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dangermousie · 5 months

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2023 End of Year Post - cdrama edition

Yes, we have a lot of December left, but I don't think anything else I want to check out will air before 2024 hits (it's cdrama so caveat is - you never know.)

This is only going to cover cdramas that aired in 2023; if I watched it but it was made in a different year, it's not on the list. This was a pretty good cdrama year, all in all.

DRAMAS WATCHED

(In order of liking from least to most as opposed to pure quality; I am including if I’ve seen enough to make up my mind; yes I realize that’s inaccurate, but that’s my list)

30 legend of twin flower - Not dignifying that drama with capital letters, as the only capital that should be associated with this is capital punishment - which is what watching this feels like.

29 Dominator of Martial Gods - sounds like a bdsm gay porn title. Would probably be better acted and written if it was.

28 Beauty of Resilience - you'd need a lot of said resilience to sit through this incoherent, barely acted mess. The thing that I remember the most other than my annoyance is all the jingly-jangly head gear on JJY. Perhaps they could have sold some of them and spent the money on a better script.

27 Divine Destiny - if you think you have too many brain cells and want to get rid of some, boy do I have a drama for you!

26 Wanru’s Journey - honestly it's probably tied with SEL - I mean it's worse but it has actors who are nowhere as well known and a fraction of SEL's budget. Still, this is a big fat nope. I will not say what I think of Aoi Rupeng's "acting" or I'd have to put money in the curse jar.

25 Snow Eagle Lord - Gulinazha's stone face, nonsense plot, terrible CGI. Take your pick as to why this is terrible.

24 Scent of Time - it was uneven but fun but then that ending was dumb enough to destroy the whole thing. Show me on the doll where common sense hurt you, makers!

23 Royal Rumors - Jeremy Tsui and Meng Ziyi are utterly wasted in this nothing trifle of a drama.

22 Legend of Anle - I had high expectations but alas. This is the drama version of color beige. There is nothing offensive about it but nothing good either. Mediocre actors are mediocre, good actors become mediocre, this is just a waste of our finite time on planet earth.

21 Romance on the Farm - it's not you, it's me in action. I can see why people would like this wholesome slice of farming family life, but it's tailored to trigger every one of my "nope" opinions.

20 Back from the Brink - if I were 12, it would be my favorite thing. I am not 12.

19 Journey of Chong Zi - objectively a terrible drama with plot holes the size of Mars and a leading lady whose face has apparently frozen when the wind changed. But I am a total sucker for the trope of upright shizun falling for his demonic disciple and going mental so here we are. Objectively, garbage, subjectively my precious!

18 Love you Seven Times - just call poor Ding Yuxi "Atlas," he carried this mess so hard.

17 Blooming Days - trashy dogblood harem fight fun throwback. It's not that great (and the fact that it was shredded doesn't help) but it's probably the last gasp of that genre for the foreseeable future, so I am grading on a curve.

16 The Starry Love - a fun fantasy where the secondary OTP stole the thunder but overall a really solid fantasy xianxia romance.

15 The Longest Promise - it could have been better - the secondaries were unbearable and there was too much of them and what they did with Alen Fang's character still gives me rage fits, but the main couple was impeccable and lovely and I rooted so hard for them.

14 Chang Feng Du/Destined - visually gorgeous, solidly acted, impeccable first half. Bland as hell second half. Win some, lose some.

13 Circle of Love - this drama is a nonsense trash heap on fire. After a typhoon hit it. It was also the most entertaining, addicting drama on this whole list.

12 Hidden Love - the sole modern on this list, this story has barely any plot but it made me care about the young, decent lovers so hard.

11 Choice Husband - starts out wacky, continues with angst and blood and happy ending. I loved it, but I've always had a soft spot for melo and schemers turning devoted.

10 Pledge of Allegiance - bromance, super solid acting, visuals, a really dark take on officials and the world. Insanely underrated.

9 Provoke - a truly fun Republican revenge and love tale, showing that short format can be wonderful.

8 Gone with the Rain - some of the secondary characters are rage-inducing (hi there, cardboard boy!) but the scheming, ruthless, vulgar FL is amazing and her slowburn with her age gap general who is delighted by her out-there-ness is great!

7 Wonderland of Love - Fei Wo Si Cun goes wholesome and the result is surprisingly entertaining. Battle couple, glorious visuals, a fast paced plot. It's the first Xu Kai drama I enjoyed in years (and he plays a rare cdrama ML it would be pretty neat to pair up with in rl.)

6 My Journey to You - that ending is infuriating (and I am OK with open endings if done properly) but what a visual feast, probably the most gloriously shot drama on this list, and that's a tough competition. Also it packs a hell of a lot of couples and familial and adversarial relationships into its slim running time; assassin lady won over by a gentle man is my favorite trope and so this is extra great.

5. Till the End of the Moon - the ending is a rage-inducing disaster for me, but this drama was the most incredibly emotionally intense, visually eye popping experience. It was deeply flawed but when it was amazing, it was like nothing else in its visuals, its characters and its narratives. It took insane risks; some paid off and some did not, but it was glorious.

4. Story of Kunning Palace - I don't often care for reverse harem stories but this one was such fun - the main OTP was glorious (strong FL, unhinged ML) but honestly everything about this was just so excellently done.

3. The Ingenious One - the most adult drama on this list. Smart protagonists, intelligent plot, emotions that felt true, this is a revenge and a mystery and found family and goes into so many directions you do not expect (Su Mengyu's PTSD after his first kill - that is something you never see in dramas, definitely not prolonged and profound - not like this.) If I was to say which drama was objectively the best on this list, as opposed to favorite, it would be this.

1 (tie) Lost You Forever 1 - this is an exquisite emotional jewel of a story about damaged people moving forward, with damage always present - their past informs their present and always will. The narrative about Xiao Yao and three very different men in her life makes me think that it's an equivalent of a neutron bomb going off right before the main narrative starts and now we are watching the survivors wander in the wreckage. This is very high fantasy setting but it's one of the most emotionally human narratives out there.

1 A Journey to Love - everything I ever wanted - assassins, ride or die adult OTP with genuine believable conflicts, great and complex secondaries, beautiful fights. Oh, and yeah Liu Shi Shi domming the hell out of every man in a ten mile radius, as she should.

FAVORITE DRAMA

It's a tie between Lost You Forever Part 1 and A Journey to Love. LYF1 is a bona fide art piece but it's only part 1 and who knows if part 2 will be any good (seeing the huge ep number cut, I have my doubts) and so it's incomplete. AJTL is an old school wuxia romance with incredibly competent, adult people in love and great cast of secondaries. I can't pick.

WORST DRAMA

romance of twin flower - this is a drama that should not exist. If I could hex everyone involved with it, I would. It's a terrible, stupid, shrill, badly acted drama to start with, but where it really is catapulted into stratosphere of horror is that is took my very favorite non-danmei web novel of all time, a smart and complicated tale with incredible protagonists and turned it into that barftastic abomination. Peng Xiao Ran kept making horrible drama after horrible drama but I kept giving her a chance because of Goodbye My Princess but after this disaster, I've had to accept GMP was a fluke and she is on my "if she's in it, I am out” list. Ding Yuxi is not that far yet (his performance in Seven Lifetimes was the one thing carrying that mess afloat) but he's on freaking thin ice. Anyway, I like to pretend this drama does not exist.

FAVORITE MALE CHARACTER

It was hard because there were so many I loved this year - Deng Wei's traumatized, gentle Seventeen from LYF1 (if someone told me I'd swoon and weep for a character played by Deng Wei, I'd have told them to examine their brains asap), Liu Yuning's incredibly capable, deadly, contained Ning Yuanzhou from AJTL, Zhang Linghe's unhinged Xie Wei from SoKP, Chen Xiao's schemer with a heart Yun Xiang from TIO.

But ultimately, it couldn't be anyone else but Luo Yunxi as Tantai Jin/Demon God/Ming Ye/Cang Jiumin in Till the End of the Moon. He was everything - a demon, a saint, a martyr, a monster, a tormented abuse victim, a savior, joyful, unhinged, smart, pitiable. It was the cdrama performance of the year for me. Luo Yunxi even in a mediocre role is impressive but in a complex (series of) role(s) designed for his strengths, he is a force of nature.

FAVORITE FEMALE CHARACTER

Xiao Yao (Lost You Forever Part 1). Once again, there were runner ups - Bai Lu's smart a little evil FL in Kunning, the gloriously unhinged assassin domme Liu Shi Shi in AJTL, Esther Yu's assassin longing for a different life in MJTY etc etc etc. But Xiao Yao's damaged, difficult, very self-aware woman stole my heart. I was skeptical going in because I haven't enjoyed a Yang Zi performance in a long time, but she was the wounded beating soul of this incredible drama.

NEEDS TO BE MURDERED

Where do we start? How about all of Seventeen's (LYF1) monster family? His brother, who tortured him for years physically and emotionally to such a degree his body is a horror map and his personality is permanently altered because "mommy liked you better." Psycho mother who created a situation where the kids were going to turn on each other and "let's get my grandson raped" grandma. Where is a well-placed meteorite when you need one.

FAVORITE SHIP

Xiao Yao/Seventeen, LYF1. Yes, a ship of characters played by Yang Zi and Deng Wei is my favorite. Leave me alone, I am on my tenth helping of crow already. They are both incredibly damaged, barely functioning survivors who find what they need in the other - he finds a savior and someone who sees him as a man and rebuilds himself around her and she finds someone who will always put her first and only, and subsume himself in her. Is it healthy? No. Does it make sense for them and is it making them slowly functional? Yes.

Runner up: Ren Ruyi/Ning Yuanzhou, AJTL - two adults, so competent, so chemistry full. She has so much damage and so little normalcy but is so strong and he is oddly gentle (in between murders) and incredibly self-reflective. They are each other's mirrors and I love them.

FAVORITE SECONDARY OTP

Su Mingyu/Ke Menglan, The Ingenious One - the idealistic merchant who wants to join jianghu until he sees its horrors firsthand and a slave entertainer who wants security but decides she wants him more. They are gorgeous and glorious and wholesome and I adore them.

Runner up: Liu Gong Quan/Ming Zhu, The Ingenious One - that drama was a shippy gift, especially impressive considering it wasn't even romance-centric. He's the officer who has to bring down her treasonous father but loves her. Delicious.

Another runner up is Chao Feng/Qian Kui, the angelic good girl and the scheming bad boy in The Starry Love. They stole the drama from the main OTP for me.

NOTP

Scent of Time endgame. What the hell was even that. It made NO sense.

FAVORITE SCENE

So many good scenes this year - Tantai Jin taking apart Li Susu in prison in TTEOTM, the OTP fighting in perfect sync and insane rhythm in the gorge battle in AJTL, Chen Ruoxuan's character stopping the execution in Pledge, Yan Lin's coming of age in Kunning, the poison/antidote "gamble" in MJTY, Cang Xuan detoxing in LYF1. But I think ultimately, me being who I am, my favorite scene is Xiao Yao kissing Seventeen's damaged, scarred knee to show he is in no way inferior for her. AAAAA!

In terms of pure jaw dropping visuals tho nothing will ever beat Ming Ye’s battle against the Devil God in TTEOTM.

BIGGEST CRUSH

Ning Yuanzhou, AJTL. He's sexy as hell (that height, that way he moves in battle) but he's also so incredibly competent, so adult, so self-reflective and so attracted to a woman for her strength. He also gets whumped on the reg. Anyway, my hormones are ready.

BEST SCENE STEALER CHARACTER

Gong Yuanzhi (My Journey to You) - I loved the unhinged, brocon poison boy. He was everything. Also Yan Lin (Kunning) - talk about sunshine; I totally got why all these people felt they needed to save him.

NEEDS A SEQUEL

My Journey to You - what the HELL was that ending?

NEEDS SCISSORS TAKEN TO IT

legend of twin flower - that is, stab it with scissors like it stabbed the novel until it's dead.

TOO MANY SCISSORS TAKEN TO IT

Till the End of the Moon - they clearly cut stuff to fit into the new regs about runtime and it made the last 1/5 rather abrupt. Gimme!

TROPE THAT NEEDS TO DIE

The emperor cannot be irredeemable. WTF, China, you are a communist country!

FAVORITE TROPE WE’VE SEEN A LOT OF

This is the year of a ML who yearns to be dommed by his FL. Long may it continue.

BIGGEST DISAPPOINTMENT

The Legend of Anle - the novel had a great plot, the cast were all actors I either enjoy a lot or somewhat and we got - whatever that soggy piece of wonderbread toast was.

BIGGEST GOOD SURPRISE

LYF1 - I only checked out to mock because nobody could explain the story to me and nobody in the cast did anything I like either ever or in years. And then I fell utterly and completely in love and had to eat so much delicious crow.

2023 DRAMAS I HAVEN’T SEEN THAT I MOST WANT TO WATCH

Ancient Love Song is the only one on that list. It looks really good, I just need to brace myself.

BEST NON-2023 DRAMA I’VE WATCHED IN 2023

The Imperial Doctoress - best slowburn and pining and glorious character development and adult leads.

MOST ANTICIPATED

Anticipating any nonaired cdrama is a mug's game but if they air, I will definitely check out all the Fox Matchmaker dramas, LYF2, JoL2 and The Last Immortal. If Prisoner of Beauty ever is allowed out of the vault (dubious), it goes on the list too.

#cdrama #lost you forever #a journey to love #till the end of the moon #my journey to you #choice husband #provoke #the starry love #the ingenious one #wonderland of love #story of kunning palace #gone with the rain

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sailor-aviator · 4 months

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Okay, so just got home after seeing Anyone But You. My honest take.

I went into the movie expecting it to be HORRENDOUS, but I can admit when I’m wrong. It was actually a pretty solid movie overall. The side characters were so fucking funny (GaTa you have my whole ass heart) and they held their own against each other.

Sydney Sweeney can’t act. I’m sorry, she can’t. That was the consensus coming out of the theater from people who didn’t even know the drama. Her lines fell flat and half the time I couldn’t figure out what she was trying to convey. The other half she was making this face: :3

I genuinely believe that if this movie had had a better female lead, it would have been a smash hit. Sydney just fell flat. I will give her this, I haven’t seen her in anything else (I’m not watching Euphoria, you can’t make me dammit), but not everyone can do comedy. Comedy acting is super hard, and she’s one of the ones that can’t do it, and that’s okay. Maybe she’s better in other things, idk?

Glen was pretty good, but we know he can do comedy, so that’s not really a surprise. I think he fell a little flat in this movie, but most of acting is reacting, and most of his scenes were with Sydney….so.

Anyway, I would say go see it. Not for Sydney or Glen, but for the phenomenal supporting cast. They were the ones that had me laughing out loud most of the time. Glen had his moments, but I’m not lying when I say GaTa and Bryan Brown were the true stars of the movie imo

#Liz’s personal tag #Liz’s thoughts #liz rambles #anyone but you #Glen Powell #my credentials?#several speech and debate trophies from when I placed at tournaments for acting #also I’m funny so I know funny I guess #also I have no credentials just vibes

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bengiyo · 2 months

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The Sign Ep 12 (Finale) Stray Thoughts

It's been too long, so I barely remember where we are. We left at Tharn somehow maybe saving Phaya and getting stuck in a cave to maybe say goodbye because Chalothorn threatened him or whatever. Chart got caught for being undercover. The rest of the gang was lost in the woods. Anyway, let's finish this.

Wait, how are they successfully tracking anyone? I thought there was no phone service.

Oh lord don't start death flagging with promises about rings.

Damn, I feel bad for Chart. That final kick delivery was actually pretty good.

Bestie said they didn't need rope to get them out of the hole. The power of the Warrior's Bond and Yai's arms was enough.

I watch too much American action. The bullet stuff is giving recent Fast films.

Well, there goes Khem.

Why would they let Tharn run after them alone? He literally loses every fight.

Mhmm, see, Chalothorn had to intervene.

Montree still being afraid of Tharn came across clearly.

Damn, y'all ain't even shower before going back home?

Here we go. One last look at Babe's waistline before it ends.

Oof, the only thing Tharn responded to was an admission of his love.

Finally, 🍑

Oh, I liked that shot of the water leaking through the bed to show that Tharn was gone.

I feel like the grandma has always known more than she let on.

Did we really repeat the exact same death scenario? Chalothorn, you really suck at this. The circle remains unbroken.

I know Phaya's doctors have got to be frustrated that he keeps drowning.

Is Dao in France to cut down on filming schedule conflicts?

I love when dramas show the passage of time with facial hair.

So... Chalothorn just...got over it off screen?

Oh, a second season tag and Saint cameo. I guess?

Final Verdict: 5.5, Great Gowns, Beautiful Gowns. Overall, I just don't think the elements of this show ever really came together. I think the first two episodes of training and mythology teasers, along with the Lieutenant Tam mystery, made me expect these elements to circle and eventually converge in a more cohesive way. I also feel like some of the side stuff didn't really work. I thought some of the mythology about the Naga and Garuda was really interesting, but I didn't exactly feel the cycle they were stuck in playing out in this drama. I'm also hugely annoyed about the core angst evaporating off screen. So, in the end, I'll mostly remember it as copaganda.

That being said, I thought the cast chemistry was solid, and I really liked the execution and use of the CGI. I like that IdolFactory keeps trying more things, but I do think we need to get stronger script writers and editors in the room with a stronger say on the planning front.

#Ben watches #the sign the series #thai bl #bl series

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lurkingshan · 8 months

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A Time Called You: A Great Reminder to Go Watch Someday or One Day

This past weekend Netflix dropped a new kdrama called A Time Called You in its entirety, and I became particularly interested in watching it as soon as I realized what it was: the Korean remake of Someday or One Day I knew had been in the works for awhile. If you’re not familiar, Someday or One Day (SOOD) is a beloved 2019 Taiwanese drama that is widely considered to be among the best dramas the country has ever produced (there is also a 2022 film version of the story, but that’s less relevant to this post). Now, I love Korean dramas, and I know that countries remaking each other’s best shit is very common in the Asian media landscape, but I couldn’t help but feel protective of the original work and a bit resentful of the choice to adapt something that was so original and unique and specific and put that generic kdrama sheen on it. Taiwan has a small film industry, and this is one of its jewels. We didn’t need Korea’s take on it.

And having watched the adaptation in full now, I am feeling pretty justified in that initial feeling. Let me just say upfront: A Time Called You (ATCY) is a perfectly good drama with a solid cast and competent storytelling. Had I seen it absent the knowledge of what it was adapting, I probably would have liked it a lot. But I have already seen and loved Someday or One Day, so I feel compelled to break down why it is the better version of this tale, both for my fellow SOOD devotees who are wondering how this adaptation stacks up and for folks who have only seen the kdrama in the hopes that you’ll decide to watch the original. As usual, I did the most, so reader be advised that this is long (tagging @troubled-mind as promised and @smittenskitten because I saw you were looking for a comparison of the two dramas). TL; DR: if you liked ATCY, or have seen neither version and are wondering which to watch: go find Someday or One Day, because it’s an overall superior and more satisfying execution of the same story.

The Vibe

Let’s start here because it’s the most obvious and immediately striking thing as someone who has seen both versions. SOOD has a bit of a rough and unpolished feel, which makes it feel more grounded in reality (important when you are getting into fantasy elements like time travel but you still want the characters to feel like real people). We open our story in 1998 in a record shop with a young girl playing Last Dance by Wu Bai and China Blue, a 1996 mando pop rock ballad, and thus setting the tone—this will be a somewhat raw and bittersweet story about grief and hurt and longing that will invite us to wallow in our feelings. And that melancholic vibe stays throughout the drama, even in the explicitly happy scenes, because you are always aware that the joy you are seeing has already been lost.

By contrast, ATCY feels… emotionally flat. Don’t get me wrong, it is a very faithful adaptation. The early episodes are practically a shot for shot remake of the original drama. But it’s too polished, too shiny. The filmmaking is bog standard kdrama fare; everything is soft focus and warmly lit and too beautiful and consequently nothing feels real. It feels right in line with the standard aesthetics of recent mainstream Korean dramas, and that choice undermines the emotional weight and grit of this story.

A great example of this can be seen in the way the two dramas handle the iconic scene where our female lead runs in the rain, looking back over her shoulder to smile in delight at the male lead before continuing on her way. This is a moment of realization for him about his feelings for her—one he will later immortalize in a painting that becomes part of the mystery of the past she is trying to unravel. In Someday or One Day, this scene takes place on a regular street, in the utterly mundane surroundings of their everyday lives as they walk home, and she runs down the middle of the road as puddles gather in the uneven pavement; in A Time Called Love, they are in a picturesque park for this scene, surrounded by green and encased within a grove of giant trees, and she runs right down the middle of a tree lane that looks like it came straight out of a fairytale. One story is very much about a love grounded in a reality we can recognize; the other is pure fantasy romance.

The Music

I already mentioned the song that anchors the Taiwanese drama above. Last Dance is hugely important to the story, both thematically and as a plot device, and in its ability to set the mood and tone of the drama.

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The Korean remake similarly uses a real 1996 ballad as its main song and time travel mechanism: With My Tears by Seo Ji Won. And, uh, the vibe is a bit different.

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Discerning listeners might recognize this as one of the many classic love ballads performed by our favorite doctors by day, rock stars by night over on Hospital Playlist. It’s a perfectly fine song. But it sets quite a different tone for our story, doesn’t it? It also is meant to be a song that a teenage boy is hankering to listen to on cassette, and listen, I wasn’t living in Korea in 1996. I have no idea how culturally accurate that may be. I’m sure there were in fact baby Lee Ik Juns running around trying to get their hands on this cheesy love song. But the edgier sound of Last Dance definitely sounds more in line with something the teenage male lead would listen to and what the music is meant to convey. And frankly, since we hear this song about 30 times in the drama, it matters that Last Dance is just an objectively better song.

And that’s just the tip of the iceberg, because beyond the classic song each version chose to use as its centerpiece, there is also a stark difference in the quality and tone of each drama’s OSTs. Here is a compilation of the Someday or One Day tracks, including the utterly gorgeous main theme by Shi Shi. The music is hugely important in the Taiwanese drama and is used to set the mood as well as emphasize its themes, and the tracks feel specific to this story.

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And here is a compilation of A Time Called You OSTs.

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If you’re familiar with kdrama OSTs, you will recognize most of the artists on here, as well as some new covers of old songs. And again, the vibes are quite different. Whereas SOOD was very intentional and specific in its music choices, ATCY just sounds like every other kdrama. There is nothing on this tracklist that stands out or evokes the kind of feeling that the SOOD tracks do.

The Main Couple

The name and timeline situation in this show makes this section unnecessarily difficult, so let me just make a little reference sheet here:

Someday or One Day

Alice Ke plays Yu Xuan (2019) and Yun Ru (1998)

Greg Hsu plays Quan Sheng (2019) and Zi Wei (1998)

A Time Called You

Jeon Yeo Been plays Jun Hee (2023) and Min Yu (1998)

Ahn Hyo Seop plays Yeun Jun (2023) and Si Heon (1998)

All of the actors here are seasoned and very good at their jobs, so I am not casting shade on any of them—they are executing their performances based on writing and directorial choices. But I cannot deny that the Taiwanese version of these characters are more compelling all around. In SOOD, the main characters have a real spark; despite the melancholic undertone of the story, there are moments of genuine joy and when they connect with each other, you feel why this bond is strong enough for them to find each other through time and despite all the trauma they endure. In ATCY, however, the characterizations are muted.

This is most evident in the difference between Quan Sheng/Zi Wei and Yeon Jun/Si Heon. Greg Hsu plays Zi Wei as magnetic, playful, mischievous, utterly lovable, and very intense about his feelings for his lady. He has a real joie de vivre about him that clearly brightens up Yu Xuan’s life considerably, and his devotion to her is not just shown, but deeply felt. Experiencing their memories, you understand immediately why Yu Xuan can’t move on from his death; he was the joyful, relaxed counterpoint to her more ambitious and serious personality. Si Heon, though? He is a nice dude and a generous partner and he is very good looking. But he doesn’t have the playfulness or the intensity that his Taiwanese counterpart does. His personality is just more moderate all around. One great example of this: upon discovering that he has traveled forward into the body of the person that would become Yu Xuan/Jun Hee’s boyfriend, Zi Wei (in Quan Sheng’s body now, are you still with me?) actively decides to find her, love her, and try to solve this time loop quagmire they are in; Si Heon (in Yeon Jun’s body) waits for a moment of fate to give him a sign, and only makes the decision to pursue Jun Hee after running into her by coincidence.

Similarly, Jun Hee is not quite as spunky and sassy as Yu Xuan and Min Yu is not as dark and awkward as Yun Ru; when Jun Hee travels to the past and takes up residence in Min Yu’s body, the differences between the two characters she is playing are not as evident. In SOOD, I could tell at a glance who is in Yun Ru’s body; in ATCY I need more context to be sure. Where Yun Ru had more of an edge, Min Yu simply reads very shy. It’s not as compelling. One scene that really stands out as an example of this: when Yun Ru is pretending to be Yu Xuan in 1998 and looks in the mirror to practice smiling, it looks downright creepy and sinister; when Min Yu is masquerading as Jun Hee and looks at herself in the mirror, she just looks awed and happy, if a bit awkward. It’s subtle, but it changes the way you feel about the characters.

The difference in Jun Hee and Yeon Jun’s characterization also affects the couple chemistry, which is just not nearly as strong in ATCY. The characters are more muted and thus the expected sparks are more like smoldering embers. The relationship feels cozy and warm and nurturing, but it doesn’t feel vital. It doesn’t feel like the kind of relationship you would fight through time or break the rules of the universe to return to. I recall gasping or crying or laughing out loud throughout SOOD because I was constantly taken aback by Greg Hsu’s arresting presence and the chemistry he and Alice Ke generated was just emotionally riveting. When Yu Xuan told Zi Wei (as Quan Sheng) that they were officially together, that man literally jumped for joy and shouted out his love for her; Si Heon (as Yeon Jun) reacts to the same moment with a quiet smile and a hug. When Zi Wei saw Yu Xuan in Yun Ru’s body again in the finale, he knew instantly that it was her and the smile overtook his face as he reached for her; Si Heon initially called Min Ju’s name before getting closer and taking several beats to realize it was Jun Hee (ruining this iconic moment is perhaps this remake’s greatest sin against romance, my god).

Everything between the couple in SOOD was just more, both in happiness and in despair. I liked Jun Hee and Si Heon, and Ahn Hyo Seop and Jeon Yeo Been are very competent actors whose performances I have loved in other dramas, but they didn’t achieve that level of chemistry here, the writing and directing choices worked against them, and I didn’t feel that same desperation for them to figure this out that I did with Yu Xuan and Zi Wei.

The Story

The Korean version is a very faithful adaptation overall (I haven’t mentioned Jun Jie and In Gyuk because his character and story is more consistent across the two shows), but does make some small tweaks to the story, some of which seem to be out of necessity due to a shorter run time (one episode and a couple hours total less than the Taiwanese original) and some just… because? The shorter amount of story time does lead to them having to cut corners on some aspects of the mythology and time travel lore, making it all a bit less clear for folks who don’t already understand what’s going on, and they put in a few nods to typical kdrama tropes like amusement park dates and hand of fate stuff that we really didn’t need—they are already trapped in a time loop together, we get it!

ATCY also messed with the timelines and ages for reasons I don’t really understand and that don’t really track. In SOOD, Zi Wei traveled forward from 2002 to Quan Sheng’s body in 2010, met Yu Xuan, and then died in 2018. In ATCY, Si Heon traveled forward from 2002 only to 2007 and did not die until 2022—but the relationship dynamics are all the same. It made sense for a young couple who had been together about 7 years and who were in their mid-20s to be having the kind of relationship problems they did—fighting about prioritizing careers and time abroad and whether it was time to get married. But a couple who has been together nearly 15 years? Who are in their mid-30s? They would have already been married probably and had a couple kids to boot. The choice to change the timeline like this had me scratching my head and accomplished nothing for the story.

But neither of those things are the change to the story that is weighing on me most. That occurs in a very small and brief backstory for the real Yeon Jun, where the drama introduces an original character who has no counterpart in SOOD: Tae Ha.

In SOOD, the real Quan Sheng is a closeted gay teenager who meets a tragic end: he confesses to his crush, gets brutally rejected, then gets bullied when the crush tells others about his sexuality, and ultimately decides to walk into the sea in an attempt to end his life, a choice that leaves his body in a coma until Zi Wei’s consciousness takes it over. In ATCY, this backstory changes and Rowoon is brought in for a brief but impactful cameo as Tae Ha, Yeon Jun’s cram school friend. We see that the two have mutual feelings for each other but are both struggling to confess. One day as they are driving together, they finally explicitly acknowledge their feelings, holding hands and smiling at one another—and then immediately get hit by a Truck of Doom (easily one of the most tired kdrama tropes), Tae Ha dying on impact and Yeon Jun ending up in a coma with Si Heon’s consciousness eventually taking over his body like in the original story.

Now on first glance, you might be inclined to give the show some credit for including a new gay character and giving the original Yeon Jun a happier experience with his crush. Explicit gay representation? In a mainstream kdrama? Still very rare and a big deal if done right. But if you think for a moment longer you’ll realize we can’t give the show credit for this, because this is a textbook execution of the Bury Your Gays trope and the narrative punishment that befalls gay characters who act on their attraction. Essentially, what the Korean remake did here was reveal these two characters are gay, killed them both immediately after they decided to pursue a relationship with each other, and then had the het male lead character take over the body of this gay man and use it to enter into a relationship with a woman. Some aspects of this plot were present in the original tale, but this choice to add an additional gay character only to kill him and tie it to their moment of acknowledging their mutual attraction? Made it significantly worse. It was badly done and I will not applaud the drama for representation when they did it in such a cruel way.

The Ending

SOOD ends on a hopeful but somewhat ambiguous note, with Yu Xuan in 2020 finding a way to go back and save Yun Ru (and Jun Jie by extension) and then breaking the time loop, sacrificing her relationship with Zi Wei in the process even as it breaks her heart (because the only way for them to meet and fall in love in 2010 was to stay in the loop). She sacrifices their romance, and all their memories together, because it’s the right thing to do—she inadvertently destroyed Yun Ru’s life with her time traveling, and she couldn’t live with that knowing there was a way to fix it. We are left with a broken time loop, original teen Zi Wei meeting child Yu Xuan again in 1998, and the hope that they will find a way to make their fates align again and be together without time travel complications. It’s just the right bittersweet touch to end the story on; their previous relationship was lost and their sacrifice was real, but there is hope for another version of a happy life together, someday.

By contrast, ATCY goes for a more explicit happy ending: Jun Hee makes the same choice to go back and save Min Ju, and to break the time loop and sacrifice her relationship with Si Heon, but in ATCY we then jump forward to 2011 to a happy epilogue to see Si Heon and Jun Hee meet as adults. And look, I love a happy ending! But what I said above about the sacrifice Yu Xuan and Zi Wei made in SOOD really resonating because of its bittersweet ending? That’s absent here, because ATCY decided they needed to put a bow on it and reassure us they would get back together. ATCY was just never willing to let us stay in the grief or commit to the darker and sadder aspects of this story, and as a result, the whole thing loses some of its impact.

#someday or one day #a time called you #tw drama #kdrama #long post #why yes i did write a 3k word post for the ten people on this website who care about both these dramas #shan shouts into the void

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ginnymoonbeam · 4 months

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For the Top 5 thing, Best Writing

Oooh, great question! For this one I'm going to focus on the narrative-construction side of writing rather than line writing, since I'm consuming all these in translation. I'm picking shows with overall solid construction, clear characterization and motivated development, and interesting or unexpected choices that feel earned and consistent. I'll also name one scene I thought was particularly good from each... not necessarily the best scene in the show, but one that sticks in my mind as great writing.

In no particular order:

Moonlight Chicken

My favorite drama of the year. Wonderful characters, conflicts that feel natural, themes that resonate through the different characters' stories. Standout scene: Wen and Alan's final breakup conversation. Two people finally letting go of something they've held on too long, for different reasons. The scene felt so weighty both with what was said and what was understood without being said.

La Pluie

Talk about theme! La Pluie had clear, insightful things to say about romance and how belief in romantic destiny affects us, and it said them beautifully. Standout scene: Patts and Nara after Patts and Tai have confirmed their relationship. The heart of this whole story is shown in the way Patts and Nara each express their continuing care and gratitude for the other, even though their relationship has changed. It prefigures the explanation Tai's parents will give him about their relationship, and it's such a beautiful, uncommon use of an ex in a romance. The choice to have Tai watching and smiling is also important and lovely.

Be My Favorite

Great writing doesn't have to mean flawless writing. Be My Favorite didn't hit all its marks, but it's a case of "aimed at 12, hit 10," and to me it's a remarkable achievement. It's hard to do a time travel story that doesn't fall apart under examination, but this one is tight, coherent, and beautifully tied into the emotional and philosophical ideas the story is exploring. Standout scene: Pisaeng's rooftop confession. It is extraordinary to have a confession scene that ends in a rejection, but is still so clearly a step forward for both characters and their relationship. Incredible romance writing, I haven't stopped thinking about it since.

I Cannot Reach You

What a gem of a show. On the surface, a simple high school friends-to-lovers story, but the characters are so vivid and particular, their emotions so distinct, that the whole drama shines. Standout scene: Yamato losing control and kissing Kakeru. There aren't a lot of words in this, but here's a secret: writing isn't really about words, mostly. It's about characters taking action, and other characters responding. This was an incredible moment, the pivot point of the whole drama, and the scene that took it from "hey this is a good show" to "ohh this show is it."

Sing My Crush

I'm a big admirer of writing that takes solid, familiar beats and executes them well. Sing My Crush lays out its tropes and storylines in the first episode, and moves in pretty much the direction you'd expect through the whole thing. It just does it really, really compellingly, with characterization that always feels particular, never rote. And the villain! It's actually not easy to write a villain who's so fully believable and so fiercely detestable, and who occupies the correct amount of space in the story. Standout scene: the boxing scene! The boxing scene.

Ask me my Top 5 Anything BL 2023!

#ask game #best of bl 2023

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xiaolanhua · 27 days

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So here are my thoughts about In Blossom!

This post may have some spoilers!

I finished watching it yesterday and decided to make a post about my opinions while the drama is still fresh in my mind.

So, the drama made me interested from beginning till the end and overall it's great! It's nothing really revolutionary in terms of plot/story (historical dramas tend to have some similar stories) but it delivered what was promised: mystery, romance, investigation, a bit of thriller with amazing shots and gorgeous costumes!

About the leads:

Liu Xue Yi as the male lead really raised the level of this drama. His performance was one of my favorite things while watching it and i'm so grateful to whoever casted him as the lead because he deserves it (enough with playing the bad guy who never gets his happy ending or the girl 🥲).

At first, I was a little bit concerned about watching because I wasn't a fan of Ju Jing Yi's acting from the dramas I've watched with her but after finishing this one I think she made a solid performance (it's not the best one but definitely her best one yet) and it didn't compromised the drama at all. I've seeing a bunch of not so nice comments towards her specially because people were not happy with the actress "swapping" and although I think the "original" Yang Cai Wei did a great job I'm still satisfied with how things turned out and I like both "Cai Wei".

About the main couple:

For me, it's really poetic how Pan Yue loved Cai Wei since childhood, got to reunite with her after 10 years from being apart of each other, to think he finally married her and then "she" dies on the eve of the wedding, and how he goes insane about her death that get white strokes on his hair and goes on a mission to know who is behind her murder WHILE Cai Wei it's alive by his side but with the face of someone he despises (Shangguan Zhi) and when they start to work together on the cases, they begin to be close to each other and he hates himself for developing feelings for Shangguan Zhi thinking he's betraying Cai Wei's memory. It get's even better because he's falling in love again as she's behaving like the Cai Wei he knows so he get's even more confused and watching all of this was a delight!

They had chemistry, their scenes were fun, interesting, tender and sometimes even hot so it's a win for me actually.

About the second couple (SPOILER!!!!):

Their interactions were pretty cute and they had chemistry but it's a shame what happened to them, specially with Lan Jiang (he deserved better). I always felt that they were a "doomed" couple and I'm sad that I was right about it, my heart hurts for them both as the characters themselves and the ship that didn't sail.

About the cases and the story:

Another thing i liked about this drama is how the cases were introduced, they were directly or indirectly related to the main "mystery" and every case were solved so they didn't left any loose ends. Some dramas of this genre tend to abruptly solve the cases and they end up not adding much to the narrative so I'm glad this were not the case here.

The pacing of the drama was pretty good but I do feel like the last two episodes were a bit rushed. We can't have it all, can't we?

The ending was good as expected (not for some characters I would say) but still good. SPOILER!!! I liked that the cliffhanger did not affected the characters so it could have a second season if the producers wanted but it's not necessarily needed (My Journey to You can't relate).

Overall, it was a pleasant watch so I rate 8.9 out of 10. It's not perfect but I would totally recommend!

#in blossom #in blossom spoilers #cdrama #drama review #aurora says #花间令

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raininyourblackeyes · 1 month

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What happened at world's??? I'm not up to date 😭

LMAOOO WHAT DIDN'T????

Ok brief summary of every disciplinne which will end up long so

MEN:

Boyang messed up so much in the SP he didn't even get to the free. To quote his coach Brian "I don't even know what that was." My boy obviously thinks that the men need to flop in every city starting with M... Milano 2018, Montreal 2024.... let's hope he keeps that mindset for worlds and olympics because they are also in Milano

Junhwan also flopped in the SP, but not as much thank skating gods! He did better in the fs but I really didn't get anything from his programs this season anyways so I wasn't as devastated as I would be let's say with any prev season's fuck up

Kao also flopped SP missing the combo because of the 4T attempt. Absolutely magnificent opening 4S, best of the SP event! He attacked some titans in the FS but got eaten immediately by 4Lo and 4S

Shoma finally listened to me telepathically and flopped the free

Jason was overscored as fuck, he should not have been above Deniss in any segment but he has the american money. However, he did serve.

Have to mention Nikolaj Memola having a very solid senior worlds debut!!!

Ilia uuuh got the world record in the FS, 227 something and now he's going viral and how I feel about it is 😐 The 4A was magnificent, and yeah yeah he can jump and yeah it's a Succession program but PLEASE WATCH SOMEONE WHO'S ACTUALLY DOING FIGURE SKATING! One can only wonder what's next? A quint? A quad-quad combo? Because he did everything else and I doubt he'll decide to get some skating skills

Donovan was absolutely stellar! And the audience loved him!

The epic highs (Romsky SP) and epic lows (Romsky FS) - as usual

Deniss went clean (if we don't count popping the opening quad in the FS) in both SP and FS. His SP is a religious experience, and he's skating to Hallelujah exactly how Leonard Cohen would have wanted. 100% worth watching (costume deduction for showing tits is soooo funny). He also did a mad thing and debuted a new free st worlds. I was sad to see Blues Deluxe go and very sceptic about Lion King, that's junior music to me but IT WAS STUNNING and I hope he keeps it for the next season so I can see it live in Zagreb

Yuma... GOD!!!!!! He is right now THE best skater we have in this disciplinne. Carolina Costner is doing wonders for his skating skills. And somehow this was meant to be a recovery season. Meanwhile he blew everyone else out of the water. Yuma is definitely worth getting into figure skating. Two stunning programs, some textbook jumps, mind-blowing performance ability and just lovely skating skills

Adam was probably the definition of men singles skating event. 19th in the sp, everyone despaired about him... because you know, there's no hope for Boyang but there is some for Adam? And boy was there hope!!! He goes clean in the FS, does a fucking banned backflip which I am not a fan of, probably thinking "fuck it I did an amazing program but from 19th I have no chance to medal anyways so I'll just do this instead" so he takes 2 deductions. And medals. Biggest jump placement wise in history of the sport. Sooo then fucking Benoit who is already delusional about his choreo skills goes and says how he wants to create choreo so revolutionary that could potentially get him banned. My dude, you should have been banned a long time ago for Kaori's I love being a woman free at least...

WOMEN:

Tbh they were in the middle of the night for me and since men singles is my fave disciplinne it's also the only one I'd stay awake for so... not much to say here. Sorry. But there wasn't any insane drama I think, the results did take me out in the SP, but it ended up pretty nice in the end

I did see Kaori and while her programs are far from my favourites this season I am 100% convinced that girl could sell me anything. The highlight of both her performances, apart from how insanely well she did to come back from 4th to win overall in the FS, was her reaction to a botched Lutz landing in the SP. Her SP is also dedicated to her niece and nephew and it's so soft. Also imagine in a few years a teacher asks kids to say a fun fact about themselves in the first class and this kid gets up and says uuuh my aunt won her 3rd consecutive world title with one of the programs being about me being born. THE FLEX!

I only got to see Hana's FS in real time and I have made an entire post about Shakuhachi so please go watch that if you haven't, it's a masterpiece. Koo Koo Fun is also a masterpiece in some other aspects! Also go watch that! I think she did an amazing job for a kid at her first worlds in her first senior season.

Mone WHAT A COME BACK IN THE FREE!!! Which rip... I like her SP more, but definitely also chek out the Sendai baby Mone if you haven't

I've seen Amber's FS, the only clean 3A of the evening. I really hope she can one day pull off a completely clean free one day

Young had an epic performance in the SP, that StSq is just cheff's kiss. I didn't catch her FS but uhhh I also don't really want to hurt myself so I won't even try to look for it

Chaeyeon sadly has a Benoit abomination for her FS, her SP is also by Benoit but she sells it so well. I say this about her FS because quite frankly it's the FS that got her the medal.

PAIRS:

Deanna and Maxime. That's it that's what you need to know about pairs. She is a superstar, they did an Interview With the Vampire free with stunning costumes. Their SP was a firecracker! Deanna is the oldest woman ever to win the gold in figure skating, and she should be THE inspiration to all little girls trying out the sport thinking that it's just a few years of fame. You can be 40 and winning gold in your home city!

Riku and Ryuichi did so well considering they are coming back from an injury and they brought back Woman (2020-21 and 2021-22 FS). Silver was very much very well deserved

I think the only other team I remember leaving an insane impression on me were Hocke/Kunkel in the SP, absolutely fucking robbed.

Pairs was overall the best disciplinne and you should watch it, I didn't have time to see any free skates except for SD/D and M/K so that's about what I can say about the event

ICE DANCE:

Head in hands, this used to be a disciplinne where you go to therapy (skating skills) after the horrors (jump fests)

Chock/Bates won which is a fucking joke because the only thing they have going for them is the fact that Madison is hot and that can be a distraction once or twice, but not at every fucking competition and not at worlds. When will they retire?

Piper and Paul were stunning, their programs are always either a hit or a miss no inbetween and this season they are a HIT! Especially the Wuthering Heights FD you should see it! They won the free, but Skate Canada forgot to homecook in the RD so they got silver overall

Charlene and Marco have the campiest RD this season but it works!!! The only superheros I am willing to watch on my screen, marvel wishes it's characters had what these two do. Their FD is also really nice. LOVED Barb's interview where she said Madison and Evan are slow af lol, but rip she was so confident about G/F placing above G/P and then bam bronze

LALA THE TRUE WORLD CHAMPIONS! Absolutely stunning and fun RD to Thriller with Zachary actually being the main character. It's also my mom's favourite ice dance program of the season overall! And then you have a complete change of emotion and tone in their Roses FD which is just soft and elegant and she is literally dressed in flower petals. They showed so much variety and growth this season. It's a program made to be adored, and their skating offers so much quality. RD is passionate and mindblowing, FD is enchanting seamless. If ice dance was a real sport they would be the world champions!

Christina Carreira and Anthony Ponomarenko in strong contention for my fave RD this season. I am probably a bit biased becasue it's Stevie Nicks. They had an amazing glo up this season imo. Their FD offers a lot of intense character projections: obsession, possessiveness. Choreo is intricate, it's a very tasteful program. Someone on here said we should have more programs about murder after their performance and I couldn't agree more. ALSO Scott and Madison in the K&C!!!!!!

You can barely guess that Lim/Quan are a first season senior couple. They managed to make me watch Let's Go Crazy without sighing about how much I miss Yuzuru. Insanely hot in that program. Their Umbrellas are also in my top 3 free dances this season. Amazing performances at their first senior worlds

Ok I'm only gonna mention absolute delight and theatrics that Pirihara bring on the ice. Such a unique Chicago presentation! I can't wait to see what they plan to do next season.

#lmao i have more ice dancers to comment on but this is too long #also i started answering this and then forgot about it rip #figure skating #worlds 2024

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mahou-furbies · 4 months

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Closing thoughts on Petite Princess Yucie

This turned out to be an incredibly solid show after a slow start. Kudos to everyone who voted for this to be the next anime I'd watch!

The story is about five girls who compete for a wish-granting magical tiara. The early series is pretty typical kid show fare, with episodic antics where the girls do different part time jobs and learn a lesson and gather magical feel good energy by the end of the episode. But with fun characters who have interesting enough dynamics it wasn't really an issue.

I liked all of the main girls (the bombastic demon princess Glenda was my fave) and they had great designs, and it's also nice how they didn't just go for the most obvious tropes for their respective fantasy races. Like the fairy princess wears a simple crop top and shorts, uses ore and spends a lot of time being cold and rude towards the other girls. Overall I liked how there was some edge in the group dynamics so everyone wasn't just 100% friendly with everyone all the time. It was also nice how they had unique relationships among each other and not just with the main character.

Did not care for Yucie's romance with the prince with Yagami Taichi hair and Snufkincore outfit, his "playful" teasing just made him look like a jerk in my eyes. However there was a minor princess & knight flashback romance in one episode and I eat those up.

The episodic "let's gather magical energy and grow as people in order to become worthy of the tiara" stuff was fine enough, but when the show finally properly found its plot towards the end it turned really good. The true nature of the tiara and what the competition around it actually means in the first place made for a compelling mystery, and they got some really good drama out of the fact that only one of the five girls can be the winner. And in the end of course the power of friendship wins (sorry if that's a spoiler but it should be really obvious if you're old enough to be on this website).

I didn't agree with the message of every episode and the "the girls are actually 17 but look like 10" thing never stopped being kind of weird (but at least it was used as a serious plot element), but in general I can certainly recommend this show if you like the magical girl genre for the optimistic "girls use magic and grow stronger together" aspect. Shame there's not a lot of content on it on tumblr! I suppose I must be the change I want to see then.

#Petite Princess Yucie #puchi*pri yucie #puchi pri yucie #review I guess

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monkey-network · 4 months

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Good Stuff: Best Movies of 2023

This was NOT a great year for blockbusters, huh? This was probably Disney's worst in years, multiple flops including what was meant to be their centennial anniversary film. It looked remarkably by the numbers, but think of the conglomerate's losses... Anyway, this to me was a pretty great year for films. Like 2022, I'm amazed at the variety we got that says more about the shifting tides of people's interest in movies. It was the most times I've been to the theater. We got a big worker's strike over the summer, especially large push back against degenerates trying to push AI to do more than just shitposting. And it was enough for me to know Adam Sandler, Godzilla, and Hayao Miyazaki could get the better of Disney. With this said, let this be a first for Good Stuff and count down my favorites of this year.

12. Renfield

My suspicions were on the money and I'm glad I gave this a shot in the theaters. Cage was the best Dracula I could've asked for in what you might say was an Adult Swim-esque dark comedy. It definitely has that style of gruesomeness and humor given Robert Kirkman and the Writer/Director behind Moral Orel made this. Unfortunately, Ben Schwartz stuck out like a sore thumb even if he fulfills his purpose in this, reminding me of Christopher Mintz-Plasse in KickAss; I feel he or Jason Schwartzman would've been better suited. Plus it can feel all over the place, an identity crisis that you can't even grasp after it finishes. Then again, I just had fun watching and would gladly rewatch for Cage and Hoult who are the highlights of this.

11. Migration

Call it blasphemous, but I enjoyed this more than the Mario movie. It's essentially Rio mixed with National Lampoon's Vacation, with a lovable cast, solid animation, and an eazy breezy road trip story. I've always looked to Illumination for simple enjoyable romps and I got what I expected here. Gave me Amphibia vibes in a way, replace frogs with birds. Everything surrounding the villain is my only real issue, he was an obvious and very nothing bad guy, but it's overall better paced than Super Mario Bros where it felt like you watched an eternity in 3 minutes. Still don't get the air of folk looking down on this for just being serviceable when it's honestly become my favorite Illumination movie next to the first Despicable Me.

10. Killers of the Flower Moon

Sad to say this is the weakest Scorsese movie for me, mainly because it felt like we're following the wrong main character. Lily Gladstone is incredible in this, among the other great performers, but she felt sidelined in favor of DeCaprio and De Niro's perspectives. It's like if in 1995's Casino, we just follow Ginger throughout the moment Sam introduces her. I liked the turmoil Leo's character goes through, but it paled in comparison to Mollie who was more affected by his and Hale's actions. That does not mean it's all bad. This can be a beautiful, dynamic, and ruthless movie that just made me feel bad for watching it; running with the words "harsh reality" throughout the 3 and a half hour runtime.

9. Good Burger 2

I watched Good Burger 1 & 2 this Thanksgiving weekend, and just had a blast. These are the kind of movies that are charmingly stupid but not insultingly so. Kel Mitchell's Ed is emblematic of how much dumb fun this duology is where he's actively comical but not smoothbrained to ruin your time. This I say is like Home Alone 2 where it is just beat for beat the 1st movie with minor developments but that doesn't really matter when it's just as well put together. It never feels like Kenan nor Kel missed a beat and the drama not overstaying its welcome. It is just "Good Burger Again" without it feeling like diminishing returns compared to other rehashing sequels.

8. Leo

Can you believe this got better publicity than Disney's Wish? Even YMS could appreciate this movie, that's how you know Sandler has his recognizable game when you least expect it. But Leo is a surprisingly good comedy that has actually sincere moments. Being Happy Madison's 2nd ever animation, it's like Adam waited to refine the production as opposed to putting a cash grab together like one would expect. It's not all good, especially trying to be a musical, but seeing it once you'd be impressed how much good it does with the risks it takes.

7. Nimona

Like Migration, everything surrounding the villain is the one big issue I have with this, especially when it comes to affecting the film's message. At the same time, she pales in comparison to the dynamic pairing of Ballister Blackheart and the titular shapeshifter. Nimona is my favorite character of 2023, her energy and confidence matched by the struggle she bears existing alone and the facade made to band-aid it. Her and Ballister's journey alone made me glad this got out of development hell, being Blue Sky's final production posthumous. To me it wasn't about being a take that to Disney, it was about the fact a movie like Nimona got to exist as great as it did. Hoping Stevenson is satisfied with their adaptation, because it definitely earned its flowers.

6. Emesis Blue

Offhand, it openly sucks that Letterboxd refuses to let this stay on the site to log, but it can't be overstated how much of a marvel this was. Repurposing not just the characters, but the lore and mechanics of Team Fortress 2 into a feature length horror thriller. The animation's top notch where it can have godly framing that was on par with the known legends of horror film making. SFM animations can be beautiful on their own, shitpost or otherwise, but Emesis Blue goes a step beyond by having a compelling story fitting for the universe on top of, again, every frame being a painting.

5. Shin Kamen Rider

I've never really saw any Tokusatsu shows. Not that I hate the genre, just could never get into it while recognizing the glorious looking chaos found in clips. Knowing Hideaki Anno directed was what got me into seeing this film and it opened my mind quite a bit. This was the legacy film that definitely had Anno's touch in both the action and drama. While the climax can notably drag, you never feel left out of what was essentially the original Kamen Rider's origin story. It doesn't have the complex VFX of stuff like Marvel, but the costumes and fight scenes makes me wish we got more of this in America beyond Power Rangers.

4. TMNT Mutant Mayhem

Advertising before release really didn't make this appear like a promising film. If there's anything I learned from this year though, appearances can be deceiving. Like Nimona was for her movie, the creative choices for this made it the TMNT movie I never knew I wanted. To me this felt akin to the Lego Batman movie where it's not only a good love letter of the franchise for more than its fanservice, but this spin on the characters is able to have a new sincere view of them without overhauling everything about the TMNT. That and it has the greatest needle drops I've had in a long while like how do insert He-Man Fabulous Secret Powers and expect me to hate this?

3. Godzilla Minus One

I call this a great year for films because it marks the first time I got to see a Toho produced Godzilla, with subtitles, in an real movie theater. Needless to say, it felt like I got to enjoy the 1954 film again anew. Not a remake mind you, but the parallels were uncanny and this spins here work just as well, if not more here than with the original in a couple places. Both are still strong movies nonetheless. Minus One is a refurbish that dishes out what people always wanted and uniquely giving a little more while never sacrificing why the OG is that timeless. With it getting more than a limited release, I'm glad this got to be more than a niche celebration of the kaijuu king.

2. Oppenheimer

This film's been meme'd to heaven, hell you could say it got meme'd to success thanks to its dual release with Barbie, but it didn't undermine getting hooked to watching this anyways. This really has become my favorite Nolan film, a compelling biopic that doesn't exactly herald its titular lead in the best light thanks to the paradoxical storytelling. Oppenheimer gives us the largest ensemble I know, and delivers in the most breathtaking moments I never knew I could get. Cillian killed it among the many who made the three hours of people sitting and talking in rooms actually tense and intriguing to thread. Plus it gave us the beauty of Josh Peck being the guy to detonate the test bomb like cherry on top of this cinematic cake.

1. The Holdovers

I remember watching Alexander Payne's Sideways with Paul Giamatti as a high schooler but couldn't appreciate it until rewatching this year. It's one of the best mid-life crisis comedies you could see, still fresh in its easy going presentation and music. The same can be said for this film, made to feel like it came from the late 70s or 80s with the old opening logos that I didn't think you could do in these times. Out the gate, this was the holiday story I was shocked would be as relatable as it was, with the trio of Giamatti, Randolph, and Sessa each having their story that resonated with me strongly. With the right amount of time, Payne offers an remarkably cozy, down to earth movie where from reserved to outgoing, it did a lot for me emotionally. Like Netflix's Klaus, I kinda want this to be a traditional rewatch for the holiday seasons. One that everyone should try at least once, especially if they feel the disillusionment of the season where this might lift their spirits one way or another.

If there's anything to learn from this year, it's that the meta has definitely shifted. Even when the many on my list didn't make billions like the Avatar films, the variety and risks made spoke more than the big dogs like Disney and WB putting out unprofitable blockbusters that ranged from very by the numbers to you don't need to see The Flash to know how god awful it just was. More people are & should branch out beyond the major mainstream names. Not that the big dogs aren't ever gonna make great films in the coming years, but we should appreciate more than the big budget features you can tell are playing it safe. Time can be patient for great cinema, sleeper hits or not, so take advantage while you're young.

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dangerously-human · 3 months

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You are making me wanna watch Stargate Atlantis 👀😂

Yesss, do it!! Oh, my friend, I think it will be very up your alley, if you're even sort of into sci-fi. It's very high drama but in a good way, and it does so many of the classic sci-fi tropes and storylines well. The characters have my whole heart, still, even all these years later. It's pretty good at bringing back old conflicts and characters you haven't heard from in a while for expanded development, too. While the writers definitely made some decisions I'm still ready to fist-fight someone over, overall I think it was really well done and there's a reason I've loved it for a solid half my life. 💙

#personal #stargate atlantis #stargate

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gizkasparadise · 4 months

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2023 wrapped: kdrama edition!

taking a page from @dangermousie, here's a list of all the kdramas ive watched this year, in order from least liked to most liked! because i dont have a spotify wrap-up to share :'D

cdrama one here!

and i'll do a webtoon one too /o/

overall i didnt watch too many kdramas this year, and finished less. kind of a "meh" kdrama year for me overall (with 1-2 exceptions). with that in mind, full disclosure that i didnt love a ton of what i watched this year in kdramaland:

we barely knew ye: ones i dropped only a few eps in

sweet home 2. dropped after ep 2. direction it went in is v much not my thing, my fave surviving characters were either killed off or put on the bench, and im not that motivated to see what happens next. might jump back into the franchise if word-of-mouth on s3 is good, we'll see

moon in the day. first ep was actually great and i enjoyed it a lot!! but im not doing cancer storylines rn so that killed momentum. may try this one again later

king the land. watched the first ep. simply did not vibe.

death's game. ditto ^

black knight. i LOVE a good dystopian scifi. this was not that. i was really bored after the first ep and didnt bother with the rest

my dearest. i watched the first ep and liked it, but just wasnt in the mood/wasn't immediately hooked. i'm going to give this one another try when i hit the Angsty Sageuk craving again

dramas i watched at least half of

6. twinkling watermelon.

it's pretty wild to put what i believe is the current #1 show on mydramalist as my bottom pick for the year, especially since it's written by my favorite screenwriter, but here we are. this one is far from objectively the worst drama but it's here because it made me the most mad!! the female lead and second male leads were both off-putting and selfish to me, and the whole drama i was actively rooting for ryeoun's earnest and endearing male lead and shin eun soo's underwritten second female lead to escape and have mother/son adventures on their own away from the rest of everyone else

5. arthdal chronicles: sword of aramun.

sigh. i was a big believer/supporter of this season, even with all of the recasts. but despite a few moments of brilliance, it was overall a slog to watch and just kind of joyless. too much time spent on the ago tribe, too many nonsensical victories and deus ex machina coincidences, and the bag was very much fumbled with some of the characters (particularly saya, who was to me the most interesting character in s1 and you KNOW ljk could have rocked that ruthlessness). positive standouts were kim ok bin flawlessly scene-chewing as taealha and lee joon ki working what he was dealt

4. worst of evil.

adored this drama for the first 2/3rds! it was gritty, neo-noir that reminded me a lot of the old school hong kong crime films like infernal affairs. lots of style, great acting, messy and flawed characters. but the last arc/ending was a boring dud for me. still very much enjoyed the ride up to that point though!

3. perfect marriage revenge.

so! much!! fun!!! just. full commitment to making a show as gloriously makjang/soap operay as it could get and it was a blast watching because of it. made on pocket lint for a budget but it rocked what it had and a special shoutout to lee min young's absolutely fantastically camp evil stepmother. the excitement died down a little toward the end, but still a good time overall

2. the glory, part 2.

a satisfying ending to a really excellent first half. love that the female lead just got to execute revenge and there was no moral or sanctimonious hangups about it. enjoyed the way the ending was set up as "the adventure continues," and all in all this was a really solid and enjoyable dark drama! only thing that was kind of a bummer is that the time split between airing the first and second halves killed the momentum a little, but that's entirely netflix fuckery and not the fault of the show

moving

hands-down the best kdrama i watched this year, and possibly my favorite kdrama ever. i didnt plan to watch this one because im sick of superhero everything, but the cast got me wanting to at least try it and omg im glad i did. great acting from literally everyone, wild action scenes, and just beautiful characters and dynamics across every level. the family narratives are so, so good and the whole show is expertly grounded in the concept of planting seeds so your children can see flowers. please give this one a try if you're on the fence about it!

2023 kdramas that i plan to watch (but didnt get to yet!)

my lovely liar

a good day to be a dog

my perfect stranger

revenant

mask girl

bloodhounds

my demon

AWARDS

Favorite ship: juwon and jihee from moving absolutely destroyed me in the like 3 eps they were in, so they win this one. he's a gangster who gets the shit kicked out of him for a living and loves stories with happy endings. she's a weary but always brave sex worker (coded, but still) who decides to trust a lonely man crying in the street. i never thought a motion-sensor light could wreck me the way theirs did. "you have worth to me, and i have worth to you."

Favorite FL: song hye kyo's dong eun in the glory just barely edges out han hyo joo's mihyun in moving. song hye kyo needs to play, like, all the villains and anti-heroes ASAP because that's been the most fun ive had watching her. she took on a dark character and rocked it

Favorite ML: juwon from moving, definitely. to quote my older post:

Moving really said hi this is Juwon. he has scars from gunshots all down his arm. he opened a chicken restaurant. he’s a gangster. he loves pro wrestling because the good guys win. he tried to rip out his own galbladder to prove a point. he’s a proud girl dad. he is unkillable. he stands in the street and cries.

Favorite 2FL: lee min young's incredible, over the top, villainous camp queen lee jung hye from perfect marriage revenge was just so much fun to watch and she ate every single scene she was in. 10/10 would watch her throw lawn chairs in a ballgown all day

Favorite 2ML: i would die for bongseok from moving. precious sunshine child who deserves only the best

Best Cast: im a broken record, but moving. so many characters with such great depth given to them and this was truly an ensemble show A+++

Best WTF: yura eating her paternity results in perfect marriage revenge!!

#kdrama #gizka 2023 wrapped

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good-beanswrites · 5 months

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Hello 🎬👋!! Haha, I’m glad you enjoyed the thoughts, I loved these so much! Thank you!

LMAO I think a few of them would have real good taste in song titles, but others… not so much 😅 I actually think Yuno would have some pretty solid ideas. Though Haruka has some nice thoughts too, I heard both his titles are specific plays on words that I don’t think he’d come up with himself…

Omg yes! The prisoners would have such a good time planning mv outfits! I can definitely see it being bittersweet for Fuuta – exasperated by, but also homesick because, they all remind him so much of his sister ;-; Mahiru is devastated she's not getting a new outfit for I Love You and so she enjoys styling vicariously through helping the others. Shidou’s outfit was even more painfully Dad before the group helped tone it down. Before the mv color scheme was decided, they cycle through a few different colored marching band uniforms for Amane. Muu doesn’t quite understand the flower dress, but the team promises her it will all come together to look great.

>:O The birthday art can be au canon!! The previously mentioned fashion crew makes everyone dress up like their cake, and designer Mikoto photoshops them into a pic of it aww. Even after watching the t1 videos, it would be the nicest they've seen everyone get dressed up. They're shocked seeing the boys clean up so nicely in their suits, and the girls are just shining in their fancy dresses and heels. And maybe Es’ “birthday” pic was a pre-experiment candid shot of them chillin with the bunny off set :’)

On a slightly darker note, I wonder if those pv shots of the restraints are canon too. Milgram had a few ideas for worst-case restraints and took a few shots for reference during an early fitting…

ADFGGH rip Haruka 😂😂😂 I love the idea of a whole group of them sneaking around looking for tasty goo and fun props, and instead stumbling upon The Mannequin Room. And waait I'm so emotional over Kazui loosening up and having a bit of fun with his tricks :’D With all the themes about certain characters growing up faster than they should, it would be so lovely to see them giggling and messing around in a blooper reel! I’m imagining someone trying to twirl Amane’s baton as well as her and epically failing at it.

Yeah, I have a lot of different predictions for Amane’s t3 changes – but no matter what happens, she starts accepting help just a little bit more behind the scenes >:) It’ll still take her a really long time to break away from the cult’s beliefs (no one in the cast/team really knows proper cult deprogramming strategies at this point, but they start looking into it as soon as the experiments ends.) Still, she finds a balance of keeping most of her religion and also realizing that the others genuinely care for her.

And oooh I really like that 👀 I always pictured the prisoner Es hints to be leading toward them being a prisoner in the future (accused of executing prisoners), but that would add so much more drama if it relates to a past imprisonment. The ten would make a perfect heist team, hacking the system, snooping around, and charming facility members in order to find paperwork detailing past experiments featuring Es. And Kotoko would certainly be leading the investigation – I love how closely she’s monitoring everything, it would fit so well if she were the one to see the truth first. Between the realization that Milgram hasn’t been fully honest, and the threat that Es may be there for even longer, the jailbreak would erupt much quicker than the current timeline. Although the au is nicer overall, I really like keeping Milgram a pretty shady organization hehe

#milgram #omg these are all awesome!#now im imagining a stereotypical blooper reel and crying :')#i love that official art of es -- its so sweet ough #i have so many amane thoughts.... itll be really interesting to see what happens #(and then immediately sitting down to try and fix it without stepping on canons toes LOL)#thank you for sending!! this had my brain buzzing with possible endings 🤔#i wrote the last chapter of the fic knowing it may need little adjustments once the final things air #but it was fun to think about things turning out drastically different #im glad people were entertained by the song titles -- i had a ton of fun with them asdfasd #lights camera sing your sins #ask

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geekyhistoriansunite · 2 months

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Man Suang is a pretty good and solid movie!

Ok, putting out there. I got involved in Thai drama due to Kinnporsche the Series, no I have no shame about it. It was fun, it had good looking dudes, and even though it initially seemed over the top in acting effort, the actors started to flow into their characters better and it was a fun show. Kinnporsche had amazing behind the sceens stuff that actually got me interested in the actors, especially Apo and Mile, who are freaking cute together. But all good things must end and so did the series.

But then there was a ray of hope! A glorious teaser was released.

youtube

Please note: Absolutely none of this teaser was in the movie, which I find both exasperating because I love every bit of it and the music, but also hilarious, because they caught your attention.

Please note pt. : All the BL lovers from Kinnporsche were salivating hard and if they said they weren't they're lying liars who lie.

So attention was given. And it took a long while, but then they released on official trailer at the Cannes Film Festival! Oh shnap, we got some extreme legitimacy here. This was not going to be cheap film, this was going to be quality. And all the BL lovers are still crying in anticipation at seeing their boys back together again.

youtube

Please note pt. 3: We still have NO idea what this movie is about. Just have the visual, which are gorgeous and a couple written lines teasing, but still no actual plotline. That's ok, the interest is still strong.

And one thing Be On Cloud does VERY well, is know how to advertise and keep people's interests. And it finally releases almost a year later. And lots of people cry. Not because it's a bad movie, but because there's no blatant BL storyline. There are hints, teases, looks, but that is not the main storyline. People are crying online, they've been deceived, there's no BL!

Please note pt. 4 (I'm having way to many please notes): Be On Cloud NEVER said it was BL. It was inferred since both Apo and Mile were pared in a movie together and the fact that Bo On Cloud only had the one series with mega BL plotlines.

The only reviews I could read (In English, which is all I read. I know, I should try other languages but I legit have tried 4 languages and I just can't) mostly complained about the lack of BL storyline and that it was slow at times. No synopsis, no breakdowns. Full stop. I was sad. I kept checking on my tried and true Tumblr, which normally doesn't disappoint, but nada, bupkis. I was sad. Again. There was no release date I could find with English subtitles. Again, sadness ensued.

But finally, glory be, it was announced that Man Suang release on Netflix. Today. Yay! And after work I sat and watch it all, and here is my review...finally.

Man Suang is actually a pretty good movie. Most of my knowledge of Thai culture comes from BL shows, which helped a little but I did have to pause occasionally to look something up (the betal nuts for example) and I'm sure I missed a lot of things, but I got a pretty good understanding of everything. The pacing was a bit different from movies in the US, and that could be jarring, but I got used to it. Overall it was a good movie. I'd watch it again (which is a big deal for me, I watch once and then remind myself with fanfiction).

Thoughts (spoilers below):

Everyone was in a fucked up position. Except, Tiang, fuck him.

Khem: Sweetheart, just trying to take care of his friend. The finale probably fucked him up a bit. I like to consider Chatra comes back and gives him some comfort.

Please note (Please don't ask me what number this is): There's now going to be a BL series called Shine which is going to follow their relationship. See? Just had to be patient.

Chatra: Yeah, I'd be concerned if my father was a traitor and my whole family was going to pay for it. (On a side note: What is the Thai repercussions for that? Ancient China had death of the whole family for so many generations, but I'm not sure what they are in Siam.)

Wan: Baby...honey...that was fucked up. I get where you were coming from with your severe PTSD but trying to blow everyone up is not the answer. But I do hate that he felt betrayed by Khem.

Hong: Look at my sheltered little man turn into a Bossman! I see good things in his future.

All the aunties and women in the show: Couldn't have done it without you and I love seeing all of you. Especially auntie who put the mean boss in his place while trying to feed the two newcomers. (Boss: Don't flirt with my woman! Auntie: I flirt with who I want to, go sit in the corner until you're repentant! Boss: Yes, ma'am).

And finally: Absolutely gorgeous set design and costumes. Like, super wow. Loved it all! It was interesting to see the crossover of Thai and western design, like Chatra's suit and cravat top/traditional pants combo at the end. Jarring, but I imagine that time period was jarring with all the different influences happening as well. Much like the differences in hairstyles which helped you identify Chinese descent from Thai descent (using the Queue hairstyle instead of fully or partially grown out hair).

Overall, solid job on Man Suang, I recommend it to anyone who is interested in new cultures, pretty people, and just an interesting storyline.

#man suang #man suang review #for what one person's opinion is worth #Youtube #mansuang

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minijenn · 4 months

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Jen Tortures Herself With Every Dreamworks Animated Movie Ever: Rise of the Guardians

So I vaguely remember watching this movie at a Walmart once while I was waiting on my car to get fixed. Fuck all if I remember anything about it though other than that people ship the ice twink with Elsa or whatever. So I kind of went into this one for my first active watching of it with bare expectations. How did I end up finding it then?

The Guardians are a group of mythical beings composed of North (Santa Claus), the Easter Bunny, the Tooth Fairy, the Sandman, and their newest recruit, Jack Frost. Together, they protect the children of the world from the villainous Pitch Black (the Boogeyman) from spreading fear across the entire world. A pretty solid setup with some good payoff, but... there are problems.

I think my biggest issue with Rise of the Guardians is... well, its ambitious. A bit too ambitious for its own good at times. It has so much it wants to establish with these characters and how their roles and powers work that it sometimes bogs itself down with all of the details and... overcomplicates things a bit too much? Like on its own, we all are familiar with the concept of Santa or the Easter Bunny, and I do appreciate how creative this movie is with executing them and the work that they do. But sometimes, it just... gets in its own way? If that makes any sense?

So a simple premise that bogs itself down in the details. Ok, what else is there about this movie to redeem it? Lots, surprisingly! The Guardians are all really fun characters in their own right, and I loved the dynamic developed between them. Jack Frost is our focal point out of all of them, and I really liked him! He's an angsty little ice twink who can't been seen by almost anyone because no one believes him, so he has plenty of baggage for compelling drama. My one issue with him though is that I don't think Chris Pine's voice works for his character design? Like I look at that character and I do not think the voice of a man cresting his mid 40s. Its just a touch weird in terms of casting.

The other Guardians are also really fun and unique takes on characters we all already know. North is a delightfully different take on Santa, still just as jolly as we know him to be, with a slick action-hero element of him to the side. The Tooth Fairy has a very sweet, fast-paced energy to her, while the Easter Bunny brings a great edge of sass to compete with Jack throughout the film. The Sandman, while not saying a word, is probably my favorite of the bunch though. He's just so charming and sweet and while he isn't in much of the movie, he makes such a strong impact every second he's on screen.

Of course, we also have our villain, Pitch Black. He's sinister and manipulative, if not a bit... predictable? Like we've all seen this kind of villain before, he isn't doing anything new, but he works well as a foil for this team, especially for Jack and I think he's an ok antagonist overall.

Visually, this movie is beautiful, so unlike almost anything Dreamworks has ever made before, with gorgeous effects and fantastically animated action sequences. The character designs are so... un-Dreamworks, but they work so nicely in the world they inhabit. That world itself is beautifully built, especially in its more fantastical setpieces like the Tooth Palace or the North Pole. The score was also lovely to listen to, capturing the sheer creativity of this movie so nicely.

At the end of the day, I think that's the perfect word to describe Rise of the Guardians. It's very creative, with a lot of love and thought clearly poured into it. It really is a shame that it didn't go anywhere further into a series or more sequels because I would have loved to see more of this team and watch them just... be together. They're that fun to watch in action. Same for the movie itself. It's good!

Overall Rating: 8/10

Verdict: All hail the Ice Twink

Previous Review (Madagascar 3: Europe's Most Wanted)

Next Review (The Croods)

#jen watches #dreamworks watch #rise of the guardians #dreamworks #jen tortures herself with every dreamworks animated movie ever

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