it is, i think, symptomatic of the way larian has built this brand: bg3 was always marketed as being mature (read: sexual), and that was one of the big draws for players - myself included! especially as media pulls more towards extremes, with mainstream video games starting to get increasingly graphically sexual, graphically violent, and the vogue for 'grey morality' becomes the norm, those boundaries get pushed, and it becomes more and more of a selling point.
larian obviously focused on this, along with the How Do You Do, Fellow Kids brand, the increased accessibility of game devs on twitter, and adopted it heavily into their marketing strategy, and are now pretty reliant on the horny gamer crowd for a lot of their audience, and more importantly, they're doing this on purpose.
which is how you end up in situations like this.
characters (white men) the players want to fuck get centred: they get updates, they get more content, they get favoured. halsin's gone from a side character in EA to a half-fledged romance option, to a full romance option: he shows up in the promotional material, is larian's poster boy for the sex scenes, he gets more content with every update.
now gortash gets more heavily implied situationship lines with the dark urge, because players are horny for him. nevermind that some people aren't playing that way, or that he was originally set up to be a lower-level antagonist; nevermind that if the durge's storyline needed expansion, it should've been with orin and sarevok and bhaal, or that it muddies the writing for the rest of gortash's arc + characterisation: people want to fuck him, so it gets put in the game. it's not even to do with karlach, whose quest so desperately needs expansion! it's specifically catering to the people who want their character to have a Relationship with the slaver, because they're either not interested in or not able to focus on strengthening the weak spots in the narrative: they're just doing things that will net the 'my favourite dating sim' people lmfao.
meanwhile, literal main character wyll gets his quest demoted to a subquest, doesn't get bugfixes, doesn't get a single unique romance greeting after 6 patches and months of requests. he's not a Horny character, so he doesn't get the focus: he's not a player favourite, so he gets nothing. it's just... so unbelievably, indisputably racist, and it's incredibly grim and disappointing to watch it happen in real-time.
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I love being a hater but I also love being an Enjoyer, so what I like to do is enjoy something so aggressively and deeply that I come to know everything about it, and bc I know everything, I can find (minor and major) things to complain about. as a fun activity. enrichment. but then I do that, and people think I actually hate this thing. they’ll be like, oh, good to know about (flaw), I was gonna check that thing out but now I’ll steer clear. you don’t get it. I’m complaining because I love it so much. hey wait come back. I’ve got some more stuff to nitpick
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off of my last post: i feel like corporate horror has such a rich seam of possibilities that are just begging to be mined. the helpless, nightmarish feeling of watching your life get chewed up by the implacable machinery of faceless corporations in which you are nothing but an easily-replaceable cog and knowing the whole time that you chose to be here. that you can, theoretically, leave any time you want. mindless, pointless busywork that you're expected to take pride in even when it has no measurable impact. feeling like you're running on a treadmill - always busy, never achieving anything. upper managers who only communicate with you by email. CEOs who never communicate with you at all, and may not actually exist for all you know. you can leave any time you want. but you can't, can you? not really. you still have to pay the bills.
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something bad happened to you, and you died, and you came back wrong.
not wrong all the way. the little ways. you forget important dates, stopped going out with friends. it's harder to make you smile. you're apathetic towards things you used to love, afraid of places you used to go to cheer up. quieter. flinching. different.
you came back for love. you're still here for love. what pulled you back was a brightness so loud that even death couldn't outshout it. death heard the call and smiled at you and said okay. go home. somebody is waiting for you.
but you came back different. like lot's wife; you've turned into salt. you used to chirp through life in hops and skips; but now you lose skin just standing up. you have to move slower, skimming across this world without-touching-it. most things feel dull - until they're suddenly all-too-much. life, and being alive just rushes up and over you and you get hopelessly crushed.
you try to explain it to them: it is ugly, but this is what you are, now. the huge golden hoop of your halo now a little bronze ring. you are still watering your plants and wearing the same clothes. after all, you worked hard to come home. this life; so odd and off-color, now that you are wrong.
but they waited for you - it's just that they wanted the "you" that happened before this. the "you" that could sing in the show and hug people tight and look at a blade without breaking down to cry. the you with a smile in pictures. god, holyshit, it's like looking at a completely different person, isn't it. that other-you; the one they actually wanted.
you are the consolation prize. you are the body that forgot the ghost. you are the memory of the bad thing, and the death after; like you are wearing that memory as a banner. you are a fragment, an assembly. simulacrum. you don't make eye contact in mirrors, afraid the light will glance off and your true nature will flash back at you.
you hear them talk about it in their hushed, desperate whispers. sometimes they even admit it to your face; harsh and violent, acid thrown at christmas dinner. god, can you just fucking be normal again. you do not remember what normal is. you had to climb so far to get back here; you are far too exhausted. you want to open the glass door of your heart and show all the gears. can you help resolve whatever got messed up?
you try so, so hard. you came back for them. because you believed they would love you, even when you were so horribly broken. because you believed they would be patient. because you believed unconditional meant "without exception." you cannot do things the same way. you just get tired too quickly these days.
you want to put them on a couch and pour them the tea with hands that shake more than they remember. you want to line them up and draw them a map of where you have had to wander. you want to show every bruise in a backsplash; the little helpless ant of your soul carrying all that weight, over and over. you want to say: yes! it is different! but i did it for love!
you want to say: "i'm not the same, but i'm yours and i'm here. can that be enough?"
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i genuinely think the people who insist the life series is scripted just don’t understand the difference between something scripted and something that’s been given a basic premise and directives that everyone involved in agrees to play along with for the bit. like, no, specific moments aren’t scripted, but there’s a reason the series isn’t just “best pvper wins” and it’s because they deliberately prioritise entertainment over pure skill because the same person winning every time just wouldn’t be fun.
like, for the most part they’re a bunch of drama kids who have been given the perfect playground to act out the shakespearian tragedy of their dreams (some more so than others) (hello rendog) and they’re given the tools and situation to do so but everything else is just improv. and they’re also just having fun like i think we should all remember they’re doing this to have fun with their friends and play on a server where anything goes and they can grief all they want and sometimes they’ll just make stupid mistakes like walking off the side of a diving board and dying because they were so miffed about losing to a best tower competition they forgot where the stairs were, or blowing themselves up with their own tnt trap because they placed one block in the wrong place.
also i think people forget just how generally predictable people are in general, like after five seasons you can definitely start to guess how people will behave because they’re just like that. joel is reckless and he likes to poke the bear, martyn is good at staying alive but not good at keeping hearts (the difference between winning limlife and going out early in secret life), scott is good at the social game and a formidable opponent but also terribly self sacrificial, bdubs will betray anyone he’s allied with if offered something good, etc etc etc
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putting my prediction on record now that the coming decade is going to see the rise of viral-marketed fancy at-home water filtration systems, driving and driven by a drastic reduction in the quality of U.S. tap water (given that we are in a 'replacement era' where our current infrastructure is reaching the end of its lifespan--but isn't being replaced). also guessing that by the 2030s access to drinkable tap water will be a mainstream class issue, with low-income & unstably housed people increasingly forced to rely on expensive bottled water when they can't afford the up-front cost of at-home filtration--and with this being portrayed in media as a "moral failing" and short-sighted "choice," rather than a basic failure of our political & economic systems. really hope i'm just being alarmist, but plenty of this already happens in other countries, and the U.S. is in a state of decline, so. here's praying this post ages into irrelevance. timestamped April 2023
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