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#this would be one HELL of a callback
guardianspirits13 · 4 months
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It's been 7 long years.
The final season of Percy Jackson and the Olympians has just begun to release.
The Ares and Apollo cabins are in a dispute over ownership for the flying chariot.
The counselors sit around a table in the Big House.
Percy has just learned that he's (probably) gonna die in the next month, when Clarisse and Michael begin to bicker. Percy has had it up to here.
He starts clapping rhythmically. There is a lull in the room as they stare at him.
He claps faster.
"Oh golly, the road's getting bumpy, cause I've got me some friends who just can't get along-"
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princedetectives · 6 months
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ok but really even without all the dramatic au stuff i like doing to them, i really think atlus accidently made one of the most interesting dynamics from what was definitely just supposed to be a cameo. the second coming of the detective prince and he's so different from the first. from how he is you'd maybe expect akechi to not really care about the title or even be kind of bitter about being placed in the shadow of someone else he hasn't even met, but no,
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he actively mirrors naoto. this sweater is the only canonically confirmed callback but i've sniffed out others, even down to the way they hold themselves.
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like, clothing is one thing that could just be for the public image, but come on. it's part of his SELF image. his status as the second detective prince is vital to his view of himself.
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and q2 all but proves he respects naoto deeply. and it all makes sense because he really is proud of being a detective, of course he'd be a fanboy of one of the most well-known young detectives out there. i can imagine he relates to the image he has of naoto a lot.
and it's not like it places him to live up to the achievements of naoto or anything, to a degree maybe yes, but not enough to the point that it's a burden. because he's piggybacking off of his legacy and blowing it out of the water. akechi is FAMOUS, much more than naoto was, i imagine. people would hear about the first detective prince and go, "who? i only know akechi." the title only benefits him, publicly and personally.
and it'd be so interesting if they met, because it's not like one is living in the others' shadow. akechi has to live up to naoto's reputation because he's the successor to naoto's legacy, placed on his shoulders by the force of the public. naoto has to live up to akechi's reputation because he's the new big thing, he's what everyone is interested now, he's who was chosen to succeed him. they live in each others' shadows. it's an ouroboros of reputation.
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i just think they're neat. they'd get along too, i bet. they definitely got along in q2! they're the only ones in the whole world who can relate to each others' experiences of growing up as a detective prince. they're both big nerds. they're both competitive. PLEASE imagine placing these two in the same room together. it would be so INTERESTING.
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and don't even get me STARTED on how Crow looks a hell of a lot like naoto's persona
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nightdivinity · 3 months
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Drink Responsibly: Chapter 1
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ABO!Vampire!Batfam x reader
Minors! Do! Not! Engage! +18 only!
Platonic!Alfred, Bruce x reader, Possessive! Batboys x reader
Warnings: Bad life choices, possessive behavior, a/b/o, they're vampires, loooong age gaps, no proofreading, reverse harem.
Writer's Note: I am so tired. I exist only because of caffeine and spite. So here you go, Chapter 2 is done as well. It will come out Friday hopefully.
Grey eyes stare into yours as you try your hardest to not squirm under the intensity. How did you get to be where you are? You have no clue. Honestly, there shouldn’t have been a callback. You should not have landed this opportunity for the second interview. The initial screening process should have weened you out in the first place.
From what you had gathered from the chatty chauffeur in the town car, (the town car! They knew you had no car to get to Wayne Manor, let alone to your job. Yet they still sent you someone to go pick you up from your ratty apartment.) This was all ordained by someone much higher than Mr. Pennyworth in front of you. The talk with the chauffeur had almost put you at ease until you looked out the window and saw the heavy iron gate open to Wayne Manor’s winding driveway. There’s no doubt in your mind. You shouldn’t be here. In more ways than one.
It made your bandages itch the more you thought about it. You couldn't scratch them like the feral animal you were deep down inside. At least, not when you're being as heavily scrutinized as you are now.
“I’m not sure you know what you’re getting yourself into my dear.”, the butler says.
“I want this job.”
He sighs then and reaches for the cup of tea sitting on the table next to him. When you got to the Manor, Mr. Pennyworth had met you at the front step. He still ushered you through a side entrance and a winding set of narrow hallways until you reached the sitting room you were now in. Not that you were complaining about being treated like a servant when you were trying to like hell to land the job.
If ever there was an excellent place to kill someone, this was it. You find yourself thinking as you look away from him and study the art on the walls. The manor itself was far removed from society and the small windowless study with the ornate crackling fireplace was oppressive as much as it was impressive. No one would ever hear you scream.
“The issue is not a matter of want. The issue is a matter of need.”, he says.
You watch him take a sip as a bead of sweat collects at the back of your neck. It was getting too hot in here, and the bandage around your wrist was itching.
“I need it. No one wants to hire me”, You reply.
You’re not sure what you expect after you say that. Half of you were expecting him to start grilling you like he did during your interview two days ago. That one had taken place in daylight, in an ostentatious conference room at Wayne Enterprise's.
You were still waiting for him to pick you to the bone and say, “Why is that?”. The other half feels like the admittance makes you guilty. Guilty of going out that night. Guilty of getting caught in a crowd surge while blackout drunk. Guilty of the infected thralls that were unleashed by the Scarecrow goons. Guilty of killing the infected that had started ripping you to pieces. Not that you remember any of it, frustratingly enough. No one, not even the news, gave enough information on that night. Why was I there?
“How are you doing dear?” Pennyworth asks.
You blink. No one has asked that yet. Not by anyone that you feel genuinely wants to know the answer.
“Good. Sore, and I believe honesty is the best policy. I can’t dance like I used to.”, you joke.
It falls flat in the cramped space as you give him a tight grin. His grey eyes dart momentarily to the crutch that was resting next to the chair, and to the cast going slightly above your knee.
“Yes, honesty is such an important quality nowadays. Might I say, it is fortunate that you survived.”
“No one else thinks that. I’m just thankful that Duke was there. I was told he was the one that got me to the hospital. Now he’s gone and got me this interview.”
It’s funny. Time from that night seems disjointed. While you were black-out drunk, you do feel as though you were only in the club for five minutes. The attack happened at 12:45 am. You remember waking up in the hospital and finding your chart on your way to the bathroom. It said you were admitted at 2 am. The next time you managed to grab it, it had said 12:59 am. Not to mention your wounds were healing at a faster rate than most Omegas. Something was picking deep inside your skull.  
 “Luckily this job is not strenuous if you are up to the task.”
You nod at him. You need this.
“Well, there are rather strict rules. Breaking them is a breach of contract that will be handled severely. This isn’t like a regular job out there. Any problems that arise will not result in a simple firing.”, he pauses before continuing, “For example, personal electronic devices are prohibited in the Manor. Your bags will be thoroughly checked by me upon arrival. You will be allowed devices that are monitored by security.”
“I can’t just be cut off from my family”, you protest.
“We don’t want you to. You may make phone calls during your allotted time off. They will happen here, or in Master Bruce’s office with either him or me in the room. Your predecessor was fond of skirting her duties and we have found the need for such restrictions.”
“While excursions are discouraged, they are not prohibited. We will go over those security measures at a later time. You are to be readily available when called upon at any time they require something. While day workers are employed here, at no point are you allowed to interact with them.”
You can’t help the way your brows furrow. This was going to be a long year if you were to take this opportunity. With each rule, you wondered if this was why the position was empty for so long.
“I tend to the bedrooms, and at no point should you enter them unless invited by the occupant. You will be given a room as well, and I would appreciate cleanliness. Breakfast, lunch, and dinner are all served at the same time, tardiness is prohibited.”
“Will I be helping in the kitchen?”, you ask.
“No. Not unless you want to, if you are going to cook, please notify me accordingly.”
“So, wait. I’m confused. Just what is my job here?”
Alfred sighs and for the first time since you’ve met the prim and proper gentleman, he seems a bit haggard. Which did not make you feel good.
“It gets awful lonely here in the manor. As I’m sure you are aware, Alphas live for a long time. Particularly ones infected such as those in Wayne Manor. Now and then it is refreshing to have something that brings more life into such a place. The children have taken an interest in you, and that is enough for Master Bruce.”
“I’m not a toy.”
“No. You’re fortunately not. What you are being offered is room and board, all you have to do is adhere to the rules. In exchange, you have to be a friend. Surely you know how to do that”?
If he had asked your friend, he’d have been met with a resounding no. After that night you had found yourself crippled in the hospital with no friends to speak of. Your friend had been peeved, rightfully so, that you had just packed their wasted butt into a car with a stranger. You had been miffed because hello?? They weren’t the ones chomped on by a deranged rabid Beta. They had made it home in one piece, even getting past the front door and into their bed. Both of you had been wasted, so why act like it was all your fault? You were getting tired of the world treating you like you were the root cause of life’s issues.
“I won’t be doing any of that”, you ask.
Now he just looked downright uncomfortable. You were almost embarrassed, but the question needed to be asked. Being hired to be a friend to Alphas that were at least a century old likely resulted in you waking up in a bed that’s not yours.
“Only if you consent to it. You won’t be reprimanded for not doing it, or if you do find yourself in that position.”, he clears his throat, “Healthcare and dental is provided. Due to your circumstances as an Omega, blockers will be provided along with your daily vitamins. Your health and safety is paramount to us.”
You had nothing more to say. Silently you sat there, running through any alternative options, and yet you kept hitting a wall. There was no denying it, this was the best option you could be given. All you had to do was smile and nod and make it a year. By then you should be able to get your feet back underneath you and be able to reassess your situation. Who knows? You might just like it.
“I’m going to say, you have a deal”, you smile at him.
“Then please, call me Alfred.”
He gets up then and holds a hand out to you to help you out of your chair. His smile back is warm, creases folding up from his eyes, a drastic change from the cold persona that you had started becoming accustomed to.
“Shall I call for the town car Ms. (L/N)?”
This was the start of a beautiful friendship, you decided. You nod your head as he pulls you up and gives you a brisk but friendly pat on the shoulder.
“Duke, you don’t have to do this”, you protest.
It was the thirteen-hundredth time you’ve said it. When Alfred closed the interview, he had taken the time to walk you to the front door, pointing out so many rooms that it all went over your head. You almost made it to the front. Then Duke saw you and took over from there.
“No, no, and for the last time, stop. I want to do it”, Duke grins up at you.
He was on the floor, taping up the last of your boxes. You hate to admit it, but you’re not sorry in the slightest as he does all the heavy lifting. The best part about it was getting to see all the muscles in his back when he turned around. Yum. Hey, you were a red-blooded Omega. There were just some things you couldn’t fight.
“Be careful not to break that”, you warn.
“Right, because what will the world do without these little tchotchkes?”, Duke laughs.
Somehow, not surprisingly, he dodges the stray crutch that you toss half-heartedly in his direction. At this point, he was used to you trying to weaponize your “mobility aide”.
It all started when he helped you get back to your apartment, in a wheelchair that he bought. Then he abandoned said wheelchair and carried you bridal style up several flights of stairs. Citing that the elevator was too dangerous because it hadn’t been inspected in the past decade. Even ignoring you when you told him that it would be far more likely for both of you to fall to your death in the stairwell. This was all two weeks ago, and he still refuses to use the elevator.
He was on the floor now, humming and throwing your shit in boxes. You weren’t sure how he did it. When you agreed to the move, you had been internally wincing and panicking. Thinking it was just going to be you, hopping pitifully around the room. Probably taking breaks and reminiscing over the stray artifacts of your life. You would’ve needed at least three days max to get packed. Duke cut it down to two hours.
“Sooooooooo”, you draw out, “Tell me about the others.”
 “There’s not much to say, not a lot that I can either way. What do you want to know?”
Your eyes narrow as he turns weirdly evasive. He always got a little cagey when you brought up his adoptive family. Never quite answering the question.
“What are they like? Are they nice?”, you ask.
He pauses and stands, turning his back to you so he can put a box on the trolley. We’re going to take the elevator. You thought with a smug sort of glee at the realization. That means you’ll be in your wheelchair. See, you’re slowly reclaiming your independence. Sort of.
“Um. Cass is really nice, but you won’t see her often. Same with Steph. They both kind of do their own thing and no one lives at home besides Alfred, Bruce, and me. Though that might change.”
He pauses again. You stick your tongue out at his back only for him to whirl around to face you. Quickly you snap it back in and try to appear innocent as you stare up. Ew. Popcorn ceiling. You wonder for a second if you could have asbestos in your lungs from that.
“Dick, I mean Grayson, he oversees the training of the Alpha taskforce in Bludhaven. Jason avoids Bruce like the plague while doing the most to get his attention, and I can't really get into what he does for a living. You don't want to know. Tim lives and breathes at Wayne Enterprise’s various global sectors, some of the time, he’s the hardest to track. Damian has been somewhere in Pakistan. Where? I don’t know. I would avoid him and Jason if at all possible. Not that you'll likely see them."
You had to smother your cry of relief. This was going to be a lot easier than you thought. There were only going to be three people that you had to worry about. Maybe you were going to finally complete a New Year’s resolution now that you had time. The world was looking up for you.
“I think that’s it, are you ready?”
His question breaks off your train of thought. You can’t help but groan when he gets near you, arms outstretched, ready for a hug and humiliating you. To make matters worse, he says the worst thing possible.
“Up you go!”, Duke crows.
“No! To the chair! Put me down you overgrown bat!”, you say.
Thankfully he does, gently plopping you down in the cushy seat and stooping to ruffle your hair. You were hissing mad. Not that he cared. Just to goad you further, he reached over to the handles behind your back and rang the obnoxious little bike bell he attached to it.
“Run”, you warn him.
He laughs while sprinting with the dolly all the way to the elevator as you try like hell to mow him down. Both of you completely missed the way his phone kept blowing up with notifications, the small dings being mistaken for a bike bell.
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crisisreading · 9 months
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The Case for Why HOO should have had a slightly bigger time jump post-PJO.
Okay, one thing that never sat right with me in the PJO universe was the quick turnaround before HOO. The fact that Percy disappears just a few short months after winning the Titan War means that our heroes do not have enough time to enjoy some peace, and there was realistically not enough time for tensions to brew for the Giant War.
Let's pretend there was a time jump of 2 years. Percy and Annabeth are now 18 years old. They are older, stronger, and have only become deadlier since the end of the Titan War.
In this time, Percy and Annabeth have become even more prominent figures at camp and helped manage the influx of newly claimed campers. Likewise, Annabeth has made great progress in rebuilding Olympus. But there is an undercurrent of unrest and hostile murmurs from Olympus. They begin to notice less and less communication with the gods. Suddenly, Annabeth has a harder time getting access to Olympus to do her work. And the flow of new campers slows to a trickle. The gods are upset at having to abide by Percy's demands and they are fearful of his power, and now there is time to explore this. (Remember he has had the Achilles curse for two years now and only gotten more in sync with his godly side!)
Then Percy disappears and all hell breaks loose. The new timing only adds to the drama, because at this point Percy would have been at the brink of going to college only to have his life derailed again. (Callback to Beckendorf who was also 18 and college-bound but forced to set it all aside.)
Their ages also bring more interesting dynamics to Percy and Annabeth's relationship with the Seven. Being basically adults among a bunch of young teens means that Percy and Annabeth have an even greater leadership role on the Argo II. Instead of having a rivalry with Jason, I think Jason would look to Percy and feel insecure, thinking that he could never compare to what is essentially a war veteran at this point. And overall, I think the Seven would admire Percy and Annabeth but also be secretly afraid that they would suffer the same fate of having godly affairs meddle with their futures.
End of rant! Please comment with your thoughts and further ideas!
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thenightling · 17 hours
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Dead boy Detectives review
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I've watched all eight episodes of Dead Boy Detectives and it was a decent show. It's not something I may obsess over like The Sandman, or The Witcher, but it was decent.
Dead Boy Detectives is the story of Edwin Payne and Charles Rowland. Edwin was killed during a Satanic ritual in 1916. Charles died from hypothermia and internal bleeding after some bullies drove him into an ice-cold lake while throwing rocks at him.
(Note: That was not how Charles actually died in the source material. In the comics, Lucifer had quit and shut down Hell (the basis for the TV show Lucifer) so many evil souls returned to Earth, including the boys that sacrificed poor Edwin. They badly burnt Charles' back on a hot stove and Charles died from his injuries.)
The two ghosts decided to dedicate their afterlife solving mysteries to help other ghosts find peace. They are aided by psychic, Crystal Palace, who is haunted by her abusive ex-boyfriend who happens to be a demon.
Both Edwin Payne and Charles Rowland originated in Neil Gaiman's The Sandman: Season of Mists, The Sandman: Volume 4. Issue 25 of The Sandman comics, and within Act 2 of The Sandman audio drama.
The Dead Boy Detectives made their TV first appearance in Doom Patrol for HBO Max (now Max). During a shakeup at Max the show was moved over to Netflix as to better connect it with The Sandman since that is where they originated.
The show features different actors from the ones that played Charles and Edwin on Doom Patrol.
The Dead Boy Detectives is a decent show but ...it feels a bit like a CW teen drama. I had been told that some of the show's writers were originally writers for the CW... and it shows.
There are some deliberately surreal elements of the show that I think are a callback to their appearance in Doom Patrol.
I love the variety of supernatural entities in the show, including the appearance of two of Morpheus's siblings. Death and Despair. The things I don't like about the show can be considered CW tropes or cliches. The angsty romances and unrequited love. The ham-fisted abusive ex metaphor between Crystal and David The Demon.
And of course the most tedious of CW tropes, the end of the episode pining and angst while a sad pop song plays in the background.
If you look past the CW-ness of it, the show is enjoyable.
The only other things I can complain about is the "connecting thread" subplot of The Afterlife: Lost and Found feels like unnecessary filler. And I wish they would openly establish that Edwin, being an innocent, would NOT return to Hell if collected by Death now. I don't think that should be left hanging over his head. Especially since we're supposed to see Death as a kind entity. Also I think Charles says "Aces" a little too much. It's very distracting and makes me feel like the writers didn't know much late 80s English slang. It would be like if he was an American and they had him say "Radical" all the time. I get that it's kind of his catchphrase but it also got a bit annoying.
The parts I don't like are CW tropes and what I'd consider to be late 90s Vertigo edginess.
The thing I liked were plentiful though. The protagonists were and are likable. The ending is satisfying enough so that if there is only one season this was still good. I liked that it appears that one can ascend out of Hell after some self-reflection as is indicated by the boy Edwin confronted in Hell. The blue light was established to mean ascension, a good afterlife.
I also LOVE the opening credits theme music and animated sequence. It reminds me of the intro to Showtime's Creature Feature movies. (See the trailer for 2001's She Creature, not the 50s version. Watch the trailer at thirteen seconds in, on Youtube, and you'll see what I mean).
That's two Gothic themed shows from Netflix in the last two years with great opening credits sequences. The first being Wednesday. That one won Danny Elfman an Emmy.
It's funny, Wednesday and Dead Boy Detectives (which is a spin-off of The Sandman) have great opening credit intro sequences but The Sandman does not. Apparently Neil Gaiman was told people don't watch the opening credits anymore so The Sandman doesn't have them.
I feel we were cheated out of what could have been a great opening sequence for The Sandman.
Episodes 7 and 8 of Dead Boy Detectives were probably the best of the series. I liked it well enough that if Dead Boy Detectives gets renewed I'll happily watch season 2.
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galpalo · 30 days
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(SPOILER)
Okay so I can’t fit ALL my screenshots here so I’ll focus on the ones I found most interesting. I will not apologize for shamelessly rambling, you WILL listen. Also this is not in order of the events.
(funfact: all of them scenarios were my favorite)
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NORI FLASHBACK I REPEAT. R.i.p to the “intern”.
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Can I just say I find it cute how similar Uzi and her mother are? Look at the band posters and her music tastes, plus the drawings (there’s one also on the desk!) but I did not expect her to be a heart-core remain of her old body.
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BLONDE TWINS ARE BACK. THEORISTS YOUVE DONE IT AGAIN.
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This moment
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I did not ask to be hurt for a fraction of a second
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I would scream too if I saw a trauma ghost of my past-life crush standing in front of me. Seriously though, this moment was funny
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SO YOURE MEANING TO TELL ME, THEY WERE NOT JUST PROGRAMMED TO WIPE OUT ALL WORKER DRONES.
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BUT ALSO THE HUMAN RACE. It unexpectedly makes sense?! Because back at episode 5 “home”, the absolute solver took cyn as a host to MURDER all humans at the gala. AND NOT ONLY DID THEY SUCCED HERE.
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THE SOLVER FREAKIN. KILLED TESSA AND USED HER SKIN AND BODY??? THEORISTS HOW THE HELL DID YOU PREDICT THIS. TESSA WAS NOT TESSA. (Also this is a nice callback to Liam’s old works)
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LOOK. THE SKIN-MASK. THE ARMS. THE FACE. POOR TESSA.
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This moment made my heart race. When I tell you I GASPED. At first shocked by tessa being vague and kinda of a douche. And then N freakin- KILLING HER?? (That was before finding out it was the solver) girl didn’t even finish her sentence before he SLASHED her throat. AND N FREAKING OUT OVER IT FOR A SECOND. MY BABYS. MY FUCKED UP FAVORITES.
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KHAN IS BACK AND I HAVE NOT BEEN HAPPIER. Lizzy and Thads confusion (mostly Thad’s) were funny.
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Look at him so used and casual about the solvers powers (which raises a question) and thad and lizzy panicking in the backgrounD. Also him fixing the railgun?? And he KNEW about uzis cannibalistic tendencies? Did he notice or he saw NORI eat humans? And the fact he complained about her “nightcore” music taste. She’s just like her mom
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Best not to ask Thad.
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WHEN I TELL YOU IM IN DENIAL OVER DOLLS DEATH.
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I WAS SO SCARED I THOUGHT THE SOLVER TOOK HER (doll) AS A HOST?? I AM IN DENIAL. I TELL YOU. UZI IS TRAUMATIZED. EVERYONE IS TRAUMATIZED. IM TRAUMATIZED. UZI SHES WARNING YOU.
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THEM. THEM. IM. SCREAMING. THEM.
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Even as a heart, a mother is a mother. She’s right tho Zi. (Also when she told N she knew Doll was infected with the solver. Nori. You’ve got some explaining with so little time to do so.)
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J is back and I have NEVER been happier. Again. Also her “PRIOR HAZARD” message when seeing the RAILGUN khan fixed. GIRL IS NOT HAPPY TO SEE IT.
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deancasbisexual · 5 days
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Jensen Ackles. I love him. I think he's very talented, beautiful, and he seems sweet. Big fan of the guy. I want him to achieve great things...with that being said, that man confuses the hell out of me. Specifically, his stance on Destiel. I truly can't tell if he is for or against it....or neutral? Idk he's been sending mixed signals.
I mean sure he got on stage years ago and said things like "Destiel doesn't exist" and "I didn't play Dean that way." But if that is really what he thinks, then why has he said and done things off stage that contradict that? Hell, why has he said pro Destiel things ON STAGE within the past year or so if he doesn't like it?
Why did he happily sign scandalous Destiel fanart? Why did he hype up bi Dean to fans in meet and greets and signings? Why are there fan stories about how happy and on board he is when they ask to recreate Destiel moments for their photo ops? Why did Misha say him and Jensen were both aware of how Dean and Cas' relationship was written? Why did he (allegedly) write a Destiel song? Why did he get absolutely GIDDY over the handprint callback and how Destiel fans would react to it? Why does he keep bringing up wanting to see a Destiel reunion where they talk about Cas' very romantic confession? Why did he say Dean should have told Cas he loved him too if he knew that scene was romantic? Why did he say before S15 that Dean's storyline with Cas (the one where it is confirmed Cas is IN LOVE with Dean) was the one he was most excited to tackle? Why did he play Dean as flustered and curious when Aaron hit on him (as confirmed by some writers)? Why all the Destiel jokes with Misha and Jared over the years? Why did he want the confession scene recorded on his phone in case it was severely edited or even excluded from the episode? Do I need to keep going?
Like he isn't homophobic and he DEFINITELY doesn't have any issues playing queer characters (considering he has before) so...what is his deal with Destiel? Is it a network censorship thing? Did he just genuinely believe it would never happen until it did? Were him and Misha doing a sort of good cop bad cop joke on the fans? Was HE just joking the entire time and pretended to not like it? Did he black out when filming so he genuinely didn't see how gay Destiel was until he rewatched the show after it was over or something? Like I need answers. Jensen Ackles LET ME INTO YOUR BRAIN.
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anthurak · 29 days
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Takeaways from the Volume 9 Epilogue:
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One thing I really like about Oscar’s ‘If there was anything I wish I could borrow from you…’ monologue is that it laid out/confirmed something I’ve always felt was a major aspect of Oscar’s dynamic with Ruby that I nonetheless feel a lot of the fandom has missed: That Oscar very much sees Ruby as a mentor and an example to follow, and how their dynamic is specifically a foil to what we saw between Ruby and Ozpin. That Ruby acts as a mentor and example to Oscar in the same way Ozpin was to Ruby, and that Ruby is a far BETTER mentor and example to Oscar than Ozpin ever was to her. Which, as an aside, is a dynamic I can’t help but feel a lot of people have been misinterpreting as ‘ship-teasing’ and is one of the main reasons I’ve simply never been able to see Oscar as any kind of viable love-interest to Ruby. Frankly the dynamic of ‘Ruby is the mentor and example to Oscar that Ozpin couldn’t be for her’ is simply so much more INTERESTING than any kind of romance could ever hope to be.
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Even in animatic form, Winter basically going overdrive on the maiden powers was a sight to behold. And her own monologue had all the self-deprecation we were expecting. Our girl is clearly holding on by a thread and it’s going to be REAL interesting seeing how she reacts and adjusts to her sister not actually being dead. As in, I can imagine a situation where Winter tries to throw herself into a heroic sacrifice with the belief that Weiss would make a better Maiden than her.
Also, Winter’s monologue giving major focus to how Penny is super-super-dead-dead-and-definitely-not-coming-back-for-really-realsies, as she is talking to the sister who she ALSO believes is DEFINITELY also dead? Specifically with the words that Penny is gone, when Penny’s last words to her were that she’d be ‘part of you’?
Yeah, there is no way in hell we’ve seen the last of Penny XD
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The CROWN. Like it was only a few shots, but as someone who read the CFVY Books (which you totally should if you haven’t, they’re great), holy shit I was NOT expecting them to pop up here.
I mean, in hindsight it makes perfect sense that they’d be involved in Volume 10. They’re basically Vacuo’s equivalent to Vale’s criminal element and the White Fang splinter faction as Salem’s co-opted insurgency group, with Jax and Gillian joining Roman, Adam and Jacques as the latest of Salem’s unwitting patsies. It’s definitely going to be real interesting seeing the crew deal with them. Like it’s really fun to imagine Team RWBY in particular being kind of exasperated at seeing Jax’s probably doing a whole ‘With Salem’s help I shall be King!’ shtick after everything they’ve seen with Roman, Adam and Jacques.
Oh and if you don’t know, Jax has a mind-control semblance, so him trying to use that on Yang could actually lead to a sneaky callback to the Justice League crossover, ie; Yang doing a ‘Yeah, I’m not doing THAT shit again.’ XD
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Qrow’s whole vibe through this is fascinating. Like his section may have been the one we already saw, but after seeing the abject depression and growing despair of all the other characters, Qrow actually being OPTIMISTIC hit so much harder.
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Raven showing up at the end is… interesting.
I’ll admit that ever since we saw that specific clip a few months back, I’ve been rather conflicts about Raven showing up to deliver RWBY+J to Vacuo, particularly after Ruby’s tree vision. Like for one it felt a bit random and unnecessary. The tree already deposited the Ever After team outside of Vacuo so they didn’t exactly need help getting there. Not to mention that it kind of clotheslines the story-thread set up by Ruby’s vision; that she now has a reason to track Raven down to get the ANSWERS to what happened to Summer. Finally, it’s just kind of… random? Like where did Raven even come from to get the team?
But now having seen the clip with its intended context, I’m definitely more on board with it. Particularly hearing from Kerry and Eddy that the original ending for the penultimate episode had RWBY+J going through the portal to arrive at their memorial stone, and met by a ‘Mysterious Figure’, ie; Raven. Here it feels like were getting more set up to get answers later as to what Raven was doing at the memorial.
And really, now that I’ve thought about it more, this method kind of puts the thread of Ruby going to Raven for answers even MORE into focus. Like the story reintroduces Raven in the present right after Ruby got a vision basically saying ‘hey, Raven is important’. And now going into Volume 10, we’re pretty much perfectly positioned for Ruby to pull Raven aside for those all-important ‘Why were you fucking my mom? What happened to my mom?’ questions.
--
Finally… yeah that ending hit me a LOT harder than I was expecting. Like that ending was HOPE in its purest form and it was honestly beautiful to see. Particularly right now with the future of the show seeming so uncertain. I’ve personally been optimistic about RWBY’s future (in a manner not unlike Qrow’s vibes I suppose lol), but damn the hopefulness of that ending hit especially hard, and was something I’ll admit I needed. And I imagine the rest of us could use as well.
We'll be getting Volume 10. And 11, and 12, and however many more it takes to finish this story. At this point, I have no doubt of that.
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matan4il · 1 year
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Buddie 610 meta
Holy shit, this ep.
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Okay, what shall we start with? Maybe with what 911 itself starts, lots of foreshadowing. At the beach call, we have Eddie looking at Buck and replying to him (about the lightning), “I really hope it doesn’t strike twice, though.” Which, of course we know it will. But the foreshadowing continues, as Buck talks to Omar about unexpected things in life coming out of nowhere. That suggests we need to pay extra attention to other elements in this ep that might act as foreshadowing for later events along 6b. ~~
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That kind of connects to me with Buck being closely tied to Ely, the pregnant lady (he saves the day there twice, first by realizing the oil is dripping and if they use the saw, it might prove fatal, then by helping Bobby with the baby). First off, it made me chuckle when we learned that, despite being driven to the hospital by a man, he’s actually not her partner. 911 made sure we knew Ely has a wife, and that she has another kid with her. Is it a coincidence when Buck, who practically has a husband and a kid with him already, is the main firefighter taking care of her? Maybe, but it still amused me. What really made me take note is when he told her not to push, trying to stall her childbirth, and she replied that it doesn’t depend on her. That made me wonder if perhaps this is also in a way foreshadowing what we might end up seeing with the sperm donation storyline. I’m not sure, I can’t be, but I was not surprised to see that storyline brought up later in the ep. ~~
In general, this ep’s title, “In a Flash,” might seem to refer to the lightning storm the team experiences, but the real tempest is the havoc our families can wreak on us, tied to the unexpected nature change can sometimes take on. Chim’s dad suddenly shows up, raining on his parade. Albert suddenly thinks Chim should give their dad a chance to be Jee Yun’s grandpa, but decides against giving his brother a warning. The Buckley parents are suddenly making an effort, yet leaving everyone suspicious and unnerved. Albert suddenly leaks Buck’s sperm donation to everyone and unleashes hell between the in-laws. Denny’s changes, probably influenced by getting in touch with his dad, come as a surprise to Hen. And of course, at the climax of the ep, Bobby as the unofficial adoptive father of Buck might lose his son in a flash. The whole ep is filled with these parallels of abrupt familial disquiet, especially in relation to dads, on all 118 fronts. And as Buck deals with maybe the biggest of these questions, because he doesn’t even yet know what he wants for himself and how does the life he helped create (but only as a donor) fit into that, it’s no wonder his life ends up hanging literally in the balance. ~~
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One of the most painful things in this ep for me was seeing how much Buck’s parents are willing to accept him as a donor, because not for a second do they think he can be a father. That would be the natural conclusion from him looking at a sonogram on his phone, but his parents find it easier to believe their daughter is pregnant again than to think Buck would be a dad (ironic, because he already is one. Just not to the baby in the sonogram). It reminded me of how Eddie’s parents also didn’t believe in his ability to be a dad, and actively petitioned to have Chris taken from him to be raised by them in 315. It amazes me every time anew just how much Buddie are compatible, because their stories parallel so much that they can understand each other in ways most other people can’t. ~~
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And it gets to me that this whole episode also insists on reminding us how good Buck is with kids, first with the ones on the beach, calming them down and answering their questions to help them make sense of the whole ordeal. Then with Ely’s baby, a callback to how we saw him with the pipe baby in 101. It connects to him looking at the baby sonogram, all excited, once again acting so much like an expectant dad would (parallel to him and the firefighter onesie in 609), when we know he’s not actually going to be that baby’s father. It very much does feel like 911 is signaling to us Buck has some realizations coming his way in this context. ~~
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Speaking of the kids on the beach, Buck telling the boy he wants to fix everything, then adding that Buck gets it, had me screaming into my fists, because hey, remember who said that to Buck? That’s right, his Eddie, back in 504. A reminder of how much Eddie sees Buck, accepts him and allows him to be himself, enabling Buck in turn to reflect that back to that kid. Of course, in the context of the sperm donation, Buck’s tendency made him want to help “fix” things for Connor and Kameron, and we might learn in 6b that Buck comes to realize he sometimes lets this tendency take him to places that aren’t actually good for him, without fully considering the consequences, and then hopefully, he’ll get to find a way to balance this, to be himself, but not derailed from his life goals by this part of himself. ~~
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At the same time that the ep shows us how good Buck is with kids, it also serves to remind us of the one kid that we’ve seen him co-parent all along, the one who has always demonstrated what a good, loving dad Buck is, Christopher. Yes, when we see Buck working on his cooking with Bobby, it’s a part of the many parallels revolving around dads in this ep, so Buck and Bobby’s r/s is the immediate focus, but at the same time, we know who Buck is learning this FOR. Lazania kitchen scene from 601, anyone? Oh, but the best part? It’s when Buck tells Bobby, “Something’s missing.” He can’t quite put the finger on what, but he knows something in his domesticity isn’t fully there. I wonder what, Buck... And this is again in an ep full of foreshadowing! ~~
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It may seem like a minor thing, but remember how in my past meta, I was more or less losing it over the many times Buck and Eddie did rope rescues together as their own team within the 118 team, even having their assigned roles where Eddie connects Buck to the line and then becomes an anchor himself to keep Buck safe, to the point where I wrote a smut fic involving this very meaningful act? Yeah, so imagine me seeing that the most intense Buddie call we’ve had since the end of 413 starts with them doing this subtextually intimate thing, Eddie hooking Buck up to the rope, becoming his literal life line, and even teasingly calling him “cowboy” while at it. No, I was not breathing for a full minute at least. ~~
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But since I brought up the shooting in 413, can we talk about the insanity of the parallels? Take the meaningful staring once disaster strikes. Back in s4, it was mutual, right before Eddie collapsed. In 610, Buck is unconscious, so you wouldn’t think they could stare at each other at this moment, right? Plus, back in 413, it was just the two of them present at the scene out of the 118, the other members of the team weren’t there. The lightning strike seems a lot less intimate in comparison... But in this ep, the camera plays a role in recreating that same dynamic, singling out the connection between Buddie. Because when Buck is hit by lightning, we get shots of every 118 member looking up and being terrified of what just happened to their friend.
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The only exception in terms of this shot? Eddie. He’s the only one that isn’t being filmed from the side as he looks up, he’s filmed from above as he looks straight into the camera. Essentially, the shot recreates Buck’s POV for Eddie, and for him alone. It shows us what Buck would see and how he would stare down, back at Eddie, if he only could. The fact that the camera has to do this instead of Buck himself further emphasizes the horror of Buck being unconscious, but the choice to do this only with Eddie highlights their connection and makes it clear that Buddie’s bond IS different to what the other team members have with Buck, no matter how close the others are to him or how much they love him. What’s insane is that DESPITE having all of the 118 there, there is still a bubble within this whole situation that is Buddie and Buddie’s alone, even as Buck himself is unconscious. It’s no wonder Eddie jumps up that electrocuted ladder without even thinking about it, it’s no wonder no one even tries to stop him or warn him of the danger in that. That is a man on a mission to save the other half of him, and the show tells us that in more than one way.
That’s gonna continue through Eddie’s attempts (and eventual success) in getting Buck away from immediate danger, as well as when the team tries but then fails to revive Buck, because Eddie will be the one to push past Bobby to see Buck, and Eddie will be the one Bobby has to keep in line by assigning him driving duty, maybe the most important thing anyone can do for Buck once all the medical assistance they can give him in the field is of no further use. ~~
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One more thing regarding the comparison with the shooting arc in s4, as well as talking about camera shots, is that we get to see the difference between a platonic friend resuscitating his teammate and a man desperately trying to keep the love of his life alive. If you look at Chim doing compressions on Buck, he’s giving it his all, because he DOES love Buck, Chim’s doing his best for his friend and brother in law. But the shot is not an intimate one, we don’t get close ups, we don’t get to focus on the eyes and see the frantic look of a man who knows he CAN’T fail, we don’t see the intimate touch of a hand laying a gauze on an exposed chest and trying to keep this treasured body together, we do get “come on, Buck,” but we don’t get personal speech, begging the other man to hold on and just “stay with me.” While back in 414, in the ambulance, we had ALL of those as Buck, almost on the verge of losing his sanity, fought for Eddie’s life. ~~
Lastly, I’ve made in the past a gifset of times when we’ve seen Buck screaming Eddie’s name in horror at the face of danger (including in 413), and I love that we can finally add to that Eddie doing the same thing for Buck. But I think it’s particularly meaningful that it happened not as a matter of when Buck would be in danger, but rather it was a question of just how significant Buck had to become to Eddie for this former, highly decorated soldier to go from the stoic man he was in 218 to what we see in 610 (as seen in my latest weekly gifset). Because Eddie WAS incredibly worried back in the s2 finale. He was gritting his teeth, you can see the tension on his face, and the second it was safe, he sprang to Buck’s side. Eddie also held on to him while everyone else was lifting the truck (even though Chim, as a medic, would have been a more natural choice to hold on to Buck, while Eddie the firefighter helps lift engine 118). And Eddie wouldn’t even let go of Buck’s hand on the way to the truck. HE WAS DISTRAUGHT. But the man who kept his facade up in the hospital after Shannon, his wife and mother of his son, died just one ep earlier, did the same thing with Buck. What I find so telling is that he can no longer do that by 610. Buck has become such an integral part of his life, of his family, of who Eddie is as a person and how he deals with life, way more than even Shannon managed to be. And that’s why Eddie loses it, confirming what we’ve known for a while: Buddie are life partners. ~~
I now have direct links to my weekly meta posts, my Buddie gifs and more of my content in my pinned post. Loads of love to @whosoldherout​​ for making unbelievable gifs for my very unique requests. You’re a star! Tag list will follow in the reblog. Thank you in advance for any reblog and like! I’m operating on 1.5 hours of sleep to get this posted ASAP, so I really appreciate any and all encouragement to keep doing this. xoxox
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azirafuck · 9 months
Text
GOS2 Spoilers Masterpost (ONLY EP. 1-2)
alright, you read the title, you know what's under here - gonna tag everyone who helped this if I know them, thanks to everyone for their contribution and for being agents of chaos the way satan intended. love you all
[Last update/edit: 24/07 - 14:10CET]
first of all, we got some amazing posts from @incorrectquoteswwdits mostly about the first scene in heaven with crowley as an angel:
angel!crowley creating stars and aziraphale thinking he's calling him beautiful
more on that
aziraphale's lies make the lesbians have problems, apparently
communist aziraphale be like OUR CAR
isolation and doubts
THEN we have a detailed recount of the first episode by a kind anon! again, thank you @incorrectquoteswwdits for sharing <3
@goodomens-hints posted a lenghty and detailed recount of the first episode as well with some little hits at future episodes (nothing too big on the post itself, but BE CAREFUL, the blog is actually posting some other spoilers from episodes past the second one!)
@goodomensjail gave us a detailed recount of the first scene, with angel!crowley starting to question stuff and eventually shielding aziraphale with his wing
@mikubinders gives us SOME GOOD GOURMET SHIT by telling us that:
"Beelzebub kidnaps and threatens Crowley, tells him that ze could put a price on his head but ze doesn't want to. After that Crowley comes back to the bookshop and Good-old-fashioned lover boy plays while he drives there. "I'm back" happens. Aziraphale makes Crowley do a silly little apology dance so he forgives him and so they work together"
after thinking this last spoiler was fake, an anon came through and confirmed its real! we also have new context! (sent by an anon to yours tuly)
anon came through with some details about the Everyday record, told us Queen is actually tied to CROWLEY and not to the Bentley, and gave us more context to the OUR CAR and OUR BOOKSHOP bit (sent by an anon to yours tuly)
as for what happens during the Job flashback, after which the sitting five feet apart on a rock in front of the sea happens, a bunch of different versions of what actually happens are going around. @thesherrinfordfacility kept up with the madness surrounding it, so im gonna post here the last two versions of events/details.
first one:
In the Job section, Aziraphale is questioning gods decision of punishing Job. Then u see him in heaven w Muriel here and they are looking thru a long scroll that has instructions from god and he's trying to make sense of it. Muriel is telling him that god and satan made a bet about what Job would do and that's why they are testing him. And az is like whatttt why would god do that that's mean!
When Az finds out they're going to kill Jobs kids, he goes down to Earth to save them while using his angel voice until he realizes he's speaking to Crowley. He sees Crowley about to enter the kids room and tells Crowley "I know you, you wouldn't do this" and Crowley tells him he doesn't know him really. (
AND TY TENNANT IS SASSY AND FLIRTS W AZ??!??!? (*) And THATS when crowley goes "well he seems nice" from the clip. He wasn't jealous tho, like he thought it was funny since they are literally there to supposedly kill these kids and one of them is flirting lol.
The moment of 'weird-beard Crowley' was actually more focused on azi and him questioning God. Crowley tempts Azi w food and u see him struggle but then he gobbled it down and he cries bc he thinks crowley is going to bring him to hell (that's the scene where they are sitting on that thing with the pretty horizon) Crowley tells him "you're just an angel who follows gods as will as much as he can" and Az says that sounds lonely, and Crowley agrees, which is a callback to when he asked Crowley if he was lonely being on what Crowley calls "his own side", and Crowley said no. Crowley then tells him "i'm a demon. I lied"
(*): it was told this isn't actually canon canon, it's up for interpretation - some reported Ty's character is just the classic bratty teenager UPDATE: NOPE anon cleared it up and apparently it DOES read as flirty because ty's character is a little bitch, love that for us
and then we have the second one:
"Episode 2 is half present day things [...], and half the Job story/flashback. Crowley is the demon sent by Satan to torment "God's favorite human" Job to see if Job will curse God, in one big bet between God and Satan. Aziraphale comes to try to stop him, discovers they recognize each other but haven't seen each other since "the flood" and that Crowley seems to have changed since the flood, because he is willing to sacrifice the goats, and ruin Job's house. Crowley says he "has a permit" to torment Job FROM GOD. Aziraphale brings this up to the archangels that gleefully explain that yes it's a bet with Satan and that Job will suffer, but he will get everything back 3-fold by the end. And he will get NEW children. This disturbs Aziraphale, he does not want the CURRENT children to die, he understands the familial love that the archangels do not. He goes to stop Crowley not with power since he has the permit but to reason with him. Aziraphale says things to the effect "I KNOW you don't want to harm them I KNOW you and you don't want to kill children" and Crowley is defiant, but then…. It is revealed that he never killed any of the goats either, he transformed them into pigeons to hide them. And he is hiding the children away in the basement but destroying the house to make it look like they died. He transforms the three kids into lizards to hide them, then when the Archangels descend to give Job his rewards and tell him his wife will bear 7 new children, Job and his wife are in despair because they love their children. Crowley comes in pretending to be a human doctor and he and Aziraphale LIE to the angels faces about how babies are made and trick the angels into thinking Jobs three original children are NEWLY BORN children. Which fools Gabriel, who has only ever seen God make Eve fully grown from Adam's ribs. Crowley then meets Aziraphale at the rock. Aziraphale is crying and says "im ready for you to take me to hell" because he has LIED to angels and foiled God's plans. Crowley is gentle and comforts him that he is still an angel and "I won't tell anyone if you won't" and they reminisce that it's lonely being a different kind of demon and a different kind of angel that sort of do what they feel is right. Heavily implying that they are the same and have each other now. The end of episode 2.
that's what's going around for now, but ill add stuff if we find anything new - also feel free to add to this yourself or send me stuff!
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blackphanto · 3 months
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Trying to overanalyze Lucifer's design
The Hazbin Hotel season 1 finale was fucking insane. I loved everything and especially Lucifer, whom I am dedicating this post to.
Let's begin with his "normal" form
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Lucifer wears a ringleader costume bc Hell is one giant circus and he's the ringleader, but did you know that there's actually more to it?
A ringmaster, -mistress or -leader is like the opening act of a circus. They show you around, introduce the other acts and keep you hooked. They are essentially the glue that keeps the circus together. Another definition of a ringmaster, -mistress or -leader talks about an actual leader who leads a group of people, mostly through the act of doing illicit or unlawful activities. A role that would suit Lilith better than Lucifer. Sins could be seen as unlawful activities in Heaven's eyes and Lucifer is the cause of how evil found its way to earth, one could say that he was the one to lead the sinners in their sinful behavior in life. Yet, in death - if we go by Charlie's storybook - Lilith was the one leading the sinners to rise up against Heaven, another illicit activity that has led to their eventual doom.
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Luci also wears a top hat with his crown on top of it. The hat gives him some extra height so I doubt that he wears it for any other reason. His crown is mostly covered with a snake and a red apple on the side. The snake can have 2 meanings: 1) how the word 'seraphim' in Hebrew can be translated to 'fiery serpent', due to his six wings, Lucifer is likely a seraph. 2) he was the serpent that tempted Eve, although never confirmed in any religious text, this idea of him being that snake is really popular in every reiteration of that story. This would also be why there's an apple motive following the Morningstars. Now let's move on to...
Angelic/demonic form
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I don't think what we are seeing here is his full angelic/demonic form, but considering that the other Princes' forms aren't as scary either it is likely the case. The first thing that caught my attention were the horns and overall resemblance this form has to Charlie's, but let's focus on the differences.
In the first image, the snake and apple have turned into some sort of halo, a nod that his actual halo has disappeared when he fell and unlike Vaggie his wings probably didn't get ripped off, but I do believe they were different to how they were when he was behind the Pearly Gates. He has a tail and horns, classic demon imagery, there are 6 eyes at the end of his coat and there's one more on his bowtie, which makes a total of 8 eyes on Lucifer's design. The eyes are a common returning motive in Heaven and with angels.Luci also has a flame in-between his horns. This honestly reminded me of Baphomet, but they would likely be a Candle head from the Sloth ring. In the Bible, fire is often depicted as the presence of God, but I'm a firm believer that Hazbin has a deistic God view (see my other post), so I doubt that's the case here. The fire was likely chosen because Hell is associated with fire and he's the king of Hell so they thought it would make sense.
Like father, like daughter
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As stated before, Lucifer and Charlie share a lot of similar elements. She's essentially him without wings and with longer hair. They both have a red sclera with a yellow iris. Their tail is pitch black with a heart cut out at the end and despite having white skin, Lucifer's arms are greyish. I always thought they were gloves, but no, man's face doesn't match his hands. I really like this shot of them right here, they look so badass!
Charlie also seems to be getting a new ability which has to do with her arm getting bigger and blocking Adam. This might be a callback to whatever was going on with her arm in her first design.
That was it thanks for reading <3
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ohraicodoll · 1 year
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i see a prompt request 👀 what about “stop trying to help me it’s just hurting you” with feral reader… maybe joel is the one helping her with the adjustment to settlement life in wyoming? or they’re out on a run and she gets hurt? anything tbh you decide
Yesssss I am all for this one. I had some downtime and managed to write this so fast. So have some angst and maybe some lore and both of them fighting lol
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Left Behind Joel Miller x f!Reader/OFC The Last of Us 2.5k Words (3rd POV) (Lots of callbacks to Monsters but not necessary to read first. Feral Reader's name is used sparingly so yes, she's technically more an OFC as you get lore in this one) Summary: Settling into life in Jackson wasn't going so easily and Joel is hit with the possibility she may not be welcomed to stay.
“Joel, she’s trouble, man,” Tommy ran a hand through his hand exasperatedly, pacing the hard packed ground in front of both their homes, “I know shit was rough out there. Hell, the three of you were practically hissing at everyone when you came through that first time, but it’s been a couple months. She’s scaring half the town and you’re scaring the other half acting like her goddamn guard dog.”
The older Miller brother clenched his jaw, hands on his hips and trying not to show how much his split open knuckles smarted, “I wouldn’t have to if those assholes would stop treating her like a fucking pariah or giving her shit every time she tries to stand up for herself.” “You have got to admit it’s not exactly like she’s giving them much reason not to act that way,” Tommy sighed and spread his hands pleadingly, “She threatened to stab Johnny at the lumberyard through his hand for looking at her weird, not to mention I’ve already had to take her off patrol duty with anyone but you after she beat Grant-” “That boy learned the hard way to keep his hands to himself,” Joel cut him off.
Tommy pinched the bridge of his nose, shaking his head, before glancing back at his house where his very pregnant wife currently was, “Brother, I can’t have her acting this way. I get it’s not perfect here, but we can’t have trouble like this. Maria…she’s already considering that if Red doesn't get her shit together she may not be welcome to stay.” Silence fell between the two, boiling and tense. He didn’t have to even look up to know the look on his older brother’s face at his words, could feel it as if flames were on his skin. It was like lighting a match around gasoline, waiting for the whole thing to ignite. He knew that as much as his brother cared about the young girl in his charge, he also cared about the woman that came along with them. And when Joel Miller cared about something, he’d go through hell for them. “That’s not gonna happen,” Joel bit out harshly, snarling. His irises had darkened to almost black, the hints of hazel swallowed almost entirely. His body was tight, a wire begging to snap. But the younger of the two could only shake his head, feeling lost and unable to comprehend what to do. Torn between the home he had helped create and protect, his wife who had the weight of the community on her shoulders while preparing to give birth to his first kid, and his brother’s protectiveness over the rough woman currently inside the house. “Just get it sorted. Talk to her. My hands are tied, I can only do so much,” Tommy sighed, turning and heading back across the lot to his own home and life. Joel didn’t watch him leave. His eyes were trained on the ground, blood roaring in his ears as he replayed the words over and over again. They were considering kicking Red out. He’d dragged her all over the country, to Wyoming then Colorado and Salt Lake and back to Jackson, forcing her to settle down only for her to get kicked out. He knew she was having a hard time. She’d never stayed in a QZ, had stayed out in the world too long alone or with the wrong people and didn’t know how to deal with a community like this. Normal people who didn’t have to tear each other apart for scraps. While he and Ellie didn’t have the smoothest transition and were still rough around the edges, they’d managed while the woman had hit wall after wall. She was defensive, quick to react and bare her teeth. It was fine out beyond the gates but inside Jackson where everyone was trying to find a new normal it had caused issues. One of the steel workers was Grant’s brother and hadn’t taken kindly to her beating the shit out of him. He had refused to give her some parts they needed for the house and then called her a bitch when she’d slapped his payment down and went to snatch the items. But he hadn’t registered Joel around the corner listening and before they all knew it his fist was flying into the man’s face. He’d have done more if Tommy hadn’t broken them up. But his brother was right and she did have a reputation, had scared a lot more than half the town. He’d seen the way mothers had pulled their kids away or the looks some of the guardsmen gave her. Ellie had told off more than a few, shouting across the plaza when she’d catch it, defensive. He’d watched Red shrink in the settlement, only fully confident like she usually was outside of Jackson. He’d figure it out. He had to. 
With a deep sigh, he turned and went inside. Ellie had been sent to take care of the errands and get the groceries they both knew Red wouldn’t be able to get. The teenager was understanding and was doing the best she could to help, keeping any complaints to herself or to him when they were alone to not burden the woman. She was as protective of her as he was of both of them. The house was quiet. It was all something he was still getting used to. Having a house again, a home where he didn’t have to worry about getting attacked or FEDRA raids, no more furniture salvaged from garbage dumps and pipes that rattled without a drop of hot water. Jackson made it easy to get comfortable, to feel like it was before the world was ravaged. Easy for him at least. He paused and waited a moment, hearing the almost imperceptible sound of breathing on his good side before he rounded the kitchen counter and looked down. Red sat on the tiled floor, knees pulled up to her chest, head resting back against the cabinet doors. Her face was blank but he’d learned to read the small hints of thoughts on her face. Lips pressed tight, eyes focusing on her nails even as he hovered. She’d heard. He knew she had. “Should I start packing my bag now or wait for Maria to give me the word?” she chewed on her lip, feigning nonchalance. “Neither. You ain’t going nowhere,” Joel bit out with a furrowed brow. She laughed humorlessly, mouth turning into a grimace, “That’s not up to you, Tex.” Those eyes looked up finally, met his, and he could see the resignation there. This wasn’t something she was going to fight if they made her leave. She’d do it and he knew why, knew it was for them, but refused to accept it. “Like hell it ain’t.” “Stop,” abruptly getting to her feet, she hissed at him, “Just stop it. Stop trying to help me. It’s only hurting you and Ellie. You have actual family here, Joel. Flesh and blood family. You could murder someone and they’d still keep you here and Ellie as well, but I’m a liability. To you, to her, to all of them. I get it.” “I don’t give a fuck if you get it, Red,” Joel was angry, getting into her face, “They’re not kicking you out. End of conversation.” “Not end of fucking conversation,” she growled, “I’m not risking yours and Ellie’s only chance at a safe, stable life. If that means I go back out there then so be it.”
“God, you’re so fuckin’ stubborn sometimes,” he all but yelled through his teeth. A laugh tore from her, sharp and loud, her brow raised, “Oh that’s hilarious coming from you.” He wanted to beat his fist through the fucking wall, pick up a glass and shatter it if only to release some of the frustration dealing with her gave him. That damn martyrdom that he hadn’t ever been able to get rid of, scream out of her no matter how many times he told her to stop it. She was so willing to throw herself away for his or Ellie’s sake as if what happened to her didn’t matter and it drove him insane every single time. “You better quit that shit,” Joel ground out between clenched teeth, “That stupid fucking selfless bullshit. For what? As punishment because you lost some people? That…fucking Harry you were with?” He hadn’t ever brought up the name she had mentioned once because he knew what it was like for someone to bring up the past. She hadn’t offered much of her background and he never asked, but there had been small moments. That name had stuck in his brain though, like the little stars tattooed on her collarbone and the “love ya” on her skin in someone else’s handwriting. 
The silence following his words were deafening, all emotion wiped off her face. It was as if someone had scrubbed away anything that made her a person, human, in seconds. 
Then something darker took over and twisted and she smiled, a showing of teeth, and eyes so hollow they seemed like caverns, “Is that what you think? That I’m punishing myself over some boyfriend that died when the world fell apart as if most of the fucking population didn’t also die too? That I’m what? A sad little heartbroken girl pining over some lost love?” A laugh left her lips and it felt like poison, dripping venom. He clenched his fist, anger burning hot, but he knew better than to say anything or approach her when she was like this. Dangerous. Sometimes she was so dangerous he wondered how he had ever thought it was safe to turn his back on her. “That’s real sweet, Tex…I shot him, you know?” she laughed again, not a bit of humor on her face, “Not because he was infected. No. He wasn’t even bit, didn’t have a scratch on him. He was fully alive and healthy before I blew his face right off.” She’d mentioned the man’s name long ago on the road when they’d gotten drunk out. It had slipped out of her covered in pain and regret, Harry and her younger sister, how she'd been barely starting her life when the apocalypse hit. A singer. Ellie had mentioned she had been trying to be a singer and he’d always pictured a bright eyed girl unprepared for what was to come. He had wondered if that death had been what had broken her, guttered her and tore out her soul to the point she lived on instinct only, how that girl had become the hissing creature before him. Now he wasn’t so sure.
Stepping closer to him, he resisted the urge to back away, to show that he was like the rest of them and scared of her too. She almost smiled wider and he knew she was expecting him to, a test almost, “You see we were on a run. Harry, me, and Annie. Spooked some runners so we booked it out of the building because back then I wasn’t much of a fighter, hadn’t learned yet. So I trusted him to keep us safe. Yet, lo and behold, when we get through the front door and I turn around, I see him.” Her words were made of broken glass that cut her apart and made her mouth bleed, devastation and rage coating each one but he didn’t move or try to comfort her lest he got cut too, “Harry had shoved my sister behind so he could get through first then shut the door in her face. I watched them through the glass tear her apart, screaming my name, because I had trusted him to have her back. Instead he got her killed. So I killed him.”
There was no smile then.  He remembers how they met. Ellie had fallen behind while running from scavengers because he hadn’t put her in front of him. It had been Red who had saved her and like a missing puzzle piece, he could see the picture come together. Knowing her now and how it wasn’t normal for her to go out of her way to help strangers, but she’d helped them.
Because Annie had fallen behind once before and she couldn’t save her. Blamed herself for her death.
“It was my fault and I’ll be damned if I ruin both of your chances at staying here where you are safer. Not because of me,” the snarl had left her face, hackles dropping until just the woman was left. Exhausted and a little sad and lost. It’d broken her, he knew that. In the same way Sarah’s death had left him a shell. But he’d kept going for Tommy, Tess, and eventually Ellie.
She hadn’t had anyone until them and now she thought she was putting them at risk.
Joel frowned and stepped forward, their chests almost pressed together, before cupping her face between his hands. His knuckles were bruised and bloody still, but neither of them cared, had never cared about getting blood on the other, “I hate to break it to you, darlin’, but if you think after that I’d still let you go then you’re wrong. I learned my lesson last time we were in Jackson. We stick together. No one’s getting left behind.”
Her eyes squeezed shut, a broken sigh leaving her lips. Her hands came up and gripped his waist, fingers wrapping around his belt tightly like he was a lifeline. Resignation wrapped her entirely in its embrace and he knew the fight had gone out of her, “I…I don’t know how to be around these people. There’s too many of them and they all stare…I’m going to mess up.”
The admission brought a slight smile to his lips, a crack in the defense she had attempted to put between them and a sign that she was giving in, “Well I think as long as you don’t try to maul or kill anyone and maybe limit to punching one or two people a month, that’ll be good enough.”
She huffed exasperatedly, head falling forward and leaning against his chest. His thumb traced her cheek, the other combing through the tangled mess that was her hair. For all she used to gripe at Ellie for taking care of her own, she wasn’t much better. But the strands were still soft and he took advantage of it when he could, feeling her relax against him.
“I’ll talk to Tommy and Maria. You just give yourself time to adjust and try,” Joel murmured, “We’ll figure it out, but you’re not going anywhere.” She nodded against him and at last wrapped her arms fully around his body, sinking into him while he held her tightly back. They both stayed there for a while, arms tight, standing in the middle of the kitchen.
Joel would pull every string, get every ounce of leverage he could get to ensure she stayed. No one was going to take her away from them.
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Okay, it's 10:30 in the morning, I'm running on two hours of sleep, but I really want to get my thoughts out about the new episode (and wow, it's absolutely safe to say that all of us were not expecting this to happen because we usually get an announcement about a week or two before the premiere, so that's very mind-blowing (should I mention the fact that it came out on Chosen's birthday?)).
Spoilers under the cut:
Yep, as the others pointed out, the gray stick figure is confirmed to be Victim, as proven by this detail here:
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And his main goal reveals to be getting revenge on Alan since his presumed death around 17 years ago. Though it's still not confirmed on how he was able to escape his deletion. I did hear a theory, however, and I think it was posted in the first episode of AvA VI, that Adobe Flash does save a temporary file, so that might explain how he escaped. Whatever the case may be, there's no doubt that this will be one hell of a family reunion once Alan and Victim meet face-t0-face again after all those years.
And how to do that? He's going to have Yellow bring him in. Theory correct that Yellow's going to be playing a major part in the story because of how there were two scenes in which he was the first to appear (one where Second started using his pencil to fight off the mercenaries, and one where the mercenaries took off with a paused Chosen and Second), and how he was the first to lead the stick figures in the direction the fight was taking place after arriving (all details in AvA VI: Episode 1 - Wanted, of course).
----
The fight scene... wow...
And I'm getting major callbacks to Animator vs. Animation (original) once the clones were pulled out...
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And the fact that we get to see all of this in 3D...
The hammer...
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The shuriken (I think that's what it's called)...
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The sword...
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The... whatever this is... bullet-like projectiles?...
(Edit: They're keyframes, I've heard about this from a couple different places.)
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The lasso...
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But I feel so bad for Chosen at the same time. Victim, what are you doing to him? 😭😭😭😭 He's becoming more dangerous by the minute...
And don't even get me started on Second; the poor stick figure finally found out that he does have powers... by accident...
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Oh, I couldn't imagine the thoughts that are running through his head right now. I couldn't even imagine what he would be thinking if he found out about Alan's past...
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brewed-pangolin · 3 months
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Salvation at the Shelter
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This is my first entry into the Soap It Up Challenge by @glitterypirateduck, and apparently I'm feeling angsty. I don't write angst well, but that doesn't mean I won't try. I only used one prompt for this, and I'll let y'all find it. Sorry for the feels on for this Super Soap Sunday.
cw: mentions of loss. also a few callbacks to mwiii if you look closely
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Johnny. Your beloved Johnny.
Gone.
Taken away too soon. Leaving an emptiness in your heart and a hole within your soul.
You grieve for what feels like years, yet only turns out to be days. Time standing still as you continually waist away into a fetal crouched mess alone on your tile floor.
Friends, family, and colleagues all tell you to move on. You have to.
But you can't.
For how can one heal from the pain of losing the other half of your soul?
-
It takes you a solid six months to even begin to feel anything again. Feeling everything and nothing all at once. Overwhelming. And not enough.
The emptiness both devours you entirely while continually spitting you back out like a relentless living turbine.
You try to hide the pain behind a smile. It's futile, but it works with most nonetheless. Most.
A few take notice. Those with their own scared hearts and broken stitched souls underneath a practiced expression.
And that's when a coworker confides in you what she did when she lost her husband many years ago.
-
"Go to the shelter," she says plainly over the rim of her glass.
"The shelter?" You question, raising a brow while fumbling with your lunchbox.
"Like, the homeless shelter?"
"No, silly. The animal shelter. Lots of lost souls needing a home. Maybe one there will help fill that hole inside you."
"I'm fine." You bite back. Swallowing your emotions with a gulp of Orange Fanta as you briskly rise from your chair.
"Mhm. Just give it a shot. Might help." She says before turning to walk down the carpeted hall to return to the solitude of her cubicle.
And you're suddenly left alone again with your thoughts, staring aimlessly at the brightly colored face of the vending machine. The color of the Fanta bottle in your hand so reminiscent to the Irn Bru that was consistently stocked in your apartment, you thought you'd break down right then and there. In the middle of your office hallway.
Subtle reminders of him strewn about all through your day you'd nearly become numb to the constant memory of him.
You choked on your emotions once more. Walking as casually as possible back to the devoid walls of your cubicle. Busying yourself in a desperate attempt to rid the tight entanglement of Johnny's echo buried deep within your mind.
You'd take the advice. Go to the shelter. Fill the emotionless void within your soul with at least something. Anything. Hell, even a goldfish would do.
-
The sound was defeaning.
It made your ears ring and your bones tremble. The constant barrage of barks, howls and wails nearly made you spin on your heals and exit before even entering the double doors.
Yet you stood fast. Pushing forward. Perhaps somewhere in this cacophony of canine chaos, you could find solace from your unrelenting heartache.
"I'm just here to look," you tell the attendent with a stern brow. It's a lie, of course. But you muster the strength of poise and composure as your heart and spine wither to dust with every passing moment.
"That's what they all say," the keeper, Jared by the nameplate and probably no more than 18 replies. A wisdom in his voice as he's seen the world come through those doors a thousand times.
"C'mon. And don't get too close to the cages."
You follow close behind. Eyes scanning back and forth between metal bars, taking in the mirage of fur covered lost souls while somehow searching for one that may pull at your broken heart.
German shepherds. Pit bulls. Weimaraners. Jack Russels. Dachshunds. Every breed you could name and so many others you barely could identify.
And they all seemed to mirror your expression perfectly.
Searching. Waiting.
Waiting for an absolution that would never come.
You felt their pain. Their loneliness. Their betrayal.
Still though, non called to you. Marked you.
You were told not to look into their eyes, but how could you not. It had become so second nature to get lost in his eyes you nearly forgot what it felt like to be without them.
You were rounding the corner to the main exit, only a few cages remaining, and a sickening feeling began to boil within your gut. Choking on the bile in your throat with a fruitless attempt at speech.
"That it?"
It was a total loss. Heart sinking to your knees as Jared, the wayward keeper, opened the doors to escort you out of the wing and down an adjacent hall.
"I can show you one more. He's scheduled to be euthanized tonight. He's young. But he's very high energy. And a stubborn little shit. Which is why no one wants him."
He knitted his brow, opening the door to let you in as the overwhelming sound of aggressive barking and growling filled your ears.
Reluctantly, you stepped into the confined room. The solitude had made the poor animal more ruthless and hostile to anyone who stepped through those heavy doors.
Yet something pulled you in. A feeling. A tug at your heart that swiftly moved to wrap around your spine and move you forward.
And as you shut the door, the barking steadily began to settle. The blur of furr and teeth slowed and gradually transformed into a more discernable figure.
And as you stepped up to the cage, you cautiously crouched down to meet the animal at its level and finally met the eyes of a soul you had thought was lost to you long ago.
Blue. A blue so pure yet somehow so misunderstood. An icy cerulean wrapped around tan fur and sharpened teeth topped with blacked edged ears and darkened socks on his feet.
His, because it was obvious. He hadn't been fixed yet.
"Yeah, he's got a thing with doors. He's fine while they're closed but goes ballistic at the slightest movement."
You take note of the dogs calming demeanor. Keeping a close eye on him, scanning across his back and hindquarters, inspecting his conformation for any obvious or detrimental abnormalities.
"Poor thing seems pretty docile once he's settled down," you remark. "Why'd the last family give him up?"
You slid slowly along your feet, edging closer as the canine's demeanor shifts to become more open and submissive. Ears perked with a gradual pull of its paw to expose its tender underbelly.
"They lived next to a railroad or something. Apparently, he hates trains, too."
"What's his name?" You inquire, unable to break the stare as you gently move your hand between the bars in an attempt to gain a physical connection.
"He doesn't have one. And I wouldn't do that, ma'am. He's got-"
He chokes on his words as the fearful pup inches forward to bring the top of his nose your fingertips. You remain calm, quiet. And so does Jared. More out of sheer terror of the inevitable bite that was surely to come.
With a few curious sniffs of your scent, the dog pulls himself forward and against your hand in a desperate attempt to feel your touch.
He curls his back into your palm, rolling his spine underneath the tips of our fingers while moving to lay on the concrete floor.
It's in that moment you know you've been marked. Two lost souls finding one another in the cold and metal walls of a heartache and rekindling the vigor of life within your devoid souls.
"Damn. Never seen him do that before."
You acknowledge his voice, but the only sound reverberating in your ears is the constant strum of your beating heart. Alive once more as the ancient connection between man's best friend heals the scars of an unending loss.
"How old is he?" You ask, turning to face the man standing next to you. Comfortable enough to trust the newly found bond forged as a feeling of warmth and rejuvenation bellows from within your abdomen.
"About six months, I think. Give or taken a few weeks."
Six months. It's purely coincidence.
"I'll take him."
"Alright then. I'll get the paperwork."
You retract your hand just as Jared opens the door, and the frightened pup bolts to cowar in the safety of the corner once more.
But he remains silent. A searching stare locking into your gaze to gauge how to move forward with this unknown terrain.
Slowly, you extend your hand once more into the cage to coax him back to your touch. Rebuild the bond of trust once more as you wait for the inevitable to blow through the door.
With a solemn yet comforted look in the pups eyes, he gradually crawls over and rests his chin within the palm of your hand. Soul blazing eyes staring up within the confines of furr, having a certain familiarity you hadn't seen since so painfully losing that love so long ago.
"That's it. I'll take care of you," you whsiper in a voice akin to haunting within the walls. Rubbing your thumb along his bristled jaw line, not to dissimilar to the affection you showed once before to another blue eyed angel.
The heavy door swung open once more, yet you both remained entwined within an enamored bond as the attendant gently turned the metal knob.
"Think you've found yourself a dog there, ma'am," he muttered with a smile, extending the pen and paperwork for your newly attained ownership.
"You think of a name yet?"
You remained silent for a moment. Knowing full well his name was bestowed upon him the moment you walked through that door.
With one quick glance into his eyes once more, you fell in love with him all over again. And uttered the name you'd thought was destined to become nothing more than a distant memory.
"Johnny. Gonna call him Johnny."
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This is hit me just before going to bed and I had to get it out. Love them furbabies. Boop all the snoots.
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@deadbranch @sofasoap @d3athtr4psworld @writeforfandoms @punishmepunisher @glitterypirateduck @homicidal-slvt @jynxmirage @obligatoryghoststare @shotmrmiller @astraluminaaa @ghosts-goldendoodle @kkaaaagt @mykneeshurt @simpingoverquestionablemen @queen-ilmaree @thetrashpossum @designateddeadend @luismickydees @foxface013
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signed-sapphire · 24 days
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Okayyyy rewatched Wish
Here are my notes
Valentino wasn’t as annoying as people say. Sure, he did nothing for the plot and could’ve been removed entirely, but he didn’t make near as many butt jokes as people say he did
The lead-ins for all the songs were great. Certain media (Hazbin, for example) just jump into the songs
Magnifico??? Didn’t touch the pages??? So why would he be corrupted? Why does Amaya know of obsidian oil? Don’t you just skim the pages to release the evil?
Dahlia was amazing
“At the very least break the hold it has on him” Amaya? Didn’t you found this kingdom with thin? Wouldn’t you know?
Also Amaya was very sidelined. Where’s her backstory?
Asha’s magic wand mishaps were… corny at best
Why did they make Dario high all the time? He’s not stupid. I feel like they made him try to be like Fred from Big Hero 6 but failed
“Nine zillyboo, twenty alphabet!” Val, buddy. No.
DAHLIA. MATE. TRUE LOVE’S KISS CAN BRUNG HIM BACK I swear, it feels like the directors were switched
The spider-carriage thing. I feel like that could’ve been a Disney reference instead
Gabo was still my favorite out of the teens. Bazeema was sweet too
Also. Halzeema moments were actually in canon.
Sabino did not act 100 at all.
Crushing wishes did nothing to people except make them sad for .2 seconds
Asha’s drawing, her magic wand, none of that was important to the actual plot
I feel like the horses could’ve been Disney references too
Why did the roof open? That was never explained
Mag’s hair needed to be messier. Evil Magnifico? Crazy hair
How did he hear them from all the way down there
Mag’s really out there beating up a minor
The curse rope green things were not scary at all
Was Simon just in the forest the entire time?
The Magnifico getting sucked inside his staff… I feel that could’ve been a play to Dr. Facilier somehow
The stars raining down were beautiful
Was Star’s nose tap a reference to something?
The people’s talking… idk how I felt about that
WE 👏 SHOULD’VE 👏 SEEN 👏 SAKINA’S 👏 WISH
Another half-assed apology. First Namaari, now you. At least Simon’s was an actual apology. Wait. More of it goes on.
Ok his apology isn’t too bad
How did the staff get all the way down there?
Changed my opinion, Amaya deserved to tell Mag off
Did Mag’s curse break once he was in the mirror? Why did he act sad all of a sudden?
I’ve heard Asha’s movements weren’t finalized until later, but her movements seem pretty fluent
Clumsy and energetic, sure, but besides from the mouth drooping part, she wasn’t that quirky
Which. Could be a bad thing. She didn’t really have much of a personality
I like the Peter Pan building a flying machine idea
Zootopia ref
DARIO. SHUT UP
Why does everyone suddenly understand Star
But off-topic they were so cute
“It” I guess
Why refer to Star as an it
“They” was too woke for the Disney execs? Why, you had a one-second offhand comment about a water cousin who’s nonbinary!
That Cinderella-reference thing… wasn’t slow enough to be a dress transformation. So I’m fine with her not having a different dress. I mean obviously I would’ve loved it but idk
SHOW DON’T TELL, DISNEY
STOP TELLING
“I understand you well enough” I DON’T! HOW ARE THEY TELLING YOU
Some of Valentino’s jokes were funny. Sue me
I liked the Tinkerbell and Mikey Mouse reference at the end
The storybook was a nice callback
The credits should’ve been moving. Also CHOOSE BAYMAX TO REPRESENT BIG HERO 6. WHY HAVE VILLAINS LIKE MALEFICENT THERE
Overall. Not as bad as people are making it out to be. But definitely not worthy to be Disney’s 100
I’d say… 7/10. The backgrounds did look watercolor, but the shading seemed off in places. Especially Sakina. There was major improvement to be done, but with the hell the execs were giving (and the proven creativity of the concept art) I feel this movie is getting too much hate. Critiques and criticism are fine. But don’t blame the writers for getting rid of Starboy. Yes, it could’ve been better. But it’s Disney. And the creators tried their best to pour their love into a movie that they didn’t have a full say in.
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prettymeredith · 8 months
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Fantasy of the Day: Babysitters
"Denim overalls AND pigtails? I haven't dressed like this since I was in Kindergarten. But seriously, someone tell me what's going on."
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I sat there feeling small as the three of them gathered round. Having not been babysat, let alone even seen, any of them in literal years I still felt young and inferior in the age gap alone.
Questioning how the hell I even wound up in this predicament in the first place, I had little time to think before I was being scolded at.
"No talking in timeout!" "Excuse me, are you making faces at us?" "You've always been a little of a brat haven't you?"
Debooted and outmatched, I never expected an orchestrated tickle attack from every which angle.
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"Haha, HAHA!! StoOOoP!! .... Ta-haHAHAha!!"
As quick as it started the three stopped, peeling off my socks and threatening to gag me with one if I didn't 'behave' as they simply put it.
It was explained to me that I was somehow too immature and irresponsible to be home all by myself. Despite being independent and in my 20s, this was clearly a rouse in their little roleplay; a callback to when I was the little brat whom they were responsible for until my parents came back.
"You see? Always complaining! Told you that you were overdue for an attitude adjustment."
"Do I need to tell your mother what a bad girl you've been today? What'd you think she'd say?"
"Probably, sorry girls but heres some extra cash for the trouble. Little Miss Priss can work that out of her allowance this week, hahaha!"
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They shared a laugh at my expense. Doubling down on both insults and tickling. The three would circle me, picking up where another had just let off. Using both my hairbrish and toothbrush in addition to sharpened fingertips. Nothing to do but giggle and play along in thier little game.
"Hahahaha..! Y-yes I fi-hehe-inished my homework hahaha, I swear!! Haha, but I did!?"
"Hahahaha, no-ho, haha I don't care if your Boyfriend comes over! Just stop!! Hahahaha!"
"Okayokayokay!! Plea-hehehehe-se don't tell my Mo-hahahaha-m!!! HahaHAHAhahaha..!!"
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The reign of ticklish terror felt never-ending. Imagine my relief, though exasperated and breathless, once the fingers finally stopped.
"Okay, I think it's somebody's bed time!~"
"You're gonna be nice and quiet right? Good."
"Ok lets put on a movie.. Ooh who wants pizza?"
They left me there, twirling my pigtails as they went. Left tied, tired and uncertain of just what to expect next, I sat there and prayed that tonight would be the last ever night in which I'd need babysitting.
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