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#tommy probably should have a mask
that-sweet-jester · 1 year
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I've yet again fallen into the superhero AUs
For those interested in checking my AU👀 pt.1 pt.2
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dyketubbo · 2 years
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/rp for all of this . i think c!sapnap and c!tubbo shouldve had a chance to be friends again. like c!eret is always attributed as the one who took tubbos first life but sapnap was the one to Actually do it and they still have like. tension with each other like sapnap kept messing with michael and insulted tubbo during the tour with tina when looking over lmanburg meanwhile tubbo seems to be like. unaware of sapnaps distaste towards him? and i think tubbo probably still misses when he was just fucking around with sapnap but then they grew apart especially throughout tubbos presidency
and its so tragic because a good chunk of why sapnap went against dream is because of how he treated tommy so idk itd be sweet if he offered that same protection to tubbo but at the same time theres something really interesting in how sapnap and tubbo used to be good friends but tubbo just kept being on opposing sides even though he certainly does appreciate? sapnap in some wayand i think sapnap internalized that in some sort of way because while tommy always felt the need to apologize tubbo didnt because like. he didnt have any reason to. either he was being hurt by sapnap or his harmful actions werent directed to sapnap so he doesnt think sapnap would have any true ill will towards him especially after the disc finale
and yet imo i think theyre the two characters that make the most sense to kill dream? tommy is out because i think him separating himself from dream is like.. Important. this post isnt abt that ill talk about that another time. characters like eret and wilbur are out bc i think its important to their stories for them to Not take someones final life even as a moment of redemption. george could be a contender but i think dream being dead breaking him out of his dissociative stupor would have to be like. through him Not doing it because he already dreamed about doing so? and i think sam and quackity need to like. heal. and killing dream would boost their beliefs that theyre in the right too much. techno phil and niki are out bc i dont want techno to have a Big Cool moment of taking out the Big Bad, phil doesnt care enough about dream, and niki for similar reasons as sam and quackity. and i cant think of anyone else who it would be like. a reasonable story beat. except maybe jack or punz i think if jack did it itd be funny BUT STILL
sooo much of tubbo and sapnaps relationships with dream is like. him just not taking them seriously. tubbos a pawn to him sapnap is practically nothing more than a dog by his side and either of them killing him is like.. a final fuck you. breaking the game. and itd be really interesting if they teamed up to do it but their relationship isnt really like that in canon. missed opportunity imo like sapnap was a factor into the dominos that led to michael getting kidnapped he stole the nightmare set (to get it away from dream, but still) i think hes genuinely one of the few who may actually believe a part of lmanburg falling was because of tubbos presidency he was on dreams side for a good while he was the first person to take a life and it was tubbos. sapnap wishes he were apart of lmanburg to the point of counting himself as a citizen despite everything. tubbo believed his purpose in life was lmanburg. but sapnap sort of just keeps slighting tubbo and tubbo barely even notices and i think they just deserve a chance to talk. i think theyd have a lot to talk about
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peachesofteal · 5 months
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Single mother with Simon as neighbour au? Yeaaah in love with them.
Light on - single mom/neighbor fic Simon Riley/female reader
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Simon hasn’t seen you in a few days.
He hasn’t seen you in the hall, or on the roof. Hasn’t seen you on your little balcony, like he did the other day when you were sitting on the little rickety metal chair, sipping a hot cup of something, too big sweater wrapped around your shoulders.
“Good morning.” You called to him, somehow keeping your voice light and soft, warm. He managed a response, serrated and off key, as he stubbed his cigarette out and slipped his mask from his pocket to his face.
He wonders if you’re alone. He never hears anyone else with you except little Emmaline, no man’s voice. No woman’s. He hears you, though. He hears you leave in the mornings, off to somewhere he’s not aware of. Hears you come home in the afternoons, your voice carrying down the hall while you talk to the baby, words muffled and tone light. Hears Emmaline, crying in the mornings and at night. Hears her screaming sometimes, angry about something, the raw pitch of her displeasure filtering through the paper-thin walls, her screeching and wailing probably loud enough to wake the entire floor. He hears you sing to her, just the lightest sounds of a muffled lullaby, coming from the room that’s opposite his bedroom, and he wonders if that’s where your bedroom is too.
He thinks about you being alone, doing everything by yourself, taking care of the baby, taking care of yourself. Who makes sure you’re okay? Who’s watching out for you?
He gets his answer, two days later, six hours before he’s slated to leave for the next op, when he stumbles upon you in the pouring rain, nearly in tears, Emmaline in a cloth wrap pressed to your chest, paper grocery bags in your arms, standing outside the building’s front door, one free hand frantically searching for what he automatically assumes must be your keys. As soon as he spots you, he increases his pace, legs stretching out in front of him and closing the distance between the three of you in record time.
“I know, I know.” He hears you trying to comfort her as he gets closer, your usual sweet voice edged in a frantic, viscous tone that has his fists clenching. “I’m here, baby. It’s okay.”
“Need some help?” He calls, and you turn with wide, nervous eyes. When you see him, when you realize it’s him, you relax, and blurt out hurriedly:
“Oh my god, do you have a key?” He pulls his own from his pocket, sliding it into the lock and then holds the door open, your body pressing against his when you brush by. “They usually don’t lock this door during the daytime.” He knows. He doesn’t tell you, but he had a strongly worded conversation with the building manager two days ago, when he came across the bloke in the lobby. He terrified the man, but he’s not sorry at all, and he feels certain that the front door will remain locked from now on. Leaving the bleedin’ front door unlocked, for anyone to walk in here. Not anymore.
“It should be locked.” He says flatly, and you purse your lips like you’re going to argue, setting down the grocery bags and then fidgeting with the wrap that has Emmaline sitting snugly against your chest.
“Shhh. I know, I know. You don’t like the rain.” He eyes you curiously, watching you unwrap the long pieces of linen slowly. He’s never seen that before, never seen someone carry a baby around like that, Beth always…
Beth. His skin slicks cool with sweat when the thought rips across his mind, old, buried memories gnawing at where he’s put them away, where’s he’s kept them hidden. Beth. Joseph. Tommy. Tommy holding his son, Joseph as a baby, little boy with blonde curls and happy smile, Tommy and his mom-
“Simon?” you say his name softly, tilting your head, and he blinks, snapping his focus back to the present, back to the now, with you, with Emmaline. “You okay?”
“Yeah, alright.” He points to the brown bags. “Need a hand?” He offers, and you reward it with a gracious smile that shines like a bright light that he can’t look away from. Fucking hell.
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katiexpunk · 2 months
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Desert Dust | Joel Miller's POV
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Summary: The last place Joel Miller expected to find himself at this point in his life was in a small highway town in Arizona, passing the days by. He never really though he needed more -- until he met you.
Warnings: This is Joel's POV from Desert Dust. Yeah, if you thought he was a consent king in the original, this just further proves it. Tommy comes with his own cheeky warning. No age gap mentioned (make it your own), but Joel mentions feeling old. Joel Miller has a bad back (it's canon). Self-deprecation. Attempted assault (not by Joel)/nothing too graphic (please be responsible about what you consume). Joel beats up a bad guy., and like actually kinda wants to kill him for trying to hurt you. References to blood and first aid. Alcohol. Pet names. Flirting/slow burn. Inexperienced reader. Body hair. References to taste of vagina. Smoking/cigarettes (it's bad, don't do it). Oral (f receiving). Praise kink. Rough sex. Sex on a desk. Just a really passionate, filthy fuck. Creampie (shocker, I know). No use of Y/N, no use of daddy. TLOU au. Reader has no physical descriptions apart from female anatomy.
W/C: ~8K
A/N: Thank you for all of the love on Desert Dust. Nobody asked for this, but I couldn't get Joel's POV outta my head, so I hope you enjoy a little deep dive into what Joel was thinking when he first walked into that restaurant. Your honor, they're in love. Masterlist | Read on AO3 | Notifications
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Did you ever see a robin weep When leaves begin to die? Like me, he's lost the will to live I'm so lonesome I could cry
The timbre of Hank Williams’ voice fills the truck's cab as Joel drives. It’s early, the sky is just beginning to transition from a deep midnight blue to a gradient of warm orange as the sun gradually emerges. While Joel likes to think of himself as a morning person, his back has other opinions on the matter. It’s to be expected, though, that’s what nearly 30 years of hard labor will do to a man.
The warmth of the thermos in between his thighs contrasts with the chilly morning air pouring in through the cracked window. Smoke dances lazily around his broad frame, a burning cigarette clenched between his calloused fingers. He greedily draws long drags, knowing it’ll be hours before he can have another one. He should quit, he knows he should quit. The half-used pack of Nicorette gum that sits in his cupholder in front of him is proof of that. 
But like picking at a scab or peeling the skin of a sunburn, sometimes we all do things we know we shouldn’t, things that make us feel good, if only for just a minute or two. 
In truth, there isn’t a lot that makes him feel good anymore. Jesus, when did he turn into such a grumpy old man? Probably sometime between Sarah going to college, and Tommy convincing him to take this contract job in the middle of fuck all nowhere.
The silence of a falling star Lights up a purple sky And as I wonder where you are I'm so lone–
Williams’ voice falls silent as Joel turns off the truck, having pulled into the work site. He snubs out the cigarette into the ashtray in the middle of the dash and grabs his jacket, a clipboard, and safety helmet. 
“Another day, another dollar,” he mutters to himself, pulling the handle on the driver's side door. The ground crunches below him, his boots are so dusty he doesn’t think he’ll ever get them clean again. God damn desert dust. He shakes his head and walks to the white trailer in front of him, unsure of why he’s so frustrated in the first place.
“Well aren’t you a ray of fucking sunshine this morning,” Tommy says, responding to the quick snap of the door after Joel enters their makeshift office. 
“Don’t,” Joel bites back.
“What’s got your panties in a twist this morning, princess?” Tommy chides, sitting behind a wooden desk covered in blueprints and safety checklists. 
“This really the way you want to start the day, Tommy?” Joel says, voice low and even, masking his emotions. “Just, get to work.” 
He rounds around to the desk opposite Tommy’s and places everything down. The ripped chair lets out a little puff of air under his weight as he sits. 
Tommy, of course, knows what’s eating at Joel. He needs to get fucking laid. 
Tommy can’t even remember the last time he saw Joel with a woman it’s been so long. He was always so focused on Sarah, or growing the company, that he always put himself last. He’s tried to set Joel up on dates, but he always declines, citing he’s too busy or maybe next month. 
And while Tommy doesn’t say anything, it’s as if Joel can practically hear his thoughts. 
“Would you stop thinking so damn loud,” Joel mutters, and Tommy gives him a knowing smirk. “‘M fine. Worry about how we’re gonna finish this project and less about me,” Joel tells him. They both return their attention to their work.
As Joel works to finish up his administrative tasks before the rest of the crew arrives, he tries to shove down the annoyance he feels that maybe Tommy might be right. Maybe it has been too long, besides, rutting his cock into his fist in the shower every night is starting to get old. 
He’s not intentionally trying to avoid meeting someone, it’s just that nobody’s ever really caught his attention, not in any genuine way. He knows he’s attractive, but it might as well be poison to him for the types of women he attracts – it’s all fake tits, tight jeans, and money-hungry cougars just looking for someone to show them a good time. 
Just as he starts to think all of the good girls might be gone – he meets you.
++++ 
God, either this booth is uncomfortable or his back is getting worse. He tries to relieve some of the pressure by hunching over for a second. Nope, that’s worse. He sits up to full height and that’s a little better, for now, at least. He looks at the menu in front of him. He thinks about ordering a burger, but with how busy it is, he’s not confident it would come out in time before his lunch break ends. Besides, he told Tommy he would be back in less than 30. 
He didn’t intend to stop, he was just looking for an excuse to clear his head. But when he went to grab his coffee, he realized he had left it on his desk. He’d taken the highway exit to get to the restaurant by chance, hoping he might find a Starbucks or something quick. But nope, as it usually goes in small towns, the only coffee place nearby is where he currently sits. 
He notices you coming up to the table out of the corner of his eye and turns his head to look at you. 
Shit – you’re beautiful. He thinks he might have died and gone to heaven. He watches as your thighs come flesh with the edge of the table, a coffee pot in your hand. 
"Hi," you say, he notices your voice is soft. "Can I get you something to drink?"
He’s so fucked. You even sound pretty. 
Your eyes find him, and he swears he feels something shift, electricity courses through him. You’re the first person to look at him, actually look at him, in years. He tries to keep his face level, not wanting to give away any of what he’s thinking. 
His eyes drift down to your chest until he notices the nametag pinned to your shirt. Cute name. It matches your pretty face. He internally chuckles to himself when he notices the coffee stains and what he thinks might be ketchup on your shirt. It makes him smile, mostly because he’s no stranger to wearing food himself, although you’re a waitress, it makes more sense to him that you’d be a little messy, a little dirty. He doesn’t quite have the same excuse. 
Distracted, it dawns on him that he’s probably staring. Stop being weird, she doesn’t need some old man gawking at her while she’s just trying to do her job, you fucking creep. 
He moves his eyes to the coffee pot in your hand. Right. The whole reason he’s here in the first place. 
 "Just coffee, darlin'," he says, watching as you pour some into the mug that was already waiting on the table. 
“You let me know if I can get you anything else,” you whisper.
He thinks he might pass out when he sees your smile. So, so fucked. 
“Just coffee for me today, sweetheart, thank you.” 
He internally grimaces when he realizes he’d let sweetheart slip, hoping it didn’t weird you out. You can take the man out of the South, but you can’t take the South out of the man. He tries not to stare as he watches you walk away, but he can’t help himself. 
Sitting in silence, he nurses his coffee and tries to ignore the annoying glances that he seems to be getting from, well, everyone. He feels like he might as well have a giant arrow above his head screaming I’m horny for the waitress. He knows he’s looking at you more than he should, but like a moth to a flame, he just can’t seem to look away. He wonders how long you’ve worked here, and what your story might be. He wonders if you’re happy. Why the hell would he be wondering that? He just met you, for fucks sake. 
He’s just another customer. 
The establishment itself is pretty much what’d you expect for a small-town dive, the smell of grease and hamburgers wafting through the air. The portions are huge, and the coffee is good. There’s just one annoying thing about it, and he quickly learns her name is Tracy. 
He only knows this because she’s quick to offer it up, calling him baby and sugar, pestering him like a fly. She’s attentive in a way that’s forced, suffocating in every possible way. He can tell she’s the type of woman who craves the attention of any man who’s willing to give her the time of day, the type of woman that lets her boobs do all the talking. He’s lonely, yes, but he’s not desperate. He wants nothing more than for you to refill his coffee, just so he can hear your voice again, but she makes it near impossible. 
More than three cups of deep, but still bone tired, he feels his phone vibrate in his jeans and he knows it’ll be Tommy asking where he’s at. He pulls it out and sure enough. He looks around the restaurant, hoping maybe he might be able to cash out with you, but you’re nowhere to be seen. 
He opens his worn leather wallet, the same one he’s had since Sarah gifted it to him all those years ago, only to find a handful of $20s. He drops one on the table and decides it’s not worth it to ask Tracy for change; he could go the rest of his life never talking to her again and be fine with it. 
He silently slips out of the restaurant, and his curiosity about you nearly drowns him on the drive back. 
But this time when he walks into the trailer, he can’t help the cheesy grin that involuntarily appears on his face. 
“Who are you and what have you done with my brother?” Tommy teases, his words slightly muffled from the bite of PB&J in his mouth, the sticky tack of peanut butter glued to the roof of it. 
“Shut up,” he says, but there’s no bite behind it. 
++++
The days turn into weeks, and he tries to step away from work, he does. Every day he tries to find an excuse to go in and see you, a reasonable time to step away for an hour or so. But it’s hard, project demands are at an all-time high, and the client is up his butt, freaking out they won’t be done in time. He works overtime, arriving earlier than usual and leaving close to midnight nearly every night. 
Joel Miller is a lot of things, but above all, he’s a man of his word. He and his brother didn’t build this company by being late or half-assing work. We’ll get it done, he reassures the client. And they will, he’ll make sure of it. 
“Joel, get up man,” Tommy says, shaking his shoulder. He jolts awake, his vision a little fuzzy, slightly disoriented. 
He must have drifted off during his lunch break and passed out cold on his keyboard. When he finally comes to, he automatically feels a twinge in his lower back. He’ll pay for that little nap later, he can already tell. 
“You’ve been working too hard, why don’t you call it a day, go home, and get some sleep? I’ve got it here for the rest of today,” Tommy offers. As much as they fight, there is a mutual understanding there – respect, even love, although they’ll both never admit to that outright. 
He starts to protest, but the pain in his back tells him that maybe he’s right. Lord knows he could benefit from a hot shower and a good night's rest, but even those things, things that should be relaxing, don’t offer him any respite. When he’s not thinking about work, he’s thinking about you. Your kind, soft eyes, and warm smile have sunk their teeth into his mind, and no matter how hard he tries, he just can’t seem to shake you. 
A rather frustrating fact, considering you’ve probably forgotten all about him. Just another customer, he’s just another customer. 
On the drive back home, he realizes he’s not far off from the exit to the restaurant. You’re probably not even working, and he knows he might be risking seeing Tracy again, but fuck it.  Before he has time to talk himself out of the decision, he’s pulling into the parking lot. 
He’s surprised at how quiet the restaurant is, a lot different from his first visit. He looks at his watch, it’s close to 3 o’clock, and from the state of the place, he can tell the lunch rush likely just finished. He tries to not be obvious about the fact that he’s scanning the place, looking for something, someone. You. 
He sees you before you see him. You look – focused. He can tell you’re a little worn out, but fuck if you aren’t still adorable. He flexes his hand open and closed a few times, trying to calm nerves he didn’t even know he had anymore. 
He grins a little as you tell him to take a seat wherever you want, as he watches intently as you throw the final pieces of flatware into the bin. He’s kind of impressed with how quickly you cleaned up the mess, how easily you hoist the heavy bus bin onto your hip. 
When you finally notice him, he lifts his hand in a silent hello. 
You look cute when you’re surprised. He can tell he’s caught you off guard. Like you weren’t expecting him. He notices as you scan his body, taking him in. He wonders if you feel this too, whatever the fuck this is. 
“Oh, hi. Um, go ahead and take a seat, I’ll be with you in just a second, just gonna drop this in the back,” you say. The smile and obvious excitement that washes over your face tells him everything he needs to know. 
He’s a customer. But what if he was more than that? 
Jesus. 
No. 
He’s just a customer. 
He decides that the booth by the window looks decent enough. The booth and his back fight once more, but he eventually gets comfortable. When you greet him again, your smile and soft voice melt into him, making him forget all the stress of the past few weeks. It takes him a second before it dawns on him that he hasn’t responded to you, that he hasn’t said anything. Talk to her, say something…say anything. 
“I was, uh hoping you’d be here,” he says, realizing how cringe he probably sounds. Has he always been this bad at flirting?
But before he can recover, Tracy swoops in like a hawk, eager to monopolize his attention. He watches as you sink back into the depths of the restaurant, leaving him with her. No, come back. 
She's quick to bring him a menu, some coffee, and offer him a selection of homemade pies, her enthusiasm bordering on overwhelming. He’s being rather curt with her, not even trying to hide the fact that he’s not interested, but the more he seems to ignore her, the stronger she comes on. He’s a thin thread away from telling her to just fuck off, but he doesn’t want to be rude. Besides, he knows you’re busy. He might not get to talk to you this time, but he will – or at least he hopes he will – especially if everything goes according to his plan. 
He’s not even sure if what he intends to do can be classified as a plan. Hell, he’s just glad that he even has a spare business card in his wallet. 
He scans the dining room for you, and once he spots you, he rises from the booth and intentionally catches your eye. With the worn card in hand, folded between the folds of some cash, he hopes that you understand his message when he nods and tucks it under the coffee cup. Please call. He’s not sure he’s ever been more hopeful for anything, ever. 
He swings by the grocery store on his way home, picking up some beer and a frozen pizza, too tired to cook anything real for dinner. He sinks into the cushions of his couch and tries to drown out his hopefulness with the distraction of T.V. But, he’d be lying if he said his heart rate doesn’t quicken with every notification that comes through his phone. 
But you don’t call or text. 
He thinks that maybe you’re just trying to play it cool, not wanting to come across as too eager. 
But as the days go on, still not a peep from you, he tries to shove down the darker thoughts that cross his mind. Maybe he had misinterpreted the signals you were giving him, misread the energy that feels palpable when you’re next to each other. Maybe he’s just out of practice. Not your type. 
You don’t want him. Why would you? He’s just some contractor, an old washup. Probably one of dozens of men who spend their nights waiting, wishful and hungry for even just a glance from you. One of the dozens of men who spew hot loads of come onto their bellies alone at night brought to a tipping point thinking about how sweet you might sound chanting their name, how tight your pussy would feel gripped around their cock. 
Fuck. 
++++
Some weeks later, he’s pulling another late night at the job site. And when the fluorescent lights get to be too much, he decides to call it a night. He can’t quite put a finger on it, but there’s a gnawing in the pit of his stomach, a silent feeling like he should swing by the restaurant – maybe even apologize for coming on too strong or weirding you out. Before he can even rationalize what he’s doing, he’s once again pulling into the parking lot. Except – 
Somethings wrong. 
There’s only one car in the parking lot, and the neon open sign remains lit, but something feels…off. 
He can feel it, like some sort of primal instinct laying dormant in his body has woken up.
It all happens so fast, faster than his mind can register. When he sees you, struggling in the hands of some fucker, he intervenes. He moves fast, doesn’t think twice, just lets his body take over. He pulls the man off of you, adrenaline coursing through his veins, his blood red hot, and his jaw tense. 
“I’d think twice if I were you before you try and win this one,” he says, voice low and threatening. Don’t make me go to jail tonight. 
He’s not surprised he hits the guy as hard as he does. He barely feels it, the bone-crunching under his fist. He’d probably kill the guy if you weren’t right there, watching his every move. It’s not a fair fight, not really. Joel knows he’s bigger and stronger, and has the unfair advantage of being sober. He can tell he probably broke the guy's nose, and that’s probably punishment enough. He drags the man out of the establishment and tells him to get the fuck out and never come back. He hopes the warning is enough, the message clear that if he tries to touch you again, ever, it’ll end worse. He’ll make sure of that. 
He locks the door and turns to face you. You look so – scared. So innocent, shaken, like a baby deer who just saw its mother get hit by a truck. He even thinks for a second that you might be afraid of him, a thought that makes his heart sink. I would never hurt you. He brings both of his hands to the sides of your arms – keeping the touch intentionally light, with a gentle, reassuring grip. It’s okay, I’m here. You’re safe now. 
“You alright?” he asks, watching with concern as you try and put on a brave face. God, he hates to see you cry, hates that anything could ever make you cry. He can tell you’re trying to avoid looking at him, not wanting him to see your vulnerability.
It’s okay. No one is going to hurt you.  
He brings his hand up to cup your cheek and uses the edge of his thumb to tilt you up to look at him. God, you’re perfect. 
The hand that meets his is soft until a sharp sting comes to his attention. He watches as you grab his hand and bring it down to your eye level, noticing the blood on it, a giant split down the middle of one of his knuckles. Fuck that guy. He wishes he would have given him just a little more, maybe a black eye or two. 
"You're hurt," you say, the tears in your eyes now replaced with genuine concern. 
He can tell you’re worried about him, a fact that makes him feel a little fuzzy inside. 
"It's okay, don't worry about it, doesn't hurt," he tries to reassure you. And he is. He’s suffered worse, nothing that won’t be better in a day or two, even if it does sting like hell right now.
"We've got a first aid kit in the back. Let me clean you up," you insist, nodding towards the rear of the room.
He doesn’t want you to have to put up with that right now, especially after everything that just happened. 
"It’s alright sweetheart, you don't have to, really…" he protests.
"You just defended me. Bandaging your knuckles is the least I can do to thank you," you tell him firmly, leaving no room for refusal. 
Fuck, you’re so sweet. So perfect and sweet. You could ask him for the moon and he’d try to find a way to lasso it down for you. 
His heart quickens as you interlace your fingers with his on his left hand and guide him through the restaurant. He even chuckles a little to himself when you tell him to watch his step. You’re being so nice, he can’t be misinterpreting this – there’s no way. But why didn’t you call? The question weighs heavy on his mind. 
In the small office, you flick on the light switch and rummage through the cabinets until you find an old first aid kit tucked away in the back. He leans against the desk, quietly observing you, taking in the fact that he’s here, in this tiny office, with you. That you care enough to help him. That he cares enough to protect you. 
"Ah, got it," you say with a hint of excitement that you found the kit, a little surprised there was even one stashed away. Though most of the bandages and finger condoms are missing, there's still plenty of gauze and alcohol wipes.
His cock twitches a little when you rip open the alcohol wipe with your teeth, he thinks you might be good with your mouth in more ways than one. 
"This might sting a bit," you warn, meeting his gaze with genuine care. I can take it, baby. He can tell the way you’re being with him right now might be your nature, to want to take care of those around you. To be what they need. 
“‘You can make it up to me later,” he whispers, hoping you’re sensing the intention behind his words. As you’re patting the blood on his knuckles, he feels the need to know why you didn’t call bubble up to the surface, the question at the tip of his tongue. Oh just ask her. 
“Can I ask you something,” he says, looking down at you, not even realizing he’s holding his breath. He exhales when he hears you say mhmm in response. 
Rip off the fucking bandaid man. 
“Why didn’t you call?” 
He watches as you close your eyes and take a deep breath. “I wanted to. I mean, I almost did – I typed out so many texts to you it’s borderline embarrassing,” you pause for a second to grab the gauze from the counter behind him. As you lean in closer to him, you bring with you the soft scent of your shampoo. You smell like honey and the earthy, clove smell of tobacco. You smell divine.  
“I guess I’m just not used to being wanted. Don’t know how to do this kind of thing. I’ve been alone for so long, and I guess, I don’t know, Joel,” you affix a little piece of tape to the gauze, before dropping his hand, all finished. How could anyone not want you?
He watches you intently as you stand before him, grateful that you’re being so honest with him. He wishes so badly you would look him in the eye. 
“I didn’t want to embarrass myself. Not sure why a guy like you would even want a girl like me to call him anyway…” you trail off, letting out a small cough to hide the emotion creeping up in your throat. Is she joking?  
He floats his hands up to your hips, and he tugs you in closer to him, body weight still propped up against the desk, his thick thighs bracketing yours. You still avoid his eyes, your gaze seemingly fixed on a button on his shirt. 
“Look at me, sweetheart.”
His hand still hurts a little, a dull throb, but he could care less right now. He trails it up over the side of your body until his fingers land under your chin. Sweet girl. He uses his thumb to tilt you up to look at him. You look so beautiful right now, so raw and so perfect. The soft plush of your lips draws his attention, and he can’t help but touch them.
There’s so much he could say, so much he wants to say. He wants to build you up, to tell you that you’re worthy of the whole world. That you’re beautiful and kind, and that any man would be lucky to have you. He doesn’t even have to deeply know you to know those things. 
But he can tell from the look in your eyes that it’s not what you need right now. He’ll tell you someday. He’ll tell you every day if you’ll have him. 
But no. 
Right now you don’t need someone to tell you how gorgeous you are, you need someone to show you.
“Joel,” he hears you whisper, knowing full well that his thumb is still on your lower lip. He wants so badly to know what they’d feel like on his. 
“Ki–” 
Fuck it. 
He drops his hand and leans in to crash his lips into yours, and holy shit. He wants you so fucking bad. He’s never wanted anything, or anyone, more. 
He sucks your bottom lip into his mouth and his cock hardens when you let out a little whimper. He holds you tighter to his chest, his thick and capable hands admiring the soft curves of your hips. He needs more, needs to taste your skin, needs to know what it feels like on his lips. He dips his mouth to your neck, kitten-kissing you as delicately as he can. More, he needs more. 
He skims his injured hand underneath your shirt, caressing the skin between your shoulder blades. Jesus, you’re so impossibly soft, your skin feels like silk compared to his. He nips at your jaw, and the soft moan escapes your lips makes him feel feral. 
“Fuck, baby. Wanna go slow with you, take my time. Do it right,” he says, internally acknowledging how wrecked it comes out.
He trails his hand up and pulls the shirt of your uniform down over your breast, exposing the simple lacey bra. Ugh. It’s so much for him, the little moans you keep making for him as he kisses your neck, the way your nipples respond beneath the fabric to his touch.
“Wanna show you what you’re worthy of sweet girl, in all the ways,” he groans into your chest, and he means it.  
“I want you to fuck me so badly,” you blurt out, lost in the delusion of arousal. 
Fuck. Yes. 
His cock is rock hard, so stiff it’s almost painful. He doesn’t even remember the last time he was this hard. He wants so badly for you to just fall to your knees in this tiny little office and suck it. He wants so badly to hold the column of your throat while he shoves his thick cock into your wet and waiting mouth, feel him deep down your throat. More. He needs more. 
He hopes to god that you’ll chant his name like a prayer when he unravels you like a spool of thread. He can hear it in his head now, as he licks your soft skin and holds you against him. He can’t stop thinking about how pretty you’ll sound when you come for him.
“Patience, angel baby. You’re in good hands,” he purrs. 
“Can I undress you?” he asks. He wants you to know that you’re in control here, that hel’ll only do what you want him to and nothing more. You call the shots. 
You toe off your beat-up sneakers and work to take off your shirt and bra, and he works to unbutton your skirt. Fucking buttons. He thinks it’s cute the way you wiggle your hips to assist him in removing the barrier. After what seems like no time at all, you’re nearly fully nude in front of him, bare save the thin cotton of your panties. Perfection. You are perfection.
He frowns a little when he notices you cross your arms over your chest in an attempt to hide your body. 
“God damn, sweetheart. Look at you,” he says, taking a small step back and admiring the view. He thinks you’re a masterpiece, a piece of art holding court just for him to gaze at. He’s never really considered himself to be lucky, but he must have done something right to have you right here with him right now. 
He gently grabs the arm you’re covering yourself with and exposes your bare chest. Don’t hide, baby. 
“No need’ta hide from me,” he tries to reassure you. 
You push your chest out to him, for him. He accepts your offering; swipes a calloused thumb across your plush, silky nipple, and crouches to catch the other in his desperate mouth. He groans into your chest the second your nipple meets his lips. He smirks at the sound of the deep hum that escapes from your throat, lips still attached to your breast. 
“Feels so good, Joel,” you moan. Just getting started with you. 
He trails kisses down the valley of your breasts, across the soft swell of your stomach, doing his best to whisper sweet praises as he does. It feels so good, so natural when you drape your hands over his broad shoulders and thread your fingers through the curls. It’s been so long since he’s been touched like that, the feeling goes straight to his cock. More. More. More. 
He can tell you’re a little hesitant, maybe a little lost in your thoughts. He does his best to pull you back to him. On his knees, he places both of his hands on the curves of your hips and holds you steady while he looks up at you. You look so beautiful looking down at him, your lips slightly parted, your skin shiny from the sheen of sweat, your obvious arousal evident on your face. He wonders what he must look like to you. 
“Can I take these off, baby?” he asks, hooking his thumbs in the band of them. He wants to hear you say it, to permit him to cross that line. 
“You, um, you don’t have to. It’s okay, really…” you shy away. 
Please, he pleads to himself silently. 
He presses his nose into your mound and fuck, you smell so good, he can’t help but moan. 
“Smell so sweet, need to taste you, sweetheart. I won’t if you don’t want me to, but fuck, I would love to,” he says, and it’s true. He suspects you’ve never had a real man take care of you, taking the time to pleasure you to your heart’s content. A damn shame.
“O-kay,” you say on an exhale. 
“I gotcha, don’t worry,” he rasps out, his voice equal parts gentle, and gruff with desire. He wants to reassure you. 
He gently tugs the fabric down over your thighs, the fabric gathering at your ankles. You take a small step out of them, and he gently caresses up the back of your calve, and back of your thigh, his hand landing on the curve of your ass. He tightly grabs the flesh there. He gently guides your leg up onto one of his shoulders, and you press back into the wall and lean your pelvis closer to him. 
“Fuck, what a pretty little pussy,” he praises, before leaning in to place an experimental kiss on the top of your mound. He thinks this might be the most perfect pussy he’s ever seen in his life. Making sure you aren’t uncomfortable, he looks at you to make sure you’re okay with him continuing. 
He’s eager, and he’s sure it’s coming across in the way he’s kissing you. Once you’re comfortable with his mouth on you, he glides the middle finger of his non-bandaged hand through your wet slit before flipping it so it’s wrist up, pausing with the pad of it right at the entrance of your tight hole. 
He thinks he could come right there, with the way you’re looking down at him with lusty doe eyes and biting your lower lip. He watches your face as he gently nudges the tip in. Fuck, you’re so tight. He holds it there for a brief second, his restraint threadbare, before fully thrusting it up into your core. 
“Fuck angel, you’re tight,” he moans as he continues to feel you, eventually putting his mouth back on your pussy, sealing his lips around your puffy clit. He pumps his finger in and out of you and flicks and swirls his tongue where he can feel you need it the most. You’re so wet for him, so tight, so willing. If he weren’t already on his knees, he knows he’d fall to them eventually, he’d worship at your alter every day if you’d let him. 
“More,” you moan, “Fuck–please, Joel, give me more,” you mewle. 
“That’s my girl, gonna stretch you out, get you nice and ready for this cock,” he whispers against your wet skin as he slips another finger in, one you greedily accept. He devours you, licks at you like you’re the sweetest thing he’s ever tasted, because you are. He could stay here for hours, making you come for him again and again. 
He can tell you’re close, so he picks up his pace. You’re nearly there, seconds away from giving him what he wants. Just one more – 
“Holy shit, yes, I’m coming, oh my god, don’t stop,” you unravel for him, a babbling mess of pleasure, he holds you steady as he works you through it. Perfect, sweet girl. The taste of your release and the pretty sounds you make coming have his cock aching. He gently hoists your leg off of his shoulder and rises to full height. 
“Such a good girl for me, you come so pretty,” he whispers against your neck, nipping at your jaw until your lips find his. He wonders if you’ve ever tasted yourself before, or if he’s the first to kiss you after eating you out – the thought makes him even harder, to know he might be the first to show you how sweet you taste. 
He watches as you begin to kneel before him. He stops you before your knees touch the floor. 
“You don’t want me to suck your cock?” you ask. He does. Of course he does. He’s just not sure he’d last, but he’d never admit that, besides, there’s something he needs so much more right now. 
“Oh angel baby, I would love to feel those sweet little lips of yours wrapped tight around my cock, hold your throat as you choke on me,” he coos.
He groans as he feels you bring your palm to cup him through his jeans, drinking in the sensation of your hands tracing over him. His jaw tightens and his head falls back as you work over him. His cock welcomes the attention, too. He’s already leaking, he needs to come so bad.  
“But there’s something I want more right now. Feel what you do to me?” he says, pressing your hand harder down onto him. “Need to feel that sweet, tight cunt of yours around me first,” he says intensely. You make quick work of undoing his belt buckle and slip off his jeans and boxers in one swoop. It feels so good to be free of the confines of his pants, the pressure on his cock a little less overwhelming now. 
“Yo–you’re so big,” you say, a little intimidated. He grabs you by the hips and holds you tight against him, his cock pressed between your bodies against the bare flesh of your tummy. He can tell you might be a little overwhelmed, but he reassures you. 
“It’s okay, sweetheart. You can take it,” he says, using one hand to grab the back of your thigh and tapping the other. He lifts you with ease and spins you around so you’re sitting on the mahogany desk in front of him. He stands between your legs, holding himself by the base, pumping himself slowly up and down his length with his fist. He stares at your wet, aching hole, wishing he was buried inside of it. The thought dawns on him that he doesn’t have a condom. No, fuck. “I’m on birth control,” you say, blurting it out. “And I’m clean, you don’t have to use a condom, I mean, if you don’t want to.” And shit – that’s quite possibly the best sentence he’s ever heard in his entire life. 
He knows it might be a little reckless, but he doesn’t have any reason to believe you’d lie to him.
 “Okay. Open your legs wide for me, baby. Wanna see you,” he says, and you do as he tells you. He sees his hard cock in his hand and opens his mouth to spit on it. You’re wet and ready, but he knows he’s a lot to take, and he doesn’t want to hurt you. 
He admires the way you’re holding your legs open for him, giving him full access to your cunt. He positions himself at your entrance and gently pushes his hips forward so the tip of him is inside of you. Holy fuck. He pauses there, giving you a second to adjust. 
“Eyes on me, baby. Wanna see you as I take what’s mine,” he says, his voice a wreck. When you open them, he sinks even deeper. Halfway inside of you, he pauses again. How is he ever supposed to last with your pussy clenched this tight around him. 
He asks if you’re okay, and when you nod, he pushes in a little more, dragging back out of you for only a second, until he’s jutting his hips forward, fully burying himself deep inside of you. Nothing has ever felt this good to him, nothing could ever compare. 
Jesus, think of something else – make this last. He tries to distract his mind, disconnect his cock from his brain, but there’s no point. His primal urges have taken over, his body is losing the war with his mind. 
He sets a slow and steady rhythm at first, dragging in and out of you. He would love to fuck you harder, deeper. He knows he won’t last long, but he doesn’t care, as long as he gets you to come for him one more time. 
“You can fuck me harder, Joel. ‘M not gonna break, I promise,” you coo. His hand flexes tighter, and that’s all he needs. Give the girl what she wants. “Shit, c’mere,” he says, helping you off the desk, steading your legs. He flips you over and presses you against the desk. Your hips are perfectly positioned at the edge. He’s not sure anything could be prettier than you bent over, waiting to once again be stuffed with him. 
He stands behind you, angles your hips up slightly, and once again buries himself in you.
“Such a perfect cunt,” he groans, beginning to set a relentless pace. As good as this feels for him, he can tell that something about this angle does something for you, too. His cock fits just right, pushing and gliding over the spongey spot inside of you that he can tell is gonna be the thing that pushes you over the cliff of your orgasm. He holds your hips tightly as he pumps in and out of you, eliciting throaty moans from you. The air is filled with the filthy wanton sound of skin slapping against skin. 
“I –” you mew, “I think I’m gonna come again,” he hears you say, a little breathless. 
“Come for me, baby. Be the good girl I know you are and show me how pretty you are when you come on my cock,” he says, a little out of breath, voice deep. 
Yeah, that’s right. Use me.  
And you do. Your pussy pulses around him as the wave of your orgasm takes over you, and it’s borderline too much for him. He’s gotta slow down if he’s gonna last another second. 
“Where do you want me, baby?”
“Inside, please. Want you to fill me up, make me yours,” you beg for him. 
Holy fuck.
After a few more thrusts of his hips, he begins to stutter and slow. He pauses buried to the hilt inside of you and groans as his cock paints your insides with thick ropes of come. The immediate release of pressure is exhilarating, probably the best orgasm he’s ever had. He feels his cock pulse out final spurts of come, eliciting shakes from him with each one. He feels weightless like he could fly away and sleep on a cloud.
The sensation of him pulling out is a little much, his cock raw and spent. “Stay there,” he says, scurrying off to the kitchen, looking for something he can give you to help clean you up. His eye catches a roll of paper towels next to the sink and he grabs a handful of them for you. 
When he enters the office, he notices how breathtaking you look post-orgasm, post-fuck. It’s a sight he’ll commit to memory forever. He presses his lips to yours again, drinking in your sweetness once more. He thinks he could kiss you forever and never tire of it. 
He helps you get dressed, and you fasten his belt buckle for him and check the gauze on his fist. You both stand there in silence, not quite sure where to go from here, until he offers up. 
“Wanna smoke?” 
++++
“So, how long have you lived here’?” he asks, holding open the lit zippo from his back pocket to you. With the cigarette dangling between your lips, you steady it between your fingers and lean in, he admires your features amidst the dim glow of the fire. So beautiful.
“Too long,” you mumble. He lights his own. 
“And you, where are you off to next?” He hears you ask, and he's not sure how to respond.
“Not sure, the contract job my brother and I have in the county over ends in a week or so. Was thinkin’ it might be nice to head south, maybe Austin,” he responds, smoke twirling in the air around you both. 
“Although, ‘M not so sure anymore. Starting to think I might have a few things I need to take care of here first,” he says, shifting his gaze from the ground until his hooded eyes find yours. You. I need to take care of you.
You smile when he winks at you. Gosh, you’re cute when you smile. He wants to be the reason you smile every day. 
You stand there in comfortable silence, leaning up against the wall next to him. He thinks it feels nice to be wanted, to have someone to just be with. 
And when it’s time to go, he offers you his hand and a ride home. He’s pleased when you accept. 
It’s too soon. He knows it’s too soon, but the thought of you in the passenger seat of his truck, feet on the dash, wind in your hair, makes his heart skip a beat. 
He wants more. 
And something tells him you do, too. 
END
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Ily. Thanks for reading! Tags: @endlessthxxghts @theoasisofthings @pedrostories @bastardmandennis @milly-louise @drunk-and-capable @survivingandenduring @ohheypedrito @joeldjarin @nerdieforpedro @amyispxnk @paleidiot @ghostwritesthings @kulekehe @darkheartgatita @goldenhxurs @morallyinept @missladym1981 @auteurdelabre @morgaussy @likeficsinthewnd @morning-star-joy @agentjackdaniels @cayleej @amyispxnk @zialltops @syd-djarin @untamedheart81 @gracevnn @pedrossl4t @littlevenicebitch69 @chulopascal
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familyvideostevie · 6 months
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the meaning of it all
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joel miller x reader
summary: Joel Miller, of all people, teaches you to ask for help. 
word count: 13.6k
warnings: jackson au, post part i, joel and ellie worked it out! joel is soft! language, violence, fluff, learning to accept help and love.
a/n: this fic is a soft joel (think part ii joel but make it two years into jackson because he and ellie resolved everything <3) and a reader who is much more me than i've written before. i hope you like it! thank you again to @strangerfreaks who held my hand through this, i owe you my life.
___
Luck. God damned old-fashioned thank-fuck-for-that luck has kept you alive since the world ended. Deep festering rage and a near-constant state of fear have helped. But every bullet you've found, every undamaged can of food, every shot that landed in the right place so you were the last one standing -- that's all luck. Or a curse, depending on the day. Depending on how you're feeling about it all.
And Jackson? That's the biggest stroke of luck you've had in twenty years. A single woman on her own with plenty of working years left and no obvious red flags was probably a no-brainer for the community to take in but you feel like you've finally made it. After two decades of violence and horror and pain, you fucking made it somewhere safe.
You spend as much time as you can making sure everyone knows how grateful you are. You don't have any special skills, not really. You can shoot well enough, cook well enough, clean well enough. Young enough when all the shit went down that you don't have a trade or any work experience, you just go wherever they need someone in town.
Keeping busy means you're bone-tired most nights. Exhausted sleep means fewer nightmares, less time to wander the halls of your very nice but much too-big-for-you-home and miss everything you've lost. But picking up shifts wherever you can also means you don't meet many people beyond hellos and exchanging names. Farming is easy and you get to work with a lot of the kids in town, daycare much the same. You're lousy with power tools but you're able to carry materials wherever they're needed. Cooking is easy when it's stew for hundreds of people and doing dishes is even fun when someone turns on the radio. You're making it work.
Patrol is...patrol. You're able, so you're on the roster. It's not that you hate it, not exactly. Going outside the walls makes you feel like you're someone else. You slip back into the mask of fear and anger, the one that kept you alive for so long. And the worst part is it's comfortable. 
You've done the training runs, the group patrols for three months. Infected still freak you out a little but you're smart enough to be more scared of people. All of the senior patrol members have cleared you for paired patrols and today is your first one.
Tommy meets you at the stables to check-in.
You don't really have any friends, though everyone is perfectly nice to you, but Tommy and Maria are probably as close as it gets.  You figure they take a shine to newcomers like you, ones who come in alone, maybe to keep an eye on them as much as anything else. But they've both got a smile and kind word for you whenever you see them, always asking if you need anything. You always tell them no, you're fine, thank you.
"You ready?" Tommy says. "I've had them pull Apollo for you." You pat yourself one more time to make sure you have everything. Pistol on your thigh, knife at your hip, pack secure on your back. Hat and gloves tucked into your jacket pocket to account for the wind on the trails.
"I think so," you tell him. You blow a raspberry at your horse and he blows back, nudging your shoulder with his nose.
"After this, pretty sure you'll have done every job there is to do in this town. Pullin' crops, plantin' crops, cookin' crops. Kids, the library, cleanin', buildin' that ramp at Lenore's last month. You've been here, what, six months? And you've done it all."
It should make you feel good that he's noticed. It does, but only a little. You still feel like you could work every day for the rest of your life and not repay what he and this town have given you. To make up for the things you've done on the road.
"I'm the best floater in Jackson," you joke instead. Smiling makes people like you. You haven't had much cause to smile in recent years so you're still getting used to the urge. Tommy scoffs. "I don't do important council stuff like you and Maria, though."
He ignores that. "Y'know, pretty sure they call that a jack-of-all-trades. A real Ren-ai-ssance woman." You try to come up with a retort, eyes wandering to the patrol assignment board. Your name is under ELK CREEK and under it is --
"Quit harassin' her."  Tommy rolls his eyes and flips off whoever comes up behind you. You turn around and see a man you know of but have never actually met.
"Joel," Tommy says. "I believe this is called havin' a conversation. You ever tried it?"
"Funny," Joel replies. He nods at you. "You my partner today?"
"Seems so." You introduce yourself, Apollo's warm breath at your back.
"Joel Miller," he says back.
You're a little intimidated, truth be told. You know him by reputation mostly. Tommy's big brother who came to town a few years ago with a little girl. They're both pretty much everywhere. Joel fixing houses and talking to kids in the street, going on patrols and always bringing back extra for whoever needs it. Ellie galloping around town with other teenagers and bringing home the biggest game. You've handed her books a few times at the library, too, seen her bright eyes and infectious energy underneath teenage angst that transcends even an apocalypse. And you've seen them together, heads down in the dining hall or pressed closed walking down the street -- heard rumors about why they came here, how they came here, too -- and one thing is clear to you: the Millers are beloved. By this town and by each other.
It's a miracle all its own in this fucked up world.
"You two ain't met yet?" Tommy says, pointing at the space between you. You snap out of your thoughts. "You've been here long enough to have met everyone by now."
"Guess not," you say with a wry smile. The younger Miller is too polite to call you out for not having a single friend in that time period, either.
"Well, here we are," Joel says. "Gonna keep us here forever, Tommy? Or can we do our job?"
Tommy claps him on the shoulder and winks at you. "Tone down the asshole for her first paired patrol, yeah?"
Joel snorts. He grabs a horse that was already tacked for him and leads it out of the stable. You follow with Apollo. The patrol coordinator hands out rifles and reminds everyone of the rules.
You hop on your horse. "You ready?" Joel asks, startling you a bit. "We'll gallop to the mouth of the river and then start patrollin'."
Something in you relaxes a bit at his clear confidence in you to handle yourself. You know you're with him for a reason -- he's one of the best. That, or maybe he just doesn't give a shit. Somehow you think it's the former.
You follow him up the hill outside the gates and through the tree line. The noise of the Outside is different than that of Jackson. Birdsong, snapping branches and dry brush under your horse, the wind rippling down the hill. You take a deep breath through your nose and feel a part of you come alive. It's funny how a world so beautiful can be so deadly.
Joel gallops a little ahead of you, strong and steady. You watch him, think about what you know. He's older than you, that much is obvious. Greying hair curling around his ears, lines on his face from more than just a stressful life. But he's strong, good at what he does. Those rumors come back to the front of your mind. How he and Ellie showed up, half-starved and bloody. How he and Tommy are the most famed patrol duo for Infected kills and otherwise. It makes you feel safe. It makes you want to learn from him. It makes you want to know more.
And he's got kind eyes. Somehow, he's got kind eyes.
"Alright," Joel calls back to you. "Route starts here." He slows his horse and you pull up beside him. He shifts in his saddle and turns his face to you. "Now, I know this is your first pair," he says. "I won't order you around or nothin' but my main piece of advice is that everyone has a different patrol style. Know how to adapt."
You dig your gloves out of your pockets and wiggle them on. Joel watches before his eyes snap back to yours. "Noted." You honestly didn't think he'd talk this much. "And let me guess. Yours is patrol in silence?" You punctuate the nervous quip with a smile.
Joel snorts. "Nah," he says. "Unless you're Max. Can't stand that fucker."
It startles a laugh out of you and any ice you'd imagined breaks for good. Max is one of the middle-aged men who probably would have been a lawyer or a politician based on the way he likes the sound of his own voice.
"Now," Joel says. "You done this route before?" His knuckles are a little red but he doesn't put on any gloves.
"Twice, I think. First log book in that old station, right?" Joel nods. "Second in the town?" He nods again.
"Color me impressed." His mouth tugs up at the corner into something you might call a smile. You try not to look too pleased with yourself. "Some of the dipshits on the roster don't even remember that much."
It feels like you've passed a test. His praise makes you feel nice. Noticed. Not something you often seek but you know yourself well enough to admit that you'd like a little more of it. Even if it's from a man you just met.
"Not that hard," you say softly. Joel looks at you for a moment longer before clicking his teeth. His horse starts to walk. You signal to Apollo to follow.
The patrol goes off without a hitch. Joel signs the log book in the station and you sign it in the tower. He lets you snipe two runners that he spots and doesn't scold you when you take three tries on the second one.
"Settlin' in okay?" he asks once you've rounded the town one last time and started back towards Jackson. "Six months, Tommy said?"
Despite his earlier words, you haven't chatted much this patrol. While you'd like to know more about him, want to get him to smile at you again, you're really just enjoying being out here with someone else, knowing that you're safe. That you've got somewhere to go back to.
"It's nice," you sigh. "I never imagined I'd find a place like this."
You really should pick up the pace to get back to town but he doesn't seem to be in any hurry.
"I know the feelin'," he murmurs. "Ellie'n me slept on the floor for a good two weeks at the start. Been two years and some nights I don't take my boots off."
"What a fucking life, huh?" That earns you a wry smile. "Having a house is...strange. All of the hinges squeak and I --"
"The hinges squeak?" You look over at him and Joel's brows are furrowed.
"Oh, I mean, it's no big deal --" You stumble over apologies. You don't want him to think you're complaining about a home his brother gave you when he sure as shit didn't have to.
Joel taps his thumb on the pommel of his saddle. "Can get that fixed, y'know."
You didn't know, actually. "Really?"
Now he looks at you like you're a little stupid. "Ain't you the one hauling shit to people's houses when they need a hand?"
He has a point and you hate it. It never occurred to you to ask for someone to come fix your hinges. They're just hinges, for fuck's sake. Other people have holes in their floorboards or leaks or need new rooms for family members. You're just...you.
Joel sighs. It feels like you've disappointed him and it swirls in your gut. "I'll take a look at it this week."
Your neck cracks audibly with how quickly you look up at him. "What? No, Joel, you don't have to --"
He says your name in a tone that you know means no arguing. "I know I don't have to. I offered."
"You don't even know me!" The words fly from your mouth before you can stop them.
He brings his horse to a full stop so quick you almost run into him.
"Look," he says. His gaze holds yours. Wow, he really can be intimidating when he wants to be. You can only imagine the things he's done, the things he's capable of. Anyone who has made it this long has blood on their hands. You've washed it from your own skin plenty of times. And yet, you feel completely safe. And you know that you'll probably do whatever he tells you. "I know how it can be."
Your gut swirls. "You don't know what I've been through," you say softly. It's not a jibe, it's just the truth. No one knows because you've told no one because it doesn't matter. You're here now.
"I've been alive for a while longer than you," he continues. "I've seen the world, just as you have. I've been out here. I was out here for a long, long time." He runs a hand through his beard, fiddles with his broken watch in what looks like reflex. "I know how hard it is to ask. To get back to something that makes any damn sense. But you can if you try."
The words linger in the chill around you. He's right, obviously. He's so fucking right that you want to be mad. You haven't asked for anything because you don't want to fracture the good thing you've got. Don't want to be too much, to be a burden they can't support, to make people think you don't deserve to be in Jackson. All things that don't make any fucking sense, not really, but you can't stop them. It's just how you're wired.
"So I'm comin' over this week to fix those hinges. Alright?"
"Alright." Something in Joel softens when you agree.
"Good," he says. "Good."
You finish the patrol in comfortable silence. All told it's been nice. To talk to someone, to feel like they give a shit about you even for just a few hours. You have no doubt Joel will be over to fix your hinges but you figure it'll fizzle out after that -- it always does. You don't know how to ask someone to stick around, anyway. But even this little bit of him will have been worth it.
Something both loosens and tightens in your chest when you get back to Jackson and through the gates. Goodbye beautiful, horrible outside world, hello safety, community, home. It's a trade-off. You and Joel hop off your horses and return your rifles. You're about to hand Apollo off to be brushed and returned to the stables when you feel a hand on your shoulder.
Joel says your name and you turn around.
"Good job today," he says softly. "Not too excitin' of a patrol, but you're good out there."
You blink owlishly. "I-- thanks," you manage. "Maybe we'll get to go out again as a pair." You're showing your hand but you can't help it. You want more of whatever this was.
Joel's mouth pulls up at one corner. "Maybe."
___
Two days later you drag yourself out of the house for community breakfast. Most mornings you're out the door and at your work detail for the day before you can pop over but you don't have anything assigned today. It's a rare respite and it has you antsy. You don't remember how to be idle, aren't any good at it. Sitting in your empty house means your mind might wander to the thoughts you try very hard to keep at bay. The loneliness, the regret, the fear. The loss. It's always there and you've gotten better at dealing with it after so many years but some days you really just wish you could talk about it to someone, could just bitch and moan about how fucking awful this life can be.
But everyone is carrying their own shit and you don't need to add to it. You don't want anyone to have to carry yours, too.
Breakfast is quiet this morning. You settle at a table with your toast and your eggs and your potatoes and smile back at anyone who smiles at you but no one sits with you. If they did you don't know what you'd say.
But then the air changes. Your neck feels a little hot and you slowly look around until you see what's caused it -- Joel and Ellie are here. He's already looking at you when you meet his eyes and he smiles a little, a half-moon curve of his mouth, and nods. You wave.
Ellie waves back, which you don't expect. She says something to Joel and he frowns, rolls his eyes. She punches him in the arm and he flips her off and grabs two plates, starts to fill them. You smile down at your own food.
"Man, are the potatoes that fucking good today?"
You look up and find Ellie in front of you. You're pretty sure she's 16 or thereabouts, still growing into herself based on the way she shifts on her feet. Her right forearm has the outline of something floral. She notices you looking at it and crosses her arms, looking unimpressed. Ah, teenagers.
"Pretty okay," you tell her. "I don't know if we've met yet --"
"We kinda have," she interrupts. "I know your name and you know mine, so. And you're at the library sometimes when I check shit out."
This still does not explain why she's over here talking to you. You can see Joel in the breakfast line still, glancing over his shoulder every so often to see if she's still in the room. You try not to catch his gaze because you're a little afraid of what Ellie might read in it.
"Can I do something for you, Ellie?" you ask, not unkindly. She scrunches up her nose and then sighs.
"Joel told me not to bother you but I wanted to ask if you could look out for a book for me. At the library." Her words get faster as she reaches the end of her sentence. She takes a look at you, sees that you're not telling her to fuck off, or something, and keeps talking. Some book about the history of comics or something.
"Oh," you say. You feel a rush of affection for her and the fact that she can hold the record for headshots on a group patrol and still want to read about something she loves in her free time. "Yeah, I'll look for you. I don't have a library shift until tomorrow but I'll look and put it aside if I find it for you."
Ellie tugs on her fingers. "Don't you need to write it down or something?"
You smile at her. "No, I'll remember." You recite the title and author she just told you back to her and it seems to satisfy her. It's like a switch is flipped -- her earnest expression morphs into something you can only call mischief.
"So Joel's coming over to fix your doors, or whatever," she says. "How'd you crack him?"
"I--what?"
"You patrol with him once and he's coming over to your house," she says. "It took him like, weeks to laugh at one of my jokes. And I'm fucking funny!"
You have no idea what to say to that. Patrol with Joel was your first time talking to him and while he's a bit intimidating, sure, he never came off as anything other than...good. But you'd bet he wasn't always that way in this world. Maybe this girl in front of you had something to do with it.
And honestly, you're sure he just feels a little bad for you. He's nice enough to worry, to make sure everyone in town can do their part and you'll take what you can get even if it's temporary attention.
Part of you knows Ellie is just giving you a hard time because she's a teenager and you're kind of connected to the guy who looks after her so you're fair game, too. But she's talking to you like she wants to which is throwing you for a loop. And you're realizing it's been a long time since you actually wanted someone to like you. Well, Joel aside.
"You want to tell me one?" you ask. She looks surprised and then delighted.
"Oh, fuck yeah. Okay, let me think." You take another bite of your breakfast. "Okay, okay, I got it. What did the mermaid wear to her math class?"
You give it a few seconds before you shrug. Ellie grins. "An algae-bra."
Your laugh makes her grin bigger. "See? Fucking hilarious." She holds out her hand for a high five and you oblige. "Anyway, Joel's gonna come over tomorrow, I think. Seriously, dude, I don't know how you did it. He never used to be this nice!" She looks over her shoulder at the man in question. He's sitting down at another table. "He's getting soft."
Her voice is fond and you're pretty sure she doesn't notice. "You should go eat your breakfast, Ellie," you tell her.
She sighs like the weight of the world is on her shoulders. "Yeah, I'm fucking hungry. Let me know if you find that book!"
"I will," you call after her. You can't help but watch as she barrels back to her table with Joel and immediately makes an attempt at his bacon. He fends her off with his fork before surrendering a piece with a scowl.
He looks up and catches your eye again. You stand with your tray and nod at him, turning around before you can see his expression. Stupid, so stupid to be caught looking like that. But you can't help it -- looking at the love still alive in this shitty world and wondering what it feels like.
___
You run into Joel on your walk home from the next day's shift at the library. You spent probably far too much of it looking for the book Ellie wanted but it was worth it because you've got it tucked under your arm. It feels like a small miracle but you're not one to question it.
Maybe it's the good mood you're in, but when you see Joel from behind you call out his name. He doesn't stop walking but turns his head like he heard something. When he spots you he does stop, waiting for you to catch up.
"Hi," you say, suddenly a little less brave.
"Howdy," he replies, amused. "I'm headed your way."
"You --" He lifts a toolbox you now realize he's carrying. "Oh, right. Hinges."
"I can come by another day if it's not a good time."
Joel could knock on your door in the middle of the night and it would be a good time. "No, ah. Now's good." He motions for you to lead the way even though he clearly knew where he was going. He must have asked Tommy.
It seems like everyone waves as you two head for your street. They call out Joel's name and he knows pretty much everyone. You feel a little self-conscious being seen with him like this -- you, pretty much a nobody in town through your own doing and Joel, beloved by all.
It doesn't stop until you're almost at your door. "You're popular," you say, trying to make it sound teasing. Instead, it sounds awed.
Joel runs his free hand through his beard. "Don't remind me," he grumbles. "Can't go for a walk without a damn conversation."
You pull out your keys and unlock the front door. There are plenty of people in Jackson who don't lock their doors but you can't shake the need. "Sounds difficult."
He chuckles and you feel it zing up your spine. It's nice to make him laugh. "Yeah, yeah. S'pose it's nice." The front door opens with a creak and you look at him sheepishly. His eyebrows touch his hairline. "They all like that?"
You nod. Joel whistles. "Christ," he says. "Alright." He follows you into the house. You try not to think about what he sees. You've tried to make it your own, just a little. Posters you traded for, books you've collected. You cleaned the whole thing top to bottom when you moved in but somehow it still looks a little un-lived in. You're working on it.
"Don't let me bother you," Joel says, getting on one knee with a grunt and prying open his box. "Probably need 'bout an hour to get 'em all. I'll holler when I'm done."
That's your cue to busy yourself with something, anything, but you don't want to. You want to talk to him, to watch him do whatever he's going to do, to soak up this time with Joel before he walks out the door and you go back to being acquaintances.
"What are you going to use?" you ask. He looks up, a little surprised, before pulling out a spray bottle and a rag. He shakes it at you.
"It's some sorta homemade shit one of the younger guys cooked up," Joel says. Somehow he manages to sound self-deprecating, like he thinks he should've thought of it first. "I think it's...soap? And cleanin' stuff? Fuck, I don't know." He huffs a laugh. "I know it works, though. Back in the day we'd use shit you could buy on the shelf." He stands with a grunt. "You old enough to know that?"
That gets you to laugh. "Yeah, Joel," you say. "I'm old enough to remember the hardware store."
His gaze feels a little different than before, like he's allowing himself to look. "Hmm," is all he says. "I'll just --"
You don't know how to justify shadowing him as he oils your hinges -- there's a joke there's somewhere -- so you don't. You grab a book from the shelf and settle on your couch and try your best to read but your mind wanders.
It's pretty clear that you have a crush on Joel. You've spent one patrol with the guy but somehow he's gotten under your skin. It's inconvenient but also...nice? A crush at the end of the world. The fact that you can still feel something so sweet, so juvenile after all you've seen and all you've done is almost laughable. And it's not like it's going to go anywhere -- you're sure Joel thinks you're too young for him, too green, and he's probably tripping over admirers in town. But you can let it be something to keep your days interesting until it fades.
It was hard enough to love yourself before the world ended for reasons anyone could understand. Societal pressures, stupid comparisons, things that don't matter at all now. Who has time to think about being loved when you're constantly faced with death? Feeling desired, feeling loved, feeling looked after isn't exactly top of mind. You're not even sure you remember how. You put one foot in front of the other and that's enough.
But wouldn't it be nice to be on the receiving end of affection from a man like Joel?
"All finished." You startle and realize you haven't turned a single page of your book. If Joel notices he doesn't say. He wipes his hands on a rag and eyes you. "Pretty sure I got all the doors."
You hop up from the couch and try to find your words. "I -- that's -- you're --"
"Thank you will do just fine," he says with a smirk. He tucks the rag in his back pocket and crosses his arms, leaning against the wall.
"Let me cook for you," you blurt out instead. "In exchange." You can make a few things fairly decently and making him something is another excuse to talk to him like this, to be on the receiving end of those eyes. "I can make chili. Does Ellie like chili?"
"Don't have to do that," he says kindly. "Helpin' you ain't a business deal. S'what people do here." He stands straight and heads for your front door, picking up his toolbox on the way.
"Joel," you say, snagging his sleeve with your fingers. You pull them back quickly and grab the book you brought home, holding it out for him. "Ellie asked me to look for this. Could you give it to her?"
He looks at the book the same way he looks at his kid. It's tenderness so raw you look away. "I will," he says softly. He tucks the book under his arm like precious cargo. "Thank you for findin' it for her." He clears his throat and looks at you, smirk back in place. "Wasn't so bad, was it?" he asks. You don't follow. "Havin' someone help you," he adds.
Your face feels hot. "I'll still cook for you," you say, opening the door. He shakes his head.
"You let me know if you need anythin' else, alright?" A quick smile and he's down the steps and back into the street, strolling back to his own home.
"I will." You say it to yourself and almost mean it.
___
You patrol a few more times over the next month but never get paired up with Joel. If you were a little braver you'd ask Tommy or the kid he's training to take over the schedule to put you two together but you don't. Instead, you wave at Ellie when you see her, nod at Joel from the other side of rooms where he's always talking to someone else. You let yourself enjoy the way your heart picks up at the sight of him and the thrill you feel after he smiles at you. It's a nice change to the boring, lonely routine you had before.
The doors in your house open and close silently.
Being outside is fine. You don't like it any more or any less, it just is what it is. Life at the end of the world continues on.
Until you have a bad patrol.
It's no one's fault and no one gets bit. You and your partner, Astrid, are tailing a buck that's wandering along your route. If you can shoot it you can load it on one of your horses and ride back together on the other. Winter is on its way and any extra meat helps.
You follow protocol. You're lining the deer up through the scope while she keeps watch. Just as you prepare to pull the trigger you feel it -- the pull of your gut telling you something isn't right. That feeling has kept you alive all these years so you lower the rifle and turn to Astrid just in time to see a stalker lunge out of the brush.
Its broken and jagged nails catch your shoulders and you go down hard enough to bruise. You can't hear anything over its snarls and the blood pounding in your ears but you do your fucking best. You wedge your forearm under its chin and try like hell to keep its mouth away from you. Your other hand somehow makes it to your belt and unsheathes your hunting knife and in one swift movement, you shove it into the soft jaw of the infected. Hot blood spurts over your face and you keep your mouth closed, shoving the corpse off you.
A gunshot has you whirling around and scooping up the rifle. You've got it ready to fire but you only find Astrid standing over a stalker corpse of her own, forehead bleeding and revolver smoking.
"You clean?" you ask her, eyes on her forehead. She nods.
"Shoved me into some thorns. You?"
"Yeah. Can we go home now?"
Your hands don't shake until you get back to Jackson. They tremble when you wash the blood from your face, your hair. You wish for just a second that you had someone to hold them, someone to tell you it's alright. Someone to talk to about how shitty your day was and how scared you were and how sometimes this life is so fucking exhausting and just when you think you're safe you're reminded that no one is safe anymore.
Maybe this is the kind of thing Joel was talking about. Asking for help.
The thought fades quickly. You can deal with this. You're just out of practice. You just got comfortable.
You go to bed as early as you can bear, closing your eyes and hoping for dreamless sleep.
You could only be so lucky.
You're no stranger to nightmares. Hell, who isn't? Usually, it's the same old shit -- people you've lost, fucked up things you've done, horrors you've seen. You know how to deal with it.
But this is the first time in a while you've got new nightmare fuel. The hot, rancid breath of the stalker and the agonizing sound of its moans. Your own choked gasps as you try with all of your strength to keep its rotting teeth away from you. Unlike reality, your dreams don't allow you to grab a hold of your knife and instead, you feel it take a chunk out of your neck, hot blood splattering your face and you have to just lie there as it bites and bites and bites --
You jolt upright with a small gasp. Necessity has taught you to wake silently.
"Fuck," you say to the empty room. No way you're going back to sleep after that. You swing your legs over the side of your bed and put your head in your hands. "Breathe. Breathe."
The sky is black through your windows. You have no idea what time it is but you stand before the lingering panic can take hold and make things worse. Fresh air will get the iron smell out of your nose. You dress in the dark in more layers than necessary but you want to stop shaking.
Jackson at night is quiet but there are always a few people around, always someone else who can't sleep. The sky is clear and the moon is bright and it smells like woodsmoke and the unique earthy feel of the valley. This is your home. So long as you have this you can get through it.
Your feet take you through the streets of houses, most of the windows dark. Just another lap around town and then you'll go home, try to sleep again.
Then you hear something. The gentle strum of an acoustic guitar weaving with the night air like a dream. A song from before, a song you recognize but don't know the name of, don't know the words. You wrap your arms around yourself and follow the sound down Rancher Street. If you find whoever is playing it you'll wave and walk slowly home.
Your breath catches in your throat when you see whose house it is. Joel is on the porch, rocking slowly and head leaning back, eyes closed as he strums. How did you not know he played guitar? It only makes sense that the hands that are capable of such violence can also make something beautiful. He can ruffle Ellie's hair and pull the trigger and fix your doors and do this.
Something in your chest tightens.
Joel's eyes open and land on you immediately. You realize how it looks -- you standing in front of his house in the middle of the night, watching him. But he stops his playing and calls out your name.
"Hey, you alright?" he says. You hover between taking a step forward and a step back.
"Couldn't sleep."
He shakes his head. "Can't hear ya," he says. "C'mere."
Step forward it is. Up the stairs and onto the porch that creaks a little under your boots. There's only one chair and a small table with a lantern on it. Wind chimes dangle over the railing and you drag your hand through them on instinct like a child with a toy.
"Sorry," you say softly.
"Only got one chair," Joel says. He's got one boot resting on his knee, guitar slung across his lap. He looks tired. "I'll go get another --"
You wave him off. "No, please," you say. "I'll stand. I'm too antsy to sit, anyway." If you sit down in a chair next to Joel Miller you might never get up.
He frowns but settles back into his seat. "You alright?" he asks again.
His gaze is a little too much. You feel silly all of a sudden, not sure how you got here. A fucking nightmare? God, you're ridiculous. You cross your arms and lean back on the railing and look anywhere but him.
"Couldn't sleep." Joel hums.
"Heard that one before."
He strums some more and you relax again despite yourself. "Sounds nice. Do you play a lot?"
"Sometimes," he says. "Old habit."
"It's a nice one. Better than walking the streets in the dark." Your tone is harsher than you mean it to be and Joel frowns.
"It's safe to," he says, as though your wellbeing is his personal concern. "Bit cold, though."
"Why are you out here then?" You're frustrated with yourself and taking it out on him just a little bit. The smell of blood fills your nostrils again and you press your fingertips into your crossed arms, hard, and close your eyes. Your breath stutters in your chest.
"Nightmares," Joel says wryly. There's some shifting, the scrape of wood on wood and you open your eyes. His are fixated on your fingers and you stop squeezing. The guitar is now leaning up against the house and he's got his elbows on his knees like he's about to ask you a serious question. The lantern light makes his hair look darker, less silver, but it also makes the lines on his face look deeper. You wonder what kind of shit he's seen. What things he has nightmares about.
"Had this conversation with Ellie a million times," he huffs, rubs his hand through his beard in what you now consider a familiar gesture. "You don't need to talk if you don't want to. But can't hurt."
Is he asking you to talk about your nightmare? Does he actually want to know? Do you know how to talk about it?
"I take it you're a fountain of emotional sharing, huh?" Again, the misplaced frustration. You don't know how to turn it off.
His eyes flash but he just leans back in his chair and shrugs. "Depends on the day."
The low-level hum of your infatuation with him flares and your traitorous brain bats it down right away. You want to see all sides that he can offer you, want to make him frustrated and angry just to see if that'll make him sick of you.
You run your hand through the wind chimes again, watching your fingers move through the air. You remember what the knife felt like in your hand, the way the blood was hot as it dripped down your wrist and onto your face.
"Tough patrol," you say. "Messiest since I got here." Joel says nothing and you don't look at him. "I...it was fine. We got jumped by some stalkers and it was fine but...close. And I -- I didn't realize how badly I wanted to come back here until then. How badly I wanted to go home at the end of it. Does that make sense?"
You finally look up and Joel's knuckles are white on the arms of his chair. When he sees you looking he crosses his arms. "Sure," he says, clears his throat.
The urge to try to explain more is overwhelming. "I mean, we've all done fucked up shit. I've been up to my elbows in infected guts and still come out on top and slept like a rock the night after. And all of a sudden I can't fucking handle a stalker getting in my face. It's like I've never had to get my hands dirty before and what if it means I'm going to fuck up next time --"
"Hey," Joel says firmly. You feel a hand on your forearm and realize you've been pacing, arms flailing as you rambled. He gives it a squeeze and then releases you. "Feel like I gotta say fuck now to catch up with you."
A wet chuckle works its way out of you. Where did that come from? Are you about to cry? On the porch of the man you have a stupid, stupid crush on? This is embarrassing. And his touch. People touch you all the time, all things considered. A tap on patrol indicating silence, a hand on your arm to get your attention, to brace you as you lift something. Children in town who don't know the horrors outside the walls give affection freely. Hell, Joel touched your shoulder after your patrol. You're not touch starved but you feel like no one has touched you with tenderness and meant it in years.
"Sorry."
Joel tuts. "C'mon," he says. "I asked."
"I don't think I feel any better."
He stands and grunts as he does so. He's so much closer than before, so close you can smell what you can only describe as Joel: wood shavings and gunpowder, laundry soap and leather. It's a little dizzying. He leans on the railing next to you.
"Bet when you go back to bed you won't dream," he says. "Usually what happens."
"Here you are again," you sigh. "Helping me out. I promise I get on just fine on my own."
"I know," he says. His eyes are warm and so, so deep. "Don't have to, though."
Joel, for all his kindness and popularity in town, is a man just like any other. A person who has seen and done shit that no one should have to see and do. You know he's got his fair share of secrets, of things he won't talk about. You all do. You know he can be unflinching and maybe even cruel, dangerous and deadly. Whatever is happening here -- this openness, this desire of his to help you out -- is hard won. You think about what Ellie said and let yourself have a dangerous thought: maybe he's this way with you because he wants to be.
You sway into him just a little before catching yourself and standing up straight. "I should go try that dreamless sleep," you say softly. "And you should, too." It does not escape your notice that you haven't talked about Joel's nightmares, whatever they are. You don't think he'd be that open. A piece of you imagines a world where you ask and he answers.
"I might," he says. Neither of you move.
That small piece of you would stay here all night. That small piece of you tries for the next best thing.
"Will you let me cook for you now?" you ask. It sounds a little desperate to your own ears. "Please?"
"Persistent, ain't you?" He taps his closed fist on the railing once, twice. "Well, if it's that important to you. Chili, you said?"
"I can have it done by sundown tomorrow. I'm on greenhouses but we always finish early. You can come by and get it. I'll do enough for you and Ellie for a few days." You're rambling but finally he's going to let you do something for him. Hinges, nightmares, it's too much. Maybe you can somehow cook out this affection for him, get rid of it with your own hands if you try hard enough.
"Alright," Joel says. He puts his hand on your shoulder lightly and squeezes once. You feel it all the way down to your toes. "Now get outta this damn cold."
He doesn't offer to walk you home. You'd say no if he did. You need the time to sort out the mess in your mind. You give him the most earnest smile you can manage and he watches from his porch until you turn out of sight.
__
Joel is on your mind all day. More so than usual, which is saying a lot. The crush has turned into something...more. Something that makes you hope and that something is dangerous. It's just setting yourself up to be hurt through no fault of Joel's when it goes nowhere. Because why would he be thinking about you?
"You're smiley today," Dina says. She's a sweet girl and you're paired together on greenhouse shift today. She's always got a story to tell about plants she and her sister saw in New Mexico or some weird mushroom she found on group patrol. You love how positive she is and you try to absorb some.
"Am I?" you say lightly.
She tugs on one more cucumber, putting it in your shared basket before wiping her face. She gets dirt on her nose. It makes her look young. "Got big plans?"
Your face feels hot. "Just cooking for a...friend." It's the first time you've said that out loud. It's probably true, right? Acquaintance, at least. Joel is important to you and it's taken an alarmingly short amount of time for it to solidify. That's just how the world works these days -- you never know how much time you have so everything moves faster. You care harder despite years of proof that nothing good comes of it. You can't help it. You were made to leak love like an open wound.
"A friend," Dina teases. Teenagers. You remember that she's friends with Ellie and it's very possible she knows exactly what you're talking about but she's too kind to say anything more.
"Yep," you say, popping the p. "Do I have to start teasing you about Jesse or are you going to cut me some slack?"
"Well, hey," she laughs. "I think it's nice to be excited about something. You're so serious all the time."
"Am not," you mutter.
Something you appreciate about Dina is that despite her age she knows when to leave it. "Whatever you say," she says primly.
Once work is over and you're back home the cooking goes quick. You focus just enough considering you want this to actually be good and for Joel and Ellie to like it. It's thank you chili, it's you are important to me chili, it's I want to see you every day for the rest of my life chili.
Well. It's thank you at the very least.
And food, especially in this world, means something extra. There's enough to go around in Jackson, more than enough, but anyone taking the time to fix something with their own hands means more. You know how different a meal can taste when someone makes it with care.
And to say you care is a bit of an understatement.
The chili is simmering and you're about to start on the dishes when there's a knock on the door.
"Shit," you say. You wipe your hands on a towel and pad down the hall in socked feet. When you open it you find Joel bathed in the golden light of the sunset. His hands are tucked in his pockets, the collar of his coat turned up to protect his neck from the chill that's settled in for the season. His face softens at the sight of you but his shoulders are still tight. Is he...nervous? No, you're projecting.
Here he is on your doorstep again. If you're not careful you'll get used to him being there.
"Sorry for bein' a bit early," he says at the same time you say, "I was just thinking about you ."
The tension melts out of him and he smirks like a man with a secret. "That so?"
Your eyes are wide as you find your words. Hopefully ones that aren't embarrassing. "Come in," you say. "I'm letting the heat out."
He follows you to the kitchen. "Smells good," he says.
"It's not quite done yet but that's a good sign, I guess." You stir the pot before rolling up your sleeves and taking your spot in front of the sink. "Sorry it's a bit of a mess, I was about to start on this --"
"Now I know you ain't about to do all that yourself," Joel drawls. It's a syrupy tone you haven't heard from him, not really. Is he...flirting with you?
"I...what?"
"Scoot," Joel says. He steps beside you in front of the sink and gently bumps your hip with his. "Seriously."
"Joel--"
"Does it look like I'm kiddin'?"
He keeps his eyes on yours as he shrugs off his jacket, tosses it on this island, and rolls his shirtsleeves up to his elbow. You look away from him so you can watch.
"This is getting ridiculous," you tell him even as you hop up to sit on the counter closest to the sink so you can see his face. He turns on the tap and starts on the various things in the sink even though some of them are clearly not from cooking tonight. "You'll be sick of this chili before I can pay you back."
"I told you it ain't like that," he scolds. "So quit it."
There's no real bite to his tone but you do as he says all the same. You kick your feet out a few times and do your best not to stare but fail miserably. The fall sunlight seems to have followed him into your house, pinkish-golden beams falling across his face. You can see a triangle of chest at the top of his shirt, a few dark curls teasing the hair on him. The scar on the bridge of his nose is much harsher up close, much deeper than the countless other ones that dot his forehead, his temples. He doesn't look as tired today. Maybe he got some sleep after all.
So did you. You didn't dream.
"How was your day?" you ask. Joel's eyes flick up to yours for just a breath before he looks back down at his task. His mouth pulls up at the corner.
"Fine," he says. "Had to fix the water heater at Ellie's place."
A piece of hair falls in his face and you shove your palms under your thighs so you don't brush it back.
You tap his denim-clad thigh with your socked foot, almost like a compromise with yourself when it comes to touching him. "And that took all day?" Damn, are you the one flirting now?
Joel seems amused in a grumpy way. "Well, no," he says. The faucet is on so he speaks a little louder. "Did some house chores. Worked on a guitar. Took a nap."
The image of Joel sprawled out on a couch is clear as day. You bet he looks relaxed in his sleep, the lines on his face not as pronounced, his breathing steady and even.
"Busy day," you say softly. He's about to say more, lips parted to ask about your day, maybe, but you're not about to admit that you spent all day thinking about him so you keep talking before he can. "Does Ellie like living in the garage?"
"Think so," he says. "She spends a night in the house every so often but I think she likes havin' her own space. S'important to me to give her that."
This is uncharted territory. You desperately don't want to step in shit, to somehow make him bring his walls back up. Everyone is protective of the things they love in this world and for good reason and you're pretty sure there is nothing and no one Joel loves more than Ellie.
"She's a good kid," you offer. "Everyone in town loves her."
Joel smiles down at his hands, that soft, raw smile you've seen a few times when talking about her. It makes your chest ache. "She is," he admits. "Pain in my ass, too."
You want so badly to ask him the details. How did they meet? How did they get here? How did they become so devoted to one another? And what happened in the last twenty years to get him to right now, washing dishes in your kitchen?
But you haven't earned that stuff yet. Maybe you never will.
"Does she like Jackson?" You remember what he said about them settling in, sleeping in the living room with their shoes on. You imagine he kept watch for weeks, maybe months, before deciding it was safe.
He nods. "S'good for her to have friends. And havin' school is good for her. She's real smart." He clears his throat. "And you? D'you like it?"
"Well, I like it much better now that my hinges don't squeak."
Joel laughs. "I'll bet you do." He's almost done, everything from your chili-making washed and set aside to dry. He's doing your dishes from breakfast but shows no signs of stopping."Do you cook like this a lot?
Your brows furrow. "I-- no, actually," you admit. "It's just me, so. Not worth putting in the effort that often."
He turns off the tap and grabs a towel and starts to dry. You should offer to help but you feel frozen to the counter. If you get any closer to him you might snap. His jaw is tight.
"When Ellie and I --" he stops, takes a moment to focus on the bowl in his hands. Joel, you've noticed, doesn't tend to say things he doesn't mean, at least not to you. It's like he knows that every word counts in a life as unpredictable as this. "We had a bit of a rough patch last year and we didn't talk for a while. I was damn near eatin' canned veggies on days Tommy didn't drag me to the community meals." He sighs and sets the bowl on the counter ever so gently. Violence and tenderness go hand in hand with him. "Just didn't have it in myself to try cookin' if she wasn't there to eat it."
It's the most vulnerable thing he's said. He keeps doing this -- offering you pieces of himself that you want to hold close, that make you think maybe he wants you to know him.
"Joel--"
"I guess what I'm sayin' is it's easier to take care of yourself when you're also takin' care of people who matter to you. That make sense?"
"Yeah," you breathe. "It does."
The whole scene is so...domestic that your chest aches. Joel in your kitchen doing your dishes. He's helping you yet again but this feels different. It feels like he wants to be here, talking to you. It feels real.
He finishes his task and dries his hands on a faded towel. You hop down from the counter to check the chili. "Should be done," you say. "Do you want to try it? Make sure it's worth it?"
"Oh, it's worth it," he mutters. You work to keep your face neutral. What does that mean? "Sure."
You pull a spoon from the drawer and while it would make more sense to just hand it to him you don't. Instead, you dip it into the steaming liquid and hold it out for him, your other hand cupped underneath to catch any spill. Joel stares at your offering for a few seconds and you wonder if he can hear your heart beating.
Then Joel reaches out slowly like he's afraid you'll bolt if he goes too fast, and lightly wraps his hand around your wrist. It's the first time he's touched you skin to skin and you know immediately that it's a mistake.
You'll never stop wanting him now.
His palm is warm, callused fingertips pressing gently into your skin and he tugs, bringing the spoon -- and you -- closer to his mouth. Everything moves in slow motion for a few moments and it's like you are the only two people in the world. Your kitchen fades and it's just Joel. His lips part and he slides the spoon into his mouth at the same time as his thumb strokes the inside skin of your wrist.
It's very possible that you gasp a little.
He closes his eyes and you're torn between watching his face and his throat as he swallows. You could look at him forever, you think, and never get enough. The set of his brow, the hard line of his jaw. Lines around his eyes and mouth from years of terror and violence but also from laughter and smiles. You want to learn every inch of him if he'll let you.
"Christ," Joel says. His eyes fly open and find yours. "That's good. That's real good."
"You're just saying that," you say weakly. He hasn't let go of your wrist and his thumb strokes once again. You wonder if you realize he's doing it.
Something in his face changes, something so small that you only notice because you're watching. It feels like he has decided something and you wish you knew him well enough to say what. You dare to hope it has to do with you.
"Oh, sweetheart, I'm a good liar but I ain't just sayin' that."
Sweetheart. It echoes in your ears, burrows its way into your chest and takes root.
You're so fucked.
But there's something in Joel's gaze, in the brush of his thumb across your skin, in the fact he's just done all of your dishes and talked to you like he wants to be here that gives your traitorous heart some ground to stand on.
You send him home with as many glass containers of chili as he'll take. He argues that you won't have enough for yourself and manages to convince you to keep a few. You don't tell him that what you really want is to sit next to him at a table and eat it, knees bumping under the wood and his smile making your empty house feel warm.
"Tell Ellie I say hi," you say once he's out your door and on the porch. "And let me know if she likes it."
"Will do," Joel says. You hug your arms around yourself against the chill. He frowns slightly.
You wonder if he'd touch you if his hands weren't full.
"And thank you for--"
He shakes his head. "Not acceptin' thanks," he chides. "Not from you."
You don't know what to say to that. Joel seems to realize he's rendered you speechless, not for the first time, and nods his head before heading home.
"See you around, Joel," you call after him. It sounds half like a question and half like a wish.
He turns. "Countin' on it."
___
You do see him around but not as much as you'd like. Things pick up around town before the seasons can change and send Wyoming into winter. You find yourself in the kitchen most days helping seal jars for the community food stores, hands chapped from the hot water and heart light when you think about Joel. He nods at you from across the dining hall, opens the door of the library when you're going in and he's coming out, and tells Ellie to tell you how good the chili was when you share a shift at the stables.
"Fucking amazing," she says.
You sleep fairly well, going to bed each night with a little bit of lightness in your heart that you allow because why not? There's no way out short of Joel telling you to fuck off and you don't think that'll happen. If only you could get over yourself a little more and actually do something about it.
As much as you want to keep telling yourself that this -- glances across rooms, smiles from a distance, memories of his hand on your skin -- is enough, you're not sure that it is. The force of your want is destabilizing considering the most that's happened is maybe a little bit of flirting. But maybe this is you taking his direction to ask for...no help, not exactly, but to ask for something. To ask for him.
Today you're going on patrol. You decide as you mount your horse that you're going to ask Joel if he wants to get a drink when you get back. You want to talk to him again, let him under your skin a little more. Maybe tell him some things about yourself. Sometimes he's milling around the gate or on wall duty but you don't see him as you and your partner -- a fairly new kid in his twenties -- take your rifles and head out. You're on an easy route today, just clearing out the town over the hill and the highway exits near Jackson. Shouldn't take you more than a few hours.
It goes to shit fairly quickly.
The kid -- Conner? Charlie? You can't remember -- is rambling about the infected he's killed for some reason when you realize something isn't quite right. You can't hear any birds. Apollo snorts and it sounds panicked. You motion for the kid to stop talking but he either ignores you or doesn't see.
He sure shuts up when the clicker bursts out of a house to your left. Apollo startles and rears at the moment you reach for your gun and you can't grab hold in time.
You go flying, bouncing off a rusted-out car and landing hard on the broken pavement of the street with a popping sound. There is a pain in your shoulder so intense your vision whites out. The kid is shouting, the clicker is making that awful sound, but then you hear two gunshots and nothing else.
"Holy fuck," he says, rushing over to you. "Fuck, are you okay?"
Well, for a talker, this kid a good shot.
"Get the -- horse --" You roll onto your back with a groan and he grabs Apollo and settles him.
"What happened?"
You stare up at the sky, blue turning purple. It'll be sunset soon and you very well might be fucked if this is what you think it is.
"I think my shoulder popped out," you say through gritted teeth. Your head doesn't hurt like you smacked it and your side is only a little sore. Maybe some bruised ribs. Your hands are scraped, blood beading on the heels of your palms. "Help me up."
"Holy shit." He helps you sit up and then stand, your left arm hanging limp at your side. You hiss through your teeth as it gets jostled and lean heavily on the car. "You don't look so good," he says. "Can you ride? We should only be a half hour out of town."
"I...don't think so." You're pretty sure you'll pass out from the pain and this kid doesn't look like he can handle that. You don't want to fuck up the joint any more than you have to. "You're going to have to go back and bring someone to set it for me, okay?"
"But the rules say --"
"I know what the fucking rules say," you snap. Don't let your partner out of your sight. Your shoulder is throbbing and you might cry but not until this kid is on his way back to town. "That's why you're going to go as fast as you can, alright?"
"We should at least clear a building first so you can --"
"No time," you say, looking at the sky. "If we want to be back before nightfall you need to go now. I'll handle myself."
You really should know his name. He sets his jaw in a move that reminds you of Joel which causes a pang in your chest so intense you want to rub it away. "I'll clear that garage, okay?" He points behind you and before you can stop him he runs towards it with his gun out.
Lucky for both of you it's clear. You take Apollo inside and slump against the wall, pistol in your hand. The kid closes the garage door behind him and you hear the clop of his horse as he gallops away.
"Fuck," you say into the empty room. It's dusty and full of cobwebs and not much else. Empty metal shelves, a rusted-out lawn mower, some tarps so ratted they're useless. Apollo snorts. "Not your fault, buddy."
Death has been nipping at your heels for twenty years now. You've always expected it. And you're fairly certain you won't die out here. Maybe end up spending a night on this floor, having to walk yourself back to Jackson tomorrow morning. But you can't help the fear that rises in your throat. You know how an injury like this means so much more in this world. You won't be able to work for weeks. You won't be able to patrol, to pull your weight.
You're going to need a lot of help.
You close your eyes against the stinging tears and thud your head against the wall.
The pain dulls the embarrassment you feel when you catch yourself thinking of Joel. You wish he was here. If you'd been on patrol together this wouldn't have happened. You wonder what he's going to think of this.
What you'd really like is for him to hold you and tell you it'll be alright.
A few tears slip down your nose. Apollo noses at your knee.
There are no windows so you don't know how much time has passed. You start to question if this was the right call. Maybe you could have made it back on horseback, or at the very least slung across the back of Apollo like a sack of flour, arm be damned.
Your traitorous brain is about to remind you of all the things that go bump in the night out here when you hear something. 
Someone is calling your name. Yelling it.
"Here!" you scream. Apollo whinnies. "I'm here!" You have no idea if they can hear you. You press your good shoulder into the wall behind you and try to push yourself to your feet but just as you do the garage door is hauled open and there stands --
Joel.
A sob bursts from your throat and you will yourself to pull it together. Behind him the sky is much more orange than it was when you first sat down.
Joel's eyes look you up and down once before cataloging the space and locking on some milk crates. He stacks two of them.
"Sit," he says. His voice is tight.
"Joel --"
"Sit."
You do as he says. He kneels at your feet and rummages around in his bag. His horse stands munching on some overgrown grass on the driveway. Did he come alone?
"How are you here --"
Joel cuts you off with a glare. His eyes are blazing, jaw grinding as he holds out a length of bandage.
"Hold this." He stands and his knees crack. "Kid said it's your shoulder. Anything else?"
The throb is still deep, still intense, but his arrival almost made you forget all about it. You shake your head.
"Didn't hit your head? Crack ribs? Nothin' like that?"
"No, I don't think so --"
"Need you to sit up straight," he says. There's no warmth in his tone but it's a little softer now that he's taken stock of the situation. "I ain't gonna lie to you, this is going to hurt like hell." He digs in his pocket for something and pulls out a square of leather. "Need you to bite down on this."
He squats so that you're just about face to face and holds out the leather. It feels like being in your kitchen, you holding out the spoon and fighting your desire to touch him. Except this time he won't look you in the eye. You open your mouth and he gently places it between your teeth, thumb catching the corner of your lips and trailing along the edge of your chin before he pulls away and stands up.
"I'm going to reset it on three, alright? Bite down hard on that." He finally meets your gaze and you nod and close your eyes. He puts one hand on your shoulder and the other on your wrist and you wince even though you feel incredibly safe in his hands. "Alright. One...two --"
Joel jerks your arm up and around before he hits three and you barely hear it pop back into place because, as he said, it hurts like hell. You bite down hard on the leather which also serves to muffle your scream.
Someone is talking to you."I know, baby, I know. Good job, you did a good job."
You open your eyes and wipe away a few tears with one hand and pull the leather from your teeth. Joel looks pained but his face snaps back to neutral when he sees you watching. His eyes narrow.
"Where did that come from?" He gently grabs your wrist and looks at your palm and you both find it bloody. "Got it on your face."
"Scraped my hands when I fell," you say hoarsely. He clicks his tongue.
"Give me that bandage." You don't even get a chance to hand it to him because he plucks it from your lap. "Gonna make this into a sling for this arm. Try not to move it much. Then we'll clean those hands and head home. Get you to the clinic for some meds." He gently positions your arm, which hurts a lot less than before but is still throbbing, and ties a sling so it's bent close to your chest. You can feel his breath on your neck as he does the knot.
And then he's back crouching in front of you.
Joel Miller on his knees for you so many times in one day makes you a little dizzy. Or maybe that's the adrenaline.
"Are you angry with me?" you ask softly as he wipes clean your palms and cheek with firm touches. The muscle in his jaw twitches again and his hands freeze for a split second.
"No," he says. "I ain't mad at you. I just can't believe the fuckin' kid left you here."
"I told him to."
"Can't believe that either. You know better."
"It's fine, Joel," you say. "It doesn't matter. I would have just walked back in the morning if no one came --"
He pulls his hands away and tosses the rag to the floor. "Damnit, it does matter," he curses. "'Course it fuckin' matters. Cut that shit out."
Now you're confused. It sure seems like he's angry with you. "Joel, I don't understand --"
His hands cradle your face and the protest dies in your throat. "You matter to me," he says thickly. His eyes are wide but his stare is steady. "Ain't it fuckin' obvious?" Anger and desperation are dripping from his words. "It matters."
For one long second you think he's going to kiss you. Now that might kill you.
You wrap one hand around his wrist and lean into his palm. A thousand thoughts swirl in your head but you focus on one. Joel is here which means you're safe. Joel is here which means he's going to take care of you. Joel is here. Joel is here. Joel is here.
"Oh," you breathe. You turn your face in his palm and press your lips to the center of it. His breath hitches and it feels like something big between you shifts, slots into place. "Okay," you say against his skin.
He pulls his hands away and stands. He works his jaw a few times before shouldering his pack and holding out his hand. "Let's go home," he says.
You stand with his help. "I think you'll need to help me get on my horse."
"Not a fuckin' chance," he growls but you can still see tenderness in his eyes. "Can't hold on well enough with one arm. We're ridin' together."
This Joel is one you haven't seen. But this is what you wanted, right? You want to see every part of him. Something molten and heavy sits in your stomach at how tense he is, how his hands remain gentle despite his harsh words. How he just told you that you matter to him. Maybe this is all a dream.
He helps you on his horse and then gets on behind you, tying Apollo's reigns to his so you won't lose him. He wraps one arm right around your stomach, mindful of your arm.
"Ain't gonna be comfortable," he says in your ear. "But it'll be over quick."
You lean back into him. Hell, it's all on the table now. If your arm is going to hurt you might as well enjoy your time pressed against him.
"Oh, I don't know," you say. "This isn't so bad." He snorts and snaps the reigns.
He talks low and steady in your ears as you gallop, his palm firm on your abdomen to keep you as still as possible though it's a hopeless venture. Your shoulder aches, sends sharp tendrils of pain through your entire arm with every stride.
He tells you that he was on the wall when your partner came back alone. That he knew something was wrong with you as soon as the kid came into view. He'd seen the patrol assignments and knew you were paired together. Kid didn't know what flag to use to signal his approach because you're not supposed to leave behind your partner.
Joel tells you how he hopped down from the wall and asked the kid where exactly he left you. Demanded to know how hurt you were, if you'd been bit. He was on a horse before anyone else could get their shit together, told them to get Tommy and have the clinic ready for you. Started hollering your name as soon as he got to the street, rifle ready for any infected to show up.
"Damn miracle when you yelled back," he says just as Jackson comes into view. You're sweating and dizzy from the pain, practically all of your weight slumped back into his chest. "Almost there, sweetheart. Doin' real good."
The rest of it is a blur. Joel takes you to the clinic where he becomes increasingly agitated that he set your shoulder wrong until one of the staff says he did it just fine. They give you a real sling and one painkiller to take if you hurt really bad, despite some harsh words from Joel in an attempt to get you more.
"Don't move it above your head for two weeks. Keep the sling on for that time, too. Ice it today, start moving it back and forth a few times in a few days. You got someone to help you for a bit?"
Before you can open her mouth Joel answer for you.
"Yes." The nurse hides her amusement well. She lets you go. Joel keeps his hand on your back as he walks you to your house.
You stop him when you get to your front door. "Joel --"
"If you're about to argue with me, so help me God, I'll --"
"I was going to ask if you need to go check on Ellie." You pull out your keys and after a second hold them out for him. Maybe letting Joel help you is helping him, too. You can handle that. You think.
"Told Tommy to when I left. I'll go home once we get you settled."
We.
"Okay," you say softly. He unlocks the door and motions for you to go in. You sit gingerly on the couch and Joel brings you a glass of water.
And then he paces. He looks at the books on your shelf without seeing them and rubs his thumb against his first two fingers over and over. And all of a sudden he won't look at you.
"Joel, sit down or something," you grumble. "You're making me nervous."
He stops. "Fine." His tone has a bit of bite to it that makes you close your eyes. There's an armchair in the room but he sits next to you instead. He presses his knee to yours, almost in apology.
The adrenaline has faded by now and all you feel is the ache of your shoulder and ribs and rawness of your palms and heart. The shoulder hurts like hell but in a way all of this hurts deeper, harder than that. In the way you know love, or the beginning of it, can hurt.
You sniffle.
Truth is you're overwhelmed. By what happened, by Joel coming to get you and saying all that shit. By him touching you, by him being here, by your own heart beating so quickly at his nearness. Even though you dared hope he felt something close to your affection for him it's a shock to realize he cares about you because you're you, not just because he's a good man. You've always wanted love that came from a place of purpose, which feels selfish on the best of days. You should just accept whatever kindness comes your way in this cruel world.
But, fuck, you've always wanted to feel chosen. Like you matter.
And you do. Right here, you do. From his own lips he's said you do.
You don't even realize you're crying until Joel curses softly and one wide, warm palm is on your face again.
"What's wrong? You hurtin'?" His thumb swipes at your tears. "Talk to me."
"I'm fine." You press your face into his shoulder and he holds you, hand soft on the back of your head. "I'm just -- I'm just really glad you're here, Joel."
"Course I'm here," he says into your hair. "C'mere."
There's nowhere for you to go considering you're already pressed against him. But his arms come around you fully, mindful of your shoulder, and your fingers fist in his shirt.
You should be embarrassed. On the scale of fucked up shit that's happened to you, today is remarkably low. But you let yourself have this. You breathe him in and let him hold you.
"I was going to ask you to get a drink tonight," you mumble. His chest vibrates with laughter.
"That so?" he says. His hand rubs up and down your spine. "Reckon I'd say yes."
You pull back just enough to see his face. This close you can see how his eyes have a bit of gold in them. "Really?" Even with proof of his affection right in front of you it's a little hard to believe.
"Am I readin' this wrong?" he asks. "It's okay if I am--"
"No," you say quickly. "No, you're not."
"Thought so." His lips pull up at the corner just a bit. "But, still. You've had a real rough day, and --"
"Joel," you breathe. You free your good arm from your embrace and put your hand on his jaw. He's touched you plenty today and you want to give it a try yourself. His face is warm, his beard gently rubbing against your skin. His eyes flutter close for a breath before he opens them wide and leans into your hand just a little.
"Alright," he says softly. Then he says your name, just once, ever so tenderly. It sounds like a prayer.
Joel Miller kisses you in the middle of your living room. Despite the affection you've been nursing for him over the last little while you never allowed yourself to imagine what it would be like to kiss him.
It's like this: the first press of his lips is soft like he thinks you'll pull away. When you don't he takes your lower lip between his and presses a little harder. Your hand slides into his hair and he palms your hip with one of his and cups your face with the other. His tongue traces the seam of your lips and you open for him, let him lick into your mouth. You sigh into it and tug on his hair just a little. Joel makes a sound deep in his throat and then pulls away.
You're both breathing heavier than before, both smiling. Joel presses his lips to your forehead, your temple. He holds you against him and you breathe against the skin of his neck.
"Will you let me take care of you?" he says into your hair.
"For my sake or yours?"
You think he'll laugh but he just breathes. "Both," he says. "Hell, you know what's goin' on here. I showed my hand. Been showin' it." He pulls away so you can see the honesty in his face. "I told you in as many damn words as I know how."
He did. He did and you make yourself believe it. Love in this life is worth holding on with both hands. Whatever this is, whatever this is going to become, you want it. You want to let this man continue to teach you to ask for help. You want to learn from him, maybe teach him a few things of your own.
You want to love him. You think you could sooner rather than later.
You trace the line of his brow, run your fingertip over the scar on the bridge of his nose.
"Can you kiss me again?" you ask.
"What a fuckin' question," he says. "C'mere."
thank you for reading <3 reblog, send feedback, general masterlist here!
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gottagobackintime · 1 year
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Ellie is 14 years old. And while she's, in some ways, mature for her age, she should not be asked to sacrifice herself for the whole world. "She should have been given a choice and we all know she would have been fine with dying if that meant there is a cure." Absolutely not. You do not ask a 14 year old to make a choice like that. Hell, I'd argue that it's not even a choice. The fact that it's adults that would tell her that makes it even more messed up. These cool adults who are out there trying to save people tells you that you are special, that you're the key to save humanity. Of course you're going to listen to them. Especially if you've gone through the things Ellie's been through. If she as an adult wants to make that decision, sure. But not when she's a scared, vulnerable child.
Should Joel have told her that he killed all of them to save her? Probably. Then he could have explained that she's valuable, not because she's possibly the key to a cure. But because she's a human being that has feelings, that deserves to live. And you could argue as much as you want that she's old enough or mature enough to make that choice. But I don't agree. Yes, she seems to be like that, we see her being snarky and tough but the more Joel shows that he cares about her, the more she lets that mask slip. And she acts like a child would act with their parents.
If her only goal was to reach the fireflies so that she could give herself to them to do whatever with her so that they could find a cure. She wouldn't have been so angry/upset that Joel didn't want to take her, why would it matter who took her there? Because Joel cares about her, and having him let her go hurt her. She could have left Joel to die and gone to find Tommy so that he could take her, like Joel asked her to do. But she didn't because she cares about him. The way she clings to Joel when he finds her and he calls her baby girl should tell you that she isn't ready to make a decision on whether she should sacrifice herself or not. SHE IS A CHILD. And Joel allows her to be a child.
I honestly have no problem with him killing them all to save her. "He took the choice from her!" What choice? They didn't give her a choice, they didn't tell her what would happen to her. And do you really think that they would ever give her a choice. If she'd said no, do you actually believe that they would go "Ah, well. Nothing we can do then, off you go with your new dad. Bye!" Don't make me laugh. They would have just done what they did now. Sedate her and begun to harvest her for what they needed. That's not a choice. She NEVER had a choice, Joel didn't take the choice from her because it was never there. It would have been an illusion of choice. She's also traumatised, most recently from her run in with David. And you want her to make a literal life or death choice?? I completely understand why Joel decided to go on a killing spree, he's protecting a vulnerable traumatised CHILD from people who doesn't care about her, who just wants to use her body for spare parts.
It's not about choice or not having a choice, it's about being valued as a person and not having your life taken away from you by vultures.
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callsignvenomcod · 4 months
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a soft life
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Prompt: Retired! Simon Riley. A slow life in a Manchester farm.
warning: mentions of PTSD, mentions of cartel related violence, mentions of violence, MDNI.
PS: Opening line is from the book "Jarhead" (2001) by Anthony Swofford.
______________________________________________________________
A story.
A man fires a rifle for many years, and he goes to war. And afterwards he returns the rifle in at the armory, and he believes he's finished with the rifle. But no matter what else he might do with his hands, love a woman, build a house, change his son's diaper; his hands remember the rifle.
Sometimes he could still hear the bullets.
For a long time, it was hard to convince himself he deserved to grow old. It might have been a given fact to some other people but not for those in the military, not for Ghost, at least; not after Tommy and Beth, or Las Almas or Johnny. It took him a lot of time to be grateful to be almost 40. For several reasons, he never saw himself living past 20.
And now he was opening up the crates of the chickens he kept in his very own farm, a piece of land he actually owned, without a mask on, very far away from the bullet sounds and a barrack, from the mud and the camo, away from everything and everyone, not sound in the horizon but the chickens and Riley, the border collie dog he got, barking at a three somewhere in the distance.
He retired the summer he turned 40, there was a ceremony and everything, with Laswell and Price and he got more chest candy that would eventually end up in a wooden chest, never to be seen again, under the bed. There wasn't a reason, he just had to. He was in his prime, physically, but his mind was made of glass lately, everything rubbed him the wrong way, couldn't even train recruits without snapping too hard at them, making them quit, yell at them too much, scare them too much, beat them up to a pulp too much.
Every man in the military had a story. A life before, a life after. And in the middle, sand, or mud, or just camo. A war that last years, a mission that lasts hours. Silence and nosie.
He, like other recruits, like other Sergeants, Lieutenants, Colonels, had shadows over them. It took months for him to stop looking over his shoulder while doing the big shop on a sunday, started going to those overnight groceries store to shop alone instead. The butcher's reminded him both of his adolescence and the carnage he had caused, flinched whenever he saw a mohawk kid walking down the street, looked twice sometimes only to find a stranger.
Sometimes he could still hear the bullets, aye.
He turned in his paperwork and retired silently with lots of medals under his name, lots of dead men and probably women under his knife, missing friends, missing nerves and too scarred to be a model now. Ha.
Oh, and Y/N's wanted to get away at some point anyway.
Y/N. The last drink he never should have had, the cut that made him hide his face, and the party that made him feel his age. Pulp's words, not his. All it took was a few nights shopping at the Tesco she was working in as a cashier, late night shift, for them to become acquainted.
A year of mutual pinning, a single night in which Y/N placed the bourbon bottle and the batteries inside of the paper bag and looked up at Simon, change in hand (because he paid in cash always, no traces behind) and smiled at him. COVID had made it easier to transition from the skull balaclava to a medical mask and then to a bare face, so Simon looked at her behind the black medical mask and stared at her while she opened her mouth.
-Why do bees have sticky hair?
Simon blinked, looking down at her. -Pardon?
No line behind him. It was the first time the cashier talked to him other than "Goodnight" and "Drive safe", or "It will be 5.66, please". There was a faraway sound of some sort of 80's American pop music, something to pass time by. Simon had noticed her since the first time he came into this very same Tesco a few months ago, had noticed how she sang along whatever music was on, how her Tesco blue uniform looked too big on her, making her look insanely small and slinky. He noticed how she was always almost without a medical mask and whenever she used it, it was laced around her chin; he noticed short, clean nails, and a heart necklace over her chest, a pair of dazzling dove eyes, full hips, a belly.
He really noticed the full hips.
The girl fucking giggled and repeated. She must had a bit of Irish in her judging by the sound of her accent. Simon felt as awkward as a teenage boy in front of any girl ever -Why do bees have sticky hair?
The man shook his head, still confused, a quid in his hand.
-Because they use a honeycomb.
Ah, a woman after his own heart. Such a lame joke.
He snorted out a laugh.
It simply slipped and he memorized the name tag before grabbing his shopping bag and shaking his head, hearing her giggle behind him as he exited the store, and he came back two days later after convincing himself he needed two jars of red bean jam instead of the usual one.
Sometimes he could still hear the bullets.
And now she sleeps here; and Simon had stared at her sleeping form wondering how much time it would take for her to start hating his way of loving, of being, how many times he would go silent on the phone, a bad texter, a worst caller, how he hated crowded places and loud noises and most of their dates happened in her flat, when her roommate was out, staring silently at a film on TV, her friends thinking she's getting her brains fucked out by an experienced, older, lust thirst Vet when in reality, Ghost was gathering up the courage to wrap his arm around her shoulders.
And now she sleeps here.
In the crook of his neck, his thigh over his hip, wild hair all over the bed, sometimes inside his mouth because he stopped using a mask a while ago.
In the mornings, tangled in their bed, warm sheets, the soft breeze of Riley sleeping under the bed, her sweet sweat and vanilla scented skin under his, it took Simon a few seconds to realize he was sleeping in the company of someone; in the arms of a woman and in his own bed, a king size bed with soft white sheets that were washed and changed every 5 days, not a twin bed in a barrack, that his years of active service were over, not forgotten, as if, but that he could allow himself to become whatever he might end up becoming if the 141 didn't happened.
-Come here, boy. Come here, Riley. Yeah, yeah...- said Simon scrunching down to caress right behind Riley's ear, the dog sticking out his long tongue and barking of joy mixed with the hyper sense of his breed, the soldier being careful not to break the eggs he held in a small basket. Simon had found him a puppy a few months ago, seemed like years really, in a litter box with 6 of his brothers and sisters, a beat-up cardboard sign reading "For adoption." And Simon picked up the only one with a lazy ear. He knew deep down that Y/N would appreciate that and simply put him in the passenger seat of the black Bronco truck he owned and drove all the way back home. -You're up early, eh? You having breakkie with us?
He had fallen into a comfortable routine now. He would wake up, crawl over Y/N's sleeping figure, careful not to wake her with the crack of dawn, 5AM with the BBC on his headphones, a 6'2 shadow jogging through the hills of the outskirts of Manchester, for an hour only the dark of the road, the eventual baby blue of the sky, the warmth of the sun. Sometimes Riley was up for it, sometimes he stood behind cuddled up in their room. And upon his return he would work out in their driveway for another hour, noticing the growing presence of what the media now called a "Dad Bod" (Y/N's words, not him) and eventually hearing soft barefoot steps coming from the room.
There was tea for two before he had to head out, get some tasks done, and a soft kiss hanging from Y/NS plush lips, and he would always try to push it, try his luck. He would smile against it, whispering "Good morning..." with a lazy voice, hands on Y/N's full hips, kneading them, in need of them, and Simon would press up with hard on against her stomach, while deepening the kiss.
It never failed to make her wet. It never failed to make her forget the kettle on the fire for a minute and simply give into his kiss, his embrace; him, overall. Simon would pick her up, easily, laid her on the counter, and her robe would open for him, with or without his help, and she was always so wet for him, so ready to do it.
-Simon...- she will say. - Breakfast...
And he wasted no time into twisting her words, dropping to his knees as if he was in the presence of a saint, of a virgin, of the end of the world, staring at her glistening cunt first thing in the morning, looking up with the adoration she deserved; she would gulp and argue it was not what she meant but she would recoil and whimper when Simon stuck his tongue inside his cunt anyway, overlapping her folds, blissfully eating her out before the sun was completely out.
The dog kept barking all the way down to the house, past the barn and the driveway, the small stable with the one horse they had, the pen he was building to eventually own sheep, and Simon felt the cold breeze of the early morning seeping through his black knit sweater and his jean jacket, as he walked all the way across the grass fields and into his porch, the swinging chair Y/N liked to read in, in a need of a reparation.
-Right...- he whispered to himself seeing the hammer he left outside to remind himself to fix the damn chair, bloody hell. Riley's nose peeked through the front door, opening it with ease and technique allowing themselves in, and the cold of the outside world was quickly gone.
Simon stepped into a cozy home, with a color palette he would have never picked, all warm yellows and oranges, pinks and whites, and soft cushions, warm blankets, a picknick turntable in the coffee table; and music, soft music he didn't recognize coming from it, a spinning record on it with yellow and pink lyrics, a girl signing about a loved one, and another voice, a present one, horribly trying to sing along.
He snorted out a laugh when Riley started barking and the voice was interrupted abruptly.
-Simon?...- Radio silence. -Babe?
Oh, the sound of his name in her mouth.
He crossed his living room, stepping into the kitchen, holding four eggs in a small bowl, one from each hen they owned, and he stood in the door frame, just a tad taller than him, admiring the view. He had endured white missions in the Russian winter, literal months of the gruesome torture and gory tasks and they all suddenly made sense because there was a girl.
Ah, there was a girl, alright.
Today was English breakfast. No peas for him, no sausages for her. It was stereotypical but easy to make and no one was around to judge them anyway. Next house was a few miles down the road, and even the road was far away, the town was a 30-minute ride. It was their little bit of heaven. The man stepped in, handing her the basket like every other day and kissed her temple, as she grilled some tomatoes slice ups leaning back against him. His hands would find her hips again and she would yawn with intimacy, hair still a mess, thighs still sticky. -Teas on the table, love. It's gone get cold.
-Ah, it's alright...- he said, hugging her tightly, as she kept leaning on him. -Slow morning today, eh...
She had been there and stuck around whenever the PTSD started acting up. She was the one that loved him when he started going fucking mental; and stuck around when she found her burning up SAS gear, a lost look in his eyes as he did so. He would throw in a Ghost mask and watch it burn for a moment, before murmuring a shocked sob and reaching out into the flames to retrieve it. She stuck around while he drank too much bourbon sitting on the porch, skull mask on, his dogs' tags held so tightly his knuckles will go white with force. Y/N even stuck around when the nightmares came, and she would wake up to Ghost whimpering on his side of the bed, breaking a cold sweat, his jaw tight and her brows furrowed, screaming out "Johnny! Johnny!" before waking up in tears, in raged hot tears down his cheeks, short of breath, his head a full of bullet noises and sirens wailings, pictures of his team and the blood and the grease paint. A mess. A shaking shadow.
Every October 11, she will make sure to hold him a little tighter, kiss him a little softer, love him, if it was possible, a little louder.
And she was here now, cooking breakfast, no peas for him; now he was living a soft life, with tea every morning, and a dog named Riley, with soft hands that wondered around his chest whenever he thought about Soap too much, about Gaz and that helo. But she was here now, and she had no sausages today, as they sat down on their small chair in their small kitchen in their small farm. He was living a soft life, and he didn't think of himself as worthy of it, but he must have been done something good to have her cooking breakfast and sleeping in their bed and caressing their dog under the table.
Tomorrow, Ghost would ask her to come out to the porch to find her reading swing fixed and a wedding ring.
She's going to say yes.
He didn't heard the bullets anymore.
_____________________________________________________________
Hello! Venom here.
Thank you so much to anyone that's been liking my story.
Happy 2024!
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calmcoldevening · 1 year
Text
You had a baby before you met slashers
(Slashers x reader)
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Thomas Hewitt
— He is glad that you appeared in his life together with your (now your both) child. He always wanted to have his own family, even though he was afraid of becoming a bad dad. Thomas loves you and your baby very much.
— Sometimes he feels pain in his heart from the realization that this child is not the fruit of your love with him, but the result of another man's work, this does not make him feel very good. But his mom always said: "Tommy, the parent is not the one who gave birth, but the one who brought up and raised."
— And yet he is a little glad that this is not his biological child. At least the baby will have a quiet life without the skin disease of her newly-made father.
— You can say that you stayed alive thanks to your child. Tommy decided for himself that children should not grow up without their parents. And his mother is unlikely to be able to pull another child in this house, she is no longer young.
— The moment Thomas saw how you care and worry about your child, he was overcome with a feeling of envy. He wanted to get close to you.
— Receiving more and more care and affection from you, he did not notice how he fell in love with you.
— For Thomas, you and your child have become the whole world. He's willing to do anything for you, honestly. Once, when particularly noisy victims tried to escape and take your child with them, Thomas was beside himself with anger. He returned long after midnight, covered in blood and with a baby snuffling peacefully in his arms.
You were sitting in your with thomas bedroom, rocking an already asleep child. your daughter has been calmer lately after coming to this house, but she still had nightmares, probably related to her biological father. he's been stalking you for the last six months before visiting this house. you were glad you finally broke away from that bastard. moreover, it seems that the girl likes the new dad much more.
The door creaked open. The yellow light of a lamp, unusual for tired eyes, poured out of the doorway. A tall, massive figure entered the room. You smiled while stroking the baby.
"Hi, Tommy".
The man shudders at the affectionate nickname and walks into the room, stopping in front of you. Even through the darkness, you can see with what awe and interest Hewitt is looking at the girl.
"Want to take?" you ask, nodding towards your daughter.
Thomas shakes his head uncertainly in agreement. You giggle and hand him the baby, gently laying him on the man's massive arms. Thomas holds the girl very carefully, as if she is a fragile crystal figurine, which, if you put more force, can be broken in an instant. He begins to sway, as you did a couple of minutes ago, incoherently mumbling. It seems that his mother sang something like that as a child.
The girl winces a little, but after a second relaxes, grabbing her father's shirt with her small hand and squeezing the fabric in her fist. She babbles something, which causes a little saliva to flow out of her mouth. You can't help but be happy.
"You're a good dad, Tommy" you whisper, kissing the man on the cheek.
Michael Myers
— At first, Michael completely ignores the child. The second one reaches out to the man, he wants to touch his interesting mask, stick his little fingers into black holes, pull off artificial hair just to understand what it is.
— A man's heart melts when a child calls him "Daddy" for the first
time. This is his child, right? You gave birth to this child, and you belong to Michael and only Michael, so the child is his.
— Although Michael does not show it, the man is overwhelmed with pride.
— For the first time, when he first saw you, he intended to make you completely his own, perhaps he would even want your child together. But as soon as he saw you sitting with an existing child on the weekend, he became interested.
— Michael is a terrible possessive. Keep in mind, if before he only watched you when you were at work, now he will watch your child. He's so small and innocent, what if someone wants to hurt him?
— Michael likes that the child has the same brown hair as him, and your eyes. This gives him relief, after all, in some ways this child is similar to him.
— Keep all knives and sharp objects as far away from the line of sight as possible! You never know what will come into Michael's head. A man can start teaching a child "self-defense".
— Michael will never say this, but he often dreamed of such a normal life: he comes home from work, you meet him and briefly kiss him on the cheek; he sits down in an armchair and starts reading some morning newspaper, while his children are spinning in front of him.
— Michael really likes it when your child climbs him like a mountain. It's good that his jumpsuit allows it.
Having finished cooking dinner, you climb the stairs to your daughter's room. Leaning your ear against the door, you hear Michael's measured bass. He spoke extremely rarely, usually it was during his greatest display of affection, for example, when he returned after a long hunt and wrapped you in a long hug. No matter how cold and cruel he was to others, for you he remained a moderately caring and sensitive man.
Quietly opening the door, you saw Michael sitting on the edge of his daughter's bed. The girl has already had her tenth dream. The man was sitting a little hunched over and holding a book of fairy tales in his hands. His mask was lying on the table, so now his brown hair was curling playfully in different directions.
You silently approached him from behind, putting your palm in his soft strands. The man closed his eyes, tilting his head to meet your gesture.
"She's sleeping. Let's go downstairs" you say, kissing the man on the neck.
He smiles slightly as he closes the book and grabs his mask. Finally, he leans over the girl and kisses her on the forehead.
Jason Voorhees
— Jason loves you and will be overjoyed to learn that you have a child!
— At first he will be a little doubtful, but he will do his best to become a good dad (he can also become a dad for your child, right?). He knows how hard it was for his mom without a father, so he will try to give you all of himself.
— Do you need to leave Cristal Lake for groceries? No question! Jason will sit with the child and do everything that you say. Just come back soon.
— If intruders come to the camp, he will hide you and the baby in your house and try to keep people away from this hut.
— He really likes to hug your child, and even more to throw up, as far as his strong arms allow, and the baby likes it. However, when he was much younger, the child was a little shy of Jason's cold hands.
— Voorhees is a very gentle and vulnerable boy, so please sometimes hug him the same way as your child. Don't forget about him, otherwise Voorhees will droop and follow you around like a ghost. You can also kiss his mask, and Jay will melt.
— Especially in the cold winter, he will try to collect large branches as soon as possible and chop firewood to return to you. Having lit the fireplace, the man will sit on the sofa and lay you and the child on his lap, after which he will cover you with the thickest blanket that he can find in the huts. He doesn't need to sleep. Therefore, he will sit with you in this position for as long as it takes. In the meantime, he will be watching your happy smiles and contented faces.
You were sitting in the hut, clutching the baby to your chest. The baby was shaking a little and occasionally sobbed, squeezing the fabric of your T-shirt with his hand. "I want to go to daddy" he repeated over and over again. You stroked the baby's back, rocking it from side to side.
"Daddy's coming right now. He will deal with the bad people and come".
Abruptly, the door to the hut swung open. A man your age was standing on the threshold, out of breath. He was shaking all over, part of his leg was covered in blood.
"Hey! What are you doing here? We need to get out of here! Until this monster came" the man pulled his hand towards you.
"No, mommy..."
You tried to remove his grip, but it turned out to be harder than you thought. After all, he was strong enough. The man was dragging you towards the paths leading out of the camp. You mentally prayed for the speedy return of your beloved, continuing to squeeze the child tightly. You shut your eyes. Suddenly the man screamed and his hand on your wrist disappeared. Opening your eyes, you saw Jason towering. He looked extremely restless and silently looked at you apologetically.
"Daddy!" the child immediately pulled his hands in the direction of Voorhees.
"What? Did you call this monster your father? What the hell is this?!" The survivor shouted, leaning on his good arm and crawling away.
"Baby. He wanted to take us away from you" you stand behind Jason, gently touching his shoulder.
Voorhees' eyes looked menacingly at the guy. He's gonna kill him. Not fast, but long and painful. Jason will do everything to make this scoundrel regret that he tried to take you away. Jason won't let anyone hurt you, much less take you away against your will.
Vincent Sinclair
— As soon as you got to this city, Vincent was immediately interested in you. He could make you the most beautiful figure in this city for all eternity.
— When Vincent noticed your child, he was ashamed of his original idea. He told his brother about the baby, and they decided to leave you. After all, they themselves had lost their own mother and knew what it was like, and this child was much smaller, he was no more than three years old.
— You won't recognize Vincent right away. He prefers to watch from afar, little by little studying you and admiring you. You only catch sight of him after your daughter starts giggling and pointing her finger in the direction where Vincent was sitting. After that, she cheerfully runs there and grabs the man by the sweater.
— You live in one of Ambrose's best preserved cabins. Vincent always comes to see you, much more often than Bo. The girl always rejoices at the arrival of a "strange uncle in a mask."
— Due to the fact that Vincent does not speak (or does it in exceptional cases), you learned a few phrases from sign language, which simplified communication.
— Over the past month and a half, you have become very close, and Vincent practically does not leave you. Your daughter asked to play with him all the time.
— One of the routine days, while you were doing chores around the house, and your girl was sitting with Vincent and drawing, she made a picture with five little men. "Our family! This is me," she pointed to the smallest figure; "This is Uncle Bo," a large figure with a dissatisfied expression and a half—head cap; "Uncle Lester!", the girl said more joyfully than pointing at Bo, this figure was smiling; "This is mommy,"- something more or less like a girl, in a bright red polka dot dress that Vincent hadn't seen you wear before, she was smiling and holding the girl's hand; "And this... And this is you!", — Vincent also stood and held the girl's hand, he was wearing a beautiful (and in the opinion of the child stunning) suit. "Can I call you daddy?" she asked unobtrusively, fiddling with a red pencil in her hands. Vincent sat in disbelief and blinked. "You're good! Better than bad uncle Bo! You're friends with mommy and treat me well. Better than my other father. I want you to be my dad!", she stammered a little, "Or can't you be my daddy until you get married with mommy? I saw it on TV! There needs a ring!"
Your daughter was sitting with Vincent on the carpet in the living room. Not so long ago you went to the city and bought her a set for weaving bracelets! So now she was more than happy to hang them all on Vincent's hands. And he, in general, did not mind.
He liked that your, no, your child showed an interest in art, just like Vincent himself. It makes him feel inner pride. He promised himself that he would fulfill any wishes of this cute little girl, now his daughter. This... It's so cool.
"Daddy" Vincent immediately fixed his eyes on the little miracle.
This kind of treatment still made him feel strange, but he liked it. He blushed slightly under the mask, and the corners of his eyes lifted in a happy smile.
Vincent tilted his head to the side, saying with his whole appearance: "What's wrong, honey?"
"Why don't you take off that mask?"
"There are no bad people here. It's just me and mommy. And we love daddy even without a mask!"
The girl reached out her hand to the man's waxy face, which made him instinctively recoil. He resisted it internally. No, Vincent, of course, knew that sooner or later it would come. After all, sometimes he opened his face to you, but never to a child. He was afraid that the girl would be afraid of him and would no longer consider him her dad. Although he thought the same about you, but still you are an adult and you are more rational about it.
"Daddy doesn't want to?" the girl asks in a barely audible voice, noticeably sadly bowing her head.
No! No! No! Vincent didn't want the baby to be sad. He doesn't want to give her bad emotions, he wants to be a good father.
Having overcome himself, the man squeezed his eyes shut and leaned towards the child. The girl lit up with joy and quite reached for the mask. Carefully removing the wax, she put it aside with unprecedented neatness.
You heard your daughter's loud screams and came out of the kitchen, wiping your hands with a towel. Noticing the child's actions, you carefully knelt down behind the man.
"Daddy's very handsome" she said, running her palms over Vincent's cheeks.
The man's good eye watered, and Sinclair let out a soft sob, more like a plaintive meow.
"Yes, our daddy is very handsome" you whisper in his ear, wrapping your arms around his waist and kissing his neck.
A man can't hold back the joy of relief. He loves you so much. If you hadn't come into his life, Sinclair probably wouldn't have opened up to anyone like that, not even his own brothers.
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sunshine-and-moonshine · 10 months
Text
Cod Men With a Reader who has powers
Requested: No
Warnings: Angst, blood mention
Ghost - Mediumship
The first time Ghost saw you talking to a corner of a wall he just sighed, already making a mental note to report you for a psych eval as he went on his way. It wasn’t until you approached him later that day, quiet and hesitant, that he started to get very confused. And then you leaned in, whispered in his ear, “Tommy says to look in the right hand pocket of his leather jacket.” And he was shell shocked, frozen in place as you went on your merry way, like you hadn’t just shaken the foundation of his sanity.
And he did check that jacket, dug it out of a dusty box in the long neglected storage unit he rented under a fake name. What was in it? A picture of him holding Tommy’s newborn, eyes soft as the little one clenched one of his big fingers in both of his tiny hands. On the back, Tommy's chicken scratch handwriting in faded blue ink read “Happiest day of my life. We all love you, Uncle Simon.”
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Soap - Invulnerability
The first time Soap ever learned of this he wasn’t even phased, just immediately asked you if he could launch a bazooka at you and see what happens. And you, being the mad bastard that you are, fucking let him, the sheer force of the explosion sending you flying back and crashing through several trees. He attributes it as one of the funniest moments in his life, and he was laughing even as Price made him do laps until he dropped.
While you’re in a relationship with him, it’s really not that much different. He maybe gets a tad more squeamish about recklessness with your power. Okay, maybe a tad is a bit of an understatement. In truth, he’s fucking terrified. He’s scared that you might get hurt, that maybe, even if it was just once, you were left vulnerable and you would be unable to recover. Or worse, that you’d die. The thought plagued him everytime you rush in, uncaring of your own safety until he basically starts bubble wrapping you before every mission.
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Alejandro - Super Strength
Alejandro was never a huge fan of the superhuman program. It was nothing against the actual people in the program and more to do with the people who ran it. How they made the people under them miserable, treated them as less than human. It annoys him, makes him angry. Especially when he meets someone as nice as you, always eager to lend a hand around base. Whether it be lifting up a particularly heavy crate of food or tilting a whole automobile to the side when the carjack broke.
But there are moments when he’s reminded of how utterly different he is from you. When he gets to see your not to kind side, as you rip heads from bodies, sharp teeth bared and bloodied like some kind of beast among the corpses of its prey, a snarl on your face and a growl emitting low from within your chest. It….it probably should not have given him such a big hard on. It was even worse when Rudy saw and teased him about being a monster fucker.
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König - Size Shifting
König is so utterly confused when he watches you disappear right before his eyes one day. A blink and you’re gone. At first he thinks that maybe you’re a teleporter but then he catches a glimpse of you scampering around on the kitchen floor, clearly looking for something in your tiny form. He thinks he scares you when he kneels down to ask you if you need help, finding it adorable when you jump but quietly accept his offer.
Ever since then you two slowly became inseparable. His favorite modes of yours are either teeny tiny or absolutely fucking gigantic. If you go tiny then he loves to have you inside his mask, cuddling up to his face. Or have you on his shoulder during lunch time, feeding your little crumbs of his food until you feel like you’re gonna pop. But he so loves it when you’re big too, picking him up like a baby and cradling him against your chest, or swinging him above your head while laughing. And oh the cuddles are so nice when you’re wrapped around him so fully. He can’t remember the last time he ever felt so safe.
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avatarloverfrfr · 2 months
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Dreamwalker Siblings
Chapter I: Cryo-sleep
Masterlist
Summary: Y/n and Jake Sully. Siblings, shipped off into the depths of space to explore the mysterious world of Pandora.
Warnings: Mentions of death, reader is NOT excited at all, Constant reminder of deceased loved one.
Word count: 3,6k
Tag list: @pinkvrydag @neytirismissingtoe @youskawng @tsuteyssyulang @lylalaminated
Note: Trust me guys, this series is going to take an interesting turn around the second or third chapter, be patient. Let me cook. Also just ask to be added to the tag list.
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"You cannot ask this of us! Tommy is the scientist not us. He wanted to be shot light years into space, not us. We cannot do it." I shrieked, pleading with my brother for validation, but my cries were met with oppressive silence. His gaze fixed onto our fallen sibling, Tommy, robbed of life right before he went off to do the only thing that put a smile to his face. All sacrificed for the contents of his wallet.
"Your brother represented a significant investment, we'd urge you to accept taking over his contract." The man besides Jake had said, completely disregarding all that I had said. "I'm sure he would hate to have all his hard work go to waste, knowing someone so close to him would be able to continue his legacy." The second man, besides me, added with a curt nod.
Outrage boils within me at the audacity of these men, exploiting the loss of one of us, former triplets, as leverage against us. How dare they use Jake and I with their clear motives of greed, revealing to us that our worth to them is nothing but a budget they refuse to abandon.
"It'll be a fresh start, on a new world. And the pays good, very good." they said staring at Jake and I. Before I could even say something in retaliation. Jake had spoken for the first time that night. "We'll do it." Disbelief swept over me as I locked eyes with him. How could he agree so easily? How could he not see that these men were just using us— he probably could, yet chose to turn a bind eye.
"Perfect, Y/n we will get your Avatar ready, they will mature on the trip there." the men said walking out, leaving me in there with Jake.
"How could you just accept like that Jake. You caved! Just like that? You know they are just playing us, and you still went along with it! Don't you see–" I started, but he interrupted me. "Maybe you don't see it, but I do. We are dirt poor Y/n! Struggling... This cash could change everything. We could finally be able to live." he pleaded, desperate for understanding. "I could afford to use my legs again." he confessed.
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While I was sitting there, next to my brother, a big whole blown right in the middle of our lives, I started having these dreams. Dreams that whispered secrets of possibility and untold wonders. Sooner or later though, you always have to wake up.
As I wake up, I glance around and it hits me, I'm in some sort of cryo pod. Flashbacks flood my mind, reminding me of the time before my life had got frozen, five years of my life, gone. The memories of Tommy's death, as if it was yesterday. 'We had to do it, so we could live." I think to myself, trying to find comfort in all of this.
"Rise and shine sleepy head." a doctor had greeted me as I exit the cryo pod I had spent the last five years of my life in. "We're here."
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"Exo-packs on! Let's go! Exo packs on! Remember people, you lose that mask, you're unconscious in 20 seconds, and dead in four minutes–" I stopped listening to what the sergeant had to say. Looking around my eyes landing on Jake. We should not be here, this is not our home. But what's the point in dwelling now, there's no turning back. I think to myself while putting on my exo pack, adjusting it so oxygen could freely flow through.
"When that ramp comes down, go directly into the base. Do not stop! Go straight inside wait for my mark!" the sergeant yelled. Standing up I walk over to Jake who was still seated waiting for everyone in front of him to leave the air craft so that he was able to freely able to deploy his wheelchair.
"Let's go special case! Do not make me wait for you Sully's!" he barks. Not bothering to acknowledge him Jake and I walk off the ramp and onto Pandora, our "fresh start." Taking a long look around I spot soldiers, back on earth these guys were heroes, marines fighting for freedom. But out here they were all just a bunch of hired guns, serving the RDA until their last breath.
"You're not in Kansas anymore, you're on Pandora ladies and gentlemen–" the man, Quartrich, continued. Tommy was meant to be listening to this, not Jake and I.
"Excuse me. Excuse me. Jake!" a lanky man rushes up to us after the "safety brief." "You're Jake right? Tom's brother." he asked looking down at him to meet his eyes. I just stare at him, does he just not see me here?
"You look just like him." he says eyes finally landing on me. "Sorry– I forgot he had mentioned he had two siblings, Y/n. I'm Norm. Spellman. Went through Avatar training with him." he says leading us into some sort of bio-lab.
As Norm continues briefing us on the bio-lab procedures, my attention drifts, drawn to avatars in three separate cry-chambers. I approach them, circling until I stop at a particular one.
"Looks like him." Jake and I simultaneously say, not once taking our eyes off what our brother could have been.
"No, looks like you. This is your avatar now Jake." Norm reassures him placing a hand on Jakes shoulder before moving to the last tube in the bio-lab.
"And this is your avatar Y/n. She had to get to the lab as soon as possible, since you know–" Norm starts, but I cut in, "–I wasn't meant to be here. Yeah, I'm aware." I finish, stepping closer to my avatar.
She looks so much like me, except for the obvious differences. Blue skin, a queue, and her sheer size. "She's beautiful." I whisper, touching the glass, feeling a soft heartbeat pass between us.
"The idea is that every driver is matched to their own Avatar, so their nervous systems are in tune... Or something. That's why they offered us the gig. It's insanely expensive... Is this right? Do we just say whatever to the video log?" Jake questions turning to Norm and Max.
"And do we have to share the exact same camera to film these things?" I interject, trying to nudge Jake out of the screens view.
"Yeah, you both need to document everything you see, what you feel. Plus, you're twins, who knows if you both are able to feel the same emotions or not. It's all apart of the science." Norm explains, retuning to his work.
"Plus it'll keep you sane for the next six years," Norm adds chuckling.
"Not if I have to sit next to Mr. Jarhead it's not." I remark, rolling my eyes but smiling slightly.
"Look who's talking Miss. 'I might not be a marine, but I sure can beat your ass,' " Jake adds, playfully pushing me.
This was one the first times I had smiled since arriving to Pandora. Usually keeping a stoic face, only smiling around my brother. My only family, the only thing from my past life.
Entering the link room behind Norm and Max, we're greeted by a voice. "Who's got my goddamn cigarette?" a redheaded woman demands, emerging from one of the link pods.
"Grace Augustine is a legend. She's the head of the Avatar Program. She wrote the book, I mean literally write the book on Pandora botany." Norm gushes. "Well that's because she likes plants more than people." Max adds teasingly.
"Well, there she is, Cinderella back from the ball. Grace, I'd like you to meet Norm Spellman, and Jake and Y/n Sully." Max says pointing at each of us in turn.
"Norm, I've heard good things about you. How's your Na'vi?" she asks, completely ignoring my brother and me, then begins to speak in a language I can only assume is Na'vi.
"Uh- Grace, this is Jake and Y/n Sully," Max interjects, trying to redirect her attention.
"Yeah, yeah. I know who you are, and I don't need you. I need your brother. You know. the PhD who trained for years for this mission? Yeah him." she snaps.
"He's dead. We know it's a big inconvenience for everyone, including me." I reply bluntly. There's no need to sugar coat anything that's already happened.
"How much lab training have you had?" she asks, looking between Jake and I.
"We dissected a frog once." Jake simply states.
"You see? I mean, they're just pissing on us without even the courtesy of calling it rain. I mean hell, the girl isn't even supposed to be here! I'm going to Selfridge, this is such bullshit." she rants, storming off but not before putting out her cigar.
"Well she's kind." I remark dryly.
As Jake and I arrive precisely at the time Max had instructed us to the day before, 0800, Jake and I hasten to catch up with Grace and Norm, who are already stationed at the link pods.
"You're late Sully's. You're in there, you're here." Grace remarks, gesturing towards two pods for Jake and I, and we obediently follow her directions.
"How much have you both logged?" she inquires, turning to the screen besides Jakes link pod.
"Zip, but I read a manual." Jake replies with a nonchalant shrug, as he wheels over to his pod.
"I listened to him read it out loud, if that counts." I confess making my way to my own pod.
"Tell me you're joking." Grace says incredulously, as she abandons her work on Jakes screen to approach mine.
"So you just decided to venture out here, to the most hostile environment known to man with no training whatsoever and see how it went? What was going on through your head?" she questions, setting up both mine and Jakes link screens for launch.
"Maybe I was tired of doctors telling what I couldn't do." Jake retorts, lying down in this link pod. I look at him wondering if that is why he spared no chance in me saying anything back when those men asked us to take the place of Tommy, because he was tired of the life he had.
"Keep you arms in, heads down." Grace instructs, pushing me into my link bed before I had the chance to ask Jake what he had truly meant.
"Just relax and let your mind go blank." are the last words I hear Grace utter before she seals my link pod.
Off to the side, Max examines scans of Jake and my brain. Studying the intently, he remarks. "Jakes brain is gorgeous, with nice activity. However we're detecting some resistance in Y/n's brain. She's unconsciously pushing back against the transfer, if this continues it could potentially harm the link." he informs, turning to Grace for guidance.
"Once the link is established, it cannot be interrupted. It will only worsen the issue," Grace states matter-of-factly, keeping an eye on my Avatar. Stubborn and resistant to change- that's Grace's initial assessment of Y/n, even after less than 48 hrs of meeting her.
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As my eyes flutter open, I'm greeted by a blinding light that pierces my eyes. A sharp ache throbs in my head, intensifying until two figures materialize before me- doctors, no doubt.
"She's awake. Y/n, can you hear me? Are you feeling alright?" the female doctor inquires, checking my expression for any sign of discomfort.
"Yeah, I'm fine." I reply, opting not to mention the pounding headache. Slowly, I sit up, only to find my hands adorned with five blue fingers.
"I made it." I murmur to myself in disbelief. Glancing around, I notice Jake already on his feet, a grin stretching across his face. He's standing, a sight I never thought I'd witness again, his legs finally functioning.
"Y/n you've got to see this. When's the last time you saw your brother standing tall, huh?" he exclaims, turning to face me while his tail knocks over everything in it's path.
Finally on my feet, I chuckle, "Bro, we're giants." The realisation hits me as I gaze at Jake and then towards the exit to find that he was already smiling at me– we're thinking the same thing. Tri– Twin telepathy perhaps?
Without a word Jake and I bolt, dodging Avatars engaged in a game of basketball, evading Norm and the two doctors running after us. We hurdle obstacles until a humanoid robot comes into view.
"Sorry! we both exclaim breathlessly, narrowly avoiding a collision as we skid to a stop near some flora. Catching our breath, we're approached by an avatar bearing striking resemblance to Grace.
"Hey, Sully's!" she calls out, closing in on us.
"Grace?" Jake questions, eyeing her up and down.
"Who else were you expecting numbnuts?" she retorts with a grin, with me laughing at the nickname Grace gave him.
As Jake and Grace catch up, I slip away into the area where Avatars are housed, searching for a change of attire. Opting for a top similar to Graces but in a deep shade of blue, that are about a shade darker than my current skin tone, pairing it with green cargo shorts. Hoping to blend in slightly to the flora and fauna of the forest.
Gazing up at the darkening sky, I realize it's nearly nightfall, meaning I had to delink for the night. "Alright, everyone, settle down! Lights out." Grace commands, ushering the remaining humans away.
"See you at dinner kiddos," she adds, flicking the lights off.
Lying back, I can still feel the remnants of the headache, but I decided to let sleep wash it away. Closing my eyes, I drift off into a peaceful slumber.
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next II
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kisskiss-slashslash · 5 months
Note
If it is okie, can I request for either Bubba Sawyer or Thomas Hewitt with a chubby insecure afab reader? Either sweet fluff or maybe some soft smut? Whatever be more comfy. (A pudgy gal myself, and these two bring so much comfort) thank you 😳
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Thomas Hewitt and Bubba Sawyer with an insecure, chubby s/o
Bubba Sawyer
Bubba notices that you tend to wear clothes that are not exactly fitting for Texas’ hot climate, and gets extremely concerned about you possibly overheating. So one day, when you come inside from doing some gardening, he shoves a short sleeved sundress from his own collection into your hands and ushers you into your shared room to change. When you don’t emerge for too long, he checks on you and finds you idling in front of the mirror, holding the dress in front of yourself and frowning.
“I… I don’t think I’d look good in this, Bubba”, you tell him after a moment of silence.
He pushes his hands into his hips, a silent image of insistence. Knowing Bubba, he won’t leave it alone until you at least tried it on, so you relent.
Once you have changed out of your sweaty and way too warm work clothes and into the sundress, Bubba cups his face and smiles so widely that it warps his leather mask. Then he walks up to you, takes your hand and makes you twirl until the skirt flies.
“Bubba, wait, I’m getting dizzy”, you say, but your laughter takes any kind of force from the complaint. In the end, you topple against him in a fit of giggles, and Bubba holds you up.
You sigh, once you’ve calmed down. “Okay, fine. I gotta admit it. I look pretty damn cute in this.”
He nods eagerly, glad that you finally got it.
Thomas Hewitt
Living in the same household as Hoyt probably isn’t helping with your insecurity. But luckily, you have a very loving and very protective husband and mother in law by your side.
“Maybe we should eat you next”, Hoyt tells you with waggling eyebrows. “You’d be enough to-” A large, meaty hand comes down against the back of his head, not hard enough to do actual damage, but definitely enough to hurt.
“What the fuck, Tommy?!”, he yells, to which Thomas responds with a glare.
Luda Mae comes stomping out of the neighboring room. “What did I tell you about cursing in this house?!”
“But Ma-”, Hoyt interjects like a petulant child.
“No ‘But’! And I told you a million times to keep those jokes to yourself! I don’t want that kind of bickering here!” And with that, she stomps off again.
Hoyt glares at both Thomas and you, grumbles something you don’t quite catch and returns to reading the newspaper.
The same large hand that just whacked him over the head now warms your back, and Thomas gently guides you out of the den and down to the cellar, where he spends the majority of the day, and occasionally grants you an escape from Hoyt’s… everything.
He rubs small circles on the small of your back to soothe you.
“I’m fine, Tommy”, you reassure him. He still turns you around so you’re facing him, and cups your hips with his hands, lightly squeezing the soft, warm flesh. A smile lights up his usually so serious face.
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tirkras · 1 year
Text
!!!ROLE SWAP AU!!!
I thought it would be interesting to see Alice(Susie) and Sammy are in Alison and Tom's place.
+ bonus is the fact that now the main character is Joey Drew and he is in the "Henry Stein Studio".
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About the design of Susie and Sammy's roleswap:
For Alice, I used her old concept art. At that concept art, she was wearing an apron (probably because of the unfinished apron, Alice had a bow on the back, although the cartoon Alice did not have a bow on the back), so I used it in my design. Also, since Alison was braiding her hair in a ponytail, I also decided to do it with Alice. I found the idea of Alice being able to cover the ugly part of her face with her hair interesting. I also gave her a fanny pack, because Alison has one. But I changed it a little, while Alison carries all sorts of wrenches for Tom's mechanical hand there, Alice spends the night there bandages for Sammy and cartridges for her Tommy gun.
For Sammy's design, I took his design from the comic trailer "Bendy Royale". And also, instead of a Bendy mask, I gave him a Boris mask. As well as a belt-case for an axe.
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Interesting facts of roleswap:
Susie believes that she cannot be called "Alice Angel" because of her facial defect, halo and voice. She has a very strong complex about this, but she has already come to terms with it.
Susie doesn't like being touched or being stared at for a long time.
Susie loves compliments, but because of a strong complex of appearance, she does not take them seriously.
Sammy is silent most of the time, or grumbles something under his breath.
Sammy plays the instrument and Susie likes to sing along to him, but because she is ashamed of her defective voice, she only hums the melody softly.
Susie is naive. And she also loses her temper when her plans are thwarted.
Sammy carries Susie's gun most of the time.
Sammy doesn't like to take off his mask.
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Since Alice is now playing the role of Alison, there should be a renaming moment! So here it is:
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Since instead of Henry, we now have Joey, it seems to me that their meeting will be like this (of course, in jest):
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I'll say right away that I'm not going to develop this AU. I just came up with an interesting idea and I implemented it as a concept or something like that. And also, I'm just too lazy. But I'll probably draw a couple of sketches on this topic.
Also you can draw art based on this AU. I won't mind, on the contrary, I'll probably be glad of it(just mention me as the author of AU.)
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geekwritersworld · 1 year
Text
Little Artist -Part 2
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Part 1
Pairing: Peaky blinders x siblingreader (more inclusion of Tommy for now)
Warnings: none
Summary: was a request, as stated in the previous part.
a/n: So, I decided to make a series of this cause I feel like the first part had series potential. Secondly, this part is quite short but it's vital to the third part. Also i am aware that the request is for a sister reader but i did try to be as inclusive as i could. Let me know what you think :)
Feedback is appreciated
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The air chilled your fingers as you walked out of the university clutching your bag.
Somehow Tommy managed to listen to you for once, you thought.
Tommy refused, at first, to let you travel back to small heath from London on your own, he insisted on sending Isaiah to pick you up.
It wouldn't come as a surprise if Isaiah was somewhere around right now following you to make sure you were safe. If anything it would be a surprise if he wasn't following you right now.
You weren't fully attending university yet seeing as you still had a month of school left. However, during the days you were free you decided to get acquainted with the university and the city you'd be calling home for a while.
Once you'd gotten used to the idea of you moving to London for university, you couldn't ignore the little ball of excitement slowly growing in your chest.
It was such a freeing yet terrifying thought. You were afraid of moving away from your family, from the safety of your home, yet you were excited at the numerous opportunities that would open up for you in university.
Turning the corner of the building, focusing on your footsteps and keeping your head down because of the wind, the extra set of footsteps went unnoticed, the noise of the footsteps masked by the wind and the chatter of the rest of the students that had walked out of the university.
Having only been around in the university for less than 2 weeks, you didn't know anyone, but truth be told, you didn't exactly put any effort into making any friends or talking to anyone either.
There was something that made you feel out of place, you couldn't put your finger on it.
But you tried not to focus on it, instead you sped up your pace; pushing past a crowd of students.
Sitting down on your seat on the train, you couldn't help but wonder about the professor that had introduced himself today. There was something odd about him, the whole time for the first 45 minutes he glanced at you every few minutes. But you shrugged it off, you didn't want to believe that there was anything wrong with the university you'd wanted to go to for so long.
You jolted awake at the sound of the whistle and quickly realized you'd fallen asleep and had arrived at Birmingham, so you grabbed your things and stepped off the train, standing there for a second, you spotted a man standing by the pillar, his head down, cigarette hanging from his lips.
"Tommy" you gave a small smile " Not even surprised" you adjusted your bag looking at him.
Walking ahead a few steps in front of him, you felt the weight of your bag shifting, turning around you saw Tommy motioning you to shrug your bag off, so he could carry it.
You let him hold your bag, and then paused for a second before continuing. You wondered whether you should talk to Tommy about the professor, but then you realized Tommy in true Shelby fashion would probably exaggerate the whole thing.
Tommy noticed but let it go, he decided if it needed to be brought up he would, later on.
Aunt Pol greeted you with a smile, hugging you and ushering you indoors for a cup of tea.
"How's the University treating you?" she set her tea cup down and looked at you. "and i don't mean just study wise, you know that" she said before you could answer.
Giving a small smile you responded with "it's alright, it's only just begun so 'm not really expecting much"
Pol gave a small smile of acknowledgement, but didn't say anything further. Really, she just wanted to make sure you were alright, she was sure it couldn't be easy having to go through the new phase alone, she also knew you were like Tommy in more ways she'd like, meaning you wouldn't necessarily tell them if there's something bothering you. Most likely in true Shelby fashion, you'd either ignore it till it went away or you'd try and deal with it yourself.
Since it was still early in the day, Pol had to leave and head back to the betting shop while you decided to stay home and read. It was only around four in the afternoon, the trip to london and back had exhausted you, so you opted to stay home and rest.
Heating up the rest of the tea Polly had left in the kettle, you settled on the couch.
A little distance away, at the noisy betting shop, Tommy was hunched over the paperwork he'd acquired for the day. Unable to focus after rereading the same line twice, Tommy cursed, slamming the pen down and putting out the cigarette.
He straightened up and leaned his head back in his chair.
It had been a month since his last confrontation with the inspector, since his Aunt shot the inspector at the races. It unnerved your older brother to let you go unprotected around on your own considering there was always someone or the other threatening him or his family.
Tommy and Arthur once snorted at the fact that Polly had shot Campbell in time for you to be safe to leave for University safely without Campbell having the opportunity to threaten you.
Arthur had suggested that he could- on some days accompany you to London, and then was a little offended when you retorted that you'd rather your professors didn't disappear one after the other and surface at a lake blinded.
Of course he had Isaiah trailing after you, and he knew that you were aware of it as well, but there were of course certain points when you were alone.
His instincts told him something was very wrong. Ada had only the other day made a joke about how the current lack of threats and bloodshed was unnerving.
Little did she know her older brother wasn't joking.
Getting up from his seat he poured himself some whiskey and downed it one gulp, then he stepped out of his office, paying no attention to everyone in the betting shop quieting down at his presence, and strode right out of the shop.
He spotted Isaiah and Finn having a smoke down the street and he strode towards them.
"Finn" Tommy said in a tone that almost seemed like his younger brother had the most boring name known to him.
Looking up, both Finn and Isaiah straightened, knowing Tommy meant business.
"I need you to find Grace"
Turning around and heading back into the betting shop, Tommy pushed open the door and walked back into his office and shut the door.
That night, when Tommy returned he saw everyone gathered around the dining table, eating and talking, everyone except you.
You were nowhere to be seen.
"Where's y/n?" Tommy asked, putting away his hat.
Finn looked up at him "Asleep on the sofa"
"she looked so worn down this afternoon, decided to let her sleep" Polly put down her cup "wake her up will you, she's got to eat atleast"
Turning around to walk down the hallway into the living room, Tommy saw your sleeping figure on the sofa and moved to you.
calling your name he nudged you awake, he didn't expect you to startle awake before he even got close to you.
Standing there, while you snapped your head to look at him, he raised a brow. "You wake like that normally eh?"
Rolling your eyes, you rubbed your eyes and got off the sofa, walking past your brother.
When you entered the dining room after freshening up you were glad that they acknowledged you but didn't ask much about your day as you were in no mood to talk. Not to mention the fact that you had spotted someone watching the house was definitely not making it any better.
You hadn't even noticed at first, but when you'd walked closer to the window to open it you'd noticed a male figure too far to catch his face but close enough to know he was watching the house, at first you assumed it was one of the blinders and went and sat back on the sofa, but realized the hat was different. Not to mention had there been a blinder watching the house, Aunt Pol would have told you before she left that afternoon.
You had wondered how you'd bring it up with your family, but before you could think of a way, you'd fallen asleep. The exhaustion of the last few days had caught up and hit you hard, that not even this could keep you awake.
When Tommy had called your name to wake you, you had woken up scared for a second that the man watching the house had got in. And once you realized it was Tommy, you knew you wouldn't have to wait long to bring it up with Tommy because you were sure he'd talk to you about it before you went to bed.
And after dinner that was precisely what had happened.
Heading up the stairs to your room, the door remained open, you knew Tommy would bound up the stairs after you in a few seconds.
And he did, right on time a few seconds later.
"I presume you know why I'm here" Tommy sat down on your bed. You rolled your eyes but smiled a little at his antics.
sometimes you felt as though the Tommy before the war was still around in the little things such as this. In the sarcastic way he occasionally spoke to you with, just as he often did before the war. The only difference being, at that time it ended with him smiling and laughing at your frustration while you would playfully smack him, now, however- he would sit there expressionless while you would crack a small smile at the tiny glimpse of the boy your brother once used to be.
Folding away your clothes, you said "which one would like to hear first?"
"whichever one that made you pause at the station"
Continuing to shuffle about your room, organizing things, you got to the point " well, I've got this professor, he's strange, I'm not sure how but I've caught him staring at me quite a few times, not in a perverted way, i don't think" you shrugged "just in a way like- he knows something about me that I don't sort of way you know" Tommy's eyes narrowed.
"and then last few days on my way back, been feeling like I'm being followed, I don't think it's Isaiah since I know he's there, but like its someone else but it's probably just Isaiah and-" you paused to turn and look at your brother "have you had a blinder watching the house today?"
Tommy sat up straight and looked at you carefully "no"
Shoulders slumping, you sighed "well in that case someone's watching the house. Don't know who though"
"can you describe him?" Tommy asked.
"not really, he was a bit far off, but I think he wore a coat"
anything else?" Tommy pressed.
"I think, I could be wrong" you said " but I think he had a stick- a walking stick I mean"
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sixhours · 2 months
Text
Chapter 26 - The Ghosts of Babylon
Series Chapter Index | Read on AO3 | Complete
Rating: Explicit, 18+, here be smut and violence Series tags: Joel Miller x You, Joel Miller x Reader, Joel & Ellie, mostly follows canon, LGBTQ+ characters, y/n is bi/pan, y/n is ~45, violence, pregnancy, abortion, medical trauma, emotional trauma, panic attacks, sex work, suicide, smut, slow burn, angst with a happy ending, hurt/comfort, romance, no use of y/n, reader has longish hair, Joel can lift you, smallish age gap (~11 years), I've probably forgotten some so please let me know <3
~*~
Jackson, Wyoming November 2026
“That’s great, Maria, you’re doing great. One more big push…”
“C’mon, baby,” you hear Tommy say from the head of the bed, where he’s holding Maria’s hand. “Hear that? You’re doin’ so good.”
“Fuck you, Tommy,” she spits, and you’re glad your mask hides your smile. It’s been a long night.
“I know you don’t mean that sugar,” he says.
Maria makes a feral growl as you press on her perineum, trying to ease the baby’s head out without tearing. Then she lets out a roar and bears down hard.
“Keep going, that’s it,” you murmur. Your hands are slippery around the crown of the baby’s head as it slowly emerges. You stabilize the neck and check for the cord; it’s clear. “Head’s out, one more push.”
The baby’s shoulders ease into your hands, and the rest follows, slick and covered in vernix, tiny arms flailing. A girl. You rub her back firmly, encouraging her to breathe, and she lets out an angry wail in response. Her skin warms under your touch, and you breathe a silent sigh of relief. This was an easy one.
“That’s my girl!” Tommy whoops over Maria’s tired panting as you lift the baby and place her on her mother’s abdomen. You cover the baby with a warmed blanket, encouraging Maria to keep rubbing her tiny back while Tommy cuts the cord.
~*~
You leave the Miller house once Maria and the baby are settled in, with promises to relay the good news. You walk to the end of the cul-de-sac in the faint gray glow of a late fall morning, wincing at the twinge in your ankle. You still walk with a limp. On cold days like this, you’d prefer the stability of your cane, but it’s back at the clinic.
Joel’s living room is littered with toys, board books, and an upturned sippy cup. There are sticky fingerprints on the coffee table and remnants of what looks like oatmeal in the sink.
Joel himself looks just as ragged as the house, lying flat on the couch with Gwen on his chest, both of them sound asleep.
You kneel next to them, planting a kiss on his forehead, gently stroking the toddler’s dark brown curls. “Hey, sleepyheads.”
Joel’s eyes blink open slowly.
“You have a niece,” you whisper into his hair. 
“Mmm,” he growls softly, rubbing Gwen’s back. “She wouldn’t sleep in the damn crib. Told Tommy he’s spoilin’ her.”
You smirk. “As if you wouldn’t do the same. And you have another niece.”
“Huh? Ohhh,” he says, grinning sleepily. “Hear that kid? You’ve got a little sister.”
Gwen doesn’t stir, unbothered by this new development for the time being. Joel’s eyes drift shut as he asks, “How’d it go?”
“Maria’s fine, baby’s fine…Tommy’s ecstatic.”
“Millers make good girls,” he murmurs. 
“Mmm. Ellie asleep?”
“At a friend’s. Thought she was gonna help me with this one,” he looks down at Gwen, “but she bailed on me.”
“Looks like you managed…barely,” you say, eyeing the room. It’s amazing how much damage one toddler can do in the span of a few hours. “You should get up,” you say, standing, nodding at the couch. “Your back is going to feel that.”
He shifts, sitting up with a muted groan. Gwen makes a soft whining sound at the disturbance, and he shushes her as he gets to his feet, gently rocking until she’s settled.
You follow them upstairs to his bedroom where the portable crib is set up in the corner. Joel nuzzles the crown of Gwen’s head before gently laying her on her tummy. She fusses a little, but his large hand rests across her back, rubbing up and down until she’s soothed back to sleep.
“Like defusing a damn bomb,” he mutters when he sees you watching, but his eyes are soft. He stands, stretching, wincing. You’re right; his back is going to feel it.
You take a shower in the bathroom down the hall so you don’t wake the baby, throwing one of Joel’s old tees on as a nightshirt before tiptoeing back to the bedroom. Joel is already under the covers. You slide in behind him, wrapping an arm around his torso, hand coming up to rest on his broad, naked chest.
“Mmm,” he rumbles, reaching behind you, giving your ass a light squeeze. “Missed you.”
“I have to be at the clinic in two hours,” you yawn, already drifting.
“I can do a lot in two hours,” he says, muffled by the pillow.
You smile, nuzzling against his back. “Not with the kid here, Miller. Go back to sleep.”
~*~
Your reentry was as smooth as it could be under the circumstances.
You were separated from Joel and debriefed for three days. It was not the relaxed process that welcomed you to Jackson the first time, but they didn’t kick you out on your ass, at least. You were reaccepted under probationary terms, to be guarded for six months and prohibited from working in the clinic without Eric or a nurse at your side.
You were allowed to keep your house, but it had been swept of all but the essentials–even the previous owner’s junk had been cleaned out of the attic, along with the radio. You were assigned a roommate who slept in the spare bedroom and made regular reports to the council.
The restrictions drudged up your shame, a thick cloak weighing heavy on your shoulders. You reminded yourself it was fair and temporary, and tried to focus on your work, but more than once you found yourself unable to get out of bed. On the worst days, Joel somehow found his way to your side–sometimes with Ellie and a movie, always with food–and gave you a reason to try to keep going.
Jackson had not fallen to FEDRA, but things had changed in the time you’d been gone. Throughout your probation, you learned FEDRA had sent swarms of infected to Wyoming, but the town was ready to defend itself. It turns out there were more former Fireflies in the community than you’d guessed–including Theresa and Tommy. And while they weren’t actively looking for trouble, they had connections that made it easier to stockpile weapons of the explosive variety. So that’s what they’d done, secretly hoarded enough firepower to take out a small city, enough to leave blackened trenches of undead and FEDRA soldiers in wide swaths of the surrounding countryside.
They’d taken the information you gave them and sent patrols to take out as many of FEDRA’s outposts as they could reach and put a couple of workers on round-the-clock radio monitoring. They also stopped accepting newcomers, blaming the change on the increased presence of infected outside the walls, but you secretly wondered if it was to keep out more people like you.
There had been losses, too. Half a dozen citizens had fallen to the infected during the weeks and months you were gone, a heartbreaking record. Jackson’s sense of safety was shaken, and it was obvious in the drawn looks on people’s faces, the haggardness in their eyes.
You still couldn’t help but blame yourself, even though you understood intellectually it was a thing that was bound to happen. They had gone soft in a world that had no use for gentleness; careless, almost reckless in their belief that isolation would protect them forever.
But the walls still stood, and its citizens moved about within them, and you made yourself a home again, even if you didn’t always feel like you deserved it.
~*~
You blink awake in Joel’s bed, fuzzy and dry-mouthed and strangely…rested. The sun is high in the sky and blazing through the bedroom’s big windows, which can only mean one thing.
Shit.
You bolt upright, looking at the clock; you should have been at work hours ago. You groan, grabbing the walkie from the bedside table and pressing the button to talk.
“Eric, you there?”
“Mornin’, sleeping beauty. Or, I guess it’s afternoon…”
A rich Texan accent, definitely not Eric’s. You feel a deep blush creeping up your neck.
“Christ, Miller, the whole town can hear you,” you mutter into the mic. “Get off the comms.”
A warm, honeyed chuckle through the speakers. “We’re at Tommy’s. Come over when you’re decent. Out.”
Dick, you think, but your lips curl in a smile.
Eric’s voice warbles in your ear a few seconds later. “I’ve got a handle on things over here. See you first thing tomorrow. Out.”
You dress, throwing on some of the clothes you’ve started keeping at Joel’s place for days like this. Downstairs, the house has been pieced back together, an overflowing basket of toys and books pushed to one side of the room, dishes drying next to the sink. Joel must have the day off, a special dispensation to welcome the new family member.
You flush a little when you realize you have the day off, too.
Tommy and Maria’s place is just across the street. You let yourself in and hear conversation upstairs, Ellie’s wry little cackle.
“It’s just me,” you call up the stairs.
“C’mon up!”
They’re all crowded in the bedroom, Maria sitting up against the headboard with little Gwen’s arms wrapped tightly around her neck, Tommy perched next to her on the edge of the bed.
“Hey, mom. How are we feeling?”
You can’t help it; you slip into doctor mode, eying her complexion, barely resisting the urge to reach out and feel her forehead for a temperature, alert for signs of postpartum infection.
“We’re good,” she murmurs, rubbing Gwen’s back. “Someone’s feeling a little clingy.”
“Yeah, it’s Joel,” Ellie chirps from the other side of the room. “He’s hogging the baby.”
Maria smiles up at you wryly and shrugs.
“How’s the bleedi–”
“You’re off duty, doc,” she says immediately, shooting you a look that says she won’t be discussing the state of her uterus with her brother-in-law in the room.
The brother-in-law in question is sitting in the rocker-glider holding the new addition. Ellie is perched on the arm of the chair next to him, poking at the baby’s tiny fist with her finger.
“Right, off duty,” you murmur, suddenly feeling out of place. Joel nudges an ottoman toward you with his foot.
“Come meet the new kid,” he says.
“Oh, we’ve met,” you say, taking a seat. “ Someone kept us up all night.”
Joel holds the newborn’s head in his cupped palms, her body cradled along the length of his forearms. She barely reaches his elbows this way, tiny legs and arms scrunched up like a frog’s. One little fist curls itself against her mouth, while the other wraps itself around Ellie’s index finger and holds tight.
“My turn, old man,” Ellie says, holding out her hands for the infant. Joel places the baby in her arms, muttering something about supporting her head, and Ellie sighs. “Yeah, yeah, I know.”
His eyes soften as he watches his daughter.
“I forgot how small they are,” she says after a time, looking over at Gwen, who is babbling animatedly about something to her mom and dad.
“They grow fast,” Joel says. One big thumb reaches out to stroke the tiny shell of an ear, and for a moment, the new baby’s dark gray eyes blink open.
“There she is,” he whispers, and the smile on his face is so tender, it hurts. You wonder if he’s thinking of Sarah, and then you know he is because his eyes are shining.
“Not this again,” Ellie says good-naturedly, leaning in to prop her chin on Joel’s shoulder. “You’re such a fuckin’ sap.”
“Fuh-kinsap?” Gwen’s little voice pipes up.
“Ellie!” three voices sound in unison as the girl’s eyes widen. There’s a stunned silence, then the room bursts into laughter, startling the new baby with the noise. She lets out a breathy wail to complain, little limbs flailing, and Gwen, still attached to her mother like a barnacle, starts whimpering in sympathy.
You stand, quietly relieved to have a good reason to break up the party. “Let’s clear out. Mom and baby need to rest. Doctor’s orders.”
~*~
When the rest of the family has cleared the room, Tommy with Gwen and Joel with Ellie, you’re alone with Maria and the baby at her breast. She sags a bit, drawing into herself as she encourages the newborn to suckle. You busy yourself with taking vitals, fetching a glass of water, and sending a quiet message over the walkie letting the nurse on duty know she doesn’t have to check in this afternoon.
“Is she latching okay?” you ask, unwrapping the blood pressure cuff from Maria’s upper arm, taking notes on a pad of paper next to the bed.
“Yes.”
“Have you been able to urinate?”
“Yes.”
“Any cramping?”
“Yes,” Maria winces, rubbing at her lower abdomen.
“How about the bleeding? It might be heavy, but anything more than a pad every two hours and you need to–”
You stop when you glance up and find Maria looking at you with tired eyes, wan and half asleep.
“Sorry,” you breathe, smiling a little. “Force of habit. I know you’ve done this before.”
“It’s okay,” Maria says softly. “It’s different every time.” 
You take a seat next to the bed. “So…how are you feeling?” 
She meets your eyes, sizing you up before giving a tired sigh. “A little overwhelmed, to tell you the truth. Gwen is still so young…this one was a surprise.”
“Ahh.” There have been several “surprises” in Jackson since you returned, although you’re treating fewer pregnancies now. You take a small measure of pride in that. “Well, we can help prevent future surprises, if you want.”
“I know. I’ll take you up on that.”
“Does she have a name?”
“Not yet,” Maria says, gently tracing the little girl’s nose with one finger. “Tommy wants to…talk to Joel.”
“Oh?” You cock your head. Then as it dawns on you, “ Oh. ”
“For a middle name,” she clarifies. The baby has fallen asleep; Maria lifts her to her shoulder and rubs her back, watching as if searching for a clue in her tiny face. “But we’re thinking…maybe Isabel.”
Isabel Sarah Miller.
“That’s beautiful,” you murmur.
“Hmm,” Maria says, then yawns.
You take the hint. “I’ll let you get some rest. We’ll send a nurse over later tonight, but I have the walkie. Have Tommy call if you need anything.”
~*~
Downstairs, you peek into the living room and find Tommy sprawled on the couch, snoring, with Gwen sleeping on top of him, the spitting image of his older brother only a few hours ago.
You slowly back out of the room and make your way down the hall to the kitchen, following the sounds of running water, soft conversation, and the clink of dishes. Joel and Ellie are standing at the sink; he washes, she dries, and they’re laughing at something.
You watch their comfortable way with each other. You wonder if she’s forgiven him; you wonder if he’s forgiven himself. And you think maybe, maybe , because things seem easier, if not easy, between them.
Her nightmares are less frequent, and you know she and Joel have talked about turning the garage into a separate bedroom to give her more privacy. She’ll be 17 soon, and he’s getting better at letting her go.
Whether you can forgive yourself…that’s still an open question with fangs and claws. You wonder if you will ever feel like you fit here–in Jackson, with Joel and Ellie, with their family.
As if hearing your thoughts, Joel looks over his shoulder and sees you. “Hey, everything alright?”
“All good. Need help?”
“We’re almost done. There’s food in the fridge if you wanna put something in.”
You open the refrigerator to a rainbow of casserole dishes covered in foil; the community obviously rallied. The Millers won’t need to leave the house to eat for a month.
You pick out a square pan with what looks like lasagna and set it aside for dinner, then begin pulling out the rest of the dishes, investigating their contents, and roughly planning a schedule of meals. There’s too much food, but some can be frozen for later.
Too much food. What a concept.
When the lasagna is baking in the oven and Joel is wiping out the sink, Ellie says, “Shit, I gotta go. Told Dina I’d meet her after school and I’m like two hours late.”
“Alright,” Joel says. “Be back by curfew this time.”
“Maybe.”
“Ellie–I mean it. Eleven. Not 11:03, not midnight. Eleven .”
“I know, I know,” she frowns exaggeratedly and throws him a mock salute. “Eleven it is, captain.”
She moves to the door, then hesitates and turns back, catching Joel by the side in a rare and unexpected hug. You meet his eyes over the top of her head as they go wide with surprise, then soft.
“Later, kid.”
“G’bye.”
“She’s right,” he mutters when she’s gone, swiping at his eyes. “I’m a sap.”
“The sappiest sap,” you agree, but you’re talking past a lump in your throat. Today has been too much. You move in to take her place at his side and his grip on you is fierce.
~*~
You put together two dinner plates with the lasagna and some greens you find in the crisper, then cover them and put them in the fridge, deciding to let the new-again parents sleep while they can.
It’s dark when you and Joel creep out of the house. His arm locks around yours on your weak side to steady you, something he’s taken to doing any time you walk together.
“Ellie started cleaning out the garage. Going to move her out there in the spring, when it’s warmer. Should have the summer to get it insulated.”
“You’re going to have an empty nest,” you tease.
“Not if Tommy and Maria keep goin’ like they’re goin’,” he says gruffly. “Could open a damn daycare.”
“You love it.”
He scowls, but a smile peeks out from underneath.
You stop outside his house and follow his gaze upward to a clear black sky and a million stars. He swallows hard and looks at you with such longing, for one unbearable moment you think he’s going to say the words you never say–or do something even more preposterous, like propose.
“So, uh…I was thinkin’...since Ellie’s moving out…this place is too big for just me.”
“Oh, really?”
“Mmhmm. Put so much work into it an’ all…hate to just leave it…”
Relief billows and pools inside you, and you sag against him. “Sounds like you need a roommate.”
“I…thought about that. Might even have someone in mind.”
You cluck your tongue. “They’d have to be a very special kind of person to put up with you.”
He growls in the back of his throat, and gently pulls you around to face him.
“It’s further from the clinic,” you frown, trailing a finger down the front of his shirt.
Joel snorts. “Yeah, ‘cause that whole extra block’s a real bitch.”
“Sarcasm does not become you, Miller.”
“Hey,” his voice softens, and he tips your chin up in the crook of his finger. He’s searching your face, hoping to find it–the silent thing that says he is yours, and you are his, even if you are both too broken to say it.
“I think…we could make it work,” you say softly.
“Really?” he smiles, all relief and wonder and stars in his eyes. “You do?”
He’s looking at you with a tenderness you can hardly bear, but you don’t look away. He ducks his head until your warm breath mingles in soft white clouds between you.
“Nothing serious, right?” you whisper, before his mouth slants over yours and his words are lost to the softness of your lips.
“Nothin’ serious.”
~*~
The end. <3
If you made it this far, thank you for reading. Your comments/likes/kudos are EVERYTHING. :)
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plaguethewaters · 1 month
Text
@thetiredyuk i am having more Thoughts about that one - ranboo is the sone of death beeduo au. I was about to just send you an ask but also this is almost 2k words so it may be better off as a post lmfao
So like. bullet points time, this is an approximate summary of what i think the Plot would be like - wordbuilding aside
(Temporary mcd, suicide warning)
Year like, 1500 something (to be more well researched but i do want it to be like. something something renaissance. it works) we've got two poor ass kids born of the same year. Except tommy is pretty much a normal guy, liked by his family and such. His parents have enough children they can gamble for at least one to be successfull, so they send him to be a painter's apprentice in the hope he'll make some kind of money. There, in the slighter bigger town thats almost a city but not quite, he meets tubbo. Now Tubbo would have been a normal guy, except he was born with facial deformities so now everyone thinks he's a demonic freak hated by the gods (this renaissance world is politheistic bc kristin needs to be there and also i wil not do christianity if i dont have to lmao.)
Tommy is not intimidated by any gods. obviously. also his dad is really into the goddess of death and he prays enough for both of them, so he's like. protected and shite. And he immidiately hits it off with the cursed boy
surprise hes not actually cursed but people are dicks anyways. Tommy makes him a fancy mask to cover his face - even thought its totally cool as shit, but its cool enough only tommy should ever get to see it - and that eventually does help him. Because tubbo wasnt like, a shit guy. Hes a damn good builder and knows how to read, which are talents big enough that the costruction workers for that church out of town are ready to ignore the whole probably cursed thing. As long as he as the masks.
Tommy: makes him the first genuine gift hes ever received in fifteen years of life Tubbo: never takes it off again. like never Tommy: shocked pikachu face
anyways so tommy dies like. super young. They have their fun for a few years but at like seventeen tommy is called to be the artist for this very fancy duke of the town over - and at the start they'r super happy bc that means Money and Food and Roof over your head and shite. its a very good fucking deal.
except the noble is a bastard. His town revolts against him, and when they storm the castle they aren't exactly asking names or faces: tommy gets immidiately like, super destroyed by the crowd, and dies a few minutes later.
Tubbo hears of this like five months later bc its the fifteen hunderds and hes poor.
He does Not take it very well ngl
He goes a bit murdery - basically hes like "im not living without tommy, might as well burn down a village while im at it right, right."
Now ranboo, in all of this, freshly the equivalent of seventeen for an immortal death being, is starting on their training to actually become death- His mom send him on a quaint little village in europe thinking "hey, the most those guys die of is like. malaria. consumption maybe. itll be easy as hell"
And now like two hundred different souls are around him with FIRE written on their foreheads and Ranboo feels distinctly outside of his range, to be really honest.
he steps a couple ethereak planes down just to see what the heck is the matter - if this is another of those voide beings his mom will be Super Pissed and they want to see that reaction
And it isnt the void people
Instead, in front of their eyes, the singular most beautiful person hes ever seen - and hes seen lots, in this line of work.
He cant see their face, but their actions speak enough. The sheer rage, the almost dance like movement of their body perfectly framed by the light of their torch, seeing no humanity or mercy in whatever their searching for. their hair look angelic in its softness, burnt by the worst flames of hell and yet tended by the same hands who wield it - strong hands, clearly forged by hard work and dedication. This is a guy who has nothing to lose, and there's little Death loves most than someone who doesnt fear it.
He has to go down, has to speak to them immidiately.
So he does.
There's really no time - his mom had given the singular rule not to interact with humans, shell be on them in Seconds- but one question can be asked in the haste: "What brings a mortal to do this?"
"It's all for you, love!" the mortal says. They also say some other things, after, but Ranboo is not very well versed in the human tongue and they are speaking Very Loudly.
(Tubbo actually said "Fuck you, you motherfucker it's Your Fault, you took every single thing i love". Easy mistake, if one thinks about it.)
Their mom is Pretty Pissed but she does undesrtand stupid things done for young love. So she's like "eh, ive loved mortals too. go have fun" and everything
Except a year passes, and ranboo still hasnt even spoken to the guy, and she remembers suddenly Mortality Exists.
Shes never had them take a soul who died naturally - for lack of occasion, mostly - and they may have been. a tad sheltered. They most definitely do Not know what death actually is like for humans, nor how long does it take for them to die
she wonders if it would be a tad overprotective to take this over for them
she thinks about seventy years in the future, at most, when the boy dies. She thinks that her son cannot cry but can definitely cry. she thinks of their screams of sadness ringing through her ears-
Tubbo wakes up in the river, alive.
He did not Intend to be alive, and it's actually quite unfortunate for him to be so.The survivors are quite angry and probably close to him, now. Welp, no way to die is reallt any worse than another, he thinks. Ill just wait here for them.
When the pitchfork collapses his heart and he continues breathing, he understands something might be a little bit wrong.
And like, a good five hundred years pass like this.
Things Tubbo has learned in his five hundred, twenty three and two halves years on this demon forsaken earth:
Clothes get so much shittier over time. he has One (1) tailored shit from the 1800 and Nothing has even barely compared to it ever since.
getting stabbed does not hurt less just because youre not actually dying. Poisoning is actiively way worse since you're not actually dying. Diving off cliffs is Not Fun. In general, try not to do dying things even if youre immortal
theres a hole in his heart where his loved ones were and it will never get filled
Food gets esponentially better over time. Lord bless whoever decided curry should go on chicken because they were Cooking For Real. Chocolate was still better before though.
Working for soulles bosses has not changed At All in all of this time tho.
he works at mcdonalds because no college would accept his non existant resume, and being immortal dosent deprive him of his needs unfortunately. The manager took one look at this kid dressed from like three different centuries with a goat mask on his head and was like. why not. at least youre not a stoner and you know how to read.
His coworkers firmly believe hes a criptid and have a full going investigation to prove it. The highest bet at fifty dollars says hes mothman in disguise, there to eat the fliest that live on their shitty food. The lowest bets hes an angel waiting for the right time to brign down armageddon.
Every night he goes in the woods to an almost forgotten Death altar and he prays. Half of his prayers consist of insults and the other half are pleas for her to fucking kill him already
This does not help the criptid chronicles
Kristin also has like. only so much patience. Hes holding up the prayers line - which is actually still pretty fucking used in central asia - and hes generally annoying as shit.
She takes ranboo by the scruff, gives them a passable human form, and throws them down there. Get your shit together boy youre like a thousand years old. Get your man (to stop fucking with the phoneline)
Ranboo is Not Enthusiastic about this but cmon. Hes death. How hard can working at a mac really be?
Spoiler it is
Spoiler it does Not matter, because awkwardness aside ranboo is funny, and easy to talk to, and compassionate and caring. He doesnt want to kill tubbo, he doesnt look at him like hes a fictional creature (and yes marcie, hes seen the bet table), he isnt his soulless boss. Tubbo is grieving but he also very desperstely wants a friend.
One day someone stops at his shitty apartment at like three am
Ranboo stands in fron of his door drenched from head to toe, holding the possibly smallest kitten tubbo has ever seen in his Life. Hes miserable but the cat is miracoulously dry, screaming their head off - and ranboo is panicking. Are they okay are they dying? Do you have any food i dont know what he eats but its so small and i didnt know where else to go- please i dont want it to die or something and-
The moon shines on their long, wet hair and their stupid fucking suit is as wrinkled as ever. They look like they desperately want to rub their hands against each other but there is a kitten in the way and it probably makes them even more anxious - theres very little messes bigger than him, right now.
Tubbo falls in love.
They heal the kitten and keep enderchest in their now shared apartment.
They grow closer, and closer, and something is forming. Ranboo is aware a relationship cannot be based on lies, as much as it worries him how tubbo will react.
so he prepares like a romantic ass evening
roses and candles and a nice dinner with a fancy wine
tubbo almost gets flustered
except at the end of the night the confession isnt "i love you" but "im the guy who took away your only ffamily".
and he sees Red.
Ranboo doesnt remember what tubbo screamed, not exactly. He remembers grief, and crying, and feeling worse than he ever believed he could. He remembers the endless guilt sitting in his chest, and the slam of a door - maybe from the inside out. Hes definitely outside, now, and the house ifìs far away enough eh cant see it, but that could also be the tears.
His mother finds him crouched in a patch of grass, tears steaming down their cheeks in a constant flow. Shes not aware if they'd returned to death form to feel safer, or because they believed they deserved the burn. Shes not sure what option makes her feel worse.
shes aware that this is. pretty much her fault
TO HER DEFENSE she was not really aware humans were so touchy about death. The souls she reaps arent very talkative and the guy shes with is chill about it so like. maybe this one is weird
(the guy she's with is Phil, whos Decidly not a human but has also decided not to tell her yet. For the bit, yknow? He's been a live a couple thousand years, it would be awkward to drop it now. He's also somewhat a serial killer and Not Normal about death At All)
BUt this is still here fault and she does have to set it right a little bit
So she summons Tubbo to her persnoal room in the palace and goes like. "oi. why r u so mad little guy"
And hes like: you took away the single person whos ever loved me ever
"Wait that's the only problem?"
"What the fuck else would it be"
"thought u were mad at him cause he lied lol"
"LYING IS NOT WORSE THAN KILLING A GUY"
Anyways Kristen is so relieved rn. She thought tubbo was phisically like, repulsed by the concept of death and all, and he was mad that Ranboo lied to him and all. Which he is, but the rage is so so much less than the grief yknoe. And she knows how to fix it if its just one (1) measly soul
Tommy is so fucking confused
Th modern world is full of sounds and weird textures and the food is fucking fantastic but also Too Much, and Tubbo introduced him to this weird ass potion hed called a bong and now hes seeing gods the likes of which had never been discoveres
Over all hes just happy to be alive and with his best friend
He kinda hates ranboo. The fucker threw a scyte at him for no reason when tommy would have Almost Certainly survived because he is simply That Cool. Ranboo didn't believe in his awesomeness enough and is thus a Bitch
Tubbo is. iffy
He cant deny he has a teensy tiny crush now, because hes far too deep in this for that
But also ranboo did like. lie straight to his face
but also tubbo would Not have believed him if a random guy showed up at three am at a mcdonalds saying they were the child of death
and he Did trust that what he saw in ranboo was real, betrayal aside. No one fakes looking That much like a wet cat
so it does take a while. couple years in fact, to get back at the level of trust they had before (inster a cool anime montage where they have lots of fun together as roommates and cats coparents and all)
One night when they are - not back together, because they hadnt been dating before, but back to that almost definitely dating just not officialized stage- ranboo asks him if would ever want to be mortal again.
And tubbo thinks of it. His time on earth had been so plagued by grief hed never really ecperienced anything it had to offer. Hed never seen the sights or did anything at all besides praying for death, and thats kind of a shitty way to pass five hundred years
'But tubbo what about your humanity? wouldnt it be irrevocabily lost by giving awau something so fundamentally human as death" someone would ask. And tubbo would anser "ehh who cares"
He hasnt been fully human since hes burned that whole village down, anyway. And he likes the benefits of this life more than whateer moral superiority a Normal human would have over him
just-
"and tommy too, obviously. I get the feeling you dont like him dead" Ranboo jokes.
There's no decision at all then. Fuck yeah, immortal boyfriend and immortal brother what more could a fucker want.
They get to cause chaos on earth and probably kill a bunch of rich people for a long long time
the end :)
Im like. very tentatively calling this Deathless Death, in the vane hope that i will write something for this better thant bullet points. But for now bullet points it is
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castiologist · 14 days
Text
buck 3.75
853 words
Summary: Buck goes to a bar to work out how he’s going to come out to the team, and runs into some old friends.
***
So. Tommy’s going to be his date to the wedding. Which is cool, great. There’s just the small fact that literally everyone in his life is going to be there and therefore know that he’s dating a man.
Which is fine. He’s not ashamed. He doesn’t want to lie about it.
Buck 4.0, he’s decided, is going to be Openly Bisexual and Proud Buck. It’s just that he’s not sure he’s quite there yet.
He wants to tell Hen and Chim before the wedding, but every time he tries to say it, he freezes. It just never feels like the right time. Which is stupid, because he knows they’re not gonna have a problem with it. He’s just struggling to let go of that mask that he’s always worn, unknowingly up till now, because he’s worried about how people will see him without it.
Buck’s one beer deep into his thoughts when he catches something moving out of the corner of his eye. Something coppery-orange and shiny.
He turns his head and accidentally makes eye contact with Taylor Kelly at the other end of the bar.
She’s seen him now, and knows he’s seen her, so it feels rude not to go over and say hi.
“Taylor, hi,” he says. “I, uhh, heard about your book. Congrats.”
Taylor grins. “I guess I should thank you. You helped write a lot of it.”
“Well, you’re welcome. Not sure I’d say I’m happy to help, but… I’m glad it worked out well for you.” He didn’t come over here to start an argument with her. After all, she was right. He knew who she was when he started dating her.
“Thank you,” Taylor says. She hesitates before adding, “I should probably tell you, I’m actually here with my girlfriend.”
Girlfriend?
“Girlfriend?” Buck says. Taylor’s looking at him - not with trepidation, exactly, but like he’s some ongoing event she’s reporting on and she’s not sure what’s going to happen next. He scrambles to correct. “I mean that’s… that’s great, I was just surprised, did you… were you aware of this? While we were dating?”
Buck’s not sure why it even matters to him. Taylor’s looking at him with narrowed eyes, even more on guard now. However, like with any disaster happening right in front of her, her instinct is always to stick around and find out more.
“You mean being into girls? I guess I was always a little aware of it, I just never really thought of it as a concrete possibility before. Until her.”
“Right, that’s great,” he says. “Sorry, I wasn’t trying to be… I mean, I think it’s cool. I’m, uhh, kind of in the same boat.”
Taylor’s eyebrows shoot up. “Really?”
“Yeah, I’m actually going on a first, date tomorrow, with a… a guy.”
Any tips? he considers asking for a fleeting second. Whether it’s for dating men or being bisexual in general, he’s not sure. Maybe both?
“Huh. Well, congratulations.” She raises her glass to him, takes a sip, before cocking her head at him. “You know, I did always wonder a little about you and Eddie.”
“Eddie? I’m not… I mean, Eddie’s straight, I’m not dating Eddie.”
“No?” She flashes her shark-like grin. “Well then, who’s the lucky guy?”
“Tommy. He used to work at the 118 with Chim and Hen, he’s a pilot in air operations now.”
“Huh,” Taylor says, “I guess we have that in common.”
It’s only then that he clocks the figure approaching them, coming up behind Taylor and slinging an arm around her.
“Hi Buck,” says Lucy Donato. “How you been?”
“Lucy, hi,” he says. “I’m uhh, I’m pretty good.” Buck 4.0, he thinks about adding, even though it would probably be meaningless to both of them.
“Well, I guess we sort of have you to thank for this,” Lucy says, tilting her head towards Taylor. She beckons the bartender. “So have one on me.”
He orders a bourbon before returning to his original seat, trying to process what just happened.
It’s weird, but they kind of work together, Taylor and Lucy. He watches them leave together a little while later; Lucy casually helping Taylor into her jacket and wrapping an arm around to hold her waist as they walk out. They just seem so normal, and happy. And look, he’s been friends with Hen for years now, it’s not that he’s never been around gay couples before. But Hen has always been Hen. To him, she’s been into girls as long as she’s existed. It’s as much a fact about her as it is about him. Taylor and Lucy? That’s new, and different.
But Taylor Kelly is still the same bold, irrepressible Taylor Kelly he’s always known. He doesn’t see her differently, he thinks. He just sees her more. And now she sees him more too, and he likes that. Makes him feel like the gap between the person everyone in his life knows and this new version of himself is smaller than it seems.
He finishes his drink and pays his tab. He’s still a little nervous, but also feels a little more ready.
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