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#there's a lot of potential in this dynamic
cemeterything · 2 days
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PLEASE elaborate on “davidelizabeth in alien covenant if i wrote it” they squandered her potential so bad !
okay so first all i have already talked about how i feel that covenant should have built on the sticky psychosexual gothic horror tension between david and shaw and developed it into a toxic codependent dynamic (that predictably ends poorly due to their fundamentally opposing ideological stances as well as one-sided obsession on david's side), so i'm going to attach that rather than rehash it.
but honestly if i'd written covenant i would have had elizabeth survive david long enough to establish herself on the engineer planet in hiding from him (following a "breakup" caused by his act of genocide), and have the arrival of the colonists in covenant be the catalyst that forces them to confront each other again and finish what they started. i'm not entirely certain of the specifics, but i think there's a lot you could do with the central themes of alien as a cosmic/existential horror (a story about horrifying revelations, terrible change and progress/evolution that is unrecognisable as anything but nightmarish to the human minds bearing witness), a body horror narrative focused on sexual assault, pregnancy and childbirth/parenthood, and an examination of extraterrestrial horror as this colonial mindset - the fear of being violently replaced by something that deems itself better than you and works ruthlessly to eradicate you from your places of safety which it has taken for its own - as well as the more prometheus-specific themes of parental trauma and religion (mostly christianity) by making the core conflict between david and his xenomorphs and elizabeth and humanity, like a sort of fucked up retelling of adam and eve in the garden of eden.
to tie up loose ends, since prometheus and covenant are meant to be prequels to the original alien films, i'd probably have elizabeth succeed in being the final girl (a parallel to ripley in the original franchise) but tragically go into self-imposed exile/die alone in an attempt to prevent the xenomorphs from being stumbled across by future explorers and becoming a threat again, as well as possibly out of some warped sense of guilt, both for having allowed herself to ever love david and believe him capable of change, and for failing to save him ("save" very much in the biblical sense, as in persuade him to share her point of view and abandon his descent down a dark path). needless to say, she doesn't succeed, making her "victory" all the more phyrric.
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loveyourownsmiilee · 3 days
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Like honestly as a Buddie shipper, what the fuck are we supposed to focus on??? What does all of this mean if not Buddie canon???
We get closer than ever this season. There’s a lot of changes in the relationship and how we interact. We’re trying to give the audience what they want.
Well, there’s something brand new for both of us. I can only say that much.
Outside of Christopher, Buck would be the second closest thing that he can have as a relationship.
And then go to Buck and say, 'I trust you with my child, and I see how much you put in for my son; this goes beyond friendship, and I love you to the core. To have that sense of vulnerability is a sense of strength that has been shown.
And the way Eddie navigates that is just kind of a no, that's just who he is. And nothing ruffles my feathers. Even if you break my ankle or maim me, it's fine. That's who he is, and I love him either way. And there's no competition for Eddie.
I don't think that the Buddie fans are wrong.
There is a chemistry there that exists just naturally, so we don't have to try and lean into that or lean away from that. We just let it flow.
Oh, 100%. 100%. I watch certain edits and I think 'Am I Team Buddie?' because there are really talented editors out there. And you know how it is.
Obviously Eddie and Ryan who plays him is obviously an attractive man.
I think with this season 7, we got a lot in store for the audience. You give them what they’ve known and a lot of what they don’t.
There’s a scene in the first episode, where Eddie reveals that he's going — or he mentions a first date, and it in fact ends up being Christopher's first date. And Buck has this moment of "Oh. I thought things were going great with Marisol...' So little moments where I felt like, 'Is there scope to play with Buck?'
They've both become quite embedded in each other's lives. "I think they've kind of bonded and connected on so many levels, whether it be work, their personal lives and then add in that kind of fun dynamic where they clearly do just get on well. I think it's just a nice recipe for a good relationship, however you choose to see it.
There's some really beautiful stuff between him and Eddie and kind of them being open and sharing things with each other that they may have been reluctant to share with—I know how that's going to be taken. But it's true. [They're] there for each other in a very kind of open and nonjudgmental way.
They get to show up for each other in different ways. Moving forward there’s almost like potential for things to come up in a not so great light. But we get to see their friendship persevering, and them being there in ways they didn’t necessarily expect for each other. And I just, it’s a really lovely journey for them this season.
Eddie doesn't really have a sense of direction, so he reaches out for the closest person, and that closest person is Buck.
And Eddie was a mess. I think at that moment, the friendship had a turning point and now has allowed Buck and Eddie to really share as much or whatever they'd want, the scariest things in the world they could share with each other. And we're going to be seeing more of that this season.
As far as [Eddie's] sexuality, I think it's pretty clear that he's tried to fill in this motherly, this wife type role—that's all he knows…"And he's a man [that] first off, he's Catholic. Second off, he's from the military. So those are very straight-edge kind of lifestyles that don't offer too much of exploring. But through the 118, he's had this epiphany each year, like, 'Well, maybe I don't know as much as I thought I did. And maybe I should be exploring a little bit more and maybe I should understand myself a little bit more and even seek a therapist, which is something new for Eddie.
He is actually starting to figure out who he is outside of 'I am an Army man who has a silver badge! ... He's way more than that. He's starting to live in that [feeling] a little bit more, and I think that's freeing to him.
At this point we can’t be reading between the lines or coming to random conclusions when every thing said is so blatantly obvious.
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fadingdaggerr · 3 days
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Hii!! I hope you've had a great day!!
So, I had this idea and I can't stop thinking about it, it's like rotating in my brain like a Rotisserie Chicken. IDK if you're still taking requests but I just had to send this.
Anyway, Melissa and reader are in someone else's house (R parents or idk some kind of sleepover with the teachers) and for some reason they can't sleep together in the same bed/room, like they're used to, which is concerning R because Melissa doesn't really sleep well alone.
But Mel tries to ease R saying she'll be just fine for one night, and very reluctantly R agrees.
Well, it turns out she can't. R and obviously a few others in the house wake up to Melissa's screaming in the middle of the night and R runs to her, shes is sobbing, shaking and clutching R for dearlife, just absolutely terrified and not even letting R move. R calm her down and take care of her, like with a lot of fluff and comfort.
I'm just obsessed with R taking care of Mel and being really sweet.
Yeah that's it. I love your stories, they are really really good. And I could only think of you when this thing came out of my brain.
+ I absolutely loved what you did in "Know I'm Alive", I was kicking my feet and internally screaming. (I sent that anon 👉👈) So thanks, I enjoyed it a lot, like a lot a lot, like, if I could I would eat that it.
You're really talented!! <3
by the sun, by the moon
pairing: melissa schemmenti x gn!reader
summary: request above! | 4.8k
includes: no pronoun use for r, fluff, hurt/comfort, family play fights/sibling banter, r’s family adores mel, probably ooc!mel oops
warnings: unhealthy relationship dynamic (short), attempted violence (short), mentions/insinuations of sex, one outdated traditional value, sleep difficulties/nightmares, anxiety/panic attack
note: please feel free to skip the section that discusses the unhealthy relationship dynamic/violence. it begins after the first section divide with the line “for her entire childhood…” those topics are only explicitly stated there and only referenced one other time. please do not feel as tho you need to read triggering material to understand the story, i tried to make it understandable without having to read potentially distressing content :)
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Melissa’s head tips back when she hears you coming back downstairs, having been waiting for you since your mom called during The Real Housewives time. The way you’re watching your feet with furrowed brows makes her fully turn until she’s kneeling on the couch, leaning over the back to get closer to you.
“Something wrong?” Melissa asks, reaching to grab your hand to pull you closer.
You shake your head, “no, no.” Warm hands rise to cradle the redhead’s face, “how would you feel about spending the night at my parents place Saturday? They’re hosting Jonah’s birthday, wanted our help to set up the night before.”
Her eyes widen, “just Saturday night?”
“Just Saturday,” you reaffirm, tucking a loose hair behind her ear. She cautiously nods, barely moving. “We don’t have to if you’re not comfortable with it, I’m not going to make you.”
“I know, I know,” she says through her breath, “we’ll stay the night.” The kiss you press to her forehead feels heavier than just a silent thank you.
—☽—
For her entire childhood and through her marriage, Melissa slept like a rock. She slept through Kristen Marie’s and Joe’s snoring, her college girlfriend’s sleep talking, her parents having a screaming match so loud the cops got called. Before starting teaching, she even had to train herself to wake up at the sound of her alarm, knowing that being late to the school was ten times worse than being late to JC Penney.
Two years after she finally left Joe, Melissa met Eric.
Tall, charming, nice-smelling Eric with his salt-and-pepper beard always tidy, a covered up Marine tattoo on his forearm. He’d bought her drink after his friend accidentally knocked hers off the counter of the bar, and two hookups later, she was agreeing to a real date. Three months later, she was his girlfriend and allowed him into her apartment. He got to know where the spare key was hidden after a year.
Eric was everything Joe was not. During arguments, Joe would shut down and leave, only returning when he smells like cheap liquor and some other woman’s perfume. Eric always stayed, told her his point of view, listened to hers, calmly told her when she was overreacting. He was smooth, never raised a hand towards her or threw things at the walls. Melissa always knew when she was in the wrong, but he never made her feel bad about it.
Eric was particular. He liked his shirts folded a certain way, beer only from a glass, and silence when he worked. If she was excited about anything, he only ever allowed her to speak about it until he’d lost interest, almost always by the time she paused to take a breath. When he properly introduced her to his friends, his hand on her knee would tighten when she spoke. Quickly, she learned that the tighter the grip, the less she should speak. Four hours at some sports bar and Melissa had only been able to say a total of six sentences. Eric liked Melissa quiet. Melissa became quiet.
He started to prod about meeting her family, and she shut him down. Again and again. The fourth time, he banged his fist against the table, the end of his fork creating a small dent. Green eyes fixated on the dent as he began to calmly explain that he had introduced her to his family, it was her turn. Mumbling those were your buddies got her stuck on her own couch that night, clutching the blanket Nana made her before she started college.
Two months later, she began to slowly bring back Eric’s clothing to his apartment on the off-chance they went there for a night. Grading her student’s assignments began to take longer and she triple-checked the scores to waste more time, suddenly too tired to have sex or even talk before going to sleep. Otherwise, she listened to his rules, spoke when spoken to, cooked when asked.
The morning he narrowly avoided calling her a moron to her face when she made the eggs over-medium instead over-easy, she officially made her choice. That night, at the Italian restaurant he brought her to, she called it off.
“Why?” Eric asked, eyes stone, unwavering from hers.
She took a deep breath, “you treat me like a pet. Speak when spoken to, move when told, I’m sick of it.” Her grip on the table cloth tightened, “tomorrow, I will put your stuff outside. You’ll pick it up when I tell you to, and then you will leave.”
He sits back in his chair, tongue poking at his bottom lip, “and if I don’t want to break up?”
“Too bad,” she shrugs. Standing from the table, Melissa leaves him with the check and the sad excuse of Italian cuisine on the table.
At work the next day, it takes all morning, lunch, and prep to fully debrief Barbara on everything that had been going on. It made sense to the kindergarten teacher why she had yet to meet this Eric fella, but after hearing this, she knew Melissa wasn’t proud of getting herself in this situation. A promise of a wine weekend and greasy food makes Melissa truly smile. Barbara hadn’t realized how fake every little grin had been until now, she missed her best friend.
That afternoon, Melissa came home to the loose brick that hid her spare key ajar. The blood in her veins runs cold. Opening the unlocked door, glass scratches across the wooden floor, crunching under her heels. Every picture frame, the television, the radio, the coffee table, the stovetop, the tea set from her grandfather, all smashed to pieces. Holes were in nearly every wall, the stair railing broken. The entire first floor was destroyed, only upstairs was left pristine, as if nothing had happened at all. Bat in hand, she checks every closet, under her bed, in the bathtub, everywhere. He was gone.
Leaning against the wall, she slides down and sobs. Melissa is forced to make a choice she didn’t want to make. Opening her phone, she calls Joe.
Joe, despite everything he had done, was at Melissa’s house within the hour. In one hand he held a bag from the hardware store, containing new locks and keys, the other hand had his very own bat, nails pounded through the wood. Like he said when they signed the papers, just because he wasn’t in love with her, doesn’t mean he didn’t care.
Three weeks later, after things had settled and locks were changed, Melissa felt more secure. Still every night, she woke at every sound, wind and the smoke detector quickly became her mortal enemies. Bundled in her soft pajamas and thick comforter one night, she finally fell into a hard, deep sleep forced from pure exhaustion.
Paperclips, a screwdriver, and a small sheet of flexible metal are all someone needs to pick a lock and shift the deadbolt. Eric surely knew that, always the smart man, yet never the brightest. Slowly, he moved up the stairs, bourbon fueling his motions as well as his heavy steps.
A particularly loud thunk wakes Melissa, hand flying under her pillow to the bat Joe had made her promise to keep there. Another thump made her jump out of bed and to the side of her dresser with an iron grip around Edith Houghton. When her door opened, she stayed pressed into the corner, hoping she stayed hidden just long enough for him to leave so she could grab her phone.
Liquor breeds stupidity, worsens it when it is already present, and Eric had left to check the bathroom. Quickly, Melissa called the police, shakily texting Joe as she whispered to the operator. At that point, she didn’t care who got there first. She just wanted to be free of him.
She moved to a new apartment before the month even ended. Barbara insisted on cameras, which Gerald installed. Joe insisted on a nailed up bat, which he made himself. Not a night has gone by since then where she didn’t have it within arms reach of the bed.
It took six years for her to sleep again.
—☽—
The light tracing of nonsensical patterns on her abdomen is what wakes Melissa, eyes cracking open to the bright sun peeking through the curtains. She wishes now, more than ever, that she had agreed to the blackout curtains, groaning into her pillow. With the knowledge she’s now awake, several soft kisses press against her shoulder, traveling to her neck. With a sleepy grin on her face, Melissa turns to face you.
“Morning,'' you mumble against her lips, hand traveling up to her hair to separate the knots that you created. “Sleep good?”
The only response you get is a little huff that almost sounds like yeah, her face burying in your neck to hide from the light. You lay there with her, finishing your detangling mission as Melissa’s nails trace up and down your arm. A final, sound kiss lands on the crown of her head before you shuffle out from underneath her, reaching for your previous discarded university shirt and sweatpants. The redhead watches through droopy eyes, scanning over you before your pajamas cover everything she adores.
“Gotta get up, beautiful,” you say through a yawn as you walk out the room, “we need to be leaving for one.” A tiny groan escapes her lips as she rises from the bed, though a small smile crosses her lips when she sees your sweatshirt thrown over the chair in the corner, just waiting for her.
Not even halfway down the stairs, there’s a clatter from the kitchen and a quiet exclamation of fuck. “You’re not even awake and you want me up,” Melissa says as she walks to the coffee maker. She’s met with a small slap on her ass in return, not even caring to be embarrassed of the girlish giggle she lets out.
Whose fault it is that you’re late leaving, who could tell? Between the forgoing packing and wrapping your cousin’s present last night for a taste of Melissa and her lack of pants this morning, it’s hard to say. Nothing that going a gentle twenty over on the highway can’t mend.
Driving up the dirt road, the dense trees thinned and your parent’s yellow house came into view. Your father’s questionably functional truck sits in the front of the garage, your mom and brother’s cars parked close together on the lawn. Seeing the way your hands tighten on the steering wheel, Melissa slides her hand from your elbow to the free hand on your thigh, playing with your rings to calm you. Being at your parents house was always overwhelming, fun, but overwhelming.
Narrowly avoiding scraping the side, you pull in next to your brother’s car. Looking at each other, you and Melissa give each other a nod of we got this. She’d been over here before, she’d been to three family reunions and almost every birthday party, but never had you two stayed the night, always being some of first to leave to sleep in your own bed.
With a little grunt, you hop out of the car and jog to Melissa’s side to open her door. She gives you a half glare when you tap her hand away from helping carry the bags in, you never let her lift a finger, if you can help it.
“Well, look who decided to show up!”
Both you and Melissa jump at your mother’s yell from the porch, bangles clanking together as she widely waves to the both of you. Gravel crunches under her feet as she rushes over to the two of you, immediately pulling Melissa into a hug. Before you were banned from saying it, you used to joke that your parents preferred your girlfriend to their own child. The giant smile on Melissa’s face when she interacts with your family makes it worth it.
Tumbling upstairs, you bring your bags into your childhood bedroom with Melissa close behind. Even with every time she had been here, she loved being in your room. It was a time capsule of your life before college, all the posters of bands and movies still hanging on the walls, trinkets covering every space. She particularly loved the little collection of rocks on your bookshelf, clearly in order from favorite to least favorite.
The bed bobs as you both drop onto the mattress, groaning at the comfort after three hours in the car. You turn your face towards her, leaning to press a kiss to her shoulder, “I love you.”
Melissa leans in closer, “I love you, too.” She watches your eyes flick to her lips, beating you to the chase and pressing her lips to yours softly. It takes every ounce of effort to not moan at your tongue tracing her lip, her hand coming up to grip your shirt and keep you close. Stomping up the stairs makes you both jump apart, feeling like teenagers getting caught, not that the room was helping.
The door opens to show your dad, boots trekking in dirt that will inevitably get him in trouble with your mom. The hand not on the doorknob is over his eyes, “you two better be decent. Ma has lunch ready downstairs and clothing is probably mandatory.”
“Knock it off,” you mumble as you shuffle towards him so he can give your head a gentle noogie. Neither of you were big on hugs, only really being physically affectionate with your partners, but the love is always clear in every fistbump and hand on your shoulder.
You and Melissa trail behind your father as he goes to the kitchen, both fighting laughs after nearly getting caught by your dad. However, the second your mom peers over at the two of you, you both act like you had been silent the whole time, eyes flicking around in feigned innocence.
Lunch is a mismatch of all the foods your mom made for the birthday party the next day, making you all be her taste testers, even if she only really wants Melissa’s opinion as the other cook in the family. Pasta salad, potato salad, mac and cheese, shortcake, even some chicken with her new lemon pepper recipe. You and your brother fight over who gets first dibs on the pasta salad, ending with his wife taking the serving spoon from your hands and grabbing some for herself.
“Act your age,” Kennedy says to her husband, making you laugh, before she gives you a sharp glance, “that goes for you, too.” Melissa turns away to unsuccessfully hide her own laugh from you.
Lunch ends with your mom and your brother arguing over another serving of macaroni, “we need food for tomorrow! Fuck’s sake, Marcus.”
—☽—
Your father divides everyone into groups to set up the backyard. Your mother takes Melissa and Kennedy to help set up the tables and lights, forcing you and Marcus to help your father with the tent, bonfire pit, and yardgames.
Getting all the yardgames for the little cousins was the easy part, even if it took a while because the three of you had to play a game of cornhole before you could do anything else. None of you got a single one in after two turns, making you all set into defeat, the game was agreed between the three of you to be stupid now. With your father taking a break now, getting the tent together was a doomed venture with you and Marcus.
“If you don’t let me hold it up, it’s gonna keep falling.”
“Fuck off! No, it won’t,” Marcus says with confidence, trying to stand the tent all at once before securing it. Four had already fallen, and a job that should only take twenty minutes was taking nearly an hour.
“How is it gonna stay up if nothing’s holding it, huh? Thought you knew everything?” He flips you off and doesn’t answer, continuing putting the spike in the ground, though without the other end being held up, the weight pulls it down again. Giving up, you walk away and attempt to find your dad for something else to do. You stop in your tracks, just step from the patio.
Watching Melissa with your family always makes butterflies erupt in your chest. She used to be so nervous around them, uncharacteristically quiet and meek, but now she’s almost as carefree with them as she is with her own. The sunlight makes her hair shine, and it’s damn near impossible to look away. It seems you’re of similar mind, her head turning towards you, fighting a grin when she sees the dopey grin on your face.
You almost start to walk towards her, but a strong hand pulls you back. Your dad pushes the hatchet into your hands, “you’re on firewood duty.”
“Bu-”
“Nope, you’re not slinking off to your girl. Go chop the wood, Casanova,” he says as he walks back to help Marcus with the tent.
It’s hours before you even get a chance to see Melissa again, as if your parents were keeping you apart. Which they were, knowing that you’d ignore everything you had to do if it meant you got to just look at Melissa. By the time you got back inside, the button up you’d been wearing was abandoned on a lawn chair and you were out of breath. How much firewood does one bonfire even need?
Walking in the backdoor into the kitchen, Melissa is leaning against the counter, her eye on the mixer filled with what will be cheesecake going to your tanktop clad form as she chats with Kennedy. Creeping up beside her, you wrap an arm around her waist and press a lingering kiss to her cheek, mumbling a greeting into her skin before trudging upstairs to shower the sweat and dirt off.
—☽—
By the end of the night, everyone is half-awake and struggling to keep their eyes open as a TV movie drones on. Neither you or Melissa are paying attention, too wrapped up in one another in the arm chair. Legs dangling over the arm, Melissa is seated on your lap, head tucked into your shoulder as you mindlessly play with her hair. The hand on the back of your neck stops its soft ministrations, her breathing slowing as she fights falling asleep.
You speak quietly for only her to hear, “you ready for bed?” She just nods against you, and you tap her legs to prompt her to move. Her hands hold onto your arm to steady herself, wavering where she stands.
“Alright, we’re calling it. Night guys, we’ll see you in the morning,” you announce into the room as Melissa starts going towards the stairs, not trusting her ability to speak when she’s this tired. You get a quiet chorus of night before you walk to the stairs, but your mother’s voice stops your movements.
“Jellybean, could you do me a favor and take the trash out before you head upstairs?” she asks without taking her eyes off the TV.
You internally groan before nodding, turning to Melissa, “go up, baby. I’ll be right there.”
This catches your mother’s attention, immediately moving to face you, “you mean to say ‘goodnight,’ right?”
“What?”
Her eyebrows rise, “you’re saying goodnight, then going to your room. Right?” Melissa’s blood immediately runs cold, color draining from her face. If she was tired two minutes ago, she was wide awake now.
“No...” you say slowly, confused, “why would Mel not also be in there?” You peak over your shoulder to Melissa, giving her a look before your attention is back on your mother.
“So, you’re staying in the guest room? Or is Melissa?”
Your face screws up, “Neither of us? My room’s got a full, that’s fine for us.”
“No.”
“Hell you mean ‘no,’ Ma? Marcus and Kennedy are sharing a full, it’s not a huge deal,” you hear Melissa step down from the stairs, her shaky hand holding your elbow.
“Marcus and Kennedy are married, unlike you two. I know you live together, but my roof, my rules. You know that,” she says matter-of-factly. The other three people in the room pointedly avoid looking at you, not wanting to get on your mom’s bad side.
You argue back, “that’s fucking ridiculous, Ma. We are grown adults, in a relationship.” The arched brow on your mother’s face tells you that you shouldn’t be arguing, but she doesn’t know. She doesn’t know about the panic that is starting to eat away at Melissa’s veins at the sudden thought of sleeping without you, something she hasn’t done once in over three years now.
“No rings, two beds. Don’t think I won’t be checking.”
Not wanting to make more of a scene, Melissa tugs on your arm to gain your attention. Turning to her, you can see the silent plea in her eyes for you to give it up. Shoulders sagging, you let out a grumbled fine. Breaking away from her, you go to the kitchen and roughly pull the trash from the bin. It takes a great deal of effort to not slam the door as you stomp to the garage. When you come back in, you don’t bother saying anything to anyone, just wrapping an arm around Melissa to guide her upstairs.
When you get into your room, you shut the door and lean against it with a huff. The two of you silently change into your pajamas, moving slowly from exhaustion and an attempt to prolong your time together. Melissa turns away to fold her clothes on the bed, and you move to wrap your arms around her waist, propping your chin on her shoulder.
“I’m sorry,” you say, “I’ll stay in here tonight. Not like she can’t ground me anymore.”
Melissa turns in your arms, loosely wrapping her own around your shoulders, “it’s alright, I’ll be fine. I don’t want her mad at you for my sake.”
“Baby-”
“Don’t do that,” she says, though the sigh in her voice gives away her uncertainty, “I’ll be okay, amore.”
Your eyes scan over her face before you nod. Her arms pull you closer, noses brushing before she presses a sound kiss to your lips. Melissa’s arms shift and her hands cup your face, moving your head to press kisses to your cheeks, forehead, and chin, until the sour look on your face disappears.
Tugging her into you, you bury your head into her neck, pressing a long kiss there. From her neck you mumble, “I’ll be in the room right next door.”
“I’ll survive in the guest room, this is your bedroom,” she says, though she doesn’t fully mean it.
“What’s mine is yours. Plus, this one’s more comfortable, you’ll thank me later,” you hug her tighter, “so... I will be next door.”
“I told you, I’ll be fine,” she says. It’s more for her than you this time. Three years. Three years of falling asleep with you still awake beside her and waking up with you already looking at her.
You walk her back towards the bed, getting in with her, though not under the covers. With everyone, especially your mother, you don’t think it’ll hurt to stay until Melissa falls asleep. Her back presses to your front, hand holding yours to her chest, fast beating heart beneath. In a hushed voice, you speak about little things that don’t matter in hopes that it will calm her enough. Slowly her breath evens out, face burying into the pillow as it always does when you hold her like this.
Carefully, you detangle yourself from her and press a kiss to her hair, “I love you.” Stepping out of the room slowly, you leave the door cracked just a little and eye Melissa before turning. At the top of the stairs is your mother, brows raised.
“You better be going to your own bed,” she says quietly, though her tone is hard.
Rolling your eyes, you respond, “I am. Just had to make sure Melissa was asleep first.” You try to go into the room next door, but your mom’s face is silently asking for context, “she doesn’t sleep well. Different place, different sleeping arrangement, it’s difficult.”
You don’t particularly appreciate the dismissive way your mom just nods before walking towards the master bedroom, clearly thinking it was just an excuse, but it’s too late to fight about it. The sooner you sleep, the sooner you can wake up and crawl into bed with Melissa before she wakes. You watch the crack in the door and listen for Melissa until sleep comes over you.
—☽—
Something wakes you just past three in the morning, an ear splitting scream coming from next door. At first, you think it’s just your own anxiety, closing your eyes slowly. A second scream, this time of your name, and you’re springing out of bed, throwing the door open hard enough to bounce off the wall and slam shut. Four steps bring you to your childhood bedroom, rapidly swinging the door open to run in, not noticing the others joining you in the hall.
When you get into the room, moonlight illuminates Melissa where she’s sitting up with a hand gripping her shirt as she breathes in quick, panicked pants, eyes flying around the room until they land on you. Before she can even reach for you, you’re practically pouncing on the bed to get in front of her. Your hands go to her shoulders, her own gripping your forearms, her watery eyes darting around your face. Taking in deep breaths and letting them out slowly, you motion for Melissa to mimic you, trying to slow her rapid breath and heart.
Short gasps become slow, shaky breaths as panic begins to fade and tears form. A whimper of your name makes you pull her into you, her arms gripping your shirt and she cries into your neck. Between broken sobs, only the words window, knife, and everywhere and mention of a him come through, but you understood. This wasn’t the first time Eric’s actions haunted her at night, though it had been nearly two years since she’d woken up in a sweat.
Peeking over your shoulder, you see your parents and brother in the doorway. The look you give your mother is filled with anger and a raised brow that says I told you to listen. The clear fury makes your father pull her back towards their own room, pushing your brother to his. Some level of courtesy hits your mom, closing the door fully before she gets tugged away.
Attention back on Melissa, you alternate between playing with the ends of her hair and lightly dragging your nails over her back under her shirt. You tuck her hair behind her ear, tacky from tears, “you’re safe, Mel. Nothing and no one’s going to hurt you, I promise. I wouldn’t let them.”
Rocking side to side gently, you feel her breathing return to normal, body no longer shaking from tears. Trying not to jostle her, you turn your body to lay down with her, keeping her tucked into your neck with your arms around her. Pressing a kiss to her head, you slide an arm down to grab her hand, lacing your fingers together.
“I’m sorry,” she whispers, just below your ear.
You squeeze her hand, “you never have to apologize for this. If anything, I’m the one that should be sorry. I should have stayed.”
She sniffled, “I’m a grown woman, I should be able to sleep alone.”
“And I should be able to stand up to my mother about sleeping in the same bed as my girlfriend, yet here we are,” you say jokingly, trying to lighten the mood.
Thankfully, she chuckles, the vibration on your skin making you smile, “so it’s all your fault.”
“I’ll gladly take the blame,” you mumble as you settle into the bed more, relaxing as you feel the redhead relax against you.
In a sudden move, Melissa props herself up over you, hair dangling in your face. Leaning down, she kisses your forehead, then each cheek, and finally your lips, long and loving. It’s a quiet thanks that she will never owe you.
“I love you,” she whispers.
“I love you more,” you whisper back.
It takes half an hour for sleep to creep back in, Melissa’s breathing growing slow where she rests on your chest, your heart beating under her ear. When she eventually falls back asleep against your chest, you stay awake and trace lines on her back. You’ll gladly stand guard if it means she sleeps peacefully, stay awake if it means she’s safe.
note: solaris write a fic under 3k like u planned challenge good lord man. also thank you thank you for the compliment, it’s an honor to be the first person u thought of to write this. i hope i did ur vision justice <3
as always, feedback appreciated <3
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mapledkanata · 2 days
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Overdue Skwisgaar sketches + design notes/hcs! Finally got around to redrawing my fave
+ Skwisgaar has joined the dance floor..... I do think there has been some missed potential for Skwis, Toki and Pickles collective dynamics/interactions. More Skwis and Pickles bein buddies pleas..,,,,.
Some extra Skwis notes and Skwis HCs below the cut for anyone who may be interested:
Design notes!
Slightly darker blue eyes; captures light easily when he's happy!
For eye shapes I thought about Mads Mikkelsen and Magnús Scheving as references! They both have particular facial structures I also thought about in drawing Skwis
Because of his stronger features and pallor, sometimes shadow falls harshly along his features. I find I have to be very careful when rendering his colours and keep his softness
In terms of shape language, Skwisgaar is definitely more like unconventional rectangles than he is triangles!
Decided to give the front peaks of his hair a little more volume
Rather large in proportion but his lean stature makes him unassuming standing alone
HCs!
6'4"-6'5" tall me thinks!
Autistic
He definitely maintains himself and his appearance, but doesn't really have an extensive routine.
Might comb his hair a bit at the front, showers often, is dressed in the morning etc
He also likes to keep his room organized in a particular way; along with his room reflecting a Swedish Modernist style it's incredibly minimalist!
Despite his aloofness, he can be very attentive to the ones he cares for; in other words he's definitely paying attention even when he doesn't seem like he is
He often seen staring past the wall when he's in his own head
He is so borzoi dog.......... often gives intense whale eye to people..
He is a bit of a goober but no one understands his humour 😔
I definitely think he articulates himself better speaking Swedish and has a lot of depth to offer; conversely, he struggles w/ verbally articulating his thoughts and can be generally awkward in a lot of circumstances outside of his reign of interests
Is actually a very grounded individual in terms of his outlook on life, while he often responds very dramatically, emotionally or intensely to certain things (he is so silly!)
So very desperately wants to feel seen and loved for who he is
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nereidprinc3ss · 3 days
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hi girlie. thoughts on spencer’s bisexuality? specially post-prison spence. would he be more willing to experiment or just keep being the same guy who doesn’t care at all? just thinking. plus thoughts on austin? we didn’t got to see much about it. honestly i think both of them would have gone harder than with maeve, to be honest. i did not got much of the vibe from maeve and spencer and it felt like quiet new and weird coming from him? we’ve seen him interacting more before with these super confident girls like lila and cat. to me, it looks like these are more his type, pretty odd for a introvert guy like him.
babe thoughts on spencers bisexuality are all i have
but i also have thoughts on all his girlfriends actually
spoilers for maeve, cat, trigger warning season 14 episode 15 “truth or dare” mentioned😓😓 that fuck ass episode
i think post prison spencer is too traumatized and too exhausted to be thinking about romance or sex for a good long while. if he was already in a committed relationship before he went in, i think he’d stay because he’s incredibly devoted and i feel like he tends to latch on to one individual as his person and then never let them go, but if he wasn’t, i don’t think he’d be pursuing anyone, period, boys girls anyone in between or outside, i think bro is just TIRED lmfao
but specifically speaking about his relationship w his own bisexuality, i think if it wasn’t something he was super comfortable with before prison it sure as hell won’t be something he decides to confront after prison. i think he would just ignore it and continue on with life in his own little world ignoring other human beings. i think if he was chill with his sexuality before he went to prison that wouldn’t change afterward other than the fact that he’d probably find himself less attracted to men because they scare him a lot more now. i don’t think he would suddenly start having a ton of internalized homophobia (although he has so much self loathing it could definitely present that way) but again i don’t think he would be interested in seeking out new romantic or sexual partners for a while regardless of gender
and i liked austin a lot!!! potentially controversial opinion but i did NOT like maeve for him. she was clearly designed to be spencer but a girl so we would be like omggg she’s so perfect for him and then we would be extra sad when she died but imo their relationship fell flat, lacked passion or believability, and simply wasn’t interesting to me. the way he spoke about her reminded me of the way a 13 year old speaks about his girlfriend after a month of dating when he thinks they’re going to get married.
i have always FIRMLY believed that he had more chemistry with almost ANY of his love interests, even austin and the einstein chick who were around for ONE EPISODE EACH than he did with maeve. spencer seemed more interested and challenged by literally every single one of them. and i think he needs someone who challenges him. like spencer understands everything, give him someone who he can’t figure out and who drives him insane and is endlessly compelling and confusing elle greenaway!! we saw the way he wanted to genuinely consume lilah and cat. both more interesting than maeve. maeve was giving like… older sister almost?? like that woman had a FIANCÉ and according to canon she was his first “girlfriend” (strong word for what she was… those bitches were e-dating at best) it was just bizarre in the same way it was bizarre for a woman who had been married for ten years with two children to declare her love for him. i genuinely can see him with an older woman elle greenaway but the dynamic was just off with jj and maeve.
so that’s my rant on them. i could go on forever
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chubs-deuce · 21 hours
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Is there any fanfic or lore on the Dawn Morningstar?
Hello! :D There is quite a lot actually!!!
I have yet to get my fanfic for her to the point of being post-able but there is an attempt being made :')))
I have however so far been gifted three(!!!) insanely adorable oneshots about her by others:
Something Unspoken by @shardetector
Scars by @/incantatrice-hex13 (didn't know if they want to be tagged, the fic itself is listed under Anonymous) this one I even made fanart for, here!
Fever by @hazbinstohell
Most of Dawn's "lore" thus far is spread across various ask responses I've written out over time or the occasional lore dump I posted alongside art, here's a list of everything noteworthy that came up so far:
The ritual that created Dawn
How the hotel residents reacted to Dawn and some extended thoughts about the ritual that created her
How Lucifer reacted to Dawn
Alastor as a father
Charlie as a mother
Dawn's relationships with the other hotel residents
Dawn changing her parents' sleeping arrangements
Dawn going full demon form for the first time
Dawn's safety and social struggles
Dawn's personality over time
potential emo/goth phase
would Dawn become an overlord - her personality as an adult
What about Charlie's and Vaggie's relationship in this AU
question of Vaggie's romantic partner since it's not Charlie
Why there won't be Husk x Angel Dust kids
Alastor's and Niffty's dynamic in the AU (or in general, but the question was asked regarding the AU so it still applies)
The jokingly concocted "Dawn's first boyfriend" arc
There's some more nuggets I dropped here and there as well but these were largely what was most worth mentioning.
Here's a brief summary of the remaining info nuggets I didn't bother linking so you don't have to open a million other posts:
Because Alastor sacrificed one of his shadow minions to create Dawn, it reforms as her own, sentient shadow. Normally this kind of bond has to be contracted via a deal, so this is rather extraordinary.
Charlie and Alastor aren't actually together yet when Dawn gets created, since she was kind of an accident. I don't know yet when they'll get together in the grand scheme of things, but I know they're going to be slowburn idiots about it.
Dawn's main weapon would probably be staff-based, since her mother's trident and her father's mic staff have that quality in common.
Dawn's magic is mostly fire-based and she can to a degree manipulate sound as well (i.e. mimicry, completely removing noise, boosting sound in volume selectively, manipulating pitch etc) but unlike her father, she cannot manipulate radiowaves.
She loves any and all animals with sharp teeth, most of all sharks - she's raised to despise Vox however and will try to harm him on sight
She had pica disorder as a child
I hope any of this this included the kind of info you wanted <3<3<3
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thisrobinisred · 2 days
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I know I said this about Narumitsu when I was like three quarters through the first ace attorney game, however-
I don’t think I’ve ever been as excited about a ship as I have been with Klapollo. And the funny thing is- I couldn’t possibly give a proper reason as to why I like it so much. Like it could just be some of the iconic pieces of dialogue between them and their reactions and such- but I can’t even say that that’s the reason why.
They don’t even have history together, they barely had any proper connections prior to the second case in Apollo Justice. Hell- Apollo hadn’t even heard of Klavier despite him being apart of a famous rock band! Sure they insult each other and stuff (and Apollo finds him annoying at times-) but other than that they’re usually quite friendly towards eachother. Something about it just feels natural.
Plus do I even need to mention all the fluff and angst potential this ships gives-? Of course, the whole dynamic gets joked about a lot (which I 100% agree with lmao) but even that just makes it better in my opinion.
I think Klapollo will always give me warm/cosy feelings because of how nice it is. Whenever people ship them, it never feels forced.
I start rambling and then continue for longer than I had meant to-
I’m going back into my hole to continue my Klapollo playlist now-
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godsandvillains-if · 15 hours
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I've been debating who I was going to romance. But knowing that Archon looks like Henry Cavill and Stardom like a combination of Charlie Hunnam and Austin Butler (although I prefer the former more than Butler) I decided my first playthrough would involve romancing them both.
For the second I'll go with Ace, because daddy. Of course. Also, I love the idea of himbo MC and daddy Ace (especially with my MC being taller than him), so I have to try it. It does not help me that Ace has a metal arm, I don't know why metal arms are hot but they are.
Then for the third I'll go with another poly, but with Paladin and Wildcat this time. Mostly because, as much as I like Wildcat, my MC is also 100% submissive, so that's not going to work if they are on their own. And, while I could romance Paladin on his own, I like his dynamic with Wildcat too much to not allow them to end up together, either with MC or not. I also find so funny Paladin having to contend with two needy bottoms. Especially so because my MC is a foot taller than Wildcat (and also a lot taller than Paladin, but less than a foot if I remember correctly, as I made my MC having the tallest possible height the game allows).
The thing about this IF is that almost all routes have to many potential and are interesting, so I just knew I have to play many of them. The problem was deciding the priority, I think.
I mean, Stardom was originally the spitting image of Charlie, but after seeing Dune, I just had to include Austin, you know 😏😏
And my go-to MC in every game is also a submissive himbo. Great minds think alike 🤣
Paladin will need to have A LOT of patience and energy to deal with both the MC and Wildcat at the same time hahaha
Thanks for the question!! 🥰
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neyafromfrance95 · 2 days
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I think one of the reasons Vaultghoul is good other than the doomed aspect is that lucy isnt framed as some sort of trophy with the ghoul. With Max he saves her, she's the prize, she's the girl he has to whisk away into the sunset. With the ghoul he waits for her and asks if she's coming. I hope in season 2 we get more of this. Where he doesn't see her a a trophy but someone he wants along his journey.
And personally as a Poc I'd much prefer Max with someone who's Poc because I'm actually getting tired of the white desire trope. Nothing was stopping them from making Lucy Poc but I'm cool with what we got I guess. It's just kinda weird there's not many poc x poc in shows.
yes, that's why i keep saying that max x dane could be a really great rep. plus the fact that dane is enby. and there is more substance and more to play with when it comes to their relationship.
max is the main character and if dane becomes a potential love interest, their role will also grow and they will become more important. so we will get a black man x indian enby romance rep that is almost nonexistent in the media.
lucy and max are cute, the actors have a quirky/awkward kind of chemistry if that makes sense. but man, are they the most cishetero couple to ever cishetero... which turns their dynamic into a bland formula. and as much as i'm fine with lucy x max, i just dislike it when a show tells me what to ship instead of making me gradually come ship it.
however, lucy and max changing while they were away from each other and then becoming this painful "what ifs" for each other would make their relationships much more investable and i think i might even ship them more in that case since i love a bit of pain in my ships.
and yeah, one of the reasons why lucy x the ghoul is so attractive is the unexpected way in which their dynamic subverts a lot of heteronormative tropes. even if the ghoul calls lucy "sweetheart", their relationship is not gendered, if that makes sense?
for lucy, the relationship with the ghoul could represent her liberation from the cult brainwashing/conformity that she got from vault 33.
and walton and ella have a radiant chemistry, just like aaron and xelia had a very intense something going on, so ofc people ship these pairings.
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inkskinned · 5 months
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in internet posts it is easy to cut them out of your life. they are hurting you! they aren't listening to you!
they held your hair back. they lent you lipstick. they held your hand at the train station and got you home safe. they rounded on your bully, got loud, said get fucked, spitting-mad in your defense.
they also cut the hair off again. told you that you should really think twice before wearing something like that. took you for granted. took your insecurities and threw them in your face again.
you know logically it should be easy. all the internet advice comments always read it will feel better. like an equation - if a person is rotten, you just remove them. you pull the tooth that's hurting.
but it was never a big flare-up moment. you don't live in a sitcom. they never tried to take your boyfriend or steal from your apartment. they showed up to birthdays and they wrote songs about you and bring you water without you asking. once you found out they carry an emergency inhaler for you, even though you haven't had an asthma attack in years - just in case.
where is the line? people fuck up. sometimes they fuck up badly. sometimes people have raw personalities, like a powerline, and being around them is dangerous. addicting. sometimes they can't help themselves, but you know they're trying. sometimes they are just rough-around-the-edges. sometimes they don't even realize how they sounded when they said that. sometimes it's just - you've both loved each other for so long now, the way this thing hurts goes back to the root.
and that's the fucked up part. you have pushed your fingers against the sweetheart of memory. things these days are electric, tense, harrowing. they didn't used to be. there were a lot of good days in there. sometimes you want to just close your eyes and say can this be over yet? do we still need to be fighting?
doing that would give up any chance you get of getting an apology, but you don't always know that you need an apology, you love them. once they flaked on your birthday party. once they told you to get over it, people are always dying. they also let you crash on their couch for a week after the breakup, handfeeding you when you were so sad you couldn't eat. they are also judgmental about everything, occasionally react to banal statements with an attitude that is weird and fiery. they also love you like a lighthouse sometimes, so strong they cut the storm like lightning.
but the problem is that you might be storm. you might be the thing that needs breaking. what if you are two forces who are desperately, horribly drawn to each other, shaped by the other person's passions, and both good for each other and bad in equal measure.
what if you're both just people, and you're no saint neither.
just cut them off! swallowing the saltwater, you catch yourself in the mirror. you've been shaking more than usual. there's an ache in you that is oblique, loud, impossible to soothe. is this what it looks like? when life is "easier"?
your mouth will always have a hole, is the thing, if you remove the tooth.
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nibbelraz · 4 months
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A writer and His number one fan hater
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poorly-drawn-mdzs · 2 months
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M'lady, doth this harlot bother thee?
[First] Prev <–-> Next
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gunstellations · 3 months
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In the world I love
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In a different world
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kyonshi-8610 · 13 days
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doodle collection where i try to actually color
tr. under cut
[2ND IMAGE]
T: These two are so slow at picking (what to eat)
K: Did you ask Shuro what he wanted (to eat)?
L: He said that it was up to us
K: Sighhhh
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plum-pitt · 1 month
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AYO, THIS POST FOR ALL U SHELLSHOCKED SHIPPERS OUT THERE:
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Mikey does the funny SpiderMan pose in one of the official Rise comics, do with that information what you will.
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total-drama-brainrot · 5 months
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Noah is canonically the youngest of eight sibling. Eight.
You don't grow up in a family that large, as the youngest and therefore the favourite victim, and not have a super casual relationship with touch.
This guy is light enough to be literally blown away by a strong breeze; if you think even for a second that his family didn't take turns carrying him around like a briefcase and abducting him from whatever he was doing into a Family Pile™ then you're objectively wrong.
(You also can't convince me that he wasn't spoiled rotten as the baby of the family.)
So frequent platonic touching is pretty normal for him, expected even, and he tends to be more tactile than his personality or demeanour would suggest.
He gives Owen side-hugs and pats on the arm every time the two interact, and wilfully flops himself onto Eva whenever he's overwhelmed and wants the company of someone comparatively quiet (she always uses it as an excuse to carry him to the gym and encourage him to bulk up, though it never works). He tries to tire out Izzy's boundless energy by play-fighting and grappling with her (much to his chagrin) despite him essentially ending up as her glorified chew toy, and often times passes out due to being a stick insect in human form.
It's unexpected, just how casually clingy he is to the people he trusts/likes.
But you know who isn't used to physical contact?
Cody E.J. "my parents forgot my birthday" Anderson
This wet noodle of a boy bigs himself up as a ladies' man and a hot commodity but wouldn't know what to do with himself if someone held his hand. The concept of affection of any kind is so foreign to him, especially positive physical contact- I wouldn't be surprised if he could count the amount of hugs his parents had given him on one hand.
And this is backed by his canonical desperation for acknowledgement! Every time he pursues Gwen, even when he's directly shot down and sometimes harshly rejected, he still tries to win her affections and festers the delusion that she likes him. After all, everyone who's supposed to care about him does the same! His parents, 'friends' or lack thereof, ect.; they all ignore/rebuff him so it must be a sign of endearment.
Additionally, he sleeps with a stuffed emu at the ripe age of 16/17- as stated by Sierra, which he never denies (not that there's anything wrong with that, stuffed animals are top tier imho). You know who else sleeps with stuffed animals? Touch-starved people.
Cody is incredibly attention-starved, touch-starved and, post World Tour, in all likelihood somewhat touch-averse- at least when it comes to other people initiating contact.
To elaborate; Sierra is constantly breaching his personal bubble non-consensually, which would inadvertently condition anyone into being at least a little haphephobic, but Cody himself is more than happy to instigate contact with people he trusts (i.e. hugging Alejandro when he protects Cody from Sierra overnight in Rapa Phooey!).
...See where I'm going with this?
We see these two cuddling twice in canon; once in the Awake-a-thon and again in the Celebrity Manhunt. Once is happenstance, but twice indicates a pattern or coincidence but I'm going to gloss over that for the sake of this post.
Plus, with their consistent proximity during Action, they had plenty of time to form some type of relationship be it friendly or more.
(Wouldn't you want to at the very least get some closure from the guy who kissed you/you kissed for the world to see? It would be awkward to completely ignore each other, and they literally shared a cabin at one point so it's not like they were strangers either. So of course they're at least cordial from Action onwards.)
Then, as Noah becomes more comfortable around Cody, his tactile tendancies come to play.
Cody, predictably, reacts skittishly at the alien phenomenon known as friendly touch and tries to play it off to preserve his cool-guy image. Except Noah's not falling for it. He's observant, if emotionally illiterate, and watching the guy you just backpatted in greeting jump five feet into the air and screech like a falcon is a flashing red alarm for even the most empathetically challenged people.
Eventually, Noah gets Cody to divulge his issues with human contact and offers his assistance to the brunette. If giving his pal a hug every now and then, and letting him in turn initiate whatever he's comfortable with, would help him overcome his rocky relationship with touch then Noah is more than happy to oblige. It's not like it's out of the norm for him, so he doesn't mind at all.
Then, gradually, Cody loses his touch aversion.
But a lifetime of isolation won't be magically cured that easily, and he finds himself craving Noah's embrace more and more. Again, the taller of the two is content to give him what he wants. Their agreement evolves into the duo napping together and feeding into Noah's sleep-hugging habit, or just spending quality time in a heap of pretzeled limbs under a weighted blanket.
(Whether their relationship is platonic or romantic is entirely up to interpretation, though I'm partial to the two being friends who are just Like That since it allows for the funniest potential character interactions. The bromance is real.)
That's as good a place as any to end the post, before I end up writing a whole drabble.
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