obsessed w james somerton saying that he blacked out every time he failed to cite his sources like he’s the dr jekyll/mr hyde of plagiarism
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One of my biggest nitpicks in fiction concerns the feeding of babies. Mothers dying during/shortly after childbirth or the baby being separated form the mother shortly after birth is pretty common in fiction. It is/was also common enough in real life, which is why I think a lot of writers/readers don't think too hard about this. however. Historically, the only reason the vast majority of babies survived being separated from their mother was because there was at least one other woman around to breastfeed them. Before modern formula, yes, people did use other substitutes, but they were rarely, if ever, nutritionally sufficient.
Newborns can't eat adult food. They can't really survive on animal milk. If your story takes place in a world before/without formula, a baby separated from its mother is going to either be nursed by someone else, or starve.
It doesn't have to be a huge plot point, but idk at least don't explicitly describe the situation as excluding the possibility of a wetnurse. "The father or the great grandmother or the neighbor man or the older sibling took and raised the baby completely alone in a cave for a year." Nope. That baby is dead I'm sorry. "The baby was kidnapped shortly after birth by a wizard and hidden away in a secret tower" um quick question was the wizard lactating? "The mother refused to see or touch her child after birth so the baby was left to the care of the ailing grandfather" the grandfather who made the necessary arrangements with women in the neighborhood, right? right? OR THAT GREAT OFFENDER "A newborn baby was left on the doorstep and they brought it in and took care of it no issues" What Are You Going to Feed That Baby. Hello?
Like. It's not impossible, but arrangements are going to have to be made. There are some logistics.
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Something something the way that Crowley introduced himself to Aziraphale the first time they met in the garden and reacted as if they had never met before. Something about him later behaving as if he did actually have those memories of their time in Heaven together and trying to pass it off as being someone different now. Something about Heaven's way of punishing angels that go against the plan by erasing their memories. Something about Crowley seeing Gabriel without his memory and saying "ask him properly." Something about "remember it now" "it hurts, to remember. my head isn't built for that" "I know. Do it anyway"
Something about "I know. Looking at where the furniture isn't"
Something about I know
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I love "i would kill for you" ship dynamics but what about "i would stop killing" ship dynamic??
I would lay down my sword for you. I would change my nature and go against everything i've known. I would resist the easy way out of solving my problems. I would give up the adrenaline of battle to stay by your side and make tea instead. I'm not sure I know who I am without a weapon in my hand because I've had to fight for so long but for you I'm willing to try and figure this out.
It must be hard. To put down your weapon that's protected you for so long. It's allowed you to stay alive it's kept you from getting hurt--physically and mentally. Because you've never had to worry about a real relationship if you think you'll be dead at the next battle. And you feel naked without it and it feels like you're ripping off an extension of yourself. Are you even whole without it? Are you worthy of being loved if you can't prove it by risking your life? And yet they've found someone who's asking them for something much harder than dying in battle on their behalf. They've found someone who wants them to live. And that's much more terrifying.
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i wonder where the idea of chilchuck being a deadbeat came from when theres like. no textual evidence for it ?
he knows what all of them are up to; he still writes to flertom and she sent him his neckwarmer, so that to me implies that they at least have a somewhat positive relationship?
its more ambiguous with meijack and puckpatti, but since meijack is also a picklock, i wouldn't be surprised if he taught her himself, considering how trades are often passed down through families, and because he talks about sending people to her if he dies.
also the way he talks about puckpatti is very like... it's obvious he wants her to take things more seriously, but he's accepting, and his tone here reads more fond to me than anything else.
like, he keeps his daughters' old toys under his desk? that doesn't scream 'deadbeat' at all, it screams 'empty nester' who doesn't know how to reach out or is scared to do so
EDIT: i know a lot of the 'deadbeat dad' stuff is jokes, but some people are Not joking and genuinely think chilchuck is a bad dad. this post is not saying that you cant joke about it; it is just outlining what canon shows regarding his (clearly positive) relationship with his kids.
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do you guys ever think about how Wyll is introduced as an archetypal fantasy hero, but then it turns out he’s a warlock, who made a pact with a devil. Do you ever think about how Ansur is described as this fantastical dragon of myth, but then when you find him, he’s turned into an undead monstrosity. Do you think about how when Wyll does the right thing, he is punished to become more monstrous. Do you think about how as Wyll’s warlock powers grow, his spells get more horrific. Do you think about how Ansur was killed by his closest friend. Do think about how Wyll was cast out by the most important person in his life. do you guys ever think about Ansur and Wyll.
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I feel like these 2 quotes are literally the core of Kim's character. Like yeah he spills the whole thing here.
He's afraid of becoming a joke and he really likes not taking the first step when doing something fun. I'm actually speechless about how open he is about it, in these 2 moments.
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