Since it’s Nov 5th, I would just like to say that Diana Wynne Jones wrote a whole book about a world that had fucked up its projected path and had become a hellscape of modern witch trials and when they finally find out what went wrong it’s because Guy Fawkes actually blew up the Parliament instead of failing and it was such a big explosion that it introduced magic to the world and made everyone deathly afraid of it. Anyway

Im sick with flu so naturally I picked up my newly bought copy of Howl's Moving Castle which includes DWJ interviews in the back.

And im in love with the way she tells these stories feels like a part of her books.

And my favorite:

The magic in the mundane :)

edit: I'm copying the ID by @princess-of-purple-prose below, thank you!

[ID: Excerpts of printed text which read:

I suppose there's also a biographical element in that Sophie is the eldest of three sisters, and so am I. The idea for Sophie grew out of the time I discovered I had a very severe milk allergy. I almost lost the use of my legs and had to walk with the aid of a stick. I was moderately young, but because of this I suddenly became old.

I had to wait until I knew what Wizard Howl was like. I began to discover Howl about the time when one of my sons took to spending several hours in the bathroom every morning and I got really, really, really annoyed with him.

Where were you when you wrote it? I wrote the book the way I write everything, stretched out on the big sofa in my sitting room, in everyone's way. This often annoys my husband rather a lot.

which made me burst out laughing. I laughed and laughed at the seven league boot, and when I came to the bit where Sophie accidentally makes Howl's suit twenty times too big for him, I laughed so much that I fell off the sofa. My husband was really irritated by this time. He snapped, "You can't be making yourself laugh!" And I gasped, "But I am, I am!" and rolled about on the floor.

Are any of your relatives or friends included in the book? Yes, well the thing that started me off writing the book was a friend of mine who never does her laundry. She has it around the place in huge bags for often as much as a year. When she does tip it all out and try to wash it, she discovers all sorts of clothes that she has forgotten she had.

Which is your favourite part of the book and why? I like the book all over, but I suppose if I had to choose a bit, I'd choose the place where Howl gets a cold. It so happened that when I was writing this bit, my husband caught a bad cold. He is the world's most histrionic cold catcher. He moans, he coughs, he piles on the pathos, he makes strange noises, he blows his nose exactly like a bassoon in a tunnel, he demands bacon sandwiches at all hours, and he is liable to appear (usually wrapped in someone else's dressing gown) at any time, announcing that he is dying of neglect and boredom. So all I had to do was write it down. End ID]

Knowing that Howl went "Fuck finishing this PhD, I'm ditching this universe to go chase girls, consort with demons, and live my wizard ladykiller dreams, while owning my own home at age 27" makes him much more understandable as a character

Interview with Diana Wynne Jones

I never knew this!

I've seen increasing buzz around here about Howl's Moving Castle (book). I think you all deserve to know that all of Diana Wynne Jones's books are filled with characters and plots that are absolutely as delightful and unhinged as that one.

Some Actual Plots include:

Dogsbody - The star Sirius is accused of murder and sentenced to exile on Earth in the body of a dog until he finds a magical item called a Zoi. He's adopted by a young Irish girl living with her abusive and neglectful English relatives. He has to balance his desire to find the Zoi with needing to be a Good Dog for the girl who takes care of him. Also the Wild Hunt is there. Hexwood - A girl finds a magical wood behind her house where she meets a wizard who thinks he's a convict of the intergalactic government, a boy created by the man to destroy said government, and a robot found in a junk heap. The magic wood is actually an alternate reality being generated by an AI who has a grudge to settle with the head of said government. The book is about abuse, PTSD, and trauma. The Dark Lord of Derkholm - Magical world is being destroyed by a company using it as an isekai amusement park for people from another dimension. Bio-wizard is appointed Dark Lord for the year, and he and his family (four of whom are bioengineered griffins) have to find a way to survive the season while everything is going wrong. Deep Secret - Interdimensional detective/diplomat/wizard needs to find a replacement for his deceased mentor. He does so at a fantasy convention, while trying to keep an interdimensional empire from collapsing into civil war after the emperor is assassinated along with all of his heirs.

She's an absolute master at weaving fantasy elements into the mundane world and writing from the PoV of kids. Her books are funny, clever, and full of delightful characters. I'm begging you all to check them out.

How the heck is there not more talk about Tanith Lee??

Like my gosh, the woman wrote, according to her wiki, 90 books, over 300 short stories, two World Fantasy Awards, and was the first woman to win the British Fantasy Award/Augus Derleth Award and wrote for tv shows.

Like, it's not like she just wrote a heck ton but wasn't very good! She was clearly very good she won awards, and i've read a swath of her stuff across different genres and really enjoyed most of it. I mean that even if not each one has been my cup of tea I can at least appreciate the skill and quite a lot I have truly enjoyed. She's got great prose and style and imagination. Not everything obviously was a banger, but they've all been at least well written, which is harder to come by in writing than you might think.

But nobody ever seems to talk about her?? And I feel like the fantasy crowd on here would really enjoy her stuff. The woman has done stuff in pretty much every genre from what I can see, but I never see her listed on fantasy authors like Clive Barker or Diana Wynne Jones or Neil Gaiman or Terry Pratchett or Diane Duane even though she was writing at the same time and has a similar sort of '80s Doing Cool Stuff with Fantasy vibe' I feel like people who like those authors would enjoy though she's very much her own style of author.

Anyway this was really just me putting out a rant that such a prolific and talented author seems to have fallen by the wayside and I think it's really a shame

Heck she even did a witch-queen fighting againt vampire Snow White a whole decade before Neil Gaiman did his phenomenal Snow Glass Apples and it's also excellent, give a look here:

"People need to read the book to see how dramatic book-Howl is!" True, but on top of that, even people who read the book need to read the sequels..

funniest thing about dwjposting on this website is that you can see the exact moment your howell movingcastle post leaves the circle of people who know you’re talking about that welsh fucker. truly instant change from tags calling him a fail king and wanting to switch his $200 purple shampoo for head and shoulders to tags proclaiming their undying cottagecore-themed love for him

The Hatter sisters from the book Howl’s Moving Castle by Diana Wynne Jones.

I have no idea why Howl's Moving Castle is trending but it might be a good time to share that last week, at the bookstore, I saw this gorgeous new paperback cover?? Like this is such an upgrade from the weird green and purple one!

forgot to post these doodles i did on my copy of hmc :)

finally drawing hmc art and all i can come up with are memes lol

Howl's Moving Castle by Diana Wynne Jones, a collector's edition from The Folio Society, illustrated by Marie-Alice Harel

book howl is such a wet little guy

bonus:

so again, I'm rereading howl's moving castle LMFAO and truly diana wynne jones' disdain for in depth sensory description is sooo cool. I think I've arrived at one of the most basic things that fascinates me about this book and that drew me in and it's something about how descriptive language and tone intersect. there's a lot of two-step visual description, but very little of the specific descriptive language I'm accustomed to. I can know that something looks lightweight because of the way that michael is carrying it, or that the slime is green and has a weird reaction when you dump ash on it, or that michael obviously wished he had not spoken, or that from the way howls feet are braced it's clear he is exerting great force, but it's almost rare that there's a plain description of what's going on. even if there is a proper one, there's always an opinion or extrapolation at the end of it: the wind tore at sophie's face so savagely that she thought she'd end up with half her face behind each ear. generally what I find is that instead of inferring how a character must feel based on how they are acting, you get to make up the specifics about a character's actions or experience based on how the narrator tells you they feel about it. the writing isn't broken down into small pieces for you to put together; it's made of big ones. a single description hits about three different ideas, and there's another similar one in the next paragraph, and you have to keep up. it drives the story along at a committed pace as well as makes the magic system feel very unique, and then that uniquely maintained system becomes scaffolding for the story's themes to grow off of