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#yeah yeah don't involve actors in shipping...
villa-kulla · 2 years
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(finally checked out cameo to see how much it would cost to get p-fab to share his thoughts on an alternate ending where lalo/howard run off and fall in love, and this would be 300$, and i mean i’m deranged but not that deranged i guess lol)
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sheepstiel · 6 months
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the year is 2025. my brave mutuals and i have finally captured the supernatural convention cruise ship. "where are the tapes?" i demand, poking jenson ankles into his back with a rubber angel blade. he jumps forward on the wooden plank. the crowd yells: "yeah, the tapes!" "give us the tapes, actor man!"
"just tell them, jensen," misha sobs dramatically. "this is the first time I've heard about those tapes. i'm gutted!" someone shouts from the back.
"if you don't talk... i'm gonna have to omit you. any last words?" the rubber blade wobbles angrily behind jensen's back. "what tapes," jensen asks texanically and tries to find his balance on one of his bowed legs on the narrow end of the plank. misha weeps wetly.
"you have chosen your fate then, actor man." with a final poke, the rubber angel blade snaps in two and jensen jumps into the pool-turned-ballpit like a spooked foal.
"nooo," misha howls, "the secret despair videos are on his phone!"
jensen pokes his head out of the ballpit and holds up his phone. "you mean these? you should have just said so," he spits out two or three balls before he presses play.
the screen is covered by a thumb. distantly, some crying followed by some wet smacking and slurping sounds can be heard. silence.
"this was exciting to watch, but bummed that sam winchester had no involvement whatsoever." someone comments, disappointed.
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renthony · 5 months
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Every single time I post any variation on "artists are human beings--yes, even well-known ones who make things a lot of people have heard of," it always immediately attracts people who make comments like, "yeah! Be nice to fanfic authors, we do it for free!"
And it's really fucking frustrating.
YES, be nice to fanfic authors, but that's not what I'm talking about. I'm talking about the artists behind your favorite media. I'm talking about the people who make the things that fandoms form around.
Because for some fucking reason, tumblr thinks that "artists are human beings" stops being true the second there's money involved, and it's okay to aggressively harass people just because they made something that's currently popular.
When I say "artists are human beings even when they make something you like a lot," I'm talking about shit like actors being sexually harassed and performers being abused by "fans" until they delete their social media and so-called "fans" targeting a TV crew members over their stupid fucking ship wars.
I don't care how big or well-known a piece of media is. I don't care how justified you are in your fan rage. I don't fucking care if you spent your life savings on merch for it.
The artists who made it are still human beings, and you don't get to treat them like shit just because they're well-known.
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alucardens · 13 days
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Yeah though seriously- you might not ship Buck and Tommy and that's okay- everyone is entitled to their opinion as long as it doesn't harm anyone- what makes it not okay is when you say things like you're being queerbaited- in a show that *literally* has a canon lesbian couple (where one half of the couple is a main character) SINCE the first episode of the show, that, 1) consistently, as a couple, have storylines that get resolved in a way that shows the writers aren't brushing the characters away, and arcs that show character growth.
2) NONE. NONE. Of the canonically queer characters have been harmed in a way that resulted in permanent death. And when they do get in harms way (which is inevitable- this is the nature of the show), it's done in a thoughtful way- their actions and risk of death/ injury WOULD add something to the plot/ storyline. Their loss would have an impact on us as the viewer. They would not be meaningless deaths. And aside from death, even queer characters who 'exit the main storyline of the show' but are otherwise alive, are still done with thought and care. I mean, (and spoilers for the first few seasons of the show,) Michael's storyline lasted (iirc) about 3-5? seasons. (We are not talking about meta events such as why they removed the actor from the show). He and his (named AND on-screen) husband, David, move to help people. His husband is literally a neurosurgeon. There was literally an episode revolving around Michael's proposal to David. Even after they've moved away, they're STILL referenced and talked about. They're not pushed away or ignored like the way some shows treat characters who aren't there anymore.
Josh (my bby fr), who's also been canonically gay since his first appearance, also has a arc that's real and very very relatable to most of us. The show takes it fucking seriously as well. And Josh is GOOD. Even as a side character, he's not reduced to the 'gay best friend'. As I said, he has his own storyline and arc, he has his own opinions, he's good at his job.
Aside from the main characters, imo, 911 also does a damn good job of showing that queer people exist. You might not like it because 'oh they're showing queer people who are in danger/ not happy/ dying.' To which I'd respond by saying that you're watching a show about paramedics. As much as we like to say this is the gay firefighter show (accurate lmao), we need to remember that there's going to be dark themes in this show.
I don't remember every call they've come across that involved queer people, but we for sure remember the 'we ever only wanted to go together' scene, with the elderly husbands. Yes it involves death. That's why we're seeing this scene in the first place- the engine wouldn't have to respond to a call if there wasn't a call in the first place. But it also fucking shows queer people growing old together and making a life for themselves. The opening scene is literally a montage of the husbands' relationship over the years. I don't know how many mainstream shows put that much fucking care in queer characters.
And then there's also the wlw couple in that car accident thing- not as significant as the husbands but like, that's the point, is it not? Not all their calls are significant- we don't even see all of them. The point is that they just show queer people existing as a general thing. It's not strange that the two women who were in the same car in a crash are both gay. There's no weird over-sexualised kiss. There's no show or mention or even hint of homophobia or confusion by the firefighters. It's fucking normal. So yeah. Do I ship endgame Tevan? Not at this moment. Do I like them together as a couple right now? Fucking yes. My personal opinion is that I like Buck and Eddie together more (at least for now), but why would I not ship Tommy and Buck right now? It makes no fucking sense not to. Buck is in a happy (queer) relationship, he's still figuring himself out as a bi man in his 30s, he's dating a masc man, who's past is messy and has since grown (oh look at that, another character arc revolving around a queer person), and they're clearly fucking happy together.
Anyway. I have a lot of feelings about this lmao. You want proper bi representation? Bro. I don't know what to tell you but you're looking at it.
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novelconcepts · 5 months
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the truly problematic thing about having insanely vivid dreams just about every night--and i mean the kind of vivid where you remember details days or even weeks later, like it's just another normal-ass memory--is that you wind up losing track on an emotional level of what's real. like. i know that was a dream. obviously it was a dream. but some part of my brain misses it like it really happened. i am painfully, achingly nostalgic for people i've never met, places i've never been, shit that literally could not ever happen--but i feel as though i remember. which is just the most unhinged thing, right? like, i remember going on a run that took me over a fence into Disneyland, and i remember having to take a shortcut through a Chinese restaurant, but it was fine, because Erika Ishii was there, and they'd done this before, so no worries. right? no! obviously not! why do i remember this with such visceral clarity three weeks later?
oh, what's your favorite episode of this TV show? the one i dreamt. yeah, don't worry about it, it didn't make coherent sense, but it was in the feelings, right? my ship had the best fucking scene. no, of course i can't explain it to you, that's madness. it involved a rocking chair. don't worry about it. it's fine. it's super important i don't accidentally reference this in a fic someday, though.
this shit is deranged, dude. missing people who are quite literally my own brain's invention with an actor's face. missing places that are a meld of a movie i saw once, my childhood bedroom, the second floor of my high school, and inter-dimensional space. like. no! no, this shouldn't be a thing! is, though. the clarity of it. just fucking bananas. this has been happening to me my whole goddamn life.
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gingerylangylang1979 · 9 months
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This shit is not new
This is in response to the multiple posts right now about the recent articles that have come out and just general angst about this ship in the media.
This really isn't new. It's not unique to The Bear. It's not unique to Carmy x Sydney. It's not unique to slow burns.
I do think Mulder x Scully is the best example. Why? They are the ship that modernized shipping. The terms shipping, noromo, etc. come from that ship. They pioneered the modern "why can't men and women just be friends", "platonic soulmate", "it would cheapen the show", "the show isn't about romance" arguments.
Syd x Carmy are like Mulder x Scully 2.0 (with a slightly different flavor that I will get to). The X-Files was a huge sleeper hit with a cult following. From the first episode there was speculation about romance and people raging against it. The question was brought up in every interview and denied by the show runner. The intensity kept developing until finally they went canon. And then, only then, did the show runner change tune. Shippers felt they were being persecuted for even mentioning the ship. It was super intense.
I watched the show as a teen. I low key did ship them but wasn't involved in fandom so I wasn't aware of the shenanigans. But I know all of this from first hand accounts.
And here's receipts from media:
So, I know a big element is missing in this comparison. The race element is at play here. I'm not denying that. But I will say, I started with this example just to show it isn't just interracial couples that get this backlash. I could also mention Ted x Rebecca, but I don't think I need to go into them because they are current. Mulder x Scully started this and history is important.
I do think there is a special flavor of dislike for this ship because of race. I've spoken on it. The unwarranted hate for Sydney can't be ignored. The same has happened with Richonne, Ichabbie, etc. No denial here. But if you look at the overall history of shipping what we are seeing specific to media denial, media scrutiny, antis, denial of the ship until the very end, gaslighting, etc. is slow burn and shipping war 101.
There is no agenda from cast and crew to stick it to us. Their agenda is to maintain the element of surprise and tell the story they want to tell. There is no agenda from the media to do anything but get a story that gets clicks. There is no special denial of a romance unique to this one.
This is just how a slow burn plays out.
There are no slow burns that went canon and the show runner said, oh yeah, this is the plan before the end. If there is tell me, and I'll gladly correct. But, that just isn't reality. They will say the same thing every season until it happens, no matter what happens on screen in the meantime. And there is always some lame statement made about why they "suddenly" decided to make it a thing or a lame admission that it was planned. So basically, they lie. The lies may seem cruel but it's not personal. It's not some secret agenda to deny your fave romance and happiness. It's just showbiz.
All of this can feel personal in relation to the extent a fan is personally invested. And I think that's up to each person to decide if their investment is creating too high an expectation and too much drama for regarding fictional characters on a tv show. That's not on media. It's not on the actor, creators, journalists, etc. to determine and protect a fan's level of investment or engagement. Nobody has to read the articles. Nobody has to devote their time to fandom. It's a choice. And part of that, may be understanding that all of the media around a ship isn't going to cater to what you want or see and making decisions on what you see is the healthiest, most enjoyable way to engage or not.
Because feelings have been hurt, arguments have raged, lies have been told in fandom and media and it's not new, it's not personal. It just is what it is.
Mulder x Scully walked so Carmy x Sydney can run.
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ultfreakme · 2 months
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Kiawentiio: Aang’s words were important to her.. she was feeding off of his energy. His affirmation made her feel really proud of herself.
Dallas: Yeah Zuko’s just like ugh water tribe girl what are you doing here I need to get to the Avatar
ZKs: it’s going to be endgame!!!
I wish people would actually listen to what the actors are saying. I don't think either of the actors are comfortable with....the ship....but people ignore the actors and keep making edits of just the actors or fanarts of just them when they are purposefully pivoting hard to kataang or zukka (which are more appropriate considering the ages of the actors involved and their clear discomfort).
It's so funny how much Dallas was talking about how frustrated Zuko is that he even has this roadblock, and Kiawentiio talks about how much strength she gains from Aang's confidence in her. And yet people keep bringing up...the ship...despite them CLEARLY pushing for kataang.
Like keep the Z/K shipping to the original show FANON, do not involve the actors please dear god. I just think some heterosexual ship shippers think they are more valid and canon because male-female and they're loud. But Z/K is just as much of an impossibility as Zukka or Zukaang or any other fanon ship.
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Thanks for your response. I was the anon who ended the ask with 'the fandom can suck it'. When I saw that anon who you and twinanimatronics had assumed to be the one that keeps you know starting shit with you, I really hated that they labeled us as shipbrain or whatever they said. I am aroace who finds comfort in shipping characters and that doesn't make me any less aroace. Can't people like them just let us have this, let us share it and stop taping our mouths? God. We are not even hurting anyone. I posted a solarxmoon and solarxearth mini comic thing yesterday and behold, I believe that same anon found it and is looking adamantly through the solarxmoon and even solarxearth because I didn't use the tsams tag for my comic. I took the comic down fast and turned off anon messages so quick because God that anon was quick to leave nasty messages, six in total and that was panic attack inducing. I'm sorry for rambling about this. I don't know anyone else who got that same anon on their back. It looks like they are persistent for lack of better term and it annoys me+scares me. Can't even share things I like about here anymore. Hoping solarxmoon becomes canon so that anon can shut up already
If Solar Moon became canon, they don't even need to change anything.
The actors don't even need to pretend to kiss or be romanically involved at all.
It's literally as simple as "Oh yeah, we were dating for months, anyway..."
OH AND... FUCK THAT ANON. I know the user you are talking about, I think there's around two or three of them... and it seems like they're dead set on hunting down people who use that Solarmoon or Solar x Moon tag.
Going into popular users in the tsams fandom that I personally don't know... and spreading bad lies and rumors about me.
Like, they typically try to keep it as vague as possible, like "oh I am not talking about dana-chan-the-control-brain specifically....." but they often steal the exact wording and turn of phrase I use.
Cause I have an overly wordy way of talking on the internet.
I've always been this way since I was 15, so I feel my style of speaking is pretty overly wordy, rambly and long compared to most people just because I don't have a lot to share with my opinions with in real life. And I also misspell things a lot cus spellcheck has gotten worse since it became AI trained and it doesn't help my dyslexia.
But how sad is that? That someone is searching out the tag for a ship that they don't like, claim that "it's everywhere" and I'm "poisoning the fanbase" when I'm just.... here... playing with my own dolls, doing my own thing.... and not bothering anyone... Not even putting the ship in the tags publicly because I have Such respect and love for the silly little youtube show, who also plays with fnaf characters like they're dolls.
(just saying.. "bio-organic" and interdimensional travel did NOT come from fnaf I can tell you that much. )
And yeah, if they're really stumbling across Solarmoon or these ships on accident.......Blacklist the tags and move on? Don't come to my messages... Don't harass my friends...
And don't harass other people I DON'T EVEN KNOW because someone just said "hehe but what if they kissed" on the internet?
Like blocklist the tag, and move on.
I know the blocklisting tagging system sucks sometimes, so maybe it's picking up "Solar" like in that case? Just scroll super fast and don't look at it?
And yeah. You don't deserve those nasty messages sent your way at all!
Oh, and if you feel brave enough to reupload your art to tumblr and DM me, I will gladly reblog it here. <3
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alpaca-clouds · 7 months
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(The concept of) Canon is like an Onion
It has layers.
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Okay, I just gotta be the fandom elder here, because there is a thing that is kinda bugging me. And that is the tendency of especially younger fans of stuff to point at all sorts of suplementary material (artbooks, interviews with creators/actors, articles in magazines and what not) and go: "See, my interpretation of this and that is totally canon!"
And the thing is that... it is a bit more complicated than that. Because what is and isn't canon... Well, it is something people argue about a lot. But the general thing is, basically this. Canonicity can have multiple levels - and the top level of it is basically just the text itself.
Like, older fans of the Star Wars Fandom might still remember Lucas' five (or was it even six?) levels of canon. And those were just based on actual stories. It had become a necessity back then just based on the fact that a lot of the extended universe stuff was at times contradictory - even with the stuff that Lucas himself had done. So according to Lucas, the main canon was just the stuff he had been a part of creating. And then there were levels of things going from "most canon" to "least canon" basically.
But yeah, generally speaking: Canon is the information given within a story itself. You can argue about additional story material maybe being canon (like tie in novels to a movie, for example), but generally even those are not... necessarily canon to the main-thing itself.
I know that these days there is this big thing happening of creators just being very, very accessible to fans. So, the temptation is big to tweet or mail or comment on a twitch of your favorite media's creator/your favorite character's actor/whatever and be like: "I have this theory/analysis. Am I right?" Which is... fine. But you also have to keep in mind that stuff that people privately say is not necessarily authoritatively.
As some of the followers of this blog might know: My OG fandom is Digimon. And boy howdy, can I tell you stories about Digimon's "Word of God". Because... look people, if it is not a book, there is not a singular creator. And the people who were in charge of Digimon, had at times very, very differing ideas from each other.
With Digimon Adventure/02 I interviewed several of the writers. And guess what: I at times got opposing opinions from them. And those opinions were also differing from what the producer and the director said in official interviews and sublementary materials (like artbooks or the novelization).
Two examples are Sora's age and Hikari's crest. Sora is shown to have her birthday in movie 2, which is set in March. Given how Japanese school law works, this would make her 10 during the events of Digimon Adventure and 13 during DIgimon Adventure 02 (because the cut-off date is April 1st). According to Reiko Yoshida, who wrote that movie, this is true. According to the producer, however, no actually the movie is set in April, she is 11 during the events of the first season. And the other fun one: What does Hikari's crest of "light" actually mean. We asked five different people involved and got five different answers.
And the big thing is, that you cannot assume that someone, who is engaging with media, does also engage with ALL THE INTERVIEWS and FOLLOW EVERYONE INVOLVED ON SOCIAL MEDIA. Because most people don't.
I see this happening a lot especially in regards to people interpreting the canonicity of ships - and character sexuality.
Let me use an example where I totally agree with the person in question: Isaac from Castlevania. According to his voice actor Isaac is queer. I totally absolutely read the character this way, no question. But... technically it is never confirmed in the text. So if you come away from it not reading him this way, yeah, that is totally understandable. You do not need to know everything every voice actor said.
And if stuff within the actually story itself is kept vague, you cannot just go and say: "Person XY who also was involved in creating media X said this, so this is the only correct opinion." Because if the text does not confirm it, it is not necessarily "canon" and either interpretation is valid.
And if there is multiple entries as source material, also try to think of what people will usually think of, when you say "Fandom X".
Like, to get back at my own fandoms: Yeah, no, most people will not know about the novelization of Digimon Adventure. Most people will also not have played the Wonderswan games (that also at times outright contradict the primary text in form of the anime). Or with Pirates of the Caribbean: Most fans have never read any of the tie-in novels. Heck, most people do not even know they exist. Meanwhile, also a ton of people do not consider movies 4 and 5 canonical to the Gore Verbinski trilogy, given that again those movies outright contradict some of the stuff stated in the trilogy.
What I am trying to say: Canonicity is, if anything, a spectrum, not a binary. So for the love of all the gods, please stop the entire: "Well, the guy who did the storyboards for three of the scenes in this show agrees with me, so I am right," stuff. I know it is tempting (believe me, I KNOW). But... If it is not in the text, other interpretations are valid.
Also, headcanons are always valid. Always.
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will80sbyers · 6 months
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I don't know. I feel like you lost your hope that byler will be endgame in season 5? I feel like you lost your natural joy in general. I can feel that in the way you write your tells. You seem less dynamic,less happy to be here. It's not a criticism at all, just something I've personally noticed so I wondered if you are doing okay rn.
I'm sorry that I've not been as joyful :(
I'm still sick and don't have much energy these days so it could be part of that too, but yeah I'm not as confident in byler as I was after all of these news, the revelations about the play made me lose hope in a good storyline in general because if they don't care even about the supernatural story why would they make a good story for the characters and not one that can "shock" the audiences and that's it
Do they really care about the details of the story if they change big things this easily just for convenience? Was all the foreshadowing we found just a coincidence or are we misreading things? Maybe they think putting it only because Will is in love with Mike is a good idea even if they don't plan on making them endgame?
Maybe the rainbows were all because of this rainbow operation ship thing of the play and not much about the gay coding? I don't even know anymore.
Do they even care about the themes they presented previously after seeing that they don't even stand up for the innocent Palestinians and don't recognize a state that's acting as an oppressor in the real world? That's also what I'm asking myself about them as a team of writers and as people
I know they don't have to say things but they did for other occasions... that whole speech David made was just a spectacle and not the principles of the people involved in the show?
I loved this show because it seemed like they wanted to convey a message that they aren't upholding outside of it now so why would they uphold it in the finale of the show
and in general outside of stranger things the situation around the world is fucked up and I've been sad for that too, watching the graphic videos I've seen this month impacted me, watching people I care about not care at all also impacted my view of them and it feels lonely irl like I don't have friends because we are too different in basic values, and I was already depressed for other things in my life outside of all of this going back to Italy to my old life was depressing, having to live with my parents again makes me in a bad mood every single day because of how they talk to me
Also the whole fandom seems dead anyway, people have decided to leave stranger things because of what the actors and Ross did (which is completely valid) so there isn't even much to interact with in my dash at least
I'm sorry that I can't find a way to be more happy but it's just not a good period at all for me... I hope to find back my passion for the show and the fandom when they start filming, I'm just really afraid that my favourite character will be mistreated again in the end and I'm not sure about what they think will be a good "happy" ending at the moment
In general I think that even starting from a place where I didn't expect too much from them I may have highly overestimated their writing and maybe the redditors are right and stranger things will end up being that type of shitty (imo) story "the 80s nostalgia straight show" that they want
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eisforeidolon · 7 months
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Okay, today is the kind of day where I really can't just scroll past something like this nonsense without comment [X]. To paraphrase: D/C fans totes loved Jared and really wanted to support Walker but just couldn't because the finale was such a betrayal :( :( :(. We're not hateful for the sake of being bitter, it's just so sad we had to turn on Jared because [implied batshit crazy]! FFS.
First, as if we don't remember how many fucking times hellers attacked Jared over utter bullshit long before the finale. Not only have they always been hateful little shits, they've always lied through their teeth about it. Some post from three years ago doing the same old same old, "Oh we're totally the GOOD side of fandom who never hate anybody, lookit our halos!" song and dance doesn't mean jack shit.
Second, what the fuck do they think being bitter means? "The tv show I was watching refused to cater to me personally by throwing away the core premise and genre of the show, which is totally unfaiiiiir - despite common sense and me being told repeatedly they wouldn't ever do so. Therefore I'm going to quote unquote punish the network and the stars by not watching any of their other shows! So there!" Like ... what? It's absurdly bitter - not to mention childish. Which doesn't even get into the giant black hole of logic that is blaming the actors for the writing which was done by the, y'know, writers.
But let's pretend for a moment it's not inherently bitter (as well as fucking ridiculous) to be butthurt a tv show didn't end in bad OOC fanfic out of nowhere and to blame the actors for it. They still prove it's nothing more than sour grapes bitter shipwar bullshit by ONLY singling out Jared and Walker. If they were really actually trying to avoid supporting the CW and ALL those involved in the finale rightfully disappointing their delusional asses? Misha conspired a year in advance to queerbait them with Castiel's death scene, pitched only as one-sided and with him knowing Castiel wouldn't be in the final two episodes. Jensen knew the ending was centering on the brothers as early as Jared did when they talked with the writers and played just at least as much of a part in adding little touches to make the finale as brother-centric as it was, including removing dialogue mentions of Castiel. Jensen also nodded along with Jared's Denvercon answer about how Castiel's death speech wasn't inherently romantic and added his own concurring opinion. And yet somehow, just by pure coincidence, really, I'm sure! It's only Walker and Jared they decided to boycott - while most of them wandered around proclaiming how happy they were to tune in to TW and GK on the supposedly oh-so-evil CW. But they totes love Jared, really! 🙄 They just can't help personally blaming just him for the finale because if there is a reboot he isn't half their shitty ship there was, like, totally an Easter egg mentioning going to Texas or whatever! Yeah! The finale is totally Walker propaganda!!! So they just couldn't watch only that CW show, though they really really wanted to! 😢
This transparent bullshit was at least funnier when it had hypnotiddies in it.
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rockymintscollective · 2 months
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Small Neil Perry Rant from Dead Poets Society (SPOILERS AHEAD)
Okay before I continue this I must reiterate the fact that this has spoilers and will also involve heavy subjects such as suicide, death, and grief of said death. This also involves parental issues and possible alluded-to abuse. This will be a heavy rant.
Continue reading if you're fine with said subjects.
Okay I have to say I don't understand what one of my other friends (I'll call them Friend C, Friend A being the one who said positive things, but I'll get to that) said about not getting/understanding what the end of the movie was like.
I understand that it would come as a shock for most, but... The signs were right there for Neil Perry to have at least some implied depression or something to make him so affected.
Like you see it in the first scene. Or well not the first scene but one of the first interactions that Neil has with his dad.
Most kids call their parents by "Dad" or "mom" or even "Pa" and "Ma", but you see Neil calling him "Father." Not even something less formal, he calls him father. All the time. Even whenever you see him talk to Todd later on when he finds interest in theater, you hear him call his dad by father.
Also adding onto this---You see most of the other characters, such as Meeks or as Knox say "dad" or "mom" if I recall correctly. It's been a few hours since I've seen the movie but you get what I mean.
Also, adding onto the fact that Neil outright lies to Mr. Keating about his talk with his dad? Like you know that there must've been something that made him that afraid to talk to his dad about wanting to become an actor.
Not only that but you see it. Especially so whenever his dad comes and picks him up after the show, takes him home, and tells him he's going to be sent off to Military school. That shit's NOT easy, and that's coming from someone who's had military family members confess how rough it is.
Adding onto this, you HAVE to understand the fact that you have to be in that kid's shoes and imagine what it must feel like.
You're about to lose all your friends. About to lose the one thing that made you happy. About to lose the one teacher you liked, about to basically lose everything. He's also aware of the fact that when he graduates, he's immediately being shipped off to medical school.
Which, by the way, I think everyone forgets that fact. His father was that engrossed with his own life that he was going to just send his son off to medical school as soon as he finished Welton. Like he genuinely had no say about his future or his life. I'm pretty sure if his father could, he would've found him a woman to marry. /lh
Anyway. You kinda also feel like there's no other hope left, right? Basically left alone and even if you try to cut contact, you're probably still going to have constant reminders of your father and he'll probably hunt you down, either way.
So of course your last option would probably be, as morbid as it is, to. You know. Stop the clock early.
Also, can I just say, the way everyone coped with everything is so understandable? Like oh my god.
Sure you don't see much of how they react or how they feel, mostly just seeing Todd and Charlie's reactions, but my god that's enough to see to know.
Todd's utterly broken self and puking into the snow in response to everything, while all the others have to try and distract him from blaming Neil's dad. (Which honestly, if I was one of them, I too would accuse Neil's dad to be honest)
Not only that but Charlie telling them all to back off and to stop to let Todd grieve in his own way?? My god. That shit fucking felt like a bag of bricks hitting my chest my GOD.
Also I'm bringing up my mutual Wildernezz's rant in here about the scene with the punching because oh my god. Yeah. I see why it's so underrated but I agree with every single one of those points he made. Like oh my god
Also, personal opinion: The ending where Keating goes to leave and Todd stands up, with an outburst, going "They made us sign it I'm so sorry-" was so amazingly shot. Especially the scene where they also all stand on their desks. Well not all of them but you get what I mean
Like they all clearly care so very deeply for Mr. Keating and care about how he teaches. They loved him as a teacher and you can tell with how they act.
Like.... You can just tell they adored it with his class. Like
My mind's dying (/dram) right now but I still so very much am in love with this movie and I heard they had a book they made based on this said movie and I'm so interested in reading it so I'll get back to you on that
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lagosbratzdoll · 24 days
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https://www.tumblr.com/fragileheartbeats/748430968090755072/ok-so-i-watched-promo-and-im-embarrassed-instead?source=share
TB actors can't have fun...
And I don't know why but some of this post feels racist. That white guy makes black actors look plain, wtf?
It’s a very weird post to be sure.
I don’t care to address most of the other points because other people have spent months trying to drum into their heads that much of the hate that Rhaenyra faces is baseless and driven by misogyny.
“So it's straight up an insult to the actors not the characters. And weren't blacks the one who were angry because Criston and season 2 Aegon are too hot? And I mean Aemond is so famous and one of the reasons is because he's sexy and sorry to break it to you but Alicent is more beautiful and feminine that Rhaenyra... So yeah bullshit. Just Aegon himself is enough to make you guys all look plain.”
This made me laugh. I can’t lie. Steve Toussaint ribbing his cast mates, who he knows, will never be the issue they keep trying to make it. Everyone’s reaction to this has been strange. A couple of weeks ago, a tweet comparing Corlys to a horse had almost 5k likes. When black people were like, that’s a weird thing to tweet, everyone kept gaslighting us. 
People kept telling us it wasn’t racially motivated, and they argued that the fact that only a crackship involving a dark-skinned black person was generating this much vitriol was simply coincidental. Keep in mind, in this fandom, everyone ships everyone, and I mean everyone. The fandom will hop, skip and jump over racism and racist posts to make ugly white people the victims. 
In that vein, what explanations would the Greens offer for their usurpation? “She’s a whore and her children are bastards”? Do you honestly believe that Anno Domini MMXXIV, sane individuals will start screeching about “bastardy” and “whoredom” as moral failings? I need all of you to be serious. No matter how much you freaks try, Bobblehead and Crescent Moon will never be the victims you keep trying to frame them as. That last part about Alicent and Rhaenyra, what a weird thing to put out into the universe. 
Also, I read the comments and I have to wonder where people are getting this George is anti-feudalism and anti-monarchy reading from. George is anti-war, and that is very clear in his writing, but the rest is just personal bias leaking through. Where is this coming from, considering the smallfolk are rarely individualised? Outside of prologues and epilogues, there are only four lowborn POVs in the entire body of work. There’s no movement to end monarchy and the concept of nobility. The main cast of characters are in the middle of various plots to reclaim/hold on to their ancestral seats. Well, except for Daenerys who is fighting slavery and Jon who is busy being dead. 
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outrunningthedark · 3 months
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The thing with ‘what if it works? Is it the end of buddie?’ is that how could they possibly top everything about buddie for FIVE seasons with someone people barely know. Let’s say the storyline could be good, but the organic chemistry they have yet to replicate with any LI. It MIGHT work for a while for people who just care about Buck kissing a man and don’t care about Eddie though.
Yeah, the chemistry has been a blessing and a curse (for fans and Tim, surely, lol). Buddie became Buddie because of the way Ryan + Oliver hit it off that first day, in the first scenes we would end up seeing them in together. But both characters being men who were supposed to be straight took the new ship potential off the table. (As we've said many times, if the new firefighter brought in was a woman, it'd have been a no-brainer. And the audience would've gladly supported that relationship after watching Abby break Buck's heart.) So instead of writing a clear-cut love story, a slow burn that has the audience wondering when they're gonna finally kiss, the people involved in planning their trajectory have to explore deeper feelings in subtle ways, ie Buck wanting to go rescue Eddie underground and Hen knowing that Buck would die down there with Eddie if he couldn't bring them both back up. I really feel for everyone that cares about these characters and wants to see their friendship turn into something more. (I think anyone who knows me knows how I feel about the Chris and his two dads.) But I also feel for Tim and the people that work on the show who are able to see what we've seen from the beginning; just knowing what I know through my years of experience as a viewer, and craving queer stories when the options weren't only limited, but nonexistent, I have to believe what's gone on behind the scenes and whatever may happen in the future (if it doesn't go the way our fandom hopes it will) is more complex than "Well, if the actors wanna do it, I don't see the problem." You want to assume times have changed because "it's 2024 wtf", but you can't make other people see what they don't want to see.
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princeanxious · 1 year
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are you out of the TSS fandom for good, do you think? just burned out on lack of updates?
I mean, it's complicated.
Edit: pressed answer instead of save to drafts while trying to back out, tumblr what the fuck
Anyway, it's complicated. I've become burnt out creatively lately, and I've been part of the sanders sides Fandom since 2018, it's been a big portion of my life, I'm not letting it go that easily.
However, this is my main blog, and I cant really shift everything to a new side blog, so I do feel bad for those who followed me exclusively for sanders sides are now seeing a v distinct lack of it.
But for the most part, yeah, I'm burned out on a lack of updates, I was a fander creator doing as much as I could to create content to entertain myself just as much as for others in-between the hiatus-gaps while awaiting updates. I love these characters with all my heart, but every gap in between has gotten longer and longer, I can't keep waiting for a year at a time for one single update even if the finished product is grand and *absolutely worth* the time it took to make. I was scrambling, bc I no longer have the time I used to to create my own fanart and fanfiction and animatics for this fandom, and I can only reread the library of my favorite saved works over so many times before I feel hollow and under-stimulated.
It'd be one thing if the rest of the fandom was as active as it used to be, I bounce off others creative energy far easier than single handedly manifesting my own inspirations all the time. But it's not, and interaction with my own content slowed way down. (Not to say that I'm leaving just bc of this or anything, but its become a struggle to feel motivated to keep going when there's literally nothing new from Canon to keep riffing from.)
I have the want to finish my remaining fics, specifically The Lost Guardian in particular at the very least, but I just can't solely be a sanders sides blog like I used to be.
I'll be here when that season finale comes out, but at this rate of progression, I think Thomas has overestimated the fact that this could very well be a series finale, not season finale. And I've come to peace with that, if only Thomas would be more transparent abt it.
Sure, Thomas has other content, but funfact, I've had very relatively low interest in getting super into it, there isn't the same level of comfort in shipping characters of a single person with the versions themselves when other characters played by other people are involved, especially when u know that they are alot of his v close friends. I don't ship real world actors together, especially if they play a character very close to representing themselves. The characters they play, maybe, but that's why I'm far more entertained and comfortable with animated media.
In short, I'm tired and burnt out and for now-for *whatever* reason- the silly lanky clown jesters from fnaf have more of a grasp on my brain than sanders sides does. I'm following the serotonin.
I may still create sanders sides content in the future, but getting maybe 100-500 notes on a piece when u have a fandom following of roughly 11.5k followers from over the years has spoken volumes on how active the community is rn. I'm not leaving, but I can't be stagnant and hyperfixate on this anymore after doing so for almost 6 years straight. Yknow?
And for those who have always left a comment, shared my work, interacted with me in any capacity over the years in this fandom, and have made my time in this fandom worth while, thank you. I love you. U have made every second worth it💜
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xxlady-lunaxx · 28 days
Text
Will you love me? | {KokuZan}
Tumblr media
Theme: Floof mostly
Note: Modern AU? They're sons of two businessmen who are working together (idk make it up), they're not dating yet- 
Muzan's dating Uta (I DONT SHIP THIS OK ITS JS FOR THE PLOT)
Koku's single :3 
aaand a bit of YoriiUta
×××
Yoriichi had always been the favorite. The favorite child, the media's favorite, the school's favorite. Michikatsu shadowed him almost always, only approached so people could get Yoriichi's number. Occasionally, people would go up to Michikatsu to get to know him, but it usually involved ulterior motives such as gaining fame or having some 'friend with benefits'. It tended to be women who were like this and, in fact, Michikatsu had absolutely no interest in them.
Days, months, years of being overshone by Yoriichi made life pretty much like being the background actor in a show—nobody knew or cared who you were, barely even noticed you. Sometimes even his own parents.
So it was strange when, one day, his parents told them both that they would be working with some other business. They invited the family who owned the business over for dinner. Interestingly, they also had a son, around Michikatsu and Yoriichi's age. The three of them were sent upstairs so the adults would talk about 'more important matters.'
The son was a bit on the shorter side with short, cropped black hair and intense red eyes. His name was Muzan, he said. But it wasn't about who he was, or how he looked. More about where his attention was drawn to.
Usually, people turned to Yoriichi, having recogonized him from some modeling in a magazine Michikatsu had never heard about before. But this time, Muzan addressed Michikatsu first with, what seemed like, genuine curiosity in his gaze.
"You're Michikatsu, right?" he asked.
Michikatsu and Yoriichi both stared at him, stunned. Having expected the attention to be droven to his younger brother, Michikatsu had already positioned himself behind Yoriichi. So when Muzan had spoken, not to Yoriichi, but to Michikatsu, the twins both stood there, half wondering if this was their imagination.
Then, perhaps getting a grip of himself, Yoriichi, relieved, drew the spotlight onto Michikatsu, stepping back to give the two space.
"I... Yeah, I am," Michikatsu said. He wondered how Yoriichi did this, constantly having to talk to random people he'd never met before but seemed to know way too much about him. Or just having to talk to people in general. "Uh... How do you know me?"
Muzan laughed. "You're the brother of Mr. Famous here, how would I not know you?" he asked, raising an eyebrow. 
"Yeah, well, nobody bothers to learn my name," Michikatsu said scornfully. He sounded childish. Oh, whatever.
"Why not?" Muzan asked, frowning.
Yoriichi let out a breath.
"Yoriichi, here, is always the center of attention," Michikatsu said, trying to sound lighthearted. "People love him best."
"I'd prefer if they didn't, though," Yoriichi interjected, sounding guilty. "I dislike it."
Michikatsu lifted a shoulder. "Guess we're born to get everything we don't want."
"I get that," Muzan said, nodding. "Uta—my girlfriend—is always being pushed aside when people recognize me in public."
Girlfriend? And, for seemingly no reason, Michikatsu felt a momentary frown curve his lips down—before catching himself and plastering on a smile. "Well, welcome to the club to her, then..."
Muzan shook his head. "It's got to be very annoying, hasn't it? Personally, I like being in attention," he admitted, a grin growing on his face, before falling. "But it's hard for Uta, which makes it hard for our relationship in general."
"Ah. Maybe we should meet sometime. You and Yoriichi can walk down a red carpet and Uta and I could be your shadows..." Michikatsu offered. What kind of person was Uta? If she experienced something similar to himself, would Muzan perhaps be interested in Michikatsu in the future...? 
Yoriichi shook his head. "I'd rather be the shadow."
"Well, you don't always get what you want," Michikatsu said, a bitter laugh growing on his tongue.
Muzan sighed. "Sorry."
"What?" both of the Tsugikuni's asked, turning back to him.
"I'm the only one content with my position-ish," Muzan said, shrugging. "I feel bad."
"What, did you cause all of this?" Michikatsu asked, raising an eyebrow.
"...yep. I... cast a magic spell on you before you were born to get exactly what you don't want," Muzan said, raising his hands and wiggling his fingers in what was probably supposed to look like a sinister move—but looked ridiculous.
Yoriichi rolled his eyes.
"You look younger than us," Michikatsu said, lips quirking in a smile.
"...I am. But that doesn't matter," Muzan said, frowning. 
"Whatever you say."
×××
They ended up meeting Uta only a couple days later. Muzan had visited again with his parents and had brought her along. Yoriichi and Uta seemed to get along quickly—though their personalities seemed like polar opposites. Uta was like a ball of sunshine, very enthusiastic and Michikatsu wondered why she was neglected by the public. But, then again, Michikatsu had always been the social one.
"Uta seems nice," Michikatsu remarked, as he and Muzan wandered over to a different room.
"Yep! She's very sweet," Muzan said. Then paused, looking uncomfortable. "Oh, but there's something else..."
Michikatsu tilted his head in his direction. "Hm?"
"Okay, uhm." Muzan looked behind him and, once comfirming that nobody was there, turned back. "Don't tell her, okay?"
Michikatsu raised an eyebrow. "Tell her what?"
"I'm getting to that! Right, so, uhm... Yeah, I care for her a lot and everything... but..." Muzan hesitated.
"Go on. I won't say anything," Michikatsu assured him.
"Uh... I... I think I'm gay," Muzan blurted out. 
Michikatsu blinked. "What-"
"I don't know, or maybe I'm just bi or whatever. But, like, either I'm just losing feelings for her or I'm realizing I'm not into women because... because there's this other guy who I think I like and, well, yeah. I don't know how to tell her since I really do care about her a lot but, I just... Don't know," Muzan said, defeated.
Michikatsu patted him awkwardly. "You should probably just talk to her about it."
"I know..." Muzan whined. "I don't know how!"
"Don't know how to what?"
Muzan and Michikatsu turned to see Uta and Yoriichi walking towards them.
"Ehm..." Muzan hesitated and glanced at Michikatsu who gave him an encouraging look. 
Uta stopped, giving him a curious smile. "Hm?"
"I... uh... Nevermind. I'll tell you later," Muzan said quickly, plastering on a smile.
Uta nodded. "Alright! I have to go now, also." She waved her phone on the air. "My mother texted me."
"Ohhh, 'kay, 'kay," Muzan agreed. "See you later?"
"Mhm! I'll text you," Uta said with a smile. She turned to Yoriichi. "It was nice meeting you too!"
Yoriichi nodded. "It was."
Uta waved to Michikatsu then bounded towards the stairs on her way out.
Muzan and Michikatsu turned to Yoriichi who was watching Uta go.
"Do... you like her?" Muzan asked, a sly grin growing on his face.
Yoriichi snapped his head towards him, eyes wide. "What? No! Isn't she your girlfriend, anyways?"
Muzan rubbed the back of his head. "Yeah..."
Yoriichi frowned. "Is there something you have to say?"
Muzan lifted a shoulder. "Kinda? I may or may not be losing feelings for her."
Yoriichi raised an eyebrow. "She seems very likeable, though..."
"So you do like her?" Muzan asked, pointing at him. 
"Wha- No!" he protested.
Michikatsu watched them, his own thoughts mulling. So... if Muzan liked this other 'guy', that meant he liked a man, which meant Michikatsu had even more of a chance. Although he wasn't quite sure why it mattered. 
×××
Muzan and Uta started visiting more throughout the following month, on their own time. Michikatsu and Yoriichi occasionally visiting Muzan's house as well. They never went out in public, of course, but it was still very fun. They usually refrained from visiting people or having others visit since usually it turned into a fiasco. But it was fun, now.
Uta and Yoriichi were spending more time together whilst Muzan and Michikatsu were usually elsewhere, and Muzan still hadn't managed to break the news to Uta.
However, finally, Michikatsu persuaded him to tell her, saying it would only worsen their relationship if it continued on.
Muzan finally caved and agreed. So now Michikatsu and Yoriichi were spying on the two as Muzan drew up the courage to tell her.
Uta sat on Muzan's bed, organizing his things since he was, in fact, the messiest person to exist. Muzan entered, his nervousness clear on his face. He sat down beside her and she looked up with a smile.
"Hi!" she said, closing one of the drawers she'd been placing things in.
"Hey... Uhhh, Uta, can I talk to you?" he asked, eyes darting to and fro.
"Of course. What's wrong?" she said, placing her hands on her lap. 
"So... I... want to..." He paused. "Break up?"
She blinked. "What?"
"Sorry. I still care about you a lot, but I think I might be into men. I don't know for sure if it's only, but I don't see myself liking you the way I used to, I guess," Muzan said, talking quickly.
"Oh!" She frowned. "Am I doing something wrong?"
He shook his head frantically. "No, no, you're doing amazingly! I just don't like you... romantically anymore, I'm sorry. It's not your fault."
"Oh. Okay," she said, nodding slowly.
"You're... fine with it?" he asked.
She nodded again. "Its your own choice and your emotions. It's fine."
He smiled. "Thanks. This is why you're the best."
She laughed. "I wouldn't say I'm the best. Will you tell me how you figured this out, though?"
Muzan coughed. "There's... this person I like. A boy. Uhm..."
Uta's eyes lit up, seemingly forgetting the previous conversation. "Tell me about him. Do I know him?"
Muzan nodded. "Yeah."
"What's his name?" she asked.
"I'm... not telling you that," Muzan said, glancing towards where Michikatsu and Yoriichi were hiding.
Uta raised an eyebrow, leaning closer. "Tell me!"
"...Later," he said.
"Promise?"
"...yeah."
×××
"Yoriichi, you like Uta, right?" Muzan asked, leaning against the door frame. Uta had left and hour ago and Michikatsu and Yoriichi were about to go, having been called home by their parents.
Yoriichi shied away, averting his eyes. 
"Just tell her!" Muzan said encouragingly. "...but maybe after she tells you more formally that she and I broke up. Because she doesn't know you were stalking us."
"I wasn't stalking. And Michikatsu was too..." Yoriichi mumbled.
Muzan laughed. "Just do it, okay?"
Yoriichi nodded slowly. "Eventually."
"I didn't know you could be so shy," Michikatsu said pointedly as he and Yoriichi slipped into the backseat of the car quickly, tugging off the masks they had worn to avoid recognition.
"Shut up," Yoriichi huffed, looking away. He paused and looked back. "Don't you like Muzan?"
Michikatsu rolled his eyes, feeling his face heat up. "I do not!"
"Mhm. I've seen how you look at him," Yoriichi said, his own sort of smugness forming on his face as he gained the upperhand. 
"Uhm. I look at him normally!" Michikatsu protested, though he was sure his cheeks betrayed him. 
Yoriichi nodded—though in the most mocking manner. "Yes, very normally. Intensely, too, I may add."
Michikatsu spluttered for a response then opted to cross his arms, looking out the one-sided window as the streets rolled by. 
Did he like Muzan? Probably. Yes, he did. But the thing was, Muzan was probably not into him. He already had his eyes set on someone, he'd said. So... it was time to throw away any wishful thinking and put himself straight.
×××
...It didn't work.
Despite trying to think of anything else, putting his focus into whatever the hell his parents expected of him, literally doing the most random things ever, his mind would wander back to Muzan. It seemed sudden but, maybe, it was just some self-awareness that brought him to realize how much he'd actually been thinking about Muzan.
But then, it didn't matter if he did or didn't like Muzan. There wasn't that high of a chance for Muzan to like him, and he'd just broken up with Uta, so...
And yet.
(rushing this bc i'm lazy LMFAO)
Muzan texted him one day, asking if he wanted to come over. Obviously, Michikatsu said yes. Yoriichi was focused on something or other and was unable to come, so he arrived at the house alone.
Muzan let him in, guiding him to the room, talking about the most random things. They sat down—Muzan on his bed, Michikatsu on a chair. 
"Why'd you invite me over?" Michikatsu asked at one point, when the conversation paused. 
Muzan lifted a shoulder. "Just... bored? I guess?" he said. It was plausible. It just didn't sound genuine.
"Ooookay," Michikatsu said slowly, drawing out the word. "Are you doing anything this week?" he asked.
Muzan thought for a moment. "Yeah. I think I'm busy."
"You think?"
"I didn't look over the schedule," he said, a quick smirk flitting over his face. "They gave it to me and I only saw there was a lot written. I just tossed it aside... somewhere."
Michikatsu raised an eyebrow. "For someone who likes the fame, you're very bad at keeping it."
"Hey, people still love me, no?" Muzan said, flashing him a grin and leaning back against a mountain of pillows. 
Michikatsu laughed. "Sure."
"Anyways... Speaking of love," Muzan said, averting his eyes.
So this was what Muzan had asked him over for. "Yes?" 
"The... You know the boy I liked?" Muzan asked, still no meeting his eyes.
Michikatsu nodded—then realized Muzan couldn't see that. "Yes, I do. Liked? Did you stop liking him?"
"No, no," Muzan said, looking up quickly and shaking his head. "I still like him."
"Ah. Who is it?"
Muzan frowned. "About that."
"Hm?"
"It's you."
Michikatsu took a moment to process the words, staring blankly at Muzan. "...Huh?"
"It's you," Muzan repeated patiently, a slow blush rising in his cheeks. "I like you."
"...What?" Michikatsu had, in fact, still not comprehended what he was hearing.
"I like you, okay? I know it's weird and everything, especially since we haven't even known each other for over a year or whatever, I don't know, I'm sorry," Muzan ranted, stumbling over his words. 
"I... I-" Michikatsu was at loss of what to say, his head spinning. What??
Muzan groaned, grabbing a pillow and stuffing his face in it, screaming through gritted teeth. "Fuuck... Sorry, sorry, forget it all. Forget what I said," he mumbled, his words muffled by the pillow. "Sorry. I don't want to make it weird for you. Pretend I never said anything."
Michikatsu shook his head—realizing not for the first time that Muzan couldn't see him—and said, quietly, "It's not that. I don't... not like you? It's not that I don't like you, I like you, I don't not like you, I didn't know you liked me, I thought you didn't like me, I didn't know you didn't not like me." Then blinked, realizing he wasn't making sense.
Muzan had looked up. "Could you repeat that...?" he asked, after Michikatsu was done with his rant of nonsense. 
"I... Sorry. Yes," Michikatsu said, letting out a breath.
"You don't have to say sorry," Muzan said. 
"...You just said it more times than I did," he pointed it.
"Okay, true, sorry, go on."
Michikatsu raised an eyebrow but said nothing of it. "I meant that my silence wasn't because I dislike you or anything. I do like you... the same way? I think? Assuming you like me romantically... I didn't say anything before because you were dating Uta, and then you weren't really giving signs that you liked me, so..."
Muzan nodded slowly. "So you like me back?—ALSO I DID GIVE SIGNS." 
"You did not. And yes, I do," Michikatsu said with a quick nod, turning his head away, heat flickering in his face.
"Then... can we date?" Muzan asked, so suddenly Michikatsu jolted.
"Wha- I- ...yes," Michikatsu said, his face turning beet red.
Muzan laughed. "What's with all this blushing??"
"I'm... not!" 
"You are."
"Your question was just random," Michikatsu murmured. 
"It wasn't at all. Can I kiss you?" Muzan asked, grinning as Michikatsu turned an impossibly darker shade of red. "Your head is going to burst if you keep blushing."
"I'm... not blushing...!" Michikatsu insisted, though even the stupidest person could tell him he was.
"Sure, but are you going to answer me?" Muzan said, changing the subject.
"...Okay."
"Okay you'll answer or okay I can kiss you?" he asked, putting the pillow aside and standing up.
"...both?" Michikatsu said tentatively, hands fiddling on his lap.
Muzan smiled and promptly plopped onto the desk, a finger curling under Michikatsu's chin, tilting his head up.
"I don't... like this position," Michikatsu mumbled, frowning slightly. 
Muzan quirked an eyebrow. "No? You're still redder than a ripe tomato."
"...shut up."
"Make me," Muzan challenged, eyes glinting with mischief.
Michikatsu was hit with a sudden burst of confidence from who knows where; perhaps he had stolen it from Muzan. Nevertheless, he stood, coming a bit higher than Muzan despite the fact that he was sitting on the desk. He cupped Muzan's head in his hands, pulling him forward slightly. There was a sliver of space between their lips and Michikatsu waited, wondering if this was too much. Then Muzan leaned forward slightly and all was forgotten, his eyes fluttering close as their mouths fit together, the plush of Muzan's lips against his own.
The kiss was brief but sweet and when they pulled apart, they looked away simutaneously, a shy blush powdering their cheeks.
Then the door burst open and they scrambled back; Muzan pressed against the wall behind his desk, Michikatsu nearly tripping over the chair.
Uta barged in, a bag in her hand, arms raised up and a triumphant smile on her face. She took one look at them and quickly left, shutting the door behind her.
Muzan and Michikatsu blinked, then turned to stare at each other. There was a beat of silence before both burst into an awkward, nervous laugh as Michikatsu straightened himself up, fixing the chair. 
"So..." Muzan said casually, hopping down from the desk. 
Michikatsu tilted his head, looking down at him. "Hm?"
"You're my boyfriend now."
"And you're mine," Michikatsu agreed with a faint smile.
"Great. I'm going to go brag to Uta now, considering that she's here already," Muzan said. 
"No, don't-" Michikatsu whined, but Muzan was already striding out the door, deaf to his protests.
×××
« Word count: 2953 »
pretend this is good 💀
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