Tumgik
#pseudo analysis
babylonqaf · 3 months
Text
okay so im tired and my brain isn't working at 100% right now but like has anyone else written about the hannibal/will relationship being so similar yet opposite to the sherlock holmes/dr. john watson relationship?
Asocial genius that doesn't fit into society becomes unlikely friends and partners with a doctor that understands them better than anyone else ever could
But at the same time, the more dominant characters in those relationships are opposites (the genius Sherlock vs the doctor Hannibal) and the more submissive characters have different reasonings for their acceptance of the dominant character (genius Will having encephalitis and then playing the long game/falling in love with Hannibal/accepting the darker sides of himself vs John just sort of accepting the chaos that is Sherlock and giving him a smack upside the head once in a while/being submissive for the sake of peace and harmony within their relationship)
Arguably the "submissive" characters become more dominant in opposite ways as well, Will only becomes more dominant when he gets closer to accepting his own darkness and as that acceptance increases, he gets closer to Hannibal. John on the other hand grows out of the submissive, accepting role when he gets married and has a child, as he involves himself more into society and moves away from Sherlock he becomes more of a dominant force in their relationship
this is kinf od interesting
11 notes · View notes
bookcrazysongbird · 1 year
Text
Because history has variable standards of "useful"
Ok, so like, I've been thinking about King Arthur (not consistently or anything, just sort of as a topic that occurs to me every now and then), and in this case I was also thinking more particularly about the joke that you occasionally see in pop culture about Arthur's return: that if X historical tragedy didn't lead to the return of King Arthur, and Y current events aren't going to cause the return of King Arthur, then uh... wtf is the greatest need he'll be returning for? Like– how much worse can it get?
And like, yeah, alright, that's a funny thought, but I got to wondering... what would actually be a circumstance that would cause the return of King Arthur? Or, more particularly, when would it be useful to get King Arthur?
Because, like, modern Britain would not have a lot of use for King Arthur. Can you imagine? Random man appears, even if somehow undeniably through magic, seems to think he can be "in charge" because of a birthright that we do not acknowledge, yeah, good luck with pulling that off without getting some serious ramifications headed your way. (Also no one would believe the magic wasn't a trick somehow, but that aside)
And, yes, okay, that's why a lot of Arthurian adaptations involve a version of Arthur who is born as a person in contemporary society and "realizes who he/she was" (Putting a pin in the proliferation of female reincarnations for some other rant), but– the legend isn't "He will be born again" but rather "He will rise from Albion," right? (If I'm wrong, eh, fair enough, there's some source for any point and its contradiction in Arthurian myth because the myths don't really have a single canon, but that is also a very long tangent)
So the question then becomes– what skillset does Arthur have, and–to reiterate–when will those be useful?
Step one is get the castle building, chainmail wearing, feudal system controlling, vaguely medieval King out of your head, that's a much later invention. Ok- well, sort of. Historically speaking if Arthur is based on a real figure he would have been in 6th century Briton which is technically the middle ages, but not like that. The Middle Ages span a millennium and unless you happen to be a historian (or someone otherwise interested in the time period) you've probably got a very broad picture of what that was and a lot of that probably comes from the latter part. Castles as we now think of them, for example, probably began (according to a cursory google) in 9th century France.
And, to touch on that variable canon, a lot of Arthurian myths are set way later than any historical figure (the character may have originally been based on) would have actually lived (if he did).
Meaning that original!Arthur is, at his most useful, a warlord. A man skilled at leading a nomadic tribe of people, meaning he would need to be good at things like basic strategy and conflict management, survival skills and physical combat, but not someone with a lot of skills applicable to 21st century life.
I mean, no wonder he wouldn't have awoken for the bubonic plague or the world wars, what the hell could he have done in the face of either? So what could he do something about?
When would the people of Britain Albion need a warlord with those skills? Maybe in a post apocalyptic collapse of society when a warlord who is skilled at getting people to follow him (and hopefully also capable of the kind of diplomacy you'd need to bring about a golden age by uniting feuding tribes of people) would actually have applicable skills? I mean, after all, it's not when Albion most needs divine intervention, it's when Albion most needs Arthur.
3 notes · View notes
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
2.12 Chimney Begins - 2.09 Hen Begins - 2.16 Bobby Begins Again - 7.04 Buck, Bothered and Bewildered
Tommy's family arc
2K notes · View notes
paimonial-rage · 4 months
Note
wriothesley 3, 16, 17 :3 -- @milkstore
[Character Analysis Ask Meme]
What is Wriothesley’s mbti/enneagram?
Wriothesley is a 9w8 ESTP sp/so.
What is the best way to win Wriothesley’s heart?
Wriothesley is a simple man, and simple men require simple methods. Simply put, the best way to win Wriothesley’s heart is to flirt with him. He doesn’t need much more than that. Challenge him, tease him, take him by surprise. Play hot and cold. Accept his invitations for tea, then spurn his advancements the next. Present yourself as a catch, dance right out of his reach, and let his instincts kick in. But make sure you’re having fun too. It’s not a game if both people aren’t having fun.
What are Wriothesley’s strengths in a relationship?
Of the many traits Wriothesley was blessed with, two that stand out are his level-headedness and his tendency toward action. No matter what you may go through as a couple, he will not be overcome by stress or fear. You can always trust him to be solid no matter the storm. Not to mention you can trust he will not take the backseat in your relationship. If there is anything wrong, he will address it. But more than that, if he sees the chance to make you happy, he will take it, whether it’d be bringing home flowers or taking you on a date to something you want to see. In a relationship, he won’t let you feel alone.
149 notes · View notes
polaroidcats · 7 months
Text
Ugly crying & the marauders generation - a pseudo-scientific approach (my marauders crying PhD abstract)
Abstract
In recent days, there have been a variety of claims as to who the prettiest and ugliest crier in the marauders generation could be. This paper aims to address the recent surge in opinions on the matter, and categorize different approaches as well as add a new approach to the scientific examination of ugliness/prettiness when it comes to crying. I hope to provide readers with an overview of the current state of research and encourage all marauders scholars to add their own and I intend to make a contribution to the discourse by committing to the bit and writing a pseudo-academic paper about it instead of actually working on my thesis.
Introduction
In the following paper, the discourse about 5 marauders era characters will be examined in regards to their various levels of perceived ugliness whilst crying. Scholars who may ask why Peter [Pettigrew] is not included in this analysis are advised to refer to acclaimed marauders ugly crying scholar @lynxindisguise's (2023) original poll on the popular blogging website "tumblr.com" which did not include Peter, but rather two non-marauders characters named Lily and Regulus. This paper will follow that approach, since Peter is the nastiest skank bitch I have ever met, I do not trust him and he is a fugly slut. The characters included in this approach are as follows: James Potter, Lily Evans, Sirius Black, Remus Lupin and Regulus Black.
Following the scientific criteria for ugly crying, as stated by lynxindisguise et. al (2023), the question of the ugliest crier can be answered by observing the crying person and assessing their ugly-levels on the following parameters: (1) unbecoming facial expressions, (2) facial swelling/blotching, (3) unsettling noises, (4) snot factor, (5) tear volume, (6) general loss of dignity, (7) glistening eyes/lashes, (8) Victorian heroine factor, (9) elegant tear-wiping, (10) post-cry glow (ibid).
Criteria (1)-(6) can be categorized as the ugly crying parameters whereas (7)-(10) are pretty crying parameters, creating a false binary between ugly and pretty crying, which may be problematised and addressed in another the paper. In contrast to lynxindisguise’s original 10 criteria to measure the aesthetics of crying, this paper proposes to add (11) explosiveness of cry as another ugly crying parameter, in order to get a more clear assessment of where on the ugly-pretty crying scale a character falls.
The ugly crying parameters
(1) Unbecoming facial expressions
James Potter is mentioned in this category by several marauders scholars: @jaylienpotter talks about his red face and ugly sobbing, @artbyace mentions his “scrunched up cry face” and @sectoren claimes “james (…) is that one handsome guy that when the waterworks get going becomes like. Cartoonishly ugly”, raising the question of upkeeping toxic masculinity in order to avoid having to witness more of James Potter’s crying “mug”.
Though James Potter features heavily in this category, another character who is also mentioned just as often is Remus Lupin: @kaaaaaaarf, @appreciatedmoron and @http-starboy all emphasise that Remus Lupin is the one with a red and blotchy face.
(2) facial swelling/blotching
While there is a definitive overlap between the categories of facial swelling/blotching, unbecoming facial expressions and snot factor, Sirius’ and Regulus’ victorian heroine complexions, which give them an advantage in the homonymous category, may be to their disadvantage in the “blotching” category. This will require further research by other scholars.
(3) unsettling noises
James Potter is mentioned in this category by Jaylienpotter (2023), claiming he not only hiccups when crying but also that “his cries are one of the most heartbreaking things you’ll ever hear” and similarly, artbyace states that “James loves and feels so loudly”, whereas “Sirius is silent”, both sentiments are reminiscent of znelda’s (2023) statements that James “was allowed to feel his emotions freely in a loving household” and “Sirius (…) [is] used to hide [his] feelings and [has] become stoic”.
With several other scholars, among them also @jamesunderwater (2023) raising the point that James may be the ugliest crier due to him being “the only one well adjusted enough to have access to his feelings” this raises the question of possibly introducing another category, maybe of emotional awareness/stability to be able to measure this parameter more efficiently, though emotional vulnerability may also just be a part of the unsettling noises parameter, suggesting that there is a correlation between noisiness and the existing environment being welcoming to and accepting of various expressions of emotions.
(4) snot factor
The most popular winner in the snot factor category seems to be Remus Lupin, with several scholars agreeing that his sobs are the dampest and snottiest out of all the candidates. kaaaaaaarf (2023) writes “he turnes all red and blochty and snot drips out of his nose (…) he cant (sic) not cry with his mouth open as well so there is a lot of spit”, and appreciatedmoron (2023) agrees with kaaaaaaarf on this.
It only seems right to me to include spit in the snot category as well, seeing as they’re both crying-related bodily fluids that add to the ugly-cry factor. http-starboy (2023) also mentions snot in regards to Remus Lupin, which compared to both their comments in (1) opens up the question of how unbecoming facial expressions, more particularly redness of the face and snot factor may be related, as several authors seem to write about both specifically in relation to each other. Whether this is just pure coincidence or not would need further research, for which we currently do not have enough funding. This is only one of the many research gaps in the relatively new field of marauder’s ugly crying studies, which cannot fully be addressed in this paper.
James Potter is also mentioned in the snot category, namely by the marauders scholar artbyace (2023).
(5) tear volume
Artbyace (2023) claims James Potter is “full on bawling” which can only be assumed to refer to tear volume, but the most convincing argument for tear volume comes from the acclaimed marauders scholar @fruityindividual (2023), stating that “tsunami warning tones go off in sirius’ brain anytime remus is close 2 (sic) tears” which already indicates high levels of tear volumes. The author then goes on to specify the volume by claiming that “indeed the ocean wishes rj lupin would jump in and help contribute 2 (sic) rising sea levels”, further emphasizing the volume of Remus's tears.
(6) general loss of dignity
@pastaplatypus (2023) writes about James Potter not being able to do a Melodramatic Bollywood Cry, which is perceived as inherently racist by the crier.
I would like to argue that Sirius Black also deserves to be mentioned in this category. While as of today, with less than 1 hour left to vote, 15.5% of voters agree that Sirius is the ugliest crier, the more outspoken voices all argue for different ugly criers. Due to their upbringing, I am tempted to name both Black brothers in the “loss of dignity” category and look forward to reading future contributions to this discussion.
The pretty crying parameters
(7) glistening eyes/lashes
Undoubtedly Sirius Black deserves to be mentioned in this category. I believe his dark lashes and glimmering eyes are part of what makes him the prettiest crier. Whereas Remus’s eyes also sometimes glisten or appear red, and it is usually attributed to be caused by drug consumption, which more often than not is a wrong assumption, but he happily goes along with the pretense of being a weed-smoking bad boy in order to hide his ugly crying damp tendencies.
(8) Victorian heroine factor
It almost seems superfluous to even mention Sirius (and, to a lesser degree, Regulus) Black in this category. This category was made for Sirius, as is apparent when reading lynxindisguises (2023) description of the victorian heroine factor, in response to a question by the scholar @plecotusauritus:
“the Victorian Heroine Factor is a deeply scientific assessment of the Vibes. Is this person giving tragically beautiful, windswept Victorian Heroine, sobbing gently into their hands while sprawled across a boulder or a well or a fountain of some sort? When they look up at you, do their tear-plumped lips part elegantly as a single tear slides down their cheek?”
(9) elegant tear-wiping
There hasn't been a lot of research in this area, but I would like to propose handkerchiefs with embroidered initials and family crests as another potential factor in favor of the Black brothers scoring high marks in this category as well as the Victorian heroine factor.
(10) post-cry glow
Artbyace (2023) claims “lily is always beautiful (…) even when crying”, which is echoed by znelda’s (2023) earlier claim that “Lily (…) [is] a woman and no woman is ugly when crying.”
Sirius is the other popular choice by marauders scholars for this category, with @in-flvx (2023) stating that he “handsomely handsomes while dying after 12 years of torture hell and another year in shackles”, which would mean that “a few tears would[n’t] stop him from being the hottest person in the room at all times” (ibid).
Additional parameters
I am suggesting to introduce an additional metric in order to further specify and better assess the ugly-crying levels:
(11) explosiveness of cry
@felixantares (2023) introduces the idea that Remus “is the type that very few people have been seen cry because he ignores every difficult emotion hes (sic) ever had (…) and it all explodes at once and its horrible to watch when he breaks down”, a sentiment shared by several of the other authors mentioned above in various other categories.
Further opinions & conclusions
The most popular consensus seems to be that Sirius cannot be the ugliest crier, sometimes also in direct comparison to his brother: @spindrifters (2023) answers the question of the ugliest crier with “obviously it’s regulus”, elaborating that “at least [it’s] definitely not sirius bc (sic) reg is canonically less handsome in all ways” which brings up the question if regular beauty plays into ugly crying. This is contrasted by lynxindisguises argument, that Sirius may be an ugly crier because he’s so gorgeous, and his ugly crying subverts the expectations of beauty:
“the most beautiful man alive looks hideous while crying, and his deeply awkward and perpetually damp bf (sic) is literally in his element while crying – dampness becomes him, you might say.”
This statement raises yet another question – does regular crying make the crier more or less ugly? Can an ugly crier become a pretty crier by practice or are we all born either ugly or pretty criers, condemned to this fate for life?
While this paper has given an overview of the current state of research to ugly crying/pretty crying, it has also raised many more questions. Other topics which may be addressed in future papers also include the philosophical question whether ugly crying is in the eye of the beholder and if it is possible to ugly cry without being perceived, and if it is possible to ugly cry if the person perceiving you doesn’t find it ugly. Since the research field of ugly crying is a relatively new one, we can only hope to read many more opinions on these and other topics in the future, and I look forward to reading different scholar’s approaches to these highly relevant topics.
169 notes · View notes
Text
Tumblr media
It's so funny to me that the fandom has come to see Hirano as a Sasamiya promoter of sorts because while he is, it took him some time to get accustomed to the idea of them together. And while he was never a hater Sasaki's actions towards Miyano certainly used to get on his nerves.
Tumblr media
At first he was so worried and probably even felt a little guilty because (as mentioned in the following screenshot) because the only reason why Sasaki knows which class Miya is in, is thanks to him.
Tumblr media
But like, that's not the face of a friend that's happy to play cupid and get their two acquaintances together. Not at all, that's the face of someone who puts his sempai-kouhai relationship with Miyano over his (pseudo) friendship with Sasaki.
Hirano from the first chapters would have jailed Sasaki if he were allowed to. (And he has his reasons, Sasaki has been something since the first chapters)
Tumblr media
Anyway, the progression of events is really interesting.
He started, quite literally, shielding Miyano from Sasaki.
Then, he came to accept their relationship.
Tumblr media
And at the end he really was rooting for them, to the point he ended up outright lying just so Miyano could meet Sasaki and they could talk it out and confess.
Tumblr media
70 notes · View notes
saionjeans · 4 months
Text
akio isn’t actually anthy’s father but due to his age, status, and power, he acts as a pseudo-father to anthy (and others), mimetically performing patriarchy without truly embodying the primary patriarchal role (although approximating it to functionally the same effect). this idea of the Mimesis of Patriarchy is in fact the mechanism upon which the entire Narrative (which is to say, akio’s frame) is predicated, from the shadow girls to the projections from akio’s phallic panopticon tower to the entire discourse of dueling that is ostensibly the primary stage upon which the show’s telos is reached—although of course this idea is illusory as well, a more palatable mode of violence serving to distract from the true violence upholding the narrative.
the notion of illusion acting in conversation with and artificially upholding modes of power is a key theme of the show. the matter of projection, performance, trickery, and masks is illustrated symbolically; the modes through which the text facilitates these ideas pervade every mechanic of its storytelling, most notably through everything about the shadow girls, as the shadows (on the cave walls) of performers in a choral role (often imparting digestible yet not particularly trenchant moralistic fables, both vague enough to provoke, yet shallow enough to maintain order). mimesis as a form of hollow power underscores the entire framework of ohtori and what it signifies.
the point being that the roles we feel we have no choice to inhabit within an agreed upon status quo are ultimately illusory, held together through a collective logic enforcing them for no other reason than that the collective will must go unchallenged. there are no real rules set in place that a girl cannot wear a boy’s uniform, that a girl cannot leave her abuser, that a girl cannot love another girl. but these rules are nonetheless enforced through more covert social codes that uphold themselves for no ontological reason besides the expectation that they must be.
the very world itself is the coffin, the egg, the dueling arena of mist and shadow. akio counts on the mimetic integrity of his maintained performance to continue to enforce his power, and anthy’s final act is to reveal the artifice of his semblance of power once his players no longer choose to continue participating, once they realize that the conditions they have been forced to accept are actually unacceptable. by simply leaving, by stepping out of frame to an existence beyond her coffin, she shatters the facade that presents the site of her abuse as being the entire world, as all there is and all that can ever be.
the metanarrative actively critiques its own mimetic mode not only to undermine akio’s constructed drama, but to remind us of the larger purpose of storytelling, beyond one singular framework. dios is an illusion, a cave shadow, but so is akio. he is not patriarchy itself, he is a sign, and patriarchy is the signified. the fact that he is not really a Father, but anthy nonetheless likens him to one, reminds of us this fact. the world of ohtori is a fiction, both literally and figuratively. the shadows on the cave walls are projections, the systems we uphold are arbitrary, the narratives we construct are illusory. akio may not be a real father, but he plays one on tv.
96 notes · View notes
another-clive-blog · 4 months
Text
Tumblr media
Oopsie daisy
88 notes · View notes
smol-soop-spoon · 1 month
Text
absolutely LOATHING the fact that you can just tell when the tiktok algorithm pushes up tsh recommendations because the flavour of new tsh tumblr posts is straight up cold wet garbage
32 notes · View notes
Text
i hste this video because besides kim’s abandoned cathedral, these homes aren’t even minimalist. wtf are you talking about. it is not a Rich People Thing to clean up and stage your house before a guy with a camera comes in to video your house. maybe try analyzing the actual concept of home decor - which is class-based - rather than arguing against “curated spaces” which are really just…tidied and stylized homes.
24 notes · View notes
ceramicdove · 6 months
Text
People online always dunk on theater kids or band kids or whatever (through bits and caricatures oftentimes hinting towards a wider sense of bigotry, though that's another subject) but I mean it when I say that the most ontologically evil extracurricular group is people who do debate. I say this as somebody who did debate and also technically won a regional debate competition.
9 notes · View notes
bookcrazysongbird · 2 years
Text
I am not a Mom Friend. A Mom Friend has a just-in-case First Aid kit that they don't actually need because they already convinced you that the reckless thing was a bad idea.
I am an Older Sibling friend. It means I'm running after you with scotch tape, paper towels, and one singular bandaid unearthed from the depths of god only knows where, and my pleading to "Just think this through!" is actively encouraging you to do the dangerous thing.
6 notes · View notes
not-souleaterpost · 7 months
Text
Fire Force as a One Piece ending prediction?
During my "research" for the iceberg, I did read all of Fire Force and thought quite a lot about it - a lot of the thoughts connect to Soul Eater, so I leave them for the Iceberg - but this specifically is such a weird thing I noticed, that I had to write it down - guess spoilers for both One Piece and Fire Force
Before we really start, I wanna make clear this won't be one of these 2009 "wow this generic story is like this generic story images"
Tumblr media
But some comparisions that are simmilar to that will be needed (while keeping in mind that they may be common tropes and or cultural ideas, picked up through osmosis - which may even count into the more "plausible" explanation in the end)
So anyways, the whole premise of Fireforce at the start is "hero kid who everybody sees as a devil and can't stop smiling" - and one can ofcourse make the whole "Pirates with Devil fruit that smile comparison"
Tumblr media Tumblr media
You may ask why I chose those images to represent that - because they tie in with my next point - because at the beginning of both stories the smiles had quite different meaning - Shinra's anxiety forcing his face to contort seems kinda different to the whole "Will of D, facing ones death with a smile because you lived your fullest life and know that your will is gonna be carried on" So what changed to make it not such a stretch - well this pun is what changed - the change from stretching gum, to stretching being a metaphor for imagination freeing reality, making one free - AKA the Gum gum fruit to Joy Boy retcon - aka, Luffy basically being a quasi reincarnation of a messiah figure, like somebody else...
Tumblr media
One could say "well, Luffy rejects being called a hero" - but that still leaves the "unlikely person is the messiah" thing by instead of the one who looks like the devil being it, it's the one who doesn't care about it and wouldn't mind being called a devil.
But anyways, one could say, who cares, the "shonen hero becomes a japanese Jesus" thing is very common (one could write a whole essay on that) so what's the point, gonna pull in Naruto too? (enen thought there are some connections for Soul Eater with that, but I'll leave it for the iceberg) The answer is the thing I mentioned about imagination - Fire Force basically ends with Shinra using imagination to recreat a quasi perfect world free of the vows of the current world (which was cartoonified already) - and what does Luffys new power do?
Tumblr media
Turning everything more goofy and cartoony... Emphasis on more, because One Piece allways was cartoony... (We get more into what that could mean later) I would put some pictures, but its literally to common to point out, so I better leave some space for more relevant shit. So both storys focus on the freeing aspect of using one's imagination anad dealing with death (i.e. the Will of D is realising in a way the imagined future to motivate the present to overcome the past) ((Maybe it literally means Will of Death instead of Dawn, Devil or Downloading pirated things is actually good))
Tumblr media
One could say that is an coincidence too, but why then all the Sun God Symbolism? The sun as a symbol of hope, like the laughing sun of Soul Eater in contrast with the Mad Moon cackling in despair... And trust me, One Piece has enough of it's own Moon symbolism
Tumblr media
So here we are - the era of the Moon as being the time of Madness and Oppresion, in both Fire Force and One Piece - yet the Sun is both despair and hope, destruction and creation - because that's what Shinra uses to get his stupid power scaler bait (like literally people on youtube see the ending and think "is he stronger than Goku", man if storys for 10 year olds are too complicated for you...) creation powers (his name literally meaning "Of All Creation") that let him in a blink destroy and recreat the world - while Luffy is also prophecied to destroy atleast an island, and probably the current "world" of artificial borders (probably creating the All Blue and shit but that doesn't matter at the moment)
But if still not convinved, lets talk about the other stuff that started matching up with Fire Force - a new super villian above all of the others that many think is a woman, while shrouded in shadow - is this the Evangelist or IMU? Devil fruits being revealed to be the dreams becoming real, like Adola being the collective unconsious, dreams and hopes. The Goverment is around something called "the mother flame" which is said to be both an amazing powersource and a nuke-like weapon - just as Ametarasu looks like a literal nuclear powerplant while also being a weapon that could explode and cause the literal cataclysm.
Also the whole point of an outsider force goverment ruling the world - especially with the early fire force hints of them being literal aliens, while there are alien hints in one piece too (and the real world metaphor of outsiders rulling your country, as many Japanese people may feel after losing WW2, but that is probably a controversial topic, even if certain weirdly nationalistic details in Fire Force make one have a double take...)
Anyways, there are too many circumstantial references to name and in the end one can just go "well they are just common tropes and cliche's" But if they are - that's kinda interesting in its own way - as outsiders, we look at these weird comics as if we get them, but if all these things are common enough to not be anything special, how clueless are we? Is so much interesting japanese discourse and thought lost to us? Maybe even some of the people considered "shizos" by the fanbase are actually on to something?
Tumblr media
But so we have basically two possibilietes - either it is a very common idea in current japanese media (maybe influenced by Jungian stuff, or things like Devilman ((never read it)) or Berserk ((listened to some summary of it for 20 hours while drawing lol)) - or Ohkubo specifically picked up on all the hints, forshadowings etc and went "yeah I'm gonna do the same" - either because he got tired of waiting for the end of One Piece or because he wanted passive agressivly one up Oda maybe lol (he did say that he doesnt want his stuff go on forever like One Piece, so maybe its to show how to do it a lot quicker?) Anyways, in the end its not really a theory one can falsify, and not even one that may be "literally" true - but just realising the connections, even if they just exist do to a common culture and "canon" of works, maybe even works not read by either author but absorbed by osmosis, seem to lead one to a deeper understanding for why certain choices are made. And oh about the "more cartoony" world hint - well if fire foce was once the real world, and the bible exist in One Piece if really countries dont, what if that isn't the void century - the time when the world was like ours, or closer to it - basically all the sciefi stuff and metaphysical bullshit could lead to that - with the One Piece treasure being the literall One Piece manga (an old joke theory I had on some long banned throaway account, but people seem to keep now mention more and more...) - basically the guide of salvation, the power of imagination leading one beyond the fear of death and despair - maybe even why Ohkubo did the Soul Eater connection - he couldnt just copy One Piece one for one, so instead of the solution being the story itself, he went back to his own older story to get the same effect. But maybe thats too deranged even for my standards.
Anyways, I probably forgot a lot of stuff that would make it more convinving, like the out of nowhere "Flame Emperor Sabo" thing, and that the first candidate of the Messiah had a fire power with Sun themed attacks etc or that Luffys mom is unknown or that Ace was supposed to be killed in a simmilar way King Herod wanted to kill Jesus etc. Maybe this all just seems inchoherent, but Idk I had to dump it somewhere, maybe someone can work with this info and pull out something better, but if this all just feels like a waste of time:
Yeah... Sorry
Tumblr media Tumblr media
8 notes · View notes
holyvirgilscriptures · 8 months
Text
my two cents on the "finn is so gender" discourse (???) is that people just use "gender" as a replacement for calling him pretty/handsome/cute/etc. so like... if you want to call him good-looking, you can just say that he is.
9 notes · View notes
lielove · 10 months
Text
Tumblr media
ever think about ai was just longing to feel something throughout her entire life and that she's empty inside and she tries to find it through b-komachi and it starts out so well it starts out so, so well but then they come to hate her and she can't blame them FOR hating her but she also can't do anything about it. she wanted their companionship and friendship so fucking bad that she used numbers for their names as the password on her phone,,,,
and then she gets with hikaru and she experiences Real Physical Affection for the first time and she's like "holy shit ok" and she's feeling something positive for the first time ever and not hating herself and she could maybe even say she might feel happy sometimes with him but then they break up and she's pregnant
AND THEN SHE HAS THE KIDS..... and she's finally able to feel something whole in her life. she's a mother. she hasn't told them she loves them but it's clear that she still cares so much for them and she's able to show true compassion for someone and it feels so nice.
and then she isn't able to tell them she loves them until she's dying.
just me, ok. : )
8 notes · View notes
amiharana · 1 year
Text
just saw an insane image ever n looked through the rbs and someone’s tags immediately gave me brainrot the second i read it
14 notes · View notes