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isabela-mad-rigal · 2 years

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what the Madrigals might like to carry around in their pockets

Alma - pocket watch / lipstick / list of peoples' addresses Julieta - various herbs she might find on a walk / gloves (for picking up thorny/poisonous herbs) / small, homemade candies Pepa - handkerchief / nothing (is scared it might get wet from her rain) Bruno - a rat / salt and sugar / little notebook + pen / lucky item Agustín - old bandaid he'd forgotten about / (broken?) pocket watch / lucky item Félix - handkerchief / wallet Luisa - nothing (empty pockets) / small pouch of chalk / ribbon band Isabela - small perfume bottle / handkerchief / gloves / pocket mirror Mirabel - small sewing-equipment box (thread+needle+various buttons, etc.) / harmonica / ocarina / pretty stones Dolores - ribbon band / small candies (not necessarily Julieta's) / lipstick Camilo - lose coins / glass marbles / pocket mirror Antonio - glass marbles / anything from nature that might catch his eye (pretty stones + plant seeds + snail shells, etc.) / crayons (maybe)

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hailsatanacab · 5 months

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Family Dinners - dpxdc

"Holy shit, you're Bruce Wayne!" Danny gaped, jabbing a finger at the man sitting at the head of the table.

The bustling dining room goes silent as everyone turns to look at him.

"Danny, who did you think was going to be here?" Tim asks, disbelief plain in his voice and Danny feels his face flush red.

"Sorry, I, uh, I guess I just never put it together. Tim Drake-Wayne. Wayne Manor. It, uh, makes sense now." He laughs sheepishly and scrubs at his neck before slumping back down into his chair.

"Well," Tim says with an indulgent sigh, "at least I know you're not just friends with me for my connections."

"Yeah, I'm really sorry, I just never thought about it, I guess."

Danny sinks lower as everyone around him laughs. Come to dinner, he said, the food is the best, he said, ignore the family, he said. Danny really wishes he'd listened to Tim and just ignored them—almost as much as he's regretting accepting the offer in the first place—but... he's having dinner with Batman.

Ancients, that's so weird!

The last time he saw Batman was in the future and, suffice it to say, it was not going well. There hadn't really been time for family dinners there.

Wait. Family dinners?

He peers around the table, openly gawking at everyone as it all clicks into place.

"Everything alright, Danny? Now realising who everyone else is?" Tim asks with a roll of his eyes.

"Uh... something like that..." Danny mumbles as everyone laughs again.

From further down the table, the smallest Wayne scoffs and clicks his tongue.

"I thought you said he was smart, Drake?"

"So, you all do it, too, then?" he asks, ignoring the jibe. Danny's only a little bit jealous as he thinks of how much easier they must have it, how much easier it'd be if his family had been on his side, too. "You all work together?"

"Nah," Dick says from across the table with a brilliant grin. "Tim's the only one that works with Bruce, we all have different jobs. I'm a police officer in Bludhaven."

"Disgusting." Danny blurts out without thinking—because seriously, what kind of self-respecting vigilante would also be a police officer?—before clapping a hand over his mouth. "Sorry."

The whole table laughs again, the loudest being the blonde girl a few spaces down from Dick. Look, Danny wasn't really paying attention to names when they were all paraded in front of him. Dick only gets remembered because his name is a joke.

Come on, Danny, recover!

"That's, uh, not what I meant, though."

"Oh?" Dick asks, cocking his head slightly to the side. Is it Danny's imagination or does his smile tense slightly?

"Yeah, I mean like, you know, in costume. It must make it so much easier to have everyone together like this."

"Costume? What do you mean?"

Yeah, Danny's not imagining it, everyone tenses up at that. It's really only now that he's realising that this probably isn't how he should bring up that he knows about their... night time activities. In fact, he probably shouldn't be bringing it up at all.

"Uuhhh..." Danny looks wildly around the table as he continues making his stupid noise. Think, think, think! There must be a way out of this!

"Danny?" Tim asks, looking concerned.

"Oh, Ancients, this isn't how I wanted it to go at all," he mutters, slipping even further into his chair. He's almost on the floor now and he so, so wishes it could just swallow him up.

His real first meeting with Batman was meant to be cool! He had planned to be Phantom, maybe save them from a tight spot, prove his worth as a mysterious and powerful ally as thanks for the help Batman gave him in the future.

"Danny, what are you talking about?" Tim starts tugging on his sleeve in an attempt to pull him back up from his pit of despair.

Eventually, Danny relents and sits up straighter, hiding his face in his hands and whining all the while.

"I'm sorry, I just didn't expect him to be here and it threw me off so now I look stupid and it's so embarrassing!" he wails, flailing his arms wide. "Why wouldn't you warn me that Batman was your adopted dad, Tim? Couldn't you have let me know?"

"I'm sorry, what? Danny are you alright? There's no way Bruce can be Batman, look at him!"

"Yeah," the blonde girl laughs from the bottom of the table, "look at him! That's a wet noodle of a man! Batman can actually do things, B is incapable of pretty much everything."

"Thank you, Stephanie," Bruce sighs, massaging his forehead.

It's... Those are the first words Danny's heard Batman say since everything went down and it's enough to knock him out of his embarrassment.

It's really good to hear his voice again. Especially now, when it's strong and healthy and full of personality—even if that personality is little more than a tired father right now—far better than how it had been, at the end.

Danny sits up, back straight, and grins. He's got this. He remembers it perfectly. Some people count sheep to fall asleep, Danny repeats his mantra to be certain that he'll never forget it.

"Gamma alpha upsilon tau iota mu epsilon, 42, 63, 28, 1 colon 65 dash 9."

Once again, the whole table falls into silence.

"Holy shit..." breathes the other D name (Duke? Danny's pretty sure he's Signal) from opposite Stephanie. "Isn't that...?"

"The time travelling code." The littlest Wayne says stiffly. "We have met in the future?"

"That's not just the time travelling code, Dami." Dick says, looking between Danny and Bruce. "That's the family time travelling code."

Danny's grin freezes in place.

"I'm sorry, what?"

"1 colon 65 dash 9." Dick explains, still flicking between him and Bruce. "It means you've been adopted into the family and we should all treat you as such, no questions asked."

"Tell you what, I'm about to ask a question." Danny says, dumbstruck. "You just told me it was a code to identify time travellers, not anything about being adopted! What the hell, B?"

Bruce looks about as shellshocked as Danny feels.

"We must have been close," he says finally, after opening and closing his mouth like a fish out of water a few times.

"No! Not that close!" Danny reels back, taking a deep breath ready to refute it all, but... "Well, I mean, you found me when I first got stuck, and you helped me get better despite being... And then we fought together against the, uh, bad guy, before he, um, he... before you couldn't."

An uncomfortable beat passes while they all pick up on what Danny tried so hard not to say.

"So, you're not from the future, then, you travelled there and came back?" Tim asks, breaking the tension and leaning forward with a glint in his eye.

"Yeah, it was a whole end of the world thing, but don't worry about it," Danny says with a hand wave, "It's all kosher now, won't ever happen."

"What did happen?"

"Seriously, don't worry about it, we cool."

"How long in the future was it?"

"About ten years? You were pretty spry for an old man, B," Danny laughs, wishing they'd get off the topic of what happened and get back to the adoption bit.

Everyone shares degrees of a cautious smile as they relax out of the shock, and Dick—whose grin is the biggest—says, "No wonder you got the family code, you're already riffing on him like one of us. How long were you there for?"

"A week, before I managed to get back to my present and stop him then."

"A week? Jeez, B, that has to set some kind of record, seriously."

"Oh!" Danny says, sitting bolt upright and blinking in surprise before pointing at Dick and bouncing in his seat. "You're Nightwing!"

"What?"

"That's exactly what Nightwing said when Batman told me the code! Makes so much more sense now."

Dick laughs and claps his hands, delighted.

"You were not formally adopted?" The grumpy small one—Dami?—asks, his face pinched.

"I didn't even know I was informally adopted."

"And your parents? Are they alive or dead?"

"Damian, stop—"

"They were dead in the future, but they're alive now." Danny says, looking down. He fiddles with the tablecloth, twisting the fabric around his fingers as he fights down the pang of sadness that he always feels when he thinks of them now. He forces a bright smile on his face and hopes it doesn’t look too strained. "I just, uh, can't talk to them much, anymore."

"Damian," Dick warns, "1 colon 65 dash 9. Treat them as family, no questions asked."

"This is Damian treating him as family, the little turd has no manners." Tim scoffs, rolling his eyes, but he gently bumps shoulders with Danny to knock him out of his funk. Danny can't help but send him a watery smile.

"I have the most exemplary manners, Drake, unlike some people." Damian spits, crossing his arms with a pout. "I was merely ascertaining his status to see how he could possibly fit into the family."

"I know this is all a bit sudden, Danny," Bruce smiles, ignoring Damian and reaching out to lay a warm hand on his arm, "for all of us. But if I felt strongly enough to give you that code after spending a week with you in the future, then you are more than welcome in this family, if you so choose it. I think I can speak for all of us when I say we'd like to get to know you a bit more."

"I know a threat when I hear it, Bruce." Danny snorts. "But, yeah, I get it. I'm sorry this is all so weird, it really wasn't how I wanted to find you again, but... I'm glad I did."

"So are we, Danny." Dick says, with a warm smile. "And formally or not, 1 colon 65 dash 9 means you're family. Welcome to the fun house! No take backs or refunds, sorry. You're stuck with us."

#dpxdc #dcxdp #dc x dp #dp x dc crossover #batpham #hailsatanacrab🦀🦀writes #look. this has been in my mind for so long guys so long - and idk if its canon that the batfam have codes for time travel situations or what #but i feel like ive seen it before and if its not canon it should be #so here - how i think that would be funny to go down #i have so many thoughts about TUE and its place in a dpxdc crossover like holy shit there's so many ways it can go!!#i have another wip in the works thats kinda similar to this but with superman and i cannot wait to work on it again #there are so many ways i wanted this to go but i just couldnt get there - i wanted to keep it on the shorter side but like #perhaps ill have to expand #i just love the idea that like. theres a stranger at your table who knows you and knows you well. who knows the secret that youd die to keep #there's a stranger at your table and he says something and you know he's family. you know you're strangers but now...#now you have to be something more #oh man theres so many juicy ways it can go and I KNOW I DID NONE OF THEM #i want to write this whole plot again and make it angstier #(me with everything)#anyway! sorry love you all hope you enjoy it!!

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bluerosefox · 6 months

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Joker Messed Around and Found Freaking Out.

Okay hear me out..

Class trip to Gotham, class gets held up by Joker who actually can scare the class cause they are still teens and they know Joker has a high kill rate, like yes they're used to ghosts and junk but none of them wanna die yet or at least die outside of Amity, if they die they wanna have a chance of coming back as a ghost at the very least.

Anyways, Danny feels pure dread when Joker takes Jazz hostage, who was elected to be a chaperone for Danny's class since her volunteering would look good on college recommendations, and finds her little mutters about his mental health reminding him of Harley before she left him. He even jokes about needing a new partner and wonders how long it'll take to break her like he did to Harley.

Danny is frozen in his spot but something snaps when he hears Jazz cry out after Joker backhands her. Before anyone, even the Bats, realize it Danny is on top of the Joker beating his face in, he only gets up once, takes Joker's discarded crowbar and slams it over his head, barely grazing the dazed man but it does destroy the flooring behind him, while screaming to never ever touch his sister. That he will destroy Joker if he even thinks about coming after her. That even in the afterlife he'll never be safe from him.

All this happens so fast that by the time the Jocks from Danny's school, Red Hood and Nightwing get Danny off, Joker is beaten badly. He's still feral screaming at Joker though, calling him everything under the sun, spouting off about how the dead are ready to rip him apart when Joker (or you can have Danny call him by his actual name if you wanna strike some "the fuck? How'd he know that?") Finally passes away, that even death will not save him from Danny's wrath. Danny is squirming hard in their holds, nearly breaks free a few times when he hears Joker groaning, but only stops when Jazz, after getting looked over by Red Robin comes running over and just..

Hugs Danny.

And like a kitten getting scuffed by the neck he goes limp. Just breathes heavily, eyes burning from anger, fear, tears, and relief, before he returns the hug. He starts crying and mutters low that he can't lose her, that he almost lost her again and "is this even a fraction how Dan felt when he lost you?"

And Jazz just shushes him and does what she can to comfort him...

#danny phantom #danny fenton #dp x dc #blue rambles #crossover #writing ideas #random idea #danny phantom dc #dpxdc #dcxdp #Danny goes legit feral #and i dont mean like funny gremlin feral #i mean Dan levels of feral #no one touches the people he loves #especially his sister who basically raised him #felt a bit serious today so have a serious prompt #danny was so feral he didnt even think about using his ghost powers besides using it to escape his bindings #and when he used the crowbar. it left a crater behind the Joker's head when he slammed it down #when the Fenton teens get home their parents pull them out of school for a week and just... stay together to cope #when Danny returns to school the Jocks all give him a wide breath but nod in respect towards him #Sam and Tucker are making sure no one bugs the Fentons btw. both inside and outside of school #Tucker notices someone trying to get info on Danny from his montiered firewalls he got set up #Jazz is a little shaken up from the ordeal but is doing her best #the Bats coughBatmancough wanna question the kid. he knew things about Joker and his abilities #the others kinda wanna let sleeping dogs lie though and are trying to get B not to bug them #Danny wakes up one day to a package full of cash #and the latest space themed stuff #and a thank you card from Red Hood #btw Joker isnt dead... just in a coma.#he really and finally messed with the wrong person

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inkskinned · 2 years

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i know people are good because of this: the universe often assigns me side quests. in a circular strangeness; despite my inability to locate my-own-anything, i am almost-always finding someone else's lost things. dogs, coats, phones, cash, laptops. it happens so often it's almost tiring; suddenly being looped into a tiny amount of detective work.

but when i'm with other people who are not used to this: the response is almost invariably delight. yes, maybe they are simply thrilled by the mystery. it's just... they light up so much. i think maybe more... i think they like the opportunity to do something kind.

a few weeks ago, i was at a bar and i found a wallet as soon as we stepped outside. i felt nervous to ask for help, worried i would be holding up the night. i picked it up and said go on without me, i should help this get back to its home.

instead, three people pulled out their phones - to find him on facebook, to help cancel his credit cards. two people went back into the bar to tell the bartender, two others went calling down the street. group texts, facebook posts, instagram stories. people, without even seeing what happened, start offering help to me. fifteen minutes and: someone knows someone who knows the guy. the cheer that went up - just for finding him, just for this small thing. someone gets him on the phone. strangers dance around me, hopping on their feet - are you the girl that found that wallet? good for you, that's a good thing you're doing/same thing happened to me and somebody did what you're doing and i thank god everyday for people like you/i can't believe you found him so fast this is so exciting

i gave it back to him in a parking lot. i watched his shoulders sag with relief. there was cash in it still - he checked the pocket, and then sheepishly held the money out to me. i didn't take it. i held up my hands. "it's no problem, man. i know you'd do the same for me."

i don't know him, to be honest. i don't know if he is the same kind of person i am. but he nodded at me.

and i know people are good. i know people are good, because the way this story ends isn't surprising. we wave goodbye awkwardly. my friend loops their arm around me.

"i can't believe we got it back to him," they said. "i'm going to be riding that high for weeks."

#i lost my wallet in disney world once #and really thought i had beefed it bc i was 19 and alone #and a woman got it back to me within an hour #just like . a mom #i have no idea how she got my number or info #and i do think that since then karmatically god has been like.#ur about to be the same person in someone else's life #btw i like the side quests but they never happen at a good time #once saved 2 lost dogs while on the way to the airport. i already had my 70 pound dog in the back of my car #and had to chase 2 dogs down the street to wrastle into my passenger seat #(she ended up writing me the fucking nicest thank you card and sending me WAY #W A Y too much in target bucks as a thank-you)#i went 2 go see batman the other night and legit like. had already been running late #to go see a friend #and instead was like. sorry i have to step outside and use this person's phone to see if i can find them #i once found 250 dollars in cash lol #MEANWHILE IN MY PRIVATE LIFE #I LOSE FUCKING EVERYTHING #adhd will be like #: thou art so observant that it is distracting :#: BUT not observant towards items that are not novel to you :#: die mad about it :#: so it is written. so it must be :#: no nobody saw where you put the fucking car keys :

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royalarchivist · 7 months

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Foolish: You know what? Fit: it's the perfect alibi. "Just a janitor," going through... just to cleaning around everywhere... talk to a lot of people... and you're just bald and such, you know, no one would think twice that you- may be you'd up to something.

Fit: Foolish that's- that's literally the entire point, we've been over this.

Pac: You like the plumber's work, right? You like to get your hand in the plumber's and- do the stuffs, and plumb [makes a very loud popping sound] those pipes, right?

[Everyone loses it and starts laughing]

Pac: I'm sorry- I'm sor- I'm- [laughs] I did- I didn't mean-

Fit: WAS THE SOUND NECESSARY???

Foolish: No, the sound made it.

Pac: I didn't- I didn't hear myself- sorry, sorry, sorry. Oh my god, I'm so shy right now, I'm just gonna sit.

[Full transcript ↓ ]

Fit: Foolish that's- that's literally the entire point, we've been over this.

Foolish: Have we?

Fit: I said I'm- I'm trying to find out more about like, the Code Monsters!

Foolish: I thought you just wanted- liked being a janitor.

Fit: Well, I actually do kinda like it, I'll be honest with you, I like getting paid, but-

Foolish: Wait damnnit, Philza's doing it right.

Pac: You like the plumber's work, right?

Fit: Yeah.

Pac: You like to get your hand in the plumber's and- do the stuffs, and plumb [makes a very loud popping sound] those pipes, right?

[Everyone loses it and starts laughing]

Pac: I'm sorry- I'm sor- I'm- [laughs] I did- I didn't mean-

Fit: WAS THE SOUND NECESSARY???

Foolish: No, the sound made it.

Pac: I didn't- I didn't hear myself- sorry, sorry, sorry. Oh my god, I'm so shy right now, I'm just gonna sit.

#FitMC #PacTW #HideDuo #FitPac #QSMP #FoolishGamers #Philza #Foolish #Pac #Fit #Phil #The reason this took so long to edit is 100% because it gave me THAT bad second-hand embarassment #Me: Thank god I finally finished editing this now I never have to listen to it again #Me realizing I still have to write the transcripts: FRICK #In Pac's defense: you actually couldn't hear the pop that well from most stream POVs #unfortunately on Fit and Phil's stream (esp. Phil's stream) it was frickin HD quality #and VERY loud #They let Pac get away with this WAY too easily but you know what #the way he covered his face like that and immediately sat down in game was very cute #so I can't blame them for giving him a free pass #he's very cute when he's flustered #I always like the side-by-side reaction comparisons and I hope y'all do too!#Phil's reactions are always funny #''Every day Philza Miinecraft is oppressed by the gays''#Q #I really do need to spend less time doing stuff for this blog and the archive...#I'm not getting paid for it. It takes up way too much time #it is good video editing practice though but...#Edited

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eyrieofsynapses · 4 months

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why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

#aurora comic #aurora webcomic #comicaurora #art analysis #...I hope those are the right tags???#new fandom new tagging practices to learn ig #much thanks for something to read while I try to rest my wrists. carpal tunnel BAD. (ignore that I wrote this I've got braces ok it's fine)#anyway! I HAVE. MANY MORE THOUGHTS. ON THE STORY ITSELF. THIS LOVELY STORY #also a collection of reactions to a chunk of the comic before I hit the point where I was too busy reading to write anything down #idk how to format those tho #...yeet them into one post...???#eh I usually don't go off this much these days but this seems like a smaller tight-knit fandom so... might as well help build it?#and I have a little more time thanks to break so #oh yes also shoutout to my insanely awesome professor for teaching me all the technical stuff from this he is LOVELY #made an incredibly complex program into something comprehensible <3 #synapse talks

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rendevok · 1 year

Text

The sensation of waking up next to you ❤️💙

+bonus doodle:

…and they mimir’d happily ever after the end. ❤️

(ID under cut!)

Miles is roused from sleep by sunlight shining on his face. Slowly, his eyes adjust to the light, until finally, his scope of awareness broadens to a body he had been sleeping on.

Page 2

Miles looks up to the figure that holds him, and upon seeing, his eyes widen in recognition.

The bottom panel of the page shows minimal details of a window shedding light onto the bed and blankets as seen from a higher view in the room.

Page 3

On the other side of the bed, Phoenix rests, his head propped by the headboard. His hair is messy from sleep, and his expression is thoughtful. The light of the morning highlights his features.

The sun shines through the blinds of the window.

Phoenix finally notices his observer, and turns to look at him.

Page 4

Phoenix takes Miles’ hand in his, and lifts it to gently kiss the ring on Miles’ finger. They both move to share a kiss, and their hands shift to hold one another. Miles’ ring sparkles in the sunlight.

Page 5

They link their fingers as they kiss, and the morning creates a quiet atmosphere around them.

They part, but remain close, their fingers fully interlocked. Phoenix greets “Good morning,” with a tender, loving expression as he looks at Miles. Miles’ own expression is soft, unguarded, and fixed on Phoenix.

Page 6

Phoenix and Miles settle back into their shared bed; the morning sun illuminates them. They both smile softly, seeming happy and at peace. Miles rests his head under Phoenix’s neck, and his hand on Phoenix’s chest. One of Phoenix’s hands rests over Miles’ own on his chest, while his other hand holds Miles closer, revealing a matching ring of his own. Both rings shine softly in the sunlight.

Bonus image

A small simple drawing of Phoenix and Miles having fallen asleep again while holding each other as in the final page of the comic.

End ID.]

#narumitsu #wrightworth #phoenix wright #miles edgeworth #ace attorney #this is so sappy i nearly choked the entire time i was drawing it #aa #fan art #smooches #ah yes my favorite tag <3 #rendevok #this is vaguely set post AA5 but i truly have no timeline in mind i just want them married #like ding DONG bitches get ur shit together aren’t u tired of pining??? it’s time to go apeshitt and furiously makeout #i’m going to start mashing them together like dolls i dont care anymore!!!#NRMTS KISS RIGHT NOW OR IM BITING BOTH OF YOU #(a win win situation for me)#anyway if you can’t tell i am deeply in love with phoenix and projecting onto miles so hard #who doesn’t love making him down horrendous for a little flavor?#image description and alt text are the same because i suck at those still #writing that out was deeply embarrassing for me bc for whatever reason writing it out is something WAY more visceral than drawing it #i wish to evaporate nobody look at me unless you want to talk about them kissiing more then my dms are open

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bluerosefox · 8 months

Text

Recluse Owner, Bookshelf Gremlin, and the Cute Cafe Guy

A new bookstore/cafe opens, almost overnight, in Gotham.

They say it can find very rare books, heck maybe even books lost to time, unfinished manuscripts, rare writings from famous writers, etc etc.

As long as you respect the books within you won't have a problem with the recluse and introvert owner GW.

As for the cafe side, you can always count on friendly Danny to help you out, either it be an order from his cafe or to finding a book if GW isn't around. (Though beware of the younger, sometime around Dani (with an I) is working, she's a bit of a troll compared to her brother)

Jason totally is checking the place out... You know cause its totally giving weird vibes (good weird vibes, almost like its calming the raging Pits) and not just because it has a first edition Jane Austin (that the owner is totally maybe thinking of selling to Jason cause he can sense this man would treat it with respect)... Or that the tea is calming as heck.... Or watching Dani ("I like you. You can totally call me Ellie!") chaotically troll everyone around her.... Or that her older brother is fucking cute as hell... Who he may or may not had watched accidentally kill the Joker when the guy had been closing up the shop alone one night and had been caught in the alleyway on his way home...

No its totally cause this place is... off. Nothing else.

#danny phantom #danny fenton #dp x dc #blue rambles #crossover #writing ideas #random idea #danny phantom dc #jason todd #dpxdc #danielle phantom #dani phantom #ghostwriter #Danny and Dani had to go into hiding from their world #Vlad was dumb and brought the attention of being a halfa to the the GIW or the Fentons #So they booked it into the GZ after shutting down the portals and got rid of the blueprints #Danny's friends and Jazz are making sure no one can start making a new one on their side. They keep in touch with Fenton Phones though #But just staying the Zone isn't the best for young Halfa's #CW advised them to maybe seek out Ghostwriter #Ghostwriter and Danny butted heads for a bit but have talked it out #GW library doors can open to different places/worlds #its how he keeps up with new writing works and other things #he always wanted to open a bookstore so its easier to just order books instead of going to one but that means talking to...ugh people.#He even knows of a good place to open business with just enough ectoplasim to keep the connection to the GZ open. Gotham City.#Jason starts feeling at home in their shop #because its connected to rich and pure ectoplasim from the GZ #He also might had a tiny crush on Danny whose the friendly face of the store #Dani is the chaos gremlin who likes to hide on top the bookshelves and spreads rumors the place is haunted. It technically is but still.#GW is the grumpy recluse owner 'cousin' that glares at everyone disrespecting his books

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puppetmaster13u · 5 months

Text

Prompt 128

Everything was gone. But it had been gone for a long time. Cities crumbling to dust under the march of time and under the battering of the weakening sun. Everyone had long since passed into the realm of the dead, and he had long since retreated from the land of the living as he aged, growing larger amidst Time’s coils.

He’d long since stopped being known as Danny to most, his true Name cradled in his core as it grew in power and importance with his own primordial ascendence. Others called him by just as many names as Clockwork, if not more as his planets grew life, his galaxies cultivating their own beings into existence.

To some he was a creator, the bringer of life itself. To others he was destruction, the end of all. So many names, so many even coming close to his Name, each cradled gently by his core.

He was Space, he was stardust, he was a blackhole, the far off galaxies, newborn stars forming in his hands and dying with a blink. Galaxies dancing in his hair, what was, what will be, splintering into planes amidst his strands of hair.

He was Balance, chaos and order dancing together on a tightrope twisting through existence. He was Phantom, a name whispered amidst the Realms as a guardian, a protector, and yet a hunter, a destroyer at once.

He was a Brother, a Father, an Uncle, a Son. He was many things, and that was fine with him, but even if hypothetically he should be impartial, he would freely admit he had favorites. Danielle, his little Moon, his first Daughter and her children of Krypton. Dan, his raging Sun, his Son and his little Laughing Magicians. Clockwork, his Father of Time, and his Speedsters who raced through timelines like giggling toddlers, not really understanding but loved all the same.

His dear Sister’s children, her Ma'aleca'andrans and Atlanteans she tenderly cradled and protected as long as she could before sleep overtook her. His dear Tucker’s Champions, the children of Magic lost and alone. His dear Sam’s children of Lazarus, dancing with blades and between life and death.

Their dear children that came from all of their blood. The Lords of Chaos, of Order, entire Cities brought to life by their magic, entire planets whose heartbeats pulsed with their own.

Everything of what they had once been was gone. And it had been gone for a long time. But they were all still here. For Death was just as much a beginning, as it was the end.

#dcxdp #dpxdc #prompts #writing prompts #Clockwork is the Endless #Danny is one of the children of the Endless #One of these days JL is gonna talk about their beliefs and realize there's some overlap #Or someone is going to summon someone #Tucker continues to reincarnate but keeps his memories since he's fully ascended now #He definitely feels when his next Champion is chosen and definitely finds Billy #eternal trio #Val is with them too #they love each other #Omg Val is the one who created the Source and the many types of Lantern Rings #League of assassins are for saving the animals and such like that was part of its original goal #Sam would be down for having an assassin cult in one of her names #Danny holding Constantine and Superman and Batman in one hand: Grandsons :)#Danny holding Martian Manhunter and Aquaman: Nephews :)#Danny holding Klarion and Nabu: Grandchildren :)#Danny holding all the speedsters: Siblings :)#Danny holding the League of Assassins & Captain Marvel & Green Lanterns: Children <3 #This could also work as a crossover with something else #It could be a crossover with anything they have no qualms with moving through dimensions and timelines

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