~5 Writing tips that actually help~
(These tips are meant for fiction books, especially fantasy. so if you’re writing nonfiction a decent amount of these won’t apply to you. Sorry!)
Find your writing voice.
one of the biggest issues I find in things written by beginners is a lack of emotional connection with the narration. Sure the story can be great, but without personality, without looks into the characters minds, without little quips here and there, it really isn’t all that interesting. Something that really helped me to realize this was a book called the tragical tale of birdie bloom. It’s a kids book but it honestly has such a good narrator (and storyline tbh) that you can look past the little kiddy-ness. I recommend you check the book out if you’re looking for some inspiration. I will be making a post about how to develop your writing and character voices soon so if you want some extra help with that, stay tuned!
2. Get to know your characters.
I know that you all probably already know this, but characters are one of, if not the most important part of a book. Readers don’t want to read about a flat, boring character who just feels like a vessel for the horrifying amount of trauma you add to your story. They want to read about people that feel real, people with flaws and feelings and hobbies and backstories. When I wanted to develop my characters I started going through the drafts, the plot outlines, everything and seeing what the characters did, said, felt. Then I took their basic backstory and started lining things up. Like if a character decided to get into a fight with another character, I would see what had happened to them that might have caused this. Maybe they had been abused as a child and thought that any disagreement meant they had to fight for their life. Maybe this person reminded them of a former enemy. After you start to figure out what connects the characters to the big plot points, you can then start to develop subtle things. You could start writing something, realize this situation would have triggered a character, and then drop subtle hints towards them feeling uncomfortable. Go nuts with it, after all you can never over-analyze a character.
3. Describe things uniquely.
Descriptions are what help us to understand what’s going on in a scene. They can tell us about the tasty drink a character is enjoying, the slick dress that someone is wearing or the way a characters muscles tense when a certain someone enters the room. But sometimes descriptions a fall a bit flat and that can ruin the experience for the reader. Something I always try to remember is to try and come up with new words describe something, for example; “her eyes were a beautiful shade of brown.” Is a very basic and over used description, instead you could try; “her eyes sparkled as she sat across from me, gleaming a rich chocolate shade as the light from the candles reflected off of them”. This is a much stronger sentence as it gives both environment hits and a description of the eyes, all while staying away from overused terms. I often see this theme in stories written by beginners, things being described in a very straight forward manner. And of course this is ok once in a while, especially if this isn’t a very important topic, but it still sounds better when you branch away from that basic sentence structure. I always like to use descriptive sentences to push things forward. Here is another example; “she was wearing a fluffy green dress with lots of lace. She walked over to the door and opened it.” Vs “the lacy trim of her green dress dragged on the floor as she walked towards the door. She smiled wide as she held it open, inviting her guests into the building.” Making strong sentences is very important, so please toy around with different words, structures, etc, until the sentence fits the type of book you’re trying to write.
4. Make trauma realistic.
Yes, even if you’re writing a fantasy book, characters experiences have to be realistic. Something that always gets on my nerves is when writers come up with a good idea for some trauma, so they just give to a character, even when it doesn’t suit them at all. if you are going to give a character trauma you need to explain it, set it up so it actually fits into their character arc, then have the character actually be affected by it. They can’t just randomly be like “I got shot by a dude.” And that’s it if there is no way that character could have gotten shot given their life experiences. Also if you want a character to be relatively unaffected after an extremely traumatic event you have to plan it out so that they have a specific and consistent trauma response that makes them not react shortly after an event like that. Characters are supposed to be like people, and no two people react to trauma the same way, so you do have some leeway if necessary, but people also don’t just stay the same after something horrible happens, they are affected by it and that has to be accurately portrayed. This does get easier the more you get to know the characters though, as soon you will know how they react to things and how to plan trauma that suits them.
5. Make a plot outline.
I cannot stress this enough, make a plot outline. Making a plot outline literally saved my book, and they are really easy to make! I recommend you download a spreadsheet app like XL spreadsheets or Apple numbers but you could even use google docs if you want. You want to put in all the chapters and then give each chapter at least six spots to write scenes. Add a spot for adding the main event of the chapter/a summery of what you have to write. This will help you to understand what you have to write for that chapter and how it fits into the next chapter. After that you start to fill all the scene boxes in with your plot information. Having a plot outline is great as it can be super vague and messy, but still hold all your ideas. It also helps to prevent unnecessary rewrites later, as you can just edit the plot outline before you start writing the first draft. You can even make a plot outline after you’ve started writing your book. That’s what I did and I promise, it still is very helpful. (Example of a plot outline below.)
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but for real, I think that one of Barry's most endearing character flaws can actually be seen as being too effortlessly good at committing to the bit. Lucretia's like "this guy's evil" and the next thing you know, Barry has in fact killed a man and gone on multiple evil monologues.
and obviously he tries to leave clues for Tres Horny Boys that won't reveal to Lucretia what he's trying to do, like "specifically killing a guy that was going to kill THB to show he wants to protect them" and "hinting that the thrall of the Relics is something sinister," but he's fully forgotten that Lucretia is much smarter than THB, so to THB he just comes off as clearly evil. Barry spent a century with people who were, well, Like That, and now he can't lean into a bit without leaning in way too well. the Stolen Century broke him. he already had some theater kid proclivities but the rest of the birds becoming part of his life was the point of no return.
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ah yes my favorite duo 💃🕺 : centuries old eldridge horror and his ✨favorite man slut✨
close-ups and my ramblings under the cut (it’s a lot guys. i have a lot of feelings about them and i was just YAPPING 😫)
yall really ate up my last post with Nightmare which omg thank u guys so much for that 🥺
now here’s more 😈
anyway
slutty manservant isn’t the only outfit Killer has, but it’s definitely his favorite lmao (the amount of times he’s been asked if he’s a Lust variant is crazy 💀. don’t get me wrong tho they r besties 💅)
the trench coat vibe was also definitely the way to go with Nightmare and i just 😫
now what’s their dynamic?
i definitely feel like my version of Nightmare and Killer are very much a “talks and listens” duo like shown with the chibi little guys
honestly tho, at first their relationship was strictly business and transactional, but the more time they spent together, the more comfortable they got in each others company and eventually became friends and equals and maybe more
and i feel like during all of that it’s just the two of them. Murder and Horror don’t show up until waaay later once Killer and Nightmare’s relationship has already been established
and no their relationship (whatever it may be, romantic or not i’ll be honest i still haven’t decided 🥲) isn’t toxic, as how i c my Nightmare isn’t anything like cannon Nightmare if that wasn’t already clear
my Nightmare, once free from the rage fueled haze of his corruption, is actually rather calm, collected, and dare say kind in his own way (he is a man of action and very few words)
he doesn’t create negativity out of malicious intent, but rather out of necessity, and actively will comfort those who are greatly struggling, which is how he first came into contact with Killer, seeing him isolated in his dying world
Killer was the first person Nightmare had attempted to “comfort” per say, and was freshly free from his corrupted mentality, hence, y he wasn’t very good at it lol. also, the corruption was reason he hadn’t gotten to Killer sooner in the first place, as he as actively enjoying the suffering Killer was going through at the time. if that makes sense???
anyway, sure they might have been cold to each other at first, with a lack of comforting on Nightmare’s part which somehow turned into a partnership?? but nothing was ever abusive within their relationship
i feel like the turning point for them would be that Nightmare admits to Killer in a moment of vulnerability that he was the first and only person to treat him like he wasn’t some, abomination. monster. freak
he’s never judged him based on his poor past actions, nor is role/duty
he accepts him. and all of him. fully and with all of his flaws not that he has any
(god i love them)
i do feel like if they were in a romantic relationship it’d be rather casual in a way that makes it clear there’s something going on between them, but they’re definitely not the type for pda (veeerrry rarely and only in front of people the trust. it’s a different story when they’re in bed tho 😏)
they’re the old married couple that banters and teases each other but with much more sexual tension lol
ok that’s enough yapping from me haha
if you’ve made it this far genuinely ur the best like wow 🥹
this was a looooot of nonsense so thanks for taking the time to read it all
i’ll be honest i still have more to say but like 💀 nah im cut off-
maybe someday tho…
alright bye 😘
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I didn’t sit here for years tryna stay calm and silent while listening to your bad takes on gale (who grew up oppressed, in poverty and then witnessed his entire district getting wiped out then rightly went to fight in the rebellion because it was his inlg chance of tearing down the system the wanted him and his family dead) being a “terrorist war criminal who is single handedly responsible for killing innocent people including prim and who is the REAL villain of the hunger games” just for y’all to turn and start stanning and defending actual facist dictator and child trafficker Coriolanus Snow because you saw a young hot version of him.
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Ulysses obsession with the Courier is a special type of sad to me cause the Courier’s part was so important but so unwitting. They had no idea what was in the package they delivered and neither did he. Neither had an idea of what it could’ve done and the Courier was only caring out their job (mind you the Courier could be killed via notes in the express contract if they don’t). To them it was just another regular delivery to the divide and one that they likely thought would help, just like all the ones before.
It’s so tragic for Ulysses to hold so much ire to the Courier when it really was the case of it could’ve been anyone. Anyone could have delivered that package but they did and so he focused the blame on them and it destroys what he is trying to instill in the courier on a fundamental level.
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If Uriel said I think too much I'd get a lobotomy
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the thing about the charming siblings is i want to make them tragic. you're perfect, I wish I was perfect. you're allowed to not be perfect. I resent you for being perfect. I hate you for being imperfect. I want to be a boy. I want to be a knight. I want to be you. I could be better than you. I wish your destiny was mine. I wish people loved me the way they love you. I wish she loved me the way she loves you. I hate you, I hate you, I hate you. I love you. I miss when we were friends. we never talk anymore. do you even care? you know nothing about me. you took my destiny. who am I? I'm supposed to be the responsible one. don't leave me. get away from me. when did you grow out of being a little kid? i miss home. the only place that feels like home is you. do you love her? do you love me? brother. sister. i was supposed to protect you. I'm sorry. I forgive you. nothing will ever be the same again.
it's about perfection and performance. it's about playing roles. everyone has their role to play. what if i want to be something else, something more. it's about femininity and masculinity. it's about not fitting in to either. is it about who you're supposed to be or who you want to be? I did it for you. I didn't ask for that. I'd burn the world for you. you never cared about me. I think of you always. there isn't room enough for all of us. i wish you'd never been born at all. I couldn't live without you.
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i have too many thoughts on the deleted jackienat scene for a girl who's supposed to be enjoying her birthday lol. i think at the root of it all, it's highly likely that when the actresses breathed life into the characters, and scenes got improvised, some things just stopped making sense for characters to do. including good things, like with jackie's 'i love you' to shauna! and i think this is the case for natalie looking at jackie with hatred before leaving her out in the cold. maybe at one point in her early stages of characterization it made sense, but clearly the people on the show didn't think that way anymore at some point, hence the cut. also ngl people taking this deleted scene, which for all we know didn't even make it into the final script, as some sort of 'gotchu' for jackienat enjoyers ( romantic or otherwise ) is weird as hell to me. like, it was removed for a reason.
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Something that really bothers me about the rose coloured glasses vis a vis tellius and fe fans (ESPECIALLY from 3h fans who learned about tellius later) is that many like soren purely because of his main ship (i mean i like ikesoren too but come the fuck on) and jokingly characterise soren as a stereotypical nasty mean limp wristed sarcastic gay man instead of a deeply flawed branded angry at the world and definitely trauma bonded to ike, but micaiah is still absolutely getting raked over the coals over the blood pact and not being ike’s fangirl
Well,
Jokes often involve flanderisation, so Soren being flanderised to oblivion when people joke about him isn't something I really care about, but maybe that's because I'm not really fond of Soren to begin with lol
What annoys me more is when some people try to rationalise Soren's anger and backstory by either pointing at Almedha or Deghinsea being responsible for everything, and I'm like, what.the.fuck?
Almedha's just, idk, I won't call it sexism, but damn - that woman loves her son who is the only reason why she hasn't completely lost her mind over 1/losing her powers 2/being casted away like trash by her "BF" 3/being rejected by her dad 4/thinking her brother was tortured and abused to death because of her actions 5/being separated from her beloved child.
Deghinsea being "uwu bad bcs he's the reason why brandeds are rejected by both beorcs and laguz" is another take I really am not fond of, and iirc I wrote a post earlier this year about it? But to some people who buy the "Crusts BaD" as the reason why Fodlan sucks, I guess they need to have someone to name and pill all of the world's nonsense rather than, well, in Tellius' case, realise that the worldbulding and the lore really sucks, to the point where the duology touted as the most "against racism" of the franchise, is pretty much way more racist than anything Tru Piss can throw us (yes, because in Tru Piss we have characters rejecting coexistence, in Tellius, it's the world mechanics - whenever a Beorc and a Laguz coexist too much, the Laguz dies...).
As for Miccy,
Just like, imo, Soren gains some "new" attention and "uwu excuses for why he's being a snarky jerk at times", Miccy used to be bashed when FE10 was released (with all the Mary Sue accusation being thrown around!) because she was written to be a sort of foil/antagonist to Ike, and when the party reunited, she was demoted to a "soul-jar" role, let it be regarding the greater plot, or, even, her own backstory!
TBH, for people who didn't play FE10, if Ike is the bestest thing since melted cheese, Miccy, who opposes him, must be BaD and so you can pile everything you don't like on her, hoping to see it stick.
Or even worse, I've seen posts here and there comparing Miccy to Supreme Leader and how misunderstood uwu she is, which is the worst insult poor Miccy ever received since FE10 came out rofl
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I know we don't talk and there's stuff we may not agree with. But I am truly sorry you've dealt with a lot of drama over fictional crap. And I'm sorry if my posts in the past ever contributed to that. Hope you have a better day.
Hey... That's all fine, don't worry! After all, it takes a lot of time and Insight to realise that Gehrman is a very gentle and respectful man and Godrick is an absolute gigachad kdkdkshdffhhgfds /lh /lh
But yeah, on a serious note. It was quite frustrating to find out the real motivation under all that... mess was something so pathetic, but at the same time this is what happens when people make engagement with media and fandoms a moral, political act. Not necessarily a problem, after all, I was the one who concluded that the way a fan judges fictional characters and other fans will very well reveal how cruel they are to real people who do something bad, or how much they will forgive based on personal sympathies. And my mad ravings about caring about female characters! I think the problem comes when a fan is so insecure that they have nothing else besides this defence of ideals through fandomry. If your only way to assert yourself is to be a good guy punishing the bad guys, and that mad raving loredigger discovers there is NO bad guy, what is left of you?
This is why it is crucial to have passion for nurturing rather than for undermining! I think if you speak like this, you've found this truth too? This is true that I don't know you very much (mutual-in-law thing), but to be honest.. you didn't poison my fandom experience at all? I tend to never be aware about discourse until someone basically calls me for help fhdhgsdgdfs Can't scout the fandom tag regularly!
But not only it actually was a quite long ago I saw a "negative" post from you, but also I've seen through the posts that my friends liked or reblogged from you that you've actually became very eager person to defend people's passion and interests! I think the post that particularly got stuck with me was when you resented seeing someone's light die after some Redditor asshole "well aktualy"'d a thing they were excited about creating (not exact wording but maybe you remember too)? Like... you are fine, man. At that point I realised that you were a good fan and in the end valued people's creativity and passion over personal preferences. That you never wanted to be THAT guy, even if your interpretation could not be further from someone else's. Coming to terms with what actually matters in fandomry is very mature and I am happy to see this attitude!
I am still glad that you messaged me about this though; I did not expect this, but thank you! I think I will continue getting involved in fictional discourse because my autistic senses cannot ignore factually incorrect takes with a clear insidious motive, and.. eh, sooner or later, I'll piss off the wrong guy again. Don't feel bad for me when it inevitably happens :p I've accepted the shortcomings when I decided to be the debate guy. Simply laughing at some gremlin starting a discourse with the girls in DMs and not stressing over it is only funny until I realise that newer fans could get misinformed right off the bat.
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the avatar series was fine y'all are just haters
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A big part of author life is learning to make peace with the stories you'll never write.
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Do you ever read a post online where someone complains about how "IDW never talks about this [idea/character/plot/theme]" and you just think to yourself... this person hasn't read anything besides MTMTE have they?
Really sad when you see people complaining "the story never talked about this!" and act angry about it as if it's some oppressive flaw that the writer (JRO) was evil for never talking about but it's like. Bud if you just read exRID/OP or maybe Windblade/TAAO you would have read plenty about that.
The two worst ones I can think of off the top of my head are "Optimus is always treated like a saint, I hate how he gets away with everything just because he's a Prime" (wrong, read literally anything Barber writes) and "the Decepticons never get a sympathetic perspective, they're always just villains and the narrative is totally just treating them as if being revolutionaries makes them evil" (wrong, read several side stories that Barber wrote). Like literally the moral of the story is just "read something besides MTMTE."
And I'm not complaining about people who are just curious or don't know. I'm talking specifically about people who complain, or say MTMTE is bad, or generally act as if JRO's writing/MTMTE/LL represents the entirety of IDW1 and basically act like, if JRO didn't write it it doesn't exist and clearly since he didn't write it that means no one else did. Like please I'm begging you to read the other less popular but still good series in IDW1 and you'll find multiple stories/ideas that they tell that MTMTE/LL doesn't.
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absolutely spoken like someone whose career in piracy ended (possibly very recently) because his boatswain, lover, and partner in warlock shenanigans tried to ritually murder him after she identified his distrustful hesitation and disillusioned exhaustion and considered it weakness and cowardice
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