Vampire quirk gone wrong (right) **NSFW themes**

Izuku got hit by a vampire quirk that makes him unable to survive on anything other than blood for the next two weeks. And obviously he can’t starve?? So who better to offer up blood other than his loving boyfriend <3 however, the quirk does have some… side affects.

When feeding off the victim, the fangs will release a kind of— aphrodisiac. Chaos and fun times ensue~

… ✌️✨

Hi, feel free to take my new uquiz to discover what kind of vampire you are!

the mosquitos sure are big around here

I’m exactly the demographic where, for me, puberty coincided almost exactly with the arrival of the internet | MAE MARTIN: SAP (2023)

Mm, still a bookbinder's wife? He knows.

Insane to me that certain comic book creators who shall not be named dismissed Jonathan Harker as a "milk sop" and a boring character. White-haired avenger with ambiguously vampiric superstrength Jonathan Harker. Most violent and unhinged member of the vampire hunters Jonathan Harker. Ran at Dracula with a kukri knife without skipping a beat and then tried to climb out of a window to pursue him Jonathan Harker. "Like a living flame" Jonathan Harker. Calls his bond with his wife "the holiest love" and determines that if she becomes a vampire, even if Dracula calls her to his side, "she shall not go into that dark night alone" Jonathan Harker. You know. That one.

I loved the first commission so much, I couldn't resist ordering another one as a parallel of sorts! This lovely drawing is by @toktopus-art. It's based on a scene from Chapter 26 of my vamp!Eddie/Steve-gets-Vecna'd fic, laughing at the broken glass.

Scene excerpt is below, and the AO3 link to the fic is on my pinned post.

Steve wished they could just stay like this, but there were only two more songs left on this A-side. “Hey, can I see your bracelet?” Eddie asked. If not for his all-too-casual tone, Steve wouldn’t have suspected anything. “Pulling out all the stops, huh?” Steve asked wryly. Eddie flashed a shameless grin at him. Chuckling, Steve tugged his sleeve down before lifting up his wrist. To his pleasant surprise, the glow-in-the-dark effect was actually noticeable. Eddie took a moment to share in the admiration of the bracelet before grabbing Steve’s hand and tugging it down. “This is better, yeah?” Eddie asked. “Huh?” Steve turned to look at him again, but Eddie was staring straight up at the sky. “Than just sitting in your car in the freezing cold by yourself, I mean.” “I had Freddie Mercury with me.” “I’m serious.” Eddie finally turned his head to face Steve again. His expression certainly matched his words. Steve couldn’t help but tense up at the shift in tone, though he was swiftly eased by the way Eddie’s thumb brushed across his knuckles. “I...hate that you even have to ask.” Steve managed to smile, even though Eddie frowned at that. “Yeah, this is better.” One song left. It wasn’t fair.

Interview with the Vampire s01e07 // s2 first look

Interview with the Vampire: Season 2 (Original Television Soundtrack) Come to Me Again (Sample)

love how DreamStat got Louis’ expressions 

Would you look at that... another vampire AU... I wanted to make a more put-together vampire Gerry costume, but then my mind went to other places.

this is for my people. with the silly podcast syndrome.

Lestat & Louis in S1 // Louis & Armand in S2

There is a deep rooted bitterness underneath Claudia’s immediately infamous “two blood fat cocks slapping hands” line. After having spent more than a cumulative decade of her life searching for another vampire and being met with nothing but silence or pain, Claudia was welcomed by more than a dozen in one night, only to then be told by Louis that she should not see them again. It must reignite the resentment Claudia felt towards Louis’ open pessimism and misery while they travelled through Eastern Europe. The purposeful crudeness of the line, a sudden sour note after her teasing Louis’ fear “of your own lust”, suggests her frustration at being unable to fulfil her sexual desires. The disagreement the pair have in this scene about the significance of Lestat’s portrait reflects the larger rift in their relationship over Louis’ unwillingness to move past Lestat (“He's a hundred-and-something-year-old painting in a frame.” “They got a fսcking shrine to him!”). Claudia’s life was forcibly shaped time and time again to better serve Louis and Lestat’s love for each other; turned into a vampire so that they could repair their relationship, intimidated and hurt when she encouraged Louis to leave Lestat, made prisoner by Lestat ostensibly for Louis’ welfare, and now the memory of that relationship threatens her newfound kinship. It is galling enough that her long awaited introduction to a vampire community comes as an afterthought tacked onto Louis’ hand delivered invitation (“Come. And bring the petite beauty with you.”, “Monsieur de Pointe du Lac. Our finest seats.”), but the realisation that even that was determined by another man’s attraction to Louis has to be beyond infuriating.