Tumgik
#like i understand the intentions
jvlianbashir · 1 month
Text
"the creator said in a reddit thread -" "the official twitter account posted that -" "the actors confirmed in a livestream that -"
i don't care and that's not real to me. put it in the text.
1K notes · View notes
wickedlittleoz · 7 months
Text
an artist i follow got an ask about whether it was alright to use their art as covers for fanfic bookbinding and i'm. sorry i must have missed this discourse but since when are people outright printing out other people's work and binding them into books? do you contact and get author's permission (sure as fuck hope so)? and how do we writers feel about that, because i certainly feel very uncomfortable with that idea. i mean not to spoil the artistic expression of bookbinding because it's beautiful work that i most certainly could not do, but. you can access them stories any time you want on the websites where they were originally posted. why print them? again i mean i get the pleasure of holding & reading physical books, i much prefer that too, but like. get some books i guess? sorry i come from a place of honesty and tbh surprise and confusion about this whole thing. someone tell me how we're feeling about this. someone explain to me why it's being done. i just wanna understand
1K notes · View notes
tzarrz · 7 months
Text
Tumblr media Tumblr media Tumblr media
to all people who said PART 1 made them laugh - i lov u 💗 this is for u
899 notes · View notes
ofswordsandpens · 4 months
Note
Yeah tv Percy being afraid of the water is confusing to me. I actually really liked that movie Percy had a connection to the water from the beginning since that wasn’t really mentioned in the books as far as I recall.
I'll say it with my chest: I think the show making young Percy, a son of Poseidon, scared of the water was silly, stupid, dumb.
Like I don't care if its a metaphor for his rocky relationship with Poseidon, or if it was simply the vessel they chose to showcase his dynamic with his mother and to be a parallel to the underwater scene where he breathes for the first time, or just whatever, it doesn't make me like it. Especially since they could have accomplished all of that without making young Percy nervous of the water.
And you're right, in the book I believe the most we know about Percy's connection to water before he knew he was a demigod is that he loved Montauk, even if "most of the time the sea was too cold to swim in" but idc you cannot convince me that young Percy was not obsessed with water. That if Sally had taken him to a pool, that she would be hard pressed to get him out rather than get him. That he would not be "inexplicably" lapping every other child in his swim lessons.
Then Percy's later, canon fear of drowning is something that is only developed due to a traumatic event where he nearly suffocated. This fear also had a metaphorical interpretation as well, but imo the moment where he nearly suffocated in SON really disturbed him because he's always felt so safe and at home in the water. And that was like the first time he didn't.
463 notes · View notes
flowercrowngods · 2 months
Text
something so monstrous pt.2
(in which kas feeds from steve and triggers a bad migraine pt.2)
🤍🌷 read part 1 here this part gets really intense on the migraine. descriptions of immense pain, fever dreams, and vomiting, some body horror imagery bc pain can be fun like that
Time and space lose all meaning as Steve remains on the precipice of something that is too violent to be called sleep, but not harsh enough yet to be unconsciousness. Real sensations evade him as everything turns into pain immediately. Even the twitch of his finger becomes a thundering blaze of blinding pain shooting through his body and settling behind his eye until he is sure he will wake up blind. 
The fear of that is everpresent, the blind spots too real to ignore every time it goes like this, and he imagines how they will grow. He imagines how they get worse every time until one day the pain inside his skull will be so immense it will take his eyesight in exchange for alleviation.
And even though it is unbearable, he opens his eyes whenever he can, just to make sure he can see still. It’s an added veil of terror that covers him whole and consumes him slowly but continually. 
At some point he notices something cold and wet being placed over his eyes, adding another layer of darkness that is welcome, even if it leaves an imprint of pressure and sensation on his forehead that makes his skin tear around it, his skull cracking and caving in beneath the touch. 
And still it helps a little, pulling him further toward consciousness but not further toward the pain itself. But Steve can only whimper weakly in response, six feet under a thick cloud of cotton-filled smog that even turns breathing into a chore, polluting his lungs with fear and horror and agony without compare.
He does fall into a fitful sleep at some point, grateful for the short reprieve, but it does nothing to alleviate his exhaustion. 
It feels like his eyeballs are being pushed into his skull for what must be hours upon hours, and the pain is so unbearable, so horrible, that he's not at all surprised when nausea rises in his chest, his body responding to its current state with confusion and a hard-reset. 
Steve keens, trying to roll onto his side, groaning at the flares of pain shooting up into his skull and down into his limbs. They only worsen the nausea and it's pure instinct that gives him the strength to sit up. 
"Kas?” he whispers, swallowing thickly against another wave. "Bathroom?” 
Instead of giving him directions or pulling him up to drag him there, Kas wastes no time. He gets up off the floor, approaching him with shuffling steps once more, and gently but quickly lifts Steve off the bed in a hold — firm, yet gentle — that brings another sting of tears to Steve's eyes. Pain and vulnerability and the need for everything to be over. That’s what makes him cry.
Still he manages to hold on, his head rolling onto Kas's shoulder, the skin of his neck blissfully cool against Steve’s overheated forehead pressing into him. 
Make it stop, he thinks. Longs. Aches. It’s supposed to be over. It’s all supposed to be over now. 
He whimpers again, and imagines that Kas is the one to softly shush him this time.
The coolness of Kas's neck is gone all too soon as the vampire sets Steve on the hard, uncomfortable bathroom floor. He doesn't go far, though, crouching down beside him and holding him up over the toilet. Steve can't see anything, but still he’s grateful that Kas left the lights off, the bathroom tinged in the same darkness as his bedroom. 
Pathetically, Steve rests his forehead on the toilet seat, chasing the coldness of it as pain and nausea reach their peak. It’s disgusting, but be’s not strong enough to care. A whine breaks from him, and he wishes Kas would leave. Even though the cold hand on his neck feels good, and even though he knows he wouldn't be able to hold himself up right now. 
I'm not weak, he wants to say. And maybe he does. But he can't recognise his own voice right now. 
"Not weak, maybe, but pathetic." 
No. 
"You know you are." 
Shut up. Go away. 
It doesn't make sense for Mr Munson to suddenly be here with them, to stand in the doorway and watch his nephew, who is more monster than human these days, holding up the pathetic form of Steve, who is more pain than human. More smoke than human. More vulnerable weakness than remotely human.
Go away. Eddie? I want him to go away. Tell— Go ‘way. 
The hand wanders, pulling Steve against cool skin again so his forehead rests against the toilet no longer, basking in the cold touch and the warmth of a body to hold him. 
"Safe," Kas says, and Steve wants to badly to believe him. Wants Wayne to leave, wants everyone to leave and just let him suffer in silence and solitude like always. 
Wayne starts talking again, but Steve can't hear him this time as he suddenly heaves and retches, throwing up what little he had to eat today. Over and over and over.
It goes like this for a long time. He has no idea how long. Has no idea where he even is anymore. 
The world tilts a few times when he loses his grip, his arms buckling, his hands spasming and giving out, and still he never falls. Only ever feels the cold, damp skin of Kas’s neck. 
Kas has to carry him to bed when he's done and on the brink of passing out again, and Steve doesn’t mind this time. Kas also hands him a glass of water or two before pushing him back to lie down again. That’s nice. 
The wet cloth returns, and Steve isn't aware of his surroundings for much more after that.
—— 
The next time Steve comes to, he feels like he was freshly dragged through Lover’s Lake until his lungs gave out. His head is pulsing violently, his senses are sluggish and everything feels foggy. He has no idea where he is, the room pitch black around him as he lifts a lukewarm damp cloth from his eyes. 
A soft groan falls from his lips as he stretches his aching, cramped limbs, rubbing his hands over his face and regaining the feeling in his body. Little pinpricks of phantom pain shoot through him, his mouth tastes like ash and his head protests rather violently against his pathetic attempt at sitting up. 
He is disoriented and something about his vision is still messed up, something in the depths of the room not quite right and leaving him with a dizziness he can’t quite shake, followed by a wave of anxiety that something’s wrong with his eyes. 
He blinks. Blinks again, finding more things in the strange room as he does, his sluggish brain slowly catching up and filling in the blanks.
It all comes back to him like a tidal wave when he suddenly finds himself blinking at a pair of red eyes, softly glowing and wide open. 
“Kas,” he croaks, his throat absolutely parched. 
One second he’s wincing at that, the next he finds a cool glass of water pressed into his hands before the eyes and the shadowy form they belong to retreat to the foot of the bed again. 
 “Thanks,” he murmurs, stalling as he takes a sip. Embarrassment rises in him, but he doesn’t want to apologise. The thought of that somehow makes the vulnerability that much worse, so he tries to ignore it. It’ll all be fine if they simply not acknowledge it. 
He wants to ask for the time instead, wants to know how much the migraine took from him this time, but he knows Kas doesn’t really understand the concept of it all, let alone know the numbers. 
A silence settles between them and it’s somewhere between welcome and uncomfortable. Just like everything that happens in Hawkins. It makes Steve feel like a ghost again, but this time he’s a ghost in the room, not just in his own head. He’s the one who’s out of place.
With a little sigh, he places the glass on the makeshift nightstand again and falls over onto his side. His head is mad at him for it, still feeling too fragile for sudden movements, but lying down feels better than sitting.
There’s a huff from Kas that sounds more amused than derisive, so Steve looks at him. Looks at the shimmer in those eyes before closing his own again, not wanting to be looked at right now. Not wanting to face it.
“You,” Kas says then, his voice quiet and without the edge of that animalistic growl. The sound of someone who’s not meant to speak at all. The souvenir of someone who was human once before Evil grabbed him and modified him to His liking. 
“Me,” Steve says, an automatic response, just as quiet. He’s listening. 
“How… How are…” Kas struggles, huffing in frustration at the words that refuse to come, but still it’s the most coherent Steve has ever heard him. It makes him sit up half way again; leaning his weight on one arm to focus all his foggy and cloudy attention on the vampire trying to ask him how he is feeling. 
No more words come, though, the question half finished in the air between them. But somehow it makes Steve smile. Just a little bit. This feels important. And huge.
“My head hurts,” he answers truthfully, amused when Kas’s eyes snap back to his. To search them. To communicate something.
“Hurts?” 
“Yeah. It will, for a while. Always does. Nothing to do about it, really.” He wishes he felt as indifferent to it as he sounds, but that’s just the tiredness clouding his tone. It’s fast approaching now that he knows he’s relatively safe. Now that he knows he can rest. His arm gives out and he slides, slowly this time, back to lie on the pillow. “But it’s not as bad. And the other pain is gone, so…” 
So. He could go home now. He should, probably. Ignoring the weakness in his bones and the exhaustion in his every fiber. If he closed his eyes again right now, he could fall asleep. Still, maybe he should—
“Stay,” Kas says again, and Steve really should have figured. He’s not quite well enough to really fight him on that, though, so he shrugs. 
“Fine,” he mumbles into the pillow, halfway back to slumberland already. 
There’s movement on the foot of the bed, and before he knows it Kas has tucked him in again, draped across the pillows as he is. It’s still unreal, that, but Steve won’t complain. What’s even more unreal, though, is the image Steve gets of Kas curling up by the foot of the bed in a similar position. As if he still means to keep watch. 
It’s ridiculous. A little weird. And sort of endearing.
——
The next time Steve wakes, everything around him is a little brighter, daylight fighting weakly to fill the room, but it stands no chance against the large wooden planks and thick curtains meant to block it out permanently. 
He blinks away the heaviness, taking stock of his body. There is a crick in his neck and burgeoning cramps in his side and hip from the position he’s still in, and this head still is a pulsing, aching mess — but no more than usual. 
He taps the pads of his fingers to his thumb before flexing his hands. Only then does he stretch the rest of his body and announce his wakefulness. 
Opposite him, at the foot of the bed, Kas is already awake and still in the same position that Steve saw him last. Did he even sleep? Does he need that? Or has he just been staring at Steve, watching him, ready to carry him to the bathroom again for round two. 
The thought of that makes his skin crawl.
“Hi,” he says to fill the silence that is all too inviting for his spiralling mind.
Kas grunts, but it sounds more like a hum. Sort of gentle around the edges. He doesn’t move, doesn’t seem at all fazed that they’re just kind of staring at each other. Steve swallows, not really sure how to go from here.
He fists the blanket and rubs the linen bedding between his fingers, feels the rough fabric catching on the callouses along his hands as uncomfortable seconds tick by. Still Kas doesn’t move. 
“Listen, man,” Steve says at last, thinking back to yesterday’s events and the vampire’s sudden care. “Thanks, alright? What you did, that was, uh. That was nice. You didn’t have to do any of that.” 
Another hum, and it occurs to Steve that Kas is back in his normal state, retreated back into his mind, hiding from the world himself now that it no longer needs him. It’s a strange thought, that Steve being hurt would be what brings him back. If at all. Maybe he’s reading it all wrong. Maybe it as just a coincidence, or maybe Kas tasted something in his blood that made him want to improve Steve’s physical state for selfish purposes. That’s probably more likely.
But it makes him feel even more wrong-footed than before, and it leaves him hyper-aware of the situation. Of their dynamic. Indifference and annoyance and… He doesn’t want it to change, doesn’t want some kind of debt between himself and Kas — especially not when Kas has no means to really settle it. But he also can’t feign some kind of gratitude when what he feels the most is mortification and embarrassment; and he sure as hell doesn’t want Kas to know that either. 
So he throws back the blanket and gets out of the bed, a little dizzy at first, but he doesn’t care as he slips into his shoes and hurries out of the room. 
He just wants to leave. Get out of here and go home, go back to bed and get over the mortification of having been seen like this. Of having been taken care of. By someone who doesn’t even like him. By someone who hissed and snapped at him one moment and then carried him to the bathroom the next. 
“It looks like there’s nothing human left in him, but we do have data that suggest otherwise.” Owens’s words echo through his mind as he crosses the living room. “It seems to be in hiding, the Munson part of him; that’s our hope at least. That you can get him back out one day, make him win over the vampire part. It could be like a self defence mechanism, I guess. We hope he can still be coaxed back into the land of the living. How, though, we don’t know.”
Was this what happened? Has Steve’s weakness triggered the human part of Kas’s tortured brain to take over? No, that can’t be. 
It seems unreal. Unlikely. Wayne telling him stories or Dustin talking about their campaign, that should have helped. Even Mike playing the guitar, or Robin rambling about something or other; all of that was much more close to who Munson was. Or used to be. Eddie Munson never struck Steve as someone who took care of people naturally. Someone who stepped in. He stepped up, sure, but only ever for the wrong reasons. 
It makes no sense. So it must be wrong; just Steve’s exhausted brain grasping at straws. It usually does that, anyway. Nobody knows if Eddie is even still in there. Part of Steve hopes he’s not. 
Just as he reaches for the front door, ready to just get out of here and pretend like nothing happened, he feels a presence behind him. Kas followed him out of the bedroom, standing in the doorway now with an unreadable expression. It's the blank one he usually takes on, but where before it was normal, it throws Steve off now. Maybe because he saw how Kas can look at him. How expressive his eyes can get.
He holds them, the red shimmer a little dimmer out here in the brighter living room. 
And maybe it's the blankness in those eyes, or the lack of judgment in Kas's every action, but whatever it is, it makes Steve let go of the door and turn to face Kas properly. 
"Why'd you do it?"
The vampire inclines his head. Listening. Always listening. Steve doesn't know how he never noticed that. It seemed so primitive before. Like how a dog will react to its owner speaking, but never process the words. Kas processes, though. So Steve keeps going.
"Why'd you... You kept saying that word. Safe. Do you, uh. Do you know what it means?" 
Slowly, his eyes growing a little less blank, Kas nods. 
Steve looks around the cabin, swallowing thickly, still feeling so out of place in here, still feeling the need to run and leave it far behind. But something makes him stay. Makes him want to understand. 
"You wanted me to feel safe?" Again, Kas nods. "Why?" 
There is hesitation there, and Steve wonders if it's because he doesn't want to tell him, if he doesn't know the answer, or if he doesn't know how to answer. It's a loaded question, maybe. 
"Pain," he says at last, his voice barely discernible from a growl, but somehow Steve seems attuned to it now. Maybe because he listens now. Because he wants to know. To understand. 
He waits, watching as Kas struggles for more words once more. Just like last night. 
"Know... Know... pain. Know.” He taps his temple with a clawed hand, and Steve's heart falls, his chest aching with realisation. 
Right. He would. He would know pain like that. If what the doc says is right, if what Vecna taunted them with is right, if every working theory the kids have is right, then… yeah. Kas would know. He’s know something about pain. More than any of them. Pain so intense it splits you apart from yourself. 
"Shit," Steve whispers more to himself than to the room, crossing his arms in front of his chest to hug himself and keep from digging deeper, keep his heart from falling further, and keep the horror at bay. 
He doesn't want to imagine the kind of torture Kas went through. Is still going through, if what the doctors say has even more truth to it. If Munson is still in there, still suffering because human minds have a way of holding on to pain — Steve knows soemthing about that, too. 
"I'm sorry," he offers. It's all he can offer. In the end, it’s all that’s left.
And still it's so lame. It's not enough. 
But Kas just nods again, a pained shadow of a smile appearing on his face. Something transpires between them in that moment, Steve can feel it, but he can't really define it. Maybe some kind of understanding. Some kind of safety. 
"I gotta..." he starts, motioning to the door behind him. "I gotta go. Will you be fine? Did you have enough, y'know, to drink?" 
Another nod, and the smile widens a little. Looks a little less pained this time. 
"Good," Steve says, stuffing his hands into his pockets, lifting his shoulders to his ears, trying and failing to seem casual in the face of those glowing eyes. "I’ll– I'll see you around, yeah?" 
And then he's out the door, his head spinning and aching, his steps heavy with the weight of whatever has changed between him and Kas in the past twenty-four hours. 
... sooo. part 3 anyone?
🤍 permanent tag list gang: @skiddit @inklessletter @aringofsalt @hellion-child @stobin-cryptid @hotluncheddie @gutterflower77 @auroraplume @steddieonbigboy @n0-1-important @stevesjockstrap @brainvines @puppy-steve @izzy2210 @itsall-taken @mangoinacan13 @madigoround @pukner @i-amthepizzaman @swimmingbirdrunningrock @hammity-hammer @stevesbipanic @bitchysunflower @estrellami-1 @finntheehumaneater @goodolefashionedloverboi (lmk if you want on or off, for this story or permanently) 🤍 tagging for this work only: @forestnymph-666 @little-trash-ghost @jupitersgonemissing
282 notes · View notes
nachosforfree · 1 year
Text
Shout out to aro people who DO show little emotion, who do have low empathy, who are monotonous, who do relate to robotic characters on a level other than the fact robot characters often don't feel romantic attraction
3K notes · View notes
communistkenobi · 1 year
Text
not sure if this was intentional or not but nemik saying in his manifesto “Remember this: Try.” is an interesting sentiment given that “do or do not, there is no try” is like one of the more famous lines from the original trilogy
2K notes · View notes
xbomboi · 17 days
Text
5 times Apple hugged Raven…
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
————————
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
…and the one time Raven hugged back.
(see my previous eah comic here)
310 notes · View notes
comradekatara · 1 month
Text
can i be real with you guys for a second. do i have permission to speak my truth without being flayed alive. just for a moment. the way many of you talk about zuka makes me think you guys don’t actually enjoy their relationship. people will be like “oh i love how it’s grumpy x sunshine because zuko is a little grouchy grouch and sokka is funny and flirty and bubbly” and i’m just like……. in what world?????????? i don’t think you guys ship zuck actually i think you guys just wish you could ship zukang without being perceived as weird for age gap reasons. but in no world is zucchini a ship wherein sokka is emotionally uplifting zuko thru the power of love and friendship. they’re literally both suicidal freaks. and yet people love making them not only as boring as possible, but also giving sokka a personality transplant (aang’s personality, to be specific) because they hate the source material or they just see conventionally attractive teenage boys and black out or who knows what. but it’s okay you guys can just ship zukang if that’s really what you want out of their dynamic. i won’t judge
264 notes · View notes
guardianspirits13 · 5 months
Text
Tumblr media Tumblr media
➖♦️➖♦️➖♦️➖♦️➖♦️➖♦️➖♦️➖
dear lord y'all should learn to tell the difference between a gag in writing and an actual instance of harmful behavior... news flash but kids find mild violence funny and- shocker- can tell the difference between something that was the in-universe equivalent of roughhousing and actual physical assault with the intent of harm.
so much of the younger generation is caught up in the lack of nuance perpetuated by the internet that in trying to analyze a piece of text they read so far into it that they miss the point entirely.
this person also cites that because Percy (who is KNOWN for his sarcastic and often exaggerated narration) says that he's "scared" of Annabeth at times that means he is in an abusive relationship. Have you considered that in the context of the way the narration and the surrounding universe is constructed, this is a compliment?? Of her ability to kill monsters and survive?? or in some of the context they cite he's intimidated by her because he's a TEENAGER WITH A CRUSH.
For the love of the greek gods stop taking everything so literally!!!!!!
And I want to clarify, this is not about shipping. I couldn't care less if you like Percabeth or not. Heck- if you want to interpret the text in the way that makes you personally believe that they're toxic or whatever I'm not gonna stop you, but I draw the line at using your warped perception of the narrative to lash out against people who enjoy it, let alone calling them "abuse apologists".
no reading comprehension-ass website for real 😩
345 notes · View notes
violent138 · 24 days
Text
HC that Jason and Dick have very different strategies for handling Tim's repeated jokes about killing himself.
Jason: "Why don't you just stay out of this one, Dickhead? Let the kid make his own decision."
Dick, kicking Jason: "Tim think about the consequences--"
Tim, more annoyed by the conversation than anything, slumped on the table: "The whole point is that there are no consequences."
Dick: "--if you killed yourself, you'd violate the no-killing rule and Bruce would revive you to be disappointed and make your life miserable."
Jason, to Dick: "You're such an idiot."
Tim: *bursts into laughter*
Alfred: *booking therapy*
134 notes · View notes
gimmethemprimals · 10 months
Text
🌊 wavecrest-confessions  Follow
whenever I see someone making fun of the tidelords disappearance I get SO angry. Its just so insensitive to water dragons, and it ALWAYS comes from a wind, earth, or ice dragon. Like I don’t think you have any ground to stand on guys, your deities are still more neglectful than the tidelord and he’s not even here
❄️ ice-ice-baby  Follow
Dude your god has been gone for so long his long lost children came back before him
🪨 freshpebble-deactivated
Aren’t you the one who carved your fanart of femboy Icewarden into the side of the pillar.
❄️ ice-ice-baby  Follow
???? You’re literally a shade apologist
💫 see-the-stars  Follow
HOW ARE THERE SHADE APOLOGISTS ON DRUMBLR IN THIS DAY AND AGE I THOUGHT THEY WERE ONLY ON DRITTER
🍃 riding-high  Follow
are we gonna just brush over the femboy icewarden thing
🦅 talonafan2477  Follow
@ see-the-stars the Arcanist is the ORIGINAL shade apologist what are you talking about
🦅 talonafan2477  Follow
btw “ice ice baby” is apart of from clan froststep that has a history of supporting the gaolers during the freezeflash war and thus the destruction of the banescales
🌑 walkingshadows Follow
Yeah but what about the femboy icewarden thing
🔥 its-gettin-hot  Follow
you can excuse genocide but draw the line at femboy icewarden?
🌑 walkingshadows Follow
im not drawing the line i just wanna see it myself
🌺 bug-claws Follow
thats fair
670 notes · View notes
detectivenyx · 10 months
Text
Tumblr media
i hate cinemasins so much you would not believe
#it's an easy formula. i get it.#ha ha plot hole! it must be bad because plot hole!#[plot hole is intentional and explained 10 minutes later]#[plot hole contributes to themes of film]#[plot hole is not actually plot hole if you employ even the most rudimentary of reading between the lines]#[plot hole is thing unimportant to the scene as a whole]#it lets you feel smart without actually having to put the legwork in#'smart' isn't even the right word. 'mildly observant'.#but because of this fucking loser and his stupid little ding sound effect#films have to be spelled out for people or they'll go 'OOOOGH PLOTHOEL????'#'WHY THEY SHOOT THE DOG AT START OF DAS DING? PLOTHOLE DING'#'WHY NO CONCRETE ANSWER FOR QUESTION PROPOSED BY TEXT? DINGGGG'#[THINK!!!!! THINK DAMN YOU!!!!!!! THINK FOR YOURSELF!!!!!!!!!!]#if your critique could be easily slotted into a cinemasins video go back and think about WHY#is it a question answered by the text???#and im more frustrated it took THIS LONG to repair my brain scorching!#even with kokichi's critique video im not happy with it because i did go back and look at him closer#i still don't fucking like him or think he was very well executed but i understand exactly why he was executed the way he was#and so many fanfics who took my critique on board and are like 'i can fix this!' just cinemasins the shit out of him#he needs Standard Character Arc and he must be A Hero#NO!!#you missed even the point i was making back then!!!#it was that his redemption was completely arbitrary! and though it didn't do it well it was intended to poke fun at EXACTLY THAT!#the The Villain Needs Redemption because that shit was all the fucking rage and people were doing it shit!#and it all goes back to this jackass and his stupid monotone voice and his attempts to enable a generation of media illiteracy!#and it WORKED! our ability to analyse narrative got fucking sacrificed on the altar for His Paycheck#and he's a shitbag who makes fun of women with breast cancer#long post
376 notes · View notes
benkyoutobentou · 7 months
Text
242 notes · View notes
caeslxys · 22 days
Text
here's the thing. laudna would have stopped it. if she knew delilah was about to fracture the gnarlrock. if she could parse her own feelings from hers.
and here's the thing. imogen has been plagued by nightmares for a decade. and this rock is the first bit of solace outside of her trust in laudna that she has ever had.
and laudna was just involved in shattering it. this tiny bit of solace.
and. here's the thing: laudna would've stopped it.
and. here's the thing. imogen would've stopped it. the only reason imogen didn't go is because she was specifically afraid that she would attempt to intervene and ruin their relationship with the volition before it ever began.
and here's the thing. liliana set out 25+ years ago specifically to spare her daughter. and that seemingly has not ever wavered as her core motivation. but people keep being drawn to the moon. kids keep being drawn towards the moon. and liliana is a mother. she was a mother before she ever knew she was an exaltant.
for 25+ years she has worked to "cure" imogen. the only solace she probably ever received was in at least attempting to console the kids who found themselves lured in by her same pull.
liliana begs imogen not say that they may have to kill each other. she breaks at hearing imogen's resolve. but there's kids, imogen. there's kids here. imogen. she can't leave. she's a mom.
and, here's the thing: imogen's her daughter. the daughter liliana left. or tried to leave. the daughter she only had through dreams. and imogen is working with the volition. and imogen has been her sole drive for 25+ years.
and imogen might have just been involved in shattering the little solace she might have ever had.
and, here's the thing: imogen would've stopped them.
84 notes · View notes
kendallroygf · 1 year
Text
Tumblr media Tumblr media
btw this is probably one of the most insane and telling scenes in regards to stewy nd kendall. like the stewy-marcia interaction first off. the way it’s so clearly paralleling kenstewy with logan and marcia. stewy and marcia literally watch their respective persons in silence. also important to note that stewy was one of the first ppl to greet logan when he arrived probably bc he knew that one of the first things logan was going to do was approach kendall and he wanted to get in there first to gauge the situation + logan. but stewy’s concern for kendall in regards to what could happen when he’s in close proximity to logan is so clear and almost synonymous with marcia’s own concern/love for logan at this point. like it seems intentional that they were shown to be like. logan and kendall’s respective partners here
698 notes · View notes