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sydnycvwrtes · 9 months

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congratulations on getting an agent! that’s amazing 🎉 do you mind sharing your querying journey (what was it all like? when you started, how many queries you sent, how many full requests, and other stats? things you expected about querying? things you didn’t expect? lessons you learned? etc?)? just whatever you feel like sharing 😊

Yes!

So tbh I feel like I both had an easier but longer journey. I didn't send too too many queries (in contrast to some folks) but I was querying for a long time. I started when I was 18 for reference, so I queried for almost four years exactly (3 years and 352 days lol) but I took long pauses to overhaul the novel between query batches based on any feed back I'd gotten. I sent queries in batches of 4-6 and didn't send more until I'd gotten responses from everyone from one batch.

So:

33 queries sent (I resent edited queries to the same agents 4 times which feels a little 🧍🏿‍♀️)

6 partial requests (quick bit of advice: different agents have different specific ways they want you submit. It might be annoying to reformat everything, but just do it)

4 full requests (and let me tell you, when I sent fulls to "famous" agents, I was waiting for upwards of half a year, which can also account for the time gap)

1 offer of rep (woohoo!!!!) from an agent I feel really understands my vision for the book, and will be a great representative for me when sub time comes. For revisions, I'm not having to change any plot points, just explain a little bit more stuff so they're not too grueling. Plus I write super fast and that helps lol.

I think querying for so long definitely toughened me up. I was really expecting for the first agent I queried, who I considered a dream agent at the time, to adore my book, sign me immediately, and offer no critiques before we went on sub for three seconds and scored a billion dollar deal (and I queried her TWICE because I was just that hooked up on it lmao). As you can see, that didn't happen. I got some rejections after months, and some after only a few hours. And at the begining? Oh they HURT. They hurt BAD.

And then you get another and another and another, and the sting lessens over time.

I became a lot better at being critical of myself, which I feel like is the most important skill in querying- understanding that you are going to have to make heavy edits, kill your darlings, and just overall refine you book in ways you didn't see before. Even the version I sent to the agent I signed with was far from perfect, and I'm making revisions. And that's okay. It's a step to getting published.

It... Was hard. I had a friend tell me it was just not the right time for my book and to shelve it. I think that hurt more than a rejection. But I knew I wanted to be an author, and I knew I wanted to tell these character's stories, so I just kept working. I rewrote my book more times than I can count since I started writing it at 15. It's just all a very long process, and you have to be patient, and you have to KNOW that this is what you want to do and you're going to do it.

Last weird little tidbits of advice:

I had one person read a very old copy of my book. I had no beta readers. I never hired an editor. Don't do what I did. Beta readers can help you so so much. If you can find someone willing, have them help you!!!

Query that agent! I almost didn't query my agent because they said they were a fan of beautiful prose, and I didn't think I had that. But, after mustering the courage, I finally did and look what happened. Just send the query!! The worst they can say is no!!

If you get personalized feedback from a rejection, that is still really helpful. My book is better now mostly because of my rejection feedback because it was all telling me the exact thing to work on. For me, the writing was fine, but I tended to under-explain things. I got that feedback.... A lot. And I was able to fix it and eventually get an agent (woo!)

(even though my revisions are still centered around explaining oops-)

Anyway, I hope this was helpful! I hope I was able to give you a pretty good picture of my querying time! It was... Definately something!

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novlr · 1 month

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Lots of people have told me I should self publish, but I think I still want to try to go through traditionally publishing my book first. I've got a finished manuscript, so how do I go about querying agents to find the best fit?

Pitching your manuscript to literary agents is a length process that requires lots of dedication, and a great deal of research. To get the most out of your querying, you definitely need to go in prepared.

We've put together this walk through for how to pitch your novel to literary agents, including some helpful do's and don'ts at the link below!

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hayatheauthor · 3 months

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Update Regarding My Sudden Hiatus + Author/Publishing News

Guess who's back from the dead!

Jokes aside, I truly do feel terrible for going on hiatus without saying anything, and then I come back and see that I've hit 2k (which btw is absolutely amazing and left me shell-shocked) and that just made me feel worse for leaving unannounced. So, here's everything that's been going on:

(click read more if you want to learn about my experience at my first writer's workshop & pitching to an agent ++ publishing updates for The Traitor's Throne)

If you DON'T want to read more: long story short I'm back and will revamp this blog Monday onwards.

Would you look at that I'm finally getting the hang of Tumblr etiquette!

Anyways, I know if I took the liberty of casually explaining everything we would just be here all day and I would ramble endlessly SO, I'm going to summarise everything into a list:

One of the biggest reasons for my departure was because *insert drum roll* I graduated! That's right, your girl is officially a diploma holder and ready to conquer college! Although I've seen the 'finals week or my final week' meme enough times to start questioning what I signed up for.

My writing life has been a little...disappointing. There's no other way to break it to you folks, but when I started this blog, I was knee-deep in the query trenches, and now, I'm still there. Does that suck? Yes. Am I going to give up? Absolutely not! BUT I do have some changes planned:

I've officially decided if this final shot at traditional publishing doesn't do well, I'm going to give in and self-publish The Traitor's Throne in May-June 2024. Which means you might potentially be able to purchase my baby pretty soon!

BUT I decided to give querying one last shot and actually joined a writer's workshop (which is going on as we speak btw). I joined the online Boston Writing Workshop, I'll drop a review on that on Sunday, but so far I've actually learned A LOT from it, and have decided to give querying another go while implementing what I've learned. Dw I'll also be putting out a review about the workshop on Sunday.

So, here's a summary: I've created a self-publishing deadline for my current project while also giving traditional publishing a final shot. I also joined my first ever writer's workshop this weekend and will be pitching to agents for the first time.

Overall, I think my lack of success in the querying scene kind of made me feel like a fraud when giving writing advice. I'm the type of author who does A LOT of research when I write, which is why I have so many tips on so many topics, but that doesn't make me an expert.

This workshop especially made me realise I've been making some rookie mistakes and focused so much on my story that I forgot the query and synopsis are just as important. Maybe this realisation came too late and I've lost my chance of traditionally publishing The Traitor's Throne, but I am grateful for everything it's taught me.

ANYWAYS—see what I meant by we'd be here the whole day if I didn't use a list??

Let's get back to the important stuff; yes, I will start putting out blogs again, and answering my asks. I'm also thinking of launching a beta reader project where I'll beta read some of your works for free! Stay tuned to see that announcement since it'll come soon.

Thank you so much for supporting this silly little blog of mine, and I hope you have a good weekend! As always, I'll see you on Monday! 💕✨

#hayatheauthor #haya sameer #writing community #haya's book blog #writing tools #writer things #haya blogs #writer community #writing advice #writer tips #querying process #querying #querying agents #haya: talks #haya: navi

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em-dash-press · 1 year

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Why Querying Is Good for Writers

When you’ve finished drafting your first query letter, enjoy the excited butterflies in your stomach. Reaching out to literary agents is a big step!

It can also be a frustrating experience after a while.

People estimate that 96% of query letters get rejected. Many writers would agree with that number. It takes a while to find an agent with the right experience and vision for your work. You might also have to wait for the book industry to find interest for stories like yours.

There are numerous reasons why literary agents reject letters, but what’s the point of trying if you’re going to get rejection notices?

Don’t lose hope. Even if you never get published (which is fine!), you’ll gain these essential lessons from your experience.

1. You’ll Learn About the Industry

You wouldn’t expect the fashion industry to always remain the same. People are constantly looking for new things to wear—they’re also looking for new things to read.

Literary agents keep up with the industry so they know which stories publishers want to sell. When they know what publishers want, they’ll seek querying writers who have those types of stories.

The good news: querying makes you keep up-to-date with book industry trends.

The bad news: that means some of your stories—maybe even your first querying project—might not sell right now.

While you’re querying, you’ll build skills and find resources to help you track book industry trends. You’ll use those skills the rest of your writing life (or as long as you want to get published).

Helpful Additional Resources:

How to Stay on Top of Publishing Trends Like a Pro

How to Keep Up with the Publishing Industry

Writer's Digest's 10 Best Publishing News and Resource Websites

2. You’ll Refine Your Query Writing Abilities

It’s important to know how to format a query letter and personalize it to each literary agent. Although it takes time to write new drafts and research each agent, you’ll refine your query letter abilities.

You’ll know how to pitch your book in a single paragraph, how to describe its marketability, call back to authors with successful, similar stories, and even describe your intended readership. You’ll also get better at line edits and writing grammatically correct sentences in a professional manner.

Your first few query letters may not result in publication, but that’s okay. Your letters will get more direct and professional with each attempt.

3. You’ll Connect With New Communities

Querying is most frustrating when done alone. You might become one of the many writers to join new communities during the process to find people who understand what you’re going through.

You can follow other writers on social media sites and even follow literary agents. Many post tips for genery querying and updates on how the industry is doing as a whole.

There are also Facebook groups dedicated to writers who are querying or seeking other forms of publication. I would definitely reocmmend joining a few. You don’t even have to make posts. Seeing what other writers are experiencing and reading posted tips will change your experience for the better.

4. You’ll Learn to Cheer Yourself On

Receiving a rejection can be hard. Sometimes, it’s just another part of your day. It depends on how passionate you were about working with the particular agent or how exhausted you feel about the process in general.

You’ll learn to cheer yourself on when the tough moments happen. After you have space to process whatever emotions occur after a rejection notice, remind yourself why you wrote your story. Reflect on what made you a writer in the first place. Repeat a few affirmations and stick written copies of them around your writing space.

Learning how to pick yourself back up is useful in all other parts of life too. Find your motivations, your passion, and give yourself a helping hand to get back on your feet on your journey to publication.

5. You’ll Figure Out What You Want to Write About

Sometimes the book industry and readers in general only want to read about certain things. If everyone’s flooding bookstores to find the latest vampire romance, your story about outerspace adventures that point out the failures of economic class structures might not sell.

When you’re ready to put your querying on pause or shelve a work for later, you’ll have to go back to square one. What are the themes you love writing about? Which story ideas make you most passionate about writing?

Going back to those foundational loves will strengthen your connection with your craft. Your writing gets better when you care about the core of each story. That’s a gift that some writers never figure out.

-----

Querying might seem scary, but it can be a great experience. You’ll learn a few of these things along the way and better identify what you want from your life as a writer.

#querying advice #querying tips #querying #writeblr #writers of tumblr #writing tips #writing advice #publishing tips #publishing advice

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theinwardlight · 2 years

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From Advices and Queries 2, Britain Yearly Meeting of the Society of Friends

#quaker #quakerism #society of friends #advices and queries #that of God #love #worship #daily #treasure your experience #inner light

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duckprintspress · 1 year

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How to Write a Great Query Letter

Part 2 of a 2-part series of guest posts by Alec J. Marsh. Part 1, “Why Query Letters are Good, Actually,” came out last week; you can read it here!

Alec is also the author of Duck Prints Press’s forthcoming novella To Drive the Hundred Miles, about a young man coming home for the holidays and finding more than he expected. It’s coming out December 21st, 2022. They know what they’re talking about, as an author and about a writer-writing-about-writing, so read on and learn!

Now that you’ve read the first post in this series, and had a week to reflect on it… are you convinced yet? Are you ready to acquire the most important marketing skill of your career? Great!

If you’re primarily interested in how to pitch to Duck Prints Press specifically, there will be a full post about that coming out in the near future. But I promise, these skills will help you whatever your writing aspirations are.

1. The Really Boring Part

Most queries open with a paragraph called “metadata.” This is all the marketing stuff that you need to get out of the way so your agent/editor knows what kind of book it is. This includes

Title: Self-explanatory

Length: This is vitally important for traditional publishing. If you are a debut author and your story isn’t within the accepted range, you’ll get automatically rejected by most agents. There are very good industry reasons for that, but discussing that’s a different article. If you want to look at the averages, check out this link.

Genre and age range: This is practical for marketing and readership purposes, and it also puts the summary in context.

Comparative (or Comp) Titles: This is a tricky one, and a full discussion on selecting appropriate comparative titles could easily be its own separate blog post, but the short version is that you should pick titles that your book can be compared to. That can be descriptive—"Supernatural but set in Eastern Europe"—or genre—"For fans of Tamora Pierce"—or even trope based—"Sunshine/Grumpy romance set in a world of danger and magic." There are a ton of options, but the main point is to position your story in the market and make it easy to pick up quickly.

Logline: This serves a similar purpose as the comp titles do and is meant to sum up one cool part of your story. It doesn’t have to sum up the entire story. For example, Gideon the Ninth sounds wild if you try to summarize the plot, but I’ve been able to convince all my friends to read it by saying simply, “it’s about lesbian necromancers in space.” That’s all you need! In casual conversation, this is often called your “elevator pitch.” Imagine you’re at a convention and you get into the elevator with your dream agent, and you have only the length of the elevator ride to sell them your novel. What do you say? That’s your logline.

***Both comp titles and logline are technically optional, and you don’t need both of them. It’s better to write something unique than to waste the space putting something in just because you think you need it.

2. The Biography

This usually goes at the end of the query. Don’t overthink it. If you have any credentials, put those in; relevant credentials can include past publications, editing jobs, or a creative writing degree. Then write one to two sentences that make you sound interesting. For example, I say that I like long walks in the fog (because I write moody fantasy) and have a history degree (because it inspires my fantasy world building).

3. The Body

I left this until the last because it’s the hardest and most important part. A killer summary will make up for dull metadata and a lackluster bio. But if the body of your query letter is weak, no MFA in the world will save you. This section should be 300 words maximum.

Your simplest formula for including what needs to be in this paragraph is four sentences: LEAD, OBJECTIVE, CONFLICT, TWIST. It’s simpler than you think to write the first draft. I promise. Let it be terrible, get it down, then edit it to a fine shine (much like you’ve already done with that novel!).

Lead: This is your main character. Name them and describe them by including their profession, skills, or other plot-relevant details.

Objective: What does your main character want? Try to make this as specific as possible. “Longs for acceptance” is vague and generic. “Wants to be accepted into the Book Guild” is specific and gives a reader clues about their personality and the setting. You can put in some information about motivation here too. Maybe her father was also a bookbinder and she needs to redeem the family name.

Conflict: Now we’re getting to the meat of it! Why can’t your main character get what they want? Again, try to be specific and don’t leave it to platitudes. If the bookbinders just don’t like her, that’s generic. If they don’t like her because they think she’s as corrupt as her father was and will bring ruin to them, that’s something a reader can really dig into. We have themes implied now! We understand this is a story about family ties, redemption, and preconceived notions, and you didn’t even need to spell that out.

Twist: This is the most nebulous part of the query. The twist can be a real plot twist, like her discovering that the bookbinding guild also sells occult books. It can be a cool thing about the setting, like the bookstore being on an airship. It can be the romantic subplot, if she falls in love with her rival apprentice. It can be the historical inspiration, if the book is set in a fantasy world reminiscent of Renaissance Italy. In short, what makes your book special? What’s going to prompt people to shove it in their friend’s faces? It’s similar to the logline in that way.

You can also put the twist at the beginning of the body paragraph, if it’s really cool. You can weave it throughout. You can put it at the end in a mic drop moment. Just make your book sound cool. That’s literally all this is!

And those three sections…are basically it! Doesn’t sound so scary now, right? Oh wait, it still does? Okay, then, here’s some more tips to help you!

Write down everything you need in a query in whatever order works for you. I do it like a sad, clunky mad libs just so it’s all on the page. It’s a lot of pressure to include all this important information AND make it pretty in one go.

Ask your beta readers to help! It’s hard to summarize your own stories when you’ve been living inside them for months. I’ve helped so many friends with their queries because they wrote something perfectly serviceable and technically correct that somehow still made their story sound frightfully boring. (This is not a condemnation of their skill as writers. The skills needed to write queries are completely different.)

Don’t use rhetorical questions. This is mostly personal taste, but I think they’re a waste of space. “Will she follow her heart?” is sort of useless when 99% of stories are about people following their heart. “She must choose between her ambition and the chance at true love” is so much more clear and includes more conflict.

The body of your query letter actually only needs to include the first 30-50% of the story in most cases—enough to leave the reader/agent/editor eager to know what happens next, and no more. This isn’t true if the twist is necessary to understanding why the story is exciting. Can you imagine trying to sell Gone Girl without including the twist that it was all a set up? That twist took the story from generic true crime to something truly original. So to some extent, you’ll need to use your judgment, but there’s rarely any need to try to fit the whole plot into that 300-word paragraph.

Above all, be specific.

Do not shy away from giving spoilers (again: BE SPECIFIC). “She finds information that may change everything,” are seven words that tell you nothing. If you say what the information is (“she finds a note from her father that makes it clear he was framed”), you’ll leave the reader desperate to know what the outcome will be, begging for the rest of the story.

Get the query competent and coherent, and then leave it for at least a week. This is good editing advice for any story, but it’s absolutely vital for a query. Because they’re so short and so much rides on them, every single word you write in the query has to be useful, and every sentence has to be clear, concise, and intriguing. Don’t rush this; it’s better to go slow and get it right then hurry along and face a pile of rejections.

Have a query beta reader who hasn’t read your story. Make sure it makes sense with no context. Revise it again. Leave it for another week. (I’m sorry. But I’m not really.)

I know this sounds like a lot. Query letters are hard, and the pressure makes it harder. Writing culture loves to hate on them, for good reason. But you learned to write a novel, something that takes years to master! You can learn to write a query letter too. I won’t pretend it’s easy, but it is a skill you can learn, and it’s worth it! With a single page, you can convince people to buy your book, and that’s magical!

You can learn more about Alec here; you can learn more about To Drive the Hundred Miles here, and read a teaser here. And, you can check out Alec’s two already-published erotica works Heart’s Scaffolding and Study Hall.

Who we are: Duck Prints Press LLC is an independent publisher based in New York State. Our founding vision is to help fanfiction authors navigate the complex process of bringing their original works from first draft to print, culminating in publishing their work under our imprint. We are particularly dedicated to working with queer authors and publishing stories featuring characters from across the LGBTQIA+ spectrum.

Love what we do? Sign up for our monthly newsletter and get previews, behind-the-scenes information, coupons, and more!

Want to support the Press and get lots of our stories? Consider backing our Patreon or ko-fi monthly at a level that includes free stories, and read your fill!

#duck prints press #guest blogger #alec j. marsh #writing advice #publishing #query letters

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rosieethor · 1 year

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Hi there! I had a quick question for you. You used to have a free post on Patreon that had a bunch of tips for researching agents to query, and I've had it bookmarked for a while, but I can't access it anymore because your Patreon stuff is all down currently. I was wondering if you happen to have that article up anywhere else? I'm about to search for agents for querying round 2: electric boogaloo and I was hoping to refresh myself before diving in. If you don't have it up anywhere, no worries, and thanks for writing it in the first place!

Hello! Happy to repost it here! I took down my Patreon, as it was causing me too much stress to create enough quality content to feel as though I could justify charging folks. Anyway, without further ado, my general overview of how to research and evaluate literary agents when you're in the query trenches: ~~

Lately I’ve been working with some of my mentees to build their query lists. It’s an exhausting process with a lot of research and guess work. In light of some recent discussions and advice floating around to “research” agents, I thought I’d throw together a sort of haphazard guide on how I do that and what I look for. “Research” is pretty nebulous advice and it’s just… not very helpful without any kind of caveat that no matter how much research you do, you’ll never be 100% sure about an agent until they reveal themselves to be a schmagent (shady agent). It’s sort of… Schrodinger’s schmagent, if you will.

This isn’t going to be an exhaustive how-to, but it’s a starting point. I hope it helps you as you figure out who you want to query and who you’re willing to trust with your career.

Depending on what type of book you’re writing, there are many tools the industry has to offer that you can use to figure out if agents are legit, what they are interested in signing, and what books they’ve sold.

MSWL

Manuscript Wish List is an incredible resource. Agents can upload their wishlists to a profile on the website so you can see up to date information about not only what age categories and genres they’re accepting, but what other sorts of things they’re most interested in seeing like themes and writing styles and ship dynamics etc. This is a great place to start with building your query list and can help you narrow down who would be the best fit for you.

But… it doesn’t filter out schmagents. You don’t have to pass any sort of test in order to make a profile on MSWL except… be… an agent. Of any caliber. There are lots of agents on MSWL that I would never suggest someone query. On the flip side, there are lots of agents who are not on MSWL who I would suggest someone query.

Querytracker

This is another great tool the industry has to offer. I didn’t use it for myself, but have used it to help others with building their query lists. The gist of it is that you can log all your queries and see when other people submitted and got their responses to see where you are in the queue. You can also see examples of form rejections from certain agents to see if yours was a form of personalized, and there’s a list of pretty much all the agents in existence.

However, this list of agents is not vetted in any way. There’s no quality control of the list, so again it’s just a starting point. There is a tool on the site called “Who reps Whom” where you can see an non-exhaustive list of authors and which agent reps them. This list is sometimes out of date though since authors leave agents sometimes and don’t announce their new representation until their book sells. It also sometimes lists multiple agents for an author when that author has sold different books repped by different agents. It can sometimes help you see which agents are losing clients, but it doesn’t really tell you why and that’s the important detail that will help you see if an agent is bad-bad or just bad for that author.

There is a paid version of QT, which I’ve never used, but I’ve heard it’s a great tool to have while you’re querying, but maybe not before you’re querying.

Children’s Bookshelf

If you’re a kidlit writer of any age category, you should be subscribed to Publisher’s Weekly Children’s Bookshelf newsletter. It’s a biweekly (Tuesdays and Thursdays) newsletter that includes a deal report. This lists all the book deals from picture book up through YA that are being announced that week.

First of all, you should get on this whether or not you’re ready to start querying. It’s a great, free resource that will help you stay aware of what’s selling in the industry. Keep in mind, though, that books being announced now won’t come out for at least a year or two. They also probably sold months ago. What’s selling now won’t be what’s selling in a few months, necessarily, so be wary of chasing trends.

Mostly, though, this is a great way for you to see who is selling what to whom. See a book deal that sounds cool? Check who the agent was. Then check who it was sold to. Is that a publisher you’d like to publish with? Maybe check out that agent’s wishlist to see if you’re a match!

Old editions of Children’s Bookshelf and the deal reports are available online, too, so if you want to do a bunch of research right now, you can search for those on PW’s website.

Publisher’s Marketplace

I hate this website very very much mostly because they charge so much money for you to get access to what should be free information HOWEVER it’s a very useful tool with lots of internal connectivity and links that are actually helpful. If you’re willing to shell out the money, you can check up on agents’ sales and see how their sales are.

A word of caution: PM has some “top dealmakers” lists you can peruse. These are misleading and simply list agents who are making the most deals. There’s no vetting of the quality of these deals. There is a well known schmagent who often tops these lists, so just because someone appears on a list, don’t take that as gospel that they are a quality agent.

Avoiding Schmagents

There are a lot of schmagents out there and really they fall into two categories: Bad agents who are out to screw you over and bad agents who don’t realize they are bad agents.

The former are usually a little easier to spot. I say usually because… not always. Sometimes very successful agents turn out to suck at their jobs. *stares at the current situation* But! You can sometimes spot these agents because there will be articles or blog posts about how much they suck. There will be podcasts where the hosts have to call the agent by a rhyming fake name to avoid a lawsuit. Etc.

The latter are a little harder to spot sometimes because they talk a good game. They sometimes talk about bad agent practices and share their own processes in the name of transparency (lots of good agents to this too!) These agents have the best of intentions and really want to be good agents, but they might have bad training or not enough strong connections in the industry to actually sell your book. They might not know enough about contracts to negotiate a good one, or they might not actually know what is and isn’t industry standard. They think because they are well-intentioned and not out to scam you that they’re not a schmagent.

Basically, the first case is like hiring a con artist to do your plumbing and they come over to fix your sink and break your toilet in the process. The second case is like hiring your really enthusiastic neighbor to fix your sink. They might be excited to do the job, but if they have the wrong tools and the wrong training, a lot can still go wrong.

So how do you know who to avoid?

Google

Okay I know this is going to sound extremely ridiculous but just. Just. Google. Google the agent’s name or the agency and scroll through the first couple of pages of results. If there are public facing horror stories to be had, you’ll probably find them here. Sometimes I see people sign with schmagents and I know if you google their name the second or third result is a detailed and horrifying blog post from an ex client all about her “year with a terrible agent.” A simple google search of the agency’s name would reveal this information, and it hurts my heart to see people signing when there are so many obvious red flags for them to find if they just search.

Writer Beware

This is a great website with detailed accounts of many known schmagents and Schmagencies. It’s not exhaustive by any means, but you’ll see some great info here about bad actors in the publishing industry, what they’ve done, and why it’s recommended that you stay away.

Red Flags

There are also just a few red flags to look out for. Things like agents charging you up front—never ever pay an agent. Agents get paid a commission off of what they sell for you. They only get paid if you get paid. Money will flow from the publisher to the agent (who will take their 15%) and then to you.

Keep an eye out for agencies that charge a reading fee for queries. Again, don’t pay them money. Be wary of any agency that also provides paid editorial services. The same goes for if an agent tells you to work with a paid freelance editor in order to get signed. (This is different from feedback suggesting you work with critique partners or an editor. That’s a good suggestion. Prescribing that you work with a specific editor and pay them for their services as the conditions to get signed as a client is not okay.)

I am also very wary of any agent or agency that requires exclusivity on queries, partials, or full manuscripts. Exclusivity, to me, reads as though the agent doesn’t believe they stand a chance against other agents if they decide they want to sign you and… that’s a red flag to me. If they don’t think they can measure up, then they probably can’t and you shouldn’t be giving them a chance. (I’ll note that this is different from exclusivity on an R&R, which I think can sometimes be warranted in cases when an agent takes a lot of time to give you notes. Sometimes an agent will give revision notes and ask for exclusive right to consider the revised—be sure to nail down a timeframe for this so you don’t get stuck waiting for them to read for 6 months. Give them a head start of a few weeks or a month, but don’t give them forever to consider.)

Evaluating

When I evaluate an agent for a query list, I look at their sales.

If they have sales, I look to see if they are sales to publishers/editors you would be interested in working with? Likely, their sales are indicative of who they have relationships with. If you are submitting with the hopes of a traditional print deal to a large publisher, but the agent mostly does digital only deals to small presses, that’s probably not going to be the right fit for you. If you’re a middle grade writer but the agent has only ever sold adult historical romance, then… again, maybe not the right fit.

If they don’t have sales, I look at the other agents at the agency. Who has been agenting longer at the agency who might be mentoring them? Look at their sales and evaluate those. It’s possible the new agent you’re querying will make different contacts, but they’re likely being trained by the higher ups at the agency. Make sure you’re comfortable with that.

Check where the agent was trained too. Probably, you’ll see this in their agent bio. You’ll see some former workplaces—do they have prior experience in the industry? At a publisher maybe? A strong internship at another agency? This isn’t necessarily always going to be the sign of a good agent, but it can tell you what their history is and who might have had a hand in training them.

Other things I look at are their client list. Does the agent have a ton of clients already? Do they have a lot of high profile clients? These aren’t necessarily marks against them, but it might be an indicator that their plate is already pretty full. They might not be taking on a lot of new clients—or if they are, they might be overloading themselves and setting you up for very long wait times or even being neglected as a newer client. That’s definitely not always the case, and there are plenty of agents with huge lists full of very successful authors that juggle it all quite well.

This is where the last piece of the puzzle comes in and I realize I’m about to sound just extremely annoying but… do a vibe check. You don’t have to have a concrete reason not to query someone. If you feel at all uncomfortable or you get a weird vibe from someone, it’s okay to just say “Maybe I’ll skip that person.” I skipped an agent who was probably lovely, but gave of a kind of weird ra-ra feminist terf vibe to me that made me feel like maybe that wouldn’t be a safe relationship for me. I also skipped a male agent who I saw tweeting at women in a way that just felt a little uncomfy to me. That agent was later revealed to be a total creep, so… my vibe check war right on point there. Just… sometimes it’s worth taking a risk on a newer agent (it certainlywas for me) but it’s not always worth taking a risk on an agent who just feels off to you. Especially if you’re a marginalized person and you get a vibe from an agent that might indicate they’d try to exploit your identity or just be kind of shitty to you… you’re not obligated to query them! Even if they request in a pitch contest! Even if they slide right into your DMs to ask for your book (especially if they do this omfg this is so inappropriate). Basically… listen to your gut.

Okay so… what am I actually looking for?

There’s not one perfect checklist to use for this that’s a surefire way to weed out the baddies and keep the goodies. Unfortunately, a huge part of this industry is figuring out what works for you and being willing to communicate that. You won’t know what you’re looking for until you find it sometimes. If you’d asked me who my dream agent was before I queried, I would have given you the name of an agent I would never ever ever query if I had to go into the trenches now. Sometimes what you think you want and what you actually need are two very different things, and I’m really lucky that I got what I needed without trying to.

It’s helpful if you keep in mind some stuff about what youwant like:

· Do you want an editorial agent, or do you want to manage the editorial side yourself with CPs etc. and just have your agent sell your work?

· Do you want an agent who specializes in your age category/genre or do you want an agent with broader contacts in case you decide to branch out?

· Do you want a large agency that manages a lot of clients and may have a really strong internal subrights department? Or do you want a more boutique agency where you might be in a smaller pool of authors?

· Do you want to publish traditionally with a large publisher, or are you interested in submitting to some digital imprints or independent publishers?

Keep all this in mind as you do your research on agents. I recommend that you reevaluate these wants as you go along to see if that’s still what you want or if your career plans have changed. But, use these as a way to steer you with your search. Don’t submit to an agent just because their wishlist matches up with your book. Make sure their agenting style matches up with your career plan too.

Dream Agents

Lastly, a plea from me to you: don’t have a dream agent. It’s okay to have like… an idea of what kind of agent you want and the relationship you hope you’ll have but… don’t pick a real agent to have as your dream agent. Nine times out of ten what you’re going to end up wanting in an agent isn’t what you think you want now while you’re in the query trenches, but also it’s weird and maybe a little bit unhealthy to idolize an industry professional who may or may not be doing their job well. Just because you like an agent’s twitter presence doesn’t mean they would be the right agent for you. There are a lot of agents out there who do a great job, so it’ll be better for you in the long run to have a dream type of agent rather than an actual specific dream agent. Keep your options open and dream broadly.

Whisper Networks

There’s a lot of talk about whisper networks in publishing and… basically yeah. These exist. They spread a lot of good information. They also spread a lot of bad information. Basically these are avenues for gossip, so take it all with a grain of salt. I’ve heard things before from the source and then heard a very twisted and garbled version of that story again a few days later from someone else. It’s like a big game of telephone and everyone’s tryingto pass along the right info, but stuff gets twisted along the way. Be cognizant of who your source is and who their source is etc.

Not everyone has access to whisper networks and… unfortunately that’s kind of just by design. The reason we have whisper networks instead of a detailed database is because these conversations can quickly turn into big spectacles that end with a cease-and-desist order and threats of lawsuits. Agents hold a lot of power in this industry—especially the ones with daddy’s money to throw around—and none of us wants to deal with that, especially since we don’t get paid nearly enough to actually fight it. We also don’t want to burn bridges. Maybe there’s a shitty agent out and about, but they rep some authors we really respect or they work at a great agency that we might someday want to query. Until the power imbalance in publishing is more even, it will continue to be dangerous for authors to talk publicly about bad agent behavior—even when it is very clearly unethical.

I don’t have the solution here. Maybe there just… isn’t one… Maybe someone a lot smarter than me will come up with one. Maybe we’ll all just keep circling on this issue for decades to come. At the end of the day, my best advice is to talk to other authors. If you’re having a weird experience, talk to someone else. The best thing we can do is compare notes to see if what we’re dealing with is normal.

In Closing

So… I hope this is useful in one way or another. It’s definitely not a catch all and it’s not a perfect system. These are just the tools I know of and the way I think about agents/agencies when putting together query lists with my mentees. A lot of it is guess work. I think the industry would hugely benefit from more regulation and standardization but… that is another conversation for another time because we’ve crossed over 3000 words on this post and it’s time for bed.

With that… good luck!

#querying #literary agent #publishing #publishing industry #writing advice #querying is hell and i am so sorry

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daevstroders · 3 months

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grinning at myself something STUPID in the mirror bc i Actually Have a Babystache

#:'))))))))))#guys my gneder is Want. a mustache #abdsolute Euphoria Rn #do i shave it?? will it grow back thicker?? is it a myth??#these are genuine queries if anyone has any good advice please lmk

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bookwyrminspiration · 5 months

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everyone's talking about abilities and sex but what about skills and sex??? using levitation or telekinesis to change positions or something i don't know.

sorry I just keep thinking about how the characters are always complaining about the lack of traction in the air and am now imagining them like. scrambling in the air bumping into the walls as they try and levitate mid-coitus. just kinda. drifting. aimless.

but you're correct! skills could also be invaluable in the bedroom! telekinesis definitely--I'm also thinking night vision would come in handy for any hasty hookups in a forgotten room or something. we could also combine temperature regulation with abilities like pyrokinetic/froster, making it a challenge of what you can handle or something. I'm not sure how blinking could be used yet, but there's inevitably a way

we don't know many skills, and most of them are quite mundane, but i believe anything can be sexualized if we try hard enough--ty for allowing me to open my eyes <3

#kotlc #kink of the lost cities #nsft #quil's queries #nonsie #outward channeling hmm...#skill of explode your partner in the bedroom #if only kesler were real i just KNOW he would have some great advice in this department

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ashleyearley · 2 years

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✅ DO Use a conventional letter format when writing your query letter. Improperly writing a letter can tell a literary agent that you are unprofessional and possibly give off an "I don't care" attitude. So ALWAYS follow this rule to look professional, serious, and to reflect that you did your research.

✅ DO List your qualifications and publication history. If you don't have any publication history, that is fine, but be sure to hone in on your qualifications. Did you major in creative writing or English in college? Did you win a writing contest at some point? Do you have a Facebook Group dedicated to writing with x-amount of members? Mention anything you can and be professional rather than braggy.

❌ DON'T Writing more than one page can be a death sentence. Address the agent by name, hook them with the summary of your book, provide the genre and word count of your book, list your qualifications and publication history in a short bio, and then list your contact information—ALL WITHIN ONE PAGE. More than this will waste an agent's time and might cause them moving on.

❌ DON'T Do not send a query letter that isn't proofread. Read over your query letter, have a friend look over your query letter, and then have another person read over your query letter. Do this and ask for the other eyes on your query letter to catch any mistakes you might have made. Sending a query letter containing errors is a huge mistake.

Hope this is helpful to those writers who are in the query trenches! 🤎

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cnjosephs · 9 months

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Writing Advice Blogs: Your query should only mention three characters—the protagonist, the protagonist's love interest, and the antagonist.

Me, a polyamorous writer, staring at my book where the protagonist has three concurrent romantic partners: Uh.

#writeblr #writers of tumblr #seriously tho #if anyone has advice for how to write a succinct query letter when your protagonist has multiple romantic partners #who all play key roles in the plot #i would be eternally grateful

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novlr · 1 year

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spaceshipkat · 1 year

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Girl help! How do you know if your manuscript isn't right for the market? 😅 How many agents are the limit? I've only gotten one rejection but the other 5 agents haven't responded at all yet ...

so you’ve queried six overall? that’s not a lot, so i don’t think you’re in a spot you need to worry yet! figuratively, there’s no limit to the number of agents you can/are allowed to query. who’s gonna hold you at gunpoint to make sure you don’t pass X number, yknow? my cutoff was when i ran out of agents i’d be happy to be represented by (thanks to that old saying that it’s better to have no agent than a bad agent, and as someone whose first agent was a bad agent and my next two were/are very good agents, this is a true statement. i’m fucking thrilled with my current representation. my agent is fantastic and such a huge support system and just gets my books, which is how i know she’s the best agent for me. that, and we get along incredibly well, both professionally and personally). whether that was 30 or 50 agents depended on the genre of my book and any future books i’d want to write. and there are so many more agents to query now in 2023 than back when i was querying in 2020 because so many agents have left their past agencies to form their own, which allows for more options since you’re not stuck behind “only query one agent at xyz agency”

so were i in your shoes, i’d send out a few more queries (maybe to agents known to be fast responders) to see if your query and first pages are working. if they’re not, revise your query and polish your pages and try again with a new batch of agents. if you get a rejection, feel free to send out a new query right after—doing that always made me feel better, so i didn’t wallow. that agent may not have wanted my book, but the next one could.

good luck in the trenches, anon!! 💖

#ask #anonymous #writeblr #querying #query tips #publishing #publishing industry #writing advice #sorta

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em-dash-press · 2 years

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How to Format a Query Letter

When you're ready to start sending your work to agents, you'll need to write a query letter. It's the way writers introduce themselves and pitch their books to busy agents who want to cut right to the chase.

Every writer will go through query letter drafting and revising throughout their experience, so following this guide won't be the last time you have to work on structure. However, these are the most essential parts of a query letter that can help you form your next draft.

**Heads up—every literary agent will have specific things they're looking for in query letters/submission packets. You'll find that within their bio on the website of their employer or in their profile on Query Tracker.**

**If you find a publisher's website and want to submit through there, you'll also need to edit queries according to their guidelines, typically specified under the "Submissions" part of their website.**

Most Important Takeaways

Query letters should only be one page long, unless a different length is okay with the agent according to their specifications.

Your query letter is a pitch, not a place for cliff hangers or flowery language. They want specific details!

It can take weeks or months for an agent to get back to you after you submit your query letter. Don't take it personally! They're very busy with current clients in addition to their open submission inboxes.

Step 1: Check Your Agent's Requirements

You can draft a general query letter, but you'll always have to edit it for each submission. Agents require different things, which is outlined in their profile on their employer's website or on Query Tracker.

Write down everything your dream agent wants in a submission packet or copy/paste to a new document. Missing information will likely result in them passing on your work, unless they're super head over heels for it.

Step 2: Write Your Greeting

Don't stress over this too much! It's smart to stick with something professional and always address them by last name, like:

Dear Ms. Greenburg,

If you're submitting to a general submission email, it's still good to address the agent you intend to query. Whoever is sorting through the inbox will pass it along to the right person.

Remember—your greeting should be the first line of your letter. Don't follow it immediately with your intro.

Correct: Dear Mr. Finch,

Incorrect: Dear Mr. Finch, I hope this finds you well. I wanted to...

Step 3: Write Your First Paragraph

Scary stuff! You might think this paragraph would include a bit about you, why you wanted to write your story, etc. However, that's not why your agent opened their submission inbox.

They are opening your query letter to find out about your project. To draft this paragraph, it helps to make a bullet point list of the necessary information, like:

Your manuscript's title

Your one-sentence summary

Its genre

Its word count

Its comparable titles (more on that below)

Your intended audience's age group (more on that below)

I'm going to make up some information to help you visualize this a bit better. My imaginary manuscript will be:

Title: The Phoenix Flies Blind

One-Sentence Pitch: When 17-year-old Samra Ularen runs away from home, her journey across the faerie kingdom of Cerathe introduces her to a gang of bandits hungry for her hidden powers and a weapon against the king—who happens to be her uncle.

Genre: Young Adult, Fantasy

Word Count: 75,000 words

Comparable titles: Shadow and Bone by Leigh Bardugo and The Cruel Prince by Holly Black

Intended Audience: 16-21 year olds, plus adult women who enjoy YA fantasy

Let's put this into an introductory paragraph. After the greeting, the letter would start on a new line and look something like:

Dear Ms. Greenburg,

I'm seeking representation for my [debut, sophomore, etc.] [finished/unfinished] manuscript, The Dove Flies Blind (75,000 words). It's a Young Adult Fantasy story about Samra Ularen, who runs away from home and adventures across the faerie kingdom of Cerathe. She quickly becomes friends with a gang of bandits hungry for her hidden powers and a weapon against the king—who happens to be her uncle. People ages 16-21 will enjoy this story if they also love Shade and Bone or The Cruel Prince, which both share themes of adventure, betrayal, and self-empowerment in coming-of-age narratives.

Yes, it's a long paragraph, but agents want everything up front. Keeping it to 2-4 shorter sentences or 2-3 longer ones will tell them what they need to know about your book.

You may not be able to narrow down your paragraph. If that happens, don't panic! Separating the plot summary and your intended audience/comparable books could be two mini paragraphs and everything's going to be fine. As long as your letter stays one page long, it's all good!

Some notes for picking comparable titles:

Pick at least two-three books published in the last 2-3 years. Maybe in the last five years if you really feel that something that "old" is comparable to your theme/plot.

More recent books are best because it shows that your book will sell! If readers are buying the latest releases in your genre with similar plots/characters/themes, an agent will be able to sell your work much more easily.

If you need more help and don't have time to read additional books in your genre, check out these resources: What You Need to Know About Comp Titles; How to Find Compelling Comps for Your Book; Comp Titles: The Key to Pitching Your Book

Step 4: Write the Body of Your Query (~2 Paragraphs)

Let's break down the body of your query letter into two paragraphs. Each will have a specific purpose—there are no wasted words in queries!

Paragraph 1: Set the Stage

Your first paragraph will summarize what your character is like/where they are/what their life and world are like just before the inciting incident.

Example:

Samra Ularen lives in a manor just inside the capital city of Salmyre. She's spent her life attending classes with her closest friends and following the rules set by her single mother, Alora. There was nothing she wanted more in the world than a life on the sunny beaches lining their city, but when her mother says they're moving across the continent in less than 12 hours, Samra realizes how much her world means to her.

Paragraph 2: Introduce Your Protagonist's Challenges

The inciting incident is the lead into your next paragraph, which will explain how your protagonist's life gets more complicated throughout the plot.

Example:

After unsuccessfully trying to change her mother's mind, Samra runs from their manor in the middle of the night. She steals a horse from behind a tavern and takes off across the city lines, into rolling meadows and the Shadowed Forest beyond. She doesn't anticipate befriending bandits who live high in the trees and is even more shocked when they sense powers dormant beneath her skin. The bandits teach her how to wield flames from her fingertips while raiding travelers and villages. It isn't until after Samra befriends their leader and lives with them for a few months that they force her to help them kill the king and install their leader on the throne—but they don't realize she's actually his niece. In following along and planning to run at the last moment, Samra learns that her mother needed to move because they were in hiding. The king wanted Samra dead before she was born.

This is another long paragraph and could be edited down/likely split into two parapgrahs, but you can see how this sets up the stakes. Samra runs away from home, experiences independence for the first time, and has to choose between family members over a history she's never learned before. All while figuring out who she really is outside of her normal routine.

Agents need to know a manuscript's stakes. If they don't think there's enough risk involved for or by a character to make the plot interesting/get the reader personally invested, they'll pass without finishing your query letter.

If you're really worried about dense paragraphs, you could potentially separate these two paragraphs into a third by formatting them like: setting the scene; raising the stakes; summary of what your protagonist will learn/how it relates to your themes.

Step 5: Write About Your Background (1 Paragraph)

Your last paragraph is all about you! Talk about what makes you awesome and why you're the person to tell this story.

Here are a few examples:

I was compelled to write this story because I'm passionate about coming-of-age narratives and fantasy settings. Last year, I won first place in the National Fantasy Short Story Competition and published another flash fiction fantasy work in Generic Fantasy Magazine. Currently, I work full time for Google and write creatively as a hobby.

I graduated in 2013 from State College with a BFA in Creative Writing and a minor in English. Since then, I've placed as a semi-finalist in Fiction Stories Competition. I write creatively for fun and work full-time as a marketing assistant.

I've read fantasy since I could pick up a book and always wrote short stories in that genre. This is my first novel-length manuscript and it means so much to me because I think this genre needs more coming-of-age [other types of representation here] representation. This is a stand-alone novel, but I have ideas that could extend it into a trilogy.

You don't need a writing degree or first-place competition awards to finish your query letter. All the agents want to know is why you wrote this manuscript, plus whatever other career-related information may be relevant if you have anything.

Step Six: End With a Professional Goodbye

I like to end my query letters with a thank you, since many agents do lit work as a secondary job and have a full-time gig in another field. Even if they're full-time, they're likely dealing with hundreds of submissions at a time when they open to queries while working with their current clients.

You could end your letter with something like:

Thank you for your time and consideration.

I'm grateful for your time.

Thank you for your consideration.

And end it with:

Sincerely,

[Your First/Last Name]

Always Revise for Each Agent

If you're copying/pasting your query letter into submission boxes or emails and hitting send, you're not going to have good results.

You'll likely send a letter addressed to a previous agent or leave out formatting/required info specified in an agent's bio.

Always read through your current query draft and revise as needed before sending it to a new agent.

Best of Luck!

I hope this helps you draft your first query letter with a bit more confidence! Use these guidelines to get a rough draft ready and come back to it when you're in a calm, confident headspace to edit.

When in doubt, always refer to an agent's requirements in their bio or what's required in Query Tracker. That site will have a box for you to copy/paste your letter, but it will also ask you to type out specifics, like the bullet points in Step 3.

If you're going to submit more than one letter, I'd recommend keeping a spreadsheet! Record things like:

The name of the agent

Their publisher

A link to their bio

How you submitted your query (email, Query Tracker, general publisher submission page)

The date you submitted

If the agent specifies when they get back to writers (many will give 2-3 month turnaround estimates)

If they've responded (you could write things like "passed on my query," "requested a bigger sample," "requested the full manuscript," etc.)

It's much easier to reflect on who you might want to follow up with or who you've already queried as time goes on. It's rarely a good idea to query the same agent twice after they reject you, unless they specify what you could work on within your manuscript to make them more interested.

Get that first draft down and you'll feel much better about taking your second step into the journey of getting published. 💛

Other resources you might find helpful:

The 10 Dos and Don’ts of Writing a Query Letter

The Complete Guide to Query Letters

How to Write a Darn Good Query Letter

Read A Sample Literary Agent Query Letter, With Hints & Tips

How to Write a Query Letter: All the Do's and Don’ts

#writing #writing a query letter #query letters #writeblr #writing advice #writers of tumblr #writing tips #creative writing #writing help #writers #writing community #writing inspiration #query letter #querying #how to query

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