#i've never been the same after this scene | Explore Tumblr Posts and Blogs

chuluoyi · 7 months

Text

fear

- gojo satoru x reader

his best friend’s defection is still a hard topic for him to swallow, and it leads into an unexpected argument that spurs you to leave, only to unlock a new fear in him when you get into an unfortunate accident afterwards.

genre/warnings: angst, gojo being mean, one scene with a worried nanami *wink*, injured reader, hurt/comfort, fluff in the end

notes: *sigh* my coping mechanism is still gojo’s past arc, which is why this piece takes place on that timeline. just a little context: reader is in the same class with nanami & haibara and was in the same mission that took haibara's life. this is probably the longest oneshot i've written so far sooo… enjoy! :)

series masterlist | oneshot masterlist

A year and a half had passed since Suguru embarked on his path as a curse user. In that one year and a half, Satoru had finished his last year at Jujutsu High, and now was in the halls of his alma mater, speaking to the newly appointed headmaster who was none other than his teacher.

"You're applying to become a teacher?" Yaga asked again with a frown. He still couldn't wrap his head around it. Granted, he was his most troublesome pupil. "Why, Satoru?"

"If I said it's because I want to train young sorcerers to be strong, would you believe me?"

That was not a lie. It was actually 50% of his main reasons anyway. The other 50% was to repent what he missed with Suguru when he chose his dark path—his contempt with the current system of this jujutsu world.

"I would," Yaga responded gruffly. To him, Satoru was irritating, but he also knew that he was also extremely capable, and thus everything he did wasn't just out of nowhere. "But you still have to submit your applications. We can't make an exception even if you come from a prestigious clan."

"That's fine with me," he grinned. "Thanks, sensei."

On summer days, he'd get reminded of Suguru and silly things they had done together. Eating shaved ice, cycling together, driving either you, Shoko or Nanami mad. Satoru missed those days, it hadn't been the same ever since. Not knowing if his best friend was alright—if he was still alive at all—was exhausting.

Sometimes, he felt like he was the only one who was affected by his departure, the only one who stayed right where Suguru left him. Shoko didn't seem ruffled, if anything she just went to more bars and pachinko parlors as of late. Nanami was always a recluse, he never disclosed his feelings. You mourned him, but it was clear that most part of you would always be more focused on Haibara's death.

Satoru understood that he couldn't force anyone to feel what he felt, and he had no right to. But sometimes, he just wanted someone to connect with at his level. Someone to get him just like Suguru did.

And so when he got back to his condo that night—just right next to the one he rented for Megumi and Tsumiki, since he had moved out of his dorm—to find his girlfriend there with a big smile and a tray of cupcakes, unaware of everything and anything, he merely scoffed to himself.

"Satoru, you're back," you acknowledged, beaming like the sunshine you were. "I just baked these for the kids. Do you want some?"

Usually he'd smother you, throw some pickup lines here and there and say yes, but today, he just felt drained. "No." And with that, he stalked away to the bathroom, not glancing back at you.

It was wrong. But tonight he just wanted some peace and quiet, and so keeping his silence seemed to be the best choice as he didn't want to start a pointless argument with you. But you weren’t anything but observant, and definitely noticed that something was amiss with him.

"Are you... alright?" You approached him warily after he came out of the bathroom with wet hair. "Where were you today?"

"Just somewhere," he replied curtly. Afterwards he turned on the hairdryer, drowning the whole place with the noise even as you stood behind him with a visible question mark.

But you were still there after he dried his hair. "Is something bothering you?" you asked with a tilt of your head, concerned. By all means, you mean well. You just wanted to know if he could use your help at all.

When you pulled that expression, he couldn't help feeling annoyed, like he wanted you to take a hint, but you just didn't. "If you know, then just shut it."

It was probably the first time since the two of you got together that Satoru actually said something harsh. But you still tried to be reasonable though, bless you.

"Satoru, I don't know what got into your nerves like this, but I think sleeping through it might help. Have a rest."

"Why are you talking as if you know it?" he snapped, finally turning to you with his cold gaze. "You might not know anything, so don't be a know-it-all. Just mind your own business."

Now you were frustrated with his reply. "Once again, I don't know what happened to you. But if you're taking it out on me because I'm the closest you have—"

"Who said that?" Satoru didn't know where he got all this venom from. It was just at the forefront of his mind and he just got the urge to spew it. "You're considering yourself closest to me? Where did you get that big head from?"

You were aghast, and you blinked a few times to get your bearings. "Let me guess, it's about Geto-san, isn't it? Or the higher ups. Either of that must be what causing you to blindly place your anger on me."

"So what if it was? It isn't like you'll understand anyway."

"Satoru," you started, trying to even your breathing. "What happened to Geto-san isn't your fault. I've been telling you this. It can't be helped—"

"Can't be helped?" he jeered. "Do you know why it has come to this?" his tone took a dangerous edge as he stepped closer. He reached for you, grasping your wrist.

"Maybe because I was too blind back then. If it weren't for you—if only I didn't spend that much time on you, maybe he would still be here."

Did he just say that? Did he just imply that he had regretted the two of you getting together?

You felt your lower lip start to tremble and something seemed to obscure and blur your vision, making it hard to see him clearly. "You... don't mean that."

"Really?" the corner of his lips curled into a disparaging smile. "You never know. Before you know it, this can be over already. After all, I could have anyone out there that I want. Maybe someone less nosey than—”

That did it. You wrenched your arm out of his grip violently, as your first tear fell. His smirk vanished too, replaced with a total stillness to cover his sudden panic that was followed by a sudden sinking feeling at the pit of his stomach.

"You selfish, self-obsessed jerk," you hissed through watery eyes. He was taken aback, even amidst your anger and possible fear of him, your still managed to throw daggers at him. "Fine. You have it. I'll see myself out."

Satoru never wanted you to leave. Honestly, he would've made you stay. But he wasn't in the right state of mind and it was too late to take back what he said. He didn't want to mess this up even further.

You left the cupcakes, even throwing it away just to spite him. Driven by pain and humiliation, you choked back your sob and didn't spare a glance at him as you shut the door.

Peace and quiet. There he had it, he thought as he clenched his fists, at the cost of everything else.

Leaving that condo, every step you took felt like needles piercing your shattered heart. You wiped your tears roughly. No, you refused to cry over such asshole. He made it clear, didn't he? Whatever it was that you two shared, it was at the cost of his best friend leaving him. So now the blame was on you.

If you were thinking clearly, you would've understood that his words were likely a result of his own pent-up pain and frustration that he had kept to himself for some while. But you had no patience for that or even pinpoint what you felt right now—anger, disappointment or dread, or perhaps all three. You just felt wrongly accused.

Your feet brought you back to your dorm in the school. Now it wasn't as bustling as it once were. After Satoru and Shoko's graduation, you didn't really get close to anyone. There was Ichiji, but he treated you more like a mentor rather than a classmate.

As you sank into the comforts of your bed, You replayed the events, trying to find where it went wrong—and found nothing. After all, you had already said all that could be said. It wasn't just him who lost Geto, but you, Shoko and Nanami did too, but it was more convenient for Satoru to blame everyone else rather than trying to understand that they too shared this pain.

Nevertheless, you were disappointed. You didn't expect half of what he spouted, and it got you doubting everything you had.

"You've royally fucked up."

Satoru exhaled, glaring at Shoko through the corner of his eyes. "Yeah, maybe."

The reverse cursed technique user threw him a blank stare, taking in everything from his disheveled hair to his wrinkled trousers. "Gojo, as much as I can’t care less about your sorry ass, I'm saying this not out of concern for you, but rather for Y/N. You are an asshole."

The puff of smoke she blew expanded to create a cloud-like shape. "Yaga-sensei was our teacher. His student is now a mass murderer and wanted dead. Can you even imagine how he feels? And I can't believe I'm saying this—but weren't there three of us?"

A week had gone by and instead of doing the right thing like trying to get into your good graces, Satoru was in Shoko's infirmary in the headquarters instead. He didn't exactly know what he was looking for by going here. Maybe some lingering taste of his happier student days, and Shoko was the only one remaining.

Three of us, huh... she was right. That was precisely why he came here after all.

"You're just sulking because it seems no one cares about your best friend being the best there is. But have you thought about how our juniors also lost Haibara? Right in front of their eyes? Haibara was our friend too."

He was wrong, of course he was. Satoru realized that now. But it felt wrong to ask for your forgiveness now, not to mention the disrupting thought he had—should he let you go for good altogether?

The phone suddenly rang with such fervor that made Shoko utter a swear word. She was on call duty for the rescue team today, and it was supposedly a peaceful day until Satoru decided to barge in to become her company. "Hello? Ichiji? What—speak clearly, I can't hear you."

She switched it to loudspeaker. "...iri-san! Ieiri-san—h-help—please—"

It was noisy, and blaring at the same time, and Ichiji was... Sobbing? Choking? His voice was terribly muffled and—

"L/N-san!" he cried, and Satoru remembered at that moment that you should be in a mission with Ichiji, he remembered you telling him before.

"Hic—s-she fell... hic—she fell! B-blood! She i-is bleeding so much! I-Ieiri-san—hic—s-send help! Please!"

"Hey, stay awake. Breathe. Just breathe."

Everything hurt. Most notably, your head. You could hardly think straight when all you felt was blinding pain and how your breaths came in short wheezes.

Your vision was blurry. The numbness had started to set in and chills ran up and down your spine. You couldn't make out who in front of you was. Was it Ichiji, who went with you in this mission? The only thing that glared was blue.

"You can't sleep, you hear me?" the voice was commanding, willing you to do his bidding. It was familiar, but usually his tone of voice was much lighter, happier.

Satoru.

But why was he here? He wasn't in this mission. It was supposed to be a mission for you and Ichiji.

You remembered getting the cursed spirit after manifesting your domain expansion, until in its last ditch attempt, it went after Ichiji. You had no choice—even when your cursed energy had burned out, you still shoved him away at the cost of being flung from the top of a building.

Not again. Not after Haibara. You’d gladly pay the price if it meant you didn't have to see anyone die in front of you again.

"I..." You managed to croak out—breathing hurt, and you felt your hands being grasped tightly.

"Hey, just breathe. Y/N. Look at me.” Through your blurry haze, you focused on that cold blue, and you saw him. Satoru's sharp eyes, pursed lips and frown. He's really here.

Satoru always said that if there was a cursed spirit apocalypse, then Ichiji would be the first to die. You used to scold him for that, but now as you a laid here possibly dying in your own pool of blood, you found it to be true.

Yet at the same time you knew that with him here, Ichiji must be safe already, and it gave you reassurance so great even when you were on the verge of dying. "I... can't..."

"Yes, you can. Just look at me," he firmly rebuked, his voice came out in a hiss. For all the time you had been with him, you had never heard him so forceful. "If you close your eyes now, I won't forgive you. So please, just hang in there."

It was a struggle to take in any air and darkness encroached on your vision as your consciousness began slipping away.

And everything faded to nothingness.

Satoru honestly thought he had no fears. His worst fear had fully realized after all—Suguru going away into the darkness. What more could he possibly fear?

But when he heard Ichiji's distress call for rescue team, about how you fell from a rooftop of a building and unconscious, he realized that it was a fear he didn't know existed. His mind got disoriented and he teleported to the scene on impulse. He just had to see it for himself. With their petty argument still lacking closure, he felt even worse.

And the sight before him gave him so much fright he never thought was possible.

It was a mistake, he should have brought Shoko along.

You had laid there like a broken doll, your eyes dimmed, and not been able to breathe. He desperately tried to keep you awake, his presence beside you, yet it didn't seem to matter. He watched helplessly as you passed out in his arms.

Satoru felt nothing. The panic that had set in was suddenly gone as your limp body slumped against him, replaced by incessant ringing in his ears and tremor wracking his nervous system. It wasn't long until the rescue team came to retrieve you and even then he still felt numb. He rejected the idea that you might possibly die on him.

That went on until Shoko, who assisted in the emergency treatment, came out of the surgery, sweat on her forehead.

"It's even worse than the aftermath of the guardian deity mission last year," Shoko explained with a grim expression. "Her brain has sustained damage and it affects everything. It may take her quite a while before she can go back to the field."

When she said that, Satoru felt terror washed over him again. You almost died—was all he perceived.

The two of you had no contact for a week just because of his ego. He could still recall that day with vivid clarity, feeling a burning ache in his chest. If someone were to ask him what heartbreak was like, now he certainly would he able the to tell them the two instances in which he experienced them. What he felt now mirrored the same stinging sensation he had felt when Suguru left him.

He visited you when he was allowed to, and you were still unconscious, with many machines connected to your body. It was a sight he still couldn’t bring himself to get used to. He had seen you injured before, but never seen you in your own pool of blood, so this made him feel sick to his stomach.

"Stupid," he whispered, gently rubbing your forehead. His eyes remained fixated on you as you rested, his insides still churning with emotions. "You're not weak, and you're not hopeless." Once upon a time, Satoru might have thought of you as weak, but now he knew better.

"So why you always pick the worst decision?" The more he thought this could've been avoided, the more irked he was. The thought that he could have done something to prevent it intensified the sting of guilt, and he continued to punish himself with it.

And the more he dwelled on the idea that he had hurt you prior to this, the tighter his breath became.

But that was who you were. Self-sacrificing to a fault. And he loved you for that. There was no way of him letting you go now.

It astonished even himself—that he was capable of this love thing. At first it was an attraction, but now that you had been going on for more than a year, it felt like it was no longer a silly infatuation after all.

"Hurry and wake up, will you?" Satoru gently brushed your hair aside, his eyes fixed on you. He didn't know it even as his gut twisted, his frown deepened and his touch quivered, that he was worried sick. "I have a lot to make up for."

And he left you with a tender brush of his lips against your forehead.

Nanami Kento was the first person you saw when you awoke from coma.

You struggled to regain your senses, still feeling absolutely broken. The dull throb on the back of your head was still there, and as if you had found yourself trapped in a fog, you were only able to move sluggishly.

"You're awake?" his gruff voice greeted, laced with concern. In his hand were a bucket of fresh flowers and fruits basket, which he soon placed at the table next to your bed.

It was unexpected, because ever since the tragedy that costed Haibara's life, the two of you had been drifting apart.

You nodded, and let out a hum in response—all you could manage at the moment.

"Thank God." Nanami sounded relieved as he pinched the bridge between his eyes, and you were moved that he had shown this degree of concern.

Your remaining classmate, who suffered the burden of Haibara's life just like you. He was always quiet or brooding somewhere, hiding his own feelings.

You felt tears pricking the corner of your eyes. The fact that he visited you meant that he hadn't decided to cut you out of his life yet.

"Gojo-san is out today, but he'll be back by afternoon," he said, mistranslating your tears as some sort of a want to have your annoying—ex?—boyfriend at your side.

The two of you were still not on talking terms, weren’t you?

You so badly wanted to say thank you to him—and tell him that no, you weren't looking for Satoru—but it came out hoarse and barely above a whisper.

"Huh?" Nanami then realized what you were trying to say, and a faint smile graced his lips. "Just... get well soon, L/N. Have a good rest."

Just before you drifted back to sleep, you could hear him sigh and mutter, "Hello, Gojo-san? L/N has awakened. Just letting you know is all.”

You weren't sure how much time had passed when you woke up the second time, but the curtains were already drawn and only darkness came from the window. Your body felt lighter, but you still felt like a mess and and couldn't help but groan in discomfort.

Satoru was there, he perked up at the noise you made. And you realized that it was the first time in about a week that he faced you after that disasterous almost-breakup.

He walked up to you, his expression was more hopeful than you had ever seen him before, like a kid whose wish had been granted. He slowly shifted to sit beside you.

"Hey, welcome back." His voice was soft. It was a change of pace for him, as you were used to seeing him all loud and silly.

Now your voice no longer sounds like a lead. "Hey."

"How are you feeling?" he asked and you took a moment to look at him. He was smiling, but exhaustion reached his bright eyes, dimming them. "You know, with the whole you passing out and almost dying thing?"

His words were almost humorous as he spoke, like he didn't know what else to say except try to lighten the mood, but there was also a strain on his tone, like he was holding back.

"I'm quite fine now, I suppose..." You still felt the lingering pain and dizziness as you slowly sat up. Satoru reached out to steady you—and you realized how his fingers trembled when they made contact with your body—as his brows furrowed with worry when you winced.

"You don't look like it though." His voice dropped and the humor was gone, replaced by this haunted look. You blinked. It was probably the first time you had seem him this ruffled.

He immediately pulled you into a hug, cradling your head to his neck gently, as if to protect and shield you from the world altogether. Exhaling heavily, he leaned on you. "You scared me, you know that?"

You wondered out loud if you really had that hold over him. "Did I?"

"You can't do that to me, you hear?" Satoru stroked your hair, nuzzling his face on the crook of your neck. His voice quivered. “Don't ever do that again.”

He pulled you tighter against him, but still careful not to crush you.

You let out a snicker, letting go of everything you felt during this horrible week. "Heh, afraid to lose me, huh?"

"Shut up,” he grumbled. “What were you thinking anyway? How did you calculate that freefalling is better than letting that cursed spirit attack Ichiji?”

"He was defenseless. He could die, you know that."

"And you also can," he quipped, upset, pulling away enough to look you squarely in the eyes, his eyes devoid of any expression, yet filled with a raging wave that you could only interpret as undiluted concern.

The emphasis in his tone made you recoil and feel guilty. If you were in his shoes, you probably would've said the same thing and so you had nothing to say to that.

But the more pressing agenda in the list was the unspoken silent treatment the two of you saw fit to use against each other for the last few days. Satoru was the one who decided to address it first.

"About that night..." he faltered, looking away. "I didn't mean what I said. I'm sorry."

Satoru always had trouble processing emotions. This time too. He must've a hard time dealing with the anxiety caused by the possibility of him losing you for good, no matter how much he tried to be unaware of it.

"..." You wanted to respond, to make him understand your point, but somehow right now you were just too weary. And he sensed your reluctance. So you blurted the first thing that gnawed at your mind.

“You said you could have any other women out there—”

"No, really—" he started to panic, and it was blatantly too, which surprised you. "I'm sorry. I'm so sorry. Us. I don't regret anything. I’m not breaking up with you. Being with you is the happiest I've been ever since Suguru left."

“That's...” you blinked, before letting out a small sigh. “Okay. Fine then. Let's just put it behind us for now.”

“I—” he almost wheezed, his bright blue eyes were overtaken with sheer urgency to explain how wrong everything had been that night. “You must know that I didn’t mean any of it. And that I hate hurting you the way I did. I won’t—”

"Satoru, I understand," you let out another sigh, fidgeting with your fingers. "Sometimes when I’m reminded of Haibara, I also get sad. I don't want to presume but I think I know how you feel. Just next time, maybe," you shifted your gaze on him, seeing how you had his attention fully. Gojo Satoru, the strongest now, was looking at you as if you had his fate in your hands. "Just tell me if you need space and I would have understood."

"Yeah, okay, sure," he responded immediately, relieved, before a lopsided grin appeared on his face, turning him back into your dork slash boyfriend. "So, am I forgiven now?"

"A thank you would be nice."

In the end, he chuckled, seemingly resigned. "You should sleep more."

He positioned himself into bed next to you, and you let him pull you into his chest again. You could feel how his taut back started to relax upon the contact. He pressed his lips on your forehead in a fleeting kiss.

"Promise me you won't pull that stunt again.”

You smirked. "I can't. What if Ichiji—"

"Then just let him die."

You swatted his arm playfully, pressing your head to his chest as he continued to run his fingers on your hair. He cushioned you carefully, and you felt the tension in him slowly melt away with each breath you took. In your mind, you figured he needed this closeness more than you did, if anything, for the sake of his sanity.

“I love you,” he whispered by your ear, kissing it lightly.

“Mmhm.”

As you felt Satoru's calming presence, it helped ease you into slumber. You soon found yourself in a deep sleep, comfortably held in his embrace.

Epilogue

Ichiji gulped as Satoru stared him down, sizing him up as if he was the most despicable creature on this planet.

Okay, he might be. He was a coward, all he could do was trembling in the face of evil. But he had come in peace, even bringing fruits as an offering! He felt bad too that he was the partial cause for you to be this injured.

He was used to Satoru terrorizing him—calling him names, slapping him, and whatnot—and he could take it. Just this time, he really looked like he could murder him on the spot if he wanted to. A small part of Ichiji mourned that you were his girlfriend, because that pretty much sealed his fate that Gojo Satoru could indeed murder him on the spot because he had a valid enough reason to.

"You are—"

"No! I'm sorry, Gojo-san! I'm sorry for my incompetence!"

"Hah?"

If he was mildly irked before, now Satoru was visibly irritated.

"You're not cut out to be a jujutsu sorcerer," he started. "You're useless. You just get in the way most of the time."

Ichiji kept his head down. No, no. He can't cry!

"Get your driving license or I'll slap the shit out of you."

"Oh?" and before he knew it, Satoru had stalked away, leaving him in the dust. How rude! But...

Get a driver license? Quit the jujutsu work?

Hey, that sounds like something I can do!

8K notes · View notes

reiderwriter · 2 months

Note

Hi Kacie!! Now that your requests are open... Could I request a smutty fic where Spencer finds out reader has a not-so-common sensitive spot (like her legs, hair, arms, whatever body part you want). Maybe he finds out kinda in a public setting after she gets all flustered and wants to keep pushing to test his theory?? You can take as much inspo from this as you want<3

(If this emoji's not taken)-💃 anon

A/N: Hello! Sorry for going MIA for a while there. It was the beginning of a new school year here in SK, so I've been really busy! I've been chipping away at this one little by little, and it's finally done! I hope you enjoy it ♡

Warnings; Smut, 18+ Minors DNI, case details, misogyny from a bartender in the opening scene, Semi-public sexual experimentation, edging, PinV sex, use of pet names (good girl), slight degradation, cum play, etc.

Masterlist

The back of the bar was dimly lit as you walked through it, keeping pace with your teammate as you kept one eye on the shady inhabitants of the bar.

You'd been sent - with Spencer of all people - to ask the local dive bar staff about suspicious regulars. A fact that didn't exactly take into account his general lack of intimidating looks and your status as the newest member of the team.

A trial by fire if you'd ever seen one.

You tried your best not to stick out like a sore thumb, but the people in these parts could spot a Fed from a mile away. And though Spencer was remarkably pipe-cleaner-like, they'd certainly recognised enough FBI in him to clam up upon your entrance.

“We got some visitors, I see. What can I be getting you, little lady?” The barman greeted you as you reached the first stool at the counter, a patronizing smile on his moustache clad lips.

“If it's okay, we'd like to ask you some questions. I'm Agent Y/N with the FBI. This is my partner, Doctor Spencer Reid.”

“You're a Fed? Now, why would you bother doing all that hard work when you could be warming my bed, girl. It's definitely more honest and satisfying work.”

The way the man leered at you over the counter has you freezing momentarily. Your instincts were saying fight, but you held your tongue just long enough to not ruin any rapport your team could build with locals.

“I'm flattered, but already spoken for I'm afraid. Have you seen any suspicious men in here in the last six months, one that would pass through only semi-regularly, maybe with a few female companions, though never the same.”

Professionalism at the cost of your peace of mind was going to be a hard learn for you as you grit your teeth and swallowed the bile in your throat.

He just continued to leer at you as he dried up beer glasses.

“You're looking for a man who likes cheap whores? Maybe you are in the market for a career change after all.”

That was about all you could take, and luckily, Spencer Reid was well aware.

Quickly grabbing you by the wrist, he pulled you behind him defensively and leaned over the bar, his voice low and somewhat chilling.

“Disrespect my partner like that again, and I'll have you charged with aiding and abetting a murderer who has kidnapped and ended the lives of three local girls. Local girls whose fathers you're more than likely acquainted with, who absolutely have multiple acres of property and just enough bullets to put you in the ground.”

The blood rushed to your ears at his voice, but the light grip of your wrist held you in place indefinitely.

All the fight left your body, as you found yourself coming dangerously close to melting into Spencer in relief.

He forced the man to answer some more basic questions, but it wasn't as if you could hear them. He stroked a quick thumb back and forth across your wrist as all the thoughts fled your head, and the words fell asleep on your tongue, resting there until he released you from his grip.

You'd known that the area was slightly sensitive for a while, having accidentally brushed up against things and felt serious chills shoot up your spine. What you hadn't known was that it was that kind of sensitivity.

Though, in all honesty, you hadn't exactly known that you could feel that kind of excitement for Spencer either. You just hoped he wouldn't notice. That much.

Having finished his line of questioning and reiterating his threat, he moved his hand from your wrist to the small of your back and adeptly guided you from the restaurant and out of the line of vision of every pair of eyes in the place.

“Are you okay?” He asked when he finally got you to the car, voice still quiet and low, and slightly too close to let you fully relax.

“Peachy. He talked to you at least.” You turned away from him and began opening the passenger side door.

“Nothing new or useful, though. Your bpm is high,” he joined you in the car, putting on his seat belt while you completely let go of yours, letting it zip back into itself.

“My… my what?”

“Your bpm is high. Your heart was beating so fast,” he said, reaching over you to help you reclip it. “Were you nervous, Y/n? Or just sensitive?”

“Your mouth is entirely too close to mine to be asking that question,” you breathed out, cursing your eyes from stealing a glance at his lips.

Only five minutes into this sudden attraction to Spencer Reid, and you were already mortified and extremely horny. In equal measures.

“What would be the appropriate distance to ask that, then?”

“I hear Australia is lovely this time of year.”

He chuckled softly at you as he finished adjusting your seat and then moved far enough away to let the ground swallow you in peace.

Never one to leave well enough alone, it seemed that Spencer took it upon himself to experiment with you for weeks on end after that.

He'd constantly ask you to pass him papers, pens, anything that'd allow him to run a finger across the inside of your wrist. On more than one occasion you'd caught him staring into your eyes as he did it, and it took a nearly embarrassing amount of time to realise he was checking how dilated your pupils were before and after.

When he'd gathered enough data for that line of questioning, he moved on to bigger things.

You knew you were in danger of seriously falling head over ads when he offered to walk you to your motel door in a seedier case location.

You, an FBI agent with a real-life gun and badge and job at Quantico, and you were jumping at the chance to have a man walk you to your room. You'd have been embarrassed if you weren't burning with anticipation.

You hoped that like every other man in history, he was gently trying to insinuate himself into your bedroom, and by extension, your bed and more intimate places.

So you were more than slightly disappointed when he started wishing you a good night. All of the aforementioned disappointment fled your body, though, when he picked up your hand and dropped a kiss to the inside of your left wrist, repeating the action on the right before wordlessly retreating.

You stared at his back as he walked purposefully down the corridor and into his own room, leaving you to pick up your jaw and retreat to your room to lick your wounds.

You wished it was him picking you up instead and found your brain imagining just that as your fingers dropped between your thighs that night.

It became a case tradition for him to tease you like this, kissing your wrist after innocently walking you back to your hotel room. The others thought it chivalrous, almost cute and childlike, a form of courting that graced the good old days. They didn't know he grabbed you by the waist and held you against his hard-on every time you rode an elevator together. They didn't know his tongue darted out a few times to lick your wrist on occasion. They didn't know how you once mentally begged him to bite you there and how you shuddered as he ran his teeth along the vein there.

Spencer was coming to the crux of his research regarding how far he could push you before you cracked. Only now, it was how far he could get without pushing you against a wall and jumping your bones.

You knew you were in danger when he offered to escort you home after a case.

“To walk you to your door, you know? Like always,” he smiled at you, the picture of innocence as you became damp between your thighs.

“Sure. Yeah, okay, I'll get my keys, let's go.”

You weren't sure how no one else noticed that Spencer didn't have a car to drive himself home after taking you to yours. You were unsure if they'd connect the dots between him escorting you home and his own apartment being 45 minutes in the opposite direction.

Luckily for you, you could keep your hands at 2 and 10 the entire journey, away from his grasp. If he'd have touched you right then, you're sure you'd have driven both of you right off the road into a ditch.

Or a pedestrian.

The drive was calm, but pulling up forced your heart to your throat and kept it suspended there, almost like it was frozen at gunpoint, a deer in the headlights.

“We're here.”

“Great. Let me walk you in.”

In. You swallowed hard, wishing very much for him to be inside of your apartment.

“Okay.”

Stepping into the elevator a few minutes later, he waited mere seconds after the doors began closing to pull you into his personal space. He was hard, he was so hard once again and his cock was now straining against your ass.

“Spencer, we need to talk about t-that,” he stroked your wrist as his hand splayed across your stomach, holding you firmly against him.

“About what, Y/N?”

He pulled your arm up almost as if inspecting the wrist for imperfections, and your head melted back into his chest. Why was this elevator so goddamn slow?

You sprung out quickly when the doors pinged open finally and moved straight towards your door without a glance back, but you felt him close behind you.

“Y/N, wait for me, wait, I'm sorry,” he called out quietly as you forced your keys into the lock as fast as possible.

“Y/N, I'm sorry if I stepped over the line, I didn't mean too, please look at me-”

You got the door open and turned back around to grab a firm hold of his tie and yank him into the apartment behind you.

“Months. Spencer, you have been edging me for months, and I am sick of it.” You half growled at him, slamming the door behind him and then pushing him up against it.

“I can feel how hard you are right now. Obviously you want to fuck me, so why aren't you?”

His face went from shocked to intrigued, then shot straight for mischievous as he cracked a smile, and you felt his hands wrap around your wrists slowly.

Before you could react, he had your positions swapped, your arms above your head pinned at the wrists and his breath hitting your neck as he answered.

“I wanted to see how long it would take you to break.”

Your lips leapt to his, hitting him angrily as you searched for more pleasure in his touch, one leg pushing up to wrap around his waist as his hips settled between yours.

He met you at your level, giving just as good as he got.

“Call it scientific curiosity,” he murmured, lips trailing down your neck, but hips pinning you in closer to the wall, keeping you trapped there. He made his way along your shoulders and then pressed light teasing kisses up your arms while rutting his hips into you, dry humping you against the wall as your eyes glazed over in lust.

“You react when I touch you, you heat up. But it gets worse if I touch you here, right Y/N?” His lips again found your wrist, but this time his teeth grazed across the veins he found there.

“You get so horny now when I look at you. I can grab your wrist and make you beg for my cock, isn't that right?” His mouth was back by your ear as your legs went limp under you. He still had you caged against your own door, and you had no idea what to say to that.

Part of you wanted to protest purely because of the rough tone of voice he was using. The other wanted to flood to the floor and tell him yes, beg him to just fuck you and be done with this pure torture.

“I asked you a question, Y/N. Isn't that right?”

“Yes, yes, Spencer fuck, I don't care anymore, yes. You can touch me and I'll react to you, please help me.”

“Good girl.”

He pulled away instantly, but his hands wrapped firmly still around your wrists. Slowly, he pulled you towards him as he slowly walked backwards further into your apartment. You thought for a second about just throwing yourself back into his arms, to close the space he'd created again between the two of you.

You tried it, lifted your head slightly, begging his lips to return there, but he held firm. Each step was an agony of need, and you fought to hold your tongue, begging yourself not to beg him so pathetically.

“Such a good girl, I'm holding you by the wrist, and you won't even protest about how slow I'm being.”

Your mouth fell open as you registered his words.

“You're being an ass.”

“What was that? You want me to touch your ass?”

“Spencer!”

“Don't worry, we'll get to that.”

His back finally made contact with your bedroom door, and you stumbled forward into his chest as he kept his grip even still.

“You're going to listen, right? You're going to listen to me and do what I ask you to do, aren't you?”

You wavered again. He'd been teasing you, but now he was serious, his tone light and his voice soft, but you could feel the strength in his grip. You could feel his arousal at your hip.

“Yes, Spencer.”

“Good. Get on your knees on the bed. No clothes.”

He released your hands and opened the door for you as you tried your best to walk forward calmly.

By the time you reached the bed, you'd removed most of your clothes, but you hesitated at the underwear as he watched from behind you. A quick glance over your shoulder saw him palming his cock through his pants, still leaning against the door he'd opened for you.

He was getting off watching you, and you were frozen in arousal.

“No clothes, Y/N.”

“I know.”

“Underwear is clothing.”

“I know that, too, Spencer.”

“Then take it off.”

You shot a quick glare over your shoulder as you unclaimed your bra behind your back and threw it to the floor.

“On my knees, right?” You said, climbing on the bed still clad in your panties.

“I also said no clothes.”

“If you're so invested in my state of dress, how about you come and help me rectify it.”

His lips twitched in small annoyance, but he followed the trail of clothes you'd left, ridding himself of his tie, shirt, jacket, and pants along the way.

He climbed on the bed slowly behind you, not opposite as you'd presumed he would. His hands reached out to touch your back before slowly sliding all the way up to your neck and pushing your upper body down into the sheets.

You let out a little squeak in shock, but let his hands guide you, feeling especially pliant when he grabbed your hands and crossed them behind your back.

“Maybe the panties can stay. I'll just decorate them afterwards,” he said, and with that, he pulled your hips up with his free hand guiding you into the position he wanted you in, and pushed two fingers into you.

“Fuck, Spencer-” your brain short circuited as he pumped the digits slowly in and out of you, setting an agonizing pace but holding you so tight that.you couldn't even press your cunt back into his fingers.

“What? What is it, Y/N? Tell me how you feel?”

“Feel good, so good Spencer, p-please more.”

He shifted slowly behind you, pulling his fingers out almost completely before pushing them back in, this time with another finger added. He didn't quicken his pace as you assumed he would, but he took his time stretching you out further as you moaned and whined underneath him.

“More. You wanted more,” he reminded you, and his voice was like a sharp hit straight to your cunt, rough and hot and filling you completely.

You barely registered the orgasm that flowed over you, your brain replaying his words on a loop as he continued pleasuring you.

“That's it. That's a good girl. Get my fingers nice and wet.”

When you finally grounded yourself in the moment again, your cheeks flushed as you realized just how wet you'd gotten. You felt your arousal still dripping down your leg and turned your face further into the sheets to hide your embarrassment.

He pulled his fingers out of you, though, and with his now free hand he crouched over you and hooked his fingers under your jaw lifting your head and body up, forcing your crotch back into his as your back arched.

“Don't hide from this. Look how wet you are for me, Y/N. Taste it.” He tapped his fingers against your mouth and you were ashamed at how fast your lips dropped open, tongue falling out to let him wipe his cum stained fingers against your pretty little lips.

You tasted yourself on his fingers, wrapping your tongue around them and sucking as he dragged his dick across your back, trying to relieve himself in any way he could.

“Good girl. It's time for one more, Y/N.”

You released his fingers with a wet pop as he pushed you back into the sheets. Lining himself up, he entered you easily, your cum providing ample lubricant.

You whined at his first few pumps, certain he was going to continue his torturous pace and leave you begging for more hours into the night.

Instead, he let himself work you up to it, each thrust gaining in speed and strength until you could hear the slap of your skin against his more vividly than your own heartbeat.

His cock was thick, filling you perfectly as you lost yourself in the sensations.

“One day, I'll handcuff you to this bed,” he said, leaning down and whispering in your ear as each part of your body vibrated with lust.

“I'll tie you down to this bed, and I'll treat you like a princess. I'll eat your cunt for hours until you cum every time my breath hits your cunt, and I'll cover your pretty tits in my seed. I'll let you use my cock as your personal sex toy, and I'll fulfill every single need you have.”

His hand released your wrists as both of his hands came to wrap around your waist, pushing you deeper into the plush covers and changing the angle of his dick.

You screamed at the pleasure, forgetting the paper thin walls your apartment boasted.

“Fuck, Spencer.”

“And you're going to love every single second because your brain switches off every time I touch your delicate little wrists.”

With that, another wave of pleasure spread through your body, sending prolonged shivers throughout your body.

You felt him withdraw and heard the sticky mess of him stroking himself behind you until he made good on his promise and sprayed his generous load across your ass and panties before collapsing on the bed next to you.

The two of you laid there for what felt like hours, sharing nothing but your labored breaths and the space of the bed before he finally rose.

You tried not to sleep, but your entire body felt stiff from the awkward, if enjoyable, position he'd held you in.

Your eyes drifted shut, and you just listened to his movements. A creaking floorboard here, a stumble against some furniture there, culminating in some running water and a return to your space.

“Y/N,” he whispered, cautious to rise you from what he assumed was much needed sleep.

“Mmmm,” was all you could reply.

“I realize now that I made a pretty big mess, so we need to get you in the bath.”

“Mmm,” you protested, brows furrowing as you tried to gather your sheets closer around you, cradling yourself in the warmth.

But doing so only made you more aware of the sticky wet mess around your torso and legs, and you let out a small, frustrated sigh.

“You're stubborn, you know that, right?” He said, admiration coating his tongue as he lifted you slowly and helped you place your feet on the floor and walk towards your bathroom.

“Spencer, shouldn't have a bath, too sleepy.”

“I know, I'm going to stay.”

“In the bath?”

“In the bath.”

“Good.”

And it was. You let him lift your legs one by one into the scorching water and melted back into him, your head resting on his shoulder as if it were the most comfortable pillow you'd ever used, and you slept.

#spencer reid #criminal minds #spencer reid x reader #spencer reid fanfic #mgg #spencer reid smut #criminal minds fanfiction #criminal minds fandom #spencer reid criminal minds #dr spencer reid #spencer reid x reader smut #spencer reid x self insert #spencer reid x you #spencer reid x y/n

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monarchberrysblog · 1 month

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𝔩𝔢𝔱’𝔰 𝔪𝔞𝔨𝔢 𝔲𝔭

18+ Miguel O’Hara x Fem! Reader

Summary: After arguing with Miguel over a touchy subject, you both come to a consensus.

Content Warning ⚠️: Soft! Dom! Miguel, Dacryphilia?, Praise (from Miguel), little nicknames (Mainly cariño and neña), and a little bit of Miguel being a complete munch. (if you don't know what that means, you're too young to read my content.) The reader is a pillow princess, overstimulation (nothing new), and unprotective P in V. (wrap it before you tap it). Miguel talks the reader through it, and Miguel cries. (I wish I were playing) (NOT PROOFREAD) (OOC MIGUEL)

Word Count: 3.1k+ words (holy shit…)

Author's Notes: Well, this occurred to me while soaking my hair in rice water 😭 But in all seriousness, here’s something sweet but smutty 😗😋 Hope you all enjoy it. If there are some plot holds, I'm sorry. I've been busy recently.

To my girlies who have a praise kink, your secret is safe with Miguel. 💌

It had been two weeks since you spoke to Miguel, let alone share a bed.

Miguel regretted that he yelled at you or how he compared you to Dana, his former lover. The truth was, you were far better than Dana. You were kind, patient, and understanding of his responsibilities as Spider-Man. He didn't know what came to him when he compared you, a literal angel, to one of the worst partners he'd dated beforehand.

You remained a pillar of support and unwavering patience throughout his double life. Despite the countless tasks, you never once complained. You were there to tend to his wounds at the odd night hours, offering comfort and care. During the frigid winter months in Nueva York, you never failed to have a warm and nourishing soup ready to soothe his ailing body. But now, asking him to come home soon was too much?

"Dana would never complain about me coming home late!"

"Well, I'm sorry that I'm not her!"

The same argument returned for the last few days until one instance ended it. It was the same argument managed, but he managed to end it—not as you expected.

"I should have never dated you! You are so demanding. Dana would never be like this." The second he finished, he covered his mouth with his hands quickly and backed away from you. He wanted to take back his words, but you didn't give him that advantage. Your silence felt suffocating to hear and to be around. But the sight of your lips quivering and your eyes at the brink of spilling tears. The urge to run to you and to beg for forgiveness rushed through his veins.

Before even having the opportunity, you are running away from him into your shared bedroom, like a small rabbit running away from its predator to seek shelter in a small hole in the ground.

As soon as Miguel laid eyes on the scene before him, his stomach turned, and he felt like he would be sick. It wasn't just that he had acted up—the complete lack of remorse he felt at that moment truly frightened him. Meanwhile, seeing you trying to hold back tears made the situation unbearable. But when he heard you weeping in your bedroom, the guilt he felt just got magnified.

The sound of thunder boomed throughout the apartment complex. Usually, this made you want to grab a soft blanket and snuggle in Miguel's arms. However, the events that led to this said otherwise. He was out in Nueva York while you were bedridden. The sensation of your pillow against your cheek buried away the melancholy and the tears that your poor pillow always caught whenever you got upset.

The now old Victorian complex now creaks and settles down every other occasion. The sound of a muffled evangelical leader seeped through the thin walls, despite the number of complaints Miguel had told the older man to turn it down. But now? The preaching from the frustrated man drowns out your sorrows as thunder continues to rumble throughout the complex.

The window sliding open greets you, snapping you out of the evangelical preacher's words. Veering over your shoulder, you see your boyfriend, Miguel, crawling back into the apartment, closing the old window, preventing the downpour from creeping in and soaking the red oak floors. The sight of him changing into his sweats and undershirt was enough to make you blush, but you ignored your instincts. The simple 'hey' he greets you made you toss and turn on the bed, ignoring him.

Your heart skipped a beat as you heard the words "Cariño, por favor" uttered from behind you. Your mind was racing, and you wondered whether to turn around and face him. The temptation to forgive and forget lingered in your heart for a week, but what he had said had left an unforgettable mark. The hurt and pain were too much to ignore, and you knew deep down that it was time to move on—even though you were too adamant for your good.

A small sigh of defeat fills the mere pregnant pause in the air as the bed creaks under the added weight on the bed before settling down. The blankets bunched around your chest and near your chin comforted you despite the smell of it being your favorite fabric softener combined with his scent. "C'mere…" He groans, grabbing you by the waist and pulling you into a spooning position. A loud whine from you wasn't the response he was expecting. He expected a giggle when he did so, but an adverse reaction said otherwise.

"Please don't be upset, cariño. I didn't mean what I said about, well—" Miguel suddenly stops. There is no other way around it. He messed up big time, and can see the hurt in your eyes.

You weren't Dana, something that Miguel always took for granted—the memory of having to deal with someone so parasitic, like a brain-eating amoeba, was emotionally draining. Even thinking about it is enough to make anyone tired. The emotional unavailability was the thing that got to him when it came to her, knowing that she wasn't waiting for him and cared about herself instead. The artificial bullshit was the only thing she desired, such as the dates and the gifts, not the emotional side of things, such as aftercare.

"What I said, it was true. You're not like Dana," A pause filled the space as you waited for him to continue. "You're not her, and it's something I adore." The simple kiss to your temple made you liquefy in his arms, but you remained silent, giving the silent treatment. "And I'm sorry about what I said; it was something I said in the heat of the moment." A nuzzle to the pillow was the only response he received, along with the low rumble of thunder.

As his lips touched your temple, a wave of gentle affection washed over you. The kisses continued to rain down softly, dotting your forehead, cheeks, and finally, your lips, like a fluttering of delicate butterfly wings. A tiny grumble left from you, not wanting to cave into his little kisses and advances that you ever so adored dearly.

The harassment of sweet kisses ended after ten minutes, and you turned your body to face Miguel. "…hey."

"Hey, cariño…" He hums, sneaking a kiss to your lips, which you allow. "…hey." You repeated, not knowing what else to say. "Hi." Miguel chuckled from the back of his throat and planted another kiss on the forehead. You stayed silent for the longest time until you looked up at him from where you rested your head on his chest. "I'm sorry too—" Miguel covered your mouth with his hand, nearly covering your entire face. "No, don't apologize. This argument was all my fault." He pulled his hand away from your lips, and a subtle sigh left.

"I shouldn't have exploded over one little thing. You rarely ask for me to come home a little sooner." His fingers combed through your hair, occasionally fixing some knots. "It shows that you care; you want me to be at home, safe and warm…" The pitter-patter of rain continued to play a steady tempo like a metronome at an adagio, not too fast, yet a bit slow. "I'm sorry for giving a poor excuse for blowing my anger at you. It was… stupid." He breathes out. "I had no reason."

You hummed and nuzzled closer to him. "I forgive you…" You mumbled, soon curling up to him for his warmth. "I should have known that asking for you to come home sooner is a bit too much—" You were cut off once again with a kiss on your lips, muffling your words. After you stopped and returned the kiss, Miguel pulled away after a moment and ruffled your hair.

"No, cariño. None of this is your fault. The blame is all on me." He rubbed the back of your head with his hand, lightly massaging the nape of your neck with his thumb. A small chuckle escaped from him. Seeing your messy hair makes him smile at the sight you gave him. Usually, you would throw a fit about how you looked, especially when the two of you went out. But now, you seemed loosened up and mellow.

He embraced you tightly, nuzzling into your neck as soon as you returned it. "I missed you so much… I don't like being mad at you," you muttered, slowly rubbing your fingertips against the nape of his neck. Then you started playing with his hair. A small smile formed on your lips as you felt his soft waves against the pads of your fingers. "Even with your suit, your hair is always soft. It never fails to surprise me."

Miguel only gave you a chuckle before pulling you to rest on his body and planting a long kiss on your lips, which you happily reciprocated. The soft, supple kisses soon evolved into something hungry and messy. The soft caress around your waist soon became handsy and coping with a feeling of being on one another. "I missed you, nena…" He mumbles in between kisses.

His kisses moved from your lips, leaving a small trail from your neck to your collarbone and, finally, on your plush lower stomach. “Nena… let me, please…” With a rush, you nodded, rubbing your thighs together slowly. "Here, let's help you out…" Usually, the man would rip your underwear off, but this time, he held back. He patted your hips lovingly, gesturing for you to raise your hips. "Raise your hips for me." You obeyed immediately, soon squirming out of your underwear and helping Miguel.

His arms hooked around your thighs, dragging your upper half down onto the mattress and having your pussy close to Miguel's lips. "Look at that, that kiss got you all wet…" Before complaining that you could feel his breath against your sensitive clit, Miguel indulged himself, devouring you slowly and slurping any remnants of your arousal. "My god, you taste so good…" He shuddered in between your folds and soon probed his tongue at your entrance. The light flicks from the wet, active muscles tease you enough for you to grasp onto the duvet underneath you and moan deep from your throat. "Oh fuck, fuck me with it…"

Hum is the only response you accumulate as you feel the wet tongue slowly tease your fluttering hole and soon feel Miguel lightly push his tongue at your fluttering hole. A small, needy moan filled the space while the wet muscle made you arch your back against the mattress. "Fuck, I want it inside…" You urgently whine.

"What do you want, cariño? Use your words, m'kay?" He muttered, slowly pulling away from your pussy and taking the time to savor you.

"I want it…"

"You want what? Please tell me what you want." He cooed to you and rubbed his thumbs against your thighs. The light breathing against your clit and entrance didn't help your case. Your high was making it nearly impossible to get on top of him and to take regime.

"I want your cock… please."

After a few moments of your demands and feeling his soft breathing against your pussy, he slowly slid you back down onto the bed, laying you down on the bed gently. "C'mere…" Miguel whispers sweetly before he gently holds you close and slowly rubs his aching length against your folds. The sensation of the fabric of his sweats rubbing against your bare skin was enough for you to moan at the feeling. "Wait, this feels…" He paused and looked down at you. "Are we okay? I didn't mean to make you uncomfortable." You could hear the sheer panic in his voice, but you only nodded, giving him the green light.

Reaching down, your hands worked quickly, and you pulled on his sweats and boxers. A low groan emits from Miguel, feeling his dick get freed from the restrictive clothing. "You wanna hump on my cock like a good girl?" He mumbles out heavily, slowly lowering himself and allowing his length to rub in between your folds slowly. "Oh god, slowly. Slowly, cariño…" He urgently breathes out, slowly letting his bulbous tip rub against your clit. The burning yet slippery sensation slowly builds up. The slow, sensual rubs are enough for more arousal to build up, making it feel like a slippery slide thanks to your arousal and Miguel's precum. "Mierda…"

"Do you want me to fuck you, and do you want my babies?"

You nodded immediately, squirming in underneath him on the mattress.

"C'mon, grab it and slide it in. You know how to do it."

It had been weeks since you'd had sex with Miguel, especially since the argument about Dana; it almost had been a month without any intimate contact. You slowly reached for his cock and lightly tapped his tip against your entrance, a little nervous about how it would be a tight fit. "Miguel?" You slowly whined, still holding onto his aching cock. "Do you need any help?" He hums, slowly getting himself comfortable. "It's been a while…"

He nods before he grabs his cock and helps you slowly push himself in. "Shit!" He suddenly hisses out, barely letting his tip inside of you while you claw at his arms and groan. "You are tight…" You looked down and saw that your poor partner barely kept it together. "Give me a moment, nena…" He murmurs out quietly, slowly thrusting his tip at your entrance.

"Just the tip?" You sweetly suggested, looking down again, seeing how desperately he wanted his length to disappear by simply slowly pumping into you. "Maybe… Just the tip…" Miguel nods, slowly letting his tip probe at your entrance.

The sounds of labored breathing and moans filled the apartment, drowning out the evangelical preacher from next door, along with the angry bangs from the other neighbors. "I want you…" You breathed out, slowly feeling him sink in his length until his happy trail brushed against your clit. "Then you can have me. I'm yours to do as you please." His voice was like warm molasses, a sweet honey running down with sweet venom.

Another shout from the older man next door causes Miguel to roll his eyes as he slowly thrusts into you, allowing his mushroom tip to brush against your cervix. "Shut up!" Miguel yelled out to the angry neighbor and returned his focus to you. "Can we go a little faster?" You meekly suggested while slowly moving on his length. "Ay, cariño…"

The sensation of his length twitching inside of you is enough to have the man nearly cave in and thrust into your fluttering walls to end the slow overstimulation on his tip. "Easy, easy…" He breathed out weakly, slowly grasping onto your hips. His talons digging into your flesh felt like tiny needles lightly prickling at your thumb while sewing. "You're a little tight, and it's been a hot minute." His breathy groan filled the space immediately, slowly moving in and out of your fluttering hole. Not listening to his demands, you began to move your hips down and slid with ease, allowing your arousal to cream on his length. "Let's piss the neighbor off."

It was a sick, twisted fantasy to anger your neighbors, especially with the fact that y'all had thin walls in the time-old apartment that could drive anyone crazy. Mainly because the older neighbors around y'all are rowdy and complain about every little noise you or Miguel produced, most the sound of a blender or even if some music played a little too loud to their liking. But to you and him, it was time to get back at them and be as noisy as possible.

His pace was languid yet deep, taking his time while letting out low, rough grunts. “You're doing well, cariño.” You respond weakly by letting out a mewl and only let your fluttering wall convey the message more. “I'm trying…” You whined, bringing him to your embrace. “Can you go a little faster?” You plead, feeling the slow, delicious burn from his girth. “You sure? I don't want to hurt you.” He nuzzled close to your neck, leaving tiny kisses.

“I can handle it.” You pant, slowly sink yourself into him, pushing yourself down on him. The veins running down his length brushed against your clit deliciously, with a loud mewl filling in the apartment. “Please, please, please.” You plead out loud. “I'm on birth control, please.”

“I want you to—” One quick thrust ended your words. A sudden scream of pleasure filled the space, feeling Miguel’s merciless tempo. “Oh fuck! Yes! Keep it at that!” You demanded while being underneath him. “Baby, I'm a little—”

The wanton moans filled the space while the banging of the neighbor on your apartment walls made this nothing but filthy. “Shut up!” Your hoarse demands filled the space while you banged your fist against the wall. His unrelenting tempo continued, feeling that burn you ever so missed desperately.

The wet, squelching noise made the scene more lewd for Miguel, along with your shared bed creaking underneath the two of you, barely holding on with whatever strength it could conjure up. You are underneath him while he can feel your arousal coat his length along with his precum. The pace felt nothing but filthy and desperate. The feeling of tiny water droplets landed on your cheeks, causing you to wipe them off before you look up and see your partner, your usual aloof, stoic partner, shedding tears before you. The rough pace continued as you clawed at his back, leaving faint, red marks before you felt your rippling finish come to you and embraced Miguel tightly. “Please, I'm close…”

With one single thrust, you felt him twitch inside you before putting his heavy load in you.

“You okay?” You peeped out to him while feeling him slowly slide out and wiping away his tears. “Yes, I'm fine. Just overstimulated myself a little.” Slowly, he pulls out, earning a tiny groan from you and immediately pulls you into a warm embrace. “I didn't hurt you, did I?” You shook your head no, taking in shallow breaths. “No, I'm okay. Just a little sore.” You mumble quietly. Little sore was an understatement…

“C’mere…” He pants out, pulls you into a warm embrace, and plants soft, lazy kisses on your temple and cheeks. “You did so good…” The lazy, slow presses of his body against you felt like a weighted blanket, along with his chest heaving against yours. His hands roamed your body, allowing his fingers to trace light patterns and memorize you. “What do you want for dinner, cariño? Do you want me to prepare you something or do you want that one pizza you like on Main Street?” He murmurs from your shoulder, not wanting to get off of you. An incomprehensive mumble is the only thing that responds to him.

“Pizza it is, then.”

#miguel ohara x reader smut #miguel o'hara #miguel x reader #miguel smut #miguel ohara smut #miguel x you #miguel fanfic #miguel ohara fanfiction

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aquickstart · 4 months

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i need to talk to you guys about the colors of the Cattons (Felix specifically) and Oliver. the clothes they are wearing are telling the story of Oliver taking over and leaving his mark throughout the whole movie, with Oliver's failures and successes and a final triumph. holy shit. get in. this is long and ends in ancient greek culture trivia. let;s talk please.

disclaimer: am starting from Oliver's arrival at Saltburn. before that the outfits are also very intentional, but it's a lot more complicated and it has been discussed before. the world distorts once we are at Saltburn and the story gets truly gothic there, and every detail—including color!—is enhanced in meaning. also, special thanks to @kivlaro for doing this with me, the thoughts on this specifically and the Saltburn craze on the whole. pics and detailed analysis under the cut!

let's start from the beginning. here is Oliver at the door. simple, blue shirt.

the shirt is sort of its own character. logically it makes sense as Oliver's suitcase is small and he spends the whole summer there, of course he'll rewear stuff a bunch. but it is blue.

in contrast to Felix, in yellow. yellow is one of Felix's colors (he is the sun, which i've talked about here btw, so this makes sense).

same to Pamela, in blue. first time we see her, she is next to Elspeth, wearing the color that is Oliver's, taking the place that he takes right away, in this very scene. the only other time she is physically present on screen is at dinner, in black and white, and black and white are a blank slate. she is stripped of color and gone very fast.

a bit of crucial data for later: Oliver, in blue, and Felix in pink. pink is very important on Felix. this is their first morning together. they are separate and opposite, solid, contained.

where it starts to get good is the morning after the vampire strike.

Venetia is a Felix extension, just as everyone in the house is to Oliver. i will eventually rant about Saltburn as a whole entity and Cattons as aspects of one self, and Oliver as psychosis, but not here. so, yes, Venetia is a pink riot, a euphoria of self-containment because Oliver gave her a piece of something she felt she lacked to feel whole (validation, attention, care), not a piece of blue, of himself. Oliver is expectedly solid blue. Felix is incredibly interesting and something i didn't pay much attention to at first: predominantly blue, incredibly upset at Oliver for ditching him, with a tile of bright red (on the left! close to heart! over-reaching here but like still!), which still tracks. i mean, really, if i had so much foreign color bleed into me and then abandoned, i'd be pissed, too. nice little touch is sir James' beloved hydrangeas, behind Felix, also pink, very pink, always pink; i don't think i've seen them blue in the movie, although the sort exists.

Farleigh. sweet baby Farleigh i love you. I'm not dead-set on my interpretation of this specifically but i think multiple things are happening with Oliver and Farleigh here. like Rent, which is their song, blue is their color of outsiders and the triers to fit in. Farleigh points out the favoritism and preference of Oliver to him and his mother here, so it may also be appropriation of color to draw attention to Farleigh as almost (but never quite) Oliver. it may also be as simple as that Farleigh, as much as he denies and resists, still retains Oliver's influence, which bleeds into him very slowly.

a nice little moment of Felix wearing blue swim shorts with just tiny specks of a pink pattern. Oliver's shorts also have a bit of pink, but less than Felix's. Oliver is pretty good at remaining unaffected and uninfluenced overall.

and we're getting to where it all clicked and started for me. the Quick family house, the failed reconciliation, and the immediate aftermath. oh it's so good.

on the drive there, Oliver is blue, Felix has a pink polo shirt with a solid blue pullover over it. this is the most blue Felix has ever been (this is the most blue he will ever be!), this is trust. however shaky and toxic it is, Felix loves Oliver and accepts him into his world. as a side note, Oliver's parents are also very blue, mom more so than dad. nice!

and then it crashes. immediately after, it's the evening of the same day, but Felix is not wearing the blue pullover anymore. this is very, very important. this is rejection. it's the end for Oliver in Felix's world and with his trust. Felix, again, in solid pink, Oliver in solid blue. Felix successfully rips him out with the roots and everything. ouch.

daddy. sorry. is that highlighter? sweat? fuck. let me- daddy. SORRY

no i actually have a point about this.

the clothes are replaced by the lights, but we roll with it. Oliver basks in the blue-green light, while Felix is on the other side, in pink and purple and red. sure, blue shines through, and Oliver also walks through the slashes of pink, but it is mostly pretty separate, Oliver watching Felix's pink in his own blue from a distance.

the morning after palette is deep. the wine color that is so prominent in these scenes is fascinating to me. if i were to over-reach again i'd say it's the Oliver in Felix's attributes and in his place that requires the robe to be so dark, not usual definite pink, because deep blue has leaked into the color itself, mixed with it, made itself integral to the shade. but it's also just a nice color, and it is pink in its core. the flowers (with sir James in the background) i think are also this specific shade for the same reason. you look at what remains of Felix everywhere here, and it is his color.

and finally oh the lunch scene. the last supper. the judgement day. the who's afraid of virginia woolf madness.

i think we've established what's up with Oliver, but i also think it's important that he is his own color at lunch but in Felix's pink/wine right before and after. lunch is where he attacks, whereas before and after is where he grieves and enjoys. Farleigh is almost completely blue save for a strip of the same deep pink, and he is soon cast out, and Venetia is striped, blue and pink/salmon, affected deeply by Oliver yet still clinging on to the Catton pink with grief, probably, but also love for Felix.

and after all this, Oliver leaves himself.

no, like, actually, literally himself. sure, he'd got a taste of the Cattons and the pink, but he is a monolith, a solid blue when he leaves Saltburn. he has not been affected by the house, he has taken what he wanted but stayed true and whole. what a power move, honestly.

but it's an even bigger deal that 16 years later, Elspeth runs into Oliver wearing all white and a blue scarf. oh, she's not let this go, alright; it was a long time ago, "but not to me," she says. What Oliver has been up to in that time is a great question, without a doubt he's been keeping tabs on the remaining family as much as he could; but Elspeth has never moved on, either. She has held on to Oliver's blue and the pink is not important at all now. Oliver, of course, is invariably, unwaveringly blue. welcome back to his show.

and welcome back to his triumph.

the only color (except for, again, white and black) we see him wear in the flashback about Saltburn inheritance is the all-too familiar deep pink. wine. bright pink mixed with deep blue.

now i will take a liberty and step back, over-reach, over-interpret and go insane. here's a fun bit on ancient greek culture trivia for you.

this is an interesting and complicated historiographical and linguistic debate that i will not even attempt to relay here, but the essence of it is this: for us, the sea is conventionally deep blue. historically, one of the most prominent civilizations considered "deep wine" to be the descriptor for it (not necessarily the color but the property. highly rec to look this up it's so fascinating). what it gives me here is that Oliver has changed color, but not his self. he has integrated, mixed, but persisted, completely winning over, triumphing. long live the king!

in conclusion, i would just like to propose "colors" by halsey as the next cattonquick anthem. thank you for your attention, please let me know your thoughts. yours, yes, you. cheers. god. peace out

#saltburn #cattonquick #quickstart #oliver quick #farleigh start #felix catton #venetia catton #mine #saltburn journaling

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ineffable-romantics · 9 months

Text

Some thoughts on why and how I believe Crowley and Aziraphale's relationship would incorporate sex/why I do not read them as wholly asexual:

This is something I've seen the most discourse about in this fandom, and I've had a few thoughts of my own that I really wanted to expand upon in a full meta/character analysis post. I do understand that this can be a contentious topic, so first, let me clarify a few things:

First of all, this is going to be long. Tbh it probably won't be that organized either. I ramble and I'm not very good at editing, so just... you know. Be warned. (*Hi, it's me from 2 days after writing this; I'm really not kidding, it's LONG)

These are all my own thoughts. They might not be hot takes, because recently I've seen more than a few people come to the same conclusions on a lot of these points as I have. But I've also had these notes in my drafts for about a week and a half now, and have been continuously adding to it as things have occurred to me. This post is essentially just somewhere for me to collect the separate but related meta I've been kicking around in my head.

I fully respect anyone who does see and prefer an asexual reading of this relationship. These are my own thoughts and interpretations as someone who is not asexual. I am in the LGBT+ community, so while I do know a few things about the asexuality spectrum, I am by no means an expert.

This is NOT something I expect, need, or even necessarily want the show (or, God forbid, Neil's tumblr ask box) to address. Tonally, it's just not that kind of show. Newt and Anathema's sex scene was very much played for laughs, and it worked for that reason. If the show found a way to address it in a way that was both appropriate for the tone of the show and ultimately satisfying, then great! But there is so much more to this relationship than sex, and I didn't need a kiss to confirm their love, so I certainly don't need a sex scene. As immortal beings (as I assume they'll stay) there is so much of the rest of their lives we'll never get to see. You can headcanon them as asexual and potentially be right. I can headcanon them as not and be equally potentially right. Again, these are just a collection of my own thoughts, because I think the question of sexuality (or lack thereof) is just as interesting a facet of these characters as any other.

Note: Tbh I've been second-guessing this whole post and debated deleting the whole thing several times for being silly or unnecessary, bc I don't want anyone to think that this is the only thing I care about when it comes to this story/characters. But if nothing else, it's inspired me to write in a way that nothing has in a very long time, so I've decided it's worth continuing, if for no other reason than that.

This is going to be a mixed bag of textual reading, subtextual reading, and a full-on reach or two. It's been a while since I've been in an English class, but if my teachers expected me to find a deeper meaning behind blue curtains, you can expect me to read too deeply into the symbolism of a loaded rifle or an ox rib. (This is probably not what my professors had in mind when grading my literary analysis papers but oh well) My point is, if it feels like a reach, I'm as aware of it as you are. I am in no way saying that all (or even any) of my points made were deliberate on the part of Neil or the actors or the writers or the directors. I am no longer the delulu Apple Tree Yard child of my youth, I promise.

If anything said here is in any way offensive or hurtful to anyone in the asexual community, please do not hesitate to message me or comment and let me know exactly what it was. I promise you it is not my intention to do so, and am happy to clarify or outright edit anything that reads that way.

With all that being said, let's talk about why I think Crowley and Aziraphale would absolutely fuck nasty incorporate sex into their relationship.

Note: I am out of practice with essay writing, so I think I'll just go down the bullet points of notes I have been making, and expand on each as best I can

Food

Where better to start than with Aziraphale's introduction to Pleasures Of The Flesh? (Just a heads up, this entire post may feel very Aziraphale-heavy, and with good reason).

This might be the least hot take here. We've all seen the Job minisode. We've all seen That Scene.

Whether this was intentional or not, the symbolism here is off the charts. Eve was tempted by an apple. So why not go a similar route and tempt Aziraphale with another fruit, or cheese, or bread, or literally anything else for his first experience with food? Instead, we go with a huge, glistening slab of fresh meat that he proceeds to absolutely go feral upon, moaning and gasping into his meal while Crowley watches with what definitely doesn't look to be disgust or even satisfaction with a good temptation. There's surprise at the ferocity of Aziraphale's appetite, certainly. But ultimately he looks to be intensely fascinated by it, while the thunder crashes, the music crescendos, and the earth literally shakes around them.

(It's also interesting to note how very little it takes for Crowley to tempt him with the ox rib. One murmured suggestion, a bit of unwavering eye contact, and vavoom Aziraphale immediately meets him in the middle.)

Cut to Aziraphale devouring the rest of the meat with Crowley splayed back on a makeshift bed, drinking wine and continuing to watch him indulge through half-lidded eyes. Outside a thunderstorm rages while they're learning secrets about each other in warm flickering firelight. It's cosy, it's intimate, and if they'd thrown in a bearskin throw blanket, it might as well be a post-coital scene straight out of Game of Thrones.

The next time (chronologically) we see them discuss food is when Aziraphale "tempts" Crowley with oysters in Rome. So Crowley first tempts Aziraphale with meat and then Aziraphale tempts Crowley with what is widely regarded to be an aphrodisiac. Interesting.

And then chronologically after that, the Arrangement begins to form, which has always reeked of a friends with benefits situation. Just to throw that in there.

It's What Humans Do

In the very first episode, we're shown Gabriel's obvious disgust and bewilderment towards Aziraphale eating sushi, calling it "gross matter" and being proud of the fact that he does not sully his body with it. Aziraphale initially tries to defend his own enjoyment in it, before passing it off as something that humans do, as something he simply has to do in order to blend in (which we know very well is not the case).

He does this again in season 2, passing off Nina and Maggie being in love as "something humans do". But it isn't, is it? Angels are beings of love, and can sense it, and understand very well what it is... up to a point. Even romantic love is obviously within their wheelhouse, given what we now know happened between Gabriel and Beelzebub (we'll come back to them).

What the "humans do" that angels wouldn't understand is messy, physical forms of love.

But here's the thing: Aziraphale and Crowley love doing what the humans do. They love drinking, they (or at least Aziraphale) love eating. They love music. Crowley loves driving and sleeping and watching rom-coms and sitcoms. Aziraphale loves reading and doing magic and earning little licenses and certificates for achievement in his various hobbies. They love to playact at being human so much that they've stopped playacting and started building a genuinely human lifestyle for themselves and with each other.

Once together in an unambiguously romantic sense, why do we think they wouldn't also want to explore one of the most prominent, intimate, powerful human expressions of love and desire with each other?

Angels, Demons, & Asexuality

Here's where I really want to clarify that in no way do I mean that sex is necessary for a healthy, fulfilling, and loving romantic relationship, or that the lack of desire for sex makes you any less human. Asexuality is a sexuality as valid and human as any. What I would say is that it is definitely in the human minority compared to allosexuality.

Angels and demons, on the other hand, are predominately asexual. Sexless/genderless unless Making An Effort. (Which, btw, is a concept introduced as early as the original book; why even bring it up as a possibility? Why not keep angels/demons being sexless/asexual as a hard and fast rule, if not to open up the potential for later use? Chekhov's Effort, if you will. And isn't that something that Aziraphale in particular is shown to do time and time again? He makes an effort in French and driving and magic, doesn't he?)

And this is why I don't believe Aziraphale and Crowley necessarily need to be asexual, narratively. There is already a huge amount of ace rep within the angels and demons (and no, not just the horrible ones. Muriel also doesn't "drink the tea" and has no reason or desire thus far to Make An Effort, and there are certainly other angels and demons who aren't horrible like the archangels seem to be who likely wouldn't Make An Effort either).

The central conflict for Aziraphale and Crowley is that they are on their own side, the ones who went native, the ones who are so different in so many ways from their respective hives. It would make sense for them to also break away from traditional angel/demon asexuality.

I say "traditional angel/demon asexuality", because I would also like to note that I would absolutely not rule out demisexuality for either of them. This post is being written to as a response to people who specifically believe that they (like the rest of the angels/demons seem to be) would be sex-averse in a relationship, and that it wouldn't be a factor in their relationship. I could easily read them as demisexual, but I do think there would be no real way of verifying this, because they've never been able to form as close an emotional relationship with anyone else but each other. Certainly not in heaven, and I can't imagine they would be able to form that kind of attachment with any of the humans, who they love and emulate but ultimately regard as the separate species they are. So yes, they could either be allosexual or demisexual, in my opinion.

Then again, now that I think about it, Making An Effort itself could be a great metaphor for demisexuality, since they would be entirely sexless/asexual until they have enough of an emotional connection with someone to consciously manifest otherwise. Since the other angels and demons don't generally form those types of emotional connections with anyone, there hasn't been a precedent for it.

Except...

Brielzebub

We do have a precedent for it now, don't we? Gabriel and Beelzebub fell in love. They are a direct foil for Crowley and Aziraphale's relationship, speedrunning right through their courtship and finding their happily ever after on the other side of things.

For being such a 1 to 1 comparison, it feels deliberate that they did not kiss. They held hands, they were gooey with each other, but they did not kiss. That feels like such a deliberate thing to omit when you know what's to come at the end of the episode between Crowley and Aziraphale.

And going back to the food = sex metaphor for a moment, let's notice how even as they fell in love over the years, even when pints and crisps were there on the table in front of them, they never felt the desire to reach out for them. They didn't need to. It's a date (love story) even if you aren't eating dinner (sleeping together).

Yes, I know Jim liked hot chocolate. No, I am not counting it because I don't consider Jim and Gabriel to be the same person with the same proclivities, and Jim was highly suggestible at the time anyway.

Gabriel and Brielzebub's big happily ever after moment (as of now) was one between two asexual supernatural beings. They did not need to kiss to drive the point home. They showed what Crowley and Aziraphale could have, if they would only acknowledge it.

Crowley & Aziraphale's Dissatisfaction

But they do have that already, don't they? If you really think about it, what do Gabriel and Beelzebub do with each other that Crowley and Aziraphale don't already? They hold hands, they spend time together, they create little rituals, they give gifts, they're visibly and verbally affectionate with each other, etc. They are more or less already in a romantic asexual marriage relationship with each other, aren't they?

And it doesn't seem to be enough for either of them.

At the beginning of the season, Crowley is immediately shown to be unsatisfied with the way things are. Obviously part of it comes from living in his car, but it seems to be more than that (especially since Aziraphale makes it clear that the bookshop is just as much Crowley's as his, implying that he could have been living there the whole time and is choosing not to, for some reason?). You could argue he's feeling unmoored without Hell telling him what to do, but isn't that what he wanted? Isn't that what he still wants, by the end of the season? All season long, he's never indicated the desire for a new job, or a new project. He stopped the apocalypse because he wanted the freedom to openly spend time with Aziraphale, to spend his time on Earth however he sees fit. Until Gabriel arrives, he has exactly that (minus a flat).

So where does the dissatisfaction come from? And if it represents anything to do with his relationship, what does he want out of it that he isn't getting already?

I think Crowley only really comes to the realisation of what he's missing when Nina names it for him, not only putting them in the category of romantic, but physical (outright asking if they are sleeping together). These two posts [1], [2] go into more detail about what I mean, but I think it really pushes him into acknowledging that their relationship is more human than either of them have stopped to consider, and what that might mean as far as everything a human relationship can entail.

After all, Nina and Maggie only advised that he should talk to Aziraphale, make clear his feelings. The decision to kiss him, to tip them over the edge from nonphysical to physical, that was all him. And no, kissing isn't sex, but I wonder how taboo even that might be in the kind of all-encompassing asexuality most angels seem to identify with. (If they're disgusted by food and drink, I can only imagine what they think of snogging, much less sex.)

Aziraphale doesn't have this moment of someone observing their relationship from the outside. He loves Crowley, and as of 1941 probably even knows he's in love with him in a way that Crowley doesn't understand yet. Which makes sense, since love is technically his job, he'd be more likely to recognise it for what it is.

However, Aziraphale's reference for romance and relationships is Jane Austen. It's chaste. It's dancing and dinner and doing sweet things for each other and roses and candles and handholding. He contextualises his love for Crowley in that soft fantasy sort of way, where it's there, it's obviously there, but it's neat and easy and unspoken. Not to quote Glee in this, the year of our lord 2023, but it's all very "the touch of the fingertips is as sexy as it gets".

Someone should tell that to Aziraphale's face, then.

I'm not going to pretend I know what Michael Sheen's script notes were, but there were definitely some Choices™ made. Because yes, there were plenty of moments in both seasons with Aziraphale looking at Crowley in a sweet, loving, smitten way. And then there were moments that were yearning.

But yearning for what, exactly? All of those sappy Jane Austen tropes already apply to the two of them. So why are there moments where Aziraphale is looking Crowley up and down like the last eclair in the window and licking his lips and visibly exhaling like he's trying to get in control of himself (see: Bastille scene + Crowley telling Muriel to ask him if they have any other questions about love)? Why is Aziraphale not only unconcerned when Crowley shoves him bodily up against a wall in s1, but staring at his lips and a beat too late in noticing Sister Mary's arrival? Why are some of his lines so suggestive? I'm sorry, but the car ride after the church explosion might as well have been the beginning of a Pizza Man porn with a really weird Blitz theme. If even my mother picked up on that vibe, I can't imagine it wasn't intentional on part of both the dialogue and the delivery.

(This section may feel like more of a reach/joke, but I'm really only 20% joking. These are writers and actors who are EXTREMELY good at their jobs; they know what they were doing here.)

More importantly, I don't think Aziraphale is even aware that there is more to what he wants. He lives in the Jane Austen fantasy and it never even occurs to him that he might be interested in anything further. It never even occurs to him that, as an angel, there is anything further to be interested in in the first place. Until Crowley forces it to occur to him. Just like I believe Nina forced Crowley to confront the idea that romantic love is what he's been feeling all along, I believe Crowley forced Aziraphale to confront the idea that physical intimacy is something he's been wanting, without even realising.

Aziraphale's Hedonism

Expanding on Aziraphale for a moment. We talked about his relationship with food, but we all know that Aziraphale is defined by his love of things that Feel Good.

It isn't just that he and Crowley love human things. Aziraphale loves the best of the best, or at least his version of it. He doesn't just love food, he loves going to fancy restaurants. He doesn't just love clothes, he loves soft, cosy, warm, plush clothes, or shiny, flashy, bougie fashion. He loves the warmth of tea and cocoa, loves getting drunk, and sitting in a comfy chair in the sunlight. He doesn't just experience, he indulges.

Given the emphasis put on things that Aziraphale loves just because they Feel Good, it feels narratively strange to assume that he wouldn't enjoy the feeling of being touched, or that he wouldn't be willing to try it, at least once, with someone he cared very deeply for. And just like the ox rib, I think that once he gets the first taste of things, he would absolutely tip over into complete and utter self-indulgence.

Dancing

I also think that dancing could be construed as a huge metaphor here. After all, we're told flat-out that angels don't Dance. Except one.

I would argue that Aziraphale, in fact, Made An Effort to learn how to Dance. He threw himself into the gavotte with delight (at a Victorian gay club; noted) and worked hard to be good at it. He's chomping at the bit to Dance with Crowley, working up the nerve to ask him with undeniably romantic intent and eagerness. So, angels don't Dance... unless they Make An Effort to do so.

We are told that demons, on the other hand, do Dance, but not well. Makes sense, since they're the ones who would want to encourage a deadly sin like lust, but have as little understanding of human love and physical intimacy as the angels. Crowley, however, is shown to be an excellent dancer at the ball, especially in his compatibility with Aziraphale.

(But Aziraphale WandaVisioned the ball so everyone knew how to dance! Yes, he did. However, the rest of the brainwashing doesn't seem to affect Crowley in any way, and they did actually live through the time period where this sort of dancing was a social norm; I'd be surprised if he never needed to learn. After all, the demons can't spell either, and Crowley is at least functionally literate, as far as we know.)

As of today, it's also been confirmed that when Aziraphale asked Crowley to dance, Crowley replied with "you don't dance." Not "WE don't dance". So going along with the metaphor, Crowley is just now discovering that Dancing is something Aziraphale is interested in at all, much less with him, and not denying that he himself is interested in Dancing. In his defense, I believe he was asleep for a few years while Aziraphale was learning the gavotte, so he wasn't exactly aware of Aziraphale's hot girl summer.

Love Languages

I want to expand on that; Crowley and Aziraphale's compatibility. Specifically in regards to their individual love languages.

We all know Crowley's love language is Acts of Service. I don't think there's any debate there. He loves it, Aziraphale loves it, they're both aware of it, we're all aware of it, God and Satan are aware of it, no surprise there.

You may disagree with me, but I believe Aziraphale's love language is Physical Touch, for a number of reasons. One of which being his aforementioned hedonism. Aziraphale likes things that Feel Good, remember? He likes soft clothes, and well-worn books. Neil himself has said that they like holding hands. And any time he is taken by surprise (Brielzebub getting together, the wave of love in Tadfield, etc.) what is the first thing he does? Reaches out for Crowley. He stops him with a hand to the chest in the pub. He leads him by the hand to the dance floor. He guides him by the waist in the graveyard. He reaches out during the entire Brielzebub scene, whether he can reach Crowley or not. Despite his own turmoil, he grasps at Crowley's back during the kiss.

The one time Crowley reaches out for him (not counting the kiss yet; we'll get there), he is aggressively pushed against a wall (by someone he loves and trusts) with a complete and utter lack of concern (and perhaps some interest, depending on how you read it).

And when he isn't reaching out for anyone, or there isn't anyone to reach out to? Well, he's wringing his own hands together, squeezing his own fingers, as if to find that physical comfort in himself.

So. With that theory in mind, we have Aziraphale (Physical Touch) + Crowley (Acts of Service). Throw in 6000+ years of deep love, cherished companionship, and forcibly repressed longing, and there is a very real potential of this combination resulting in fierce sexual compatibility. Where Aziraphale would want to touch and be touched, to indulge in physical pleasure with someone he adores, in the same the way he indulges in every other fine thing in his life. And where Crowley would want to indulge him in return, to give him everything he wants, and to take pleasure in Aziraphale's pleasure, in the same way he enjoys watching him take joy in food everything else.

So Aziraphale is an angel who is insecure about his own less-than-holy desires, who would want to treat Crowley like a luxury to be touched and cherished and adored. And Crowley is a demon who has, over the millennia, been unhappy about how they've been forced to deny even their friendship with each other, who would want Aziraphale to feel comfortable and safe and encouraged to indulge in earthly delights. That sounds like a stunning recipe for sexual compatibility to me.

"You said 'trust me'" / "And you did"

Just like the Job minisode, the Blitz is RIFE with symbolism (intentional or otherwise). This one will be quick, but I did want to touch on it because I thought it was interesting. Maybe I'm reaching at this point, but I'm assuming you read the tin.

First of all, Crowley not wanting to admit to never firing a gun before; comes off as someone who very much does not want to admit to their crush that they're a virgin ("You must have done this lots of times!" / "Umm.... yyyyyeah.")

(You could make the argument that Aziraphale having a firearms license and a Derringer in a hollowed-out book is symbolic of him not being a virgin while Crowley is. I disagree, for reasons I'll go into later, but it's a valid reading. However, I see it more like keeping a condom in your wallet; it's there in case you need it, but the opportunity has not yet risen no pun intended.)

More importantly, the theme of this entire minisode is trust. We already know they trust each other with their lives against the rest of Heaven, Hell, and the world. But specifically, this is about the importance of having complete trust in your partner in a charged, physically vulnerable, intimate moment, where the only danger is between the two of you.

Aziraphale needs to believe Crowley would never hurt him if he can help it. Crowley needs to trust Aziraphale's unwavering blind faith in him. Frankly, it all feels very symbolic of two people deeply in love losing their respective virginities with each other.

The trick is a success, and they share an intimate candlelit dinner in which they reaffirm their faith in each other. Aziraphale also begins to voice his agreement with Crowley, that maybe Heaven's rules shouldn't have to be as black and white as they are, and that there are benefits to... blurring the lines, shades of grey, wink wink (at which point even my mom was like, whoa guys, this is a family show).

Btw also: Can we all agree how much it looked like Crowley was getting ready to get a lapdance in that one scene? You know the one.

Also also: "Aim for my mouth"? Come on.

The Birds & The Bees

Now that I think of it, there's also something to be said for the fact that Crowley and Aziraphale are both obviously familiar with where babies come from (how they're made and how they're born) while the other angels aren't.

Something something Aziraphale and Crowley fundamentally understand sex and reproduction in a way the other angels (and probably demons) very much do not, nor have any desire to.

Probably not important. Just thought it was worth mentioning.

The Kiss™ & Religious Trauma

The Kiss. Where to even begin?

This has definitely been the hardest one to start, because there is so much going on here that I definitely won't be able to cover it all, and will certainly miss a few things here and there.

Aziraphale's reaction to the kiss afterwards is the most interesting to me. And I don't mean directly after, I don't mean the "I forgive you" part. I mean the way he touches his lips when Crowley is no longer in the room and he no longer needs to save face, when he is completely alone. Had it been directly after the kiss, it would have been rightfully read as horror, or disgust, a shield to discourage further action.

It's not. It isn't just a touch, it's a press. As desperate and angry and unexpected and imperfect as the kiss had been, Aziraphale is pressing it into himself, recreating the feeling as best he can. Beneath all the poor timing and shock and hurt from their fight and fallout, I think it's fair to say that it was something he enjoyed. Something he doesn't think he should enjoy, something that Feels Good that he only allows himself to indulge in when completely alone.

Remember, Aziraphale's idea of love is Jane Austen and gentleness and courtship and fantasy. If he'd ever even considered kissing an option, it might have been gentle pecks, cheek kisses, forehead kiss, hand kisses. Soft, safe, chaste affection.

Crowley's kiss turns all of that on its head. He introduces physical intimacy in a very real, very messy, very human way that I don't think Aziraphale ever even considered could apply to them. Considering what other angels are like and what they look down on, even Aziraphale's Jane Austen fantasies probably would have been considered taboo.

So for their first kiss to be rough and desperate and passionate in the way it was, of course he was confused and in shock. It was deeply physical, and as overwhelming and awful as it was in the moment, it Felt Good. Enough that he grasped at Crowley and kissed back, if only just for a moment, before stopping himself. Enough that he actively pressed it into his lips afterwards, in private, to remember.

I adore how Neil has decided to evolve these characters past the first book/season. More so in this season, Aziraphale and Crowley have both become such interesting allegories for queer people on either side of the spectrum of toxic religion. Aziraphale in particular obviously, because he is the side that so desperately wants to believe, to make a difference, and to unlearn all of the propaganda he's been fed over such a long time. Just like so much of organised religion, there is so much that he is told, time and time again, that he should not want, that he is silly or stupid or outright wrong for wanting. It reminds me so much of the severe Catholic guilt one might feel for wanting/engaging in sex for the first time, and the stigma of being queer layered on top of that.

What is so critical to Aziraphale's character is that he goes on wanting, and more than that, actively pursues. He was convinced to go up against Heaven and Hell and stop all of Armageddon because he wanted to go on listening to music and eating lunch and reading books and enjoying the simple company of the person he cares most deeply for, even if that person is supposed to be the enemy.

All this to say that if angels are as generally asexual/sex-averse as I believe them to be, narratively speaking, it would make sense for Aziraphale to be singular in that regard as well. Mirroring his first experience with food, it would make sense for Crowley to be the one to first introduce this new messy, physical, human dynamic between them, for Aziraphale to hesitate (obviously we are at the Hesitation phase at the moment), and then (eventually) for him to dive in wholeheartedly, to absolutely glut himself on this new thing that Feels Good. It would make sense for his character development to show him overcoming his metaphorical Catholic guilt and pursuing the sexual intimacy most (if not all) of the other angels would scorn.

(I can't help but remember that plot idea Neil described from the unwritten sequel, with Aziraphale in a hotel room trying to watch a full porno by way of the free 2-minute teaser clips so he wasn't technically sinning by paying for it. I so hope this is used in season 3, because gosh, I wonder why Aziraphale would suddenly be so interested in observing human physical intimacy after 6,000 years. Lonely and doing a little surreptitious research there, angel?)

Crowley, on the other hand, is the queer person who has broken free from his toxic religion. He prides himself on being his own person, on their his own side. He doesn't have the hang-ups Aziraphale does. He doesn't worry that he's going to be judged or cast aside for wanting things he's not supposed to. So it only makes sense for him to be the first one to suggest/initiate physical intimacy. It makes sense for him to be the one who "goes too fast" (another fantastic example of this dynamic beginning as early as s1; what is that conversation in the car meant to represent, if not Aziraphale being overwhelmed by the intensity of their relationship, and his fear of succumbing to it when he believes he shouldn't? It's also interesting that this is the first conversation to take place in Soho, just after watching Aziraphale realise he's caught feelings for a demon, with the red glow of lust serving as the backdrop).

Do I think the kiss in and of itself was sexual? No. I think it was a passionate and devastating last-ditch effort on Crowley's part to convey the way he feels for Aziraphale. Not just that he loves him, but that he loves him in the most human way possible. But I do think that the kiss represents how they can move forward from here, and what they might want to explore with each other once they feel free enough to do so.

In Conclusion

I am sure, deep in my bones (unless we are explicitly told otherwise), that this was both of their first kisses no, I'm not counting the gavotte, and that neither of them have ever thought to do anything else physical with the humans while they have been on Earth. Like I said before, they adore the human race and lifestyle in general, but ultimately view them as a separate species altogether, and they seem mostly happy to keep to themselves and each other, unless otherwise necessary. I just can't see either of them being drawn enough to a human to pursue anything close to sex. If Crowley in particular has had anything to do with sex in the context of temptations, I'm positive he would be inciting lust amongst the humans themselves, not involving himself directly. At least not that directly.

So, like every other human experience they've had on Earth, sex is something new that they could explore together, just the two of them, on their own side. A deeply intimate, tangible declaration of their love and everything they've gone through to earn it. A visceral finger to give both Heaven and Hell. A renewed appreciation for their corporations and for each other's. A enjoyable method for immortal beings to simply pass the time in each other's company. A new and exciting way to Feel Good, and all the variations that come with it.

You might agree with this post, or you might not. Whether this is something that is ever addressed or not, it doesn't matter to me. This is a brilliant love story either way, and I genuinely feel so privileged to witness it.

But I just can't find it in myself to imagine, given everything we know about these two characters, that sex isn't an experience they would both consume with wholehearted enthusiasm, curiosity, and profound, ineffable adoration.

___________________________________

Bonus feature: the very silly notes I made to myself that inspired this post

2K notes · View notes

jaegerbby · 6 months

Text

➳ persistence

--͙[katsuki bakugo x female! reader]-͙-

╰┈➤ word count; 8244

╰┈➤ rundown; katsuki sees you through rose coloured glasses, you're his best friend after all. little does he know, you would do anything to have him.

╰┈➤ caution; alcohol consumption (legal drinking age is 18 in my country), bakugo cheats on his gf, possessiveness, jealousy, dry humping, choking, cunninglingus, fingering, unprotected sex, creampie, cum eating, belly bulge, size kink, virginity loss (mentions of blood), slight kaminari x yn, yn has small boobs.

not proof read !

katsuki has been yours forever.

well, he has been your best friend forever.

although, katsuki is oblivious to how near and dear you hold him to your heart and the things you would do to have him.

you were prone to running girls off even if it meant spewing some preposterous lie.

you would do it all if it meant being able to fawn over katsuki like he was more than your best friend.

you spend every moment that you can with him.

you thought he loved your company the same but katsuki tells you he lost his virginity and you realise he was seeking love elsewhere.

he smashes your heart into a million pieces with just a sentence.

you stick closer to him, you thought he would heal your broken heart although he was the reason for it.

but he does it again, he takes it and rips it apart because two months later, you find out katsuki has a girlfriend.

you try to break them up.

you really do. you make yourself an issue.

what girl is okay with their boyfriend constantly around his girl best friend. what girl would tolerate that?

katsuki's girlfriend.

you find that out the hard way.

you disrupt their plans but somehow she finds herself there.

you delete messages she sends and she blames it on the network. not katsuki! never him!

he misses countless calls when he is with you but she does not mind!

you drive yourself insane trying to get rid of her.

it seems like she is here to stay.

---

you are eighteen when alcohol is legal and a hot commodity.

when your friend group rents a beach house with the sole purpose of getting wasted.

you see katsuki as soon as you step into the hall. you smile, well almost.

"what the fuck are you wearing?" you furrow your brows at his irritated tone. you swear boys are suppose to like this.

"a bathing suit."

"your entire ass is out." he scowls.

"okay? who cares?"

they do care. they all have their eyes on you.

izuku swallows hard when you smile at him and shouto almost stops breathing when your hip brushes his. katsuki is stalking around the house like he wants to lay claim. like he is seconds away from pissing all over you.

it is on the tip of your tongue to tell him to worry about his girlfriend.

she comes downstairs a second later and is all over him. you are jealous. of course you are! he is letting her do all the things he should have given to you.

the alcohol is all you have to quell you over. when kaminari starts feeling you up, who are you to deny it? he is slurring words with his body flush to yours and katsuki seethes for the world to see.

"you're so pretty and your body." he whistles. you giggle in his face, your arms around his shoulders to press your breasts to his bare abdomen.

he is a good looking guy but he would never compare to katsuki. kaminari's hands trail lower, thumbing the fabric of your bathing suit.

you find katsuki whose jaw locks tighter the longer you are in kaminari's arms. whose knuckles have turned white from being wrapped in fists.

"i've wanted to fuck you for so long." he rasps, you can definitely feel his erection digging into your tummy.

you smile, your lips brushing his "then why haven't you?"

katsuki has had enough.

he yanks kaminari back by his hair and roughly shoves him into the wall. you wince.

"what the fuck, bakugo?" everyone though tipsy is alerted by the scene. katsuki is intimidating and as bad as you feel for kaminari you are stifling a grin behind your palms.

"do you want me to kill you?" katsuki nears him, smoke seems to blow out his nose like a raging bull.

"for what?" katsuki has only gotten bigger over the years, his abs flex as he breathes hard and his bicep swells when he reaches for kaminari.

you step in front of him and katsuki looks murderous as he glares at you.

"yn, move." you are all wide eyed and playing innocent.

"i won't let you hit him."

"you're choosing that dunce over me?" his brows tilt up. you do not say a word. "you let him touch you. you were asking him to fuck you."

it is exactly how you want it to go. his girlfriend furrows her brows. you do not know if it is the alcohol, anger or jealousy but katsuki does not care.

"katsuki." you hate the way his name sounds on her tongue.

"why do you care?" he tenses. she comes up to his side, pulling on his arm.

you want them to fight, you want to draw her to her breaking point and finally push her over the edge.

it should have happened years ago.

---

it is way into the morning, about 1:43 am. everyone is in the rooms, black out drunk and desperately needing to recuperate.

you are on your phone on the couch, still dressed in your bathing suit.

you sit up when katsuki walks down the stairs in a short sweatpants and a tshirt. his hair pushed back by a bando, one of yours he had taken years ago.

he settles right next to you, your feet pulled to your chest and facing him though he is staring at the blank screen of the tv.

"how'd you get her to quiet down?"

"there are men here and they think like men and you still wore that." really he wants to say, i'm a man. a filthy fucked up one that has longed to wreck the friendship between you.

his eyes meet yours looking at your features with so much softness before they lower to all the skin you have on display, your tits, your stomach, the scars and he knows the story for each one.

there are birthmarks he has never seen before, katsuki wants to know more, about you.

his eyes only grow darker, primal, everything in him wants you. he has for a long time.

you ignore his words "did you fuck her?" he scowls "i wouldn't fuck her and then come to you." you scoff.

katsuki's eyes trail to the curve of your cunt, barely covered by that scrap of fabric, the way you have your legs up only makes it more prominent.

"liar. over the last two years, you fucked her and now you're here." his eyes flicker to yours. you rest your phone on the cushion as you lean over to him, his tongue swiping over his lips when your bare ass comes into his view.

you straddle his lap, his legs spread and his bulge pressing into you immediately. his large hands find your hips, holding you as he thrusts up. his erection has you gasping. your hands find purchase in his fluffy blond hair.

you are still smaller than him, you have always been. your face nears his, you want to break down and cry.

"you're my best friend, suki, aren't you supposed to know my every want?" your hips grind into his, panting and mewling into his face, you have not done this before.

your cunt soaks through the thin fabric, it feels wet and slimy. your hips roll against him, why did his dick feel so good when it was not even inside you?

you do not want to stop, you want to do it all and now.

"i do."

"liar."

he thrusts up into your weeping slit and you whine as your body grows hotter. your eyes fixate on his, his hands grip your cheeks and they are so big you feel safe.

you feel like nothing can hurt you so long as he is around. you tilt your head to kiss the side of his palm.

"you want me to kiss you, you want me to touch you." he brings you close until your lips brush. he smells so good, he feels so good and right with you.

"you want me to fuck your little baby pussy that's rubbing on my cock so perfectly and make you mine." you nod your head, gripping onto him more. you have never heard him talk like that, never.

your head goes into a daze. "you want me, you've always wanted me."

"i know you." tears leak from your eyes and katsuki's lips part before he kisses you.

he kisses you and it far exceeds the countless times you dreamed about it. it feels more than fireworks and electricity, katsuki feels like love.

he feels like patience and understanding. katsuki kisses like you are all he needs and all he wants. he kisses with as much feeling as you have harboured for him in all your years of existence.

his lips languidly move along yours, thumb stroking your cheeks and keeping you close.

you practically melt into him more, your breasts flush to his chest, kissing him deeper as you hump his erection. he pulls away and you are breathless, his hands cupping the bare flesh of your ass to help you fuck yourself on him.

"tell me you didn't fuck some other guy." he winces, his forehead meeting yours.

hypocrite, selfish, unfair. that is what he is.

"i didn't." you concede, gripping his shoulders tighter.

"are you just... saying that cause i want to hear it?" you press your lips to his again and katsuki cups the back of your head to kiss you as deeply as he can. to sink his tongue in your mouth and claim it for himself.

your hands pull the strings on either side of your suit's bottoms, tugging it off before your cunt meets the fabric of his shorts and strands of slick coat it.

"fuck me. fuck me and you'll know."

he groans, reaching around you to untie your top.

"such a gorgeous girl." the praise is entirely unfamiliar, katsuki has never called you gorgeous.

"your pussy is so wet, baby. i can feel it already." his hands grope your breasts, tweaking at your nipples that sting with sensitivity. his hands trail over your sternum and squeeze the flesh of your hips.

they feel rough and calloused. like they have lived a life, one you have been there for every second of since he called your name.

your cunt soaks his shorts and leaves a wet patch on the grey fabric but you cannot stop humping him. not when it feels so good, not when your cunt is clenching and the friction is stimulating you.

"i can't wait to have this tight little hole stretched around me, can't wait to fuck you open and have you shaped to my cock. mine alone." his fingers thread through your hair.

"do it suki, please, please put it in." your naked body writhes against him, your hips rocking and stuttering,

you cannot help your moans or the way you are constantly biting on your lips. you are depraved and desperate but katsuki has ruined you from the moment you laid eyes on him.

tears trail down your cheeks from the overwhelming feeling between your legs, from the way he looks at and touches you.

"kat it's so big." you mewl, bowing your head and looking at the way your cunt rubs along him.

his rough fingertips find your clit and your jaw hangs as he rubs the bundle of stilted nerves. your face is in the crook of his neck, losing all composure.

"cunt's messy. i want you to cum for me." you whine, your hips grinding harder. hands knotted in his tshirt.

"are you close?" your thighs are locking up and your abdomen feels unbelievably tight, your pussy constantly clenches. "uh huh." his hand grips your throat to make you look at him. "i want to see it, i want to see your eyes roll back, your mouth water and how fucked out your face looks when your pussy is creaming."

your body bounces on his lap, lips parted as he presses your forehead to his. "suki, it feels good, you feel so good." a smile crosses his pretty face.

"yeah? getting yourself off on my cock feels good? nasty girl, you're rubbing your dripping little cunt on me and you're enjoying it." his mouth meets yours in a searing kiss. "i'm enjoying it too, no one compares to you, no one is as pretty or as perfect as you." he whispers, like the only one that matters is you.

your body halts, jerking still on his lap because he is stroking your clit like he has known your body forever. like this is all familiar.

your fingers wrap around his wrist and katsuki grips your throat a bit tighter. just as he expected, just like his daydreams, only ten times better, your eyes roll, drool drips from your pretty mouth and you are the most stunning when your body is overcome by an orgasm.

the first one he has seen from you. "that's it, fuck, baby, doing so well." you whine at the praise, his words itch a part of your brain you never knew about.

your cunt creaming and soaking his pants, there is a wet patch and a sticky mess between your legs. you want to be filled so badly.

you do not think you can function if he does not. you are panting before he releases your throat and you slump into his strong body. he pushes back your hair and holds you close to him, you are all sweaty and his body temperature only makes you hotter.

his hands rub and caress all over you, his chin on your head before he wraps you in a tight hug. "i need to see you like that again, look so fucking pretty." you swallow hard, that sounds so much like a promise for the future. one with you and him.

he kisses your forehead "do you want to have sex?"

you perk up, bobbing your head. "of course i want to."

you are surprised when he brushes your cheek and his expression is saddened.

"this isn't the only time, you know that?" you slowly nod your head. "if you want to wait, i will. we can take things slow."

katsuki, katsuki, katsuki, how could you ever want anyone else.

"i waited long enough. i really want you to fuck me, ki." his eyes grow hooded. he presses a soft peck to your lips before he shifts you off his lap.

he removes his tshirt to reveal full pecs, toned abs, and a deep v line. all things you have seen before. all things you have day dreamed about but you have never seen him right before he would fuck you.

you have never looked at him knowing he would be in your body.

katsuki's skin ripples in defined muscles, any where you look you would see it. his eyes meet yours and your bread hitches. a smile crossing his features softly. his arms rest on either side of your body, gaze flicking to your messy cunt as he leans closer.

his mouth presses to yours in a soft gentle kiss and you find yourself following him when he pulls away. his nose nuzzles yours. "let's go upstairs, i'll get a condom."

you tense. here you are stripped bare, for him to see, for him to touch and have and own the way you have always wanted.

she is upstairs, in his room while you are on the living room couch waiting to be fucked.

you cannot find it in yourself to care.

"what are you thinking about?" his forehead meets yours. his eyes are so red, so red that you want them to draw you in and never let you go. you want them forever, you want him.

"do you use condoms with her?" his brows draw together, he does not want to talk about her but he will answer every question you have.

"always." no hesitation, no dishonesty.

you are immature, especially when it comes to him. "i'm different to you. i'm not like her. right kat?"

katsuki wants to wrap you up in his arms and keep you from the world. he wants to keep you to himself. he should have done it from the start.

kat, ki, suki, they are all his, they are all yours and that is one of the many ways that shows how different you are.

he breathes a heavy breath "you're everything." your hands cup either side of his nape.

"then show me. you shouldn't want something between us." not when it’s me.

katsuki regrets that those words even came out of his mouth. his eyes flick over your features before his large palm is pressing on your chest. you lie back under the weight of his searing touch, under the weight of his heavy gaze.

his lips leave wet kisses to your cheek before he drifts lower. you whine when his tongue laves over your perked nipple. all hot and sticky with saliva. the rough pad of his thumb rolls the darkened flesh before he takes it back into his mouth and circles the bud with his tongue.

your legs jolt, although your bare skin meets katsuki's body. katsuki who is above you completely with his body between your legs. he is so close you cannot think, you can hardly breathe.

"when we were younger." he trails off, leaning closer to press his stiff bulge against your messy cunt. your fingers curl into your palms.

"i used to wonder how big these would get." his hands grope your chest, your breast that have not changed much, have not grown much.

"but i like them this way. so much." his hands are so big, they only make the mounds of flesh look smaller. as he touches and squeezes. as he flusters you.

"why?" your voice seems ten times harder to get out. his mouth covers yours, pressing deep and your eyes tightly close. you whine when he pulls back

"cause it gets me so fucking hard." his voice is rough, you want to hear it that way forever. your hips tilt up to press against him more, where his pants are already soaked with your cum.

katsuki groans before his mouth meets your stomach and he trails kisses down the soft flesh. the closer he gets to the dripping slit between your legs the more you tense.

"kat, wait." your hand reaches for his hair but your fingers keen into themselves when his tongue trails over your stiff clit. your back arches, lips parting.

"why should i? i waited long enough." you said the same and here katsuki is with his mouth over your cunt and amusement all over his face. you cannot look at him.

"it's weird!" his breath hits your soaking mess as he lightly laughs. your legs lift and your toes curl when his heated tongue glides through your opening in a languid stroke.

"tell me how weird it is that my mouth is on your pretty little pussy, that i'm finally getting to taste how sweet you are." your hands rest on your lips and you swallow hard.

katsuki leans in to lap at the cum and the slick that seems never ending. you can hardly keep your eyes open yet you look at him.

with his hooded eyes and you in his mouth. his fingers reach between your legs to pull your lips apart. to spread open your slit and your body jerks when he spits a thick ball of heady saliva into you.

the tip of his tongue glides through the mess before you feel it dipping inside you. your eyes widen and your entire body squirms. your hips rocking, you are not sure if you want to pull away or press more into him.

his strong hands hold your legs open and then he is shoving into you, until your eyes roll and his nose is nuzzled to your clit. your cunt squelches at the intrusion, gummy sticky walls pushed apart.

your fingers dig into the broadness of his shoulders "suki." you cry his name, it is so strange. to have something so foreign inside. to have someone's mouth much less their tongue there.

you are not quite prepared for him to move the wriggling muscle. no nothing could prepare you for the feeling of a tongue squirming inside your cunt and stroking your walls.

katsuki is fucking you with his tongue.

your hips jerk, and tears leak down your face without you realising. your hands tangle in his hair and all he does is press deeper and move faster.

your eyes meet his and you moan so disgustingly loud. his eyes are dark and they look mean. you can feel him everywhere. the muscles in your legs pulsate, he is sucking on you, he is eating you up and you grip his hair so tight because there are no coherent thoughts in your head.

the sounds fuck with you the most, the sounds are sloppy and sticky. the longer you hear it the more your brain turns to mush.

he will not stop, he will not give you a moment to breathe not as you moan and cry, not as you tug his hair or dig your nails into his scalp.

your cunt continuously clenches around the invasive muscle. your stomach feels unbelievably tight, "you're so gross." yet your hips are rocking, yet you are enjoying it. katsuki's tongue moves rougher and your eyes roll back so hard you are disoriented.

"ki, seriously! i'm gonna cum." your voice is watery and jumbled. you think he will stop, isn't he supposed to? but katsuki does not. no, not until you cream in his mouth and all over his face. your body jerks and tenses, you swear you are drooling and there are tears in your eyes.

you are already a mess, when his tongue slips out of your soaked hole you grit your teeth. your entire being is still stuttering with the aftershocks of your orgasm.

katsuki has liquid down his jaw and lips, some is even in his hair. he lies on top of you, his face close and his cock on your sensitive cunt. he is heavy, all you can feel is hard muscle and his skin as bare as yours.

"you taste like heaven, got the sweetest little pussy." he swipes at your tears and your legs fold on either side of him. "you're gross." he cocks his eyebrow "cause i want to eat your dripping cunt forever? or cause i want to drink up all the cum that comes out of it? which one makes me gross?"

you squeeze your eyes, it makes your heart feel all weird and your cunt throb. you wonder if he can feel it. if he can feel how hard you are pulsating all over.

"open those pretty eyes." his fingers grip your jaw and you whine. you are so flustered, you are so disoriented. katsuki spins you tight and messes up your head.

"all of it, katsu." you are a whimpering mess. you cannot think properly. not when you are naked, not when he is plastered to your skin. you want him inside of you. you want to know what it feels like so badly.

"katsu." he rolls the name around his tongue. you have not called him that in years. you have not called him that since you were kids.

he wonders what you then would say if she saw you now, if she knew how you would be. if she would be as angry as you are because he had been with someone else.

"take it off." you mutter, your hand cupping the hardness of his bulge. it is borderline painful. he has been hard since he sat next to you.

he swallows, sitting up to shove the restrictive material down. your body shifts on the couch as you see his length. long thick, the head a mixture of pink and brown. you have never seen one before.

his balls look heavy, you cannot help but wonder what they would feel like. in your hand, in your mouth. his fingers run across the short blonde pubic hair before he grips the base and squeezes, pre cum leaks from the tip.

he is quick to collect it and stroke it over the bluish veins along his shaft. his eyes meet yours, he looks at your expression. why do you look so in awe?

his defined muscles flex as he comes over you again. he crowds you into the corner of the couch, like he wants to keep you only for himself. only for his eyes.

your legs hook on his hips, his cock pressing into the flesh of your abdomen. he is so close, he is so close to being inside.

"how's it going to fit, ki?" you puff and the groan he lets out is bordering a loss of self control. he hesitates, will it fit? will all of this really fit in your tight little hole? where would it end in your body?

"we'll make it fit, right? tell me you'll make it fit, katsu." there it is again and he is losing his mind. what did you get out of calling him that besides ruining his head? he is already obsessed with you, did you want to make him psychotic too?

you are stripped naked with your cunt an inch away from his length practically begging him to stuff you so full you will ache. katsuki has lost it.

he tries to crack a smile but it is shaky, his thick fingers stroke between your slit and you sigh.

"yeah." it is so unsure, his voice cracks "we'll make it fit, i'll get it all in this cunt." his digits press into your walls, pushing passed the swollen flesh that seems to resist.

the gummy blood filled walls that make you so unbelievably tight. you gasp at the intrusion.

"just have to get this tight hole to loosen up." that seems easier said than done. why are you so tight? why do your walls grip him so viciously and hold him so close?

"fuck, baby. how am i supposed to stretch you out when you're so little?" his mouth meets yours, while his fingers slowly slip in and out of you.

he called you baby.

his mouth coaxes over yours, his lips gliding along yours like he was made for you.

your hips rock as he plunges his digits to his knuckles. everything he does feels good. he could look at you and you would still be this much of a mess.

your hand wraps around his length and katsuki's muscles flex. they flex and ripple, you wish you could see the way every single one contorts.

he grits his teeth, forehead rolling over yours, his jaw clenching before it hangs. he is so beautiful. his eyes lock on where you hold him. where the softness is so mind blowing, where your finger tips do not touch. where you are stroking his reddened cock the way he imagined.

it felt better, your slow, inexperienced strokes feel so much fucking better.

his fingers slam into you, palm grinding into your clit as he quickens his pace. your pussy sputters and wetness coats his digits. some splattering under the force of his movements.

your mouth drops in a moan, all breathy and pretty. "fucking pussy is in love with me. dripping all over, for me. such a loud nasty little cunt. who's it for?" your hand tightens around his base and drags along the length, enough to make him pant.

"you, katsu. it's yours, always been yours." your hips grind and fuck against him, legs spreading wider on instinct. you are so inviting. you are so perfect.

your eyes are barely staying open, your hand jerks his length. there is sweat on your skin. your chest heaving. he pulls his hand from your messy cunt, sticky strands connecting him to you before he collects the pre cum from his tip and presses it to your mouth.

your mouth opens to lap and suck and clean the liquid from his digits. your little hand growing more vigorous in your strokes, it only makes katsuki hump into the space between your fingers. "i want to fill you all over, i want to fuck you everywhere. this baby mouth, this vice pussy and this teasing little ass. i want to stuff your belly and holes with my cum. i want to cover you in it."

he is so nasty, he shoves into your mouth until you gag, until spit pools in your mouth and you drink it all down again. he cups your cheek and presses the sweetest kiss to your mouth, a soft wet smack filling the empty room.

katsuki is perfection incarnate.

he sits up on his knees, your hand slipping from his length as he grips your hips and pulls you lower. your legs spread and his cock resting on your abdomen.

his large hand spans out pressing his length against your flesh as he trails to the head. pre cum pools from the slit and katsuki's eyebrows bind together so tight. his jaw locks and his red eyes have gone black.

he is sizing you up. he is trying to figure out where exactly his cock is going to reach in you. you are breathless, you are a mess. katsuki has always been bigger than you.

he is lean muscle but they bulge so wide they make themselves present. he is all hard defined rivets in the planes of his skin.

"are you sure you want to do it?" his eyes lock with yours. why would he ask that like you would not say yes a million times?

"i am. i've never been more sure of something." i've never been more sure it's you. katsuki will always be the one. always.

"i want to have sex with you, i want you inside of me." he swallows hard. then his face relaxes, he looks so soft.

"tell me if it hurts. i'll stop if you want me to." he reaches down, leaning more over you as he strokes his length. his stiff cock bobs before his head is mushed into the sticky flesh of your pussy.

you gasp, looking at him breach your entrance. your slit slowly being pulled apart. katsuki was relaxed, he was but now his heart is beating out of his chest.

he has never had raw sex before. he has never been inside without a condom. you feel better than anything, even with a condom he is sure you would be better. you are better.

your pussy is warm and wet, so unbelievably wet. he does not know if your gummy walls are sucking on him or sucking him in, he thinks it might be both. he pushes in until the swollen flesh of his head is surrounded by your sticky hole.

you both let out laboured breaths. katsuki is inside you, he is inside of you and he cannot think. he wants to burn this moment into his brain and eye lids. he wants to think about this forever.

you feel so tight, warm and wet that katsuki feels like he will cum. he will cum and fill you up and he will want to do it again and again.

"how are you this good?" he grits his teeth. "your pussy keeps holding me, so tightly. how am i supposed to fuck you if you won't let me move?" he covers you, his face in front of yours, one hand cupping your throat and the other stroking your waist.

"rub your little clit for me and loosen up. you want my cock in you, right? you want me to fuck your cunt, don't you?" you whine, your hand reaching between your soft skin and his muscular flesh.

finding the stilted bundle of nerves and roughly rolling it. you cannot think, you cannot think at all. katsuki is inside of you and you are looking into his eyes.

how can you function?

"katsu, i want it so bad. i want you to fuck me so bad." your cunt gushes around him. you soak him again and again.

"yeah, want my cock to spread you open and fill up this pussy." he shoves in an inch more and you swear it sucks the life out of you.

"put it all in, please. i don't care if it hurts." he pants into your face, easing in more and more of his heady length. it feels like it goes on forever.

tears stream down your cheeks and your hand grips the back of his nape.

"such a good girl, pretty girl. you're doing so well." you whine, you want to cry and scream for him.

you are insanely tight and you are insanely hot.

you wrap around him and guzzle, you squeeze and you slurp him up.

katsuki cannot fuck you with a condom. he could never do it after feeling you like this.

"how much more is there, katsu?" your voice is as teary as your eyes. he brings your hand away from your clit to hold his nape. both of your hands intertwining before they lace in the spiky blonde strands near the base of his neck.

"a little more. breathe for me." and you do, you do as he anchors his hands on your hips. he slams into you so hard your cunt squelches, so hard your back arches off the couch and your voice pitches up into a broken cry of his name.

it is more than a little, you feel so stretched out, so pulled wide and filled to the brin. tears leak down your face

"it feels like." you trail off with dazed eyes "you're in my guts. no, my throat." katsuki pants above you

"i am." his voice is warbled. when you stare up at him in confusion, you follow where his gaze is locked. your entire body vibrates, there is a bulge in your stomach, there is a bulge where his cock is seated deep inside you.

your pussy tightens up around him so suddenly that katsuki hisses. "it's so deep, katsu." your head drops back onto the cushion, your legs hooking around his hips. his pelvis is flush to yours, he is buried inside you. he pulled you apart to shove himself inside.

you grip him so perfectly that katsuki feels like he will faint. he feels like he is blacking out.

"can you move?" you whine.

katsuki does not think he can.

he might just cum inside you this very moment.

he nods, leaning back to hold your legs open by the back of your knees. you lift yourself onto your elbows, both of you watching as he pulls out to just beneath his head, sticky strands of your slick covering his length and dripping from it before he slams straight to the base.

the bulge in your stomach appears again. you moan so loud, katsuki wants to hear it again and again.

you both watch him enter and exit you, watch him pound his heady cock into your walls. it feels so good your head is a mess.

he only fucks into you a few times, only makes a good few strokes before he stops.

"fuck you're bleeding. does it hurt?" his eyes are so filled with concern whilst yours only have lust.

you shake your head, "don't stop, katsu, don't stop."

your legs tighten around him, practically urging him to keep slamming the thickness of his cock inside of you.

"baby." he mutters unsurely, his fingers pressing into your skin.

"you got your answer, please keep fucking me. it feels so good." your head drops to the cushion as you grope your breasts. your nipples have never been this sensitive before. you want his mouth on them again. you tweak the buds as the gears turn in katsuki's head.

"you were a virgin." he breathes, you roll your hips. why won't he fuck you?

"fuck me, suki. harder." you whine and you jolt when he covers you. when your legs are pressed tight to your chest and his hand grips your throat. he presses down on the sides and when he really does fuck you, his thrusts are brutal and deep. he puts all of his weight into it as he fucks your pussy.

"does it feel that good, you want me pounding my cock into your freshly opened pussy?" you mewl, nails finding purchase in his back as you leave scratches down the ripples of muscle.

"you let me stretch out and pull apart your virgin cunt. you're bleeding all over my cock. that means you're mine." you nod, you bob your head with no hesitation.

"m'yours, yours." you babble as his cock is thrust into your walls. brushing your cervix and making you see stars. he slams so hard into you that there are wet smacking noises between your sexes. there are hard lashes of skin on skin.

his fingers hold your throat, you are so little under him he feels like he will crush it if he is not careful. your thighs tremble and your body jerks.

he is so heavy and he is so big and the way he feels sends your head into overdrive.

you are a spiralling mess. he huffs in your face, readjusting and you did not think he could go harder but he does.

he does and you shriek.

drool drips down your jaw and your eyes roll. you never thought it would feel that good.

you never really considered that a cock would warm you from the inside out.

katsuki's tongue laves over your tears and the whimper you let out drives him insane.

he is past the point of return.

every vein, ridge and bump on his cock is stroked by you. your cunt tries so hard to clamp down and keep him in until you have memorised them all, until you have taken his shape.

"why'd you keep this from me? all these years we could've been." he groans at the thought "we could've been fucking, i could've had you and this pussy from the start."

your legs tremble, barely perched on either side of his hips. your nails digging further in his skin to find your bearings. katsuki's hands are on you, he is in you. it feels like something out of a dream.

"i didn't keep it from you, i kept it for you." your words are forced out and broken, you can hardly speak with the constant pressure in your body.

"i used to think about you, about what i would do if you ever let me. i used to jerk off to you, all the fucking time." he grits his teeth, strokes growing more forceful, they hit deeper than before. they hit and caress every single spot inside you. "i rubbed my dick raw because i wanted you. why didn't you just tell me, baby? i would've given you it all. i'm giving you it all."

your fingers wrap around his wrist, he is so big. he is so big all over it makes you delirious. you are practically tugging his forearm closer to your chest.

"m'sorry, katsu." your eyes meet and katsuki breathes hard.

you look ditzy, you look downright brainless. he has never seen you like this, spit slicked lips, drooling and crying. getting filled with cock and becoming a fucked out mess.

this is his, this is his because no one else has seen it.

how can katsuki stay mad at you? how can he punish you for the past when you are giving him this?

he throbs inside you, he cannot seem to stop fucking you, he wants to do it forever. he wants to be wrapped up in the oasis between your pretty plush thighs forever.

you reach for his jaw, trembling fingers gracing the sharp perimeter. you want him close. you wonder how much closer you can get him than buried inside your cunt, than him prodding your cervix. than him nestled in your heart for years. you want him closer than that. he draws nearer, his nose nuzzling yours before soft pink lips meet yours.

"you're too good for me." you whine, his brows tilt up and he looks so pained. "but i can't handle seeing you with someone else." you shake your head.

oh never never never.

you have never wanted someone else.

you never will.

no one could ever compare to katsuki.

"i'm yours, only yours." you cry.

"yeah? you're mine, you'll always be mine and i'm yours." there is not an ounce of air in your body because he took it all. the shift of his hips is slow, it is slow and intentional.

he is yours. katsuki is yours. just as he is meant to be.

"promise?" you sound like the most precious thing ever.

you are. that is what you are.

"i swear, baby." your legs are jelly, they have lost all feeling. they shaking every time his thighs hit the back of yours. you cannot even stop them from spasming every once in a while. katsuki fucks hard, he gets deep and messes up everything.

he gets so deep your head is empty but so full. so full of him and the feeling. you feel everything ten times more.

your back arches "katsu, please." he hums, his hand rubs your little throat before he squeezes again. your jaw hangs. he is nasty. so nasty.

"what do you want?" his voice is baritone and love. his voice is what you want to hear the second you wake up and the minute before you fall asleep.

"you, just want you." you should not have said that, that seems to send katsuki far beyond a point he was trying so hard to avoid. the way he slams into you now is brutal, you feel the way your cunt clenches when he pulls out and the way he stretches you open all over again.

the bulge in your stomach is constantly reappearing. liquid drips from your slit down your ass and his balls. it splatters from your nasty union to the couch, to your skin and his. it froths up around his base until the blonde of his pubic hair is soaked. you bind him so tight in slick gummy walls, he does not think he will ever get this out of his head.

no he will remember this when he is at school, when he is supposed to be listening to lectures he will be hearing your messy cunt instead. he will hear the sopping noises your cunt makes when she is getting pounded.

when he is working out he will want you under him. katsuki will not be able to keep his hands off you after this.

he curses, fingers biting into your skin, he is over you completely. his forehead presses down on yours. he is gripping you so hard you swear it will bruise.

his finger marks will be on your skin and every one will know katsuki fucked you.

"ease up before i cum in you." katsuki's abs tense, they tighten up so much they hurt.

you puff into his face "you don't you want to?" cause you want him to. you want his seed spilled deep inside of you. you want your cunt creamed by him. you squeeze him so suddenly katsuki grunts.

"of course i fucking want to." his eyes narrow, sweat drips down his hairline. you did not realise how much he was sweating until his sticky skin glistens.

"i want to cum so deep in your pussy you'll never forget it. i want to fill you up and make you keep it in." his hips stutter and his movements grow sloppy. he is so close.

"then do it katsu, i need it. i need your cum." he whimpers. you have certainly never heard him like that before.

"you need it?" his voice is soft and the second you nod he sees white. his arms wrap around your waist to press you flush to him. his head drops to your chest and your hands stroke his hair as he pumps his hips.

deliberately and forceful.

you feel the weight of it more so. he groans into your chest, eyes tightly shut before his pelvis meets yours with no space between. where he is buried to the hilt.

his muscles spasm and your eyes roll when you feel his cock throb and vapid spurts are shot into you.

you feel like he paints your insides and it is so hot you are shaking. you can see the way his back ripples as he cums, the way he breathes heavy and feel his arms bulge as he holds you close.

you can make out reddened ears and blushing cheeks. your fingers thread through his hair, leaning into to press your nose to the crown of his head where blonde tuffs stick into the air.

his hips shallowly rock, pumping your pussy full of his seed and you tense as it leaks past the perimeter of his cock down your slit.

he shakily breathes before he wetly kisses up your sternum. you think all the air leaves your lungs when he kisses your lips.

"i love you."

you flinch when you hear it. there is absolutely no way he said that.

"you're just saying that cause you fucked me" you avoid him or you try to. it is hard to avoid a man that has his cock inside of you.

"no. i love you, i love you more than you know. and i'm sorry i fucked up. i'm sorry i took so long to say it." he tries to pacify you but you are stubborn.

you think you just might cry.

"can you take it out?" katsuki's face contorts but you have no clue what his expression means. he slowly straightens up, his hands cupping beneath your knees.

when he pulls out, his cum leaks from you. you wince from the feeling but katsuki loves the sight. he thinks filling you with his cum is the greatest thing he has ever done.

he regrets not doing it sooner.

you reach for his shirt once he is off of you. you tug the material over your body, you cannot help but lift it to your nose and inhale his scent. katsuki should have been yours. he was always meant to be yours so why did he find you so late when you were there all along?

katsuki smells like all the years and memories you shared with him. katsuki smells like love and comfort.

he notices you nuzzling his shirt and he swears there is nothing as precious as you. he pulls his shorts up.

you stand slowly, gritting your teeth. "it's dripping." katsuki needs you to be quiet before he gets hard again.

he needs you to be quiet before he makes you spread your legs so he can get his mouth on your cunt again. so he can drink all the cum he filled your pussy with and stuff you full with more.

he reaches for your hand, softly stroking it with his thumb. "c'mon."

"where?" you remain still despite him trying to pull you along with him.

"to my room."

katsuki feels his heart drop when you yank your hand away.

"your stupid girlfriend is up there." you roll of your eyes. katsuki was just inside you, he came inside you. all the remnants are leaking down your thighs and you are acting like that?

his brows knit in frustration and although you like to act as though katsuki can never move you, truth is, he can. he grips your wrist and pulls you up the stairs with no issue.

even as you protest. you try to argue as quietly as possible because the last thing you want is to alert everyone in the house.

"katsuki, are you crazy?" he shoves open the door and once you are inside he locks it.

"katsuki?" he stares at you incredulously, "what happened to katsu? what happened between then and now for you to act like this?"

and you are crying, you look so miserable. he thinks you look too cute for your own good but he wants to curb your tears instantly.

"she's still your girlfriend." you brokenly say.

"i broke up with her. i wouldn't do that to you, i wouldn't sleep with you while i was with someone else. we had sex because i'm yours okay? i always have been."

katsuki aches to pull you close, to wipe your tears.

"she's leaving in the morning. it's just you and me. it should've been like that from the start." he cannot take it anymore, he pulls you into his chest. you who fits into him so perfectly, you were made for him and him for you. he sees that now.

"i know i don't deserve it, i don't deserve you but can you say i love you?"

you brokenly sob, "i love you, i love you. i love you, katsu. love you so much." you cry like those words were waiting for an opportunity to escape. to finally be in the world.

katsuki is yours, just like you wanted.

can you tell i love him sm sm

2K notes · View notes

halemerry · 9 months

Text

I’m doing it. I’m breaking down the Scene. You know the one. I've been tearing it apart for a week straight now in discord and figured I should leave my observations here. So, uh, yeah, this one's a big one so buckle up folks!

I want to start with the build up because I can never leave well enough alone and because I think the framing we have coming into this sequence is important. We start with the camera on Mr. Acts of Service himself. Crowley, after banishing Muriel, starts cleaning up the bookshop. The music playing is the soft slow rendition of the opening theme. He is returning this space to the status quo, resetting back to normal, fully intending to do this for Aziraphale before dragging him out to the Ritz, falling back on their typical pattern of going out together for food and drink.

Now in a moment he's going to get interrupted by Nina and Maggie but before we get there I want to take a second to draw attention to the area of the bookshop that Crowley will be operating in for the bulk of this. This space is one we very frequently see Aziraphale in. It's his desk behind the till - a spot linked intrinsically to him, even down to the fact that it's located on the east side of the shop. The windows are throwing beams of light onto Aziraphale's chair and onto the same spot Crowley will stand during The Scene. This lighting choice will not change from now until our last shots in the bookshop and the way the blocking plays around these sunbeams is very aware (as Good Omens nearly always is) of exactly where they will land.

Nina and Maggie enter the scene to have a chat about boundaries and communication. Maggie, his own mirror, tells him flat out that he can't play with their lives like that. Maggie and Nina then both tell him that he and Aziraphale need to talk. And I don’t think they're wrong, exactly, but I do think that Aziraphale and Crowley are actually a lot better at communicating in general than they are in these following high stakes scenes. But that's some meta for later - for now I want to just focus on the particular way Crowley's been primed for the conversation he and Az are about to have. Nina in particular does something really interesting. She does exactly what we as the audience did when we first saw Nina and Maggie: she mistakenly projects herself onto Crowley. She says he has trust issues because she does and in the process accidentally frames the core of their problem as Crowley needing to allow himself to trust Aziraphale, a thing that he actively already does and has done for quite some time and has been shown to us several times throughout the two seasons.

Now the build up we get for Aziraphale going into this conversation is very small. By which I mean practically non-existent. We start at the end of his conversation with the Metatron who tells him to go tell his friend the good news - which notably does not imply that the news is something that would require Crowley to make a choice - and sends Aziraphale on his way. Now the most crucial thing in this sequence, to me, is the expressions Aziraphale makes when he thinks the Metatron isn't looking at him. While polite and smiley when engaged with him, Az's expression falls as soon as he doesn't have eyes on him. Something is wrong and Aziraphale knows it.

Aziraphale enters the shop. The doorway is dark and shadowy and he hasn't composed himself yet - though he does give Nina and Maggie a little smile as they leave. Then, as soon as they're not looking at him, but before he approaches Crowley, the tension is back.

He hesitates, then smiles and approaches Crowley. Crowley, planted dead center in that beam of light from earlier, takes off his glasses and promptly starts nervously rambling. The music cuts off here entirely, giving us nothing to focus on but the noises coming from our lead actors, the background noise from the street, and the ticking of the clock in the background. Aziraphale puts up his hands like he's going to interrupt then lowers them again as Crowley keeps talking, his face shifting into this helpless sort of smitten look.

Now look at the light and how it hits the bookshelves behind Crowley as he tries to get his confession going. It's in the shape of a wing. Keep an eye on that - when the camera chooses to show us this one wing of light is important.

Aziraphale then interrupts and there are two things I want to draw attention to here as Aziraphale fumbles for words. First of all is the fact that he glances in the direction of the door (and the Metatron) at least three times as he's struggling to speak.

Secondly, I want to draw attention to the words Az actually says here. He first echoes the Metatron's earlier statement about good news. He then does not roll into the news itself and instead glances at the door and says the Metatron. He starts rambling about the Metatron to a very confused looking Crowley and evetually talks his way into that the Metatron said something. He then hits a wall again, scrambling to find words and instead of explaining the context of what the Metatron says he lands on Gabriel. His brain latches onto someone obviously on the forefront of both their minds and something vaguely relevant to the news he's about to share. He rambles more about Gabriel's job, glancing once again at the door in the middle of this, still avoiding getting to the actual point or perhaps even synthesizing said point as he goes.

We then cut to what is framed as a flashback. I think it is very notable we only see this as Az is telling it to us. In other words that this is not us witnessing an event happening but us witnessing what Aziraphale is telling Crowley. This sequence is the single scene where the Metatron calls Crowley by name despite actively avoiding it in any real time continuity sequences. He uses it twice here which I think also is the strongest thread in here that tells us that we are seeing what Crowley is being told not necessarily what actually happened.

The instant the idea of restoring Crowley comes up the wing of light behind Crowley loses visibility. Crowley's speechless for a moment so Aziraphale fills the silence, already looking like he wants to cry as he talks about the old days. (I also can't help but to notice that the lights behind Az in this shot look like eyes.) Crowley finally speaks and circles around the beam of light he's been standing in like an object seeking to re-establish a source of gravity. The music cuts back in here with tense drawn out notes.

Crowley talks about how Hell offered him his place back and he turned them down. Aziraphale in turn presses on ideas that we know he doesn't really believe. It's a echo of the bandstand and uses a lot of the same language of that fight - another fight we know features Aziraphale saying things he knows aren't true. By now, we have seen him multiple times this season express he does not want to go back and make it abundantly clear that the side they have made for themselves is important to him. We see him actively calling angels bad and incompetent, contrary to everything he's telling Crowley here. We see him be the one to repetitively remind Crowley that they are on their side and be the one that always draws attention to that first. Yet here he says Heaven is the side of light to Crowley - who by the way is literally framed in light. The frame is telling us outright that Crowley is already Good as he is, while Az's expressions are telling us he knows Heaven isn't.

Aziraphale can't tell him that he did not turn down the job and Crowley does another orbit. The music cuts again. This time, he stops with his back to Az, tilts his head upward and decides to ruin me by invoking God.

Here he is, hearing these awful things that he was sure they had moved on from, hearing these things he has tried for so long and so hard to help them both unlearn. But these sorts of habits and lessons are insidious and he knows that and he himself is even a victim of that himself. I mean, don't get me wrong, he recognizes this is weird, I think, but between his own self worth issues and the stress of the few days they'd had can't work out what exactly is off here. He's confused and lost and just been told, in his mind, that he is not good enough as he is - a thing he has always on some level also believed. Yet he reaches out to the parent that taught him that lesson in the first place for strength and grounds himself with that. He circles back to stand in the beam of light and, with that wing of light finally backlighting him again, he is brave and tries to be enough anyway. He bows his head downward, fully emerging the line of this body in the light and tries again. Because even now, even after that emotional blow, Crowley is an optimist who can't help but to try.

At first Aziraphale can't figure out quite what is going on here. He squints at Crowley and glances at the door again. Crowley meanwhile keeps continually glancing upward, whether at God or to hold back tears or some combination of both. In most of these shots Crowley bisects the room, creating a dark half to his left and a light half to his right.

Crowley says he relies on Aziraphale. Even here, even now when he's just hurt him. Because it is the truth. Because Aziraphale makes him feel less alone. Because Aziraphale proves to him that no matter how fucked the system is that there is still good in the world, even if he doesn't always agree with it.

It is only once there is no doubt what Crowley is doing that Aziraphale starts shaking his head in very small quick shakes. He looks panicked even as they both physically draw closer to each other. It's huge not here, not like this energy to me. Aziraphale asks Crowley to come with to help him run Heaven. This is the point where Crowley starts tearing up.

Crowley then says you can't leave this bookshop, trying to say you can't leave me. Az, nearly in tears himself, says 'oh Crowley. Nothing lasts forever' as a means to convey that the books aren't what is important here. Crowley, naturally, hears 'including us.'

Crowley looks down again, quietly agrees, and puts on his glasses, covering himself up again. He then wishes Aziraphale good luck and the music starts up again, still tense but sorrowful now. He leaves the light and heads to the door. Az can't help but to call after him. Please wait. And Crowley can't help but to listen. It's worth noting here that even as he rotates toward the north door, the light still gently hits his face. The shots in general are darker though. He's moved away from the light but it still can't help but to touch him.

"Come with me," says Aziraphale and then after a pause adds "To Heaven." Aziraphale, looking heartbroken, starts one of two 'I' statements he will struggle around in the next few moments. He lands on I need. Which. I want to pause there a moment because holy shit. That is not something they say out loud either. Az looks at him a moment, visibly struggling before he says his dialogue about Crowley not understanding his offer. Like he's said something he didn't mean to and needs to cover it up or like he can't handle the silence after such an honest statement. And on some level he's not wrong there. Because Crowley doesn't understand what Aziraphale is trying to say. But Aziraphale doesn't understand the way Crowley is reading it to course correct either.

Crowley says that he does understand and that he understands better than Aziraphale does. And he also isn't wrong either, from his perspective. Because he does understand the implications behind the offer theoretically in play here. Because he does know that the position Aziraphale is presenting him is not going to result in the outcome Aziraphale is presenting him with. There are some things you can't undo just like memories slipping through the cracks.

Az says there's nothing more to say, trying to dismiss Crowley despite having been the one to pull him to a stop moments ago. He puts on a fake polite smile for a beat but then his is jaw sets, mouth working as his eyes drop - unable to look Crowley in the eye.

Crowley tells him to listen as the music fades out and points upward. Aziraphale humors this, glancing up a few times before looking frustrated, saying he can't hear anything. The light from the window shines down in his direction without actually touching him. Crowley tells him "That's the point. No nightingales." The shot he's on here is a dark one without even any of the book shops pillars visible in it to brighten the shot.

Aziraphale looks frozen a moment here and then as Crowley calls him an idiot and says 'we could have been us' his face completely crumbles. He rapidly glances away to hide his face and Crowley moves and reaches to pull him back. They're both distraught. Az is clearly already holding back tears even before Crowley touches him. The angle of this shot frames Aziraphale in the light of the window. For the first time in this whole sequence Aziraphale is in the light, literally being physically pulled into it by Crowley.

The music swells, playing a similar theme to the one that plays as the Pillars of Creation are formed at the start of the season. They shift back and forth, the camera focusing on Aziraphale's face and hands. His hands move uncertainly, trying to reach out even as he's struggling emotionally. He is visibly shaking but he crucially does not pull away, not even a little.

His hands settle on Crowley's back, right where his wings would be, and for a brief moment gets taller, like he's allowing himself to lean into the kiss. They press together tightly, their mutual gravity sending them crashing together before they break apart. When they do Aziraphale looks devastated and his eyes move pretty much instantly to look out the window where the Metatron would be.

Crowley's glasses make him harder to read here, but he looks at Aziraphale like a man awaiting judgement in a trial he knows he's already lost. He's sad too, but as always, is waiting for Aziraphale's reaction. Because he might push continually at he boundaries of them as a unit but he has always let Aziraphale decide where to set them in stone.

Az fumbles over words here. He gets stuck on "I" here and lets it hang in the air. He then visibly thinks his words over, his expression slowly filling with resolve as he comes to some sort of conclusion. Then, like it's difficult to say, he falls back into old coded language. "I forgive you." A thing he has always said in response to things that he agrees with but cannot or should not allow himself to have.

Crowley sighs and tells him not to bother, refusing to fall into the old pattern that Aziraphale has. He is setting a boundary, for once, and even if it is one born from misunderstanding I am proud of him for being able to. He turns away and leaves. And this is where Az seems most in danger of falling apart. His lips move as Crowley goes, forming the start of a 'no' after him. He draws back from the door and turns his body away from it, physically distancing himself from anything that would feel like following Crowley. Except he can't help himself. With shaking hands he reaches up to touch his lips. He presses in, like he's trying to recreate the pressure and then his jaw works a moment and his expression sets as resolved.

The Metatron enters through the front door, which is framed in dark lighting. Aziraphale looks panicked and immediately turns his whole body away from him to hide his face while he collects himself.

He turns around after a beat and the Metatron asks 'how did he take it?' This is an odd question that only sort of half fits the fact that we are meant to believe at this point - that Aziraphale should be obtaining a yes or no from Crowley. It's not asking Crowley's choice at all. It's like the Metatron assumed a different conversation had happened or perhaps that he already knew the answer.

Aziraphale says he took it badly and the Metatron just takes a moment to direct a few casual digs at Crowley. He references him being stubborn and too curious - all the while avoiding the use of this name. At this point Az's eyes are locked out the window in the direction Crowley vanished to. The Metatron asks if he's ready to start despite originally having promised Az time to think over his answer. Aziraphale keeps glancing out the window.

For a moment he cracks, stepping away from the Metatron and back toward the east side of the bookshop. For the only time in this whole sequence he steps right into the sunbeam Crowley started in. It notably never illuminates his face as he mentions the issue of his bookshop (a statement absolutely not about the bookshop).

The Metatron explains Muriel will take care of it. Aziraphale looks back out the window with the start of an objection.

The Metatron interrupts him asking if there's anything he needs to take with him. Az's mouth takes a moment to try and form words. He steps out of the light again, starts to object, and then cuts off, eyes back to the window. Then his expression shifts again, settling in another state of resolve before he puts on his falsely polite face and follows the Metatron out.

As they leave the shop we cut back to Crowley. Crowley, who could've left to go handle his own emotions, did not leave. Instead he planted himself there, nice and noticeable. Like he wanted Aziraphale to see and know that he still has a choice. Like he needs to see Aziraphale make that choice for himself. Like he can't quite bring himself to be the one to close that last door. He stands there, framed by light, and doesn't move until the doors to the elevator to Heaven close behind Aziraphale. He then glances at Nina and Maggie and then gets in the Bentley, which starts playing the song that we now know he knows is supposed to be theirs. He turns off the music and drives away.

So there's a lot in these sequences and most of it probably won't help us figure out exactly what comes next, but there are definite signs that all is not as it's being presented to us. Whether he's actively lying or not, something is wrong that Aziraphale either can't or won't talk about frankly with Crowley. I suspect, whether it's under stress from a literal threat or because he believes that it is the safest option for them, that Aziraphale is doing all of this to protect Crowley.

There are also all sorts of signals here, especially in the lights, that gesture at the fact their togetherness is a net good. Together they are balanced and stronger for it and likely more in alignment with the Ineffable Plan. And, more importantly than that, that said togetherness is so clearly what they both want. They have loved each other longer than anything alive has ever loved anyone and none of this changes that. They both are saying that in their own ways here, even if those ways are not ones the other is particularly good at picking up and I for one cannot wait to get to see the payoff of them learning how to.

#good omens #gos2 spoilers #good omens spoilers #good omens meta #kind of #is it meta if its mostly me pointing and yelling?#come suffer with me #you have no idea how many times i had to watch these sequences for this #crowley #aziraphale #the bookshop

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