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#like seriously how does she not get that it has an impact on me when she says i look terrible and disgusting
janesgms · 5 months
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Asteroid Industria
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✨️ Industria (389) Persona Chart Edition ✨️
Having a 5th house stellium can indicate that you will work in the creative field or with children in general, it can also indicate that your own children will interfere in your career like bringing your children with you to your job (and this can cause problems to you depending on the planets we're talking about).
career examples: being a teacher, a pediatrician, a performer, an artist
Sun conjunct mercury indicates your job has a lot to do with communicating yourself/speaking in general, your job is a lot about languages or just communicating in general.
career examples: being a teacher (again), a singer, a mailman, etc. it reminds me of hermes in greek mythology
Having a 2nd house stellium is a huge indicator of having a job that brings you financial comfort and gains in general, you're probably the "official" supporter of the house financially.
Virgo stellium in this chart shows someone bery hardworker, to the point where it's even obsessive depending on the planets and aspects, people can even take advantage of you because you have no problem with doing the "dirty work".
7th house moon is an indicator you have a soft heart in your job space and a lot of peoole with bad intentions take advantage of your kindness, you need to set your boundaries, seriously.
3rd house venus = gossips about your love life in your job space?? 👀 just a guess
Neptune square moon can indicate that you're very uncertain or lost when it comes to choosing what your heart wants for a profession, you feel like there isn't a dream job for you and you'll just get on with life lol. I think this also applies specially if you have pisces personal placements or a stellium in this chart.
On the other side, and kind of surprisingly, moon conjunct neptune can indicate that you've always dreamt about a certain job and it fits you like a glove.
Mars in the 8th house can mean you like to work alone, secretly, you don't like to be ordered around much and you hate when people invade your privacy in your work space.
Having a libra venus in this chart can indicate your beauty and charm have a huge impact on your job.
celebrity example: Taehyung from BTS
Having a libra midheaven can mean your aesthetic has a huge impact on others, you can influenciate a lot of people from your profession.
celebrity example: Lana Del Rey
I think Taurus stellium is a huge indicator of talent and a gorgeous aura in general that makes people pulled in by you in your job space. You'll probably work in the comestics/fashion area (sometimes people forget that venus also rules taurus but let's give them some credits too here lmao)
Mercury in the 5th house: you communicate yourself so pretty, so beautifully in your job, your words and/or voice let people in awe, this has a siren effect but not necessarily a singing voice. Your words can be hypnotizing and your diction too
7th house venus or stellium can indicate your romantic life impacts on your job immensely, even negatively if you're not careful. Also, it can mean you'll find your significant others in your profession field.
Pluto sextile sun means you impose yourself beautifully in your profession, you have an impact on others in a gracious but unforgettable way.
1st house moon can mean you pour your heart out when you're really trying hard to leave an impression through your job. This can also means you care a lot about how others perceive your appearance and this affects you really personally
5th house venus is so pretty, I wish I had it in my chart lol, this person really knows how to use her creativity to make her job properly, she has a natural talent for what she does.
Having a combo of positive aspects between the moon/venus/asc in this chart can indicate your femininity is very in tune in your profession field, you can come off as really beautiful and "in form"/put together when you're working, you just know how to have the ideal vibes, you know? This is very beautiful.
1° Sun means you can show your ego pretty easily when you're in your job space, unless neptune is aspecting it or it's in pisces, then you can hide it pretty well, but you still can be very certain about your abilities and even your appearance, this can indicate a natural leader.
A Leo or Aquarius MC is the true trendsetter of their professional field, they have the best ideas and they're always ahead of others, they can be really inovative. Leo can do it in a more traditional way that still works and leave an impact, in a big and colorful way, aquarius make it in a standing way that leaves people shocked with their ideas, they do that crazy thought that others are scared. The Leo MC knows that they're the royalty and the Aquarius MC knows that they're the mastermind. This duo can work greatly together, their ideas mix pretty well.
1st house Mars in aries are such fast workers!! they do their job pretty fast
I've talked about virgo stellium, but Capricorn stellium are the TRUE workaholics and they do the hard job without an ounce of laziness, they're down for anything as long as it makes them satisfied with fulfilling a useful meaning to them and with ✨️money✨️ of course lol
Speaking of capricorn, having a Capricorn MC means you have fame of doing your job impeccably, you're not joking in your area lol.
If aries/1st house placements are fast workers, taurus/2nd house placements are the opposite. They appreciate the details very much and they hate doing a job for the "half", they can be slow workers but their talent makes it worth it.
8th house pluto and/or mars can indicate you're pretty envied in your job space 🤫 be careful with gossips, lies and secrets...
Scorpio moons do not put their souls in their jobs, their jobs ARE their souls, they pour everything in their profession. They turn their traumas in art
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astralnymphh · 21 days
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♯┆spacesoldier/spacescientist!ellie: who won't shut up about the hookup between you and her from the night before, and longs to do it again, fully. .ᐟ ★
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literally don't question the randomness of this blurb. i run on revelations and sudden visions, and this one was just too hot to let rot. i had to pause a whole request for this thing. and it's a bit rushed, i'll like expand on it some other time i just wanted to return to this trope. anyways, I digress— space scientist ellie, nine month voyage through the cosmos, hookups.. tipsy hookups.
it'd be morningtime in the wake of certain events preceding that memories would slowly begin to prick through the surface— owing to ellie's imperfect subtlety. hills and hills of planetary research, prototype weaponry, instructions on how to properly utilize said prototypes, and coffee-stained reports, dawdled through like the process couldn't get any more boring than it presently is; stress, procrastination, a murk in the thick of your thoughts— literal brainrot. then, the main office zone gate slides open, that little airy whir pulls through your ears, and the person that walks through foments sudden recollection to the promotion party last night. ellie. a new recruit under your stations wing— and the immodest girl who was under your hood many hours ago.
ellie is a damnable pesterer of love; portending that if you've ever been intimate with her, she'll be stuck to you like an idiot's tongue adheres to icicles in wintertime. and tipsy her definitely was after you two had sex: pleading for you to stay a minute longer to cuddle, pressing every work-related praise hot into your nape, mentioning how good you taste out of the blue, so on and so forth. yet now that it is a bright and advantageous morning, and considering that she woke up to the scent of you woven through each fiber of her clothes— she remembers, and she reminds.
ellie's got her legs crossed, arms crossed, leaned against your desk's edge, small butt of hers rudely stamping one of your precious folders; the usual stance she does when you're plying your trade, and she prying for attention. "seriously. thursday, you and me, conference room number twenty-seven, i'll bring wine and fetch dinner from the canteen— please?" an earnest ask, you can sense it in her tone; evenly pitched and soft, softer when she pleads, as always, albeit that the spaceship you dwell in has no actual restaurant so dating environments are centered around some good old D.I.Y and empty meeting rooms. her foot winds out slightly to tap the spokes of your office chair, nudging the focus you so dearly casted to the papers below you, to her instead. which regrettably works; tossing an eye roll as you spin, "dates and recreational dinners don't fit into anyone's schedule here, you know that." it aches to claim that, and aches harder to see her take that hit of an that answer. watching her head drop and her mouth tug into a contemplative shape that wanted to battle it out with excuses, loopholes, promises— but it forms into a grin rather, and decides to be impish. "had time for last night though, didn't we? a great time, actually, n' i wanna see where that.." her voice sinks into the pit of her throat— deep and reserved — and her thumbs start to do that cute fiddly thing at her waist, rolling over each other while the rest of her fingers intwine and overlap, "—takes us?" modifying her words into a delicate, unsure question. a toothy, one-sided smile and sad puppy brows, ugh you could just pinch her cheeks. but of course, she spices up the deal, "hopefully.. back into my room, if my flirting skills aren't total shit." annoyingly rambling as a way to showcase how gravely you've impacted her mind the last twelve or so hours. so grave, you're the only thing her motivation could cling upon to urge her limbs and weasel her sluggish weight out of bed earlier. "please?"
that please chisels a smile into your lips, unfortunately-fortunate, "god, you're so bad, williams." poking fun at her and coasting the wheeled chair away with the back of your knees straightening, rising from your seat with documents in-hand, and agreeance in-mind; written ripe on your lifted cheeks.
"was i?" said indirectly, a cocky implication twisting her cheeks to the same level as yours. it took you— let's say, two, three, awkward seconds of squinting before you understood her crafty-ass joke that took your words a completely different, and lewd direction. stupidly faced too: cocking her brow with the scar slicing through, and cocking one side of her head upwards too, overall just cocky. now you could just squeeze her annoying face until it exploded. figuratively.
"shut up." "okay."
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MASTERLIST . DAILY CLICK . READ THIS . PALESTINE MP . DOC VER
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ew-selfish-art · 9 months
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Dpxdc (sounds like a bad joke) AU: A Cat, an Amazon and an underage Dead kid walk into a bar...
Selina Kyle was on official Catwoman business on the Coast of Greece, though of course she told her currently on (off again on again) boyfriend Bruce that it was just a girls weekend away. A particular jewel came to mind and it needed to be hers, ancient Obsidian carved with symbols of power (and yes, one of the symbols happened to be a cat.)
Selina knew she was getting close to the artifact when Diana Prince showed up. The no-good goody-two-shoes museum curator seemed to have a will of iron, and each time they crossed paths, the tall beauty had some passing remark about Bruce (which was really starting to get under Selina's skin) and the fact that they were just friends. Who does this chick even think she is? Just because she can speak fluent Greek, knows Selina's boyfriend's favorite bedtime story to read his kids, and has an ass that just won't quit doesn't mean she's better than her!
Selina is going to (remind herself frequently that women in competition is just a factor of the misogynistic capitalistic society they live in) do her best to keep under the radar, steal the artifact fast, and then make Bruce propose to her.
But then this weird scrawny kid shows up and asks if she's seen something of his. Selina is on the street, sitting at a table outside the local cafe conveniently located across the street from the auction house holding the artifact, when he approaches. He looks like he could be one of Bruce's kids, made distinct by his very nervous demeanor and shrunken shoulder's attempting to make him look smaller. Briefly, he tells her about a piece of black glass that has a few drawings of his on it, about the size of his palm, and may or may not have some lingering ability to... he doesn't finish his sentence.
Diana was walking across the street to go into the auction house... but to Selina's chagrin, the tall could-be-a-model crosses and approaches them instead. Her eyes are settled on the young man, and he's nervously asking her something in Greek. (How did a kid with a midwestern accent speak fluent greek?) Diana explains that he must have gotten a replica of the item showing in the Auction house somehow, and the kid looks like he's eaten a sour lemon all of a sudden.
A projectile comes hurdling at them a mere moment after the kid's cold breath becomes visible in the hot greek sun- Diana braces the impact for them both, her golden bracers revealed from under her sensible work blouse sleeves.
"Oh! You're Wonder Woman!" The kid gleefully exclaims, which makes Diana and Selina both die a little inside, before adding: "Hey, no worries about this guy, I got 'em. But could you grab that chunk of obsidian for me? It's mine and I'm seriously in hot water for having broken my cro- er- for losing it in the first place. Thanks!"
He suddenly bloomed into white hair and green eyes, a dark suit appearing from nowhere, and flew towards the threat. Wonder Woman didn't spare a single word on Selina and chased after him into combat.
Selina sipped on her coffee and, upon finishing it- casually got up, went to the auction house, and stole the Obsidian. Finders Keepers.
It was the late afternoon when Diana walked into the Bar right behind Selina with the teen at her side. He looked nervous but was eye-ing the bottles on the wall as much as he was trying to look intimidating to her. Diana looked annoyed at best, and not just with Selina.
"I think we should have a little chat, sound good to you Kitten? Princess, did you want to stay to talk too?" Selina's famous cat like grin on full display.
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enter-the-bogman · 1 year
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Reading through the Tortall books in publication order is funny because you start with Alanna “the village healing woman taught me all she knew” going off to become a knight, and end with Numair “world’s most powerful mage” as young Arram Draper first learning magic at the Carthaki university. Because of the 40 intervening years and five(?) different series further developing the Tortall universe, the magic system is now SO much more complex.  Arram is learning an elementally-based, heavily theory-dependent form of magic where conceptual power is applied to physical objects or energy constructs. His teachers make him develop skills in non-magical areas like juggling, jewelry making, and gardening so eventually they can safely guide him through complicated applications of magic. In comparison, Alanna complains that Duke Roger is spending too much time on theory in order to prevent her and her peers from learning “actual magic” and becoming his rivals. And then she throws purple light at things until they explode or she passes out! We also learn from Arram’s misadventures that most of “magic” is creating methods of applying, storing, and accessing power so the user doesn’t drain their own life force and pass out or die. Alanna uses NONE of these techniques; instead, she pulls her magic directly out of her own life force, thinks about what she wants it to do, and hopes she reaches that goal before draining herself. She even (sometimes) factors in the impact of magically draining herself of energy while attempting tasks that require both magical and physical endurance (such as when deciding how much magic to spend warming herself when making her blizzard hike to claim the Dominion Jewel.)
For one thing, this makes Alanna insanely powerful. In In the Hand of The Goddess, she breaks open Roger’s magically locked door (presumably designed by Roger himself-- an immensely strong and well-trained sorcerer) by shoving her own magic into it until it MELTS. This builds an Alanna who decided magical theory was useless at age 12 because she has an immense access to magical potential energy, and who never learns the basic life-preserving models of magic usage that are taught in intro-level classes. She doesn’t have an interest in learning more sophisticated forms of magic, except in healing, which she cared about enough to learn non-magically. So when she heals, she uses magic as a guide or a supplement, rather than depending on it and then draining herself.  Since she isn’t attempting complex magic, most of the time the limitations of drawing directly from her own life force doesn’t impact her that much. The things she does magically all have much more efficient alternatives, but they require an understanding of magical theory and ability to store energy that Alanna never learned! If she wants to do larger spells, she just keeps feeding energy into it until it breaks or she does. 
The intervening series and Numair’s story makes Alanna’s simultaneously more and less believable. It now makes sense why everyone with even a slight understanding of Alanna’s type of Gift gets angry at times and tells her she’s using magic irresponsibly. (Before, we only understood Alanna’s side of the argument: “Well, I didn’t die and it worked, so calm down.” !!!) The fact that she never actually dies and only rarely is seriously harmed through her own magic use now requires some suspension of disbelief!
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Eddie Munson's royal fuck-up
Written for the @steddieholidaydrabbles, day 11
Prompt: Royalty AU
Rated: G
CW: none
Tags: Rockstar Eddie Munson; Royal Steve Harrington; Meet cute; Flirting; Secret Identity; Sort of angsty/open ending
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"So, tommorow…" Chrissy says from behind the folder they've been provided. It looks so posh with its dark green binding, the royal sigil embossed on it in gold print. Eddie hates it. It probably thinks it's so much better than the other folders. "When you're introduced to Prince Steven, you're to address him as Your Royal Highness. After that, you call him Sir." 
"What, really? Dude, at least buy me dinner before we start with the kinky shit." 
Chrissy shoves his feet off the desk, which almost makes him topple off his chair. 
"Can you take this seriously? A royal visit is an important matter. We can certainly use the publicity-" 
Eddie's hand crashes down on the desk. "I'm a fucking rockstar, Chris. That ain't enough publicity? This place is my baby, mine. What does that royal asshole know about what it's like to have a rough childhood? He thinks he can come here, give a little speech, smile for the cameras, and suddenly it's all about him?" 
"What, now you care?" 
He whirls on her, but the look she gives him makes him freeze. Chrissy sighs. 
"Eds, you are so busy with the new album and the tour, you haven't even met the new volunteers. I said I'd manage the place, and that's fine. But you must trust me. Just do it for me. Please?" 
*
The skate park has new graffiti, and he hasn't even seen it yet. Eddie exhales his cigarette smoke and watches how it curls up to the sign spelling Hellfire Youth Center.
Maybe Chrissy is right. Maybe he should be here more. Maybe he's been so caught up in the whole fame and fortune thing, he's losing sight of what's important, like- 
"Watch out!" 
Like guys on skateboards barrelling towards him. 
Eddie throws up his hands. The guy tries to swerve, completely tips his precarious balance, and goes flying off the board and right into him. They land on the asphalt with an undignified oomph. 
"Shit, sorry," babbles the guy and tries to disentangle his limbs from Eddie’s. "Couldn't brake-" 
"S alright," Eddie hears himself say, even though his ass hurts like a bitch from the impact and he can already feel the bruises forming. "You can fall into my arms any time." 
Skateboard guy blinks up at him and - fuuuck, he's cute! In a scrungly, beanie-stuffed-over-chestnut-locks, black-rimmed-nerd-glasses kind of way. 
For a second, nobody says anything. 
"For fuck’s sake," someone swears, and then little Max Mayfield is running towards them, ginger braids jumping with the movement. "I told you to be careful." 
"Sorry," cutie with the glasses says again. Eddie has never seen him around. He must be one of the new volunteers Chrissy mentioned. "Guess I'll need to practice some mo- ow, shit!" 
His hands fly up to cradle his knee. There's a hole and a rapidly spreading bloodstain in the fabric of his jeans. 
"Oh fuck," Eddie says, and whips his bandana from his back pocket to press it to the wound. "Red, why don't you hop inside and get the first aid kit? I'll stay here with …" 
He trails off expectantly. Cutie's eyes go wide. 
"I, erm … Dustin." 
"I'll stay here with Dustin." 
*
Dustin, it turns out, isn't just cute, but also fun to talk to. He doesn’t gush about what a huge fan he is or ask for an autograph once. Eddie never thought he'd appreciate that one day, but it gets really old really quick. 
Instead, they jump from one topic to the next, sitting on one of the benches and watching Max go on her board. Dustin has a quick, sharp wit and isn't afraid to counter Eddie’s jabs with his own, delightfully bitchy sense of humor. Damn, to think he almost missed this one. He really needs to be around more.
"I love this place, y’know? You created something great for these kids." 
Eddie jerks to attention. The sun has started to dip, casting Dustin’s smile and the hair poking from his beanie in a soft golden light. 
"Thanks man," Eddie murmurs, and feels the bitterness boil back up. "Some people seem to think it needs better publicity, though." 
Dustin shuffles awkwardly, winces when the movement pulls on the Care Bears bandaids Max has plastered all over his knee. 
"You mean the royal visit?"
Eddie huffs. 
"Yeah, man. I mean, what are they expecting me to do, bow and grovel while his Royal Doucheness prances all over the place with his perfect hair and fancy suit and thank him for it? It's not like he cares about these kids, it's all just a gig to him."
Dustin draws his bottom lip between his teeth.
"You can't know that. Maybe he does care. Maybe he's-" 
Eddie barks a laugh. "Oh, give me a break. All the royals are good at is looking important and spending our tax money. I can fucking do without-" 
"Steve? We gotta leave, c'mon." 
They both whip around. A fancy black limousine with tinted windows has pulled up in the parking lot behind them. A gruff looking man is holding the back door open and looking at them expectantly. 
Dustin sighs and stands. 
"Coming, Hop." 
"Wait, wait, what?" Eddie babbles as he walks towards the car, shoulders in a sad little hunch. "What's going on? Who's that guy? Why's he calling you-" 
And then it clicks. 
"Oh fuck," Eddie says. 
Dustin … no, Steve … no, Steven - Crown Prince Steven fucking Harrington - gives him a tight smile while the man ushers him into the backseat. 
"Thank you for your time, Mr Munson, I'll see you tomorrow. I'll try not to be too much of a douchebag, I promise." 
The door clicks shut. 
The car glides away. 
Eddie buries his face in his palms. 
"Jesus fucking Christ. He's the fucking Prince."
Beside him, wheels grate on asphalt as Max brakes.
"Wow," she deadpans. "You're in some deep shit." 
Eddie groans. 
Tomorrow is gonna be a long-ass fucking day. 
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Part 2
All my holiday drabbles
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UNRELIABLE NARRATORS; SIDE C
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*NOTE; propaganda is out of order due to poll length!
Eugenides Propaganda:
the entire plot hinges on a detail he lets the reader (and every other character) assume is true. I don't want to spoil it because it's a really fun reveal but he is lying from the first second he appears on the page and you can't trust him to tell the full truth about ANYTHING related to himself and his goals. he mostly does it to keep his advantage and not have other characters be suspicious of him but it's just so fun when you realise he's been lying the whole time
Harrowhark Propaganda:
She gave herself a lobotomy and gives completely incorrect flashbacks to the previous book. Things that straight up did not happen. Gaslight gatekeep girlboss.
She’s schizophrenic (confirmed by the author) and also lives in a world with necromancy and ghostly revenants. She’s not just an unreliable narrator for readers, she’s an unreliable narrator of her own internal experience. She knows this and has to work with people around her to compensate for it. Descent into spoilerville below. Seriously Do Not Read if you want to read these books. There’s also the little matter about how she is *not actually the narrator* of a huge chunk of the story that we are initially led to believe is being told from her perspective.
(Spoilers) Holy shit she is THE most unreliable narrator. This gremlin gave herself a lobotomy so that she could forget about Gideon Nav, the most important person in her life (for magic soul-preserving reasons) so half of the second book in the series is spent gaslighting the reader about a book they just read. She comes up with an entire alternate version of the events of the first book in the series to carefully exclude any mentions of Gideon, and any time someone says ‘Gideon’ in front of her she LITERALLY has a stroke and/or an intercranial hemorrhage as her brain overwrites the word with someone else’s name. God occasionally intentionally triggers her memory revision to get out of difficult conversations. She also hallucinates ALL the time (unrelated to the lobotomy). She shows up at her frenemy’s room in the middle of the night (think little kid stumbling to their parents’ room and saying “I frew up”) to ask her to come check underneath her bed for the corpse that’s been wandering the space station. When frenemy checks underneath the bed, frenemy claims not to see anything, and Harrow is such an unbelievably unreliable narrator that it’s an open question in the fandom as to whether frenemy genuinely didn’t see the corpse or if frenemy was just yanking Harrow’s chain. Harrow is also haunted by a literal ghost that fucks up her already fucked up alternate history. Girlie will pick up a piece of paper and read from it the most violent and haunting piece of prose ever composed, when in reality all that’s written on the paper is the elementary school Superman S*. I am NOT joking that is a real goddamn scene. Harrow was created to win this poll. TLDR; she has brain damage and memory loss, she hallucinates, and is also haunted. * https://twitter.com/vestenet/status/1301012651145859072
Girl is so unreliable, she unreliably tells me events I was there for!!! She's retelling the previous book and I'm like "girlie, this is absolutely not how it happened". Also, she gave herself a DIY lobotomy, it has to impact your memory center I guess
She literally had a lobotomy, how can she be reliable
More Propaganda under cut!
Harrowhark is simply the unreliable narrator of all time. Can’t remember shit because of a lifetime of trauma? Check. Maybe lying to yourself and those around you a bit? Most definitely. Being gaslit by the survivors you depend on to orient you to reality? For sure. How about a little bit of canon schizophrenia? She’s got it all. Ghosts? Or something? Spirits that are attached in some way to your body and are not perceivable by others? Sure, sure! But how about spirits that are attached in some way to your body and are gonna use you to hijack others’ bodies and maybe kill God, too? Absolutely. Wee bit of DIY brain surgery? If it would make you an unreliable narrator, friends, then Harrowhark Nonagesimus has been there, been subjected to that!
Okay I don't know that much about this series since I haven't convinced myself to read all of the first book, but this is my blorbo in law so I'd feel bad not spreading propaganda (all of what I'm saying is something I've read, as to prevent myself from straight up submitting misinformation). So all of Harrow's unreliable narration takes place in the second book, Harrow the Ninth. Basically, without her even seemingto acknowledge it, Harrow's brain is very fucked up during this book, to the point where even she's not sure how reliable her narrative is. There's many questions left unclear as a result of her fucked up little brain, like what's real, what's fake, whether we can trust her judgement, whether even she can trust her own judgement, whether her original cavalier is dead or not (Harrow is convinced she is), etc. Let me tell you, I adore unreliable narrators who aren't even that sure if they're reliable. I have yet to eat that trope up here in this circumstance, but this poll might not run again by the time I do, so for now, here's my messed up blorbo in law.
OKAY SO REMEMBER MY GIDEON SUBMISSION? HARROW DOESN’T! SPOILERS AHEAD BECAUSE SHE LOBOTOMIZED HERSELF TO FORGET GIDEON BECAUSE THAT’S A HEALTHY WAY TO GRIEVE AND THEN IN THE ONLY PARTS OF HER BOOK THAT SHE NARRATES (THE REVISED CANAAN HOUSE PARTS) IT’S LITERALLY A ROOM FULL OF GHOSTS HER BRAIN SUMMONED TO DEAL WITH THE FACT THAT SHE CUT HER BRAIN IN HALF TO FORGET GIDEON. she also is a) haunted and b) psychotic, experiencing hallucinations her entire life of both the ghosts haunting her and less supernatural hallucinations- bells tolling, bones rattling, her parents (some of the only dead people NOT haunting her), etc! in the revised history of canaan house that her brainghosts invent, she brings along someone who knows about her psychosis to help reality check her when she tells him go! her caregiver as a child and support when she got older, crux, is a horrible man- but at one point, when someone other than harrow is in harrow’s body and tells him “i am not harrowhark, i am sorry,” his response is simply “aye, you’ve said that before too. who are you then, if not my lady harrowhark?” showing his familiarity with her psychosis and his love for the child he wouldn’t dare see as a daughter. but enough about that lets talk about her unreliable narration! she lies about her feelings of course but she also simply hides the truth from everyone, all the time, compulsively. also literally the entire section of her book that she narrates is a lie she’s telling US about a lie she’s telling HERSELF and no one understands even a little bit of the truth until like the last act of the book. queen.
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jess-the-vampire · 1 year
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I genuinely don't understand the gripes a few people have with how Belos was handled in the finale. "Dont just brush him off as being evil" Well, why the fuck not? Dude wasnt born evil but he purposefully chose destruction and death at every possible opportunity for 400+ years. Nothing about his backstory would have made any impact on the characters affected, because its not an excuse, its not even an explanation! Caleb had the same childhood and he loved the Boiling isles. Eat boots Belos.
Ok, buckle up cause this is gonna be a long one, we gotta have a chat about Belos as a character, because there's been so many takes about this i keep seeing about " he never accepted the isles the way luz did" and "He had 400 years to change and he never took the took the offer", because it just seems like the fandom wants to kinda ignore a lot of the nuance about his situation and why it's not that simple?
and i'm for sure certain it's because the fandom is obviously already pretty biased against him since he's the villain, and what he does to the main characters as well as represents.
And that's fine, obviously he becomes a pretty bad person, no one is obligated to like him and it's ok to feel uncomfortable given the character he is.
But i think a lot of these issues as to why people have such mixed opinions about the finale has a lot to do directly with the fact the show DID keep his backstory as vague as they did, when if they had gone into it i think we would've had less of this discourse.
Now none of this is me excusing him obviously, but the fandom is very adamant to just not allow him to have depth either, when....he's allowed to be irredeemable and have depth at the same time. He's meant to be a very human villain, a character that could happen to anyone under the right circumstances
So not exploring that depth, why it got how it did, and how things like it can be prevented is a flaw within the show and among a lot of fans.
And to be fair, the show does not HAVE to do it, but the show also clearly wrote his character to have a lot of implied depth whether people like it or not, him coming from a very real religious group alone and making him a foil to luz has turned what could of been a very one note villain into one with a lot of layers to his villainy.
And if the show wants to make belos a very one note villian, no depth, they could of very easily done this by just cutting out details like his love and care for his brother, or just make make him want to destroy witches simply because he decided on his own they were worth destroying.
But that's not exactly what they've presented belos as being.
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The show thrives in having characters who aren't just simple nor cookie cutter.
Hunter isn't just some cocky sidekick, he's an abused teenager who craves love and affection, and is willing to go high and low to earn it, terrified to be thrown away and replaced and constantly is forced into a mold just to get the affection he craves. He's highly sheltered and isolated just because his father figure doesn't want him to be his own person since that wasn't what he was created for
King isn't just a tiny little brat who craves power, he's a child whose been lied to about his past, and he wanted nothing more then to be taken seriously and feel a sense of belonging. He believes that he wants power, but finds out he really only wanted to be treated like anyone else, and that he's far happier with a family that loves and cares about him rather then being a powerful demon king.
Lilith isn't just a self important antagonist who wants to force eda to do what she wants, she grew up close to her sister and wanting to be by her side well into the future, but felt a sense of inadequacy in comparison to eda. The pressures of the coven system and need to win against her sister made her make a drastic choice she regrets and she wants nothing more then to fix it and make everything the ideal fantasy they grew up wanting to have together. She's also a large nerd, craves the attention of higher figures since her own mother used to put all the attention on eda, and changed her appearance just so people would take her seriously.
And the show does this with most of it's cast, obvi there's the exception like tibbles and even bosha who don't have too much to them, but they're also very minor antagonists and there's still stuff you can pick up on.
Belos however is the main antagonist, everything that happens in the show, happens because of him, his entire backstory is basically why the plot of the show happens.
Not just that, but also caleb and evelyn, if it weren't for the drama between these three, there would be no show.
And people are WELL aware these three aren't the main leads, they aren't going to be the main focus of most episodes and obviously the show was going to end in the favor of the main characters.
But
the story the show tells between these three ties very strongly into the ones with the leads too. We are given at least enough details to notice parallels between stuff that happens with characters like luz, and characters like philip.
We know philip and luz grew up in gravesfield, we know there were outcasts there, and they had one family member they relied on to support them there. They ended up in the demon realm, they both learned magic, and they both are strongly motivated by their beliefs regarding the isles.
So there's a lot they share in common, which makes it really easy to take a look at philip and say "Well it's his fault for not being like luz and accepting the isles like she did".
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But, there's a lot of differences here
Luz grew up with fantasy, with magic stories about witches and heroes and demons. Philip grew up in a 1600s puritan village which demonized this stuff, he was a young child growing up being told this stuff was evil and he was taught to fight against it.
Luz felt odd for her interests and out there personality but at worst she felt isolated and misunderstood, she didn't like her mom's efforts to change her to be "Normal". Philip actually conformed to gravesfield, caleb clearly encouraging his brother to do so, just so both of them could fit in with the town. Had they not conformed at best they'd be isolated, but at worst they'd be dead.
Camilia is an adult who eventually opens up and talks to luz about how it was wrong to try and change her to be "Normal", that she herself hid her own interests to do so.
Caleb, was a child, he did not have any open conversations with his younger brother. Caleb hid evelyn and his interests with witches from philip and then on top of this, left philip behind.
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You could absolutely say the fact caleb didn't talk to philip is pure speculation, and not confirmed at all. That all of this could be summed up to unreliable narrators.
But we know caleb left for the isles before philip did, we know it took time for philip to find him again (because his beard grew out), we know caleb had a wife who seems to be pregnant, that he was introducing philip to (Implying he not only hasn't seen philip in awhile, but that eve and philip have never met to caleb) and all of that alone feeds into the fact caleb left him behind to start another life. This is all shown in his memories alone, stuff we can't chalk up to unreliable narrators.
So the most logical conclusion to come to is caleb left philip to start a new family, we don't have a lot of details as to if caleb ever planned to return, if caleb had good reasons to do what he did, or much about his mindset.
But we have enough to know Philip loved and looked up to caleb, that he relied on caleb, and caleb lied and left him.
There is again, reason to tie this back to camila and luz.
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but this is not a child leaving a parent behind, this is a parental figure leaving a child behind.
This is what i mean by the issue being lack of clear answers, people claim caleb left when philip was an adult, but we actually have no confirmed evidence for this. We have enough of philip's memories to know 2 things, that he was still a teenager when caleb was meeting evelyn, and he was an adult when he arrived.
You could argue philip was an adult by the time caleb left, but it's so vauge you can also argue caleb left when philip was a child and philip didn't figure out his way to the demon realm till adulthood and there's not enough proof to go one way or another.
now titan dad says philip had no genuine reasons for his actions, that he did this all for glory, but as steve put it back in OTWAT, the titan is just a guy.
And given the collector situation, he can make mistakes and screw up just like anyone else.
Titan dad only sees what he can see and make observations based on what he sees. He saw a human come to the isles with a bias already against witches, who ended up killing his brother, who claimed to come here to save others and that's all he's going to see philip as being. Someone who wants to save others but just hurts them instead.
He has no reason to know what philip grew up under, nor does he have reason to know philip and caleb's story before they arrived. There's no denying philip did love caleb, and that they were close, but that caleb leaving him behind for witches drove them apart.
I think the problem ppl even have with what titan dad says is purely because the fans take it at face value, because let's be honest, most fans will believe the objective heroes for what they assume over the villians. And since the show again, leaves philip's story vauge, and never puts it in the main focus, people will just assume what titan dad says must be the truth.
Like yes, you can pick up on these details if you are paying attention, but most people won't do that, so a lot of fans will listen to the god telling them what philip's motivations are coming from rather then put together the sense of betrayal from caleb that hurt philip that most of the evidence is actually pointing to.
philip had no parents, and had no one but caleb as far as we can tell, and then caleb left him too, like he didn't want him anymore.
And he left him in a bigoted town, alone.
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the damage this could of done if he was a child is pretty darn bad, and for philip to assume this happened because of a witch means reinforcing everything he's been taught about witches.
Caleb lied about his changes, so when caleb sees him again, caleb seems to be a different person, which does fit with what philip says to luz about the isles "Brainwashing people".
tho you can argue that that's not the truth, that philip knows caleb did it on purpose and killed him for betraying him, cause of how he blames him in episodes like FTF.
But again, this is the result of leaving things vague, because either situation is plausible.
it's plausible philip never intended to kill caleb at all and he died as the result of trying to protect eve because the show says he was trying to target evelyn to save caleb, and it's plausible he died on purpose out of philip's rage for caleb leaving him. Because guess what? That means caleb had the means to go see him and could've seen him but made the choice NOT to, so yeah, that's pretty heartbreaking.
again, this also comes into play regarding Philips's guilt.
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People objectively keep saying philip HAS no guilt regarding caleb, but we have evidence for both guilt and non guilt.
Now, sure, his portrait of dead caleb implies philip is not guilty for his death based on his expression after the fact. We also have the fact philip shows distain towards the grimwalkers, that he never outright expresses he feels bad to anyone.
But, we also have caleb's death being treated as one of philip's worst memories in KT that he objectively recalls in horror, he says he "Tried" to save caleb in FTF, which implies he wanted to save him and that he's mad he didn't manage to do so. The grimwalkers and caleb could be seen as ghosts, but also as hallucinations, and if you are seeing them as the latter then it makes sense he'd be seeing them out of some level of guilt towards having them killed.
If the show had these details explained more fully, it would be easy to either deem belos as being a murderous dick with no remorse who thinks killing was the right thing, or as a guilt ridded stubborn murderer who wants to not acknowledge he was wrong and screwed up.
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it's why people are split, because you could objectively choose to see him both ways and the ending will affect you differently depending on what you picked up on.
But now let's talk about philip not changing, because people have bashed him for not doing so in the 400 years he's been there and that he had opportunities to do so but didn't.
And i think this is half right, half wrong.
Philip came to the isles with biases, he basically grew up in a cult, he came in thinking he was traveling into hell to go find caleb. Caleb encouraged his hatred, and then his hatred got further pushed when caleb seemed to be kidnapped, and then further pushed when he was surrounded by nothing but bigots.
So this man was already on a bad foot compared to luz, who was here to live out the fantasy books she grew up on, and objectively would have no reason to hate or fear witches nearly as much.
And we do know while the BI can be compassionate, it also has it's issues, even luz faced discrimination for being human herself while on the isles. Being powerless there is well, not great, it's why luz had to figure out her own way to do things alongside everyone else.
And the Bi ARE dangerous, especially for humans, so it's at least understandable philip is not going to just show up and look past the flesh eating plants, the evil weather, and the lack of anything he can even objectively eat.
Now philip could of considered things outside of his bias, and made the effort to try and look at things from a new perspective. But we also have to acknowledge that it's not easy to come out of this long time brainwashing either, and that it takes time and help to do so.
And philip, didn't seem to have that.
Yes, caleb grew up the same way, but not only was he older, which already set him up to question things more. But he had evelyn, he had someone to challenge him and his views and change his mind.
Philp, doesn't have that, there is no confirmation anyone ever really chose to challenge his views or make him realize he was following a lie.
Caleb could of but caleb left.
All we see is philip, isolated, following the beliefs he was taught and being hostile to witches, and witches rightfully being hostile back, which just further is feeding into his bias.
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You can assume philip had chances to change but didn't, but there's no real strong evidence of that being offered to him either. That any witch ever tried to make him question anything.
It's pure speculation.
Now Philip is a stubborn ass dude for sure, so yeah, we can claim he just simply didn't want to consider it.
But people are claiming Philip was shown help that he didn't take and that's just not true. We never see anyone asking him to do the right thing or making him question things, at least not compassionately.
no one to our knowledge ever did challenge him, or did reach out to him, not even in the show itself.
Luz is rightfully hostile towards him even when trying to challenge him, hunter does attempt to try and come up with helpful ideas but he would silence himself if his uncle didn't like it (Not to mention the existing fact that he is supposed to be a caleb replacement so his existence comes from philip not wanting him to change or question things philip thinks caleb should not), and well....collector giving him a hug isn't gonna do anything at that point to stop him from thinking the worst of the isles.
This is partially because belos has the power in scenes, that if he hears what he doesn't want to hear he can quickly silence the individual and ignore it.
He's basically put in situations where no one is challenging him and if they are, they're usually doing it with distain and he's responding like a dick right back.
So maybe not much could of been done when belos has become emperor, outside of some rare occurrences where he has no choice but to listen or if he was challenged by someone he respected and would be less willing to hurt. Maybe he's too far gone to back out now and has too much power to even allow himself to consider what anyone had to say, even if they did do it kindly and wouldn't face his wrath.
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but he was only emperor for 50 years too.
So ok, what about before that?
Well, yeah, maybe there were chances he could of been, but that's a period of time we only see so much of, and none of it shows one way or the other that Philip was offered the chance to improve.
I think had we gotten a scene of philip being offered a chance to do good, to consider things, that he knew he was wrong and still rejected it, it would back up this whole "Philip made the choice to not get better" thing people claim.
but truth is, it's speculation, we don't know.
A guy who spent his life buying into where he grew up and came in with biases that became a cycle of him being terrible and witches reinforcing what he thought isn't just suddenly going to change his mind and be nice now on a whim unless those biases are challenged in a way he can't deny.
it's on him for not considering looking on things outside of his bias for sure, but people seem to think doing that is simple and easy and it's really not.
Philip had no evelyn, he was left with no one but his bias and stubborn mind.
It's like king said back in hollow mind " People don't want to believe they've been following the wrong person their whole lives", and philip didn't have a luz like hunter did to help him realize how wrong he really was.
Instead it got worse and worse.
This is why philip feels real, because this can happen to people, that they can grow up with hate and never receive the help they needed to pull them out of the mindset. So they get worse, they become worse people.
and we can argue philip didn't deserve the chance to get better, but you'll never know if you don't try and we don't know if anyone did try before he was too far gone.
to think all of this could of been avoided if caleb actually spoke to his brother and gave him the chance to change...
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Tying this all back to the beginning-
Philip's story ties into luz, they are foils in a lot of ways, but people need to remember they have differences outside of luz being a good person and philip being a bad person. Those differences make them into the people they are.
That luz was set up to love the isles in a way philip was set up to come in with a bias against it.
That it is not as simple as "Philip should of just got better" given what happened to him and the lack of help he had.
That philip never really is objectively shown to be offered genuine chances to reconsider his views on the show as much as people keep claiming so, and it's mostly all assumption at this point.
That so much of this argument over whether he's one way or the other could of been fixed if the show hadn't kept things vague.
By doing so, it leaves a lot for interpretation about him and therefore means people will have different views on what he thinks and feels and therefore will have different views on how his death should of been handled.
Caleb and philip tie into camila and luz, they tie into the clawthrone sisters, they are the basis for the plot of the series, they tie into hunter and the themes of being understood and being honest about yourself and conformity and it is no wonder people care about them.
It is incredibly valid if anyone expecting this story, that tied into the plot so hard ,as well as the themes, was upset it felt unexplained or dropped in the finale.
Especially since the fandom, with an obvious hatred for belos, responded to it by treating titan dad's word as god and simplifies philip's story completely despite everything i just mentioned here.
It is perfectly fine if you are not someone who cares about belos, but the people who do are perfectly allowed to be bothered that the show itself kept the complexity vague and not addressed and none of it mattered when it came to how his arc ended.
And that the only person who properly gives a personal opinion of what he thinks his motives are, simplifies him to being evil, and the fandom roles with that and the show never tries to do much to prove otherwise despite the evidence.
because this is a fascinating story about how conformity and bigotry can drive two close brothers apart and it feels like a story the show should of at least dedicated more of an episode to.
Especially since there's no clear idea if we'll ever get extra toh content to really tie any of this up.
Again, none of this excuses belos/philip for what he did, does, or tries to do, no amount of his life being screwed over and people treating him bad and not reaching out to him will ever excuse the fact he went so far.
But let's also just, not pretend it was an easy fix either, that someone can just....stop believing what they believe with the drop of a hat.
Especially given how this can reflect real people who are made into people like this.
He is nuanced, and people are attached to this villain for good reasons.
Nothing is simple about him, and it's just a product of how the show has handled his character.
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hjellacott · 6 months
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Bit worried about Ashlyn Harris actually
Aside from all the drama that's been going on lately, I've got to confess that for the past few months (or years?) I've been wondering what the hell is up with this woman.
I was such a huge fan back when she was just this Satellite Beach goalkeeper with a humble head and the love for skate-boarding and surfing and you know, family & friends first and her work with To Write Love on Her Arms. And I get people change and that none of us ever really knew her, but I've seen I'm not the only one who can't believe what she's turned into. Like, can we recognise her any more? Or was the completely playing out to be an entirely different person ten years ago?
I think it started when she came out with Ali and suddenly she was like, this attention-seeking, uncomfortably loud (as in literally screaming) person with the weird, rather cringey fashion, only talking about gay things and nothing else, behaving like the complete soccer start that to be entirely fair she wasn't... Even on her wedding video I couldn't believe that Ashlyn was the same Ashlyn of 2011, 2012, 2013... It's not even that many years to change so much, let alone in your thirties. It's like there were no remnants of the surfer, the skate-boarder, the humble butch from a small town who valued the little things... Like she was adamant on transforming into this massively public, loud, "fashionable (?)" celebrity. Even when giving interviews she was expressing herself like she had no intellect any more, you know like male footballers speak, like it's all looks and no brain, no sign of the person who got a uni degree and who gave an amazing mental health talk with TWLOHA years back.
And then when they were celebrating the WC, I was thinking, since when is she this loud and arrogant? Since when is she so attention-seeking? When did she turn into this whole other person who makes such a huge effort to ignore her lack of National Team performances and pretend like she deserved her world cup as much as Ali or Pinoe? I get subs deserve the medal and all too, I mean, they made it so far and if they weren't there training with the rest, the rest wouldn't be as good. You're only as good as the worst of you, after all. But none of the others was bragging so loudly and calling themselves x2 champions so much without having played a minute of those games, were they? Even Alyssa Naeher doesn't have world cup champion in her profiles, nor does AD Franch, nor PINOE, but you know who does? Hope Solo. And you don't want to have THAT personality. I feel like when you're confident on your victories, you don't need to brag, everyone knows who you are, your work speaks for itself.
What worries me about AH (sit down here comes my Psychology Grad analysis) is that in the past few years she's been more and more behaving like someone with no self-esteem, who's desperately afraid of being forgotten and needing to shout left and right look at me! i'm a champion! I'm a soccer star! And then she stopped getting called up for the USWNT, got stuck in the Pride (and I love them but bunch of losers tbh), and all she had left was Ali. And then Ali's doing better than she is. And then Ashlyn gets these horrible injuries and that's story of her life (injuries effed her up from day 1 and seriously impacted her career) and she's forced into an abrupt retirement with no glory.
And then emerges this Ashlyn who only cares about rubbing elbows with celebs, who believes herself to be some fashion mogul (that's all she's got left) and who is deeply satisfied with how her life turned out to be and how she's ended up being nothing but a footnote in the history of American women's soccer, specially compared to her wife. We know they've had issues for a while, that has been hinted at before, and I can only imagine there must've been a growing resentment/bitterness towards Ali because she gets everything Ashlyn won't in terms of soccer. In fact it seems to me (and maybe it's just me), that she seems to be ferociously resentful to soccer in general, like, suddenly she wants nothing to do with it and wants to pretend like soccer is not a big deal. How many times as she stated quite firmly that she's now happiest she's ever been and acted almost as if soccer was actually holding her back? as if her soccer career is nothing compared with what she has now, when we know it isn't true, because she still feels the need to remind us she's a twice world cup champion all the time?
So from a psychology point of view I think she's very bitter, very hurt, very pissed off, very resentful, that she hasn't processed her forced retirement and her not so good soccer career in a healthy way, and so she has to pretend like she's super happy and better than she was before so as not to look like the failure she feels she is. She has to use social media all the time and brag about the celebrities she's meeting, the trips she's going in... She's got nothing else but to pretend she's still as successful as all her friends she has to constantly see in social media showing off with the accomplishments she wishes she had. It's the classic game of getting depressed comparing yourself to others so you take to social media to constantly pretend you're as good as them or better, we all do it. And she's gone, in my humble opinion, off the rails, she's unrecognaisable, and if she has really had an affair and hurt Ali this big, as rumours have it, then that only strengthens my opinion. Like, I wouldn't be surprised if she's abusing substances again, if she's in some spiral downhill as it looks like. And what's Ali going to do? She can't focus on looking after her, she's got work, she's got two small kids, at this age Ashlyn needs to see she needs help and seek it on her own, not expect Ali to mother her.
That's part of why I really don't like people going on and insulting her left and right, because we really don't know what's going on, but to me it seems like when someone's not well, when someone's spiralling, they start to really go off and the first people to get hurt are those closest to her. And we must remember she is a human being, even if she makes mistakes, even if she does bad things (IF she has), and she doesn't deserve billions of people judging her and making her life miserable. And none of us would like it in our consciences if she actually is struggling with her mental health and gets worse because of generalised mass bullying. She's still Sloane and Ocean's mother, and they probably love her very much, and Ali's probably struggling a lot, so we need to remember supporting one person does not have to mean stooping so low as to have to become horrible bullies. Let's stay human, y'all.
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sxcret-garden · 7 days
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2nd Desire ღ Tie Me Down [M]
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ღ Aspects of Desire series ღ Ateez Jongho x fem!reader ღ feat.: Yeosang ღ words: ~5.1k ღ genre: established relationship, college AU, fluff, some humor, slice of life, smut (dom!Jongho, sub!reader, reader masturbating and asking to be punished for it, reader’s hands tied together, he’s a bit mean but goes soft dom when reader shows signs of discomfort, strength kink, fingering, some body worship, teasing, begging, unprotected sex) ღ warnings: (him running his hand through reader’s hair)
Desc.: Lost in your excitement over the recent development in your relationship with your boyfriend Jongho, you try to tickle more of his dominant side out of him. When he shuts down that attempt with only the best of intentions, he makes sure you won’t stay flustered by your miscalculation for long.
Author's note: chapter 2 and I'm STILL nervous about posting kasjdfölksa I hope you guys enjoy though~ alsoalso I decided to do a taglist for this fic, so if you want to be added, just drop me an ask about it <3
← prev chapter ღ next chapter →
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You drop your bag beside the entrance as you walk into Jongho’s apartment, the little melody resounding when the door falls into its lock that’s usually just another background noise to you manages to annoy you on this day. It’s only half past 4, yet you feel like you’ve been awake for more than 20 hours. 
You slip out of your shoes and step inside, the sofa in the living room being your destination. With a groan you let your body flop down onto it, the cushioned surface softening the impact. You’ve been at university since morning, your first class of the day being quite an interesting one and almost making you forget about the dreadful events that would follow suit. For lunch you met up with other students from your major to work on your group project, and these people really remind you time and time again why you absolutely hate group projects. You’re a group of seven, yet somehow the only ones taking the whole thing seriously are you and Yeosang, a guy you’ve done a course with before and who you luckily ended up being in the same group with. You know from back then that he does his work diligently enough - what you didn’t know was how badly the other five would do. One of them ran late, claiming he was convinced the meeting would start at 2 and not at half past 1, one of them didn’t show up at all, the others half-assed their parts and one girl only did half of what she was supposed to do. It’s a mess, and it’s stressing you out, because you’re getting a shared group grade for the paper. If you were being graded individually, you would’ve already decided to just do well on your own part, and make sure to precisely document who worked how much, but since you can’t exactly do that here it eventually came to the point where you decided it would be better if you took over the lead. As the person who has assigned herself the role of scolding the others into doing their work properly, you didn’t exactly gain their sympathy, but thankfully Yeosang was right there to have your back. Sharing their disdain was still better than having to shoulder it all alone, so you made a mental note to thank him with a cup of coffee or a meal later on.
But for now you want nothing more than to get this stupid project out of your mind, and lying motionlessly on the sofa and staring at a wall without any kind of distraction from your angry thoughts running wild isn’t exactly the best way to go about that. So you get up with a heavy sigh, peeking into your boyfriend’s room through the gap in the door standing ajar, before walking inside. He isn’t home yet - you assume he must be on his way, because his last class of the day should’ve ended about 10 minutes ago. Walking over to his closet, you open the side where he made space for some of your clothes, and you grab some comfortable pants and a t-shirt you haven’t worn in a while. There’s the logo of a game printed at the front - coincidentally a game you both used to play when you were still in school, and one of the topics you bonded over as you were slowly becoming closer.
You trod over to the bathroom, figuring you should take a shower in an attempt to clear your mind first of all - maybe you could magically find a way to wash off all the frustration the day has drenched you in. Either way, at least the warm water raining down on your skin has a calming effect on you, and so for a few minutes you merely stand there, doing nothing. You reach for the soap eventually, and as you’re cleaning yourself your thoughts slowly drift elsewhere.
Until you remember the conversation you had with Jongho about establishing a different kind of dynamic between you two. Your fingers dance up your body to your throat, and padding them onto your pulse reminds you of what it felt like to have his hand in this position instead. The thoughts of the project are quickly forgotten, yet your cells have not quite let go of the frustration yet - but that’s nothing a quick orgasm couldn’t take care of, right?
So you let your hands wander, allowing them to map out your own body wherever instinct leads them, and as your fingers find your core, you let out a long sigh. This feels like just what you need right now, so you don’t hold back, beginning to draw circles onto your sensitive bud. Feeling your limbs relax from the sensation, you lean your back against the wall, and eventually you reach out for the shower head, changing the setting to the highest pressure and letting it do the work for you.
You don’t think of much at all, simply enjoying the pleasure coursing through your body, until you can sense yourself coming closer to the edge, and you buck your hips up against the water jet.
“Fuck…” you whimper, as a scenario crosses your mind. “What if he finds out…” You gulp at the thought of Jongho figuring out you got off without him, in his apartment, and your mind begins to wander as you fantasize about all the ways in which he might punish you for it. Another curse escapes you through gritted teeth, and soon you feel your high crashing down on you, walls clenching around nothing as his name falls from your lips.
You step out of the shower feeling refreshed, purposely not changing back the setting of the shower head. You want him to catch you, want to know about all the things he would do to you that you haven’t seen him do before. Slipping into fresh clothes and wrapping a towel around your head to let your hair dry a bit before finishing the process with a blow dryer, you grin to yourself and you walk out into the living room. 
Your boyfriend comes home about half an hour later, just as you’re putting the blow dryer back to its original place in one of the cabinets in his bathroom. You suppress the excited grin that just won’t leave your lips, and instead greet him as per usual.
“You’re late,” you remark as you catch sight of the time displayed on your phone screen.
“Yeah, the subway was crowded. Should’ve taken the bus,” he mutters as he walks up to you, his hand patting your head in a gesture that’s supposed to say “I’m home.”
“Right, it’s starting to get bad at this time,” you continue your small talk.
“How did your meet-up go?”
“Don’t ask…” you brush it off quickly, hoping to ward off the stress creeping up to you again upon him mentioning it.
“That bad?” Jongho asks as he lets out a short laugh while he furrows his eyebrows, telling you he feels at least a little sorry for you.
“Yeah.” You roll your eyes. “And you? How was your day?”
“Don’t ask,” he answers, and now you’re the one chuckling. “I’ll go wash up real quick, and I think I’ll need some time to decompress afterwards.”
“Sure,” you mutter, before reaching up from where you’ve made yourself comfortable on the edge of the sofa, hand snaking behind his neck so you could pull him in for a quick peck on the lips. 
And so he disappears in the bathroom, you hear him turning on the water and you hear him turning it off again after a while, and with every passing second, the excitement for what’s to come is only growing. Except when he’s done, he simply informs you he’s going to game for a bit, and then he walks into his room. You’re confused to say the least, and a bit disappointed as well. This is not going according to the plan you had in mind, and you wonder if it’s just because he’s had a bad day or if maybe he just isn’t in the mood today. Trying to brush it off, you grab a book you started a while ago, staying out in the living room as you attempt to read a chapter or two, but somehow your mind just won’t let you focus on the story unfolding on the pages in front of you. So eventually you get up, deciding to sneakily follow him instead - you’re not sure why you’re being so secretive all of a sudden.
Your boyfriend is certainly good at reading the room, and it’s helped you leave behind your own awkwardness more than once. So today as well you decide to simply sit at the edge of his bed and watch him play his game, hoping for him to notice something’s off as you’re trying to find the right words to say. And without doubt, he doesn’t disappoint.
“What’s with you?” he asks in between rounds, his voice soft in contrast to the serious stance he tends to take on while playing his games. 
“Just…” you’re not sure how to start, how much to hint at what you want - you sure as hell aren’t thinking of just saying it straightforwardly, now that you’re beginning to feel a bit embarrassed about it.
“Hmm?” He drags out the sound a bit, then the image on his screen changes, and he adds, “Let me finish this and then we can talk?”
“Alright.” You’re suddenly more anxious than you would’ve expected yourself to be as you watch, fidgeting with the hem of your shirt the entire time. The time spent waiting for him to turn his attention to you feels like half an eternity, even though once he’s done you’re sure it can’t have been more than five minutes. He exits the game to the main menu, and as he takes off his headset, he turns to you in his chair.
“What is it?” You see worry on his face, and you immediately feel the need to let him know it’s nothing serious, really.
“Nothing bad!” you say. 
“That’s good,” Jongho answers, relief behind his words.
“Just… didn’t you… notice anything?” You rub your legs together as you avert your gaze from him, but even in the corner of your eye you can tell he’s thinking hard about your question now.
“Notice anything?” he repeats, and then suddenly his eyes narrow, and there’s an amused smile about to creep onto his lips. “Like what?” At this point you’d have sworn you could see the exact moment the dots connected in his head, so his question throws you off a little.
“Like… uhm… I showered earlier.”
“Good,” he chuckles, and you press yourself on to continue.
“And uh…. maybe got off…”
“Oh. That’s nice,” he replies, and once again you’re thrown off, this time by the way the tension in the room drops right away, and he’s now showing you a genuine smile. “Why are you telling me about that though? Want me to come watch next time?” He tries to throw in a joke, but the confusion radiating off you makes him think again, and well, now you’re sure he understands what you’re trying to get at, because he raises up his chin just a little, giving you that look that’s supposed to say “I found you out.”
“Were you maybe thinking I would punish you for that?” he assumes correctly, and you nod, heat rushing to your face now. 
“Yes…” Jongho laughs. It’s more of a giggle, actually, and the amusement in his expression only adds to your confusion. And then he becomes serious, though his features keep their softness.
“Look… I’m sorry to disappoint you but… I’m not going to do anything we haven’t discussed beforehand,” he explains, making sure to be clear about his thoughts. “My first impulse isn’t to punish you for masturbating. But if you want me to, we can talk about it.”
“O-okay,” you stammer, and once again there’s this endearing smile on his face, spreading from ear to ear. You know it’s meant to reassure you, but right now all you can focus on is the embarrassment burning in your chest from making such a severe miscalculation. This isn’t how things go in real life, of course it isn’t. You should know that, and yet-
“Hey,” he calls out to you, hand reaching for yours, giving you a squeeze to tear you out of your thoughts. “Let’s talk about it.” 
He’s also good at that - saying the right thing at the right moment. Or at least he tends to say the things you need to hear in moments like this, and once again you feel unmistakably that you’re safe with him, and that you’re in this together.
“Okay.”
“So…” letting go of your hand, he leans back in his chair, one leg crossed over the other, and you feel the dynamic shift ever so slightly as he won’t divert his eyes from you. “What kind of punishment were you thinking of?” You raise your eyebrows, and you begin to ponder on his question, but somehow your head is suddenly empty.
“I… don’t know…” you admit, and he grins at your words again.
“You didn’t think about what you want me to do to you now?”
“I mean… I did… but more… in a general sense,” you stammer.
“Like what?”
“Like… you fucking me…” And there it is again, that laugh that’s really more of a giggle than an actual laugh.
“You didn’t think about what comes before that?”
“Not… really?” you admit, and he clears his throat.
“Then how about I tell you what came to mind for me, and you tell me if that sounds okay to you?” You nod okay, and he continues, “So what I was thinking is that I could restrict you in some way… putting you in handcuffs maybe, or blindfolding you.”
“I don’t think I’m okay with the blindfolding,” you respond. “Handcuffs sounds… nice though.” 
“See? This is just why I didn’t want us to rush into this,” your partner says. “Because if we move too fast, misconceptions about what the other wants, or just about how this whole thing works are bound to go unnoticed.”
“You’re right,” you agree, being able to see where you went wrong with your assumptions clear as day now. “Then… let’s take it slow. Talk before we do stuff.” An awkward laugh escapes you as you’re speaking those words, because after all you were the one trying to rush into this, and now you can’t help but feel thankful that he stopped you just in time.
“So…” Jongho gets up from his chair, walking over to his closet and rummaging through one of the shelves, pulling out a dark red tie. “I think this is gonna look pretty on you. That okay?” You nod, merely watching as he walks over to you, and when he tells you to take off your clothes first of all, you don’t hesitate. Placing yourself on top of the bed, kneeling in the middle of it, he sits in front of you, and you hold out your hands for him to tie them together. “Not too tight?”
“No, it’s fine,” you answer, the soft texture of the fabric feeling quite good around your wrists, actually.
“I don’t have actual handcuffs, unfortunately…” he explains as he checks the knot one more time, and then he lifts one of his hands to run his fingers through your hair, eyeing you thoroughly. There’s a serious expression on his face now, he’s concentrated as he lets his fingertips brush against the side of your throat, but the way he allows for a smirk to creep onto his lips when you instinctively lean your head back to give him access tells you he’s very much having fun with this.
“You really like that, huh?” he mutters, wrapping his hand loosely around your throat, the warmth of his touch alone causing your heart to beat faster.
“Yeah…” you mouth, and to your disdain he moves on. His fingers draw imaginary trails down your body, moving slowly and deliberately, and his eyes follow their every move.
“So beautiful… too bad I’m gonna have to wreck you.” He speaks silently, and whether it’s because of the tone in his voice or his words you don’t know, but it’s giving you shivers all over and you gulp. His hand eventually finds its way to your side, snuggly fitting into the space between your waist and your arm, and he leans in to brush his lips against yours. It’s a short kiss, yet he lingers there for a few seconds before pulling back merely a few inches - the kind of kiss that’s meant to make you want more. “Want me to punish you, hm? Then, what if I push you a bit? Be a little less nice than usual and not give you everything you want right away.” You suck in a sharp breath at his words. “You’d like that?”
“Y-yeah,” you say, tension building up. You’re not sure what exactly he has planned, but you know he wouldn’t push you too far… right? He wraps the fingers of his free hand around your wrists, and as he brings them up above your head he pushes you back into the mattress, carefully, gently. And yet you don’t miss the dangerous glint in his eyes as he’s now gazing down on you, hovering above you as he pins you against the bed. Lowering his head, he makes you mewl as he buries his face in the crook of your neck, teeth grazing your skin as he scatters a few nips here and there.
“What’s your color, dear?”
“Green… very green,” you sigh, feeling his weight on top of your chest. 
“That’s good,” he speaks quietly as he comes back up, his face now being right in front of you and the tips of your noses touching for one short moment. You think he’s going to kiss you, but then he sits up instead, letting go of you to rid himself of his shirt. With every movement of his you can see the outlines of his muscles working underneath the skin, and the urge to touch him, to run your nails down his chest and his stomach, makes you bring your hands up. For a moment you forget that they’re tied together, and you frown at the restraint, and before you can do anything more, your boyfriend is quick to click his tongue at you as he reaches for your hands and pins them back down above your head.
“Wanna touch me so bad, hm?” he assumes correctly, and then he adds, moving closer to your ear, whispering sharply, “No touching unless I allow it.”
“O-okay,” you mutter. You can unmistakably feel the power he has over you now, both in the way you don’t have the strength to free yourself from his physical restraint, and in the way you feel yourself immediately submitting to his verbal restraint. 
“Stay like this,” he then says and you nod as he sits back up. This time he lets his palms run down your upper body once as he kneels on top of you, going over to dragging his nails down your skin once he reaches your hips and doing the exact thing you would’ve craved to do to him. But you obey, waiting patiently for his next move. “So pretty…” he mutters, his intense gaze burning on your skin, and after having his hands wandering all the way back up, he leans in to leave a trail of kisses down the valley of your breasts. And again there’s this urge to move your hands, to throw your arms around his shoulders as his lips are mapping out your features, but you can’t. You shouldn’t, and so you resist.
He kisses his way down your stomach, biting your flesh here and there without applying too much pressure, and the way he’s taking his time with it doesn’t help your case as you’re having an internal battle against your own impatience. Rubbing your thighs together as he’s hovering just above your core and he’s touching you everywhere but where you need him the most, you reach your breaking point.
“Jongho…” you call out his name. “Please.” He merely chuckles at your plea, not even looking up at you now.
“What?” His voice is low, quiet. Calmness radiates off of him, like he knows that he has all the time in the world for this.
“T-touch me please…” you mewl.
“Hmm,” he makes a noise as he appears to be thinking about your request. “But do you deserve that?” You let out a whine at his question, and you frown when he crawls all the way back up, only to press a teasing kiss to your lips. “Do you deserve my touch when clearly you decided that you can also just do the job yourself?” He moves up further, his lips brushing against your wrists just below where he tied them together, and then against the knuckles on your fingers. “Can’t get yourself off now, can you?” He places his hand over yours, pushing your wrists into the fluffy blanket as if to put an emphasis on his words. 
“Please…” you start another attempt at getting him to do what you want, but he merely sends you a smirk. 
“You’re choosing the shower head over me and now you think I’ll give you what you want so easily? That’s naive.” You frown, and you pout up at him, and for a second his features soften, before he moves his hand from your wrists to your chin, tilting it up slightly. Then he places a kiss onto your jaw, and he asks, “Color?”
“Green…” You idiot - you add in your mind, and when he comes back up to get a good look at your face, you can undeniably see the amusement on his face.
“Didn’t think you’d like being treated like this so much,” Jongho comments, and then he lets his hand wander from your chin down to your lower stomach. “Really makes me want to do this all day.” Fuck. You gulp at his words, thighs pressing together just as he slips a finger in between, dragging it up your folds once, and you don’t expect a singular touch to affect you this much, but you find yourself arching your back as you moan in response anyway.
“Relax,” he says, tapping your thigh once, and you do, spreading your legs apart just a little to give him better access. He doesn’t hesitate to make use of that, watching for even the tiniest of reactions as he gathers your juices on his fingertip, moving it back up and making you whimper as he begins drawing circles onto your clit. You buck your hips into his hand once, causing him to sit up so he could use his other hand to press them back down, immobilizing you. “So needy…” he breathes as he continues on, watching you, and granting you a few teasing touches to your wet pussy. He slips a finger inside, drawing another moan from your lips, and when he adds a second one, pumping them in and out of you at an unhurried pace, you think you could cum on the spot. And he notices the way he’s affecting you, because now he asks you with a cocky smirk on his face that bodes no good whatsoever,
“You like that?” You nod, whimpering, and when he pulls out, the feeling of deprivation that overcomes you makes you whine with anger - though you don’t sound nearly as angry as you would’ve liked. “Too bad.”
“Keep going, please…!” you try to beg, and it seems to strike something deep within him, because now he raises his eyebrows at you, listening intently.
“What was that?”
“K-keep going… please… please…” you add, the desperation in your voice being obvious. “Don’t stop now… w-wanna cum on your fingers…”
“I’m sure you do, dear,” he whispers, leaning in to place a soothing kiss onto your tummy, but it just makes you more furious.
“Please!” you cry out, balancing on the edge between pleasure and frustration, and you know that you wouldn’t want him to push you any further. For a second you wonder whether you should tell him, ask him to go easier on you even though you were the one who wanted him to punish you so badly. But he seems to notice your inner conflict, and his smirk softens into a benevolent smile as he brushes his lips against the inside of your thigh now.
“Is that where the line is?” he asks, and you hesitantly nod. He comes up to comb his fingers through your hair, brushing away a strand that’s sticking to your forehead. “Then let’s not take it any further than this, okay?”
“Yeah.” He cups your face with his hand, thumb brushing against your lips, and he questions,
“What do you want me to do, love?”
“Fuck me… please…” you say with furrowed brows, and he chuckles at the sight in front of him. Caressing your cheek as he slowly takes his hand away in order to rid himself of the remainder of his clothes, he retorts,
“I can’t believe someone could say something so dirty with such an innocent expression on their face.” And now that you’re becoming aware of what you must look like right now, you find it funny too, and you let out a short laugh.
Your boyfriend places himself on top of you, one hand wrapping around his length in order to give himself a few strokes until he’s fully hard, while he has the other placed next to your head to support his weight on top of it. “Wanna hold onto me? Or…” You shake your head. “Want me to pin you down?” Adrenaline rushes through your veins, making you tingle all over from the thought of it, and you nod. Again, he seems amused by your reaction. “After all that you still want me to manhandle you, huh?” Him saying it out loud fills you with bashfulness all of a sudden, and still you feel the need to confirm that he’s right.
“Yes… please,” you mutter. He positions himself in between your legs, aligning himself with your core.
“You good?” he asks, and when you give him the okay he pushes into you. 
“Fuck…” The feeling of having him finally filling you up makes you hiss a curse as you’re throwing your head back from the overwhelming satisfaction. Jongho reaches for your wrists, pinning you down just like you had asked, and he leans in, his nose brushing against the skin right in front of your ear.
“Can you do me a favour, then?”
“Wh-what?” you stutter, impatience building up inside you again.
“I want to hear you beg for me again… can you do that?” You whine as he rolls his hips into yours once, and without hesitation you grant his wish.
“Please… please fuck me…”
“Mhm… that’s right…” he mutters, and from the way his voice changes as he begins slowly thrusting into you, you can tell he too has been exerting himself holding back from touching you properly more than you thought. 
“Please… feels so good… b-baby please…” you keep going, your moans turning into mere whimpers when he reaches down between your bodies in order to tend to your clit. “F-fuck… w-wanna cum on your cock… wanna cum so bad…!” you whine, racing towards your high at lightning speed. 
“Shit, you’re perfect,” he utters, his hips beginning to stutter, and the groans falling from his lips becoming more frequent. “So fucking perfect.”
You cry out when your high comes crashing down on you, hands formed into fists and your nails digging into your palms. Once again you try to instinctively throw your arms around your boyfriend’s shoulders, and when you meet resistance as he’s still pinning you against the bed, your mind is flooded with that much more pleasure. He cums with a broken moan as you’re beginning to come down from your high, whining from the overstimulation as you let him thrust into you a few more times, and then he collapses on top of you.
Both panting, he lets go of your wrists and you immediately bring your arms up to put them around his frame, and this time he lets you. Eventually, after catching his breath, he rolls over onto his back, sitting up and undoing your restraints.
“You feeling okay?” You nod at his question, your eyelids too heavy to open, but you smile at him.
“More than,” you mutter, and when he lies back down beside you, you snuggle up close to him. Reaching for your hands, he holds onto one of them, thumb rubbing circles against your wrist, and when you look up you find worry in his eyes. “I really am okay, baby,” you whisper one more time, and he instinctively brings your hand that he’s holding onto in closer to his chest.
“Okay…” he just says, trusting your words, and you send him a sweet smile. Freeing your hand from his grasp, you bring it up to his head, fingers combing through his hair.
“Thank you…” you say, slurring your words a bit as the blissful afterglow of your high lingers in your mind. Your boyfriend lets out a sigh, eyelids fluttering shut at the sensation of you massaging his scalp. “For being careful. And for taking care of me so well.” And now there’s this smile creeping onto his lips. It’s barely noticeable, and yet you can tell how your words are affecting him. And in the next second he throws his arm around you, catching you by surprise as he pulls you on top of himself and engulfs you in a tight hug. He says nothing, you know that sometimes it’s hard for him to speak his mind in moments like these, but by now you know him well enough to know what he’s trying to convey with his actions. You giggle at the way he presses a kiss to the side of your face before having you rest your head atop his chest, loosening his embrace a bit to allow you to lie down comfortably. You too snake one arm around his waist, and with your heart swelling with your love for him that seems to know no end, you bury your smile in the crook of his neck.
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Group G, Round 2, Poll 8:
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Propaganda under the cut
Taylor Hebert / Skitter
Gaslight: She’s constantly gaslighting herself, like seriously all the time. Mainly because she couldn’t properly process her own emotions to save her life. ‘I’m totally fine after doing [fucked up thing]. Totally fine. It was my only option, and definitely not a result of my own deep-seated trauma affecting the way I perceive and interact with the world around me. Plus it’s not like it was even *that* fucked up. Actually, it was definitely the most moral choice in that situation. I had no other option. They forced my hand’. No they fucking didn’t Taylor. You had tons of other options, you’re just too much of a traumatized mess to recognize them. And *Worm* is well-written enough that, because we’re constantly seeing things from her fucked up point of view, we believe her. Especially when she describes events slightly yet very significantly differently from how they actually *textually* occurred previously in the text, but not so obviously that the readers notice without it being pointed out to them. It’s only during interludes from the POVs of other characters that we get a view of her without that lens of self-delusion. Gatekeep: Probably the weakest of the three for her, but somebody else could probably tell you more. Girlboss: She has the power to control bugs, with perfect coordination, infinite multitasking, and even proprioception. What does she do with that (in no particular order)? Rot somebodies dick off. Stick flies up his urethra. Eat his eyes with your bugs after he’s already disabled. Stick bullets ant up somebodies anus. Have bugs clean off the sweat and other material immediately after losing your virginity. Use your bugs to to drive a car through a city post-disaster while blind, without anybody else realizing you’ve been blinded. Get stabbed in the shoulder through bone, and proceed to monologue to the stabbed without showing any signs of pain. Line up bugs on people your shooting at with bugs on your gun to give you pinpoint accuracy. Hide massive amounts of bugs in the folds and crevices of your body, as well as in in your hair. Join a gang of supervillains. Carve out somebodies eyes. Turn butterflies into an instrument of terror. Kill a baby. You know, just completely normal things for a barely 16 (pre-timeskip) / not-quite 18 (post-timeskip) year old girl to do (most of these were pre-timeskip).
[copied from @lakesbian so credit to them]
*rotting a guy's dick off with brown recluses. on accident. *realizing due to her accident that it's actually pretty effective to put bugs on genitals and starting to threaten people with putting tapeworms up their asses on purpose. and also putting bugs up asses and peeholes on purpose. really if theres an orifice she puts bugs up there on purpose *dips her bugs in capsaicin before putting bugs up orifices on purpose so it hurts more. [skitter voice]i just dipped every tarantula hawk wasp in my villainous lair in liquid pepper spray so nows not the time to get stupid with my ass *using spider silk to create rube-goldberg machines of suffering i.e hauling a dude 3 stories up into the air and then dropping him, shattering all of his limbs on impact. all while casually holding a conversation w/ someone else *using centipedes to hollow another villain's eyes out and then putting maggots inside and just Leaving Them There with the intent of the heroes she hands the villain over to finding the maggots later and being scared of her *killed parahumans' wonder woman equivalent by putting bugs in her lungs and then using those bugs to make silk in her lungs to block out airflow. while monotone-quoting something wonder woman had said to threaten her earlier back at her as she died. wonder woman wasn't even in the room to hear it she just did it anyway. *only time she has ever successfully been jailed is when she turned herself in on purpose *made a phone call using bugs once. not villainous but very funny and iconic *used bugs to swang around a disintegration knife on a massive length of silk, killing like 50 people instantly, because she wanted one (1) person in the room dead and was willing to just shotgun that shit until it worked out for her. and then immediately after proceeded to think of herself as "not much of a fighter." because she has psychological issues. *mind-control kidnapped several thousand people once *literally made fun of god's dead girlfriend until he got suicidal and died about it *drove a car. blind. using bugs. no one realized she was blind for like 12 hours because she's a bug freak superorganism of a girl who walked around using bugs to triangulate perfectly w/o vision. also not villainous but still iconic *wanted to put 10000 black widow spiders in a shared villainous base to make costumes out of spider silk w/ and when the other dude who lived there was like "wtf can we not??" she was like "huh that's surprising. you don't want 10000 black widow spiders in your home? why? are you arachnophobic or something?" because she's a freak. *fucked, got up, and immediately made several hundred bugs crawl across her naked ass body to clean her off. because she's a freak. her boyfriend has had spiders on his dick he's just going to have to live with this *literally psychologically cannot refrain from putting bugs in the hair and clothing of everyone within a several block radius to keep track of them at all times because she's a panopticonic freak. like i'm talking "her friends occasionally talk to bugs they see under the assumption that it's her spying on them, and they're Right" level panopticonic freak. she rocks. *did i mention she's 15. world's most autistic freak 15yo dissociates hard enough to kill god more at 7
Regina George
Mean Girls became a template for high school drama movies, Regina being the meanest of the titular "mean girls"
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litnerdwrites · 12 days
Text
About the dancing chapter...
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I agree 100% with this comment by the amazing @deathbealady (no seriously, I didn't even realise how similar this situation was to Mor's) and I wanted to use it as a jumping off point to talk about Eris Vansera. To be clear though, I like fanon Eris and am currently undecided about canon Eris, for reasons I'll explain later.
For now, we can start with the IC asking Nesta to try and seduce Eris. I refuse to believe they weren't given this idea by Elain, either because she volunteered Nesta outright, or because she put the idea of using Nesta's artistic passions that, at this point, they know were effectively weaponised by her mother, to seduce an older male with the idea of marriage.
Either way, the fact that the IC knew what Nesta's mother had done, and decided to take advantage of it without ever asking what she thought of it, or what she might like, despite it being the same thing done to Mor when she was Nesta's age, if not younger. It's made especially worse given that Nesta likely feels unable say 'no' to the IC, because if she does, she'd likely be threatened with Elain being made to do it.
If that isn't bad enough, and I wouldn't be sure if it could get worse if I wasn't about to tell you why, then we can take a look at the age gap between Eris and Nesta. I've heard people argue that it's fine, since they're both consenting adults, but I think that the term 'adults' needs to be redefined. Humans are considered adults at the age of 18 or so, but only have a fully developed frontal love at 25. Meanwhile, fae are considered adults by the age of about 50 to 80 (with the latter being the age that a High Lord can be named such, but some people say it's 50). This has some pretty serious implications.
Starting with the fact that if females in Illyria and the CON are married off/wings clipped when they have their first period, which seems to be from around the same time human women have theirs, to 18 if they try to prevent it through medication, then they aren't adults themselves. They aren't even half way there in the (I don't want to say mild, best case, better or anything like that case because it's all messed up) cases where the woman is 18 or so. It also implies that a fae female's frontal lobe isn't developed until she's over fifty, since we don't have evidence to suggest the contrary.
Just because Nesta was almost 25 when she became fae doesn't make it alright either. Given that her aging must have slowed astronomically when she was turned, it's fair to assume it would have a huge impact on maturity and brain development. Which means the Archeron sister's in general might have serious gaps in the way their brains develop, especially Feyre, since she was resurrected and her body changed. It might even be slightly different for Nesta and Elain since they were killed, pulled apart and put back together in the cauldron.
Since it was the cauldron, there's a chance that their brains were also changed to be like fae, but either way, both possibilities and scenarios come back to the same answer: The Archeron Sisters are still mentally children, and will likely remain so for several decades longer, perhaps even longer than regular fae due to the unprecedented and irregular nature of their existence.
This brings me back to the subject of Nesta and Eris. He is a grown adult many centuries older than Nesta, with frontal lobe development and centuries of experience. Nesta is barely even half way to being an adult, while he is over 500. Moreover, the IC believe that Eris is a monster.
Now, I'm well aware that there's likely more to the issues between Eris and Mor than what we've seen. Between Eris's own words regarding 'circumstances' that he wouldn't explain, to the narrative going out of his way to show us good parts of him. Such as the way he moved to protect his mother at the HL meeting, and how he let his own father torture him but still protected the IC's secrets and took the unnecessary verbal abuse from Cassian. There's even the fact that Eris simply lets others believe him to be the villain, and let's Mor control the narrative for her own comfort, as opposed to spilling whatever happened, even if it would, somehow, absolve him.
Now, to be perfectly clear, there is little Eris could say that would absolve him, truly, of what happened. I acknowledge that he's a victim of his father, however that doesn't mean he can't also be Morrigan's abuser. And yes, even if he didn't touch her, neglect is abuse. Leaving her there for dead, regardless of the reasons, is a messed up thing to do. The categories of victim and abuser are not mutually exclusive.
The narrative wants us, as readers, to question Eri's actions and begin to wonder what happened between him and Lucien and Mor. It wants us to open up to the idea that Eris may not be as bad as he's made out to be, and that there's something more sinister happening, since it puts some level of suspicion on Lucien, Mor and Beron. However, just because that's the story we're being fed as readers, doesn't mean that the characters have the same perspective, or are living the same story, necessarily.
If you think about it, they have no reason to believe that Eris isn't a psycho who abuses woman and would slaughter his brothers to get to the crown. His comment about circumstances does read like an abuser trying to justify his actions with little effort, while giving no real reason, not that one would make up for what the IC believes he did. It's not a good enough reason to absolve him or make him seem like a good person.
He still hunted Feyre down, even though he had no reason to once she and Lucien made it to the Winter Court, and it, logically, would've caused more trouble for Beron if they were caught. Especially since a whole fire fight took place, and it would be easy for Kallias to connect that with autumn citizens, since he didn't know about Feyre's magic. If anything, hunting them at that point would've caused more problems and they'd be better off just telling Beron that Feyre and Lucien were there. A high lady, if Beron acknowledges the title or not, trespassing in foreign lands with a banished son would be enough to raise a fuss about.
He, also, has people who've known him for centuries, from Mor to Lucien (though the latter probably has more accurate info given his connections in various courts, and the fact it's unlikely Mor shared many words with him over 5 centuries) and the fact he's essentially blackmailing the Nc. This is more so an issue of his having certain pieces of information being a cause for the IC to fear what he may do with it, or what might be found out by their enemies if they use torture or a daemati.
I'm not saying, by any means, that I hate him. I think he's actually written better than Rhysand at this point, since unlike Rhysie playing hero, Eris knows he's a terrible person and low key owns it. Whether or not that's subject to change is dependant of SJM's writing in the future. There's a chance she may actually turn him into Rhys 2.0 by pretended he was a good guy all along.
However, regardless of his reasons, he has done so many atrocious things that the IC have no reason to think he's a descent person. Mor clearly hasn't said anything about what happened and, as much as I don't like her, she has no on page motive to antagonise Eris otherwise. That might change later, especially if she's the traitor, but as of now, her behaviour seems understandable, somewhat, based on the version of events that she gives.
Yet, despite all of this, the IC still think that essentially whoring Nesta out to Eris because it suits their goals. Regardless of the risks to Nesta's safety, regardless of how Nesta feels about the matter and and simply going off of Feyre's guesses about how Nesta feels without ever feeling the need to confirm if any of them are accurate to Nesta.
Let me summarise: Rhysand and Feyre, Nesta's own sister, thought it was a good idea to use Nesta's artistic passions to seduce a man that is literally 20 times Nesta's age, letting said man ask for Nesta's hand, and letting Nesta consider accepting despite the IC believing he is a woman torturing psycho that would throw her to the wolves at the first chance if it helped him in the end.
Let's not forget that while Eris may be bit of a grey area for us at the moment, the IC knows that Eris also lives with abusers, like Beron, who'd have no issue using physical violence against Nesta. So even if they thought Eris wasn't a monster for some reason, they'd still be putting Nesta in danger. Especially if Beron is working with the Death God, who wants the trove and is using Bryallin to find it.
Oh, and this was all after Cassian came to the conclusion that Nesta was suicidal, and was sexually assaulted in a vision, if I remember right, while on a life threatening mission in a place the rest of the IC, even Amren, is scared of.
Regardless of what Rhysand says, he allows abusers near enough to his family, or the ones he doesn't care as much about, I suppose, and is seemingly willing to let them marry said abusers if it gets him his goal. Rhysand who was abused. Rhysand who's mother was forced into child marriage.
Rhysand who seems to ignore the fact that the Archeron sisters are children. Children can't consent, if it wasn't clear enough to him already. Also, consent must be informed, and last I checked, Nesta wasn't informed about Eris beyond him being a snake. She isn't given a heads up about how abusive he's believed to be, how he may have to kill/watch you die if his dad decides so, or how he's likely to leave you bleeding out in the woods if you're injured. This is literally what the IC believe he is like and they didn't tell her.
Consent needs to be voluntary. I think it's been well established that Nesta likely doesn't feel like she can make real decisions because of consequences she may face.
He's also completely willing to send a suicidal (you can't argue that he doesn't know since Cassian reports everything to Rhysand, and kind of Feyre, apparently, from her Valkyries to her progress in 'healing'/being brainwashed so there's no reason he wouldn't report that too) into life threatening situations, put them in a place where they could jump to their deaths at any moment, with magic that could provide literally anything but alcohol, and filled with weapons.
To conclude, Eris is a grey area in ACOTAR that, at this point, reads as what Rhysand kind of should've been if SJM didn't make him a good guy for no reason. Meanwhile, this 'good guy' is endangering his sister in law through abuse, emotional blackmail and brainwashing, while putting her in proximity with a known abuser. Might I remind you that she's a minor? With possible developmental gaps. And he's doing it all because her being in danger makes his life easier, and the cousin that the dude abused is going along with this without any issue.
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tinandabin · 1 year
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I remembered my kny modern au aka the characters in our world. Now this but with SAGAU.
Getting you in their world somehow wasn't much possible. And that broke their heart in several ways. Like, c'mon? They can't be with their creator? Bullshit. So what do they do? Obviously, find a way in your world. You will be there to guide them, right?
And boy when they do get in our world, it's just CHAOS.
Because look, your apartment can't fucking fit so many people!! And first of all, how are they even here? You go and search up 'GENSHIN IMPACT' on Google only to see 'No results found. Try another term?'
Now they are in your world and everything related to them is deleted. Meaning, if you try and talk to someone about this fever dream, you'd probably get admitted to an asylum. Now the question arises, why did they even come here? Does it look like you are their creator??? Like bro. Grow another pair of eyes and look properly.
The characters have never been SOOO shocked before, what do you mean people don't worship you in this world? How dare they? Do they even realise whose presence they are in? You are the creator; why are you living in such conditions? This is simply put, absurd.
But then imagine you explaining how your world works. Like, yeah, you gotta go to this building called 'school' as a child and teenager, where many people of similar ages are present and get taught stuff. You eat at a specific time and follow a strict timetable, also you gotta ask to pee and all. No— it's not a prison, you answer when they say it's prison.
How much Mora do you make? They ask. Your answer. Mora? Babe, that doesn't exist here. Every country has a different currency.
It's fucking chaotic. Imagine Zhongli as a Starbucks barista. OR OR, Venti as a pizza delivery. Idk why it's just hilarious to imagine them as ordinary people. Ei working as a chef— Dont even get me started on this. She would get fired so fast. And Nahida is the luckiest Archon, I mean she looks like a child so it would be illegal for her to work or you'd get charged with Child Labour LMAOOO.
THE FATUI?? OH GOD THE WHIPLASH IN THE TREATMENT THEY WOULD GET HERE. Scaramouche going "Who gave you right to say my name?" And people replying with "Get over yo entitled ass emo boy" IDNUSBA
But I can imagine Signora being a model. Like seriously tho. WHAT IF THE HILICHURLS ALSO GET TRANSPORTED?? This post is such a train-wreck help.
But hey, at least you would have tons of people working for you so you would be rich so soon. Sweet.
MASTERLIST
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Hey! I was just wondering if you have any ideas of how I can display the fact that a character has aged (not necessarily from adult to elder but just in general) without describing appearance. I’ve tried searching it up but they never really want into detail or they simply advised on changing the character slightly as in giving them old fashioned hobbies. I’m sorry if this has already been answered or does not simply have a direct way and must be decided by the author. Again I am very sorry if this has already been asked I really don’t mind if you either direct me to the answer or copy and paste it if so :)
Showing a Character Has Aged
When it comes to illustrating that someone has aged, you basically have four choices: describe physical characteristics that illustrate age, describe physical activities that illustrate age, indicate the passage of time, flat-out state that the character has aged.
The problem is that aging isn't a wildly specific thing. People don't take on certain physical characteristics, appearance, or activities at exactly the same age. While there are certainly some activities and behaviors that are broadly specific to age categories, age is not accurately defined by behavior, thought process, personality, etc.
If I say, "The last time I'd seen my nephew he was barely crawling, and now he was not just walking, but climbing on everything..." that's a pretty good indicator that this child has aged. But how much? Because babies don't all learn to crawl at the exact same age, or learn to walk at the exact same age for that matter. Some babies skip crawling and go straight to walking. Other babies seem like they'll never go from crawling to walking and suddenly do. This child could be two weeks older than last time or two years older. It isn't clear at all.
Complicating things is the fact that physical appearance is also not a good indicator of age. I mean... as I've pointed out in the past, Paul. Rudd:
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Carrol O'Connor (on the left) is the same age in that photo as Paul Rudd is in the photo on the right (both are early 50s here). And while things like hairstyle and fashion do have an impact on how we view someone's age, some people just get wrinkles/gray hair/gain weight/lose muscle tone sooner or later than others.
And, the advice to "give them old-fashioned hobbies" is terrible. "Old-fashioned hobbies"? What, like candle-making and churning butter? What does that even mean? Maybe these people view hobbies like knitting, stamp collecting, and wood-working as "old-fashioned," but I guarantee those are hobbies that are broadly enjoyed by young people to this day.
If I write, "She sat on the couch lovingly knitting a sweater," that tells me nothing about her actual age because:
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And, again, the woman on the left could be sixteen or thirty-five, and the woman on the right could be sixty-two or eighty-six.
So, outside of flat out stating that a character has aged, your best bet is to use a combination of these methods to get the point across...
"It had been over ten years since I last saw Mr. Smith. At the time, he'd recently returned from hiking in the Alps. Now he was hunched over a walker, his formerly salt-and-pepper hair now stark white. The deep grooves that had once made his face look handsome and worldly now made him look wizened and tired."
Between stating the amount of time that has passed (over ten years), physical activities (hunched over a walker vs hiking in the alps), and physical appearance (white hair and tired wrinkles vs salt-and-pepper hair and handsome lines), it is very clear that Mr. Smith has aged quite a bit in the decade since the POV character last saw them.
I hope that helps!
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softpascalito · 2 months
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Beyond Saving - Javier Peña x F!Reader
Summary: Javier is on office duty when he learns that someone close to you has passed, causing both of you to spiral.
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Relationships: Javier Peña x Reader, Javier Peña & Reader WC: 1300 Tags/Warnings: can be read as romantic or platonic, Hurt/Comfort, Emotional Hurt/Comfort, Grief/Mourning, Suicide, Character Death, Dead Dove: Do Not Eat, Angst, Implied/Referenced Suicide, Mental Breakdown, Crying, Soft Javier Peña, Protective Javier Peña, Author urgently needs therapy, Trauma, she/her pronouns for reader Read on AO3
notes: please take the tags seriously. this is not a happy fic in any way. make sure your mental health is stable enough to read about the mentioned topics. more detailed warnings are on ao3 if someone needs them.
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For my love.
Leave me, like you do (like you do). If you need me Wanna see me Better hurry 'Cause I'm leaving soon.
-‘listen before i go’ by billie eilish
It’s not one of those days that he thinks will be difficult. He doesn’t expect anything bad to happen. It’s not supposed to. But it does.
Javier never sees it coming.
He is seated at his wooden desk in the embassy, ready for a day loaded with frequent trips to the coffee machine and lots of paperwork. It’s his turn to file away reports. Reports that usually aren’t interesting to him, that aren’t relevant to his case. The numbers of the dead that are written down on the reports of the Colombian police stay numbers in his head. They don’t turn into the people they represent.
Until they do.
His coffee mug hits the floor a few moments after he reads the name. The brown liquid runs over the tiles, pooling in the crevices between them, as he reads the name again. And again.
Javi’s eyes fly to the cause of death. 
Investigation pending. Suspected suicide.
He doesn’t even grab his jacket as he stands up abruptly, the shards of the mug that held his coffee moments ago crunching under his feet. For all he knows, they could be piercing his skin and he wouldn't notice. His body acts of its own accord.
It's Steve who approaches him and it's Steve who realizes in an instant that something must be very wrong. 
“What is it?” The voice next to him is gentle but still stern enough to get through, “Javi?”
“I have to go.”
He is surprised at how solid his voice sounds compared to the feeling in his stomach, the one that makes him sway slightly on his feet, the impact of the world seemingly having stopped turning.
“Can you drive?”
At that, Javi clears his throat and nods, his brown eyes now flying up to meet the blue ones in front of him, “I'll be okay. I- I'll let you know.”
Steve's voice is low as he nods, “Okay.” As Javi turns to leave, the other man gently reaches for his hand, placing the car keys in them, “You'll need those.”
“Right,” is all he can choke out in return. He doesn't catch the way Steve watches him leave with a concerned look on his face or the sigh that leaves his lips as he reads the paper that is still on the desk next to him.
Javi functions on autopilot. He's not sure how he makes it to her apartment, how he remembers which pedal is for what, how he knows how to get his body to move out of the car and up the stairs.
The keys are already in his hand as he reaches the door but he doesn’t remember taking them out of his pocket.
The apartment is dark.
For a split second, he considers if she has left, if she has gone to see someone, the parents, maybe.
Then he hears a noise that sounds like a whimper, one that is so loaded with pain that it causes him to rush forward in an instant.
She is on the floor in the kitchen, back pressed tightly against the cupboard, knees drawn up to her chest, the entire form below Javi shaking with each small sob that reaches his ears.
Javi drops to his knees rough and uncoordinated, ignoring the pain that shoots through them and his back as he steadies himself and leans forward to cradle her in his arms, one hand sneaking beneath her knees as the other wraps around her back.
He immediately feels the reaction to his touch, as the sobs get worse and his heart breaks the way his coffee mug had earlier, with one quick motion, shattering into a million pieces that will be stepped on and discarded by someone who doesn't care for them.
“Estás bien. Estás bien, querida,” he mutters under his breath, repeating the phrase over and over, a phrase that he doesn't believe. There's no way she is even close to okay.
“I'll get you to the couch, okay?” Javi whispers as he gently scoops her up into his arms, taking the few steps over to the living room, focusing hard on his feet to make sure he won’t trip.
“Hold on to me,” he commands softly, making sure to take it slow as he lowers them both onto the leather sofa, his arms not once breaking their touch. He doesn't let up, trying to absorb the sobs and the trembling as much as he can. He wishes he could absorb the pain too.
“Estoy aquí. No te dejaré,” (I’m here. I won’t leave you,) Javi whispers, bringing one hand up to brush the hair away from her face, leaning back enough to look at her. He's met with messy hair and behind it with bloodshot eyes and a mixture of snot and tears, with pain and grief so evidently written on her face that he himself winces slightly.
Her voice shakes when she finally speaks, the first words she has spoken since the call. They feel wrong in her throat, like throwing up food that was already past its expiration date. They feel even worse when they reach the air of the room, floating between the two of them.
“How did you know?”
Javis eyes soften a little more at that. He doesn't even want to think about the fact that he only knew by chance, that it had been his shift to read the reports, that he wouldn't have had any way of knowing without it.
“Saw it at work,” he replies, honestly, keeping voice soft and his eyes carefully trained on her expression.
“So you know how…” She whispers and Javi nods quickly, not wanting her to say it out loud. Not wanting to hear it said out loud. 
It makes it feel too real.
“Do you know how?” He asks back, using his left hand to reach for a blanket and gently placing it around her shoulders, making sure it doesn't slide off.
“I don't know- I don’t know details. Just that-” A shuddering breath leaves her throat, “that it wasn't an accident.”
There is a fear in her eyes, one that Javi has never seen in her before. One he has seen in very few people. And he has seen enough bad and evil to last him several lifetimes.
Even in the dim light, he can clearly recognize it for a terror that is beyond comprehension, one that he will never be able to put into words.
“It wasn't an accident, was it?” She whispers again, her voice breaking and Javis grip around her tightens a little as he shakes his head.
“No.”
He suddenly feels like he's going to cry, even though he's not sure why. It still feels like the world stopped turning and like he’s stumbling against gravity, against a movement he was so used to until a moment ago. Like a faucet that’s been dripping for ages and finally runs dry or a screen that shuts itself off, fading to black. Like the movement of something inside his chest, inside of her chest, not only a movement that he doesn’t think he can live without but one that he actually cannot live without.
“No, it wasn't an accident,” he repeats, his hand still caressing her skin.
“I'm so sorry, cariño.”
Her face is buried in his chest again as she cries, hot tears leaving her eyes and finding refuge in his shirt. A blue one, the one that she complimented this morning while kissing him goodbye. Waving to him as he headed out the door, a smile on her face. A carelessness that is not only gone now but that seems beyond reach, that seems to be waiting for its funeral the same way the body in a morgue is, a few streets over. Cold and alone and above all, beyond saving.
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bibibbon · 2 months
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MHA chapter 417 (rant)
What in the time travel is this?!?! Why is it always time travel I swear this could of been solved without it and you're basically telling me that shigaraki is so evil that yes we need to go back in time and change fate itself so nothing happens and somehow crack the case that tenko is stuck in and completely differentiate tenko and shigaraki
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Why are we just stuck in the past?!?! This overlaps with my first point but why are we in the past again it seriously makes no sense. What happend to the fight?!?! What is Izuku's body doing now what is shigarakis body doing now?!?!? What happend to the whole they're memories are becoming one because right now all Iam seeing is shigarakis memories and none of izukus this feels like shigaraki just trauma dumping and showing Izuku all this stuff he went through because Izuku somehow needs to understand shigaraki like it isn't shigaraki who doesn't understand Izuku and izuku has more understanding than shigaraki does. Plus what was the thing about them becoming one person when that didn't happen at all?!?!
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Did Izuku seriously lose all of his quirks?!?! So izuku just lost all his quirks except of float shimura's quirk of course cos she just needed to be there doing nothing but apologising for her failures and somehow breaking a barrier of tine space jumbo stuff to basically did this time traveling thing and woah does this suck poor izuku went through absolute living hell to get this Quirk, train with it and fight with it just to lose it and lose all his hope and dreams in the process. The ending where he becomes some bimbo stuck raising Tenko is ever so closer and closer and I absolutely hate it also I seriously hate that we didn't get a farewell or anything that happend so quick and how did it impact shigaraki?!?!? It doesn't look like he was impacted and then shimura is only there because of the annoying power of rejection somehow somehow a power like this exists because willpower or something
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Where did stain, redestro and overhaul come from ?!?! Why was this there like seriously what was this for?!? Was this to be like oh izuku are you ready for changing future time travel stuff balh blah blah and we are just spirits here to haunt you before making this important decision?!?!? Also if izuku broke the barrier and almost got run over by a truck then how the actual hell did those three come into that space at the same time isn't this messing with the past future and present typa of thing because to me it seriously makes no sense how they're there?!?!
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The shimura family left a bad taste in my mouth. Bruh the shimura family confrontation went down the bin for real tho. Like nothing happens except kotaro hits his child, nana is crying and that's it nothing else. What happend in between did nao come and do what she did last time did shimura and kotaro see eachother or was it just a transfer thing to Tenko and some and how is it that izuku has to witness death or is probably gonna die next chapter because of decay. Remember izuku has no quirks he is freshly quirkless again and the others can see him but haven't said anything?!?! This was seriously horrible like are we gonna get a kotaro redemption or something because he definitely is better built up for one than endeavour ever was but nope he will slap child on face get hated done and over maybe he will realise his wrongs probably not. Also are you telling me that no one did anything about the random kid with the UA uniform in their house like?!?! What did Hana and nao do?!?! Why does the corgi have to die again?!?!?? BLAMING NANA FOR SOMETHING THAT SHE Could CONTROL AND MAKING HER SEEM LIKE THE REASON KOTARO BECAME AN ABUSER WAS BECAUSE SHE WAS A BAD MOTHER WHEN THATS NOT THE TRUTH IS HORRENDOUS ABSLOUTELY AND UTTERLY RIDICULOUS
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Dark deku really?!?!?! Was this what momo was talking about like Iam so confused is this just supposed to be a little mental challenge obstacle for izuku because we know hori didn't let him face or develop from his previous mental issues that were caused by his bullies and especially bakugo so is he finally semi acknowledging fans that talk about this and was like look he has to confront himself bs and the confrontation doesn't last long at all. Like Armin from aot has better confrontation with himself then this. Or is this some thing where izuku becomes dark due to him and shigarakis memories becoming one or something
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@doodlegirl1998 pointed out that this manga panel ☝️ looks like kurogiri dark deku and I can't stop thinking about it and how bad this is 😭. Izuku didn't even get to acknowledge anything and kurogiri is legit a dark version of oboro 💀💀
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bengiyo · 8 months
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Wedding Plan: The Lesbians and the Closet Matter
It seems I find myself in the position of feeling the need to defend a MAME show. How did I get here? I haven’t been doing Stray Thoughts of Wedding Plan because I think MAME shows require too many caveats for me to write about off the cuff. However, I’ve been quietly impressed with the seriousness with which MAME has handled the decision Lom and Yiwa made to enter into a lavender marriage. More than anything, I want to talk about how important the lesbians are to this story and how much I like the execution of Lom as a closeted man. Finally, I want to talk about how Nuea is stronger than Lom, and has been the entire time.
Before we get into this, I want to lay out some of the MAME caveats. It’s clear that she has a fascination with taboo and what it means to cross a line. Even Ae has a hard time listening to Pete say no to him when it’s about keeping Ae away from him. I went into this show knowing that Sailom was going to overstep boundaries with Nuea because that’s who MAME is. What I focused on is what lines were being crossed and how Nuea would respond to them.
Yiwa’s Choices Matter
As of episode 6 we’ve been given the backstory of how long Lom and Yiwa have been in this scenario, where they properly came out to each other when they were 15 and 13 respectively. They opted to use each other as beards to keep their families off their backs, and Yiwa hopes to use her marriage with Lom to gain independence from her family. What I love so much about Yiwa and Marine is they understand that the path they’ve collectively chosen is hard for all of them. Marine doesn’t get to love and be loved openly, and this also forces Lom to sacrifice for them. I love that they encourage him to be open with Namnuea because they care about him and want him to have love too. I love that their relationship is important to both of them, and that they do love each other.
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What’s so important for me about Lom’s relationship with Yiwa is he is completely loyal to Yiwa. He’s locked himself in a place where he won’t jeopardize her. Despite her encouragement about Nuea, he won’t make a choice that he worries will expose or endanger her. It’s fascinating to me that we have a gay man experiencing romantic angst because of loyalty to a woman that he loves, and it’s about protecting her from homophobia and not some twisted sense of infidelity.
Yiwa being able to rely on Lom and Marine is what makes her decision to run away with Marine so special for me at the end of episode 6. After the confrontation Marine had with Yiwa’s mom, Yiwa rushed back to their home and fully expected Marine to possibly be gone. Instead, she found her sleeping and recovering in their bed, waiting for her. Yiwa knew in that moment that she couldn’t sit idle and allow this kind of cruelty to continue. Since she’s the one who proposed the idea of the lavender marriage, I think it’s significant that she’s the one opting out of it to run off.
Sailom is Not Evil. He’s Just Closeted.
Now, let’s talk about Sailom. I posted yesterday to see what people were especially bothered about with Lom and got useful responses from @williamrikers and @twig-tea. I felt much of what twig-tea felt at the beginning of the show. Like the two of them, I went into this show worried about the way Lom’s wealth would allow him to push Namnuea around. I was worried about the way Lom would impact his finances and professional reputation. What has surprised me with this show is the slow reveal that Lom is the one in a more precarious position than Namuea.
Regarding his job, Namnuea does this job because he loves it and because he’s good at it. His angst with Nuea is that he’s flirting with him instead of handling his business for his wedding. We also learn that Nuea’s feelings for Lom are not a problem for his boss or his colleagues. When the worst finally happens, they give him the time and space he needs and hold the line on protecting him from Lom. When he decides to be closeted with Lom, they watch his back and make sure the two of them don’t get caught. It’s clear that regardless of whatever else Lom may have been up to with his money, it wasn’t going to impact Namnuea’s role professionally too much by episode 6.
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Lom doesn’t have that. He’s trapped in the closet, and he has a closeted man’s brain. He describes one of the most classic cases of The Knowing that I’ve ever seen. He tells us he’s just a normal person who realized early that he didn’t like women and that he should keep that knowledge to himself. He’s under a lot of family pressure. The only friend he has in this is also suffering, and they’ve come up with a plan to help each other, but their overbearing mothers want to continue to surveil them. He is wrong to put Nuea what he did, but I understand how he ends up making those decisions.
As I’ve explained before, I lived in the closet for a very long time. When you’re living in a state of hypervigilance like that it alters the way you see the world. Sure, Lom should just approach Namnuea like a normal person, but Namnuea is a Known Gay and visibly queer. Visible queers are so much stronger than a lot of us who could hide and pass because the ones who survived and maybe even thrived developed a protective coating to deal with the constant public perception of their queerness.
From the inside of the closet, you need plausible deniability for everything you do in case you get called out. Hiring Namnuea gives him easy excuses to see him. Being a difficult client gives him a reason to make Namnuea see him away from work or in private. This is all NOT GOOD, but I understand it because I lived it.
What I respect about Lom is that he doesn’t presume that Namnuea should put up with his shit, and he never asks Namnuea for the impossible: to closet himself for Yiwa.
Namnuea is SO Gay and I Love Him
First, I just want to gush about the fact that Namnuea is not a gym gay and loves food. Sure Pak Naphat is fit and well cared for, but I like that Nuea feels like he enjoys creature comforts. It’s Nuea’s ability to love things earnestly that draws Sailom to him. He’s not putting on a performance for others except that which is necessary to manage their event. It’s this ability to love things so earnestly that also makes Namnuea so strong.
Regarding the power imbalance, the most important thing about Namnuea and Lom is that Lom is closeted and Nuea is not. The truth cannot harm Namnuea. He has no reason to lie to anyone. He can tell his boss that he’s having a professional conflict because he’s in love with the groom and that doesn’t become a huge blow up. He can tell his mom that he messed up and slept with the groom of a wedding he’s supposed to be planning, and she will console him and reassure him. When Lom rushes to Nuea’s family’s home to reconcile with him, his family will close ranks around him, and his pregnant cousin will try to throw hands with Lom.
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Namnuea is not taking any of Lom’s shit. He pushes back, and when things go to far he leaves. We saw clearly in episode 6 that Nuea can handle himself if a man is flirting with him and he doesn’t want it. Nuea has choices that Lom can’t even conceive of because of his family. Also, Namnuea’s family clearly has their own wealth. Nuea and his cousin Ryu are the beloved gay sons of a landed family with generations of wealth. Lom may command a lot of wealth, but Namnuea isn’t beholden to him.
This is once again where Yiwa and Marine are so important. Yiwa tells Nuea quite seriously that she and Lom love each other like siblings and that all of this is because he’s trying to help her, and Marine has an earnest conversation with Nuea as someone who’s on the outside of this family situation. Just like Sun helped Lom find a way to work with Nuea’s family, Marine is sharing her perspective with Nuea about the sincerity of these two closeted rich folks.
Also, let’s talk about that sex scene. I love that Nuea is allowed to want this. I love that it’s clear that Nuea has experience with sex. I also like that Lom has some experience, too! (You just know he and Prapai fucked when they were in England) I like that he’s allowed to have fun and tease Lom during sex.
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I love that after they had sex the second time, Lom shares quite plainly that sex is also about closeness for him and that he wants to be more intimate with their address with each other. It’s in this moment that Nuea reveals that he’s willing to work through this situation with Lom. I loved this moment because you can see Lom trembling in awe of Nuea.
Onto the Final Arc!
Now that I’ve gotten all the praise out, let’s talk about MAME. There are teasers for the next episode that Lom will be drinking from a flask and putting eye drops in. I am not keen on how Lom’s substance issues might blow up in what could be a finale or penultimate episode, but what I am excited for seeing what Yiwa facing down their families means for all of them.
MAME seems to like unnecessary nonsense at the end of her stories. Even if I appreciated much of LITA, Rain and Sky both being kidnapped as the final major complication of their stories was not fun for me and is part of why I haven’t felt the urge to rewatch or show them to Emily. I am hoping that we don’t have to suffer some ridiculous nonsense like that at the end of this show when Yiwa choosing not to continue with this sham marriage is more than enough.
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