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heretherebedork · 3 days

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Curious to know your feels about the 1000 Years Old finale. You didn't post much about it. Maybe that's a commentary in and of itself LOL.

Part of the answer is that I struggle with watching things out of my usual schedule and had a very busy weekend so I'm just getting around to actually watching the finale episode after knowing all kinds of spoilers. I am actively writing this response as I watch the episode. So enjoy my live thoughts on your ask.

And, so far, my entire reaction is that they crammed way too much here in the end. They needed to spread this out more than they did and I get parts of it, I like having the soulmates reveal only at the very end...

But there's a lot of plot and seriousness that they just didn't touch on enough and that I think including in the rest of the show would have improved it greatly as well as helping with the pacing struggling most people had.

If more of the Janja plot had been genuinely spread through the show and more of these serious moments and the understanding of their agreement and relationship had started earlier I might care more about this. But I don't care about Janja at all! I just don't! I wasn't given reasons to care until the very end and that's not enough for me.

Also, having Yoh not fight for any of it really did disappoint me but the director of this show, as seen in multiple other shows they've done, seems to have a thing for one very passive character in the main relationship who will just Allow Things To Happen To Them without ever fighting back. And I never like that, frankly.

Yes, they dropped a few hints here and there but it just isn't enough to tie it all together in this show itself.

It's not a bad finale, it's not the worst, but the end of the show feels so rushed compared to the rest and us not getting all the fluffy times together only to be shown a single scene at the end of a long happy life instead of the time together that I want to see.

I like domesticity, not the end of domesticity.

I get why people liked this ending. I see how people who rewatch things, especially, will enjoy the recontextualization of the show.

But for me? It made everything feel rushed and the rest of the show feel almost empty and slightly worse in comparison. Either we needed more plot or less episodes for this to work.

(Every time I see Somchai I am sad we did not get Somchai and Shin. Every single time. Come on. You crammed this much into the final episode, you could have given me more of them somewhere else!)

Also, I love his random bodyguards, whoever they are. Love them.

Also, this year long time skip is stupid.

Seriously, I am deeply frustrated by Yoh literally finding out they're soulmates and then just... completely abandoning Pun and leaving entirely. It's not interesting to see him just give up and it makes him the most passive character ever. Which we also had in I Will Knock You and, frankly, in 2gether. That's just The Style.

JANJA LITERALLY TOLD YOH SHE WAS GIVING HIM PUN BECAUSE PUN WILL NEVER LOVE ANYONE ELSE. Whatever, at least the confession and whole thing is done and now they can be soulmates together.

9 minutes of happy ending is not enough. Absolutely not enough. Yes, it was cute. Yes, it was a happy ending. But it's just not enough and it leaves me wanting more and wishing that the show were paced differently.

(Still sad we couldn't get any more Somchai and Shin, we deserved more.)

Edit Okay, I didn't mention this originally but I actually hate that the soulmate/reincarnation line takes away the power of Yoh's gift to Pun being his first birthday present. It really bothers me because that moment was one of the my favorite moments and the finale just made it not matter at all and turned it into something much less important and takes away a lot of the importance away of Pun wearing the cross and it BOTHERS ME A LOT.

#1000 years old #1000 years old the series #asked and answered #liveblog viewing of the finale

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inspiredwriter · 1 year

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Two cute couple

😯😍😍💓💗💞

My heart trembles when I imagine how similar these couples are

😯😍😍💓💗💞

Think for yourself, Donatello and Tony Stark are both geniuses and, most importantly, the name "Donnie" is pronounced almost the same as "Tony"

They have 🔧similar devices🗜

😯😍😍💓💗💞

And Piper and April are similar in their ✨charm✨

(I will also add that in the Russian dubbing they are voiced by one actress - Polina Shcherbakova🤫🤭)

😯😍😍💓💗💞

@kawaiibunga @sivy-chan-blog @hedgehog-dreamer @swagtreecrown @narwals14 @raisin-shell @angelcatlowyn @pheradream15 @dai-su-kiss @janet-the-dark-queen @turtle-babe83 @queendice98 @foxflamewarrior @naya-queenzie @turtlesmakemehappy @zowise2912 @wolfroks

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celestialrealms · 1 year

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gonna be honest obey me fandom is weirdly fixated on hating mephistopheles. like, he was barely even rude to the mc in comparison to the brothers in season 1 and honestly i don’t even think most of the people being weird about him have even read season 4? like idk man seems a LITTLE iffy to me 🤷‍♂️

#obey me mephistopheles #obey me #obey me shall we date #i'm entering my mephisto era because u guys are legitimately annoying me now #he's so benign hes literally just a guy #obey me fandom just sees anyone with a slightly darker skintone and instantly acts obsurd #it's so funny when its lucifer stans too... like love him but uhh. he almost killed mc several times bestie #mephisto is simply so milquetoast in comparison to the brothers dfkjgkdkjdfg #idk like even talking about his stuff with the brothers being ex-angels #he's not even as bad as the brothers about humans in season 1 anyway #or luke ?#AND his relationship with luke in season 4 showed growth even with him having EXTREMELY limited screentime #idk man it's ALMOST like it's part of the game's themes whoda thunk #anyway hes mine now <3 don't look at my pathetic guy <3 #i'm so serious i'm VERY tired of obm's inequality between characters #i'm only here for barbatos and mephisto now it seems

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kaltacore · 10 months

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unconditional devotion is fun and all but i love when you have to work on your relationships with characters in rpgs. it's so much fun when they openly question mc's decisions if they are not aligned with their morals. when they object and start an argument and must be convinced to do something. when they don't join mc in the final fight if you don't trust each other enough.

the payoff hits so much harder this way. if you're a dick to them they will not put you above their principles and stances because why would they? but if you helped them if you proved yourself to be trustworthy if you were good to them they will stand beside you even if they're conflicted and have to sacrifice something for that. and it's so cathartic when you know they could leave but at the end of the day they didn't! because them and your character are besties! friendship and love are hard to earn but you did it and now it helped you win!

#this post is sponsored by the 'fenris doesn't deserve hawke because he didn't join my hawke on the side of mages' take i saw the other day #followed by comparison with certain character ig yk who with a remark that 'he's the only one worthy of hawke's friendship'#honestly i won't bother to write fenris character analysis to make a point why it's so hard for him to join mages #but there's an option for him to join hawke and if he doesn't. well. that's an rpg. that's on you #and honestly i love when a game offers you a little challenge. even if it's about relationships between characters #i remember in my first playthrough fenris refused to join hawke at first #and i was so devastated even though i managed to convince him to return later #but when i replayed the game and he joined hawke right on the spot i was so genuinely happy and relieved #and his final dialogue literally made me tear up that time. such a cool feeling #and it wouldn't be like that if he joined hawke in all outcomes! i wouldn't value it this much!#i have a lot to say on the topic but these tags are getting out of hand already so i'll shut up right here

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butchladymaria · 1 year

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ok but seriously. i know “doll as a mourning doll” is a popular interpretation but i spent hours hunting for credible sources on the subject and the longer you spend actually understanding what a mourning doll was, the less sense that claim makes. mourning dolls were:

1. made for infants and very small children and made/commissioned by their parents. it was not something people did for any deceased loved one. if an older child died, there were other methods by which to memorialize them — some of the more “extreme” by modern standards being post-mortem photography with the corpse and mourning hair art.

2. they were more like sculptures than dolls — made of wax due to the rise in wax sculpture as used for medical purposes. some were weighted to help a mourning parent, but that is as far as it goes based on the actual historical evidence. they weren’t articulated, as the doll is.

3. mourning dolls are the product of an entire complex cultural landscape with very specific attitudes towards children. as a result, mourning dolls are very much bound up in those attitudes. even if the previous inconsistencies don’t deter the equivalency, i think a lot of people make it without actually realizing the full weight of what they are implying about the doll, maria, and gerhman.

tl;dr i am begging people to please please please understand what things are in context before making that kind of false equivalency because i know for a fact some of yall do not mean to imply that gerhman viewed maria the way the victorians viewed literal infants

#bloodborne #the plain doll #gerhman the first hunter #i can link so many sources if anyone wants them but seriously oh my god 😭#its especially bad because a lot of those posts are made by people who are trying to defend(?) gerhman or just generally really like him #and dont want him to seem That Bad lol #but like im really sorry but you r NOT making the point you think you are #i dont think its On Purpose #because actual credible sources about mourning dolls is pretty hard to find #the wikipedia makes a Lot of claims and links only two sources #and one of those two links is broken #basically like #if you want to make the case that gerhman wasn’t weird to maria or the doll #the mourning doll comparison is really shooting yourself in the foot #like pls #those takes are fine and deserve to be made #i think hes a really tragic character the same way laurence is because of The Hubris etc #but by trying to Completely minimize and explain away how gender factors into his relationship to the doll #you are doing the character a disservice #not trying to vague anyone here i just genuinely see multiple people make this claim and its easier to make my own post than to reply #to each post that says it #ik some ppl have decided im incapable of having intelligent opinions because one (1) post breached containment like 6 months ago #but that is not my problem lol #like im sorry ur bitter that One Person said something mean abt ur problematic fav on tumblr dot com #but also i dont really care about internet strangers tht much #basically if u are 1 of those and i havent managed to block u yet this post is not for u

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unproduciblesmackdown · 9 months

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more info, via a couple of reviews:

"Is this the best, most exhilarating, most close-to-perpetual dancing ever to grace the Goodspeed Opera House stage?

It certainly could be.

The new stage adaptation of “Summer Stock” at the East Haddam theater has plenty to recommend it in terms of the canny script and the hummable songs. But it’s the dancing that leaves the biggest impression.

The show is jam-packed with choreography from Donna Feore, who also directs, that is thrillingly executed by the cast.

We’re talking: Gravity-defying kicks. Head-spinning turns. Male dancers lifting and tossing and catching the female ones. It runs the gamut from Cossack-dance athleticism to soft shoe grace, tap precision to Lindy hop energy.

How the cast manages to sing after executing these (literally) breathtaking numbers, I have no idea.

And how do they make it through two performances on some days? Amazing.

Also amazing: the fact that they do all this on Goodspeed’s small stage without making the space feel cramped.

So, yes, the dancing is phenomenal. But there’s more to the show than that.

This stage version of “Summer Stock” — which is enjoying its world premiere at Goodspeed — is inspired by the 1950 MGM movie starring Judy Garland and Gene Kelly. Writer Cheri Steinkellner, though, has reimagined the piece in many ways, making it better, stronger and propelled by a more modern sensibility. (Steinkellner’s writing credits range from “Cheers” to the Broadway adaptation of “Sister Act.”)

The foundational story, though, remains the same: A no-nonsense young woman named Jane is trying to save her family farm. Her actress sister (named Gloria in the version at Goodspeed) brings her compatriots to the farm to rehearse a show. Jane first spars with and then starts falling for Gloria’s beau Joe, the production’s director.

Steinkellner has also changed up the score, to great effect. While some tunes from the movie remain, she has pulled others that are in the public domain (such as “Accentuate the Positive,” “Paper Moon” and “It Had to Be You”), and she has woven them perfectly into various plot points and important emotional moments.

As director, Feore makes sure the whole enterprise has a dynamic spirit. It’s a story and a production that brims with optimism and cheerfulness.

Leading the cast is Corbin Bleu, who became famous with his work in “High School Musical” and has gone on to star in several Broadway shows, as Joe. Bleu is a true, and truly talented, triple-threat. He has a warm, welcoming presence as an actor; he also brings an authority to Joe so you believe he’s someone the actors respect and will follow. Bleu’s singing is strong and lustrous, and his dancing — particularly his tremendous tap ability — is … wow.

Arguably the biggest scene-stealer here is Veanne Cox, as the wealthy, snooty owner of huge property surrounding Jane’s. The way she trills dialogue can turn anything into a punchline. She can wave her arms about as her character repeats “l’amour” and generate audience laughs. When her character falls for the egoistic actor Montgomery Leach (played by J. Anthony Crane with Barrymore flair), Cox burbles with girlish romantic giddiness.

Danielle Wade does her own take on the Judy Garland role. She gives Jane a swagger and a tough façade that reveals a more human self during the course of the story. Wade’s most important feature is her voice, which is potent whether she’s finessing a ballad or powering through a big number. While she can’t compete with Garland’s renowned version of “Get Happy” (who could?), Wade does a good job in the number — choreographed and costumed in an homage to the original — that serves as the culmination of the production.

Arianna Rosario gets to play an interesting arc at Gloria. At first, Gloria seems to be a blithe, self-centered actress, but she later shows that she is quite the problem-solving producer. Rosario makes the transformation believable, as if Gloria is finally letting her real self come through.

The scenic design by Wilson Chin suggests the various elements of a Connecticut River Valley farm in the 1950s while still allowing room for the cast to burst into all of those big dance numbers. And the costume design by Tina McCartney provides a fun and functional take on country clothing of the era.

I will say that the second act could be tightened up (we don’t need to see so many beats of the rehearsal process), but, in total, this “Summer Stock” is sensational." [source]

(hooray for most directly explaining gloria's overall arc)

and the next review:

"A throwback to the golden age of Broadway and movie musicals, "Summer Stock" is a timeless, inspiring song-and-dance tale of good deeds, fairy tale showbiz, classic romance and backstage intrigue played out to such dazzling effect, you want to freeze frame it, take it home with you and watch it over and over again for pure fun and a let's-put-a-smile-on-your-face endorsement. This is Goodspeed Musicals at its best - old-fashioned musical entertainment designed to deliver by the bucket's load, stir the senses, rhythmically intoxicate you and dance up a continual storm of good cheer that's guaranteed to leave you breathless.

Animated. Airborne. Magical. Sweet-natured. Fresh-faced. Dance happy. It's all here, wrapped up in shiny gold ribbons and signature colors that complement and complete the picture with a technicolor flourish, a big bang and an internal logic that flows with appropriate style, stamina, full command and intent.

Adapted to the stage by Cheri Steinkellner, "Summer Stock" replays that popular let's- put-on-a-show conceit where everything rests of the big opening night, the box-office intake, the big kiss between the leading man and the leading lady and how a complete unknown saves the day right before the final fadeout. Here, struggling Connecticut farmer Jane Falbury decides to let her actress sister Abigail and her actor friends from New York use the family barn as a rehearsal space for their brand-new Broadway bound musical in exchange for doing the daily farm chores to raise enough money to keep the business from going completely under. One slight problem. During rehearsals, Jane finds herself falling for the show's handsome director, Joe Ross, who, happens to be engaged to the show's leading lady - her sister Abigail.

Staging "Summer Stock," director Donna Feore ("Chicago," "Billy Elliot," "A Chorus Line"), who doubles as choreographer, creates a loveable, intoxicating show that reels you in, grabs hold of you until the final curtain and lets you fall in love with every little detail, surprise, plot twist, joke, visual gag, one-liner and tilt of her jolly agenda while she articulates every element of this musical story with thrust, warmth, spin and splendid articulation. Directorially, she pulls it off spectacularly. No wrong moves here as "Summer Stock" catches fire with a spark, a gusto, a shine and a 1950s mentality infused with plenty of imagination, originality, style and flair. More importantly, the production never loses sight of its origins, its functional plotting and its love of musicals of yesteryear despite well-intentioned doses of kitsch, takeaway humor, giddy backchat and story arcs right out of the MGM library of backlot moviemaking. Feore, free spirit that she is, fuels the musical with a sharpened wit and sentiment that works especially well as does her decision to let "Summer Stock" remain rooted in the period from whence it came in terms of staging, development, expression and interaction.

Moving from screen to stage," "Summer Stock" retains only four songs from the 1950 MGM musical. The addition of several new songs to the original version of the score turns the two-act musical into more of a showstopping event and adds clarity, luster and vintage spin to its already proven material, its let's launch into another song and dance routine blueprint and its firm grasp on characterization, story evolution and its happily ever after conclusion. At Goodspeed, there are 28 important, recognizable, smartly placed musical numbers. They are: "Get Happy," "Happy Days Are Here Again/I Want to Be Happy," "Accentuate the Positive," "I'm Always Chasing Rainbows," "Always," "Always (reprise)," "It's Only a Paper Moon," "The Best Things in Life Are Free," "Dig for Your Dinner," "Me and My Shadow," "Howdy Neighbor, Happy Harvest," "Red Hot Mama," " 'Til We Meet Again," "You Wonderful You," "June Night," "Some of These Days," "Joe's Dance," "I'm Always Chasing Rainbows (reprise)," "It All Depends on You," "Always (reprise)," "Everybody Step," "Lucky Day," "How Ya Gonna Keep 'Em Down on the Farm," "Hinky-Dinky Parlez Vouz," "It Had to Be You," "Get Happy (reprise)" and "You Wonderful You (Finale)."

Musical director Adam Souza ("42nd Street," "Cabaret," "Next to Normal," "A Grand Night for Singing," "Because of Winn Dixie," "Rags") grabs hold of the "Summer Stock" score and allows it to breathe, gesticulate, excite, envelop and rhapsodize with the golden age sentimentality of MGM movie musicals and the timeless, larger-than-life spirit of old Broadway. Here, every song matters. Every song is important. Every song travels down memory lane. Every song is tuned to the max with sweet, centered, warm-heartedness. Every song fulfills its intended purpose. All of this is complemented by the strong, flavorful sound of Souza's orchestral team, all of whom share his tremendous sense of theatricality, musical interlude, impassioned communication and delight of the actual musical itself. They are: David Uhl (bass), Sal Ranniello (percussion), Liz Baker Smith (reed 1), Andrew Studenski (reed II), Travis Higgins III (trumpet) and Matthew Russo (trombone). As with other Goodspeed musicals, Souza doubles as conductor and keyboardist. As "Summer Stock" zings and pops, pretty music every song unfolds with a contagious orchestral musical glow, matched by the splendid musicality of the entire cast who address the catchy, homespun music and lyrics with perfect harmony, rhythm, phrasing and nostalgic commitment. These elements heighten the on-stage mode of the production, its progression from Act I to Act II, its send offs, its pastiche and its electrifying, barn-raising influence and thwack.

As with any big stage musical, choreography is key to a production's success, its fluidity of form, its artistic expression and its accompanying dance routines. Here, Feore, as choreographer, gives "Summer Stock" a highly personal touch of invigoration and speedy excitement that is tipped and generated with wonderfully elongated inspiration, stamina and determination. This is star quality choreography that peaks, shines and tilts with clever build ups, catchy dance steps and bold, concentrated rhythms, moves and beats that joyfully celebrate 1950's musicals in all their technicolor glory. As storyteller and dance interpreter, she brings great dimension and scope to the piece using techniques, styles, descriptions and an enriched canvas of thoughts and ideas that make their mark most engagingly. Everything that happens on the Goodspeed Musicals stage has been beautifully blocked, rehearsed and staged with such thrust and individuality, no two dance numbers are alike. In fact, once "Summer Stock" catches fire, there's no stopping it. Creating a freshly minted fusion of moods, tableaus, lifts, twirls and swirls, Feore pays homage to the actual vintage look and mindset of the musical, its dance-friendly art form and its free-flowing feel of excitement and exhilaration. Hands pop. Arms move heavenward. Dancers smile and glisten as they passionately ignite into joyful visions of sweetness, passion, frenzy and syncopation. Everyone is lost in the moment illustrating the traditions, the conscience and the power of musical theatre, giving and getting the most out of Feore's phenomenal, ovation-worthy choreography. Trained, drilled and confident, they each get a chance to shine - and shine they do - all making strong impressions that will live long in memory.

Making his Goodspeed Musicals debut, Corbin Bleu, as Joe Ross, a character originated by Gene Kelly in the 1950 film version, creates a "Wow!" song-and-dance-man factor chock full of charm, personality, self-confidence and full-beam, champagne delightness that astounds, cajoles and sparkles with leading man gait and luxury like no other. No matter what he does, he's a proverbial triple-threat (i.e., a player who excels at acting, singing and dancing) who makes everything that happens on stage feel fresh, spontaneous, real, raw and very much in the moment. It's in his eyes. It's in his moves. It's in his expressions. Exhibiting a sweet, contagious rapport that extends far beyond the footlights, it's the performance of the year and one that Bleu exudes with a Gene Kelly/Fred Astaire aura of showbiz savvy, knockabout whimsy, graceful athleticism and sterling encapsulation. "Joe's Dance," a solo dance number in Act II performed by Bleu only furthers that notion.

In the role of Jane Falbury, a role made famous by Judy Garland in the original "Summer Stock" MGM musical, Danielle Wade lights up the Goodspeed Musicals stage with a breezy, intuitive musical comedy performance of real warmth and spirit that is a constant joy to watch. Veanne Cox, cast in the role of the wickedly devious Connecticut farming magnate Margaret Wingate, is jaw-dropping brilliant, using humor, music, dance and melodrama in divinely daft and glorious ways that prompt applause and laughter whenever she's in the limelight. It's a scene-stealing performance so seamlessly entrenched in glee and fiery abandon, Cox, would be the ideal choice to play narcissistic Broadway diva Dee Dee Allen in the 2024 summer presentation of "The Prom" at Playhouse in Park in West Hartford. I'll personally deliver the contract. Other memorable performances are delivered by Arianna Rosario (Gloria Falbury), Stephen Lee Anderson (Henry "Pop" Falbury), Gilbert L. Bailey II (Phil Filmore), Will Roland (Orville Wingate) and J. Anthony Crane (Montgomery Leach). A musical escape brimming with delightful songs, engaging performances and full-beam dance numbers, "Summer Stock" is not only a bubbly tonic for theatergoers of all ages, but one that kicks nostalgia into high gear with uncomplicated bliss, fizz and vintage sparkle. It sings. It dances. It pops. It dazzles. Like "42nd Street" which played Goodspeed Musicals last season, it overflows with Kelly/Astaire lightness, punch and precision, sunny vibes and well-played exactitude. The energy displayed here is fast and furious with first-night exhilaration and thrill paired especially well with Corbin Bleu's charming star turn, Danielle Wade's joyous "Get Happy" abandon and Veanne Cox's well-prepped, icy cool villain. This is musical theatre of the highest order - infectious, irresistible, glorious. Its leave-your-troubles-at-the-door/Let's-put-on-a-show mentality accelerates with sparkle and cherry pie goodness. And boy, do we need it now!" [source]

(the reference to jane's sister abigail uses the film's names: abigail becomes gloria in this production, which is the name of abigail's actor in the film, which also mirrors how the role of herb is now phil, also the name of herb's actor in the film)

(also shoutout to providing A Full, Chronological List Of Songs. noting that according to another interview, intermission would be between "you wonderful you" and "june night")

#summer stock #dearth of peak relevant info for our purposes otherwise lol but hey #pressing f for danielle wade's performance Tending to be juxtaposed w/either corbin bleu's or judy garland's #which in fact doesn't always mean their going ''eh comes up short Relative to that comparison but good enough'' but yknow #also that role just isn't gonna be designed to be the most thrilling lol...let's get those character(tm) parts babeyyy #further photos of that preview performance do suggest there's more like midshow conflict b/w jane & gloria vs Only getting along great....#and intrigued here if it's like yeah gloria can be written to have Flaws kiiinda like the film dunking on her though not as much as it #(though not as much as it might've; parallel to orville; relevant to their compatibility lol though in this show it indeed just might not #go for ''conveniently gloria's also always already liked him & orville's just glad someone's being nice to him'' lmao. & in fact yes the #material already in the film was like hm sure could be the queer readings in these ''so you're doing cishettery wrong'' roles here #and going aw man wrt the comedy boys herb/phil & orville/orville not getting to interact more #herb getting to make One reference to kinda being the outsider/misfit even amongst the troupe like hey more abt that? what's your job also #meanwhile yeah you can do something like ''oh gloria has this idea re: being The Star but isn't actually as interested in that Process''#but that then instead of that Just being her at odds w/jane & her coming up short she can have her own arc still #finding out what behind the scenes work she Does want to do; jane & gloria of course ending up being mutually supportive one imagines #rather than jane Just being freer from Dealing With her lesser sister or what have you; whom can graciously enough accept this #and ofc we don't Need the partner swaps for everyone's guaranteed happiness communicated through ''they're not single''#whilest the lack of [oh this backup relationship was here the whole time kind of] does make your potential love triangle trickier then lol #hence perhaps some more significant conflict if you're like kissing your sister's date or what have you & she can't Just(tm) have yours #but then being The Lead can't be the ultimate of All [doing theatre]; having kissing status w/a guy isn't the ultimate of all Arcs/Life #(though noting tim wasn't Relieved if another ostensibly straight romance; a cliche in the modern musical; wasn't shoehorned in there...)#(also the awkward notes about Male Dancers and The Female Ones like alright? supposed relevance Where?)#long post ///

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sundial-girl · 8 months

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Hi! Would you like to explain how my portrayal of vsynths contrasts with Heron? I personally can’t figure out what makes it so interesting, since when I make Heron interact with other vsynths I rarely have a good idea of how they’ll work in mind, and just wing it.

hihi! i'd been meaning to get to this, so sure thing! for now i'll only focus on a few main ones that came to mind (i don't have a lot of brainpower atm 😔✌️) but i hope this is alright

mild disclaimer that some of this is based off information in older posts so i am aware that those prior details contained in them may no longer be canon. also again this just how i thought of/interpreted certain things, i'm obv not the og creator (you) so ultimately feel free to take this w/ a grain of salt since this might've not been the og intention.

also this is all under this cut here b/c it ended up being rly fckin long, sorry in advance if my explanations aren't very good 😭

so lets start w/ fukase; some of his character traits in your portrayal of him do seem to line up with some popular interpretations of him: silly guy/wisecracker who makes a lot of jokes, sometimes at the expense of others. also a he's a bit overdramatic ahdksjg. despite his sorta skewed goals, though, and behind that sassy attitude, he does really seem to care about people important to him. they're both very expressive characters (well in general everyone is depicted as very expressive in your art but thats an aside) but i think the way that is conveyed makes for an interesting contrast. fukase seems to show a lot more of his personality through his speech, while heron's personality is shown more through some of his actions. that's not to say heron is completely silent, but he does seem to save his words for more important occasions (or if he just really really feels like speaking his mind); whether that's because he's still a bit shy and/or just a quiet person in general, i'm not sure, but a lot more things with him seem to be conveyed through thoughts or external third-person commentary rather than him outright saying it. its definitely the opposite of fukase, who seems way more chatty and social. visually too there's a pretty neat contrast between them: aside from the height difference that sets them apart, both have limited color palettes that combine some neutral colors (fukase's off-white, black, and brown, heron's greys, muted teal, and tans) with a brighter color to pop out (fukase's bright red, heron's aqua seen on his collar + headphones).

flower and heron's relationship has previously been described as somewhat sibling-like, and it does definitely come off that way: there might be disagreements and rivalry but there's some calm nice/silly moments and genuine care & concern. they share a lot of similarities, but one could note how their relationship parallels that of heron & makarov's - flower occasionally takes on the more cheery and bubbly role in comparison to heron sometimes being the more serious and quiet one, which is seen reversed with the brothers. in spite of quarreling over small, petty little things sometimes, heron and flower seem to make up much easier and not hold any long-lasting resentment towards each other. i ofc know the heron & makarov situation is more complicated and it would make sense for it to be more strained given all that's happened, even in spite of heron forgiving his brother. but i do also wonder if it's been difficult for flower to try and calm heron down on certain occasions, seeing how he's also prone to spirals of his own thoughts that are hard to pull him out of, in a way very similar to his own brother. something sorta ironic there maybe

piko's interesting, pretty much the wild card here. his characterization does seem to vary quite a bit: he can be very playful and cutesy but also kind of a downer, as well as an angry little guy and a bit more ominous/spooky at times. there was a noteworthy point mentioned in this post though regarding how piko sees heron: heron reminds him of his younger self and wants to spare him of the pain that comes with getting your naive dreams of fame and popularity crushed. they're both very similar to each other, from the moodiness to being drawn—sometimes together—in a lot of pieces w/ similar subject matter (both have a fair share of lighthearted doodles as well as darker ones, more so in specific comparison with other characters), and taking the previously mentioned piko thoughts on heron, makes things a little bit sadder... maybe piko's current passive-aggressive and somewhat angry attitude is a mask he's developed over the years to protect himself from getting hurt more, though you can get to his nicer side if he trusts you enough. heron sometimes seems like a slight, cruel opposite of this: being nice and trusting others a bit too easily, but then breaking down emotionally in realizing his choices and impulsive actions, which might scare some people away. i want them to be happy kajhskj but i do wonder if, in spite of how much heron might look up to him, piko really feels the same way. i'm sure he does care about him, but... feelings is complicated. also i wasn't gonna touch on too much of this since i'm aware its not canon, but there's also the whole tall piko thing and how that version of piko specifically interacts with heron. that relationship in particular seems to represent an idealization: some sort of true happiness that'll come once there's an acceptance of the self, and a real willingness to accept help and be vulnerable to allow oneself to be healed... but again that's not canon and might not ever happen so, rip

and of course... there's len. i touched upon this in that original headcanon post but i did still wanna bring it up a little here. something i thought was interesting in looking back at a lot of your art was that most times, len is depicted in group settings; he's rarely seen alone and almost always interacting with someone else in some way. and generally he seems quite concerned, even more so in his interactions w/ heron. aside from the obvious fear of getting mauled to death probably lmao, he also seems to genuinely care about heron and worries about him. i think its worth noting that len is the first person heron sees after "waking up" here, and how he's the only one actually putting a hand on heron there in second-to-last panel. but again, even if len does have good intentions it is clear heron doesn't seem to be on the best terms with him. this piece has always been particularly intriguing to me, pairing what we see happening with the title. makes me think heron's blaming len for what happened to him, that it's len's fault somehow he ended up like this. a big thing also that's part of the len getting mauled thing is... len getting dismembered and eaten. i'm not gonna say too too much b/c i'm sure nobody wants to hear my cannibalism rambling but symbolically... "you are what you eat" yk? as mentioned with piko, heron seems to look up to a lot of the well-known vsynths and wants to achieve a status like them. and ofc len's arguably one of the most popular vocaloids with lot of fame and recognition. heron's design itself is said to take some inspo from len's outfit, and in general (like i mentioned in the original hc post), just wanting to be so much like someone, wanting what they have but not getting it, that might understandably drive someone to rage, and the mauling/dismembering/eating is the violent culmination of those feelings of envy. one last bonus point in terms of visuals too: yellow is the complimentary color to blue (ok ik heron's blues lean more towards blue-grey or aqua but shhhh), the literal opposite of it on the color wheel.

overall i feel heron honestly fits right in with the memesquad; everyone's personalities sort of compliment and mesh well with each other, which creates a fun dynamic that's really sweet to see. i think its really cool how you managed to make him fit in so well and how a lot of his interactions with the others make a lot of sense and are interesting to see, in happy moments as well as more serious/sad ones. sometimes i do really forget he's not a vsynth [yet?] so its surreal. ur doing a really good job tho, keep heronposting we love to see it

#ask #sorry this took so long to answer shkjghskjg 😭😭 a lot has been going on lately #i realize now this is more character relationships/comparisons and stuff rather than contrasts necessarily... oops.#i apologize in general if this makes like no fuckin sense 😭😭😭 my lit analysis shit always sounds better in my head than irl #there's more i could've put here but i was already struggling on how to phrase certain things properly so we'll leave it here for now #tho tbh: fucking around and not really knowing what youre doing will honestly lead you to some of the greatest shit youve made #<- thats a really weird fucking art/writing tip that ive learned over the years and it still fucks me up everytime but fr sometimes.#some of the best shit ppl have come up w/ was born purely out of messing around and improvising so. winging it is a solid development tip

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perenlop · 2 years

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idk what it is abt the second kyoshi book but im slugging through it ngl

#i passed it off as me struggling to get back into reading but i tore through ella minnow pea and im glad my mom died really quickly #and while the first kyoshi book took me a second i still really liked it #book 2 in comparison feels really slow and drab and i dont really care abt her conflictin this one #i like the yun mystery but its not mentioned all that much and idk how its gonna come up #im at the bit where she just met the fire lords brother #or i think its his brother. the lookalike to the fire lord #i think its like the fantasy politics i tend to find that kinda boring as a conflict if its like the main thing #bc a lot of this book has been ppl telling kyoshi she needs to be a better leader #i feel like in comparison the conflict in book 1 was a LOT sharper and more unique of a conflict for this universe #and jianzhu was a cool ass antagonist and having him as a pov character was interesting and was fucked up and i liked it!!#but here its just kyoshi and how she needs to be like palpable to society and like since its a prequel ik she'll prevail somehow #and idk its fine ig but not nearly as interesting as ''the former avatars best friend had to take on avatar duties #and was broken by the responsibility and grief and blames himself for his death so he ends up forcing the title on a young boy #grooms him to take the role and abuses him to force his powers and then proceeds to murder him when he finds the real avatar #and thats just ONE thing that was really interesting abt the first book like kyoshi not being discovered and scorned bc shes the daughter #of a thief and an air nomad and how that formed her ideaology AND that combined w jianzhu's influence on her life #and her relationship w rangi and how ugly jianzhu's methods expand over the book AUGH #i like her and rangi in this book still but partly paranoid theyre also gonna break em up bc rangi isnt talked abt in the source #so theyll do that to ''explain'' that #idk maybe the book will pick up soon. yun come back #echoed voice

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oveliagirlhaditright · 8 months

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Some Spike and Frankie stuff:)

#Buffy the vampire slayer #Spike #Frankie rosenberg #Spike and frankie #Man do I wish this was the true canon after buffy s7 and Angel s5 and not the comics. Alas. Joss make it so!#This is the PERFECT continuation in EVERY way #It could even be filmed. Like James Marsters always said he'd come back to another buffy thing if they found a way to write around how his #character is not supposed to have aged (or have amazing effects to make it look like he hasn't since angel s5)#And author kendare Blake listened to that and had willow put a spell on him here so he looks older #Because he's Frankie's Watcher and being the school librarian like Giles and everything and thus he needed to look older and less Billy ido #for people to buy him as a librarian. Lol #Also how I love in this canon that Giles took byffy to the ice Capades numerous times!#I also love Frankie calling spike out in that one scene she was right that he was comparing her to be buffy. Can people STOP expecting that #of Slayers? -looks at what happened with faith-#Grim is a thousand year-old demon who is Frankie's love interest. There are SOME comparisons to bangel (that have even been said)#but this relationship is more lust than heartfelt and having things in common like bangel was #Grim doesn't even have a soul. eats hearts. and is torn on if he's on Frankie or aspen's side #Also Frankie's name is NOT Francesca but Grim sometimes calls her that. Frankie is okay with it #And can I again say how much I love frankie? Because I do #One girl in all the world #One girl in all the world by kendare blake #In every generation #In every generation by kendare blake #In every generation series #long post

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celaenaeiln · 8 months

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I want to talk about Dick Grayson's beauty, sex symbol status, and how it all connects for a moment.

This is a prelude to an upcoming post but I needed to include this separately because the other was getting too big.

First of all Dick Grayson is a beautiful man.

And you're probably thinking "well, no duh. Everyone knows that." but what I mean is Dick Grayson was intentionally made to be beautiful.

For a little historical context, around the late 1950s the culture in the US was changing. It was around this time, that people began exploring and accepting what they called a "feminine man".

This was really taking place in cinema and stuff where they began to show softer versions of men doing "typically female roles" as heroes.

One example is the movie "The Man Who Shot Liberty Valance", a 1962 Hollywood film. In summary, it takes place in the midwest and is centered about Cowboys, gunslingers, the shebang. But the point is, there are two male leads in the movie - Ranse Stoddard (played by Jimmy Stewart) and Tom Donophon (played by John Wayne). Ranse and Tom are both the heroes in the film but with a key difference. Tom is like the sheriff of the town, loved by all and focusing his time on practicing his gun skills. The savior of women and normal people, he's the typical masculine hero. His face is rough and handsome. Ranse however was the new wave. He doesn't care about carrying the gun, he thinks it's uncouth and focuses much of his attention on sending the evil guy (Liberty Valance) to jail through laws. He doesn't want to kill and he takes a more advocative approach. He is also loved by everyone despite not being super masculine. Ranse's face is clean and almost dainty in comparison to Tom and Liberty Valance's.

Despite the complete opposites they are, both men are considered heroes. On one hand, you have the very male typical hero but on the other hand, you have the feminine male hero. At one point the evil guy laughs when Ranse walks in wearing an apron because serving tables is a "woman's job", but Ranse doesn't let it bother him.

How does this connect to Dick Grayson?

Dick Grayson is the feminine hero of DC. DC jumped on the pretty boy hero train.

That's also why in the Teen Titans (1966) comics, Dick keeps being referred to by endearingly feminine pet names by the titans which they seem to only use on him.

Standard gender roles: Men were expected to be strong, aggressive, and bold while women were expected to be polite, accommodating, and nurturing. Sound familiar about a certain duo?

But Dick? He plays both male and female gender roles in a time period where it wasn't socially acceptable to do so.

So my point is, Dick was created to blur the lines between gender and the way his character has progressed - he's meant to be the definition of a man opposite to male toxicity.

He can cook and do laundry whereas Bruce, the image of male dominance cannot.

This also falls into another role of Bruce and Dick's but it applies here as well in hindsight.

One thing people need to understand is that Dick was created to be the antithesis of Bruce Wayne. For all the gloominess that Bruce is Dick was meant to be the joy. He is the light to Bruce's darkness.

Which is why Dick often acts as the loving mother to the batfamily while Bruce acts as the stern father. Because Dick was created for the female role.

Part of the reason why I love Dick and Kory is because they do this at a time where girlbossing and malewifing wasn't a thing. Kori is consistently the dominant one when it comes to love in their relationship while Dick plays a softer, more "wife like" role. The way Kori is taller than Dick and buffer than him ✨

He is quite literally a queen consort - that is the role that Kori begs him to take after she is forced to marry someone her father picks out for her. But Dick refuses in tears because his morality cannot bear becoming a mistress and ruining someone else's marriage.

I know this is a long tangent but here's where the sex symbol comes in. Dick was created to be the most beautiful figure in DC but him being beautiful is not supposed to be confused with him being objectified.

Being beautiful is just something he was born as. What people do as a result has nothing to with DC

Take this for instance

He's literally just showering and comes out of the shower to find a random little girl singing about his and batman's identities. Creepy? Yes. Very much so. So he chases after her and finds her gone. Well there's nothing he can do now, he needs to go back and analyze what's going on and contact the other titans-

Crap.

Look at all the women that are ogling him, and even the ginger looks as if he doesn't know if he's jealous or wants to join - but there's nothing Dick did to make them do that. He's literally minding his own business and got caught outside. Did he hit on the women? Did he seduce them? Did he purposefully show off and make a loud commotion because he wanted the attention? No!

Arguing that Dick Grayson shouldn't be a sex symbol just seems wrong to me considering that it's not a fault of his.

It's like telling Kori not to have large breasts and telling Dinah not to wear fishnets.

People still ogle them regardless of how they dress because they're just that attractive. You can't tell someone to look a different way because you don't like the attention they're receiving...that's literally the opposite of everything people should be fighting for

Arguing that Dick Grayson being a sex symbol is a problem because he's too beautiful and blaming the actions of other characters for thinking so is just...

it's wrong.

He was created to be beautiful to fight male toxic masculinity. He's woman coded for a reason.

We should be embracing him. He represents everything male freedom should be about. He constantly placed in a female role, in female positions-

In queer positions-

He's acrobatic, slender, and sensual. He's gentle, loving, and beautiful.

When has the beauty of a person ever been a reflection of their character? The way fandom is going, it's implying that because female characters make sexualized comments about Dick's body, it's somehow Dick's fault for looking that way. We're blaming him for his "womanizing" ways as if he hasn't put his heart and soul into every relationship he's had. And while we're busy calling him a womanizer, we conveniently forget that the women he's in relationships with have significant personalities of their own. We inadvertently reduce their beings to plastic bags, ignoring that they have broken up with each other because of being unable to resolve conflicting beliefs, different career paths, different lifestyles, and more. It's not a one way road with our treatment of Dick. It's a two way street because we're harming both Dick and strong women like Kori, Barbara, Bea, Shawn, and Helena by pretending what they believe in and live for is unimportant in love.

Instead we should be exploring how the objectification might have an impact on Dick's mental health rather than blaming DC for using characters to describe how hot Dick is.

All the beautiful traits of Dick Grayson - his ambiguous sexuality, his overwhelming love for people, his affection for his friends, the way he cries and feels for others - all of it is beautiful, is it not?

From his very creation Dick was meant to be someone who breaks gender roles. The constant attraction he receives from both men and women in all of DC's media is evidence of that. The Grayson comics push the boundaries of his sexuality as much as DC will allow. To be queer without coming out with it. He is the feminine hero.

Everyone seems to hate that he's being called a sex symbol but why does that bother you? Dick Grayson IS the pretty girl of the comic universe. He IS the babygirl of DC.

DC has created the perfect view of what it's like to be a woman through Dick Grayson and we're spitting on the most accurate representation of a female that comics have ever created by blaming them for expressing what it's like to live as a woman.

#dick grayson #nightwing #I would love to hear people's thoughts on this bc I genuinely don't get the problem with him being portrayed as hot #bruce wayne #batman #dickkori #my thoughts on the sex symbol thing #prelude to my next post #koriand'r

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ofswordsandpens · 5 months

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Okay compiling my most critical opinions on the pjo show so far (episodes 1 & 2)

The Gods' Conflict, Foreshadowing, & Big Three Kids

The show has seemingly dropped a lot of the foreshadowing and threat regarding the gods impending war over the theft of the lightning bolt. In the book, Percy remarks about how the weather's been inexplicably weird and extreme. When he gets to camp everyone is on pins and needles about something and they don't want to talk about it but its still very present. By the time he's claimed as a son of Poseidon and everyone's like "oh fuck" and then Chiron finally explains to Percy that the gods think he's the lightning thief, everything clicks into place for the reader. It all makes sense why everything seems so wrong... because things are wrong. Meanwhile in the show, that doesn't carry through as much, so the reveal of the conflict between the gods and why that's a big deal falls flat in comparison imo.

They dropped/stalled the foreshadowing of the fates and the cutting of the string. They could very well include this in future episodes, and probably will, but I think the timing of it - Percy seeing this before he even knew he was a demigod - again carries some hefty significance and helped set the foreboding tone of things being wrong even from the beginning.

They did drop Zeus's attack on Percy in the minotaur battle completely, which does disappoint me. In the book, its lightning that blasts the car off the road. In the show, Sally seemingly loses control of the car. That change is pretty significant, because it's again losing the power of RR's foreshadowing in the book. The attack on Percy outside the camp borders was a duel attack from Zeus and Hades.

Finally, I don't like the changes they made to Percy's claiming scene, namely, the reaction from the rest of CHB. Percy being a son of Poseidon is a huge deal. When Percy's claimed, the attitude is very much begrudging reverence paired with genuine fear of what it means and what he represents. In the book, Percy is claimed. People gasp. Everyone kneels. Annabeth says, "This is really not good." In the show, Percy is claimed. People... stand there? Annabeth smiles - she's going to get her quest. The only person who has the most outright negative reaction is Luke. I won't go so far to say this is out of character for Annabeth, but it is focusing on an entirely different aspect of her character in the moment, and what the audience gets from Percy's claiming scene here, the tone, is now different from the book. Basically, the reverence and fear don't really carry across to the show, which I think is important.

The phrase "forbidden child" slaps tho.

2. Gabe's Characterization, Sally's Characterization, & Why the Changes do Make a Difference

I'm going to say this with great care: The show has absolutely depicted an abusive relationship between Sally and Gabe. The show has shown Sally to be a strong woman who would do anything for her child. The show has shown Gabe to be a controlling, toxic man.

What they have depicted in the show does not read like the characters and dynamic in the books.

Book Gabe is a violent, menacing drunk. He is so disgusting and vile that monsters avoid him. This is overwhelmingly apparent from the second Percy gets home in the book, even before he is aware of the physical abuse Sally has been facing. Percy has already been dealing with physical abuse from him, amongst other things (edit to be more specific: this is including verbal, emotional, & financial abuse). I've already spoke to it here, in-depth, so I'll try to keep it short but all of this has not been translated accurately to the screen. (Is this to say that a person must be overtly abusive to be abusive? No. But does this character on-screen feel like Smelly Gabe? No.) These things have shaped Percy (and Sally) in very specific ways. As others have mentioned: Percy cannot stand alcohol. He meets Dionysus and is reminded of his step-father. He gets to Tartarus and the air reminds him of Gabe.... The character on screen, while abusive, does not share this presence at all, and that makes a difference.

Edit: To emphasize once more, I am not saying that the show has not depicted a realistic portrayal of abuse. It has (verbal, emotional, & financial so far). It has also distinctly changed the tone and Gabe's presence from the book, to the extent that it no longer feels like the same character and that does have a rippling effect on the dynamics he shares with both Sally and Percy.

3. The Lack of Annabeth

Annabeth in the show is just like... really not as present as she is in the book so far, and I'm just kinda like, why lol?

Annabeth in the books is already way more involved in Percy's life. She was in the infirmary feeding Percy ambrosia after the attack (ulterior quest motives lol), she's the one who lead Percy around camp and re-explained godly parentage to him - and its a moment where she's very sincere with him, and even trying to help him! Instead these moments are given to Chiron and Luke, which I do get the merit of, but still, these were her moments!

Annabeth in the books had already surmised that the gods were fighting, something was stolen, and the something bad was going to happen, all before Percy had even been claimed. And she shared that with him! Again, the loss of foreshadowing and little bonding moments has me :(

I'm a little worried how they're going to deal with her crush on Luke because its pretty central to her character in the books! It helps Luke to manipulate her and also keeps her from admitting he's done something wrong. Also, it was very sweet and funny reading her get flustered - It drove home the point that she was just a kid with a crush that she didn't know how to handle. But in the show Luke spoke to her and I was expecting there to be some sort of reaction to it and there just... wasn't? (This is not something I'm laying at Leah's feet btw! Only the writers/directors!) We're only two episodes in tho so maybe we'll see it some more moving forward.

4. The Minotaur Battle

Again, I've already spoken about this in depth here but !!

The lack of Zeus's lightning strike, them all coming to a standstill and just chatting instead of running for their lives, Grover being awake and just sort of off to the side watching the fight, Sally being like "Promise Me Grover Swear it"... it all just doesn't ring right to me

I wanted more panic, more terror, more urgency. Higher stakes. I wanted Grover unconscious, I wanted to see Percy drag him into camp, and I wanted to see more of Percy's grief alongside his rage. Like the book did.

The pacing in the show here, and just overall, is weird

5. Other Stuff

Mrs. Dodds fight kind of fell flat too. It was honestly too sudden and Percy killing her in the show seemed even more accidental than in the book lol. Like, accidental impalement vs intentional swing of the sword.

They really had show Grover throw Percy to the wolves and not just gaslight him, but low-key have a part in getting him expelled? Not sure how I feel about it tbh.

More New York. I wish we had gotten the part of Percy taking the bus home with Grover included cause like? Him ditching Grover was funny, but it would have been the perfect opportunity to show Percy traveling through New York and establish it has his home. Shots of him looking at the city, walking the streets, interacting with people near his building.. yeah.

More Montauk too tbh. Like more shots of him and Sally on the beach rather than just the cabin.

Nectar and Ambrosia! Unless I missed it, which I might have, why have we still not gotten an onscreen depiction of it yet lmao.

#I'll add more tags/thoughts to this later lmao but!#pjo adaptation #pjo #percy jackson #pjo show crit #had to expand more on Gabe cause im already getting comments like: /you know there's more abuse than physical right?/#yes #I never said there wasnt #I never said that was the only form of abuse percy and sally faced #I said both show Gabe and book Gabe are abusive #but its played differently #tone wise #presence wise #and that matters

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blossomthepinkbunny · 2 months

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Vivzepops fetishization of queer men and the lack of Sapphic content in HH and HB

I found it a bit dissapointing that Charlie and Vaggie had very little interactions that could be read as romantic or sexual, especially since they are the supposedly the main couple of Hazbin Hotel and have been together the longest out of most of the couples in HH and HB.

Of course having more casual representation is also fine but the most memorable thing about their relationship was the quickly resolved argument they had when Charlie found out about Vaggies past. I've seen different opinions about how they were handled as a pair.

I understand when someone says that they enjoyed a more relaxed couple with subtle, realistic interactions, interactions that are often overlooked just because both characters are female.

But I can also agree, that they were really not a stand-out couple (wich is weird since Charlie is the main Character) and that it was a bit dissapointing to not see a lot of content for them.

Now the main issue I found with this is that in Vivzepops stories there is a definitive lack of sapphic content. It sometimes seems like women are sexless unless they are with a man. But two men can be sexual and openly affectionate (romantically too). At first I didn't really understand why I felt weird about Chaggie as a couple, so I looked at all the implied/canon ships in Helluva and Hazbin (including past relationships).

Implied/canon couples between a man and a woman:

-Millie and Moxxie

-Blitzø and Verosika

-Stolas and Stella

-Millie and Chaz

-Beelzebub and Vortex

-Sir Pentious and Cherry Bomb

-Adam and Lute

-Lucifer and Lilith

Implied/canon couples between two men:

-Stolas and Blitzø

-Asmodeus and Fizzarolli

-Moxxie and Chaz

-Angel Dust and Husk

-Vox and Valentino

Implied/canon couples between two women:

-Charlie and Vaggie

Now please tell me if I missed any, but these were the ones I could think of.

Honorable mentions include Loona & Vortex, Blitzø & Striker, Blitzø & Chaz and Blitzø & Fizzarolli. But I didn't put these on there because they're either one-sided or don't have enough romantic content.

Now it's very easy to see the difference between representation for queer men in comparison to queer women in these shows. The only relevant (im not counting Background characters) Sapphic relationship there is, is Chaggie. And it's completely underrepresented when compared to the content the man x woman or man x man ships get (not to mention the total absence of gender-queer characters).

One of Millie's and Moxxie's jokes is that they're so in love, that they're almost always cuddling, holding hands, talking sweet or just straight up making out with eachother (I'll talk about Millie a bit later). Sir Pentious had multiple scenes dedicated to him trying to confess to Cherry Bomb or just crushing on her in general.

Stolas' and Blitzø's relationship has become one of the main topics of Helluva Boss and they get a Backstory and explicit aswell as dramatic scenes for them as a couple. The same goes for Asmodeus and Fizzarolli (except that their love isn't as important). Angel Dust and Husk get a song and part of an episode for their relationship to develop.

Here i'd also have to mention that by the list I made Vivzepop's fetish for queer men is very prevalent. Most of the couples between men and women are either past relationships or they get very little attention to them. The only ships that often get special focus, development or explicitly romantic/sexual focus are ships with two men (no matter if their dynamics are even good, healthy etc.).

Now for Millie there are different ways you could talk about her situation with relationships. In general I think that everyone can agree that Millie lacks Character and is a good representation for the neglect of the female characters. Most of her moments revolve around Moxxie in a way and she hasn't had precise characterization so far.

Millie's relationship with Moxxie is sweet and simple and is generally one of the better things about Helluva Boss (if you ignore Millies lack of personality wich really pulls the couple down for me). Now the Episode "Exes and Oohs" shows the mutual Ex of Millie and Moxxie. Chaz dated both of them and as we see in the episode affected both of them very negatively. At the start we literally see Millie freak out and destroy a bunch of stuff, just because she saw Chaz on the street.

Yet Millie's relationship with him is never explored further. All we know is that she dislikes him and that he's a giant asshole. Whereas Moxxie get's a whole Backstory and episode plot about him and Chaz. No focus is given to Millie at all even though Chaz is the ex of BOTH of them.

Another thing that I wanna point out is Millie's possible Bisexuality. Now im not so sure for this point because I couldn't find genuine confirmation on wether Millie is actually confirmed to be Bisexual or if it's just a headcannon. So take this with a grain of salt BUT if Millie is Bisexual then she perfectly shows how little Vivzepop cares about Sapphic representation. What does Moxxie get to confirm him as Bisexual? An ex of the same gender (also multiple explicit flashbacks with him), a whole discussion about his queer identity and a scene where he literally says that he's Bisexual. Moxxie is pretty good Bisexual representation in that regard.

What does Millie get? Nothing. Again I don't know if she's genuinely also Bisexual or if it's ever been confirmed but it'd also be pretty weird if Vivzepop apparently cares so much about queer representation and then doesn't confirm any female characters as actually queer.

I think a lot of people have talked about her blatant fetishization of queer men and I think that that's also mainly why I feel weird by the lack of attention on Vaggie and Charlie as a couple.

I sorta wish I could enjoy a more toned-down and realistic couple in these shows, but when I see that a ship like Vox and Alastor (wich isn't canon nor would it even happen since Alastor is Aroace) is talked about more than the actual main character's relationship I just don't like it.

There's so much more you could say about poor queer representation by Vivzepop (like the fact that she's fine with people ignoring Alastors Aroace identity, and the stereotypes etc) I mainly wanted to talk about the neglect of her female cast in terms of sexuality.

#hazbin hotel #hazbin hotel charlie #hazbin hotel critical #hazbin hotel criticism #hazbin hotel critique #helluva boss #vivzepop critical #vivziepop #helluva boss critique #helluva boss millie #helluva boss critical

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hyomaslut · 10 months

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──★ ˙🍆 ̟ !! casual conversation between friends. 18+!

☆⌒(ゝ。∂).ᐟ ᴀsᴋɪɴɢ ʙʟʟᴋ ʙᴏʏs ғᴏʀ ɴᴜᴅᴇs ᴘᴛ. 𝟷

✿ ─ characters: isagi yoichi, itoshi rin, chigiri hyoma, reo mikage ✿ ─ cw: smau!, extremely suggestive/borderline smut, aged-up!characters, college!AU, gn!reader, no pronouns, unestablished relationships/mutual pining, use of foul language, descriptions of genitalia, suggestive themes, you and chigiri are talking about npc college drama, proofread??? ✿ ─ notes: honestly the smau aspect was so hard cuz im a perfectionist and wanted read reciets and everything. all the apps for them suck. i managed :))) and i rlly hope you guys like it :)) feedback appreciated. i put chigiri's at the end cuz its so long. part 2 is here!!!!

ISAGI YOICHI...

your fingers fly across the keyboard to tell him that yes, you were very serious. isagi literally jumps out of bed to go shower and everything. he has been crushing on you since forever and god knows he’s not blowing this chance you’ve given him by sending a shitty picture. you get an image attachment 20 minutes later, yoichi standing in front of his foggy bathroom mirror, the phone in his hand covering half of his face. he’s barely out of the shower, hair dripping wet and towel hanging extremely loose around his hips. his other hand sits at the base of his dick, acting as both a size comparison and a way to draw your attention to it. it’s obviously of decent length as far as you could tell, but the girth. you cant even pretend your mouth doesn’t start watering at the sight.

ITOSHI RIN...

you don’t have time to feel all that bummed about it though, because within a few minutes you’re shocked to get a picture from rin, the camera facing downwards towards his legs. nothing would be all that out of the ordinary if it weren’t the obvious tent in his shorts. the fabric around his crotch looks stretched by his hard dick fighting against the confines of his soccer uniform. it’s not exactly what you asked for, but you can’t find it in you to complain, because it’s way more than you actually expected to get. your mind starts racing. he’s hard from just a few suggestive texts? that means one of two things. either he really is a virgin like you thought he’d be, and the littlest of acts gets him riled up. or he’s just that into you. both of those possibilities sounded like fun. and the idea of those possibilities made you greedy. enough to push your luck.

MIKAGE REO...

two pictures come in quickly and you laugh at the idea of him rushing to take these for you. he sends the first one, taken standing in front of the full length mirror in his boxers, dragging down the waist band of them so you can see the first few inches of his shaft, phone in front of his face. he’s perfectly clean shaven, zooming in closer, maybe he waxes it? you can’t help but be impressed by his attention to detail. it’s so reo that it makes you smile. second one is sitting down in some fancy looking suede armchair, underwear gone, cock in one hand while the other splays over the bottom half of his face, poorly covering the wide self-satisfied smirk. you assumed he set up his phone with a timer considering he wasn’t holding it. as you stare at it, the initial evaluating that everyone does when they receive a dick pic fades away, and you feel heat creep up your face. reo was really hot, and just this once you figured it wouldn’t hurt to tell him you thought so.

CHIGIRI HYOMA...

you get through the stressful minutes waiting for his response by chewing on your nails. maybe you really just fucked it all up. but then, to your surprise, a photo loads in. its hyoma sitting on his bed in front of his mirror, his fingers buried in his hair to push it out of his face in possibly the sexiest way you’ve ever seen. his other hand holds his phone, his pretty face in full view with his gaze locked on the screen. your eyes can’t help but travel down to the only part of your crush you haven’t seen. and boy was it worth the wait. his dick curves up towards his abs and its a lot bigger than you expected. long and a perfectly pink tip. you bite your lip at the thought of it stretching you out, and then feel slightly guilty for thinking of him that way, as if you haven’t done it plenty of times during your so-called dry spell. if the whole soccer thing doesn’t work out, you’re sure he could be a pin up model. or maybe a greek god.

hyoma's got long again ;-; mb,,, but can you blame me??? i want to do a part two with at least nagi and bachira, but idk who else i want to include. open to suggestions ♡

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come-see-our-show · 4 months

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I saw an early screening of the Mean Girls movie last night, so here is a summary of my thoughts, comparing the movie musical to the Broadway musical, which I was lucky enough to see live in 2018!

Changed that I liked:

The usage of social media in the Broadway show made it very clear that it was written by adults who didn’t know much about Gen-Z. It was probably one of the worst parts of the show in my opinion. But Tina Fey must have done her research since 2018, because the way the movie uses TikTok, memes, vlogging, and FaceTime to push the story forward worked VERY well. I think there were some influencer cameos, but it didn’t feel they were included to show how “young and hip” they were, It actually added authenticity.

The diversity within the cast and changing last names to reflect the characters’ backgrounds (Karen Smith ➡️ Karen Shetty, Janis Sarkisian ➡️ Janis 'Imi'ike)

Cutting down “Meet the Plastics.” It’s a very exposition-heavy song and doesn’t need to be super long, even though the full version is quite catchy and fun.

All of the new jokes landed so well, probably because Tina Fey’s writing style is better suited for the screen as opposed to the stage.

This is more of a comparison of the musical vs. the original film, but a big change was The Plastics’ weaponized wokeness (which I talk about here).

The production design for most of the songs was very different. The stage musical has a lot of rock songs, which were changed to a pop sound for the movie. I personally prefer rock musicals, but it was a good way to give the movie a separate identity from its predecessor so it doesn’t risk becoming a carbon copy. It worked on some songs (“Someone Gets Hurt” and “World Burn”) but not on others (“A Cautionary Tale” and “Revenge Party”).

Cutting the joke about Regina’s ass being big. It was a very low-brow joke, which I’m not a fan of, and was just really immature. Thank God that was changed to her falling, which still shows her being embarrassed without her body being the joke.

Explicitly making Janis a lesbian! (It’s only implied in the stage show with “It’s not even true… I only have one butt”) And she goes to prom with a girl while Damien dances with a boy! ALSO THERE’S REJANIS LORE AND IT’S SO HEARTBREAKING I LOVE IT

megan thee stallion just… being there

Miss Norbury and Principal Duvall being a couple and owning a dog together!!!

As a low mezzo, I appreciated whoever decided to lower the key for “I’d Rather Be Me.” I felt very represented 🩷

Having Cady be raised in a single-parent household so it focuses in more on her relationship with her mom. Jenna Fischer was so motherly and sincere and brought a warmth to the movie. Their scene together near the end made me emotional (you’re never too old to ask your parent to stay with you until you fall asleep) (also this is my request to make jenna fischer my mom)

Changes that I didn’t like:

Cutting BOTH of Damian’s solos??? (SHE’S LEAVING!!!!!!!! JUST LIKE MY DAD!!!!!!!!!!!!!!!)

Cutting “More Is Better.” It wasn’t necessarily a memorable song, but it did give both Cady and Aaron more depth, both as separate characters and within their relationship.

While cutting some of the songs helped with pacing, cutting HALF of the score made me forget that it was a musical sometimes, which sucks because I really like musicals!!!

Other stuff:

The movie was marketed horribly. One of my friends didn’t even know it was gonna be a musical because there were no songs in the trailers 💀 (Also, this isn’t just a Mean Girls problem. The Color Purple also didn’t have any songs in the trailer. I didn’t even know Wonka was a musical until I saw it in theaters, so that was a bit of a shock.) If you’re producing a musical movie, maybe your focus groups should be musical fans, because that’s still a HUGE market.

Auliʻi Cravalho’s voice is STUNNING! She and Jaquel Spivey had great chemistry and their friendship felt so genuine!

The opening and ending transitions from the garage were everything to me

The EDITING

Angourie Rice is a great actor and fit Cady perfectly… except for her singing. Out of the entire cast she was easily the weakest in terms of vocals and it was pretty disappointing since she’s the LEAD. I could barely hear her in the new song “What Ifs” because of how quiet and breathy she was. I think it’s a better written song compared to “Roar” though.

Jon Hamm cameo!

Ashley Park cameo!

I cannot stress enough how funny this movie was. I was probably laughing louder than everyone else in the theatre.

I lost my shit during “Meet the Plastics” when Regina unzipped her jacket and Cady was staring at her boobs. She’s just like me fr 🏳️‍🌈

I know that Regina is a horrible person but I couldn’t find it in me to dislike her in the slightest. She just served too much cunt 😩

Christopher Briney is a good actor, but I don't think he was the right choice for Aaron Samuels. I would hate to ridicule anyone for their looks, but it still plays an important part in casting. Aaron is supposed to be a somewhat naive, wholesome, hot jock (and Regina has high standards, so he better be a fucking model). Briney is definitely a cutie, but gives off “smoldering badboy with a secret sensitive side” energy, which isn’t what Aaron should be.

The fantasy sequences (Stupid With Love, Revenge Party, October 3rd). I LOVE when movie musicals USE the medium to tell stories in a way that they can’t on a stage!!!

THE CHOREO!!! Everyone freezing then shaking in “Someone Get Hurt” AHHHH that entire number was HYPNOTIZING!!!!!!!!!!! My friend told me the choreographer’s name is Kyle Hanagami, so shout out to him. (also reneé rapp was so fucking hot while singing that oh my lord)

I will be calling my pimples “face breasts” from now on (avantika ilysm)

DAMIAN’S FRENCH COVER OF THE ICARLY THEME SONG 🙏🙏🙏🙏🙏

why was there a 0.5 camera shot of cady during revenge party 💀

“I’d Rather Be Me” was so much fun and I felt so fucking empowered. And the transition from the song to the bus was just *chef’s kiss*

“donut worry i am still your freend” 🥺

Lindsay Lohan cameo!!!!!!!!!

NOT ENOUGH RENEÉ RAPP 😭😭

Overall, the movie was not perfect, but the Broadway show already had plenty of flaws, so it’s understandably how that would affect the adaptation. I still a LOT of fun and would definitely see it again. Go stream Snow Angel by Reneé Rapp. i love women 🥰🥰🥰

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butchladymaria · 1 year

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i did overall really enjoy elden ring… in hindsight though, i think the reason i didn’t get as into it was because as i played i couldn’t help but feel that it had a problem with cohesion. there’s so many beautiful areas and different stories and mechanics and themes and symbols, but at least while i was playing i felt like it was just too Much. there was a lot of breadth, but at the expense of depth. i don’t know if this is a general critique or maybe just a matter of it not being my cup of tea — i just feel that the story and game mechanics are pulled in so many different directions that it just doesn’t all work together in the end. there was a lack of cohesion, something i think open-world games run the risk of already. but where games like skyrim and breath of the wild succeeded by having a consistent throughline, i felt it was missing in elden ring. the game was absolutely stunningly gorgeous! i just wish there had been a bit more tying it all together.

i’d love to know more about other people’s experiences though!!!

#it kinda felt like everyone was just fucked off doing their own thing #one of the best pair of areas though in my opinion are caelid and the haligtree #because theyre so deeply connected to the relationships and interactions between characters #even volcano manor got that benefit!!!#but so many other places im just like ok but why #why is that whole town in liurnia sunk. just for funsies. we r not telling <3 #i even think of other fromsoft games like bloodborne. u ask me what bloodborne is about in 3 words im gonna say werewolf eldrich horror #but elden ring didnt feel like it had that cohesion for me #like its trying to be About so much that it kinda fails to be about anything at all #also so many enormously important plot points are just so fucking easily missable dont @ me i was here for when they didnt even #give you npc markers 😭😭😭#i really unironically think the game would have benefitted so much more if there were more sections where you could coop with npcs #dont Tell me millicent is on a journey. Show Me. let me go with her #let me runn around with blaidd in nokstella #getting to do that with mini ranni was so FUCKING fun lol and it gave ranni SO MUCH more character #but like …. the other characters feel so flat in comparison idk #this is a whole other post tho lol #elden ring

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ozzgin · 2 months

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Hai, beloved....❤️✨

I've liked your blog for a long time and I came here to make a request With the six Handsome Yokai, muehehe ~

With fem reader who is the wife of the Yokai (separately) and is a woman who turns out to be a beautiful and elegant Oni please...❤️💋

Of course! My apologies for the delay, it always takes some time to get back into the mood for a certain story. This will be a yokai harem week hopefully. :D I'm very glad you're still around, Strawberry. 💕

Yandere! Yokai Harem AU: Oni! Reader

Featuring the six demon boyfriends - now husbands! - and a female oni reader.

Content: female reader, monster romance

[Main Story] [Character Guide] [Boyfriend Headcanons]

Murasaki

Murasaki needs time to accustom himself to any change in the relationship. You've gotten so close that you now wear his wedding ring, but strangely enough, he will be somewhat distant and shy in the first month after marriage. Mind you, he married you specifically because he cannot envision his life without your presence in it. Yet every time he glances at you, his cheeks burn in embarrassment, and he quickly looks away with a huff. It feels different. You're as beautiful as always, except now you bear the title of his wife. It's an intimacy he's never experienced before, making him nervous. Murasaki does not like uncertainty. How do people get used to it? Additionally, he will be extra protective and particularly caustic towards potential threats. You've had to hold him back from slashing a mere passerby once. "What're you looking at a married woman for? The road is straight ahead, asshole!"

Kiritsubo

Kiritsubo has always been a clingy and affectionate partner and you didn't think it could get any worse. Then you got married. On one hand, it has certainly helped his struggle of feeling insecure and inadequate. Can you blame him? You're stunning, often catching the eye of demons and humans alike. It was difficult to imagine someone like you would be pleased to have him as a partner. Yet here you are by his side, wearing the ring he's given you to tie the knot. He couldn't be any happier. A newfound sense of pride has flooded his entire being. Perhaps he is meant to be yours, after all. On the other hand, he's glued to your side even more so than before. You're married, which means you're basically one, right? It means you can be even more intimate. "Oh, you're preparing a bath for us? I can't wait!"

Suma

"Beauty and the Beast" is a fitting comparison for your relationship with Suma, and not just appearance-wise. You're elegant and well-mannered, while the yokai man is, well...nonchalant is one way to describe it. He is loud, carefree, and unapologetically violent. He loves fighting almost as much as he loves you. In the eyes of most people, you're an unusual pair. Despite everything, Suma can be very gentle, especially when it comes to you. And if he does get too enthusiastic, you're thankfully not as frail as one would believe. You are a powerful oni, after all. He's the kind of guy that will shout "This is my wife" so the whole perimeter knows not to mess with you.

Yuugiri

Yuugiri might just be the perfect match for someone of your status. He is equally good-looking, with androgynous features and distinguished manners. A perfect, charming husband according to many. He knows exactly how to sweep you off your feet and loves to spoil you with compliments. The snake yokai is very proud to have you as his wife. The downside to this is that he can be extremely jealous. If he suspects someone is trying to flirt with you, know that he is already planning their demise. He'll flash you a confident smile while pondering ways to torment the bastard. Don't worry, he will be equally ruthless if someone tries to get close to him instead.

Sakaki

Ah, Sakaki. Your very own gloomy husband, plagued by doubt and fear. Once again, an intriguing pair to outsiders. The depressed, melancholic yokai and his gorgeous, bright oni wife. Yet this is the very reason the demon has fallen in love with you: you're the light in his darkness, the hope in his despair. He proposed to you in the way most expected of him: a ring in one hand, and a noose in the other. "It's you for eternity, or death. You may seal my fate." Life with him won't change much after tying the knot. Although he might get a little more confident now that you have made things official. "Excuse me, you're flirting with my tomb partner. We'll be sharing a coffin one day; you don't stand a chance."

Sekiya

Sekiya will take forever to propose to you, mostly out of fear. Despite your best attempts to reassure him of your love, he is still very much crippled by the fear of rejection. What if you say no? What if you change your mind at the very last moment? You're an alluring, charismatic oni that could easily find someone better than him. His chances are slim. Thankfully it will tone down once you're officially married. He might even come out of his shell and dare to be a little more assertive. "That's MY ring on her finger, j-just so you know", he'll warn, proudly. (It was a jewelry maker asking you what style you prefer)

#yandere yokai harem #yokai harem #yandere #yandere x reader #yandere headcanons #yandere monster #yandere monster x reader #monster x reader #oni reader #yokai x reader #monster romance #monster husband

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