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#2016 style trends
bybrimarie · 7 months
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Skinny jeans, knee high boots, starbucks drink 🫶🏻
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vimbry · 2 years
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YOU
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inkskinned · 1 year
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one of the things about the trends and the body image and all of it is that. you can't unsee it. and it doesn't matter that you know logically it's stupid and that logically any person who has a problem with your body can fuck off and die, but it's almost like gore. you flinch even knowing the blood onscreen is fake. you sense a pain that was invented. your body creates the phantom sensation - this thing should be avoided. so okay.
it's not that you won't wear the skinny jeans or the choker or whatever isn't "in style" anymore. and sometimes the demands are so buckwild that you can just ignore them, plain and simple.
but you do think twice sometimes. you do notice things about yourself you hadn't even considered. you notice the hip dips and the shape of your cheekbone and the skin over your eyes. it's been pointed out to you - so you notice. and sometimes it's like fuck you i look fucking amazing and sometimes it's like nobody even remembers that being a thing probably and sometimes - it's fucking devastating. like someone drew a bright red circle around each insecurity. on those days, you wonder - does anyone else see?
because the blame is on you either way. you have a terrible catch-22. if you want to fit in, it's on you to be sure that you look good, that your makeup isn't the "heinous" 2016 style (even if that's the style that flatters you), that your bodyfat settles in the appropriate landmap. and at the same time: it is also on you to ignore the programming. it is on you to get over your decades of social exposure to a trillion-dollar industry and just not care! about these things.
in the comments of course there are people who would advise you nothing with nuance. just ignore it! sure. nobody actually cares about these things. absolutely. this isn't how normal people look. of course not, you know that. you weren't born yesterday. you know about the photoshop and the pricetag and the brand manager.
but like. the media still exists. there are videos on how to manage your hip dips (your skeleton. you know it's your skeleton, and it doesn't matter, does it, because it has a name now, doesn't it?) and how to finally correctly wear the clean-girl-trend and how to have enough money to wear the latest "casual outfit". there are videos critiquing your entire generation for how you dress. how "cringe" it is to wear a certain style of necklace. an influencer says - let's be honest! nobody cares if you just have confidence!
but people do care. you've seen it. you know they care. you've been made fun of enough. it's not, like, a horrible sin to just want to fit in. it's not saying anything new to say i just don't want to be made fun of.
somewhere along here, you learn - your body is more like an accessory. not a home, not a sensation. it is an object like mom jeans or opera gloves. something to manipulate, not something to love.
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piqued-curiosity · 10 months
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It’s really sad seeing women make videos making fun of how their former selves did their makeup (example: “how I looked doing my makeup in 2016”, “we all thought we did something with the 90’s blue eyeshadow”, etc.). Because they act like the problem was them not knowing how to do makeup…instead of recognising that the problem is that trends change constantly, and women are expected to relearn how to paint their faces to keep up.
They don’t seem to realise that the makeup they’re wearing in these videos that they deem to be “better” and “right”, will be subjected to the same mockery the looks they laugh at today are. One day, they’ll all be laughing at “soap brows” and “e-girl blush” while wearing the current trend. And then they’ll mock that trend in a few years.
It’s a never-ending cycle of makeup looks going out of style, and being deemed Bad for it. In the 90’s and 2010’s you thought your makeup looked great, so did everyone else. You laugh at it today, thinking your 2020’s makeup looks good. Do you think you won’t be laughing at it in 2030? Do you not see where this is going?
Women’s faces are a trend. Men look back at pictures of their younger selves and may cringe at their hair or their clothes, but their face is the same and never the subject of mockery. But women? Women’s faces change because makeup changes. Women don’t just cringe at the clothes and hair of their younger selves—they cringe at their faces. It’s sad.
The only way to stop this is to stop wearing makeup. That tik-tok trend makeup you think looks good? I promise you, it will be a joke in ten years. Maybe even five. And the reason this keeps happening isn’t because you were bad at makeup back then. It’s because all the looks you worked so hard to get good at looked ridiculous all along—you were just blinded by trends. Today they’re “soap brows”. Tomorrow when the novelty wears off, they’ll be what everyone else sees—ridiculously brushed up eyebrows. Today it’s “e-girl blush. Tomorrow when the trend dies away, it’ll be what everyone else sees—sickly looking.
What I want to get at here, is that it breaks my heart to see women fall into the never-ending cycle of learning to paint their face a certain way because it’s the trend, then having to learn a new thing in a couple years when that trend becomes a laughingstock. And saying “wow I was so stupid back then, but I know better now” every five years.
Faces are supposed to be timeless. Let’s keep it that way.
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taylorswiftstyle · 9 months
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Out to dinner at Zero Bond | New York City, NY | August 17, 2023
Jennifer Zeuner 'Tasha' Earrings' - $154.00 Ancosti 'Patchwork Cap Sleeve Maxi Dress' - $150.00 Jacquie Aiche 'Rainbow Aura Quartz Necklace' - $6,000.00 Louis Vuitton 'Camera Box Bag' - $3,450.00 The Row 'Robin Booties' - $1,680.00
There's something quite Renaissance meets Disney princess in an autumnal wood meets modern trend look to this outfit. Which is to say that its mix of aesthetics to create something uniquely, delightfully 'off' but wonderful is what makes it a quintessential Taylor look.
In particular, the combination of a smaller indie brand like Ancosti, with a designer bag, and a trend-forward piece like a chunky sole boot is the embodiment of Taylor's personal approach to fashion - a blend that is her own.
Speaking of the designer bag, Taylor is not a stranger to an LV monogram print bag. But this particular one - from the Fall 2023 runway - is her smallest so far. Her first was a larger tote from a limited collaboration with Christian Louboutin back in 2015. The second was a boxier 'Cruiser' she wore during some whirlwind summer travel in 2016. Here, she downsizes to a cute pocket-sized bag with the added refreshing factor of the contrast Reverse Monogram colourway that I think ties in neatly to the autumnal palette going on. And yes, I'm a proponent of mixing black and brown.
In the case of the black in this outfit - in a past life, Taylor may have worn this dress with flat, knee high boots. Or sky high nude pumps. Or two tone brogues (maybe a cream and cognac brown combo?). But here we see a nod to todays trends with a heavy, black, chunky sole stomp-worthy boot. Proof of the power of styling and accessorizing to truly change a look completely.
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imogenleewriter · 7 months
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Harry Styles/Louis Tomlinson AO3 Works Stats
The other day, I was curious to see what the trajectory of uploads of Larry fanfic on Ao3 was and if it was increasing.Anyway, it was a pretty simple process, and here were the findings:
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Perfect right? Done. Time to go to bed? No, because ya girl got hyper-fixated. So grab a cup of tea and enjoy this absolutely ridiculous waste of time...
Introduction
The Covid-19 pandemic profoundly affected various aspects of societal behaviour, including participation in online communities. The ‘Larry fan fiction community’ had a notable influx of new participants and emerging writers during this period. My antedotal observations suggested a significant number of authors have been publishing their first works as recently as this month. This study aims to quantify the trends in Harry Styles/Louis Tomlinson fan fiction uploads on AO3 (Archive Of Our Own) over the past decade, with a particular focus on discerning any noticeable uptick in contributions corresponding to the pandemic’s timeline.
Method
The data collection was executed over several days, starting from the 16th of October 2023. Due to this, the 16th of October was used as a reference point for all of the 12-month periods. The following parameters were employed for filtering:
Relationship Category: Harry Styles/Louis Tomlinson.
Inclusivity: All pieces that included this relationship, irrespective of the presence of other pairings. The result of this means there are likely some works included where they are a side pairing.
Language: All languages were included.
Work Status: Both individual pieces and those parts of a series were included, as were completed and incomplete works.
Accessibility: Being logged in allowed access to members-only works.
During the analysis, two works were excluded due to backdating, to ensure the timeframe remained consistent. Due to the dynamic nature of the fan fiction platform, some works underwent updates or were removed during the data collection process. While these fluctuations did cause some inconsistencies, they were negligible and did not significantly impact the overall dataset.
For the 12-month periods under consideration, three main categories were analysed: total, completed, and unfinished.
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Results
A comprehensive analysis of Harry Styles/Louis Tomlinson fan fiction uploads spanning from 2011 to 2023 revealed the following insights:
2011: A total of sixteen works were documented, all of which were completed.
2012: The total number of uploads rose to 417. Among these, 409 were completed works, while eight remained unfinished.
2013: A significant surge was observed, with total uploads reaching 4,795. Completed works accounted for 4,251, whereas 544 were left incomplete.
2014: The growth trend continued, recording a total of 6,303 uploads. 5,296 were completed, and 1,007 were in-progress.
2015: The first decline was witnessed, although minor, with 6,105 total uploads. Completed works comprised 4,919, and unfinished ones stood at 1,186.
2016: A slight decline was noted, totalling 4,805 works. Completed pieces were 3,765, with 1,040 still in-progress.
2017: Uploads further decreased to 2,898. Of these, 2,297 were completed, and 601 remained unfinished.
2018: A modest rise was seen with 2,784 total works. Completed contributions were 2,275, while 509 were ongoing.
2019: The total dropped to 2,064. Completed pieces stood at 1,700, and 364 were still under development.
2020: A slight increment occurred, totalling 2,572 uploads. Of these, 2,071 were finished, and 501 were ongoing.
2021: The count increased to 3,195. Completed works reached 2,483, with 712 in-progress.
2022: A total of 3,767 works were uploaded. Completed works were 3,090, while 677 were yet to be finished.
2023: The most recent data showcases 4,018 total works, with 3,104 completed and 914 still ongoing.
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After collating the primary data on completed and uncompleted works, I wanted to look at the distribution based on word count. The intention behind this exploration was to discern if there were patterns or preferences within the writing community regarding the length of the stories. (Please note that on diagrams representing word count, the years are now in descending order)
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The categorisation of word count was structured. Works were segmented into word count brackets that started from the shortest stories, ranging from 0 to 1999 words, then progressively moved up in intervals: 2000-4999 words, 5000-9999 words, and so on due to the high prevalence in numbers in the shorter works. This structured approach allowed for a visual representation of how numerous works fell into each bracket for each year.
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If you click on it, you might be able to see the distribution.
Results: Word Count Analysis
The following overview encapsulates the distribution of word counts for fan fiction uploads from 2011 to 2023:
0-10,000 Words:
2023 observed the highest concentration within this frame with 2507 works. Over half of the total published works for the 12-month period were found within this bracket.
The trend experienced notable growth from the 14 entries in 2012.
2014 saw a peak with 4994 works in this category, followed by a fluctuating pattern in subsequent years.
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10,001-50,000 Words:
2023 recorded 1,031, a slight increase from 1,010 in 2022.
2015 led the chart with the most works in this range.
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50,001-100,000 Words:
The count in 2023 showcased the highest number in this category, with 293 works.
2016 and 2021 were equal second, with 219 works in this category.
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100,001-300,000 Words:
2023 had the most works in this segment, followed by 2022 and 2021.
Prior to this, the peak was in 2017.
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300,001 Words and above:
The numbers in this range are comparatively limited, with 2023 having the most works surpassing 300,000 words.
Most years witnessed very few works in this extensive word count bracket, with numbers often remaining in single or low double digits.
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I was also interested to find where most work stopped being completed. This is the percentage of completed works in each range.
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Limitations of the Analysis:
AO3 Filtering System Limitations: The AO3 filtering system does not readily display the initial posting date of a fic. A fic could have been started several years prior to its completion but only shows up in the filtering system in the year it was last updated. This poses a significant limitation as the actual duration taken for the completion of a work might not be accurately represented.
Human Fallacy: There's always a potential for human error in manual data collection and analysis. Overlooked details, misinterpretations, or unintended biases can inadvertently influence the results.
Deletion and Date Modification of Works: Authors may delete their works or modify posting dates. This becomes significant for older works with a higher likelihood of deletions or date changes. Such actions can skew the numbers, offering a misrepresented view of the works available during a particular year.
Variability in Word Count Reporting: While categorising based on word count is useful, it's possible that authors might update or expand their works after the initial posting, leading to changes in word count categories over time.
Conclusion:
The data spanning from 2011 to 2023 shows that over the 13-year period, there has been a marked increase in both completed and uncompleted works, with the total number of works increasing more than 250-fold from 16 in 2011 to 4018 in 2023.
From 2011 to 2015, there was a notable surge in the number of completed works, culminating in 2014 with a total of 6307 works. This could potentially reflect an increased growing interest or a pivotal shift in the community or broader fandom dynamics during this period.
From 2016 to 2019, a noticeable decrease in the total works emerged, with 2019 seeing the steepest drop. This decline aligns with the onset of One Direction's hiatus. While causation cannot be conclusively established, it does provide a reasonable explanation.
Beginning in 2020, a revitalisation is evident, with figures steadily climbing and nearing their zenith by 2023. While this remains speculative, anecdotal accounts suggest that the pandemic, affording individuals more leisure for social media coupled with the growing popularity of TikTok, may have reignited interest in the fandom, steering them towards both reading and potentially writing fanfiction.
In summary, the AO3 community showcases dynamic growth, decline, and resurgence patterns over the examined period. While completed works have seen fluctuating trends, the spirit of initiation remains unwavering, as observed by the consistent number of uncompleted works.
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Length of works
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In 2011, the publication of longer stories (10,000 words and above) was almost non-existent. The numbers began to rise steadily, with a significant jump in longer stories from 2015 to 2017.
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The number of stories with a word count between 10,000-14,999 went from 2 in 2011 to a peak of 458 in 2014. Similarly, the 15,000-19,999 range saw an increase from 0 stories in 2011 to its peak at 253 in 2015. As we progress through the word count brackets, there's a discernible growth trend, albeit with some fluctuations. For instance, the 80,000-89,999 bracket jumped from 0 stories in 2011 to a peak of 48 stories in 2023.
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While there have been fluctuations in the numbers for some years, the overall trend does show growth in the publication of longer stories over the past decade.
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The data shows that extremely long stories (those above 200,000 words) have always been a rarity. However, there's still a perceptible trend.
The 200,000-249,999 word count range sees the most action, with a peak of 27 stories in 2023. This is growth from the previous years 17, and then to 14, and so on. The numbers decrease as we progress to the right into the higher word counts, but occasional stories reach these impressive lengths.
The 250,000-299,999 word count range has peaked at 6, with numbers generally dropping with previous years. Higher word count ranges, such as 300,000-349,999 and 350,000-399,999, are sparser but maintain a presence.
Word counts of 450,000 and beyond are sparse, with very few recent entries.
In conclusion, while very lengthy stories remain uncommon, they exist and have seen publication in varying numbers. There's a trend towards fewer stories as the word count increases, which is expected given the monumental length of these works.
Upon examination of the data, there's a pronounced resurgence in the publication of longer narratives, particularly following a noticeable decline post-2016. The trajectory of this resurgence hints at an evolving literary landscape, with authors and perhaps readers veering towards more extensive works. Although the factors underpinning this shift remain speculative, the upward trend, especially in the realm of extended narratives, cannot be dismissed.
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Monitoring developments in this sphere to ascertain whether this resurgence signifies a phase or a deeper, more sustained transformation in literary predilections will be interesting.
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doriantomybasil · 3 months
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scrolling on tiktok and “clean girl look is out, mobwife is in” “so what shoes are we wearing this spring” “styling my new horseshoe jeans” “2016 makeup is back in” i am screaming at the top of my fucking lungs clawing my eyes out microtrends piss me the fuck off WEAR WHATEVER THE FUCK YOU WANT STOP FEEDING CAPITALISM IT HATES YOU AND ITS GONNA KILL US stop participating in these fucking micro trends because you want to be “on style” two weeks from now you’re gonna look at your outfit and fucking hate it and never wear it only to jump on that week’s new trend i fucking hate this grip that fast fashion and consumer capitalism has on the fucking world
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writers-potion · 24 days
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hi!! im working on a story that takes place at a 2012 public high school - the issue with that is that i was not in high school in 2012 lmao. do you have any tips on how to keep it feeling realistic?
Well, neither was I!! But here are some tips:
Define Your General Setting
Sure, high school has a different feel compared to an average town/city setting. However, it is still a part of the bigger community, and will be impacted by external factors.
What part of the world are your writing about? What's the general economy like? What's the most common occupation of the kid's parents? What's the prevailing fashion/art/music style?
Your teens will be impacted by the popular culture and trends of the time, so start by outlining the general setting!
Fashion
I think this is where schools have changed the most. There are going to be some overlaps between early 2010s and late 2000s, so if you think in the direction of Y2K fashion, it should fit.
On a general note, I think 2010s fashion was vibrant, with lots of colors and flashy items...
Side fringes and backcombed/straightened hair were still very popular
most girls had huge messy sock buns on top of their heads
boys had the Justin Bieber cut.
Jack Wills and Hollister were pretty popular, and a lot of girls had a Paul's Boutique jacket and a Jane Norman bag for their PE kit (or one of the Hollister bags with a topless guy on).
Converse were universally cool, and there were lots of imitation brands.
Open flannel shirt over a t-shirt was a pretty popular outfit.
Skinny jeans and band t-shirts
bright chunky rubber band bracelets.
Vans were cool among the alternative kids.
Getting different colours on your braces was cool.
Most of the boys had at least one of those t-shirts with the buttons and the mismatched cuffs.
School-uniform-wise, short ties with big fat knots were cool, and hard kids would pluck a stripe or two out of their tie.
Tucking in shirts was initially not cool, then it became cool to tuck at the front but not the back.
Lots of boys wore black trainers, and lots of girls wore those ballet pumps.
Girls doing their lips with their foundation, with a thick ring of black eyeliner and spidery clumpy mascara - and having a visible orange line where your foundation met your neck was common.
Multiple ear piercings were popular with the alternative crowd
Belly button piercings were big for girls
Just search up some pictures on Google, you should get plenty of "Early 2010s teen fashion starter pack"
Social Media
Smartphones were already popular, and with the introduction of Snapchat(2011) and Instagram(2010), the social media hype was just starting to boom
Facebook and Twitter were popular - basically everyone was on it
TikTok(2016) and Discord(2015) didn't exist yet
Pictochat
Phones were allowed in the classroom, but phones/laptops weren't an important part of school work like it is now.
Digital Devices
Phones-wise, most people had pretty basic dumbphones (although they were just called mobiles back then), and not everyone carried them all the time
Blackberry (BBM), Nokia, LG Cholate, iPhone if you're rich enough
Most kids were on PAYG phones, so you'd run out of credit sometimes (i.e. no more calls or texts) and have to go to a physical shop to top up. Nobody really had data, and there was always a moment of panic if you accidentally opened the web browser on your phone because it was so expensive. Wifi became a thing around 2012.
Nintendo DSes: Mario Kart, Animal Crossing, Nintendogs
iPods or another MP3 Player
Slag
Slang-wise, Urban Dictionary is a good resource.
Fleek, peng and YOLO were popular with some crowds. Leetspeak was a thing online, especially in nerdy communities. Emoji were starting to take off 
rawr" (or "rawr means I love you in dinosaur") and "xD" as a laughing face 
Music
One Direction, Jedward, Katy Perry, Carly Rae Jepson, Justin Bieber, JLS, Little Mix, Beyonce, Paramour, My Chemical Romance, Bring Me The Horizon, Black Veil Brides, Ke$ha, Eminem, The Killers, OMI, Gotye, Bruno Mars, Macklemore, Skrillex, deadmau5, blink-182, Green Day, Taylor Swift, Lady Gaga, Nicki Minaj, Rihanna, Lana Del Rey.
Fandom Stuff
Twilight was huge, then Hunger Games.
Harry Potter was everywhere all the time, people would go to midnight releases for the books and movies.
High School Musical was popular, then that crowd migrated to Glee and Mean Girls.
The Olympics were in London in 2012
Other Stuff
Reese's peanut butter cups, Marshmallow Fluff, Nerds, etc. 
Veganism wasn't well-known, but still there were a few
Lots of casual homophbia, kids jsut genuinely not knowing rather than truly hateful towards it
Here are some movie suggestions, that shows school like in early-mid 2010s quite well:
Easy A
The Duff
LOL
For YA Novels - Be Timeless
Before you start doing any of the things above, remember this if you're writing a YA novel: The key of this genre is to feel somewhat timless, taking readers back to their high school years no matter when and where they've gone through it.
High school is the phase where many people feel awkward, unsure of themselves, feeling special in their own head but knowing that they're not really.
And it's not like the problems just disappear when we hit adult life. A major reason why YA novels are so popular is that they address themes that are repeatedly felt by the general human being, often in a such a direct, straightforward way that provides vicarious satisfaction.
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tenjikubaby · 2 years
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many fluffy thoughts about ran haitani for your comfort and mine
girl help, i-i- *vomits ran fluff onto your dash*
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What’s it like having Ran as your partner? Gender-neutral HCs
Ran doesn’t fall so easily but when he does, you’ll have yourself a doting, caring partner who loves to pamper you.
➼ Ran would want you to look your best, and not only so you’d look good standing next to him! (lol) Because he loves you, he’d want you to feel confident in the way you look. He might take you to his regular salon, offer style advice, or even introduce you to a skincare or haircare routine if you don’t already have one. Before you go out into the streets together, he’d tell you how good you look and remind you to keep your chin up. After all, someone like you, who managed to steal his heart, should stand proud. 
➼ I think he’ll be the type to wipe the corner of your mouth if you missed a stain on it, fix your hair if a strand is out of place, smooth down your clothes, fix your collar or tie if it’s askew, etc. (He definitely used to do this to Rindou) 
➼ He thinks about you a lot so that when he finds an outfit from a magazine that would look great on you, or smells a perfume that screams “you” to him, he’d want to show you! All he needs is the slightest sign of approval–-maybe your face brightening up? Perhaps a small smile? Maybe you looked at it for more than ten seconds? Before you know it, he’s already bought it for you.
➼ Shopping with Ran, huh? This gives you the privilege of seeing him try on clothes! He’ll ask you what you think, or to pick out stuff you’d like to see him wearing. Of course, he’d want to buy clothes for you too. If you ever had the experience of your mom making you come back to the fitting room again and again because she found some great clothes for you, here it is again! Except it’s not your mom anymore but your partner. 
➼ If you’re not well-off, Ran would spoil you to death. He’d want you to experience all the luxuries that he and his brother do. You get to have your dates at fancy fine-dining restaurants. You receive only the most expensive chocolates. Your wardrobe is slowly filling up with designer clothing. He would give you the world as long as you stay with him. 
➼ Relaxing with Ran is always a treat. Imagine being pampered by Ran in his room: he is softly humming as he covers your face in an expensive mask. Him brushing or massaging oils into your hair. His touches are so gentle, and it makes you sleepy. All while doing these, a perfectly serene smile is on his face. (He rarely ever gets to do this on Rindou, so he is happy to have you.)
➼ There are days when you both just want to chill on their balcony wearing bathrobes, sipping wine (or any drink of your choice) out of fancy glasses. Your usual topics of conversation are celebrities, fashion, art, and maybe even philosophy! Ran is interested in hearing your opinions on different topics as well as sharing his own. If anyone tries to disturb your time together, they will face Ran’s wrath. His time with you is precious!
➼ Ran would be the #1 reason you’re late to anything because his bed is just so comfy, he’s so comfy, and honestly, how could you leave that pretty sleeping princess behind? If he wakes up to you leaving the bed, he will try to pull you back in. He’ll say “5 more minutes” while wrapping himself tighter around you.
➼ As his partner, you must laugh at his dad jokes. He loves puns, so come up with some of your own, won't you? Aside from dad jokes, his humor can be outdated. He’s the type of person who’d use a 2016 meme in 2020. Sometimes, you or Rindou need to explain certain memes or trends to him. It’s cute. He’s cute.
➼ To Rindou, you are a godsend. With you around, his brother is less of a killjoy (his words). He can party just a bit longer and be as loud with his friends as he wants. If he’s lucky, you manage to get his brother out of the house for maybe a night or two. It’s also fun for him to see his brother go so soft with you. 
➼ Ran is anxious whenever you hang out with people he doesn't know. He would want to meet your friends, and if any of them feel off to him, he would tell you. (His intuition is pretty good, after all). He won't ask you to stop hanging out with them but will remind you to be cautious. It's not out of possessiveness but worry about your safety. Your boyfriend, after all, rules Roppongi. People are always out to exploit his weaknesses.
➼ If you somehow piss him off, you have to wait for him to come to you. If for example, you’re spending the night at their residence, you have to stay on the couch before he allows you back in his room. In the middle of the night, you might feel yourself being gently shaken awake by Ran (it’s a bit scary because his hair-covered face is the first thing you see) who wants to invite you back into his room. You’re forgiven. 
➼ If he’s pissed you off, he’d also stay away for a while. Sooner or later, he’ll take out a cake or tub of ice cream with two spoons and sit with you so you can share it. If he sees you busy working on something, he’ll approach with a mug of a hot drink he prepared for you and a snack before sitting beside you. The apology comes after a long moment of silence, and things are okay again. Humbling himself and saying sorry was hard for him at first, but it got easier because he loves you. 
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thelibraryghost · 3 months
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A Young Person's Introduction to Early 20th-Century Western Fashion
am i hip with the kids yet
General information Dotschkal, Janna. "1920's." FOUND. October 21, 2016. English Heritage. "Fashion Through History: Episode 3 – 1930s." YouTube. April 16, 2023. Rudolph, Nicole. "The History of Standardized Sizes in Womens Fashion and Why They FAILED." YouTube. May 16, 2021. Vintagebursche. "100 Years of Classic Menswear - and what we can learn from each decade." YouTube. February 29, 2020. Zebrowska, Karolina. "1920s Fashion Is Not What You Think It Is." YouTube. May 20, 2018.
Accessories Cox, Abby. "Flappers, Y2K, & Capitalism are Why Women "Don't" Have Pockets." YouTube. January 12, 2023. Cox, Abby. "The Disappointing Truth On Why We Don't Wear Hats Anymore..." YouTube. December 18, 2022. Rudolph, Nicole. "The History of the Iconic Cloche Hat: Making 1920s Fashion." YouTube. September 18, 2022. Rudolph, Nicole. "When Hats were Illegal: Sewing a Goth Edwardian Hat." YouTube. February 21, 2021. Sheehan, Sarah. "Neo-Egyptomania." PatternVault. December 31, 2022. Zebrowska, Karolina. "Why Did We Stop Wearing Hats?" YouTube. April 28, 2020.
Cosmetics Banner, Bernadette. "Making and Testing a Victorian Skincare Routine." YouTube. April 8, 2023. English Heritage. "1930s Makeup Tutorial | History Inspired | Feat. Amber Butchart and Rebecca Butterworth." YouTube. December 18, 2018. Holland, Evangeline. "On How to Be Lovely." Edwardian Promenade. April 15, 2010. Rudolph, Nicole. "The Controversial History of Color Season Analysis." YouTube. November 4, 2023.
Fabrics Rudolph, Nicole. "The History of Elastic." YouTube. July 4, 2021. Rudolph, Nicole. "Wearing Overalls to Boycott Fashion Greedflation? Weird History of 1920." YouTube. March 16, 2024.
Gowns and formal wear Banner, Bernadette. "I Redesigned Mary Poppins' Jolly Holiday Dress Based on REAL Edwardian Lingerie Gowns." YouTube. February 20, 2021. Banner, Bernadette. "I Remade Mary Poppins’ Dress to be Actually Edwardian." YouTube. July 9, 2022. Cox, Abby. "Alexander McQueen & the Patriarchy Problem in Modern Fashion." YouTube. October 20, 2023. Cox, Abby. "What Makes a Gown Haute Couture (like House of Worth) in Victorian and Edwardian Eras?" YouTube. September 19, 2021. Lady Rebecca Fashions. "An Edwardian Woman's Fashion Evolution." YouTube. June 4, 2022. Oakes, Leimomi. "Terminology: what is a lingerie dress or lingerie frock? (and blouse, and skirt)." The Dreamstress. July 21, 2018. Rudolph, Nicole. "Stop Idolizing Coco Chanel: a shocking history of theft." YouTube. January 13, 2024. Rudolph, Nicole. "The Truth about the Fringed Flapper: Making 1920s Evening Dresses." YouTube. November 6, 2022. Vintagebursche. "1920s Theme Party - How to dress." YouTube. December 9, 2023. Zebrowska, Karolina. "1920s Fashion Encyclopedia, Pt 1: Daywear." YouTube. November 27, 2019.
Hair care and styling Banner, Bernadette. "I Tried Following a Real Edwardian Hair Care Routine." YouTube. May 12, 2020. Lady Rebecca Fashions. "Getting Dressed in the Edwardian Era / Gibson Girl Hairstyle Tutorial." YouTube. June 12, 2020. Lady Rebecca Fashions. "Titanic-era Hair Tutorial // Getting Dressed in the 1910's." YouTube.September 4, 2020. SnappyDragon. "Historical hair myths debunked : How often should you wash your hair—daily shampoo or no shampoo?" YouTube. August 12, 2022. Zebrowska, Karolina. "Weird Edwardian Beauty Tips." YouTube. February 11, 2017.
Laundry and starching Banner, Bernadette. "Ok but how did the Edwardians WASH these dresses?" YouTube. August 3, 2022.
Outerwear Cox, Abby. "Athleisure: Destroying Fashion & the Environment." YouTube. January 18, 2024. Rudolph, Nicole. "150 years of Masc Women causing a Moral Panic." YouTube. June 17, 2023. Rudolph, Nicole. "The History of Jeans, T-shirts, and Hoodies: Time Travel 101." YouTube. March 20, 2022. Zebrowska, Karolina. "SPRING/SUMMER FASHION TRENDS REVIEW but it's 1936 (ft. original fabric samples!)." YouTube. April 22, 2022.
Shoes Rudolph, Nicole. "I Made Witchy Edwardian Shoes by Hand!" YouTube. March 14, 2021. Rudolph, Nicole. "Making 100 year old Comfy Slippers: Free Pattern!" YouTube. December 30, 2023. Rudolph, Nicole. "The Myth of Tiny Feet "Back Then"." YouTube. September 26, 2021. Rudolph, Nicole. "The True History of Stiletto Heels : the battle between Ferragamo and Dior." YouTube. August 26, 2023. Zebrowska, Karolina. "Why Is No One Talking About 1930s Shoes?" YouTube. September 15, 2020.
Undergarments Banner, Bernadette. "1903 Patented Bustle Pad Reconstruction." YouTube. June 8, 2019. Banner, Bernadette. "Achieving That Classic Edwardian Shape: Reconstructing a 1902 Bust Bodice." YouTube. April 16, 2020. Lady Rebecca Fashions. "So What are Guimpes Anyway? // Examining Antique Edwardian Guimpes." YouTube. August 21, 2020. Lady Rebecca Fashions. "They Wore Corsets in the 1920's?!" YouTube. January 29, 2022. Rudolph, Nicole. "Did Brassieres End the Corset?" YouTube. February 28, 2021. Rudolph, Nicole. "Dressing in Edwardian Clothing: Undergarments and Layers of 1907." YouTube. November 1, 2020. Rudolph, Nicole. "How Flappers got their Figure: the 1920s Silhouette." YouTube. July 10, 2022. SnappyDragon. "How pin-up photos fooled dress history : the making and marketing of lingerie pictures." YouTube. April 1, 2023.
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cryptidghostgirl · 2 months
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Heyy :)))
any writing tips for beginners?
First off, can I just say, it is genuinely such an honor to get asked this question? It makes me so happy.
The biggest thing I would recommend for beginners is just to write. The more you write, the more used to it you get. I know that doesn't sound like very productive advice, but it is the truth. I have been writing fics since I was twelve and I am twenty one now. My first fics were shit. One of my earliest ones (its a BSD Akutagawa x Reader fic called Project X I started when the show first came out back in 2016 and finished in 2022 that is still up on my wattpad, which is linked in my pinned post, if you want proof I am not lying) is genuine shit, but I put a lot of passion and a lot of time into it (to the point that if you read the book, you watch me learn how to write). It was the practice and time spent that did the trick. So write and write and write. You don't have to post it anywhere or show it to anyone until you feel like you are ready (or at all). The more you do it, the more everything will fall into place.
The second thing I would recommend is to write the stories that you want to read, whether fanfiction or not. You have to be invested in whatever you're making in order for it to work. If you don't care, you wont put the effort in. You wont take the time for it. The only reason I started writing in the first place was because I would read fic after fic and I never saw anyone else putting the ideas I had on to paper (this actually lead to me starting a mini trend in the BSD fic community on wattpad lol). This will also help, if you are putting your work out into the world in some way, with the idea of reward. Whether through notes or readers or whatever, as long as you like what you are writing and you want to read what you are making, it is worth it and it is enough.
Third is to read. One of the ways I developed my own writing style was by taking note of the things I liked about other peoples writing styles (doesn't matter whom. I take a lot of the way I write from poets and authors like Annie Dillard and Terry Pratchett as well as other fic writers). So much of writing is about aesthetics and personal preference. Once I knew what I defined as 'good writing,' I could figure out how to morph my own work into something I deemed 'good.' This also counts for reading the things you yourself have written. I go back and re-read and edit my own work all the fucking time, both out of an enjoyment for the stories I create and in an effort to make them better. The best thing you can do is to read your work out loud. Listen to what you change when you read it out loud, what sounds odd or uncomfortable, where there are gaps. It really helped me when I first started writing fics almost ten years ago, and it still helps me now.
This is a weird one, but when you're writing about emotions, try to feel the emotion yourself. Think about what something like fear does to a person. Picture the situation you are writing and take the time to think about the ways in which you personally, or your character, would react to it. Writing reactions, body movements, things like that, has always been the most difficult for me, especially when its in-between dialogue and not just big blocks of text. Taking a moment and closing my eyes, feeling the shiver down my spine or the burst of sudden joy, really helps pin down the ideas and figure out how to describe them.
Also, if you know other languages, think about the things you like about the way those function and how you can incorporate that into your work. A lot of the way I structure sentences comes from ancient Greek, for example, with my usage of participles and timing. It doesn't have to be an ancient language though! And it doesn't even really have to be another language. All that matters is that you are actively thinking about the way the words interact with one another and what is pleasing to you. English is such a flexible and fun thing, there is so much meaning in every word and if you want to, it can be really fun to play around with. (I am a philologist. I am sorry for the little rant.)
That being said, it is important that you understand the grammar of the language you are writing in. This might just be a personal thing, but incorrect grammar tends to really bug me. Once you know the rules, they are easier to follow and it makes a huge difference. Also, incorporating techniques like varied sentence length/structure and literary devices like metaphor, allusion, ekphrasis, and simile can really make a piece more enjoyable for a perspective reader (whether the reader is yourself or someone else.)
Write what you know, write what you love, write what you want, write what you need, write. Don't worry about it being 'good enough,' if it is on the paper it is good enough. The hardest part is starting. Once you've got that under your belt, anything is possible.
Now that this post is almost excessively long, I am gonna make myself stop. I really hope at least some of this made sense and that you find it helpful.
<3 <3
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lovelybrooke · 10 months
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I just want to rant for a sec so ignore if you’re not interested/know about the Kooleen drama since I haven't seen a lot of people talk about it.
As an artist, I can’t comprehend not understanding black/poc features, ESPECIALLY if you are someone giving out tutorials online to new and impressionable young artists.
If you aren't aware of the Kooleen drama, essentially, she made a side profile tutorial where she called a profile with protruding lips and chin (a feature common in poc) "gorilla looking." After that video, people found a clip of her "criticizing" a drawing of a black girl with the same features claiming it looked "goofy" before using the liquify tool to "yassify" it. In the same video she referred to edges as second eyebrows.
Now, this has a lot of implications, but at the end of the day, all of these can be chalked up to racism. I'm tired of people trying to defend her by saying "oh she's just ignorant." OKAY? AND? If you're an artist giving out tutorials, you have to be knowledgeable about different, non-Eurocentric features, and can't just go around erasing them because you view them as "goofy."
It doesn't help that Kooleen claims to only draw "pretty" people because she knows that it will get her attention on the internet, leading her to get more money. This by itself is fine, but then you notice she literally just doesn't draw black people. Like at all. You can go on her Instagram and look at all her art and I think the darkest character she drew is Miguel O'hara, not before de-aging him of course. Like I get wanting to draw people you find attractive, I believe all forms of art is wish fulfillment, but to only draw Eurocentric white and Asian people is insane.
And if you come at my trying to defend her by saying she was "doing an anime side profile tutorial." or "it's just her style." Then you're stupid. This isn't 2016, you can draw black people/poc in the anime art style without taking away ethnic features. And if your art style prevents you from drawing a wide range of people, including poc, fat people, disabled people, or anything else, then YOU'RE A BAD ARTIST.
This is all to say without even mentioning her art style which, while isn't bad, it's what I would call "safe." Her art is designed in a way that appeals to young artists, and her tutorials do the same. It's why her tutorials very rarely go over 10 minutes, because she isn't actually trying to teach you how to improve YOUR art, she's teaching you how to draw in her "juicy" style. It's very clear at least to me that she doesn't actually understand concepts like anatomy and face structure, just the basic ways of drawing them to make her characters look as visually appealing as possible.
Overall, I'm just disappointed with the amount of racism in art communities. If you are someone who likes Kooleen or are simply an artist looking for tutorials online, please look for tutorials that actually teach you how to understand what you are trying to learn. I'm tired of this trend of art tutorials that are 20 seconds long that don't teach you anything other than how to draw a basic looking eye as quickly as possible. If you really want to learn, look up references of real people, not quick and easy tutorials. Look at yourself in a mirror rather than watch a video on how to draw a pretty anime girl. Watch a video of someone explaining the basics to you rather than refusing to learn.
And please, I implore you to draw things out of your comfort zone. If you're just drawing for fun, okay, whatever. But if you're serious on improving, only drawing skinny white people is going to get you nowhere. You can't improve by staying in the same place forever.
Also, if you genuinely believe that Kooleen did nothing wrong please explain, I would love to have a discussion with you as long as you're not rude.
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blueiskewl · 1 year
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The House of the Vettii in Pompeii Reopens
The House of the Vettii, one of the largest and richest homes in Pompeii, prodigiously endowed with a fresco of Priapus that has become an icon of the city, reopens to the public on Tuesday after years of complex restoration.
The House of the Vettii was the home of Aulus Vettius Restitutus and Aulus Vettius Conviva, freedmen brothers who made a fortune as wine merchants and ascended the social ladder. Restitutus was a candidate for aedile, a magistrate responsible for holding public games and the maintenance of public buildings. Conviva was an Augustalis, a priest of the cult of the deified Augustus, a position of civic importance that was more akin to a magistracy. In this role he would have funded major public works projects.
The Vettii bought the house, originally built in the 2nd century B.C., after the earthquake of 62 A.D. It was in a tony neighborhood that many of the wealthy homeowners had left rather than rebuild. When the rich moved out, the nouveau-riche moved in. Freedmen who had made big bucks in trade like the Vettii were a prime example of the trend. They bought the aristocratic villa, repaired it and expanded it, adding a huge peristyle garden with statues and fountains. Every room was lavishly painted with frescoes on mythological motifs, telegraphing their wealth and the new status it bought them. Priapus, his massive phallus balancing on a scale against a bag of money, welcomed visitors in the vestibule of the house. Two large bronze strongboxes were placed in the atrium so everyone who got past Priapus would be confronted with the the most literal possible representation of the wealth of the Vettii.
The frescoes are mostly in the Pompeiian Fourth style, a combination of the previous three styles (faux marble veneers from the first, architectural trompe l’oeil from the second, ornate, stylized ornament from the third). The Vettii frescoes provide unique insight into the transition between the Third and Fourth style of mural painting. There is also a remarkable series of striking black and red frescoes depicting groups of cupids performing a variety of tasks, mythological ones like celebrating a festival of Bacchus and a festival of Vesta, sure, but of particular note are the representations of daily work, including the gathering and pressing of grapes, buying and selling the wine, dyeing and cleaning clothes in a fullery, picking flowers and making garlands for sale, making perfumed oil and making coins. The cupids are also captured at leisure, hunting on goat-back, racing in chariots pulled by deer and taking part in an archery contest.
The room adjacent to the kitchen was painted with a series of explicit erotic frescoes. It may have been a visual menu of options offered by an enslaved prostitute Eutychis who advertises her services for two asses (plural of as, the lowest-value Roman coin) on a graffito at the entrance of the house.
The domus was first excavated between late 1894 and early 1896. In the 1950s reinforced concrete roofs were added to the peristyle to protect the architectural remains from the elements. It was no longer protecting it, however. On the contrary, the flat concrete roof was unsound and directly contributing to water infiltration and damage.
Already affected by works in 1995, when the problem created by the concrete roofs of the 50s was evident, the house was partially reopened in 2016, after 12 years of closure and then closed again after 3 years for further restoration. Interventions that involved the roofing but also the paintings, with the removal of the patina created by previous restorations.
The old concrete roofs have now been replaced with sloped roofs formed from hollow blocks on metal frameworks. The wooden roofs added in the 1990s are still functional but needed refurbishment, and a new rainwater drainage system was devised to integrate the new roofs with the existing drainage system.
Conservators also cleaned and conserved the wall and floor decorations and the fixtures of the garden. It was a painstaking process of cleaning, regrouting and integrating interventions from different periods with the aim of recovering the legibility of the images and colors.
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clambuoyance · 10 months
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I really like your style. Was it intentionally designed, or did you just sort of fall into it over time?
I wouldnt say I intentionally designed it, as in I haven't sat down and Engineered a specific style, and instead it was more of me finding what I liked and wanted to incorporate into my style.
You could probably trace my style back to its influences. I used to draw really round shapes (I still do but like they were just ovals and circles...I guess i just like that shape) until I started watching How to Draw Anime tutorials in middleschool T-T (shoutout to Mark Crilley lol)
But when I first joined social media back in 2016, I found all these crazy artists with really unique styles that really influenced me. I was drawn towards artists like star_bite/prince_canary and rawrgyle/grassflu who have very dynamic expressions and character poses :0 (also they ended up working on a Batman and Superman project respectively and how wild is it that my icons from forever ago now work on projects aligned with my current interests!!!) And as you get exposed to different artists you get exposed to the many ways you can Draw things and along with your natural affinities towards certain things (such as me being attracted to Bright and Bold colors and Shaped styles) you kind of naturally build a style.
And part of that is also just having fun Trying things out? Sometimes I wouldnt even try to emulate their style as much as I tried to just...do what they were doing? As in making my ocs and putting them in fun poses, and doing color palette trends and such etc.
I hope that helped! If you're curious I can break down some of my style checkpoints over the years. As you can see there was still some major anime influence in my style back then when I first joined social media around 2015/2016
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Around that time, I also discovered the fandom around the Cartoons popular at the time, so I drifted away from anime and drew things like gravity falls/steven universe/otgw etc etc so it got Rounder I guess. I really liked how stylized characters looked and got obsessed with Shape Language and assigning characters distinct Shapes (box vs triangle vs circle etc). I also read a lot of webcomics and stuff like that so those played a part I guess
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And then around 2019 I saw more artists drawing anime fanart with really sharp angles, which was completely different but so cool to look at so I tried to incorporate more angles into my art. I still had that very cartoony style but tried to push the Sharpness a tad bit more if you can tell. (I think the name of the artist I liked was jeluto?)
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I think around this time I also focused a lot more on color as well and did a lot of paintings then and whenever I did more Painterly stuff I tended to switch Styles into something Less Cartoony T-T
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Then by 2020, I revamped my ocs, actually tried to break down and study my own style and how I would draw them, and my style kinda fell into a mix of round vs sharp edges I guess. I tried to give myself Rules which I would follow when stylizing a character to keep it more consistent and intentional.
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Then in 2021 some of that Fun Part of stylizing characters into something more Cartoony kind of took a backseat as I focused more on Pose Work and Body Expression instead which I think helped a lot :0
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And here's some recent stuff from the past year! Still very cartoony, but less so than 2016 I'd say, and still using really bold colors!! Still love my Soft Vs Hard angles B]
And overall have stronger pose work :) I'm sure my style will evolve as I learn more and experiment more, because one thing I want to focus on is backgrounds and environments :0
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jerrykinoff · 7 months
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Tommy Cash x Deutsche Bahn - Vice September 2023 interview
translation under the cut
Public transport turned Tommy Cash into a train
We visited the trap wonder child at a shoot and talked about his legendary transformations.
Just a while ago he was strolling barefoot on the gray stone floors of Platform 2 at the Berlin Spandau train station, now his feet are being put in the giant Balenciaga rubber boots. Tommy is sporting an old conductor uniform, tight middle part and two braids plaited up until the very ends of his hair when I intercept him for an interview in between the shoots. We are at the set of a rather bizarre ad shoot for the “Zukunft Nahverkehr” initiative with the slogan #mobilityisahumanride. The trap wonder child is playing the main role in it and with the help of a few spritzes of perfume (“Ö de PNV”, get it?), he transforms into a very delighted S-Bahn train which is dispersing the exhaust gas with taekwondo moves and in which people are feeding each other pickles.
What does this all mean? The future will be better, when we use public transport more often. But it also simply means: We can finally look forward for a full dose of TOMM¥ €A$H, in all of his absurd glory in the form of the ÖPNV ad and the trending reels from Paris Fashion Week, and soon, finally, in the form of a new album. He is working on it every second and is now using every break during the shoot to re-listen to a track with an AirPod in his ear and a smile on his face. This week, he still has two video shoots ahead of him and in November he’s going on a tour with Oliver Tree. They both not only like making music together, they also share a tendency for absolute randomness and creating things which nobody could expect. Like turning yourself into a human train, or, a “human ride”. Or a vagina.
VICE: Hi Tommy. Today you are becoming a train. Could you tell us about your first time, about your first transformation?
Tommy Cash: It was in 2016, back then I dropped a music video in which I became the intimate area of a lady. That’s how it all began and since then I have been turning myself into all sorts of things. 
How did playing a role of a vagina feel?
Oh. It was brilliant. It felt good. 
How did you prepare for it?
I was just being myself.
Are you coming up with all these ideas on your own?
For the most part, yes. I am, so to speak, an orange. You can make juice from oranges, you know? But that entails a lot of different types of work. I could probably press out all the juice by myself, but I like having an input from styling, hair and camera people, etc. when shooting videos. The camera person, for example, knows which shots will look the best and can change things, if needed. But it’s still my juice.
And the juice is tasty. When could we look forward to the new album?
Soon. We are working on it in full swing. Somewhere in December, but the rollout begins soon, during the coming weeks. We should know exactly when around my birthday. My birthday is on November 18th.
Ah, you are a Scorpio. Makes sense. Is there a song on the new album, which you are most excited about?
Yeah, especially some collabs. The track for which we are shooting a music video tomorrow became a kind of a proper anthem. Scandinavian brothers who find each other. I’m really looking forward to playing it live. [Author’s note: the feature with Käärijä “It's Crazy It's Party” came out in the meanwhile and it kicks ass.]
When you’re looking for feature partners, what matters to you the most?
They can’t be too clean, polished. For me, art means being free and taking risks. It’s important to me that we have the same worldview, the same sixth sense. They need to be open, for whatever happens. only then something magical can be created.
Collabs or not, you are in fact taking some risks. Do you have any advice for those, who do not trust themselves that much?
Oh yes: just do it! Don't give a fuck about anything. Stop overthinking. Most people are nice. The percentage of people who will try to discourage you or write nasty comments is very small. It’s fucked to not make something because a couple of people said so. They are only scared of what you can achieve. 
There are very few negative things to be found about you on the internet. I looked extra hard, but the people are simply obsessed with you!
Ah, it should be a love-hate relationship. There always has to be a few people out there who hate you deeply. The most should of course love you. The most important thing is that the people feel something when they see you. 
And you offer them quite a lot too. You dress well, you model, you dance and then of course the music. Is there anything you are bad at?
Tennis. And I was a very bad boyfriend for some time. But I’m working on it now. 
Yeah? How’s that going?
Since then I have been pretty good.
What makes you a good boyfriend?
Time. I think, as time passes,  you learn from your mistakes. It sounds cheesy, but when it comes to relationships, I have already grown up. 
I’m glad. I think we should all work on this in the future. Speaking of the future, or rather about the “art of the future”, NFTs - you already have fingers in the game, correct?
Correct, “me in gold”. Sold for 1,3 million. I only played along because I respect the artists a lot. It was for an art gallery in Estonia. Actually I’m not really into the whole NFT and AI thing. Physical art is more of my thing. I like what people can make, not computers. I find that somehow boring. People teach computers to think like people and then they run on some sort of a god complex. That’s why we, people, are much cooler than computers. I don’t get this “virtual art”. There are other advancements which interest me more. 
Like, for example, the future of mobility? What does it look like for you?
I have thought about this already. I’d like to get a horse and a carriage and use it as my only way of transport. I live in Tallinn. The distance between places there is manageable, it could work. Horses are a greener solution than fossil fuels or lithium batteries. We focus so much on the future, that we often forget what used to already work very well in the past. 
What is public transport like in Tallinn?
It’s pretty good. You can easily get to most places with a tram, trolley or a bus. But there is a lot of construction work going on, the streets are dug over. You can barely get from point A to point B. You need to ride around the whole city. But this does not affect me that much, because I’m a homebody. When I’m not traveling for work, I like staying home and being comfortable. But the people there make an effort to use public transport more. This is good. For the planet. 
Like your horse carriage! I’d like to grill you a bit more about your viral moments at Paris Fashion Week. Which outfits, looks, characters were your favorites? How do you even call it?
So some people call it “performance art”, but i just say “outfit”. Sounds better. My favorites? They are all number one. But I can pick a top three for you: paparazzi, bed and the muscle suit. They really stick to your memory. There are, however, looks which were not posted in full. Even more shocking ones. One time I went naked, but as a lady. I just changed a body part.
I’m asking myself which one. Did it hurt?
No, it’s back to the way it was, so all is good.
That’s reassuring. How do you even come up with these outfits?
Mostly because of boredom. Everyone looks the same at shows. Like mannequins. For us, these events are like masquerades. We want to make them exciting ourselves. At the end of the day, we go to these shows to be seen. Paris Fashion Week wasn’t really Paris Fashion Week, but it was “Tommy’s Fashion Week”because we just appeared everywhere. You could not miss us. That was so fun.
Appearances, album, shoots, releases, tour, …With everything that’s going on with you right now: Are you not crazy stressed?
It’s so stressful, all the time. Sometimes I forget everything and then I’m happy. But most of the time I am only stressed. There is always something I’m working on. And everything happens at the same time.
How do you deal with it? Do you have any tips on how to chill out?
You can’t really chill out fully. I would have to be a guru or a pope to rest on my own. I can’t do that. But I would simply say to try to live more in the moment and don’t forget to have fun. Even if this is something I’m still bad at.
I hope that this too will get better with time for you. That leads us back to the catchphrase “better future” and of course you as a human train. [The producer is standing at the door and pointing at her clock] Tommy, I wish you lots of fun during the rest of the shoot!
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scarlet--wiccan · 1 year
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Hello! I was wondering, what would you classify as the outfits defining the different eras of Wanda? Like her first, classic, Wada, and Dauterman outfits.
Well, I think you've kinda answered your own question. Wanda's had lots of costumes, but her most iconic ones can usually be attributed a specific artist's work on a specific book. She didn't really start changing up her look until the 90s, but I would say that her most iconic outfits, outside of the classic one, really are the Pérez dancer costume from Avengers (1998), and Kevin Wada's design from Scarlet Witch (2016). A lot of her other looks are more short lived, or just not well-remembered. The new one's made a big splash, but it's too soon to say what kind of staying power it'll have.
Some of those short-lived looks are actually my favorites, though, so I want to do a brief history of Wanda's costumes. This is only going to be from the main Earth-616 continuity, and, full disclosure, I'm cribbing most of these images from uncannyxmen.net's costume gallery.
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The classic Scarlet Witch costume has had several variations over the years. She consistently wears some version of this outfit from the 60s through to the 90s, but there were often changes to the style and cut of her garments. She wore a wimple-like headpiece in her early appearances, and traded it in for the now-iconic M-shaped diadem in Avengers #36, published 1966. She also went through a few maternity versions of her costume during her pregnancy in Vision & The Scarlet Witch (1985).
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Wanda's first major costume changes were actually the result of possession or mental manipulation-- when possessed by Chthon, Wanda takes on a ghastly appearance and her clothing transforms into a dark red bodysuit with a tattered cape, sans headpiece. [Avengers #186] Later, while under Immortus's influence, Wanda cuts her hair short, ditches the headpiece again, and dons a red-and-black costume with a dramatic purple cape. [Avengers West Coast #55]
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Wanda began changing her look more frequently in the 90s. During the late run of Avengers West Coast through Force Works, she wore a red dress over a black one-piece, with a necklace, gloves, and boots-- no headpiece. This is the first real costume change that she made of her own volition. She also had a brief-lived costume which first appeared in The Crossing, that drew more inspiration from the magical characters in Doctor Strange.*
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The Pérez design first appeared in the opening storyline of Avengers (1998). In an alternate reality conjured by Morgan le Fay, Wanda and Pietro both appear as sterotypical "gypsies." Wanda later adapted her her outfit from this world in a contemporary costume. This was intended as an earnest representation of Wanda's cultural identity, but it fell quite short of the mark. Alan Davis later designed a more conventional superhero suit combining many of the same elements, without being an ethnic costume.*
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In the early 2000s, Wanda debuted a set of red body armor with that combined fantasy aesthetics with a superhero silhouette*. This what she's wearing during Disassembled, but it's not well-remembered, perhaps because of the understated color palette. Wanda returned in Children's Crusade wearing a slightly updated version of the classic costume, with a halterless one-piece and cowl-neck cloak. I think this is the version most people refer to when they draw her classic suit, so to that end, it might be the most iconic.
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Wanda had another rapid succession of costume changes in the 2010s, starting with the knee-length red dress with built-in gloves she debuted in Uncanny Avengers (2013).* In the Uncanny Avengers 2015 miniseries, she and Pietro both donned new, but very short lived, futuristic costumes for a brief adventure into outer space.
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Then, in late 2015, Wanda received her first solo title in two decades, and it came with full aesthetic overhaul. Kevin Wada designed a collection of looks inspired by witch-house and dark romance fashion trends. This was eventually streamlined into a cohesive superhero suit for other ongoing comics, with an ornate red bodice and jeweled diadem.
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In 2022, Russell Dauterman designed Wanda's look for the second annual Hellfire Gala event, taking heavy inspiration from the silhouette of her Crossing costume and the darker, more ornate aesthetic of Wada's design. A slightly simplified version of this look became Wanda's main costume in Scarlet Witch (2023) Most notably, this design incorporates the same magical galaxy effect from her son Wiccan's costume into Wanda's skirt and hair, signifying her mastery of chaos magic. Whether or not this costume lasts, I believe that the dark, bejewelled aesthetic and galaxy effect will continue to define Wanda and Billy's looks for years to come.
*these are my personal underrated faves
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