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#shes written as something else but people call her like a different version of her name
sugaroto · 1 year
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If someone tells you their name is [name], then that's their fucking name. Stop trying to find out what "their actual name" is
So-
I'm having a birthday party this Saturday, (it's also a friend's nameday and we decided to celebrate it together) So we made a group chat with everyone to invite them.
We mostly have common friends so like, approximately 10 of the kids are our common friends, 5 are mine and 5 are hers
But it's cool cause we all go to the same school so yknow, not everyone is that close but we'll manage
Except one person, I invited someone that my classmates don't know, actually 2 of them know this person and have been friends for years (I met this person through them) and my best friend has also met this person one or twice
So we're gonna name this person Bob, so, Bob is not a greek name.
Today one of my friends was like who is this "usernameman guy?"
And she was talking with my friend who's met the guy and my friend was like his name is Bob
But she was like "There's no way his name is bob" so that's why they called me and asked me what usernameman's name actually was and I'm like "it's bob"
"But how can it be bob? His parents named him that?"
"That's what he introduced himself to me as. I guess it may be a nickname but that's how people call him so"
"Well I'm gonna call him Mpampi then"(or something very greek starting with the letter of the guy's actual name)
"His name is Bob"
...
Like. Ok. I know- I can tell, Bob is not the name he was given by his parents, I know his very greek last name. I've overheard people calling him by a different Greek name.
Still. He introduced himself as Bob. Their Instagram bio has "Call me Bob, they/she/he" and fanart with the non binary flag as a photo profile
In greek you can't really refer to someone with they/them so they're always referred with he/him pronouns (tho I've noticed sometimes they use feminine words for themselves like καλή) honestly I've been meaning to ask if they would also like to be called η Bob instead of ο Bob etc
My friend dropped the subject assuming I just don't know "his actual name"
But later as we were waiting for the bus one of their friends (I mentioned above I met this person through 2 other people) was there so my friend was like "oh he must know! [Dude] do you know what is usernameman's name?"
And all 3 of us(me, dude and my best friend) replied together that it's Bob
"That can't be his name! Dude whats his name?"
Dude: "it's... Bob"
"Are you kidding me how can it be Bob?!"
At that point my best friend snapped like "What's gotten into you my[girl]? Can you just drop it? The human is named bob" (Μπομπ τον λένε τον άνθρωπο, sounds more friendly in greek)
At that time Dude's parents arrived so he left but I saw his face. He didn't want to have that conversation
I'm sure he knows "his actual name" since they've been friends for years
But if the person introduces themselves as fucking Bob then call them Bob, why you gotta ask everyone
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Bad News First, Eddie
Part One 🦇 Part Two🦇Part Three🦇FInal Part
Whew! I don’t think I’ve written this much in such a short amount of time ever in my life. The boys deserve a soft ending, I think. Enjoy!
-
It goes like this. While Eddie's been lost in his own mind, his body was living. Sort of.
Top secret government assisted living, kinda living. For a secret government hospital one would think the place would be fancier or something but it's just a regular looking hospital.
Eddie's in therapy, both for his body and mind.
He learns that the voice he heard when Eleven helped pull him from the depths of his mind was Mike Wheeler of all people, and he sounds different because he's nineteen and in college. Mike mocks him on graduating before Eddie. He regrets it when Eddie gets him into a headlock.
-
He gets to meet Eleven, outside of his mind. And he starts calling her El. Part of him can't stop thinking about Eleven as the entity he thought was going to lead him to the great beyond.
She is just a person. Sorta.
Dustin had told him there was a girl with superpowers and Eddie is glad she's real. Not that he thought Dustin would lie about this (actually, he might have thought Dustin was lying just to give him some weird version of a pep talk. Everything said before going through Watergate was suspect if he's honest).
-
When he's finally well enough to be able to leave, Doctor Owens tells him their plan.
They're gonna convince Wayne to fly to Tennessee. Eddie, El, and Mike Wheeler are gonna be flown there, too. There's a place for them to stay, to meet up with his uncle in private.
They'll stay there a month. Doctor Owens knows a doctor who can do Eddie's final evaluations before he can really go home.
That's the real kicker.
Hawkins fucking sucks. Small town, narrow views, non-conformity gets you called a Freak in the same way his Dad used to call him a fag. Like he said, fucking sucks.
But it's also the sanctuary he escaped to when he was eleven years old. It's the place where his uncle built a home for him.
So, back to Hawkins first. He can always go somewhere else later. Maybe a coastal city. See the ocean.
-
Eddie hasn't been afraid of a reaction from his uncle since that day in the hospital parking lot after he caught Eddie making out with another guy. He's got that same fear inside now, though, knowing that when El opens that door, he'll see the family he feels like he abandoned. It's not fair to himself to think that, his therapist would say, but he's allowed to have crazy thoughts right now. He's come back from being (not)dead and gets to see Wayne again for the first time. Knowing his feelings are justified doesn't make them fade, though, so he's not surprised his voice shakes when the door finally opens. “Hey Uncle Wayne.”
Wayne takes less than two seconds to reach Eddie, pulling him into a bone crushing hug. “I love you so much, you little bastard. Don’t you ever, ever do this to me again.”
It's all Eddie can do to remain upright and hug him back, clinging to his shirt like he's eleven years old again.
-
Wayne gives him an overview of what he's missed after the Upside Down came into their world (he heard that part from El and Mike, against the better wishes of Doctor Owens). Learns that Wayne and Steve live in Steve's childhood home because his parents just gifted it to him, apparently. That Wayne is only part time at the plant now due to an accident he had, and how that sparked his current living conditions.
Learns that Steve and Wayne became close because, unbelievably, Steve Harrington goes to his grave in the cemetery and cleans off graffiti on the regular.
Eddie feels a little hot under the collar because his brain reminds him of a fact he’d heard once; that the author of Frankenstein lost her virginity on her mother’s grave and a little voice in the back of his head whispers that it'd be hot for him to do the same thing with Steve on his own grave.
He has to scamper to the bathroom to scold himself in the mirror because he cannot be having these kinds of thoughts about Steve while talking to his uncle!
-
Wayne asks him, the night before their flight, “what’s something you want to do, once everything is settled and life starts to feel normal again?”
“I wanna go on a vacation. Like, a real, bona fide, family vacation.”
“Where you wanna go?”
“Think I’d like to see the ocean.”
Wayne smiles softly. “Alright. When you feel ready for it, we’ll go.”
-
“Just give him a chance, Eddie,” Wayne says randomly, as they wait to board their flight to Indianapolis.
“Give him a chance? As if I’d waste it,” Eddie feels breathless at just the thought. It's certainly not helping that stupid crush he's been harboring for years, knowing how Steve’s been treating his uncle. It was one thing to watch Steve defend Jeff that one time in high school; it's an entirely different ball game knowing he's watched over his uncle with care and devotion for years. “He took care of you when I couldn’t. He cares. I don’t think there’s a chance I wouldn’t give him.”
“How long have you had a thing for Steve?”
Eddie's brain screeches to a halt because he was didn't think anything he'd just said would give him away. He can't even think of a reply good enough to throw his uncle off his trail. “That’s not- why would you think- when have I ever!?”
“You think I wouldn’t know this about you?” Wayne chuckles.
No. No, Eddie thinks, of course you could take one look at me and know. His uncle had been able to know everything about him so effortlessly. But Eddie doesn't have to answer, so he won't. “So, we’ll be living with Steve Harrington? Will he… be okay with me being there?”
“Yeah. Steve and I had each other when we needed it. Now I need you, so Steve won’t mind at all," Wayne sounds so sure, so convinced, that Eddie is too.
Eddie smiles, pulling a strand of his hair to hide his face behind as he imagines getting to eat at the same dinner table as Steve fucking Harrington. He doesn't even mind that Wayne gives him a look at says 'you are being so obvious right now' because he is. He knows he is. He's allowed to be. Wayne's not going to mock him for his crush.
-
On the drive from Indianapolis to Hawkins, Wayne tells him the lie he told Steve. Apparently, Steve thinks Eddie's dad is coming to stay for a while. The mere thought of that sets Eddie on edge, even though he knows Wyatt Munson's still in prison. Will be for a long time, with the list of shit they got him for.
They roll into Hawkins shortly after, and while Eddie may have not been in Hawkins the last five years, and he's willing to admit that things might have changed things up since they did have to rebuild a lot of the town, he's certain that Steve's house is on the other side of it. “This isn’t the way to the Harrington house."
“Steve won’t be there. He comes here when he’s overwhelmed," Wayne says. It's still pretty jarring to hear Wayne talk about Steve like this. Like he knows him. Which, he does, obviously, because they've gotten to know each other.
Still mind blowing to think about.
“The cemetery?” is what comes out of his mouth, though.
Wayne knows what's he's really meaning to ask, though, because he shrugs and says, “we both come talk to you. Steve always starts with the bad news, you know. I think you should start with good news. Just this once." The car is slowing down, and Wayne is pointing out the front windshield, to a figure crouched down near a lone headstone. "Ah. See, there he is.”
Steve. He's too far away for Eddie to be sure sure but if anyone is still wearing bright polo shirts tucked into light wash jeans this far after leaving high school, it'd be Steve Harrington. Eddie's not even sure the car is fully stopped when he all but falls out of it.
He doesn't run to greet Steve, because that's a bit dramatic, but he's not too proud to admit he might be power walking. He slows down when he gets closer, coming to a full stop just close enough to hear Steve talking to his grave. Talking to him.
"Bad news, Eds. I'm too much of a coward to meet your old man. Afraid of what he'll sound like. Because I want him to sound like you so fucking bad it hurts. So instead of being home, I'm hiding here."
"Well, I've some bad news for you, too, Stevie. I got my voice from my mom," Eddie says, and almost instantly cringes because Wayne literally just told him to start with good news and he didn't. Eddie doesn't have much time to soak in his embarrassment, though, because Steve whips around so fast that Eddie's dizzy from the movement.
Steve looks older but it's in the way people who have seen more than their fair share of Hell look older, and less about actual aging. His eyes are wide and stunned. Eddie watches as his jaw moves but no words come out. He looks like he's seen a ghost which... ok, that's fair.
"Umm," Eddie says, a little worried he's broken him when Steve doesn't even seem to be blinking as he stares at Eddie. "Good news, Steve. I, uh, I lived. Kinda. El kinda pulled me back to the surface of my mind, or whatever, and Owens did a good job at patchin' up the goods here," he gestures to his whole body with a sweeping motion of his hand and wishes that a gate to the Upside Down would open beneath his feet and suck him back to Hell because could he be any more embarrassing?
"A-are you," he watches as Steve swallows and takes a deep breath. He's still not sure Steve has blinked yet. "real?"
"Yeah," Eddie nods, taking a few steps closer, "yeah, I'm real. I'm here and alive and real."
Steve launches himself forward then, meeting him halfway. It's so goddamn surreal be witness to how tenderly Steve actually reaches out to him, though, such a contrast to the flurry of movement he'd been just a second ago. Eddie stays still as Steve lifts shaking hands to cup his face with, pushing against his cheeks as if to test whether or not Eddie is solid. Those hands slide down, along his neck, across his shoulders, down his arms where Steve seems to need to pause and collect himself again, hands wrapped loosely around his arms just below his elbows while Steve shuts his eyes and a low, broken sound pulls itself from his throat before his eyes open again, wet with tears, and he releases Eddie just long enough to throw his arms around his neck and pull him into a hug almost as crushing as the one he shared with his uncle.
It's overwhelming in this moment. To see how much he means to Steve and not fully understand how he came to mean anything to him at all.
Doesn't stop him from wrapping his own arms around Steve's waist, though.
-
It goes like this.
He gets his own room at Harrington's house. Wayne has his own room, too. How strange it is, to not have his uncle sleeping the day away on the couch because the trailer had one room and he'd given it to Eddie.
They adjust to living together so seamlessly. Like they were always meant to be family.
They have dinner together. Real homecooked meals. Which isn't a novelty for Wayne and Steve anymore, but Eddie's memory ends five years ago, when his dinners consisted of microwavable meals or left over snacks from lunch. Wayne cooks on the days when Steve works, and Eddie helps. Gets to be taught how to cook.
For a while, Eddie is afraid to leave the house. Even knowing that Jason Carver bit the dust the same day he was supposed to also doesn’t help. He only goes places with Wayne and Steve, and even then, the double takes people send his way are enough to make him want to shrink into himself.
However, no one says anything to him. He's vaguely aware that everyone here lived through some sort of miniature apocalypse and maybe that's the kind of thing that has to happen to make a small town in Indiana change.
-
He and Steve dance around each other. He can feel it. There is something here, between them, that neither fully acknowledges.
He tries to talk to Wayne about it, but he won't give him much to go on.
"I won't be the one to say anything about what Steve thinks of you. That's gotta come from Steve. I will say this. He's waiting for you to bring it up first."
"Why does it have to be me?"
"He's had five years to gather his thoughts and emotions," Wayne levels him with a Look, "you gotta have the time to figure yourself out, too."
Well, fuck.
-
Steve waits until it's almost summer break for the kids (they’re not really kids anymore, though, but Eddie’s adjusting to that still) to ask if he's ready to face them. "It'll be a lot to handle," Steve says as he sits next to Eddie on their couch (their couch. He can't believe that's a truth in his life right now). "Eleven and Mike haven't told anyone yet, but they want to. It wasn't just Wayne and I that grieved for you."
"I know," Eddie says, "I know. I'm good. I'm alive and here and I want them to know about it."
Steve nods slowly, not fully focused on Eddie. Eddie's come to know that means he's thinking, so Eddie waits for him to speak. "Would you prefer to meet with everyone... one at a time?"
"What's the other option?"
"Well, I always host a barbeque when they all come back. Could tell everyone all at once. Like ripping off a Band-Aid."
Eddie crooks a smile because he's a bit mischievous and his mind instantly plays a scene where he walks into a backyard full of all the people he's come to care for, and who care for him, and he's trying to best to be casual about it in this fantasy. "Yeah. Let's do the barbeque thing."
-
"Bad news, Stevie," Eddie whispers as he leans against the wall next his closed door, trying not to hyperventilate. "I don't know if I can do this."
Steve reaches out and takes one of Eddie's hands in his own, linking their fingers like it's a casual thing they do all the time when it's most certainly not. "Good news, Eds. You don't have to. We didn't tell anyone you're here. You can stay in your room until they're gone, and we'll figure out another way to tell them."
Eddie squeezes his eyes shut and thinks he might be crushing all the bones in Steve's hand with how hard he's clenching it. "What if they're mad at me?"
Steve understands the real question Eddie is asking, the one he doesn't know how to phrase. "You were dead, Eds, and no one out in that yard is going to be 'mad' about any time they'd spent grieving over you. There's gonna be a lot of tears, man, like a lot. Maybe even some shouting. None of it done in anger."
"How're you sure?"
Steve lifts his unoccupied hand and cups Eddie's check. Steve’s eyes are watery and his voice is a bit choked, but he says, "because I was there. I saw them through their grief. Everyone in the backyard either loves you already, or they will."
It's so fucking intimate, how close they are, how tenderly Steve touches him. Wayne had said he'd need to take the first step, so he blames Wayne when he blurts out, "what about everyone in this room? They love me, too?"
Steve's eyes go wide in surprise before his whole face lights up in a way Eddie has never seen before. It makes Steve look younger, less haunted, and then Steve whispers, "of course I love you," like there is no other answer Steve could have given.
Eddie grabs a handful as Steve's polo shirt and pulls him close enough to kiss.
Butterflies and fireworks erupt within Eddie. Kissing Steve is so much better than he's ever let himself imagine. They're still holding hands and Steve's still got his other hand resting so softly on his cheek and Steve's lips are kinda chapped but fuck does the briefest touch of their lips together make Eddie lose all his breath.
It's not deep, or all consuming. There's not even an exchange of tongue. Steve kisses him softly, gently, pulls back to pepper little kisses all over Eddie's face that has him blushing more than he's ever done in his life, and Steve places one, two, three more kisses to his lips before pulling back to look at Eddie like he's the answer to every prayer Steve's ever had. It makes his knees weak.
"I think," Eddie pauses to lick his lips, "I think I'll be brave enough to do it if you're holding my hand."
"Just try and pry yourself away, Munson," Steve teases. "Whenever you're ready."
-
Steve was right about the tears and shouting. He was also right that no one is mad at him.
Dustin hugs him so hard they fall over in the yard and Eddie finds himself part of a dog pile that starts with crying that turns into laughter that leads back into crying, everyone grabbing at him and him grabbing back.
It's emotional. It's overwhelming. It's the best fucking day of Eddie Munson's life.
-
Doctor Owens reaches out towards the end of summer to let him know they're issuing him a new social security card. Eddie asks if he's allowed to change him name. Owens says yes.
-
"Bad news first, Eddie," Eddie says to himself as he kneels in front of his own headstone. "You've become so boring and normal, no one vandalizes your grave anymore. Good news, though. Means I can do it myself."
Before him is his headstone, a thick red line painted through his death date. Another more carefully applied line is struck through his middle name. Above it he's painted in block letters 'Wayne'.
"Eddie, come on! This road trip's gonna start without you," Steve calls from where he's leaning against the side of Wayne's pickup.
Eddie is satisfied with his work, so he abandons the paint and returns to the pickup. He slides across the bench seat, one leg pretzeled under himself to be out of the way of the gear shift. Steve follows in after, shutting the door and reaching for Eddie's hand automatically.
He's got Wayne to his left, Steve to his right, and the first family vacation he's ever taken in his life ahead of him.
Good news, Eddie Wayne Munson. Maybe everyday going forward can be the best fucking day of your life.
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kaizenproductions · 1 month
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Natsu does NOT have any previous experience with romantic love
This is the (better) Tumblr version of my post from Twitter. Given the format of this website, I'll add some details to what's already written.
Before starting with this, I want to clarify that the motivation to write this post has little to do with nalu itself (it will be mentioned to highlight a point though). Having previous romantic partners DOESN'T really make any ship invalid. You'll find the actual reason behind this essay under the cut below.
This is about how Natsu, as a character, is never presented or seen by others as someone who has experience with love and such idea is never hinted or implied anywhere in the canon material. This lack of experience explains why Lucy thinks he has no interest in it.
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As we will see later, Lucy isn't the only one who thinks like this... Let's get started.
Year 2024. Why writing all this? Some weeks ago I was involved in a discussion about whether Natsu was being OOC during a filler (non canon) scene of the anime where he snaps at Lucy in a way he never does with any of his friends in canon material. The discussion led to this...
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I didn't want to assume that this person was taking Lisanna as some kind of first love. At the end it turned out that was exactly what was happening. The proof? The most platonic reunion ever... with Happy reacting the same way as Natsu and comedy being included. It is important to highlight that Mashima never makes two people between whom there have been romantic feelings reunite like this, with comedy references in between that downplays the seriousness of the moment to some extent. While this post is about Natsu and his feelings, I could also mention Lisanna's reaction to this, something that proves that there wasn't even a one sided love: after noticing this Natsu is the same one from her real dimension, she doesn't start crying because of him but because of her siblings.
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Let's ignore the part where this dude started calling me and some other users "retards" because that speaks volumes for itself about his lack of real arguments. After all, he has been fighting for at least 4 years with teens over power scaling, a topic he may seem to be knowledgeable about but actually isn't so much, plus he has been banned from at least one Discord server because of his r4pe threats. It seems this individual was so obsessed with that specific thing that he said Zeref did it to Mavis and that's how August was made... That also speaks volumes about his media literacy and the fact that even if it's true that he did read the manga so many times as he claimed during this discussion, he has serious problems with reading as a normal person. When it comes to the topic of this post, the problem is that he has some influence within the fandom, at least on Twitter, so whatever he says is something that many of his followers will start repeating.
What does Mashima do when Lisanna finally comes back to her original home and she gets a proper reunion with everyone?
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After the initial shock from seeing Edo Lisanna in Earthland and the big reveal, this is how Natsu reacts.
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This isn't a reunion that suggests that Lisanna is special compared to everyone else in the guild, and particulary to those who grew around Natsu. Also, we can't say Mashima just doesn't know how to write such scene properly... because he's written it at least once (in Rave).
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The emotion you can feel in this scene, the way ONLY both lovers are on the spotlight and the rest of their friends are in the background until the end... Well, the difference is so obvious that it's ridiculous to say more. Given how well Mashima handles the emotional dimension of his characters in his mangas, the possibility that he didn't know how to depict two lovers who got separated from each for some time due to circumstances beyond their control is off the table.
Also, notice how the end of the Edolas arc depicts this.
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The difference with her reunion with Natsu and the others is so obvious that there's no need to say more.
We can also discard Lisanna as a former love interest because there's no akwardness between them once she's back to the guild. They can be seen playing together and briefly interacting from time to time, so it's not like they're avoiding each other.
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Is it implied somewhere that they had something beyond friendship? Not in any kind of canon material. Every time Lisanna is mentioned in regards to Natsu she's presented as a close childhood friend. We have, for example, her profile from one of the first chapters where she's back home and the information of the official magazine that was released 10 years ago.
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But what if they simply stopped loving each other due to being separated, as a fellow nalu shipper told me on Discord? Making characters fall out of love is something that Mashima also references (see Macao pic a bit below). It also goes against what we saw regarding Erza and Jellal, who still had romantic feelings for each other despite their antagonistic positions for many years, or against the whole Zeref and Mavis thing. In other Mashima mangas we have more couples like this. Elsie and Justice still loved each other despite being sworn enemies, and Let still loved Julia (and vice versa) when he discovered she was alive, a kinda similar scenario to Natsu and Lisanna if they had been lovers. Given that Natsu and Lisanna weren't even enemies to each other at any point and they were only separated for two years, we can't say they had something canonically and they simply got over it with no actual reference to it.
There was a very good moment to reference past feelings in 100YQ: when Touka includes Lisanna in the group of women "around Natsu".
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Instead of offering us a comment like "it's not like that anymore", Lisanna just says something that implies they're not that close. After all, Natsu is hanging out with his team most of the time since it was established.
What's the reason this fandom has been so many years discussing about this friendship? Because the first anime adaptation goes beyond that friendship and the manga omake where both of them take care of Happy's egg, something Lisanna decides to help with because she loves animals and she felt Natsu wouldn't do it properly. The first season includes several fillers that pave the way for a love triangle, presenting Lisanna as a girl who is VERY interested in marrying Natsu when they're adults. In addition, Happy is presented as their son, something that totally goes against the source material. Even if Natsu is the one who saw Happy be born and was living with him since then, Happy is never considered as his son and is always called a nakama/companion/friend.
This long thread has everything that A-1 and Satelight added in regards to Natsu and Lisanna. As we can see in the info provided in one of the first tweets, Mashima let them "edit" the story the way they wanted to and it's mentioned explicitely by both him and Ishihara (the director) that Ishihara is responsible for those additions, not Mashima. We also can't say the additions were something Mashima asked for because he couldn't include everything he wanted in his manga for some reason. This is supported by the fact that Lisanna is never presented in the manga as any kind of romantic interest after she comes back.
There's also this tweet from 2012 where Mashima replied to someone asking him whether he was involved in the story of the anime. His answer is no.
It's also important to say that these fillers aren't canon: they're not referenced in the source material (the starry key arc was, even if Mashima wasn't involved in the writing), they're not referenced in the anime itself after Lisanna comes back and they have no impact in the events of the story during and after Edolas.
Currently, thanks to Mashima's Twitter Spaces, we know two things: he revived Lisanna because some people in the anime staff liked her (Ishihara is one of them for sure), which explains why she's not very relevant and is always tied to her siblings, and he once considered to include a love triangle between Natsu, Lucy and Lisanna after Edolas, but he liked Natsu and Lucy's dynamic by then enough to not introduce such storyline. He also said Lisanna was "だめ" in regards to that triangle that never came to be, implying that she would have been the one that doesn't get the boy in that scenario.
So is Lisanna our supposed former love interest? As far as the canon material goes, no. Was she close to Natsu? Yes. Is she dear to him? Yes, just like everyone in his family, the guild, is (I can't believe I'm writing this in fking 2024). Now, what if there was someone else? The assumption that characters may have dated another (unnamed) character offscreen isn't totally crazy. After all we saw how Juvia dated Bora, even if it was a narrative tool to show that not even dates would make Juvia stop being depressed. However, we can't say there was someone else as more than a headcanon unless it's implied or mentioned somewhere explicitely. We know Macao was married but got divorced thanks to the official magazine, for example.
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When it comes to Natsu, nothing is ever mentioned.
100YQ, the official FT sequel, has several pannels that go against the whole idea of Natsu being experienced with romantic love. As I mentioned at the beginning, even others from the guild, and especifically Macao in this pannel, who knows Natsu since he was a kid, have a hard time believing he's interested in love.
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This part of the story includes a very interesting pannel that also debunks the whole idea that Natsu felt more than frienship for Lisanna before she was transported to Edolas.
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Why would Lisanna's brother react like this over such comment if Natsu and his sister had romantic feelings in the past? Easy: because those feelings never existed.
Even Lisanna is a bit surprised when Touka expresses her interest in him.
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Previous romantic experience would also mean that Natsu's relationship with Lucy would be more advanced than it is as of now, not to mention this recent scene.
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Natsu is still quite dense with romance, even when it doesn't involve him, and while he talks about his and Lucy's kids they still have a long way to go due to his total inexperience in this area as of now. Someone with past love experiences wouldn't be like this. I could say more about this but this isn't the post for it so...
Conclussion: the first season of the anime did a lot of damage that resulted in many years of discussions, fights, misogyny towards both Lucy and Lisanna. There was no childhood or teen love, no jealousy from Lisanna when she saw how close Natsu and Lucy were as a team and nothing suggests that Lisanna was more than a friend in canon material. Claiming the opposite at this point of the story is useless.
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homunculus-argument · 10 months
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Hey! Another Finn here but I want your English speaking audience to be able to understand as well.
For background information, I've been thinking a lot about nuances in pronoun usage in Finnish language ever since I had a brief discussion about genderless third person pronouns with an English speaking friend. I wanted to share what I have uncovered so far about the information that is instinctive to me.
For our English speaking folk, we have our official language (sometimes referred to as written or formal language) and a bunch of dialects and slang (collectively referred to as spoken language). They can vary vastly and pronoun usage is one of the most obvious indicators of roughly where a person is from. The spoken language examples I'm giving are from Southern Finland (not the capital area) as that's what I use. Also, because of the nature of Finnish language, the words can change their sound and written form when there's information added and sometimes pronouns are not needed as a separate word in a sentence at all.
In written language the singular pronouns are as such: minä (I), sinä/te (you), hän/he (he/she/they) and se/he (it)
Plural pronouns are: me (we), te (you), he (they) and ne (they when used as a plural for "it")
In spoken language it's a bit different: mä (I), sä (you, singular), se/hän (he/she/they/it), me (we), te (you, plural), ne/he (they)
You probably noticed something peculiar already and we're getting there.
When I started learning the written language in school, my teacher told me that hän refers to a human person while se refers to everything else. Also, if you want to sound formal and/or respectful when referring to someone you use plural forms when referring to them even if you're referring to a singular person, hence the use of te instead of sinä and he instead of hän or se. However, if the goal is to still sound as formal/respectful as possible you would not use ne instead of se, because ne implies a lack of personhood. It's always more polite to imply personhood even if you're not talking about people, but people will probably find it odd if you do imply personhood to things that aren't alive. So, with inanimate objects it's either se (singular) or ne (plural).
And there in lies the foundation for many nuances.
Some Finns are indeed taught that in written language hän can be used to refer to all living things while se can be used to refer to all non-living things, but that's not the case with me.
Hän implies personhood. Personhood implies consciousness and agency.
As a result, in spoken language hän is only used when you want to underline the agency of the person/living thing you're talking about. We also generally use se when talking about people because we can often hear from the context that this is someone with agency hence emphasis on agency is not needed, so it would be weird to do that. But when speaking about animals, if someone refers to an animal as hän and you don't also switch to hän it can leave the impression that you don't think this animal has any agency or anything else that comes with personhood, like emotions. Alternatively, it implies that you see animals as "lesser" and their emotions as "not important". Doubly so if the animal is a pet. It's polite to use hän when speaking about an animal, especially to the owner of said animal without prompting. It's rude to insist calling an animal se when someone has already referred to the animal as hän. But if you refer to a human as hän in casual conversation it has a whole another connotation.
As stated before, hän is used to underline agency in spoken language.
"Hän päätti nyt näin." He/she/they decided so this time. This implies that the speaker does not necessarily agree with the decision, made even more apparent by the speakers tone.
"Se on hänen päätös." It's his/hers/their decision. Less friendly and more frustrated sounding version of "se on sen päätös" which means exactly the same. The latter implies more familiarity or warmth between the decision maker and the speaker and doesn't really imply frustration in the same magnitude. The first one can imply frustration either towards the decision maker, the situation or the one who is spoken to. Both mean that the speaker is not responsible for the decision, but while the first one implies that the speaker can't change the decision makers mind it even if they disagree with the decision, the second version implies that the speaker doesn't really want to change their mind even if they could try. Either way, the ultimate decision making power isn't in the hands of the speaker in this case.
But there's a secret option that has become more popular over the years. It's using hän when referring to non living things to imply agency in a way that's humorous. Like in a conversation I often heard and had in my home:
A: "Mä kolautin itteni pöydän kulmaan." I hit myself onto/ran into the corner of the table
B: "Hyökkäskö se pöytä sua päin?" Did that table attack (towards) you?
A: "Joo. Hän hyökkäs aika kovaa." Yeah. He/she/they attacked quite hard.
The "joke" was started when person B implied that an inanimate object can attack (which is an action requiring decision making) and then person A continued the "joke" by confirming that this table has a personhood and indeed decided to attack. It's not meant to make anyone laugh, it's meant to lighten up the mood and save person A from further embarrassment by implying that the whole ordeal was the tables fault.
But if the person B had answered in another way instead, they could have tried to further embarrass person A.
B: "Miksi sä hyökkäsit sitä pöytää kohtaan? Hän oli ihan viattomasti paikallaan." Why did you attack that table? They were innocently staying still where they were supposed to be.
This doesn't only imply that person A was at fault, but also that the collision was a malicious act towards an innocent person, who was just doing what they were supposed to do. While it's more likely to get a laugh out of people in the vicinity, it's not polite to try to further embarrass someone if you don't know they can take it from you.
Also, when someone is representing or speaking for a group, they are referred towards as if the representative is the whole group. The representative can also more easily to make clear their stance with the group. If they constantly use he when referring to the group, it means that the representative is not part of this group they are speaking for. If they use me, they are speaking as a group member or as someone who agrees with them in the matter at hand. If they use any version of minä, they are making clear that this opinion/experience is their own or at least not something the whole group agrees with.
Also, corporations, even single person companies, are spoken about as if it's a plural collective. When I'm asking a small business owner where can I find more products or info about the company, I use te. If I would use any form of sinä it is taken as an interest in the person behind the company, unrelated to the company.
And when speaking or writing in a formal manner, keep in mind that being overly polite can easily be mistaken for sarcasm. Finns are generally very casual. When writing personal emails, text messages etc we use the spoken language. Written language is only spoken if you are reading a book aloud or you happen to be a politician doing your work.
I might have missed something but this has gotten too long already cx
All I can add to this is that this is literally a real language. All the completely nonsense-seeming bullshit about the finnish language you encounter on tumblr is legit things that are a thing in a real language spoken by like 5 people in one corner of the world, and not a whole and full "yes and" goncharov- style bit.
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The Garden
AN: Okay wow did not expect to have this many people like the sneak peek of this fic so THANK YOU! I’ve had this account since 2018 so to anyone whose been here since then, I commend you, my writing was pretty bad back then LMAO! This is literally the longest fic I’ve ever written so that's cool. I super enjoyed this Shuri and would love to write more versions of her in the future. If you have any requests, my asks are on. If not just dm me fr fr, i love inspo. Player!Shuri may or may not be in the works, so yeah. And in all honesty I don’t know what the timing of this one is within the MCU.
Summary: Princess Shuri requests your company on a trip to “The Garden”, a secret area the two of you created as teens. 
Pairing: Shuri x Reader
Warnings: Cursing, mentions of drug use (weed), kissing.
Word count: 3,635
Suggested listening: Nothing Even Matters by Lauren Hill ft. D'Angelo 
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The soft buzzing of your kimoyo beads stirred you out of the deep sleep you were in. When the buzzing didn’t wake you immediately, the sensation was turned up and the vibration shook your wrist. You knew there was only one person who could engineer your kimoyo beads to function like that: Shuri.
Knowing that she wouldn’t stop her assault on your wrist, you sat up in bed and answered her call. 
“Oh Y/N, good you’re finally awake!” Shuri stated with a slick smile as her holographic body shot up from the beads. 
“When did you even have time to do that, Shuri? I’m with you always and you make sure I never take this off.” You mused as you rubbed some sleep out of your eyes. 
“That’s not for you to worry about!” She flashed that smile at you again and you felt the familiar tug at your heart. 
You loved her smile. It was one of your favorite things about her, and she knew it. Whenever she needed something from you like a model to test out new adaptations for the Dora Milaje’s gear or begging you to spend the night with her even though your room was less than 10 steps from hers. She would flash that smile and instantly get whatever she wanted from you.  
She caught wind of the way you were looking at her and sent a wink your way. “Since you're awake, may I come in?” 
“I don’t know why you insist on asking, especially when you know I never say no.” You said through a yawn. You got up out of bed and walked over to the door peeking through the wall that led to Shuri’s room. 
The two of you had lived like this since you were young teens. Your mother served as Queen Ramonda’s personal guard, hand-picked by King T’Chaka until her accidental death during a routine training drill that you unfortunately witnessed. Your father, grief-struck, took his own life and it left you without anyone else in the world.
 Queen Ramonda decided that for your mental health it was best to maintain as much of the reality that you knew and so at 16, you moved in with the royal family. Getting a bedroom built right next to Shuri’s that connected via a doorway. It worked out because you and Princess Shuri were already close friends; having spent childhood running around the palace walls and pestering the cooks for sweets. And spent most of adolescence obsessing over American culture and new trends together.  
You and T’Challa quickly formed a sibling dynamic similar to the one he had with Shuri and he felt just as protective of you as he did of her. Your dynamic with Shuri, that was different. As young girls you both valued and enjoyed each other's company, it was often regarded that if you saw one of you, the other had to be close behind. 
It wasn’t until you moved in, that the nightmares started. Reliving the memory of your mother's death every night in your dreams left you screaming in your sleep, loud enough for even Queen Mother to hear it from her chambers. But before she could get there, she always found Shuri comforting you. She could still remember the first time she found the two of you like that. 
Shuri was sitting on the edge of your bed calmly speaking to you as she stroked your cheek gently. “It’s me Y/N, it's Shuri. You’re okay, you’re safe, I’m here.” The two of you couldn’t have been but 17 and 16. 
When you awoke and tears sprung from your eyes, Shuri just pulled you into her and soothed you as she gently rubbed your back. When Queen Mother returned to her chambers she awoke her husband and told him that there was no need to worry about who Shuri would end up with and that Bast had been kind and blessed them with two daughters. 
Now at 21 and 20, the Queen's words seemed to ring ever true. While neither of you claimed to be in a relationship, everyone in the palace (and in all of Wakanda for that matter) knew that it was more than platonic love shared between you two. Shuri had never courted anyone and neither had you, and nobody ever questioned it. You knew many people lusted after Princess Shuri but you never questioned where her loyalties lay. You were the one who was with her when she learned of her father's death and you supported her throughout the entire mourning process as you both grieved. You were each other's person no doubt about it. 
Shuri hung up the call and walked into your bedroom, flopping right onto your bed. You chuckled as she snuggled deep within your covers, it was normal for her to do that, and expected that you would join her.
You scrolled through the notifications on your kimoyo beads much to Shuri’s dismay as you heard her kiss her teeth. One of her signals that she wasn’t getting the attention from you that she wanted. 
“I’m coming, I’m coming.” You murmured as you walked towards your bed and sat down on the edge. Your tiny brown sleep shorts and matching cami shirt gave Shuri the perfect view of your back. She admired the two dimples in your back that sat just above your ass and the way that your curves fit your body just right. Her eyes trailed up your back, and your curly hair was pulled up into a pineapple for maximum convenience while you slept, giving Shuri a view of your neck. She couldn’t stand you being so close to her and not touching so she wrapped an arm around your waist and pulled you back into her. 
You took the hint, got under the covers, and finally laid on your back staring straight up at the ceiling. Shuri’s hand snaked down to find yours and interlaced your fingers in hers. Bringing them to her mouth so she could kiss your hand. 
“So, what did you have planned for today, my princess?” You asked with a light giggle as she peppered kisses all over your hand. 
“I was thinking,” She said once she had finished “That we go over to the garden and spend the day there today.” She turned to face you anticipating your response. 
You turned your head to face her and shot her a “Are you crazy?” look. 
The garden was a secret project you, but mostly Shuri had started when you were in your final years of school. After watching the Young and Wild and Free music video, the two of you decided it couldn’t be that hard to grow your own weed here in Wakanda. You tested it all inside of a small house that had once belonged to the gardener but had been long abandoned. It only took a few months and the two of you had grown enough to harvest and test. 
And test you did!
Being both of your first times the effects were immediate and apparent, but both of you enjoyed the mood it put you in. Shuri enjoyed how it allowed you to open up to her and her the same to you, many of your most vulnerable conversations were held in the garden. For a year the two of you spent damn near every weekend sneaking off into the garden to light up and talk before going on a movie marathon. 
Years later and the tradition had faded. You knew Shuri still maintained the garden and used it occasionally but you only went out there when Shuri dragged you out. The last time was over a month ago and it ended with the two of you being questioned for a long time by T’Challa, insisting that of course, you two were not high. The conversation ended with T’Challa saying that the two of you were terrible liars, which only led to a giggle fit ensuing. 
“Do you not remember the last time?” You demanded with a roll of your eyes “What if we get caught by Queen Mother this time?” 
Shuri laughed “We are grown! Mother can only say so much, we are our own people sthandwa!” 
You let out a groan in response, she knew how much you loved when she called you that. 
“Come on, you know you want to come to hang out and relax with me. Do it for your princess.” She commanded with her same trademark smile. 
“Fine! But Shuri, I’m not helping you roll anything! You have to do all the work since you want it so badly.” You retorted as you stood up from the bed. You walked over to your closet and looked for something to wear. 
“I don’t even know why you would say that, you never roll anyway.” Shuri spoke quietly to herself with a small laugh.
“What did you say?” You called from inside the closet.
“Nothing sthandwa! Get dressed!” She called back with a smirk.
You decided on one of Shuri’s oversized hoodies (that fit you more like a normal hoodie) with a black skin-tight shirt, a pair of black leggings, and a small cross-body bag that held your film camera to wear. So the two of you started your walk down the back palace steps towards the garden. As you walked you admired Shuri’s outfit. She had recently become a fan of American tracksuits so today she wore gray sweatpants with a matching gray zip-up jacket. Under the jacket, she wore a form-fitting t-shirt that accentuated her slender slightly muscular figure. Her short curly hair was styled up as normal and you admired how this new haircut suited her face so well. 
She looked edible. 
As you two approached the small garden house, Shuri broke the comfortable silence that had developed. 
“I’ve made some new improvements to our little getaway, I hope you like them sthandwa.” Shuri held open the door for you and you walked in. 
Where once the walls were lined with movie posters and American logos from companies like Pringles, KFC, and Budweiser; they’re now covered with album sleeves from the two of your favorite records. Covers from Stevie Wonder, Lauryn Hill, and Gregory Porter all the way to recent favorites like Noname, Mavi, and Frank Ocean. You walked deeper into the room and noticed where bean bags and a couch that had seen better days once sat, a new couch (big enough to be mistaken for a bed) and a hammock installed into the ceiling now resided. 
You had regarded on your last trip that the place had started to remind you of your joined teen years and Shuri being the girl she was decided that meant it was time for a rebrand.
“Shuriiii!!!!” You gushed “This is too much! When did you have the time to do all of this!?” You ran into her open arms and squeezed her tightly. Shuri smiled and wrapped her arms around you.
You pulled your head off her chest to look up at her as she spoke. “I wanted it to be a space for us again and we don’t have to just smoke here either. I moved all of the plants downstairs and created a new filtration system so it will never smell like smoke and-”
You cut her off by placing a kiss on her lips. She moved her hands to cup your face trying to deepen the kiss. She loved the taste of your lips, the way they parted to let hers in, the way your tongue always battled with hers for dominance knowing it was never a battle you were going to win. 
You pulled away from the kiss, a deep red color staining your chocolate skin, she made you blush every time she kissed you and it made her proud to see how breathless she left you. 
“Thank you Shuri, I really mean it.”
“You kiss me like that again, we’re not going to leave here for days.” Shuri mused as she quickly swiped her thumb across your plump bottom lip. Your deep brown eyes caught hers and her gaze held you there like that as she looked down upon you with enamored eyes.
 You pulled your bottom lip into your mouth and bit it lightly. You hated the way Shuri could get you like this so easily. With just a few words or a persistent look, you turned to putty in her hands. Shuri however adored you like this, the way you were so drunk on lust that you listened to every word she said and followed her directions with little pushback. 
You tried to turn away and break eye contact but Shuri caught your chin before you could move. She placed a delicate kiss on your lips before speaking.
“Go sit on the couch, make yourself at home. I’m going to get everything ready, you can connect to the speakers via bluetooth; the name is Y/N.” She let go of your face and left you standing there speechless as she started rummaging through drawers looking for the materials she needed. 
“Damn you Shuri.” You thought as you walked over to the square-shaped couch, pulled off your bag, took out your camera, and plopped down making yourself comfortable. You pulled up the bluetooth settings and clicked connect on the one named after you. You kicked your slippers off and tucked your feet underneath you as you figured out what album to pick. You settled instead on the “To Y/N, with love” playlist, the playlist she had made for you years ago that still received monthly updates. 
Shuri chuckled as the sounds of Nothing Even Matters by Lauryn Hill rang out through the speakers. She knew how much you loved music when she made you the playlist but hadn’t anticipated how much you would listen to the playlist. When you first noticed she had updated it, you nearly fell out; loving all the new music she added. 
“You’re still listening to this old thing?” Shuri asked as she plopped down next to you, she held in her hands a rolling tray, a lighter, and two mason jars filled with herbs and weed respectively, a joint tucked between her lips. 
You just hummed along to the words and smiled as you sang to her. 
“Now the skies could fall. Not even if my boss should call. The world it seems so very small-” 
She finished the line for you. 
“Cause nothing even matters, at all. See nothing even matters.”
She took the joint from between her lips and handed it to you. You took it and after examining it for a second you placed it between your lips. Shuri leaned over into your personal space and sparked the lighter bringing it up to the joint and lighting it. You gazed at Shuri through the fire and felt a similar feeling inside of your gut as the two of you made eye contact. You pulled in deeply, allowing the smoke that was invading your mouth to travel directly to your lungs. Shuri pulled the lighter away when she was sure the joint would stay lit but didn’t break eye contact. You couldn’t handle the way she was looking at you, desire plain across her face so you pulled away as you removed the joint from your mouth, turned your head away, and exhaled. Releasing all the smoke in your lungs.
This caused Shuri to smirk, you were always so innocent, she could read you like a book. The way your thighs squeezed together when she held her hand on them for too long or the way you could never hold eye contact. She knew what she did to you and was fully planning to keep it up. 
Shuri pulled a paper out of the pack she had and started opening the mason jars that contained her herbs. A comfortable silence had developed between the two of you, as you hit the joint and you both hummed along to Montego Bae by Noname. Shuri was the first to break the silence. 
“One of your children asked me when me and you were going to be “princesses together?” when I stopped down to visit yesterday.” 
You looked over at Shuri and let out a large laugh “What?” 
You knew generally what Shuri was referring to; the orphanage that you volunteered in part-time was located just outside of the palace walls. Queen Mother thought it best for you to have something to occupy your time since Shuri spent large chunks of time in her lab and time away from each other was the key to a healthy relationship. The idea to work in the orphanage came to you after you spent the afternoon with the children, taking photos for the local newspaper. You came that first day and had never left; it made you feel good to help the children, knowing Queen Mother was the only reason you didn’t end up there. 
“Mhm.” Shuri nodded, you noticed her hands that were beginning the careful process of rolling. This part always made you admire Shuri, her attention to detail and meticulous technique was a work of art. She looked so beautiful concentrating like that, you reached into your bag, grabbed your camera, and snapped a photo of her.
“It was Adah wasn't it?” You asked with a chuckle as you tucked your camera next to you. 
While Shuri didn’t visit the orphanage with you frequently, whenever she did the first person to greet her was Adah. When Shuri wasn’t there Adah normally clung to your side during your daily work and generally kept quiet; preferring to see how the other kids played than actually playing herself. But when Shuri turned up, another side of Adah came out and she shed her shy exterior. Running around, dragging Shuri to and from activities and crafts, determined to show the princess a good time. 
The whole of Wakanda was aware of your special relationship with Shuri, the children included. The difference between the two was that children didn’t have the social politeness to know not to ask about when the two of you were going to make it official, official. 
Shuri just nodded as she brought her tongue to the paper, swiping it across to dampen the paper. She knew your eyes were following her tongue but let you slide this time without a sly remark. She finished rolling the joint and placed it on the coffee table. 
You took another hit, feeling the effects of this new strain throughout your whole body before passing it to Shuri  
“I keep telling them they can’t just ask when someone’s getting married.” You said with a playful kiss of your teeth. 
Shuri took a deep pull of the joint and looked over at you. “I told her that we would be married within the next three years.”
“You said WHAT?” You shot up straight off of the couch and stood in front of Shuri. “You told my Adah we were to be married within the next three WHAT?”
Shuri simply laughed and took another hit of the joint. “I don’t see a problem with what I said sthandwa. We will be married within the next three years, no?” 
“Have the chemicals that you deal with in the lab finally knocked something lose up there??” You playfully tapped on the side of her forehead with your fingers. 
“Aht-” Shuri swatted your hand away with her free hand, and she took another hit. “I don’t get what's so wrong with what I said, we will be married within the next three years and have kids within the next five years. What's so insane about what I said?” 
“Oh, you’ve lost your GODDAMN MIND Shuri Udaku!” You threw your hands up in disbelief and turned to walk away from Shuri. 
“She must have lost it!” You thought to yourself. “Before she asks me to be her girlfriend she declares me her wife?” Truthfully you didn’t have a problem with marrying Shuri, that wasn’t the problem. But to have her declare so matter of factly without consulting you, that gave you a little bit of irritation. 
Shuri used the opportunity of your back turning slightly to her as you walked away to grab one of your arms, pulling you closer and forcing you off balance. She used her newfound leverage to pull you into her lap, putting you face to face with her. Her free hand found its way to the top of your thigh and she rubbed lightly sending butterflies throughout your body. You were used to being in this position, it was one of Shuri’s favorites. She said it gave her a perfect view of your beautiful face while still satisfying her need for physical touch.
“Do you not want to be my wife sthandwa?” Shuri asked in a sultry voice, bringing the end of the joint to your lips allowing you to take the last hit. 
You turned your head away from her to not release the smoke into her face, but even once you finished you kept your eyes from hers. It was all too much right now,  the weed, the way Shuri switched her tone of voice and her hand that was gently rubbing the top of your thigh. Too much to be able to focus on this conversation right now.  
Shuri placed the finished joint on the coffee table and grabbed your chin with her first three fingers, allowing her thumb to rest on your cheek and stroke it gently. 
“Look at me.”
You obliged her request and made eye contact with the princess, her brown eyes were low and addicting to stare at. 
“Be my wife Y/N.” 
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yourhighness6 · 2 months
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A Yue Stan's Thoughts on Yue's Character in NATLA
As much as I appreciated what NATLA was trying to do and think it is worth a rewatch, can I just say as an unapolagetic Yue stan that they completely ruined her, and Yukka by extension.
And say whatever you want about her scenes leading up to the sacrifice (which did make me cry, I'll admit, her speech about living was actually a nice addition), but it was actually this line that left me absolutely seething and in my opinion proves that the writers completely misunderstood what made the sacrifice so powerful:
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I actually had to pause the television and collect myself after this one because holy fuck is this the stupidest thing I've ever heard. The entire point in the animated show was that she didn't get to make her own choices before this point. She didn't get to choose who to marry, she didn't get to choose her role in society, she didn't get to choose basically anything about her life besides maybe how to style her hair or something. Yue was a character who was extremely dutiful, but also extremely boxed in by her duty. It was both her greatest strength and her greatest weakness, a parody of itself, just as her mere existence was a parody: while she was saved by the moon spirit as a child and allowed to live on, it was that very reason that she eventually gave up her life. And the very fact that she was given these choices in the first place in the LA seriously undermined the idea of her sacrifice. Yue was told her entire life what to do, and although she did manage to find a bit of freedom through her brief romance with Sokka, ultimately, she still didn't get to publicly be with him or reject Hahn or anything similar. Her sacrifice was what she saw as her duty, yes, but her sacrifice for her people was also a way of standing up for herself and finally resolving to make her own choices. In that moment, she not only saved her people, but she finally made a decision for herself instead of doing something someone else told her to, even going against Sokka's wishes to do what she thought was necessary. So in the LA, with her having a place of influence in her community, with her being able to call off her engagement, with her being told that she could one day be chief, to that stupid fucking line implying that she was in no way ever repressed and free to make her own decisions the entire time, removing all of her character growth and any character significance to her actions, it was all basically pointless. It made Yue into a plot device for Sokka to bond with and to move the Aang-and-Kuruk plotline forward. In the animated series, Yue was not a plot device, and she was extremely well written, whereas in NATLA, her character fell completely flat. She talks about responsibility and pressure in her first scene with Sokka, but other than that, she has no depth. In other words, she has no depth besides her relationship to him.
Anyway, I hope we can all agree that her characterization and a lot of the decisions made in the last two episodes of NATLA were nothing but a pile of bulshit. From Iroh killing Zhao to Yukka having zero chemistry to Katara just magically becoming a master to Zuko being shelved to the plotline about Aang not feeling like he belonged having absolutely no buildup beyond a throwaway line in the second episode to everything about Yue I spelled out above, I would go as far to call it just plain bad. Again, I'm glad it got renewed, and I'll be the first to say a lot of other episodes get unnecessary hate, as well as that we are working with slightly different characters (especially Azula) in this version than the first, but I was really disappointed with seeing Yue in LA for a second time.
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thevulturesquadron · 2 months
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Ok so this is me sorta headcanoning, so take this with a grain of salt, but one of the reasons why the infantilization of Rogue always bothers me is because I always felt like her powers were a metaphor for disability/chronic illness and fandom police act already like disabled women aren't capable of being in their own villain romances, example being Entrapdak antis denying Entrapta her own agency in her romance with Hordak in the She-Ra reboot.
Oh! But you make a really good point! It’s one of those subtle perspectives that can be dangerous just because of how easy they are to integrate into someone's view of the world. I'm not as vocal online as I used to be. I feel like there are people out there far better equipped to talk about it than I, while I grow old and cranky. But, you brought up a really important aspect that kinda sent me into a 'hold my beer' moment so apologies for the long answer! To start with, I wouldn’t call this a headcanon, not at all, clearly not in the context of X-men, and Rogue in particular. It’s a very apt analogy. The reason why these characters become relevant to us is because we recognize something from our personal journey in them, and the comparison you made for Rogue is a very strong one. Her inability to touch can absolutely be read as a disability! In so many of her stories/arcs it is often portrayed as a struggle, as an obstacle to a ‘normal life’. Her difficulties with gaining control over her powers and dealing with other personalities that are trying to take over her mind can also be a strong metaphor for mental health struggles/disorders. Rogue is a fantastic hero in that regard and seeing her be her own person, learning how to work and be proud of what she can do, can feel like a personal victory for so many people. It’s why it’s important to see her happy, to see her winning her battles and use who she is and what she can do in a positive and impactful way. There are many reasons why fans end up taking away her agency or attributing her choices to a different (often male) character. And, to be fair, a couple of comic-book writers have done this exact thing to her, so I can see where this skewed perspective might be coming from. Within fandom this happens mostly because it serves to support their arguments for whatever thing they prefer or project onto the character. If they don’t like a certain narrative or can’t accept that it might’ve be written for someone else, they have this to fall back on and point to. Or, sadly, one of the simplest reasons for doing this is the age-old turning their ship preferences into ‘I’m right, you are wrong’ arguments. But these things can hide some internalized misconceptions. Unfortunately I haven’t seen the reboot of She-Ra (shame on me) so I don’t have the full picture for the take on Entrapta, but now I have one more reason to invest some time in it. In this situation with Rogue, I believe that what you mentioned applies very well. The argument that I’ve seen going around a lot is that Rogue was manipulated/swayed by being presented with the opportunity to ‘be normal’. Because she wanted to be able to touch and as a result she was taken advantage of because of her ‘disability’. Which is entirely false. In no version of the relationship between Rogue and Magneto in the comics, and not even in the reinvented take in the animation, has he ever abused that. Her attraction to him has always, always, come first, and the ability to touch, second. He was never the first one to act upon it. Even in the animation, every shot in the flashback was carefully considered to portray that - she is shown as the initiator every time (my favourite scene is when she’s trying her very best to pose in a suggestive way and he just paints her as he sees her, lively and sincere). But some fans don’t want to see that. They don’t want to acknowledge the authenticity of her decisions because it doesn’t serve the narrative they want of her/for her.
I read your message and it hit like a hammer how much deeper this problem can actually go, because it’s masked by those surface-level justifications. Removing agency and responsibility from someone just because they operate differently than one’s expectations is damaging in and of itself, and within a fandom it perpetuates an idea that can stifle people’s perspective and critical thinking. (This whole topic actually reminded me of Madison Tevlin's “Assume that I can” commercial. I think it's relevant to the conversation) Thanks a lot for sharing this!!! We need to talk more about these things and if I misspoke on something or missed something important would love to hear it. 💜
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chaseprice · 19 days
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hi!! hope i’m not a bother. i just came across u and i wanted to ask something,,,
basically, i joined the life is strange fandom in 2018 so i never got to experience the pre-bts era, meaning i didn’t get to experience what rachel was like to the fandom back then or see the different interpretations of her.
i did some digging and i found some fan content of her from 2015-2016 & i’m absolutely infatuated with all aspects of the fanon version of her, especially her personality & how she looked. i totally wanna embody her. also the love is strange vn was so interesting to play, i love how she was written. i’d love to know more!
i stumbled across ur blog while i was doing my digging and i saw an old long post of urs saying how bts didn’t live up to the fandoms expectations, as almost everyone perceived her differently.
sorry for all the yapping LOL but what i basically wanna ask is,,, how *exactly* did the fandom perceive rachel back then (2015-2016). what were some popular headcanons for her? things you guys even considered to be canon? what were some of your own *personal* headcanons? (can be silly, realistic,,, just anything you thought resonated with her)
do you have any favorite arts from that time period that you thought really captured her? what were your hopes for the prequel/rachels character before it was released? what did you want to see in terms of story? was rachel’s style, appearance, & personality extremely different than what you expected? what did you expect?
i assume that rachels treatment in the fandom was different then than what it is now. whether it’s better or worse, i’m not sure. i was hoping u could answer that too😞. recently i’ve just been seeing constant hatred or lack of care for her character so i’m starting to think that if bts was written differently and based on the fandom’s interpretations instead, the hate now wouldn’t be this bad.
from my digging it seems like you guys had alot of fun sculpting rachel’s character on your own, and the interpretations were probably more realistic than what decknine put together.
anyway i’m sorry for the yapping essay on this random saturday, most old lis accounts are dead & i didn’t know who else to ask☹️. just trying to relive what you guys experienced the best i can. hope i’m not bombarding you with this. thank you so much if u respond !!
hiii u def did not bother me, i am not in a position to answer all of these questions, but although it makes me feel ancient, it's cute to see so much passion for rachel and pre-BTS fandom opinion, so i'll try answer some and for the rest (art, hcs, etc.) im just gonna have to direct you to my archive* (will continue under the readmore)
*(tumblr archive is so broken on mobile so you gotta go on pc for this, but also there's so many gifs from that time so it will Definitely slow down your browser). i was insane and 17 years old so like, just excuse all of the cringe content i guess. you can click tag and filter it by either #lis #rachel amber #amberprice or whatever to try and find stuff like art. and i got into lis sept 2015 so that's like, as far back as it will go, but i was fully lisbrained from 2016 through 2018)
to be honest, in alignment with pre-bts thought lmao, rachel is whoever you want her to be. there was less of 'this is a correct objective fact about her personality/history' and more 'yeah, this is an idea the fandom really likes and has become fanon, most likely because it is a nuanced and entertaining and realistic interpretation of what we have seen of her character in lis1' which means people whose opinions conflicted with that might've be contested/laughed at/unpopular, but they weren't wrong per se. there were plenty of people i'd criticise (and ridicule) back then for implying that this teenage girl was evil, and being a teenager myself back then, i'd call them morally reprehensible and cancellable and whatever, but tbh, as an adult now, i can just see that it was simply a boring interpretation of her character informed by misogyny
i'd disagree with the notion that fandom treatment of rachel's character was better before bts, back then there were plenty of people seemingly excited to characterise her as emotionally manipulative, a cheater, deserved what she got, etc. as well, bc tbh, the story did leave room for that interpretation, but it left room for so much more as well. i feel like bts just really locked in on a certain story they wanted to tell plot-wise, and didn't choose to explore a lot of the questions fans had about rachel as a person. it's hard to turn the ambiguity of a friendship turned situationship over a period of 4 years into a playable experience for an audience - so they didn't. regardless, it got people thinking about rachel more, putting a spotlight on her, hence increased attention both positive and negative. i feel like there's just a fundamental difference between what lis1 fans enjoyed about the potential for her character and how she related with chloe and the world around her, and what deck9 wanted to portray in bts (yes they hit the astrological headcanons, the charmingness, her rebellion, the emotional conflicts... but it personally felt hollow, contrived sometimes, i suppose). but there were a lot of people who loved bts (i enjoyed a lot of parts of it!). just, in my opinion, some of those were quite different people from who loved lis1, and with that wave it brought a lot of emotional immaturity to the fandom (like... ship wars, really? that was an insane change to fandom dynamics for me lmao, but maybe i was just spoiled by surrounding myself with people whose takes i respected)
anyway i highly recommend also that if you're hungry for that kind of content, read fanfiction on AO3 by the old fans - by Mogatrat (TON of rachel centric ones there), explosionshark and tippytypewriter, chicknparm (though Cusp is written post-bts, it's informed by pre-bts characterisations), vicepoint (me hehe), def many more good ones out there those r jus my friends so they come to mind first, e.g. i liked homecoming by kriegersan back in the day, but you could def find some more by sorting the lis ao3 page by kudos and reading the older ones that are highly rated featuring rachel. and lastly, my gf wrote a beautifully worded blog post called "The Assassination of Rachel Amber by the Cowards Dontnod and Deck Nine" which gets into some of this from a media crit perspective (not about fandom) in a very eloquent way thru comparison w twin peaks and i highly recommend that
rachel hcs that def started way before bts: skater rachel, stoner rachel, punk music listener rachel (but also like, fleetwood mac cranberries cocteau twins grungy hippy stuff rachel too), rachel's parents being distant and still living in california, curvy thick rachel, things that i've accepted as canon but were def created by diff people: bri explosionshark hc'd that rachel paid for chloe's sleeve, mogatrat (i think) hc'd that rachel initially went to get her nips pierced with chloe (that's a longtime fan hc now idk who started that one) but chickened out at the last minute, i think she also hc'd that chloe made the earring for rachel which is cute too
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I've been questioning if I'm on the aromantic spectrum, and recently learned about squishes (non-romantic version of crushes) and zucchinis (name for non-romantic partner who is more than a friend). As annoying as jargon is, having these words and seeing them used by people with similar experiences has helped me so much in figuring out my relationships.
I thought I had a crush on a man because I had a desire to be close with him, but it was confusing because I consider myself a lesbian. We now have a very strong friendship and while I feel a deep connection with him, it is purely a platonic feeling. He is the first person I thought of when I learned the word "squish," and the new vocabulary help make sense of similar confusing feelings I've had for others.
I've had a relationship that was neither platonic or romantic but still incredibly strong and intense. When I think "have I ever been in love before" I say yes because of this person. Even though she is alloromantic and had a partner, we had plans to be entwined in each other's lives and she was the most important person to me. I definitely had no romantic feelings for her, but when we "broke up" it was different than losing a friend; I felt like I couldn't survive without her and felt so broken I didn't think I could love anyone else. I would have absolutely called her my zucchini if I had the terminology at the time, and that's the type of long term partner I always imagined myself with. I don't think QPRs are necessarily stronger or weaker than romantic relationships, to me they hold a similar level of significance but just feel tangibly different.
I recently started seeing someone in a more romantic way, but both of us have blurry lines between romantic and platonic feelings. We have strong feelings for each other so we decided to keep "dating" and be confused together for now <3 But learning about zucchinis helped clarify a lot for me, in this case because I have a word for what I DON'T want. I've had squishes that I wanted a QPR with (I saw someone call these squashes?) but that's not what I want with this person. I want all of her, I want her so strongly it keeps me up at night, I want to wrap myself up in her and kiss her until I can't breathe and love her deeply enough that she understands how special she is. I've never felt this way before and I still have some blurry lines, but I know this is closer to a romantic attraction. I know I don't want to be her zucchini I want to be her girlfriend.
People have told me I can't be asexual AND a lesbian, and I think I've written off being aromantic for a similar fear of not being allowed to be aromantic AND a lesbian (bear with me here). But I've used the split-attraction model to validate my separation between romantic and sexual attraction, and I have to remember I can do the same for other types of attraction. Zucchinis and squishes are the first time I've heard aromanticism described as an ALTERNATIVE to romantic attraction instead of a LACK of romantic attraction. So maybe I am not completely aromantic, but now I am more comfortable thinking of myself on the aro spectrum (maybe grayromantic?). Platonic, romantic, and queerplatonic relationships all mean something different to me but are all important.
I'm not a big fan of hyperspecific labels for myself so probably won't regularly refer to myself as an asexual-grayromantic-lesbian. But it's grounding to have the words to understand myself.
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pinkandpurple360 · 5 months
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Pls tell your fizzablitz headcanons
Please please please
For whatever reason I’m feeling very angsty about them today. I have this whole idea of Fizz thinking he didn’t mean as much to Blitzø as he did to him.
Growing up, fizz felt like a bit of a dork. He was and still is very nerdy, when blitz came back from his theft hunt as a kid Fizz was the most excited by the books, and by the tiny piece of sparkling chandelier he gifted to fizz especially. It shimmers beautifully and it began his fixation with mirrors and how pretty they are.
The other kids didn’t like him much, they felt too inferior. They picked on him. But blitzo was too arrogant to feel that way, or maybe he had too much heart. Fizz started out way back then, wearing the patchy clothes while Blitzø wore the clean suit. Until he decided to let fizz wear it for good luck. He began by telling blitzos own jokes that he gave him, until eventually he became better at them. But he never understood why he stopped smiling back. He wanted B to be proud of him, he wanted to be on equal terms with the ringleaders son. He wanted to make enough money to stand next to him in their own circus, or run away together to do something else. B was his favourite person, his hero, his first kiss, his massive crush, his first…well you know, his first time. But he never felt good enough. He wasn’t sure if he was loved at the circus. Maybe the way mammon could love him. If he worked hard enough.
He still keeps the piece of mirror, and stares at it when he’s all alone. He keeps a heart shaped locket with Ozzies name on it, but inside, it’s not Ozzie, there’s a photo of him together with Blitzo on the other side. Fizz scribbled out his own face in shame. He’s dealt with “unrequited” love for Blitzø for so long, seeing him with someone else pisses him off more than anything. His whole love life and sex life pisses him off, he can’t stop ranting about it, and he doesn’t even know why he still thinks about it. For years all he did was talk about him, Asmodeus doesn’t know why either. At least not yet.
He was going to gift something to Blitzø one day, he had typed up a letter on his type writer, it was something poetic, sappy and embarrassing. A written out version of their dream. Asking blitz to choose him, stay next to him, hold his hand and hold him close. He calls him the star of the circus, and in Fizz’s eyes Blitz is his star too. The guiding kind. The loyal kind who helps you when you feel lost. But so far away. Only when he leaves the tent, he sees him with one of the girls at the circus, actually, it’s a much older woman, he’s holding her, the way he wants to be kissed by him, kissing her with fervour, the way he wants to be kissed, and it’s agony to see it. It hurts so much. But it shouldn’t, Blitzø has a different person on his arm every other week. Fizz isn’t his partner, he’s just the circus star. He leaves and doesn’t see B almost pass out after, from whatever it was she spiked his drink with. He screams at her to get the fuck away from him. Fizz burns his shitty childish letter.
He’s seen how Blitzø throws himself at other people, not understanding that cash sells him to any people in the crowd who desire him and want to own him for the day. Almost like the way cash tried to get fizz to do a private show for someone, maybe a birthday party? But it was just a single man in the room, sitting on a chair, asking him to dance. Weird. He blew him some balloons and played with the confetti. The guy was really tired at the end? But fizz did everything? And. For some reason, Blitzø was so angry about it. He hated the guy, but wasn’t that man just lonely?
Later, Mammon made him do a lot of these. The mystery became less apparent. At least they didn’t put their hands on the merchandise. Him. Because he hated that. Now, he had to stop looking behind him for Blitzø to be there, to tell him that it’s ok, that it’s safe, or when it’s not safe, and to get behind him. He will protect him from the creeps. But he’s gone, he left, he got sick of him, he wasn’t good enough for him, his tastes are more regal now. Maybe they always have been. Ever since he was little and went off with that strange kid client, his new playmate of the day. Fizz’s replacement. Maybe if that first show was more perfect, Blitzø wouldn’t have left him. Maybe if he just followed his lead and played pirates, he wouldn’t have left him. He has to let other people tell him what to do, stop fighting back so much. It’s not what people want. People don’t like that. Now that Asmodeus is here, he makes him laugh, he protects him..sometimes. But he never reacts fast enough. When he passed out at Ozzies, and woke up again, the first thing he saw was Blitzs back, again, leaving him, again, leaving him with that Prince. Whatever, he doesn’t actually care.
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lostacelonnie · 2 months
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Hi, don't know if you remember me but you recently rbed my post about how Siegfried reuniting w his daughters was a rushed scene and I wanted to hear your opinions on the matter? Sorry if it's overstepping but im just curious haha.
Have a nice day!
AH HI!!! right yes i did thank you for reminding me!!!! i have very strong opinions on the matter so ill be happy to share.
(for people who haven't seen the og post, here it is)
THE SHORT VERSION: i agree with you completely and am Extremely Angry at mihoyo because EVERYONE is mischaracterized in that scene. or rather, in the entirety of moon arc, but that's something for another post.
THE LONG VERSION:
I Am So Fucking Mad.
so first of all, im probs gonna focus on bianka a lot in this because im unbelievably obsessed with her. and goddamn was that scene so bad. and also repeat a lot of things you Already Said.
to begin. it's very rushed!!!!!! this scene in its Base Format is inherently flawed simply because... bianka would not reveal her origin that early. like obviously at that point she was already being written very ooc [LIKE EVERYONE ELSE IN THE ARC. SERIOUSLY. IM SO ANGRY ABOUT THAT] but arrrghgh. at least before this scene they at least pretended to preserve bianka's. how do i call it. General Cautiousness?
this is something that clearly means a lot to her and is shown before trying to figure out how to break the news in a gentle way. she is simply not a person who would say [in a very strangely spoken way] "oh im your daughter by the way". She Would Not. this is a woman who would awkwardly try to hang out with these two for a solid 2 months as she feels out how to Tell Them. while obviously, during moon arc she had already spent enough time with the rest of the main cast to Chill Out a bit, she's still just!! kind of emotionally and socially awkward!!! but in a completely different way than showcased in moon arc. does that make sense
also bianka does not speak like that istg if mhy doesn't learn the difference between a character that is Kind Of Serious and a character that sounds like they use a thesaurus for most their sentences-
but kiana and siegfried aren't safe from this either!!!!!! as you said. they departed on Not Great terms and have been separated for years. while they act as if its been maybe a couple of days. its very disappointing for me personally to see the complete lack of regard for the fact that yes, they do care about each other and this reunion is a very happy one, but still!! their bond was. a rocky one.
plus, there's a giant difference between a preteen and, at that point, an adult woman so. siegfried is not meeting the same person he lost. kiana has changed, and due to her experiences- probably even abnormally so, so they NEED to rebuild their relationship simply because even IF before their separation there was no conflict, it would change the fact its been far too long to treat each other as if they have never been apart.
AND the fact that kiana especially was so... unbothered? by the fact that DURANDAL IS HER SISTER. like. do i even have to elaborate. kiana kaslana, world's #1 identity crisis haver, someone who idolized, hated, and respected bianka [in that order], was just like. okay 💗 yay 💗? sighs so deeply. look at how they massacred my girls
theres much more i could say but i dont quite know how to put most of my dislike of this scene into words so like. arrggh. it was personally very very frustrating to me because, as i said, i am a big fan of both kiana's and bianka's. identity, and especially family heritage, is an extremely important part of both of their characters and it was physically painful for me to see a scene i looked forward to A Lot be dismissed like this.
which, unfortunately, is true for most of the moon arc, since it was the worst offender for characterization [or rather, lack thereof] in the entire game, with basically everyone being reduced to a mildly philosophical much so devoid of personality i probably couldn't tell their lines apart if presented with a couple. but alas.
at least salt snow holy city arc was amazing
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styleslistic · 2 years
Text
How It Turned Out - Harry Styles Fic Part 1
Y/N is a musician who started her career around the same time Harry went solo. They’ve never met, but they share a lot of the same fans and are frequently compared to one another. 
In part 1 Y/N is reluctantly being interviewed on the Howard Stern show, and doesn’t hesitate to put him in his place. 
Masterlist
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Howard: So, Y/N the new record is great, are you happy with how it turned out?
Y/N: Haha well, you would hope I was happy with it, otherwise it would’ve been a bit silly to release it. I think it’s my favourite album so far, just because of the balance between different moods. Its a bit sweet, a bit sad, a bit sexy, a bit silly. And that feels true to me as a person you know. 
Howard: It’s definitely sexy, I’ll give you that much! I mean wow. The most recent single especially. What inspired you to write about sex between women like that?
Y/N: Most of my music is inspired by my life in some way. I’ve written songs about having sex with men, too. It’s just that this one stands out a little more because it’s something people haven’t seen as much. 
Howard: Well, I for one say bring on more songs like it. I mean, I’ll let you in on a secret here Y/N, hearing about women having sex like that is an absolute wet dream for guys like me. 
Y/N: *gives him an icy stare* I didn’t right the song for guys like you, I’m afraid. I wrote it for girls like me. There’s so little written about queer sex, and especially queer sex that is both sexy and funny. So that’s what inspired the song I suppose.
Howard: Huh, well I don’t what you’re smoking when you’re having sex that’s that funny, but sign me up!
Y/N: *stifles a snort of laughter* Ah, well I’m sorry, not every one is cut out to be able to entertain their partners. But don’t worry there’s still time to learn. *looks slyly at the camera* I think it’s easy to have fun during sex when you know what you’re doing.
Howard: *suddenly defensive* Right, we better move onto the next question I think... 
Y/N: Go ahead.
Howard: There’s been quite a lot of chat about you being the Female Harry Styles. What do you make of that?
Y/N: *struggles not to roll her eyes, she’s been asked about this a lot* It’s always flattering to be compared to another artist, especially one as talented as Harry. And I see where people a coming from a little, we definitely have a few of the same influences, and we share the same penchant for flamboyant outfits and rainbow flags. It’s always a little frustrating, though, to be reduced to the “female version” of someone else. I mean, he may have had a head start from being in the band, but our solo careers started at pretty similar times. We’ve both built our own careers, and mine isn’t really anything to do with his. 
Howard: Ah so you’d prefer it if he was being called the male version of you then? Or maybe just another female version of you if he keeps dressing like that, haha!
Y/N: I don’t think it’s really appropriate for you to be making judgements about another person’s gender or their clothing. But you’ve illustrated pretty well there how reductive it is to put people into little boxes like that.
Howard: Oof, you’re a feisty one aren’t you.
Y/N: I get that a lot.
Howard: I believe that, I tell you.
Y/N: I find that it’s a word men use when faced with a woman they don’t know what to do with.
Howard: *stunned silence*
Y/N: Shall we move on to the next question?
Howard: Yes, um. Uh, a lot of your fans have been practically begging you to collaborate with Mr Styles, is that something that’s in the pipeline?
Y/N: I wouldn’t say so, given that we’ve not met each other, but never say never.
Howard: So what does make you want to collaborate with other artists. You’ve worked with quite a few different people over the years, including on the new record.
Y/N: *relieved that the interview is finally headed somewhere less uncomfortable* It’s great fun working with other artists, so that’s one of the main things. I’m not gonna waste time writing a song with someone if it’s gonna feel like pulling teeth.
Howard: Smart.
Y/N: Haha, yeah. But I also like working with people when it feels like we’ve got something we want to say together, you know. Maybe shared experience, a shared passion or an issue we want to bring attention to. That’s when I find collaborating most rewarding. 
Howard: Speaking of which, Now seems like a good time for you to play us a song..! 
Part 2 in progress! It’ll focus on what happens when the interview goes live.
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cherryjuiceblues · 6 months
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Re: mb5 sneaky.
I think it’s important to note that y/n *wants* to be a stay at home wife. And while the expectation for her to have dinner on the table every night when he comes home isn’t reasonable, they are in a relationship, so when she commits to doing something, that’s her version of “pulling her weight” in the relationship. It has to feel balanced for both of them. He makes good money and really doesn’t ask a lot of her. And it isn’t just an agreement for sex — they’re choosing to be exclusive and build a life together romantically. So I think that’s what’s really tough:( because shit happens. She got distracted!!! Lord knows I’ve done that!!!! I think Harry is justified in being a bit upset. But I also think it’s completely appropriate for y/n to bite back at his reaction. His tone and demeanor are not okay. Bestie this angst felt ALL too real:(
The way you’ve written their two points of view is so brilliantly done that it makes you understand both sides. And it makes you feel for both of them. Because it does give this vibe, like, um, excuse me? Not your housewife? But also understanding why Harry would be so frustrated. It’s so real.
The fact of the matter is that they are both wrong and they are both right. Real relationships are complex like this. It’s not all black and white. And you’ve managed to ride that delicate balance perfectly? And then her feeling sad that her pet name is being associated with an unpleasant experience? So real, oh my heart felt that one 🥺
Also mentioning that she had wondered what it would take to push him to his limits? Because he’s been so patient. And then this moment where she sees it coming. The contrast in the way he greets her. She’s watching him really lose composure and unravel for the first time. And how scary it is to be on the receiving end. And to feel like she’s the reason for it. But she still stood up for herself? I love her? I don’t think people give mb y/n enough credit! Like she’s so soft but she’s not going to be kicked around?
Truly it’s just the way Harry is presenting himself that’s wrong. Him coming off as a little entitled and her calling him out on it is a beautiful way to show her little fire. I think it’s interesting—because personally I feel like the fact that it’s happening in the kitchen is what makes it so easy to misconstrue as misogyny, which heightens our reaction to it. But the reality is it’s about following through. Her pulling her weight. In a different environment, it might not feel so extreme. It’s just about doing what you said you’d do. But I feel like this could leave to some really great makeup sex 😵‍💫
So anyway this hit different for sure 😭
Also hiii, first ask not on anon 🙈
- 💌
bestie :((( you're so kind. ily. and your analysis makes me so so happy.
i love love love your take on things! i hope that when i post the full part that more context will smooth things out!!! all of this is so beautifully written, i don't have much else to add apart from my gratitude honestly!! the time you always take to leave feedback and share your thoughts never goes unappreciated. your opinion means so so so much to me. i feel so lucky to have you <3
and yes the makeup sex will be super yummy :DDDD
AND SO PROUD OF YOU FOR COMING OFF ANON BESTIE <333
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heyifinallyhaveablog · 7 months
Text
The Defeated
So-
I've been away for the longest time, and well, so far, it seems as if it has been ages since I'd written something here, and @demonkidpliz 's writing kind of prompted me to throw it out here. Not that anyone asked for it.
Goodness, it has been so SO LONG! Just tagging people here for a slight knock. I just, love you all so so much, that I'll probably find my way in here eventually! :D
@demonkidpliz @vidhurvrika @bleedinknight @chaanv @alwaysthesideofwonder @raat-jaaga-paakhi @carminavulcana @pratigyakrishnaki @phandomoftheowl @kalpansh
And anyone else here. Heaven knows I've forgotten such a lot.
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Fandom: Mahabharat/StarPlus Mahabharat
Pairings: Bheema/Draupadi
Warnings: Mentions of War | PTSD | Trauma | Bloodshed
Summary: The Second Pandava deals with ghosts of the War. Alone.
Disclaimer: This is entirely a work of fiction, based on an idea I had while reading C. Rajagopalachari's version of the Mahabharata. But I do have to say this, this has a lot to offer that is different from the Mahabharata that is actually popular. I just hope that this resonates with the readers, and you read this, and find this worth your time and your feedback. Please leave a short comment or a like, whatever you may deem fit. And as always!
THANK YOU!
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Chapter 1:
The Shadows:
“My Lord,” an earnest call beckoned to him in the midst of a dimly-lit Kridangan. The voice doesn’t serve as an intrusion or an offence, since, his pursuit of the arena is more habitual than practical these days. Yet, a phantom lightness in his being bids him to ignore it.
“He might not have heard us, Mother,” another voice caresses his ear, this time from a boy, probably no older than Abhiman-
Vrikodara closes his eyes, in a desparate attempt to stop himself from recalling the name. 
The resignation in the older woman’s conduct seems to register with him.
“Pardon me, Mother,” he says, hoping they had heard him before they left.
Hoping it would stop them.
—----
“I have no use for sparrers, Mother,” he says, much to the chagrin of the widow who had brought her son along for employment in the Palace of the Kurus. The boy’s Father, he was told, was a soldier in the cavalry of Hastinapura. 
“If My Prince may spare us some consideration,” the lady kept her eyes lowered, much to Bhimasena’s relief, “my late husband, once served as a sparrer for the princes and kings in the castle, as did his father before that,”
“The Younger Queen Mother, was kind enough to refer us to you, My Lord,” she continued, breaking the Second Pandava with every word she spoke.
“Mother,” Bheema managed to speak, “I shall be obliged, if you would be kind enough to speak to The Queen,” he turned his eyes towards the boy, “I’m certain, he shall find employment elsewhere herein,”
He left, with folded hands, and his gaze lowered, before the knot in his chest tightened further.
—----
He had bid the lights to remain extinguished in their chamber. His senses do not let him recall the times when he wanted his chamber to be lit brilliantly as day after the evening prayers. 
Another breath mingles with his, just as familiar to him as his own, just as forlorn to him as his own. He affords himself a momentary reprieve of letting his exhalations synchronise with hers. Her shapely silhouette offers him with some semblance of solace. It behooved him to receive her sobriety. After all, he had always known her to receive his thoughts even before they could make their way to his lips.
—----
“There has been no correspondence from Ekachakra, yet again,” she almost whispers.
Bheema’s hands clasp the edge of the bed, brushing close to that of his wife for that year.
Panchaali lets her right hand rest on his left, hoping to partake her husband’s discomfort. Yet, she doubted if an iota of his grief had been assuaged by any measure.
“Hidimba,” Bheema breathes the name, akin to a prayer, as if expecting his firstborn to walk in through the doors, smiling warmly from ear to ear, unscathed, unblemished, probably an older likeness of the boy he had seen earlier today.
“She’s meteing a punishment that befits the sin I have accrued, it seems,” Panchaali’s breath cuts through the air with its characteristic lotus fragrance. She doesn’t strain a tear either.
Crying would make it easier, she chides herself. 
Crying would lessen my penance, her resolve affirms.
“Hidimba has never been unfair, Panchaali,” he tells her impassively, as she feels the tremor in his voice. 
Another confabulation of silences followed.
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Honestly, the thing that's driving a lot of the annoyance and frustration towards Taylor Swift...I might get killed for this but fans?? It's your own fault. Yours and now the hype she has built herself are to blame imo. Nothing she's been criticized for afaik, whether its mid music or dating KNOWn racist shitbags (yes, even the private jet usage. Other celebrities do in fact do that too) is particularly unique to her. But it's the like. Holy serious way she's treated that really puts me and other people I know over the edge tbh.
If y'all didn't act like she was this master wordsmith and composer and no one has EVER done it like her, if she herself hasn't fully begun to play into the idea of her own LORE *hork* then I for one wouldn't be half as annoyed about her as I am fkdjdksms.
I won't even act like I've never enjoyed her music or I haven't even thought she's made a good song or two. But acting like she's doing anything revolutionary or deserving of THIS level of success, to the point her constant and obvious milking of her own fans for even more money (not just Taylor's version but all the million "different" covers and re-releases. Y'all are paying for NEW COVERS.) Gets waved off as a girlboss move??? Fuck outta here.
Idk, I just think if you're gonna get away with that you've GOT to be a truly world class talent or else it's too annoying to take seriously.
Pink Floyd could get away with making a damn movie about their own album because they're Pink Floyd. But also they had shit to say that was actually interesting (and about not just themselves. About society and WWII. Whatever you think of it, and there is plenty to criticize there too, was SOMETHING SERIOUS) and said in a unique way. That's just one example fjskaksj but anyway. Yeah
Oh and calling her a gay icon of any sort when Lady Gaga our out bi queen, did stuff a million times more provocative than anything Taylor has ever done, made out with a diesel dyke in the same music video where she rode off into the sunset with Beyonce holding hands after killing a diner full of people, and was constantly and loudly supporting the queer community back in the 2000s when she got protested big time for it?!?!? When it was ACTUALLY still somewhat of a risk to do so instead of the thing every halfway PR savvy celebrity tries to do to seem enlightened??? It's insulting lmaooooo
(Janelle Monae has written entire albums of amazing bops and talked about their queerness and race in them, but who cares about that I guess. Sorry I'll die bitter that Dirty Computer was so underrated. And Age of Pleasure too tbh)
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absolmon · 3 months
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Been thinking about how Shen Yuan was put into Shen Jiu's body so he still looks exactly like him but at the same time people can tell there is something different. I love seeing how people represent that in art but it's reminding me of another set of characters from Fire Emblem Engage who have the exact same body but very different attitudes. I'm talking about Zephia and Zelestia.
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Basic jist, Zephia and Zelestia are mirror universe counterparts of one another who have a similar core but different attitudes. Both want to have families for different reasons. Zephia has thrown in her lot with the evil dragon overlord and wants to have a child with him so that she can have a stronger connection to him. She calls the evil squad she's apart of a family but uses threats and kills them if they don't meet her expectations. She dies next to the only member of the group she has left after they both realize that the evil dragon overlord never cared about anyone but his goal.
Zelestia is a survivor of a massacre by the evil dragon overlord and has been working with the good dragon for centuries so that she can defeat him. She also has a good version of the evil squad on her side and they actually get to act as a real family. She's very motherly and loves to take care of people. She's also a marriage candidate.
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Honestly it's kind of fun to compare them with Shen Qingqiu. They're outfits are almost identical but you can still see in how they carry themselves that they're different. Plus I can imagine the kind of psychosexual issues both Binghe's would have if Shen Qingqiu ran around dressed like that. Airplane would have definitly written a knock off wife version of them if Engage didn't come out nearly 10 years after he'd died.
I don't know I just think this is a fun comparison no one else has thought of, mostly because you don't really play Engage for the plot but the game play. I still love it though. It's really campy.
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