Tumgik
#this was very personal and hard to write
bluerosefox · 6 months
Text
Courting Chaos (to Balance)
A KlarionxDanny brain worm that has spawned
Tim Drake, aka Red Robin gets kidnapped suddenly and very randomly by Klarion in the middle of a JL and others meeting.
Leaving with a
"I'LL RETURN HIM WHEN HES NO LONGER USEFUL JUSTICE LOSERS!"
And fire and chaos in his wake.
While the JL, and others scramble to figure out what Klarion has planned this time, Tim manages to break free of whatever Klarion had used to kidnap him only to find himself on a couch and Klarion nervously petting Teekl on his lap while also sitting in a chair across from him.
When Tim goes to demand to know why Klarion kidnapped him Klarion finally speaks.
"Okay, I wanna strike a deal. I won't bug you or your little Young Just US buddies if you help me ask someone out..."
"...What the fuck Klarion?" Was Tim's only response.
-x-x-
So it turns out, every so often the three main entities and actual factions of Order, Chaos, and Balance get together to well discuss things happening in certain Realms, worlds, and timelines. Basicly to touch base, see where everyone was at. Etc etc.
Order was Order. Chaos was Chaos.
Very simple.
Both could be bad. To much order caused restraint and could snuff out growth. To much Chaos could get out of hand and cause ruin.
Both could be good. Order help stabilizes worlds and builds their future. Chaos allowed creativity to roam and brought forth wonderful things.
And Balance.
Well Balance was the very scales that kept both sides in check. They were neutral grounds. The ones that normally oversaw the meetings as well. And despite their low numbers they held powerful entities that more than made up for it.
Balance did their best to keep things in check, sure they do have their own preference sometimes and allowed the scales to tip a tiny bit but always corrected it later if it tips to much.
It was at this meeting, a meeting even Klarion knew better than to do anything too chaotic, pranks were fine but nothing too much, and had been chatting with a newcomer to the side of Chaos (Danielle, call me Ellie, Phantom. She did some heroing on the side but liked causing chaos in her wake to do so, he liked her so far though.) When the bells for the side of Balance to appear announced them.
Ellie had smiled brightly and said her brother was coming with his mentor, turns out her brother was apart of the Balance group which meant that he was strong, strong enough to need a mentor.
He watched as the members of Balance walked, teleported, flew, and other means into the meeting halls. And then froze when his eyes caught sight of him.
Floating next to a blue skined being that was switching ages was a beautiful otherworldly person.
Snow white hair that wisped upwards oh so softly. Glowing green eyes that were cat-like with their piercing glance. A galaxy cloak hanged around his shoulders and seemed to shift with each movement. Star like freckles decorated his face and seemed to glow a soft bluish white. A crown made of ice and aurora lights floated above his head as well.
All in all Klarion couldn't keep his eyes off of the being at all. He nearly spat his water out when Ellie commented that was her brother Danny, or rather.
High King of the Infinite Realms, Daniel 'Danny' Phantom. The Great One. Defeater of the Tyrant King. The Halfa. The Peaceful End. The Balance of the Undead. (And his mentor was the Ghost of Time itself. THE very Keeper of Time, Kronos original form himself.)
Klarion honestly didn't know what to think or rather what emotions he was feeling when he spotted Danny, nor why his face felt so hot and red when the young man looked over at them and smiled. (He was smiling at Ellie but Klarion for some reason hoped it was for him as well)
It wasn't until halfway in the meeting when a rather ingenious prank that Klarion, Ellie, and a few others had set up went off... thing was it strong enough that it had hit Danny's side of the meeting and had hit him.
Now, again pranks were okay but only after the meetings. It was one of the few rules many, even those in Chaos, took seriously because once it was done and over they could go do their things. So for it to happen in the middle of a meeting means someone set their time on the prank wrong and add the fact it hit a person on the Balance side...
Yeah not good.
Only...
Only instead of getting angry, even Clockwork who was seated next to Danny was chuckling, Danny threw his head back and laughed about it. And his laugh... was very cute.
And before he knew it, Klarion had already fallen.
-x-x-
"So yeah.... Since you have a boyfriend and know how to date in this modern age, I need your advice."
".... Klarion just because I'm dating Bernard doesn't mean I know how I did it..."
"Bernard? I thought you were dating that one Supes?"
3K notes · View notes
fleursdesmorts · 1 year
Text
every year people get angry when ao3 requests donations but honestly in a world where almost all spaces online are slowly being eaten by corporations which censor the content on those sites, having a fan-run fan-sponsored place where people can create gay art without fear is great
4K notes · View notes
poorly-drawn-mdzs · 7 months
Text
Tumblr media
Smell Check [Easy: Failure]
MDZS Disco Elysium AU part 1 (part 2 - part 3)
#poorly drawn mdzs#mdzs#wei wuxian#lan wangji#disco elysium#MDZS Disco Elysium AU#So sad I didn't manage to get this comic out on the 15th (pd-mdzs's 8 month anniversary and DE's 4th year anniversary) but I'm here *now*#I have a very extensive and detailed MDZS Disco Elysium AU that I am Not Normal About.#I've seen a few other people point out the potential in a crossover (true) but they make the mistake in having it be set in 51!#A true crossover would take place closer to The Antecentennial Revolution!#Disco Elysium did not go that hard on its cool lore for people to only make surface level crossovers!!!#One day I'll write the fic or post my notes. I don't know who would read it but it tickles *my* brain and that's enough.#No spoilers for DE (here or in comments (please)) but please consider....Magpie Wei Wuxian B*) On his way to be an innocent.#I do think there is a good chance a chunk of the MDZS readership would enjoy DE but...it's also not a game I easily recommend#It's more of an experience you have to marinate over. It's dark in ways that are off putting to some people.#It makes you feel like a very bad person all the time. It gets extremely personal if you allow yourself to be honest in your answers#and it's also the game that saved my life. My life was truly forever changed after playing disco elysium.#If I recommend it to people it's a badge of the trust I have in you to appreciate something dear to me B'*)#If you decide to play: PLEASE go in as blind as possible. You will regret spoiling yourself.#edit: this is based on real disco elysium dialogue. HDB has many canon kinks but this is not one of them
563 notes · View notes
the-ace-with-spades · 3 months
Text
(another unfinished post i found on the way to glasgow - that was the longest train ride in my life - I'm sorry in advance)
When Ice finally passes away, at the age of 73, in his sleep, Bradley moves Mav into their house the same day.
He gets the call in the morning, while trying to simultaneously cook Jake's breakfast and try to make their daughter put on a rain jacket. It's not Mav, but someone from the hospital. Jake doesn't know this — Bradley's face twitches only for a second and then he's back to the nagging, relaxing tone and telling their daughter it's raining and it won't stop. Jake only finds out when he comes back home from the school drop-off and Mav is already there on their couch. Jake doesn't even get the full explanation until that night, just a quick, "Ice passed away overnight."
There's only their three youngest living with them at the time — their 18-year-old daughter who attends UC San Diego, and their 15-year-old son who is still in high school, and their 7-year-old daughter — so Mav takes one of the vacant bedrooms.
The first few nights, Bradley sleeps in the same bed with him. Neither of them looks like they get much sleep. They don't really eat, either, just drink coffee and nibble on the crackers.
The kids start coming back home, and their oldest helps Jake arrange most of the things for the funeral, at least for the first few days. Mav is... numb, not really there, and Jake understands — he would, too, if he woke up one day and his husband died in his sleep next to him. Bradley is silent, mostly, the way he usually rambles to fill out the silence, the way he hums, the way he sings at any given time when there are no words spoken, it's all gone and Jake doesn't know how to fill out the silence either, how to ask, how to make it better without asking.
Bradley doesn't cry, or at least not the way he knows Mav does — he can see Mav's red eyes every morning — but there's something empty in his gaze, in the way his eyes follow Mav and in the way he melts whenever Mav is around, always close, always brushing against him. Mav spaces out a lot, doesn't talk much, doesn't—well, doesn't do much. Every time he tries to help with something, paperwork, the funeral arrangements, the hospital bills, even just sorting out the kids' school leave or Jake's own work leave, he fumbles a bit, not really able to focus on anything for long, and it's like his mind is completely scrambled. Jake doesn't know how to help him — doesn't know if they even can.
The kids, well, did not take it well, as expected. The oldest two try to be brave and help Jake with everything, keep the house going, but their youngest daughter doesn't really understand why her pops isn't back, the middle kids don't understand why now — Ice was in remission, in good health, would go hiking with them once a month, play with them in the backyard, talking about plans for the future with them, nothing that would tell them to expect their pops passing away. Mav and Ice had taken care of all of them for years, while Jake and Bradley were still deployable, and helping out as much as they could. Ice was a huge part of their lives, since the very beginning.
Bradley is certainly not doing any better but one couldn't be able to tell if they didn't know him well enough. He's always been more for packing his feelings into a tight neat box, compartmentalizing until there is too much and it all overflows in some explosive way. His focus is mostly on Mav and the kids, trusting Jake to take care of anything he can't.
Jake can't even ask him how he's doing until the night before the funeral.
Mav tells Bradley he wants to be alone that night and Bradley lands in their bedroom.
He acts normal — checks the kids are in bed, checks on Mav, prepares stuff for breakfast in the morning, has a shower. Only when he sits down in their bed, their dress blues, cleaned and pressed sitting on the hangers hooked up on their wardrobe, right in front of him—only then he freezes, a blank stare still on the uniforms.
Jake sits down next to him on the bed. "Talk to me, Bradley."
"I knew it was going to happen at some point, I just," "I just thought we would have a few more years."
Bradley sleeps curled up on his chest — he sleeps the whole night, soundlessly, and Jake is almost settled.
Almost. Mav is a couple doors down, alone.
Ice's been—had been retired many years now, but he had been high enough in the ranks that the Navy still insists on making a military funeral. Jake tried to take away as much of the flashy bullshit as possible, but there are still things leftover — the sailors with the flag, the flyover. But there's no one who wasn't close with the family at the ceremony, there's no speeches, and no one tries to hand either Mav or Bradley a flag.
The wake has an even smaller amount of people, all packed in their house — Mav hasn't been at his own house since — and thanks to Slider, mostly, and his 'the bastard wouldn't want us to mope around', it's less sad and quiet.
Mav eats two slices of cake, which is the most Jake's seen him eat since, and even laughs at some stories about Ice people are exchanging.
Ice had a good life. A big family. A big happy family that loved him.
But life goes on without him. Jake goes back to work first, then the kids have to go back to school, then Bradley has to back to work. After a couple of days alone at their house, Mav starts bringing up moving back to his own house.
He's not really doing great. He's still quiet, still spaces out more often than not, still forgets himself sometimes, still freezes whenever he tries to say something and the we he uses is one person short. He's—lifeless, for a lack of better word, and seems like he's noticing it now that Bradley isn't with him most of the waking hours.
"That is our home," Mav tells them. "I can't abandon it forever, I'd be abandoning him, too, if I—"
Jake—Jake gets it. He doesn't like it, but he gets it.
Bradley's been fielding off any suggestions of Mav moving out but he's pretty sure that soon Mav is going to pack his stuff and up and leave without asking for permission.
"If he wants to move back home, we can't exactly hold him here. against his will."
"Jake," Bradley says. "I feel like—if we let Mav go back there alone, he's going to die of a broken heart and I won't have either of them anymore."
"Sweetheart—"
"I know it's selfish," he interrupts, "but I can't lose him, too. Not now."
Jake can't make Mav stay with them — so he finds the best solution he can and instead, they all move in with Mav. Hell with it, he's going to try to get everyone to live their lives to the end. They'd done it before, Mav, Ice, Bradley, Jake and their two kids under one roof, when their oldest two were their only two kids.
The two of them and two of their youngest; two of their kids move into their house so they don't have to sell it.
Mav lives on. They try to occupy his mind by throwing their youngest at him — ask him to take her to school, pick her up from school, take her to her gymnastics class, do her homework with her, teach her how to play piano. The other kids pick up on it, too, and their high schoolers would wrap Mav into doing math workbooks with them, or ask him to drive them to their friends' house, and the kids that have moved out ask Mav to go to lunch together or call him to ask him things about car and house repairs that don't exist.
Mav gets brighter every day. Never as bright as before, but no longer so numb.
Their daughter ends up never moving out and so do they.
They all get older but Mav holds up pretty well. He does break his hip when trying to wash the windows, had a limp and terrible back ache ever since, had to stop driving because he can't see shit, had to stop piloting even sooner, and his memory is also shit, but Jake is pretty sure his cholesterol is lower than his own and he has better blood pressure than Bradley. Bradley and Mav are the ones cooking after all, Jake is the one eating all the tasty but not healthiest food, and Mav's life revolves around spoiling his cute great-grandkids and Bradley's is filled with the constant stress of managing Navy's top flying school.
For his ninetieth birthday, Mav flies a fighter jet as a passenger, the oldest person to ever do that — his youngest granddaughter is the one to take him up in the air, a junior grade lieutenant herself. They have a birthday party held at their house, Mav falls asleep in the armchair, Bradley makes fun of him and promptly falls asleep on the couch, too. Jake loves them both so much and still kind of can't believe he has this — house full of grown-up kids and grandkids of his own, his graying husband of over thirty years, his father-in-law coming to an age he wanted to see his mother at.
They're cleaning up, their two daughters who still don't have kids and didn't need to go home helping, and Mav tells them he's going to get some fresh air on their veranda. "I've got a terrible headache," is all he says.
Half an hour passes, they've packed all the clean and dirty dishes, and Bradley huffs to himself. "He fell asleep on the bench again, didn't he," and goes outside.
Bradley shouts for him in less than a minute. The ambulance is there in eight. Within the half-hour and a CT scan in the hospital, the neurologist tells them Mav is too far gone to survive the day. Within six hours, every single person from their family has come to say goodbye. When they pass the seven hours mark, Jake stands up from the plastic chair behind Bradley — he's not about to tell Bradley he should rest, but he's been holding Mav's hand since the minute they admitted Mav to the ward and hasn't eaten or drunk anything all day. He tells him he'll go grab them a coffee and bagels and gets a little nod and a smile.
Jake comes back twenty minutes later and Bradley doesn't even look up from where he's gripping Mav's hand.
"Can you get the nurse for me?"
329 notes · View notes
bizarrelittlemew · 9 months
Text
every time i see "Ed asks Lucius to write down his lyrics" used as an argument for claiming that Ed can't write i just want to. you know. point out that Stede has Lucius write down everything he says?? and does?? all the time?? and when he can't find Lucius he asks Frenchie (who actually cannot write) to do it instead of just writing it himself. and we know Stede can write. it's got nothing to do with ability to write, just that the captains don't seem to want to write stuff themselves when they have an employee whose job is to do that exact thing for them
325 notes · View notes
prince-liest · 2 months
Note
I’m a sex-repulsed ace, and reading the latest chapter of 666 (as well as your analysis here on Tumblr) made me realize that I have been subconsciously thinking about MY OWN sexuality from an allo perspective? And that it has kinda been messing me up?? Like, ever since I learned that sexual attraction was actually a Thing and that it’s Important To People, I had been carrying around a fear of being deficient in some way and not being able to love to the same extent as allos. (1)
Even though I know logically that’s complete garbage and totally untrue, I felt left out of the loop because people seemed to care strongly about this thing I couldn’t even imagine. Whenever it looked like a relationship might happen I panicked for a reason that I couldn’t understand. But now I’m starting to realize that it’s because I was subconsciously terrified of an ‘ulterior motive’ behind the other person’s reasons for wanting to be with me. (2) That part of the reason they even cared was because of something I don’t experience. So thank you, because this realization just clicked into place while reading your work. The thing is, this way of thinking was just internalized in such a way that I didn’t even realize it was there until literally this week. And I think you’re right; one of the main reasons behind that is because I’ve always consumed media written from an allo perspective. (3) If ace/aros are shown at all, they’re depicted as “lacking” and their character development usually revolves around being “fixed” by the story. When I was ~10 years old my mom sometimes let me watch the Big Bang Theory with her (looking back, maybe not the best decision). Anyways, there was one episode deep into the series where Sheldon (who for the past nineish seasons was probably the closest thing to mainstream ace rep) has sex with his girlfriend for the first time. (4) Afterwards, he says something along the lines of “that was better than I thought it would be”, and it’s presented as a Very Good Thing and a big step in their relationship. I think a lifetime of stuff like that makes it very easy to internalize aphobia and feel like the lesser part of the relationship. Or to feel like the other partner is making a huge sacrifice to be with you. That got wayy too long, sorry. All that was just a lot of words to say that I appreciate you. Take care of yourself!(5)
The portrayal of asexuality that you see in media being almost exclusively as you described is very tedious to me because it presumes that something is inherently lacking in aro/aceness rather than that feeling of "lacking" being something that is induced by societal norms. Actually, one of the things that I find additionally alienating is that fandom spaces specifically have been getting better and better about ace characters - but got damn does fandom not jive with aromanticism. Like, a character doesn't want to fuck? That's becoming a liiiittle more fine, it's 2024, we stan consent. But not shipping someone romantically?? Not so easy, now.
I'm glad that my work has been something that resonated with you in this respect! Alastor cares a lot about his reputation as a demon but is pretty blatantly a person who could not possibly give less of a shit about being "wrong" for not being experiencing romantic or sexual attraction. The explanation Viv gave at one point for his own understanding of himself (that he thinks he's just "waiting for the right woman") actually stuck out to me a lot because it's a very "well, nothing is wrong with me for not feeling anything, it's the world that's failed to produce a suitable person" perspective.
But having that kind of confident perspective of your own rightness in the world is really not often portrayed in media, or even in fandom, which even ten years ago was still in the throes of standardizing "Oh, no! Me, gay? These feelings are so wrong!" style m/m content and is honestly not that far off from essentially that for aro/ace characters.
Anyway, all of that is to say that there's not yet much out there that doesn't frame allo/amatonormative values as the default that "even aro/ace people can (and should want to) achieve," and that it's really fun to write a fic that is unequivocally from the perspective of a character who is aroace and doesn't see it as even remotely a fault in himself. Does he have moments where he's a little confused and trying to process how things fit for him? Absolutely. But he just doesn't strike me as the kind of guy who thinks he owes romance to Vox of all people, hahaha. I've written him trying to conform to allo/amatonormativity more with Mimzy, because I think the social standards of their time could push him into it, but Vox? Absolutely not, he does not respect Vox enough for it to even enter his mind.
And then, on the other hand, writing it from an aroace perspective centers the way that romantic and sexual interest can feel like a betrayal of a good thing. With a character like Alastor, it frames romantic and sexual attraction the same alien way that we usually see aromanticism and asexuality framed as.
In the end, this is just one of a plethora of different experiences that aro/ace people can have, but it's one that I really wanted to see represented more, so I'm very happy to write it. I'm glad that you're enjoying it!
75 notes · View notes
askcometcare · 24 days
Note
ooc: how many of the kids did they get diagnosed with autism before they realized they all were?
OOC: I can imagine there was a point where maybe it was 3 of them and they were like "you know what... I think they all might be" and it was true!
76 notes · View notes
puppydoggraham · 3 months
Text
Thinking about how Will Graham views his anger as righteous which of course extends to Hannibal. A lot of his anger in s2 is over the fact that he finally trusted someone only for that person to betray him but it’s more than that. It’s more than just what Hannibal did to him. What he’s truly deeply angry about is that Hannibal knows his dark nature and not only knows it, but wants him to embrace the very nature he’s desperately trying to suppress.
He’s supposed to be the one that’s perceptive. He’s the one who is supposed to see it all while remaining unknown and unseen. And yet Hannibal recognizes what kind of person he has as soon as they meet. It’s not supposed to be that way. He hates that Hannibal is the one person he can’t hide from. Who will always see through the facade he puts on for others who buy into it. That’s why when Hannibal essentially tells him in s3 that he hasn’t changed, he’s fuming. If just Hannibal can believe he’s changed, maybe he himself can believe it too.
But he doesn’t. And deep down Will knows that’s just what it is too: a facade. Hating Hannibal is really just him hating himself at the end of the day. He takes a lot of his displaced anger out on him. He has these violent murder fantasies about Hannibal that symbolically can be read as him trying to kill off this part of himself. He can’t kill them off. Suppression only works for so long. The fantasies only grow stronger.
It’s only when he gives in at last during TWOTL. When he stops supressimg who he is. When he stops hating himself for it and overthinking about the act of violence. When he allows himself indulgence. This is when he experiences being at peace with himself possibly for the first time ever. At last, the internal battle that rages on inside him calms. The voices in his head go quiet. Even though this is brief, he knows that what he and Hannibal experienced on that cliff is a moment of peace in a lifetime of unrest. He doesn’t take it for granted, which is why he says what he does. When he stops fighting Hannibal, giving into the violence and also his touch as they embrace, it represents that he stops fighting with himself too. And isn’t that the most beautiful thing in the world?
95 notes · View notes
petite-phthora · 9 months
Text
This yours?
[DP x DC fic]
[Love at first... murder? - part 12]
<< Prev | Next >>
Part 1
Ao3
---
Somewhere else, in a seemingly abandoned building on the outskirts of the city, a figure shrouded in darkness and wearing a dark cloak plots.
In front of them is a whiteboard. It’s covered in pictures, sticky notes, and illegible texts. Some of the notes thrown about that are legible are ‘fight…’, ‘draw blood.’, and ‘DEATH!!!’.
There’s a crude stick figure drawn in the corner of the board, it’s impaled. Other small doodles can also be found all around the board.
Most of the information and pictures are connected by red strings, like you see in movies.
In the middle is a picture of 2 people sitting on a motorcycle, the arms of the person sitting in the back are around the waist of the person sitting in the front. The picture has some arrows pointing towards it and the people in the picture are very obviously circled.
Though the face of the person driving the motorcycle is obscured by their helmet, the other person seems to be heavily blushing and grinning broadly.
“Yes… yes! That’s it! I know what to do…” They seem to be speaking to themselves.
Quickly, the person scribbles down a barely legible ‘sacrifice!!‘.
They start cackling.
“Mwuahaha!”
It’s an evil laugh they’ve been working on for quite a while now, and they’re pretty proud of it.
However, the effect is slightly ruined when a fly enters their mouth, cutting off their cackling with choking as they gasp for air, grasping at their throat.
A few good thumps against their chest, with some coughing out their lungs, helps them dislodge the fly from their throat and they spit it out on the ground. They take a few deep breaths before straightening up again.
“Curse you” the person exclaims, angrily waving their fist at the fly as it flies away.
---
Bruce’s face gives off nothing as he stares at the streets down below. He’s dressed as Batman, crouched at the edge of a building with Damian by his side as Robin. Spoiler, Black Bat, Nightwing, and Red Robin are further back on the rooftop.
They watch in silence as another group of the Joker’s goons passes by. They’ve been all over the city, wandering around, not doing anything obviously illegal.
They don’t stay in one place and they don’t seem to have much of a purpose. No attacks… No stealing… No smuggling or transport of goods… No, instead they’re inspecting every single inch of the city.
They don’t seem to have any weapons on them. All they’re carrying on them are some flashlights. While most don’t give anything away with their body language or expressions, some seem to give off a bit of anxious energy.
Spoiler claimed she even saw some of them climb down into the sewers earlier and then climbing out again sometime later somewhere else, but this time ‘dejected and stinky’.
One thing seems clear to the Bats.
They’re searching for something… or someone.
“This basically confirms that not even the Joker’s henchmen know where he is. He’s missing.”
“I’m not sure if this is a good thing or a bad thing”
“Good… thing?”
“It’s… something. That’s for sure.”
“We don’t know if he’s really missing. For all we know it could be a trap. What if the Joker is hiding, pretending to be missing to have us bring our guard down? Besides, how could he be missing? He’s the Joker. No one’s just gonna kidnap him”
“For all we know he could be lying dead in a ditch somewhere”
“I highly doubt that”
“Everyone, focus” Bruce speaks up, having them draw their attention to him.
“It’s unclear whether the Joker is simply hiding away or missing. Instead of focusing on the why, we need to focus on the where. Missing or not, we need to find him and get him back to Arkham. Oracle, have you managed to find out anything from the footage yet?”
“Nope, still nothing. All the files from the moment he enters Crime Alley are wiped and any attempt at recovering them only brings back corrupted files.”
 “We need Red Hood. Where is he?” Bruce asks.
“He still has his phone on silent and he has removed the trackers and cams. We haven’t placed any new ones on him yet”
“Let’s visit him on his turf then. And keep an eye out for anything suspicious in the meantime. Oracle, try recovering the missing files. If that doesn’t work, go back to the breakout footage. Perhaps he left some kind of clues about his plans or whereabouts behind there.” Bruce states.
“Roger that.”
---
Red Hood has his arms by his sides as he gazes down upon the street below from the rooftop of a random apartment building in Crime Alley.
He’s lucky to have avoided the Bats so far. But he doubts his luck will last for long.
Red Hood stiffens as he suddenly feels something clamp down on his arm. As a reflex, his other hand has already drawn his gun.
He slowly raises the arm he felt something clamp down on and looks at it, only to make eye contact with a girl with black hair and blue eyes who has sunk her teeth into his arm and is now hanging off of it.
The teeth are sharp, as the girl seems to have some small fangs. They’ve gone through his jacket and sunken into his skin.
It doesn’t really hurt all that badly though, probably hasn’t even drawn much blood, and that’s one of the only reasons Jason hasn’t flung the kid off of him yet. Another reason is the fact that it’s a kid.
They both stare at each other for several seconds.
As Jason takes her appearance in, he notices that she seems rather familiar. In fact, she looks like a more feminine version of Danny, or if Danny had a twin.
The person hanging off of his arm looks younger than Danny though, probably a teenager around 13 or 14, if he had to make a guess.
Slowly, he puts his gun away and takes out his phone with his other hand, watching the random girl’s eyes follow his movements. He raises it level with her face and snaps a picture, quickly sending it to Danny and ignoring the girl’s curious gaze while she’s still hanging onto his arm by her fucking teeth.
---
Meanwhile, Danny checks his phone to see Red Hood sent him a message. He opens it and is greeted by a picture of Ellie in human form biting down on Red Hood’s arm with the caption ‘this yours???’
---
Taglist:
@i-always-say-yea   @uraniumwizard    @why-must-i-be-like-this   @griffinthing
218 notes · View notes
tswwwit · 5 months
Note
I hope this doesn't come across the wrong way but i recently reread the entire familiar au (its as amazing as always!) and its so impressive to see how far you have come as a writer especially compared to the new cult au its honestly pretty inspiring
Thank you! It's truly nice to hear that I've made progress. I mean, obviously - hopefully - I would have after all this time, but sometimes the improvement is hard to see when you're so close to it.
66 notes · View notes
tvckerwash · 7 months
Text
wash tormenting the reds in the most petty ways possible because he's still pissed off about them hitting him with a car and then blowing him up in s8 is so important to me you don't even understand
#I'm pretty sure I've said it on my old blog before but wash is the blues older brother but to the reds? he's the neighborhood bully lmao#that scene in s13 where wash gets all the chorus soldiers to turn on grif for refusing to attend the training sessions? 100% an act of#calculated cruelty on wash's part lmao#oh oh or in s11 when wash hooked up blue base to the ships power but not the reds? also calculated lol#wash stealing all of their stuff in s10 will also always be a fav petty wash moment of mine#he is out to make them suffer and they're not even aware of it lol#rvb#agent washington#mine#not t/oaru#if i ever write my ct lives au fic I'm going so hard on petty grudge holding wash#he is an absolute menace but he's so lowkey about it that in universe trying to convince ppl that wash is as petty as he is#is nearly impossible#the only ppl aware of wash's true nature are the counselor the director ct alpha and probably maine (and maybe florida)#everyone else sees him in a similar light as his fanon characterization#that's part of the reason why i think lina was so shock in s10 when he turned his gun on her bc to her wash was always so subordinate that#she just genuinely never saw it coming#anyway wash/ct/maine friendship is so important to me. i like to include south in there too sometimes but honestly south comes off as a#loner type. like she doesn't mind ppl but no one except north is really willing to tolerate her uh....personality for long periods of time#shes very....reactive and emotionally charged#but tbh id be that way too if i was stuck with north#north unironically reminds me of my dad but not in the good way lol#god my tags are all over the place#audhd brain goes brrrrrrrrrrrrrrrrrrrr
84 notes · View notes
yellowocaballero · 2 months
Note
Been a fan of your fics for YEARS. I was just telling my friend how despite how much I read fics I never actually love them, with some of your fics (especially TMA) as the exception. Felt the need to reread some of them and saw you reblogged some ISAT fanart. So. Any thoughts on ISAT you'd like to share?
Hope you have a wonderful day!! So happy I found your fics again!!
I avoided answering this for a while because I was trying to think of a way to cohesively and coherently vocalize my thoughts on In Stars and Time. I have given up because I don't want to hold everybody here all day and I have accepted that my thoughts are just pterodactyl screeching.
I love it so much. I have so much to say on it. It drove me bonkers for like a week straight. I have AUs. It's absolute Megbait. They're just a little Snufkin and they're having the worst experience of anybody's life. Ludonarratives my fucking beloved.
I am going to talk about the prologue.
The prologue is such a fascinating experience. You crack open the game and immediately begin checking off all of the little genre boxes: mage, warrior, researcher, you're the rogue...some little kid who's there for some reason...alright, you know the score. You're in yet another indie Earthbound RPG, these are your generic characters, let's get the ball rolling.
Except then you realize that these characters are people. You feel instantly how you've entered the game at its last dungeon, at the end of the adventure. They have their own in-jokes, histories, backgrounds, adventures. They get along well and they're obviously close, but not in a twee or unrealistic way. They have so much chemistry and spirit and life. I fell in love with them so quickly.
But Sif doesn't. Sif kind of hates them, because they will not stop saying the same damn thing. They walk the same paths, do the same things, make the same jokes, expect Sif to say the same lines. They keep referencing a Sif we do not see, with jokes we never see him make and heroic personality he never shows - they reference a Sif who is dead - and Sif can't handle that, so he kills them too.
They become only an exercise in tedious frustration. Sif button mashes through their dialogue, Sif mindlessly clicks the same dialogue options, Sif skips through the tutorial, Sif blows through the puzzles. Sif turns their world into a video game. Sif is playing a generic RPG. Sif forgets their names. They are no longer people with in-jokes, histories, backgrounds, adventures. They're the mage, the warrior, the researcher, and...some random kid.
I did not understand the Kid's presence at first. I had no idea what they contributed to the game. They didn't do anything. As a party member in a video game, they're a bit useless. Why is the Kid there?
Because Sif's life isn't a video game. Because the kid isn't 'the kid'. They're Bonnie. Bonnie, who the party loves. Why is Bonnie there? Because they love them. There is no room for Bonnie in the boring RPG that Sif is playing. And then you realize that Sif is wrong, and that they've lost something extremely important, and that they'll never escape without it.
Watching the prologue before watching ISAT gave ISAT the most unique air of dread and horror, because you crack open ISAT and you see the person Sif used to be. You realize that Sif used to be a person. Sif used to be the person who made jokes, who gave real smiles, who interacted with the world as if they are a part of it. And you know you are sitting down to watch Sif lose everything that made them a person, to lose everything that made them a member of this world, and turn them into a character in a video game who doesn't understand the point of Bonnie at all.
At the climax of the game, when the others realize that something is deeply wrong and that Sif physically cannot tell them, they realize that there is nothing they can do. So Bonnie declares snacktime. And for the first time they have snacktime.
What is snacktime? Classic JRPGs don't have snacktime. There's literally no point to a snacktime - not in a video game, and not in Sif's terrible life. It's not fixing this, because nothing can fix this. But Bonnie gives Sif a cookie and Sif eats it.
It's meaningless. It's a cutscene. It didn't save Sif and it didn't change a thing. It will make no difference in the end.
But it did make the difference. It made all of the difference in the world. Bonnie is a character who you really don't understand the point of before you realize that Bonnie was the entire point.
ISAT is about comfort media. Why do we play the same video games over and over again? Why do we avoid watching the finale of our favorite shows? What is truly comforting: a story with no conflict, or a story where you always know what is about to happen? Do you want to live in a scary, uncontrollable world, or do you want to play Stardew Valley? Do you want a person or a character?
When I beat Earthbound for the first time (and if you don't know, the prologue/ISAT battle system is just Mother) and watched the ending cutscene where the characters part ways and say goodbye...I felt a little bit sad. I wanted them to be together forever. But that's something only characters could ever be.
#these aren't deep or unique thoughts they're just the specific aspect of ISAT that made it one of the most interesting gaming experiences#i actually like the prologue much more than ISAT for just this reason#its honestly a video game art piece that's created to give the player a very specific experience#that makes them an aspect of the narrative that is told#it's. incredible.#in stars and time#start again start again start again#start again: a prologue#isat#god and there is so so so so much more to say here#what a rich and complex and fascinating game that made me cry like a baby#i dont even kin sif. we arent similar at all.#i cant imagine how devastating this game would have been if i did#but I do have a deep relationship with escapsim#and i write about it a lot#and video games about being video games are wonderful#as are stories about being stories#and why we consume stories. how we use them. how they save us and hurt us.#never played a video game that used its medium so well#i bet undertales also pretty good at that but this is more so i think#stories about stories have to be about why we love stories#and im not an artsy person and i roll my eyes a bit when people talk about the spiritual neccesity of art#i think people need stories because the world is sad and hard and boring and we want to think about something else for a while.#some people need to be anywhere but here#and sometimes if you're Lil Depressed-Ass Snufkin that looks like being here forever#baby cringe-ass snufkin big hat idiot
51 notes · View notes
laniemae · 1 month
Text
Tumblr media
Not gonna get into danganronpa another spoilers because this whole scene is something else that I’m still processing but I absolutely love this line. Like to bring up milgram I think this is an idea which can reflect on lots of the characters as well. The idea of basing your entire existence off of a certain thing/person/ideology and then for something to happen that completely destroys that. Your entire person has been stripped away and just what’s left? You can’t comprehend your own existence or meaning without that specific attachment and you start to question all of your actions based off that…
I can only really think of John, Kotoko, and Es here (and possibly Amane and Mikoto to an extent). And John bases his life off of Mikoto, Kotoko upholding justice, and Es being the warden.
John’s idea of his whole existence and reason for being is Mikoto. It’s the only reason he believes he exists and if he were to fulfill his role he’d “disappear” as he would be completely worthless without him. John tries to repress and ignore his humanity and reduce himself as a tool to protect Mikoto and that’s all he can see himself as. But now Mikoto’s starting to not deny his existence and feels pure hatred for everything about him. And what will happen to John, when the person he’s dedicated his entire life to and desperately wants praise from, denies his existence? What will he be but some worthless existence that is only a burden, to him.
Kotoko. An ideology of upholding justice and punishing evil that has completely overtaken her. She has pushed herself into a role of a “fang” for justice, protecting the weak and persecuting evil. But even so matter how much she tries, she knows her goals are unreachable. She denies relationships and attachments to other people based on this ideology. Kotoko admits that she does feel attachment to the prisoners, but has to deny them in order to fulfill the role as a tool. And believes that pain and violence is necessary to achieving a greater good. Trying to deny any regret because wouldn’t it be easier to believe you’re entirely in the right? She latched onto Es, believing them to be similar as the warden who carries out judgement on wether the prisoners are forgivable or not. But now, Es has denied her whole ideology, her whole existence due to the pain she’s caused. Kotoko wants to believe that what she did was right and that Es, another enforcer of justice would accept her, because that’s how it is.
And Es… they’re the warden of the prison. There’s nothing more to them than that they believe. Es has no memories of their identity or past before Milgram and immediately latched onto the identity given to them, of being the guard. Es took this role as their entire identity, an extension of the milgram system in order to interrogate and judge prisoners. I think Muu put this best.
“Warden-san, we call you "warden" because that's what you are, right? And I was assigned the role of prisoner, but that doesn't mean I'm now nothing but a prisoner at heart, too. After all, I'm still me.”
Es has an unstable sense of identity, to the point they latched on to the first thing they were given in order to give themselves a purpose and a meaning for existence. And Kotoko calling them “imperfect caused them to question their identity. But as the story progresses Es will probably begin to learn about the audiences control and the truth behind what they assumed to be their verdicts. That their will never was 100% their own. Who knows what Es’ past was, but eventually they’ll likely have to tackle it and their whole identity, the warden, the arms of milgram, is gone.
gonna think about Mikoto and Amane here as well. Mikoto, although may not seem to be as first, focuses his entire identity around other people. He’s the friendly sociable guy who’s easy to chat with. But that’s all he believes he should be, I guess. As perhaps this mindset is upheld by an inherent fear of other people rejecting him, so he focuses all his attention and identity on being a social person. He’s never truly friends with people, as perhaps that would be “too close” and open up the possibility for danger. He doesn’t completely deny his identity like the others, but he molds and shapes it in a way that is acceptable to others. He likes what everyone else likes and does what everyone else does so the fear of being rejected for being different won’t hurt him. But now he’s stopped denying John’s existence and his DID, believing himself to be crazy, and to be completely rejected from other people, his entire sense of identity to an extent. And especially with John scaring other people off with the mindset that will help Mikoto, he has now been completely distanced from everyone else and now has to come to terms with himself, but not the ideal persona he put on to be acceptable to other people.
Amane is a more different case as she in a way has rejected that idea, but not completely. Growing up in a cult it’s very likely that she was always conditioned that she was just a servant for god. That all the good things she did were actually god blessing her and all the bad things a fault of her humanity, herself as a person. She is in a unstable relationship with the whole submitting her personhood to her religion, as she sacrificed her ideologies in order to help a cat. But at the core, that wasn’t about herself and her identity, rather a focus on the cat’s life. Amane’s murder was her will. Rejecting everything and fighting for her life in direct opposition to what she has been taught her entire life and how her identity should be, a rejection of that and a glance into “herself”. But once again, this murder wasn’t entirely self motivated. She’s still broken enough that she can’t fully grasp herself as a person besides god and religion. And a large cause of her murder was out of the death of the cat, rather than simply protecting herself. Amane still slips back into the belief that her personhood is entirely dedicated to god. As she tried to convince herself and Es that the only reason she killed is because they deserved religious punishment and she is in the right for carrying out god’s will, once again denying her personal reason for doing so. Reducing herself to “we” on behalf of her religion, that this isn’t herself anymore. Amane is in a limbo between rejecting her personhood for god, but at the same time rejecting the suffering she’s been through in order to save “herself”. Amane’s case is so interesting, as there’s no clear answer of what she believes in here, and it is truly fascinating.
#milgram#Milgram theory#milgram analysis#amane momose#mikoto kayano#john kayano#john milgram#kotoko yuzuriha#es milgram#uhhhh this was meant to be a quick analysis how did this turn into an exploration of the identities of 5 characters#And comparing it to a scene from dra which focused a lot around the loss of someone’s beliefs completely destroying their identity?#May analyse that scene directly because the whole philosophical and psychological concepts coming into play there is just soooo cool#and man I was kinda figuring out stuff as I was writing this but like I said it’s so interesting how Amane isn’t completely dedicated to go#Like the other characters I mentioned who have dedicated their whole identities to something#And Amane’s at the struggling between her true self and her perfect religious self#But perhaps she doesn’t entirely realise this conflict going on within#Which is interesting as a realisation of their identities would probably cause the other characters to lose it#But Amane it’s coming to her in a different way#She’s so strong uahhhahhajajshshshs#Tw cults#Ok now thinking about this more I’m starting to see this whole ideology apply to other dra characters as well#Man this is just so interesting#Like Kinji although having nowhere near as bad of a situation of amane was in a way forced to repress his emotions his entire life#Due to religious reasons and to devote his life to god and reject personhood#Surprisingly he’s actually not a bad person but still is very stoic and avoids other people due to being taught those values#And kinji’s a whole parallel to Tsurugi so this would be really interesting#I would talk about Tsurugi here but this is primarily a milgram post so for everything he’s like kotoko with a dedication to justice#But handles it in a very different way#His story is just way to long to analyse now#But hey this is an invitation to play (or watch bc downloading the game is hard technically) danganronpa another
24 notes · View notes
akkivee · 1 month
Text
Tumblr media
Intensely Spicy Curry Training: Hypmic Curry Drama Track TL
Kuukou: Y’all sure took your sweet time getting here! I’ve already got everything prepared!
Jyushi: But didn’t you tell us to meet you at the temple?
Hitoya: If we’re making curry, why the hell are we way out in the mountains to do it?
Kuukou: Because I just had a great idea. Check this out!
Jyushi: Ooooh, look at all this meat! So, we’re going to be using all of this in our curry?
Hitoya: Beef and chicken, huh? I guess it would make sense not cook these while inside your temple.
Kuukou: You’re half right, and half wrong.
Jyushi: What do you mean?
Kuukou: I don’t plan to make just any ol’ curry. Now it’s time for the both of y’all to mince the hell out of this meat!!
Hitoya: I didn’t know whether to expect if a corrupt little monk such as yourself knew how to cook, but I’m surprised. Instead of using something pre-made, if we pound and mince the meat ourselves, we’d get a far more superior product. Is that what you were thinking?
Jyushi: Oh, I see! That’s amazing, Kuukou-san!
Hitoya: So, where’d you put the food processor?
Kuukou: Ah?? The hell are you on? You’re grinding this meat with your bare hands.
Jyushi: …Eh?
Kuukou: Jyushi, you’re on beef! Hitoya, you’re taking the chicken! Punch it with everything you’ve got and make minced meat out of it!! This is a new training session I thought up!
Hitoya: What the hell is this fool saying??
Jyushi: B-But there’s so much meat!! Grinding it by hand is impossible!!
Kuukou: I don’t want to hear any complaints!! You don’t know that unless you try!
Jyushi & Hitoya: *reluctantly pounds the meat by hand*
Jyushi: *tearfully* …My body’s going to become minced meat before the actual beef!
Hitoya: Damn it, I can’t believe I let my guard down like this…! I shouldn’t have expected we’d simply make curry…!
Kuukou: You can’t expect to get anywhere with a weak spirit behind weak fists like that!! Lemme show you how it’s done!
Kuukou: *starts punching*
Hitoya: You bastard, those are vegetables!!
Jyushi: E-Even I could mince a tomato by hand!
Kuukou: It doesn’t matter either way!! Whether it’s vegetables or meat, all that matters is the heart you’re putting behind it!!
Jyushi: T-That doesn’t make any sense…!!
Kuukou: “Enlightenment can be attained through one thousand fists!” Don’t just keep yapping and put some energy into your hips and legs too!
Hitoya: Tch, I don’t see any way out of this… Then, I might as well get it over with…!! UWOOOOOOOOOAAAARRRRGHHHH!!!!!!!! *maximum effort punching*
Jyushi: H-Hitoya-san??
Kuukou: Hyahaha! There’s the effort I wanna see!
Jyushi: Guh… Because My God has unshackled the chains binding his true power, I, too, must unlock mine to continue alongside him…! HAAAAAAAAAAAAAAAAAAAAAAH!!!!!!!!!!! *maximum effort punching*
-------------------------
Jyushi: I-I can’t move another inch…
Hitoya: Ugh… I can’t even take the cap off my water bottle…
Kuukou: *sighs* It’s pretty pathetic to be that exhausted just from cooking.
Hitoya: You…!!!
Jyushi: But, I think it would be really nice if our training efforts could be felt by those eating our curry…!
Hitoya: …Well, I don’t think I’d say it like that, but I agree with the sentiment.
*the trees rustle and the birds chirp and there is peace*
Kuukou: The fuck are y’all talking about? There’s no point to this if the people who eating aren’t going through training too.
Jyushi: Eh?
Kuukou: Training can only be felt when you grow from the trials you’ve experienced yourself. Hopping off from other people’s efforts won’t mean shit.
Jyushi: B-but I mean, we’ll still be serving the curry to others once it’s finished cooking, right?
Kuukou: Yup. Which is why I’ve got…!
Hitoya: UWAH!! MY EYES!! IT’S IN MY EYES!!
Jyushi: That powder…!!
Hitoya: It’s red chili pepper!! Jyushi, run!! Move upwind so it doesn’t blow and stick to your mucous membrane!!
Jyushi: Eeek!!! *runs away sobbing*
Kuukou: HYAHAHAHAHAHA!!
Hitoya: Kuukou, you bastard, what are you doing? Are you trying to ruin everything we worked on??
Kuukou: I’m not ruining a damn thing! This curry will be spicy so I can provide a remote kind of training!
Hitoya: Stop fucking around!! There’s gotta be a limit!!
Jyushi: *runs back over* I think there’s more chili pepper powder than ingredients now…!!
Kuukou: Then it’s just right! Now try it.
Jyushi: NO!! I will not be eating!! I absolutely refuse!! Don’t even try me!!
Kuukou: Hey stupid, watch it, that’s dangerous!! Stop fighting me and just—Ahh??
Jyushi: T-The inside of the pot is pitch black……!!
Hitoya: Obviously. Chili peppers burn easily. Haah… Let’s just remake the curry.
Jyushi: But doesn’t that mean we’ll have to mince more meat??
Kuukou: Whatever, I was thinking our “Intensely Spicy Curry Training” was made too halfheartedly anyway!! Time to give it all I got and win this championship!!
#kuko harai#jyushi aimono#hitoya amaguni#bad ass temple#hypmic#hypnosis mic#til that you can make a meat paste at the very least by using a mortar and pestle LOL#the curry pissed me tf off lmao it was so spicy but underneath all that spice was a ridiculously flavourful curry#it's spicy enough that i can tell it's comfortably spicy for people used to eating spice tho!!#habenero is the worst experience with spice i ever had and it wasn't that bad lol but i got the sense it could have been#so i assume jyushi and hitoya talked kuukou down lmao or we didn't want a repeat burnt product lol#i decided to tone down how i usually write bat to try and not show my very obvious bias lol hopefully it worked#i remember slug mentioning sometimes a tl will come off vague in order to not get in the way of future developments#and i actually felt that tling this lmao like when hitoya was telling kuukou there's a limit for everything#i had to choose whether to make this about kuukou and training or kuukou and the chili peppers#the statement itself was a vague warning so my own interpretations of bat were getting in the way probably lol#statements without a clear subject usually default to the person speaking so kuukou saying give it everything and win the championship#is me assuming he's talking about himself and again i'm a little worried my own interpretations of bat are getting in the way#since kuukou's self reliance is blatant but also not if you're casually looking at bat SO IDK LOL I THINK TLING IS HARD#curry tl
43 notes · View notes
canisalbus · 7 months
Note
just a quick ask to tell u it makes me super happy seeing the detail u go into when pointing out stuff u like about other people's art of ur ocs :3 it's so rare to see but it's so so motivating!! <3
Thank you! I don't take any interest for my art for granted, and if someone goes through the trouble of drawing my characters for me, I feel like trying to write a proper response is the least I can do. For a visually oriented person, receiving gift/fan art is a huge deal, it means someone considered my goobers worth their time and effort, they've probably been thinking about them more than a little and found them inspiring in a way or another, and I find that terribly flattering. It's extremely fun and interesting to see other people's takes on them. And I've drawn stuff for people as well, I know how nice and rewarding it feels to receive a response that is longer than a word or two. Positive comments like that can linger in people's minds for a long time, at least for me they do.
#this comes with a big serious disadvantage though#it often takes me a long time to write that response#my social batteries are extremely small and a lot of the time by the time I go online I feel too worn out to engage with people properly#I'm autistic anxious and severely depressed my spoons are in short supply at the best of times#I've always had really hard time putting my thoughts into words in a way that I find satisfactory#so I keep putting off reblogging gift art#because most of the time my brain is too smushed to formulate that meaningful comment I want to give#maybe that sounds dumb and fake#but this is something I've struggled with for years and I feel extremely guilty for keeping people waiting like that#often weeks sometimes months even#and potentially making them feel underappreciated and unnoticed#I'm also genuinely very scatterbrained and unorganized and I miss and forget things I'm supposed to do all the time#not to mention that I tend to have trouble keeping track of my mentions and dms and asks I'm only one person#so if you've ever drawn something for me and I didn't/haven't responded yet#please know it's not personal it's entirely my fault I'm kind of a mess#and chances are I'm still very much attempting to get back to you#feel free to remind me if you feel like I might have not noticed your post I really don't mind at all it often helps me a lot#and please if you can don't delete the post even if it seems like I didn't see it#because again sometimes it takes me a long time to respond#thank you to everyone who has stayed endlessly patient with me though I appreciate it#sorry this spiraled into a list of apologies and excuses this is actually something that bothers me a lot#because it's largely a mental health thing but easily comes off as ungratefulness#I'm trying to work on that#answered#anonymous
145 notes · View notes
prince-liest · 2 months
Note
Hi, just wanted to say that i love your 666 series, and I'm sure that writing such long and high quality chapters while also having a live outside of it requires a lot of self control so I wonder how do you manage all of this?
I'm sorry, this is probably a very silly question, but I'm just really curious about this 😅
Thank you so much! I'm so glad you enjoy my work - and that you think my stuff is high quality, ehehe.
I think the reality of the situation is less that I have ironclad self control and more that I have 1) experience that makes writing quickly much easier for me now than it was years ago, and 2) long term habits that lower the activation energy required for maintaining appropriate self-care.
That said, it's really funny that I got this ask right as I was bemoaning the fact that I definitely have to drag myself to the gym today over breakfast, hahaha. But, like, let me use that as an example: I go to the gym because I know for a fact that if I don't, I'll feel shittier, and if I do, I'll feel really good, in a purely physical way. I like working out, but I don't like having to go, so I make the 'get ready and go' process more entertaining. Listen to the Hazbin Hotel soundtrack on repeat. Pretend I'm performing android maintenance on the machine I inhabit. Listen to a philosphy podcast that makes me feel smort about vibing with Nietzsche. Put on TikTok while I get dressed. Whatever!
The writing itself is a hobby for me, though, and I am the wrong person to ask if you're looking for tips on how to force yourself to do creative things when you don't want to, because I just don't do that - it tends to be bad for my actual creativity. In fact, I recently declined a couple of zines and stopped applying to them entirely specifically because I want writing to go back to being purely a for-funsies hobby that I do on my own terms, not a chore to fulfill. If I'm feeling it, I do it. If I'm not, I do something else! I already have an extremely demanding career, haha, I'm not bringing that energy to my creative outlet!
22 notes · View notes