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#oh no emphasis
emphasisondrvgs · 4 months
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@mondaymelon i just found the most silly little fanart. it tickled my funny in a most intruiging way. i am most interested and would like to share this with you
what are your thoyghgts
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avanii · 1 year
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Typhlosion is one of my favourite Pokémon and I just love drawing/painting him <3 (painted with Ecoline inks, about 5 hours’ work)
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knifearo · 1 month
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this year my challenge for everyone is to unlearn the association between love and morality. love is not something that is inherently morally good, and the absence of love is not something that is inherently bad. sex without love isn't morally bankrupt, it's just an action. people without love aren't less kind or less good, they're just people. when we can get past this false (and often unnoticed) dichotomy of good love/evil lovelessness then i think we are going to be able to take leaps and bounds in sex positivity, aro advocacy, certain discussions of mental health...
#and also. not the direct focus. but love doesn't make things good. you can be in love and do terrible terrible things.#people do bad things in the name of love and in despite of love all the time.#but!! imagine a world where people could exist as people and not be demonized.#sex positivity means being cool about All sex. reexamine your internal systems of moral judgement.#this goes for sex workers. for aroallo people. especially aroallo men. for aro people in general who might enjoy sex.#and frankly i think it can easily bleed into discussions about mental health disorders around 'not feeling' certain things#especially demonizing ppl who don't feel as much empathy. i think there's definitely a correlation between that and the emphasis on love.#our support needs to go out to Everybody and i think these things are all structured together in one way or another!!#it might not be immediately obvious but when i tell you it all leads back to amatonormativity..... little bit wild.... large bit wild....#anyway. horror movie psychopath 'oh he can't feel emotions or love' damn alright. well. let's take a closer look at that.#silly that there's an association between lack of love and Murdering. feel like that might affect some stuff.#love is just an emotion/a feeling it doesn't mean anything about you one way or another#same with empathy. you can feel it all you want but it doesn't inherently change the actions you choose to take#anyway. thesis statement. there is a socially constructed link between love and morality. unlearn that.#kiss kiss (<— lovelessly)#aromantic#aromanticism#arospec#talking#aroace#aspec#sex positivity
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p4nishers · 6 months
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can't believe tom hiddleston ACTUALLY interrupted the interviewer to say "one last thing, i think mobius is loki's friend and i don't think loki has ever had a friend before" like king. i love how u felt the need to add that truly
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tooquirkytolose · 8 months
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Little Annie Clear
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kitamars · 9 months
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oh no! more ginhiji
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yrsonpurpose · 8 months
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It couldn't have just been the conference. Oh, my God, it is. It is, isn't it?
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hedgehog-moss · 8 months
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One mistake I made a lot when I started learning English was writing both the auxiliary and the main verb in past tense—as in, "Did the rain stopped?" My English teacher had to really drill this grammar point into my head, she was like "the point of 'did' here is to indicate past tense, there's no need for another time marker." Me, genuinely baffled: "Why not?" Teacher: "Think of the 'ed' in 'stopped' as having migrated to the beginning of the sentence and become 'did'. So it's no longer in 'stopped'." Well I was sad to see it go. I pointed out that in French you'd say "The rain (itself) has it stopped?" and 'the rain' feels welcome to stay even though the whole point of the pronoun 'it' should be to replace it in a quicker way. But it would be sad if the noun & its pronoun never got to hang out together so we keep both <3
My teacher had a British look on her face that made my middle-school self wonder if maybe she thought my language wasn't optimally designed, and then she said that in English it would feel clunky to give the same piece of grammatical information twice, and "if you use 'did' then the -ed in 'stopped' doesn't add anything." That just sounded offensive, I mean since when do letters need to add something to a sentence? isn't it enough that they adorn the end of words & frolic with the others in friendship. If it bothers you so much just don't pronounce them. Idk, "did the rain stopped" felt so right to me. In the end my teacher said that "The rain has it stopped?" with the redundant pronoun is the more formal French phrasing anyway, and I was like yeah true we'd rather say "is it that it (itself) has stopped to rain?" and I felt like this really proved my point and I think she felt the same way
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saw @chez-cinnamon's absolutely BANGER butterfly!Howdy design and couldn't resist! two fluffy flutterbyes <3 solidarity
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ahappydnp · 2 months
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phil liking courtney from smosh’s twitter post about hard launching her relationship with a wedding april fools post where she said it’s a weight off her shoulders after we’ve been joking for years that dnp would hard launch their marriage with an april fools post
ohhhh my godddd. oh that feels. like something. oh...
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(btw i fully fell down that rabbit hole on the 1st after i saw a tweet calling them the straight dan and phil bc apparently they'd be shipped together for years and people had speculated for a DECADE??? hello?????)
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emphasisondrvgs · 4 months
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I’m at the screening place!!
(There’s a sign about Jesus)
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m-for-now · 22 days
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Friendly reminder that in the Demigod Diaries (which is canon I believe not that it matters at this point), Leo Valdez genuinely refers to Jason Grace as "surfer-dude handsome"
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jennyfromthebes · 5 months
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If you’ve ever gone to a Mountain Goats show and waited in line outside for hours or gotten chummy with folks in the crowd, you know how deep the lore runs. It can make you feel small in the blink of an eye. Your undying love for “Cubs In Five” becomes instantly overshadowed by the guy with a tape recorder in his pocket who can recite setlists from 2004 gigs in states the Mountain Goats rarely make it out to anymore. But what’s beautiful about that scariness—even if you feel like your fandom is not enough—is that...there is such an undercurrent of love, affection and hope at every turn. At some point over the last 30 years, these people found Darnielle’s writing—be it via his boombox recordings or via the label-backed, concept-album concertos—and elected to devote a piece of themselves to loving these songs so much that, no matter what mix-and-matched setlist is thrown at them, they are ready to sing along with every note.
hey guys this tMG article is really fucking good and I think everyone should go read it
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werewolfsmile · 3 days
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The Eliot Spencer Details Masterpost
I have been recording details about our beloved Eliot Spencer on my latest watch through. And now, it's finally time to reveal the details!! If I have gotten any details INCORRECT, I beg of you to correct me, at which time, this post will be updated and credit given. (Note: S1 was aired out of chronological order. I am going by chronological episode numbers - aka the correct order - and providing the episode titles as well to minimise confusion.) !! This post contains details from Leverage: Redemption! Read the episode references carefully if you are wanting to avoid certain spoilers !!
Shirtless Moments
S1 E7 The Two-Horse Job: The flashback scene when Aimee asks Eliot what his excuse was for not coming back to her, we see him being dragged/tortured, shirtless. "Tell us what you did with the monkey!" (Note: S1 was aired out of chronological order. I am going by chronological episode numbers, and providing the episode titles as well to minimise confusion.)
S2 E2 The Tap-Out Job: Eliot is shirtless for the fight match.
S4 E9 The Cross My Heart Job: Ehh he's not completely shirtless here but whatever. At about 16 mins in, Eliot and Parker are getting changed together, Eliot strips to a singlet then throws his shirt at me the camera. (I didn't include other scenes of Eliot in a singlet here because in this scene he's actively undressing, whereas in others he's not.)
Necklaces
The earliest sighting of his guitar pick necklace is S1 E2 The Homecoming Job. It continues to pop up frequently in episodes, though noticeably less in S1. I thought about recording every occurrence of it here but ... lmao it's in legit waaayyyy too many episodes for me to bother.
S2 E10 The Runway Job: Honourable mention of the necklaces Eliot wears with his fashion week outfit. The longer one is kinda dogtag-esque, the shorter one is ... I think it's a fleur de lis? He also wears a range of chain necklaces later in this episode.
Dammit Hardison
S1 E13 The Second David Job: The FIRST INSTANCE of dammit Hardison in the entire show! Said upon discovering each other in the gallery, around 4 mins 15 seconds.
S2 E1 The Beantown Bailout Job: Said around 22 mins 30 seconds, immediately following, "What are the odds that Eliot's crotch will actually explode?" Iconic.
S2 E6 The Top Hat Job: When setting up for the magic show and discovering the rabbit missing, roughly 19 mins 45 seconds.
S3 E3 The Inside Job: Running from security, around 31 mins 30 seconds.
S3 E4 The Scheherazade Job: Trying to enter McRory's at the same time, around 1 min 30 seconds.
S3 E5 The Double Blind Job: This is an honourable mention because this time NATE is the one to say dammit Hardison! 9 mins 15 seconds.
S3 E6 The Studio Job: Upon discovering the master tape isn't in the case, roughly 32 mins.
S3 E7 The Gone Fishin' Job: Eliot and Hardison running in the woods for their lives, arguing as always. This one is a bonus 'dammit' because Hardison says it straight back to Eliot after Eliot yells it at him! Around 21 mins.
S3 E12 The King George Job: Discussing Hardison's forgery work, followed by Eliot regretting touching anything. Around 23 mins 55 seconds.
S3 E13 The Morning After Job: Pretending to be cops and accidentally ending up with a prisoner to take back to jail, around 16 mins 20 seconds.
S3 E14 The Ho Ho Ho Job: Honourable mention of Chaos mocking Eliot by saying dammit Hardison. Roughly 21 mins 15 seconds.
(phew, S3 was rough on Hardison! given what Eliot was going through with the whole Moreau thing.... ooh that's delicious angst)
S4 E4 The Hot Potato Job: Honourable mention for Sophie saying it this time! While playing the role that was meant for Eliot, around 24 mins.
S4 E6 The Carnival Job: Mixing chemicals for a distraction, roughly 25 mins 30 seconds.
S4 E17 The Radio Job: Hardison running away from being thrown off a high floor, around 5 mins.
S4 E18 The Last Dam Job: Sneaking around at the Bellington Dam, roughly 13 mins 35 seconds.
S5 E1 The (Very) Big Bird Job: 'Accidentally' putting a brew pub menu in front of Eliot, around 10 mins 20 seconds.
S5 E15 The Long Goodbye Job: Emotional scene that we do not speak about, around 12 mins 40 seconds.
RS1 E1 The Too Many Rembrandts Job: After knocking Harry out and asking Hardison to help carry Harry, and Hardison refuses. 11 mins 40 seconds.
RS1 E2 The Panamanian Monkey Job: Upon discovering that security is headed to the vault where Parker is, and the only way down there is through the vents. Around 34 mins 10 seconds.
RS2 E1 The Debutante Job: We get 3! In this whole episode! Probably to make up for Hardison being gone for most of Redemption. Anyway! First one when Eliot and Hardison are in Ralphie Roy's place and Hardison has no idea who Ralphie is, around 23 mins 15 seconds. Second is when they're breaking into the elevator and Hardison won't help fight or move the unconscious guards, roughly 37 mins 40 seconds. And third, after the job when Parker says that Hardison was the one who took out all the guards. Around 45 mins 10 seconds.
RS2 E3 The Tournament Job: Right at the start after Eliot says gaming isn't a sport and Parker texts Hardison, so Hardison starts blowing up Eliot's phone. Lmao. Around 4 mins 20 seconds.
Dammit Parker
S1 E4 The Snow Job: Parker jumps out of a second floor window, Eliot catches her. 15 mins. (Parker gets a dammit from Eliot before Hardison does!!)
S3 E8 The Boost Job: Parker driving erratically, Eliot thrown around in back seat. (Technically there's a pause between dammit and Parker but I'm still including it) 35 min 35 seconds.
S5 E12 The White Rabbit Job: Searching the mark's house, Parker wants to steal a shirt. Again, this isn't technically a proper dammit Parker, as Eliot instead says, "Put it back! Dammit." But I'm still including it because it was aimed at her. 21 mins 20 seconds.
RS1 E10 The Unwellness Job: At end of episode, after Parker admits that she didn't even learn Eliot's name till after the team broke up the first time. 44 mins 30 seconds.
RS1 E13 The Hurricane Job: After washing up on shore and entering the Beacon Inn, Parker and Eliot are bickering about Maria. He doesn't strictly say dammit Parker but there's absolutely no doubt who he's directing the dammits towards. 3 mins 30 seconds.
RS2 E6 The Fractured Job: When farewelling Billy and Parker says next time she'll finish telling him about the robot bodies. Again, it's just dammit not dammit Parker but it's close enough. 41 mins.
RS2 E8 The Turkish Prisoner Job: Another standalone dammit that is most definitely aimed at Parker! When breaking Romero out, Parker says she's a firefighter (with far too much glee), around 14 mins 30 seconds.
RS2 E11 The Work Study Job: A full dammit Parker this time! When Parker reveals that it's super easy to steal from a university and produces a whole bunch of stuff, roughly 22 mins 40 seconds.
Very Distinctive Moments
S1 E2 The Homecoming Job: Eliot ID's the weapon from the gunshots, around 8 mins. Later, he ID's a guy off his knife fighting style, around 18 mins 50 seconds.
S2 E6 The Top Hat Job: ID's a CIA guy from his stance, roughly 7 mins 45 seconds.
S3 E11 The Rashomon Job: ID's the smell of peppermint on Hardison's breath, around 21 mins.
S3 E12 The King George Job: ID's former British paratroopers by their haircuts, 30 mins 10 seconds.
S4 E1 The Long Way Down Job: ID's a former spetsnaz guy by his footprint, 13 mins 45 seconds.
S4 E5 The Hot Potato Job: Honourable mention of Eliot ID'ing ex-military personnel by their stances, he just doesn't say very distinctive. 18 mins 50 seconds.
S4 E11 The Experimental Job: Honourable mention of Eliot ID'ing a helicopter by the whumpa-whumpa (there's 7 of them did you know). Around 7 mins.
S5 E3 The First Contact Job: ID's military satellite transmission by the static, 7 mins 20 seconds.
S5 E9 The Rundown Job: ID's a Navy Seal who enlisted between '90-'95 by his watch, around 16 mins.
RS1 E2 The Panamanian Monkey Job: ID's a drone (Breanna's) from the sound. 11 mins 50 seconds.
RS1 E3 The Rollin' On The River Job: ID's Russian mob by the tattoos, 36 mins 30 seconds.
RS1 E7 The Double-Edged Sword Job: Honourable mention for Maria ID'ing the way Eliot disarmed her gun, 7 mins 50 seconds.
RS2 E4 The Date Night Job: Eliot ID's a guy as not having a distinctive anything - which is what is so distinctive. 20 mins 40 seconds.
RS2 E13 The Crowning Achievement Job: ID's MI6 off their search pattern, 6 mins 50 seconds.
Known Family
S1 E6 The Miracle Job: When discussing Bibletopia, Eliot says his nephew would like it. This is the ONLY mention of a nephew in the entire show, Redemption included; nor is there any direct mention of a sibling beyond this (which leads me to believe that this nephew is actually the son of a close friend/cousin/military buddy, rather than a direct family relation, but that's just my headcanon).
S2 E3 The Order 23 Job: When talking to the abused boy, Randy, Eliot says he has an uncle named Randy.
S5 E11 The Low Low Price Job: Eliot's dad owned a hardware store and he wanted Eliot to take over one day. But Eliot wanted to get out of that small town, so he joined the service. Fought with his dad the night before he left and hasn't been back since. He goes back at the end of this episode and knocks - but his dad never answers the door 😭
RS1 E9 The Bucket Job: While interrogating/torturing Eliot with Red Haze, Bligh says that Eliot's dad's friend from Vietnam has invited Eliot to join them for Christmas. At the end of the episode, Eliot goes to join them for dinner, only to get a message from 'J' that his dad was a no show. This 'J' is widely accepted as Eliot's unknown sibling but that is incorrect! 'J' is Eliot's dad's buddy from Vietnam!
RS2 E6 The Fractured Job: The ultimate Eliot family backstory episode!! (if you haven't seen it yet and don't want spoilers, skip this one!) Eliot was adopted by a black couple, Billy and an unnamed woman, after being abandoned/surrendered at a hospital as a baby. His father was a war hero who got none of the glory and sustained a wound, ruining his civilian career path, so Billy never wanted Eliot to follow in his footsteps. Eliot loved the stories of his dad in the military so joined up to be like him. His mother died while Eliot was on an op and he couldn't get leave to come back for the funeral, deepening the rift between him and Billy. Ultimately, they reconcile, (Eliot says his dad was always a hero to him, Billy say's he's proud of Eliot, they hug), and I cry every time 😭❤️ [Edit: Eliot being a baby at the time of being found at the hospital and consequently brought home by his adopted mother is unconfirmed and my presumption. We have no clear info on his age at adoption. Thanks to @nival-kenival for picking that up!]
Phrases: Ain't
S1 E4 The Snow Job: Said to Nate, right before Nate tells him to go skip some rope.
S1 E9 The Stork Job: Says it twice while conning Irina.
S1 E10 The Juror #6 Job: Upon being told to go help Parker instead of watching a sports game, Eliot takes his beer back.
S2 E2 The Tap-Out Job: Discussing the fights the mark runs, says they ain't the UFC.
S2 E3 The Order 23 Job: Said right before threatening to throw Randy's abusive father over the railing of a stairwell.
S2 E4 The Fairy Godparents Job: Upon spotting a hitman sent to kill McSweeten and Taggart.
S2 E8 The Ice Man Job: After hearing Hardison call himself the Ice Man, says he won't bail him out when things go wrong.
S2 E9 The Lost Heir Job: While trying to get Parker to the court room and end up cut off by the police.
S2 E11 The Bottle Job: When Hardison wants help to clean up Nate's apartment and Eliot refuses.
S2 E14 The Three Strikes Job: When Nate says to meet outside the ballpark but Eliot refuses because now he's sucked into the sport.
S3 E3 The Inside Job: Twice while arguing with Hardison about how to rescue Parker, once when Parker offers him a lift down the stairwell with her on her harness rig and he refuses. This is the most he says ain't in a single episode!
S3 E7 The Gone Fishin' Job: Once when the militia try to make him kneel, later when the militia kid catches him and Hardison near the train tracks.
S3 E11 The Rashomon Job: When Sophie changes her story to mock Eliot's accent and mannerisms.
S3 E15 The Big Bang Job: When confronting Moreau with Hardison.
S4 E1 The Long Way Down Job: Upon arriving at the base camp and complaining to Nate.
S4 E7 The Grave Danger Job: When looking for a buried Hardison and hearing the sprinklers.
S4 E10 The Queen's Gambit Job: At the end, swearing revenge on Sterling.
S4 E12 The Office Job: Arguing with Hardison about Eliot's sandwich while searching the warehouse.
S4 E13 The Girls' Night Out Job: When trying to convince Nate to socialise at the very start.
S4 E14 The Boys' Night Out Job: Exactly the same as the previous episode, so this one barely counts.
S4 E17 The Radio Job: In the patent office, when trying to figure out who lured Nate into this situation. The same scene is used later as a flashback.
S4 E18 The Last Dam Job: Warning Nate of the consequences of taking a life with your own hands.
S5 E2 The Blue Line Job: When ambushed by Marko when leaving the ice rink.
S5 E9 The Rundown Job: Once when going to wring information on the hit out of Riley, once when Hardison steps on the trigger plate of the claymore.
S5 E13 The Corkscrew Job: First time talking to Betty about how Leonard's a jerk.
RS1 E1 The Too Many Rembrandts Job: Twice when ambushed by RIZ thugs in the warehouse.
RS1 E2 The Panamanian Monkey Job: Once when discussing Ryan Corbett at the start, once when refusing to let Hardison have a turn with the diamond-tipped drill.
RS1 E3 The Rollin' On The River Job: When warning Breanna to be certain of her calculations for how to get him and Parker out of the casino's vault.
RS1 E8 The Mastermind Job: Once when discussing hiring people to overthrow a government, once when discussing how they're going to do like 6 things at once, including saving Harry.
RS1 E9 The Bucket Job: Said twice while talking with Blanche, after Blanche helped rescue Eliot from RIZ.
RS1 E14 The Great Train Job: While digging through the tainted soil with Harry.
RS2 E1 The Debutante Job: When trying to get to Volkov's plane with Parker and seeing that two guards are in the way.
RS2 E5 The Walk In The Woods Job: Talking to Paul after rescuing Harry, who was pretending to be Eliot.
Fun fact: for every ain't that Eliot says, Hardison says at least two more. And that's too many for me to bother recording!
Phrases: Y'all
Never. Not even once.
Hardison, on the other hand, says y'all all the damn time - every season, multiple times, sometimes even multiple times in the same episode.
Honourable mention for Chaos saying y'all as an incorrect mockery of Eliot's accent in S3 E14 The Ho Ho Ho Job.
... Okay, okay! So Eliot says it a few times in Redemption! But only in ONE episode!
RS1 E1 The Too Many Rembrandts Job: Said 4 times when playing a character and convincing people to clear out of the auction house.
That's it.
Aliases
These are all the names that Eliot's gone by or used on cons that I could find, not just full blown aliases.
S1 E1 The Nigerian Job: Detective Lieutenant Carden (the scene with this alias was cut from a lot of versions of this episode)
S1 E4 The Snow Job: Vince Fetkey, Hans Von Schwesterkrank
S1 E7 The Two-Horse Job: Brad Mackie
S1 E9 The Stork Job: Dale
S1 E12 The First David Job: Professor Sinclair
S1 E13 The Second David Job: Professor/Dr Adam Sinclair
S2 E2 The Tap-Out Job: Kid Jones (on the fight match poster)
S2 E4 The Fairy Godparents Job: Coach Brewer
S2 E5 The Three Days Of The Hunter Job: Earl
S2 E9 The Lost Heir Job: Officer Hilts
S2 E10 The Runway Job: Julian
S2 E14 The Three Strikes Job: Roy Chappell
S3 E1 The Jailhouse Job: Dr Abernathy
S3 E2 The Reunion Job: Lloyd Hickey
S3 E4 The Scheherazade Job: Guy Hamilton
S3 E5 The Double Blind Job: Phil
S3 E6 The Studio Job: Kenneth Crane
S3 E7 The Gone Fishin' Job: Agent Quint
S3 E8 The Boost Job: Skeeter
S3 E9 The Three-Card Monte Job: Detective Moffat
S3 E10 The Underground Job: Eric
S3 E11 The Rashomon Job: Dr Wes Abernathy
S3 E16 The San Lorenzo Job: Ray Laroque
S4 E2 The Ten Li'l Grifters Job: Charlie Siringo
S4 E4 The Van Gogh Job: Lieutenant (only granting him this one because CK played him in the flashback)
S4 E5 The Hot Potato Job: Tom Boonen
S4 E12 The Office Job: Mr Dennis
S4 E14 The Boys' Night Out Job: Luigi
S4 E15 The Lonely Hearts Job: Jackson Cooper
S4 E16 The Gold Job: Tobias Bowden
S4 E17 The Radio Job: Cowboy (*cough* John McClane *cough*)
S5 E2 The Blue Line Job: Jacques "Jack" Labert
S5 E3 The First Contact Job: Willie Riker
S5 E5 The Gimme A K Street Job: Steven Turner
S5 E6 The DB Cooper Job: DB Cooper/Young Steve Reynolds (again, technically not an alias but whatever it's here anyway)
S5 E7 The Real Fake Car Job: Barry McElroy
S5 E11 The Low Low Price Job: Archer
S5 E14 The Toy Job: Carl
Honourable mentions of Eliot being called: "Emeril" by Parker in S1 E3 The Wedding Job [thanks @aardvaark for this one!]; "Sparky" by Parker in S1 E10 The Juror #6 Job and by Tara in S2 E15 The Maltese Falcon Job; and "Skippy" by Hardison in S3 E7 The Gone Fishin' Job.
RS1 E1 The Too Many Rembrandts Job: Will Gallagher
RS1 E6 The Card Game Job: Glenn the Savage
RS1 E7 The Double-Edged Sword: Emmett Milbarge
RS1 E8 The Mastermind Job: Frank Farmer
RS1 E10 The Unwellness Job: Hank
RS1 E12 The Golf Job: Reed Wilkins
RS1 E13 The Hurricane Job: Calvin
RS1 E15 The Muddy Waters Job: Armus Vagra
RS2 E7 The Big Rig Job: Kris
RS2 E8 The Turkish Prisoner Job: Nick O'Brien
RS2 E10 The Work Study Job: New Blood
Honourable mention of Eliot being called "Skipper" by Hardison in RS1 E16 The Harry Wilson Job.
Known Associates
This is in direct reference to hitters/people from the criminal world that Eliot knew or was aware of prior to the Leverage Team. Quinn is not included in this list due to that distinction (sorry Quinn).
S1 E3 The Wedding Job: The Butcher of Kiev
S2 E7 The Two Live Crew Job: Mikel Dayan
S3 E15 The Big Bang Job: Chapman, Damien Moreau
S3 E16 The San Lorenzo Job: Damien Moreau
S4 E4 The Van Gogh Job: Frank, Randall
S4 E6 The Carnival Job: Roper
S5 E4 The French Connection: Rampone
S5 E9 The Rundown Job: Riley
Trivia
S2 E6 The Top Hat Job: Eliot claims he only sleeps 90 minutes a day, and that he cured his claustrophobia as a kid by locking himself in the woodshed behind his house for a couple nights.
S3 E6 The Studio Job: Eliot is nervous to perform in front of an audience, to the point that Parker startles him and she's surprised that she did. Interesting to note that he seems to have no issue playing sport in front of crowds.
S3 E7 The Gone Fishin' Job: Eliot says he hates beets.
S4 E5 The Hot Potato Job: Eliot chews gum. He does this throughout a LOT of episodes across the seasons but I've only noted down this one episode for it.... thanks, past me 🙄 [Edit: thanks @nival-kenival for more info! Another confirmed episode is S1 E2 The Homecoming Job!]
S4 E9 The Cross My Heart Job: Eliot says he fought a guy with a Nerf sword in Damascus, 2002.
S5 E11 The Low Low Price Job: Eliot drives an F-150 to his dad's house in Oklahoma. This is a THIRD vehicle that apparently belongs to Eliot, in addition to the Chevrolet Silverado and Dodge Challenger we see in other episodes. The F-150 is not seen again.
S5 E12 The White Rabbit Job: Eliot has 'special sedatives' aka a little psychotropic he picked up outside of Bogota.
Eliot mostly walks at the back of the group, presumably to be the rear guard and make sure no one falls behind. See ... just about every damn episode for evidence.
RS1 E3 The Rollin' On The River Job: Parker says that Eliot has cut his way out of an ice cave, escaped a gorilla enclosure, and catered a wedding for the mob.
Eliot is seen wearing glasses throughout various episodes. A flashback in S1 E1 The Nigerian Job shows him wearing presumably his own glasses. All other instances of him wearing glasses (that I can think of) are when he takes someone's glasses for a con. It is unconfirmed if Eliot actually needs glasses to correct his eyesight or not, but is a fandom headcanon. [Thanks @independent-fics for picking this up!]
And there you have it! All the details that I've spent the last 3 months collecting!! Now it's time for me to take a good, long break because my brain is fried! 😂
Once again, let me know if you find any errors so I can update the post. Data from Redemption S2 is where I've most likely missed things, since I don't have it on DVD and it's sooo much harder to scrub through streaming footage to find things. When will they release RS2 on DVD I need itttt.
If you've made it this far, thanks for reading! I hope this post can be a helpful reference for you!
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rottmnt-residuum · 10 months
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I know you didn't win the au comp, but since you said send in bonus comic ideas, would you still be interested in showing us what happened when Donnie first woke up in the facility?
If not that's ok!
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i always get hung up on the 'when he first woke up' part, as he woke up multiple times before he got to the facility. But when he woke up at the facility itself was quite literally right before that first scene in the comic.
what i was considering as spoilers here was the fact he woke up before he got to the facility
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winepresswrath · 6 months
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hi! i always love your MDZS/CQL takes; can i ask what are the questions you think CQL is asking, as compared to MDZS?
I haven't actually revisited either canon in ages, which is making me nervous. what questions the novel is interested in can be pretty contentious all on its own! @mikkeneko has an excellent answer in the notes here which I reccomend to everyone. My own thoughts are honestly pretty scattered- I keep on deleting things and going hm, that's not quite right.
So, for the obvious-to-me example, people reasonably zero in on the creation of innocent doctors/radish farmers who Wen Ruohan is holding hostage. In CQL it's easy to infer that Wen Qing and Wen Ning are maybe the only cultivators and almost certainly the only combatants among the Wen remnants, and their status is much more ambiguous in the novel, which I personally think is asking, essentially, "and so what? were they wrong to run, when they had a chance? Do they deserve what Jin Guangshan will do to them if they go back? Aren't they just people, actually?" Whereas the question that CQL is asking is more to the effect of "What does Wen Qing owe these people, when she is their only defence? What is she entitled to do to save them, at other people's expense? If she fucks up that moral calculus, what then? Does it matter if she's personally fond of some of the outsiders who are going to get hurt? If one of them saved her brother? Later, this question will flip to what Wei Wuxian and Jiang Cheng, and the parallel to Jiang Cheng's situation in particular is, I think, genuinely pretty fun. You're giving up the Wen as soldiers who've laid down their arms in exchange for Wen Qing also grappling with leadership and the question of how many horrors she can stand to look the other way on to protect her own people. one reason I keep deleting so much is that a lot cql's changes were motivated at least in part by censorship, which I think we mostly share a general and justified distaste for! but I also think that within the bounds of that censorship the creative team put a lot of work into actually doing something interesting with those changes. Or, for another example- nieyao! There's a much greater emphasis on the nmj-jgy relationship, it's unambiguously very close and they are clearly extremely important to one another, and I think that's because the cql team has a lot to say about love, trust, power, and the ways those things interact, and that reflects back on all of the other relationships in play, including Wangxian. Almost every time, when CQL chooses change a relationship they make the characters in question closer- that's true for Jiang Cheng and Lan Wangji, for Wen Qing and the Yunmeng contingent, for Zixuan and Mianmian, and Huaisang and Meng Yao. It's even true for Lan Wangji and Wei Wuxian, who have a close and trusting relationship in first life! CQL puts a much greater emphasis on "all right, so you care, what next?" How do you choose someone and then choose to be good to them? What if there's a massive power disparity between you? What if you seriously disagree about your priorities and morals? How do you trust someone who's betrayed you? When is it a stupid choice to trust at all? How do you have faith that you know someone well enough for that trust to be meaningful?
for legal reasons i would like to specify that it's not that mdzs isn't interested in these problems. i do remember wangxian's literal trust fall. cql is asking these questions all the time about everyone. also for legal purposes i'm not suggesting that cql lwj and jc love each other. but! they establish a three month wartime partnership looking for wwx and then jc immediately drops him on wwx's say-so despite apparently having a positive enough opinion of him to tell wwx he thinks they should make up twice. lan wangji will later tell wwx he thinks he should loop jc in on the second flautist! these are people trying to navigate some kind of relationship/shared interest/community, as opposed to a hateful void. cql wants to say hey, how do you go about this? while I'm here and rambling cql also puts a lot of emphasis on wwx's connection to yunmeng and changes things up so instead of feeling alienated right before he leaves our last glimpse of him there is happily picking lotuses and playing with a kid! in both stories the narrative is asking who do you protect? who do you leave behind? can you ever get it back? but the angles are very different.
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