I hope that when people see my blog, it gives the sense of being a fucked up scientist watching an even more fucked up experimental sci-fi creature behave in abnormal ways.
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genuinely so sorry to slide into your dm's like this, not sure that this is proper tumblr etiquette, etc., but i just got so excited when i read in your sayu-gets-the-death-note ask that you've been trying to talk yourself out of doing an entire statutory interpretation of the manga death note rules because i've been trying to talk myself out doing an entire metaphysical interpretation of the manga death note rules, so... if you, like me, simply cannot talk yourself out of a stupid idea once it sinks its claws in your brain and would at some point like to share notes about I THINK one of the sexiest and most broken parts of this series, i'd be delighted.
oh my god dont apologise im just excited a single person on earth besides me is interested in a pseudo-legal (very pseudo) perspective on the death note rules. high fives you. for the most part im just incredibly impressed that they manage to retain so much internal consistency especially since so many of them have the vibe of, like, random amendments which were included just for funsies. it's incredible they don't overtly contradict each other. ive been obsessed with them since i first saw them and have already spent way too much time reading over them but yeah i'd honestly love to dig into them more. HTR13 does organise them into something closer to Parts or Divisions which makes the structure a little more coherent. it drives me nuts that sometimes a numbered rule will have sub-provisions that have absolutely nothing to do with each other. drafting that gives me a stress migraine
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Friendly reminders;
-Your thoughts matter🍀
-Your mental health matters so much, even if it doesn’t really feel like it does✨
-You are amazing🌸
-You are strong. You have survived every.single obstacle up until this point! 🦋
-You are loved by so many people🌱
-You deserve to take care of yourself💐
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happy last mothman memo monday
welp we've reached the end folks
it's sad to say goodbye to this fic but well we were gonna get there eventually weren't we?
I would like to thank all of you from the bottom of my heart for all of the support I've gotten for this fic
this is by far the LONGEST thing I have ever written in my life LMAOOO (when I started uploading chapters it was at 10k words and by the end it's now 12k words 💀)
enjoy :]
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as the latest strike for palestine (the 18th-25th) begins today, i want to make a note for any new followers or pjo fans in general since the release of the pjo show and gathering discussion of it—never forget this series is a commentary on the way the old sacrifice the young. never forget disability and a struggling mother-son relationship are at the heart of the books. never forget this story tells us the solution to suffering is not a return to the ‘golden age’ that never was but to press forward by holding authority accountable—by changing the system, not becoming the oppressor ourselves. never forget the media you read, watch, and listen to, no matter how fantastical, are reflections of our real world—they have always been political. if you gleefully engage and emphasize with the suffering of fictional people but turn your back on real people, real injustice, all that enjoyment might as well be burned to ash because you have become the very thing every story like this that you hold dear tried to warn you against.
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truly just SUCH a typical tumblr experience but like.
Familiar Tumblr Name makes a post that's like: 'you know how fast fashion perpetuates itself by selling us clothing that gets dingy and grody really fast, so we have to replace it yearly?'
me: uh, no, actually—historically i've found that the few fast fashion pieces i acquired long outstayed their welcome, and were perfectly wearable long after i was heartily sick of them! but go on, i guess
FTN: 'let me tell you about this traditional domestic wisdom (implied: that's been lost because of, uh, capitalism) that will fix this problem (that you, too, definitely have) for you!'
me, googling: okay so this residue that FTN said was somehow a Fast Fashion thing is apparently generally caused by like. fabric softener and/or hard water. using discount detergents that skimp on active ingredients. using too much detergent so it doesn't wash out. letting your bedding go too long between washes. letting your washer go too long between cleans. etc. anyway. lots of specific factors here, many of which may in fact not apply to you in particular!
but like. why get specific when instead we could assert You Know This Problem, Right? This Lost Traditional Wisdom Will Definitely Help You Personally!!
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December 1986. In the wake of the Crisis on Infinite Earths, John Byrne plainly expresses the ugly nativist foundations of Superman's new post-Crisis origin. Contemplating the history and culture of Krypton, which he's just received as a massive telepathic info-dump from a hologram of Jor-El, Superman unequivocally rejects as "ultimately meaningless" every single aspect of his Kryptonian heritage, from language to art to religion. Moreover, he expressly denies that he himself is an immigrant. This is not simply semantic; in Byrne's version, the starship that carries Kal-El to Earth is a "birthing matrix" — an in vitro womb in which Kryptonian embryos are grown — so he's not technically born until he lands on Earth and is decanted by his human parents on American soil:
This is actually Byrne's kindest take on the post-Crisis Krypton in this period: His horrifying 1988 WORLD OF KRYPTON miniseries, drawn by Mike Mignola, presents Jor-El's world as a fallen, postapocalyptic society, ruined, both environmentally and morally, by the degeneracy (a word I use advisedly) of Krypton's last Golden Age. Only Jor-El is presented as having any moral worth, and only because of his interest in the traditions and history of Krypton before the fall, which his father and peers (including Lara) consider distasteful. This questioning of modern Kryptonian culture ultimately gives Jor-El the wherewithal to save his (unborn) son from Krypton, both from its actual destruction and from its soulless corruption of natural human values. Yikes!
It's also worth recalling the status quo that MAN OF STEEL erased. Since 1958, Superman had been part of a diaspora of Kryptonian survivors: Besides himself and Krypto (with whom Byrne later dispensed very harshly), there were the millions of inhabitants of the Bottle City of Kandor, stolen by Brainiac before the destruction of Krypton and later enlarged on the distant planet Rokyn; Supergirl, born on Argo City after Krypton's destruction; the prisoners in the Phantom Zone; the Kryptonian bully Dev-Em and his parents (who later traveled to the 30th Century); and Supergirl's Kryptonian parents (who survived the destruction of Argo City and later settled in Kandor). In his Fortress of Solitude, Superman kept a private journal in Kryptonese. His intimates often referred to him as "Kal," not Clark. He observed, to at least some degree, certain Kryptonian customs, and in moments of stress, he would invoke the name of the Kryptonian god ("Great Rao!"). He was, like many members of real-world diasporas, a man of two worlds — neither wholly of Krypton nor entirely of Earth, but part of both, and an interstellar hero.
The Byrne/Wolfman reboot erased almost every facet of that, and very deliberately. Part of this, of course, was a desire to shake things up for commercial reasons, while part was DC's editorial conviction (mistaken, I think) that allowing any Kryptonian survivors other than Superman himself weakened and undermined Superman as a character. However, as the pages above make clear, it was also a desire to slam the door on the idea of Superman as an immigrant — and, by extension, on the Jewish coding that had been a central feature of the Superman comics mythos for nearly 30 years.
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