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aethelwyneleigh27 · 2 months

Text

Toothache

How does one go "You're Too Sweet For Me" to "My Baby's Sweet As Can Be"?

Synopsis: Simon Riley finds himself stuck in a situation, growing feelings for his roommate who's so annoyingly caring, domestic, sweet and too good for him. What happens when he let's himself indulge in the sweetness rather than cage himself in the bitter life he's been told is the only one he's deserving of and the only life he's known?

Apologies to this mess of a lyricfic, I couldn't help it even though this was supposed to be a relationship analysis..

MEN WRITTEN BY ANA HUANG ARE GONNA BE THE DEATH OF ME. Alright back to our original programmed schedule with Hozier. ALSO SURPRISE! THIS CONTAINS 3 HOZIER SONGS as an apology for not posting these past two weeks due to me enjoying holidays, reading, prom dress picking and wanting to stab myself because of life, there's the added bonus 👀

My CoD Masterlist

My Simon Riley x You Playlist

Also reader in this one had a lot of characterization, she's me fr, so AFAB?Reader, Fem!Reader, Short!Reader, Reader is VERY feminine with fashion, soft-girl-sunshine!Reader and Chubby?Reader. Y'all have no idea how hard it is to write without a personality and physical intimacy in romance, I tried but failed 😭

Warnings and Disclaimers: Mentions and details on sexual content ahead (is this considered smut? Idk anymore). Not detailed smut but vivid memories of sexual intercourse (especially the dialogue) with Simon. Again, this is a safe account for all ages because I'm not a MDNI acc, you are responsible for your own media consumption. DO NOT GO ON MY DMS, INBOX OR REPLY TO MY CONTENT TO TELL ME YOUR AGE. I don't need to know that and let's strive to not make each other uncomfortable. Mentions of questioning of religion or rather belief on afterlife??

Pink, bold and italic: Lyrics

Italic: recalling past events

Little snippet of an image of how I imagined he'd hold you, courtesy of the one and only @ave661

"It can't be said I'm an early bird, it's 10 o'clock before I say a word. Baby, I can never tell, how do you sleep so well?"

Simon Riley was never a man to live the life he was taught to in the military, it was out of habit for him to not leave his room until around noon. Then there was you, his roommate, he didn't exactly calculate how much it would affect his personal life to save money through rent by willingly letting someone within the same living space.

He'd find himself with not even a wink of sleep, hearing your footsteps through the thin walls, hearing the lock on the windows outside click open.

"You kept telling me to live right, to go to bed before the daylight. But then you wake up from the sunrise."

He'd always hear you, quite frankly it was like nagging on the constant.

"Simon you shouldn't do that, you'll hurt yourself"

"Simon please go get some rest"

"Simon.."

He'd swear he'd rip his own ears out every time his name falls from your lips from how sweet and chirpy it sounded and yet deafening silence would consume him whenever you aren't around.

"You don't gotta pretended, Baby, now and then. Don't you just wanna wake up dark as a lake? Smellin' lika bonfire, lost in the haze?"

Something about you makes it so tempting for Simon to give in, I mean it would be a one time thing, wouldn't it? So soft, so pliant, he set himself up for an addiction. It wasn't healthy, he knew this, he'd convince himself of the fact that he would end up hurting you.

Just too different, it repeated like a mantra in his head. He was bitter, brooding and didn't find any sense of pleasure in living. Why'd you think he has the job he chose? It's all he knew, till you skip your way into his life, giving him the sweetness he was deprived of.

"If you're drunk on life babe, I think it's great. But while in this world, I think I'll take my whiskey neat"

Drowning himself in alcohol, a trait Simon promised himself he wouldn't ever do when he was young, setting his glass down with a small thud from the wooden table. But what would the kid version of him know about life. He didn't have healthier options of coping with what seems to be his dilemma.

But then there you were, sweet little thing coming home at the late hour in that skimpy dress of yours. Revealing too much to the eyes of those who wish to have you for themselves with just one look. Where did you go that night?

"My coffee black in my bed at three, you're too sweet for me"

Desperately trying to keep himself awake and at bay from his thoughts of you. Drowning himself in now two cups of straight black coffee to help him focus.

It was odd, you got used to the scent, was strong with a lack of sweetness but it calmed you down knowing he was around.

How he'd corrupt you, he wanted to shatter that rose tinted glasses of yours to save you from himself because being with him would change you. Selfish but he doesn't want that, you were utter perfection..

Simon further delved into his feelings, what the fuck was wrong with him?

"I aim low. I aim true, and the ground's where I go. I work late where I'm free from the phone and the job gets done"

Grumbling, Simon walks back into the apartment in the middle of the night. You heard a thud, you come out of your bedroom, yawing from you incomplete sleep.

"Si..? Are you hurt? What happened?" You asked in a soft tone, careful not to agitate someone would could possibly be pissed off.

Simon stays silent, glaring at you as his eyes was only thing visible because of his balaclava. Your soft gaze intimidated him, because why would he feel that squeeze in his heart?

"But you worry some, I know but who wants to live forever, babe? You treat your mouth as if it's Heaven's gate. The rest of you like you're the TSA, I wish I could go along Babe, don't get me wrong..."

The only thing Simon heard was a sigh from you and nothing more, you walk up to him, each footstep feeling louder than that last.

Something Simon didn't expect you to do was wrap you arms around his waist, tiny thing you are that your head only goes up to his chest. Your body against his, basking in the warmth in contrast to the cold weather he had to deal with coming home.

"You know you're bright as the morning, as soft as the rain, pretty as a vine, as sweet as a grape. If you can sit in a barrel maybe I'll wait, until that day.."

You took care of him that night, to his reluctance and stubbornness. Despite refusing, he had no choice, he wouldn't want a soft thing like you on his ear the whole night till he agrees. You were persuasive in your own irritating way.

Sitting on the edge of the tub of the warm bath he's in, washcloth in hand. Touch was so gentle, why was it so soft? Why's it so warm? "It's the water you fucking idiot" his subconscious screaming at him. In denial.

Why is his heart beating so fast..? He wants to stab it to stop the feeling..

"I'd rather take my whiskey neat, my coffee black and my bed at three. You're too sweet for me"

Using both your hands this time around, one gently holding his chin with your fingers while the other wiping away at the eyeblack he had. Every scar on his face felt the graze of your finger.

The slow blinks, your eyes on his. Before any conscious thoughts consume Simon, he lifts his arms from the warm water and wraps them around you.

Your nightgown was now damp but you couldn't care less, now with the man you were pinning over, foreheads against the other.

"Si.." you softly whisper. That nickname will be the death of him, you'll be the death of him. He crashes his lips on yours, not wanting to let go till you both were panting. You were too fucking sweet, your lips, your skin, everything. He wanted a taste and he got it...

"My lover's got humor, she's the giggle at a funeral. Knows everybody's disapproval, I should've worshiped her sooner"

Another sleepless night wasn't uncommon for someone like Simon.. however this aching feeling wasn't, he doesn't know where it's from or what it's about. Not until he heard you in the kitchen, letting out a giggle even though you knew better.

"If the Heavens ever did speak, She's the last true mouthpiece. Every Sunday's getting more bleak. A fresh poison each week "We were born sick"

That sweet fucking voice, like the angels speaking to him themselves. "Oh- I'm sorry Si, did I wake you up?" You asked, turning around to the sound of his footsteps.

That tiny nightdress of yours, a reminder of the night you spent together, that morning you slept in his bed.

Lashes beautifully displayed on the delicate skin of your under eyes. Soft noises while your chest was peacefully moving up and down with every breath.

"She tells me, "Worship in the bedroom". The only Heaven I'll be sent to, is when I'm alone with you I was born sick, but I love it Command me to be well. A, Amen, Amen, Amen"

"Simon.. Ahh~" you moan out softly, your body writhing underneath him. It felt hot, sweaty despite the well ventilated room, so intimate from something that was supposed to be the farthest thing from domestic.

"Shhh, you can take it sunshine.. You don't want the neighbors to hear us, do you?" Simon whispers, callous hand covering your mouth with as little pressure possible, you whimper at his words.

Closing your eyes to lose yourself in the pleasure you've never felt before. Your body being worshiped with gentle hands and soft kisses that leave marks by the very same man who kept distancing himself from you, now he'd stop at nothing for your pleasure.

"Take me to church, I'll worship like a dog at the shrine of your lies. I'll tell you my sins and you can sharpen your knife, offer me that deathless death. Good God, let me give you my life."

"Simon.. no more–" you whined. Scratching his back hard enough to leave marks without being aware, he'd always imagine what those pretty pink nails could do to him.

"Just one more, please sunshine.. you remember our safe word right?" Simon asks for you to nod softly, you didn't have energy to take anymore. "I told you I'll make you feel good, didn't I? So be a good girl for me and take it, hmm?"

Your eyes roll back at his praise, your legs shake with one after another wave of pleasure running through your body. This man was starved.. insatiable.. who would be able to resist such a request? Not you.

"If I'm a pagan of the good times, my lover's the sunlight to keep the Goddess on my side. She demands a sacrifice, drain the whole sea, get something shiny"

It took everything in Simon not to worship the ground you walked on that night, he wasn't trying very hard, was he? Because always.. at the end of the night, you're in his bed, his mind, his life.

Was it really a sin? To want something you don't deserve? Simon stayed up that whole night, not a wink of sleep while thinking of whether this arrangement should continue. Every bone and organ in his body telling him to be selfish, take what was something that wasn't his to take.

"Something meaty for the main course, that's a fine looking high horse. What you got in the stable? We've a lot of starving faithful that looks tasty, that looks plenty, this is hungry work"

Simon's gaze, never faltering on your sleeping figure that he refuses to go anywhere but his own arms. He tries to close his eye to compose himself, free himself from the emotions you emit from him.

His efforts were to no use, all he saw was the image of you, sweetly smiling, those doe eye staring right through his soul.

"No masters or kings when the ritual begins. There is no sweeter innocence than our gentle sin In the madness, in the soil of that sad earthly scene. Only then I am human, only then I am clean"

You were getting too close for your own good, Simon knew that, he'll be damned if he let's himself hurt you. So he does what any stupid man would do, avoid you like the plague. Did it mean nothing? Were you just some fling, never to be talked about again?

Fuck you Simon Riley, he made you feel loved in bed like no man ever has or ever will, completely ruining your chance of ever thinking of anything else and that was just a hook-up session? Maybe this one time you can let yourself be delusional, was there really something more? Only one way to find out.

"Oh, oh, Amen, Amen, Amen, Take me to church, I'll worship like a dog at the shrine of your lies. I'll tell you my sins and you can sharpen your knife, offer me that deathless death. Good God, let me give you my life"

You caught him, fucking finally, after days of waiting and trying to get him at the perfect time. "Si.." you whispered softly, you didn't know where to start. He took a quick glance at you before looking back at what he was doing.

"Simon Riley, don't fucking ignore me. Not after everything that happened those nights" You said, it was stern but he needed to hear it. It made him stop, think about what had happened.

Before he could generate a response, "Why?" You asked. It was a vague question, why was he ignoring you? Why does he feel this way? Why does he love you yet refuse to act on it?

"Take me to church, I'll worship like a dog at the shrine of your lies. I'll tell you my sins and you can sharpen your knife, offer me that deathless death. Good God, let me give you my life.."

"You don't deserve a man like me, you deserve one who is like you, optimistic, sweet, fucking beautiful and alive.. A man who's not damaged, scarred, has blood on his hands and haunted by his past. A man who's not afraid to show his love for you. A man who won't put his burdens on your shoulders and a man who will take care of you instead of the other way around. That's what you deserve and I can't give that"

Everything felt like it came to a stop, were you hearing that right?

"You have no idea how much you contradict yourself, Si. How are you so sure that you haven't given those things to me already? You might not be like me but "like me" isn't what I want.. I want you, every flaw, every beautiful scar. Not once before your silent treatment have you hurt me, it's frustrating yes, but you are worthy of that. Every struggle, frustration and mistake, every bit of your love is worth all of that. I want you to see that Si, your actual true worth rather than what some psychotic fucker decided to torture you with"

"Boys, workin' on empty. Is that the kinda way to face the burning heat? I just think about my baby, I'm so full of love I could barely eat"

"Si?"

"Yes, Sunshine?"

"I love you" You whispered after smothering him in a plethora of kisses. Never has anything made Simon melt more in his life than his wife say that. Doesn't matter how long it's been, how much the both of you have been through or how much frustration the both of you were going through..

It will always stay the same, the feeling those three words give him, like the first time, every moment feels that way. Familiar, finally.. Home.

"There's nothing sweeter than my baby I'd never want once from the cherry tree. 'Cause my baby's sweet as can be, she give me toothaches just from kissin' me"

He always thought about how unfaithfulness was such a struggle between some people, he thought about how good he has it constantly, reflecting back on what he used to have to how now this is something he never thought he'd have or deserve.

"When my time comes around, lay me gently in the cold, dark earth. No grave can hold my body down, I'll crawl home to her"

When a man finds himself in the verge of embracing death's arms, what causes the struggle? What causes him to fight that pain, to keep on going? Not once has this crossed Ghost's mind.

No. He's not Ghost, he's Simon. Your Simon.

And you're expecting your Simon home, fuck everything else, he'll give the biggest "fuck you" to death itself and crawl home to you because he'll be damned and he'll experience everything he has in his life over and over again just to hold you again.

"Boys, when my baby found me I was three days on a drunken sin, I woke with her walls around me. Nothin' in her room but an empty crib and I was burnin' up a fever I didn't care much how long I lived, but I swear I thought I dreamed her. She never asked me once about the wrong I did."

It should matter, the amount of blood on his hands. Not once did you judge him for it, what the fuck was wrong with you? Giving a monster such as him a bath like he was some innocent stray kitten, although this time around it was far more messy. The dried blood caked underneath his finger nails.

Flashing him a tired smile while you wiped off the blood that made the water in the tub a hue of brownish-red. Taking your hand in his, his lips brushing against your knuckles. The way you looked at him was enough to make him cry.

"When my time comes around, lay me gently in the cold, dark earth. No grave can hold my body down, I'll crawl home to her"

"Fucking get up" Simon repeats to himself, "She needs you, she loves you" despite how many times he's convinced himself you didn't due to the voice of his father in his head, it felt like a knife twisting in his heart imagining how it would be for you without him.

How much you cried the night he came home a day later, you told him yourself, practically sobbing while clutching your aching chest and him with your other arm how you weren't ready for Price to show up at your doorsteps holding Simon's belongings.

He won't let that happen.. he can't...

"My babe would never fret none, about what my hands and my body done. If the Lord don't forgive me, I'd still have my baby and my babe would have me"

Simon knew it, no one would ever love him like you do. No one would show him the same acceptance, devotion, care, concern and love. It wasn't healthy to be so attached dependently to someone in love.

He couldn't help it, it felt so right, everything with you did. Never a judgmental one, at least towards him. Always first to hold him, the first to ever take away the heavy guilt that weighed his heart and shoulders down after he'd done something he knows he'll go to hell for, if it's even real

"When I was kissing on my baby and she put her love down soft and sweet In the low lamplight I was free. Heaven and hell were words to me"

Every inch was kissed, not a part wasn't worshiped. "So fuckin' beautiful, so sweet. All for me, hmm?" Simon mumbled against your skin, suckling on the soft sweetness that he so claims. All hickeys, no bruises.

Fuck, he'd not just survive but thrive on just you. No other sustenance, your supple thighs he adores to cover in purple, your neck, your lips and your skin that he often compares to sugar syrup in his head.

"When my time comes around, lay me gently in the cold, dark earth. No grave can hold my body down I'll crawl home to her"

The question was, was it worth it to live an eternity of lifetimes filled with suffer to be with you in at least once? The only answer to ever graze Simon Riley's lips was the word "yes", the day that changes is the day that he'd be the biggest bull-shiter the world has ever known.

Simon opened the door to your shared home, "Daddy!" A loud squeal wakes him up from his dread of what he's seen on the field.

"How's my little sunshine been? 'Ave you been good to your momma while I was gone?" Simon asked, carrying the little girl in his arms.

"Yes! Momma said we'd go to the park tomorrow as a reward for me helping out!" Little one saying it so proudly, Simon couldn't help but smile, beaming with pride as his little girl grows up to be what he recognizes as a good person.

"Simon..? You're finally home, I missed you so much" You said, peeking out the laundry room. You walked out, quick to give him a peck on the lips.

"I love you Si.."

"I love you too Sunshine"

Also this is a very long fic.. I expect long feedback.. @connorsui 👀

Does this make sense? Idk anymore it's like almost midnight and I'm running on a few hours of sleep. GOD MY PROM DRESS LOOKS SO GOOD, I CAN'T WAIT.

Taglist: @wishesforyou @puff0o0 @simping4konig @simp4konig @blingblong55 @azereus @rustic-guitar-notes @shadofireshinobi @thelightdjinnofpalestine @09maruchan @anonymuslydumb @skeletalgoats @icarustypicalfall @ghosts-cyphera @fawnchives @connorsui @capuccino192 @miss-gms-and-the-rotten-womb @celestialhole @the-second-sage @starryylies @everlastingmoonlightsworld @keiva1000 @iexiam @drewsmusee @konigceo

Trying out new dividers as well by @anitalenia

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pennyblossom-meta · 3 months

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Analysis of the romance in Death Note's Spiraling Trap game.

EDIT 02/03/2024: minor edits and fixes, added a few imgs and extra content.

A huge thank you to the folks over at agtteam who translated L - the ProLogue to Death Note: Spiraling Trap into English! Now we can all date L become FBI agents after hours.

I've been playing the game recently and one of the features I love the most is the L Communicator, which allows the main character (referred to as MC henceforth) to take a break from adventuring and listen to L talk about whatever is on his mind.

There's around one hundred different lines available as the MC develops a relationship with L and they paint him as such a sweet, attentive and thoroughly unique individual that I was surprised by how detailed it was. If you're thinking about playing, then this part is definitely worth putting effort into.

The mechanics of the dating sim are relatively simple: during the adventure, you'll pick up a number of recipes hidden among traps and tools. Then, Watari will provide the ingredients and you can give L whatever sweets he specifically craves. These recipes and cravings depend on the time of day and can be season specific.

Character analysis

As stated in-game, giving L sweets causes his appreciation for the MC to grow. However, L being L, means that he craves different sweets throughout the day. He's definitely very specific about what he likes and what he wants for his sugar fix.

However, if you give L something he isn't craving at that specific moment, he will sulk. The way he expresses his displeasure varies according to the depth of the budding relationship he has with the MC.

L: To tell you the truth, there are many other things I would have preferred. L: [F/N], I hate to say this, but I really would have preferred something else. L: F/N], you must know that I was hoping for something else, right? L: [F/N]… It’s not my favorite but, it made me really happy.

Note: Given that the books in the expanded universe (Another Note and L: Change the WorLd) came out before this game, I think some of the quotes further ahead might be a subtle nod to how L is perceived by the police forces as the "creepy murder detective". However, references about his piece of mind lead me to believe that L craves some respite from the burdens he carries on his shoulders — burdens so strong that they managed to curve his spine.

Note: I'm unsure how the system here works, as the MC also gets points for gaining L's trust in the actual adventure when they a) agree with his observations and b) find key objects hidden in unsuspecting places. It might affect the available lines through the L Communicator.

L: Today is going to be a better day… Let’s think positive. L: I wonder what kind of morning this will be. L: It seems the air outside is crisp this morning.

L: I want to finish what I need to get done before night falls. L: It’s nearly sunset. Time for children to go back home. L: If you just stare into space, night will be here before you know it.

L: It’s already evening… Time keeps passing me by. L: There’s something different about the air at night. L: Night-time, dusk… It’s the witching hour.

As a naturally introspective individual, L observes the world around him and draws conclusions. To my surprise, the game actually managed to capture how observant L is about small, unsuspecting details of daily life and give him a slightly poetic side laced with a hint of wistfulness that suits his character well.

This is a side of L in his private life that I personally wish we had been able to glimpse during the Kira investigation. Though, at the time, L was busy trying to prove that Light was, indeed, Kira. It left him little to no time to enjoy the world around him. During the brief time that L could have had a semblance of rest right before the Yotsuba arc, he was depressed that his deductions were "wrong" — though I could see him musing about some of the above, equal parts whimsy and sulking.

L: If I start to lose my touch… I guess I’ll retire. L: Another day, another mystery… L: I have a lot of thinking to do. L: I feel like doing some capoeira… L: I haven't played tennis for a while. L: The weather today is… Well, it matters not. L: I, um… No, ignore me. L: Am I reading too much into it…?

As a thinker, L has a lot of unfinished thoughts he says out loud. Some border on cliché, others are musings about things he'd like to do or that he's missing.

I wonder if some of his thoughts end up trailing off because, suddenly, he catches himself and believes they're not important? Or that he doesn't think the MC would be interested in what he has to say beyond work matters?

L: “In spring one sleeps a sleep that knows no dawn.” Though, too much sleep isn’t good for anyone. L: If you think about things persistently, noticing all the sides to them will come naturally. L: Strawberries… Despite the name, they aren’t actually berries. How berry disappointing. L: The one who has thought it through wins. It’s true for chess, and for deduction. But in the case of love… I don't know.

He's also a philosopher at heart, always thinking about the human condition. In these we can also witness his dry humour, silly puns along with a subtle desire to share his thoughts on the world and give helpful advice.

As for love, L is cautious but willing to learn. It's a topic where he's out of his depth.

L: Um, Watari is… L: I wonder if Watari’s asleep? L: What could Watari be up to? L: Today is Thanksgiving Day. I am truly grateful to Watari for his diligence.

I found it interesting how L's thoughts eventually go back to Watari and what he's doing. He's the one person that L relies on and whom he interacts with the most. Other people are passing acquaintances at best, who show little interest in L beyond work.

Notice how he mentions diligence? Although it is a utilitarian consideration, it also reveals a thankfulness for the comforts of familiarity and the peace of mind that trusting someone close brings. This is a topic we'll explore better at a later stage, i.e., how trust and acts of service work as a relationship builder.

Romance

Neutral stage

One of the first things I've noticed is that, during the early stages of the relationship, L is still very formal and quite a bit dismissive — even borderline rude. As his sugar fix gets sated by the MC's keen suggestions (Watari provides the ingredients, of course), L grows gradually more fond of them and wants to include the MC in his life with an enthusiasm I can only define as endearing.

L: Aren’t you bored? You don’t have to check in on me. L: Don’t you have stuff to do?

At the beginning, L is still wary of the MC on a personal level as they have absolutely no rapport beyond a partnership of circumstance and usefulness in the name of justice. He's quick to get bored and doesn't take it very well when he's given sweets he isn't craving. A bit childish, one could say, the way he sulks when the MC errs by not reading his mind.

L: Did I enjoy it? Let me just say “no comment”. (about sweets that weren't quite to his taste)

It's also very in-character for L to feel both annoyed at someone who is randomly calling him and be suspicious of their motives.

Growing interest

L: Spending the afternoon with you isn’t so bad. L: Even though it’s late, you’re not going to bed, huh? L: You must be a night owl, [F/N]. L: I’m a little curious about you, [F/N]. L: Are you having a good time? I’m just curious. L: You’re kind of… Ah, no, forget I said anything.

He starts addressing the MC by their first name as he becomes more enamoured. It's very sweet. I was pleasantly surprised at how attentive L becomes as he gradually comes to the conclusion that this is a person who understands him.

Mind, due to game mechanics the MC gains approval by giving L sweets, but from a narrative perspective what's really happening is that L not only feels seen and understood, but also accepted. And when that happens, he starts lowering his walls and relaxing.

As a plot device, I would say these are defining moments within L's thought process here; he's curious about the MC, finds them interesting enough to want to know more them and pursues that curiosity to see what they might have in common. It seems he's both a little baffled and content about this development.

L: [F/N], what do you think of when you see a sunset? L: What are you doing this afternoon? Oh, should I not have asked? L: Are you a night owl? Oh, you don’t have to answer if you don’t want.

It should also be noted that L is very mindful of boundaries. There's a tentative, almost shy attempt to connect. He's determined to indulge in his curiosity since the MC's attentiveness towards him shows an opening for closeness he's unused to (but is happy about) and to tend to his more immediate needs (i.e., food cravings), which in turn shows a genuine concern for him. Aside from Watari, I doubt anyone ever extended L similar kindness.

And it is in this determination to get to know the MC that I also find Mello's words (AA: LABB Murder Cases) that L is actually a very active, aggressive individual with absolutely no interest in social conventions perfectly represent him this game, as he navigates a growing fondness with expectation, curiosity and caution — on his own terms, while minding that he doesn't overstep.

L: Staying up late talking to you… It makes me feel calm.

I find it particularly heartbreaking how this confession of L unknowingly makes it more transparent how burdened he is. The spine curved by burdens unseen, the addiction to mind games and sweets; all of these point to stress factors which isolate him further, increasing the loneliness and lack of affection in his life.

That L feels the need to mention the MC makes him feel calm seems telling.

L: We’re both late workers, huh? That makes me happy. L: [F/N]… You’re pretty formidable. L: It’s reassuring to have a partner like you. You’re someone I can trust. L: Your feelings have been received. (Valentine's Day) L: The fact we’ve become so close was an unexpected development on my part.

And here it is, the acknowledgement just as L enters the highest stages of approval, where he expresses admiration and happiness at the close bond he developed with the MC.

"An unexpected development on my part" is quite the turn of phrase. One can only wonder, but I'd make an educated guess that L didn't see this coming because:

a) no one showed feelings towards him before. In his line of work, hidden behind a screen there is no time to indulge or get attached to anyone (he would mistrust their intentions anyway) and so L keeps everyone at arms length, sharing little more than a professional side of himself and fostering utilitarian relationships that help him win "games". L ultimately carries various burdens the average civilian would never be able to understand, all due to the pressure of his job. When failing at the "game of cat and mouse" means being responsible for the likely deaths of dozens, perhaps even hundreds or thousands, the stakes are up in unimaginable ways. What started as a thrill chase can have catastrophic consequences should L fail. That in itself alienates him from society at large. It's a game that L plays well and absolutely profits from, but it is also an indicative of two major flaws: his addictive personality and how he suppresses his emotions to carry on. Coincidentally, it's the expanded universe, in particular Another Note: LA BB Murder Case and L: Change the WorLd, that give us the best insight into this. This isn't too dissimilar to the struggles policemen face in high risk jobs or technicians who have to flag and delete sensitive content from online platforms. These people end up changed from what they see — and some carry traumas for the rest of their lives. That's not to say that L doesn't feel for others. He respects people whom he considers good or morally upstanding (Soichiro Yagami), who are competent in their line of work (Naomi Misora, Mogi), worthy of a second chance (Aiber and Wedy), who speak their minds, unafraid (Aizawa) or who are reliable, loyal to him as a person and not just his cause, in whom he can place his trust and feel secure won't betray him (Watari). The MC seems to fall mostly in the last category, though the relationship is rather precocious — and there seems to be a fair amount of wishful thinking and even projecting on L's part, since communication happens over a device connecting two people remotely. He falls both for the idea of the individual and their attentiveness towards him. When L mentions that they make him feel calm, I'd argue it comes both as a surprise to him and a confession of a closeness and safety he intimately craved — though I personally view L as someone who feels lonely and wanting healthy human contact, even if his social skills might not be the best (worsened by his distrust of people as a whole). Someone who ultimately is willing to adapt to him but whom he can adapt to, as well. Someone who sees him as a person and not an unfeeling robot. It's a POV that certainly challenges certain aspects of DN: Vol 13. I would further argue that L's portrayal has evolved significantly beyond the manga, and that his subsequent humanising is partially a result of the creative liberties the English translations took, as well as a more empathetic view of the character and hidden struggles. Each medium displays a separate iteration of L, with common variables.

b) L fosters distant relationships with others as a safety measure. Aside from Watari, L's contact with other people had always been distant, work-focused, perhaps even tainted by notions of his supposed creepiness as a kinky detective "who relished bizarre murders" (L:CtW). He's useful to the police because he achieves favourable results, though L is still viewed as "a human computer, capable only of measuring mass murders in terms of cold numbers, a reclusive sociopath" (L:CtW). He isn't necessarily liked; in fact, I would argue he rubs people the wrong way most of the time — as we can see during his interactions with the Task Force, during the events of Death Note. L is tolerated, a useful asset who is both mysterious and a pain to deal with. However, he's also put on a pedestal due to his status (i.e., Relight, the children at Wammy's). For the latter, he purposely shatters their idea of L as this unbeatable, paragon of justice by defining himself as a monster (anime), a dishonest cheating human being who hates losing (manga). I do share in lux-mea-lex's perspective on L doubting his own humanity and how it fuels a certain self-hatred for distrusting everyone around him. As lux mentions, "love comes with trust" and L is an excellent detective precisely because he questions everything and everyone — but it comes at a cost: his own loneliness. To draw a parallel, L's ultimate flaw — and that which makes him great at his job — is not unlike what we see during the moments of extreme anguish that Veronica Mars goes through in her personal relationships and which draw people away from her when she oversteps boundaries to prove she's not being lied to. That mistrust comes from experience, for people burdened with having seen too much and it's not unlike a kind of paranoia acquired when one has to deal with the worst of humanity on a daily basis.

Full reciprocity

L: [F/N] you’re the light that illuminates the dark night. That’s an exaggeration of course, but… L: What I need to live is glucose… and to talk to you. Nourishment for my brain and heart. L: When we’re together, I feel like there’s no problem we can’t solve. L: The afternoons I get to spend with you are precious to me.

When the MC achieves the stage of full reciprocity with L, he's very open to showing vulnerability and lowering his emotional defenses. I found this to be particularly sweet, as L is such a secretive man with so many hidden layers that him being willing to show such honesty with that one person he holds dear is incredible character development.

Beyond the game, I would say that achieving this stage with L would be much more difficult and, naturally, would involve going beyond picking the best sweets for him.

Something important to keep in mind is that L seems to value acts of service, as the people who interact with him more closely have some utility value and aid his work. However, L's life revolves around his work; he lives and breathes his detective work, which is why having a partner who brings him peace would be so important.

L: The time I spend with you is as important to me as the sweets. L: Good morning. It makes me really happy to see you here. L: For your sake… I’d think of a way to get through anything. We share a bond. L: When you have time, I’d like to take you to a shop that makes the best sweets. L: When you’re free, how about we play tennis together? I will have Watari reserve a court. L: If something were to happen to me… I want you, as the person I hold dearest, to carry on the L moniker. L: When my thoughts hit a dead end late at night, I feel like I’m stuck in a maze. But, having you here makes me feel reassured.

I also found it very sweet how L takes the initiative to plan for activities to do together with the MC. And how their presence, their reassuring words make him feel at ease. It seems that a loving relationship would give L a goal in life beyond his work.

Carrying on the L moniker... this quote might be the result of L's trust in the MC growing during the events of the game, or a sentiment L nurtures due to the MC being attentive enough to understand his specific cravings. But being able to read L and having the mental dexterity to become him are different things, as the latter involves a lifestyle that few would want and a complete focus on work. Even FBI agents have lives beyond work.

L: I learned from you that sweets are the bond that brings people together. L: You give me true peace of mind. No one could ever replace you. L: The way I am now, I… I can’t think straight when you’re not around. L: Being able to share this sunset with you, I couldn’t ask for anything more. L: You understand, don’t you [F/N]? What my heart so strongly desires is something more… L: When I talk to you, I feel like my senses are sharpened. Thanks to that, my radar has become more sensitive.

What a sweet guy. I love how L focuses on the little things and just wants to spend time together with the person he holds dearest. It's almost as if he daydreams a close, loving relationship — a trait that clashes with L's logical side.

This game and the expanded universe of Death Note have convinced me that there are many more layers to L than what we can see in the main story.

As Fu Takahashi, who plays L in the 2020 Japanese version of the musical, said:

“(...) A common thing about L among these versions is that, despite his superficial image as a smart guy who hates losing, he actually feels lonely and needs affection, I imagine. Perhaps he is an orphan – his character suggests so. He tries to control his emotions, like the feelings towards his parents, or romantic feelings; that’s why he is sort of dependent on games or battles of the mind. So I want to play L while thinking about the foundations on which his personality has been formed.”

I think this quote and the game are actually very telling of L's core personality and how it moves beyond that cold, calculating persona that defines him in the manga. It's also more in line with the characterisation that we see in the anime and the books, which help humanise L.

As I mentioned elsewhere, learning how to trust and be comfortable around someone else would do L wonders. Though that person would have to accept him for who he is and help him learn how to navigate a healthy relationship.

Perhaps the true test of love, for L, would even be for him to be confronted with someone who knows who he really is and, is not only kind to him, but also sees the best in him — regardless of his flaws. I think that we've had a glimpse of it in this game and it's a breath of fresh air.

#death note #l lawliet #death note: spiralling trap #spiraling trap #romance #death note meta #watari #character analysis #l lawliet headcanons #l lawliet x reader #in a way #kira #soichiro yagami #aizawa #naomi misora #aiber #wedy #task force

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somerandomdudelmao · 1 year

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I apologise for the intensely long analysis, but I was watching a dubbed version of your comics on YouTube when I came across a scene which sent me absolutely spiralling! I had to go back through “The Little Things”, “Everything is falling apart”, “You are in the past, your thoughts are in the future” and “Donatello” to find all the bits I needed.

In these images we see Casey asking Donnie about time branches, how they haven’t rewritten the future, they’ve created another one, and that Casey’s timeline still exists. BUT!! If you look closely at the very first image, we’ve seen Uncle Tello’s lines before.

Before I jump too far into that particular chapter, let’s head back briefly to these two moments:

Tello admits to Raph he could fix his robot body, and to Leo he found a potential cure, but that he needs access to materials, ingredients and equipment which existed fifteen years ago. At this point, Leo directly says “You better be planning some sort of time travel machine”

Moving back to the honey saga, Tello tells Raph he will be able to eat again: he specifically states they have the blueprint and the knowledge, all they need are the materials. Once again, time travel is mentioned, this time by Tello himself. It’s even bolded out- how tf did I think that part wasn’t super important foreshadowing the first time around -.- (it also could have been authors choice, but seeing as you rarely add small details without looping back to them, I'm suspicious).

Tello did time travel- just not in the way any of them were expecting!

Jumping into the present timeline; look how surprised Tello is about the time travel and all the extra ?? when he’s asking Casey when in time he is.

THEN we discover Tello created LITERAL RESURECTION FOLDERS (we have witnessed him firsthand play God and win multiple times) and now he and Casey have access to the MATERIALS AND EQUIPMENT he mentioned previously. He got exactly what he wanted/needed! Cut to the end of the current chapter and we receive THIS:

So what I’m saying is, this mf can ACTUALLY FIX THIS and YOU, CASS, in your brilliantly devious and cleverly sneaky way, HAVE LITERALLY BEEN TELLING US THIS ENTIRE TIME EXACTLY HOW!!!

Ehehehe

#cas details #I'm having fun with this story~

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vidavalor · 9 months

Text

The *Original* Original Sin Theory or... why Aziraphale's "I forgive you"s really mean "forgive me" and just why he wants Crowley's absolution...

Will this break your heart in a good way and make the end of S2 hurt less? more? both? idk let's find out...

I want to talk about what the Before the Beginning scene does to the Eden scene and what all that suggests about Aziraphale and Crowley's relationship... because it might be enough to upend what we think this relationship is quite a bit, at least from Aziraphale's POV, if it goes in the direction that I think they are hinting at in S3, which I'm basing off of where they took it in S2 in these scenes.

This also contains an analysis of That Scene from 2.06 that ties into lots of other scenes and some other meta related to the show and it's a bit long-- like, the mother of all metas-- but there are pretty gifs and I brought snacks? Just letting you know it's a long post but tuck in with some tea if you're in the mood and thanks for reading. :)

Under the big cutty thing...

Before we get started, a couple of quick warnings: I curse a bit in here. It's in the show itself but just letting you know it's here a bit, too. I also mention *very* briefly suicide ideation in the characters and also very briefly (one sentence) Satan's mind-control of Crowley in S1 in a way that might be sensitive for a sexual assault survivor. There is general mention of religious trauma and abusive relationships (not Crowley & Aziraphale's relationship) all over this. If you are okay with the show, you should be more than fine reading this but just wanted to let you know up front. If you're okay with that, read on...

So, the Before the Beginning scene contains a twist, in that we learn that pre-Fall Crowley is naive to Heaven while Aziraphale is the one who is wary of it. This is especially interesting because, best we can tell, no angel has Fallen yet. There aren't *explicit* consequences for asking questions yet, as Crowley doesn't think it could get him into trouble to do so... but *Aziraphale* does. Heaven in S1 and S2 is shown to be basically a fascist state full of bullies jockeying for power where the ones on top dole out all sorts of abuses to maintain a sense of order among the rank and file. We see the emotional and even physical abuse they dole out to Aziraphale and how little they tolerate any sort of dissent, even from an archangel, based on what they ultimately do when Gabriel doesn't want to do arma-bloody-geddon anymore. Heaven is basically The Kremlin. Toe out of line and they'll toss you off a high-rise while telling everyone how sad it is that you recently had a spell of depression and heart troubles as a way of scaring everyone else into submission, right? What's surprising to us is that Aziraphale knows this *absolutely* Before the Beginning and he's terrified on Crowley's behalf, since this place functions as a kind of mafia state.

This implies something really kind of dark which is that Aziraphale knows enough to know how to toe a party line and keep quiet about any doubts he has. He knows how to survive in a way that then-innocent Crowley did not. He tries to tell Crowley that questioning things is going to get him angel-killed but Crowley has a faith in God that's different than Aziraphale's was even before the Earth was fully created. Crowley believed in Her more than Aziraphale does. He doesn't think anything will happen to him. Aziraphale knows what will and this implies knowledge of the abuse of the system and it completely changes our perspective of Aziraphale throughout the rest of the series. We often think of him as either willfully naive or just desperately optimistic regarding Heaven's goodness but, in reality, he's neither of those things. He's something else, entirely. His actions are not expressing naivete or desperate optimism or anything else.

They are expressions of guilt.

And the Eden scene tells us why he has that guilt.

The Eden scene introduces us to Crowley and Aziraphale and the series itself and it has Crowley posit the central question of the show regarding the nature of angels and demons:

Objectively, when you watch this scene, you think this is about the tempting of Eve and the flaming sword. It is... but it's also not *just* about that. Because Crowley and Aziraphale are watching Adam & Eve venture off beyond the Garden of Eden in this scene. They're still within view so the flaming sword situation happened a matter of minutes earlier. Yet, when Crowley posits that central question of which one of them actually did the good thing and which did the bad thing, Aziraphale reveals that it wouldn't be funny at all if what Crowley is saying (that Aziraphale actually did the bad thing) is true. He's distressed about it and so Crowley, somewhat dryly, reassures him that he's an angel so he couldn't have done the wrong thing. (Crowley, of course, being a literal former angel punished for doing the wrong thing lol and that being the joke but also in there is also the layer of Crowley genuinely liking Aziraphale and trying to tell him that it's all okay and meaning it.) Aziraphale is relieved and this is the key bit here-- he says oh good "because it's been bothering me."

The tone of this is that this central question of whether or not he did wrong or right by Crowley and whether or not Crowley was wrong or right in his actions *has been bothering* Aziraphale and he phrases it in a way that implies he's been losing angelic sleep (so to speak) about it for a little while now. If this was *just about Adam and Eve* then Aziraphale's reaction here makes absolutely no sense because the camera also then cuts in their conversation to in front of Crowley and Aziraphale *to show us Adam and Eve still visible in the near-distance* fighting off the lion with the flaming sword. They literally *just left* so how could Aziraphale be all in knots for awhile now over whether or not he made the wrong call? He's not. You can argue that his decision here in Eden to help Adam and Eve by giving them his flaming sword-- by standing up and doing something in the face of God to help out other beings he secretly thinks might have been treated unfairly-- *is a direct response to what he failed to do back in Before the Beginning*...

... which was to stand up for Crowley.

Meaning: Aziraphale doesn't need to see Heaven's files to find out what happened to Crowley when Crowley fell because he was there. S3 is going to be about preventing the Second Coming and so plot allusions to the crucification (which had its own Crowley & Aziraphale scene in S1) will likely abound. Aziraphale was there when Lucifer and The Gang were tossed out of Heaven. To be fair to Aziraphale, there is basically nothing he could have done to prevent this and the best possible situation is that he didn't even have the chance to. The worst possible situation is that he's literally Judas and sold Crowley out, out of fear of being tossed out of Heaven himself. I tend to think it's more that he just didn't stand up and say anything in support of Crowley to prevent himself from being seen as on the side of the eventual demons. Still, just as Crowley thinks the punishment for Adam and Eve was harsh, Aziraphale thought that asking questions and being curious wasn't enough to send Lucifer and everyone around him to Hell to be damned for all of eternity but it caused an obvious existential crisis in him that he still struggles to totally resolve.

If he disagreed with the decision to cast out the suggestion box-happy angels, he was as "bad" as they were. If he agreed with the decision, he was condemning them and that didn't seem angelic, either. How to be a good angel, which is the only thing he had ever tried to be or knew how to be? He did what he thought must be right-- to follow what the other, more powerful angels said the word of God was-- and if it was Her will, then it must be what was right, even if it was *extremely difficult* to see how this lovebug here was really an evil, demonic creature of Hell...

Not to mention that Aziraphale was in love with WhateverHeWasCalledPre-Crawly!Crowley. (We will just call him "Crowley" for this whole meta, because that is the name he chose for himself.) And maybe Angel!Crowley went after the more glamorous, daring guys. Heaven honestly seems like both a fascist state and high school at once (is there really a difference? lol). Crowley describes how he wound up falling in S1 as that he "hung out with the wrong crowd" and Aziraphale in Before the Beginning honestly seems like he's been flying around watching Crowley make stars for ages, trying to work up the nerve to or find an opportunity to introduce himself to the beautiful hot cool arty science-y guy who barely looks at him when his other option for a view are nebulas... or Benedict Cumberbatch's Lucifer/Satan, whose "stroke of demonic genius, dahling" bit in S1 and dark assault on his fave Crowley while Crowley was driving had a real "Angel!Crowley went for the bad boy who were so bad pre-Fall that they wound up fucking Satan afterwards and friend-zoned angels like Aziraphale" vibes. Alternatively, maybe he didn't totally? Before the Beginning seems to be the first time they met and maybe after that, Crowley and Aziraphale became close. It's just that Crowley canonically also wound up sitting at the cool kids' table because they were the only ones questioning things and he wound up damned for eternity for it and Aziraphale?

Aziraphale blames himself for it.

He has blamed himself for Crowley's Fall for six thousand years.

When they speak in Eden, Aziraphale is being confronted for the first time with what has come of his nebula-joyous, freshly baked blueberry muffin of an angel. He calls himself "Crawly" now-- or that's the name he's been given-- because who he was is dead. His eyes are yellow. He's now a snake. He's maybe a bit sarcastic, a bit dry, and a lot more guarded and aloof but Aziraphale sees flickers of Angel!Crowley in there. He's *kind* to Aziraphale. He's still inquisitive, in spite of it being what damned him to Hell. Aziraphale, God help him, is still wildly into him and, ugh, maybe even *more* so, in spite of everything.

And 'everything', for Aziraphale, includes Crowley being a demon being Aziraphale's fault.

They don't talk about it. Ever.

They don't talk about it because Aziraphale thinks that Crowley doesn't remember. Crowley's memory loss of a lot of his time pre-Fall is canon in S2-- something we, the audience, will need to understand the whole picture when/if we end up getting this revelation in S3 of Crowley's Fall and that Aziraphale feels he's at least partially responsible. What's even harder for Aziraphale is that because Crowley doesn't remember his time as an angel, he doesn't remember their full history together. He doesn't remember how they met and protecting Aziraphale from the first celestial shower and all the times they chatted after that and if they were in love back then, Crowley doesn't remember it. Eden then becomes, to Crowley, the first time they meet... but then look at how while Aziraphale seems to think that Crowley doesn't know him while Aziraphale knows Crowley-- the moment that he pauses so Crowley can introduce himself-- *Crowley* seems a little bemused. Why?

Because what Aziraphale has failed to consider is that the one memory that the demons are allowed to keep, most likely, is their Fall, which means that if Aziraphale was there when Crowley fell, Crowley actually *does* remember him. At minimum, he remembers Aziraphale being there and looking stricken by what was happening so even if he can't remember more than that, he knows he's safe with Aziraphale and that Aziraphale cared about him, which would explain why he risked going to talk to with him on the wall in Eden. He knows they were friends and that Aziraphale is good and he can trust him. It's also theoretically possible that if Crowley remembers his Fall and if Aziraphale was there, it's a trigger to him being able to remember all of his and Aziraphale's time before Crowley fell. Aziraphale might not know this and because these two idiots do not know how to talk-- and especially don't talk about this-- Crowley hasn't told him. In part because Crowley can't go back and he doesn't want them to dwell on Angel!Crowley when Crowley is who he is and if that's a demon, it's a demon, and the whole system can go fuck itself anyway, as far as Crowley's concerned.

Aziraphale, though, is still back on "it's my fault". He thinks he literally took goodness from the world; that he participated in the murder of his friend and the love of his life. He has never. In six. thousand. years. lol. told Crowley that he feels like this because he still thinks that Crowley doesn't remember Aziraphale betraying him and he is terrified that if he told Crowley he did-- if he told him that he was responsible, in part, for his Fall-- that Crowley would hate him and Crowley is Aziraphale's only friend in the universe and Aziraphale is madly in love with him. He couldn't bear the loss of him. He can handle their occasional spats and disagreements, knowing that Crowley always comes back, but this? If Crowley knew that his Fall was Aziraphale's fault? Aziraphale thinks Crowley wouldn't come back from that and he'd never see him again.

In reality? Crowley either already knows this and has the whole time or suspects it or if he found it out, would forgive Aziraphale for it. If he knows, he already has. His counter-argument is, like, what were you supposed to do to save me, exactly, angel? You alone versus all the hierarchy of Heaven and God Herself? I'm *glad* you didn't do something stupid and get yourself tossed into a pit of boiling sulphur. You don't deserve that.

Thing is, though, because they've never had this conversation because they DO NOT TALK lol, Aziraphale thinks he *does* deserve that. But look at what's happened since he made the decision not to save Crowley from falling...

...nothing.

Nothing has happened to Aziraphale. He didn't fall for it himself. He didn't fall for betraying the angel he loved and he wonders every. single. day. why he didn't and the only thing he can come up with is that he must have done the right thing. *It must be* that Crowley did the bad thing and Aziraphale did the good one because Crowley was damned to Hell for all of eternity and Aziraphale is still an angel of Heaven, six thousand years later. It's not for Aziraphale to question God. Her will is ineffable. It's ineffable because he cannot begin to understand how any of this can possibly be just and that just keeps happening over and over and over and over throughout the years to come in every situation he and Crowley find themselves in, from Job to The Flood to Wee Morag and Elspeth to Arma-bloody-geddon, right?

Aziraphale begins to lose count of how many times he's gone up against God at this point. Gives away his flaming sword to Adam and Eve. Saves as many as he could during The Flood-- *with* Crowley. (You know they did.) Lies to Gabriel's face in the eyes of God to save Job and Sitis' children... and learning that Falling was political, really, in the process. Nothing happened to Aziraphale for Job's kids. He suffered no consequence for lying to Heaven and God because Crowley was willing to lie for him-- to protect him from Falling, where Aziraphale couldn't protect Crowley himself ages before-- and nothing happened. Falling, suddenly, didn't seem totally God-ordained it it could be tossed aside by something as simple as having a demon just choose not to toss you to Satan. Crowley didn't take him to Hell because he didn't feel like Aziraphale belonged there. It wound up all entirely within Crowley's control, which then made Aziraphale begin to question if God was even really behind the Fall of Lucifer and the Gang or if it wasn't just the thugs in charge of Heaven who decided to toss them out... thoughts he was terrified to think and didn't dare voice aloud, at least not then.

In another era, Aziraphale and Crowley stood there together to witness the torture and murder of Jesus Christ in the name of God, in a parallel to the Fall. What happened to Jesus? He was betrayed by his closest friend, then tortured and murdered by those in the government who thought he posed a threat to social order. Heaven as Pontius Pilate. Aziraphale as a kind of Judas, in Aziraphale's mind, anyway.

Jesus as Crowley.

Time goes on and he and The Demon Crowley form friendship in their own right, regardless of what Crowley might remember from before his Fall. They form their Arrangement off of that and Aziraphale learns even more that, often, no one is really paying attention to what they do. That no one seems to notice if Crowley performs an angelic miracle or if Aziraphale performs what has become termed a 'demonic miracle'... because, really, *they're the same*, though that's not something Aziraphale can fully admit. He cannot allow himself to believe that demons *are angels* because if there's nothing different between demons and angels than Aziraphale doesn't know anything at all.

Anything at all... He doesn't know what being an angel *is* and it's what he supposedly is so it means he doesn't know who or what he is, really.

He doesn't know what God wants or if he truly believes in Her.

He doesn't know what the purpose of all of this is-- why Crowley had to suffer, why demons in general have to, why the *humans* do. Why it all has to be destroyed eventually. To what end?

Aziraphale has the same questions Crowley does and sometimes, late at night, often a little drunk, he'll dare to ask them with Crowley, and every morning that he still wakes up and sobers up and finds himself still an angel when Crowley Fell for so much less than Aziraphale has ever thought or done, he wonders just *why?*

Why is he still an angel when he, really, is no different from Crowley? Why Crowley is damned? Punished for all of eternity for curiosity and innovation and imagination, while Aziraphale is still an angel, doomed to only have until the clock runs out on Armageddon before losing him for the rest of fucking *eternity* but, until then, stuck suffering watching him suffer while remaining an angel? Is being an angel at this point, really, his punishment for failing the apparently foul fiend he adores?

Does Aziraphale ever have any answers to these questions? Good God, no lol. He's six thousand years into this and he's in the same spot as Amnesiac!ArchangelFuckingGabriel in 2.01:

...would be okay if you could just be one near particular person?

Of course Aziraphale knows what this feels like. Of course. We know he does. And that's why he hasn't been able to make a real move in six thousand years-- because it's his fault, as far as he's concerned.

Crowley's damnation is his fault. Crowley cannot really love him, or couldn't if he knew. Not because he's a demon, though Aziraphale might have thought that at one point but he definitely was cured of it by events in 1941. The more time that goes by, the more Aziraphale knows that Crowley loves him-- that he's *in* love with him-- and the worse it all gets for Aziraphale because every day that he hasn't told Crowley that he didn't prevent him from Falling is another day within the last *six thousand years* of them falling in love and the betrayal seems to get worse and worse to Aziraphale. The time to have this conversation was on the wall in Eden and it still hasn't happened. Still, over time, he starts to realize that Crowley, if ever knew, would forgive him.

Because his Crowley has the kindest of hearts. He really does, and that wasn't taken from him when he Fell and Aziraphale finds every opportunity he can to delight in seeing that and making Crowley reveal it.

It goes against everything Aziraphale is supposed to believe.

Demons are not supposed to be good-- if they were, they wouldn't have Fallen. Yet, Aziraphale knows Crowley is. He never has truly believed that Crowley isn't-- even when he could have, at least at the start. He worried, maybe, that he had helped create a monster out of the most lovely being he'd ever known but Crowley just kept proving him wrong about that, time and time again. *Crowley* doesn't believe it about himself, really, because that's his own trauma from his Fall but Aziraphale believes it about him and that's often good enough for Crowley.

But, really, this is why they still haven't gotten together in six thousand years. This is why Aziraphale seems like he can never get beyond "I'm an angel and you're a demon", no matter what Crowley does or how he proves that there are shades of gray and also, that the entire system is bullshit. It is not that Aziraphale doesn't *know* that it's bullshit-- it's that if he admits that it is, if he stops believing in Heaven (even if he doesn't stop believing in God), then he's left with nothing but the crushing weight of guilt that he has for all the pain that Crowley has been through.

If he tells himself that Crowley Fell *for a reason* and that he (Aziraphale) was *right* to not interfere, to not try to thwart God, even if it would have likely failed, just on principle, to stand up for his friend... then Aziraphale doesn't have to deal with the fact that he made what he really considers to be a colossal mistake and that it has caused the continued pain and torture and eternal damnation of the being he considers his soulmate...

...which is why everytime that pain comes to the surface in something Crowley says or does, Aziraphale *cannot handle it at all whatsoever* and reverts to You'reADemonI'mAnAngel!Mode.

Example: Crowley's religious trauma on display in their bandstand argument:

Crowley owns this, even if he's still traumatized by it. He's saying it sarcastically, making a joke on a song Aziraphale probably barely knows, if he knows at all ("Unforgettable"-- Nat King Cole). Aziraphale *aches* at Crowley saying this-- because it reminds him that it's partially his own fault. And he can't. Do. Anything. About. It.

He's an all-powerful *angel* here but he can't change this for Crowley. He can't stop his suffering some six thousand years after his Fall. He's looking at sexy goth Crowley here and he's thinking about curly-haired, beaming, ball of light! Crowley and that they are *the same person* and Aziraphale *does* know that. He knows it and he loves him passionately and desperately and he is one of the most powerful beings ever in existence and he's standing there looking at the man-shaped-being he adores talking about how he still aches from the betrayal of his fellow angels and his mother God and *there is no way for Aziraphale to fix it* when he can mend broken bones and heal the sick and let their be light! all over the place. He can do proper magic and still, he cannot take away Crowley's pain.

This is Aziraphale's Hell. He didn't Fall but he's been in Hell anyway.

So when Crowley's religious trauma and pain comes out, usually in an argument like in the bandstand scene, Aziraphale does the only thing he thinks he *can* do, right? He's an angel. Still. Somehow. He's an angel and there must be some reason for that and an angel is not a demon-- an angel is a purer being, a healer-- and so he says "I forgive you". He doesn't mean it to be patronizing, even if it is. ("I am a *great deal* holier than thou," as he told Crowley at one point and that was the point, right?) He is trying to say "I am still of Heaven and if it's absolution you need, I can give it to you."

He is trying to say: You are not unforgivable to me.

The real lyric of the song Crowley parodies in the bandstand is what Aziraphale means, whether he knows that song or not...

Unforgettable/That's what you are...

*Crowley*, though, doesn't know about Aziraphale's inner turmoil because *heavy sigh* FFS TALK, YOU IDIOTS *breathes* lol, so *he* hears:

I still think I am better than you and you are Fallen, so you're not worthy of me. I can't love you, not the way you want. I love all beings because I'm an angel and I you know I'm in love with you but I can't *allow* myself to be because it goes against the nature of an angel and I've only done eleven thousand things that should have made me Fall over the years but letting myself be in love with you is the rubicon I won't cross, apparently...

Crowley knows by the time they're having the bandstand argument enough about Aziraphale's general religious trauma (not necessarily about how it pertains to Crowley's Fall but about it in general) to know that he spits out hateful garbage when he feels cornered and how to just call it bullshit and move on. ("I don't even like you."/"You doooo.") But he understandably walks away when Aziraphale pushes him away past a point he can handle-- and Aziraphale knows how to do that. He does it *intentionally.* The "I forgive you" is sadness because it's all he has to offer Crowley but he also knows it'll piss Crowley off enough to end the argument, so he says it intentionally to get Crowley to go away. In this scene (which parallels the end of S2 quite a bit, as many have noticed), Aziraphale is trying to deal with it all on his own, right?

He knows where the antichrist is. He's just not telling Crowley yet. He's trying to deal with it to keep him safe. He's doing it because he thinks he should-- that maybe, when it's something of this level of importance, that his job should be as an angel first, above his side with Crowley. (It's also worth mentioning here that Aziraphale is straight up terrified of Falling, not even just for being damned to Hell but because then, if he's no longer in Heaven, he has exactly zero power to even *try* to protect Crowley.) At the end of S2? With The Metatron?

Aziraphale does the same thing as with the antichrist for a time in S1, really.

The beginning of S2 shows us that Aziraphale has known that Heaven is North Korea since Before the Beginning so now marry that with its last scenes and see the arc that connects them-- Aziraphale does what he does out of guilt over what happened to Crowley to *protect* Crowley. He didn't want to do any of it without Crowley and when The Metatron finally offers that carrot, Aziraphale is suspicious as all hell (pardon the pun) and here we have this moment where part of him *wants* this to all be real, right?

Times change and sometimes, your parents who traumatized the living fuck out of you and didn't approve of your boyfriend, grow the hell up a bit and try to repent and mend fences. Maybe the trust is broken but maybe it can be healed and *as an angel*, Aziraphale is a being of goodness and hope and optimism. He's pure of heart, as Crowley put it to Nina. He *wants* that to be the case... but he also knows it likely is not.

Still... they can't run. There's nowhere that Heaven won't find them. It's no life for them-- no life for Crowley, in Aziraphale's mind, no matter how many times Crowley tries to get him to run away with him. "We can go off together!" begs Crowley, over and over, and Aziraphale's only really ever found that Crowley will only slither off if he's ticked off enough and only "I forgive you" ever really does that enough to work lol. He *means* I love you endlessly but you know this is impossible, you bloody maddening, gorgeous serpent! Will you stop reminding me of what we could have when it can never happen?! but that's not exactly how Crowley's taking it.

In the end, to Aziraphale, Aziraphale is an angel and Crowley is a demon and they are doomed to spend eternity apart and Aziraphale thinks he has no one to blame, really, but himself. If he had somehow saved Crowley six thousand years ago-- or had somehow been brave enough to stand up for him and Fallen alongside him-- they could have been together forever.

But he wasn't then and now The Metatron is here and it's time for Aziraphale to go back to Heaven and he knows, as he sits there drinking coffee with the being whose posse sent Crowley in a free fall into a pit of boiling sulphur, that Crowley will never, ever, ever, EVER go back to Heaven.

But he also knows that Heaven is here to collect Aziraphale and they are making it clear that there is no escape. There's nowhere to run. Everyday, it's been getting closer for six thousand years and going faster than a roller coaster for the last handful but a love like Beez and Gabe's will surely never come his and Crowley's way now.

It was always going to end like this. Nothing lasts forever. He told Crowley that, Before the Beginning. Six thousand years. That was all the time they had before the end of Earth, the place they'd come to call home. They found a way to borrow a few more years at the end of it since S1 and he got to dance with Crowley, their fingers brushing, and that is going to have to be enough because they're out of time.

The Metatron never needed say it directly but it was evident: they wanted Aziraphale to go to Heaven and they would say or do anything to get him up there and Aziraphale may have bought it for a moment but he's definitely figured out by the end of S2 that they need him up there not to become the Supreme Archangel but because his time as an angel is now over. The threat to Crowley is unspoken but omnipresent.

The Metatron makes it sound like he doesn't care if Crowley comes back up to Heaven with Aziraphale or not and he really doesn't and why would that be? Why would he be eager to have the two most troublesome beings in all of Heaven and Hell teaming up and getting in the way of his Second Coming plans, which he absolutely *knows* they won't support? Because they won't have jobs waiting for them up there. Crowley will not be restored to full angelic status.

They're going to kill them. Aziraphale knows it. He's known what Heaven is since Before the Beginning, even if he's been in denial about it for almost as long to try to assuage his own guilt over participating in it.

And it's a lot easier a goal for Heaven to accomplish if they separate them and just Aziraphale goes up to Heaven. If Aziraphale goes alone-- if he keeps Crowley from following-- then Crowley is not a threat to them if Aziraphale is gone.

They aren't as powerful apart.

Aziraphale knows that if Crowley comes to Heaven with him that they will kill him and Aziraphale thinks okay, this is it... this is my moment of redemption.

Six thousand years since Crowley Fell and I can finally make up for not saving him by saving him now.

I can go with The Metatron and let Heaven kill me and know that they will not threaten Crowley if they do because what they are threatened by is both of us together. One of us, alone, is less of a threat and the only problem here is that if I go... Crowley will follow me.

If I just go without telling him what The Metatron said and I don't come back right away, he'll go to Heaven, worried that something happened to me, and they'll kill him when he comes looking for me. He'll find out they've Book of Life'd me and do something stupid and my sacrifice to keep him safe will all be for nothing.

So what's our tortured angel to do?

Bandstand 2.0, right?

He's got to piss Crowley off enough that Crowley won't follow him.

He's got to piss Crowley off so much that Crowley *will never come back* and the worst part is that Aziraphale knows *exactly* how to do it.

He makes his own plans and if things get drastic enough, he'll blow up that damn halo, metaphorically-speaking this time. To save Crowley, he will break Crowley.

It's darkly romantic, really. He'll sacrifice himself for Crowley but to be sure that Crowley will be safe and not follow, he'll have to break his heart a bit first-- to further their misunderstandings in a season based on "I don't think your exactly is my exactly exactly"-level miscommunications.

So Aziraphale accepts The Metatron's offer and lets The Metatron think he completely believes that the offer is legit and maybe a part of him is still hoping that it is but he knows it's really not and that this is a suicide run. This is Aziraphale's Holy Water arc...

...and speaking of Holy Water... that arc from the perspective of this being Aziraphale's mentality... Crowley, tortured by Hell for what he did while with Aziraphale in 1827, then refusing to talk about it, showing up with a cane, sullen and depressed, asking Aziraphale for the one thing that would kill him and Aziraphale's unwillingness to understand that it wasn't completely suicide ideation on Crowley's part but as a way to *protect Aziraphale* and keep him safe. Crowley wanted what could kill a demon not to kill himself but to kill one that might come after Aziraphale. All Aziraphale could see, though, was Crowley's physical and emotional pain, that he could barely keep hidden in that era, and how Aziraphale couldn't make it better. All he could see was how he failed him and led him to this suffering. All he could see in a note begging for "holy water" was Crowley wanting a suicide pill, wanting to destroy himself, unable to take any more, in so much pain that he'd leave Aziraphale forever to make it stop. Aziraphale is blinded entirely by guilt and fails to see what Crowley is really saying, which was, ironically, the last time Crowley began to try to tell Aziraphale how he felt, which was:

I've been thinking-- what if it all goes wrong? (What if I lose you? I'm terrified of losing you. I love you. I wake up from nightmares of you being destroyed by the demons who just spent a couple of decades after 1827 not that long ago torturing me. I didn't know for sure if you were still alive during any of it.) We have a lot in common, you and me. (We're a team. A... group of the two of us.) What if it all goes pear-shaped? I need you to get me the magical demon-killing stuff so I have a weapon against *my own fellow fallen angels* that I can use in case they come after us. I would kill another demon and send every legion of Hell after me to protect you.

Aziraphale: I like pears.

(My God, they are so stupid. Please. I can't take any more lol.)

So, yeah... it's Aziraphale's turn for the holy water suicide run here only with an actual suicide run...

It takes the books in The Blitz for Aziraphale to really understand what Crowley was asking for and what he meant by asking for holy water and by 1967, he gives Crowley the holy water, in the one moment when *they actually talk*, as much as they can, about how much they love one another, that exists prior to the end of its parallel-- the end of S2.

So, yeah, Aziraphale "goes to tell his friend the good news" with a look on his face like he's marching to his death *because he is* and he knows it. His last moments with Crowley, in some of his last moments in existence, he already knows will be spent upsetting the man-shaped being he loves. He's got it all planned out. Not exactly the picnic of his dreams but it'll redeem him and save Crowley and that's all that matters to Aziraphale in this moment.

He will sound naive to the threat of Heaven and because Crowley doesn't remember pre-Fall, he won't remember how Aziraphale warned him against taking on the brass in Heaven so Crowley won't be suspicious, he'll be *frustrated*, like he was in the bandstand. He'll get angry. Aziraphale's goal is to get him to storm out-- but it has to be a really, really, bad relationship-ending storming out.

He can't come back after he drives The Bentley around the block like he did back in 2.01 and say "okay, fine, I'll help you" and Aziraphale knows that if he plays this right, he can make it so Crowley won't because helping Gabriel was one thing but asking Crowley to become an angel with him and pretending like they can go fix the broken system of Heaven is going to be Crowley's bridge too far. It's *the only thing* that Aziraphale believes is Crowley's bridge too far where Aziraphale is concerned and isn't that heartbreaking as hell? That Crowley loves him this much? And they never got to be together the way they wanted? That they were just beginning to get close to trying to figure that out?

That, hours ago, Aziraphale was asking him to dance and trying to ignore the signs of trouble around the corner, desperately wanting more time with him? That they are semi-immortal beings that always somehow seem to be out of time?

Truer words have never been spoken, Crowley. Little did you know, poor demon...

So Aziraphale goes into the bookshop and Crowley looks all worked up and wants to say something and some part of Aziraphale begins to hear warning alarms going off in his head because Crowley *never* looks like this-- is never this flustered, never this uncomfortable, never this nervous, never in a rush to say something-- and Aziraphale thinks no, can't be, we don't talk about this... even if, ironically, all of S2 shows that Aziraphale has been trying *for just that*. It was just a few hours ago that he was trying to Jane Austen a ball for them to use as a pretense to discuss their feelings because, in the height of ironies here, right?

Aziraphale was ready.

They'd had some time without Heaven and Hell breathing so much down their necks, even if the threat still loomed, and spent every day together and it was perfect and it was lovely and he knew Crowley would forgive him and Aziraphale was almost there, right, he was *almost* ready to tell him. He was almost ready to tell him he loved him and that it was him, all those millennia ago, who could have done something and didn't and he's so, so, so sorry and can Crowley ever forgive him? Is there any way that Crowley could ever forgive him after what he didn't say and didn't do when he should have? For all the times since that he's said things in anger when, really, he was madly in love and just full of his own issues to sort out? (Damn, Aziraphale, we're beginning to see your affinity for Austen heroes here...)

But he's out of time so there will be none of that now. Now is his karmic payback. Six thousand beautiful years with the being he loves and feels he doesn't deserve have led to Aziraphale's redemption being that he can sacrifice himself to save him. He can leave the world they love with Crowley and Crowley's *goodness* in it, as it should be. So when Crowley says he needs to say something, Aziraphale cannot-- CANNOT-- let him speak because he cannot bear it.

He suddenly fears that of course-- OF COURSE-- the one moment in all of these trillions of moments they've lived through where Crowley is about to directly say he loves him for the first time is the also the same fucking moment when Aziraphale has to destroy their relationship to save Crowley's life and Aziraphale will be dead after this and he cannot bear hearing what his life could have been. He can't hear Crowley say this right now or else he worries he might lose his nerve. He *wants* to hear it but if Crowley speaks first, Aziraphale might cave, he might be weak again like he was when Crowley Fell, he might fail him again, and he can't. Not after all this time. Not when he loves Crowley so much.

"What's that lovely human expression?! 'Hold that thought!'" he blurts out, in a callback to, of course, the moment Crowley saved him in 1941-- to that night where Aziraphale really realized for the first time that Crowley wasn't just capable of good or capable of being friendly towards him but that Crowley *loved* him and that he loved the Demon Crowley, whether or not he should. ("But somewhere in my wicked, miserable past," sings Frances McDormand as the Voice of God, from her apparent favorite film lol, "I must have done something good.")

Ah, yes. Played for suckers. Here is where it's important to note that in 1941, Aziraphale had no idea that Rose was really Greta and that he, in fact, was the one being played for a sucker. By the end of S2, though, it could be argued that he very much knows that The Metatron is Fraulein Greta Klauschmidt-- someone who presented herself as Captain Rose Montgomery, an agent of anti-fascist good, who approached Aziraphale in his bookshop and told him that he could be an agent of change, too. He could help save the world and stop the global rising tide of fascism represented by the Third Reich. He could even do so using his books. They plotted a sting together, in which he'd bring his books to a church and seem to give them to Nazis to give to the Fuhrer, only for agents to surround them and arrest the Nazis. Aziraphale, desperate to *do* good and to *be* good, falls for this-- he fails to see that Rose is really Greta, a Nazi agent who fools him into working for the enemy and getting him to help destroy the world in the process. Pretty obvious to see here that Greta is The Metatron in S2... but it's likely that Aziraphale knows it and is playing along because it's his turn to save Crowley, unlike what happened in 1941, when Crowley saves him and his books.

Crowley, in the bookshop back at the end of S2 in our present time, stops speaking at the "hold that thought", looking like he's about to be ill, and has to also be thinking of 1941 and the church now that Aziraphale has referenced it. Maybe, in some way, it's an unconscious effort on Aziraphale's part to convey to Crowley that this is a charade-- that he doesn't mean this, that it's an act-- but he really doesn't want Crowley to figure that out. It would defeat his goal. But he also doesn't want to hurt him because he loves him but this is the only way that Aziraphale can see to save him. So he starts gushing about his coffee with The Metatron, right? We all remember this pain lol.

Maybe I've misjudged him. (Aziraphale, we suspect you know that he tossed Crowley into hellfire and stole Gabriel's memories so honestly, the worst part of all of this is that you're so traumatized that Crowley is *buying* what you're saying here...) And guess what?! He wants me to be the new Supreme Archangel! And he said you can come! And you can be an angel again! It will be so fun! We can have a slumber party, Crowley, after days of doing good, and braid each other's hair!

Crowley is like jfc fml are you even serious right now? Which, of course, is what Aziraphale *was going for.* It's the "I don't even like you" and the "we're hereditary enemies" and the "I'm an angel, you're a demon" way of trying to intentionally push Crowley away but the new version of it because none of that flies with S2 Crowley-- most of it barely flew with him in S1-- because Crowley *knows.*

He knows that Aziraphale loves him. And he knows that Aziraphale knows him, which is to say he knows how to hurt him, and that's what this is but also Crowley just sees it as how much Heaven has hurt them both. How much they've hurt Aziraphale. Because just as Aziraphale looks at Crowley in the throes of his religious trauma-- "Unforgivable. It's what I am", etc.-- and wants to help and save and protect him, Crowley feels the same way in return when Aziraphale is like this. Frustrated, sure, but in just as much pain at how much pain Aziraphale is in and feels powerless to stop it but will do whatever he can to try to, yeah?

For Aziraphale, this is all going fairly well (it's miserable but in terms of goal, it's working) through "tell me you said no" but the problem is that Crowley is still pleading. He's still trying to work through it because they're an *us* now and also ironically of course this is when Crowley's been trying to do better with storming out lol so he's trying to couple-solve this. He's not just *leaving* like how Aziraphale had hoped. He had been trying to sell to Crowley that he could pick Heaven over Crowley and Crowley is just kinda... not believing it so much at first and, instead, is trying to approach it like a problem for the two of them to solve together, instead of as a decision that Aziraphale has made for his life that he's stating that Crowley can take or leave.

Which calls back to this scene in 2.01 at the start of this arc, when Crowley calls their life *his* life and Aziraphale counters with that he thought *they* had carved out a life for themselves *together* and Crowley answers: "so did I!" Because they haven't had a discussion about what they are, exactly, at that point, Crowley still cautiously calls *their* life *his* life, retaining a sense of autonomy, as if he's only making decisions for himself when, in reality, they are a couple who are trying to make a life together and have been doing so consciously since S1. Crowley calls that life "precious" and "peaceful" to Aziraphale-- beautiful, lovely things that they both treasure and want and find with one another-- but also "fragile". The threats to them still loom large in the background and they are still so afraid to go much further in their relationship because, in part, of those threats and how terrified they are of losing one another... which just makes the end of S2 even more brutal, really.

(*mantras* cottage in the south downs cottage in the south downs...)

So back in That Scene later in S2, Aziraphale is then just kind of stuck trying to figure out how to get Crowley to be so angry with him that he storms out and never comes back in the face of Crowley trying to very much not do that and then Crowley starts saying that he needs to say what he was going to say or he never will and Aziraphale *knows*, ok? He knows what Crowley needs to say. He just literally cannot believe this is going to happen right now. He honestly can't believe it's happening at all but right now?!

He knows before Crowley begins speaking. He probably knew when he told him to "hold that thought" a few moments before but he *really* knows now. Crowley has no idea that Aziraphale has planned for this to be the last time they ever see one another and to go sacrifice himself to Heaven for whatever they want to do with him to keep them away from Crowley. Crowley looks like he's about to pass out from nerves and can barely speak and just...

...six. thousand. years...

...I know we have all looked at the heartbreak of this scene from Crowley's POV here every which way to Sunday, okay, but just imagine you are Aziraphale, who has loved this being since before the literal beginning of time, and you blame yourself for his pain and suffering, and he's standing here, braver than you've ever been with him, looking into your eyes and telling you that he knows that you love him and that he loves you and he knows you both have known this for basically the entirety of your existence together and he can't pretend anymore. He doesn't want to pretend anymore. He knows things have changed over the last few years between you and he wants more of that. He wants to be with you.

The two of you are not even human, just human-adjacent beings who have gone native from the stars and clouds here, who live and love like humans, who know that maybe the angels and demons have it backwards and God's great creatures are the humans-- that it should be the good in them that you should be trying to emulate-- and Crowley had never been more beautifully, impossibly human than while he's standing there looking ready to pass out while asking you if, after six millennia, it might be alright for him to not hide how much he loves you.

How many times has Aziraphale imagined this by this point? A million? How many different ways? There's at least half of them when he imagines that he's the one who gets up the courage first but there are so. many. Crowley. fantasies. Ones in every time period. But always *a fantasy*, at least up until maybe very recently. Why?

Not even just Heaven and Hell and the threat of being caught but the fact that Aziraphale believes that Crowley doesn't know Aziraphale didn't save him during The Fall and how could he ever really love him if he knew? How could Aziraphale ever go to him like this and give Crowley everything he knows Crowley has desired for so long without telling him the truth about Aziraphale's role in Crowley's Fall-- but then, Aziraphale assumes, he'd lose Crowley forever? So this has always been a pipe dream for Aziraphale-- fantasies from a world where they ever stood a chance of being together-- never really something that could be reality and here it is, starting, happening *now*...

...after six. thousand. years. of living with this guilt and in the last moments in which he will ever see Crowley before he heads to his likely death, with no time to tell him the truth and beg for his forgiveness, no time to ever know what their lives might be like if they could be together.

As Crowley, unbeknownst to Aziraphale, mused dramatically, if not inaccurately, earlier in the season... it's always too late.

It's punishment, in Aziraphale's mind. That's what Crowley's proposal, his confession, is now. It's his Fall, whether he falls or not when he leaves the bookshop for Heaven. It's karmic retribution-- it's God, finally saying something, and what she's saying is:

Look at what you've done, Aziraphale...

Look at how he loves you.

He was never unforgivable.

You are.

Aziraphale might be erased from existence once he gets to Heaven and he knows that's a possibility but he basically is dying here. Crowley is killing him. Crowley has pointed that silver bullet gun straight at his head and fired but he's missed and the bullet isn't in Aziraphale's teeth, it's gone through him.

Crowley, here, tears in his eyes, asking for whatever time they have. An eternity? Impossible, unlikely. Angel and demon. One day, the war will begin again-- another war to end all wars, like all the ones they've fell more and more in love during throughout history-- but it might be the one where Heaven or Hell wins and they're doomed to spend eternity apart. Crowley has said before he thinks the real war is humanity versus Heaven and Hell and that sounds like he thinks there's a chance they could survive it but who knows? They don't know. They're immortal beings who live like humans and that's, of late, included a sense of mortality. They don't know how much time they have left and Crowley is asking for all of it. He is asking for whatever time they have left to be spent together, openly loving one another, and what he doesn't know is what Aziraphale knows:

That they're already out of time.

Crowley is proposing marriage unaware that Aziraphale is dying. It's always too late, Crowley had stated earlier but had hope that maybe it wasn't but it is. And Aziraphale?

Gah. Aziraphale...

He's never loved him more. He's never wanted him more. He wants to tell him that he wants that, too, that they can have it, that Crowley can have anything he wants, but it's not true. It's not true because they could run out the back door of the bookshop now and hop in the Bentley and end-of-Grease it up to Alpha Centauri and Heaven will still find them. Heaven and Hell will still be after them. Running away solves nothing and Crowley always, ultimately, anyway, comes back and this time-- this time-- for Crowley's own good, to save his life, Aziraphale needs him to leave the bookshop and never come back.

And the moment that Crowley confesses that he loves him and that he knows Aziraphale loves him in return and that they've both known this, forever, and asks him if he can be allowed to just love him, Aziraphale loves him so much in return that he'll break his heart to save him from dying.

Dying is... not on, as High!Crowley put it in 1827 lol, but suicide-ish attempts are, if it's Aziraphale's turn this time.

So he twists the knife. He hides the goats as pigeons and he looks at Crowley and does a bit of this:

...only with the exact opposite intent. In the Job minisode, Crowley cannot speak aloud his true intentions. (Something he can finally do in the S2 finale, when he declares his love for Aziraphale.) He cannot tell Aziraphale outrightly that he had zero desire whatosever to kill Job's kids and animals and doesn't plan on actually doing it and, in fact, is actively engaged in a bit of bait-and-switch to make it look like he's doing what he's supposed to be doing as mandated by Heaven! this time as well as Hell (a nice little extra bit of paralleling to the end of S2 and Aziraphale, there.) He wants Aziraphale to believe him enough to allow him to pull it off because saving the kids and the pets (and protecting Aziraphale from any harm that might come to him if he gets in the way of what Crowley's been asked to do) matters more to Crowley than Aziraphale believing him...

...and believing him here means believing *in* him. Believing that they are on the same side and it's their own side and they're in it together. Crowley has to lie to him here *and it works for a moment*. It's really important to note that *it works*. Aziraphale believes that Crowley can do this and that he wants to-- that he not only can but he *longs* (lol) to "kill the blameless kids of Job"-- but it's all in Crowley's wording. He isn't *actually* lying. He *does* long to kill the blameless kids of Job like how he killed the blameless goats of Job-- because he "killed the blameless goats of Job" by turning them into pigeons. So he's really saying to Aziraphale that he longs to *fake the deaths* of the blameless kids of Job and plans to in the same way that he did the goats. In that moment, though? It didn't matter if Crowley was lying or telling the truth. There was only one goal--

--to get Aziraphale to walk away.

To get Aziraphale to leave, for his own safety, and let Crowley handle this. Better that he misunderstand Crowley and be disappointed in him and think him a lost cause than to get himself into trouble. Crowley out here loving Aziraphale that much in the days of Bildad the Shuite. (This poor mfer. Six. Thousand. Years lol.)

So what caused Crowley's plan to save Aziraphale in the Job era to not work?

One of the pigeons bleated, right?

Aziraphale heard it and realized that Crowley hadn't been lying so much as he had been trying to protect Aziraphale from his plan of subterfuge against the Almighty and Satan. The difference is that there are no bleating pigeons in the S2 finale... there's just *a whole certain famous other kind of damn bird instead* and its *absence* from the scene is the big emotional gut punch moment. And we all know it but I'll gif it anyway since this is already a depressing meta (cottage in the south downs cottage in the south downs...)...

...and that *is* the point. Because unlike back in the Bildad the Shuite days, there is no bleating pigeon (at least, not yet) to make Crowley realize that all is not what it seems and that Aziraphale is trying to lie to him and get him to leave to protect him from Heaven.

As Aziraphale is like mortally wounded here by Crowley's confession of love and is so not going to recover from this, he's now got to not only get Crowley to leave feeling like Aziraphale rejected being their own team for Heaven, he has to now do it with all of it out in the open-- with Crowley having openly confessed love for him, with him having asked for them to be together. He's not just going to have to frustrate Crowley more than he ever has before and get him to leave more angry than he was before, he has to, instead, smash into little tiny bits the very beautiful, very passionate, beating heart of the being he has loved since he met him *making the stars* in the bloody sky here...

The only way to get Crowley to go now is to make Crowley think he's rejecting the idea of loving him. Aziraphale honestly can't even sell the idea that he *doesn't* love Crowley because Crowley won't believe it-- he knows Aziraphale does and he's said as much in his whole marriage proposal here. So it has to be that Crowley thinks Aziraphale chose Heaven over loving him. Chose being an angel. That he really meant all of those 'hereditary enemies' and 'you're a demon' moments and to sell that, he sells it.

(You're a dark horse, Mr. Fell, Nina said of him in 2.01... the same turn of phrase Crowley uses when surprised by the secret skills and narrative power of Jane Austen later on in the pub.)

Aziraphale does love himself a bit of theatre. A bit of a disappearing act. The West End, The West End...

...our Nefertiti-fooling fellow...

He sells it with:

Well, of course you said no, *you're* the bad guys...

Come with me... I'll run, it you can be *my second-in-command*...

We can be together. *Angels*. Doing *good*...

...oh, Crowley... nothing lasts forever...

For his final act, The Marvelous Mr. Fell will saw his ineffable husband's heart in half by spewing a litany of everything he can think of to say that will piss him off enough to make him leave the bookshop broken-hearted enough to never come back.

Only someone put a miracle blocker on here because, try as he might and good heavens (pardon the pun), Aziraphale is *trying* here...

...this turnip is not turning into a damn inkwell.

Crowley finally starts to go-- it's looking promising. Finally, Aziraphale thinks, this misery might end. Six thousand years of wanting to speak of all of this between them and hoping for some happiness when-- if-- it could maybe someday arrive, if it even could-- and it's the worst moment of Aziraphale's existence and he knows it is the same for Crowley.

Crowley stops and the "do you hear that?" And no, Aziraphale doesn't hear anything, he just has never been more upset and Crowley needs to just go because Aziraphale can't handle another moment of this, how could it possibly get worse?

Nightingales. Of course.

A call back to S1's "no more world-class composers/little restaurants where they know you/gravalax and dill sauce/old bookshops" but this time, it's "no nightingales". There's Armageddon coming that neither of them know about in this moment. It's still a 'someday, they'll try again' concept to them in this scene, not an extremely immediate threat, as Aziraphale doesn't learn about The Second Coming until after this. So the end of the world that Crowley references here is the end of *their* world and that means no nightingales. No romance. No *them*, together. Worth remembering that Crowley thought, up until maybe what? Five minutes ago? That they were headed to breakfast at the Ritz together. They should have been sitting there together *in this moment*, is what he's saying. Miracling the pianist to play "A Nightingale Sang in Berkeley Square" and gazing at one another over teapots and mimosas and croissants.

That's gone, since you chose Heaven instead, is what Crowley states and Aziraphale knows it because, God help him (no, literally, GOD HELP HIM! WHERE THE HELL DID YOU GO OFF TO THIS SEASON, FRANCES?!), it's what he's *trying* to make happen.

You idiot, says the once-Bildad the Shuite, who thought he was taking his beloved to the ox rib special this morning and not getting dumped for an old floating head and the cinematic world's most contentious to-go cup of coffee, we could have been... us.

Not really a part of the theory here, just the observation that Crowley's confession/proposal begins with him unable to say "a couple", in case this all goes pear-shaped and he needs to have never said something that romantic, so he says instead "a team", "a group-- of the two of us". He says it without saying it. But, by the end? He just says "us." He *present*-tenses it. He's like forget everything else, angel, we could have just kept on being us because we both know what we are. We don't need to find the right turn of phrase or even the most specific human word for it. We are just *us* and we could have kept on with that but you chose the mentality of your abusive family and asked me to be what I'm not and I still love you because I *know* you but I can't be with you like that and *you* know that.

And he kisses him. Because Franny McD says you ain't suffered enough yet, Aziraphale lol. Should I just gif it while we're miserable? If you've read this far, a month has passed and hopefully, you've taken breaks and I do apologize but I'm gonna gif it because yeah. Here we go, folks...

God, make it stop, pleads Aziraphale to literal God and here comes Crowley with the S1 wall slam parallel, all dammit, angel, I know you've wanted us to snog for centuries and this is our last chance.

I know people have opinions about this kiss and I know we're all posting them here, obviously myself included, but while I've seen a lot of like... 'Crowley knows it's the only time they ever will be able to because Aziraphale is leaving him for Heaven' and 'Crowley wants to remind Aziraphale what he's giving up and could have had' and 'Crowley tries the kiss to see if it'll change Aziraphale's mind' takes-- and I agree with all of those things and think they're all right-- I've not seen a lot of 'Crowley kisses Aziraphale *for Aziraphale*' and I think that's a big part of it, too.

Crowley really isn't stupid. Not when it comes to Aziraphale wanting him. It would be honestly hard to spend a zillion lifetimes on Earth and not get it after like...

And Crowley understands Aziraphale's particular brand of religious trauma more than most, since he has a variant version of it himself. He understands that where his whole thing is that he's very much *not* an angel anymore, that Aziraphale's identity is wrapped up in being one and the conflicts he has with Heaven and while Crowley is not yet quite hearing what Nina said-- that she just got out of an abusive relationship and that she's not yet ready to be with Maggie and needs time-- and marrying that to Aziraphale and Heaven (especially because Aziraphale is showing exactly zero signs of trying to get out of his relationship with Heaven lol), Crowley wants Aziraphale to have had what he (Aziraphale) wanted, even if it was for only a moment. He can't go with him. This is the *one* scenario where Crowley cannot follow where Aziraphale goes, where he can't come to him and rescue him, because Aziraphale has said he doesn't want him to. Aziraphale wants to go and do this and the only way he'll take Crowley is if Crowley wants to become an angel again, which Crowley will not do.

And damned if there isn't a part of Aziraphale that thinks that if The Metatron can really be trusted, wouldn't that be something? That if he gets up there to Heaven and he really is made Supreme Archangel and if Crowley changes his mind, if he comes back, like he always does... if he storms out and leaves but then misses him too much and takes the elevator up... then maybe Aziraphale could make him an angel again and while Crowley hears in Aziraphale offering that you aren't good enough as a demon-- you're not good, period and even if he doesn't totally believe that Aziraphale really thinks that but knows Aziraphale has enough religious conflict that it's a problem for their relationship, what Aziraphale *really* means is... I could fix it.

I could go back and un-Fall you. I could take away your pain. I could stop your suffering. I'd have the *power* to do it when I don't right now and it kills me, every day. I could right the wrong I did, the sin I committed-- the real Original Sin-- six thousand years ago when I betrayed you, when Heaven betrayed you.

I could do right by you, the way She never did.

I am going to Heaven to either have the power to do that or to be obliterated into non-existence and I don't totally know which, though surviving is not looking promising, but all I know is that it's too dangerous for you to follow me right now until I do know so I'd rather hurt you than see you dead.

You want to be with me and I am afraid it will lead to your destruction so I need to say anything to put the breaks on your attempt and make you back off. To a lesser extent, I've done it before. Can do again.

Only this time, no hope of the possible, future picnic, I'm afraid...

It really is the worst possible Aziraphale nightmare here like... everything he's ever wanted. Six millennia of wanting to pull Crowley close and he has to reject him or Crowley could die. Fanfic season here said Coffee Shop AU and also a reverse-Fuck or Die for the ages. People complaining that it's awkward? YES. It's supposed to be. Crowley has no idea that Aziraphale is facing a round of sudden death here and was just hoping for his one fabulous kiss and vavoom. Even if it didn't change anything-- he wanted *Aziraphale* to feel that. To know how much he's wanted this for so long and to have it, even if they can't again. The intent is terribly romantic, as is Aziraphale flailing in the middle of it and giving in because he is made of strong, halo-exploding stuff here but he's wanted this forever. He goes up on his toes, he leans in, his hands flail around and he touches Crowley's back. He *shouldn't* do any of this if he's trying to meet his goal of getting Crowley to leave because it gave Crowley hope. It might have even been what motivated Crowley to stay outside and not go right away, or at least a part of it. But Aziraphale had to because he loves him and he couldn't help it.

Then, *sob*, The Michael Sheen eviscerating all of us here...

For anyone who might still be saying that is an "I didn't want his kiss" face... hard, HARD, VERY HARD disagree. That is "I didn't want *this* kiss, like this, right now." That is a man-shaped being who was just kissed by the love of his life for what may have been the first time but, at minimum, is for what he believes will be the *last* time. (I'm still out here holding out some hope for Blitz, Part 3-- a nice first kiss after they kill some Zombie Nazis with Chekhov's derringer in the bookshop but I digress...somehow, even if this entire long meta is one long digression, I digress lol...)

It's the face of a man gutted by the fact that this, in his wildest dreams, was not supposed to happen like this and he's been alive for damn ever at this point so he's had *all* the wildest dreams. And a lot of them, let's be real, have centered around Crowley doing just this. Exactly this. Crowley ain't wrong with the 'grabbing him by the collar and kissing him senseless in the middle of the bookshop' thing. He's wanted to do it for centuries. And the middle of the bookshop bit? That's important, too. This is their home. It's *their* home, even if Crowley is technically homeless. It's safe for him in here and Aziraphale has made it so. It's where they've spent thousands of hours together, happy and safe in each other's company, and here they are, bouille-bouile-bouile-baby-ing finally and it's a complete and utter, unmitigated trash truck dumpster fire.

Honestly, this was a better kiss than in S2 lol. S1 laying down though how long they've been dreaming about it (and having Crowley start listing animals that are in Aziraphale's nonsense magic spell, like he flashes back to 1941 when thinking about the end of the world and kissing Aziraphale in the bookshop... so you can see why I'm moderately hopeful that maybe they did kiss then, once, before then trying to never again until Crowley kisses Aziraphale in 2.06.)

I'm going to bring this back around now to the comparison I made above with Crowley and Jesus and talk about how 2.06's end scenes are also like the last temptation of Christ. Good Omens makes it pretty clear that Aziraphale is the tempter, really, of the two of them, in their relationship. Crowley can't say no to him and Aziraphale has learned it and loves to puppy eyes Crowley into anything he wants.

Crowley knows it and is fine with it. He's smitten and happy to be wrapped around Aziraphale's finger. Crowley has tempted Aziraphale and we see that in S2 with the ox rib. He is, himself, just by existing, tempting to Aziraphale. But in terms of temptation carrying with it a bit of manipulation and *that* kind of tempting being what's demonic in nature? Then Aziraphale is, and always has been, the demon of the two of them. This is true into the end of S2, as while there is almost nothing that Crowley would deny Aziraphale, there is really only one thing and that's to change who he is for him. To become an angel again, to work for Heaven again, after what they've done to him and Aziraphale. So the end of S2 is then Aziraphale's temptation-- it's a test, of sorts, for Crowley, even if Aziraphale doesn't intend for it to be. Crowley resists the temptation. Even for Aziraphale, he won't follow the path of darkness for himself and become something he's not. Crowley-Jesus. (Aziraphale-Satan S3 incoming lol.)

And if you've been reading all of this right then you know what happens next and what it means from the POV of this guilt-ridden Aziraphale...

I honestly don't think Aziraphale is really that angry *with Crowley* at this point-- I think he's just angry. He's reached his limit and then some. He has a lot of simmering, under the surface rage on a good day that only bubbles over when he's stressed by a situation he can't control and here is the ultimate one, really. He's a little mad at Crowley because they've waited countless years for that and in an argument, while ironically probably kind of perfect for them, is not really how *either* of them wanted it to be... but, mostly, Aziraphale is just angry that he can't have any of those moments at all. That they're out of time. That they had all this time and they never really could be safely together and that he's been haunted for six thousand years of the image of his fluffy cloud of redheaded sunshine, bloodied and stricken, and then tossed to Hell while Aziraphale was powerless to stop it. He's never seen those eyes since and he loves the snake ones. He loves all of Crowley with all he has but he's never been allowed to *have* him and never felt safe enough to try and now it's all over. And he still has to make Crowley fucking leave this bookshop for his plan of self-sacrifice to fucking work here so...

...I forgive you. It's the worst thing he can think of. The thing Crowley always hates. The thing that he knows makes Crowley feel lesser and demonic, even if Aziraphale has always, always meant it as an I love you. He even spits it out to Crowley with an almost self-deprecating, referential tone to it-- like "here we go again-- you say you love me and I say 'I forgive you' because I can't say anything else, can I?" The anger is laced underneath it and all the pain but he's intentionally referencing how this this the thing he says whenever Crowley says they can be their own side. He's trying to claim that nothing has changed in all of these years, when they both know that everything has changed since S1 and the bandstand. That's what makes it hurt both of them even more. Aziraphale chooses to say "I forgive you" because he knows that Crowley has never heard it for how Aziraphale means it and Aziraphale is a little bitter about it and lets it show in the moment, since Aziraphale's I forgive you always really means...

I can't stand to see you in pain and if there's any power in me as an angel to stop it, then I will do that so I forgive you and may that make it easier, may that make it all okay, even though I know it won't.

And just before saying I forgive you, Aziraphale's mouth works and he almost-- almost-- says I love you instead... what Crowley would really give anything to hear.

You can see the 'l' forming there, the beginning of "love", what he *really* wanted to say... what Crowley himself didn't even actually explicitly say. Crowley said it without saying it. He called them a couple without saying that word, asked for eternity without fully asking for it, said he loved him by acknowledging that they had both been pretending, but Crowley was terrified and so he said the things in a way that made it obvious what he was saying and asking for but, so unused to not speaking in code are they, that Crowley didn't say he loved Aziraphale, not directly. He did say it. He just didn't say it in those words.

And for a second, Aziraphale almost does.

He can't stand that he's breaking Crowley's heart. He can't stand that Crowley has kissed him and Aziraphale only briefly kissed him back, only barely touched him, when he really wanted to go at him like an ox rib and never let him go, and he starts to say the truth because no part of him really *wants* to be lying like this to Crowley. But he stops. And not even just because he needs Crowley to leave the shop to save his life but because, in the last four minutes, Crowley has confessed love and proposed and they've kissed and Aziraphale, pretty sure he actually died somewhere in the middle there and he's now stuck somewhere in one of Dante's worst circles of Hell lol, just cannot *also* have this be the moment where he says "I love you" to Crowley.

It's not even false hope that maybe they'll somehow have more time. With Heaven breathing down his neck in the form of The Metatron, Aziraphale has no real hope of that. He just always dreamed of telling him and not like this. He doesn't want Crowley to hear it like this, either, not as a part of a rejection. The anger, instead, surfaces, because why can't he and Crowley just *have* this?! How the hell did Gabriel and Beezlebub get to fuck off to Alpha Centauri after dating for ten minutes when he and Crowley have spent bloody eons in queer pining hell over here? What did they ever do that was so wrong to deserve this? Why was Crowley asking questions so terrible? Why have they had to spend thousands of years pretending not to love each other as if love-- the epitome of the angelic-- was unholy? Why, Aziraphale is wondering, now that they are out of time, did he ever spend so many years terrified when, in the end, it all ended tragically anyway?

How many of those years could Aziraphale have spent loving Crowley the way they ought to have been able to have and denied themselves of for so long?

And then Crowley finally does it. Tells him "don't bother" about the forgiveness-- about the love, as Aziraphale has always meant it-- and he leaves. It worked. The anger and pain and saying "I forgive you" after that kiss... it worked. And Crowley leaves and Aziraphale, alone, is a complete mess of broken and furious and broken some more.

Crowley, as we know, doesn't get to see this moment. Muriel does! Great for fic! Hilarious by show standards that the new angel who is literally being ordered to take over Aziraphale's home against his will is who witnesses the aftermath of the intimate moment our angel has been craving, oh, just since before the dawn of humanity over here.

He touches his lips, his hand trembles... have you all noticed that Aziraphale is literally fucking *tasting and eating* what of himself Crowley left in his mouth here? He's pulling every bit of Crowley to his tongue from his teeth and *swallowing*, like he knows it's all of him he'll ever again be able to consume, like he's committing how he tastes to memory for the last like, who knows, ten? fifteen? twenty minutes? of his own existence that he knows he probably has left...

Jesus fucking Christ, Michael Sheen...

This is all without yet mentioning the single most under-analyzed line in S2 that calls into question a ton of stuff, which is this beauty from Shax, right off the top of 2.01:

"Beezlebub's put some of the lesser demons on half-rations."

What does this have to do with Aziraphale consuming Crowley's kiss like it's the most scrumptious thing he's ever tasted (because it is) and being furious that it'll be their last?

Because that Shax line casually confirms that demons eat. Do they eat human food or some sort of demon food or both? Who knows, really, but they're *supposed* to eat. Ok, but is it just a demon thing? No, because it ties to Crowley's comments in S1 about how he complained that the food wasn't really that good lately when hanging out with Lucifer and The Gang, which then implies that, at least back then, *angels* ate, too. Eating was a normal thing. Over time, though, we know that the higher angels have come to see eating as human and pedestrian and not something befitting of an angel. Some demons eat-- even Crowley eats, if less than and differently than Aziraphale-- but the angels think it's beneath them and if we have confirmation via Shax in S2 that they are supposed to be eating and basically only don't die because they're immortal beings and not human, even if they have human corporations, then the show is saying that all of these angels are fucking starving themselves.

They're doing what they're told and denying their own nature and their own needs in the process.

S2 also shows that with the ox rib, right?

Aziraphale went *at* that thing. He'd never eaten at all in a couple thousand years after being told it was un-angelic and so when he tasted food for the first time, he went so overboard that he's been Mr. Prim and Proper with his napkins and table etiquette ever since out of embarrassment over Crowley watching him food orgasm once-- and that's the metaphor there, as we've all figured out. Our show that has a sex worker named Mrs. Sandwich is all about its ongoing food-as-sex metaphor. S2 even opens with the hilarious turnabout from S1 as a "thank you for my pornography", "why do you consume *that*?" Gabriel shows up at the bookshop-- naked-- and has a food orgasm trying hot chocolate for the first time.

Gabe, babe, Aziraphale does not need the play-by-play here....

Mah point is... mah point is that Tumblr is maxing me at 30 images per post and so you'll just have to picture Crowley slurring "dolphins" while I get to my actual point here...

Mah point is while this is a whole separate analysis almost and one that many of you have already done in different ways re: food & sex on the show, my point here is that starving yourself of food in Good Omens is analogous to being touch-starved or love-deprived and before someone yells at me about how angelic beings don't necessarily need sex or are by nature not into sex unless they make an Effort, I agree with you and Neil Gaiman. I'm just also saying the show is suggesting that they all have human corporations and that many of those human corporations are not sex-averse so for those of them that are not, they're literally out here touch-starved and/or sex-starved here in different ways. But, you say, maybe Crowley is hungry (goodness knows, Crowley *is hungry* lol) but Aziraphale eats all the time!

Yeah. Aziraphale eats *food*, all the time. But he isn't touched all the time. He doesn't have sex all the time. He isn't kissed all the time. The 2.06 scene shows him *physically* making that metaphor of food and sex real for us-- we watch him *consume* what remains of Crowley's kiss--showing that he's desperate for it and deprived of it. He's starved for it, to a point of trembling hands and rolling every bit of Crowley's lingering taste around his mouth like he's taking on every last bite of the best crepe he could ever imagine in all his days...

...and then being, understandably, full of rage that this is the only time he's going to ever have Crowley-- and all he's ever going to have of him, when Crowley just offered all of himself-- forever.

And then The Metatron comes back and is Aziraphale ready to go to his death now? And, Friends, Aziraphale...

...is absolutely not.

He's turned away from the door, barely containing tears. When the door opened and he turned, he half-hoped it'd be Crowley but it was grr That Bastard instead. He looks out the window and Crowley is still out there...

...he left but he didn't really *leave*... and it somehow then still isn't over and will someone please just take Aziraphale out back and angel-shoot him? He can't take any more of this.

What about the shop? he asks, in a moment of desperation and terror over what's to come and some blind, stupid hope that he can somehow get out of all of this with him and Crowley still alive and The Metatron, who anticipated this, tells him Muriel lives here now. Aziraphale looks around the home he's made for him and Crowley for the last 223 years and his favorite books and possessions. Crowley's hat from 1941 is on the hat stand, the horse statue is where Crowley put his glasses back when he trusted him, back when he let Aziraphale see his pretty yellow eyes whenever Aziraphale wanted in recent years... before he just put his glasses back on now and closed himself off again.

Aziraphale is never going to see those eyes he loves again. He didn't even get to kiss Crowley without the sunglasses on before it was all over.

Even Gabriel had something to take up to Heaven with him to remind him of the demon he loved but Aziraphale goes to Heaven and to his death empty-handed because he pushed Crowley away to save him from all of this and, in the final push, he looks at Crowley standing there by The Bentley, all that secretly optimistic, beautiful, romantic hope about him still in him from the angel Aziraphale first met, all the awareness there of Aziraphale-- the only being who really knows him-- and so he's still waiting, still hoping. It goes back a few hours to the ball.

I'll be back. I won't leave you on your own.

But it's Aziraphale's call now and he gets into the elevator. The Metatron wins because Aziraphale's love for Crowley wins. He'll die before he lets anything happen to him, even if he wants to run to that car and to him but where would they run *to*? There's no place to go. Crowley has always been wrong about that. They can't go off together. There's no place safe from Heaven for them.

So Aziraphale gets into the elevator at The Dirty Donkey, leaving Crowley alone in the street once again, just with less hope this time than in 1967.

So Aziraphale leaves the bookshop this time, instead of going into it like he did in S1, when he left Crowley in the street, standing beside The Bentley, while clutching a different book this time-- Agnes Nutter's prophecies in his hand versus The Book of Life and its threatened erasure hanging over Aziraphale like the specter that it is. What was predicted about the future versus erasure from the past and all time. Nothing to see here, Crowley! Everything is as it's seems.

Everything is tickety-boo!

Tickety-boo?

Yes, which is also what Aziraphale-as-Crowley said... when he was kidnapped by Heaven and Hell in S1, remember? When he was taken from Earth to be sentenced to death... along *with* Crowley.

This time, Aziraphale is shutting Crowley out again. Telling him 'mind how you go' again, this time a bit more, uh, emphatically lol. And on their heels, again, the end of the world. Arma-bloody-geddon 2.0: The Second Coming.

Aziraphale heard The Metatron saying that was the plan-- as, of course, our villain walked away and meant for it not to be totally heard, further implying that they have no plans to really make Aziraphale the Supreme Archangel and that this is all a remix of Fraulein Greta Klauschmidt. That then makes this all somehow *even worse*... because now Aziraphale gets in the elevator to ride up to his death to save Crowley but now he knows that it was all for nothing.

War is coming. The planet they love will be destroyed. Crowley, if he knows him well enough, will likely die trying to save it. When he does, he'll still be damned to Hell for all of eternity while Aziraphale thinks he likely won't exist at all once he makes it upstairs and Michael finally gets to Book of Life him. Let the other angels think he's been played for a sucker. Better they think him a fool than that they come for Crowley.

He doesn't want to Fall and doesn't wish for it. If they take his memories as punishment, and they almost certainly will, he won't remember any of the moments he spent with Crowley and even if they could have eternity together in Hell if the world is destroyed, he wouldn't wish Crowley the pain of being around him when he didn't remember anything.

Aziraphale only finding out about The Second Coming in the moment before he gets on the elevator-- *after* everything happens with Crowley-- is a million times worse because now Aziraphale is riding to his death knowing that everything they've done in six thousand years doesn't matter and that the events of S1 didn't matter because all it did was delay the inevitable end of the world and everything Aziraphale loves is about to be destroyed.

That, apparently, was God's ineffable, Great Plan.

All of that is what is on Aziraphale's face on the ride up to Heaven in the final splitscreen.

In that splitscreen, Crowley, for what it's worth, is visually echoing the driving back from Tadfield bit that leads to the "tickety-boo" moment of Aziraphale lying to him by omission. He looks close to a parallel to the S1 moment where he suddenly yelled:

"DUCKS!"

They're what water slides off of. In this context? They were also the thing itching at the back of Crowley's mind-- the not quite right thing, the puzzle he couldn't quite figure out, the question he coudln't yet quite answer... until he could. That's positive, actually. It means there might be something for him to realize, even if that realization might come too late in the short term. (They will solve everything and be fine, memory-intact, immortal beings in love who go off together by the end of it. This is all just until then.)

Ducks are also, sort of, the be all and end all of Good Omens. Crowley knows how to take care of them, after all, when others do not. You feed them frozen peas-- they are good for them and they love them, too. (Don't feed him coffee, you Metatron idiot! He only ever drank one mug of it in S1 and it led to the *points above* see: tickety-boo Aziraphale lying to Crowley paralleling sequence of scenes.) [The "do you have one, single, better idea?" scene is Aziraphale drinking coffee, for reference.]

So, yeah, by comparison here... Aziraphale, you are a duck lol. You have been fed bread by idiots for far too long when, really, you need to be eating frozen peas. Crowley knows this and he knows how to take care of you. With any luck, he's about to have his duck-moment-paralleling epiphany any moment now, though I fear you're already going to be memory-wiped and fallen to Hell when he does. That's okay, though, because this is the main scene that still needs a go-around in paralleling and we know Crowley knows where the dungeons are down there from unfortunate, personal experience.

Cottage in the south downs, cottage in the south downs, cottage in the south downs, cottage....

Notes: Hi! If you have made it all the way here, thank you for reading. I hope it was worth the read for you. You all write such great stuff that I felt inspired to put my lit and film studies and psych background to use and jump in a bit. Thanks for indulging me. I also wish to note that there is a gif above that is by @fuckyeahgoodomens but for some reason, the credit was not working properly so I just wanted to make sure you knew who was providing us the visual joy.

#ineffable husbands #good omens #crowley x aziraphale #good omens meta #long post #good omens theory #i am not kidding you this is kinda long but there are gifs and jokes and i brought snacks?#aziraphale #crowley #good omens 2 #good omens 2 spoilers #gabriel

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lunahearts · 5 months

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Okay I'm doing it. I'm chapter 96 posting.

This is not meant to be a big analysis post this is mostly just me sharing all the little moments that Marcille & Laios show their care for each other because they are SO beloved to me. Join me on the journey if you wish.

(but also the above statement may be a lie. I do have a point here, it turns out, and the point gets at some of my Big Feelings of what Dungeon Meshi has to say about the nature of friendship & living in the world)

So, first of all, the conversation about Laios being king at the start of the chapter. Just in general Laios insisting on presenting himself in his own way here is so good. Character development!!

Before the events of the story he hadn't shared his inner world with anyone but Falin. Now he's like Actually I'm gonna dress up in the discarded remains of my monstersona and that's just how it is.

And even though there are a LOT of parts of the story and bits of character growth that go into this, I think it specifically highlights some interactions from a few chapters ago.

After all, his initial reaction to having been in that monster form & coming out of it was trying to hide from everyone.

And I think everyone helping him put things in perspective here contributes to how he is able to present himself as king. They assure him that he is accepted, despite having just been seen by EVERYONE at his Peak "Weird Monster Guy" mode.

Highlighting what Marcille says here especially:

Going out to "face them with a smile" is EXACTLY what he does. Not right away. He's still pretty stressed in the following scene in this chapter. But he is able to face the crowds with a smile, eventually...

As king. Dressed in the memory of his most vulnerable moments, the most honest expression of his desire.

BUT I'M GETTING A LITTLE AHEAD OF MYSELF. Before the King Laios speech, there's a little moment with Marcille I want to highlight, because...

Did y'all know that by the end of the manga, Marcille isn't like... grossed out by eating monsters any more? Or at least, she's definitely changed her reaction to it. It's Namari who makes the "yeah it smells good despite what it is" comment, not Marcille.

We even get shots later of Tansu, Shuro, and Kabru being kinda grossed out by - but still going ahead and eating - the different Falin foods. Chilchuck also throws out a line about it being surprised that it's good.

But there's no disparaging comment from Marcille, despite the Everything of the situation. I just think that's also a nice little detail. She may not be as far in the monster eating game as Laios, but she's more willing to roll with the weirdness.

So after this little moment, this is when Laios comes out in his new regal outfit. And first of all...

This is such a good contrast to the moment when the group goes to save Marcille in chapter 84. The monsters had stopped attacking, and everyone's reactions to Laios and the others framed him as unsettling. Creepy. Maybe even traitors.

They even use some of the same labels (lord of the monsters/lord of the dungeon, dark lord/demon king)., but the context is that they are disgusted. The parallels in this manga....

Have a tendency to destroy me. What a difference in reception.

Anyway, after this moment, Laios stops to talk to the group... and I'd like to point out again: MARCILLE ISN'T FLIPPANT HERE EITHER!!

Chilchuck is still Chilchuck, of course, and I want to be clear I love that, too. Chilchuck is who he is to his core. His little jabs are very affectionate in this chapter.

But Marcille... Marcille only points to the Winged Lion symbol as being weird, not the monster bits. And like, considering what she's just been through with the lion, being skeptical of that part is... fair.

(don't get me wrong, her "that's fine and all" isn't exactly excitement. BUT the point I'm trying to make is less about her completely changing her feelings & preferences. It's more about how she expresses them, and how she treats Laios and HIS feelings & preferences)

And she continues to be so encouraging!! Wah!! Like, despite, all four of these people definitely caring about Laios, it's Marcille specifically who tells him to relax and just be honest. And you know what? I think that's what Falin would have said, too.

Please also note how cute everyone's little faces are in the crowd:

(see, Chilchuck loves him too!! Look at that fond face, and the cheer. and Senshi! and Namari! They really are such a family)

Laios' short speech actually has a little bit I'd like to highlight as well, since I think it is a nice little reflection of his choice to keep the lion insignia on his new outfit:

"Eat to your heart's content," he says. Not just "enjoy," or "let's eat."

Dunmeshi does such a wonderful job of framing so much about the Winged Lion with nuance, and this is a good example of that. Desire is not bad! Craving and consuming is beautiful. As Laios says when explaining the lion insignia...

It's not just something to get rid of.

So then... on to the feast!

And not only does Marcille not express any grossed out feelings, as I mentioned before... she even helps to gross out Chilchuck!!

Her weird girl powers are only just in their infancy. She will only grow more powerful in time...

As the feast goes on of course we get the group's realization about her hair, and I'd like to point out:

I really feel like they have such similar reactions to finding out about how the other has been affected by the Winged Lion

Just... the quiet concern. Not making a huge fuss, but... worried. Understanding. A little heartbroken for each other.

SPEAKING OF HEARTBROKEN REACTIONS THOUGH. WHAT COMES NEXT REALLY GETS ME.

After Chilchuck braids Marcille's hair for her, the topic of her needing to leave everyone comes up and...

God, these expressions. Every Time I see these panels I think about about what Laios saw in her nightmare. Her fears. The weight of inevitable loneliness, and the way it has marked her. As much as Marcille tries to keep things light when talking about it, he knows what this means to her. And it HURTS.

So he doesn't accept it. But do you notice how he frames this. Do you see. Not "do you want me to fix this." Not "hey I have an idea."

"Would you be willing to stay."

He doesn't know whether she will accept. Whether she will hate the idea, actually, of staying here with him. He's putting himself out there fully prepared for rejection & dismissal, as he has faced many times before.

But his pitch, his proposal to her, it's not JUST an excuse to ask her to stay, either. He's put thought into this. Into what Marcille could mean and do here. Not just to and for him, but for the people of this area. The place he has taken responsibility for.

He's also thinking about Falin. And about all the other little girls, the people of all sorts, just like her. He's thinking about the people who have been killed (burned at the stake???), hurt, shunned. About the people who have been abandoned. The people who are still alone.

He's not just offering Marcille an out from her isolation, he's offering her a new purpose. A new way to continue her work, to do the things she cares about. He SEES her! he understands her.

BUT ALSO HE'S SO NERVOUS OUGH. FIDDLING WITH THE PLATE. UNSURE IF SHE WILL CARE. UNSURE IF HE HAS IT RIGHT.

HE'S NOT GOOD WITH PEOPLE HE'S NOT GOOD AT THIS.

BUT THEY UNDERSTAND EACH OTHER. AND SHE WANTS THIS LIFE HE'S OFFERING HER.

Still... it's not that simple for her, even if for a moment she is swept up in how much she wants this.

Again here, Marcille is working so hard to be chill about the whole 'going west with the elves' thing. She looks absolutely devastated in the first panel, but puts on a smile in the second.

Maybe she doesn't want to bring down the mood. Maybe she doesn't want to burden everyone with what seems like the only option she has. Maybe she had already accepted the cost that might come with bringing Falin back. Maybe after everything with the Winged Lion, she doesn't want to risk letting herself fight for her desires too hard.

But hey. Desires aren't always bad. They aren't something to just get rid of.

A small bit of visual storytelling here... I love that Marcille is confined by the panel, but Laios is stepping outside of it. He's literally pulling her outside of the box she feels trapped in.

Also, I love that his first acts as king are:

1) welcome everyone to a big feast

2) stand by his friend and help her find happiness

It's great stuff and it's so Laios.

In addition to that, I love how this whole act actually plays out. I love that, while getting the elves to let Marcille go, he gets to be extremely cool and protective...

but also like. Not THAT cool and protective.

No really, I mean it! I think it's important! It's important that cool 'suave king guy Laios' is a front he puts up when he needs to deal with these strangers, and one that he completely drops once it's just him and Marcille.

He's not trying to impress her, or convince her he's cool and suave. Why would he? He trusts that she's okay with the messy, often unimpressive, sometimes kinda gross reality of who he is.

And isn't that what Dungeon Meshi is all about? Messy, unimpressive, gross reality. And how beautiful, how wonderful, how very precious it is

Especially when you get to share it with your friends.

#dungeon meshi #delicious in dungeon #laios touden #marcille donato #dunmeshi analysis #dungeon meshi spoilers #posting on this blog bc I'm not sure the sideblog is showing up in tags yet :/

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hgfictionwriter · 2 months

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Getaway - Part Two

Jessie Fleming x Reader

Summary: It's the morning after. Will Jessie finally get her wish or is she just fooling herself?

A/N: Shy, awkward Jessie meets angsty, sulking Jessie. Fluff with a bit of angst. No other warnings. Final part of this series.

Despite her intentions, sleep evaded Jessie as her mind raced with reflections of the night. In time she admitted defeat and upon hearing rustling in the adjacent rooms, a sign that Niamh was getting up, Jessie head downstairs to start making breakfast. It was going to be a long day.

The girls were gathered around the kitchen table mid-breakfast and chatting idly when you eventually appeared. Even with how preoccupied Jessie had been with analysis of last night and attempts to figure out how to navigate things, she didn't feel prepared. Her pulse immediately quickened, and she averted her gaze the moment you two locked eyes. She relaxed her shoulders in an attempt to collect herself.

“Morning, sunshine," Niamh called. "How'd you sleep?"

"Morning, starshine," you returned with a teasing wink at your friend. "I slept great, thanks. How about all of you?" You responded as you sat down and began to load food onto your plate.

While conversation had ensued, Jessie had snuck over to the kitchen and returned to set down a cup of coffee in front of you with zero fanfare, still avoiding eye contact. Your gaze followed her as she scurried walked back over to her spot at the other end of the table.

"Oh my gosh, thank you, Jessie. I need coffee so bad right now," you said. She merely offered a tight smile as she returned her attention to her phone and the last sips of her coffee. She sunk into her chair a bit as she tried hard to ignore your eyes upon her.

"Where's my refill?" Niamh ribbed, drawing a glare from Jessie.

"Oh yeah. That'd be a slippery slope, soon I'd be doing everything," she said with a short laugh and hoped the topic would get dropped. "Besides, Y/N's our guest."

In a stark contrast to sleeping up against you a mere hours ago, Jessie now felt awkward and unsure. She resolutely avoided eye contact with you throughout all of breakfast, only now and then catching your watchful eye before immediately glancing away and busying herself otherwise.

When everyone cleaned up and headed upstairs to get ready, Jessie remained solely focused on not interacting and retreated to her room. She closed the door behind her and exhaled wearily. She had to figure out what to do because this just wasn't going to fly. She was about to start gathering items for the day when a knock came at the door. She swallowed nervously, feeling her pulse pick-up as she eyed the door.

"Come in," she said. She swallowed once more as you stepped inside, closing the door again behind you.

"Hey, I just-"

"Hey, I'm so sorry about last night." Jessie found herself talking over you, a rush of words spewing from her mouth as her nerves overwhelmed her. "I didn't mean to overstay my welcome – I didn't even realize I fell asleep. And I hope you know I really didn't mean to make you feel uncomfortable." She nearly needed to take a breath at the end. To her surprise, you offered a hint of a wry smile.

"I was actually going to thank you for keeping me company last night. And no, I wasn't uncomfortable at all. Seriously." You looked away with a slight shrug. "If anything, I was a little surprised to find my bed empty first thing this morning. I didn't expect that kind of thing from you."

"Oh, I-" Jessie began to stammer, cut off by you laughing and waving a hand in dismissal.

"I'm kidding. I'm just giving you a hard time." The heavy blush on Jessie's cheeks was blatant and you smiled apologetically. "I'm sorry."

"I wouldn’t do that," Jessie clarified, her voice higher than usual as she looked distractedly to the corner of the room with a shrug of her own. "I just," she forced herself to look back at you, "I didn't know you wanted me to stay."

At this, you smiled and took a step forward, nearly causing Jessie's breath to catch.

"You are always welcome to stay. But anyway, I wanted to thank you for last night in general. I really enjoyed all of it." Jessie nodded and smiled back.

"Yeah, me too."

"I hear we're taking Vespas to this spot this morning. Can I ride with you?" You asked with a slight tilt of your head. Another blush flared out across Jessie's cheeks as she stumbled through her reply.

"Yeah, I'd love that. I mean, of course you can – I don't mind." She hid her hands behind her back as if that would make her appear more casual.

"Okay, great," you said with a nod and a lingering smile. If Jessie wasn't mistaken, you gave her a brief once over. "You'll take care of me, right?" A bright grin crossed your face; it was teasing, but it was warm and affectionate.

"Y-yeah, of course. I will," Jessie replied, doing her best to stay composed, shoulders back.

"I know," you said. "I trust you. Okay, well I'll see you downstairs." You closed out your sentence with a gentle squeeze of Jessie's arm before you turned and left.

Jessie finished getting ready, but she felt shaky and dizzy – in a great way – from the interaction you just had. She grabbed her sunglasses and hat and tossed them into her bag as a fleeting insecurity crossed her mind – what if 'company' was really all she was? That you were just lonely now that you were single. Her thoughts continued to spiral until she paused and closed her eyes, doing her best to push down those feelings; they wouldn't do her any good.

When Jessie trotted downstairs, it was just her and Niamh.

"So, late night, huh?" Niamh said with a smirk tugging at her lips. "Y/N told me you were both up super late talking in her room. Which you neglected to mention..."

"It's not a big deal," Jessie dismissed with an unconvincing frown as she crossed her arms.

"Mhm," Niamh voiced as she gave the brunette a light nudge. She leaned in and whispered conspiratorially. "Just tell her you like her! She's single now!"

"I-I don't like her," Jessie protested, trying to look aghast in her denial.

"Oh my God." Niamh rolled her eyes. "I've been letting you get away with hiding it for so long because, well yeah, Y/N was off the market. But she's not anymore. So make a move!"

Jessie stared at her friend for several moments as her mind processed what to do. She eventually relented.

"Yeah, but, she just got out of a long-term relationship. She's probably not ready for anything and – you know, we're friends. I don’t want to ruin that," Jessie responded, glancing back over her shoulder now and then to ensure no one was approaching. Despite being caught off guard by this conversation, a huge weight suddenly felt lifted from her shoulders at finally being able to admit to someone that she liked you.

"Just tell her. Please. It's killing me seeing you dance around her the way you do," the defender complained.

"I don't," Jessie pouted.

"Oh, you do," Niamh retorted, leaning in pointedly. "Like a love-sick puppy."

"Shut up," Jessie complained, whined even. She jumped as footsteps came from the stairs.

"Alright, we're ready," Zee said as you both jogged down the steps. Jessie nearly rolled her eyes at herself with how she went up on her tiptoes momentarily, smiled brightly and even offered a lame wave at you as you came up. Jessie blushed at the laugh that came from Niamh.

"Ready to go?" Jessie interjected, as she hastily ushered everyone outside.

Soon you all reached the rental spot, squared everything away and were ready to hit the road.

Nervous, excited energy started creeping up in Jessie again as the agent left you all to your bikes. She idly played with the helmet in her hands and worked up the courage to turn to you.

“You still good to ride with me?” She asked as nonchalantly as she could. You nodded.

“I am. If you’re still good with it too.”

I’ve been thinking about nothing but that.

“Yeah, all good,” she played off.

She set her helmet over the handle bars and reached for the one in your hand.

“Safety first,” she said as she gently placed the helmet on your head. She bit back a pleased smile as you began to blush. It gave Jessie a confidence boost. “I told you I’d take care of you, after all.” She closed the clasp and tightened the straps a touch. She finished by brushing a few strands of hair out of your face. “You’re all set. Feel okay?”

“Yeah, thank you,” you answered, a blush still lingering on your cheeks with a coy smile. It felt nice to Jessie that for once you were the one being shy.

Soon Jessie mounted the bike and got settled before shuffling forward a bit on the seat.

“Okay, hop on," she instructed.

The charm and bravado she had a few minutes prior was quickly quashed by nerves in anticipation of you straddling the seat behind her.

An immediate warmth went through Jessie as you placed a hand gingerly on her shoulder to steady yourself as you got on. She swallowed inaudibly as you settled in. Although you sat closely behind her, contact was minimal.

“You might need to hold on,” Jessie suggested. It wasn’t even a lie.

She watched out of the corner of her eye as you looked around, seemingly contemplating your options.

“I think that means I need to put my arms around you. Are you okay with that?”

“Yeah, that’s totally fine.”

Jessie had to stifle the way she nearly cleared her throat as your hands came around her torso, clasping your hands together to enclose your arms around her and shuffling in slightly, now brushing against her back.

“Is this okay?” You asked.

Jessie was grateful that she had the helmet on and could face forward because her face had to be beet red.

“Yeah, it’s perfect.” Perfect? Jessie nearly groaned. “Let me know when you’re ready.”

You tightened your grip slightly. “I’m good.”

Jessie bit her bottom lip, hard, as she suffocated the noise that bubbled up her throat as a small, adorable squeak escaped you and you tightened your gripped significantly on her as you started to drive.

“I’m sorry,” you said over the sound of the bike as you relaxed your grip a touch.

“Don’t worry,” Jessie called back. “Hold on as tight as you like. I don’t mind.” A smile tugged at her lips as your arms enclosed a bit tighter again.

Jessie navigated you through traffic. You chatted and joked at red lights and even though your journey just started, she already didn’t want it to end. Her jaw clenched as she struggled to remain composed as you rest your chin on her shoulder at one particular stop. It took every once of control for her to not place her hand on yours and lean back into you.

Soon you were jetting down a scenic highway and Jessie couldn’t have been much happier. She was surrounded by incredible sights, she was outdoors, and there was the small fact that the girl she loved had her arms wrapped around her as you enjoyed all of this together.

After you reached your destination and parked your bikes, you all took your belongings and began to walk around the area. Niamh and Zee naturally paired up and wandered ahead while Jessie and you hung back on your own. Jessie wasn't about to complain.

At one point, you both stopped along the shoreline and were just looking out at the ocean waves. Jessie adjusted the hat she'd brought with her and tucked her hands into her pockets as she watched the rhythmic push and pull of the water. Though you were wearing sunglasses, it was still bright enough out that you held a hand above your eyes to further shield the sun.

"Do you have a hat?" Jessie asked as she nodded to the bag hanging over your shoulders.

You turned your head to Jessie, forehead creased in a squint. "No. Not yet."

Suddenly, your hand flew up and Jessie felt her hat being plucked off her head. She didn't even have time to process, she just instinctively ran after you who was a few paces ahead, laughing and placing the hat onto your head as you ran. It only took Jessie a few quick strides to catch up to you though and found herself wrapping her arms around you to hold you in place. You squealed with a laugh, and turned in Jessie's arms, your bodies close enough that your hands came up to rest on top of Jessie's shoulders.

"I'm not sure what reality I thought I was in where I'd be able to outrun you," you joked, your cheeks flushed pink. Jessie smiled, belatedly realizing that she still had her arms around you.

"You know what? The hat looks better on you anyway," she replied as she finally let go and took a step back.

"I'm just kidding," you said as you started to take it off. Jessie reached out, hand resting on top of yours and keeping you from removing the hat.

"Seriously. Go ahead - you should wear it," Jessie continued. Your blush deepened as a smile tugged at the corner of your lips.

"Okay. If you insist," you accepted.

You two continued to idly talk and wander around, eventually catching up to Niamh and Zee. You stopped by shops, checked out landmarks, and all the while Jessie was on cloud nine. Her heart fluttered in her chest as you would stop now and then to request a selfie together - something Jessie would normally adamantly avoid, but things were different with you. And, of course, if Zee ever caught you taking a selfie, she'd stop and take a picture of you together instead. While it worked Jessie up, feeling under the microscope, those thoughts were quickly pushed from her mind whenever she felt your arm around her waist.

The day went by with moments of a lingering stare, a blush, a fleeting touch, and the odd teasing look from Niamh who watched on. When you all drove back to town it wasn’t even a question if you would ride with Jessie again and you settled into one another easily this time. If someone asked Jessie, it wasn’t just you holding on, it felt like an embrace this time. The only thing that could’ve made it better was if you two were actually together. Even if nothing came to be though, Jessie was resolute that this memory would be one she’d cherish no matter what.

When you got back into town, you walked over to a local pub to grab a late dinner. Your group took up a table towards the back of the establishment, Jessie and you taking the bench seat and sitting close enough that your legs brushed up against one another's. Jessie's faced heated up once again as she spied the smirk on Niamh's face.

"Uh, what are you going to get?" Jessie asked as she absently ran her fingers through her hair and sat up a bit to peer over at your menu as if she didn't have her own right in front of her.

"I don't know - this sandwich looks pretty good, but I'm not that hungry either," you replied, turning your head towards her.

"Oh yeah, I was looking at that too. Want to share? I'm not super hungry either," Jessie offered. She shot a dark look at Niamh who snickered from across the table.

"Something funny, Niamhie?" You asked seemingly innocently as you smiled at her.

"Nothing, love," Niamh responded with a gentle smile and returned her attention to her menu.

The night carried on and at some point Niamh and Zee found themselves at the bar chatting with a couple other tourists, leaving you and Jessie on your own.

At one point, your phones buzzed at the same time - you frowned at one another and you retrieved your phone to see what it was. After a moment you laughed and turned to look at Zee across the bar who immediately started laughing as well, obviously waiting for the two of you to react.

"Zee's been busy," you explained as you held up your phone for Jessie to see the post of the two of you looking rather cozy together and posing earlier in the day; you in Jessie's hat and all.

"Oh," Jessie commented, at a bit of a loss for words, more distracted by the butterflies in her stomach instead.

You tucked your phone away and you two continued to talk until your phone began to buzz again. Jessie didn't think much of it and you ignored it, but it soon buzzed again and you rolled your eyes, retrieving it once more.

Jessie wasn't intentionally trying to spy, but her eyes were drawn to your screen and she couldn't help but notice the name attached to the messages - your ex.

Jessie now watched intently out of the corner of her eye as you quickly flipped through the messages before exhaling heavily and sitting back against the bench.

A few awkward moments passed, neither of you speaking until Jessie's curiosity got the better of her.

"Everything good?" She tried to ask nonchalantly.

"Yeah. It's fine," you responded in a flat tone. Jessie watched as you studied the table with arms folded against your chest, deep in thought. You then suddenly seemed to become aware of Jessie's eyes on you and sat up, plastering a tight smile on your face. "Can I grab you a drink?"

"No, I'm alright, thanks," Jessie replied, her own tone now taking a dip at the turn in your interaction.

She watched silently as you stood and walked over to the bar, pulling Niamh aside. Jessie tried desperately to somehow discern what you were saying, but you two were leaned in speaking to one another so Jessie couldn't even try to lip read. Regardless, the light and playful mannerisms you had before were long gone. And so were Jessie's.

She should have known. This was all too good to be true. Jessie slumped in her seat and distractedly swirled what remained of her water. She didn't know what was going on, but it upset her either way. She felt stupid for letting herself get her hopes up and for thinking that this could be anything more. She should've just stuck to the original plan - friends and nothing more. She tried to ignore the way the corner of her eyes started to burn, but the sensation didn't go away. When she found her gaze drawn back to you, still with Niamh and on your phone again, the feeling got worse. She stood up abruptly, jostling the table as she did so, and quickly walked outside. She needed some air and she'd be damned if she started crying in the middle of the pub for all to see.

She paced back and forth on the sidewalk, fists buried in her pockets as she ground her teeth together and tried to regain control of her emotions. The logical side of her brain tried to reason with her and tell herself that she didn't even know what was going on - there was nothing to jump to conclusions about. However, that side of her was getting drowned out by the pent up feelings that had been brewing for months on end and that she'd foolishly begun to uncap the past couple of days. Serves her right, she thought ruefully.

Jessie wasn't sure how much time had passed until she felt her phone buzz in her back pocket. She wanted to ignore it, but couldn't resist pulling it out to check. It was you.

Where did you go? Are you okay?

Jessie let out a shaky sigh and stilled her movements. She took a deep breath and committed herself to going back in. She was hopeful that she appeared calm and normal again.

When she stepped inside she saw you'd returned to the table. It only took a moment for you to spot Jessie and you sat up and greeted her with smiled at her.

Jessie took a breath and approached, sitting down again on the bench, but this time leaving a bit of space.

"Are you alright?" You asked, watching Jessie intently.

"Yeah, I'm good. Just wanted to get some air. Everything good with you?" Jessie returned, offering you a fleeting glance before fixating on her glass.

"Yeah, I'm good," you responded lightly. And truthfully, you did seem better than before. Jessie waited for you to elaborate, but instead you nodded towards Zee and Niamh. "Those two seem to be having a good time," you redirected with an amused laugh.

"Yeah," Jessie agreed as she slumped further in her seat.

The conversation between you, for the first time in a very long time, was jilted and awkward, perhaps increasingly more so by the time you were all walking back to the villa. In fact, Jessie's mood was so foul by the time you were heading back that she was straggling at the back on her own in silence. She determinedly ignored the odd glance you shot over your shoulder at her.

When you arrived back at the villa, Niamh and Zee wanted to sit around the firepit and hang out, but Jessie wasn't interested. She noted how you watched her as the girls asked her to stay downstairs for a drink, but it wasn't enough to compel her. Instead, she retreated to her room. She knew she was being a downer, but she couldn't be bothered to care right now. She knew she'd probably be embarrassed by her behaviour later and find herself making a round of apologies, but she just needed to be alone.

She was laying on the bed, still in her street clothes, when the door swung open sometime later. She sat up quickly, an irritated frown on her face before she rolled her eyes realizing it was just Niamh. She laid back down.

"What's going on?" Niamh asked as she closed the door and sat down on the edge of the bed.

"You tell me," Jessie retorted before taking it down a notch. She sighed, sitting up and offering her friend a fleeting look of apology. "Y/N's ex was texting her. Do you know what that was about?"

Now it was Niamh's turn to roll her eyes. "Yes. [Y/Ex] saw the post Zee put up of you two. And let's just say she wasn't pleased."

"Huh?" Jessie asked with a deep frown.

"You're being moody and angsty over nothing. I suggest you talk to Y/N. If she's not too pissed at you for sulking when you should've been consistent and supportive," Niamh said lightly, but still with an unmistakable pointedness.

"She's pissed?" Jessie asked, guilt now sweeping over her.

"No. But she's worried you're mad at her. Personally, I think she's being too soft on you," Niamh teased.

Jessie scratched her head as she contemplated the situation she created for herself. She sighed and Niamh went on.

"Zee's gone to bed and I’m going too. Y/N's still downstairs if you want to talk to her. As in, get your stubborn ass down there. And don't talk in circles. Just be direct."

Jessie grumbled lightly, but got up. This is why she didn't do relationships. They always just complicated things and people got hurt even if that wasn't anyone's intention. She was jolted from her thoughts as Niamh slapped her hard on the back, sending her stumbling a couple of steps.

"You can thank me later," Niamh said with a wink.

Jessie wandered over to the window and peered down. Sure enough, you were sitting outside at the firepit sipping some tea. Taking a deep, steadying breath, Jessie padded lightly down the steps and out to the back patio. Her chest tightened nervously as your gaze was pulled from the fire up to her.

"Hi," Jessie greeted timidly giving a feeble wave. "Mind if I join you?"

"Go ahead," you said as you gestured to the seat across from you, same as you two were situated last night. "Feeling better?" Jessie detected no malice in your voice.

"Yeah, thanks," Jessie replied, a hand nervously coming up to scratch the back of her head. "Um, I'm sorry about earlier. I was…in my head, and I'm sorry."

"It's okay," you accepted. "Happens to all of us." A few beats passed and you spoke again. "And I can't help but think that I caused it anyway."

A blush formed on Jessie's cheeks as she felt under scrutiny. She looked into the flames and gave a shrug. "Oh, no. It's not your fault."

You quirked a crooked smile at Jessie. "I don't know. I'm pretty sure I got a little out of sorts first and that set things off."

Jessie contemplated how to proceed. Now was as good a time as any - she dove right in.

"When [Y/Ex] texted you, right?" She watched for your reaction, noting the slight raise in your eyebrows. "I didn't mean to see - I saw her messages come up before I could look away. I'm sorry."

A heavy sigh escaped you and you sunk into your seat a bit.

"That's fine," you finally said. "And yeah - you're right."

Jessie did her best to not read into the lack of explanation. She normally would interpret this as you being cagey, which would then cause her to bottle up, but Niamh was right - she needed to be more direct. And if she wanted something with you, she needed to be more open.

"You know you can talk to me about it," Jessie offered gently. "I know I've never really talked with you much about your relationship with her. And that isn't great of me - makes me not such a good friend. But I hope you know I'm here for you above anything else. I'm sorry I acted the way I did earlier. I got upset when I shouldn't have instead of being supportive." She went on quickly. "So, even though you have Niamh - please know you can talk to me, too. Even if it seems like you can't."

You rubbed your eyes tiredly, pulling a frown out of Jessie.

"Well, frankly, that's difficult when you're part of the problem," you eventually replied with a weary sigh. Jessie's pulse quickened immediately and her stomach dropped.

"I'm sorry?"

You sat forward, leaning your arms on the top of your legs. You rest your head in your hands for a moment before looking over at Jessie.

"Can I ask why those texts upset you?"

Jessie swallowed and she tried to ignore how she could practically hear her blood coursing through her veins.

"Um. Yeah," she responded, hoping her voice wasn't as shaky as it seemed in her head. She pushed the palms of her hands out along her pants, trying to get some of the sweat off of them. "I, um, well we were having a really great day. And I guess when I saw her messages come through. I…," she trailed off before steeling herself with a quick breath, now raising her gaze to meet yours. "I got jealous."

She kept her eyes trained on you, watching for any indication of how you felt about this confession. Eventually, you let out a small laugh and sat back. Jessie studied you with a frown and worked hard to not feel offended by the gesture.

"Well, I guess that's the theme of the day," you eventually said with a smirk. You stood and Jessie felt her palms continuing to sweat as you made your way around the firepit to sit in the chair next to hers. You turned so your knees were pointed towards Jessie and was mostly facing her. "[Y/Ex] saw Zee's post of us, and, well, it didn't go over well."

Jessie sat silently. Her mind raced as she tried to anticipate what would happen next. You went on.

"She and I haven't really talked since the breakup. Which is totally fine - the breakup was civil and I don't really believe in being friends after, but yeah, the post fired her up a bit." You took a quick breath. "She saw the post of us, and she made a few accusations. And I couldn't even be angry about it, because, she had a point."

Jessie shifted in her chair, a mixture of curiosity and anxiety hanging over her.

"I told you yesterday that [Y/Ex] and I broke up because I didn't feel for her what I should have. And that was true." You took another breath, averting your gaze briefly before meeting Jessie's again. "The part I didn't tell you is that I realized my feelings for her weren't what they should be because I was feeling that way for you instead." You dropped her gaze. "I was ignoring it for a while, but it got to the point where I couldn't play it off as some passing thing. I would've been stringing her along if I didn't end things."

Jessie's words were caught in her throat as she struggled to process the things you just said. She swallowed, blinking several times as you turned back to her.

"When we broke up, she flat out asked me if it had something to do with you." You laughed wryly. "That's how bad things were getting. Anyway, I told her it didn’t. I didn’t see the point in bringing it up or hurting her in that way - plus you and I have clearly never spoken about any of this. Anyway, when she saw that picture of us…she had some choice words for me. And not all of them untrue.”

Jessie sat their shell-shocked. She couldn’t believe what she was hearing. You liked her? In fact, to the point where it actually interfered with her past relationship? She was so puzzled and unsure of how all of that could be.

“I need you to know that none of this is on you," you went on adamantly. "You didn’t do anything to cause my breakup. You were always very respectful and no lines were ever crossed. But I think that’s just it - you didn’t even have to try and I started falling for you.”

“Y/N-”

“I’m almost done. I swear. So, yes, I was upset earlier when I got her messages. Because she wasn’t wrong - I made her believe things ended because I just wasn’t in love with her. But I was protecting myself from feeling guilty more than preserving her feelings. And the worst part is that while she’s seeing this post of you and me and making all kinds of assumptions, including that I was seeing you behind her back months ago, I was feeling excited at just the notion of you and I together. So, yeah, I felt horrible and conflicted and I couldn’t talk to you about it, because well, you were involved.” You scratched your arm nervously. “Still are. Anyway, I didn’t mean to upset you. Or drag you into any of this. But um, I guess my omissions or white lies are hurting people regardless. So, now you know. I’m sorry.”

Jessie shook her head in a bit of a daze.

“What are you sorry for?” She asked, her voice a bit thin as she continued to process things.

“I just dumped a lot on you. And you didn’t ask for any of it. So I'm sorry. And I really hope we can still be friends.”

“What if I don’t want to be friends?” Jessie asked, resisting a smile that tugged at her mouth. She saw the worry flash across your face and she mercifully went on. “Y/N, I’ve had feelings for you more or less since I met you. And they've never gone away.” The lop-sided smile revealed itself at the way you now looked at her. Jessie blushed a bit and tucked her hair behind her ear nervously. “And, yeah, I got jealous tonight. Which I know isn’t good. But, I finally felt for a moment like maybe we could be something more and then your ex came up. I felt like I lost my chance before it even began.”

You smiled softly at her. “Not at all. I’m still very much interested. If you are. I know you said yesterday your schedule makes it too hard to date, so, if that’s a dealbreaker for you, I can understand.”

Jessie shook her head quickly, eyebrows raised high. “No! Not at all. I was just trying to deflect,” she admitted bashfully. She scratched the back of her neck. “I was just making up an excuse for why I wasn’t dating. I couldn’t very well admit that it was because I was pining for you,” she finished with a dry laugh.

You nudged forward in your chair, knees coming closer to Jessie’s, but not able to quite touch.

“I really had no idea,” you said, a bit of a smile of wonderment on her face. “I mean…there were moments during our friendship where I was hopeful, but I couldn’t let myself think too much about it either. And I meant it when I said you’re one of the sweetest people I know, which I adore about you, but it also makes it hard to know if you’re treating me differently than anyone else.” You finished with a laugh.

“And I was trying really hard to not act differently with you at all before you and [Y/ex] broke up. I guess it’s really only been the last little bit, especially this weekend, where I’ve felt like I could even begin to entertain the thought of anything more,” Jessie explained and you nodded.

“So,” you said slowly and inched closer, “you’re saying your schedule isn’t a dealbreaker, then?”

“Not unless it is for you,” Jessie answered, shifting in her chair to meet you, your legs now touching.

“Even if your schedule's crazy, if she’s the right one for you…,” you trailed off, prompting Jessie to finish.

“She'll understand and it’ll make the times you’re together that much sweeter.”

“Exactly,” you confirmed as you reached out and grasped Jessie’s hand. She readily took it, a lump forming immediately in her throat as her heart began to race. She sat on the very edge of her seat and swallowed her nervousness.

“So, how do you feel about dinner and drinks when we get back to town?” Jessie asked, eyes hopeful.

“Are you asking me on a date, Jessie?” You teased warmly.

Jessie smiled wide and nodded. “I am. Finally.”

The next thing she knew, you leaned in and the moment Jessie had dreamt of for so long was upon her. She closed her eyes and the space between you. She nearly lost her breath the moment your soft lips were upon hers.

You stayed like that for a few moments before you deepened the kiss, which she readily returned. Jessie wasn’t sure how much time passed until you broke apart.

“And that’s a ‘yes’, for the record,” you added. Jessie chuckled softly and leaned in to kiss you once more, a rush of butterflies going through her.

“I was hoping so."

#jessie fleming #jessie fleming x reader #jflem #woso x reader #woso #woso community #chelsea wfc #canwnt #woso imagine

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honnelander · 8 months

Text

surprises

WOW OK i can't believe i did this!! i needed a small break from my writer's block with Sanji and wanted to try my hand at another opla character that i find really interesting! and cute i'm sorry this was a lot of fun to write and i enjoyed the change of pace so i hope you enjoy! if you want to be tagged in any of my work, please read this

gif credit @zsuo

WARNINGS: none

word count: 2k

pairing: opla!buggy x reader

summary: reader is on 'clown duty' on the Going Merry while the crew searches for Nami, but the more you talk with Buggy, the more you realize you like him.

masterlist

taglist: @yarnnerdally @miloonmetis @fa1rybubbl3z @feelinmatcha @buggy0827 @uncomfortableshoelace @notasgard @deserticwren @shadydeanmuffin @ohsilk @antrenna @laviiv

Ok, you’ll admit it, you’ll finally admit it. You were finally going to admit to yourself the tiny, stupid, and annoying thought that has been plaguing the back of your mind for days now:

You thought the clown was hot.

Even saying that small, little sentence to yourself in your mind made you cringe and want to smack yourself into next week.

You thought the clown was attractive? Buggy the freaking clown? Buggy, the flashy fool? Buggy, the... what, something-something jester? The guy that constantly wore that silly circus make up all the time, so you didn’t really know what his face even looked like exactly? The person who rivaled Usopp in always having the most shit to say? It was ridiculous.

What was even worse, was the fact that he was just a head at this point, he wasn’t even a full person with a body. You had no idea what the rest of him looked like and you hated the fact that you were just so god damn curious to find out. It was embarrassing- you were attracted to a literal talking head!

Apparently though, the rest of the crew had said, sans Sanji since you both had joined Luffy’s crew at the same time, that this Buggy guy was bad news. Why exactly? You didn’t really know, but it had something to do with Buggy attempting to drown Luffy to obtain the map to the Grand Line and decimating a town a couple of weeks ago.

But it looked like that warning of ‘Buggy is dangerous’ had turned into ‘Buggy is just annoying’ since all he was now, at this point in time, was just a talking head that never seemed to shut up. That talking head, however, was your crew’s only ticket to find a rogue Nami so you all had no choice but to put up with his antics.

“Can’t you just tell us where Arlong is?” you asked the clown head offhandedly one morning out on deck as you sharpened your daggers. “Without, you know, all the theatrics?”

“God,” Buggy groaned, rolling his eyes to the heavens. “Are you deaf or are you just stupid?” he asked exasperatedly as his head hopped around and turned to face you. “For the millionth time- I can’t just tell you where Arlong is. My powers don’t work like that. I’m not a compass or a map.”

“Well, actually, you kind of are, aren’t you?” you asked curiously with an eyebrow raised, not put off by his rude tone. “I mean, think about it,” you started, pointing the tip of your dagger to look at him. “You could like, ‘leave’ a toe or something anywhere you wanted to remember a certain thing or place, and you could then just... sense where to go to get it back. Exactly like a map.” You were silent for a minute as you went back to sharpening the blade. “But I guess you already did that, right? Since that’s how you found Luffy at the Baratie?” you asked with a thoughtful hum.

“Wow,” Buggy laughed condescendingly. “You’re a real sharpshooter, aren’t you? Thanks for that master analysis, captain obvious. What do you think I’m doing right now?”

The corner of your mouth twitched upwards. “Acting like a map to get your body back,” you answered without hesitation and a twinge of smugness. “Maybe you should be called ‘Buggy the Map’ instead. It has a nice ring to it.”

The clown’s patronizing smile dropped, his expression deadpanning. “Haha, very funny,” Buggy said in a humorless voice. “And here I thought you weren’t anything more than just a pretty face.”

Your eyes darted to him, quickly scanning over his expression to see if he was seriously calling you pretty or if he was just joking. When you saw no hint of sincerity in his green eyes (wow they were pretty), you cleared your throat and refocused your attention back onto your blade.

“Yeah, well, I’m full of surprises actually,” you said matter-of-factly without thinking, your mouth having a mind of its own. Your eyes widened slightly, your line of sight not budging from your dagger as your hand running along the blade stilled for a second.

Were you flirting with Buggy?

Were you insane?

Buggy’s attention was already wandering but at your choice of words, his eyes snapped right back to your face. For once in his life, he was at a loss for words. “Uh... ok?” He blinked. “Like what?”

You felt your cheeks flush slightly, running your sharpening stone along the blade at a quicker pace. “Wouldn’t you like to know.”

The clown furrowed his eyebrows, scrunching up his face in confusion as he looked at you. He felt like he had entered the Twilight zone or something.

“Uh, yeah. You’re the one who brought it up, sweet cheeks,” he said as he watched you intently focus on your task at hand. Buggy then quirked an eyebrow as he added in snooty tone, “Well, whatever ‘surprise skills’ you have can’t possibly be knife sharpening because you’ve been working on that same blade all morning.”

Shit. He was right, you realized. You had been out here longer than you initially thought and had been working on the same dagger ever since you sat down with him.

In a quick attempt to hide your embarrassment at being called out, you swiftly sat up and stabbed the tip of your small blade into the wooden barrel next to where his head was. “Watch your mouth clown!”

But Buggy didn’t even flinch. “Pfft, nice try sweetheart,” he scoffed. “But blades don’t scare me. I’m immune to cuts, remember? I’m literally just a head right now.”

Crap. He got you. Again. You leaned back in your seat, pulling out your other blade to sharpen.

“Oooo, another dagger, huh?” he asked with feigned interest, catching your gaze. “I guess you really are ‘full of surprises’,” he teased with an overly flirtatious tone and an exaggerated wink.

At that, your face reddened. You knew he was just joking, but the combination of you admitting to yourself that you found him attractive coupled with his flirty teasing and that wink... it was causing your heart rate to accelerate like you had a schoolgirl crush.

And crushing on Buggy? The talking clown head? It was just all too ridiculous.

You resumed your blade sharpening ritual, trying to pretend like he wasn’t affecting you. “Well, I did tell you that, didn’t I?” you asked, trying to turn the tables back on him.

Buggy was silent for a beat as his eyes regarded you. HIs voice dropped an octave lower, intentionally or not, you weren’t sure, as he said in a more earnest tone, “Yeah... but I didn’t think it was true.”

Your eyebrows shot up at hearing his admission, his tone surprising you as you quickly turned your head towards him. When you saw the look in his eyes, the way that he was still staring at you, it caused your heart to skip a beat. It was like he was seeing you for the first time, really seeing you.

‘Being more than a pretty face’ wasn’t something you took lightly; it was something you lived by. It had become your mantra of some sort. Your whole life, you were underestimated, rarely ever being taken seriously because you ‘had a pretty face’ that you could ‘coast by’ on. People (men) always assumed you were too dumb to understand things or be smart and have talents because you were pretty, and it absolutely infuriated you.

You shook your head, clearing up those thoughts. You didn’t feel like delving into that right now and especially not with Buggy of all people, so instead of biting back, you said with a curt, humorless laugh as you went back to your blade, “There’s always more to people than meets the eye, you know.”

Buggy let out a snort, his green eyes looking towards the sky for a second. “Yeah,” he agreed. “No kidding.”

Both of you became quiet, a few beats of strangely comfortable silence passing between the two of you before you broke it.

“But probably not with you though,” you joked. “You’re probably just all clown, complete with bad jokes and questionable make up. And,” you looked at him, a spark of mischief in your eyes, “you’re probably not even that tall.”

You hoped to God that Buggy really did have a sense a humor and that your playful jabs didn’t go over his bandana cladded head because you really didn’t want to make an enemy out of him. And if he didn’t get your sense of humor, then you and him probably would never work out anyway.

Your stomach fell to your feet at the thought. What were you even saying?? Jesus, you really were delusional. The quicker you guys found Arlong and split ways with Buggy, the better.

But of course, the universe had different plans for you, because Buggy did in fact have a sense of humor and took your mockery of his height in stride.

“What- not tall?? Please,” his voice becoming playfully haughty. “Just wait until you see my body, sweetheart. I’ll be looking down at you, telling you the best jokes you’ve ever heard in your life with some fresh clown make-up on,” he said, winking at you with a click of his tongue. “I call it ‘the Buggy trifecta.’”

You looked away from him, hiding your flushed cheeks as you shook your head, a smile on your face as you opened your mouth to say something back when Sanji came up to the upper deck, a small smile on his face when he saw you and effectively cutting off your banter.

“Ah, there you are y/n!” the blonde cook called out. “I’ve been looking for you. I didn’t realize you’d be out here on, uh,” his blue eyes darted to Buggy for a nanosecond before looking back at you, “clown duty.”

Buggy scoffed and rolled his eyes. “Well, good morning to you too, happy feet.”

Sanji glanced at Buggy again, furrowing his eyebrows for a second before shaking his head once with a blink and letting out a small sigh as he turned his attention back to you, deciding it wasn’t worth it to argue with the clown head.

“Yeah, so, uh, anyway,” he said as he put his hands in his pockets. “Breakfast is ready,” he relayed, jabbing a thumb behind him. “I wanted to let you know before it got cold.”

“Hey, what about my breakfast, blondie?” Buggy complained. “I might just be a head right now, but a clown’s gotta eat, you know?” When he saw the questionable stares from you and Sanji, Buggy shook his head. “Don’t ask me how it works,” he said before either of you could say anything. “But it just does. I still get hungry and need to eat.” He looked back up at Sanji, his green eyes expectant. “So how about whipping me up some scrambled eggs, huh?”

Sanji blinked. “Oh, well, sure-”

“I got it, Sanji,” you said, cutting off your lifelong friend. You stood up from your seat, sheathing your daggers back into their holsters on your hips. “I’ll make you some eggs Buggy.”

“Ooo, look at that,” Buggy laughed. “You really are full of surprises, aren’t you?” he asked, wiggling his eyebrows.

Ignoring the questioning look Sanji was giving you, you walked past the two men, well, man and talking head, and started going down the stairs. “Here’s another surprise: I’ll cook you your eggs once I’m done eating, in like an hour. How does that sound?”

“Whoa, wait, wait, wait! I didn’t mean it like that, y/n!” Buggy quickly backtracked, trying his best to smooth things over with you as fast as he could. “I meant that as like, a good surprise! Really!”

You smirked to yourself, finding it funny how quickly Buggy switched up his mannerisms in order to get what he wanted. “Sanji, you’re on clown duty!” You called out, tunning Buggy out, leaving him begging and pleading with a confused Sanji, who was wondering what the heck he just witnessed between you two.

#buggy x reader #buggy the clown x reader #buggy x you #buggy x y/n #buggy fanfiction #opla!buggy x reader #opla!buggy x y/n #opla #one piece x reader #one piece #one peice live action #one piece fanfiction #buggy #captain buggy x reader

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xan-from-space · 3 months

Text

Damn, the Ember Island Players were actually kind of radical, weren't they? The more I think about it, the more it feels like the only way it makes sense in-universe is if being Fire Nation propaganda wasn't the point of their play at all. Aside from a barely tacked on ending where Ozai kills Aang, the play is remarkably sympathetic to the Avatar and a bunch of enemies of the Fire Nation, even framing them as being heroes. Even at points in the story where theyre literally killing Fire Nation soldiers, the narrative still seems to be on their side; they're the underdogs, the relatable ones. Its true that the Fire Nation values strength, but still, you'd expect that in a propaganda play they would be portrayed as at least a little bit more sympathetic... And sure, to some extent the gaang's characters could be seen as defamatory caricutures (the slander on Iroh specifically was probably intentional), but that also might be due to the Players getting a lot of their information from the cabbage man, someone who actively hates the gaang and only ever really sees the worst of them. (And notably, that also means that the Players had worked with an Earth Kingdom merchant to produce the play.)

Mocking the gaang is also just clearly not the point of the play or what people are there for. Sokka's actor says that he's constantly being approached by fans; people genuinely love these characters. The gaang have built entire dedicated fanbases in the Fire Nation because of this play. Honestly, the fact that they're on a remote island is probably the only reason they're able to perform the play the way it is. I imagine it would get shut down pretty quickly on the mainland. Considering all the propaganda in the Fire Nation that we've seen so far, I wouldn't be surprised if the ending was only written that way because it's illegal to write a story where the Fire Lord doesnt win. The play reads less like propaganda and more like 'we're doing the bare minimum to get this story past the censors.'

I'm really curious about what it's like behind the scenes for the Ember Island Players. Are their shows just simple, shlocky entertainment, or could they also be deliberate political commentary? With no recording technology, a play is easier to slip under the radar than something like a book: it's impermanent, stays in one theatre, and performances can be easily tweaked if, say, Fire Nation royalty happens to come by. It's interesting to me that Ursa seemed to like them, while young Zuko had a disdain for them, saying they 'butchered' the story of Love Amongst the Dragons; in all likelihood the version of the story Zuko grew up with in the palace was heavily propaganda-filtered itself. Although, to be fair, they're arguably just not very good playwrights. When it comes to the characterization, I do think some of it only seems bad because we know what the actual characters are like, but a lot of it is just bad writing clearly meant for cheap entertainment. For example, they sexualize Katara quite a bit (and there's other, better analysis out there I've seen that examines how they fetishize her as a Water Tribe girl). And, of course, all of the characters are reduced to shallow and stereotypical comedy.

Still, I think they're worth commending for doing their research and telling a story about enemies of the state that's both sympathetic and surprisingly accurate to actual events, if not the characters' personalities, amidst the Fire Nation's rampant propaganda and misinformation. From the little amount of information about them we can extract from the show, they seem like honestly very interesting people. They're walking this tightrope line between being very close to the heart of the Fire Nation but also separate from it; between being cheap, inconsequential entertainment and being a source of actual news for Ember Island citizens; between telling the underdog story about a ragtag group of children and still trying to make it look like Fire Nation propaganda. I'm not trying to make any big argument on whether they were 'actually good people' or whatever, I just want to know more about them. I kind of wish we could see their production of Love Amongst the Dragons now...maybe I'll write something about them someday

#I wrote this in a haze after randomly catching the episode while my sister was watching it #I'm so fascinated by the inner lives of these people. What does it look like to write and produce these plays?#What does their day-to-day look like? How do the actors feel about their characters?#Actually if anyone has any fanfic recommendations in this vein please tell me #atla #avatar the last airbender #ember island players #the ember island players #atla analysis #zuko #uncle iroh #katara #ursa atla #cabbage man #cabbage merchant #fire nation

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redbullgirly · 4 months

Note

Hellooo 👋, can you write enemies to lovers with fernando alonso maybe with some angst? 🤭

It's totally alright if you don't want to! Thankssss :))

EL DESTINO [FA14 oneshot]

Fernando Alonso x reader

Masterlist

Summary: Y/N works for Alpine, and even though Fernando Alonso isn't part of the team anymore, they can't forget their distaste for each other. The driver seems to think she's just an irresponsible party girl and Y/N doesn't like him because he's, well... annoying and mean and doesn't care about anybody but himself. Though could they be both wrong in their prejudices?

Word Count: 4.5k

Warnings: Not much, maybe they're kind of mean to each other and stupid at the start, but that's the point of enemies to lovers, right? XD

Author's Note: Hello Anon and thank you for the request! I didn't expect it to turn out so long, but hey XD. I hope you and everybody else will like it. Also I tried for a little bit of angst, but I'm not sure if I'm good at it... you can let me know :).

If anyone could read your thoughts at the moment, you’d probably end up locked behind bars and with the key from your cell thrown far away. Whoever's great idea was to allow the group of inexperienced interns to touch the important data and statistics deserved to rot seven feet underground. Chopped into small pieces. And doused in poison that eats their lifeless body until there's nothing left.

Okay, that's maybe a bit too violent, but still not far from the truth.

You rubbed your tired eyes, not caring about smudging the mascara anymore. There was basically no one left in the building, just a few mechanics desperately needing the cars to be in perfect condition tomorrow – or should we say today? And then there was you, who stupidly agreed to fix the disaster caused by too much excitement and not enough cautiousness. You knew the interns didn't do it on purpose, and blaming them wasn't going to help you, but still. It wasn't them who had to sit there long after their working hours ended, staring into a too bright computer screen.

When you finally managed to save all the damaged data, it was almost three in the morning, and before you made it back to the hotel, you weren't sure if it was even worth going to bed. Because of the emergency, you didn't have time to finish your usual duties. And even though it wouldn't be fair to want the analysis from you, that wasn't how the game was played in motorsport.

Legs almost giving out under you, you dragged yourself to the elevator. The poor lady sitting at the receptionist desk looked at you skeptically, but didn't say anything as you stepped in and pressed the button with the number of your floor on it. Generic music started playing, numbing your brain even more.

The metal door was about to close, but then a hand came between it. Before you blinked and processed what's happening, a man slipped into the elevator right next to you, pressing his own number.

You see, everything could have been fine. You could've just survived the thirty seconds of embarrassing silence, then mumble a polite goodbye and go to sleep in peace. But no. Fate apparently had other plans for you.

Because as the man turned to you and the bright light hit his face, you realized it wasn't just some stranger.

Suddenly, the silence shifted from the normal elevator weirdness to tension. You pressed your lips together, silently cursing the higher power that decided to mess with your life just today, when you looked like a zombie. With smudged mascara. Perfect.

For someone, maybe it would be a fulfilled dream to be in an elevator with Fernando Alonso. Two time World Champion, great driver, loved person. And a dickhead that almost ruined your whole career.

“You look like you had a wild night,” he murmured with a thick Spanish accent. You narrowed your brows, trying to control the anger bubbling inside of you. Was he trying to insult you? You wouldn't even be surprised.

“Perhaps I did, thank you very much.” Your voice lacked any signs of friendliness, clearly trying to provoke him. It was quite funny, really, how a minute ago you didn't have energy to think clearly, and now you were ready to argue with this man over anything. Almost like the magic of despising someone.

You noticed his jaw tensing and knew it wouldn't be good. But still, his words hurt: “Maybe if you focused more on doing your job instead of wild nights out, Alpine would do better.”

The sting in your chest was strong, but by some miracle the elevator finally stopped, and the robotic voice announced the twenty-sixth floor. Even life itself took pity on you, it seemed.

Without any other word, you turned away from Alonso and walked into the empty hallway, hearing a quiet scoff and then the door sliding closed again behind you, leaving you all alone in the darkness. How poetic.

Every door you passed looked exactly the same, and you just hoped you remembered your room number correctly.

You didn't even remember taking out the card and entering your temporary home for the weekend. You didn't remember taking your clothes off, removing the remaining makeup with a tissue because you were too tired for your usual skin care routine. You didn't remember responsibly setting up your alarm and then falling into the soft mattress.

All you could remember before the exhaustion took over were his words that cut deeper than he thought, and deeper than you'd like to admit.

-----

You couldn't believe it.

As you walked out of the debrief, you could basically feel everybody's frustration crawling up your spine, mixing with your own. The team, all the mechanics and engineers, pit crew members and marketing, hundreds of people worked so hard the whole week. And for what?

It was already bad when both cars didn't finish the last Grand Prix in Silverstone. But for it to happen again? That was downright embarrassing. Not only did it bring exactly zero points in the Constructors' Championship, but the drivers were angry, disappointed. You could see that in the team, the motivation level decreased quickly. And honestly, you couldn't blame them.

Last year, Alpine was the fourth-best car on the grid. Best of the rest, as they'd call it. But this season, everything was going terribly. You honestly weren't far from crying.

To lighten up the mood, some of your colleagues decided to enjoy a night out in Budapest before you'd have to fly to Belgium tomorrow, to prepare for yet another racing weekend. At first, you declined the offer, insisting you needed to catch up on some work, do analysis for the car and figure out exactly what happened to it. But then, one of the mechanics you were friendlier with saw your drooping shoulders, and pulled you into the club despite all your weak protests.

Soon enough, you let loose and after an hour, you were a few drinks in. Your head was spinning, a big smile planted on your lips and giggles coming out of your mouth uncontrollably. Not that you had low alcohol tolerance, but the last time you got properly drunk was some time ago. Perhaps you just forgot how it felt. The freedom, the sweet mist of oblivion clouding your mind.

Currently, you were sitting at the bar, sipping on a cocktail. You already enjoyed your time on the dance floor, which tired you more than expected. Thank God you went to the club right from the paddock, so instead of high heels that'd kill your feet, you had comfortable sneakers on.

As you waved at the young barman to give you another round of whatever he mixed for you before, you felt someone's eyes on your back. You didn't bother to turn around, thinking it was just another drunken man checking out half of the women in the club.

Then, someone stood behind you. “The drink's on me, hermosa,” the man said, voice smooth like honey. You froze. You knew that deep, thick Spanish accent too well. What the hell was Alonso doing here?

He clearly mistook your silence for an impressed one, or so you thought when he came to sit down next to you, his hand gently brushing your back. That was the moment you turned your head towards him, eyes wide, and his face dropped. So did yours.

You hoped for a split second you could pretend you were total strangers randomly meeting in a bar for just a little longer when he instantly frowned and his demeanor changed from charming gentleman to pain in the ass.

“Y/L/N,” he uttered it in a way that made you wonder if there was something wrong with your last name. “Guess I shouldn't be surprised to see you here.”

And here it was — the instant wave of anger and hurt he managed to bring up by just a few poking words.

“Says the right person.” You rolled your eyes, the flowing feeling the alcohol gave you before now gone. You felt like you were going to be sick. “I bet if it wasn't me you tried to hit on, you'd bring the poor woman to your hotel room tonight.”

“Careful, or you might sound jealous.”

“Oh, you wish, Alonso,” you laughed humorlessly.

The bartender chose that moment to bring you the requested cocktail you already forgot about. You gave him the cash, though you had no intention of actually drinking it. As always, Alonso left a sour taste in your mouth.

“I see you're drinking the team problems away,” he pressed harder, knowing damn well it was a sensitive topic. You gritted your teeth, reminding yourself to be the better person.

Then you looked into his dark eyes, and your self-control was gone. For some reason, you couldn't stand the look he was giving you. It was full of something that was too similar to disappointment. You hated people being disappointed in you, even if you hated that very person.

Out of nowhere, the alcohol kicked in, and you remembered why you didn't drink in clubs too often — it made you emotional. So stupidly sensitive that you couldn't stop your eyes from tearing up. You shook your head, opened your mouth, wanting to tell him something. Anything that'd make him just as much hurt as you were.

Instead, you bit your trembling lip and abruptly stood up. You almost knocked over the bar stool, though at the moment, you didn't really care.

Was it cowardly to run away from him and his harsh words? Yes, you knew that. But you did it in the elevator, and so you could do it again.

In a rush, you got through other people enjoying their night out, oblivious to the lump forming in your throat. You needed to get out, breathe in the fresh air and just forget about everything.

It was probably nearing midnight, and even though it was late July, you still shivered when you stepped outside the club. Just then you remembered you left your jacket back in the paddock. And you also realized the mechanic and his group of friends drove you here, and you had no idea where you were or how to get to your hotel room.

“Great. Just fucking perfect,” you mumbled to yourself, a few tears running down your cheeks. You wiped them away, willing yourself to calm down. Budapest couldn't be too different from other European cities, so you'd just walk to the nearest public transport station and then see what you could do from there. Yes, that was exactly what you're going to do, and it's going to be okay.

Having a plan calmed you down, at least a little. You walked in a direction you hoped would get you to the center and took your phone out. The battery was low, and you cursed yourself for not charging it during the day.

“Where are you going?” You winced and nearly dropped the phone when you heard the loud voice calling after you.

When you turned around, you already knew exactly who was standing before the club entrance.

“That's not any of your business,” you tried to sound tough, but it came out tired and weak. So instead, you lifted your head, trying to save the remaining bits of your dignity.

Alonso tilted his head, brown eyes studying you for a moment before he made a step towards you. “Don't tell me you don't have anyone to take you back to your hotel?” The undertone of his voice was strange, and if you didn't know better, you'd think it was worry seeping out.

“Oh, then I won't tell you,” you fired back, satisfied with your own answer as you turned around and left him standing there.

You made it around the block when a strong hand suddenly grasped your hand, and you screamed, prepared to fight whoever attacked you.

“¡Ay dios mío!” Alonso cursed and held his red cheek, where there was a clear hand print now.

You stared at each other in shock. You wanted to kill him for scaring you to death, but at the same time, you were relieved it was just him and not a creepy kidnapper.

“I'd say I'm sorry… but I'm not,” you managed to mumble. A weak attempt, you knew that. But it still seemed to wake him from his trance and make him scoff at you in annoyance.

However, he didn't let go of your hand.

“Let's go,” Alonso urged you back towards the direction you came from.

“I'm not going anywhere with you.”

“Y/N, if you think I would let a drunk girl wander around a city she doesn't know, alone, at night… then you clearly don't know me at all.”

It took a few seconds for his words to hit you, and all there was left for you to do was to look up at him with surprise written all over your face. That seemed to annoy him for some reason, but with alcohol still very much present in your system, you didn't have the capacity to think about it too much.

“Let's go,” he repeated, though this time you didn't protest when he started walking towards what turned out to be his car. You knew it very well, from the years you used to work together, for the same team. Silently, you wondered how the hell did he get it to Hungary, but you soon forgot about that.

Fernando unlocked the car and opened the passenger door for you. Your mom would probably tell you to be more cautious about getting into the car of a man you didn't like and were sure he didn't like you as well. But hey, it's still better than being lost in a foreign city, right?

So you sat down, and before you could reach for the seatbelt, he took it and strapped you himself, mumbling something about safety hazards with drunk people. You were so surprised by that unexpected action you didn't even have time to feel offended.

You closed your eyes, the comfortable seat making you sleepy. You heard him get in the car as well and join the night traffic. For a moment, silence reigned and for the first time in a long time, it didn't feel horrible and tense.

“Isn't it illegal to drive with alcohol?” you whispered, eyes still closed.

“I didn't drink anything in the club. Too busy with you.”

Just then, you realized you actually asked the question out loud.

“Sorry for ruining your celebration night. Probably didn't want to leave it with me,” you laughed quietly. When he approached you in the club, he thought you were a random pretty woman with whom he could share a drink and take her to his bed for a fun night.

“Whatever.” You could hear him shrug his shoulders. “Sorry for ruining your night. Though you don't have much to celebrate.”

That made you open your eyes and gaze at him. He was looking straight ahead, concentrating on the road ahead. The lights of the other cars occasionally landed on his face, and you wondered if he was always so handsome, or it were the cocktails speaking for you.

“Wow, even in an apology there's a hidden insult,” you snickered, though there was a small grin on your lips now. Yes, definitely the alcohol speaking for you, you told yourself.

This time, Fernando actually looked at you before he averted his sight back to the traffic. “I wasn't insulting you, Y/N. I was insulting the team.”

You raised your eyebrows, but didn't comment on it. It was pointless to argue over this, he had his opinion about Alpine and given the fact both your cars didn't finish two races in a row, you didn't have exactly the best arguments to convince him otherwise. After all, he was part of the team last year. And the year before.

For the rest of your ride, there wasn't much more said between the both of you. You were tired — not just because of the night out and drinking, but from the whole week, from the whole season.

Finally, he parked the car before a building you recognized. You didn't ask him how he knew which hotel your team booked, perhaps he remembered it was the same one as the year before. Honestly, you were just glad he helped you get out of the car and walked you inside.

Then, you found yourself in an elevator alone with Fernando, again. Though unlike a month ago, he gently held your hand for support this time.

You told him your room number and somehow, he got you all the way in front of the door. You thanked all the saints in the world when you dug the keys out of your purse. After three unsuccessful tries at unlocking the room, Fernando's patience apparently ran out. He took the keys out of your hand and silently opened the lock.

“Thanks,” you muttered, and let him lead you inside your own hotel room.

When the light switch turned on and illuminated all the papers lying around, he looked at you, flabbergasted.

“What's all this?”

You shrug your shoulders and look at him like he was stupid. Which he was, at least in your humble opinion. “Work. What else?”

“Yes, yes. But why is it… here?” He motions towards the desk, nightstands, and bed.

“Because I don't have time to do it all in the office.”

“You work overtime?”

Now you were starting to get irritated.

“Yes, I work overtime. Maybe if you weren't so insistent in thinking I'm a dumb party girl ever since I made one stupid mistake in your car's analysis a year ago, you'd see I'm actually trying my best.” You hated how hurt you sounded, pathetic in your own ears.

But honestly, who was he to judge you? You never actually stood up to him before, defended yourself against his mean words. You always sucked it up, let him complain about you to your boss, who almost fired you because of the driver's obvious distaste for you. And when he left the team at the end of last year, you never tried to contact him, talk to him. Fix your non-existent relationship.

Today, though, you had enough. Maybe it was the alcohol giving you courage, maybe it was his shocked face when he realized you actually did your job.

“Y/N, I-”

“Get out,” you said in a tone that didn't allow for any objections. Fernando seemed to understand, but the pained expression didn't leave his face when he slowly walked to the door. Like he didn't really want to leave, like he desperately wanted to tell you something.

You didn't care about him. He never cared about you before as well, did he?

And so, with one last, regretful look in his dark eyes, Fernando Alonso left your hotel room. When tears ran down your cheeks, you weren't sure why you were even crying.

-----

You were avoiding him after that. It wasn't the easiest thing to do, but you managed and after surviving the Belgian Grand Prix in Spa, you were excited about the summer break as never before. Almost a whole month without races, which meant you wouldn't have to meet anyone from the other teams, including Fernando.

Usually, the team worked tirelessly through the summer break — it was a great chance to have a proper look into the car's engine and come up with new ideas and improvements. God knew you needed that. Typically, you were amongst those loyal employees, basically living in the Alpine headquarters.

However, this year you really wanted a break. So you used your vacation days and stayed in your flat, finally sleeping like a normal person for once, eating home-cooked meals instead of team catering and enjoying the summer, though the weather could be better in England.

It was the start of August when you started finding flower deliveries on the threshold of your door. First, you thought it's a mistake, though what woman would refuse a beautiful bouquet of her favorite flowers. When it happened a whole week in a row, you thought about having a secret admirer or, in the worse case scenario, a stalker. Though, you still took the flowers inside every morning, cherishing them.

And then, one day, there was an envelope attached to the bouquet, and you had to curse yourself for being so, so stupid. Of course it's him, Fernando. Begging you to talk to him, to let him explain. One dinner, he said. One dinner, and then he'll let you go on about your life.

When he tried to write a poem in the middle of August, you finally gave in. You found his old phone number saved amongst many other contacts and sent him a simple “okay”.

The next morning, there was a time and address of the restaurant in the envelope.

You didn't let yourself get too excited about any of it. It's Fernando Alonso, the man who almost caused you to get fired from your dream job, the one that was so mean to you after making wrong assumptions about you and your way of life. Yes, he was trying now, but was that enough?

When the taxi dropped you off in front of the fancy restaurant, you took a deep breath. You had a simple dress on, light makeup, and a few accessories.

You walked into the empty restaurant. The waitress smiled at you when you told her the name of the reservation and led you to the only set table. You could see the deep brown eyes looking directly at you from afar.

Suddenly, nervousness settled in your stomach. If you didn't know better, you'd think this was a date — it certainly felt like one.

Without a word, he helped you sit down on a chair across from him and the waitress handed you the menu. It was without prices, but you were certain this place was lavish and expensive. Perhaps Fernando didn't want you to worry about it and let you order anything you wanted. And you tried not to be too impressed by that.

“You look very beautiful, hermosa,” he spoke after a minute of tense silence while you pretended to be interested in the menu. You didn't miss the fact he used the same nickname like that night in the club, when he thought you were someone else.

“Compliments won't make it easier for you.” Maybe you lied, because you liked him calling you beautiful.

“I know, but I couldn't help myself.”

The waitress came back with a bottle of wine that Fernando must've ordered before you arrived. You took a sip and it tasted like heaven. It almost made you forget about everything, almost.

“Please, can we talk?” You never heard his voice sound so… unsure.

“Aren't we talking right now?”

“Y/N.” The way he said your name was so soft, so delicate.

“Fernando.” You saw him flinch, and you realized it was probably the first time you called him by his first name. Suddenly, the whole situation felt more intimate.

He gulped, but there was determination written all over his face. Fernando Alonso wasn't the type of man to give up, you knew that. His amazing racing career was proof of that.

“Listen to me, please. I know that you have the right to never speak to me again after how I treated you. But I want to fix it, Y/N.”

Those brown eyes were going to be the death of you, burying themselves into your soul, your heart.

“I want to fix all of it, Y/N,” he repeated with all seriousness. “If you let me,” Fernando added.

And how could you say no to him? Deep down, you always admired him. Liked him, even. Before that fuck up with his car's analysis, you thought he might like you back. You always wanted his approval, and that was one of the reasons why his words and insults hurt so much.

Sometimes, people deserved second chances. Especially when they were looking at you like you hung the stars in the sky.

Slowly, you nodded. “I think I might let you, Fernando.” You smiled, liking how his name felt on your tongue. “But it's not going to be easy, I'm telling you that,” you warned him with a raised finger.

“I wouldn't dream of anything less,” he replied with a thick Spanish accent that was stronger when he felt emotions. Fernando returned your smile and clinked his glass with yours.

-----

Brazil was a good race. Both Alpine cars ended up in points and Fernando, your Fernando, got another podium. You clapped along with others during the podium ceremony, eyes just for him. A proud feeling settled in you, and as he accepted his trophy for well deserved third place, he looked down at the gathered crowd. Mostly people from Aston Martin, McLaren, and Red Bull.

And then there was you — in your Alpine t-shirt, clapping for the driver who scandalously left your team last year, without a care in the world. That was when he knew he loved you, and that he'll always will.

You knew you loved him too when, after all the celebrating around the circuit died down or moved to clubs and private parties, instead of going to his hotel room, he knocked on the door of yours. Checking on you.

“Hermosa, I hope you're not working.” He rolled his eyes as he stepped in, seeing you indeed staring into your notebook at some data he probably shouldn't see as a part of a rival team.

“But Nando, I need to finish these-”

He cut you off the best way he could — hugging you from behind, gently turning your head towards him and placing his lips on yours. You instantly melted into the kiss, giving up the fight before it could even start.

“I think you need to properly celebrate your boyfriend winning,” he smirked, biting your lip teasingly. You felt like a teenage girl when the butterflies took off in your stomach.

Fernando slowly walked you to the bed, never parting your lips, as if his life depended on kissing you. You sat on his lap, your hips grinding against his as you moaned into his mouth.

And he couldn't help himself. He wanted to take you out on a magical date and tell you there, but how could he keep it a secret when you were sitting on him, so beautiful that his heart clenched. Smart and pretty girl. His smart and pretty girl.

“Te amo,” he whispered into your sweet lips, and your breath caught.

You pulled back a little, looking at him, silently asking if you heard him correctly.

“Te amo, Y/N,” he repeated. You knew enough Spanish for your eyes to tear up. “I love you very much.”

There was a heartbeat of silence, probably the longest one in your whole life.

“I love you too. So much,” you whispered back. And then, for him: “Te amo, Fernando.”

Now it was his turn to tear up, hold your face in his hands and press your foreheads together.

Perhaps the fate and its plans for you weren't so horrible after all.

THE END

Author's Note: Wow, if you read it all to the end, thank you very much! I'll be glad for likes, comments, reblogs, follows and every other way of support. Let me know how you liked this story and if you'd maybe like another oneshot from this "universe" because I have to admit, this version of Fernando and Y/N kind of grew on me... Have a great day and see you at the next post! :)

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