#yeah it’s been a truly horrifying reading experience for me and not for the reasons i suspected | Explore Tumblr Posts and Blogs

vvatchword · 11 months

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Realizing that you have become polarizing for literally no reason is one of the oddest experiences in the known universe. Most of my life, I've had to work on my own sense of self-importance.

"u ain't shit," I'd say to myself. "U are just like any other goofy human being. Learn a little fucking humility."

It helped that life itself joined in and started curb-stomping me. Yeah u ain't shit let me show you what you look like on the inside bitch

But after this experience i went to my best friend and said, "I have just realized i am a motherfucking genius."

"now i think you are, too," she said.

You know why learning to read is important? Because it's how we organize and collate our thoughts. And it is horrifying how very, very badly that these people read. Hell, I'm not sure I was read at all! I'm pretty sure i was added to a long and sprawling blacklist and that there are return visitors to my blog activity to harass supporters.

This whole thing has also been a learning experience. How many times have i been guilty of abandoning OP's context to ramble off on some side track that's way outside their scope? Kinda rude honestly, especially if i held them accountable for not hitting my extremely specific new direction. There's a difference between adding to a concept and yanking it into a full 180. There's also a difference between judging someone harshly for an omission or mistake and being able to look at the rest of their work and realize it was just a bobble, something they would gladly correct or modify with a spot of discussion.

There is no optimism in essayism. Or on the internet, for that matter.

I will say that it's wild how someone can just say something without any proof and bam: that is the truth now. Because it's easy to consume, because the person disagreeing with me is who people want to believe, whereas i wrote a very long and complicated and unpleasant thing in support of media already lying firmly beneath the heel of a devoted hate machine. And who wants the trouble of dealing with a harassment campaign? Don't blame people for not reblogging or commenting. No, not at all.

It also makes me think about some of my favorite essayists, all of whom have been the targets of focused harassment attempts. Man, i will miss Lindsay Ellis until the end of fucking time and i will always resent the dumb fucking bullshit that drove her away. And for what? If anything, her treatment and the general handling of the situation proves the only way to win is not to play. Nobody wanted her to win and she was never going to be given the credit of a doubt as an adult human being with a working brain.

The control of the flow of ideas: controlling who sees whose work, probably with a single sentence of unsubstantiated bullshit. I'm looking at everything differently now: why do i feel the ways i do? Where and why did i consume bullshit, hook, line, and sinker?

The only thing I would change about the BioShock essay is responding to the Lakota blogger at all. Take the one correction that mattered and go on. Because there was nothing there to debate--what they were bringing up, the reasons they said what they said, and the ways they said them was for a very good reason: it involved family and their unjust murders. So i should have granted grace in that case: should have understood that a deep and violent hatred was fucking guaranteed, and that an intelligent debate was never, ever going to happen--not because the blogger was not intelligent, but because they were furious. What's more, if said blogger were truly Lakota, i could've gotten more cultural context. If that person ever shows up around here again, I'd extend an apology for not thinking about that.

But c'est la vie. Time to take that correction into the future.

But for everything and everyone else:

#vvatchword

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cornfarm · 3 years

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waves against the rocks

saiki kusuo x reader

word count: 2.0k

synopsis: you show saiki your powers. he’s unbearibly jealous, yet for the first time, he feels seen and understood by another person.

cws: mention of the reader having a bad family

genre: melancholic fluff

reader is gender neutral!

===================================================

notes:

greetings... i promise i’m working on cease and desist part 2 but i keep starting one shots;; I ALSO DECIDED TO CHANGE MY TEXT FORMAT... i yoinked all the capital letters away... it feels a bit more liberating

whenever i make my crazy op self insert oc, i always think about how i can make them a foil/double to the characters i like. for example my gintama s/i is also a traumatized war veteran. i thought like... wouldn’t it be fun to write the reader character as a direct foil AND double to saiki? they have everything he doesn’t, but he has a lot that they dont and it’s like,., mutual jealousy.

i also wanted to write saiki properly empathizing with someone. aiura and toritsuka are so fun because they both have different moral compasses with their powers and how they’d like to use them. however despite the fact theyre all psychics, saiki can’t really empathize with either of them.

i wanted to have saiki be excited about something, and feel truly seen. empathy is a very powerful thing.

i hope the “ability” i chose isn’t too cringe;;;

i can’t help but feel like i write saiki ooc so feedback would be super appreciated!

===================================================

perception. the way people are seen by others, the mental images and sour thoughts rooted in nothing but misconception. the falsafied persona of greatness, beauty, and kindness. perception.

you kept saiki afterschool. tugging at his sleeve, you quietly asked “i need to show you something, stay here for a few extra minutes?”. he refused you at first, but you stayed firm, “i need you to stay.” fierce. he decided to stay.

but you stood before saiki, right? were you there? he suddenly felt a bit weary, head pounding at the thought of you. your name, voice, scent, failing to find matches in his library of records. when he thought of you, his brain flickered through the faces and names of everyone else he knew.

you were a gap, a void, a sudden unconjurable memory. it was horrifying. but he quickly accepted it. the body circling behind of him was none of his concern, because there was nobody there. he supposes he should go home now. why was he standing alone in the classroom anyways?

firm hands land on his shoulders, warm, present. he remembers why he’s here.

“it’s not that i’m invisible, it’s just that your brain can’t recognize me, and refuses to acknolwedge me as a thing that exists.”

like a wave crashing against a rocky shore, the void is filled. your voice, your scent, your name, all slotted back into place in his mental library. he recognizes the hands on your shoulders as yours.

a hand snakes around and pushes up his glasses, covering his eyes.

“it’s not about visibility, it’s perception. you are unable to percieve me as a living thing, or of anything of importance. that’s why you can’t read my thoughts, and that’s why you’re so quick to give up trying to recall me.”

he’s practically trembling- you have one power. it was simple, but it managed to find a loophole around practically all of his.

“that’s terrifying.”

“right?”

you take your hands away and step in front of him. he adjusts his glasses properly.

“were you born with it?”

you nod, “it caused me trouble when i was a kid. i almost got left at an airport,” you chuckle.

“does anyone else know?”

“i’ve tried to tell my parents but they don’t believe me. they called me a liar and delusional, so i decided to stop trying with them. nobody else knows, i’ve never told any of my past friends either. when i found out about your powers, i thought maybe someone would finally understand. that’s the only reason i wanted to tell you.”

your lip quivers, “you believe me, right?”

truth be told, saiki’s stunned. he wasn’t expecting someone like you to have such an abrasive ability. despite how reclusive and fittingly unnoticeable it is, it was certainly powerful.

he’s jealous. you were able to freely aquire something he wanted- privacy, but he does believe you, afterall he just watched you waltz around him, outside of his keen field of view.

“yeah, i do.”

you smile, bright and wide- you’re nearly trembling. was being believed that big of a deal to you?

you take a step forward and embrace him, wrapping your arms around his torso as your head presses against his chest. he goes a bit stiff, and glances at the door. “hey, someone might walk in-”

“it’s fine.” you look up at him, meeting his eyes, and oh. your eyes are glimmering, shining greater than he’s ever seen them, “they won’t.”

burying your face back into him, he tenataively wraps his arms around your back. you continue, voice muffled, “’m sorry, you’re the first person who’s accepted me. i’m happy.”

the emotional explanation for your actions ease him a bit, “it’s fine.” he states back.

you finally pull away, and for a brief moment as you lose connection, you flicker out of his view, but you come back in again, placing your hand on his.

“actually, i can touch you while using my power without you being affected by them, but i’m manually using it on you right now.”

“if you touch someone while making sure they still can’t see you, what does that make them experience?” his voice is clear, a bit fierce in tone. you always had trouble reading saiki, but you could tell that this was interest. perhaps he was threatened, but he was certainly intrigued.

“they might whirl around and look who’s touching them and account it to a person around them, but if not, they might think they’re having sensory hallucinations. i can also talk to people, but because my voice doesn’t have any weight to it, it’s almost like a hypnotic suggestion.”

“so you can brainwash people?”

“not necessarily,” you let go of his hand, you must have released your power, your eyes are dark, “if i suggest something to someone and it’s something mild, they’re more likely to do it because it already falls into their line of thinking. if i suggest something bold, they might do it thinking it’s an impulsive thought.”

“most people won’t do extreme things, they’ll read those as intrusive thoughts. but sometimes people think my voice is the voice of god, or a passed on relative, and will do intense things regardless of their judgement. others have poor impulse control, and some are just batshit crazy.”

you sheepishly scratch your head, “but i don’t really like having that much control over people. i don’t want to use my powers to hurt anyone.”

“do you want to use them to help people?”

you pause. it seems you’ve thought about this quite a bit.

“well my powers can’t help people. they give me the ability to help people, but they can’t help people directly. i think it’s a matter of it i’m strong enough to help people.”

“are you?”

“would you hate me if i said no? of course i lend a hand to my friends when they need it, but i don’t think i’m strong enough to really make a difference. i want to live peacefully.”

you look down at your hands, “i wish i wasn’t born with it.”

saiki felt unnervingly softhearted. he struggled empathizing with his peers, but his heart pounded in solemn familiarity. “i don’t hate you for that, i’m the same. having the powers i do means i have the responsibility of keeping the world in peace. people would be jealous of me for the self-fulfilling purposes i could use my powers for, but i don’t want to use my powers to hurt people. i don’t want to help anyone either. i just want to be left alone.”

guilt. guilt was a disease, just like jealousy is. it eats at you from the inside, and creeps up at times least expected. it left both of you hollow and empty.

“i wish i didn’t have powers,” he continues, “i don’t think i’ve ever properly experienced life in the way i’m supposed to, like everyone else has. i’m envious of you, you’ve had a bit more normalcy than me.”

“i suppose we’re equally unhappy, then,” you smile at him. he had been staring out the window, but he turns to looks at you. you’re leaning on the door of the classroom, tilting your head, you ask him a silent “walk home with me?”.

“i mean,” you begin, “i’ve missed out on a lot. i’ve always had trouble making friends- my powers made it difficult for people to remain interested in me. i’ve gotten pretty good at controlling them, pk academy has been really good to me, but it doesn’t heal the damage it’s caused me.”

your teeth gnaw at your lower lip, “your family is so supportive of you, they love you so much, it makes me angry. i wish i could say the same about mine.”

it wasn’t too empty in the school, but your footsteps were loud and clear, both you and saiki walking in sync. saiki didn’t really know what to say, so he stayed silent.

sighing, you continue, “i don’t want to be alone, but it’s too easy to be reclusive when that’s where you’ve always been. if you live a life of isolation, making friends is scary and draining,” a grim smile forms on your face, as if you’re trying to comfort yourself.

but saiki does have to admit that the two of you have much more in common than he initially thought. he quietly thinks to himself, perhaps he could use your abilities.

“y/n,” he begins, eyes meeting yours, “will you do me a favor?”

“yeah, what is it?”

he doesn’t like being indebted to people, but he wants to test your limits. you don’t give him the chance to ask, “you want me to use my powers while we walk out together, don’t you.”

his mouth falls a bit open, lips parting, “how did you know?”.

you laugh, “you’re not the only one who can read minds,” and reach out to wrap a hand around his forearm. he raises a brow at you, seemingly amused by your comment. he expected you to take his hand again, but your firm grip on his arm was admitedly unexpected.

he felt his heart skip a beat.

“well? are you doing it?”

“yup, you won’t feel any different though.”

walking down the steps together, people passed the two of you, strangers, familiar faces, teachers. nobody noticed.

the two of you passed toritsuka at the steps, but he paid no mind. “you know,” saiki started, “when i use my invisibility power, that guy can still see me.”

“can he?” you murmur, your voice a bit low.

“if it’s easier, you can just think what you’d like to say to me, we can talk that way.”

you squint your eyes in concentration, “like this?” you think to yourself.

“yeah.”

you smile. you continue to hold onto his arm as he changes his shoes.

“that must be frustrating, that he can still see you.”

he nods. he supposes if toritsuka can’t see you, then aiura probably can’t track you- and him, down either.

“hold onto my arm while i change mine.”

without breaking contact, he gently wraps his fingers around your wrist. you hastily change your shoes, and slide your hand a bit up, taking his in yours.

“is it neccesary to hold hands?” he asks. his expression was nearly deadpanned, but the slight crease in his brows communicated just enough. he felt sheepish, a bit lost.

“no, but it’s nice.”

teruhashi stands idly at the exit, waiting, doing her best to gently shake off the boys that surrounded her.

“she’s looking for me.”

“is she? do you want to talk to her?”

“no.”

you pause.

“is she the reason you asked me to do this for you?”

he nods.

you turn and head towards the gate, but not before waving a hand in front of her face. you take a deep breath, before exclaiming a loud “teruhashi!”. she whirls around, trying to find the source of the voice, looking rather bewildered.

letting out a hearty laugh, you grin up at him. a slight huff of air escapes his upturned lips.

the two of you slip past the front gate.

“but you owe me something in return, i don’t give out my labor for free!”

he sighs, “what would you like?”

“wait, really? i was joking, you don’t have to do anything for me!” you double down on your demands.

“you say that, but i know you’re secretly hoping i’ll treat you.”

“shit, i forgot you can read my mind. that’s so invasive.” you pout, “not fair!”

“it’s fine, i don’t like being indebted to people, and you did do me a favor like i asked, so i’ll take you somewhere.”

you look a bit nervous, “really? you’re sure?”

“just accept the offer before i revoke it.”

you twirl in a circle, letting go of his hand and hopping a few steps ahead of him. “you’re buying me a nice coffee then!”

he lunges out to take it again.

“sure.”

and once more in sync, both of your hearts skip a beat.

#im sorry for writing so much friends to lovers in the pining stage i can't help it /j #the disaster of psi kusuo saiki #the disasterous life of saiki k #saiki k #saiki kusuo #saiki kusuo x reader #saiki k imagines #saiki k headcanons #saiki x reader

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jockpoetry · 3 years

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supernatural sees women as a tool for development and strengthening of narratives/motivation and dean sees his body as a tool. is that anything?

When I saw this ask I really made the 🥴in real life. So, yeah anon, I do think there’s something to this.

Quick Disclaimer before I actually launch into my thoughts™: A lot of my read of Dean stems from my experience as both an oldest daughter and a transman. Being the oldest daughter was an experience I lived for many years, but I am also a man. I wasn’t raised as a man, I wasn’t socialized as a man, and even though once I came out upon reflection my masculinity was obviously there. Like I was a man™ before I knew I was a man. Even when I actively tied my identity to femininity for a long time! A lot of my prideful moments were based around statements like: “I was the only girl who (fill in the blank).”

So I am just putting that out there before I launch into my spiel about Dean/Gender/Tool because they all interlock for me.

I am also going to apologize in advance because I know this has fully gone off the rails and I’m not even done writing it yet. If this is incomprehensible ! Well, happens to the best of us.

First off, most importantly I guess before we discuss womanhood and Dean and the way both are utilized on the show I need to say that I personally don’t subscribe the whole Dean is female coded thing.

It’s a read I can absolutely understand. But for me..he’s not.

He’s a hypermasculine man to the point that when (and because he is written as a punchline, as the stupid™ brother, as the whore™, as the mother/father™, as daddy’s blunt instrument™, etc) Dean deviates from the pre-accepted definition of hypermasculine it’s Wrong.

It’s Instantly Feminine.

I think the internet has made the world very black and white, or blue and pink maybe. This point, I think, colors a lot of these discussions. Dean cooks, he cleans and so therefor he’s female coded. When that really just feeds back into the whole toxic masculinity loop. You can’t be masculine and cook and clean and cry. That’s for feminine people only.

I get the argument! I do, I just think that Dean’s actions are not inherently feminine, it’s just in the vacuum of Female and in the Absence of Traditional Masculinity it makes sense to assign him female coded and move on.

IN FACT the way that Dean is the action hero of the show, the Masculine™ one on the show - but he cries, and he rages, and he cooks (Again and Again) and cleans (Again and Again). The fact he’s macho and confident but he has so little self esteem. Is frankly insane to me. You have this blaze of glory character who is so depressed that they have him kill himself. Twice. In explicitly “I hate myself, I hate hearing all the things I hate about myself, I want to destroy myself” ways.

On just a regular ol’ network show that is just ungodly bad at times. They let their Male Hero cry - all the time (if I linked every example of this the essay would be...longer than it already is, but just take my word for it). Dean tears up and grieves and shows more than just Angry Horny Violent™ (he shows plenty of that, don’t get me wrong) but he’s Emotional (Again and Again and Again). In many different ways!

I mean, beyond even just tearing up, they make their Male Hero™ face sexual violence in pretty, uniquely horrifying - and queer! - ways.

Let’s make it clear, they did a lot of this unintentionally.

Or they do it as a joke.

Off of dean for a moment to say women are plot devices in this show. I could probably count on one hand female characters who have sincere depth to them that have roles outside of progressing plot, filling a filler episode, and who are still alive. Like even characters such as Charlie who are wholly developed, and interesting, are only remembered/mentioned/utilized to progress plots or fill an episode out - and then she dies. For pain™ for plot™ for no other reason than to traumatize a character.

Which let’s also make it clear Dean’s trauma is also only used as a plot device (as is Sam’s but in a different way, and Cas’ trauma is a whole other barrel of fish we’re not gonna dive into right now). Like wholesale full stop they don’t actually care about what happened to him. Unless it’s relevant in an episode.

Oh that boys home he was left at when he was 16 for months? Sure we’ll sprinkle that in in the back half of the series. Oh he was covered in bruises and said it was from a hunt (when it’s clear contextually they were from his father but saying the fantastical but true is easier than saying the uncomfortable but true). As Dean says though the story became the story, he was sixteen. He just went along with what John said.

We only see Dean ever truly rage at John, by the way, when either Dean is dead (when he’s between life and death and he rages at John, right before John “apologizes” for traumatizing him, for putting too much on Dean’s shoulders, and fucking dying) or John is dead (the Djinn episode where Dean is straight™ and John is dead™ and he goes to his grave and just yells and rages like he should have to his father in the real world).

Dean’s trauma from being both tortured and torturer in hell? Yeah, we don’t talk about that after it’s Relevant™. Even though it’s clear - especially in the demon!dean, mark of cain era, all those years later - Alastair still has his hooks inside of Dean. I stopped watching originally after s8 ended. I was fed up with the show, and with this whole renaissance I’ve been doing a rewatch and I’m into season twelve now and it really has never come up again.

Even when he had the mark of cain and he was tasked with questioning and accused of torturing it was “the mark has changed you” and not “you were victim and victimizer in hell for forty years, which is longer than you’ve been alive on earth” (and, was about as long as he wound up living. Which is desperately sad.

Because we talk about Sam’s desire for a “normal” life but, Dean wanted out too. He was tired in the first few seasons of this show, he never had a chance to taste freedom (we don’t count the boys home, because that was a different kind of regimented life, and it was a false freedom) the way that Sam did in Flagstaff with Bones or at Stanford with Jessica. Love for Dean is sacrificing, it’s putting himself/his happiness/his well-being last.

Because Dean only knows love in the context of violence (like all of these fun examples, for starters) is a phrase that I’ve said a lot both in private chats and on here, and I absolutely think it goes to him being a tool (a blunt instrument, a plot device, so both textually and metatextually) instead of a person. Which Cas sees Dean’s shame/guilt and sees that side of Dean because he touched his soul, and saw more than just the Righteous™ man, more than just the tool, he saw A good man, not a machine.

On the other side though you have how “bad guys” view Dean: Desperate, Sloppy, Needy, Dean’s hole (Again), which is again so wildly counterintuitive to the story of a Macho Man Hero™. You’re using vocabulary that is both queering him and feminizing (and I know this a meme format, but sincerely it is done in a derogatory way it is feminizing. It’s breaking him down to bare parts, to a sloppy hole).

My whole rewatch I have been absolutely fascinated by how identity and free will is utilized/conceptualized on this show. Castiel has been my main focus, but Dean and how he is framed by himself and others is...fascinating - and frustrating. The writers inconsistency lends itself not only to this unintentionally queer character, but also one that again is incredibly easily read as a non-traditionally masculine character.

As a feminine character.

This show has so few female characters that of course it had to foist the roles/behaviors/plots that a female character might have onto a male character. Which I think is part of why reading Dean as trans (either transmasc, or transfemme) is so easily done like.

Half of these are shit posts, but you can find trans allegories/textual evidence in this show again, again, again, again, and again. And this is unintentional, they don’t want you to look at Dean and see woman, former future or present. Like a lot of these I’m sure are punchlines for them, because women/queer folk are punchlines to them.

Sometimes the only women in an episode are random witnesses who get two sentences of dialogue, and then the main guest character is a man. Who flirts with Dean, and Dean is receptive to it.

They paint themselves into a corner, there are female Rabbi. So easily could Aaron have been a woman instead of a man, but they made the choice to play up the HaHa Dean & Men card.

Because, again, Dean has filled the slot of Woman™ of Female Lead™ and the flirting would’ve been straight if Dean was a woman. It’s a plot device, they needed to have the guest character be disarming, be cute, make the main character flustered.

It’s just the main character is a man, because they’re allergic to women. But they still need those female plots, tools of femininity, to move their show forward. I mean I am a big subscriber to transmasc Jo (no idea if anyone else is with me on this one, but let me explain). Jo is in love with Dean (concept) not Dean (actuality). Which, we’ve all had our eggs cracked by someone like that. We were in love with them until we realized we just wanted to be them.

He loved her like a little sister, she loved him like a lost idol. He’s a golden calf and she dies for him, because she believed in him, she was the original character dashed at the altar of the Winchesters.

I fully believe if she had lived and if this show had a crumb of actual good writing Jo could have been a deeply compelling transmasc character. But I also think she’s a fascinating inversion of Dean. Dean is a Masculine Character who subverts Toxic Masculinity, Jo is a Tomboy™ she’s not your (if you take it straight, literally and metaphorically) average female love interest. She’s angry, she’s not soft at all, all edges and corners and thorns. She isn’t helpless, she’s stubborn but not in a “you’re going to get punished for this” way. She’s right when she’s stubborn. She’s helpful, she’s a martyr.

I could do a whole other essay just on Jo (and Ellen, and Ash, what a fucking trio!) but needless to say Jo was one of the first...plot device feminine tools sacrificed to this show. She was a regular, she was unique, she was an engaging character, and she still died (to progress the plot? no. for man pain? yeah, for like three episodes maybe, and then it’s forgotten just like the rest of Dean’s trauma, as we mentioned above).

Dean and Women and Love is a very interesting tool used too because. Boy they sure try to make Dean love women and it fails in small ways, and in big, meaningless, failed het domesticity (again) ways. Not to mention whatever Lust (in the form of a woman) having no effect upon him, when they could have used that moment to assert his Masculinity and Heterosexuality. He behaved normally? And...also...whatever the fuck the Adios thing was!

Like they have these opportunities to make him Traditionally (toxically) Masculine, but make the choice to...not? To soften him. Because it’s a tool. He’s their female lead, textually he had to take on the role of mother(/father) to Sam, but...I mean this is a million miles long already. I know, but we absolutely can’t not talk about his Paternal/Maternal behaviors. (Which appear again and again again and again, outside of his relationship with Sam even/especially). He’s the mother hen, sage, safety net, beacon, home to so many side characters they meet.

I mean in many ways Jody is also a Dean comparison. Lost her family. Found a new family. She is non-traditionally feminine, but easily flustered and Silly™ (let’s just drop the entire sex talk over family dinner scene with Alex and the boys and looking to them for help, even though she was already a mother, and she’s a cop, and a hunter and this confident no nonsense individual.... She’s not). We are meant to see her as this hard ass, but she makes extra food for the boys to take back to the bunker. She’s deadly in a fight, but also still easily overwhelmed and put into damsel mode, and she cares so much even in the face of adversity.

It’s also fun to see how Jo | Jody are reflections of Dean at different points of his life. Younger, cocky | Older, settled.

Even when the text tries to tell us that he’s not.

When it reminds us that he’s violent. That he is his father, even if he says that Sam is more like John (which was reflexive, which was angry because of Adam and how Sam was behaving like Dean in that episode, and yes there are parallels to be drawn between Sam and John, the show barely dives into them). Instead we’re told that Dean is John (Again and Again and Again and Again).

So intensely that a fanfictionalized version of the Winchester Gospels makes it an entire fucking musical number.

And yet, despite the texts insistence to make Dean Macho Man Father Reborn™ We get this Dean who is silly (and directly compared/contrasted to the female character in this scene), soft, in heels, nagging, and... Sully (you know Sam’s imaginary friend who has the same Haircut Dean has, who is a softer, shorter, friendlier, campier, version of Dean who was a replacement For Dean until the real one let Sam back in? That? Sully?) it’s hard to take them seriously.

Hell, even when he was A DEMON? What did they do? They had him sing off-key drunken karaoke, they had him doing this ! Like that’s your hero, unhinged, free to be as bad as he could be, and you put him in a cowboy hat in a romance with the king of hell.

The Female Lead, everyone. Who’s biggest betrayal(s) comes at the hands of his love interest (again, a man even though it was an angel who could’ve taken any vessel! who could’ve been recast, who canonically dies admitting his love to Dean - that one), who he tries so hard to be loyal to.

The contradictions of his character are laughable. He is so emotional, but if he is engaged about his emotions? He shuts down, or he’s exasperated about being asked about them. It really is Female Lead/Only Here For The Plot disease, because everything is more important than him. How’s he doing? Doesn’t matter outside of the context of how x character is doing or that y character is dead. Or his emotions only matter if they’re done in penance.

They also really do frame him as Pretty Boy™ in a violent way, or in a derogatory manner. They’ll give us homoerotic shots like this or these and never really acknowledge how these are gay shots. Sorry the gun scene is a a straight up sex scene, the beer sip spilling out over his mouth is oral, the scene where Cas fills up Dean’s glass with whisky is also a sex scene, they do this shit on purpose but accidentally queer it up. If Dean was a woman these scenes wouldn’t even matter. They’d be passing moments, but because he is not just a man but A Man™ they’re insane to see.

Not to mention all of these scenes and all the ones I haven’t linked where Dean dresses up. He performs masculinity, but he performs femininity too. He’s a plot device that is slotted in to whatever role they need. He’s Super Straight Butch Man™ but coaches the lesbian on how to successfully flirt with a man. He’s Action Hero™ who sits through a montage with the same lesbian and yays and nays her outfits, and enjoys himself.

Fuck he loves dressing up, he feels better in these costumes because performing a character is easier than being himself. Because who is Dean? He’s a tool, both textually and metatextually. It is exactly how the women and because of the women on the show that Dean is the way that he is. If there was a more steady female presence Dean would not be half as much of a plot device or half as camp/gay/feminine/non-traditionally masculine/queer coded as he is.

In conclusion....

#dean winchester #supernatural #spn meta #spn #gender #anon #replies #messages #my writing #ANYWAYS PHEW okay anon i don't know if i even fully got to your point but i woke up at like 3:30 to this ask and i've been fixated on it #HOPE THIS IS EVEN JUST a little bit coherent #the way i meant for this to talk so much more about transness and eldest daughter syndrome and just FORGOT #oops #oh well

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digital-dhampirs · 2 years

Note

what are your thoughts on the new chapter? I don't think it's translated yet, so from the raws🏃

Hiya, thanks for the ask! I’m trying my absolute hardest to dodge spoilers from the newest raws for now (which means not touching the vnc tag, me, don’t do it), so my thoughts on the chapter will be out once the English translation is out in a few days..!

For now, though, here are my thoughts on the apple iBooks cover….

First and foremost oh my god Teacher oh by the blessed blue moon I’m—

It looks like we get a Teacher face reveal this chapter! He looks just as friendly and approachable and horrifying as I imagined. Breaking all vampiric tradition, the Teacher doesn’t have any rings in his eyes, or even pupils… just when I thought I had vampire eyes figured out, mochijun decided to introduce a new flavor.

Speaking of eyes, it looks like our dear Teacher has heterochromia— his left eye is far lighter than his right. Considering this is pretty much exactly how human! Murr’s eyes are shaded in volume 8’s cat cafe omake (sans pupils), this seems to be pretty solid confirmation that the Teacher is connected to Murr. I’m still somewhat hesitant to say anything definitive though, because if the Teacher really is Murr…. uh…

he’s… what I would generously refer to as a method actor…

I think there’s a definite possibility that Murr could be one of Teacher’s familiars, or maybe the Teacher purposefully gave this form heterochromia for some reason… but yeah Occam’s razor is absolutely suggesting that the two are one and the same. If the Teacher actually is Murr, this suggests that the Teacher keeps this type of heterochromia in every form he takes (whether intentionally or not), which means I might be able to finally finally close the casket on that Ruthven = Teacher crack theory that’s been haunting me for literal years at this point.

Regardless of Murr’s relationship to the Teacher, I think it’s pretty safe to say that the Teacher’s current form has one purple eye and one bright blue eye. Suffice to say, this is very sus. So far the only characters we’ve seen with copper sulfate blue eyes have been vampires born under a blue moon and members of the Blue Moon Clan. I’ve already theorized that the Teacher acquired the Books of Vanitas along with Luna’s blood at some point in the past, and later passed them on to Moreau— could he have done experiments on himself using these items? Did Luna give him these things willingly? Did Luna make him part of the Blue Moon Clan? Was he once friends with Luna? Luna says that at some point in the past they tried to figure out what they truly were, but they now deeply regret it, does that have anything to do with the Teacher? The Teacher told Mikhail that he has the ability to bring Luna back to life, why do all his experiments seem to revolve around Luna and Faustina, what—

theory brain is running absolutely wild with this one (1) image

Turning our eyes to Teacher’s other eye… this magenta/purple eye is just as sus as the copper sulphate blue one. Why do he and Noé have the same eye color? Don’t tell me this has something to do with that crack theory that the Teacher and Luna are Noé’s parents (I’m not gonna touch this one until the EN chapter actually drops but tldr I kinda just don’t like it on a storytelling level)….

in order to soothe my soul a bit I’m going to pretend that the heterochromia is just the Teacher having a little fun and choosing the two most plot relevant colors for his current form’s eyes

So!!!!!! That’s all my thoughts on the one random image from chapter 55 I’m allowing myself to look at. Thanks again for the ask! I know some of the questions I’ve raised in this post may be answered in the chapter, but I’m really trying to avoid spoilers from the raws, so please try to avoid spoiling content from the newest chapter in the replies if ya can. Thanks for reading my ramblings! see you when the English chapter drops and I officially lose my mind

#vanitas no carte #vnc #vnc spoilers

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honeypirate · 3 years

Text

Just In Case

Part two

Pro hero Bakugou x fem pro hero reader

in my world Recovery Girl lives forever and trains another who can replace her when she retires who she passes the hero title of recovery girl too.

Anyway on to the story that’s probably not as good as I want but oh well.

Warning- angst. Death. Blood. Ya know the works.

Inspiration- Murder In the City // The Avett Brothers

You write a letter every day. A new one so it stays relevant. Every morning you took ten minutes to quickly write out a letter just in case anything bad happens while you’re at work.

You see, being a hero isnt all rainbows and butterflies and ranks. Sometimes it’s boring. But other times, it’s scary and horrifying. Those days where you barely make it out on top because the villains were crafty.

After one hard therapy session filled with worries and tears, your therapist suggested letters. At least one. To your husband. Just in case.

This morning wasn’t different than your last, you can hear your husband in his office across the hall, humming a song you listened to at dinner the previous night. He made your heart happy with everything he did, minus the way he left his used teeth floss sticks on the counter or the way he could be a little loud.

Every morning you write this letter, periodically meeting his eye through your open doors and he’d wink, making you laugh and stick your tongue out.

Today you watched as he moved, methodical, he’s done this every morning and it shows but he still takes care with every movement.

“Are you ready?” He says as he crosses the hallway “we’re needed in half an hour so we should go soon” you smile at him and somethjng settles in your stomach. Something heavy and uncomfortable. Something wrong.

“Yeah I’m almost done” you say and he watches as you fold your letter and place it in an envelope, writing his name followed by ‘just in case’ then sticking it in your top drawer.

The letters he’s been told about. The letters he supports. He’s actually been writing his own to you as well but you both agreed that you can’t read then unless it’s actually happening.

You try to not focus on the hard substance in your stomach or the way it seems to ache. It’s a bad feeling but sometimes your anxiety could cause them for no reason so you tried not to pay too much attention to it.

“Ready” you say softly, pulling down your hero mask to press your lips to his for a moment. He helps you readjust your mask with a pink flush in his cheeks. You’ve been married for years but making him blush is as easy as it was day one.

(Skippy skip)

The villains were smart, drawing all the heroes to different locations. You were climbing the stairs of an abandoned building, going to see if the intel about a bomb on the third floor was true, which unfortunately, it was.

Your hands hovered over the bomb, using your electric quirk to cancel out the wires and stop the timer. A scuffing sound catches your attention and you’re dodging a metal rod that was thrown at you to only be stabbed by one from a different direction.

The villain could control metal with his quirk, throwing the rod at you from one direction when he was coming from a different side. “Huh” you say softly as you look down at the rod through your stomach, the pain not even registering yet. “Poor unfortunate hero.” He lifts you by the metal rod and you scream, white hot pain shooting through you as it tears your abdomen as he slams you into the ground, pushing the rod further through you until it connects to the concrete floor.

“I’m sorry I can’t stay long. I have a hot date later” he says as he restarts the bomb, placing it farther from you so you couldn’t reach it with your powers, then he’s hopping from the third story window and waving at you with a smirk.

Your hand flies to your ear piece “There’s a bomb! Third floor tallest abandoned building in the-“ and that’s all you can get out before the bomb goes off and the building is collapsing.

The area was covered in dust and smoke, ash falling from the sky. You ripped your mask off trying to get more air into your lungs but it didn’t help that a giant piece of concrete was crushing your right arm and part of your ribs and chest, not to mention you’re still attached to the rod.

“Bakugou” you say through your headpiece, coughing up blood and ash “where are you?” He shouts back “the bomb” you muttered back and it sounded wheezy, you could hear the fluid in your lungs. You heard more explosions before he was appearing right beside you.

“Hey there hot stuff” you say and chuckle softly as he brushes the dust out of your hair “I’ll get you out of here. You’ll be okay” he’s saying but his eyes are filling with tears and his brows are knit. “It’ll be okay” you say but he does not look in your eyes. He’s still fretting, trying to think of how to save you.

“Bakugou.” You say in a commanding voice and he looks at you “you’ll be okay” you whisper, your blood covered lips smiling gently. You reach up with your left hand and cup his cheek, brushing away the hot tears that have started to fall. “You’ll be okay” you say again, your voice sounding weaker “no” he whispers “no. I’ll save you. You’ll be fine. I’ll get you help” kirishima is in your headpiece, telling you how he’s sent first responders your way but you can’t hear him.

Your voice is quiet, your hand going limp and falling from his cheek “You are the best part of me”

He doesn’t know where he’s going. He left the police station and was just walking. He couldn’t go home. Not when it was your home too. Not when he knows he’ll just be reminded of you and how you smiled at him this morning. How he woke up to you kissing his neck. How that will never happen again.

Walking into the office he didn’t bother with any of the lights. He puts in his alarm code and numbly makes his way to your office.

If you’re reading this. That means I’ve died.

Oh god I’ve always hated these letters. It’s so dramatic. I’m going to be okay. I have to be.

But just in case, since were up against major villains every day, I’ll write this letter. The 54th I’ve written so far.

Anyway I would regret not saying anything if it was my last day alive. I know I’m going to go home tonight and hold you, kiss you, and spend it like it was my last. This won’t be different than the last 53 letters I’ve shredded.

But. Life is short. It’s short and before you know it it can be snuffed out like a candle in the wind. So here we go.

If I get murdered in the city tomorrow, don’t go revenging in my name. A person dead from such is plenty, no need to go get locked away. I know you’ll blame yourself and get mad and swear revenge. Bakugou I love you. Let go of the hate and the rage. All I want is you to be happy and you to be okay.

But there’s no need to get over alarmed, I’m coming home I know it.

(His tears start to hit the paper, hot big tears blotting the ink and making it hard to see. )

So if tomorrow is my last day. Ill leave this letter in my desk.

Don’t bother with my belongings. Things never really mattered to me, you know that. Donate them. Burn then. Whatever you want.

Tell my sister that I love her. That I’m sorry if she ever doubted that.

I wonder what my parents will say. Probably that they were proud of me. Please let them know how much I loved them. How much I loved my childhood.

Now for you, my love, my sweetheart. The love of my life I’m sure of it. There was nothing worth sharing like the love that let us share our name. The love that let me share your name for these few years.

Thank you. For loving me. For supporting me. For choosing me every day. I’ve never doubted it once. I’ll always be with you, even if you can’t see me.

I'm watching you in your office right now, youre humming that song that played at the restaurant last night.

If I had never seen your face this world would have been such a very different place for me. It would be quieter and colorless. You have truly given me so much in this life that I can never hope to repay you.

You can never know which way your heart will go, but you are the compass leading mine. It will always point to you.

You’ve made me feel alive made me want to live so I could experience all my dreams coming true with you by my side.

I don’t know what else to add

Please, if you know anything, let it be that you were my greatest happiness in life.

I’ll always come home to you

I love you

-y/n

His hand is shaking as he finishes the letter.

He takes a sharp inhale and his knees give out, falling to the floor beside your desk with a soft gasp that turned into a sob as he broke down.

“You. You promised” he whispered between sobs, not even bothering to wipe away the tears as he hugs his arms around himself, hunching forward as his tears make soft patting sounds as the hit the hard wood floor.

He doesn’t know how Kirishima found him but when he runs through the office and sighs with relief when he finds him, he doesn’t move. He stays, broken on the floor, sobbing. Kiri doesn’t freeze, he’s there in a second, wrapping his arms around his best friend. Trying to give him a little comfort.

Kirishima's phone rings and Bakugou growls, taking it from his hand as kiri goes to silence it, pressing answer without looking to see who it is “what” he yells out, his nose stuffy and throat constricted showing how much he’s been sobbing.

Recovery Girls voice is stern through the receiver “You need to get down here right away. She’s alive.”

#bakugou katsuki fanfiction #bakugou angst #mha bakugou #bakugou fanfiction #bakugou x you #bakugou x fem!reader #bnha bakugou x reader #bakugou x y/n #bakugou x reader #pro hero bakugou #my hero academia fanfiction #mha x you #mha x reader #mha x y/n

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scrawnytreedemon · 3 years

Text

Shit I’ve Been Winding Up For A Long Time Now But Am Very Aware Will Probably Hold No Relevance Should I Actually Go Into This More--

This is about Bhunivelze.

You know, when I was chilling out, on my bed, that evening on that half term in early June, deciding to check up on ClementJ64′s FF retrospective because-- Hey! It’s been awhile, I wonder if he’s got around to doing the final bit of the FFXIII saga --You know, I was there, chilling, just for a laff. Just a laff.

The rest of that week was spent spiralling into a hyperfixation I absolutely did not anticipate in any way, shape, or form, because the way they introduced that character was “wwhdhfjjhHJDFJKHKJHW H A T??”

That retrospective and a good amount of wiki-scrounging is all I have as a basis for this. This is not a coherent character analysis-- Though I might tag it as that for ease of access. This is not, by any means, the thoughts of someone deeply familiar with FFXIII on the whole beyond plot synopses and overarching themes.

I don’t think I’m brave enough for that.

Reading the vast yet surface-deep lore on those wiki pages on my birthday while in a delirious state of mind was enough to make me somewhat nauseous.

Do you think I’m going to go through all of that in real time?

(Someday, someday.)

Ugh, I don’t know how to begin, but let us, I guess. I’d recommend you read this church-mime-demiurge’s FF Wiki page if you want the same level of base-knowledge I had, and maybe the aformentioned retrospective if you want the experience, because I don’t think I have the wherewithal to get into all of that from the bottom-up.

I am also, so, so fucking sorry for any remaining FFXIII fans in advance. There is like, a good chance I may be butchering the characterisation completely, so bear with me here.

With that... we begin?

Where do we even start with this guy?

How on earth to you begin to explain the absolute monolith you’ve constructed from crumbs of a Guy, some material no doubt spliced in from the Pale King, Sephiroth, y o u r o w n G o d O C and other characters, and the mountains of religious trauma you carry around at all times that is probably the only reason you’ve been able to latch on as hard as you did?

I’m going to try.

What gets me, in summary, about Bhunivelze is how he’s a prime example of how love and concern can become deadly forces if in the wrong hands. His first acquainting with human emotion was by deceiving and possessing Hope, reverting his body to a teenage state, and planning to live among humanity through him. He sees human sorrow and suffering, and decides that, to End This(because it must be ended, you see) he’s going to destroy all the souls of the deceased that make up the Chaos that’s been eating this world for the past five-hundred years so they all forget and Are Happy. :).

Capital G God here hasn’t been present for the vast part of human history because he’s hidden himself away from Everything due to paranoia from killing his own mother and throwing her body into the Cosmic Basement, THEN creating the beings that would come to create humanity and OTHER beings because he didn’t have the keys to the cosmic basement. And also he believes death is a thing because she’d’ve somehow cursed all things to pass(including him) out of Spite.

Which explains why he’s so fucking averse to it and anything to do with it.

Bhunivelze, to put it lightly, is Shit at stepping into others’ shoes and Getting their experiences-- All the FalCie in FFXIII are, but him especially. It’s clear(again, in the f u c k i n g JP--) that he makes attempts to sympathise with them and does what he can to help, but it’s with such a loftiness and a complete inability to Understand why anyone would want grief, The Worst Fucking Experience In Existence, and even less why they’d be willing to Go Up Against Him And HisThe New Perfect World just for it-- And what would it matter, anyway, forgetting their loved ones. It’s not like you can grieve lost memories, right?

Right.

It reminds me of when at the end of the story of Job in the Bible, where, after putting this man through hell on earth, God rewards Job by giving him ten new children to make up for the ones that he lost. I. And that’s fucked! Nothing can replace the sheer uniqueness of each individual person you loved so dearly! But if you were a nigh-omnipotent deity high and mighty, with a cursory, almost mechanical knowledge on the functionings of the human psyche, that would seem adequete; enough.

Bhunivelze is doing that on a cosmic level.

I now want to get onto the romance: that being, his affections for Lightning. I don’t know how much I’m going to say, but it’ll probably be alot. It’s something that hits very close to home.

There is this... thing, within certain branches of Christianity, perhaps even in those of various Abrahamic faiths, where God’s love is posited to be the love-- The ultimate, most-fulfilling, all-encompassing love you could ever imagine --Because, well, he is love, so the story goes, and so often the best way to convey that is through the imagery of...

Marriage.

Giving up yourself so completely, to serve, to be the Bride; to be bound by him for all eternity; and for there to be no higher bliss than this.

This angle is pushed on young girls and women the most; from the mere parallels to the woman’s role in marriage, all the way down to downright-horrifying ultra-Evangelical purity pacts. With men, God is your dad, your best bud and confidant, your boss, your king, your this, your that, and the ‘marriage‘ as it were is relegated to a sort of half-thought; a metaphor.

For me, God was an attempt at all that, and my arranged groom.

(It was almost incestuous; was incestuous, that my own Divine Father would reach for my hand in marriage.)

Bhunivelze experiences Emotions™ for the first time through Hope, experiences Hope’s sheer overwhelming admiration for Lighting(whether there were any baby-crush feelings mixed in, I can’t say), and promptly falls into a nigh-romantic obsession with Lightning, deciding that she will be Etro(his all-but daughter)’s replacement, will be his Goddess of Death to-be-- He even calls her as such, before the final boss-battle--

...In the JP.

What happened in localisation, probably due to a number of factors, all the way back in early 2014, was that everything emotionally challenging about Bhunivelze was scraped off, like it was extra fat, and tossed aside, leaving us with the bland, clichéd shell of a foe-god we’ve seen time and time again. And I mean everything. I mean his very love for humanity; the fact his ploy was, in his eyes, to save them. Because if they’d left that all on, then it would raise the question of even if there was such a seemingly pure, all-knowing, loving being hell-bent on setting things “straight,“ would they truly be unquestionable? Would we have the right to fight for our humanity in the face of the Creator of the Universe?

To reject a love so personal?

That’s what gets me about FFXIII’s tackling of God, no matter how hackneyed and poorly-executed. It’s personal.

It’s from a feminine experience.

I know that terming is... vague, and problematic, but the way Christianity and much of the video game industry handle femininity itself is weird and problematic, so as it stands, I’ll have to simplify it. Apologies.

What sets FFXIII’s Let’s Kill God™ plot aside from most JRPG Let’s Kill God™ plots is that with our protagonist being a woman, and one who is very in touch with her femininity alongside her sheer strength; often, in these stories, God is reduced to Yet Another Foe, expected or unexpected, and you are tasked with taking him down unquestioningly for the Good of Mankind-- You will fight God, because you are right to, and you will go man-to-man-to-however-many-men you decide to bring along for the bloodbath.

And that just, doesn’t speak to me.

Even as an Extian.

Especially as an Extian. And an AFAB one with a deeply complicated experience with my gender, at that.

Leaving Christianity was painful. Questioning God was painful. Coming to terms with the fact that I had been mentally, emotionally, and spiritually traumatised under the guise of All-Encompassing Love was so, so fucking painful. I had been taught since I was five years old to devote myself to him, spent my life desperate to feel something, anything, to stay connected because I just, I never could Feel It on a deeper level, never could Give Up Myself, all I was, couldn’t Die A Spiritual Death And Be Reborn As His Eager Vessel, thus deeming myself to be worthless and a broken vessel for years and years on end... And for all that to have been... Nothing.

Lightning is hollowed out, the shards of her dead sister ripped from her in-stasis, leaving her emotionally numb for the majority of the game, Bhunivelze sweeps it under the rug, pretends he’ll perform a miracle and return Serah to life in exchange for her compliance, then sends her on her way to do his work, all the while knowing he’s going to pull said-rug from under her and elevate her such dizzying heights in the aftermath--

That he’ll deny her humanity.

Sand down all the rough edges that make her her, and polish her up afterwards, gild her as he is gilded, make her a Goddess.

And he’ll do it all because he loves her.

You can’t fight God like you can everything else. To fight It is the fight Existence Itself; FFXIII even conveys that by making Bhunivelze’s model part of the arena; it’s baked into the fabric of the game, no matter how minute.

While Lightning Returns is far from perfect in its execution of this concept, and that in itself makes me wince, not even taking into account the horribly botched excuse for a localisation Bhunivelze endured, it speaks to me more than anything else I’ve seen so far.

And it’s helped uncover some things within me. Helped me untangle them, just a little more.

So, yeah. I have alot of Thoughts on Bhunivelze, I want to share them, and I’m kinda really sad I have no one but my currently-absent friend Vee to share them with. I could get into alot more, like his very Fucked relationship with familial bonds, and how Lightning’s role as saviour so deeply parallels the overwhelming panic and never-ending guilt of Evangelical proselytisation, but I think I’ll leave those for another time.

In short, Bhunivelze is the epitome of Divine Love gone deeply wrong; on all fronts.

And if all of that isn’t enough to intrigue you, then, in Vee’s words, Lightning and Velze are literally canon endgame Sefikura lmaOOOOOOOOOOOOOO--

#ffxiii #lightning returns #bhunivelze #analysis #scrawny speaks #scrawny rambles #this was written on and off over the course of a couple months #i know this will only get two notes #if even that #but fuck it i love this guy and i'm going to puke words for his sake #religion mention

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instasiswetrust · 3 years

Text

Bloodshot

Brown eyes stare into the void.

And the void stares right back.

Pitch-black and dark.

Dark, darker, and yet darker.

Vaguely, he registers liquid inside his mouth. His lungs. His chest. A part of his brain that's still working whispers that he's choking. Weird. He thought it would hurt more than this. Thought there would be more panic and flailing. Desperation to breathe.

Instead, all he feels is calm.

There's a sense of peace that instills in his body. Fills every crevice, nook, and cranny inside his flesh. Inside his bones.

Yes, he's dying, but he's accepted this as an immutable fact.

What use is there for panic when the croon of Miss Death is already so sweet in his ear? Why should he flail and claw to a life filled with heartache and pain, when instead he could stay in this calm embrace forever?

He's dying, and he's fine with this.

At first, he thinks he might be at the quarry. It would make sense. Maybe he was too drunk, tripped, and slipped off the ledge. Those kinds of things tend to happen to lonely people like him. Maybe others will think he jumped, instead. That's fine too.

But the liquid in his mouth tastes salty and coppery. A little too thick to be water.

Oh. Right.

Blood. He was choking on his own blood.

Things are coming back to him in slow increments. Flashes of scenes. He understands now where he is.

Or was.

Time is confusing when you're dying.

They had been in the tunnels. The demodogs had been close at their heels and the entrance just a few feet away. He had been so scared, utterly terrified, but not for himself. Never for himself. He needed to get the kids out first, all of them.

And he had.

Too bad it had been just a second too late for him.

Just as he was about to reach for the rope, a strong body had crashed into him and he had fallen on his back. Pain had jolted through his nerves as claws dug themselves into the skin of his chest. He remembers being vaguely concerned about the wetness spreading in his chest before that maw had bloomed into the most horrifying of flowers, and the petals wrapped themselves around his neck.

He thinks Dustin might've screamed. Steve felt bad that the kid had to see him like that.

But now the pain was no more and he was suspended in the void. Calm. Serene. Accepting.

Death was peaceful.

Until it wasn't.

---

The thing that crawled out of the earth, a whole week after the gate was closed, was not Steve Harrington.

At least not anymore.

Not in a way that mattered.

He still looked the same. Sounded the same. Moved the same. Felt the same.

He could think, and like, and long for things the same way he could when he had been alive.

But his mind was never quiet these days.

Hunt. Feed. Claw. Rip.

Blood.

A never-ending loop of words strung together until they sounded unrecognizable until they no longer made sense. And yet the feelings that came with the words would never go away.

Not when he started cooking his meat less and less to the point he resorted to just shoveling spoonfuls of raw hamburger meat into his mouth.

Not when he passed by the rotting corpse of a deer in the woods and had to take a moment to wipe the drool off his chin because for some reason the scent was appetizing.

Not when he gave in and hooked up with Nina Collins, and she let him bite her neck until he drew blood.

They never went away. Neither did the gnawing hunger inside of him.

And Steve could only be so dumb. He knew perfectly well what it was the voice in his head wanted. Could recognize it in the way his dreams had been filled with spiked bats hitting skin, breaking bones, and hands burying themselves in a mess of blood and guts.

He only wondered for how much longer he could hold himself back.

The answer came to him less than a week later.

---

First thing he notices when he wakes up, is that the hunger is blessedly gone.

For a single moment, he's glad. Happy and relieved. Until realization settles in and horror fills his chest.

Second thing he notices is that he's naked, sitting in a puddle of blood. The scent is strong.

And appetizing.

It makes him curl up onto his side and retch, but thankfully nothing comes up.

Quiet breathing is what clues him on the third thing. It also freezes him in place.

Somebody is looking at him. Saw what he did. Who he is. What he is.

Fuck.

Then they speak.

Double fuck.

"I knew you were fucked up, Harrington. Didn't think you were this fucked up though."

It's not the words that make him turn, eyes open wide. It's the voice. Because he knows that voice. Because it's Billy Hargrove's voice.

Ain't that just nice?

With the hunger and the voices gone, at least for the time being, it's much easier to try and recall the events of the night before. Steve almost wishes he couldn't though, because what he experiences -- not sees because those creatures don't have eyes -- is so repulsive that he can feel nausea clawing up his throat again.

"I killed your dad."

It's a fact, not a question. He doesn't need confirmation, his memories of the event are clear albeit fuzzy.

"And ate him. Yeah."

The fact that Hargrove doesn't sound horrified, or scared in the slightest, confuses Steve. He forces himself to ignore the panic, the nausea, and the embarrassment warring for his immediate attention and instead focuses on Hargrove's face.

Hargrove meets his gaze unflinchingly.

There's not a single ounce of remorse in those blue eyes but then again, why would there be?

After all, the bruises and cuts that litter his face and naked chest, speak enough about the type of man Neil Hargrove was.

"I did not... hurt you, right?"

Steve doesn't remember having approached Hargrove. The demodog hadn't wanted to hurt Hargrove, like at all. Still, he has to make sure. Just to put his mind at ease, of course. Not because he's worried about Hargrove or anything.

Hargrove shakes his head, frowning. The bruises must hurt pretty bad though because he winces. "You don't remember?"

"The memories are... fuzzy." Steve grimaces, pushing down another bout of nausea that threatens to overwhelm him. "It's not- I'm not- I know what it looks like but I'm not that thing, okay? The dog- That's not me."

"And yet I watched that thing morph back into you. You are still lying in a pool of blood, you know?" He sounds unimpressed. Slightly annoyed too. "You just said you have memories of it. I'd say that counts as you being that thing, Harrington."

Yeah, okay. Steve can't really counter that logic. Doesn't help lessen the knot of guilt that sits heavy at the pit of his stomach, though.

"Fine. Okay. Yes. I just-" But the words die on his tongue because he's not sure how to even finish that sentence. He's just what? Horrified? Guilty? Considering taking a dive off the quarry or meet the bad end of Nancy's shotgun?

Hargrove must have read the indecisiveness on his expression because he huffs, crossing his arms. He winces again and Steve’s almost tempted to demand he take it easy.

"Here's what we are going to do, Harrington." His voice has an unexpected strength to it that commands all of Steve’s attention. “You're going to take a shower, borrow some clothes, then I'm going to clean off all this blood before Max and Susan get back, and then we're going to talk about Neil’s sudden disappearance. Understood?”

“Uh...”

Hargrove was... helping him. He was helping him cover up a murder. The murder of his own father. Hargrove watched as the demodog fucking ate his dad, morphed back into Steve, and now he was helping him.

Steve wasn't sure how he was feeling about this but grateful and confused came pretty close to explaining it.

“I asked if you understood, Harrington.”

“Yeah I uh, yeah. I understand.”

So that's how he found himself in Hargrove's kitchen half an hour later, clad in grey sweatpants and an AC/DC shirt that had seen better days. Hargrove sat in front of him, idly eating from a bowl of Lucky charms, his gaze not straying far from Steve.

The clank of the spoon as it fell back into the empty bowl was jarringly loud in the awkward silence.

"You really don't remember what happened last night, then?"

His gut reaction was to say no. He didn't remember anything. That the memories were fuzzy and the thing wasn't him. But that would be lying, wouldn't it?

And he had to admit that being able to share this secret with somebody else, even if it was Billy Hargrove of all people, felt like a much-needed reprieve of all the bullshit life had been throwing at him lately.

"I do but as I said, it's fuzzy. Fragmented, I guess?" He looks down at the table, drumming his fingers on the worn tabletop. "This thing, it doesn't see things as we do. Doesn't have eyes."

Hargrove hums, and Steve can see the way he leans back on the chair. Feels those eyes on him, not moving. It should set him on edge but instead, it makes him feel grounded. Like this is the first time, since he crawled out of the earth that somebody bothers to truly look at him.

It makes him want to look up and meet that gaze.

So that's exactly what he does.

"It was you that I- that the demodog was hunting, not your dad." Steve is glad he doesn't look away because it allows him to see the shadow of regret that crosses those blue eyes. "But then I- it jumped through the window. Saw what was happening. So the prey changed."

"And you have lived with this thing for how long?"

"Technically speaking, I'm not alive. Haven't been since that night in November, a little after the whole thing at the Byers."

Hargrove blinks, taken aback by what must surely sound like nonsense considering Steve was sitting across from him, breathing and talking. He's not sure how to explain it either but he knows with unwavering certainty that he's not alive anymore.

Not like he should be.

Not completely.

Liminal spaces. Whatever. Fuck.

"One of those things bit me. Dustin saw it happen too. Or at least saw the blood. And I remember dying." He shrugs, drums his fingers again just to have something to do. Restlessness eats at him but he's still under Hargrove's gaze and the itch to run has settled for now. "A week later I apparently dug my way out of the earth and Hopper found me at the junkyard. I can't remember it at all."

The marred skin of his throat is evidence enough. These days he does his best to cover it up with makeup or turtlenecks, not wishing to deal with the unwanted questions that would undoubtedly come. Not to mention that Dustin can't see it without tearing up. Kid still has nightmares about Steve covered in blood with his throat ripped out.

"Shit, Harrington." Hargrove tangles a hand in his blond curls, pulling lightly on the strands. As if the pinpricks of pain could reassure him about all this being real. "This is what you and those snot-nosed brats were up to that night? Fighting these things? Are you insane?"

"Only a little." The self-deprecating grin that accompanied it really sold it.

Steve watched as Hargrove's hands formed into fists, a dangerous sort of fire lighting up in his eyes. It lasted for a second or two before the fight left his body in a rush, body slumping slightly into the chair. It was a little impressive.

"What even are these things?"

The thing is, Steve's not even sure what those creatures are. He says as much and spends the next fifteen minutes explaining what he knows -- and what he's theorized -- about Will Byers, the Upside Down, the Mindflayer, and Hawkins Lab. Surprisingly enough, Hargrove listens through it all without commentary.

"Nobody understood how I was alive but I didn't want to question it too much. Guess I already knew something was wrong with me but I didn't want to see it."

Hargrove's eyes have drifted down to his empty cereal bowl but it doesn't seem like he's really looking at it. After a moment, he nods. "Okay so what now, Harrington?"

Steve's taken aback by the question, not understanding what Hargrove is getting at. "What do you mean what now?"

If looks could kill, he's sure that he would be dead again. Hargrove heaves an exasperated sigh, pinching the bridge of his nose before facing Steve.

"Harrington, I knew you were an idiot but this is too much even for you." Steve makes a sound of protest but Hargrove throws him a look and he goes quiet again. "The demodog needs to eat people to live, meaning you need to eat people to live. So tell me, what are you going to do about that?"

"Oh."

Well fuck.

#WIPS #bloodshot au #stranger things #steve harrington #billy hargrove #harringrove #this kinda got out of hand but i kinda wondered if maybe this idea worked for a fic #possibly #idk feedback is appreciated lol

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randomrosewrites · 4 years

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An eternity more

AO3

A special Alastor x reader fic just in time for Halloween!

Word count: 2000

Warnings: Mild language

Summary: Alastor and his partner celebrate Halloween.

In Hell, there was one day a year in which the usual brutality and gore that occurred was not only just commonplace, but treated as a festivity.

Halloween. Sometimes referred to as Hallow’s eve, or Samhain.

Every circle always had some type of event going on. Violence had fighting matches all throughout the day. Gluttony had haunted house walks and tours in their suicide forests. Even unpopular circles like Limbo got into the Halloween spirit by having small carvals pop up here and there.

For the denizens of Hell, Halloween was a day where every sicko, nutjob, and crazy could find something that tickled their fancy.

On a night of such horrors, many people expected that of the Radio Demon to be doing something horribly violent; Engaged in some form of terrorism or inspiring fear into the masses via one of his broadcast.

Instead, though-

“Darling! Look over here, they’ve got handmade masks!” Alastor says to you, excitedly dragging you along the streets of Pentagram city.

-he’s quite the opposite

While Alastor was more than happy to spend his nights prowling the streets and seeing the fear ignite in people’s eyes, he enjoyed other things besides that. He wasn’t entirely diabolical. Why go around causing chaos like some petty ruffian when there were other superior activities to engage in?

Tonight, as you walk the streets alongside him, the city is busier than ever. The night sky is stained a dark garnet and the cold air makes you snuggle closer into your coat. Pedestrians pack together in the streets, a huge mass of limbs and bodies.

Vendors and shops have their doors wide open, showing off their merchandise or advertising for one thing or another. There’s food stalls, costume shops, drug vending machines, antique stores, and the like. Alastor zig zags from stall to stall, checking out every and anything that catches his eye.

His own usual outfit is changed for the event, instead of the normal red he’s changed into a dark burgundy, so dark it almost looks brown. One of his red-gloved hands holds yours, dragging you along with him. You have to nearly run to keep up with his long strides.

He comes to a stop, the action so sudden you bump into him.

“Ow - why’d you stop-”

You look at the building you’ve stopped in front of. A bright neon sign reads ‘The House of Haunted Horrors’

A bloody haunted house.

Alastor looks at you, excitement shining in his eyes. “Shall we go in?”

“Al, you know I get scared easily-”

“Great!” he says before you can finish, dragging you through along with him into the entrance.

“No, wait! - Oh my god no Alastor, Alastor!” you protest to no avail.

After a brief talk with the receptionist, (who’s eyes nearly bulged out of their skull when they saw him) you’re ushered into another room where the attraction begins.

The employee tells you the backstory for the situation. You’re a scientist trapped in an underground laboratory where demons were experimented on. After a sudden outbreak has cut off all power and communication, you’ve got to find the exit before the creatures in the dark can get to you first.

You’re utterly horrified. Alastor’s delighted.

She hands you each a flashlight and wishes you good luck before closing the door and leaving you to begin.

“Well, let’s get going, shall we?” Alastor takes your hand (Which you cling onto tightly), flicking on his flashlight and starting down the hallway.

The hallway is dark and grimy. The flashlight can’t shine very far so you can only see whats a few feet ahead of you at a time. Your footsteps echo through the eerily quiet corridor. The only sound is of your tense breathing and your heartbeat in your ears.

“I hate this, I hate this-” you groan, latching yourself onto Alastor’s side and burying your face in his coat.

“Don’t worry darling, it’ll be fun!” he reassures you, patting you on the back. It’s at that moment that a hollow groan rings through the hallway, making your entire body tense.

“Oh fuck - I hate this, I hate this-” you hiss.

“What about this do you hate?” Alastor asks, keeping one arm around you and one on the flashlight. “The dark? The feeling of not knowing what lies ahead? The weight of-”

“Al,” you snap. “Not. Helping.”

You can hear the smile in his voice. “Apologies. I couldn’t help myself. Fear is a wonderful emotion on you, dear.”

Though for as much as he teases you, you can by the way he keeps a firm grip on you and the whispered assurances he utters periodically that he does care about you. You also know he wouldn’t hesitate to get you out of there if you truly were terrified.

The two of you explore different hallways and rooms, slowly making your way through the attraction. You pass by corpses (that you hope are just fake) covered in blood, scratch marks on the walls ripping up the wallpaper, dismembered limbs, empty cages and cells, and other grotesque, creepy sights.

In one room, you open the door to see a stuffed bear sitting on a chair in the far corner. When you enter and explore the room, you look back to find that the beat has moved towards you.

Yeah, no.

“Fuck this, fuck this, fuck this-” You run out of there as fast as possible, slamming the door behind you. Alastor laughs at your reaction, jogging to catch up to you.

You continue further into the attraction. Occasionally a gust of wind or a nearby whisper will make you whip around and press closer to Alastor, heart hammering in your chest, but you’ve seen no actors yet. Are there any? Or have they all been scared into immobilization?

You’ve just about let your guard down when you open the door to the next room and are met with a looming, black figure standing in the corridor.

They’re tall, much taller than you, with long black limbs and two glowing eyes. You’re so surprised at the creature’s sudden appearance that you don’t even think to scream. From the mass of black, a cavern opens up - its mouth - emitting a hisss sound. When the figure reaches out towards you, your mind goes blank with terror.

Behind you, you can feel Alastor’s form shift.

One note about Alasotr’s demon form - you’d seen it hundreds of times before. You’d seen his pupils go black, seen him stretch until he was a tall, lanky stick figure with teeth that took up half of his face more times than you can count.

A lot of things might scare you, but Alastor doesn’t.

But it definitely scares the worker. He drops his act, taking off into the darkness like his life depended on it.

When you look at Alastor again, he’s returned to normal. He has the same smile on his face, but he seems slightly disappointed.

“How pitiable.” he murmurs, before saying to you in a much lighter tone. “Shall we continue?”

There’s little else to the haunted house. A few more creepy sounds and flashes of moving figures from the corner of your eyes, but nothing else quite like the cryptid in the doorway.

When you finally do exit into the noisy streets of the city, you breathe and sigh of relief.

“That was quite charming, yes it was!” Alastor chirps. “It could have been more frightening but all-in-all, it was quite entertaining. Don’t you think so too, dear?”

You clutch his suit under your bloodless knuckles. “I think I’m gonna be sick.”

Alastor gives a hearty laugh, giving you a reassuring rub of his arm. “You did very well.”

As you leave, you spot some of the employees from the haunted house. Their costumes are half-off and they’re hugging the wall of the building, warily regarding the Radio Demon, looking utterly terrified - even more scared than you ever were.

And for a second, you agree with Alastor - fear is a wonderful emotion.

---

By the time you return home to your quiet home outside of the city, it’s almost midnight. Alastor makes the two of you supper and you eat it by the fireplace, the bright flames casting off every shadow in the room.

“Did you enjoy yourself today, darling?” He asks after a few minutes into the conversation. He’s changed into a casual sweater and vest. It isn’t anything groundbreaking, but the outfit is so fitting and looks so good on him that you can’t help but stare.

“I did,” you say, then with a bit of salt- “Even though you forced me to go into that haunted house.”

“Yes, but it was fun, was it not?”

“Surprisingly, yes,” you admit. “But that’s probably because you were there with me.”

“Wonderful! I felt as though the actors could have been more adequate. Back in my day, even the worst of performers could do a better job than those buffoons.”

You take a bite of your food, hiding a smile. “I think you’re the reason they were so scared, Al. After you shifted into your true demon form and scared them, no one else dared to try and piss you off.”

“But I wasn’t trying to frighten them off entirely!” he whines. “What kind of a person goes around scaring people for their occupation but can’t handle a little intimidation?”

“People are scared of you, love.”

His nose wrinkles. “That I am more than aware of,” his expression softens. “But you aren’t.”

“No,” you reach across the table to squeeze his hand. “I’m not.”

The conversations steers elsewhere and the two of you finish dinner. After the dishes are done, you coax Alastor into joining you on the couch. You lay on top of him, pressing your ear to his chest. Your fingers rub against the soft cotton of Alastor’s sweater, drawing patterns on the material.

“Do you like my clothes?” He asks. Not accusatory or demanding, simply curious.

“Yes,” you slide your fingers up to play with the collar of his shirt. “Very much so.”

“Then by all means, play to your heart's content.” His hands go to your waist, sliding his thumb underneath your shirt to rub at your hip.

You hiss. “Your fingers are cold.”

“Apologies,” he murmurs, nuzzling his nose into your hair. “I can’t help it.”

He always ran a cooler temperature, no matter what. He was like a cold-blooded lizard, always leaching off of your warmth whenever he could. His favourite thing to do was to slip his cold hands along your neck when you weren’t expecting it, just to hear the noise that would come out of you.

Your hand trails up, along his neck, over his jaw, and rubbing against his lip. He carefully nibbles on one of your fingertips, staring at you intensely. His teeth clamp down not hard enough to break the skin, but hard enough so that you feel the pressure from them.

“Beautiful…” you breathe. His hand slides up your back, running along your spine.

Your free hand travels further upwards, nesting in his hair. The tips of your fingers stroke against the firm cartilage of his ear and he inhales sharply, ears folding to his skull.

You hesitate. The ears slowly rise again.

“Do you want me to stop?” You ask.

“No…” he whispers, releasing your finger from his mouth.“You can keep going. Just unused to it…”

Carefully, gently, you rub his ears. They’re quite soft, but also quite delicate so you’re careful not to overwhelm him. A hum emerges from Alastor’s throat, vibrating through your body. He’s tense at first, taught like a bow string, but over time he relaxes, melting into the couch.

His hands seek out the small crevices in your body as well, your sides, your shoulders, your neck. A few times he has to seek the solace of your neck, whining and nipping kisses underneath your ear.

Touching each other, exploring the way you each react to touches, giving soft affections - It doesn’t go farther past that, but none of you are seeking anything else from it. Every touch is for no greater reason other than it simply feels good.

You let the time pass. It’s impossible to tell how long exactly, but it’s a while before you’re both satisfied. You wrap your arms around his torso and press your face into his shirt. He smells like rich wood and strong spices. Most of all, he smells fresh. There’s simply no other way to describe it.

“I wish we could stay like this every night,” you sigh, “Tonight...and the next night..”

Alastor kisses the top of your head. “And then the next night...and the next...and the one after that, too…”

You lift your head to kiss him on the lips. “And for an eternity more.” His eyes flutter wide open, blinking just like a dazed dear. You want to giggle with how cute it is.

His expression melts into one of pure bliss, red eyes hazily gazing into yours. He chuckles, kissing the tip of your nose. “And for an eternity more.”

#alastor #hazbin hotel #alastor x reader #alastor imagines #fluff #halloween

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sk1fanfiction · 3 years

Text

the many faces of tom riddle, part 5

- more myth than man... or not? the mortality of tom riddle and the anatomy of a villain-

That leaves us with Ralph Fiennes’ portrayal of adult Tom Riddle/Lord Voldemort in movies 4-8.

I generally find adult Tom Riddle disappointing, even in the books, in terms of character depth. Instead of delving into his motivations and the inner psychology of a villain, we get... slight body horror? And in the movies, it’s even more egregious.

If a story is as good as its villain, adult Tom Riddle is a bit of a let-down, especially on-screen.

“I was ripped from my body, I was less than spirit, less than the meanest ghost . . . but still, I was alive.”

Perhaps the very first time I watched it, I found this scary, but I must confess that nowadays, Voldemort’s resurrection is more funny to me than anything else. The forked tongue and the nose slits, yes, are supposed to allude to Tom Riddle’s loss of humanity, but I don’t think it...worked out that way in practice.

I know that’s how it is in the books, but ugly equals evil (and vice versa) is a tired trope. not only that, but under the CGI, Lord Voldemort is so difficult to relate to, so inhuman, that it’s hard to (1) see his true depravity (2) connect with him emotionally (3) at least for me, not laugh at him flapping around the graveyard in GOF like an oversized crow.

Now, the reason I’m going on about this is not (just) me being petty. Lord Voldemort is the Boggart for most of the characters in the HP universe, meaning their greatest fear is Lord Voldemort. He represents Fear; as such, he should be utterly terrifying. Now, I don’t mean horrifying in that sense, but Voldemort’s grand entrance should at least feel somewhat unsettling, have some sort of a Gothic atmosphere...

"But then, through the mist in front of him, he saw, with an icy surge of terror, the dark outline of a man, tall and skeletally thin, rising slowly from inside the cauldron."

Visually, this looks great. But it’s not scary. And I’m not a purist by any means, but the words are scarier than the book. Darkness induces fear.

“The lack of any kind of visual stimuli increases anxiety, uncertainty, and tension.”

So, having Voldemort’s pale body materialize isn’t as scary as it could be.

Furthermore, I think Fiennes’ overexaggerated expressions would actually come across as properly horrifying/threatening rather than funny if they just left his face alone. Yes, Fiennes does manage to emote the fear and the anger through the CGI, but it’s like he’s too alien to be scary, at least to me. The amount of memes with Voldemort suggest I’m not the only one this way inclined.

I think there’s probably a problem going on with the uncanny valley. (Images from the Mori essay linked).

[When things are still]

[Creepy things are creepier when moving]

Now, I assume Voldemort is meant to be zombie-creepy, or at least that how Harry describes him in the books.

"The thin man stepped out of the cauldron, staring at Harry...and Harry stared back into the face that had haunted his nightmares for three years. Whiter than a skull, with wide, livid scarlet eyes and a nose that was flat as a snake's but with slits for nostrils...."

Now, we can’t get Harry’s experience of being haunted by Voldemort in his dreams, because what I think makes Voldemort’s countenance so truly frightening to the other characters isn’t his snake-like nose or his red eyes, but the potential. Voldemort is, in essence, the Grim Reaper. You are at his mercy, and you’re probably going to be dead.

“This time, I shall enter the fray myself, Harry Potter, and I shall find you, and I shall punish every last man, woman, and child who has tried to conceal you from me. One hour.“

And yes, Voldemort can be quite funny and witty, but..

“I will allow you to perform an essential task for me, one that many of my followers will give their right hands to perform.” (To Peter Pettigrew)

...it’s still incredibly dark, sadistic humour. Whereas the teenage Tom Riddle we’ve been discussing has just barely dipped his toes into evil, Voldemort is, well... swimming in it. At this point, he think he undeniably enjoys causing pain.

And much of what makes Voldemort scary is subtle.

For example, what I personally consider haunting is the fact that he’s got a cave full of Inferi. A cave full of reanimated dead bodies.

Either he dug them up, which is unlikely... or perhaps, a twenty-seven-or-so-year-old Tom Riddle would lie in wait like a bird of prey, very quietly and patiently, perhaps reading a book, waiting for an unsuspecting Muggle to wander past. Maybe killing is a game to him at this point, when it’s not so personal as killing Harry Potter. Maybe it’s a whispered Avada Kedavra, and then he carries the dead body away to his cave. Maybe he Imperiuses them to walk off the cliff. Maybe he tortures them first.

Shudder.

And I don’t think you can show that kind of horror through any CGI or make-up, so...

You know what is terrifying? Revolting? True crime; real-life people who do unspeakably horrible things. And I think a lot was missed out on, in stripping Tom Riddle physically of his humanity. Yes, Riddle is a monster...

But, as we’ve seen, he’s a human monster, not some eldritch horror from the seventh level of hell or something.

I just think it would be interesting to have this perfectly normal-looking human do all the horrific things Voldemort does. I want to see that sick joy in a human face and feel disgusted. I want to see fear make his bottom lip tremble, and feel a misplaced sense of empathy. (Think President Snow from the Hunger Games -- now, that’s a sick, twisted villain who we can relate to as a human being, but still love to hate -- or what about The Joker?).

And out of everything they chose to CGI, why on earth did they not make his eyes scarlet? That might have made him look at least somewhat menacing, rather than a failed lab experiment.

(Don’t even get me started on his and Bellatrix’s death scenes in the movies-)

Here’s President Snow. He’s got a cute little granddaughter, he sends kiddies to kill each other Battle Royale-style every year, and he poisons all his political opponents. He’s also a master manipulator and has a penchant for white roses. They cover up the smell of the sores in his mouth from eating the poison too, to conceal his treachery.

Heath Ledger as the Joker in Dark Knight (2008), who is, according to NYT (which I totally agree with), the best Joker. Now this is a villain done right, with many Voldemort-like traits. On a scale of one-to-ten, he’s absolutely terrifying. Why? He’s (unlike Voldemort in the movies) incredibly intelligent, shows young-Tom-Riddle-like skills for charm and manipulation, plays with humans like they’re his own personal psychology experiment (and to hell with the Institutional Review Board), and has one, single, very clear goal -- chaos. Like Voldemort, he wears an inhuman mask that’s not horrifying in its own right; but unlike Voldemort, the human is all there -- terrifying, real, and with a bottomless, obsessive desire to destroy. His disordered thinking is all out there for the audience to see. The Joker’s motivation is to enjoy himself; whereas Voldemort seems to lack drive. Why does he want to take over the world -- who knows, with Voldemort? The Joker wants to see it burn.

Let’s try to do the same with Lord Voldemort:

[SLIGHT FLASH WARNING]

I had to go with this because Voldemort isn’t legitimately terrifying in many scenes. And yes, this unrefined anger somewhat speaks to Tom’s immaturity

By this point, seventy-one year old Tom Riddle is a hollowed-out shell of a human being. After decades of building his power, he was defeated by a one-year-old, and ended up slumming it as a spirit for a decade, got defeated again, was a shrivelled-up baby for a year, then finally got his body back.

He’s angry, okay! And Fiennes does a great job of portraying the sheer, destructive, unbridled rage of this character.

The body language. again, since his face is inhuman, this is super important. and Fiennes’ body language is great. Voldemort/Riddle commits to his actions. He is very emotionally-driven.

But yet, he doesn’t feel capable, in the way that the Joker or President Snow do. Yeah, we know anecdotally that he’s incredibly evil, sadistic, and second only to Dumbledore in terms of power, but he loses to a baby, and then that same baby as a teenager. So, we really could have done with seeing Voldemort’s power, cruelty, and evil firsthand a lot more often.

Voldemort is not well-characterized. I don’t understand his motives, and the ones that I do understand are not compelling.

Not to die? Well, he’s already made several Horcruxes. Why not sit back and relax? Why start a war and risk himself?

JKR said that Voldemort’s great desire was to become all-powerful and eternal. But that’s... boring! It does little to tell us about Voldemort, other than that he’s a villain and a wannabe dictator.

Furthermore, the charm, manipulation, and cunning that are hallmarks of younger Tom Riddle’s personality are gone.

Is Voldemort (to return to Jungian terms) all shadow? An empty creature of simple creation and destruction, perhaps? We’ll discuss this further down...

And this isn’t a problem of having a fantastical world with magic and the like. Grindelwald’s quiet, self-possessed, almost coy “So you think you can hold me?” was infinitely scarier than anything that has ever come out of Voldemort’s mouth. It was chilling.

OOTP is my favorite book, and the Ministry sequence is one of my favourite in the films.

This scene where he psyches out Harry, talking so quietly that he could just be a little voice inside his head (and again, during the possession scene)? Absolute perfection.

Why? Because this showcases what’s truly scary about him. Voldemort can get into your head. He can make you do things. And perhaps, if we had seen that more often, we’d understand how scary he is.

I wish this had been his grand entrance, and not whatever that scene in GOF was. Somehow, him screeching “I WANT TO SEE THE LIGHT LEAVE YOUR EYES!” is not menacing. At all.

But, I can’t help but think how much greater the emotional affect would be if he had more human features (think the burned-and-blurred, waxy features from Dumbledore’s memory).

Just imagine these scenes if Voldemort looked human, and spoke as quietly as he did in this one.

Because of the reason that I have little to go on in terms of characterization that I haven’t already covered, we’ll discuss the myth and legend of Lord Voldemort.

I can’t decide if the statue in the films is supposed to be the Angel of Death or the Grim Reaper. He has a skeleton and carries a scythe, but he also has wings. There are so many different interpretations, attitudes towards, and personifications of Death across the world that I don’t want to draw any one conclusion. But I must wonder if Lord Voldemort, with his yew-and-phoenix wand (which carries heavy symbolism of immortality and rebirth) and almost deified figure is meant to be a personification of Death himself? His name, Lord Voldemort, is a shade close to Lord Death.

For years, it has stumped me that wizards and witches are afraid to utter Voldemort’s name, especially since we only see the Taboo in the middle of the last book. It didn’t make sense just based on fear; in the real world, we don’t circumvent Hitler’s name, for example.

Perhaps this may have been obvious to others, but it wasn’t to me.

Here’s a counterargument to myself; why Voldemort shouldn’t look human.

Voldemort, in the Wizarding World, is seen as a literal deity.

I promised to attempt to answer this question in Part 3:

And so, I can’t help but wonder if the opposite is true… if Tom Riddle creates Horcruxes, would that grant him additional magic powers?

In Part 3, I likened Tom Riddle to a sorcerer in Russian folklore, Koschei the Deathless, also famous for sequestering his soul in objects. This source suggests that Koschei was considered not an ordinary magician, but a representative of the ‘other’ world, the world of death.

So, what if... creating Horcruxes makes you... more than human? Now, I could definitely see god-like status being appealing to sixteen-year-old Tom Riddle. Perhaps, even appealing enough to kill for. Now, his proclivity for Avada Kedavra makes sense. We know it’s an incredibly sinister spell, but at the same time, it’s a very humane way to kill. Why might it be so horrifying?

Here’s a weird theory.

To the best of my knowledge, no one but Voldemort is seen using the Killing Curse more than once or twice.

Perhaps, ordinary mortals can only cast Avada Kedavra a few times, but Tom, having split his soul and having become in some way a non-human instrument of Death, can cast it however many times as he likes, and that is part of what serves to make him so terrifying.

This makes the idea of Voldemort tossing around Avada Kedavras actually incredibly terrifying, if you take into account what that might mean.

The collective cultural fear of speaking Voldemort’s name supports this theory.

Take the chthonic (underworld) deities of Greek mythology; most notably, Hades and Persephone, the king and queen of the underworld.

Hades, the god of the dead, was feared.

So feared that the word ‘Hades’ (”the unseen one”) was so frightening, that people came up with all sorts of euphemisms to circumvent actually saying it and he was rarely even depicted in art. For example, they would refer to him as Pluto (”the rich one”), Clymenus ("notorious"), Polydegmon ("who receives many"), and perhaps Eubuleus ("good counsel" or "well-intentioned"), amongst many other names.

However, he was not seen as evil; just stern, cruel, and fair. Like most Greek gods, he had an associated cult (the Death Eaters, anyone?)

Another interesting connection between Hades and Voldemort is that Hades was associated with snakes.

Persephone (suggested to have a pre-Greek origin and probably pre-dates Hades), who was also a vegetation/fertility/spring goddess, similarly, was referred to as Despoina (”the mistress”), Kore (”the maiden”), etc, because as the terrible Queen of the Dead, it was considered unsafe to speak her name aloud. In mythology and literature, she is sometimes referred to as ‘dread Persephone.’

--Just like how Lord Voldemort is referred to as The Dark Lord, He-Who-Must-Not-Be-Named, You-Know-Who... (and if you’re Dumbledore, ‘Tom’.)

Her central myth served as the context for the secret rites of regeneration at Eleusis (which was basically a mystery cult devoted to her and her mother, Demeter), which promised immortality to initiates.

We don’t know for certain what exactly went on, because, mystery cult -- the members were sworn to secrecy -- but it revolved around immortality and rebirth and possibly psychoactive drugs.

Perhaps ironically, in comparison to the Death Eaters, anyone could join, as long as they could speak Greek and had never committed murder.

And that concludes my assessment!

#tom riddle #the many faces of #tom marvolo riddle #character analysis #lord voldemort #character study #tw: murder #the body horror was 1/10 #don't make your character design hilarious if you want him to be scary #i'm not saying voldemort is a vegetation deity #but i'm not-not saying it either

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ghostmartyr · 4 years

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SnK 133 Thoughts

They’re trying to stop the apocalypse but they’re dummy traumatized and the clap of their sins keeps alerting the glow tree.

Kids, just remember: Body count doesn’t matter, it’s how you feel while producing that body count. If you’ve killed people to stop genocide, you are not immune to being party to genocide. ⭑⭒⋆

I’m being reductive because I’m not too eager to go over how not all murder is created equal again.

Going by a good faith read, I do think what the narrative is attempting to establish is that these characters all know what it’s like to be backed into a corner and do desperate things they’re horrified by.

Putting aside the extra psychological difficulties of his childhood preceding the choice to knock down the wall, Reiner believes he’s saving humanity. There’s an island full of devils, and he’s attacking them. He, Bertolt, and Annie are dumb kids who do what they’re told. Because they think it’s right, or because they want to go home, or just because they are dumb kids.

Armin’s killed plenty of people with the power of the Colossus. He can’t plead innocence; he attacks Liberio’s port intentionally, knowing exactly what terror the people on the ground will be going through.

Connie kills the friends he’s trained with for years, when the worst thing about Reiner and Bertolt revealing themselves is feeling betrayed by comrades he loves.

None of this is directly equivalent. Dumb children at war are trying their best. Always, this conflict has been orchestrated above their pay grade. RAB get abandoned behind enemy lines and are told to make the best of it. Armin destroys Marley’s port because Marley will not stop going after Paradis, and Eren has forced a renewed conflict that they need to move against fast. Connie betrays his friends because they’re okay with letting the rest of the world die.

No one on this ship has enjoyed any of this. They have consistently been doing their best with the information given to them while people with more power drag them into fights that never should have happened.

Shiganshina falls because Marley chooses to murder Paradis.

Liberio falls because Eren turns himself into Paradis’ only hope and puts himself into a situation he can’t win alone.

In the crudest way of putting it, these people are grunts. They’re not the ones who picked the game being played. They’re the ones being manipulated into war after war.

That’s why they look at each other without counting the bodies. It isn’t the scale of their actions that hits at this moment, it’s the decisions they’ve made to be part of it. They choose to keep fighting. When it creates an outcome they hate, what can they say? ‘Look what you made me do’?

Whatever their reasons, and whoever set up the board, they are the ones who participate. In this case, pure moral imperative is the driving force. Daz and Samuel die because they’re willing to let genocide go uncontested. That’s on them.

Guilt doesn’t work like that, though. Daz and Samuel die because they are killed. Connie kills them. He betrays their trust.

All of this is to say that the people on the ship truly do understand each other perfectly, even despite the difference in scale. It’s a bit on the nose, but I don’t think anything they’re going through is at odds with the people they are.

Applying that feeling to Eren is a feat of misguided grace that... hell, I don’t know.

As a human person, I like grace as a concept and want more of it. I don’t want the world to burn, I want the burning to stop, and for everyone to be okay in the end even if they don’t deserve it. A world where we all get precisely what we deserve seems an incredibly dark place to me. That doesn’t leave room for mercy or kindness. You get what you earn, and nothing more.

The more time we spend on this portion of the story, the more I’m inclined to think that the themes agree with me. Our heroes at this point aren’t full of the rage they’re entitled to. Every inch of them is tired, and they’re not here for more death. They’re willing to keep going, but even the thought of killing Eren, when he’s massacred thousands, makes them all hesitate.

Everyone wants to go home and have the fighting stop.

That’s all.

Whatever happened, and whose fault it is -- forget all of it, just give them a place to rest and have it be over.

Thematically, yay. I approve. Beautiful. We start out with a series that makes a name for itself almost entirely on the back of the spectacle of violence, and after years of participating in that violence, the main cast wants nothing to do with it anymore. Love it.

Within the plot, I am not in the mood to have Eren’s traumatized friends apologize for not understanding him.

I get it.

I get why they all feel this way.

I do not like reading it.

They’re projecting their own guilt on someone who has shown a reckless disregard for their lives and sanity.

They’re trying to reach Eren as a human being and friend when he’s done his absolute best to make himself unreachable.

That’s sort of the point Reiner thinks is being made. Eren has intentionally set them up as his adversary so that if he has to be doing all of this, maybe there’s still a chance someone can stop him.

Okay, fine.

It falls short for the same reason all of Eren’s stuff is falling short.

We don’t actually know what the fuck is going on with him. We’re guessing.

You know those picture puzzles you do as a kid? Draw a line from bubble 1 to bubble 2 to bubble 3, and eventually you will make a bunny. Or a dog, or flowers, or something that looks like a picture in the sloppy mess of numbers.

Eren’s general portrayal matches that of a toddler who doesn’t yet know his numbers, and understands the instructions to be that he’s trying to get to the last bubble by scribbling lines through all the other bubbles.

Look, it’s a bunny.

And Eren’s friends are all like, oh wow, that’s such a good job! We’re going to put it on the fridge!

Then people come over and are like, why is there a constellation of a deer jumping through a house on the fridge, but they hear the child did it and immediately are like, oh yeah, that’s the best bunny I’ve ever seen, I can’t draw like that.

The child, being a child, is like, ‘Damn right. I’m going to be in bunny museums.’

Meanwhile, I’m just going to come out and say it.

It’s not a fucking bunny.

What it is, I don’t know, but it is not a bunny, stop calling it a bunny, it is actively erasing the knowledge of what a bunny looks like in my mind.

So ends this skit on what Eren’s portrayal has been like.

Eren has decided that this is all necessary. He doesn’t like it, and wants someone to stop him, but he is totally going to do it, and he knows he’s going to do it because future vision told him so and he’s really sad about that even though he’s emotionally in a place where genocide sounds like the only way out but that is wrong.

I think I’ve said before that Eren getting to this place mentally isn’t too off the rails. His sanity has been deteriorating with each mission, and he’s nineteen. Snapping like this could arguably be expected.

But the last we see of Eren’s thoughts, we still have this back and forth of how he refuses to yield the future to fate, but he already feels condemned by that future because he chooses to cause it.

Eren is clearly trapped by this web of contradictions, but his motivational core is so obstructed that it’s hard to actually connect to. It is easier to say that Eren’s gone off the deep end than it is to spend any amount of time asking how Point A became Point 3.

That’s frustrating, as a reader. I don’t want to be told a story, I want to experience it.

Eren’s experiences are not universal.

I need some hand-holding here. There needs to be a few more clear indications of Eren The Person, and how the individual we know wrapped around to making these choices.

Hooray, he’s not taking away their powers.

The guy he let run his cult still nearly killed all of them.

Hooray, he’s protecting his island.

He just actively courted an international incident so everyone wants the island dead.

Yes, Eren thinks that hope is lost before he makes these choices. That’s how moving forward drags him to this place; he doesn’t have the vision to imagine a world where this isn’t happening.

If you don’t fight, you can’t win, and Eren’s still fighting. But he’s forgotten what winning looks like. All he knows is the dreary march forward.

I would like for that to be explicit, not me extrapolating. Because even as I’m typing all of that, and feeling like it makes sense, it has the confidence of tissue paper, and I know my numbers, but half the numbers making this bunny were missing, and I’m not an artist.

The story I’m digging around here for is one I could like, but I don’t trust that it’s actually the one being told, because too much feels unexplained and weird. You can’t just make your main character nuts and use that as an excuse for anything.

Well, okay, you can.

You shouldn’t.

Please don’t do that.

Which I guess leads us to Eren and OG Ymir doing a Shining twins thing.

Here is my wild speculation.

The Attack Titan is the only Titan capable of resisting the Founder. It cannot be controlled, it simply continues forward, fighting for freedom.

When Eren talks to Ymir, her eyes losing their shadows are the cue for him taking full control of the Founder.

Now we’re back here, and her eyes are shadowed again, with Eren’s joining the ride.

I think that where we’re going to end up is that Eren’s mental fragility made him incredibly susceptible to the Attack Titan’s core nature, and enough of that nature aligned with Eren’s that everything except pursuing a way forward fell away. The Attack Titan is Ymir’s furious will, and she’s had it suppressed for 2000 years. I don’t think either one is emotionally capable of surfacing and deciding to resist the urge to march forward and destroy this world that has cursed them so.

Making my theory that yeah, okay, Eren’s lost it, but he lost it with the help of ancient plot magic, which we are now seeing the full extent of.

Does that have any basis in anything?

Who the fuck knows.

But one thing is very clear: Eren’s not free.

“In order to gain my own freedom... I will take freedom away from the world. [...] You are all free.”

The Attack Titan “has always moved ahead, seeking freedom. It has fought on for freedom.”

Eren, embodiment of the Attack Titan, is the first one to hear Ymir in 2000 years. Going with the vaguely logical theory that Titans are all pieces of Ymir herself, the Attack Titan is the part that rebels against every indignity she bows to in life.

Zeke frees the Founder from its promise of peace. Eren frees Ymir from the chains tying her to the royal family’s will.

All that’s left is 2000 years of trauma, and the ability and will, for the first time, to lash out.

It’s not what you’d call surprising.

It’s the getting here that I take issue with. Now that we’re here, yeah, got it. But I really don’t feel like Eren’s journey here has been done well enough to capture the emotional rawness that is trying to be accessed. His friends are shouting for someone who is effectively dead, for all the presence he’s showing.

Then you’ve got Annie and Kiyomi sad.

ON A BOAT.

While Falco wants to be a Titan with WIIIIIIIIIIINGS.

Kiddos, you’re very cute, and I support you not wanting to sit still and do nothing while the world is ending, but I can’t begin to express how little I care.

Except that your families are alive and you two and Annie deserve to be reunited.

SO FINE, OKAY, FALCO CAN HAVE HIS WINGS AND SAY HI TO HIS PARENTS AND GABI CAN SAY HI TO HER PARENTS AND ANNIE CAN SAY HI TO HER DAD AND IT’LL ALL BE FINE DOES ANYONE KNOW WHAT THE FUCK WE’RE GOING TO DO ABOUT EREN?

BECAUSE YEAH, I’M SURE THE AIRSHIPS ARE JUST GOING TO SPLODE HIM AND END ALL OF THIS AND EVERYONE WILL HOLD HANDS AND SING SONGS THAT THE EVIL HAS BEEN DEFEATED AND THAT WILL BE THE END OF IT.

Conversation: FAILED

Attack: probably FAILED

GO AHEAD, MANGA. SHOW ME THE DEUS EX MACHINA. I’M NOT GOING TO LIKE IT, BUT I AM PREPARED FOR IT.

inb4 yeah they just are going to bomb Eren with Armin that’s how we end this.

133 status: Still Looking For A Win Condition (This Ain’t It Chief)

#Shingeki no Kyojin #SnK 133 #shingeki no spoilers #SnK spoilers #Survey Corps #tl;dr #chapter post

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hermadnessmacwrites · 3 years

Text

Why Do You Feel So Close (But You’re Oh So Far Away?)

Major manga spoilers in this fic

Rescue missions aren’t the sprint that combat missions are, Ochako is quickly learning. Rescue missions are a marathon. And, yes, time is still an important factor, but on her track, endurance—of her body, of her mind, of her spirit—reigns supreme.

The fact of the matter is, Ochako's tired. She's tired, on so many levels, but mostly she's tired of this limbo. Her life is on hold. No matter how she chooses to fill her time, Ochako knows she's just biding time: waiting for another attack, waiting for the cities to be put back together again, waiting for school to start.

Waiting for Deku to wake up.

—x—Day 1—x—

"Oh Deku," Ochako breathes, taking in the sight of the boy before her.

Visiting Izuku in the hospital isn’t a new experience, but he’s truly outdone himself this time. Thick, white plaster encases each of his limbs. Even if he was conscious, Ochako thinks Deku would struggle to move the heavy weights. That's probably the reason for the pulley system keeping each appendage suspended off the mattress. Either that, or the medical staff doesn’t want to put any more stress on his shattered bones.

Ochako's stomach, already sensitive from a full day of using her Quirk, rolls. Why does it always end like this? Too much first-hand experience with Deku's injuries means she doesn't have to imagine the damage hiding underneath the plaster. Flashbacks of blackened flesh and the unstructured movement of boneless arms parade through her head like a horrifying slideshow.

It's the USJ all over again. It's the summer training camp. UA's entrance exam. Their first Hero training—Stain.

Why does it always end up like this?

No matter what choice she makes. No matter how she tries to help him, somehow Ochako always ends up...here. Standing in front of Deku's hospital bed.

She's tried to support him.

She's tried to save him.

She's tried to stand beside him.

She's tried to hold him back.

She's tried to trust him.

But still…? Still this. Still standing in this acoustic tile room that smells like dead flowers and antiseptics. Still listening to the insistent electronic beeping and counting breaths. Still absolutely powerless to keep him safe.

The worst part is Ochako can't even be mad at him. She understands why he did it. Her first proud moment as a hero wasn't the result of a conscious decision. Seeing Deku writhe in pain during their match with 1-B—Ochaku just moved. Pure instinct drove her forward to protect him from hurting himself. Long before she had any plan on how to make that reality, Ochako was airborne.

And, yeah. Maybe it was reckless. Those charged black whips were a completely new phenomena at that point—a variable that could have panned out badly for both of them. But Ochako looks back at that memory and smiles because—that's it. That's what it feels like to have no regrets. To know that she may have put herself in harm's way, but her actions made a difference for someone else.

And Deku has made a difference.

It's easy to miss from the outside. In the aftermath, in the hospital, most people see an injured first year and shake their head. Rash, they think. Careless. Another young boy drowning in the deep end.

Maybe there's a kernel of truth in that. Maybe Deku has taken on more than he can handle. If that's true, though, it's only because he could see others buckling under the strain. Because Deku looked at a situation with that brilliant, tactical mind of his and thought, I might not win, but I can help.

How can Ochako not find that inspiring?

Heroes step up when there's a need, they've been taught. Well, it turns out that sweet, stammering Deku has a spine of steel to go with that heart of gold. Armed with an unyielding moral compass and double-edged Quirk, he's proven more than ready to rise to every challenge thrown this way. It’s amazing. He’s amazing. And as scary as it can be to watch Deku shatter against his upper limits, watching him chase his dream of becoming the Number One Hero has pushed motivated Ochako into her own Plus Ultra moment more than once.

But, even still…

...Ochako just wishes Deku didn't see himself as such an acceptable sacrifice. He matters. It matters that Deku is destroying his body for them. It matters that he's laying here in this damn full-body cast.

Tears escape onto her checks. Ochako lets them fall unhindered. Deku, of all people, would understand the need to cry right now. Her chest is full, tight, with a mess of contradicting emotions. She's proud of him. She's furious with him.

She's terrified.

If this isn't the first time, then logic says it won't be the last, either. There will come another night that Ochako stands at the foot of his bed and wonders how many more times can his body take this abuse?

How many more times will Deku get back up?

A soft knock sounds on the door before it creaks open slowly. Ochako hiccups in surprise. Drawing the back of her hand across her nose, she hastily tries to piece herself back together for whoever has just walked in.

"Young Uraraka?" A large, warm hand lands on her shoulder. All Might. "The hospital staff just informed me that visiting hours are over. You should go get some rest."

"R-right!" Ochako’s voice sounds thick even to her, so she tries again. "I'll go—I'll go do that, then."

Moving slowly to give her stiff muscles a chance to wake up, Ochako makes her way to the door. Once there, she can’t resist pausing to look back at Deku one more time. The slow rise and fall of his chest is the only solace she can take from his broken and bruised form. Ochako’s hand tightens on the doorframe, lips drawing into a thin line. She hates this.

“Young Uraraka.”

Ochako’s gaze snaps from her friend to the emaciated man standing next to him. Electric blue eyes burn intensely from within their sunken depths. She instinctively draws herself up taller under his gaze.

“Young Midoriya will get back up,” he promises in a voice that rings with the power and conviction of the former Number One Hero. “I have full confidence he'll come out the other side of this experience as well."

As well. Because this is far from the first time Deku has been bed-bound in a hospital. The thought leaves a bitter taste on her tongue, but Ochako manages a wane smile around it anyway. The amount of confidence All Might has in Deku is heartening. It takes a special kind of person—a special kind of hero—to catch the eye of the former Symbol of Peace. Does Deku know how much faith his idol has in him?

It feels necessary to answer a declaration like that with one of her own. She nods sharply at her teacher and lets the hard-edge of her determination shine through her eyes.

Read the rest of this fic on ao3

#hermadnessmac writes #My Hero Academia #IzuOcha #IzuOcha fic

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ornamental-coral · 3 years

Note

Do you have houses combos you love besides Snake Bird ?

Hi sorry it’s take me so long to get to you ‘nonnie human you. I promise if anyone sends me questions, I will get to them eventually! It just takes a while for me thinking about them, researching about them (doing Birdy Bird things with even a one-sentence question...), forgetting I have a sort-hat-chats centered tumblr account (which is... can sort of a Bird thing but also a me thing), and then coming back so we are here (there. somewhere)

I myself am a Snake-Bird. I think I’m pretty neat. Birds are usually very good at entertaining themselves. I think. And I’m lucky I like myself enough because I spend a lot of time with me haha.

I’m a little in love with a remarkable amount of Lion primaries, Snake secondaries and Bird primaries (especially with a Snake secondary to make them extra hard to hold onto *rolls eyes) and apparently I love writing Badger Primaries? I guess I find the challenge of building an “ideal” society that is willing to address the current failings of our timeline a worthwhile challenge and my ink-children rise from the ether to meet me.

I’ve expanded below bar because this is actually a really interesting concept to me - how does a particular house combination react to the others. Below is just my meandering through how specifically My Snake Primary Bird secondary might react on a surface level to the other house types. This doesn’t mean I’m right. There are as many ways of acting within the house system as there are human beings and keep in mind, this is all in good fun.

____________________

Lions

The Idealism of the Lion Primary is something that I find admirable. I posted a more extended musing on the position of Snake Birds within media here. I think the Snake in me understands that when you pick up a person the way Snakes do, you pick up a lot of their wants and regrets too. Snakes pick up People, so that means the whole package. A Lion with a worthy cause can be a very attractive thing to a Snake, who will follow and support them in a very specific kind of way.

With Double Lions, and Lion Snakes there’s that urge to run after them with a fire-extinguisher in one hand and a big stick in the other - one to put out the fires a Double Lion inevitably lights and the Lion Snake may try purposefully to stoke, and the other to beat off anyone who dares to tell your Lion that they cannot Be A Lion. That’s something only the Snake can do, and that’s only because no matter what the Snake says, the Lion is still Their Person warts and all and the Snake Bird knows damn well what they were getting into, or at least thought they did.

Lion Birds house-match secondaries with Snake Birds but can have explosively different moral codes, largely because they method match. I personally find some Lion Bird characters a little grating because as the audience, I feel I’m getting the same information as the Lion, but as a Snake I have a little too much self-preservation to imagine myself doing anything much about it - at least not the way a majority of Lion Bird characters act - or I come to different conclusion. I also hate conspiracy theories because they require leaps of logic the my Bird model typically just can’t tolerate but the felt-house Lion will participate in. However, Lion Birds can also be the hard-boiled PIs, the Best-at-their-Job secret agents (hi Agent Coulson), the one who has Seen the World and Still Believes It Can Be Saved. So that’s admirable and fun.

Lion Badgers are sweet but my Snake Bird goes “fires, fires everywhere”. And like, not the kind your Lion Snake might think is funny when the Snake Bird tries to put them out. Think Steve Rodgers. MCU Steve has a really strong Snake Performance though when it comes to Bucky which MY Snake finds really confusing because it is So Strong I’d be willing to be money he would have at least tried to find a better way to get rid of the Tesseract if Bucky hadn’t fallen from that train and been declared KIA. I think that particular type of Snake performance also confuses Tony, which is part of why Civil War was the way it was.

But yeah, a fire that a Lion Badger wants to light? it’s not going to go out. For a Snake, having that as Your Person means you either really ride or die for them - and might actually literally have to die, or you are keeping them from burning themselves out before they accomplish whatever they’re doing. For a Snake Bird? this is alarming as hell and it’s a fight between the Secondaries to make sure the Lion takes care of themselves as part of the Lion’s “hard work” Badger, if they’re your person.

Birds

Bird primaries will “build” the people they love into the way they see the world. As a Snake, I think this is just really appealing to me? Snakes are loyal, and older Snakes have the life experience to realize that - painful as it is - this loyalty will not always be reciprocated in the way you hope for (this is the stereotypical bone of contention between Lions, Badgers and Snakes. Lions are focused on their cause and if the Snake’s protective instincts get in the way of that, that causes problems It also hurts when a Lion’s mission supersedes their affection for their Snake people. Badgers’ concerns are for their communities and the split of attention can drive the individually focused Snake crazy). If you get built into the Bird’s world, that always felt like something special and something that took hard work, which made it all the more valuable.

My Snake Birds also likes to imagine it’s equipped to learn to the things that a Bird variety believes in and address those things. It’s the kind of relationship that has the potential to go very wrong, and I do realize that. I think Snake Birds have the tendency to want to be everything for Their Person (or people) and our powers of observation mean that we take it a little personally when we’ve missed something. I’m tempted to call Kaz Brekker of Six of Crows a Snake Bird and it drives him to distraction that he can’t be everything, everywhere, all at once to the handful of a people he truly and deeply cares about.

The Bird Snake in particular house matches in a way that can be particularly challenging and attractive to a Snake Bird? A Snake Bird’s tool is, well, the Bird, and the whole persona can feel ridiculously pleased by being able to “pin down” the Bird Snake, which does not necessarily lend itself to being pinned. There’s also this strong urge to understand the Bird Snake.

So there’s the Snake secondary who delights in finding new ways to be, and a Bird Secondary delights in learning new things. The discovery element in that relationship can, as long as the Bird Secondary is not stifled by the Snake Primary’s concern, actually be really rewarding. Birds, and Bird Snakes in particular are also often really unique. They think differently, act differently, can be off putting to certain types of house combinations because their moral code can come off is so blue-orange, and is Built on top of that. Snakes take great pride in being very “this is my Person and their brand of weirdness is just another thing I love about them. And on top of that, I Know them.” with their people in any situation, and if a Snake can eventually prove to their Bird Primary that that feeling is unwavering, that’s a relationship that becomes central to both Snake and Bird.

That isn’t to say Birds can’t go dark, but usually they learn to be that way given Birds are evidence-gatherers. Unfortunately, this means I love them too because people of my generation and all generations before and hence have a thing for characters with trauma (see Loki, greasy prince extraordinaire). It’s -- it’s never not been a thing. Take a look at freaking Gilgamesh, which is the oldest things that we know of, look at Enkidu, and tell me he wasn’t your favorite. Gilgamesh is kind an arschloch of highest proportions. As a more palatable example of this Bird-villain thing, I sort of suspect Bucky Barnes is a Bird of some flavor. If he killed one person as the Winter Soldier, he’d feel bad but probably admit it was the brain washing - but he did it dozens of times. He wonders what does this say about him? He is possibly a Badger, but even pre-winter-soldier he doesn’t seem to care on as wide a scale as a Badger typically does. Steve is Built into the fabric of his world, and he doesn’t react to Steve’s death the way I expect a Snake to either. Maybe a really Old Seasoned Snake and I mean technically he’s old? but the cryogenics thing sort of means he’s not old enough to just let it go. He also doesn’t follow the boy from Brooklyn for reasons I would expect from a fellow Snake but I guess the new show might give more insight on that once I actually watch it.

Badgers

Okay, I like writing Badgers. [Leans back on chaise lounge] this probably has something to do with my mother.

Really though. I model Badger because my mother, although I love her and I’m really lucky to have her, is a teeny tiny bit horrified by Snake tendencies and drilled into me the morality that it is okay and it is above all Good to care about other people (for other Snakes, read Yes Even Strangers). To be fair, the prioritizing that Snakes do (which can get as focused as ”My people first, even if someone else far away is in trouble and I am acutely aware of it”) can seem pretty horrific to a Badger. They don’t necessarily get how you could believe everyone is a person and just... not care. And it’s hard to convince a Badger (for whom not acting can = they are not worth it) that you know exactly what you’re doing but are also aware that if you try to help everyone your head will explode because you can’t keep that many People up there. It’s why Snakes have their rings of caring.

But the result is that for me, Badgers are usually the ones left standing at the end of the story. If they’re done dirty, I like to try and fix it.

I don’t like how media treats Badger primaries generally though? There’s often something “goofy” or the Badger is treated as soft in a really unpalatable way. I mean, and to be fair this directly comes from the way a Snake can sort of be flummoxed with the way Badgers just do things for strangers, yes Badgers irl may be considered gentle. On an individual level, they are often the hearts and hearths of groups and homes. But there’s this weird place where The State is supposed to be a Badger-shaped institution, so that uneasy balance comes out in weird ways.

I don’t remember who said it, but the difference with Badgers and Snakes is that, with a Snake, you start out at Zero. You’re human, but you’re not the Snake’s human, so I will treat you like a human, but there are My People above you. And with a Badger, you sort of start out at like 85-100%? At least this is my perception. Badgers need-base and that off-balances Snakes.

A Snake with a Badger in my opinion needs to be “eyes open” in a different way than even a Snake with a Bird does, because the Snake needs to understand that the Badger is going to look and act similar - until they don’t, and then the Snake needs to be able to put aside the part of them that was attracted to the mirrored morality and actually work with the Badger to figure out what the Snake needs and how the Snake can in turn support the Badger.

Anyways though, I’m writing a thing where a Badger Bird-modeling-Badger is the last woman standing, committed to fixing a broken type of organization that her Snake, Bird, and Lion companions are Tired of. Lady Badger is nothing if not resilient. I’m writing another thing where a really really Burnt Badger man gets a safe place to learn to be part of a community that is meant to be mutually protective again (he dies because this is a fan work and that’s what happened in cannon, and this is arguably because he’s still unburning at that stage and doesn’t Have a proper community, but I hope to show him having at least Some happy times because in the sh**show show he didn’t have any at all). I’ve got a slightly less developed thing where a number of Badger performing princes learn to work together to fix their kingdom and unbury the history that created it.

Aaand It’s nearing midnight, I have clearly lost the thread of the thread or whatever

Goodniiight to all my houses. Love you all even if I didn’t write about you here.

-Ornamental

#ornamental answers #ask answered #snake primary #bird secondary #House interactions #lion primary #Bird Primary #badger primary #wip sorts #late night posts #sortinghatchats

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greenninjagal-blog · 4 years

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Does Virgil from Weightless ever find his skin? It’s one of my favourite fics from you and I’d love to read what happens after!

Oof, okay so in Weightless, Virgil does find his skin! I won’t write it, purely because I don’t have the time :/// but I can give you some run downs of what would happen!!

((This is still longer than I meant it to be oh my god))

First order of business is Patton uses some of his djinn magic to locate a magic shop which is run by a pixie who calls himself Deceit and whom absolutely abhors Patton. He’s sympathetic to Virgil’s cause but he runs a business so in exchange for an actual locating spell that works on people from memory he needs something just as powerful in return.

Logan steps up and offers a bit of his blood-- him being part gorgon gives him potent blood that is definitely is rare. Deceit eyes him warily but accepts it and he gives Virgil the spell.

((Deceit also reveals the secret that Patton’s been hiding while they’re there: as a Djinn he can’t disobey any order. Which is why he’s always being so helpful and when the others ask him to do basic things he drops whatever he’s doing to complete the task. It also includes things such as “Don’t listen to this conversation until I snap my fingers” while Deceit does just because he’s petty and can.))

While they were out though, their house got broken into and its no longer safe at home, so Roman cashes in a favor with his brother in order for them to have a place to crash. Logan and Patton go over the spell with Virgil which requires the user of it to fall to sleep before its activated. Remus and Roman have a heart to heart which turns into Roman coughing up blood and his own secret being revealed: the reason why Roman acts so scattered brained and often has a hard time thinking about the others is because he quite literally can’t stop thinking about having sex, and if he goes too long without engaging in it his body starts breaking down. He was cursed as a young adult by a vengeful witch who thought they were dating when he thought they were just friends....who sometimes slept together.

((He knows its not an excuse for him acting like that, which is why he never mentioned it to anyone, but also why he’s always seeking out partners and even though he’s an incubus, he thinks if he never had sex again he’d be okay. ))

Virgil sleeps and the spell works and when he wakes up Logan hands him a map and in a trance-like state marks with a pen where his attackers are.

Remus is really excited to see an opportunity to beat up people so he comes with them to confront the guys. The attackers turn out to be a from a low level gang so there are a lot of them and turns out there were people watching them when they left Deceit’s place, the gang over powered him and dragged him out to their warehouse where they were were in the process of ripping out his wings.

And Remus completely ignores any “don’t kill” suggestions and goes right to ripping out some throats the second he sees any magical creature being tortured like that. Roman isn’t far behind them and Patton uses his magic to help free Deceit and try to heal the places where his wings were damaged. Virgil breaks the water pipes and use his water manipulating ability to defend Patton and Deceit.

((Patton reveals here that the reason why Deceit hates him so much is because he knows Deceit’s true name, which gives him absolutely control over the pixie, but Patton uses it to make Deceit stay awake through the pain, as he lost a lot of blood and if he fell unconscious now he probably wouldn’t wake back up))

Logan curbs enough of Roman and Remus’s rage to save one of the gang in order to ask him what happened to the selkie skin they stole, (and the gang member looks around at all his dead friends and asks “a skin was worth all this?” and Logan asks him, “Did you not think you were ruining lives by taking things that weren’t yours? Did you truly think no one was hurt by your actions?”)

The gang member admits they don’t have the skin, but that they sold it to these collectors: the Ackroyds, who paid them really well for it, you see? They had all sort of freaky things in their collection and he’d take a skin but he wouldn’t like kill the things and put them on display like those humans do.

And Logan freezes up at the name, noticeably, but the man is hysterical with trying to prove that he’s not really that bad, and before anyone can do anything, Logan takes off his glasses and turns the man to stone.

He puts them back on immediately but steps away from the group and refuses to look at them. He tells them that the skin is a lost cause and that they should give up.

To which Virgil is audibly horrified and angry because they got this far!! And Logan promised him--!! and Logan whips around and tells him that he never made any such promises and that if Virgil doesn’t let it go he’ll turn Virgil to stone as well, because he won’t like Virgil drag all his friends to their dooms.

At which, Deceit laughs brokenly, and asks if Logan go to attempt to make his own collection just like his parents--

And Logan’s secret comes to light: he wasn’t always part gorgon. He was actually human and his parents are mythical creature collectors but they collected creatures like butterflies: killing and pinning them in glass cases. But they often found that some creatures were immune to dying in ways that didn’t desecrate their bodies. Their solution? Find a way to make them ever lasting statues, using their son and a very expensive, unrepeatable experiment.

Logan admits that he remembers the faces of every person that his parents forced him to kill, of everyone who meets his eyes. Its his curse, and he’s always been afraid of it, because one day...he always knew that he’d join their collection too. He ran away as soon as he could, but his parents had people track him down and he was dragged back to them and they began to lock him in his room, and he was not allow out of the house at all anymore. Logan managed to escape by chance just before his sixteenth birthday.

By the time he’s finished talking he’s shaking and his knees give out but Remus is there to catch him and no one knows what to say about anything.

“I can’t...” Logan whispers, “I can’t let you go there. I can’t... please... anyone who goes there doesn’t.....get out...”

And surprisingly its Roman who speaks up, strangely blithely about it all, “Well, they were always alone, weren’t they? Hey, Specs, don’t you know you aren’t alone, anymore?”

And it turns into a rallying thing where the six of them agree that they have each other, and that they can work together to take down Logan’s parents and keep any more mythical creatures from dying at their hands. I don’t have the actual final battle thing planned out so the rest of this is really but scratched out notes and concepts that if i were actually writing this, would be subject to change according to where the plot goes.

They infiltrate first by using Virgil’s selkie rareness to draw the attention of the Ackroyds.

Unfortunately the Ackroyds are expecting them so they kinda all stumble into a trap and Logan is taken back by his parents for-- and what great timing this is! They have a new rare species!! An archangel who would look magnificent next to the Avians!

((The archangel is like eight. His name is Thomas and he’s sobbing because he doesn’t know how to use his powers yet.))

But first, its a good thing to take care of the meddling monsters that Logan had first become friends with. Starting with that selkie! And because they want him to look picture perfect even as stone they get his skin and tell him that if he cooperates they’ll let the djinn and the incubi go free (the pixie has to stay though. Its another rarity).

And well.

Virgil has been holding on to a secret too.

He’s actually the goddamn Prince of the entire fucking sea and his power is linked to his skin.

Which means that when they put the skin back on him, his abilities increase about 100fold. We stan OP Virgil in this house. Remind me how much of humans is water again? Yeah. Virgil drowns them in their own bodies and frees everyone else.

The Ackroyds have like a lot of people working for them though, so theres a battle that happens and in the middle of it Logan’s glasses get knocked off and broken and Thomas throws himself in front of Logan. Which, because Logan’s gorgon eyes are the same as staring into someone’s soul, leads to Logan staring into Thomas’s divine soul and it literally burns and blinds him.

((Thomas is really sorry, but Logan just starts sobbing thank yous to this eight year old, because now he’s never going to be forced to kill someone else.))

Our heroes win!! The Ackroyds are finished. Patton and Deceit put aside their differences in order to take joint custody of babey archangel Thomas and they, along with Roman and Logan end up living in a beach house together while researching how to remove the curse that’s on Roman. Remus comes and goes, bringing back exotic podcasts for Logan to listen too and bringing news from other locations about monster hunting.

Logan broke into his family vault and took all the money that his parents made off of selling and exploiting creatures and used it all to finance mythical creatures safehouses all across the globe. He trusts Remus and Roman to help watch over them.

Virgil returns to the ocean, just like Logan said he would at the very beginning of the story, although its because he has prince duties to adhere too. And he still sneaks up every once in a while to have dinner with all of them because I’m weak and soft for found family.

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dangermousie · 3 years

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Thank YOU, I loved reading and I agree Fan Wushe can't stop digging by word or deed! It's a tricky thing to balance with the indignation you feel for Xie Bian (does he have to hear this on top of everything else, I wailed!) so having you confirm it felt like frustration talking was fab. Tricky like balancing the dark romance of 'demon lover who won't let you go' with 'jeez, maybe love WOULD let him go settle down in a garden with a nice lady/gent!' Hope author can stick the landing, it is a LOT.

Yeah, I hope she can stick the landing. I do have faith in her because she seems to know what she's doing. Or maybe I will just be so exhausted by the end, I will take anything as long as it's not utter despair.

It's far from her first rodeo so she does have a LOT of experience (I looked at what she writes otherwise and she does seem to go for truly dysfunctional relationships. But mostly modern so I am not that interested in the bulk of her novels alas since the main reason I can be fine with something this gonzo is a highly stylized, period, fantasy setting. Do it with modern office workers, and I am gonna nope out. Though I am interested in The Blood Crown because it's another period one. Going to wait until more is translated for my own sanity, however.)

The thing is, we see Xie Bian tending his garden in the three years between finding out Wushe = Zixiao and the climactic battle when the truth is revealed, and he's neither healed nor happy.

I think the thing that I keep coming up against is that I don't even know what form a happy ending could take/should take. As long as Ziheng remembers being Ziheng, he will suffer - he may eventually recognize that Xie Jiu = Zixiao = Wushe and even forgive the middle of the three for the love he bears the other two, as well as come to terms with whatever insanity is between them - but I can't see how he can fully heal from his horror of a life (even leaving aside the wrecking ball Zixiao took to it, even if that was erased utterly, the rest of it is so much brutal suffering, mental and physical and emotional, without any respite.)

But I am not sure not remembering either as Bian who forgets Life 1 or someone on yet another incarnation is happy either? Because it's like erasing the past self.

I do think so much of the novel hinges on whether remembering or forgetting is the right choice and I don't think there is an answer. I guess as long as whatever happens, is fully his choice, I will be OK with it, whether it's reincarnating as blank slate, being Bian but not Ziheng, remembering everything, being human, being a ghost in underworld, being with Wushe without knowing he's Zixiao, forgiving Zixiao and taking him back, never taking either back, or whatever else. Ziheng had his choice about everything stripped from him systematically and over and over and I just want that to stop.

And there is Zixiao where the question becomes is expiation and suffering ever enough? Could something unfixable be fixed? (and I am talking about both relationship and his core personality.)

The one thing I wish the author would do is give us even more detail about various things - like Zixiao's decade of exploration and suffering and how he became the Demon Lord, or his century in hell. Or Ziheng's escape from his father and later duel. The little hints the author leaves are fascinating and I want more. For example, it's clear Zixiao still was so torn between betrayal and wanting to believe and desperation in that decade and I think reading about his gradual descent may have made him more forgivable to the reader; just as reading about his torments in hell and his holding on to the thought of Ziheng as his sanity lifeline - we get little bits and they are horrifying - but more would have been better to me even if it would have made an epically long novel even longer. But I think in addition to the fact that the author is more interested in exploring other dynamics (physical suffering is low on her list in a lot of ways and a lot of skimmed over bits involve that), she did it so as to have us be in Ziheng's head almost - the suddenness, the shock, the lack of firsthand instinctive knowledge, the disorientation (in flashback we go from Zixiao as adoring, betrayed 14 year old to monster 24 year old with no in between the same way Ziheng did after all, neither did Ziheng experience Zixiao's torture in hell.) Which I get as a writing choice but I guess I want to see Zixiao suffer on screen as well, so to speak.

I have hope he will though. hmmm.

As always, tangents, sorry!

#cnovel #wu chang jie #asks

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angrycowboy · 4 years

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So my original idea was to just tackle my thoughts on RNM’s portrayal of Michael Guerin’s bisexuality, which is something I have loved a lot. But then 2x06 aired, and we got some beautiful insight into Alex Manes, and I had to shift gears a bit to include that.

Because I know tensions regarding this episode are high, consider this a warning - I am going to talk about Michael and Alex, and a bit about the airstream scene in 2x06. And I am going to discuss how it has resonated with me in a positive way. But mostly, this is about how sexuality is complicated, and how amazing it is to see depictions on television that truly make me feel seen.

One of my favorite things about Michael Guerin, and about how RNM has chosen to portray his bisexuality, is that it’s not obvious. He doesn’t feel the need to talk about it, or discuss it - and in fact, only offers it up to Isobel in 1x10 as she’s questioning her own feelings in an effort to make her feel more comfortable. Later in 1x11, he snaps at Max because well, Max has just poked and prodded at him talk (and they’re stuck in the bunker together with nothing else to do). And someone who isn’t comfortable in who they are doesn’t say things like, “It’s not that complicated.” That is something firmly in the camp of yeah, this is who I am, what of it? Because make no mistake, it is incredibly important to me to hear characters like Michael Guerin self-identify on screen as bisexual.

Part of this portrayal can of course, also be attributed to Michael’s upbringing in the foster care system, where talking about himself was never encouraged or allowed. Because I don’t think, given how it is repeatedly reinforced that Michael shunned most aspects of humanity on Earth, that he was ever ashamed of his sexuality. Though I do believe that said upbringing did affect his own feelings of self-worth, and how he saw himself in the eyes of others.

Something I’ve seen mentioned a lot are two interactions we see on screen: between Alex & Maria in 1x10, and between Maria & Liz in 1x13, and the idea that there is “outing” of Michael. And while, I do understand and respect a lot of those arguments, especially regarding their importance regarding the LGBTQ community as a whole, something I don’t see discussed are people who don’t necessarily want to have a formal coming out, or who don’t feel the need to initiate those conversations regarding their sexuality. Even though yes, both Alex and Maria do technically out Michael (though neither do it with any malicious intent), I don't believe that Michael himself would care that other people know he is bisexual (his feelings for Alex are a different story entirely). And part of that may be that he doesn't believe anyone else thinks of him that much to even discuss him due to that upbringing he had, and also because the act of coming out would involve the feeling of being under a microscope (thanks for that wording, Riley), and Michael Guerin would definitely want to avoid that.

But back to my original point - at no point during Season 1 does Michael Guerin give the impression that he is ashamed of his sexuality - the lack of bringing it up first does not read that way to me. It reads more as Michael sees it simply as part of who he is, and that’s it. He can’t change it, and he’s already different (he’s a literal alien, ffs), so why worry about it. It very much reminds me of how I have viewed my own sexuality for years - it is simply just part of who I am. I have never felt the need to sit anyone down and announce my sexuality - in fact, I came out to my mother as I was walking out the door to go on a date. She asked what his name was, and I just replied what her name was.

But there seems to exist this idea within the LGBTQ community that every person needs to have a “coming out.” That we need to be completely in control of who knows, and how they find out, and when they find out, which is not something I agree with completely. Now, also know that I understand the importance of this idea to many, because of rampant homophobic attitudes that remain present within our society. But I see very few people discussing and supporting those of us who would rather not have to announce it in some grand way - because is this not also allowing someone to control their narrative? It has definitely made me wonder how different my own acceptance of my sexuality could have been had I believed that it wasn’t a requirement for me to come out to the people in my life (an idea which sends my anxiety into a tailspin, tbh).

Again, this is just my perspective regarding the overall portrayal of Michael’s bisexuality. It is not meant to act as a correct version, just sharing why I have particularly enjoyed what RNM has done.

But it was not Michael Guerin that made me want to write fanfic, and it was not Michael Guerin that truly made me love this show - it was in fact, Alex Manes. It was Alex Manes, who is confrontational, who is analytical, who needs facts first and who lives so much within his own head, that truly drew me into this show. Alex Manes who very clearly has struggled not with the fact that he is gay, but with that outward expression of his sexuality. In canon, this is very much due to the trauma of his childhood, to growing up in an abusive household that rejected everything about who he was as a person, and tried to force him into a box that was very much not who he is. And while I did not have that kind of upbringing, the idea of believing you won’t be accepted even among the people who should love you unconditionally is a universal feeling within the LGBTQ community.

Alex’s talk with Maria in the truck is perhaps some of the most relatable queer representation I’ve ever seen. Because it dives into the different types of love and attraction and how not every touch between two people needs to be sexual in nature. And it lays out very plainly how important it is to have trust between people. But it’s also about recognizing what you do want, and accepting that for yourself. And that conversation is so important toward understanding what happens later on in the Airstream.

Because Alex, due to his upbringing, doesn’t believe that he is worthy of being loved in that way. When Maria comforts Michael over the realization that he could have lost both of them, Alex says he should go, not because he doesn’t want to be there. He says it because he feels like he shouldn’t be allowed to be there, to want to be there. Alex feels like an intrusion, even though he’s gone through the same horrifying ordeal and he’s with two people he loves and feels safe around. Maria recognizes that immediately, and moves back to Alex in order to give him the safety he needs as well. Maria is acting in regards to both of the boys love languages - Alex needs that physical touch of reassurance (kissing him), Michael needs to hear it verbally (”it’s okay”). And furthermore, they all need each other in that moment (”I just want us all safe”).

But it is specifically Alex’s speech in the truck earlier, about touch and self-acceptance that has me sobbing every time I watch it. Because even though I got my first crush on a girl as a teenager, it wasn’t until years later that I actually allowed myself to act on that. It was only years later that I learned just how different my attraction toward men and women really was, that I enjoyed different things for different reasons from the different sexes and that was okay. So that speech has just really resonated with me as a bisexual woman who struggled for years with acceptance of her sexuality, of being able to act on it, and it makes me incredibly happy to see a television show (A CW SHOW ABOUT COWBOY ALIENS OK) conquering these things in such a relatable way.

All of this ended up making me go back to something Chasing wrote last year about Michael’s bisexuality, and the portrayal we’re seeing, and something she said in her meta: “No one is harder on queer representation and queer media than queer people - and I get it. We’ve had so much bad representation and we’re sick of it and that’s understandable. But it’s turned into this thing where every slice of representation has to be Perfect or it’s Garbage, and it’s leading creators to not want to try because they’re so harshly run off every time they do. And when they don’t try, they don’t learn, and when they don’t learn, they don’t do better.” So maybe the rep isn’t perfect, but that doesn’t mean there isn’t a valiant effort being made to reach out to an underrepresented community. And for me personally, the depiction doesn’t have to be perfect, because people aren’t perfect, and sexuality isn’t one size fits all. What may make one person feel seen and understood, another may not see themselves represented at all - but that’s okay. Because with more representation in media, comes different tellings and stories, and comes different ways people can relate because the queer community is not a monolith. We all look at things through different lenses and experiences, but it becomes hurtful when those who don’t see themselves represented in a specific piece of media start telling those who do that they are wrong. And I wish more people would take that into consideration during discussions and criticisms.

Finally, I want to end with this gif, because woo boy. This face and that look. I know that look. I have made that look. This look is so goddamn recognizable and familiar. Because there’s also something about knowing you’re watching an actor who has probably also gone through a lot of these same feelings the character is expressing, that it just comes through in their performance and makes it all the more relatable and real (and especially how even the script itself makes it obvious it was written by people in the queer community).

#roswell new mexico #roswell nm meta #rnm 2x06 airstream scene #michael guerin #alex manes #not really malexa #but a little malexa #notso writes meta #also some of my own personal thoughts #does any of this makes sense #i have no idea but i needed to finally get it all out #i love alex manes and michael guerin a lot ok

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