They were not kidding, the arctic sure can winter

:(

I broke both sets of my claw slippers and I broke my Jack slipper socks.

How the heck is there not more talk about Tanith Lee??

Like my gosh, the woman wrote, according to her wiki, 90 books, over 300 short stories, two World Fantasy Awards, and was the first woman to win the British Fantasy Award/Augus Derleth Award and wrote for tv shows.

Like, it's not like she just wrote a heck ton but wasn't very good! She was clearly very good she won awards, and i've read a swath of her stuff across different genres and really enjoyed most of it. I mean that even if not each one has been my cup of tea I can at least appreciate the skill and quite a lot I have truly enjoyed. She's got great prose and style and imagination. Not everything obviously was a banger, but they've all been at least well written, which is harder to come by in writing than you might think.

But nobody ever seems to talk about her?? And I feel like the fantasy crowd on here would really enjoy her stuff. The woman has done stuff in pretty much every genre from what I can see, but I never see her listed on fantasy authors like Clive Barker or Diana Wynne Jones or Neil Gaiman or Terry Pratchett or Diane Duane even though she was writing at the same time and has a similar sort of '80s Doing Cool Stuff with Fantasy vibe' I feel like people who like those authors would enjoy though she's very much her own style of author.

Anyway this was really just me putting out a rant that such a prolific and talented author seems to have fallen by the wayside and I think it's really a shame

Heck she even did a witch-queen fighting againt vampire Snow White a whole decade before Neil Gaiman did his phenomenal Snow Glass Apples and it's also excellent, give a look here:

they have him pinned, but at least they're warm!

fanart for @tsunochizu 's backwards through the snow fic! im SO normal about this story (still emotionally recovering from chapter 15) i love this fic so much <3

they are the STINKIEST of family...

(for those who haven't read this fic, first of all, go read it now. but also pebbles is mostly ok. kinda. hes just dirty and stinky... amongst other things)

"The act of understanding someone started off with admitting that you didn't know anything about that person."

- CH. 539

[ID: Blue-toned Omniscient Reader's Viewpoint fanart of Kim Dokja emerging from huge book pages. He is in his Demon King form, his face is shadowed, and he is clutching his throat. Han Sooyoung and Yoo Joonghyuk, much smaller than Dokja, stand on the rippling pages and look up at him. End ID]

(ID by princess-of-purple-rose)

SubScorp Week 2023 - Day 5: Mortal Kombat Legends

"Such sloppy footwork, Sub-Zero. Get up and try again! Unless, that is, you'd rather stay down here..."

@subscorp-week

“Red fibers surge forward, up and out, alive and mine, two dimensions driving into three.   ‘There you are,’ Baz says. Here I am.”

Past One O'clock by @amywaterwings

Carry on Countdown | Day Twelve: Wings

This year I decided I wanted to honor the incredibly talented fic writers of this fandom, so I chose one fic per prompt to do an illustration for. I didn’t double up on authors so that I could do this for as many people as possible. I realized while planning this that there are way too many fics and authors that I love, and even after having picked 30 of what I consider some of my very favorites, I could have easily kept going. Please check the fics out if you haven’t, they all come highly recommended.

There’s this Disneybound inspired doll line and I thought the Snow White one looked like Dolores so I drew her in the doll’s outfit!

I made my post about Dean Highbottom and then as I was writing my tags realised that his Hunger Games counterpart is Haymitch. and now my head is in my hands and I don’t think I’ll ever recover

Snow Elf culture?

*pulls up a chair*

Perhaps...

A wee disclaimer that I'm not particularly good or creative with developing cultures or societies, but my brain has just latched on to the snow elves in a way where I can't stop myself. But anyway

I developed a lot of this because of a big ass draft for a fic I've been writing on and off about Gelebor and Vyrthur, so a lot of my headcanons are religion heavy. I'll start there:

Gelebor seems to place Auri-El and the Chantry of Auri-El as having significant importance to the Snow Elves over the other gods/temples. He's probably got a bit of bias in that regard since he's devoted his life to Auri-El, but in order to differentiate their religion from the other elven ones I like to think that their religion in general worshipped Auri-El as not even just as the figure head of their pantheon, but almost monotheistical, while the other gods (Trinimac, Syrabane, Jephre and Phynaster according to Gelebor) were like minor divine figures or just legendary heroes even more than in Altmer myth, depending on the interpretation. My idea is that if their culture had been allowed to continue on, it would've eventually become monotheistic, but by the arrival of the Nords they were in a bit of an awkward transition period with it.

I also like to lean into the sun motif with Auri-El that they established in Dawnguard and with Auriel's Bow, partially because it's another thing to make their depiction of him more unique, and in part because it makes some very juicy irony for Vyrthur. Some ideas include:

- The more religious folk tend to pray at noon when the sun is at it's highest. - The two biggest snow elf festivals happen on the summer and winter solstices. As far north as they are, the summer solstice is during a time of year where the sun barely sets and the winter one is during a time of year where it barely rises. The summer one is more jovial and celebratory, with a grand feast. With almost 24 hours of daylight, the festivities last up to three days straight, with folks commonly staying awake for over 24 hours. Most of it is spent outside, with the celebration being focused on making the most of the weather and daylight hours to spend as much time in the sun and the light of Auri-El as possible. The winter festival is as large scale but lasts longer and is lower-key. It also involves a feast but features more winter foods and meat and alcohol. It is more pensive. At this point in the year, there is no full daylight, and so this season is seen as a test of one’s faith and mental fortitude. This festival acts as a break from this trying time, taking time to relax, build community (a strong community will allow them to make it through the winter and strengthen their minds), and bond with family and friends. It is about a weeklong break, where leading up to the festival everyone works harder to prepare for it and allow themselves to have the break. There are activities and festivities, but they remain indoors for the most part and are smaller. - I've referenced this before, but with long winters with little sunlight (due to harsh weather and short days), they see that time of year as a reflective test of will and faith.

Due to their proximity to dragons, it was hard to miss the connection between Auri-El (/Akatosh) and dragons, and so their depiction of Auri-El is either much more influenced by the iconography of dragons, or is a dragon (although their depiction of dragon Auri-El is much more benevolent than the Nord/Atmoran one). I got the idea for this one from this Reddit post (i know I dog on Reddit a lot but this one has got some fun stuff in it, even if it's a bit out there)

^On that note, later in the timeline (post Dragon War (the timeline is very fuzzy on when this and the Night of Tear happens. They are both sometime vaguely in the late Merethic Era I believe, but it's unclear which happens first or how long each conflict is)) some Snow Elves see a sort of unreturned, unofficial comradery with dragons, seeing themselves as both on the receiving end of the Nord's/Atmoran's brutality (disregarding whether it was warranted or not in the context of the Dragon War).

Ok here's some more general cultural ones:

I mentioned my reasoning for this in this post, but I like to think their general settlements were not as permanent, with a larger focus on wood and building into the sides of hills (good for warmth), while their temples tended to be made of stone and much more permanent. This is why there are so few identifiable Snow Elf ruins across Skyrim. Their cities and towns were easy to wipe out, scavenged for resources, or were in good places for Nordic cities (perhaps Bromjunaar was originally the site of a Snow Elf city?), and their temples were either very hidden (e.g. the Chantry of Auri-El) or eventually converted to Nordic temples.

I love this journal in general for gleaning ideas for Snow Elf headcanons for, but one interesting this is the use of "Old Ones" and "Young One". They're treated like established titles. From that I like to think they place a lot of emphasis on the respect of those older than you. The social hierarchy and whose opinions are most valued is heavily influenced by age. Folks call anyone older or more revered “Old Ones” as a term of respect, and anyone younger than them “Young Ones”. Old One is almost never used in a demeaning way, but Young One can be (not always). Typically, “Old Ones” is used in the third person (e.g. you wouldn’t refer to someone directly as “old one”) whole “Young One(s)” can be used as an epithet for someone directly or in third person.

When thinking about death/"burial" customs (needed for some scenes in the fic I'm planning), you have to consider that there probably wasn't a lot of land in a place like Skyrim where someone can be buried. Nords intern their dead in crypts or burn them to get around this, and I like to think Snow Elves participated in something akin to sky burials (at least sometimes). After preparation, the departed's body is left outside on a ledge, cliff, or the temple balcony to be scavenged by birds. This is seen as a metaphorical return to Aetherius, while their soul literally returns to it. They do this even in poor weather or deep winter. If it doesn’t thaw and rot/be scavenged until months later, so be it. The length it takes to rot is considered indicative of how long it takes for the spirit to let go and move on (not in a bad way though. It’s interpreted more in the way of the soul or body grieving). It's seen as if they may wish to wait until spring to finally rot if they want to experience one more warm, sunny day.

Food (I mostly wrote this in my notes in the context of the Forgotten Vale and Chantry of Auri-El, but I think it could work elsewhere as well to an extent): Plant-based food is grown in gardens in the spring and summer, and that that is able to be stored is carefully preserved through the fall and winter. Winter foods include some nuts, dried vegetables, and dried and preserved/fermented grains (like wheat, barely). These foods must be eaten slowly throughout the winter to last, and winter diets are more meat based. Summer foods include apples, cabbage/lettuce, leeks, tomatoes etc. Snowberries can be found in the wild out of season of most other fruits, and provide fruit in very early spring. Occasionally, fungus from caves is harvested, but this is seen as a delicacy (foreshadowing).

Ok, that's it for now. I gotta go to bed. Thanks for the ask!!!! :D

I do think it’s quite interesting how GRRM’s ideals of a good king are confronted and challenged in Jon’s storyline.

Jon is undoubtedly a good person. And he has the capability to be a good king. But being a good person in the world of ASOIAF is not always rewarded. And being a good king is easier said than done.

“They say the king gives justice and protects the weak.” She started to climb off the rock, awkwardly, but the ice had made it slippery and her foot went out from under her. Jon caught her before she could fall, and helped her safely down. The woman knelt on the icy ground. “M’lord, I beg you—”

“Don’t beg me anything. Go back to your hall, you shouldn’t be here. We were commanded not to speak to Craster’s women.”

“You don’t have to speak with me, m’lord. Just take me with you, when you go, that’s all I ask.”

All she asks, he thought. As if that were nothing.

“I’ll … I’ll be your wife, if you like. My father, he’s got nineteen now, one less won’t hurt him none.”

(Jon III, ACOK)

The situation with Gilly at Craster’s Keep is a perfect example of how difficult it is to give the king’s justice in certain situations. Jon wants to help Gilly, he even feels guilty and horrible for choosing not to, but he cannot so easily offer his help because he is a man of the Night’s Watch.

What’s interesting about this conversation is that Gilly addresses and appeals to Jon as she would a king. She places herself as the weak party and Jon as the king who is expected to protect the weak. She kneels to him, as one kneels to a king, and addresses him as “M’lord”; ironic because Jon is just a bastard, who is now a member of the Night’s Watch. Much has been said about this exchange, and fandom often gives Jon a lot less empathy than he deserves. The truth is that he is in a very terrible situation, notwithstanding the character development that is to come regarding his perception of the wildlings.

But I’m looking back at GRRM’s quote about how being king gives one wealth and power and ability to do something, anything. This is something that Jon absolutely lacks in this situation. He may have been symbolically positioned as the rightful king by the narrative, but that doesn’t mean he has any actual power to enact change within the narrative itself. If Jon were nearly as callous about this whole situation as this fandom wants us to believe, he wouldn’t feel so guilty about refusing to help Gilly as he does later on. P.S: I also want to note that Sam is often lauded for being the one to help the girl, “unlike Jon”…except, Sam only does so when the chaos that follows the mutiny and Craster’s death gives Gilly the opportunity to flee. Sam understood that he had no power to help Gilly early in ACOK and that’s why he sent her to Jon. But he also overestimated just how much Jon would be able to do at that moment. Jon may have been the Lord Commander’s steward, but that didn’t give him the ability to go against Mormont (especially when the LC himself was turning a blind eye to Craster’s vices).

It’s then interesting how this situation of a young girl trying to flee a precarious situation is repeated later on in ADWD and this time, Jon manages to help her. Except the difference is that Jon is the Lord Commander now, not just the LC’s steward. What he couldn’t do for Gilly in ACOK, he can do for Alys even though that too places him in a tough situation.

“Why not the king? Karhold declared for Stannis.”

“My uncle declared for Stannis, in hopes it might provoke the Lannisters to take poor Harry’s head. Should my brother die, Karhold should pass to me, but my uncles want my birthright for their own. Once Cregan gets a child by me they won’t need me anymore. He’s buried two wives already.” She rubbed away a tear angrily, the way Arya might have done it. “Will you help me?”

“Marriages and inheritance are matters for the king, my lady. I will write to Stannis on your behalf, but—”

Alys Karstark laughed, but it was the laughter of despair. “Write, but do not look for a reply. Stannis will be dead before he gets your message. My uncle will see to that.”

“What do you mean?”

“Arnolf is rushing to Winterfell, ’tis true, but only so he might put his dagger in your king’s back. He cast his lot with Roose Bolton long ago … for gold, the promise of a pardon, and poor Harry’s head. Lord Stannis is marching to a slaughter. So he cannot help me, and would not even if he could.” Alys knelt before him, clutching the black cloak. “You are my only hope, Lord Snow. In your father’s name, I beg you. Protect me.”

(Jon IX, ADWD)

We’re seeing a repeat of Gilly and Jon here. Alys is now the weak and helpless maid and Jon, who is still a brother of the Night’s Watch, is once again made to play the role of a king.

Obviously the narrative, as it was with Gilly’s situation in ACOK, is saying that Jon is the king because while Alys could’ve pinned her hopes on Stannis Baratheon (who is actually titled), she chose to flee north to Jon the bastard. And what’s interesting this time is that Jon actually helps Alys in whatever way he can. He uses his status as Lord Commander and his dealings with the Thenns to secure Alys’ marriage. He oversteps his bounds as Lord Commander, and the irony is that he starts to act more as a king would.

So it’s interesting to see how the character often marked as the true king by GRRM’s narrative handles the moral obligations that come with kingship. And GRRM is putting Jon through these tests when he doesn’t even have a crown of his own. GRRM often makes Jon prove his worth as a king despite thinking of himself only as a bastard. We see this best when Stannis comes to the Wall.

Surprisingly, Stannis smiled at that. “You’re bold enough to be a Stark. Yes, I should have come sooner. If not for my Hand, I might not have come at all. Lord Seaworth is a man of humble birth, but he reminded me of my duty, when all I could think of was my rights. I had the cart before the horse, Davos said. I was trying to win the throne to save the kingdom, when I should have been trying to save the kingdom to win the throne.” Stannis pointed north. “There is where I’ll find the foe that I was born to fight.”

(Jon XI, ASOS)

It is true that Jon and Stannis are in very different situations. Stannis is aware that he is the rightful king (as Robert’s heir), and he has also heard from Melisandre that he is the prophesied prince. Jon, on the other hand, is a bastard boy completely unaware of his royal birth or his magical destiny. Yet it’s so interesting that it’s Jon the bastard who was actually doing his duty as the king (without even knowing it) whereas Stannis had to be reminded of it. So despite his failings every now and then, Jon does live up to the author’s ideal of a great king.

I was making this for myself but I figured why not post it too? First thing I’ve made in like half a year, and even then I was a beginner, oops. Anyways this changes literally nothing, except makes your sims knees, inner elbows, and collarbones pop out a little more. I really like it when knees are prominent, idk why, and I added collarbones, etc too because why not. Enjoy! 

GIF of before and after's under the cut (i forgot to label them but the first for each sim is the before and the second is the after w/ this cc applied)

Enhanced Features - Skin Detail CC

1 swatch

3 different slot options (2 skin details + 1 tattoo) + merged

bgc

download (sfs)

HOUSAMO Incorrect quotes#6 Lovers & Fighters-

Snow: The best way to gain someone's undying loyalty & Admiration is by saving them from a perilous situation

Melusine: So you're just gonna wait until the MC is in danger and save them?

Snow: Of course not, I'm going to create a situation that puts them in danger and then save them~

Melusine: ...

Melusine*Looking at him unimpressed* You're insane Codependent Buffoon

...When they are both tall, sophisticated simps...who love short lil weirdos-

Lucy Gray and Coriolanus to celebrate the premiere of "The Ballad of Songbirds and Snakes".

Attempting to retain shreds of my sanity

Bonus points for reblogging this with an extensive breakdown of who you chose and why.