#this is inspired by all those posts where they point out how every antagonist in malevolent is so infatuated with Arthur (homo) | Explore Tumblr Posts and Blogs

whatacaitastrophe · 2 months

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Barbora x Astarion - for electricvaporwave

A one-shot I did for @electricvaporwave <3 I loved writing this for you.

Would you like me to write a BG3 one shot for you? Check out this post and send me a message <3

Song Inspiration: “The Moon Will Sing” - The Crane Wives

Content Warning: Canon-Typical Violence

“If I didn’t know any better, I would think you were actually trying to actively get us all killed.” Astarion scowled at Barbora as she laced up her boots.

“We have to go get them, Astarion. Cal, Lia, Lakrissa, Danis– they’re all going to die if we don’t save them.” Barbora countered, glaring at the vampire.

This was how all of their conversations went lately: yet another innocent person would be in danger, Barbora would agree to help, Astarion would disagree, arguments ensued. It was a dance Barbora thought the two of them had moved past after all of the other situations where they’d gone out of their way to help people (the tieflings, the ironhand gnomes, the myconids - to name a few) that Astarion had come around on the idea of being the hero. As it turned out, he’d been biting his tongue for a while, and it all came tumbling out the second they reached the shadow-cursed lands. Perhaps it was the environment. Perhaps it was the looming threat of a Githyanki patrol sneaking up on them. Perhaps it was simply just the fact that they were (hopefully) close to the finish line and Astarion was getting anxious about Cazador. No matter what it was, Astarion’s antagonistic behavior was at an all-t against every suggestion Barbora made was wearing on her patience.

“No, we don’t. We have enough problems of our own– it’s not our fault these people keep getting themselves kidnapped,” He argued. “You’re asking us to infiltrate the heart of Moonrise Towers and break people out of prison. Why bother when we could be as close as we are to getting these gods-damned tadpoles out of our heads?”

“If you don’t like it, then you can stay the fuck here.” Barbora snapped. Maybe the environment was getting to her, too. Even with Isobel’s blessing, and the blessing from the pixie they freed, the energy of this place…it was soul-sucking. Astarion was visibly taken aback by the tone of her voice and immediately Barbora felt guilty. They bickered, mostly about her moral compass and his lack of one, sure, but she never snapped at him like that. An apologetic look washed over her face, but it was too late. She watched as Astarion’s facial expression changed, as he gave her one of those looks he used to give her after they first met: cold indifference.

“You know what? I think I will. The bleeding hearts can handle this. I’d say don’t do anything stupid, but…well seeing as this whole plan is stupid there’s not much of a point.” He said with an eye roll before sauntering off.

“Astarion–” Barbora tried to apologize, but he cut her off.

“Good luck with the prison break, darling!” He called from over his shoulder, not bothering to look back at her, and Barbora sighed. She would deal with that later. For now, she had tieflings to save.

Barbora should have known this was going to go wrong the second Karlach suggested they jump down into the massive hole behind the warden’s office to see if there was a way to get around to the back of the prison cells. The presence of the hook horrors in the disgusting, fleshy mind-flayer oubliette below should have also been a sign. Only since they dealt with the horrors easily and Karlach’s theory proved to be correct, Barbora let her guard down. There was even a boat waiting for them at a small dock, ready to take them away from Moonrise Towers the second the prisoners were free and out of harm’s way. It was too easy, and nothing was ever easy.

It started when one of the guards cast “Hold Person” on Lakrissa, the tiefling ranger Barbora was fairly certain was dating the tiefling bard they’d also met at The Grove, Alfira. If the desperation in Alfira’s voice when she pleaded with Barbora and her companions to bring everyone back from Moonrise Towers was any indication, then they were probably together. Instead of continuing the short path to the waiting rowboat, Barbora turned around. She needed to break the concentration of the guard keeping Lakrissa in place.

“Soldier, where the hells are you going? The boat is the other way!” Karlach shouted as she shot an arrow at an oncoming guard who’d emerged from the cell previously holding the Ironhand gnomes.

“I won’t leave her!” Barbora shouted as she took off at a sprint.

Karlach swore as she called after Barbora, but didn’t argue with her. The swearing may also have been from the spell that whizzed by the fiery tiefling’s ear, missing her by centimeters. The guard holding Lakrissa in place was stalking through the prison cell and Barbora readied her sword taking aim so that, if her blow landed, he would go clean through the gap in the guard’s armor at his elbow, hopefully causing him enough pain to focus on that instead of keeping Lakrissa in place. The blow landed, and the guard cried out with a yelp, freeing Lakrissa just as Barbora had planned.

“Run!” Barbora shouted to the tiefling as she began backing up herself with one eye on the guard. Lakrissa did not waste time hesitating before heading back down the path Barbora had just come from. The guard was wobbling on his feet as he raised his crossbow. He was dazed, that much was clear, so his chances of hitting her were low.

Only, it seemed luck was on his side that day, because when the guard fired the arrow, it found its mark in Barbora’s shoulder. From a close distance, it hit her with such force that the arrow went clean through her body, leaving a gaping, bleeding hole in its place as Barbora yelled in pain, collapsing to the ground. This was it. This was how she was going to die. Barbora could see around the corner just barely, and it looked like all of the tieflings and the gnomes had made it to the boat, even if she wasn’t going to.

The guard seemed to get a second wind after getting Barbora on the ground and he began walking towards her, replacing his crossbow with his sword as he went. Her vision was blurry now as blood spilled from her body. All she could hope for now was that the guard’s killing blow would be swift.

“NO!” A voice shouted, and…no that couldn’t be right. The owner of that voice was at camp. Wasn’t he? Was she hallucinating? Gods, if Barbora’s final thoughts were of him before she died, she would haunt him forever as punishment.

Astarion’s dagger found purchase right between the guard’s eyes, and Barbora realized as the white-haired elf came into view that she was not hallucinating at all– the vampire had followed them to the prison and, if she didn’t bleed out first, he’d just saved Barbora’s life. “No– you are NOT allowed to die on me. Not like this.” Astarion panicked as he removed his dagger from the now-dead guard’s forehead.

“‘Starion–” Barbora croaked as Astarion dropped to his knees beside her and wrapped his arms around her body.

“Shhh, save your strength,” The faint sound of ripping fabric filled her ears, and suddenly the smell of Astarion filled her nostrils as he tenderly wrapped the wound in her shoulder. He’d ripped the bottom of his shirt for her. Astarion scooped Barbora up in his arms and swiftly carried her to the waiting boat, where Wyll, Karlach, and Shadowheart were all sitting with the fugitives. A collective gasp left their companions’ bodies as Karlach moved so quickly to help Astarion that she almost tipped the boat over getting out.

“Shadowheart–can you heal her?” Astarion asked the cleric desperately as he and Karlach lowered Barbora into the boat. Shadowheart nodded.

“I’ve used a lot of magic today, but I should be able to stabilize her until we get to Last Light, then we can get more help from Isobel.” That Shadowheart was willing to ask the moon cleric for help was a testament to how bad of shape Barbora was in. Astarion pulled Barbora close to him again, his armor stained with her blood. The warm glow of Shadowheart’s healing magic dulled the pain, and was enough to close the wound’s exit hole. The space where the arrow had entered was still wide open, but at least Shadowheart’s efforts had slowed the bleeding a bit more.

“‘Starion, ‘m sorry–” Barbora tried to apologize for their fight earlier. After all, he’d been right. She’d nearly gotten herself killed.

“Hush, darling, we’ll talk later.” He whispered and pressed a soft kiss to the crown of her head as she closed her eyes.

It was dark when Barbora woke. Well, it was always dark in the shadow-cursed lands, but it was clearly what everyone assumed to be nighttime based on the way the lights in the barracks at Last Light Inn were dimmed– the room mostly illuminated by the fire still roaring in the hearth. Barbora slowly took in her surroundings, taking note of the fact that she was back in her camp clothes, and her shoulder had been wrapped with new, clean, fabric. There was still a faint throbbing of pain in her shoulder, and she winced as she attempted to sit up, but the wound seemed to have been healed otherwise.

“You’re awake.” Astarion said softly, and Barbora jumped.

“How long have you been sitting there?” Barbora asked weakly. She hadn’t noticed him sitting in the armchair next to the bed with a book in his lap.

“Since we brought you in six hours ago,” He admitted. Six hours? The book in his lap looked like he’d barely touched it– had he spent that entire time just…watching her? As though Astarion could read her mind as she stared at the book in his lap, he chuckled. “I couldn’t stop watching you…I wanted to make sure you were still breathing.”

Barbora’s heart did a flip in her chest. “You– you were worried about me?”

“Don’t be ridiculous, darling, of course I was,” Astarion chastised her gently as he moved from his chair to sit on the edge of Barbora’s bed. “We have our squabbles, yes, but…you scared me today.”

Barbora stared at him and blinked. “What?”

“I tried to deny it to myself for a long time. Then I watched that arrow go through your shoulder today and when you collapsed to the ground…all I could think about was murdering that guard for harming you,” Astarion reached for her hand and squeezed it. “That was the moment I realized you mean a great deal more to be than I’d planned for. If– if you’d died…I’d have burned Moonrise Towers to the ground.”

Barbora’s heart sped up in her chest. She’d always assumed Astarion was flirting with her because he flirted with everybody– not because he was actually interested in her in that way. From the sound of it, Astarion was also under this impression with himself until very recently. “I– I care about you, too. I hope you know that. And I’m sorry for snapping at you earlier.” Barbora apologized, and she squeezed Astarion’s hand again.

“You have nothing to apologize for, darling, I was an arsehole. Besides, I ended up following you anyway, didn’t I?” He reminded her with a smirk, and Barbora laughed.

“And it saved my life…” She pointed out, nudging him slightly. “Thank you, by the way.”

“Don’t think anything of it– like I said, I care about you. Keeping you alive is of great interest to me.” He teased Barbora and leaned over to kiss her cheek.

Barbora yawned, her body exhausted from the day and her injury. “Lay here with me?” She requested, and Astarion nodded. Barbora gingerly slid over on the mattress to make room for the vampire, and once he was situated beside her, Barbora moved back towards him and curled herself up in his arms before drifting off to sleep.

#baldur's gate 3 #bg3 #bg3 fanfic #female tav #astarion x tav #astarion #fluff #astarion bg3 #astarion ancunin

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bluedalahorse · 7 months

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Deservingness and morally complex stories, a follow up

I want to lift up and respond to an awesome comment made by @othervee on my post about the fandom and the word “deserve.” I’ll screen cap the comment first for context:

This comment intersects with some of the ideas I talk about in my MFA thesis. I’m looking at how the philosophy of restorative justice can inform writers of youth literature, and one of the central RJ principles is that every human being has worth and dignity. Innately. This idea of the “deserving poor” suggests that a select, often very wealthy few are allowed to decide who is worthy and who isn’t. It makes “worth” something that must be earned at the arbitrary whims. We all know that this can go downhill pretty quickly, playing out in austere (or worse!) political policies.

To take this into the realm of literature, the notion of characters being “deserving” sort of positions us, the readers, in the place where we are deciding who is worthy and who is not. And I don’t want to reject that instinct entirely, because I do think many writers invite us to do moral reasoning prompted by the stories they tell us. But I do think there is a marked difference between writers who build worth and dignity into the baseline of every character, versus writers who don’t.

We’ve all read stories where some characters are Worthy and some characters are Not Worthy, and the story’s moral lesson is to emulate the Worthy characters while avoiding anything connected with the Not Worthy characters. We’ve also seen stories that are perhaps less binary and a bit more nuanced, but still have an ultimate, inherently evil character to defeat as part of the third-act climax. I think these stories can be instructive up to a point—it can help readers to have a basic list of Dos and Don’ts—but they don’t always meet every need a reader can have.

I think it’s rarer to have stories where every character, be they protagonist or antagonist or sympathetic villain or antihero, is crafted with worth and dignity at their core. Nonetheless, these stories are incredibly needed, because even with lists of Dos and Don’ts on hand, people fuck up sometimes. Sometimes people fuck up spectacularly. Or, someone close to them has fucked up spectacularly and the image they had of that person is altered forever. It can hard to see a path forward in these kinds of moments, and often people want to hide instead of taking action or holding someone accountable. Seeing characters actually work through problems—not actually cleanly or perfectly, but in a way that has momentum and realness—is so important.

Here’s a small paragraph from my thesis, where I’m talking about The Black Kids by Christina Hammonds Reed, and its protagonist Ashley Bennet:

[This kind of writing] empowers [teenagers] to make restitution to those they have harmed in their own lives. Interpersonal conflict is almost never clear-cut and easily resolved. Because Ashley's journey is neither simple nor perfectly executed, it validates the emotions of readers who may be reluctant to address their own difficult situations with friends and loved ones, while still inspiring them to action. By engaging with restitution as a complex, yet wholly possible, emotional journey, writers avoid talking down to their young readers and meet them where they are. Finally, writers who invest effort in this sort of character arc reassure their readers of a key cornerstone of restorative justice belief that they are worthy (Evans and Vaanderling 31). Restorative justice professes the inherent worth and dignity of all human beings, and in part this means that people are worthy of the chance to do better and make amends for times that they did harm.

That tells you where I’m coming from with these thoughts, and why they matter to me. I work with young people, and they fuck up. A lot. But a lot of them also struggle with the idea of restitution, because it can feel so impossible, especially in a world that’s become so polarized and puritanical, and so scrutinized by social media, and where it can feel like you have to be good and stay good 24/7, or there’s no point. You know? We want to be the heroes in our own stories, but every single one of us has been someone’s villain once in a while, too. And we need characters who help us confront this.

Naturally, my research was inspired by Young Royals, because I do think Lisa imbues worth and dignity into every single character as she creates them. Wilhelm isn’t worthy because he’s a prince, and Simon isn’t worthy because he’s a talented singer. Rather, their worth lies in their humanity itself, and when they tap into their human vulnerability, they can make progress with one another and better understand their impact on the world. Likewise, August’s tragedy as a character is that he does have inherent worth, but he fails to see it. He mistakes his status and wealth for worth instead, and ends up leaning into power games that harm others instead of acknowledging his humanity and capacity to connect. That hits harder than like, Lisa just writing him as a Vortex Of Posh Boy Evil Who Must Be Banished To The Outer Realms, you know? I know I say this a lot, and I know a lot of people will not along and go “yeah of course he’s complex.” It’s the craft reasons why he’s complex that I actually wanna break down and analyze, though, because those matter to me.

There are other stories out there that handle this kind of complexity well. ATLA is like the textbook example in animation. YA books are where I’m seeing some of the best ideas thrown around… Randy Ribay’s Patron Saints of Nothing is forever a mentor text to me for how it approaches the dynamics of a grieving family living under a dictatorship. Adib Khorram’s Darius books have some of the best, most human parent-child relationships I’ve ever seen. Malinda Lo writes messy queers and I’m honestly in awe of how she does it. Joy McCullough’s verse novels make me cry like no one else. And Zach Smedley’s Deposing Nathan, while a very difficult book to read, is such a shining example of how you can tell these kinds of stories where every character is inherently worthy, but you don’t have to end it with like, group hugs and rainbows and forgiveness everyone being on wonderful terms. Because that’s another thing about this area of research. Sometimes you talk about it and people are like “oh so you just want stories to apologize for toxic people and abusers?” And no, that’s not it at all. Not everyone does get forgiven in the stories I mentioned above, or gets away free from consequences. But for me, the resolution and catharsis in those stories has always hit harder, and helped me make meaning out of trauma from my own life better, than stories where things play out as a simple tale of good and evil, where the good triumphs in a happily ever after and the evil is summarily punished and whisked away forever.

This is getting alarmingly personal, and I have grocery shopping to do this morning, so I think I’m going to cut myself off for now. Fellow writers, where do you see the worth in your characters? What techniques do you use to approach that worth?

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castleofshit · 8 months

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[VIOLENTLY KICKS DOWN YOUR DOOR] ONLINE IM HABITED TO USING THE NAME BRI AND WELCOME TO MY CAVING AU

(I recognize caves are a genuinely distressing topic to a lot of people but I'm chronically under ground and here to kill off the beloved cast of Marble Hornets. This is your warning, the actual details with images of caves for visuals are located below the cut.)

I know parallels are going to be drawn to the burried from Magnus Archives so I'll open it with if you want to interpret that as the implied influence go for it! My friends (mostly @youkoartemis tbh) have assigned me avatar of the burried and I wear that title with pride (after crying about being bullied)

Anyway onto the AU!

Our antagonist, as canon- Alex! He is also chronically underground and lets the gang know hey! I've found this underground cavern and nobody else in our local circle seems to know about it from the hints I've dropped. Lets go explore it; maybe impressive breakthroughs will be found in this one! The depths are calling I spend every waking and resting moment thinking of this space needing others to descend into the depths. It needs it

The gang! They actually have done underground trips together and all have their own roles within exploration! Tim is great with directions and does have underground sketching and mapping skills. His mental maps even underground are frankly impressive! Jay! He's great at exploring smaller spaces especially those that you have to squeeze through. He's usually the first into small spaces (willing because he loves doing it) and will report back. He's told the gang that dead ends are ahead more than once. Brian! He's great with vertical and pathfinding especially in precarious sections, he's also has the groups highest degree of first aid capabilities. Seth! Kind of the scientist of the group and thus the photographer- he with Tim logs the groups progress and will compare spelothem with other areas they've been to start drawing conclusions on how spaces and formations they find are made. These special skills have nothing to do with their demise! They have everything to do with their demise

In what order everything happens is honestly a toss up though i will be putting then in an order just to get it all out. Seth is the only exception though. He's last bc he's the camera man!

First up Brian! And honestly the inspiration of this entire post! (No surprise comsideting the online name!) Very similar to his canon tbh. Only he thinks everything is normal and fine. He tied the line securely, he knows it will hold, he's done multiple decents. He even climbs for fun! Was it secure? Was foul play involved? No one knows in the depths

(The image that inspired it all)

Jay! He likes small spaces! I don't understand the fear (maybe youko has a point...) so i don't think I need to go into depth with this one... but heres some visuals!

Tim...the surveyer... maybe its the panic of seeing his friends hurt (broken) stuck (trapped) maybe it was his mistake that started it all. But have you ever been so certain of where you are going only to find out your dead wrong? Yeah its not fun. But is it his fault?

Seth...our cameraman. Dutifully logging the doomed trip. But everything has been a freak accident right? We will be able to find our way out right? When we do we will be able to get help for Jay right? He's just stuck after all...Tim's somewhere in here and with a true search party we can find him right? Brian...we can get home at the very least... right? We will be okay right Alex?

Alex.....

He arrives home, with none of the joy in his eyes none of the usual noise of his 4 friends that usually accompany him. There's a look in his eye. Amy knows something has gone terribly wrong. Before he says a word, she has texted Jessica to contact the SAR. She never liked the depths.

#marble hornets #mh #brian thomas #tim wright #alex kralie #jay merrick #seth wilson #my silly aus #I :V

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pt-disconnected · 6 months

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Minor Announcement + Micro Anon Asks

Okay, so let's start things off with an announcement of mine. No, Disconnected isn't going away, don't worry. I'm not doing that- this is honestly amazing to write and I'm stunned at how many people enjoy it. So this isn't going anywhere for a while.

However, with how Chapter 21 went, I've realized that my method of writing isn't gonna work anymore. I can't just write as I go.

So I've done some thinking and I have a few plot points to work with. Asks will certainly retain the potential to influence the story, but there's going to be certain things I'm working towards- not just writing as I go.

This doesn't mean that I'll get to where I have everything planned out to a T, like how Lynx did at the end of Paper Trail. There's gonna be plans, but ideas may have me shift a bit depending on what I think of it.

I don't want to back myself into a corner again, and I want to retain the quality of the first dozen or so chapters. If I want to do that, I need to make sure I have a path to go down.

So, I've begun to jot down notes in a Google Doc that I'm going to keep private (as it contains IMMENSE spoilers). I may or may not have some method to access it, or bits and pieces of it, down the road. But for now, it's not going to be shared and will be used purely so I can look at it and know what I want to focus on next.

(It also includes all the stuff on the Evil Overlord List that the Knight/Gaster has 100% failed or would fail. Go check that out- it shows you just how dumb lots of antagonists are, and what they have in common. Plus it helps with figuring out how to make a threatening antagonist, with the note of figuring out which things they would fail at to have them be actually possible to defeat. There's multiple iterations of this list, not just the one linked. So definitely take a look at those as well, and tell me what you think Gaster has botched up or would botch up.)

Hopefully, this notes doc will help me get more ideas in the future and make future chapters easier to write.

On that note, the post that was the potential chapter 21 has been adjusted and is now officially Chapter 21 in the story, as I feel I know a way to continue from that point in terms of:

Gaster's plan involving the Over World

The time travel situation

Trying to repair the Light and Dark Worlds

...something else that remains to be seen

which means that, after a few modifications to make it feel a little more fitting, I felt good enough to allow it to be what it was intended to be.

There's also another cipher there as well, for those who enjoy that. I may not do ciphers on all my chapters, but they will certainly be used every now and then. The keys won't be hidden in the same place or the same way for the most part- so keep your eyes peeled. (I do mention in the post-chapter text that the keys will not be in the chapter itself unless I mention otherwise. So don't worry about hunting through the chapter to try and find them.

Lastly, I want to try and figure out a better schedule for writing chapters of Disconnected. Clearly twice a month is not quite working out... by a long shot. However I do want to say that I am not going to forget about this story. Even if I end up vanishing for a while, I'm not going to forget, short of an untimely end on my part. So unless some freak accident happens, things will go on. And hopefully, said freak accident won't actually happen. (And if it does, I'll try and have something set up to let you all know about it.)

As for the schedule, it's definitely gonna be tough to figure it out. But three months is far too long. If that were the case for every chapter so far we'd have been through five years already. So I'm going to see if I can handle at least one chapter a month with this new Google Doc of notes I have. (If inspiration strikes, it may be more. But we'll see.)

That just about concludes everything I'm needing to say in terms of announcements. I did get a small amount of asks that I'm gonna go ahead and reply to while I'm at it.

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"Lol angry rouxls noises"

"Honestly I think everyone could use a rouxls kaard translator"

Yup. A bit too much of that old English accent there... I think that's what it's called.

In fact, it was actually hard for me to write Rouxls. I half considered scrapping that scene entirely and avoiding using Rouxls because I felt I'd either use too much of that accent or not enough for his character. So I went for a sort of medium- instead of adding "-eth" or "-st" to a bunch of words, I used words that would fit the situation best (such as "thou", "mine", "thee", etc.) and had a small selection of words with the "-eth" added in, where I thought it fit best. And even then I think I might have overdone it a bit.

In short? Rouxls is a weird character to write.

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"Gasp Dess is here too!?"

Indeed she is! She was there in the last chapter as well, at the end- but now we're getting more about her, and I hope I can figure out a good, fitting personality for her since we actually don't see much of her in Paper Trail- and nothing in Deltarune itself. So it'll be TOUGH. But I think I might have an idea...

As for what that idea is?

That question gets the GIF. I know people would ask about it after all. Plus it's been ages since I used it. So yeah.

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"Welcome back man!"

Thank you, again I really feel bad for the extended delays. Hopefully this new method of writing will change that.

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And that's all the asks I have for the moment. Hopefully I can get the next part out for you all because DANG I think I left off on a cliffhanger. And I know how much those can be annoying when left untouched for extended periods of time.

For now though, that's all I have to say. So, take care, and I'll see you again soon.

...Hopefully. I don't want to leave you all hanging again. Especially with this last chapter.

(Also I just realized this is my 100th post on here... jeez, it's been a while. I really should work on this more.)

#undertale #deltarune #paper trail #lynxgriffin #pt-disconnected #small announcement #anon asks #micro anon asks #the gif

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fallinglikemagic · 3 years

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Penny Polendina alludes to Astro Boy - and how this allusion foreshadows Penny’s eventual resurrection

Some of you may remember my first post in which I compared Penny and Astro Boy, with a specific focus on the version of Astro from the 2009 3D animated film (if not, you can read it here, but I'll be repeating everything stated there anyway). In the month or two since I first made that post, more and more parallels have start to pop up, with one of those parallels matching one of our most popular theories and foreshadowing Penny's upcoming resurrection.

In order to write this, I went through and watched the entire film, taking notes as I went. I'm not going to include every single detail that I noticed, only the things that seem the most relevant and can be put together in a single post in a comprehensive manner. Believe me when I say that I've thought about this a lot, and the sheer amount of parallels and connections (and the fact that I'm not the only one to notice these connections) has lead me to believe that this has been done intentionally.

With that being said, I'm only going to focus on the Astro Boy film from 2009 - the Astro Boy franchise is massive, going back to the first manga coming out in 1952 with a few different adaptations and reboots with different versions of the story, and I just don't have the time to go through all of those. As such, I'm going to be focusing on the movie, due to the fact that it has the highest amount of parallels to both Penny specifically, and RWBY as a whole.

So, let's get into this.

Worldbuilding

Metro City and the Surface - Atlas and Mantle

One of the reasons I've decided to focus on the film in particular is due to the nature of the film's setting. Astro Boy (2009) takes place in two locations - Metro City, and the Surface.

According to the opening of the film, Metro City was created when the people who would become the founders of the city noticed the world changing for the worse, and responded by taking part of the land and lifting it into the sky, creating a floating city - the opening voiceover refers to it as "an oasis, a floating paradise". Everybody else is left behind on what is referred to as the Surface, left to fend for themselves while the people of Metro City largely ignore their existence.

The parallels to Atlas and Mantle are crystal clear. Atlas and Metro City are both set up as a beautiful city above the clouds, meant to serve as an inspiration for the rest of the world. In reality, it's a place where the rich and privileged can live in comfort while shunning the poor. Meanwhile, down in Mantle/on the Surface, people are suffering and struggling to get by. Additionally, both 'surface' and 'mantle' are words that are associated with the ground.

The Blue Core (and the Red Core) - Penny's soul and Maiden powers.

Another concept that is (as far as my research shows at least) unique to the film is the Blue Core and the Red Core.

The Blue Core is a small sphere that is filled with pure positive energy, referred to as Blue Core Energy. It was created by Dr. Elefun, made from the fragments of a star that no longer exists - meaning that the Blue Core is all that's left, and cannot be recreated. This is reminiscent of how Pietro has no more aura left to spare, and thus is unable to give any more of his soul to Penny like he did the first time she died. In this allusion, the Blue Core is representative of Penny's soul and the power of the Winter Maiden.

When the Blue Core was created, there was also a byproduct - the Red Core. Essentially, it's the same thing as the Blue Core, but with negative energy instead of positive. If the Blue Core and the Red Core make contact, they both die - this is relevant later.

You could compare the Red Core to Watts’ virus, due to the way that it causes a robot to have red eyes and that it coming into contact with the Blue Core destroys them both.

Character Parallels

Before I get into this properly, I wanna give a quick side note. While Astro matches up to Penny perfectly, things get a little bit messier with the others in that we have a case of characters taking on multiple roles. However, this is far from unheard of in RWBY - let's not forget about how Blake represents both Belle and the Beast, Yang is sometimes the Beast to Blake's Belle, and Adam is an amalgamation of every antagonistic force in Beauty and the Beast. It's far from uncommon for a character to allude to multiple characters from the same allusion, or vice versa, which is what we see with some of the characters in this allusion as well.

Astro - Penny Polendina

Unsurprisingly, Astro himself is our parallel to Penny.

After the death of his son Toby, Dr. Tenma rebuilds his son as a robot, using the Blue Core as his energy source. The Blue Core is stated to be unpredictable, and it's this that makes Astro who he is, what makes him unique from every other robot. As stated earlier, the Blue Core represents Penny's soul (and the Winter Maiden powers that are attached to it). When the Blue Core dies - and Astro dies with it - and Dr. Elefun is asked if he can be rebuilt, the answer is 'no' because the Core was unique and can't be remade - just like Penny's soul.

While Astro appears perfectly human on the surface, he's fitted with as much self-defence technology as Tenma could fit in him. The most iconic of these upgrades (and the only one that's consistent across every single version of Astro throughout the franchise) is the rocket boots. He even flies in a very similar way to Penny - pay attention to the posing, especially with the legs.

When Astro starts making friends with humans on the Surface, he conceals the fact that he's a robot, afraid of what they'll think of him when they learn he's not human. This matches up to Penny initially hiding the fact that she's not human, seeing herself as 'not a real girl'.

Astro has two father figures - Dr. Elefun and Dr. Tenma. Similarly, Penny has two father figures - Pietro and Ironwood.

During the climax of the film, Metro City starts to fall out of the sky and back down to the Surface. This is a parallel to two seperate moments in RWBY. The most obvious one is when Atlas is falling onto Mantle after the Staff of Creation is used. However, I think this scene more closely resembles the scene from Amity in which Amity Tower begins to fall.

When Astro sees that Metro City is falling, he immediately flies in to hold it up, despite the incredible strain it puts on him. This is a direct parallel to how Penny flew in to hold up Amity Tower.

Astro pushes himself to the limit when he holds up Metro City, to the point where the flames from his boots burn so brightly that they turn blue - oh hey, doesn't that look familiar?

Astro also demonstrates self-sacrificial tendencies at a few points in the film. When he's captured in order to have his Blue Core taken out and placed into another robot, he simply accepts it, saying that "I think maybe this is what's supposed to happen...this is my destiny". This becomes a lot more interesting when you remember that the Blue Core is representative of Penny's soul and Maiden powers. Astro giving himself up to President Stone (the film's main antagonist who later ends up in a sort of 'fusion' with the Red Core) so that Stone can use the Blue Core could be a reference to the virus making Penny want to give herself up to Ironwood so that he can use her soul to open the vault - especially if we believe that the Red Core is connected to the virus in some way.

Near the end of the film, in the fight against the fusion of President Stone and a giant robot containing the Red Core (it's a long story, I'll get to it later in the post), Astro makes the decision to sacrifice his own life in order to destroy both the Red Core and the Blue Core, saying “this is what I was created for” and saving the lives of everybody else in the process. I doubt I need to explain how "choosing to die in order to protect other people" relates back to Penny in Volume 8.

At the end of the film, and in the rest of the Astro Boy franchise as a whole, Astro takes it upon himself to be the protector of Metro City (and technically the Surface, but since Metro City has fallen, they're not exactly seperate locations anymore...). 'Robotic guardian of a city who's seen as a hero by the people' - you don't get much more obvious of a connection to the Protector of Mantle than that.

Additional details that may not be intentional but I still noticed anyway;

- Dr. Elefun describes as Astro by saying "That robot had more humanity than most of us". At this point, there's been many moments that affirm Penny's humanity - "You have an aura, Penny. A soul. That's who you are - our friend. Not a machine", "Her soul is who she is", the fact that she was able to receive the Maiden powers, all of these moments affirm that Penny has always been just as human as anybody else. This is also contrasted against Ironwood (and, for a while, Winter), who act more machine than human.

- Astro is actually rather heavily trans-coded. Penny is also trans-coded, but this is mostly likely a coincidence that happened as a result of the inherent transness of robots

- Elefun tells Astro that he's "not actually an entirely ordinary boy", which is reminiscent of Ruby describing Penny as "she's...not your typical girl."

- The shape of Penny's bow (the way that it sticks out more on one side while the other side is more vertical) looks similar to the shape of Astro's hair (this one was pointed out to me by @cosmokyrin when I mentioned this theory in the Frosen Steel server)

Dr. Elefun - Pietro Polendina

Dr. Elefun is one of Metro City's top scientists, and one of Astro's father figures. He is soft-spoken and gentle, a dreamer but a genius. In terms of personality alone, he's a pretty good match with Pietro. He's also the one who created the Blue Core, which draws a direct parallel to Pietro creating Penny's soul from part of his.

Dr. Elefun is the first person to truly see Astro as who he truly is. Dr. Tenma expects Astro to be a replacement for Toby, and is disappointed when he isn't. Similarly, everybody else sees Astro as a robot just like any other at first - an advanced robot, but nothing more than a robot. But Dr. Elefun gives him genuine praise, and encourages Astro to live his life and find his place in the world, just like how Pietro tells Penny that he wants to see her live her life.

It's also worth noting that in most other versions of Astro Boy, Elefun takes the role of Astro's primary caregiver after Dr. Tenma no longer wants him.

President Stone - James Ironwood

President Stone is the current political leader of Metro City. For the entire film, his entire focus is on combat and military strength, and on multiple occasions he actively expresses his intention to start a war with the Surface. He believes that the best way to get re-elected is with a show of military force and violence.

His primary goal throughout the film is to have Astro destroyed in order to retrieve the Blue Core and use it for his own gain. This is a direct parallel to Ironwood's goal in Volume 8 - to hunt down Penny and have her use her Maiden power to open the vault, and destroy herself.

Stone wants to use the Blue Core in order to power a specialised combat robot, ironically called the Peacekeeper. When Astro continues to escape his clutches, he decides to use the Red Core to power the Peacekeeper instead, but it doesn't completely go as planned. The Peacekeeper is equipped with what the film calls 'adaptive technology' - it's capable of absorbing anything it makes contact with into its own body.

And I do mean anything

After Stone is absorbed by the Peacekeeper, he's in full control of it - essentially the Peacekeeper is nothing more than a metal outer shell. President Stone has become a fusion of man and machine.

Dr. Tenma - both Pietro Polendina AND James Ironwood (a bit more Pietro than Ironwood but it's worth acknowledging both)

You might notice that while Elefun and Stone do have plenty of references to Pietro and Ironwood respectively, there are gaps where they don't cover every aspect of these characters and/or their dynamic with Penny. This is where Dr. Tenma comes in.

Dr. Tenma is Astro's dad, and the one who built him. He originally created Astro as a sort of 'replacement' for his biological son Toby after he died, giving Astro all of Toby's memories (more on this later). Naturally, this is a very clear connection to Pietro.

Additionally, Dr. Tenma uses the Blue Core - a completely unique, one-of-a-kind technological marvel - in order to power a single small robot that's intended to be nothing more than a replacement for his son, saying "I can't lose him again!". In this moment, Dr. Tenma is so focused on not losing his child that he doesn't acknowledge the big picture.

However, once Dr. Tenma realises that Astro isn't a perfect replica of Toby, but rather his own person, Tenma discards him, not caring if Astro gets destroyed or not. Similarly, when Penny stopped doing what Ironwood wanted her to do, Ironwood stopped caring about her as anything more than a container for the Maiden powers and is perfectly willing to let her die once the vault is opened.

Luckily, Dr. Tenma does have a change of heart, deciding that while Astro isn't Toby, he's still his son. Near the end of the film, Astro is very injured, and Dr. Tenma encourages him to get far away from the danger. However, Astro refuses to back down, instead choosing to sacrifice his life in order to stop President Stone, despite Dr. Tenma begging him not to go. Here, we have yet another parallel to this moment in Amity.

Bonus (aka characters that aren't perfect allusions, but connections do exist)

When Astro ends up on the Surface, he's taken in by a man who calls himself Hamegg. Hamegg ends up being a jerk, and while his personality and actions in the film don't particularly match up with any characters in RWBY, his backstory is a perfect match to Watts - a head scientist in Metro City who was shunned and fired for reasons unknown (Hamegg claims that they were 'intimated by his ideas and talent', but this was when he was trying to impress Astro and he lies a lot anyway, so this could be a complete lie).

On the Surface, Astro befriends four human kids (Cora, Zane, Sludge and Widget) and their robotic dog, Trashcan. While the personalities don't really match up (though Cora, Astro's closest friend, does bear a visual resemblance to Ruby), the idea of a 4-person group + a dog could be a parallel to Team RWBY and Zwei.

Zog is a very old, very large robot that had been 'dead' for several years until Astro found him and revived him by giving him some of his Blue Core Energy. Zog is our allusion to Winter - Astro giving Zog some of his Blue Core energy is a parallel to Penny giving Winter the Maiden powers. Additionally, in The Final Word, Winter explicitly calls herself a machine. While this does have significance on it's own, it could also be a nod to this allusion. That being said, the main connection between Winter and Zog (and possibly the most important part of this post) is based on events that have yet to happen in RWBY canon, and so I'm saving that part for the end of the post.

Story Parallels

Toby's Death

Toby Tenma, Dr. Tenma's biological son, was very similar to Astro in terms of personality (with some key differences), as well as having a strong physical resemblance.

When the Blue Core and the Red Core were first being shown off to President Stone, Toby was accidentally locked behind a sealed off barrier, trapped with the Peacekeeper containing the Red Core. Toby was killed in a blast that completely disintegrated him, leaving nothing but a hat containing a single strand of hair.

This hair is important, because Dr. Tenma used this hair in order to extract Toby's DNA and memories, which he was then able to implant into Astro in order to make him resemble Toby.

This scene is most likely a parallel to Penny's first death in the Vytal Festival. In her first death, Penny's body was destroyed, but her core remained intact. Her core, which contained all of her memories, was the key piece in properly putting her back together without erasing who she used to be. The strand of hair containing Toby's DNA is representative of Penny's core containing her memories.

Additionally, there's the fact that when Toby was rebuilt as Astro, he was given various upgrades to allow him to better hold his own in a fight, with the most obvious behind the ability to fly via rocket boots. Penny received similar upgrades when she was rebuilt as well.

It's worth acknowledging that Toby's death could potentially parallel the moment that Ambrosius separated Penny from her robotic body, with the strand of hair instead being her soul, separated from her dying body and then disintegrating. However, due to the timeline and order of events, I think that Toby's death is more likely to be a parallel to Penny's first death, and her separation from her robot body is instead a parallel to the next scene I'm about to mention.

Momentary Death

When Astro is captured by President Stone and taken back to Metro City, Dr. Tenma actually does remove the Blue Core from his body, which does cause Astro to temporarily die.

Luckily, it only takes a few moments for Dr. Tenma to change his mind and return the Blue Core to Astro, reviving him.

Astro's 'soul' was removed from his body, causing that robotic body to die, even though in the end Astro does survive it. This is reminiscent of Ambrosius removing Penny's soul from her robotic body, letting that body die, while Penny survives.

Zog

I briefly went over Zog earlier, but I wanna go into more in-depth about him, because the parallels between Winter and Zog and the implications of said parallels are the main reason I ultimately decided to make this post.

As I said earlier, Zog is a very old, broken down robot that nobody has been able to revive in years. When Astro finds him, he brings him back to life by giving him some of his Blue Core Energy. Astro essentially gives Zog some of his lifeforce, a part of his soul.

Winter was on the verge of death at Ironwood's hands, but Penny was able to save her by giving her the Maiden powers, and her soul with them.

However, Zog doesn't keep all of the Blue Core Energy Astro gave him all to himself...

Resurrection

As I've mentioned a few times in this post, Astro does die - and I mean properly die, not a death that lasted 2 minutes at the most and had no consequences. Astro sacrifices himself and his Blue Core dies, all in attempts to protect the people of Metro City/the Surface and his friends. Dr. Elefun says that he can't be rebuilt because his Blue Core, his soul, was unique.

But then, Zog comes around. Zog, who is holding onto what is a part of Astro's soul - the only surviving part of Astro's soul. Zog returns some of the Blue Core Energy to Astro, which brings Astro back to life.

So, to recap: Astro gives a part of his lifeforce, part of his soul, to Zog. When Astro dies, Zog gives some of that soul back to Astro in order to revive him.

If you've been looking at the theories regarding Penny and Winter recently, this will sound VERY familiar. While the specifics vary, the essentials of the most popular theory is that Penny transferred her soul to Winter to hold on to along with the Maiden powers, and that somehow, Winter will return that soul to Penny in one way or another (either by putting her into another robotic body, or just somehow extracting her soul and letting it form it's own body again). The fact that this movie has these exact events occurring makes this seem more and more like the most likely route.

If Penny really is an intentional allusion to Astro Boy - which, based on the sheer length of this post, seems pretty damn likely - then the film practically spells it out for us. Winter will give part of her aura, the part that Penny gave her, in order to bring Penny back to life.

thank you for coming to my ted talk

#rwby #penny polendina #rwby v8 #rwby theory #rwby volume 8 #I've spent the past 2 days working on this #but the amount of parallels is insane #there's lots of bits and pieces I left out too #combine this with Pinocchio's three resurrections and the Narnia/Aslan theory and that's three allusions that foreshadow Penny's return #honestly I was just kinda chilling in my room yesterday when suddenly the scene with Zog came to me and I yelled HOLY SHIT out loud-#-because I realised it was the exact same scenario #there's probably some typos here and i could've included more pictures but like...it's 4am #and this thing is like 4000 words

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violetlunette · 2 years

Text

Okay, I’m planning to do a LOT of BNHA posts once the manga is finished, so to get ready, I’m going to read through every chapter and post my thoughts. This is to refresh my memory and to create reference sheets I'll need in the future.

I’ll admit I’ve been putting this off because I hate recent chapters so much, (so, so much) but as soon as I started re-reading I remembered how much I actually liked the early chapters and why I was pulled into the story right away, so let’s get into that.

Trigger Warning;

*Bullying (Not very graphic) *Suicide Baiting

Okay, so basic summary for those who haven’t read this chapter in a long time;

Izuku Midoriya lives in a world where superpowers are the norm and “heroes” is now a career in which a person will use their special powers—or quirk—to fight against people who use their quirks to harm others or commit crimes. The heroes seem to do a good job in keeping the peace and are admired by the people. Everyone wants to be a hero, even young Izuku. The problem is that unlike literally everyone else in the world Izuku was born without a quirk and is literally powerless—or quirkless as people like him are deemed. Because of this Izuku is bullied by others, the most violent being his “childhood friend” Bakugou. After a terrible day of being ridiculed and bullied, Izuku is attacked and nearly killed by a villain. Fortunately, he is not only saved by a hero but by the Number 1 hero in Japan (and possibly the world) All Might. As All Might is leaving with the captured villain, however, Izuku grabs him. This results in not only the villain being lost, but Izuku learning one of All Might’s secrets. Apparently, All Might has a 3 hr time limit in his hero form, all of which he used up that day. Izuku asks All Might if a quirkless could be a hero, but All Might regretfully explains that he doesn’t think so. Heartbroken, Izuku starts to go home but sees that Bakugou has been captured by the same villain that nearly killed him earlier. Despite the abuse he endured over the years from the bully and being scared, Izuku rushes forward to try and save him. This action inspires All Might to overcome his timelimit and rescue them both. Later, as Izuku is walking away, All Might appears before him. He takes back what he said earlier tells Izuku that he believes the boy CAN become a hero.

Honestly, I pretty much like everything here. This is a great opening chapter. It establishes from page one what kind of person our main character is.

Izuku is someone who has a heroic spirit, and he’s willing to stand up for others even when he knows he’s outmatched. The thing is that despite his desire to save and defend, Izuku is literally powerless in a world where everyone has powers.

We see all this on the first few pages;

This is the first image we see of Izuku; he’s protecting someone who’s been hurt to the point of tears. He's terrified to the point of shaking as he knows Bakugou and company are gonna hurt him (and they do).

Speaking of which, let’s touch on Bakugou—I love him in this chapter.

(BNHA Fans: LE GASP!)

Yeah, I said it. Yes, I love Bakugou at his worst. (Before the people who follow me for my Bakagou hot takes call me traitor, hear me out.)

I think Bakagou is a good antagonist and opposite to Izuku here. Unlike Izuku, Bakugou was blessed with power but uses it for his own benefit. Which makes sense; he’s a spoiled child who was never scolded for his actions. I also like how unapologetic he was as an asshole he was here. He makes it clear from the get-go that he is all about his ego

--and how he reacts to anyone who challenges it.

I was pulled in and wanted to see how he goes from an asshole to a "worthy rival" character later. (More on that later… sigh.) Most of all, his terrible actions are framed as being bad. Here, they are NOT excused, waved off, glorified, or used to woobify him. He’s not framed as a poor misunderstood soul who needs the power of friendship to save him, he’s framed as an antagonist, especially to Izuku. The way the scenes are drawn, Izuku's reactions--never underestimate the small stuff, they matter more than you think. But that's something I need to study more before I can properly explain.

Oh, and on to everyone's "favorite" part-- the suicide baiting scene. Everyone hates it--for good reason--but in the spirit of fairness, I can understand why it’s there. It also shows how utterly alone and powerless Izuku is in the world, especially against Bakugou.

Just look at the scene;

Bakugou’s saying it casually but Izuku’s panel shows the effect of those words. Now look at his response;

Izuku is angry, he knows Bakugou went too far and is about to say something, but--

Bakugou threatens him into silence with his quirk, a quirk we’ve seen that’s hurt Izuku and scares him. Even though Izuku wants to say something he can't. He's scared of Bakugou and his quirk and knows he can't fight back. Worse, Bakugou knows that as well. Just look at this panel;

It’s a small panel but it shows something very important--Izuku is alone. No one is there to support him, no is there to protect him, there is no one there for him. He is alone and helpless, and that helplessness makes him frustrated to the point of near tears. But he can’t do anything about it, even when the other is wrong--and he knows it--he can’t. All he can do is grumble about it later as he fishes out his hero notebook.

(I can’t speak for others, but I understand that feeling very well. This scene is probably what caused me to click with Izuku.)

All this sets the overlaying conflict that Izuku wants to fight back and defend himself, but can't. Maybe the baiting it was a step too far, but despite mixed feelings about it, I think it works to make us sympathetic towards Izuku. (Possibly it works TOO well.) I also think it works to show how noble Izuku is when rescuing Bakugou later. Speaking of--

I’ve seen people say that anyone could have been captured by the Sludge villain, and the story would have progressed the same, but I disagree. This scene wouldn't have nearly been as strong if Bakugou wasn't the hostage.

First off, Bakugou getting caught feeds into his arc later. Second, it showed the audience Izuku's moral integrity.

Bakugou has been beating Izuku up since the former got his quirk and belittled him before that. He is the main antagonist in Izuku’s life to this point. Hell, on that very day—just a few hours before—Bakugou destroyed Izuku’s notebook and told Izuku to kill himself.

Also, this is the same villain who nearly killed Izuku less than an hour before.

The boy is clearly scared as he recalls his pain and fear from the attack, not to mention his near death.

The wounds are still fresh from both events, and he thinks about both. But Izuku doesn’t care about any of that--

All he cares is that someone is scared and needs someone to help him.

This proves to the audience that Izuku has what it takes to be a hero as he’s willing to forego his personal grudges to do what’s right.

THAT is why it had to be Bakugou Izuku saved. Yes, he could have saved anyone else but it wouldn’t have been as meaningful.

I also like how the event really shakes Bakugou up. In any other manga he’d apologize and the two would become best buds from then on (like in Yugioh). But nope.

Here, he’s angry and furious, not just at Izuku, but himself. He hates that he was so weak that he had to not only saved by a quirkless, but by someone who had no obligation to save him. Its kind of an interesting take, especially since we now know how insecure Izuku’s noble spirit makes Bakugou feel. (I’ll tackle this in a later post.)

But enough about Bakugou, let’s move on to one of the best characters in the series, All Might.

I’ve talked about the scene where he tells Izuku that he doesn’t believe a quirkless could be a hero, but I want to say how much I love All Might when he shifts to “Yagi” for the first time. It’s a bit sad but he feels—for lack of a better word—genuine. He’s honest, forward, and kind. Yagi knows he’s hurting Izuku, but you can tell that he feels pain in doing so. It’s like telling a kid that someone they care about is dead, and won’t come back. It’s heartbreaking but it has to be done (from his perspective). All Might could have just said, “no because the villains vary in power, and you’ll get killed.” But instead, he shows Izuku his wound--

--demonstrating that even he—the #1 hero with all his power—met a foe that nearly killed him. Yagi even admits that the only reason he smiles all the time is to hide the overwhelming fear he has every day. All Might didn’t have to say any of that, but he felt that if he was going to destroy someone’s dream he needed to be honest. This was probably the first time in years he allowed himself to be so vulnerable to anyone, which he did to show Izuku that he wasn’t just trying to be cruel.

The introduction between these two was so strong, but it had to be to create the best dynamic in the story—In my opinion, at least.

I really liked how we get to see how Izuku inspires All Might. He was willing to stand back and nothing with the rest of the crowd--

--until Izuku rushed forward.

This inspired him into action and just brings a whole new life to his demeanor (more on that in chapter2). He’s laughing and smiling genuinely--before coughing blood--

—I just love it and him! X3

Chapter 1 also establishes the flaws of the hero system. One issue is that the job of a hero is a bit of a popularity contest and other heroes are looking to steal others’ “captures.”

Like in an RPG game where you spend all this effort to defeat a villain, and then at the final moment someone steals your kill and gets the exp and loot.

(This image has nothing to do with anything, I really like Mt. Lady’s design. I think she’s cute.)

This brings me to the next flaw; how criminals and villains are placed in the same category despite there being a few steps between them. I mean purse-snatching is bad, but not “evil incarnated level.”

(Seriously, Kamui Woods, how sheltered are you?)

But the biggest is its effects on the civilians. Everyone is clearly embedded with the idea of “just sit back and enjoy the show as the heroes handle it.”

Now, in theory, this is a good idea as you don’t want people tangling with villains as that inspires vigilantism and gang fights but it’s created a severe case of bystander syndrome.

Remember that scene where Bakugou makes Izuku’s desk explode--

--and then backs him against a wall?

Yeah, all that happened in front of a TEACHER. And he didn’t say one word, not even a “sit down Bakugou” or “that’s enough, Bakugou.”

(Asshole, stop throwing around important career forms and DO SOMETHING. Especially since YOU singled him out in the first place.)

This especially awfully, as later in the series we see that if he had said some Bakugou would have obeyed. Despite his bombastic personality, he does respect authority, if I remember correctly (don’t quote me just yet though).

Then later when Bakugou’s been captured by a villain, only the heroes care that a kid might die, the rest are just looking on in excitement as if watching a stage show.

Again, more on this later in the series.

Oh! Nearly forgot, but I kinda like that the world's first introduction to superpowers was a glowworm baby.

A little young to be flashing a nurse kid! Hee, hee, I regret nothing!

I dunno why, but I thought it was cute. There's also a metaphor about a "bright future" here, I'm sure.

All in all, I love this chapter. It introduced the main character, and the type of person he was, the "rivalry" dynamic between him and Bakugou, the world, and the meeting of All Might and Deku was just amazing.

But this is only the first step in the manga re-read! Feel free to share your thoughts as well. I'm curious what others think about it. Do you think this was a good intro to the world and story, or a bad one?

#Bnha manga #mha manga #chapter 1 #re-read #bnha #mha #izuku midoriya #all might #yagi toshinori #deku #my thoughts #mine #Izuku Midoriya: Origin

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itsclydebitches · 3 years

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re: that ask you posted a couple days ago about the male and female representation in RWBY, part of what makes RWBY's whole 'girl power' thing ring exceptionally hollow to me is the fact that there are like... no women in positions of real power in remnant. like at all. except the big bad.

winter is second in command to james. glynda is second in command to ozpin. all of the headmasters are men (for no discernible reason, imo; why theodore and not dorothea?). the leader of the ace ops was a white man (and then winter seemed to take over clover's position instead of either of the women of color on the team, and she was still second to james). RWBY is an all girl team, but JNPR was led by a boy despite a girl arguably being far more qualified (pyrrha). the happy huntresses are all women, and robyn had no real power to speak of--she didn't even manage to win the election, because jacques rigged it, and then the council ceased to matter. there was one (1) woman on the council, but she was so inconsequential that i can't even remember her name. (i suppose we're lucky it was the guy and not her who james shot lol) jacques controls the SDC instead of willow, even though he's not even a schnee by blood and actually married into the family for power. (and we don't even know how he got it over his wife.)

and then there's the white fang, which ghira led and not kali--and it's ghira who leads menagerie itself, while kali seems to be a housewife. sienna had five minutes of screentime before being brutally killed and her position assumed by adam, a man. cordovin is basically a one off lackey we haven't even thought about before or since. neo was second to roman. you have cinder, sure, who is a second but to salem, a woman, and raven as the leader of the branwen tribe--but what does it really say about your 'girl power' narrative when the only women with genuine systemic power in your world are villains or antagonists with massive bodycounts??

atla has the same sort of problem--a couple great female characters, but all the leadership positions are men (except the kyoshi warriors, an all girls group, and even then the leader of their island is an old man) and the one female mentor figure also turns out to be evil--but it at least has some great writing to help overlook that fact, and it came out in the mid-00's and so has some sort of excuse of being a product of its time. but rwby didn't even start until 2013 and it's still going and still making these kinds of decisions well into 2021.

where is this supposed girl power, exactly? am i really supposed to overlook the very patriarchal worldbuilding just because the title characters are girls?

That's an excellent summary of the situation, anon, and as with so much in RWBY, it comes down to the full context. Any one of these examples isn't necessarily going to mean much on its own. It's when you look at the pattern that you can start making a case for those conclusions: Why is the show marketed on "girl power" set in a world where men hold the vast majority of that power? And, more importantly, why is that setup not the point? We could easily have a story where that lopsided gender dynamic is the problem that the girls are looking to fix, but... that story doesn't exist. Like the problems discussed with Jaune, the supposed point here exists only on the surface. Dig just the tinniest bit — the above — and you hit on a lot of structural problems with this "girl power" world.

To add just a few details to what you've already said:

Salem indeed has power, but she's never allowed to fully use it. Each volume the frustration with this grows as Salem accumulates more abilities and then just sits on them. From literally hiding out for a thousand years to worries that she won't use the Staff in Volumes 9-10, Salem really isn't allowed to be the threat she's presented as on the surface. And yes, this is absolutely due in part to the "She's too OP and the writers don't know how to let her be that powerful while still having the heroes win" issue, but again, context. That problem doesn't exclude others occurring simultaneously.

Same double explanation with Summer. Yes, dead moms are an incredibly common trauma to dump on a protagonist, but it still left Yang and Ruby with Tai as their primary influence. And Qrow. The uncle becomes the extended family influence while Raven is the absent one/eventual antagonist. It's personal power as opposed to political power, but Tai, Qrow, Ozpin, formerly James... most of the mentors are men. Maria, a key exception, has been ignored in that regard. The story announced that she was Qrow's inspiration, setup her being Ruby's new mentor, and then... nothing. Nothing has come of that. She disappeared for a volume and then went off to Amity and was literally forgotten by the story when evacuating everyone was the finale's whole point.

Like that Endgame moment I mentioned, the Happy Huntresses feel a little too forced to me. Yes, it's the same basic idea as in ATLA, but ATLA, as you say, has a lot more going for it. The Happy Huntresses feel... on the nose? Idk exactly how to explain it. Like, "Here they are! Another team of all women! Isn't this how progressive storytelling works? Just ignore how this is a one-off team of minor characters compared to the world building issues discussed above." And if you're not paying attention, you miss just how insignificant they are, with a side of Robyn being, well, Robyn. The Kyoshi Warriors, at least, are based off of Kyoshi. A woman avatar who is a significant part of their history. That is, presumably, why they're an all women warrior group (but who notably still teach Sokka). The Happy Huntresses are all huntresses because...? There's no reason except that meta "We want to look progressive" explanation. Just like having all the women superheroes team up for a hot second so people get excited and ignore the representation problems across, what? 21 films? Don't get me wrong, I love that May is among the Happy Huntresses. I think including her in the explicitly all-women group was one of the better things RWBY has done in a long time, but the rest is still a mess.

RWBY is arguably about these smaller groups as opposed to systematic power (despite the writers trying to work that in with things like the White Fang and the election. Not to mention the implication that everything in Atlas is fine now that evil Ironwood has died and taken the symbol of wealth (the city) with him. We saw a human holding hands with a faunus after all. Racism and corruption solved, I guess.) So yes, our group is dominated by women... but Whitley is the one saving Nora, helping to defeat the Hound (plus Willow), thinking of the airships, and providing the blueprints they need to escape. Salem is our Big Bad, except Ironwood is the one the volume focuses on. Ruby is our leader, but Jaune is the one leading the group into the whale and getting praised for how heroic he is. Ren does more to shake things up, even if he's painted as the one in the wrong. Oscar gets to confront Salem and destroys the whale threat. Ozpin provides the information they need to evacuate. Meanwhile, when the girls do things in Volume 8 it's almost always followed by a long-stint of passiveness. Nora opens the door so she can be unconscious for most of the volume. Penny keeps Amity up so she can also be unconscious for a good chunk of time. Ruby sends her message and then sits in a mansion. Blake fights so she can tearfully beg Ruby to save her. Weiss, as said, takes a backseat to Whitley (and Klein). They forward the plot, absolutely, but comparatively it doesn't feel like enough.

It's that pattern then, no one specific example. More and more the personal power, not just the systematic power already built into Remnant, seems to be coming from the men. Not all the time, but enough that scenes like the tea drinking moment feel like a part of a much larger problem. Pietro taking control, Watts hacking, and Ambrosius literally remaking her when Penny is supposed to already be in control of herself and her fate. Winter being presented as the active mentor to Weiss, only to turn around and claim that Ironwood was actually responsible for everything. Ruby, Weiss, Blake, and May straight up commenting on how awful things are out there while Yang, Jaune, Ren, and Oscar lead the charge against Salem — with the latter three doing the most to forward that mission (no fear, semblance, cane). As others have only half-joked, Yang's supposedly badass moment was bringing up a mother she's ignored for six volumes and briefly blowing up the immortal woman for a couple of seconds (with Ironwood's bombs). Even Marrow is arguably the most significant Ace Op after Clover. Vine isn't actually a character, Elm slightly less so, Harriet is there to go crazy and try to drop a bomb (notably before admitting to never-before-existed feelings for Clover), but Marrow? He's the one who breaks out. Who is meant to heroically stand up against Ironwood. Who comments on how awful it is that teenagers are fighting and, regardless of how messed up the moral messages are, is supposedly pushing for active change while all the women in his group, including Winter, insist on maintaining the status quo. Look at all these choices as a whole, it makes throwaway worldbuilding choices like "All the Maidens are women" feel pretty hollow. Why does it matter if Amber is a Maiden if she dies in a flashback so Ozpin can struggle to pass on the power? If Pyrrha dies before becoming one so Jaune can angst about it? If Raven is one and then disappears from the story entirely? If Winter has enough power to break Ironwood's aura, but supposedly had no power throughout every other choice she made getting here? If Penny is one, but is continually controlled by men and then asks another man to help her die? It's just really unconvincing, once you look past the surface excitement of a woman looking cool with magic powers.

When you do consider the whole of the story — both in terms of our world building and who is forwarding the plot in the latter volumes, getting the emotional focus, being proactive, etc. — there are a lot of problems that undermine the presumed message RT wants to write. They say, "girl power" by marketing RWBY with these four women, but too many of the storytelling decisions thoroughly undermine that, revealing what's likely a deeply ingrained, subconscious bias.

#rwde #rwby #mymetas

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jostenneil · 3 years

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I would like some shoujo recs! I haven't read any in a longtime. I don't mind if they have love triangles or love quadrangles as long as the dynamics are good.

i’m sorry for getting to this late! and i hope it’s okay to rec some josei as well, the only difference between shoujo and josei strictly speaking is the age demographic, otherwise both traditionally cater towards women (not that other ppl can’t read these obv!)

princess tutu (anime) - this is one of the greatest pieces of shoujo i’ve ever been exposed to. it centers on a rly clever and cathartic adaptation of the swan lake mythos, and what’s most interesting about it is its focus on storytelling. the primary tag line of the show is “may those who accept their fate be granted happiness. may those who defy their fate be granted glory”. it’s all about the characters making choices and realizing their own ability to write the story that follows, rather than remaining shackled to the insidious story penned by the primary villain, drosselmeyer. the relationships are complex and dark but also rly healing in the long run, and the ballet aesthetics are exquisite!

kanata kara (manga) - this isekai manga centers on noriko, a girl suddenly dropped into an alternate world where she’s referred to as “the awakening”, fated to awaken the monstrous sky demon. everyone in this world is bent on getting “the awakening” first to use it to their own benefit, but noriko is actually found by the sky demon, a boy named izark, and they start to travel together through various countries while on the run. the rly charming point of kanata kara is that noriko doesn’t magically know the language of the world, she has to learn it entirely from scratch. she’s also someone who works rly hard to be useful and a source of solid support for izark and the friends she makes, and i think that coupled with the narrative message of each person having their part to play in the betterment of the world is rly inspiring to read about

akagami no shirayukihime (anime/manga) - shirayuki is a girl with rly vibrant red hair, and the prince of her country wants her as his concubine bc of it, so she decides to run away to the neighboring country. there she meets the country’s second prince, zen, along with his friends at the palace, and she makes a new living for herself as a palace pharmacist. it’s a rly sweet manga that i appreciate for delving into the behind the scenes part of court politics, particularly bc we tend to think that fantasies imply battles, but that’s not necessarily the end all, be all of relations between countries. there’s also a wonderful focus on shirayuki’s work as a pharmacist, and how her knowledge of plants and medicinal herbs helps her support zen as he works to become a prince more involved with his people

legend of basara (manga) - this series focuses on a post apocalyptic japan ruled by an oppressive emperor. a child of prophecy is fated to be born into a village and save the country, and when twins are born, the villagers assume the brother is the fated savior. when they grow up, however, one of the emperor’s sons, the red king, kills the brother, and so his sister, sarasa, has to pretend she’s the one who died so she can carry on the revolution as her brother, else all hope is lost. all of this is tied in with the fact that in her rare free time, sarasa happens to meet a boy named shuri, who is actually the red king! neither of them know each other’s real identities or that they’re the ones facing each other on the battlefield, so it makes for a rly angty romance, coupled in with excellent political commentary on privilege and oppression. shuri has one of the best antagonist to protagonist developments i’ve ever seen, and sarasa is a great example of a character vested with so much responsibility, who wants to bring her people to freedom but also be just a normal girl

honey and clover (anime/manga) - this is one of my all time favorites! it follows some university students attending art school and their day-to-day life as they struggle to create, maintain relationships with each other, graduate, etc. i think chica umino’s works in general can be exemplified by her portrayal of every day life, and how it’s not so mundane and actually carries a lot of emotion. there’s so much catharsis present in this work for me bc it really reaches out to people who feel lost of purposeless or alone in their lives and feel like they have no reason to continue creating or moving forward. i think it also has a rly realistic portrayal of romance in the sense that its focus is on how characters grow through romance rather than whether they end up with a certain person. esp if you’re a college student, i think it’ll rly resonate with you

kobato (manga) - this was serialized in a seinen magazine for some reason but i think most ppl agree it feels shoujo in delivery. it’s probably my personal favorite clamp work. the floral aesthetics and artwork of angels is absolutely gorgeous, and it features a rly endearing story about a girl, kobato, who must collect “healed hearts” in a bottle in order to return to a certain place. i can’t really reveal what i most enjoy about it without giving away serious spoilers, but there’s that classic clamp execution of the binding nature of contracts and weighing the things we want against the things we must do, which makes for some rly heartfelt, angsty progressions. mostly i just love seeing the narrative unfold kobato, as she starts off as is this seemingly naive girl who we come to realize is actually hurting deeply inside

lovely complex (anime) - this is a classic so if you’ve already heard of it i wouldn’t be surprised but nonetheless it’s probably my favorite in that area of early 00s shoujo romcoms. the story follows risa and otani, who are known as a comedic duo in their high school bc she’s unusually tall and he’s unusually short. there’s lots of gags and kidding around, but ultimately the story delves into how both of them subconsciously fall for each other despite treating each other like gag men at first. there’s comedic love triangles and plenty of miscommunication galore, but i think it takes these shoujo tropes and puts a rly refreshing twist on them that drives you crazy in a way that’s actually very entertaining. the infamous bear curry gag has practically been immortalized in shoujo fandom

yumeiro patissiere (manga) - this is another one most people have probably heard of BUT, that’s usually bc of the anime. the manga is actually much shorter and different in some ways, and at the end of the day i think i prefer it, esp art wise as the charm in matsumoto’s art style is just impossible to replicate anywhere else. it follows a girl named ichigo, who has a very sensitive taste palate and is spontaneously selected to attend a patissieres academy, despite the fact that she can’t cook for shit! she’s placed in the a-level class alongside the academy’s three genius students, commonly called the “sweets princes”, and they befriend and gradually help her hone her skills until she’s at a level where she can compete with them on a team. all in all it’s a rly endearing story about perseverance, hard work, and the desire to make ppl happy with the food you make for them (kitchen princess is also a predecessor to this series that i think may even have heavily inspired it and i would recommend it, too! it’s just a little on the darker side in terms of dramatics)

this is just the start of a list tbh but these are some of my all time favorites that came to mind! do let me know if you try out and enjoy any of them, i would love to hear about it ❤️

#princess tutu #kanata kara #akagami no shirayukihime #legend of basara #honey and clover #lovely complex #yumeiro patissiere #not really but that's the only tag i can think to put it in #mine:recs

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grace13star · 3 years

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There’s been a recent uptick in posts claiming that “c!Wilbur is a worse villain than c!Dream” or that he’s “more manipulative” and it’s made me think a lot about just....how villainized Wilbur is? Because while he has done bad things, I’ve seen people just making things up or projecting onto him and making him just. so much worse than he is in canon.

Again, this is all about the characters in the Dream SMP roleplay and are not the actual people.

Let’s go over the bad things Wilbur is accused of doing. These are arguments I have actually seen people use and defend with their whole chest.

1. Created a nation. 2. Sell drugs. 3. Talk about rigging an election. 4. Was a dick. 5. Blew up a nation. 6. Died. 7. Manipulation. 8. Neglectful dad. 9. Child soldiers. 10. Dictator. 11. “Threw a fit” over losing.

Let’s talk about these and break them down a little. Another disclaimer, this isn’t trying to excuse any hurt that Wilbur has caused, because his actions did cause harm, but this is trying to explain and add context to things that are often taken out of context or just wholly misinterpreted.

1. A common argument for why this makes Wilbur evil is that he “stole Dream’s land.” But like...no. L’Manberg was created on untouched land where no one was living, and had a combined area smaller than Purpled’s garden. Dream, until he declared war, didn’t even care about them making their nation.

I’m also including in here the claim that he “turned Dream into a villain.” ....What are you talking about. Before Wilbur was even on the server, Dream was part of the disc war, where he stole Tommy’s discs, and then kept perusing them even after the initial conflict ended, including griefing Tommy’s lawn. Before war was declared, Dream and his friends kidnapped and killed Tubbo and Tommy. Dream then also declared war on a peaceful nation (Wilbur said “if they try to declare war we will just say ‘no’”). None of that was in any way forced by Wilbur. Dream made his decisions on his own. Just because someone comes in and says “hey you suck,” doesn’t mean you have to actually suck. Dream made his own decisions, and his decision was to become a villain.

2. Potions (drugs) are an infinite resource in Minecraft and everyone uses them. This is a stupid argument.

3. Some people act like he actually did rig the election but...he didn’t. He definitely could have! Quackity wasn’t a citizen of L’Manberg, Wilbur could have banned him from the election easily, especially since his running mate was a previous enemy of L’Manberg. But he let him run, and then he let Fundy and Schlatt run as well. The worst he did here was talk about doing something bad. Also the reason he was trying to consolidate power wasn’t just for the sake of having power. There was, at the time, a civil war going on, and Wilbur tried to stop it but no one listened to him. He wanted the power to be able to protect his citizens and stop a war.

4. Being a dick is not evil.

5. This is by far the worst thing Wilbur did, and though it hurt a lot of people emotionally, it really wasn’t as bad as everyone says it was. Though the explosion caused property damage, it only destroyed the podium and some of the walkway. People’s actual houses- Manifoldland, Niki’s bakery- were totallu untouched. No one even died in the explosion- the worst thing that happened was Quackity being blown back, but he landed in water. (This isn’t to say that characters shouldn’t be hurt by this! Wilbur betrayed them and definitely hurt them, but people acting like the 16th was worse than Doomsday and also blaming Wilbur for Doomsday even though he was dead is weird.)

There’s also the claim that Wilbur blew it up for the sole purpose of hurting people, which is easily disproved by just...watching a Wilbur stream. Like seriously, stop trying to do analysis on Wilbur if you haven’t even watched his streams. Wilbur had multiple chances to blow everything up, but when he had the choice between blowing it up and hurting people or not hurting people and not blowing it up, he chose the latter every time. At the festival, while Tubbo was trapped on the stage, he stopped going for the button. When Tommy and Quackity were in the button room which would have exploded if he pressed it, he refused. Also I’m gonna use the Reddit post that’s confirmed canon again- Wilbur blew up L’Manberg because he saw how much power it had, and he saw how it hurt people. He tried to destroy it to save everyone from the pain and conflict caused by the nation. He didn’t think they would rebuild.

6. This one is the one that actually makes me angry. Because guys....Wilbur’s death was a suicide. If Phil wasn’t there, Wilbur would have done it himself- he had been planning to do it himself for months, as there was originally TNT in the button room that would have killed him with the explosion. The reason it makes me angry is because suicide is an extremely serious topic. Characters and the fandom framing it as “Wilbur left or abandoned them” is an ableist take that enforces the stereotype that suicide is a “weak” option or that it’s “running away.”

There’s also people that will villainizing him for “forcing Phil to kill him” but while I empathize with Phil and realize it was a stressful situation, Phil very much made his own decisions here too. Wilbur didn’t force Phil to kill him, he asked him a few times and then Phil did it.

7. Again, this is not an attempt to excuse, but an attempt to explain. So first of all, people try to claim that Wilbur was manipulative from the beginning. This is false. Persuasion and making sure someone is “loyal to a cause” is not manipulation. And then Pogtopia- he’s never manipulative in Pogtopia, again, he is only persuasive. I have a longer post that goes into more detail, so definitely check that out. After he is revived, he is definitely guilt tripping Tommy in his most recent stream, but (again, not an excuse) it’s clearly from his desperation to not be alone anymore after 13 years of near constant isolation.

I’ve also seen claims that Wilbur manipulated Techno and that Techno didn’t know they were planning on starting another government, but this is easily disproven by the fact that Wilbur said multiple times that they’re “taking back L’Manberg” and that he wants to be it’s “rightful ruler” again while Techno was in vc. What about that implies they’re not going back to the government.

Also since this is relevant- he never manipulated Niki. He was always kind and caring with Niki, even through his mental breakdown. He wasn’t able to bring her into Pogtopia at first, but he talked to her and made sure she’d be okay there (and she said yes!), he offered his life for hers at the festival before hitting people around them and yelling at her to run, she was the first person he gave Blue to, he gave her an inspirational speech and showed her the fox that had been left for her, she was one of the few things Ghostbur remembered. He betrayed and hurt her, but it was not manipulation.

Gonna combine this with this point also but Wilbur was not in any way abusive. A lot of people in this fandom for some reason equate “unhealthy relationship” with “abuse”, especially after the exile arc. Wilbur and Tommy’s relationship, while unhealthy, was not abusive. Please learn the difference.

Also, if you’ve ever said that “Wilbur gaslit anyone” or that Wilbur is “insane” I want you to define those terms for me right now. No looking anything up. Tell me what they mean. Do it.

8. What about any of Wilbur and Fundy’s dynamic implies any kind of neglect. No, seriously, where did this take come from. Wilbur was canonically overbearing and he babied Fundy. While it definitely wasn’t the best relationship, it definitely wasn’t neglectful. The only times in canon we’ve seen Wilbur be separated from Fundy was when he was exiled and Fundy cheered while he was shot and killed, when Fundy disowned him in front of their enemy, and when he committed suicide. Even before his death, when they were still on rocky terms, Wilbur stepped forward to defend Fundy from Schlatt in the van.

9. This take is irrelevant. Child soldiers don’t matter. For one, this is Minecraft. Every single person has equal opportunities. Anyone can become powerful no matter what age they are as long as they grind enough. For another thing, at the beginning part of the roleplay no one was trying to make a long serious story about war and trauma, it was just some friends fucking around and fighting each other. Wilbur also revealed that while writing the Revolution arc that he headcanoned Tommy and Tubbo to be about 20- we know these ages aren’t correct because they’ve been reffered to by their irl ages in lore- but it shows that the “these are children” plot point was added way later- no one mentions it at all in season 1. It doesn’t matter.

10. This is directed at one person. You know who you are.

A dictator is defined as “one holding complete autocratic control : a person with unlimited governmental power.” Wilbur didn’t have control. That’s the whole reason for the election. It literally takes one google search to prove you wrong.

11. There’s a difference between “losing” and “being unfairly exiled by your political opponent who is now declaring himself emperor.” Wilbur was totally fine with losing. He said during the election that he was fine with Quackity winning, and when they actually did lose, though he wasn’t happy about it, he encouraged Tommy to calm down and told him “We’re citizens tonight.” He only “threw a fit” after he was thrown out of the nation he built by someone who immediately declared himself emperor.

So in conclusion, Wilbur Soot is an antagonist, but he is villified way beyond canon and I’m getting tired of some of these takes that I see over and over again that are easily disproved by just using critical thinking skills.

This is most of the takes I’ve seen- some I haven’t even dignified with a response because of how clear it is that someone is just lying to try and excuse someone else’s actions- but if anyone has anymore they’ve seen that they want me to talk about, my ask box is open.

#wilbur soot #c!wilbur soot #dsmp #dream smp #wilbur soot character analysis #some character neg i guess?#nothing direct #but c!dream sucks and i make that clear #c!fundy #tommyinnit #c!tommyinnit #tw suicide #tw manipulation #tw gaslighting mention #learn what words mean /threat #c!dream neg #but is it really neg if its canon

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currently-hyperfixating · 3 years

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Danganronpa V3 Pregame Headcanons

hey Y’all! I have an imagines post on the way, but in the mean time have some of my V3 headcanons

TW/CW: Almost All Pregame V3 Characters (Excluding Kaito, Shuichi, K1-B0, Tsumugi And Kaede), Mentions Of Abuse And Self-Esteem Issues, Mention Of Violence

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Maki Harukawa Maki was always all for mindless violence, and what better place to be violent than a killing game. There were no other motivations behind her audition and she told the team just as much. She was thrilled when they told her that she would be the strongest character, unparalleled by even the martial arts masters of the previous seasons. However she was never told that they would be changing her motivations, making her broken and unwilling to kill. She went into the killing game hoping to come out on a mountain of corpses, to be feared by everyone in the outside world. She got her wish, just not in the way that she wanted.

Kokichi Oma Kokichi was a nervous boy, despite what he may tell you. He was constantly terrified of everything around him, but lied his way through life to convince everyone he was okay. He wasn’t sure why he auditioned for Danganronpa, maybe he wanted a place where his constant fear would be justified, maybe he wanted a new world to recreate himself in, maybe he just wanted an excuse to let it all out and break down. His one request of the team was to “make me more like myself but... better.” They listened to his request, making him more confident and snarky, but his constant lying had become such an extreme part of who he was, that the team kept it. After all, he asked to be himself.

Miu Iruma Miu was hopeless at romance. Well, not like she wanted actual romance anyway. All she wanted was for everyone to swoon at her presence and kiss the ground she walked on. She wanted to be a gorgeous celebrity, known and admired all over the world. The kind of celebrity that you would hardcore crush on for years. What better way to do that then to audition for the worlds most popular TV show. She wanted to be the fanservice character and asked the team as much. They complied with her request, but decided to take it a more comedic route, using all of the worst troupes and making her little more then a desperate mockery. She was the fanservice alright, but she will never be as widely loved.

Ryoma Hoshi Ryoma had been watching the show for as long as he can remember. He had always looked up to the strong-willed and awe-inspiring protagonists. He didn’t really have anyone else in his life to look up to, so he clung to these characters like glue, using them almost as a guide on how to live. “What would Makoto do here? How would Hajime handle this?” When he heard that there were auditions for the new season, he did everything he could to get an audition. When the team asked him about what kind of character he wanted to be, he just repeated over and over about how he wanted to be the protagonist. He wanted to be an inspiration to people. He asked this of them so much that they casted him as a weak-willed character with nothing to live for. They had already chosen their protagonist and his constant inquiries had made them grow petty against him.

Rantaro Amami Rantaro had never had a good relationship with his family. His parents gave him a boat to live on when he was old enough and them seized all contact. He had sisters, in fact he was the only son, but all of his sisters had moved across the world for college and none of them really left on a good note with him. His only chance at a new life, and therefore a new family, was auditioning for Danganronpa, The only request he made was that he be an only child and an orphan. This was an odd request so the team pried for more information, and his story gave them a very interesting idea.

Korekiyo Shinguji Kiyo hated humanity. he hated it to the point of it being an intense obsession. To him, it was full of heartless people who would do nothing but take advantage of him, while everyone else just stood by and refused to believe him. people would get close enough to him for him to consider them family, only for them to shatter his trust and leave him broken. he wanted an escape from it all, and he wanted the recognition that would get people to believe him. he thought auditioning for the show would get enough attention that he could finally share his story, he was desperate to join and he made the team aware of it. He didnt want to be loved or hated, he just wanted to be memorable, and the team happily complied.

Kirumi Tojo Kirumi felt useless. For her entire life she had been told to “get out the way” or “just let me do it, you’re messing it up.” She felt like every time she tried to help, she just ended up making the situation worse. It did severe damage to her self esteem and she ended up not even being able to do things for herself, becoming extremely dependant of those around her. She had heard of Danganronpa, everyone had, but she never thought she would be much good in a killing game. She had no intention of auditioning until she heard that they would be completely changing your personality and give you your own ultimate talent. She went to the audition room and asked to be cast as the ultimate maid. “I just want to be helpful. I want everyone to be able to rely on me for once.”

Angie Yonaga Angie was the type to idolise those with power, and she wanted nothing more than to have that same level of power for herself. She fawned over the antagonists from previous seasons, holding them on a pedestal. She had always been adamant that she would be one day get into a season of Danganronpa and become the most powerful antagonist yet. She wanted to manipulate and twist the other participants to her will, and walk out of the killing game without having raised a finger. She wanted to put herself on the highest pedestal of all, towering above those that she idolised for so long. When auditioning, she tried her hardest to prove how good of an antagonist she would be. All of her talk of manipulation and basically wanting to be a god gave the team a great idea.

Gonta Gokuhara Gonta was a fearless man, which fit his intimidating build. He wasn’t scared of heights, or the dark, or ghosts. He wasn’t even afraid of death, making him a great candidate for a killing game. He had been introduced to Danganronpa when some friends of his wanted to see just how far his lack of fear went. He had been watching the show ever since, always commenting about how they shouldn’t have hesitated and “I would be so much better at this than those wimps.” Upon hearing that auditions were being held for the next season, Gonta’s friend’s held him to that statement and pushed him to audition. The team were impressed with his courage, but were persistently prying for any kind of phobia they could get out of him. They eventually got one. Bugs. They knew exactly what to do with this information.

Himiko Yumeno Himiko loved attention. All she ever wanted was to be the centre of the world and have everyone know her name. She spent her life wishing she had the talent of an ultimate so she could use it to become famous all over the globe. She spent years trying to decide what talent she could have that would give her the best chance of drawing a crowd. She eventually decided on magic, seeing how magicians could awe people of any age. She waited for years to find the opportunity to audition, and when it finally came she took it quickly. She was adamant that she wanted to be the best magician, and she wanted everyone to know it. The team saw the opportunity and made her so good at magic, that not even she believed they were tricks anymore.

Tenko Chabashira Tenko was weak. That was a fact that she couldn’t deny. She could never quite get the hang of fighting and never had any way to defend herself. This led her to surrender easily when threatened, even pushing other people under the bus just so she could escape unharmed. She had always envied that characters in her favourite show, how they were all so much stronger than her both physically and mentally. She swore that if she ever got the opportunity to be in a killing game, she would be stronger. She didnt care how hard she had to fake it, she would definetly convince her classmates that she was not someone to be messed with. She was nervous when she heard about the auditions, but decided to give it a go. She told the team about how all she ever wanted was to be strong and they complied, taking full advantage of the fact that she had no other requests.

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theflikchic · 3 years

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Obscure Pop Culture I Love That Nobody Talks About

Consider this entire post a series of recommendations, especially if you're bored in quarantine.

1. Quantum Leap

Starring Scott Bakula and Dean Stockwell, "Quantum Leap" is a sci-fi show from the 80s and it's one of the most progressive shows I've ever seen. The plot's a bit complicated so I'll be quick: A scientist named Sam- in an attempt to travel back in time- accidentally gets trapped in the bodies of different people throughout time. He can only leap from body to body when he changes a point in history (most often, he has to stop a death).

The reason this show is so amazing is because of fact that no matter what body he leaps into, we always see him as him. My favourite episode (called "What Price, Gloria?") is about how Sam gets stuck in the body of a beautiful female secretary. We watch him undergo the sexual harassment of the workplace and see how ridiculous it really is as every guy thinks he's a girl. It's terrific seeing him in women's clothing because it's very normalized in the show and is used to further explain sexism in gender constructs of clothing.

There's about five seasons and sadly, it never got a proper ending. It's quite sad and can be difficult to watch but it's beautiful and I love it.

2. The RED Movies (RED and RED 2)

I love these movies. And sadly, there's only two of them. A lot of people dislike the second one and whild it isn't as good as the first one, I still think it's a lot of fun. They're funny, they're action-packed, and they've got an incredible cast and yet no one's seen any of them.

The movies follow ex-CIA agent Frank Moses and his adrenaline-hyped girlfriend Sarah Ross as they travel the globe with other retired agents and contract killers to stop bad guys and it's AMAZING. I originally watched them because of Anthony Hopkins being in the sequel but then it turned out that I loved them both so much.

They're also very well-written and require a lot of attention. And the jokes make that really rewarding. Both of these films are on Amazon Prime and they're so much fun. If you need more convincing, there's a scene when Helen Mirren tasers Anthony Hopkins and then several scenes after, they kidnap a pizza guy-

3. Dinotopia

The books by James Gurney reign supreme but I love the five episode (or six??? I dunno, there weren't a lot) TV series. It's very mediocre and super low budget but I enjoy the characters and the overall world (even if the books are better).

I'd like to mention that there's also a three hour-long miniseries featuring the same characters but with different actors. While there's more dinosaurs and David Thewlis, the acting is really bad and that's where I prefer the TV show.

I'd also like to mention that the TV show has the character of LeSage, a morally grey antagonist who hates dinosaurs and will occasionally team up with the mains when the rules suit her. She's an excellent character and the highlight of the show.

4. V (1984)

Hey, so, you know Freddy Krueger? Yeah, of course you do. Well, this was the show that made him famous.

Two miniseries (a two-parter and a three-parter) and a fourteen-episode TV series. This show was HUGE in the 80s and yet, for some reason, everyone seems to have forgotten it (but we did get Funko Pops so...victory!).

The show is about an alien invasion of earth but it's not just an alien invasion: it's an invasion from evil alien lizards that serve as an allegory for Nazis. It's got amazing characters, especially amazing female characters. It deals with moral decisions and the horrors of war. While it does get more campy as it progresses and doesn't have a proper ending, 90% of it is low-budget but compelling sci-fi with great characters (and the found family trope, especially once they bring Robert Englund aboard).

Be aware: there are some elements of body horror regarding a pregnancy and an ab*rtion attempt in the second miniseries so if that stuff bothers you like it does me, I promise that it has a happy ending and everything turns out okay. I love love LOVE this show and I wish more people watched it.

If you're curious, it's located all on archive.org.

5. Monk

One of the only three cop shows I actually watch, "Monk" is an incredible show starring Tony Shaloub as an ex-homicide detective who suffers from OCD. As someone with a diagnosed anxiety disorder, I just feel so...seen with this show. Tony Shaloub does an excellent job at portraying someone with anxiety and he's written so wonderfully that I often find myself saying out loud- "Me too, man. Me too."

Don't let the fact that it's a comedy throw you off. They take Monk's illness pretty seriously and most of the laughing comes from the sadness that comes with the way he reacts to the world. Often when something goes wrong because of his anxiety, it funny but also doesn't shy away from the character trying to deal with the way his mind is wired. No characters really laugh at him in the show and those who do are portrayed as jerks (because they are). And Monk is incredibly courageous and it's inspiring to see him triumph.

It has 8 seasons and it's on Amazon Prime. It's brilliant and fun and sad all at once. It's also set in the same universe of "Psych" (another amazing show) but this wasn't established until years later once both shows were over.

The bonus to watching this show is for the character of Monk's friend Captain Stottlemeyer played by severely underrated actor Ted Levine. And if that name sounds familiar, it's because he made a mark back in 1991 as a serial killer who owned a pet poodle and went by the name of Buffalo Bill. He's so funny in this show and his friendship with Monk is one of my favourite parts.

So that's the post! I hope you found something that you're interested in and that your quarantine remains filled with fun, fictitious content! Stay safe!

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shinahbee · 3 years

Text

January Favorites 2021!

GREETINGS

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February 06. 2021

Hello,

I actually wrote a lot for this month, perfect way to start off the new year! I have been catching up and watching some dramas and some of the new anime this season, which i’ll discuss a few down below. I’m just realizing that the manhwa recommendations list is growing very long and it reading those titles that i have discussed made me reminisce on some of them and most of which I would re read again. I tried to read some shoujo manga again and thought the stories were shit, so i don’t think i’ll ever go back. I’m thinking of starting some shoujo manhwa’s because I have a few titles that seemed like they might have an interesting plot line. I’ll list in in my favorites if I do end up reading those, but so far i’m still filtering the BL titles .lol.

I’m just going to put this out there now before you read the “Hell segment” I mentioned a few titles that were popular that i dropped and I listed the reasons why i dropped it, they are popular for a reason and if you like that and don’t take the plot line too seriously then that’s on you, but i don’t like the subject matter being glorified rather than “lesson learned” if you know what i’m saying so take my comments down there with a grain of salt...it’s just how i read it and interpreted the subject matter, it has nothing to do with the creator and their thoughts. This is going to apply to all of my reviews, they are just my opinions only so don't take what i say seriously if it you are offended that i happen to diss your favorite manga.

Anyways, i have no music recommendations this month all i have been listening to is podcasts, so listening to people talk about nothing.lol. That’s what my life has come to...

If you would like I can share a few that I have been listening to, let me know.

Alright, you all have a lot to read to i’ll just end here.

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MANHWA/MANGA/WEBTOONS

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Recap:

Whose baby is it? (ongoing)

Social temperature (ongoing)

Salad days (ongoing)

To be or not to be (ongoing)

Path to you (completed)

Here u are (completed)

BJ alex (completed)

No way, vampires don't exist (ongoing)

Unintentional love story (ongoing)

Karasugoka don’t be shy! (Completed)

Semantic Error (ongoing)

Tied up in Twins (Completed)

My Suha (ongoing)

Crash into me (Completed)

Dine with a vampire (ongoing)

So crash into you is now finished and you can now read the entire thing, so happy it ended really well and of course if you have seen my last favorites journal I made and entire post dedicated to this manhwa. The story is really heart breaking and definitely deals with more adult and mature content and it really is disturbing in some parts, so viewer discretion is advised.

That’s all i have to announce as an update, the rest is still ongoing. This month I came up with certain themes for my hell segment, last month I started with some manhwa that all had a common theme of Scum antagonists that you will run into when reading these manhwa, some of which ranges from mild inconvenience to this piece of shit should be set on fire. If you have not read that please check it out and watch me rant about stupid people.

This week featured another theme that you will run into reading shounen ai/ yaoi manhwa and manga, it’s a very universal theme of “threesomes”...I don’t get it, I don’t get why people think that’s okay to have three dicks in a room...i’m like there’s three dicks here, that’s way too many..lol. to each their own I guess, but i’ve selected three to talk about that also deals with mature themes and a bunch of people making poor decisions.

But before that, let’s talk about the normal shounen ai manhwa/manga that I have to recommend this month.

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Welcome to heaven

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1) Inner Beauty:

“Minjae’s been dumped. Fed up with their long distance relationship, his actress girlfriend Hye-Eun left him while he was “finding himself” in Australia. When Minjae rushes home and runs into Hye-Eun and her gorgeous new man, Woochan, at the airport, drama ensues. Amidst the chaos, the two love rivals bang heads. Upon waking, they discover they’ve changed bodies! Why have they switched? How will they cope? Will they ever be able to go back? Find out as Minjae and Woochan embark on a journey that takes “self-discovery” to a whole new level!”

Firstly this reminded me of the k-drama secret garden, if you have seen it you know that the main protagonists switched bodies at some point and with this manhwa, it happens in the first chapter. I liked how the relationship between the two boys started with minjae’s girlfriend leaving him for another man woochan, and after minjae and woochan switched bodies because he wanted to give the girlfriend a necklace as a gift , he switched bodies with woochan after bumping into him. They went to a shaman to seek out various ways to get back into their bodies while they find out things about each other that they were not aware of, in the end minjae and woochan were drawn to each other. The necklace is a tribal ornament that has a mysterious power to show a person’s past through their dreams. It seems that the reason why their bodies keep switching was because there was another necklace that was similar that was supposed to be it's partner; they go a try to search for the mysterious phenomenon surrounding the necklace that leads to their relationships with other people changing.

my favorite part of this story is that woochan and his father didn't get along very well because of a misunderstanding, while other parents didn't admit to their mistakes, woochan's father wanted to do so and repair his relationship with woochan, which made the story more compelling. Theres so many manga plot lines whee the parent is abusive and harsh and never did they think it was thier fault, but in this story woochan's father mans up to the things he did and how it affected woochan and i'm really happy about that.

Another thing I like about this story is the end where woochan who was an actor turned director made a film about his and minjae’s relationship because he wanted their story to be remembered and inspire other relationships that were similar to their own to overcome their hardships. This story has so much meaning and it’s something I would recommend to anyone who just likes a good story.

2) False Memories (lee gpiee):

” Wan’s got a face that scares everyone away before he can really become friends with anyone. So when Ha-woon befriends Wan on his first day at his new school, Wan is elated. Ha-woon must be an angel! It doesn’t take long, though, for Ha-woon to betray him in a terrible way, and Wan discovers Ha-woon might be more devil than angel. But then an accident happens that gives Wan a second chance at friendship with his angel. And it all starts with one big, fat lie.”

This one is really interesting, it is about a boy named wan and he was the new transfer student at a new school and how despite how he looks he wanted make friends this time around. Hawoon met wan when he was climbed off of a tree and fell on him, he immediately took a liking to him and befriended him, being very grateful to have finally met a friend he wanted to be a very likable person to hawoon, but then it was discovered that hawoon had many secrets and is not the kind person he is portrayed to be. There was an incident where one of his followers was spying on him and he wanted wan to essentially beat that person up in front of his other gang members. Obviously wan didn’t want that and this caused some strife between the two of them and wan began to be bullied by hawoon and his gang members. Later hawoon was trying to escape from his brother who went to his apartment to look for him and ran into wan who hides him over night, things tooka turn for the worse when hawoon thinks wan is being really nosy about his business and pushes him away and that is when the guy who hawoon wanted to beat up his him on the head and hawoon woke up with amnesia. Being the only person who had witnessed that, wan brought hawoon back to his place, when hawoon woke up with no previous memories of wan he lied to him claiming to be his best friend and the tow of them started to pursue this new friendship, of course things don’t last forever and the both of them discovered that hawoon in fact had many secrets that he preferred to keep under wraps especially about his family.

I know a lot of comments have said that it was stupid to lie to him about being friends but I understand that it was wan’s way to know the real hawoon. Hawoon’s personality was built by the lack of trust he has received from people and he was never able to open up to a person about anything. I really liked how the incident ended up saving their relationship in the end and they have a lot of cute moments together while going from being friends to being in love with each other. This is a very wholesome story and if you like that plot you will like this story, it really is not complicated.

3) Hand in Hand:

“While running a small pharmacy in the outskirts of the city, Sam meets a mysterious and out of place patient. This man named noah who was covered in bruises every time he had stopped by the pharmacy, Sam noticed that he seems to be in worse shape every time they meet and became curious as to why that might be, one day he saw noah getting into a shady van with a bunch of people and discovered that this town had a secret that kept everyone involved very secretive. Noah who was discovered to be a part of that society still goes and sees sam in order to be close to him, sam was then reeled into his world and became part of that society that was kept hidden.”

Sorry I had to write that summary on my own cause I could not find a good summary, so basically the pharmacy was inherited by Sam when his father passed away in this small town, there was no one to take over for him so Sam had to give up his dream of staying away from this town to moving back to take over the family business, There one night upon closing he meets a man covered in bruises while coming in to buy some alcohol and cigarettes, he treated him because it looked painful and was curious about him,

This curiosity escalated when he saw him get into a van with a bunch of ugly dudes, the pharmacy assistant said that there were gangs running around and it was best to avoid these people. Sam made the assumption that it was these men that were beating that man up and decided to pull him away from them. Noah then introduced himself to sam as they walk back to noahs apartment and he showed some interest in sam and asked what he wanted as payment for his treatment, Sam of course didn’t want anything which made noah surprised, but relayed to him that the offer still stands when he feel like telling him.

Not only being curious that noah shows up in front of him each time with more bruises but the fact that he may have discovered the town had a secret.

It was in fact an underground gambling scene that caused a lot of people to be very irritable, noah was involved in this and called it “work” as he had a debt to pay back to the person that took him in. Sam didn’t want to be involved but because of his interest in noah the two of them became romantically involved upon a few meetings and Sam started to develop feelings for him and likewise noah was in love with Sam. I’m not going to spoil the end because it was really intense, if you like mysterious plot points to your story this one will do the trick, it will keep you guessing as to what will happen next.

4) Stanning 101:

“Ji-Yul Park is an ordinary office worker who spends his spare time stanning a boy group, unlock and more specifically it’s leader, Jay.One day, he time travels back to his past where he encounters Juno, another idol and becomes his manager.What happenes when Juno develops feelings for Ji-Yul? Would Ji-Yul choose loyalty with Juno or his fanboy fantasy with Jay? And what is the purpose for Ji-Yul traveling back to the past-what is he supposed to repair or change?”

I’m not going to lie this title...don’t let it fool you, I thought this was going to be a satire on the whole K-pop fandom and just a story poking fun at k-pop fans...but boy was I fooled..LOL. This summary doesn’t even begin to describe how deep this story goes.

So as the summary says it’s about a fan named ji yul who is a stan of a group called “unlock” and his favorite member Jay was going to leave for military service and he was really bummed about not being able to see him for a while, so he went out drinking with his friends who share the same interest and cried his eyes out wishing that he could go back to the time when jay and his group first debuted.

And of course....that happened some how he was enabled into a time skip backwards to when the group first debuted. He first met up with a roommate that he was going to be sharing a room with, this was none other than juno a trainee a small company, Juno was a sensation later on in history and he was a rival of the unlock, and of course being a stand of jay he didn’t like the idea of being around juno. Upon meeting ji yul was already drunk and the next morning found juno and him had slept on the same bed, this made things between them awkward. But upon a series of events he became juno’s manager and inevitably began to understand the person juno is and how hard he worked, as well as his ties with jay. While trying to figure out what was the reason for the time skip he met another person who was sent back to the same time for a different reason his name was suho, and suho was here for another person named rose who was a in a different group. Rose is a sunbae of Juno’s and the two of them are acquainted, But there was something about Rose that was alluring and that made his “ sponsors” want to see him all the time, this lead to a lot of conflict within his group, saying that he’s the kind of person who would sleep around with anyone that has money.

Suho was a fan of rose and the reason he came back was because in his time he had found out that Rose had committed suicide, now....this is a topic that i feel very strongly about as you may know if you listen to k-pop news there are certain group members from famous groups that have committed suicide as of late, a lot of which was diagnosis of depression,

This story deals with not only suho having had gone through depression and suicide attempts but Rose who was going through that as well, Suho wanted to make sure rose stays alive, so when he was able to meet him he did all he can to be beside him and get him away from these sponsors that clearly only want one thing from him. This had made rose and suho close enough to develop romantic feelings towards each other, it gave rose the courage to confront the ceo from the company. In the end the company ceo was being a dick and tried to force rose to sleep with these people in order to get chances to be on screen and promote their group. One of their members knew from the start what rose had to go through and after rose was being hunted down by the ceo after disappearing, the member took footage from the ceo of all the nasty things he made rose do and gave it to Suho? I don’t remember this part well, but suho somehow go the usb footage and saw that rose had been sexually abused and assaulted by those men. Rose had went to see suho at the time and saw that he found the footage, at that moment he wanted to jump off the railings because he felt ashamed, but suho explained that it was rose’s music that saved him from doing the same thing he tried to do which was of course suicide.

Needless to say, at least in this story suho’s love for rose was able to keep him alive and as soon as suho w able to convey that he had disappeared and asked rose to find him in the future. I chose to write about Suho’s story because I just want to put it out there that suicide and depression are real struggles and to please seek help as soon as you can. Back to ji yul and juno, they in fact had developed feelings for each other and ji yul was sent back because he was in car accident with juno and in the both of them lost their memory of each other that was why ji yul only remembered Jay and being a fan of unlock while not remembering the times he shared with juno and how much he loved him. This made. He was able to tell juno after some time that he is in fact from the future and the both of them tried different ways to preserve the time that they had before ji yul would be sent back. Ji yul tried to defy fate but it turns out the accident happened to juno being in the car without having him there, meaning things will still take its course and you can cheat fate. So ji yul grabbed juno who was still unconscious and put him into the passenger’s seat and said his goodbyes to him, wishing for them to meet again even though knowing that it could be impossible for them to be together in the future he drove into the upcoming traffic. Ji yul woke up again back in the time he belonged the only thing he can remember was seeing juno’s picture in front of him and tears leaving his eyes.

Omg this is a k-drama all in one package, this is where i’ll stop because the manhwa is not finished, so if you liked my summary of it so far please read the actual thing, you will not be disappointed, I promise you.

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Welcome to hell

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I don’t know how to begin this segment after writing all of that for the heaven’s segment, those stories were just so good compared to the trash that i’m about to share here. But most of the trashiest stories have more complex plot points than normal stories. I mean you need to go through hell to come out the other side right?

*warning* this section talks about mature content! 18+ only, read at your own risk!

Let’s begin then.

1) Private lessons:

“Hajoon has been crushing on Eun-woo ever since they started college together, but he hasn’t had any opportunities to get close with him. At least they have a class together this semester: a lecture taught by the popular Professor Seo Joohyuk. Hours after the first class, Hajoon remembers he left his assignments in the classroom. Upon reaching the lecture hall, he becomes witness and accomplice to a series of private lessons Joo-hyuk is giving Eun-woo—lessons that unleash his own deepest, riskiest desires.”

I’m starting off strong ...oh where to begin? This story has so many messed up characters, I’d have to say all three of them are messed up. Firstly I don’t care if your professor looks like a dilf (urban dictionary if you don’t know what it means) you should never get involved with them. Lol. And I don’t know what school you people go to to have professors that look like this...all of mine were crusty old men who were mean and arrogant.

I makes me sick to think that there are some older men that would take advantage of people like the way Joohyuk did with Eunwoo and Hajoon. Hajoon just wanted to get Eunwoo’s attention, but because of joohyuk, he took “notice me senpai” to the next level. but I guess i understand from hajoon’s point of view that if he does nothing, he will never be change his relationship, so if he liked him then getting involve would be a way in. Eunwoo was so enthralled with joohyuk that he would just be a sex partner knowing that he would never have potential feelings for him in the end. I did feel sorry for him at first but then there was this part in the story where they were all preparing for this festival thing and he and hajoon were in a group and had to be waiters for the night of the festival, this was when eunwoo started to somewhat show interest in hajoon. Then that fricken dilf was like “you’re doing things on your own and i’m going to show you why you shouldn’t defy me...” or something like that, asserting dominance saying that eunwoo would always choose me over you to hajoon, and indeed on the night of the festival when he was supposed to work, shit went down between hajoon and this senior and fight broke out while hajoon was defending eunwoo , only later to find out that eunwoo was screwing the dilf in his office while all this was going on, I think i felt my veins snap...this idiot had the audacity to f around with that dilf while hajoon was working his ass off and even defended him. Smh....anyways in the end Eunwoo fell in love with hajoon and gave up on his feelings over joohyuk, knowing that joohyuk will always look at his other partner seojin. So in the end it worked out, but this whole story is a dumpster fire of trash.

So moral of this story is don’t get involved with dilfs, don't simp for them...lol. Just don’t do it. I don’t recommend this story for the content but if you are into trash and BDSM, then maybe this is the one for you.

2) Behind the scenes:

“Korea’s hunkiest top model Woo Taeyoung has decided to try his hand at acting once more. No more of those teen heartthrob roles, Taeyoung has his eyes set on a much more…mature role. And when he finds out his idol, the dreamy Koo Min-ki, is set to be one of the main actors of the film, he is even more determined to get the role as his co-star. The two seem to have a natural chemistry with each other…both on and off screen. Will this end up helping their performances? Or will it cause their worlds to come crashing down?”

This story is a also a dumpster fire of flaming garbage, it starts off with a model turned actor named taeyoung who works mainly as a model but is secretly a fan boy of another famous actor named minki and he went to his fan signing in disguise, only to be discovered by the fans and cause a racket and minki ended up injuring himself. This caused taeyoung to be able to meet minki in the most embarrassing way, but he wanted to make it up to him by helping him until his injury was recovered. One night minki was driven home by taeyoung and they ran into another popular actor named wonho...(monsta x..lol. i’m so kidding don't kill me...) and this dude saw minki coming out of taeyoung’s car and immediately became violent...

there it is red flag!

Turns out wonho was minks boyfriend, taeyoung only knew that his favorite actor minki was in a 10 year long relationship with his girlfriend, says the media, but he didn’t know that it was a man...and this violent piece of shit at that. Taeyoung had heard rumors of wonho being excessively violent to anyone who comes near minki and anyone who has worked with him always was threatened by wonho. So even though taeyoung reluctantly left minki with wonho he still was really worried, rightfully so.

Wonho is the worst kind of garbage out there; even being in a relationship he still forced minki into having sex with him. This is rape, even if you are in a relationship it means the same thing it’s non consensual and disgusting. Not only this but being violent to everyone that is near minki, is enough for anyone to end this relationship. But minki was that idiot who believed that the old wonho he once knew would come back one day and so this ongoing relationship abuse lasted for a long time. Taeyoung of course got an opportunity to make his acting debut, and auditioned for the of minki’s character’s lover, it was the first queer film in production so to the director it was a passion project that he wanted to see succeed. He passed the audition and showed his potential and chemistry with minki on screen very well, so the director was happy casting him in the role. But of course guess who finds out and showed up on the film set...wonho. He obviously made minki uncomfortable and also taeyoung, but in series of events taeyoung went to the bathroom and found wonho and minki making out inside and realized the person he admired was gay and was in a relationship with wonho for a long time. Later on he got to know minki more and found that he had romantic feelings towards him rather than just admiration. Because minki and wonho’s relationship was abusive minki was contemplating on ending it but didn’t have the courage to, it was taeyoung who showed genuine feelings for minki that was able to push minki to move forward. So while this was going on, wonho was in fact being sponsored by a certain person in order to get roles in his acting career, this person was taeyoung’s cousin...yeah i know messed up,. This dude is very toxic and made things go wrong between wonho and minki and that’s how their relationship went downhill for 10 years. Anyways to sum it all up a lot of stuff went down and wonho’s actions were no longer acceptable and as soon as minki found out this ongoing sexual relationship between wonho and taeyoung’s cousin, he broke it off with him finally and moved around different places for a while since wonho would not leave his apartment he couldn’t go back. Taeyoung and minki ended up dating each other now and he succeeded as a model turned actor with this role. Wonho after a series of events was able to let minki go after seeing him one last time and apologizing for everything he’s done to him. The movie was very successful and won many awards and the ending of the series just showed taeyoung and minki talking about their relationship on screen and off screen to the viewers...hence the title “behind the scenes”

Okay this trash made me angry and sad at the same time since it talked about a relationship that has gone bad and two people refusing to leave it since they have been together for a long time. You know when you should end things and if a person starts to change there is no way for them to be the same again. So all in all this story is really good for depicting all sorts of relationship issues and drama. I would say yes give this read because the story itself says a lot about the writer and how they think. This is one of those stories the pull you into the depths of hell and once you resurface your see things in a different perspective.

3) Turn off the camera:

“Yeon Jihoon is the leader of an idol group that’s hit a dead-end in their career. Now, he’s received a golden opportunity to save his group: a spot on the year’s most anticipated reality show, where he’ll spend two weeks living and filming with top stars Do Yoojin and Seon Yohan. The one threat to the show’s success? Yoojin and Yohan won’t stop having sex with each other. To stop a scandal from tanking the show and his career, Jihoon must keep his co-stars’ antics hidden from the cameras at all costs. Will Jihoon be able to keep these steamy shenanigans a secret for two weeks? And will he survive when both of his co-stars turn their attention on him?”

This is some straight up kinky garbage, like the description says, jihoon got the opportunity to promote his group by becoming a member in an upcoming reality show with two popular actors, the show is a reality show of the three of them living together doing daily activities while cameras are installed in their home. You can see where this is going right? When jihoon first arrived into the house to greet the other two actors; yoojin and yohan and he found the two of them in a room having doing sexual acts and even tried to cover for them when the camera crew arrived up stairs in the room.

After several attempts of the other two actors having sex at different points in time jihoon became very aware of the fact that they were doing this for the fun of not being able to get caught having sex on camera. So basically this was like a fun game to the two actors.

Yoojin and yohan were caught the third time by jihoon while having sex on the kitchen table and so the three of them had a discussion and jihoon made them sign an agreement not to touch him...of course that didn’t work and he was caught in unfortunate circumstances surrounding the both of them, to the point where both sex partners started to want to pursue jihoon for themselves.lol

This manhwa is just straight up kinky trash, it is meant to be a satire on three some relationships and not meant to be taken seriously, so just going by that, there’s not much point to the story, it’s not in depth it’s just interesting to watch jihoon reject these actors advances in order to save his virginity.lol. I feel like from the recent chapters jihoon maybe more interested in yoojin than yohan so i’m waiting to see if yohan even has a chance to be on jihoon’s radar.

This is still ongoing and it only has 20 chapters so far so i don’t have that much to say about it, this was just something really normal in terms of yaoi to read while I was reading some dark stories, the art is really nice too if that is of any interest to you.

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So there are a couple of series that are quite popular that I have left out because I have dropped then fairly early on. one series called “Hate or Love” which i started a while back then and didn’t like the whole plot of having an abusive sibling forcing another sibling into a sexual relationship... i’m like nope...

This manhwa should have just been called “ Domestic boyfriend” I would have avoided it all together, because I have read “Domestic girlfriend” it is essentially the theme, and a giant dumpster fire of flaming garbage.

The main reason i stopped it was because the other person that I was hoping the main guy would end up with didn’t end up as the “ winner” well from what the comments said anyways, cause i stopped fairly early on when i found out the guy i liked was not going to be the end game, that makes me sad cause from the early chapters that i have read, there was a lot of sexual tension between the two of them and I was hoping this author would not push abusive sibling relationship as the plot...but looks like she did ...and i don’t care for it and find it gross...but that’s my morals, even if they were not siblings by blood they grew up together as siblings...that’s still vastly inappropriate. I'm used to it since I grew up with Japanese anime and manga with incest themes, but it still bothers me.... Vampire knight...

Even if they were not even related, i still would not like that red haired dude regardless cause his character seems like a dick, and i don’t think he suffered enough consequences for his actions to make him a redeemable character in my opinion. And also...out of 7 billion people on this earth, you would rather be with your brother...smh.

Also if we are talking about using sibling relationships in a sexual way as a plot line, then how i interpret this manhwa is that it is focused on more of glorifying abuse and sexual relations between siblings rather than making the subject matter more serious, if you know what I mean. But to each their own if you just read it because it interests you then feel free to do so, i’m not interested and decided to just drop it early on.

The other one is called “ Yours to claim” another popular series but again I don’t like dark haired dude, I think he’s a dick and if it was me I’d choose the blonde guy, he seems like he would be a person that would treat me better. I just don’t understand the appeal of being treated like shit by people, if anyone treats you like that...please dump their ass! Because It’s not okay! Both of these have the “ other guy “ as the better option for a potential relationship but they always choose the other messed up abusive/ bad boy and i just don’t why...i just feel disappointed but literally not surprised since it’s an ongoing trope in any sort of romance based media.

But needless to say there is nothing for us as the audience to do but to read them, we don't make any calls on who the person ends up with and the plot lines that happen in the story, so that is that i guess.

I’m having a mental breakdown just thinking about these two series, i included then briefly cause they fall into this weeks’ theme of trash.

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MUSIC

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Nothing special to share in this department this month, mostly listening to podcasts .lol.

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K-DRAMAS/SHOWS

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The tale of nokdu:

I described this drama as the mulan reversal, if you know the story of mulan, she dresses up as a man and goes into the imperial army camp to fight in the war in place of her father, nokdu is an adopted child that was suddenly hunted down by a bunch of assassins one day and instead of fleeing with his father and older brother he decided to follow the assassin into the city since he was able to injure them in the leg. He followed the assassin into town and was almost able to catch them when he was suddenly arrested from a disturbance another young man in town has caused. Later he found out that the assassin was heading to a village that was out of sight and exclusively to women, in order for him to go in he would need to dress up as a woman, the opportunity arose when he helped a young woman escape from the village with her husband and she gave him her clothes in exchange for his to escape. He then infiltrates the village and now has to chase after the assassin and try to kill the mastermind behind the assault on his family. But what he discovers was more than what it seems. This is 16 episodes and is completed if you want to watch it; I recommend it since its really good.

True beauty:

Everyone and their mother is watching this web toon turned drama, I say this cause my sister who gave up watching any k-dramas watched this one and read it...this is something, she doesn’t like a lot of things so i decided to watch it after she told me it was good. I watched it and I didn’t like it mainly because the problems in here is very much a young adult type of problem, like having acne and having to deal with bullies at school, these are all problems you mainly deal with when younger so none of this drama is relatable so I didn’t enjoy it. If you like the high school romance drama setting you might like this, but I have watched so much more meaningful dramas, this doesn’t do it for me.

That’s all the dramas I have watched so far, I mainly have been listening to podcasts instead of watching anything, I find it hard to find an interesting drama to watch these days, I have been enjoying listening to people talk about nothing lol.

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ANIME

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Haikyuu:

Finished Haikyuu season 4 part 2, I left this for a while so that all the episodes were finished and every time I watch it i gives me the same feeling every time. This part focuses on a lot of characters that were not fully flushed out in the first few seasons, like tanaka and nishinoya and one of the bench players...i forgot his name. I really like their portrayal of hinata this season he really is the saving grace of karasuno, not because of his obscure skills in volleyball or incredible stamina but because he’s playing volleyball because he loves it and it is fun even if the stakes are high. I feel a lot of the players here this season were so stressed they forgot that the game is supposed to be fun, and he keeps reminding them that it is what it is and that they should live in the moment. I loved seeing that develop in his character because i feel like there was too much focused on kageyama for a while and I wanted to see more of hinata’s growth.

So I was pleased with season 4 and I can’t wait to see more, haikyuu is really one of those anime that people are widely talking about now and it really is well deserved.

Skate the infinity:

Another sports anime about skate boarding, the animation is really nice and art style is really beautiful. I know there are so many sports anime out there now but this one is really interesting, I like the relationship between the two main characters reki and langa, it reminds me of the friendship between riku and sora in Kingdom hearts, reki teaches langa how to skate board from scratch and langa being a previous snow boarder was able to race one of the best contenders in the underground skating rink and beat them in a match but of course he isn’t a genius so he wanted to learn everything from the ground up since he thought it was fun. Lol. I like seeing the progress so far in their skating journey, this anime is really wholesome.

Dr. Ramune mysterious disease specialist:

This is a very satire anime, It is really comedic and deals with a doctor treating weird diseases, like the first episode there was a girl with a disease that made her cry out condiments as tears. It's actually very interesting in terms of the types of diseases they treat in each episode and how he uses these magical items to do so, that is a really bad explanation for this show but please watch it .It’s interesting so far and I’ll write more as it finishes.

so as a finishing statement, I hope you all enjoyed the favorites for January, I have been able to catch up on a lot of things which is why I have so many things to talk about this month, I already have the next theme for the Hell segment planed out for next month, so I can't wait to share that, if you like the manhwa recommendations and my excessive ranting so far.

until then. please take care of yourself and your love ones ! lunar new years is coming up, have a great year and I hope 2021 will be a lot better please follow me on my social media listed below if you'd like

thanks!

sheena

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SOCIAL MEDIA

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Instagram: shinb_art

Tumblr: shinahbee

Deviantart: she-be.deviantart.com

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itsclydebitches · 3 years

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Was planning on making this my own post, but I thought you would be more suited to discussing this sort of topic. Something I've noticed when it comes to the more prominent/important/strong female characters (Nora, Pyrrha, Penny, Robyn, Emerald, Sienna) is that RT often has the tendency of giving them masculine allusions (Thor, Achilles, Pinocchio, Robin Hood, Aladdin, Shere Khan) as if they are unable to stand on their own as characters unless they have that connection to a male character. 1/3

It is worth discussing! Yeah, I hesitate to call it a pattern just because, as you say, Team RWBY themselves are an exception to the rule — and as the title characters of the story, they’re a pretty big exception. We also have good women allusions turned into good women characters (Glynda with The Good Witch, May with Maid Marian) and bad women allusions turned into good women characters (Winter with The Snow Queen — I don’t think she was ever meant to enter full antagonist territory, but that’s another post). So it’s not just a matter of saying, “RWBY models their strong women after male inspirations and turns all female inspirations into male characters.” It’s not that simple. But the fact that it’s not simple doesn’t mean there’s nothing there to unpack because I definitely understand the feeling you’re pointing to, anon. Team RWBY feels like it has the most thought put into it in terms of changing up these allusions, specifically when it comes to subversion: the little girl in a red hood who previously needed a hunter’s protection has become the hunter herself, Belle overcomes both her Gaston and the now evil Beast, Snow White extracts herself from her own abusive situation (with a little help from the Dwarves still), and Goldilocks is no longer lost and in need of basic necessities, but can rather punch her way out of any establishment — like, say, a club. The execution of these themes aside (how Adam was handled, turning Jacques’ arrest into a joke, etc.), there’s a commonality here that works. Or at least, it works for me. Yet when we expand the allusions past our title team, things get... very messy. That’s when we start to hit on these concerns.

I’d say the problem stems primarily from that lack of thought, not the act itself of turning women characters into men or vice versa. Meaning, as I’ve said in the past, RWBY’s use of allusions is terribly unreliable nowadays, and that’s not just in terms of plot expectations like, “Why did Penny have to become a flesh girl because Pinocchio, but Ironwood didn’t stay good because Tin Man?” It also includes these questions of why these changes were made and what sort of messages they send. As you lay out, why are so many of our heavy hitters — the most talented huntress, the lightning-immune smasher, the Maiden android, etc. — based on men? Why are many of the effeminate and “weaker” men — Jaune the untrained, Ren the emotional councilor, Oscar the kid who wants to talk it all out — based on women? Again, I don’t intend to sling any hard accusations, but rather to point out what’s likely a subtle, unconscious bias. To provide another example, I’ve seen talk recently about how RT (again, unconsciously) depicts the faunus, where all the good characters have culturally established “good” animal features and all the bad character have culturally established “bad” features. It’s cat ears, rabbit ears, sheep ears, monkey tails, dog tails, and beautifully changing skin color vs. scorpion tails, spiderwebs, bull horns, tiger ears, bat wings, and crocodile scales. Is it a perfect 1:1 divide? No, Ghira has panther claws and Fennec has fox ears, but there’s enough there for us to go, “RT tends to give the good guys cute features and/or features we associate with safe animals, whereas the bad guys tend to get ugly features and/or features we associate with dangerous animals.” I feel the same way here, that there’s a bit of a trend at play, with the caveat that there are more complications simply by virtue of these allusions being, well, complicated. But there’s enough there to make us stop and think, “What were RT’s intentions with this? If they just chose something based on the rule of cool, what might those inclinations tell us about gender norms in America?” Meaning, when someone goes, “Idk, we just thought it would be cool to change this up” there’s a lifetime of media consumption driving that choice. It’s not actually random, but based on whatever has been normalized — unless you actively counteract that by thinking through what you want the change to do.

Unconscious biases are always at work. When we analyze something like this it’s often not a matter of saying, “The author is [insert accusatory term here]” but rather just, “The author is falling into expectations, patterns, and normalized decisions based on the culture they’ve grown up in.” Which includes things like thinking, “Well, if this character is based on a male god, she must be crazy strong. If this character is based on a woman fighter, he’s probably more emotional.” Such biases may be driving a lot of decisions because, as said in the past, I really don’t think RT is putting much thought into these allusions, if any at this point. For me, Penny was proof of that — the inability to see how following her allusion utterly destroyed her character growth — but even if we don’t agree about Penny, what about Salem? Far from just using her name, this volume gave us a blatant reference to the events of Salem Trails in the 1690s. Namely, the burning of the witch.

Except references like this can’t just look cool. This isn’t a video game Easter egg with no real connection to the story, it’s a cinematography/plot choice that carries meaning. So what is that meaning? Well, the thing about the women on trail at Salem is that they were innocent. This is what that reference says: “Hey, remember that real life event where women who weren’t witches were horrifically killed because others thought they were evil? None were actually burned, but culturally we tend to think they were. So that’s the image in our collective mind: innocent women on fire.” Except... Salem is actually a witch. Salem is evil. Salem is guilty. Or at least, the questions surrounding the extent of her guilt — How much responsibility does she hold in comparison to the Gods? How much agency does she still have after the grimm pool? — has not been acknowledged by the text. Yang just yelled at Salem for killing her mom and Oscar is about to blow her up. This is not a “Question Salem’s humanity” scene, it’s a “Kill the witch” scene... yet it uses an allusion that is contrary to what the moment is trying to achieve. So what are we supposed to take away from this? Do we adhere to the subtext and believe that Salem is innocent somehow, ignoring what the actual text says, or do we uphold the text and in doing so undermine the reliability of every other allusion in the show? If we can’t trust Salem’s, why would we trust, say, Penny’s?

RWBY’s allusions are all over the place and yes, I think that lack of consideration extends to who they randomly decided to genderbend. There’s no acknowledgment of — let alone engagement with — how many of these characters and historical figures were trying to pass themselves off as another gender, nor does RWBY acknowledge how the need to do so feeds into our current and historic assumptions about gender as a whole. Why does the man dress as a woman? To keep himself safe and seen as a non-threat. Why does the woman dress as a man? To gain access to places previously barred from her and to gain the respect she otherwise wouldn’t be afforded. And, of course, in 2021 there’s the expectation that media will include trans characters, GNC characters, non-binary characters, cis characters uninterested in practicing traditional femininity/masculinity, etc. None of which RWBY tackles outside of May, a woman who references a systematic transphobia we otherwise never see in the show. May, as a minor character, is great and I am in all honesty thrilled that she exists in the RWBY canon. However, the rest of the show is built on an anime conception of gender — combat skirts and bare midriffs in the snow — while nevertheless engaging with the very complicated question of how you re-imagine canonically/historically gendered people. As a “girl power” show, RWBY has opened itself up to questions like, “Okay, it’s great that you made these four fairy tale girls kickass, but can we talk about making Joan of Arc into a bumbling guy whose presence as a blonde, blue-eyed, sword-wielding man taking up lots of important screen time has generated accusations about this being a male-centered show?” It’s not a “RWBY is horrible for doing this!” issue, but a “RWBY is deliberately playing with gender and marketing itself as a progressive show, so... let’s figure out what these individual choices are actually implying and whether or not we consider that progressive.”

#rwby #mymetas #Anonymous

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