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#or maybe its only when he is styled a certain way
green-typewriterz · 3 days
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hello 🥹 could you possibly write an unrequited love oneshot with art donaldson that’s actually just the reader being oblivious and projecting art’s actions and looks onto tashi
QUICK GOSSIP
Tashi Duncan/ reader, Art Donaldson x reader
Ask: hello 🥹 could you possibly write an unrequited love oneshot with art donaldson that’s actually just the reader being oblivious and projecting art’s actions and looks onto Tashi
summary: Art had never looked the your way… at least not while you were looking
Warnings: none really, reader is jealous i guess
Author Notes: hello ml! Thank you so much for this ask it was fun to write… its not ofen i do unrequited love oneshots!! I essentially listened to l’oeuf from the challengers soundtrack on a loop while writing the stairwell scene idk if you can tell.
word count: 1504
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THE CAFETERIA
Art. It was always Art. You had been friends for a long time, growing up together playing tennis and deciding to go to Stanford to further it. He was someone you’d describe as your best friend. Though, you had always hoped there’d be something more.
Then, however, Art met Tashi.
Tashi Duncan was nice enough to you - though you weren’t sure it was in her biological makeup to be more than ‘nice enough’. The one thing you didn’t like (you hated admitting this) was that Tashi made you jealous. It was impossible to not notice how Art looked at her, his eyes tracking when she played or drinking in her outfits.
So, it did feel a little uncomfortable for you when the three of you would sit together at lunch and you didn’t know what to say. You liked to listen, sure - Tashi had interesting things to say - but you wished Art would talk to you. Or even just at you.
“Y/N hit a great shot the other day,” Art said to Tashi, practically gushing over you (though you were the ever oblivious fool toward this), “I was surprised it didn’t go straight through Mia’s racket.” He continued, talking about your match with Mia Lee-Kendall. It wasn’t a match you thought much of, sure you were good, but Mia wasn’t and so your win didn’t feel all that special. At least that’s what you told yourself. Maybe the reason you didn’t want to think about it that much was because of Tashi watching from the audience…right next to Art.
You practically zoned out of the conversation, eyes tracking Art’s in a sense of solemnity as he spoke (you weren’t even sure what he was saying anymore) and eventually, when Art leaned forward into his conversation more, you had had enough and stood up with the claim you were thirsty.
It only took a few moments for you to reach the fridge yet it seemed Tashi and Art were already in a world of their own, giggling about something. Giggling. 
You could admit that it hurt, seeing how happy they looked beside each other, whispering about something you were almost certain didn’t concern you. This assumption was answered when you walked over and the laughing stopped, Tashi turning to look at you as if there was some sort of joke you weren’t in on.
Art’s face was gently warmed, cheeks pink from some sort of embarrassment - though you weren’t sure why. The conversation quickly shifted to some other matter concerning tennis, though you found you weren’t really listening.
TENNIS PRACTICE
You had been practising the same backhand swing for the past hour, still not managing to get the movement how you wanted it - you were nothing if not a perfectionist. Maybe you would’ve gotten it eventually, but Art and Tashi had decided to grace you with their usual gossipping. It was the same position of leaning into each other, eyes darting across the room as if they were preparing for something big. It pissed you off.
“Want to play?” Art asked, lifting his racket up to show that he wanted to play a match with you. You didn’t reply, only sending a quick, distant nod and he crossed the courts, ending up opposite you.
The game was harsh, fast - not something Art was used to when he’d play against you. Your usual style was calm, calculated yet equally as powerful so this sudden shift to aggression caught him off guard. He tried to match your energy, but was stopped short when you returned the ball he had served with such force that he had to move out of the way - dropping his racket as he dodged.
He raised his hands, looking at you with confusion and annoyance. “What the fuck? You could’ve hit me!” He said, brows furrowing as he walked closer to the net - a sentiment you made no attempt to copy.
“You wanted to play.” You replied, voice harsh as you went to get another tennis ball from the side of the court. He scoffed, crossing his arms.
You finally turned to look at him and found him staring directly at you, eyes full with an emotion you couldn’t understand. Mother evening picked at your skin, raising your hairs as you approached again. It wiped the sweat from your neck, cooled the heat against your cheeks. “Sure, but that doesn’t mean I want a tennis ball shaped hole in me.” He replied.
There was no reply. You simply furrowed your brow and raised your racket, showing him you wanted to go again. Art sighed but gave in, heading for the back of the court once more. He matched the energy this time, hitting with force as you did (you could admit it made it harder to play, but you weren’t thinking of tennis at that moment).
All it took was for you to miss a shot and your racket was left shattered on the floor, its golden handle the only thing intact. You grabbed your bag and headed for the door, though that meant passing by Art on your way out.
And of course that meant he wanted you to say.
Art’s hand gripped your wrist, mouth centimetres from your ear as he whispered, “What’s your problem?” His eyes were set on yours, cheeks flushed from exertion. You tried to pull away from his hand but he only pulled you closer, bodies pushed toward one another.
“You.” Was your reply, one that seemed to shock Art. “You and all your secrets.” His hand released you now, trying to move to your shoulder in what seemed to be an attempt at comfort - something you didn’t let happen. Instead you walk away.
He follows, of course, arms trying to wrap around you in some sort of reassuring hug but your struggle proved you had no want for it and he acquiesced. Tashi was his resort, as if she would have the answers to his confusion.
STANFORD DORMS - BLOCK A - THE LIFT
You wait. The lift was a temperamental thing, but you were too tired, too annoyed to walk up the stairs. Instead, you leant against the wall, face still warm from practice that day. The lift offered a pathetic beep as the doors opened and you had to fight not to scream at who was inside. Tashi and Art stood there, silent and awkward - neither making direct eye contact as if you were some wounded animal.
“I’ll take the stairs.” You said with an irritated grunt before turning on your heel and pushing the door of the stairwell open.
Art followed behind you, as you had unfortunately expected and sped forward to stop you. That’s where the two of you stood, still and silent in the bottom of an echoey stairwell.
“Why do you hate me?” His question forced a new kind of silence into the room, a tension sitting thick against your chest as you found the words to reply to a question you never thought you’d get. Though, he had decided that you had taken too long to answer and asked again, though this time with more anger behind his tone, “Why do you hate me?”
Your words were just as sharp as yours, arms rising in frustration. “I don’t! I hate that you don’t love me.” You responded and he blanched, face contorting in shock before shifting into an almost invisible smile.
“I do.”
The word seemed to echo, and as his smile grew you stepped forward (though you weren’t sure it was by choice). “What?” You asked, words quiet and unsure.
Art smiled again, looking downward - you found your eyes flitting to the soft blond curls that fell over his face. “It’s um-” He began, seemingly trying not to laugh, “It’s always been you.” His hand rose to his mouth and he pinched his lip, a habit he had that you were especially fond of.
You placed your hand over your necklace, fiddling with it awkwardly and replied, “But Tashi-”
“Was giving me advice, trying to convince me to ask you out.” He laughed awkwardly afterward and you joined him, both of you leaning forward. You were willing to admit, it wasn’t your smartest moment.
He stepped closer to you, hand twitching, reaching out for yours. Art’s eyes, a beautiful mix of brown and blue, stared into yours, that same smile still playing on his lips. “I really want to kiss you.” The words were so quiet, so soft. You closed the gap between your hands, allowing his cool skin to settle against yours and he leaned in. There was a gentleness to it at first, which was quickly deepened as you moved closer. Your hand travelled up his neck, finding a place in his hair which elicited a shiver from him, a gasp. His breath shuddered as you kissed his jawline, head turning upwards. Art’s hands pulled you into him, fingers tickling gently against your waist. He whispered once more, through soft breaths,
“It’s always been you.”
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i-yap · 1 day
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Hello, good evening, how is everything there?
I was wondering if you could write something about Dick taking his cute girlfriend [Us] shopping (clothes, shoes, jewelry) and also what it would be like to do grocery shopping with him. I love going to the supermarket, it is one of my favorite activities.
By the way, you are like an angel fallen from heaven, there are so few writing about Dick and the Bat-family in general, I feel like writers who are fans of them are becoming extinct.
I just hope they continue making content with these characters, maybe the fandom will resurface once again.
praying for DC and Warner.
Bro same, Idk why but it feels like the fandom is dying but also batfam content is dying? Like I don't remember the last good batfam show was out ..fingers crossed ig.
Dick grayson x reader- Shopping headcanons
Best batboy to go clothes/fashion shopping . He has great style, can pull off anything, very supportive and all the store ladies are really jealous. He gives genuinely good advice and honestly he is like your personal styler and this point.
i dont think you even need to go shopping cuz he gifts you so many dresses and for home wear- his tshits exist?? why would be need sleepwear? why??
but its fun and I get it , sometimes even the perfect man forgets to buy something for his gf. He does keep track of whatever is about to finish, so idk honestly.
Maybe he drags you to go shopping, let him "spoil you" as if he doesn't do that enough already. Or if there's a gala and the 100 dresses in your closet arent enough?
um dressing room sex? yes sorry but yes. Honestly you probably will get jealous of hot seeing dick but dw if you don't initiate, dick totally will.
Mostly fancy ish stores, but unlike bruce he does shop as excitedly at smaller shows( you can find great deals there and really good fits)
Grocery shopping is so cute, he holds the cart and gets all the important stuff while you run around putting sweets and chocolates and while he might say "20 bags of chocolates may be a bit much sweetie, they'll go bad" he doesn't mean it. He is just teasing, and you know that so you play along with a pretty please and big pleading eyes. Thats all he wanted tbh, that and to pull your cheeks.
On the other hand if you look at a snack but don't buy it because you don't want to be excessive , he puts 5 of each in the basket without you noticing. you just notice when they show up in your cabinets .
Will need you next to him or in his eyeview, don't you dare run too far otherwise he will joke about tying you to him( actually considers it)
Will hold all bags and when you offer, he just gives you his hand and tells you that you have the responsibility to make sure not to drop his hand.
All smiles and excitement. Will want coffee afterward or during and will happily try out now boba places or anything cute you wanna have.
Will die if you guys share a piece of cake in a cute cafe..like that is so fricking cute, sharing a drink and a cake and omg he lives for it.
He genuinely enjoyed shopping with you and out of all batboys he is probably the only one that would enjoy it (maybe tim in certain cases) In the end, he got to spend time, compliment and dote on the love of his life..what more can he ask for?
lowkey wanna do all batboys now..maybe if I get time after the requests..i love grocery shopping too. the big American stores- literally dreamed of them growing up. the first time I went to America I just ran around the grocery shop( thebig ones) with my brother and it was so much fun.
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maxsix · 6 months
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gremlingottoosilly · 8 months
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Moo business (monster!Konig x CowHybrid!fem!Reader)
Promotion to colonel has its perks. Having your own caretaker with fluffy cow years and a nice pair of...additions is one of them - and Konig is about to enjoy his new rank.
Content warning: Hybrids, Konig is a huge pervert, naive cow hybrid reader, slight dub-con, power imbalance, and inappropriate work behavior, lactation kink. Implied big chested!Reader
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Humans have learned to live with monsters. Obviously, having dangerous, much more powerful neighbors in this tiny green planet, didn’t allow humans to actually thrive and succeed – the power dynamics were shifted ever since the first monster decided, that wearing a collar and identification badge doesn’t really go with their style. And humans would be much more suited to wear it. 
Unfortunately, monsters aren’t created equal – while most of them are killing machines with little to no regard to the danger of real life, there are some particularly fragile hybrids with no use in fights or even normal life. House cat hybrid girls, almost no claws and all purring and laying on their backs to let humans and other monsters pet their bellies. Sheep hybrids, all fluff and tiny, rounded horns that would never hurt anyone. Cow hybrids, adorable and silly, no use in the fights except for moral support. 
Which is exactly why König was fucking pissed. 
— G…good evening, sir. I will be your assistant for the day. I mean, every day. As long as you’re having me. 
You smile nervously, munching on your lips. When the only way up the social ladder was working in the army as an…assistant? Moral support? Waving your nurse training like you’d be able to safely secure a monster’s health when he is twice as big as you? 
Being a colonel in the army has its perks – better gear, better paycheck, better chunks of meat that he can bite off the enemies without higher-ups whining about war crimes and rules of war. Having a cute lil’ assistant with fluffy ears and a chest that physically can’t fit into the uniform, forcing you to wear permanent cleavage and just let a bit of chubbiness roll on the tight fabric is also a perk. For a pervert, maybe, but not for König who is already sworn to never deal with anyone who is this sensitive, this soft, and this…adorable. 
He thought he was quite certain in his wishes – if higher-ups really need for him to take a fuck toy, he wanted it to be resilient. Maybe a dog hybrid, maybe a vampire, just weak and hungry enough to overpower with little fights. Not someone like you, who has no idea what she is doing in the army and why her hands are trembling like he is going to devour you alive. Although, looking at the way your chest is swaying every time you flinch…maybe, he can do just that. Teach higher-ups a lesson on why he doesn’t need their handouts. 
— Dismissed. 
He doesn’t even look at you. Honestly, you’re a bit hurt – honestly, you almost want to yell at him or scream or tell all of your higher-ups that the colonel is a huge jerk who clearly doesn’t need a little cow darling to make him coffee and tend to his needs and be a huge moral support because they can’t take another fucked out recruit when the dangerous hybrid is in heat again. You feel like a glorified whore – the one that he doesn’t even want. 
— B…but…
You pout your lips, a billion questions raised in your mind – why is he like this, what is his deal and you should even look at him if he clearly doesn’t want you…and that look on your face, helplessness mixed with a bit of deliciously sweet anger, combined with your soft, doe features…
Colonel has a problem. 
He thought he knew what he wanted – a strong partner, someone resilient and fiery, someone who can take his cock anywhere without whining. Someone who wouldn’t require a lot of attention and softness, someone who knows their place. Now König looks at you, your floppy ears and trembling lips, and his gaze darts lower, his nose getting milk fragrances even under all of those layers of fabric. 
It doesn’t take a genius to know why they sent you. He doesn’t need a secretary, he doesn’t need an assistant and even if he needs help with something, there are always lower ranks ready to do whatever he says. You’re useless to him, on all levels he can imagine – and yet, he can’t find it in him, to truly dismiss you. To hate your trembling lips and obedient stare – no thought behind those pretty eyes of yours. He always thought he wanted someone strong, someone who is hard to break and resilient to any advances. 
He looks at you and, for the first time in forever, has this wild urge to protect. 
— Sir? Is everything alright? 
You tilt your head to the side, that naive stare you has makes his cock twitch in his pants. It was a long time since he had sex with anyone, especially that adorable. Some hybrids look like they are made to be fucked and loved and used in all of those delicious ways – he knows it’s problematic, he knows that having that view on fellow monsters isn’t right for someone as strong as him, but he wants to devour you. Wants to see that pretty eyes wide from desire – he knows you’d feel the urge too, it’s in your blood, to present your soft belly and even softer tits to a larger predator. 
Indulging on you would mean giving up on his attempts of constantly undermining the higher-ups – it would also mean that he would finally receive a partner for the extensive mating seasons that clash with his work and make his skilling rate go up – and not just for the enemies. Private Halseen, you will be missed. Your ass probably wouldn’t. 
— I thought you’d heard me the first time. 
— But I brought coffee.
— They make coffee machines in cows now? 
— Sir! I was just trying to…break the ice? I’m your new operator, or, um, assistant, I have nurse training, and I…
— What are you going to do with an injury? Lick it away? 
— M…my saliva has healing properties, so…
— They really sent me a magic cow, ja? 
— That’s a very…special way to put it, colonel.
You are surprisingly stubborn for someone who isn’t a confident killing machine. You balance the little tray with a cup of coffee – a big one, seems like you did your homework on that one – and he can’t help but imagine your hands gripping something else this tightly. Your body is trembling, your face switches between a sad and a surprised expression as he slowly emerges from his table to get a good look at you. 
You’re a cow hybrid – they are naturally adorable, naturally soft, and naturally made for someone like him to tower over. He is good over 7 foot, even in mostly human form, and his monster height would be almost twice your size – he'd love to take you like this, raw, bully his giant cock into your, no doubt, tight pussy, and make you squeal from the stretch. Maybe, he can help you with milk production – put another hybrid into you, make your belly swell from his cum. Keep you locked away in his room like a perfect little treat, using your soft body as a perfect pillow. 
He can’t help but lick his lips in anticipation – saliva collecting in his mouth as the thinks of all the ways he can use such a pretty secretary. There is no way you don’t know why they sent you here – no way you think that your self-worth is something more than being his obedient pet, beloved toy. König never thought of settling down, the bloodshed is his one and only partner – but he looks at your rounded horns, at your twitching ears and pouty lips – and he thinks about putting his earring right into your floppy ear. lick away all the blood and calm you down as you’d squirm under the pain, soothe your panicking cow brain as he would bully his cock even deeper, claiming you as…
Ah, shit. You’re still here, waiting for his answer – your eyes are shocked and afraid, anticipated a little bit because of course you’re aroused, his pheromones are too overwhelming for a thing like you – you stare at the bulge in his pants, at nis, no doubt, hard cock – and he can almost see gears in your head turning slowly. God, you’re adorable. 
— You forgot the milk. 
— Sergeant Horangi didn’t say anything about milk. 
So, Horangi was the one to set you up. Of course, tiger shifter probably got his hots on you – pretty prey, perfect for every hunter nearby, but, just as a good officer, he let you go to his colonel first. You talk back with a surprisingly fierce tone and König appreciates the way his mask covers up his whole face – you couldn’t see his smile, the way corners of his mouth jerked up at your pout. Continue like this, and the colonel will do more than just smile at your antics. 
— Probably because he knew that our milk is shitty. 
— If…if you need me to bring you something else, I will do it right away, sir. 
— No need, Kuhen. I think you have what I need right here. 
His cock twitches in his pants again – your eyes are locked on his bulge, you slowly push the tray to the table. You’re naive, you’re cute, and he knows that KorTac probably pays you triple for being this adorable and playing dumb like the good girl you are – bastards probably know that if you’d be upfront and pushy, he would just set you away from his office. 
But standing here, munching on your lower lip, your soft, pink tongue disappearing in your mouth only to reaper to lick your lips again, your face not ever betraying the emotions you, no doubt, are feeling – König can smell your arousal, can almost see the way your pussy is glittering with juices flowing right into your soaked panties. They send a lamb – a cow – to his chambers and they know that he would never resist a good hunt. You allow him to cut through the chase, to just pin you to his desk and take what’s his – but anxiety, that stupid fucking worm eating his brain over the tiniest facts, is making him question everything again. He knows he thinks too much, he knows it’s not going to do him any good – still, he wants to be sure that you’re not too dumb to understand his advances. Still, he wants to play a bit more. Delay the moment of sex because his doubt can eat him alive otherwise. 
— Take off your shirt, Schatzen. 
He doesn’t even look at your chest, bouncing from the tight shirt you were wearing – poor buttons holding on for dear life, barely containing your soft flesh – he drinks up your expressions, embarrassment, and poorly hidden curiosity. You saw the job requirements for an operator, saw his profile – high risks, high aggression, can be very, very violent – and you decided that you can take him, for the right pay. 
— You want me to…take off something else, sir?
A smart girl would run the fuck away from him – but you just lock your hands in front of you, not even bothering to cover your chest. God, he wants to be with you forever – just for that little look on your face your nervousness. You’re standing in front of him, only wearing pants and your bra – and you’re afraid that he isn’t going to like what he sees. 
Just for this expression, he might as well push a ring on your finger already. 
— Ja. Bra is next. 
You nod like you expected this. You probably did – for a prey hybrid, you’re surprisingly smart in understanding what he needs. Your bra is lacy and cute, white, with little flat roses printed – surely not something he expected from military personnel, even if your duties are laying in under him, not with your belly in trenches and your cute hands squeezing the trigger. 
Your breasts look even bigger without a bra to keep them close. You place a hand under your chest, feeling a bit awkward with your colonel just standing here, looming over your form. You lick your lips – he cocks his head closer to you. You can hear something shifting under his hood – you don’t know what his face looks like, rumors were opting for either a bunch of tentacles tucked neatly inside of his hood, the head of some mythical animal, or a normal, but disfigured and burned human face. You don’t know which option you prefer – even the files you were reading before choosing this job didn’t give you an answer. There is something stirring inside of you when you’re thinking about tentacles, though. 
— Braves Mädchen…good girl. 
You smile, feeling the knot in your tummy getting even tighter at the praise. You like him – despite his rough exterior and the obvious arousal, you like being liked, wanted, and devoured by a much stronger predator. Not having any supernatural powers, your only survival option in this world is to appease the strongest – and it looks like you just got a really juicy target. 
Suddenly, König grabs your waist and lifts you to his table – documents go flying around and you put a bit more, thinking of how long it would take to put everything back together. He doesn’t care for your concerns – the next thing you know, you are pushed ever further into his table, and the colonel lifts the end of his hood just enough to envelop his mouth on one of your nipples. 
— S…sir! Please, a little warning next time…
He laughs, his hands pressing small, sweet bruises into the curve of your waist. His mouth feels cold at first – then he flicks his tongue at your hardened nipple, and it feels like an oven. You moan you squeak, you squirm under him – all those documents and transferring and half a dozen Suits trying to tell you of how dangerous your work is going to be, how unstable and irritated the colonel is, how he is probably going to shoo you from his office the first two weeks – all of this comes flying right out the window. 
— You already think of the next time, Schatzen? 
König never tastes something as sweet, as silky, and smooth as your breasts. There is something deep, primal, wild in the way he sucks and bites at your nipple – he devours the taste of your skin and it feels like he can come to his pants just from the feeling alone. You’re squirming in his grasp, poor thing, probably aren’t used to sensation – he closes his eyes and allows his monster to take over, to take what he wants from you. 
He shifts to your other breasts, warming and cooling them at the same time. He isn’t an expert in that weird kind of massage, but you don’t need an expert in boob sucking when all of your cow instincts telling you to spread your legs and allow him to put babies in you, to breed like the prey you are, to take care of you outside of this stupid job. You’re terrified that his sharp teeth can draw blood and arouse at the way his tongue clicks at your nipples so perfectly, so naturally, like he was doing it his whole life. 
You moan, whispering little begs and praying to deaf ears. Your hands are going to hig his neck, to just kind put your fingers on his hood and just keep it here, not daring to try and direct the movements of his tongue. All of those days of constant preparing for the worst, long nights of studying the psychology of hunters, of predator hybrids, didn’t leave you much time to milk yourself in the past week – you might just be a hybrid, but it doesn’t release you from the endless burden of constant lactation. 
— S…so embarrassing…please, sir, we need to stop or I will…
— Ja, meine Kuh? Did you want to say something to your colonel? 
— Please, I’m going to…fuck, this is embarrassing…
— Language. 
He closes his teeth on your tender bud, making you moan his name – his callsign – loudly. He grunts from satisfaction, finally tasting sweet milk pouring from his body – might be the only thing that makes cow hybrids useful for someone as strong as him. 
Your milk is sweet, rich, and creamy, and your little cries only make it tastier. He pushes his tongue deeper, swirls it around your hardened bud, waits for you to moan even more – every inch of your being makes him feel weird, protective, like he already put a baby in that soft tummy of yours and made you his. It’s dumb, you aren’t even connected on the official level – but he sucks your milk ever so passionately, forgetting about every mission trouble he had.
Sucking your tits feels like therapy – giving up all of his powers just to kiss you, to bite you, to drink your milk, and softly massage the flesh until your pussy starts to grind against the round corner of his table. Poor thing, he doesn’t even touch you in any way – you’re too precious for this, and he falls too deeply into your eyes and the swell of your chest. 
— Sir! Pl…please, don’t…if you’d stop, I will…
He drinks your milk swiftly, feels the liquid dripping down his chin – always a messy eater, one of the reasons he used the mask to hide his embarrassment. He can’t look at your face, the angle is too far off for this, and it disappoints him – he wants to drink your pretty expressions, wants to know that he is one to make that pretty cow this slutty. Just a few minutes ago he was ready to get your ass off his office – and now he is changing between two of your round breasts, making sure to not waste a drop. 
Fuck, this is far better than any milk the base kitchen can provide. 
He sucks a little bit more, pressing his tongue against your swollen, abused nipples. You whine at the sensation, poor little hybrid isn’t used to his teeth and his mouth – he’d have to make sure to repeat this procedure every other day, if possible, to get you used to direct milking. He’d have to spend weeks spreading your pretty cunt for him, teaching you how to milk his cock and meowl like a good prey hybrid you are – but he didn’t become colonel because he was afraid of challenges. 
He stops sucking with a little pop, final droplets of milk falling to his lips as he licks it, groaning from pleasure. His stubble made the soft skin around your nipples irritated and you tremble when the cold air hits them – you feel fragile, used, your pussy is twitching around nothing, the pulsation forcing you to grind against the corner of his table like a bitch in heat. 
König made you like this – half-naked, trembling, so fucking horny that you can’t even look at him without dropping to your knees, and it almost made you want to run away. He squeezes your tits again, enveloping the soft mounts in his large, rough hands – you whine a little bit, still all too sensitive after this pleasurable torture he created. 
— How do you feel? 
He sounds…weaker now. Almost embarrassed at his little outburst, he picks up your bra and helps you get dressed – you both want more, to check if his table is really as sturdy as it looks, but König has a training session in 30 minutes and you have König’s training session, standing behind his shoulder and watching him yelling at the recruits. It would be hard to get scared at him again, when every time his cold gaze darts to your face, he softens. When you look at him and can only imagine milk dripping down your chin – your milk, no less. 
— I’m…empty. In a good way, I mean. Thank you, sir.
You feel weird when he gently helps you get into your clothes, his fingers are simply too big for the buttons – he presses his head against your shoulder, trying to concentrate, and you awkwardly hug him for stability. He chuckles. 
— My pleasure, Schatzen. 
You stand here, awkwardly – your neck enveloped with a collar, with his name on it, and he can’t pry his eyes away from it. God, he never knew that being a colonel would allow him such a cutie as a bonus. KorTac didn’t seem like an organization that would give away wives so easily, but König isn’t going to complain. 
He just has to make sure to keep you chained to his table, that’s all. 
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rafeandonlyrafe · 2 months
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tee time
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words: 1.5k
warnings: really really overly fluffy, lots of golf talk that idk if its correct yall im not a golfer, rafe squeezes her butt but its not a sexual fic :), lots of kisses omfgggggg these bitches in LOVE (this is a really boring fic im sorry)
“does this look golf-y enough?” you ask rafe as you pout in the mirror, adjusting your skirt again, feeling like your tennis shoes are out of place when you'd usually be wearing heels or sandals.
“baby, we are just playing for fun. you look cute.” rafe says, glancing at his watch.
“should i do my hair differently? pigtails maybe?” you question, twisting your ponytail around your hand.
“baby…” rafe sighs.
“okay, okay.” you raise your hands up. “im done. sorry.” you giggle as you turn to him, pressing a kiss to his lips, having to bend down to where he's sat on the edge of the bed.
“it's okay, you're excited.” rafe says softly, reaching around you to grab the back of your thighs, fingers moving up to your skirt, squeezing your ass.
“i am excited.” you gleam at him. “me and bianca went to putt putt the other day to practice.”
“you're gonna do great, baby.” rafe gives your ass another squeeze before standing, taking your hand in his and leading you towards the door.
you've been wanting rafe to take you golfing ever since you started your relationship, but usually he'd already have plans with topper or his other country club friends, and you didn't want to intrude.
when rafe offered the other day to let you putt for him, you jumped at the chance.
“im not gonna like, ruin your average right?” you ask as rafe pulls into a parking spot.
“no, baby.” rafe laughs softly. “don't worry.”
“okay.” you smile as he gets out of the truck, rounding it to open the door for you. nobody would ever guess that rafe would be a sweet and caring boyfriend, but he looks at you like you put the stars in the sky, and treats you better than you could have ever imagined.
he takes your hand in his as he leads you towards the golf cart, frowning when he realizes you're squinting in the sunlight.
“stay here.” rafe says, allowing you to sit down on his family cart, his clubs already loaded onto the back.
“okay.” you watch as he goes to the truck, jogging to get back to you as he hands you a pair of sunglasses.
“whose are these?” you ask. they look like your style, but you're certain this isn't a pair you own.
“i saw them one day at the mall and thought you'd like them so i bought them.” rafe shrugs. “figured i could keep them in the truck in case you ever forgot yours.”
“raaaafe.” you coo out, pulling him in for a kiss, which he happily accepts.
“ill let you drive once we get further out on the course.” rafe says, sliding into the driver's seat and turning the cart on before wrapping his arm around your shoulder, willing to drive with just one hand even though it was harder, needing you close to him as you press your side against his.
rafe pulls up to the first tee, waiting for a moment to feel the wind on his face before he turns to look at you, noting the way your ponytail is being blown slightly eastward.
“give me a good luck kiss for this drive, baby.” rafe says.
you pucker your lips and press a smack against his lips before he grabs a club. 
you let out a cheer when rafe hits the ball, but honestly you lost sight of it in the air and even if you watched the whole way, you wouldn't have known if it was good or bad.
“yes.” rafe pumps his fist. “need you out here more often, my good luck charm.” rafe climbs back into the golf cart, taking off towards where his ball landed.
“gonna land this on the green for you, baby.” rafe says with a confident smile, and he does indeed get the ball pretty close to the hole. 
you're not sure if cheering is generally accepted on the golf course, but you can't help but hype your man up.
“alright.” rafe pulls the cart to a stop near the ball. “it's on you, princess.”
you step out of the cart, looking at your options before grabbing what you assume is the putter, only because it looks similar to clubs used for mini golf.
“if you don't make it the first time, that's okay.” rafe says, removing the flag from the hole. “i won't be mad.”
“mkay.” you look at the distance to the hole, no silly obstacles in the way like there was in your practice.
you give it the ball a tap, frowning with disappointment when it stops rolling only a foot away from the hole.
“that was actually so good!” rafe says, a smile on his face. “just a little more power and it would have been in for sure.”
you nod, taking a breath before lining up your next shot, letting out a scream and jump in the air as the ball falls into the hole.
“that's par, baby!” rafe wraps his arms around your waist, twirling you around.
“oh my god, we crushed that!” you cheer. 
rafe sets you down carefully, but not before pressing a kiss against your lips.
“wanna drive us to the next tee?” he asks, laughing when you enthusiastically nod. rafe drives you literally everywhere, so you haven't been behind the wheel of anything in months.
rafe retrieves the ball and places the flag back in the hole before getting into the passenger side, a smile on his face as you stick your tongue barely out between your lips in concentration. 
rafe loves the look on your face so much that he insists you drive for the rest of the holes. you're tired by the time you reach the last hole, but don't wanna disappoint rafe by not putting.
“you okay, princess?” rafe asks, running his hand over your ponytail, smoothing it down comfortingly.
“mhm.” you nod, but rafe can see that you're getting sleepy, no doubt ready to go home and take a nap.
“how about we do this putt together, yeah?” he asks.
“yes, please.” you pout out your lower lip, rafe leaning forward to capture it between his teeth, tugging it gently before releasing and kissing you.
rafe stands, moving slowly as you get yourself in position before coming behind you, wrapping his arms around your body to grip onto the stick over your hands. he controls the swing and you watch, your back pressed up against his chest, as it falls into the hole.
“perfect job, baby.” rafe says, snuggling into your shoulder, giving your neck a quick kiss before allowing you to go back to sitting on the cart. you slide over to the passenger seat as rafe returns.
he chuckles gently before driving you back towards the clubhouse, thumb gently stroking against your upper arm as you lean against him, tucked into his side.
“someone is sleepy.” rafe says.
you let out a yawn. “it's not my fault you like to golf early in the day. why can't tee time be after like noon or something?”
“i usually golf at this time because you're still asleep and i don't like to be away from you.” rafe says, parking the cart and leaving it to be put properly away by the workers, needing to get you back home and in bed.
the sun has been covered by clouds, so when you climb back into rafes truck, you take your sunglasses off and place them in the center console for next time you forget yours.
you struggle to keep your eyes open for the short drive back to tanneyhill, not wanting to fall asleep in the truck. you know rafe will drive around aimlessly to not disturb your nap, even if he's tired himself. one time he drove around for an entire night just because he said you looked so peaceful sleeping he couldn't bare to move you.
“home, darling.” rafe says, yours eyes fluttering open, not having gone fully asleep yet but the soothing driving by rafe and hum of the engine had your eyelids drooping.
rafe carries you inside and up the stairs, getting out a pair of pajamas for you to change into despite it being midday.
“how long do you expect me to nap for?” you giggle, changing quickly with the last bit of energy you have left.
you sit down on the bed, knowing you should take your ponytail out and brush through your hair, but your arms don't feel like lifting.
you don't even need to ask rafe before he's moving, carefully taking out your elastic before grabbing the brush off your vanity that he set up in his room not long after you started dating.
he brushes gently through your hair, getting out any tangles that accumulated throughout the golf trip.
you crawl up the bed as rafe changes into a pair of sweatpants, going without a shirt as he sees your eyes closing, struggling to stay awake until he's in next to you.
you snuggle instantly into his chest the second hes underneath the covers, sighing happily when you feel his warmth.
“goodnight, princess.” rafe kisses the top of your head. “i love you.”
with your last waking moment, you manage to mutter those three words back to him.
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rs-hawk · 2 months
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do you have any tentacle stuff? im thinking maybe an ursula-style octopus merman bf
I don’t have anything tentacle like that but it does sound interesting so-
You always loved the beach so when you were able to book an Air BNB with a private beach, you were ecstatic. Finally you could relax on the sandy ground without anyone bothering you or worrying about having to move.
As you settled onto your towel with nothing on (because everyone hates tan lines, right?), you didn’t notice the curious eyes watching you from the deep waters. When you slipped a swimsuit on, just in case, and plunged into the cool waves, you didn’t realize that there was something just out of sight with his hungry gaze fixed on you. That would change the next day, however.
The next morning, you took off at dawn to the beach. You set everything up, eagerly waiting for the sun to finish rising. In awe, you watched the sunrise the same way that the creature that was creeping up from the depths was watching you. As soon as you’re in the water, tentacles were wrapping around your ankles, your waist. Puckers leaving soft pink marks all over your skin.
“Oh!” you squeak, lifting your legs to look what’s all over you. You gently touch the tentacle around your waist, confused but curious. “What’s this then?”
“Hello,” the octo-man said as he slowly broke the water’s surface. It seemed like he was nervous.
“Hello,” you echoed, looking at him with a tilted head.
He reached out to touch you, and a chill snaked down your back. His hand felt so squishy but also velvety. Kind of like the tentacles. In seconds, his lips were on yours, his tongue pushing into your mouth as if staking a claim.
Your body reacted on its own, curling into his, wrapping your arms around him. In seconds, he dragged you to a small partially underwater cave just a little ways off the shore. The merman set you on a shelf of the cave, leaving you only up to your knees in the water.
“My little trinket,” he muttered as he began to tease your cunt over your swimsuit bottom.
You whimpered softly, bucking your hips slightly against the sucker that was now attached to your clit with only the thin fabric between. He smirked at your obvious need. The tentacle itches away from you before another joined it to strip your bottoms. Your cunt was already getting slick, much to his excitement. His tentacles wrapped around your body, teasing you, prodding you.
Suckers found your sensitive nipples, and another found it’s way back to your clit, making you cry out in pleasure. Your cunt was throbbing, nearly dripping. “Fuck,” you moaned, arching more against his tentacles.
That was all it took for him. His largest tentacle began to push into your cunt, stretching you wide. You whimpered and moaned as he slowly stretched you out, your cunt gripping it as each inch pushed deeper and deeper into you. Another pushed into your mouth, down your throat. You gagged as you were stretched to what you thought was your limit. Then, your lover, his eyes half lidded as he groped and touched your soft human body, began to lift you slightly. His six other tentacles wrapped around you, helping lift you off the shelf. You didn’t think much of it, blissed out and on the edge of orgasm.
Just as suddenly as he lifted you, he unwound one of his tentacles from your waist, pushing it inside of your ass. You cried out against the tentacle in your mouth, but barely anything came out. He laid you down, unwinding another tentacle and shoving it into your already stretched cunt. Soon enough none where holding you as you were laid out on the shelf, your feet only in the water. A sucker was back on your clit, teasing you until you finally pulsed around the tentacles inside of you, drawing them in closer.
“There we go. That’s a good trinket,” he huffed, his sloppy kisses lining your neck.
He pushed his largest tentacle so deeply inside of you that you were certain it was in your womb. A bulge in your stomach seemed to confirm it. He panted as he came, the hot liquid a stark contrast to how cool he felt. Your eyes rolled back in your head, pathetic little whines pushing against the tentacle in your mouth.
The largest tentacle withdrew, dribbling a white liquid. However, the smaller one stayed inside, as if keeping you plugged. The tentacle in your mouth finally let you breath, withdrawing to lazily wrap around your chest. The only one actively thrusting into you now was the one in your ass, slowly and deliberately timing the thrusts to the sucking of the sucker still on your clit.
You don’t know how long you lay there, moaning and begging the merman to keep going, but by the time his cum is leaking out of you and multiple loads have been dumped into your little human womb, it’s sunrise again.
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brodieland · 3 months
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.˚ 𓈒 ࣪.𝝑𝝔 Love the guys your dad hates !! ´ˎ˗
Percy Jackson x fem!dionysus!reader Synopsis: a daughter of Dionysus needs a break from the chaos by the water, till a Poseidon boy comes and spoils the quiet. Word count: 1610
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Dionysus, the god of wine, vegetation, fertility, pleasure and insanity.
Y/N Y/L/N, daughter of Dionysus. Being his daughter didn't just make you a half-blood to one of the twelve Olympians, along with his powers of vegetation the insanity trait also followed through with it. Maybe you weren't fully demented, just slightly nutty. Your brain moves a million miles a minute and sometimes its hard to think with so many things happening around you. So every now and then, you sneak away from the hundreds of kids at camp half-blood and make your way to a clearing deep in the middle of the forest. In the middle of this clearing was a beautifully clear blue lake surrounded by an immense amount of greenery and flowers. It was perfect. And the best thing about it was that no one knew where it was.
Or so you thought.
After a long day of helping younger campers with their archery, you were absolutely wiped. When you were finally done with your duties, you rushed back to your cabin, changed into your favorite wine colored two-piece(very on brand), and quickly snuck off without being noticed down to your spot. The lake.
Arriving as quick as you could, you slipped off your clothes down to your bathing suit and made your way into the water. You laid and floated to the top, starfish style, and floated your way to the middle of the pool of water and closed your eyes to relax. After a few minutes you sank down and let the water take you. Complete silence. Under the water was complete silence and you loved it. After a few moments you needed oxygen and made you way back up. After breaking through the surface of the water, you noticed a blurred figure standing by your clothes, looking as if they were inspecting them.
"What the hell" you thought to yourself. You were convinced no one knew of your spot.
You dove back underwater and made your way to the lakeside where this mystery person, and your clothes, were located. When you got there, that's when you shot out the water, asking what they were doing and scaring them in the process.
"WOAH" said the figure as they jumped and dropped your clothes back down to the ground. You rubbed the water from your eyes and that's when you realized, this wasn't just some random person. It was a certain big three kid you may or may not have had your eye on. Specifically a Poseidon boy, or the only Poseidon boy in fact, Percy Jackson.
You wouldn't say you guys are the closest of close, but you guys would talk every now and then. As much as the both of you wanted to be able to talk more, being the daughter of Dionysus made that a little hard. Your dad was never a big Percy fan the way you were, I guess that happens when you smart-mouth a god of wine, and refuse him some wine. Though you found the interaction funny, Dionysus never really cared for any campers other than his own kids. It is what it is though.
"Oh, um, my bad didn't mean to scare you.. like that" you were a little nervous, he was really cute. "So um, what are doing here. I didn't think anyone else knew of this place.."
"Well, I noticed your always disappearing after you finish your camp jobs and stuff, you know? So, I got curious and followed you out here to see what you were doing, sorry if that's kinda weird" Percy started rambling, but the thought of him actually noticing you weren't around and following you wanting to know where you go, made you feel excited.
"Wow, you were curious about me, that's adorable" you started giggling as you said this, amused with yourself.
"Well, yeah I, uh, was" while he was talking Percy was stuttering and looking around, clearly hot in the face. Yours was just as hot though so not much room to talk. That's when you got an idea, and with that you extended your hand toward Percy.
"Here, help me get out" you asked.
"Oh sure" he happily reached out and grabbed your hand, that's when you held on tight and pulled him into the lake with you. You started laughing so hard your stomach started hurting, and if you looked down and saw a six-pack you wouldn't have been shocked.
After a few seconds, Percy emerged and looked at you wide eyed. "DUDE, MY CLOTHES" right, he was fully clothed, whoops!
"Your in shorts, just throw your other stuff back to the shore and you'll be fine" and that's what he did. You tried not to stare so instead you just splashed him and swam off laughing.
And that's how the next few hours went by, swimming and goofing around with Percy. You really liked hanging out with him and he enjoyed it just the same. Sucks your dad didn't like him. And before you two realized it, it got dark, and therefore late.
"Oh my gods, Percy we have to get back before curfew we have to hurry" you hated getting in trouble, you liked being able to stay off radar.
"Oh come on, we'll be fine if we're a little late" Percy said.
"Maybe for you, but I don't know if you remember, my dad kind of works here, so he'd punish me himself. Plus, he's not your biggest fan" you explained to Percy in a matter-a-fact tone. That's when he gave in and the two of you started running back clothes in hand. You guys made it back just about a minute or two late. Despite being past curfew, he still walked you back to your cabin, what a gentleman.
"Hey, thanks for walking me back" you said as you both walked up to the cabin door, stopping and turning to each other.
"Oh of course, no problem" Percy smiled, clearly not a care in the world if a harpie found him here. And funnily enough, that made you happy. Dare you say, you had butterflies in your stomach just standing near him the way the both of you were at that very moment.
That's when the both of you started leaning in closer and closer till your lips finally connected. It was like a dream come true, this was a perfect moment not even your dad could've ruined. Or so you thought, because as Percy pulled you closer by the waist and you pulled him in by the neck, your cabin doors swung open.
"Hey, there kids" Dionysus shouted, despite the smile on his lips, his eyes had a murderous intent behind them as he stared at Percy. The both of you jumped back and separated, standing there embarrassed. Then, Dionysus turned directly to Percy, with the same smile and crazed look in his eyes. "I'm gonna give you a ten second head start, after those ten seconds are up, I'm sending my grape vines your way. And if they catch you, they will wrap around you and you will get hung upside on the nearest tree and I will leave you there for everyone to see."
And without a second thought Percy ran for his cabin as fast as possible, looking back once to shout a 'see you later' at Y/N. "NO YOU WON'T" shouted back Dionysus.
"YES YOU WILL" you shouted and waved at Percy as he kept running. You couldn't see it, but he had a giant grin on face when you said that.
"Dad did you really have to do that" you turned to your dad and asked, with slight annoyance dripping from your voice.
"Of course I did, your my kid. And really Peter Johnson? You went out on a secret date with Peter Johnson?" Dionysus questioned.
Your face got hot when he said date. "Hey, it wasn't a da- wait, how do you know about that" you looked a him with a raised eyebrow.
"Heard about it from the grapevine" with that he patted your head as you both said your goodnights.
You walked into your cabin and changed and started getting ready to sleep. As you were now walking towards you bed, you heard a knock at your window. You completely stopped where you standing and turned your head to see your favorite forbidden kid standing right by your window waving at you. You quickly made a b-line and made your way straight to opening your window and speaking to Percy.
"Hey Percy, glad to know my daddy didn't scare you off" you said while making both you and Percy laugh.
"Not even a god, not even one of the twelve Olympians themselves, could ever scare me from you. Which is why I'm here, to see if you want to hang out again tomorrow, but this time as a date?"
Oh my gods, oh my gods, oh my gods, oh my gods. Oh. My. Gods. He just asked you on a date.
"I'd love to go out on a date with you Percy Jackson" you smiled out at the boy standing in front of you and he smiled back.
"That's amazing to hear Y/N Y/L/N" and with that he leaned back in and planted a quick kiss on your lips then made his way running back to his cabin before the harpies, or gods forbid Dionysus, knew he wasn't in his cabin fast asleep.
After watching him run off, you shut the window and made your way back to your bed, having an amazing sleep. All nightmare free, just Percy.
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linkspooky · 15 days
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SHIGARAKI VS. YUBEL: HOW TO SAVE YOUR VILLAIN
The failure of Deku to save Shigaraki isn’t just a tragic conclusion for Shigaraki’s arc, it’s also My Hero Academia failing as a story. When I say the story failed, I mean the story has failed to answer any of the questions it asked its audience. It’s themes, character arcs, everything that communicates the meaning of the story to the audience is no longer clear. 
Saving Shigaraki was the central goal of not only the story itself, but the main character Deku. By failing in its goal you can’t call this a good ending. In order to illustrate why this goal of saving the villain is so important to both Deku’s character and the central idea of MHA, I’m going to provide a positive example in Yu-Gi-Oh GX were the main character Judai successfully saves their villain.  One of these stories fails, and the other succeeds. I will illustrate why under the cut. 
BROKEN THEMES = BROKEN STORY
When artists draw they have to consider things like perspective, anatomy, shading, light, coloring. Drawing has rules, and it’s hard to produce good art without knowing these rules beforehand. If I draw something that has bad anatomy, you can criticize me for that. 
Writing has rules, just like drawing. The rules of storytelling are important because writing is an act of communication. You can write whatever you want, just like how you can draw whatever you want, but if you break the rules the audience won’t understand what you are trying to communicate. 
When I refer to MHA as a broken story, I am referring to the fact that it has broken the rules of storytelling. As this youtuber explains.
“I guess we should first define what broke and broken even means in this context. Has the story turned into an unintelligible mess? Not really. Value judgements aside, the narrative is still functional and fulfills the criteria of being a story. So how can a story that still functions be broken? Maybe to you it cannot. But to me a story that is still functional isn’t enough. What I mean when I say MHA is broken is that it’s lost something crucial. A codifying style of structure, pacing and payoff that until a certain point was the core of its identity.” 
I could launch into a long-winded explanation of what themes are, but for the sake of simplicity I like to define themes in terms of “Ask, and answer.” The author asks a question to the audience, and then by the end of the story provides an answer. The audience is also invited to come up with their own answer which prompts them to think about the story on a deeper level.  The question both MHA and GX are asking both its main characters and the audience is “Can you save the villain?” with the additional complicated question of “Should you save the villain?”  This post will detail how both stories go about answering those two questions, and more importantly why those answers matter for the story. 
With Great Power… You know the rest. 
My Hero Academia and Yu-Gi-Oh Gx are actually similar stories once you get past their superficial differences. MHA is a story with way better worldbuilding, compared to a society where everything revolves around the trading card game, and people go to school to be better at a trading card game. 
However, if you get past that. They are both bildungsroman, stories about the main characters growing up into adults. They both have an academy setting where the goal is for the main character to graduate and enter the adult world. They are both shonen manga. GX is the sequel of Yu-Gi-Oh a manga that ran in Shonen Jump the exact same magazine as MHA.  The biggest point of comparison is their main characters, who both start out as young and naive who are driven by their admiration of heroes. Deku is a fan of All Might who wants to become a hero despite not having a quirk, because he loves All might who saves everyone with a smile. Judai’s entire deck archetype revolves around “Elemental Heroes’ and later “Neo-Spacians” who are all based on popular sentai heroes like ultraman. 
The central arc for both characters is to grow up. Growing up for both of them not only requires figuring out what kind of adult they want to be, but also what kind of hero they want to be. 
Now I’m going to drastically oversimplify what a character arc is. 
A character arc first starts out with the character being wrong. Being wrong is essential because if the character is right from the beginning, then there’s no point in telling the story. A character often holds the wrong idea about the world, or has some sort of flaw that hinders their growth.  The narrative then needs to challenge them on that flaw. It usually sets up some kind of goal or win condition. That flaw gets in the way of a character “winning” or achieving their goal, so they need to fix that flaw first. If their ideals are wrong, then they need to think about what the right ideals are. If they’re too childish, they need to grow up. If they have unhealthy behaviors or coping mechanisms, they need to unlearn it and require better ones. Otherwise, that flaw will keep sabotaging them until the end. 
I’m borrowing the word “win condition” from class1akids here because it’s an incredibly appropriate terminology. Midoriya needs to do “x” in order to win, otherwise this victory doesn’t feel earned. The “x” in this case is usually character development. As I said before, a story where the main character hasn’t changed from beginning to end feels pointless. Especially in Deku’s case, he was already a brave, strong hero who would charge right into battle and defeat the bad guys in chapter one, so him defeating Shigaraki in a fist fight doesn’t represent a change. 
The story sets up not only “What does the hero need to do to win?” but also “How does the hero need to change in order to win?” A character either meets these requirements before the end of the story, or they don’t and usually this results in a negative ending. 
MHA in its first half quite clearly set up both the final conflict of saving the villains, and also that saving the villains is its “win conditions.”  The hero shouldn't be allowed to win without first fixing this flaw.
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From this panel onward the central question Deku is forced to answer shifts from “Am I strong enough to defeat ShigarakI” to “Can I save Shigaraki?” However, much earlier than that All Might goes on to basically set up the win conditions of what makes the ultimate hero as someone who “Saves by winning, and wins by saving.”
All might: You can become the ultimate heroes. Ones who save by winning, and win by saving.
Therefore the story has set it’s criteria for what kind of hero Deku needs to become. If he wins without saving, then he’s failed to become what the series has set up as the Ultimate Hero. 
Shigaraki and Yubel aren’t just narrative obstacles, or boss monsters to be killed like in a video game. They are narrative challenges, which means that the character can’t grow in any way if they don’t answer the challenge presented by the characters. They are villains who actively resist being saved, to provide a challenge for two heroes who define their heroism by saving others. The challenge they pose adds a third question to the story and the main characters. 
"Can I save the villain?"
"Should I save the villain?"
"If I don't save the villain, then can I really call myself a hero?"
In other words the decision they make in saving, or not saving their final antagonist defines what kind of hero they are. In Deku’s case it’s even more critical he defines what hero he wants to be because the MHA is also a generational story, and several of the kids are asked to prove how exactly this generation of heroes is going to surpass the last one. The kids growing physically stronger than the last generation isn’t a satisfactory answer, Deku getting strong enough to punch Shigaraki hard is not a satisfactory answer, because we are reading a story and not watching a boxing match. 
I’m going to focus on the last two questions though for a moment. Many people who argue against saving villains like Shigaraki argue he is a mass murderer and therefore isn’t worthy of salvation. However, the act of saving Shigaraki isn’t a reflection of Shigaraki himself, but rather the kind of hero Deku wants to be. It all boils down to Spiderman. In the opening issue of Spiderman, teenage Peter Parker is bitten by a radioactive spider and suddenly gains super strength, the ability to stick to walls along with other powers. However, being a teenager he uses these powers selfishly at first. He doesn’t feel the obligation to use his powers for other people, and therefore when he sees a robbery happening right in front of him he lets the robber go. However, because he lets the robber go, the robber then attempts to hijack a car and kills his Uncle Ben in the process. If Spiderman had stopped the robber then he might have prevented that from happening. He had the power to stop the robber, but he didn’t feel responsible or obligated to save other people. As a result Uncle Ben dies. It’s not enough to have power, ti’s how you use that power that reflects who you are, therefore: “with great power comes great responsibility.” 
The choice to save Shigaraki actually has little to do with whether or not Shigaraki is redeemable, but rather how Deku chooses to use his power, and what he thinks he is responsible for reflects who Deku is as a person.  Deku himself also clearly outlines how he wants to use his power, that One for All is a power for saving, and not killing. 
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How he uses his power reflects Deku’s ideal in saving others, and therefore if he doesnt use his power to save, then he’s failed to live up to his ideals. It's not whether it's morally right to save a murderer like Shigaraki, but rather the way Deku wants to choose to use his power. It's about whether he feels the responsibility to save others.
Judai explores an incredibly similar arc to Deku. They are basically both asked what kind of responsibilities a hero is supposed to have, which is also a metaphor for growing up to handle the responsibilities of adulthood. As both characters start out with incredibly naive and childish ideas about what a hero is. Therefore realizing what a hero is responsible for is key to them growing as a character.  However, Judai is different from Deku. In some ways he’s more like Bakugo. Judai is a prodigy who’s naturally good at dueling. He doesn’t duel to save others, but rather because duels are fun and he’s good at it. He’s very much like Bakugo, who admired All Might as a hero just as much as Deku did, but admired the fact that he was strong and always won rather than he saved others. 
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However, I would say both Deku and Judai are questioning what a hero is responsible for. They are both asking if they have the responsibility to use their power to save others. If they have to fight for other people, just because they have power. His first big challenge as a character comes from Edo Phoenix, who calls out Judai for not thinking through what it means to be a hero, and what responsibilities heroes carry. Judai duels because he thinks it’s fun. He will show up to duel to help his friends, but that’s because he’s the most powerful person in the group. Even then it’s because he finds fighting strong opponents to be enjoyable. Bakugo will beat up a villain, but for him it’s more about winning then if the action will save someone or not. 
Judai is more often than not pushed into the role of being a hero, he doesn’t play the hero because he’s a particularly selfless person, and he’ll often avoid responsibility if not forced. He has power but no sense of responsibility and the narrative calls them out as a problem. 
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Edo: Can you even fathom that, Judai?
For Judai, he can’t understand the responsibility of being a hero. For Deku, he idealizes heroes so much he can’t understand that there are people out there the heroes have failed to save. These two callouts towards Deku and Judai are discussing similar because they’re both discussing where a hero’s responsibilities lie. Is a hero responsible for saving everyone? Is someone strong like Judai responsible for using their strength to help other people? 
Judai’s arc continues into the third season where he’s not shown to just be naive but ignorant. He’s not just childish, he actively resists growing up because he doesn’t want to take on adult responsibilities. 
THe same way that Deku just decides not to think about whether or not All Might failed to save people in the panels above. However, in Judai's case he's actively called out for his choice to remain ignorant.
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Satou: Now, which one is at fault? Judai: Isn’t it the guy who saw it, but didn’t pick it up. Satou: Not quite. If one is aware of the trash that fell, it may be picked up someday. But there is no possibility fo the unaware one ever picking it up. Judai-kun you are the foolish one unaware of the trash that has fallen. Judai: Are you calling me out for how I am? Satou: Your behavior towards me was atrocious. The worst was attending class only for credit, even if you were there you only slept. Judai: Yeah, I know. I was all bad, but it wasn’t that big a- Satou: It is important. You see, one by one, the students inspired by your attitude were losing their motivation. Now if you were a mediocre duelist, then this would not be an issue. Satou: However, you are the same hero who defeated the three mythic demons. Every single student in the academy admires you. You should have been a model for this academy. Judai: Me, a role model? Are you kidding? I just do whatever I feel like doing. Satou: Great power comes with great responsibility. Yet, as you remain unaware of that, you’ve spread your lethargy and self-indulgence. 
seems like a minor issue, but look how Judai responds to the accusations. “I just do whatever I feel like doing.” Satou is arguing that Judai should pay attention to the influence he has on others because of his power, because how he chooses to use that power affects others. However, Judai chooses to actively not look at the consequences of his actions because he doesn’t want to take on that level of responsibility, and therefore he’s looking away from the trash. 
While it seems like it doesn’t matter in Satou’s specific example, not thinking of the consequences, or how you use your power can have unexpected consequences. Spiderman doesn’t feel like it’s his responsibility to stop a bank robber, and that bank robber shoots his uncle. You could still argue it’s not Spiderman’s responsibility to stop every crime in the world, and I guess no one owes anyone anything from that point of view - but Spiderman failing to act responsibility had the consequence of directly hurting someone else. 
Spiderman has to live with that consequence because it was his own Uncle that was hurt. This is where we really reach the duality of Judai. 
In GX, Judai is, symbolically speaking, The Fool of the Tarot Deck, the Novice Alchemist — a person brimming with infinite potential, yet one who is also supremely ignorant, who walks forward with his eyes closed and often unknowingly causes harm in his great ignorance. In this, he is very much the embodiment of the faults we most commonly associate with teenagers — selfishness, recklessness, shallowness, a lack of dedication or empathy when it’s most needed. Like most people, he has good traits that work to balance out some of the above, but his narrative path through GX ends up being that of the flawed hero undone by his faults — and then that of the atoner, the repentant sinner. In his case, the mistakes of his teenage years are the catalyst for his growth from a boy into a man burdened with duty and purpose.  Judai is someone with infinite potential, with great power, but also ignorant on how he should use that power, and that makes him an incredibly flawed hero who needs to learn how that power should be used. 
Deku similarly exists in a society where heroes deliberately turn a blind eye to the suffering of a certain type of victim. Shigaraki’s speech heavily resmebles Satou’s speech about garbage on the side of the road. 
Shigarali: "For generations you pretended not to see those you coudln't protect and swept their pain under the rug. It's tainted everything you've built."
Deku shares Judai’s ignorance, because he’s not only a part of a system that doesn’t even see trash on the side of the road, but he also worships heroes so much that he’s incapable of criticizing them. If Deku saw the flaws of heroes, but at first didn’t have the courage to speak out, but eventually gained the courage that would be one thing. However, if he doesn’t see the flaws of heroes, then the problem will never be fixed. 
There are also consequences for both Judai and Deku failing to use their powers responsibly. These consequences take the form of the villains who came about because of all of society’s ignorance to the suffering of victims (Shigaraki) and because of the main character’s ignorance to their suffering (Yubel). Shigaraki and Yubel are also explicitly victims that the heroes failed to save, turned into villains who are active threats to the heroes. 
Should I save the villain?
The answer is yes, because the decision to save is reflective of the kind of hero each character wants to be. Each story clearly sets up that Deku and Judai aren’t punisher style heroes who shoot their villains, they are being set up as heroes who save. Deku needs to “save by winning.” As for Judai, a big deal is made of Judai’s admiration for another character Johan who represents a more idealistic kind of hero. Johan unlike Judai is someone who duels with a purpose, something Judai outright says he admires because he’s empty in comparison. 
Judai: Johan what have you been dueling for? See, it’s about fun for me… Well, for the surprise and happiness too. I guess I do do it for the fun. Sorry, I guess I put you on the spot by asking out of nowhere. Johan: What’s this about Judai? Judai: It’s nothing. Johan: I suppose there is one goal I have. Johan: Even if someone doesn’t have the power to see spirits, they can still form a bond with a spirit. That’s why I do it for people like him. [...] Johan: I'll fight for everyone who believes in me, and I'll do it with my Duel Monsters. Judai: I'm jealous you've got feelings like those in you.
Becoming a hero who uses their power to help others isn’t just a goal the story sets for Judai, it’s a goal that Judai sets for himself because of his admiration for Johan. Johan represents the idealistic hero Judai wants to be, but is also held back from because of his personality flaws. Johan represents the kind of heroic ideal that Deku is aspiring to be. 
Johan’s ultimate goal isn’t punishing the wicked, but to use his power to save others. 
Johan: Judai, it was my dream to save everyone through my dueling!
The story sets up the idea that it’s not enough for Judai to simply be strong, he’s also challenged to become a savior who uses his power to help others like Johan. Deku needs to “save by winning” and Judai needs to “Save everyone through his dueling.” However, Johan also adds another condition to what saving means. His idea of saving isn’t to defeat a villain, but rather his dream is to help connect spirits and humans together, even if there are humans who can’t see spirits. Johan doesn’t save people with the power of physical force, but rather the power of human connection. 
Should I save the villain?
Here the answer is "Yes",  because wants to become more like Johan someone who uses their power to help others not just for themselves.  Then we reach the third question
If I don't save the villain, can I really call myself a hero?
It once again comes to power and responsibility. Heroes have great power, and they are responsible in how they use that power, if they use it irresponsibly then there are consequences. Shigaraki wants to destroy hero society, because the heroes irresponsibly use their power to turn a blind eye to everyone’s suffering. 
People suffer when heroes fail to live up to their responsibilities. The entire conflict of season 3 is created by Judai failing to save Yubel. If Judai had helped Yubel when they most needed it, instead of abandoning them, then Yubel would never have been twisted by the light of destruction, would never have attempted to teleport the school to another dimension, would never have attacked all of JUdai’s friends. 
These consequences matter. Deku can turn his eyes away from Shigaraki’s suffering, but let’s say a hero failed to stop a robbery, or rather he didn’t even try, and because of that his mom was shot and died in the street. Would Deku consider the man who failed to stop a bank robbery a hero? When Spiderman let a bank robber go instead of trying to stop him, was he being a hero in that moment? Both the stories and the characters themselves have defined heroes as people who use their powers to save others, therefore if Judai and Yubel fail to save their villains then they can’t be called heroes by the story’s own definition. Now let’s finally return to the question of "Can I save the villain?"
Was there ever someone you couldn’t save?
m going to start with Yu-Gi-Oh Gx as a positive example of how to save your villain. Gx works for two reasons. One, it’s established from the start that Yubel isn’t beyond salvation, and two, it makes it so Judai can’t win without saving Yubel. The conflict of the story does not end until Judai makes the decision to save Yubel.  In some ways the writing is even stronger because Judai is directly responsible for the pain and suffering that Yubel went through that turned them into a villain in the first place. Yubel isn’t just a victim, they’re specifically Judai’s victim. 
Yubel is a duel spirit who is also essentially Judai’s childhood friend. A duel spirit just like the kind that Johan wants to save. During their childhood Yubel got too overprotective of Judai, and started to curse his friends for making him cry or upsetting him in any way. Until everyone Judai’s age started avoiding him and Judai became all alone with only Yubel for company. Judai’s decision was to abandon Yubel at that time. He took the yubel card and shot them into space, hoping that being bathed in space rays will somehow “fix” what was wrong with them. I know that’s silly but just go with it. Judai abandoning Yubel had the unintended consequence of Yubel being subjected to the light of destruction, a corrupting light that subjected Yubel to years of pain. This pain literally takes the form of Yubel burning alive.
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Yubel connected to his dreams called out for Judai every night, only for Judai’s parents to give him surgery that repressed his memories of Yubel causing him to forget them entirely. Yubel then spent the next ten years alone in space, continuously subjected to painful torture, with their cries for help being ignored. 
"I was suffering even as you came to forget about me..."
Yubel is then met with the question of how can Judai treat them this way if they loved him so much? As from Yubel’s perspective, they’ve only ever tried to protect Judai, only for Judai to not only throw them away, but subject them to painful torture and ignore their cries for help. Judai effectively moves on with his life, goes to duel academy, makes friends while Yubel is left to suffer in silence all but forgotten. This is where Judai’s ignorance has serious plot consequences. 
It’s not just the pain that Yubel endured that made them snap. It’s that their pain went ignored. 
Yubel holds out the faint hope that Judai will answer their calls fro help until they finally burn up upon re-entry into earth’s orbit. At which point they’re left as nothing more than a single hand crawling on the ground.  Yubel who cannot fathom why Judai would cause them so much pain, and then forget about them, convinces themselves that Judai must be causing them pain, BECAUSE he loves them.
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But you see, I couldn't possibly forget about you in the time that I've suffered...
Judai is allowed to move on with his life, to make friends, to spend the next ten years doing so while Yubel is subjected to ten years of agony. When they finally escape their painful torment, they see all the friends Judai has made while they’re left alone and forgotten. However, Yubel’s goal isn’t revenge. Rather, it’s to make Judai share and recognize their pain. WHich is why I said it’s not the fact that they were made to suffer, but their suffering is ignored. Yubel’s entire philosophy revolves around the idea that sharing pain is an expression of love, and that they and Judai share their love for each other by hurting each other. 
"That's why I sought to fill all those linked to you, your world, with both sadness and anguish..."
For Yubel, making all of Judai’s friends suffer and Judai themselves suffer is a way of making them and Judai equals again. They want to show “their love” for Judai, but it’s more about forcing Judai to recognize the pain he’s caused them by forcing him through the same pain. Yubel’s philosophy of sharing pain is actually a twisted form of empathy. 
They’re not entirely wrong either, that even people who love each other can cause each other pain, and that if one person is suffering alone in a relationship or the suffering is one-sided then there’s something wrong with that relationship. 
Yubel: I get it now… You weren’t in love, with Echo. Yubel: No.. you may have loved her just enough to clear the conditions in palace for you to control Exodia, but the you didn’t truly love each other. Yubel: You were only unfairly hurting her, while you stayed unharmed. You wouldn’t suffer. You wouldn’t suffer. You wouldn’t be in pain. Amon: What are you getting at? Yubel: I’ve been hurt! I’ve suffered! I’ve been in pain. That’s why I’m making JUdai feel the same things I did! 
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Yubel’s twisted theory of love, is a pretty thinly veiled cry for empathy.
They break out into tears when talking to Amon about the way they’ve hurt and suffered. They clearly state upfront that their goal is for Judai to recognize their love. One of the first things they say to Judai is a plea for Judai to remember them.
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Yubel is presented as a very human character suffering through a lot of pain throughout their entire villai arc, they break down into tears multiple times, they cry out in agony, they're visibly suffering and you see their mental walls begin to break down when Judai denies them any empathy.
Yubel is actually incredibly clear and straightforward about their desire to be saved by Judai. However, Judai doesn’t lift a single finger to help Yubel the entire arc, even though they themselves admit they are directly responsible for Yubel’s suffering but they helped create who they are today. 
Judai plunges into a different dimension and gives up everything to save someone, but it’s Johan, not Yubel they try to save. You have Johan, the perfect friend, and perfect victim that Judai gets obsessed over and will not stop at anything to save, and then you have Yubel, the imperfect victim that is actively harming Judai and all of his friends that Judai chooses to ignore. The whole season Judai only focuses on saving the perfect victim Johan, and this is clearly shown to be a flaw. Judai doesn’t just ignore Yubel to save Johan, he also ignores every single one of his friends. 
Judai only caring about saving Johan, and deliberately ignoring and abandoning the friends who came with him to help, essentially abandoning them the way he did Yubel leads to another consequence. After he abandons them they get captured, rounded up, and actually die and become human sacrifices. 
Losing his friends, causes Judai to snap. Judai becomes the supreme king and decides power is all that matters; he starts killing duel spirits en masse in order to forge the super polymerization card.  Which means being left alone, suffering alone, being abandoned by everyone causes Judai to snap the exact same way that Yubel did. 
In fact Judai is only saved from his darkest moment, because two of his friends sacrifice their lives, trying to get through to him and appeal to his humanity. At that point Judai’s friends could have just chosen to put him down like a mad dog, to punish him for the amount of people he’s killed, but instead they try to save him because of their friendship. 
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I just want to save my friend. That is all.
By the time Judai is facing Yubel in their final fight, Judai doesn’t have the moral highground against Yubel in any way whatsoever. They’ve both lashed out because of the pain they endured and killed countless people in the process of lashing out.  The only real difference between them is that Judai is lucky. He had friends to support him at his lowest point, while Yubel didn’t. Does Judai learn from Jim’s example, and go out of their way to save Yubel the same way they were saved because Yubel is still a friend? Nope, Judai tries to kill Yubel at this point. 
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I made a lot of friends... And they all taught me something… real love is wide enough, large enough and deep enough to fill the universe. Your so-called love is only a conceited delusion.
Like, Judai, sweetie baby honey darling. How was Yubel supposed to make friends when they were floating in the empty void of space?
Judai hasn’t learned, they are still ignorant, and still turn a blind eye to Yubel’s suffering. After all if his love is wide enough, large enough,and deep enough to fill the universe then why don’t thy have any room in their heart whatsoever for empathizing with Yubel?
Judai making friends while Yubel was trapped in space doesn’t make Judai a better person than Yubel, it makes Judai lucky. Judai doesn’t even appreciate that luck, because he treats his friends like garbage. It’s not about whether Yubel is worthy of salvation, because Judai is a mass murderer and his friends still went to great lengths to save them anyway. It’s that Judai doesn’t want to empathize with Yubel, because they still want to remain ignorant and irresponsible. Judai wants to continue playing hero, with a very black and white definition of what a hero is. By this point Judai’s killed lots of people, but if he makes Yubel the villain in the situation, he can keep playing hero. He doesn’t have to look at himself and what he’s done, because blaming everything that happened on Yubel and then putting Yubel down like a mad dog allows Judai to absolve his own guilt. Judai practically ignores Yubel’s cries for help, even when Yubel spells it out for them.
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I couldn't have lived with the heartache unless I felt that I was being loved...
At this point Yubel themselves acknowledges that their love was just a delusion. That it was a coping mechanism, because they couldn’t live with all the pain otherwise. WIthout it they would have just died, which makes Judai unmoved. The implication here is that Judai thinks yes, Yubel should have just died in that crater. It would have been easier for Yubel to die a perfect victim, then for Yubel to crawl out of that crater and go on to hurt other people. While that may be true the same can be said for Judai - it would have been better if Judai died rather than become the Supreme King. His friends could have put him down like a mad dog, you could have even called that justice - but they didn’t. Judai making no attempt to save Yubel isn’t because he thinks it’s morally wrong to save someone who’s killed as many people as Yubel has, or because he thinks he can’t forgive Yubel, it’s because Judai is taking the easy way out. Johan is a nice, easy victim to save, because he’s Judai’s perfect boyfriend, while Yubel is a complex victim that requires Judai to understand their suffering. Even the act of saving Johan isn’t about Johan himself, it’s about the fact that Judai feels guilt over Johan’s disappearance. What Judai wants isn’t really to save a friend, but to stop feeling guilty over that friend. Judai isn’t just disgusted by Yubel’s actions towards his friend, he also wants to avoid the guilt he feels over causing all of Yubel’s suffering, because it requires acknowledging the complex reality that he is both victim and perpretrator in this case, just as Yubel is both victim and perpetrator. 
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So how can an arc where Judai doesn’t try to save Yubel until the last possible minute, be better than an arc where Deku makes it his goal for the final act of the manga to save the crying boy in Shigaraki? 
It’s because the story does not let Judai get away with his continual refusal to empathize with Yubel. Yubel’s entire character revolves around empathy, in the form of sharing pain. As a duel monster, Yubel’s effect is that they are a 0/0 attack monster who is immune to all damage, but when you attack them they deal all the damage back to you. Which means that Yubel will respond to all the pain they feel, by causing you just as much pain in return. Yubel is not a character who can be defeated in a fight, or a duel. In fact they’re the only Yu-Gi-Oh villain who never loses a duel once. The most Judai can do is duel them to a draw, and they draw three times. Yubel wins against everyone else who challenges them.  In a way Yubel is like Shigaraki, the ultimate, unkillable enemy that can’t be done away with violence. Judai’s refusal to empathize with Yubel or attempt communication also makes them worse, every time Yubel is hurt they escalate. THe more Judai hurts them, the more they will hurt in return, it’s a cycle that will never be broken simply by killing Yubel, because Yubel is unkillable. 
Not only that but the story has gone to great lengths to show that saving Yubel is the correct course of action. If Judai doesn’t save Yubel, he’s basically spitting on the selflessness Jim showed in saving him. In fact if he doesn’t save Yubel, Judai is contradicting his own words on what makes a good friend. Sho once asks Judai after witnessing his brother change, what he should do if a person you lov ehas changed into an entirely different person. What if they're a person you don't even recognize any more? A person you don’t even necessarily like anymore? 
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That's why if it were me. I'd probably just be looking after him until the very end, even if I didn't like him. I'd do it cause I think it'd prove that I care about him.
Judai doesn't even say that Sho is obligated to save his brother or morally redeem him, just that he has to keep looking at him instead of turning away or ignoring him.
Judai is being a bad friend, by his own definition. By choosing to deliberately look away from Yubel, Judai’s not living up to his advice for Sho for how you treat people you care about. 
Which is why the resolution for Judai and Yubel’s arc is so important, because it’s done by Judai finally acknowledging Yubel’s pain, and promising to watch over them from now on, words that are followed by the action of physically fusing their souls together so they’ll never be alone again.  Judai doesn’t just say pretty words about how they won’t ignore the crying child inside of Yubel, but instead he makes a sacrifice to save Yubel at risk to themselves to show their words are backed up by actions. Judai says Yubel will never be alone again, and then he commits. 
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"And even if that means I won't exist anymore... I don't care."
Judai has resolved his character arc by this action, because Judai is finally taking on responsibility and that responsibility is watching over Yubel, so the two of them can atone together. Judai even says himself this isn’t an act of sacrifice on his part, but rather him finally accepting adult responsibilities. 
Judai: I wouldn't sacrifice myself for you guys. I'm just going on a journey to grow from a kid into a man.
Judai needed to save Yubel to complete his character arc and grow as a person. If Judai hadn’t saved Yubel, he would have still remained an ignorant child. By learning not to turn a blind eye to Yubel’s pain, and also smacking sacrifices and physically doing something to atone for the way they ignored Yubel up until this point they’ve not only saved Yubel they’ve also done something to address their wrongs. This also continues into the fourth season where Judai’s personal growth results in him learning what kind of hero he wants to be as in Season 4 in order to atone for the spirits that Judai slaughtered, he decides to leave his friends behind and walk the earth with Yubel helping spirits and humans get along with each other. In fact Judai’s final speech as a character isn’t even about how strong he is as a hero, but how weak he is as a person.
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And I put my friends through some rough times. Form that, I figured a few things out... all I can do is believe in them.
The lesson Judai learned is because he’s weak, he needs to empathize and believe in other people the same way that his friends once believed in him when he was at his lowest point. Judai’s not the strongest hero, he’s the weakest one, but that gives him the ability to empathize with people who were lost just like he was, and guide them back from the darkness. 
The story of how Deku became the worst hero.
I’m going to say this right now it might turn out next week that Shigaraki is just fine, and he’ll use the overhaul quirk to reconstruct his body. However, even if that happens Deku has completely failed at his goal of saving Shigaraki for the reasons I’ll illustrate below. In theory, Deku’s arc of saving Shigaraki, and therefore winning by saving should be much easier for the story to accomplish and also much less frustrating to watch. After all, Shigaraki has been around since the beginning of the manga, he’s literally the first villain that Deku faces. He’s also the first villain that Deku talks to, where he brings up the idea that there were some people All Might failed to save. There’s also many intentional parallels between the two characters, the entire manga is about their parallel journeys of becoming the next generation hero and the next generation villain. Shigaraki even directly quotes the line at one point that all he wanted was for someone in his house to tell him he could still be a hero, the same line Deku said in the first chapter was that he wanted his mom to tell him to be a hero instead of apoalogizing to him for being quirkless. 
Not only is the setup for Shigaraki and Deku made obvious (Deku can redeem Shigaraki by telling him that he can still be a hero too), but Deku himself states out loud that he wants to save the crying child inside of Shigaraki. 
Judai runs away from Yubel the whole time, whereas Deku is running towards Shigaraki and actively makes it his goal to understand Shigaraki and continue to see him as a human being rather than a villain.  The story also makes it clear that saving Shigaraki is necessary to saving hero society as a whole. After all Yubel is just Judai’s victim. Whereas Shigaraki is the victim of all of society. He’s the crying child who was ignored. The cycle won’t be broken if heroes continue choosing to ignore people like Shigaraki, because more victims will grow up to replace him. 
Shigaraki: Everything I've witnessed, this whole system you've built has always rejected me. Now I'm ready to reject it. That's why I destroy. That's why I took this power formyself? Simple enough, yeah? I don't care if you don't understand. That's what makes us heroes and villains.
Shigaraki rejects the world because the world continues to reject him. THe solution to this problem is not rejecting Shigaraki, because Shigaraki won’t go away, the system will just continue to reject people like Shigaraki. As long as heroes and villains don’t understand each other, they’ll keep being forced to fight and the conflict won’t end, because hero society is what engineers it’s own villains.
clear as day by the story itself. If the objective of saving Shigaraki is clear, then how exactly did the story fail in this objective? What went wrong? In this case it’s a failure of framing, and breaking the rules of “show don’t tell.” Stories are all about actions and consequences. When a character makes a certain action in a story, the way other characters around them, the world, and whatever consequences that action frames that action in a certain light. It provides context for how we are supposed to interpret that character in that moment. 
For example, when a character does something wrong and another character directly confronts them over what they did wrong, that frames them as in the wrong. The story is criticizing the character for what they did wrong. Context is everything in a story. Stories are just ideas, so they require framing and context to communicate those ideas for the audience. Certain character attributes can be strengths or flaws depending on the context. My go to example is that if you put Othello in Hamlet, the conflict would be resolved in five seconds because Othello’s straightforward personality and determination would have him kill Hamlet’s uncle without questioning things. Whereas, Hamlet constantly questioning and second guessing himself would lead to the worst ending possible. However, if you put Hamlet in Othello, then Hamlet wouldn’t fall prey to Iago’s manipulations, because Othello doubts and questions everything so he wouldn’t believe Iago the way Othello did. 
Hamlet’s contemplative and introverted nature can be a strength in one situation, and a flaw in another. Othello’s tendency to act without thinking things through can be a strength in one situation, and a flaw in another. Context matters, because context tells you how you’re supposed to interpret a certain characters actions, and therefore tells you more about that character. This is why people repeat “Show don’t tell” as the golden rule of storytelling, it’s one thing to say something about a character, it’s another to us the characters actions in the story itself to show them something about the character. 
What’s even worse then breaking the rules of show don’t tell however, is telling the audience one thing, and then going onto show in the narrative something completely different. In that case the narrative becomes muddled and confusing to read. If I the narrator say “Hamlet is someone who overthinks everything” and then in the story Hamlet walks up to his uncle and kills him with no hesitation, then the narrator is straight up unreliable. It becomes impossible to tell as an author what message I’m trying to get across about these characters, because I’m telling you one thing and showing another. 
This is why the writing fails in the second half of My Hero Academia because we are constantly told one thing, but then the story shows something entirely different and sometimes even contradictory to the thing we are being told. 
Judai is a much worse hero than Deku, he always runs away from Yubel, and we’re never directly told that he’s supposed to save Yubel either. However, the narrative is incredibly consistent. Judai’s behavior of running away is consistent with his character. All the other character call Judai selfish for abandoning his friends (and they’re not even talking about Yubel). Judai is never painted in any positive light for his actions, therefore we as the audience understand Judai’s behavior is wrong and he needs to fix it. The narrative makes it clear that Judai needs to grow up, and Judai is never rewarded for his refusal to grow up, he’s ruthlessly chewed out, not by his enemies but also by his own friends. However, the narrative isn’t merciless on him either. Season 3 of GX is dark, but it’s not grimdark. Even when Judai loses his way, he’s still shown love and compassion by those same friends who go to great lengths for his sake. The narrative criticize Judai but it never insists that he’s beyond redemption and needs to be put down like a mad dog. 
The message is very clear, that not only does Judai need to grow up, but he also deserves the chance to grow and change, which is why he should give Yubel a similar chance. In comparison the story sets out this clear narrative arc for Deku of understanding Shigaraki, but it never challenges him for failing to understand Shigaraki. If you listen to what the narrative says, how other characters describe Deku, and what Deku himself says and only read it on a surface level then yes, Deku’s goal is to save Shigaraki. If you analyze actions however, he is in effect just like Judai he never takes any meaningful action or steps towards Shigaraki, nor does he think of what saving Shigaraki might look like or entail. 
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The story describes Deku as someone who is possessed by a drive to save others that eclipses all common understanding, but does the story give us any examples of that behavior?
Judai is characterized as a selfish, irresponsible child, and the story gives us countless examples of his immaturity and how it hurts others. Does the story of MHA do the same for Deku's purported virtues? Let’s run through Deku’s actions, step by step, the actions themselves and how they are framed in order to find any evidence that Deku possesses this drive to save others. Does Deku reflect at all on the question of:
Can Shigaraki be Saved?
Deku leaves on a journey to try to understand villains. When he makes a perfunctory attempt to understand and empathize with Muscle, and Muscle replies that some people are just evil does Deku keep trying to reach his heart? Nope, he just punches him. 
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Well, if he’s failed in his goal of understanding a villain then does the story call him out on his failure? Does Deku face any sort of narrative consequence for that failure? Is he framed negatively for failing to understand Muscle, the same way that Judai is framed for abandoning Yubel? Nope. Deku doesn’t express any frustration at all over is inability to reason with Muscle. There’s also no negative consequence for Deku just choosing to punch muscle, it turns out that there was no reasoning with Muscle and some people are just bad eggs so Deku was right. It’s okay for characters to fail, but if a character fails and it’s not framed by the story as a failure then the writing itself as failed. Why even bother to include this scene in the first place if it doesn’t advance Deku’s character in any way? This scene in spite of showing Deku failing to understand someone actively paints Deku in a positive light, because of how much stronger he is ow that he can OHKO a guy that gave him trouble all the way back in the camp arc.
This scene doesn’t tell anything about Deku as a character, it just makes him look cool. In fact that’s precisely the problem, Deku isn’t adequately challenged as a character, because he’s never allowed to fail. Even when he does obviously fail at the things the narrative set out for him to do, he’s never challenged on those failures, because the priority isn’t to make Deku grow, it’s to make Deku look good.  As I said before, Judai is the hero because he’s the weakest. Deku is the hero because he’s the strongest. Well, next a big flaw on Deku’s part is that he worshippd the same heroes that were making the world corrupt. Heroes like Endeavor who created people like Dabi. So, does Deku take action to either criticize the older generation of heroes, or separate himself from them in order to try to be better than them? Nope, he teams up with them. Not only that, Deku can’t do something as simple as tell Gran Torino out loud about his plans to save Shigaraki. If Deku feels that Shigaraki is worthy of salvation then he should at least try to make an argument here about his ideal of saving others.
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Now here’s the thing, if Deku hadn’t directly looked at the camera and told us he wanted to save Shgiaraki, would we be able to deduce his intentions from his actions? If you took away all of Deku’s internal monologue, and just showed him punching Muscular and saying nothing when Gran Torino says he may have no choice but to kill Shigaraki would anything about Deku’s actions indicate that he wants to save Shigaraki? Let me use avatar the last airbender as a positive example for a moment. People say that Aang’s desire to spare Ozai’s life comes out of left field, but like if you analyze Aang as a character down to their bending, and the way they react in situations they always prefer de-escalation, or taking a third option as opposed to confronting things head on. It’s literally why Toph says Aang has trouble learning earth bending, because as an airbender, he always tries to look for some other way to solve the problem, instead of a direct confrontation with force. As early as season one, Aang tells Zuko someone who has tried to kill him several times that he was friends with someone from the fire nation one hundred years ago and in a different situation they could be friends. Aang’s desire to save the Firelord may not have been told to us until the last possible minute, but Aang’s aversion to violence has always been a part of his character from the beginning. However, Deku never shows any similar aversion to violence. There’s basically no example where he ever tries to de-escalate a situation, or he avoids a conflict by seeking a third option. 
Anyway, let’s move onto the next example. In the confrontation where Lady Nagant fights Deku, when Deku learns the fact that the heroes were employing government hitmen to attack people for uhh… exercising free speech does Deku give any reaction to this information? When Lady Nagant says that Deku is only going to bring back the status quo, does he show her any meaningful evidence that he won’t do that.
Deku’s response is because the world is so grey, he needs to extend a helping hand to others. Which you know what thay could be a response. Deku saying that his response to the corruption of the hero world is that he now understands that society led some people down the wrong path, so his way of addressing the wrongs of that society is lending a helping hand to as many people as possible even people he used to think was irredeemable. 
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I will give Deku the benefit of the doubt, I think this is an acceptable answer. I can’t save everyone, but that’s not going to stop me from trying to save as many people as possible and maybe I can save people who were this society’s victims on the way too.  However, does Deku demonstrate his resolve to extend a helping hand in any meaningful way. 
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Deku is met with an armless, insane Overhaul who’s begging for someone to help heal his father figure in the Yakuza from his coma. This isn’t like Muscular who insists that there’s no helping him, Deku is met face by face with someone asking him for help. Deku’s gotta extend a helping arm whenever he can, because he knows some people were abandoned and led astray by this society… Unless that person is someone he doesn’t like personally. At which point he only helps them on a conditional basis. We are told Deku will save anyone and everyone, but Deku is met face to face with an armless man who is begging for help and Deku’s does nothing to help him. Deku’s not criticized for refusing to help overhaul either, it’s never brought up again. When Deku begins to experience a mental breakdown because of all the people he’s trying to help in the Dark Deku arc, we are told this is the result of Deku trying to save everyone, but we do not see Deku attempting to save a single villain after Muscular and Nagant. 
He exhausts himself beating up villains that AFO sends after him, and only helping innocent civilians. Which would be fine if this arc were about how Deku is running away from his real responsibilities the same way that Judai was running, but that’s not what we’re being told. We are told that this is all part of an arc of Deku learning to understand villains and be a hero.
Deku is asked “Can you save Shigaraki?” by the story, but Deku never at any point has to deliberate on that question. Judai doesn’t deliberate on that question either, but him choosing not to think about things and stay ignorant is the point. 
It’s actually fine to make Deku stagnate as a character. It’s fine to have him take the easy way out by just punching villains and giving up on them after one conversation. It’s fine for him to be empathetic to other people’s suffering, or even self-righteous. It’s fine for him to be ignorant. 
He could be all of those things if it was a part of a narrative teaching him to unlearn his behavior. In fact the narrative might have been better if Deku started out by saying he didn’t want to save Shigaraki, that there was no choice but to kill him, because then at least his actions would be consistent with his words. Then his lack of empathy and his tendency to resort to violently beating up villains instead of avoiding violence would be character flaws he could work on. Deku however, is presented to us as this empathic hero who is always willing to give others a second chance though he never actually sticks his neck out in order to do so. Continuing on with our slow crawl through MHA, one of Deku’s friends is revealed as the traitor. Deku has a heartwarming scene fo saying that Aoyama can still be a hero, but look at his actions. He lets the adults in the room physically tie Aoyama in a straightjacket and imprison him, for the crime of… doing bad things while he was in a hostage situation. Apparently, if a bank teller helps the bank robber by giving them money when the robber has a gun to his head, the swat team should just snipe the bank teller. Not only does he not defend Aoyama against the adults, or stand up for him, or tell the adults they’re wrong to treat Aoyama a clear cut victim who had a gun to his head and was bing held hostage like he’s a villain - he also lets the adults use Aoyama an innocent victim as bait in order to lure out AFO.  Deku tells Aoyama he can still be a hero, but he doesn’t defend Aoyama as a victim of being taken hostage, nor does he stop the adults from further taking advantage of him and throwing him right into danger. Some people are just led the wrong way that’s why they need to be extended a helping hand, but fuck Aoyama I guess. He needs to earn the right to be sympathized with by physically putting his life in danger. 
Deku can’t even go out of his way to save a friend who he’s known for the better part of a year, when that friend is a complex victim forced to do bad things. 
Then Deku and Uraraka have a conversation where they both, kind of ruminate on the idea that maybe the villains are human beings who are worthy of sympathy.
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In fact Uraraka is actively trying to dehumanize Toga by looking at the destroyed city, so she won't have to think of Togaas a person.
The language here is also a major fault of this arc. It focuses far too hard on “forgiveness” over and over again. As I said before, saving Shigaraki isn’t about Shigaraki at all, it’s about Deku, and how he wants to use his power as a hero. Deku has even stated himself that he doesn’t believe that OFA is a power that should be used for killing people. So why does whether Toga or Shigaraki are forgivable or not even matter? It’s the same with Deku refusing Overhaul any sympathy. If he’s so morally opposed to abusers, then why does he work with Endeavor and defend him at every visible opportunity, even in front of his victims? Whether or not Deku can forgive Shigaraki doesn’t matter, because Deku is not the moral arbitrator or right and wrong. In fact Deku doesn’t even have any morals, so how is this a moral debate? Is there any point where Deku gives a clear definition of what he thinks right and wrong is? Does he quot Immanuel Kant to the audience? 
Batman doesn’t kill people, not because he thinks that every last person on earth can be saved, but because Bruce Wayne an incredibly rich white man thinks that maybe he shouldn’t have the authority to decide who lives and who dies. When Bruce doesn’t kill the joker, it doesn’t mean he thinks the Jokers actions are forgivable, it’s because Bruce thinks it’s not his place to determine whether someone has the right to live. 
The whole conflict that MHA presents us is that heroes pick and choose who to save, and only save the ones they deem as innocent. So, how does Deku saying repeatedly they can’t forgive Shigaraki contribute to that theme in any way? In fact by focusing on forgiveness, rather than whether or not he personally has the right to pick and choose who lives and who dies Deku is ignoring the elephant in the room. The question isn’t about whether Shigaraki’s redeemable or if his deeds should ever be forgiven. The question is whether Deku has the right to decide who gets saved and who doesn’t. 
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We are told that Deku as a character is someone who wants to save everyone no matter what, so Deku shouldn’t be focusing on whether or not Shigaraki is worthy of forgiveness, he should be making an idealistic argument like Xavier does in this panel. Why doesn’t Deku talk out loud with Uraraka on how he believes his power is for saving others, and not killing? If he’s meant to represent some idealistic hero, then why doesn’t he even talk about his ideals? Why don’t I as the reader know what those ideals are?
I think Xavier’s ideals of forcing the X-men to provide a good example to the mutant community, in order to try to earn the respect of other human beings is wrong, but at least he has ideals.  He tries to inspire the other people around him to live up to those ideals. The story can criticize him for his ideals and point out how they’re wrong, while it can also uplift parts of his idelogy like where he believes there are no evil mutants. Deku has a chance to do the same to Uraraka, to tell her clearly, “I don’t think we as heroes have the right to pick and choose who we help…?” but he waffles. Not only does he waffle, but this moment is meant to be read as an indication that both Deku and Uraraka are sympathetic individuals who want to save their villains. They are supposed to look good and idealistic here and they don’t. For Deku it just seems like a repeat of his behavior with Overhaul. The only villains that are worthy of sympathy, are the ones that he personally decides are forgivable. 
The story isn’t about whether or not it’s moral to save someone who’s killed as many as Shigaraki has. The story never seriously discusses any sort of complex morality or moral philosophy. Once again to bring up avatar, yes you can argue Aang sparing the life of a war crimminal is bad, but Aang mentions on multiple occasions that he wants to retain the cultural values of the airbending people. Aang has a morality, a consistent morality, it might not be a morality you personally agree with but at least he has one. Deku hates abusers, unless he’s next to Endeavor then he thinks abusers should be given the chance to atone. Deku doesn’t believe that One for All is a power for killing, but he never stands up to any of the adults who are blatantly trying to kill Shigaraki, he doesn’t even express out loud to Uraraka that he doesn’t think heroes have the right to decide who lives and who dies. In fact he’s given the perfect opportunity to, when Hawks kills a villain and it’s broadcast live on the news in font of everyone, but Deku never has anything to say about that. The reason Deku and Uraraka both put such an emphasis on “forgiving” their villains has nothing to do with the story itself. It’s because the author Horikoshi, is afraid that some people will misinterpret his story as saying that he actually thinks that saving a villain like Shigaraki means that he condones mass murder, so he has to have the characters talk about not forgiving Shigaraki. 
Judai doesn’t have any consistent morals either, but once again that’s the point and something the story relentlessly calls him out on.
Cobra: Fortune would never smile on a fool like you who fights while prattling on about enjoying duels.  Cobra: You are certainly a talented duelist. But you have one fatal flaw.  Judai: A fatal flaw? Cobra: Yes, your duels are superficial. Someone who fights with nothing on his shoulders, cannot recover once he loses his enjoyment. What a duelist carries on his shoulders will become the power that supports him when he's up against the wall! Cobra: But you have nothing like that! Those who go through life without anything like that cannot possibly seize victory.  Cobra: But I know that nothing I say will resonate with you... because you have nothing to lose but the match.  Judai: I...  Cobra: Afraid aren't you? Right now, you have nothing to support you. 
Judai’s regularly called out for his superficiality. Judai is only a hero because he’s strong and wins fight, he doesn’t feel any responsibility towards other people, and in fact he loathes having to feel responsible for others. Judai isn’t just naive, he deliberately chooses to remain ignorant. Since he’s ignorant of his own faults, he makes awful decisions when it comes time for him to lead, and his friends die because of choices he made. We are told that Deku doesn’t want to remain ignorant, that he wants to understand villains, but Deku’s actual actions are him continuing to ignore society’s ills and the suffering of victims. In fact if you take away Deku’s internal monologue and the narration, Deku’s actions almost exactly mirror Judai’s.
Deku is just as superficial as Judai, and he also doesn't want to spend any time thinking about what kind of hero he wants to be, but the narrative never punishes him for it.
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Judai is asked what burdens he has to bear and he has to meaningfull answer that question, Deku is allowed to get away with not having to think about anything. Deku remains superficial. Both Judai and Deku spend the entire arc running away from their villain rather than confronting them in any meaningful way. They both never express out loud any sympathy for their villain, or try to empathize. THey both never step down from the role of hero, and only confront their villain as a hero, because they don’t want to think about themselves as complicit or in the wrong. Shigaraki and Deku’s final confrontation mirrors Judai and Yubel’s but without the same clear framing. THe entire time Yubel is trying to get Judai to empathize with them, and Judai only responds with physical violence, because they don’t want to stop being the hero and because they can’t see Yubel as anything other than the villain.  As soon as Deku arrives on the battlefield (by the way everyone else and their mom pointed this out, but Deku who doesn’t think OFA is a power for killing, is completely okay with a plan called the “Sky coffin plan” where every other hero was clearly trying to murder Shigaraki).
When Deku arrives he asks if Shigaraki is still in there, but he doesn’t do anything to try to reach Shigaraki, he jumps right to punching him. In fact he never tries anything besides punching him as hard as possible. How is punching Shigaraki with the force of a thousand suns saving him exactly? How is that different from how he tried to defeat Shigaraki the last war arc, before he saw the image of the crying child that made him want to try a different approach in saving Shigaraki?  In Judai’s final fight with Yubel, it’s made explicitly clear that Judai is not trying to save Yubel, and that’s a fault on his part. In fact Judai gives the traditional “I have friends, and you don’t” speech to Yubel but it’s a subversion of how that speech is usually used. Usually that speech is used to show that the protagonist won because of they valued friendship,while the villain treated their friends poorly and only cared about power. However, it’s ironic in this case because Judai got all of his friends killed. Judai treats his friends like garbage. This speech isn’t used to show that Judai is winning because he values his friends more than Yubel does, it shows that Judai is a hypocrite, playing the hero in this situation where they are just as bad as Yubel. Judai’s not morally superior, he’s just lucky that he has good friends. Friends that were willing to save him. The only connection Yubel has to anyone else, Yubel’s only friend is Judai and Judai is a shit friend. 
In fact, Mirio tries to give a version of the “You don’t have any friends” speech to Shigarkai, only for Shigaraki to get mad and tell Mirio that he does have friends and people he wants to protect. 
This fact is also something that is blatantly ignored by Deku, even though Mirio tells him about it… even though we are told that Deku is trying his best to see the humanity in Shigaraki. 
Judai blatantly admits they’re trying to kill Yubel. Which makes them a worse person, but a better character than Deku, because their actions are clearly framed by the narrative and consistent. 
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On the other hand we are told that Deku doesn’t want to kill Shigaraki, and yet everything Deku does makes it look like he’s just trying to kill Shigaraki and put him out of its misery. If we didn’t have Deku stating out loud that he wants to save Shigaraki and wants to see him as a human, there’d be nothing in his actions to indicate that he’s trying to avoid killing Shigaraki. Deku says he can’t pretend he didn’t see Shigaraki crying, but like, does he ever hesitate to punch Shigaraki, does he ever think that causing Shigaraki more harm is wrong when he’s already suffered so much? Deku says that Shigaraki is a person but does he treat him like a person? Does he try to talk to him like a person? To use avatar again, Aang does talk to Zuko pretty early on. Deku doesn’t even give the classic “We could have been friends under different circumstances” speech. When Shigaraki resists Deku’s attempts to see him as a person or emapthize with him, Deku’s response is to just resort to punching harder. 
Which is in effect the same thing Judai does to Yubel, just kill them as a villain so they don’t hurt anybody else, but framed in an entirely different light. Judai is shown to be ruthless, and cold in his attempt to only settle the conflict with Yubel by violently putting them down. On the other hand we’re being told that Deku is compassionate and empathic while he punches Shigaraki with the force of a thousand suns. 
There’s another eerie similarity between both of these final confrontations. At the climax of the confrontation, both Judai and Deku have a psychic vision where they see events from Yubel and Shigaraki’s childhood. This vision is supposed to help both characters understand the good in the villain they’re facing.
Let’s see the contents of this vision and how the visions change each character. Judai is shown a vision of his past life where Yubel sacrifices their entire body, and even their humanity to go through painful surgery to turn into an ugly dragon, all for the sake of protecting Judai in a previous life. 
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Judai is then forced to witness the good side of Yubel they’ve been ignoring all along to paint them as a villain. Yubel is simultaneously extremely selfish and willing to hurt people Judai cares about, but they’re also extremely selfless and will do anything to protect Judai and have made great sacrifices in the past for Judai’s sake. Deku gives lip service to not ignoring the humanity in Shigaraki, but Judai is literally forced to acknowledge the humanity in Yubel. Not only that, but Judai changes his behavior immediately after learning this new information. After seing the sacrifice that Yubel made for him in the past, Judai responds with a sacrifice of his own. A sacrifice that perfectly mirrors the sacrifice that Yubel once made for him. Yubel gave up their humanity for Judai, so Judai fuses his spirit to Yubel’s, becoming a human / spirit hybrid so Yubel no longer has to be alone. 
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Judai also doesn’t just fuse their soul with Yubel’s in order to stop Yubel from destroying everything, it’s because both of them at this point need to atone together, and Judai is fulfilling his responsibility of watching over his friend until the end to prove that you care about them - as he said to Sho. Judai’s also fulfilling Johan’s dream of helping repair the bonds between spirits and humans, by reconciling with Yubel and repairing their bond. It’s also Judai atoning for his previous behavior of abandoning Yubel, by choosing to stay alongside them as they both atone together. Deku does sacrifice OFA during the fight against Shigaraki, but their sacrifice isn’t to help Shigaraki, but rather doing psychic damage to Shigaraki by using OFA is the only way to defeat them. He transfers OFA in order to break Shigaraki’s brain so he’ll stop reissting and Deku can beat him down. Judai fuses their soul together with Yubel out of empathy and a responsibility they feel to help their friend fater abandoning them, Deku transfers One for All to Shigaraki in order to hurt him and make him easier to punch. It's funny that Deku doesn't travel to Shigaraki's mind to learn more about him, but instead with the specific intent of harming him.
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Once he's inside Shigaraki's mind, he doesn't take time to reflect on how Shigaraki used to stand up for bullied kids, or how he wants to be a hero to villains because no one else will stick up for the outcasts in society. No, he only care about Shigaraki when he takes the form of a child crying for help.
In the aftermath of the psychic vision Deku’s behavior doesn’t change towards Shigaraki in any way either. You could say he sacrificed his own arms in order to try to comfort Shigaraki within the depths of his own mind - but that’s not a real sacrifice either because his arms immediately come back.  When Judai learns about the sacrifice that Yubel made in a previous life towards him, he stops seeing Yubel as an enemy and finds a way to resolve things peacefully between them. When Deku lanterns that Shigaraki’s a victim of All for One, and that his entire life was a lie, when he sees Shigaraki’s suffering first hand does his beavior twoards Shigaraki change in any way? 
When he sees Afo has taken over Shigaraki’s body again, does he try to shout for Shigaraki, to tell Shigaraki to fight from the inside, to reassure Shigaraki that he’s still in there that there’s still good in him? Nope. He just punches Shigaraki some more.
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What Deku needed to tell Shigaraki is so obviously set up by the narrative too. Shigaraki wanted just one person in that house to tell him he could be a hero. Deku wanted his mother to tell him he could be a hero if he was quirkless. Deku sees that Shigaraki started out as a boy who wanted to be a hero, and who was manipulated into being a villain but does he try to appeal to the boy inside of Shigaraki by telling him he can still be a hero? Does he now see the good in Shigaraki? Nope, he just tries to kill him by punching him really hard. 
I purposefully chose the images for the banner of this post, because it shows how differently MHA and GX treated its villains in the end. Yubel is embraced by Judai in the end, Shigaraki evaporates into dust.
"Judai, now that our souls have become one we will never be separated again. I have now been filled with your love and power. Let us fight together, against the wave of light leading this universe to destruction!"
Shigaraki could so easily have been given the love and empathy that Yubel was shown, but instead their life ends with no show of empathy from Deku, and with them dying believing that their long life of tragedy meant nothing in the end. Shigaraki realizes he's a crying kid, but he's never comforted.
Shigaraki: I only stole my body back from Master, and I didn't destroy anything. "In the end, I was just as you said... A crying kid, huh?"
Yubel is embraced and comforted, Shigaraki disintegrates into nothing.
One of these stories is apparently an optimistic story about heroes saving people, but it ends with the lifelong victim being killed in the most nihilistic manner possible, never receiving comfort, and never achieving anything with his long life.
The other story is a silly anime about card games, shows that when people are alone and suffering they can lash out and do terrible things. That all people are weak especially when they're alone, but the solution isn't to abandon them, or condemn them for their faults, but to believe in them and help uplift them the same way that Judai decides to uplift Yubel so they can atone together.
Which is why Deku gets an F in being a hero. Go directly to summer school. Do not pass Go. Do not collect $100. 
481 notes · View notes
yonch · 4 months
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it's been 15 years and you can see better than ever
(design notes under the cut) (there are spoilers)
ok this got really long. here you go
sif:
ditched the cloak. it was collecting dust in their closet until recently, but they realized they don't need to cling to their grief so much anymore. someone else will need it more soon.
ditched the eyepatch. the prosthetic eye is a labor of love designed by isa, as is literally everything else they're wearing.
they cut their bangs finally and started braiding their hair back so it wouldn't obscure their vision as much anymore.
they like darker/tighter clothing and prefer function over form but unfortunately their gay ass boyfriend keeps treating them like a dress up doll so they're stuck wearing waistcoats and a fancy cloak. (they don't mind. it's designed to look like loop.) they keep flowers in their many pockets to give to people.
they're a woodworker in their free time. they don't usually talk about being any sort of savior so he just becomes sif the guy who's really good at carving birthday presents for people and also tags along with isa to charity parties and fundraisers
41 year old 5'1" they/he absolutely zero intention of Changing. bonded to isabeau. they adopted a kid who leo or i might post about some other time i think. her name is estelle.
isa: i'm not taking credit for the design that's by my friend @fembard /@leoweooo. i'll include his design notes
isa dresses mostly for comfort, he doesn't like wearing stuff that might get stained or ruined when he's dyeing clothes or chasing stelle around in the mud or something, all his fashion sense goes into his handiwork
he Changed a few more times over the 15yrs, eventually settled. picked up she/her pronouns again on the side but was never really able to ditch the name isabeau and he kinda ran out of names anyways...
kept the long hair, kept a few inches in height, very happy to fulfill the role of male (space) wife
can't ditch the kimono jacket it's the piece de resistance. odile influence and Wisening Of Age means its made with a little more knowledge of ka buan technique but still very clearly an Isa Design. the fabric is imported silk sif!!!!!!
39 year old Tall with a capital T he/she "i swear i'm not a weeaboo i'm just really into ka buan fashion" vaugardian indie clothing designer in your area help support this man in his attempts to use his family members as living advertisements for his brand
mira: with design input from @jastertown thank you my friend
i took a lot of inspiration for the sparkly, sheer fabric on her dress from euphrasie. she's not head housemaiden yet because she doesn't feel like she's ready but everybody knows it'll be her
speaking of inspiration. she's been taking a lot of fashion cues from a certain lady in dormont that she thought was kind of scary, but it turns out she's very nice? they're besties now.
she got rid of the earrings for a little bit but then she realized she just liked how they look on her. so now they go ding ding! it's for her and nobody else, and that's how she likes it.
moved her ornaments to her skirt because they ding ding more often there. her necklace also jingles with merriment.
38 year old she/her advanced cisgender+ legend who's realizing that people are trying to get her to be the pope but all she really wants to do is write yaoibait fiction that looks like it came straight off of ao3
odile:
my glorious hag. she started shrinking about 3 years ago. all those years of bending over books has finally caught up to her. her hips are fuuuuuucked. but she has a sick cane that sif carved for her so everything's okay
she was already pretty comfortable and settled in her sense of style when she was nearing 50 so i don't think she would change much. darker clothing maybe. ditched the high-waisted pants for some looser slacks.
she's started writing a familytale of her own. the only person she's told about it is bonbon, who caught her up way past their bedtime, and scribbled all over one of the pages. she'll pass it on to sif when the time's right, after she's written down everything she can remember about their family.
64 year old she/her wasian researcher recovering from hernia surgery who's getting really into things like "political activism" and "body craft law reformation in ka bue" and "making sure people aren't sourcing their hrt from back alleys"
bonnie:
prefers to go by boniface these days. it's cooler. more mature. please stop calling me bonbon that's a nickname from when i was 10 guys c'mon guys ugh fine frin you can still call me bonbon but not around my girlfriends ok (nobody calls them boniface except for odile)
speaking of which they have 3 butch lesbian girlfriends. this got established as a joke but i think they have it in them. they're still young!!!!!!! they should be at the club!!!!!!!!!!!!!!!!!!!
they traveled for a while with everybody but eventually settled down back in bambouche to start a little family owned restaurant with nille featuring dishes from all over the globe. people travel from all over to get a taste of boniface's good eats... bambouche is bustling. (they have a few recipes that are sourced from the country. they meet people every once in a while who find something achingly familiar about it, and they usually direct those people to jouvente to get in contact with frin.)
26 year old they/them "i dont know how tall i am but i'm taller than za" chef cooker whose restaurant keeps lighting on fire because this time i swear nille i can figure out how to do cooking craft i swear i wont explode the kitchen this time please i promise
loop:
ok. this is where lozy gets to just talk about what he thinks happens post game. i think they stick around for way longer than they really should and follow the crew around on their travels (mostly invisibly) because they're sooo fucking scared of change they're sooo scared and they're so scared of their wish fucking up beyond belief. they're kind of incapable of aging or dying in this body and theyre like permanently 26 which is what spurs them to finally move on.
i think they go back to their timeline eventually after making a Brand New Wish to "go back to their real family." alas the universe leads and we can only follow. and it turns out loop has actually made a real family in stardust's world also. this is my justification for why they can pop in between sasasap and isat worlds without much repercussion. i think they're always permanently loop shaped in isat but i imagine they can probably go back to their original body in their home timeline... might design that later. who knows. i'm fucked like that
i just think they deserve a chance for their own happy ending you know. isat's a game about how it's never too late to communicate and how you shouldn't punish yourself forever and ever. and i think theyve punished themself enough you know.
ok tank you for reading if you read this far. it's really big and long so i would understand if you didn't. but i hope you liked it. thoughts appreciated. here's a little something for the people who read all the way through.
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billthebullfrogs · 2 months
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sure thing.
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“Hey, firecracker,” a voice—unmistakable, to you, at least —calls from behind, and you instantly knew who it was. “Need to talk to you.”
There was only one person that would call you that nickname. Luke Castellan, the bane of your existence, thought it was extremely funny to remind you of that one time you almost burnt down the pavilion. The moment they figured out it was you; you had earned the nickname you dreaded so much. He loved reminding you of embarrassing stuff you did. You desperately wanted to wipe that self-satisfied smirk off his face. What did he even want? Didn’t he have something better to do than to bother you?
He leaned against one of the posts in the arena, eyebrows raised expectantly. He just needed a change from training the newbies. He wanted to go all out, and the best person to do that with was sadly you. Well, at least the satisfaction he’d get from beating you—because he would beat you, obviously, was totally worth it.
You sighed, “What?”
“Need a sparring partner, that's all,” he said, a smirk still tugging at the corner of his lips, now accompanied by a raised eyebrow. “And I'd rather have you than anyone in this camp.”
“That sounded too nice for your standards... Are you that desperate?” Your eyes narrowed; you were skeptical.
“Desperate to beat your ass, yes," he said, an easy laugh breaking past the steely look on his face. Luke was aware of the fact that he often annoyed you, and maybe he liked it just a little. "Besides, I wanna try some new sword techniques I came up with. So, whaddya say? Pretty please?" His head tilted a little when he said that, he was giving you that look.
You were silent, biting your lips just like you always did when you were focused. After a moment, you gave in. “Fine,” you said. Maybe you’d benefit from this, too.
"That’s my girl," he said as he casually walked toward you. "I promise not to go easy on you. If you feel like you're gonna trip and impale yourself with my sword, just say the word, alright?" A smirk flitted past his lips, though his words seemed genuine enough. Luke knew you would never stop being rivals. But the feeling of respect he had for you was real. He trusted you and even cared for you, but he’d rather commit war crimes than admit that.
“Fuck you,” you spat as you got into your signature fighting stance. Maybe this was a mistake, but if you gave up already, he’d think you’d gotten cold feet.
“If you ask nicely.”
That smug bastard. You hated him with all your heart. You hated his stupid smile and the way he made everyone around him feel comfortable, even you. You hated the butterflies he gave you. You hated his guts.
With a smooth slashing motion towards his torso, you started the fight. He blocked it with ease. Without a further word, Luke went in towards you with a quick and precise strike, sword arm extended forward in a tight grip with the tip aimed towards your sternum. He wanted to overwhelm you, thinking you hadn’t improved since the last time you sparred. But oh, was he wrong.
You’ve been watching him, his rather aggressive style of fighting, and the look in his eyes when he tried a certain move for a long time now. You’ve fought him many times before, and you were getting the hang of it. You’ve been training a lot, and while he was busy with the new campers, you had developed your own, unique fighting style. He knew you as a pretty good fighter, who could almost keep up with him on a good day. Almost. But now, you’d surpass his expectations. You blocked his hit, your body moving smoothly like liquid. Instead of using all your strength to try and withstand his attacks, you just gave in. Let loose. You used the force of his hit and channeled it, transferring it into your own with ease. He did not see that coming.
You'd always had a strong sense of intuition and your body would respond accordingly, as if it had a mind of its own. Luke was quick to counter, his body leaning back with a fluid motion to avoid any of your quick strikes, all the while trying to find an opening. The back-and-forth movement that was once just a spar has now become a deadly dance of swords, the two of you constantly in motion, no pause in sight. There is a certain excitement in the air, almost a spark that has ignited your mutual hostility and aggression.
Your movements were fluid as if you could predict all of Luke's moves in advance. You were a master of timing, of anticipating all of the demigod's strikes. Not once could he match your fluidity, his movements jerky compared to your graceful flow. There was something about the way you both fought so elegantly that made you feel like you were part of an agile performance, each of you matching the other's movements perfectly. It felt less like a fight and more like an art.
Yet even as you moved with effortless ease, the clash of swords kept you both on your toes, your bodies moving in such perfect sync that neither could find a flaw in the other's defense. Your movements almost appeared as if you were both working together, but this was not the case—in fact, Luke was becoming more frustrated by the second as he strained to find a way to slip past your guard.
“You’ve improved,” he breathed out while you fought. “I like it.” The way he said that sent shivers up your spine. It was embarrassing how these words affected you so hard that you made a small mistake. It was a mistake that could happen to even the best swordsmen in history, but a mistake nonetheless. And it led to his sword held at your throat. You fucked up. And he made you feel it, the cold tip of his sword gently tapping your chin, forcing you to look up at him. You prayed that he didn’t notice the color on your cheeks.
“You're distracted too easily.” He looked serious for once, that glint of smugness had left his eyes for just a moment. “I win again.” And there it was again, that stupid smile of his. He dropped his sword and held out a hand to help you up. You let him pull you up, trying to ignore the butterflies in your stomach. “Did you get what you wanted out of this fight?” You asked, and he nodded. “Much better than trying to teach the newbies not to drop their swords while fighting.”
“Good,” you turned to walk away, but he grabbed your wrist. “Same time tomorrow?”
You could’ve said no, could’ve walked away, could’ve done ANYTHING, but instead, you looked at him and said, “Sure thing.”
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c-nstantine · 8 months
Text
The Grandmaster and His Concubine
Description: Bi Han uses his personal whore.
Word Count: 1.3k
Warning: Y/N has a severe case of dumb bitchitis, smut, cursing, doggy style, not choking but his hand is on her throat, reverse cowgirl, mild breeding kink towards the end (i think this is the first outright smut I've written so go easy on me)
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Being weak in the Lin Kuei was simply not allowed. It was frowned upon to be so and it was fortunate that Y/N found the favor of Bi Han, the Grandmaster. For a man who rarely pitied anything, he pitied her. So much so, that he wanted her by his side when possible. Now rumors circulate about the exact nature of their relationship, it's hard for anyone to tell if Bi Han enjoys the company of Y/N.One thing is certain, he enjoys spending his nights between her thighs.
Tonight was one of those nights. He had faced a foe in battle that wasn't strong but it frustrated him to no end. Y/N could hear the footsteps of her beloved as he approached her quarters. His footsteps were heavy and his voice was rough as he commanded his subordinates to do something useful with themselves for the night. Y/N smiled with excitement as her doors opened. She kneeled on the bed wearing only a robe with her hair free as can be.
"Grandmaster," Y/N whispered in acknowledgment of the man in front of her. He stood, looking down upon her. His mask was removed so that Y/N could see his face. She reached out to touch his cheek but he caught her wrist. His grip was tight but not enough to hurt her, not yet.
"You're already on your knees for me," Bi Han's hand found its way to her throat, and out of instinct, Y/N's mouth fell open. Bi Han swelled with pride because of how well he had trained Y/N.
"Of course, beloved," Y/N said with a pleasing smile as Bi Han gave a small squeeze to her throat.
"How endearing. Bathe me, whore," Bi Han commanded and Y/N was more than happy to oblige him.
His grip loosened on her wrist and she took this as time to grab his hand and lead him towards the hot spring just outside her quarters. It was surrounded by wooden walls that were at least 10 feet tall. It's not like anyone could spy on them back here, Bi Han would have the head of anyone peeping on what's his. The water was lined with various plants and the faint croaking of frog-like creatures could be heard. Y/N took her time undressing him, he rarely allowed her to do so. Maybe he did care about her beyond the physical. Steam erupted from the spring the moment that he stepped in. She began to slowly scrub away in dirt and blood from his body as he sat in the water. His hair was in a loose bun with a few strands falling around his face.
This felt more intimate than anything they had ever done. Once again, he grabbed her wrist but this time it was to pull her to be directly in front of him. He removed her robe and grabbed her hips. Y/N sat in his lap.
"Can you feel that? That is what you do to me," With his hands still on her hips, he ground his hips against hers. Y/N shuddered and gasped. She had taken him many times before, but every time, she was still surprised by his size.
He kissed her neck and lifted her hips slightly so he could slip into her. Between the warm water surrounding them and her juicy pussy, he truly thought he was in heaven. Y/N could feel his cold hands move from her hips to her plump ass. She was sure that in the morning, her brown ass would have grip marks.
"Ride me as I taught you," Bi Han took pride in being the first man that Y/N was ever with. Meaning that she was his custom whore and all of her little tricks were only for him and would only be for him. She would never take another lover if he could help it.
Y/N whined at the loss of contact when Bi Han moved his hands away from her hips. He leaned back and spread his arms over the rocks behind them. He smirked as Y/N bounced up and down in his dick. He thought the view of her bouncing titties was a sight to behold. He liked to study her face as she did all the work. The way her face would scrunch as she used his dick to hit her spot.
As Y/N's knees began to burn, Bi Han began to grunt slightly and thrust into her hips. His hands found her waist once more, and he took control of her motions. Y/N's hands were grasping for his shoulders as he forced her down on his cock. Her moans grew louder and louder until her pussy clenched around his cock. He filled her womb soon after, and Y/N was happy to feel so warm with her lover's seed.
Abruptly, Bi Han stood up and moved him and Y/N to her bed. He tossed her onto her sheets and soon climbed on top of her. He stroked her cheek with his calloused, cool thumb. He looked at her more sincerely than before and if Y/N wasn't sure before, she was sure now that she would never leave him. He kissed her still-damp cheek before spreading her legs.
Y/N was still a little dazed from the first orgasm he had given her when he slipped back into her. However, she did not forget how it felt to have inside of her. The way that with every stroke she felt closer and closer to being complete. The grip he had on her thighs would have her bruised in the morning but she refused to remove her legs from above his shoulders.
His hips began to stutter as he plowed into her pussy. Y/N was finding it difficult to stay in place. She was sure that she had came at least twice now but he continued to ram into her. As he continued to fuck her, he got more sentimental. One of his hands left her thigh and began to play with her nipples. Carefully, he'd use his abilities to give her more pleasure.
"Tonight, you will make me an heir. Is that clear, slut?" He spoke cumming in her for the second time of the night. His voice was gruff from all of the groaning that he had been doing.
"Yes, Grandmaster," She was a little drunk off the cock when he flipped her over. Hearing Y/N being so delusional over him, made him want to go another round. He flipped her over and pushed her head into the pillow.
"How does it feel the Grandmaster's personal whore?" Y/N couldn't even respond with how hard she was being fucked. Once again her moans filled the chambers. The sounds of skin slapping could be heard well outside of her room but everyone knew not to disturb the Grandmaster once he was in this state.
"Damn," Bi Han whispered as he took in Y/N's form. He took his hand and pressed on her back so that he could reach the deepest parts of her. She was sure that he was kissing her cervix with every stroke.
"Bi Han," Y/N whined loudly when he finished inside her once again.
Y/N tried to move away from him to grab a towel but he pulled her back to his chest. He was cold but in a comforting way. His eyes said words that his mouth could not.
"You will not move. My seed will not leave your womb," Bi Han said kissing her cheek again. Y/N just nodded tiredly. When he returned Y/N was already asleep, so he placed her bonnet on gently and wiped his excess seed from her thighs. He noted the various bruises and a sense of pride came from them.
"She is mine," He whispered before joining her in bed once more.
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muikitoo · 5 months
Text
Their favourite physical part of you!
Rottmnt x gn! reader
Warnings:
Includes both sfw and nsfw(not direct action) the nsfw only goes for the future versions of the turtles!
A/N:
I finally posted! Shocker i know. I didnt have any ideas but this js popped up cuz i used to love hc like these. I've never written for gn reader so pls give some tips, ty!
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Sfw:
Donnie
- This dude likes your hands. He likes when you hold hands and how they fit perfectly in his.
- he LOVES to play with them too, especially when he has nothing to do or when hes stressed.
- Even tho he isnt big on physical touch, he LOVES when u hold his face. But i feel like he would actually enjoy it as long as it isnt unexpected or when hes irritated!
- he would probably try and sneakily hold ur hand around family without anyone noticing bc he will not hear the end of it (*cough cough* Leo.)
- probably zones out while watching u do anything with ur hands (paint, write, even fiddle with random stuff)
- you probably have him melting if u ever try and give his shoulders a gentle massage with your hands
- in short, he loves ur hands and holds them any chance he gets cuz hes touch starved af.
Bonus: you guys probably have some morse code and he taps his fingers a certain way if he feels uncomfortable and wants you to leave the room with him.
Leo
- i think its obvious he would like your hair.
- He loves playing with your hair when you guys are cuddling.
- will style your hair. Maybe even ask Mikey to join in too. Youll probably end up with atleast 50 hair clips by the end of it.
- if u have long pretty hair u bet he WILL DRAMATICALLY SOB once u cut it off, but he loves it regardless.
- melts and grins like an idiot if u dye it blue. Brags to his brothers about it.
- "guys look! See? See? They love me so much they dyed their hair blue!"
- low-key jealous u have hair..
- I also hc that he loves ur arms too!
- oh lord dont get me started on the arms. If you're a bit muscular and u start flexing/training he would be dead. Gone. In the grave.
- even so he would love to have you wrap your arms around him
- dude wants to be babied so badly
Mikey
- ADORES your smile and your eyes.
- he loves how your eyes lit up when youre excited. Or the way a smile keeps up on your lips when you talk about something your passionate about.
- your sweet giggles are heavenly atp.
- loves loves loves loves the way u praise him when he creates something.
- you have this boy head over heels.
- the way you look at him with complete love in your eyes makes him want to sob on the SPOT.
- you're so adorable he just wants to kiss u on the spot (cuteness aggression atp)
- he js wants to see you happy :(
Raph
- i feel like he would also like your hands. Theyre so small compared to his.
- Loves everything atp, tho he does get scared. Especially if you're smaller than him. Hes so scared that he'll crush you!
- probably likes your cheeks.
- bro would squish and cup them then just slightly nuzzle your noses.
- gets flustered when you cup his cheeks too
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NSFW‼️ Aged up!
If you do not wish to see any of this, please exit!
Thighs, chest or ass?
F! Donnie
- if i have to be completely 100% honest? He doesnt care about any. At all. Just loves you.
- but if i had to give an answer for sake of these hc? thighs. No words. Just thighs.
- loves it when you crush his head between them.
- will grip your thighs, leaving slight marks but not enough to actually hurt you. He doesnt want that.
- loves leaving marks and kisses on them.
- if hes stressed because of a failed project, he'll just lay between your thighs in your shared bed. Occasionally giving a small nibble here and there.
- If you're wearing short shorts, good luck.☠️ Do not expect slow and passionate Donnie.
F! Leo
- all of the above.
- mostly an ass and chest guy.
- He would probably slap your ass occasionally, but not hard enough to hurt you. Again, he hates that.
- but if you beg him to do that? He'll be hesitant but if you beg hard enough he might.
- leaves bite marks.
- I did say he loves your arms and when you flex them, but he also loves your chest.
- your gender doesnt matter. He notices you panting and your chest rising up and down?
- Lord. This man does not know is he wants to dominate you or be dominated.
- Loves trailing teasing kisses and slight bites up and down your chest.
- Loves to cum on your chest and ass. He thinks you look so pretty.
- still wants to shove his face in your thighs tho
F! Mikey
- Again, he probably doesnt care either. He loves you regardless of your body.
- He just wants to make you feel loved.
- But again, for the sake of this - i think he'd be a chest and thighs guy.
- Loves laying on your chest, loves leaving kisses and bites.
- nuzzles his face either on your chest or on the crook of your neck, inhaling your sweet scent.
- hes so sweet, but will shamelessly cum on your chest. Especially when youre giving him head.
- he loves your thighs, doesnt care if theyre small or big.
- he thinks theyre so soft<3
F! Raph
- Waist. And belly. Forget everything above, just waist.
- Again, bros scared he will crush you. Especially since hes much much much larger now.
- He really doesn't want to hurt you :(
- He loves to grab your waist. Its so tiny compared to his giant hands.
- Dont get me started with the belly. Chubby or not he loves squishing the soft flesh on your belly.
- covers it with his cum.
- He loves it.
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Important!
I just wanted to say these are not meant to be accurate, these are js what i think the rise turtles would like physically! I struggled a LOT with mikey and raph.
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nana-b0b · 1 month
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》🔞 These panels are censored, you can go to the last of the post to find out where to see them!
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A little historical info to better understand:
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♡♡♡♡♡!!! I really feel happy and overcome with these panels, I was thinking a lot about how to make them since there were several obstacles: I had never drawn something NSFW before as it should be 😅 I never got that far so to speak, there was always a line that prevented me from taking that step, since it is not the same to draw some small scene where you only see something specific to a whole pose as such and all that implies. But after many ideas and turns I managed to take that step (maybe small for some but for me it was like reaching the moon 😂) and the most important and most feared was that the essence of the drawings and the style would be lost but I could keep it well and make it coexist ♡.
Note: as for the text accompanying the panels I want to say that it's not my best work as a narrator hahaha I don't write anything since I was about fifteen and it was my era of fanfics and stuff, so I feel its very basic and empty! 😅 ♥!
Now, let's talk a bit about the panels! Well, as we all knew this moment was coming, it was no surprise -3- Ryomen really had to be patient to get what he had been thinking for a while, but he didn't want it to be something random as it could be with any woman he wanted, he was really curious to see how Aurora could look like with the full appearance of a lady of the Heian era and when he saw her, he just couldn't resist. One thing will be clear: Aurora won't wear black teeth again, there will be no way to paint her teeth again without someone losing a limb. As for her eyebrows: she's really mad about that, but I'll let it go.
And to close this post I come with a novelty (I've been thinking about this for days) now we are going to be able to have these drawings completely uncensored on patreon.
I'm not going to lie, using more than two social networks for me is already a lot 😥 if it were up to me I would only post everything in one place but we know how the rules are and we have to respect them, if just by showing a nipple (which is a pixel 😂 ) they almost censored me on Instagram I knew this would be difficult and Tumblr is not lagging behind, while there are things that it lets pass there are others that it doesn't and it's not nice to have to make such complex drawings so that the AI doesn't detect them as 🔞 since there comes a certain point that you get tired too and it loses the grace.
My patreon will be the place for all my works 🔞 without any censorship already, you are going to be able to enjoy both public and private content depending on the type of work ♡. I think also for me it's an incentive to be able to start letting go more of my ideas and continue with everything I want to do :)
To say goodbye first I want to always thank you for all the support you give me and all your messages 🖤 and second to warn you that this CAP of Ren will be in patreon already published privately but all the other censored drawings are public for you to see and enjoy them as they should ⭐
Here are the publications that I censored and that you can now see, there are not many at the moment x'D
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daisynik7 · 8 months
Note
“S&M” by Rihanna for Toji Fushiguro - smut
S&M
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I may be bad, but I'm perfectly good at it. Sex in the air, I don't care, I love the smell of it
Pairing: Toji Fushiguro x f!reader
Rating: Explicit – MINORS DO NOT INTERACT
Word Count: ~2.0k
cw: smut - PIV sex (doggy style), cunnilingus, mild S&M practices - whips, blindfold, handcuffs, protected sex (for once lol), use of safe word, rough sex, pet names (cutie, sweetheart)
Summary: You are next-door neighbors with a man named Toji Fushiguro. You don’t know much about him, except for the fact that he’s a divorced father who spends every other weekend with his young son, Megumi. On the weeks he doesn’t have him, you notice the same trio of women visiting his house. One night, his package gets incorrectly delivered to your door. Too curious, you walk over to return it, only to find the front door unlocked and a naughty secret to discover.
Author’s Notes: Thanks for the request anon! I love Rihanna, so it’s no surprise that she’s on the y2k karaoke party playlist! I personally am not well-versed with S&M practices, so this was an experience to write, definitely a little bit out of my comfort zone, but I hope it’s still okay! This is more on the milder side, I'm sure. Likes, comments, and/or reblogs are always appreciated, thanks for reading! MDNI divider credit to @/cafekitsune.
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You’re not usually this nosey when it comes to your neighbors, but something about Toji Fushiguro draws you in. Maybe it’s the fact that he’s a divorced dad who takes good care of his adorable son, Megumi. Or maybe it’s the mysterious trio of women who frequently visits his house on the weeks he doesn’t have his child. Or maybe it’s his obvious good looks and impressive physique that you can’t help but notice every time he steps foot outside. Whatever it is, whether it’s a combination of all of the above, you just can’t get Toji Fushiguro off your mind. 
On this particular Friday night, you’re staying in, binging a TV show with a glass of white wine in your hands and a frozen pizza that you just baked in the oven. There’s a knock on your front door, which surprises you because you aren’t expecting anybody at this hour. You give it a few moments, seeing if there’s another knock. When none comes, you get up to scope it out, finding a large package directly in front of you and a delivery truck driving off in the distance. You check the shipping label, reading Toji’s name on it instead of yours. You glance at his front yard, spotting his car parked in the driveway and no one else’s. His girlfriends must have already left; you noticed their vehicle earlier beside his. 
Not bothering to change into anything presentable, currently wearing your sweats and fuzzy slippers, you carry the wrongly delivered package to its rightful owner, hoping if you can find some truth behind your neighbor’s unique bi-weekly ritual. You’ve thought about it before, the most likely answer being a polyamorous relationship or group sex. Still, it’ll put your mind to rest to know exactly what he does in there when little Megumi is away and Toji is free to play. So, you carefully lift the box, which isn’t heavy, over to his front door, setting it down to ring the bell. You push the button, then notice that the door is already open, slightly ajar. Another ring, and no one comes, though you’re certain you hear movement inside. 
You should turn around. Go back home, sink into your couch, continue the night as normal. Yet, your feet guide you in, closing the door shut behind you, tip-toeing farther into the house, waiting to catch Toji in the act, whatever that could be. Eventually, you make it to the living room, where you stand in the doorframe, searching for your neighbor, who you find sitting on the couch with his shirt off, scrolling through his phone. 
You knock on the wall, announcing your presence. He looks up, confused, inspecting you carefully before saying your name. “What are you doing in here?” He’s way more cavalier than you imagined he’d be, which you’re thankful for. 
You present the box to him, a nervous grin on your face as you explain, “This just got delivered to my house on accident. I rang the bell, but no one answered. And your front door was open, so I figured I’d just come inside to give it to you.” It’s a poor excuse; you really shouldn’t have barged in without permission. 
He seems to buy it though, rolling his eyes, muttering, “Damn Kimi. She’s always doing that.” He approaches you, grabbing the box from your hands. “Thank you for getting this to me. Been waiting for it all night, so I was bummed it didn’t come in on time.” He sets it down on the floor, kneeling beside it, ready to unwrap. 
You search the room, trying to find any clues of what they could be doing inside here. It looks normal, nothing nefarious standing out. Slightly disappointed, you take this as your cue to leave, turning on your heel to make your way back home. Before you can, Toji calls out your name and asks, “Don’t you want to see the little present I got? After all, it was almost yours. Would have loved to see your reaction if you opened it by accident.” His tone is playful, yet there’s something wicked behind his words. Something naughty.
You swallow hard, mouth already salivating. This isn’t how you planned your night to go, but you’d be lying if you said you haven’t thought about it before. You face him again, stepping towards the box slowly, sitting on the other side. He uses a pocketknife to slice through the tape, eyes lighting up as he reaches inside, holding up his delivered item like a treasure. It’s a riding whip, soft leather on one end, handle on the other. He smirks at you, slapping it against his palm, making a loud crack sound. You jump up, startled by the noise. He barks a laugh at your reaction, laying the whip down on the coffee table next to him. He reaches in again, pulling out three sets of fuzzy handcuffs, twirling one around his fingers. “Damn, would have been fun to use these tonight.” Glancing over at you, legs squeezed tightly together, arousal seeping through your panties, he scans you up and down, giving you a wicked smile. “You want to try these out, neighbor? I promise, I’ll go easy on you.”
It's ridiculous, right? Completely silly and irresponsible for you to agree to this, right? You blurt out your answer before you can even contemplate those questions logically. “Yes.”
He chuckles, biting him lip, eyes focused on your loins currently throbbing against the fabric of your sweats. You really wish you dressed up now, but it doesn’t matter, as he commands you to, “Strip.”
Almost too eagerly, you obey, kicking your slippers off and undressing, starting with your shirt, which you toss behind your shoulder. He studies you carefully, eyes following your every move as you slip out of your pants, down to only your underwear and bra now. He licks his lips, stepping closer to you. “Yeah,” he purrs, breath hot on your skin. “This will definitely work.”
~~~
Within minutes, you find yourself naked in his bedroom, blindfolded, wrists handcuffed behind you, face buried into the pillow, and ass up, perfectly vulnerable for him to do as he pleases. The two of you establish a safe word: mignon, because he thinks you’re cute, and the filet mignon is his favorite cut of meat. He suggests several acts he wants to perform on you and lets you decide which ones you want to go through with. You make your choice, asking to be spanked with the new whip he received. Something about breaking in one of his new accessories turns you on. 
Not being able to see anything, you listen carefully to what he’s doing behind you. You hear him unwrap the condom wrapper, sliding the latex over his cock. Then, there’s a squelch, most likely the lube he’s pouring into his hand, coating his shaft with it. “Are you ready, cutie? I’m going to start with the whip first, okay?” You nod, heart pounding in your chest, nervous and thrilled all at once.
“Words, sweetheart. Use your words. I have to hear you say it.”
You swallow your spit, trying to speak coherently. “Yes. I’m ready.”
“Good. That’s a good girl.” You feel the cool leather against your skin, anticipating it as he counts down. “Three, two, one.” Then, smack. It’s quick, painful for only a few seconds. You can tell he’s holding back, cautious of you. “Did you like that?” he asks. 
“Yes,” you say, wiggling your ass to him. “Give it to me harder.”
He chuckles, swearing under his breath. “Fuck, okay. I’ll go harder then.” He counts down once more, the slap definitely more intense this time. Your skin stings from the contact and it feels like you’re already gushing from your cunt, core tight with pleasure. 
He continues this until he’s delivered ten smacks to each of your ass cheeks. Your body is sweltering now, the skin on your ass surely hotter than the rest of you. Your pussy flutters, aching to be filled, clit throbbing, desperate to be licked. “Toji,” you whimper, drooling from the sides of your mouth. “Fuck me.”
There’s that laugh again, low, taunting, so fucking sexy. “Not yet. Want to make you come before I fuck this pretty cunt.” He positions himself beneath you, between your legs. “Fuck my face. You can be rough with me. I can take it.”
His grip is firm on your hips, guiding you as you ride him, spreading yourself over his wide tongue and gaping mouth. He’s eats you better than any guy you’ve ever fucked before, sloppy and wet, as if he thoroughly enjoys slurping at your juices. He slides his hands over your ass, massaging the skin made raw from his spanking. And before you get a chance to warn him, you come all over his face, gushing into his mouth. 
“Fuck yeah,” he muffles, lapping up your slick. “So fucking good for me.”
Desperate now to be filled, you beg, “Please, Toji. Fuck me. Need you inside me.”
He slides out from beneath you, positioning himself behind you with his cock pressed between your ass cheeks. “I need it too, cutie. Need to pump my fat cock inside this perfect pussy.” He moans loudly as he slides himself inside you, stretching you out, inch by inch, until you swallow him whole. He thrusts into you, slowly at first while you adjust to his length. Gradually, he picks up the pace, pounding you hard and fast, his grip on your wrists, still bound by the handcuffs. The stretch in your shoulders is starting to burn now, arms pinned way back as he uses it for leverage. It’s not enough to coax the safe word out of you, yet. You need more of him to satiate this overwhelming desire.
“You’re taking it like such a good girl,” he moans, pumping himself into you. “Did you ever think about this before? Think about me?”
“Fuck yes. All the time,” you admit, drooling onto the pillowcase. 
“Shit, I knew it. I knew I should have slutted you out sooner,” he growls, bullying his way deeper. It’s almost too much. Almost. A couple more strokes and it actually is, your shoulders sore, nervous they’ll pop out of its sockets. You’ve had your fill of him, your guts feeling like they’ve been rearranged by his massive cock. You’re tempted to stay quiet, not wanting this to end just yet. But your body is begging you for a break. 
“Mignon,” you croak out, throat dry from the incessant moaning.
“Fuck,” he mutters, pulling out, immediately unlocking the handcuffs on your wrists and untying the blindfold. “You were taking that so good.” He flips you over on your back, inspecting you. For the first time since you started, you make eye contact with him, your heart swelling from the genuine smile on his face, gazing at you fondly. “Are you okay, cutie?” He brushes the tears from your eyes, cupping your cheek in his calloused palm.
You nod, mumbling an exhausted, “Yes,” closing your eyes to lean into his touch. 
He cuddles you, kissing your neck as he continues to stroke himself off. He trails down your chest, latching his lips around your nipple, sucking until he comes inside the condom. When he’s done, he removes it, tying the open end closed and tossing it into the waste basket next to him bed. 
It’s silent for a few moments as the two of you relax in each other’s arms. Eventually, he clears his throat to say, “This was fun. I usually don’t do this outside of the group.”
You understand that he’s referring to the trio of women who you saw earlier, and finally, the mystery is solved. Slightly disappointed, you respond, “I’m sorry if I messed anything up.”
He smiles at you. “You didn’t.”
You snuggle closer, kissing him softly. His lips melt into yours, tongue slipping inside your mouth. When you break apart, you ask, “Then, should I only show up when they show up?”
He shakes his head, smirking. “No. I think I want you as my own special plaything from now on.”
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chheese-mmmhh · 21 days
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actually i’m not done talking about that mf still so bear with me im gonna go on a quick rant
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this is so going to be his “oh shit im in love with my best friend” moment for so many reasons my brain can’t function
Reason #1: that is lover stark’s realization face i SWEAR…it’s like the same face he made before and after he kissed tommy
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this face!!!!! it’s the same one!!!!! that’s his smitten, i have a crush face i swear i swear
Reason #2: the lighting in the still is almost giving him a halo (?) with the way its bouncing off of his hair and maybe i’m delusional (i am) but they wouldn’t do that unless they were framing this as some kind of innocent or maybe religious (in the emotionally reborn way) experience (aka my bff is so marriage material)
Reason #3: the way the light is only on and around his head means it’s framed as some kind of lightbulb moment for him…this is something that happens fairly frequently in tv shows and it’s something we KNOW they do for buck because they did it in 7.04 with buck and tommy
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this was right after they kissed for the first time and when buck was finally completely aware of his bisexuality so!!! lightbulb moment!!!!! it’s the same basic frame style as the still just like…less cinematic ergo buck is having yet another big realization
Reason #4: it’s in the locker room!!!! (i’m aware this one has less merit but i can’t stop thinking about it shhdbd) this season especially we have seen the locker room as somewhere that the deeper conversations are had… as far as i’m aware (i’d have to rewatch to be certain) we haven’t actually had a real scene in the locker room 7.01 “welcome back to the world of the living” scene (gay) and the 7.02 “three judas’s” thing…SO whatever scene this comes after will be an important conversation since it’s in the locker room (as long as it follows the theme)
Reason #5 (my favorite): it’s a callback to the 7.01 “welcome back to the world of the living” scene!!!!!! right as eddie is leaving after saying that we see a verrry similar shot
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similar shot!!!!!! only difference is that in the new still the camera is moved so that buck is actually standing in the light…almost like they’re saying that the scenes are connected but now buck is able to fully realize what he could only partially understand????? maybe????? like at the beginning of the season he wasn’t aware of his bisexuality yet but he WAS aware that he felt safe or alive with eddie (since eddie was literally the one to “welcome” him into this new, moving forward stage) and now in the new still it’s in the same place with a very similar shot but framed as buck having that lightbulb moment i am going insane
ANYWAY this will be buddie confirmation i can feel it in my BONES…we don’t know when this still is from but i’d get my ass that it’ll be the last episode (like starting and ending the season with these scenes) and the next season will be their getting together arc i can FEEL IT I CAN FEEL IT I SWEAR
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adorabluesposts · 1 month
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I’m a massively hopeless romantic and hopelessly in love with our short paranoid chaotic duck loving king and the THINGS I WOULD DO TO THIS MAN JUST BECAUSE I LOVE HIM SO MUCH.
Anyway thoughts about he’d react to constant affection because my love is physical affection and maybe sometimes giving him handmade gifts because nothing beats time wasted on handmade shit. I LOVE THIS MAN SM ITS TOO MUCH 😭😭😭
I WANNA CONSTANTLY SHOWER HIM WITH KISSES AND PRAISES PLS.
Basically requesting a fluff with all of the above 💀💀
I also love your writing style sm, hope you’re having a great day/night
buckle up cause this is gonna be SWEET!
Thanks for the appreciation on my writing, I'm still working on it 😭💖 love this sm. This is for the physical affection ppl 🫶🏻
a/n:.. added some acts of service love language too I'm so sorry 😭
NOT PROFFRED.
PROOFREA. PROOFREWD. I can't spell.
NOT PROOFREAD.
(I managed)
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divider by @al-of-the-stars. NOT MINE!!
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It's not a surprise Lucifer's a sucker for physical attention. Not in a sexual way, just hugs and holding hands in the most unusual times.
At first you started off with 'baby steps', occasionally giving him a kiss on his cheek or lips, holding his hand or playing with his suit when he didn't expect it, just to see how he'd react.
He would get flustered, turn into a blushing mess and pretty much feel like his knees would give out at any minute. He would never admit what an impact you had on him, though.
When the showers of affection got more frequent and he realised what you were doing, every chance he'd get he would basically invite you to do those things for him. He loved tricking you into thinking he didn't know what your love language was and , even if he still got all flustered and was still surprised because he, obviously, didn't know what to expect (a kiss or a hug), he convinced himself he was just acting so flustered to trick you, again.
Of course Lucifer's love for you gets more and more powerful with every kiss.
His wife left him, after all, so he needs all the affection you can offer. He really loves you.
Even though you noticed he still wears his wedding ring sometimes, you know how hard it is to let go, and you showering him with affection actually helps him get through it!
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"Good morning, handsome!" You shower his sleepy face with kisses as he slowly wakes up, watching his grumpy face turn into a weak, tired smile.
"Morning" He smiles and cups your cheek as you pull away, pushing you back in for a kiss.
He notices you're all dressed already and raises an eyebrow, sitting up. "Where are you going?"
"Well, Your Majesty-" He smiles at you, loving how intimate it sounds when you call him that, "-It's Monday. Meaning I have work to get done."
He frowns and you laugh. "Bummer."
"I made you breakfast, so you might as well get changed." You ruffle his hair as he struggles to put it back in place, even if it was tangled already and playfully huffs at you, lecturing you on how his hair must always be perfect as you leave the room.
When he joins you in the kitchen, you gasp in awe, like every morning. You go up to him and praise him for being so good looking, pestering his face with kisses and telling him how you're falling in love over and over again.
He loves it truly, holding your waist as you praise him. He looks at you with lovesick eyes and a goofy smile and only let's go when hunger takes the best of him. He praises you back, too, for being such a good cook (or not burning the kitchen down.. in certain people's cases aka me).
Before you leave, he makes sure to leave one of his ducks in your bag , knowing that by now you have millions if them in your office, as you leave one of your handmade gifts, drawings, or sweets in your shared room.
He almost never wants to let you go to work, turning the radio on to twirl you around in the kitchen and kiss your face or hands until it gets so late you either have to run to work or make him open up a portal for you.
It's not his fault he just loves the way you love him.
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Ive never written something so fast in my entire life. THE THINGS LUCI DOES TO ME OMG.
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