the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
10K notes
·
View notes
Assassin Heir? Crime Fighting Furry? NOPE NO THANK YOU!
"Danyal, its time to end this game and return with me."
Danny should had known Clockwork had something in mind when he sent him on this mission. He knew he should had been suspicious of the time keeper when he noticed the little 'this is going to be fun' smile on his face when he sent Danny off into the portal.
"Get back here you demon spawn 2.0!"
But how was he supposed to know that he'd wake up in this world version of himself in a pit full of corrupted (AND NASTY) ectoplasim at the tender age of five or that when he swam up to the surface he'd be meeting face to face with what was apparently a cult.
"-O just spotted him a block away! I'll try to cut itty bitty bridie off!"
An Assassins Cult his, new to him, loving yet a little insane mother was in charge of (though during the few months he stayed in the compound he heard rumors and gossip from maids and others alike that if his grandfather returned from the dead he'll take over once again, no doubt punish Talia for creating another heir after the failure of the last one, most likely was going to kill Danny and that... that was can of worms Danny didn't wanna deal with yet)
"Ten bucks says they try to stab RR when we get the feral thing home"
"...Losers bet...."
Danny had lived with his mother for a while after being brought back from the 'dead' for apparently the first time, it turned out training a five year old with an actual sword and a dumbass hidden revenge seeking teacher was a terrible idea.
"I swear if this one tries to murder me like the others I'm asking Zatanna if there is a curse on me."
He dealt with her high demands of perfection, the endless training, and the constant comparisons to his apparent older brother Damain... Who didn't know Danny, or rather Danyal existed.
Nor did his father (when Danny, using his powers he's kept hidden since 'waking' up in this Realm, he sneaked his way around the base and discovered how he came into the world. And tbh he couldn't blame his mom how she made him, she was an assassin first and foremost, being naturally pregnant would had painted a target on her for to long... but he also felt it was unfair and an asshole move on his unsuspecting father as well)
"As your elder brother I demand you to stop running!"
Now don't get him wrong, he did like his new mother (total badass assassin lady and all that) and he knew she loved him in her own... deadly way. But yeah, she really shouldn't be taking care of kids. He could tell she struggled with wanting to be a normal mother but her first instinct after so many years was to be an assassin first.
Something she was trying to engrave into Danny with as well.
"Ah, hello Beloved. I see you've learned of our Danyal."
"Talia. Back away from him and leave Gotham now."
"I can not do that. The League needs an heir and since Damian refuses to return... I have decided to create a new one and I shall not be leaving until he returns with me."
"Talia."
Hence why when Danny, or rather Danyal al Ghul had gotten decent control over his powers he decided to leave the League. Again nothing wrong with the life his mom leads, to each their own, but he... really, really didnt want to be an assassin. Or an assassin heir.
So here he was, after almost a year on the run, using his powers and training to out smart and out maneuver his mother and her many band of Assassins, in Gotham. One of the last places he ever wanted to run to cause he knew his father and brother lived here.
It was just his luck that his mother had managed to intercept his train ride that passed into Gotham for a few hours and forced him to run into the city...
Add her assassins into the mix and running into Robin, who heard from Oracle his mother had been spotted chasing a young boy across the city, that same night.
After that it became a full on "catch me if you can" chase for not only his mother but for the batclan as well.
And after two whole days of chase, it seemed like the final showdown was about to begin because everyone was on top of this rooftop, his mother and her assassins on one side, his father and the batclan on the other and Danny well... he was right in the middle of all of it.
He just had to hope no one would notice him once the fighting started...
8K notes
·
View notes
On Saturday, in New York, a group of friends pulled into a strangers driveway to turn their car around. The homeowner came outside, shot at them, and killed one of the 20 year old women in the car.
Last Thursday, in Kansas City, a 16 year old boy ended up at the wrong address by mistake trying to pick up his younger siblings. He rang the doorbell. The homeowner shot him in the head. He is, miraculously, alive and recovering.
Yesterday, in Texas, a group of high school cheerleaders stopped at a grocery store on their way home. One of them opened the door to the wrong car by mistake, realized her mistake, and quickly retreated and found her friends car nearby. The man in the car followed her and shot at the group. 2 were shot. One remains hospitalized.
In less than a week- 3 people, doing normal, nonmalicious, nonthreatening, everyday things. Turning around in a driveway, ringing the wrong doorbell, going up to the wrong car by mistake. And with no escalation, no warning, it turns to gun fire.
It's a terrible intersection of easy access to firearms and an entitlement to use violence against others. All 3 of these recent incidents were so unprovoked and unjustifiable, and the core thread remains the same.
A man who felt entitled to use violence and had the means to do so with a firearm.
I don't even know what to say.
9K notes
·
View notes
Being in the Pennyworth fandom will have you googling shit like "How to fortify an umbrella against acid rain" to try and give a smidge of credibility to the storyline you're plotting.
Meanwhile, the official writers are just giving interviews like, "Yeah, the mad cultists who got turned into super weapons by a drug activated by a popular song sung by Alfred Pennyworth's pop star girlfriend survived the nuclear bomb that got dropped on London, so now there are these irradiated mutant cultists cannibals roaming the streets of London who go ballistic for 70s pop ballads. What do you mean, 'how did we plan to resolve that?'"
773 notes
·
View notes