilty verdicts to apply very well to this situation. If I'm right about her murder method, it would actually probably be pretty difficult to stop her I think, and as far as I'm aware there's not even confirmation the same rules from the first trial will apply again (I might be wrong about that). Frankly, I think as long as we can secure an inno on Kazui, we'll be safe from actual murder so long as we're able to keep Amane as predictable as possible. A guilty verdict would make her more unpredictable, I think, so an inno verdict would be better?

Frankly, I don't know. I think we're fucked either way. All the verdicts of the first trial, not just hers, have led us to quite the mess, but it was never going to go any different way. Shit was always going to get wild.

So here's my final conclusion: since I don't think the verdict can be trusted to properly help the group one way or another, we should vote to help Amane, the only one we know we can reach with this vote. And right now, she needs an innocent verdict.

Also I am insanely biased this kid needs help I'm not guiltying her. Call that part of the Milgram experiment ig.

Conclusion

The Purge March gives us better insight into the actual beliefs of the cult, mainly in relation to their views of punishment and reform. We also got a more detailed look at Amane’s murder, and the motivations behind what she did. Overall, while neither voting option seems great at the moment, that’s because they are unlikely to help with the tensions in the group. That means we’re going to have to vote for Amane, and the only way we’re going to make progress with her is by voting innocent. At least, that’s my view.

This was fun! I look forward to diving into the other MVs and going insane over them too, but for now I wanted to start with this one since it’s the most recent one and the one which actually piqued my interest enough to check out Milgram. If you made it this far into my insane ramblings, then… may kami-sama have mercy on your soul. Take care!

(Oh also tagging @sunlit-haru because he asked nicely)

#milgram #milgram project #amane momose #the purge march #milgram theory #hello milgramers i seek to go insane #is this how i do it?#this things wild i love it #i am so incredibly lost #it’s great

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