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little-mari-on-a-roof · 6 months

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Along with finally airing the season 5 finale, Tfou released a version of the two last episodes commented by the writing team!! So, as I already did with the commented version of Evolution, here's an overview of what they said!! It’s quite long given that it was two episodes and they talked a lot so I will put the parts I think are the most interesting in bold!! Obligatory disclaimer, this is my own interpretation and translation so take everything with a grain of salt!

At the beginning, the writers recall that the first episode of the season 5 finale, Conformation, starts with Adrien and Kagami supposedly arriving in London "like rock stars". However, it is actually just an illusion made from the scanned version of them and the two teens are actually being sequestered in London. At this moment, Thomas says "talk about good parenting" in English, which I think is very funny. The team explains that they were first put in regular apartments in the previous episode but are now in rooms without windows after both of them escaped. This is also done to protect them from what will happen, as Gabriel is about to put his plan of akumatising the entire world into action.

The writers say that Gabriel had been imagining his plan ever since Animaestro when he was seen signing contracts with Tsurugi, and has been putting it in place since the second episode of season 5 (Multiplication). They say that he also tested the first part of his plan, to put nightmares in everyone's heads, in a previous episode.

The rest is under the cut!

Talking about previous episodes, they then say that as was the case with the Risk - Strike back - Evolution - Multiplication - Destruction series of episodes (aka the longest day ever), the 5 last episodes of season 5 (Collusion - Revolution - Representation - Conformation - Recreation) go together and there is a direct continuation between them. (However, one of their rules as Miraculous writers is that these episodes can also be watched and understood independently.) Therefore, season 5 both starts and ends with a series of 5 episodes (quintologies as they call them).

They note that Marinette's nightmare at the beginning is reminiscent of the episode Weredad from season 3. At this point, we can see that Marinette starts to understand who the villain is although she's not fully conscious of it yet. Thomas says that you can read it in two different ways: if you don't take the previous episode into account, she's starting to intuitively link things together but if you did see Representation, you know that she knows who Monarch really is. (They say that to highlight the fact that even though this is the 4th episode of a quintology, all episodes can be understood on their own as mentioned before.)

They then talk more about Gabriel's plan. He gives everyone nightmares on the same day and we can see the different characters suffering because of that (for example, Marinette's mom who thinks Tom is overprotective). He will then offer a solution which a sort of relaxation application directly inspired by the different yoga apps people have on their phones nowadays. This app helps them relax, but also makes people addicted since their nightmares come back as soon as they don't use it anymore. They joke about the relevance of this in today's world with people being "addicted" to their phones or people in positions of power spreading poisons and then monetising the antidote, or the corruption of capitalism selling things we don't need or causing mental illnesses to make people addicted. They ironise that nooo they couldn't possibly be referring to all of that, not in a children's show!!

During the scene that leads to Adrien wearing the Alliance ring after being reticent to it, they say that they had a conflit when writing it as they had to find a way for Adrien to not become his superhero self, cataclysm the walls and go help his lady in Paris. The end result is that Adrien is reminded of the devastating effect of his power by the nightmare and would therefore do anything to avoid hurting people, and so he wears the ring. Mélanie says that he "could become Chat Blanc" and the others add that even though he does not remember and has never lived it, Chat Blanc still has an influence on his actions.

Thomas mentions that Plagg (who he calls "Plaggo" and "Plagounet", which are sort of funny and affectionate nicknames) doesn't show up on cameras, and Sébastien jokes that there could be kwamis around them as they're talking but we just can't see them. Speaking of Plagg, Sébastien jokingly calls Fred the "queen of cheese" as she's the one writing the cheese puns and mentions that there are way more cheese jokes in season 5 than there were before, which makes him think that she is getting retributed by cheese industries in exchange for writing them. Fred then replies that she's getting paid directly in cheese.

The writers say that while the episodes are often narratively dense with science fiction elements, Plagg allows them to add humour in the scene and keep a lighter atmosphere for small children (you know, when he shows his butt to the camera while Adrien is having an existential crisis).

Anyway moving on lol, the writers then say that they had actually planned since 2014/2015 that Chat Noir would not be there to defeat Hawkmoth as they wanted a very particular power fusion to happen (aka Marinette wielding both the ladybug and black cat miraculous and becoming Bug Noire).

Fred then talks about how ever since the start of the series, they have incorporated the symbolism of fairy tales with the sleeping princess and the knight coming to save her. However, they're switching the genders in Miraculous as Adrien is the princess and Marinette the knight (while Gabriel is the evil dragon). They add that they already explained this in a previous episode (in season 4) but they're showing it again now in Marinette's nightmare.

In the scene where we can see that Tikki ate all the croissants, they joke that she did well given everything that is going to happen afterwards. They also jokingly tell the kids watching that they shouldn't do like Marinette and hide in trash cans but eating bananas and croissants is ok (trust me it's funny when they say it). They add that if Fred is the cheese queen, Mélanie is like Tikki because she loves cakes and anything sweet.

We then see Nathalie's nightmare in which Gabriel successfully makes his wish, and therefore manages to accomplish his evil plan which Nathalie knows about. We can see that she's looking very bad and the writers again jokingly give recommendations to the children watching, here to not use a damaged peacock miraculous.

They then talk more about Natalie's past, in which she was a treasure hunter. They say that someone should let them show the fabulous story of Nathalie, Gabriel, Émilie, Audrey and André when they were younger. Indeed, they already wrote what happened in their youth as it is the origin story without which they couldn't have written Miraculous. When Natalie looks at the picture of her in her "Lara Croft outfit", as they call it, from when they were chasing the miraculous and found the peacock and butterfly ones, they jokingly ask what they were chasing and why and say that you have to watch the rest of season 5 to know (basically, they're strongly hinting at sentiadrien).

They say that Gabriel/Hawkmoth and Tsurugi have been allies for a very long time, but it has only been revealed rather recently in the show and we can see it now in a scene where they're plotting together and rising the tension.

In the following scene, we can see all the kids ready for the "miraculisation", except Mylène who is not wearing a ring because while she is not fully anti technology, she is more wary of it and vigilant of its excesses. They then focus on Ivan, who would also like to resist like her but for whom it is too hard. They add that he has "things stressing him out" but that we will only learn about them in later seasons 👀👀.

They take a moment to appreciate the "exceptional" direction and lighting done by Wilfried in the scene where Nathalie threatens Gabriel with a crossbow. Thomas also makes a reference to Citizen Kane but I've never watched it so idk what he meant by that sorry I'm uncultured haha. The writing team says that while they are the ones writing the scenes, they need a director to make the scenes look like what they imagined, and that it's not always easy.

In the next scene, we can see Ladybug looking around in Nathalie's room to find hints about where Adrien could be and finding her tablet with all the information about the miraculous, which makes Marinette realise that Nathalie was Monarch's accomplice right before they enter in the room. They joke about how OMG THEY NEVER COULD'VE GUESSED that Adrien's father was actually Monarch the whole time. We can see Ladybug recording a message for Chat Noir where she reveals his identity, but she never ends up actually sending it.

They talk about how this scene is a huge climax as it is rare to see Ladybug in the Agreste mansion. It had already happened in season 1 during the episode Simon Says where they already played on the dramatic irony of Hawkmoth being Gabriel (which people did not know at the time). This is the second time that Ladybug is in the mansion, while Marinette has been there before a few times (including the iconic pancake moment). While they talk about Simon Says, Fred looks really smug saying that they had planned everything since the beginning.

They say that the scene during which Nathalie gives Ladybug her phone with the pictures and videos of Émilie explaining all of Miraculous's backstory is beautiful, and that if we as viewers had this phone, we would know everything about it (👀👀👀). In addition, they mention that since this is the final episode of the arc, a lot of things happen to get all the final outcomes of the different relationship between characters.

When Gabriel shows the video of Ladybug and Chat Noir kidnapping Adrien and Kagami on everyone's Alliances, the writers explain that people are so disoriented and stressed that they'll believe anything we tell them. They are therefore receptive to any controversy presented to them, just like how people nowadays will engage in numerous sterile debates on social media.

We can then see Monarch using things he obtained in previous episodes: the cataclysm dust from his deteriorating hand and the magical charm Ladybug gave him. We can see that Gabriel had been planning everything from a very long time but that because of the cataclysm he suffered from, he has no choice but to carry it out now. Coincidentally, it is this very cataclysm that allows his to have Chat Noir's quantic signature and put his plan into action. They jokingly compare what he is doing to making a dog sniff a sock, but in a cyberquantic version.

The quantic signature allows the miraculised people to find Ladybug and Chat Noir, and the team says that when they were writing the scene where they detect Ladybug in Gabriel's mansion, they were all going omg omg omg trying to figure out how they were going to get away with it. They say that while Ladybug is trapped in the villain's lair, the writers trapped themselves with the story.

They once again give a shout out to Wilfried's direction when we can see Ladybug getting attacked from all sides by the miraculised people, notably because of the camera motions. They also acknowledge SAMG's amazing animation especially in the scenes including a lot of characters.

My unculturedness shows again when they say that Marinette hiding in a cupboard under the sink is a reference to Jurassic Park. The reference I do get however is when they say that Plagg not being able to shift through the door with his ring was the plot of Mr Pigeon 72.

The action then reaches a maximum as Monarch knows that Ladybug is hiding somewhere in his house, detransformed. We now get to THE moment they had been waiting for since the beginning: when Monarch discovers that Marinette is Ladybug and she transforms into the fabulous BUG NOIRE!!! They keep talking about how cool she is and that they left the best for last: the final fight with Monarch does not happen with Ladybug, nor with Chat Noir, nor with Chat Noir and Ladybug but with BUG NOIRE!!!!!

Fred says the season has a particular taste of closure, even though there is still a next part, and warns to hold on because the latter will hurt a lot 🥲🥲.

🐞🐞🐞

Now, onto the the second episode, Re-creation !! (Yeah the first 2k words before that were on Conformation alone. I am bad at summarising. 😭)

At the beginning of the episode, when we can see Lila laughing when she sees Alec having an akuma induced nightmare on TV, the writers say that it is because she has known who Monarch is for multiple episodes now. They mention that it is because she read something on people’s lips in Evolution (episode 501) which allowed her to discover things. She also stole a case from Tsurugi so she knows who Gabriel really is.

Then, they focus on the fight we "had all been waiting for", and Mélanie mentions that her favourite lucky charm is the piano crashing on Monarch. They say that while they have spent multiple hours finding intelligent and sophisticated lucky charms for years, this one is just simple and exhilarating.

They then talk about how the resistance is fighting against the miraculised people, and how this happens all over the world (in China, Rio, New York) and includes a LOT of different characters. This explains why it takes a long time to deliver the episodes and they joke about how they’re blowing up their budget. However, despite all the superheroes fighting all over the world, it is still not enough.

Indeed, the outcome doesn’t play out in the giant arena outside, but in the KITCHEN. They joke about how they waited long enough to finally get it and that the resolve should therefore happen there, and even nickname the episode a « kitchen-two-room episode » (the joke makes more sense in french since we define homes according to their number of rooms, not just bedrooms).

They say that in the fight between Bug Noire and Monarch, both are so evolved in mastering their powers that neither of them have limits (Monarch can use as many powers as he wants at once thanks to his rings, and Bug Noire can use as many lucky charms and cataclysms as she wants). They lovingly say that our little Marinette from season one has grown a lot 🥺. She’s now super badass (they kept talking about how cool she was) and has learned so much.

They add that the scene where Bug Noire uses her handcuffs lucky charm is a reference to Kung Fu movies where characters fight while being chained to each other (once again, I’ve watched like zero movies so I’m gonna trust them on that lol). They once again mention the amazing direction and get very excited when Bug Noire slams Monarch through the wall.

During the fight scenes outside, they joke that Doorman (the USAmerican superhero whose power is to open doors) and Fang (a literal crocodile who knows Kung Fu) were essential in saving Paris. However, despite all the people fighting outside, the miraculised people remain too many and there is only one person who can save everyone from Monarch’s perfect plan.

Back in the Agreste mansion, Bug Noire is losing and her only escape is to cataclysm the floor which makes them land in the crypt (which was right under the mansion all along !!!). She then sees Emilie’s body and understand why Gabriel is doing all of this. When talking about his motive, the writers joke that if he succeeded, it would be hard to explain to Adrien why his mom, who has been dead for a year, is suddenly back and that while it would be unjust for Gabriel to trade her life for someone else’s, he doesn’t care and would just make Ladybug go away.

The team explains that in the following scenes, there is an alternance between the outside (in Paris) and inside (in the crypt) fights, with the dialogue happening inside continuing while we see what is happening outside on screen. They don’t do that often, which gives this scene all the more impact during the finale. They talk about how this kind of thing is a trademark of Miraculous: the episodes are quite dense despite their short length, thanks to the fact that the story continues when the action is taking place and the emotion continues to be conveyed. They oppose it to classical action movies where some scenes are dedicated to dialogue/story while fight scenes are just about fighting.

The writers say that from the moment Bug Noire gets her glue tube lucky charm, they are already working on the plot of season 6: when she manages to steal the butterfly miraculous from Monarch, she does not actually retrieve it because of how far away she is and it falls in the water below (cf Lila retrieving it which will be relevant in season 6).

At this moment, Gabriel loses and the resolution of the battle is not what we could’ve expected: we don’t have Ladybug winning by thrashing him, but she instead simply talks to him and even detransforms in front of him. It is not Ladybug who defeats Monarch but Marinette. This echoes to a message they have been trying to convey since the beginning : that in the end, it is not violence or strength that wins, but people talking to each other and opening up about their feelings. It is when people are not subject to their emotions, but instead try to understand them to think better and take the right decisions. And this is what Marinette is hoping for here by showing Gabriel the video of Émilie saying that she never wanted him to become evil, and instead just hoped for him to take care of Adrien (which he didn’t do lol).

In the end, Marinette and Gabriel’s main goals are the same : making Adrien happy. She takes a huge risk and detransforms to see how much he loves Adrien, or on the contrary how much he would rather bring his wife back. This is the only moment where we see Gabriel being truly emotional and understand why he has been doing all of that. Fred adds that he is a character who thinks love goes beyond good and evil, and oversteps every boundary, including moral ones. Therefore, Marinette is trying to solve a crisis of feelings by using feelings.

Back to the episode, we can see Marinette taking the biggest risk in her life and extending her hand to her nemesis, even the kwamis tell her that she’s insane. The writers joke that well, they were right, as Gabriel steals both miraculous and it does not end well (or at least not for now). Gabriel has now won as he can do what he has been wanting since the very beginning.

The team mentions that the next scene is one of the biggest reveals of the show, as we can finally see how the wish happens. We discover that the kwamis are not actually little plushies but take this appearance to avoid scaring their wielders, and the writers actually hinted to that in Dearest Family when Tikki ate all the galette des rois. One member of the team jokes that when the kwamis reveal themselves, they become a Swedish hit from the 70s : Gimmi (as a reference to Gimme ! Gimme ! Gimme ! by ABBA of course).

Moving on from the dad jokes, when Gabriel removes all of his miraculous rings, Marinette is released from the bee sting and can now witness her defeat. But the fact that Gabriel laid down his weapons shows that she has actually won, even though it is only shown and not said.

However, they say that there is still some doubt : we do not actually know what he wishes for as his words are cryptic and we only see the outcome of his wish. They do say that Émilie will not be brought back to life as Gabriel has finally mourned her death, which Adrien has already done for a long time. But Gabriel cannot live without her and decides to die with her.

In order to accomplish the wish, they explain that the world has to be destroyed and then re-created, which leads us to the aftermath of the wish a few weeks later and the pool party where everything seems to be going well. Then comes probably the most enigmatic shot of the episode with Nathalie and Amélie/Émilie. The writers say that they’re not telling us who it is but I think we can guess pretty easily based on what they said right before 😭😭. They also add that with Nathalie next to her we can guess what Gabriel’s wish was, but that it is "not what we think" and that there is a trick.

They say that with the final wish, they have arrived at the end of what they wanted to tell in this arc, which is a revolution of the minds. They said that each played their role, including the villain because he gave up on his power with which he could do anything to make his son happy. They add that the new world we are seeing shows the premise of season 6, which will have a "different taste" and in which they will talk about different things.

They say that at the end, some lies remain as Gabriel is presented as a hero. They say that Marinette gave Adrien the twin rings, in what frankly looks like a wedding proposal lol. Then they go insane because it’s time for LE BISOUUUU, and a real lovey kiss that they remember for once, not like in Oblivio, and not a desperate kiss like when Adrien left for London. However, even with all this cute romantic stuff, we can see some ominous butterflies flying around them…

In the next scene, we can see Marinette taking the miraculous that have been standardised and industrialised by Gabriel and putting them back in shape. The writers specify that this is a parabole about craftsmanship vs industrial production. The miraculous will now be adapted to every person, but we can’t see what they look like just yet! In this new world, the powers are all shared, among people who they trust and know will work for the common good. They joke that the "Avengers" shot at the end with all the heroes is something they’d been dreaming of.

In the last scene with Lila, they joke that it’s never really finished because there’s a bunch of epilogues one after the other. Thomas add that the school described at the end is how he thinks all schools should work!

And we’ve finally reached the end!! They don’t reveal anything in the scene where a weird flash appears in Lila’s room to keep the suspense, and just all scream going OMG WHAT’S HAPPENING!!!

🐞🐞🐞

I hope this was helpful to learn more about the writing team and some stories behind the episodes!! Don't hesitate to add stuff if you think I forgot something or ask questions if I wasn't completely clear :)).

#miraculous #miraculous ladybug #ml #mlb #ml s5 #miraculous season 5 #ml s5 finale

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nanowrimo · 6 months

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Write Smarter, Not Harder: 5 Ways to Conquer Chaotic Writing

Every year, we’re lucky to have great sponsors for our nonprofit events. ButterDocs, a 2023 NaNoWriMo sponsor, is an all-in-one writing app built for productivity, collaboration, and a more joyful writing experience. Today, the folks at ButterDocs share a few tips on organizing your writing to meet your goals:

NaNoWriMo is about to start, and you're champing at the bit to get to 50,000 words. But that's no easy feat! Because life doesn't stop when NaNoWriMo starts.

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We know you want to start maximizing your word count from Day One, but you'll thank yourself on Day Twenty if you lay the groundwork for yourself. Take some time to organize your research, develop your characters, lay out your major plot points, and consider your themes.

You don't need to buy and learn advanced plotting software. A digital whiteboard can be as intuitive as pinning index cards to a cork board.

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You're about to spend a lot of time writing. It's a good idea to get comfortable.

Think about what environment you write best in. Do you need the hubbub and energy of a busy coffee shop? Or the serenity of a cozy nook?

Once you find the right place, put the same effort into finding a writing app you'll actually enjoy writing in.

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Distractions will happen. Chaotic writing aside, the human brain wants to wander for dopamine. And life inevitably gets in the way.

What's important is how you recover. Don't let one distraction or missed writing day snowball into another and another. Give yourself tools that help you get back on track. A simple notification to come back to your writing can be a big help.

5. Pull others in to help you move forward.

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#nanowrimo #writblr #writing #writing advice #by nano sponsor #butterdocs

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allenaustinbishop · 2 years

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Rahway Street Art #Rahway #Streetart #Art #Sign #springday #vocalist #poet #creative #NewJersey #Sunshine #London #writer #creativewriting #vocalists #singer #England #London #maidavale #littlevenicelondon #Stjohnswood #Words #wordsmatter #jazz #jazzsinger #jazzvocalist #musician #LondonLife #vocalist #culture #TheWoodisMyHood (at Rahway, New Jersey) https://www.instagram.com/p/CdqUJnrMsrs/?igshid=NGJjMDIxMWI=

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hardwriterdeluxe · 27 days

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Second Life

I’ve been were busy recently and haven’t had time to write and I’ve also had writers block, I wanna thank @chavdrone and @kaithescallylad for inspiring me to write this story! ________________________________________________

Oliver was walking home from a friend towards the bus stop when he noticed a new shop. He had been around this part of London many times and had never seen this store before. Its dusty storefront displayed many different styled mannequins in attempts to be trendy, but they just ended up cheesy. Oliver looked at the store and read the half-broken neon sign, “Second life”; it was a second-hand shop. Oliver had time to kill, so he took the opportunity to check the store. It was open, and he went in. He was met by a large arrangement of racks with clothes and shelves; he didn't know where to start. The store seemed to be empty of any customers, and the checkout was empty as well, so Oliver just went around browsing for potential items.

Oliver was your average guy. He studied at some college in London he had recently turnt 20 and described by his nerdy characteristics: brown overgrown hair, glasses, a lanky build, and an normal clothing style. It was out of character for Oliver to blink twice at the White Nike trainers he just passed. His body felt drawn towards the pair, and even though the pair were size 11s and his feet were size 9, he felt obliged to try them on. He grabbed them and went towards a dressing room, not finding any other mirror or place to sit; he went there. Oliver removed his boots and put on the White Nike Tns. At first, he felt amused seeing these large, comically-looking sneakers on his feet, but that soon changed. The sneakers quickly started feeling moist, wet, and they were smelling; he was confused. Becoming uncomfortable, he quickly tried to yank off the sneakers, but to no avail, they were simply stuck, and the size gap weirdly felt snug.

Unbeknownst to Oliver, Second Life wasn't just an ordinary second-hand shop; no, it was a store offering a new life. Each item dropped off by the last owner transferred their essence into the new owner, ultimately forming a second life for the customer. Oliver's body started to change, and his height increased; his body frame started filling out, his lanky arms becoming toned, and his stomach gaining the outlines of some abs. His body gained a lean look, and his body started to emit the same smell his sneakers had; ultimately, exuding masculinity mixed with a new fragrance coming from his body, some cheap Axe deodorant and cologne. Oliver's face started changing; Oliver originally had slim and feminine features, a round nose and jaw, and a kind-looking face. That dramatically changed as his jaw started to square up, some stubble growing in, and his mouth gaining a stupid expression, a stupid grin. His nose swelled up and got crooked from all the fights he "supposedly" had gone through, and his eyes squinted up as well as his brow ridge squared up, his eyebrows becoming full and dark, and his ears becoming pierced. Oliver's hairstyle went from his long hair to a short-styled fade.

Oliver's clothes disintegrated all but his underwear that changed into some blue Nike boxers, as well as his bulge growing to accommodate his new length and foot size. Oliver's body started getting new clothes as a black football tracksuit materialized on him, the pants tucked into his socks, and he ultimately got a chain around his neck, finalizing his new look.

The last step was his mental state; Oliver's mind adjusted to his new persona and changed him into Ozzy, a 20-year-old British chav. Ozzy didn't go to college like those fancy shits; instead, he spent his days hanging with his brothers and working for some money. Gone was Oliver, and the world around him had erased Oliver for good. The store owner watched the whole change back in the storage, checking out another happy customer.

#tf story #scally chav #scallylad #chav lads #kiffeur

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signsandartwork · 2 days

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Preserving Artisan Craftsmanship: The Role of a Traditional Sign Writer

Step into the world of Traditional Sign Writing , where skilled artisans blend time-honored techniques with artistic flair to create captivating signage. Explore the rich heritage and craftsmanship behind hand-painted signs that adorn storefronts, businesses, and public spaces. Discover how traditional signwriters meticulously craft each letter and design by hand, infusing personality and charm into every stroke. Join us as we celebrate the artistry and legacy of traditional sign writers and their enduring contributions to our visual landscape. Visit our website to know more.

#sign writers london #traditional signwriters near London #hand painted sign #traditional sign writer #mural painter london #mural artist

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becausegoodheroesdeservekidneys · 5 months

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Did you understand the gravity/mavity joke in the this weeks episode of doctor who? I didn't get it 😭

What I got

-they crash land with Issac newton and make a gravity joke

- he mishears them and thinks they said mavity

- does this then change the future and mavity is always the word instead of gravity?

- at one point one says gravity and the other corrects it to mavity so they still remember the word gravity???

Is this a running gag or is this a sign they've fucked the timeline???

This is such a sweet ask and the answer is kind of both and also there's some bad news about Doctor Who 's anarchic approach to time travel and also its total lack of a canon

But! Functionally:

It's a gag. This was a horror episode, and it's useful to have a light-hearted joke to act as a foil - the joke gets funnier, the horror gets scarier

It's an elegant way of showing a new audience that in this show, time can be changed. They can't rely on "But London wasn't destroyed by ghosts made of gas in Victoria's reign so this must resolve itself." There is Narrative Tension in this house

It's an elegant way of showing that the Doctor is apart from time in some way, unlike Donna, who is human. He can see the change

When the writers get bored of/forget about the joke, you can assume the Doctor nipped back to 1666 to yell I SAID GRAVITY at Isaac Newton out of the TARDIS door before jetting off elsewhere, because that's Doctor Who, baby

But its primary purpose is number 1, there, it's just a funny joke. I hope this helps!

#asks #doctor whom

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ngssignsmithslondon · 11 months

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bestmusicalworldcup · 5 months

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Many people think that the reason proshots are not filmed more often is because producers are unreasonably paranoid that they will cannibalize ticket sales, but while that seems to have some truth to it, I have learned there is a bit more too it than that.

Here are some of the other primary reasons why proshots are not filmed more often:

They cost a lot of money to make. The Hamilton proshot cost around $10 million to make, which is almost how much it cost to produce the actual show. I don't know if every proshot costs quite that much, but seeing as most Broadway shows lose money and most producers are in it to make a profit, most producers are unwilling to spend an extra sum on a proshot unless it is a big hit. Normally when proshots do get filmed on Broadway it is because PBS or some other distributor is willing to pay for it.

Salaries and residuals. There are no standard contracts detailing how cast and crew are paid for proshots, so each proshot requires new negotiations between the producers and the unions detailing how much everyone gets paid, and as we all know after the recent actors and writers' strikes, negotiations are fraught and can easily fall apart. Proshots involve both film and stage unions, making everything more complex as well.

So why are there so many proshots from London?

It is partially because it is significantly cheaper to film things outside the US (actors get paid less in the UK and unions there are comparatively weak) and partially because the UK has government-funded nonprofit theatres where many of these proshots are filmed, while the US does not have any such institutions.

Can't the New York Public Library release it's archival footages to the public?

That would require them to pay residuals and royalties. It would be a gargantuan task for the NYPL to track down everyone involved in every Broadway show and get them to sign contracts. These footages are also not of a terribly good quality but I know we're too desperate to care about that.

In short, there are various reasons why proshots are not more common, and they are generally still because Broadway producers care more for money than art.

#broadway #musicals #not a poll

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starchaserdreams · 5 months

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My fics on AO3

Alright, so I deleted my AO3 account a few months ago (thinking I was done with this) and orphaned all of my works. Well, now I deeply regret that. But I have collected as many of them as I could find here for anyone who's interested.

Jegulus/Starchaser

Temptation Eyes (Now Complete!) - My Jegulus Regency AU. Completed, being posted one chapter twice a week. James enters the London season hoping to find a wife. What he finds instead is Regulus Black, and he never looks back. But as implied by the era, it won't be easy for them. Background wolfstar, shown as a different approach to a queer relationship in the regency era.

Get Regulus Out - 82k, Rated M, Enemies to Friends to Lovers, Working Through Trauma, No War/Riddle AU, background Wolfstar, background Marylily. James tries to convince Regulus to leave Grimmauld Place as Sirius once did, and save himself from his parents.

How to Spot Signs of Jealousy - 4k, fake/pretend relationship, mutual pining, miscommunication. After Regulus gets fed up with people asking him out because of his family name, he and Barty agree to fake date. For some reason, James Potter seems livid...and Regulus can only guess that it's because he's homophobic. That's got to be it, right?

But Where's Regulus - 1k. James on laughing gas after getting his wisdom teeth taken out and talking about how much he likes Regulus

Waking Up Slowly - 2k. James wakes up in bed with Regulus in the Gryffindor dorm, something Sirius might not take kindly to.

I've Read Your Book - 1k. Two one shots based on the same premise: Writer!James didn't even know Regulus knew about his book, let alone had read it, but Regulus comes up to him and says "I've read your book" aka the most exciting words of all time to start a conversation for a writer.

Little Ball of Fire - 1k. Regulus gets into an argument with Snape. Regulus begins threatening him, so James picks Regulus up and carries/drags him out of the room before anyone gets hurt.

Prongsfoot/Bambibelle

What's in a Name - 5k, Soulmates AU, secret crush. In a world where soulmates exist and can identify each other by the feeling they get when they say each other's names, it's pretty easy to identify who your soulmate is. But for Sirius and James who only call each other by their nicknames, it takes a while to finally know.

The Bachelorette - 15k, mutual pining, Bachelorette AU. Sirius and James are both cast as contestants on the Bachelorette. Although their stated goal was to woo Lily and capture her heart, they don’t quite manage it. They fall for each other instead.

A Real Marriage Under Wizarding Law - 6k, mutual pining, fake/pretend relationship, drunken shenanigans. Sirius and James get a quickie drunken marriage in Knockturn Alley. When they wake up in the morning, they decide not to get it annulled so that they can save Sirius from an arranged marriage.

The Only Transfer Students to Ever Come to Hogwarts - 9k, arranged marriage, hijinx, angst with a happy ending. Sirius is upset to learn that not only does he have to transfer to a new school, but his parents have set up an arranged marriage for him. James assures him that's impossible, but Sirius knows his parents don't make empty threats. (Written for Prongsfoot Bingo)

The Smell of Water - 4k, Amortentia, idiots in love. Sirius and James argue about what they're smelling without realizing that there's Amortentia in the room. When Sirius realizes, he becomes a whole mess about it. (Written for Prongsfoot Bingo)

Wolfstar

Wolfstar Microfics Theme: Love - 8k, a collection of 22 microfics themed around love

6x James Found Out, and 1x Harry Did - 10k. Six ways James could have learned about Sirius and Remus' secret relationship, and one way Harry could have learned about it. *This is specifically ATYD fanfiction, and it's set in that universe.

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meraki-yao · 28 days

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Ok I got four asks in my inbox about the new Nick interview and I'm actually mad. I'm actually livid and exasperated because I've been getting and answering similar asks over and over again, and yet people still come to me with the same statement and the same conviction EVEN AFTER I POINTED OUT EVERY FUCKING FACT THAT CONTRADICTS IT.

Do you really need a 19-year-old to teach you reading comprehension and media literacy?

Ok, fine.

Statement One: Nick doesn't appreciate RWRB, he's brushing it aside, which is why it wasn't mentioned in the New York Times

One: Editorials don't always portray the actual thoughts or agenda of the interviewee.

Unlike a video interview or a podcast interview where we can hear the whole conversation directly from Nick with his voice, and even if there are cuts and edits we can pick it up via visual or audio continuity, in a written editorial the only thing we can rely on is the writer's words, or in other words, the writer's paraphrase or quotation of what Nick said to him. This gives much bigger room for any changes or manipulation in content because we have nothing else to reference.

It is clear that in the past three editorials, the writer or the magazine itself has deliberately demeaning and devaluing RWRB. In NY Magazine, it was only mentioned in one line and degraded to "a queer take on a common straight trope" (see the choice of word "president's daughter"), with the implication being at its core, it's a straight story/ reliant on past straight stories to be interesting; Hunger Magazine calls it fujoshi-pleasing (fujoshi: Japanese slang, denoting how a straight woman who enjoys fictional gay content is "rotten", too ruined to be married, an insult to both the audience/fans and the movie itself ); and this time New York Magazine didn't even mention RWRB, when let's be honest, it's Nick's biggest breakout role.

"Once Is Chance, Twice is Coincidence, Third Time's A Pattern" this is deliberate. I can't say what the agenda is, my guess is some extent of latent homophobia, but it's clear that this is a fucking pattern. In fact, besides the hidden agenda of devaluing RWRB, these editorials show another hidden agenda, but that's something for a later day. PM me id you want to now, I won't discuss that one on my public platform yet.

Again, there is so much more room for twisting and hiding words in a written editorial. In all the video interviews Nick did, especially in the UK, when has he ever avoided a question about RWRB? When has he ever not shown gratitude towards the project?

Two: In all video evidence that can't be manipulated, that clearly shows Nick's own thoughts which not influenced by any other party, he has made it clear that he adores RWRB.

Why else would he sign books during the M&G London premiere, going as far as to stay behind after the event just to sign books? Same with the LA M&G premiere and TIOY premiere: those were promotions for other projects, he had a valid reason to refuse to sign the RWRB books and posters, but he didn't, always signing with a big smile on his face, even playfully signing on Taylor's face. He said it himself in his Instagram post, and I quote: "The love that Henry has received has been one of the most heartwarming things to watch. It's been difficult to not talk about him. So thank you for seeing him for all he is. He was a joy to bring to life." There's your proof, directly from the man himself.

Statement Two: Nick's not interested in doing a sequel, he said he's done playing princes and he's done playing romantic leads

One: "Done playing princes" doesn't mean literally done playing princes, it means he wants to try more roles and not be stuck with only being known as the "prince" guy. (even though he's literally a prince lol)

Plus, he said that after Robert, but then Henry came along and he was attracted to Henry as a character with his scared but loving heart. He doesn't just view Henry as a prince, he views Henry as a complex, delicate person who so happens to be a prince. Him saying he's done playing princes means in the future, he doesn't really want another royal on his filmography, but this doesn't mean he doesn't want to continue Henry's story. With the given context, namely asking him about future projects he wants to take up, "he's done playing princes" and "he doesn't want to play Henry anymore" are not mutually inclusive.

Two: "Done playing romantic leads" means he wants to try new things and take up new projects that aren't romance films.

This doesn't include the continuation of already established characters i.e. sequels, this just means if he were to take up brand new projects, he wants to try something else. Sequels are inherently different from new projects because again, sequels are based on already established characters.

Three: He said several times ON VIDEO that he'd be in for a sequel

In this one, when asked if he'd be up for a sequel, he said, and I quote "Look, I think with any opportunity of doing a sequel, I think, you know, the script has to be right. But obviously, it was so lovely to see how many people it touched and having that resonance is incredibly important to me, so, yeah. Of course."

In this one, when asked if they have had conservation on a potential sequel, he said, and again I quote: "Yeah, I mean definitely had conversations. I think we're all on the same page in the sense that, you know, the script needs to be right, and sort of all the different components need to be right because we made something that has such a positive effect and I think the last thing you'd wanna do is ruin that or take that in a way, so, you know, the conversations are definitely being had."

And there are more videos from red carpet interviews that I can't be bothered to find right now but he says more or less the same thing.

(look I even transcribed it)

Not only is he on board with a sequel, he's also being careful about it to make sure once they do get to making it, it's something good. He's on board, and he values it. And again, that's directly from him.

We have a phrase in Chinese: 斷章取義, meaning "breaking off a small part of an article and deriving the meaning from that single part" That's what so many of you, in particular, the people who come to my inbox with the sentiments of the above-mentioned statement are doing. Please, use critical thinking and look at the whole picture. Stop making judgments from the surface of one source.

Tagging my friends @alittlefrenchtree and @myteavsricochet because it looks like they've been getting the same things I got

#rwrb #red white and royal blue #rwrb movie #nicholas galitzine #henry fox mountchristen windsor #henry hanover stuart fox #rwrb thoughts #meraki essay #i'm not someone who gets mad easily but I've had enough of this #nick galitzine

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allenaustinbishop · 2 years

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Follow the science #Science #Museum #ExhibitionRoad #ScienceMuseum #Sign #springday #vocalist #poet #creative #Oxford #Sunshine #London #writer #creativewriting #vocalists #singer #England #London #maidavale #littlevenicelondon #Stjohnswood #Words #wordsmatter #jazz #jazzsinger #jazzvocalist #musician #LondonLife #vocalist #culture #TheWoodisMyHood (at Science Museum) https://www.instagram.com/p/CdhZGltOjtL/?igshid=NGJjMDIxMWI=

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loverhymeswith · 8 months

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hello🙈 i’ve been thinking about a mini story based on “exile” by taylor swift with one tommy shelby… former lovers. shelby sees her at a party with a new beau and gets jealous (“i can see you starin honey, like he’s just your understudy, like you’d get your knuckles bloody for me”) it’s a back and forth dialogue type song IDK i think it would be slay

Exile

Pairing: Tommy Shelby x F!Reader

Summary: A familiar figure stirs up feelings you'd rather not face

Word count: 2.4k

Warnings: Mention of drugs.

A/N: Thank you Anon! I love this song and it fits Tommy SO well. Also, I wrote this on a beach. No idea how the setting ended up being NYE. Thank you @a-reader-and-a-writer for the beta read and the ending ❤️

I've added my existing taglist but please note this is not part of the Let’s Be Alone Together universe.

Him

It's fast approaching midnight at The Savoy Hotel. The dawning of the new year is almost within reach. Tommy Shelby drains his glass of champagne, wishing for whiskey instead as he slowly scans the room.

Tickets for the party tonight had been akin to gold dust, a chance to rub shoulders with the upper echelons of London's elite. But Tommy would rather be anywhere else in the world.

Preferably, Birmingham.

He'd take a bottle of homemade gin, tucked away in the quiet familiarity of Charlie's yard in a heartbeat over this stuffy champagne-fueled ballroom. But no one ever said success was easy.

Tommy had come here tonight for one reason and one reason alone. If his plans to move into the world of politics had any chance of coming to fruition, he would need to mingle with the privileged crowd. To learn their weakness. Their darkest secrets. To take advantage of the liquor loosening their lips.

He's managed to withstand maybe a handful of hours at best before growing tired of all the posturing and arrogance, the not-so-subtle self-aggrandising and the congratulatory back slaps.

Looking for a way out but willing to settle for a distraction, his gaze continues to drift along the sea of tuxedos and expensive dresses.

Unexpectedly, he falters.

These days, it takes a lot to catch Tommy Shelby off guard - between France and his more recent ventures, it would be fair to assume he had developed nerves of steel - but off guard is exactly how he feels when his attention lands on the beautiful woman standing by the bar.

He'd recognise her anywhere. Sometimes, he thinks he searches for her in his dreams.

Tommy feels the muscles in his jaw clench before he's able to compose himself. A foolish sign of weakness that he can’t afford to display. Not here.

But it's difficult. A test of his usually unwavering resolve. Because she's not alone.

There's a man. Younger than Tommy; tall, dark-haired, and slim, the old-money practically oozing off him. Any closer and Tommy would be able to smell it.

Tommy grabs another glass of too-sweet champagne from a passing waiter. Something to occupy his hands, and just in time. Old-Money's arms are wrapped around the woman's body, a possessive gesture and one he recognises well.

Once upon a time, she spent her nights in Tommy’s arms.

Five whole years might have passed - evidently long enough for her tastes to change - but it feels more like five minutes since she walked out of Small Heath and out of his life, a hastily scrawled note declaring she'd had enough.

Three simple sentences. One for each year they had been together. At the time, Tommy had replayed the words over and over until they no longer held any meaning, but liquor and bloodshed had long since turned those memories to slush.

It all boiled down to his plans for the future. Her fear of the potential enemies and danger which those plans might beget.

Whoever said that love would conquer all?

Tommy doesn't taste the sparkling wine as he tips the glass back, draining it in one mouthful.

The champagne just won't do. He needs something stronger to take the edge off, but his path to the bar is blocked.

Biding his time, Tommy watches the couple. In fact, despite the sourness growing in the back of his throat, he finds himself unable to look away.

Old-Money leans in close, his lips brushing the shell of her ear as he whispers something that even Tommy’s lip-reading skills cannot decipher.

What is plain to see, however, is her lack of amusement. She tenses, discomfort evident in the clench of her jaw and the tightness of her shoulders. Her laughter, when it comes, is forced, never reaching her eyes.

A lightning bolt of unfiltered rage burns through Tommy’s veins, dulling his remaining senses like Arthur’s cocaine, but he quickly tempers it down. It’s not his problem. She's not his problem.

She's not his to defend.

Not anymore.

Her

It's almost midnight. Ever since your arrival at The Savoy, your attention has been drifting to the clock on the wall. Waiting for the bells to chime and free you from this misery.

The party had been his idea, your date for the evening clearly operating under the assumption that money makes a man more attractive. An assumption which couldn't be further removed from the truth.

Though The Savoy might be the hottest ticket in town, everything about tonight makes you miss Birmingham - Small Heath, to be precise. New Year's Eve at The Garrison. The excitement. The unpredictability.

The Peaky Blinders.

Your stomach involuntarily flips at the intrusive thought. You've come too far now to be thinking about the Shelby brothers. All memories pertaining to your former life belong firmly in the past.

Ignoring another pompous comment from your date, you glance up from your drink, desperate for an escape. Perhaps you can slip away in time to avoid the awkward but obligatory midnight kiss.

That's when you see him.

A ghost - a demon - from your past, seemingly conjured into existence by the power of your thoughts alone.

The very same piercing blue eyes that have long haunted your dreams now stare you down, unblinking, from across the room. His full lips are drawn into a hard line.

Thomas Shelby.

Despite your brain knowing far better, your traitorous heart still flutters.

He looks good. Too good.

Unfairly good.

The expensive dark suit is sinfully cut to his powerful body and his once-severe haircut has been allowed to somewhat grow out.

Clearly, he's come a long way since the days of bruised and bloody knuckles. In the presence of polite society, he looks like he belongs.

The last five years may have been kind to your former fiancé, but with a start, the realisation dawns that the same can't be said of you.

Because five years later you still haven't recovered from the incurable affliction of loving Tommy Shelby.

Despite what some might say, you hadn't walked into the relationship blind. You'd known the head of the Shelby family for long enough to accept that a life together would be full of surprises, and not all of them good. But for love, you'd given him half a dozen chances.

Honesty.

That's all you'd ever wanted. To be treated as his equal. His partner. To not be kept in the dark about decisions which could potentially put you both in harm's way.

Yet still he'd schemed and plotted. Twisted and manipulated. Deceived. He had told you it wasn't lying. That for your own safety, he was simply withholding the truth. As if that somehow made it ok.

Inevitably, after three years together, your patience reached its limit. Making good on a promise to yourself, you'd left, starting a new life for yourself in the capital, far away from the demons of Watery Lane.

But you'd been foolish to believe that any amount of miles could repair the damage done to your heart. Arguably, damage of your own making.

His name has followed you like an ever-present shadow. His handsome picture staring back at you from newspaper articles. Even in black and white, those beautiful eyes just added insult to injury.

And now he's here in the flesh.

Tommy's stare is unwavering, but he makes no move to come over. Still, it's only a matter of time before he seeks you out. After your cowardly way of leaving, it's easy to imagine he has some choice words for you, but you’re not ready to speak to him. Not here, where manners and decorum are all the rage.

Willing yourself to break eye contact, you notice a side door to your left. Relief washes over you. Freedom or at least a small reprieve. Anything is preferable to this form of slow torture.

Him

Tommy watches her leave - a recurring theme, it would seem - her hurried exit presumably on account of his unexpected presence here tonight. She definitely spotted him amidst the crowd and she did not look pleased.

He should let her go. She's not his problem. She's in his past.

Isn't she?

A minute passes before, not entirely of his own accord, Tommy finds himself following in her footsteps. He's always been inexplicably drawn to her. Apparently, even heartbreak isn't enough to change that.

When he finds her in the lobby, her back is turned but she whips around as he murmurs her name.

"Tommy."

The earlier surprise he saw flash across her delicate features has been replaced by a carefully rehearsed indifference. One he recognises all too well.

She's at pains to pretend his presence isn't affecting her. A feeling to which he can certainly relate.

"I didn't expect to see you tonight," she adds when he doesn't immediately respond. "I didn't think this kind of thing was your scene."

He doesn't miss the accusation in her tone.

What she really means is why are you here?

Slowly, Tommy inclines his head, lest she notice the falter in his gaze. Impossibly, she's even more beautiful than he remembers. It's surely a cruel twist of fate that brings her here tonight. Just when things were looking up for him. Just when he thought he'd put the past to rest.

"Likewise," he agrees.

"Business or pleasure?" She wonders aloud before scanning the lobby, keenly on the lookout for another escape route.

The words, driven by a lingering hurt, fly from his lips before he can check himself, his attention not so subtly shifting to the blonde woman entering the lobby. "There's no reason it can't be both."

Her

Of course, he followed you. It's a problem you could really do without. You're walking a thin line just by talking to him. Experience tells you there's only two ways this will play out.

Wondering whether there's any possibility of getting away unscathed, you offer him a polite smile and gesture towards the blonde woman now loitering in the corner. "Well, I'll leave you to your… pleasure."

He studies you carefully, his sharp features set into a cool mask of apathy, but you recognise the hurt hidden behind his icy eyes.

The hurt which you caused.

"I'd tell you the same, except I doubt your friend knows how to pleasure a woman. You looked miserable back there."

Despite the sentiment, there's no trace of concern in his cruel words.

"My choice of date for the evening isn't up for debate, Thomas," you tell him curtly, despite silently agreeing with his observation.

"Nothing ever is with you, is it?" he muses, his lips slightly pursing.

And there it is.

Clearly, he's not going to let you get away until he has aired his grievances.

Perhaps you owe him that courtesy at the very least.

Dropping your own mask of indifference, you take a step towards him and take his warm hand. To your surprise, he doesn't resist.

"I had to leave, Tommy. You were never going to turn things around. You were never going to change. But for what it's worth, I am sorry about leaving the way I did. I should have been better. I should have been braver."

Tommy shakes his head, keeping his tightly guarded emotions at bay. "You left without warning. You never even heard me out."

"Without warning? God, Tommy. How can you stand there and say that? How could you possibly have missed it? I left you so many signs."

Tommy looks away, his eyes rapidly searching for something just out of sight. The only indication he's feeling anything at all. "I guess I never learnt to read your mind."

"You never learnt to listen," you fire back. "Or communicate at all for that matter. Would it have killed you to be honest with me? To tell me what you had planned?"

A muscle in his jaw ticks. "I was trying to keep you safe."

The realisation that he's never going to change his tune stings more than it should. You drop his hand. "I wish I could believe that."

The truth, in your eyes, is that he never trusted you. He's never trusted anyone. How could you be expected to give your heart over to a man who would never let you into his own?

There's a beat of silence. Enough time for you to regret letting this conversation play out for so long. Nothing good can come from digging up the past. You should go your separate ways before any further irreparable damage is done.

"Was it worth it?" Tommy asks finally, a bite of frustration slipping through his calm facade. "Leaving everything behind for this?" He gestures around. "Are you happier now?"

"Yes," you lie, but your resolve is rapidly weakening under the intensity of his blue gaze.

The door to the ballroom swings open and a small gathering of revellers spills into the lobby, saving you from admitting the very thing you've been afraid of.

That leaving Birmingham had been a mistake.

Tommy reaches for your arm, tugging you away from the crowd and into a recess by the cloakroom. As a result, the two of you have infinitely closed the distance.

His chest, broad and still so inviting, is now inches from your own; his calloused hand is still wrapped firmly around your wrist, his thumb pressed against your pulse point.

Can he feel how fast your heart races?

"For all your talk of honesty, you won't face the truth yourself, will you?" He sighs lightly, something like disappointment coating his words.

"What's that supposed to mean?" You scoff, feigning ignorance as a last resort.

Before he can respond, a loud cheer erupts from within the ballroom, saving you once again.

"That's midnight," you murmur just as Tommy glances down at his elegant gold pocket watch.

"Midnight," he agrees, his eyes flicking back up to your own. "Happy New Year."

You stare at him for a long moment, taking stock of his defining features. Long, dark eyelashes, the kind that would ordinarily be wasted on a man - but not Tommy; razor sharp cheekbones and a jawline to match. Crystalline blue eyes you could so easily drown in.

Almost imperceptibly, he shifts closer, large hands finding your waist with ease.

"Do you still believe in tradition?" He wonders, but it's a rhetorical question. You both know he doesn't need an answer.

Your last sensible thought before he leans in to kiss you: God damn Tommy Shelby and those ocean eyes.

Taglist: @a-reader-and-a-writer @crysxtal @shynovelist @amberpanda99 @globetrotter28 @dragonsondragons @butterfly-lover @sunshineyourethebesttime @iwantmyredvelvetcupcake @breezy2and2freezy

#tommy shelby #cillian murphy #peaky blinders #tommy shelby x reader #peaky blinders fanfic #Thomas shelby

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