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#i thought i was over this particular segment of their lives but Perhaps Not
theinfinitedivides · 2 years
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33, ‘across the room’ for Rahul/Anjali???
आरपार. — lit. across. ( crossposted on ao3. one-shot. )
They do not have his father's blessing, but that does not change what already is. She is still sitting there, one arm settled above the slight swell of her stomach, and there is still the ghost of the warmth of the weight of his hand, the span of it, all finger to thumb spread across their son—she knows it is a son, draped beneath the fabric of her kameez—and then, still, the way that he has stopped weeping at last, and has crossed the length of the room, standing in the doorway as if he does not want her to hear him in case he resumes. He is silent for a long while, after that, shadow cast across the threshold, chasing after what little light is left, his gaze caught on the curve of her jhumka. It is, it seems, a distraction for him, something to buy time, but she does not prod. She knows that he will speak, eventually, and so she waits, and allows him this, since no one else will and there is no one else who has.
I hope, he says, once he has composed himself as best as he can, that I am not hurting you, but what he means to say is I hope I have not hurt you not with this never with this I would not be able to bear it. What he means to say, with that smile of his, hollowed out with grief, is that he does not want to burden her with the thought of a child, with the thought of someone who could make her a mother and then leave her, like he has had to leave his own. What he means to say, since the thought is already here, is that he does not know if he will be able to prevent it, this leaving, and he does not want to have to apologize. She hears all of this, somehow, and yet none of it. Even in this, there are the sound of bangles, still coming up from his throat, and she cannot smile. Even in this, his hands are still shaking.
So she calls him back, and lets her hands cord through his hair, and lets him press himself to her hipbone like he is afraid that she will break—like he is afraid that he will break—and says nothing. She does not think there is much more he can say in words, from that distance, that will allow itself to leave him. She does not think it will be worth it now if he tries.
(send me prompt requests!)
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mediumgayitalian · 4 months
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The rules of Persephone’s garden don’t apply to him.
He’s not entirely sure why. He’s mortal, or at least half. No ichor flows through his veins, not that it helped Persephone. Perhaps it is because he already spends so much of his time in his father’s kingdom; perhaps the Fruit of the Underworld has lost its potency so far removed from the Ancient Lands, so long after Pam’s death.
Regardless, Nico gets to indulge.
Anything from the roundest, sweetest apples to the bitter tang of pink grapefruits, he has sat under the poplar trees and devoured. He likes fruit more than any other food group, more than any other taste. He has always had a sweet tooth. And his eyes eat as much as his lips, drinking in the glimmering sheen of dimpled lime peel and delicate pearls of round concord grapes. He has made himself sick eating strawberry after strawberry.
But his favourite, without question or pause, is a clementine.
The best he’s had, secretly, was not in his stepmother’s garden but in a tiny orchard in Algeria. Engineered for generations by human hand and grown under wide, sparkling sun, the skin had been bright and fragrant, pith minimal and pleasantly bitter, and thin-skinned globules of flesh so plump with juice they’d begged to be burst under his teeth. He’s dreamed about those clementines every week since he’d eaten them. If it wouldn’t kill him, he’d jump to the north African country every day and buy them in swathes.
Unfortunately, at camp, he’s stuck with what he’s got.
But they aren’t so bad.
“You have a sweet tooth worse than anyone I’ve ever met,” Will grumbles, poking at his shoulder. “And when she was 11, Kayla lived off Nerd ropes and Gushers for two months.”
Nico cracks a smile. “Kayla’s continued existence astounds me.”
“I do genuinely think she’s a medical marvel.”
“Don’t tell her that.”
“Believe me, I wasn’t planning on it.”
For a while there’s nothing except the tearing sound of Nico ripping off the peel of his citrus. He’s skilled enough to remove it in one go, but sometimes, as a random challenge, he tries to remove it in a certain shape. Today, for no particular reason, the peel comes off in the shape of a heart.
“I can feel you eyeing this,” he says, shooting an exasperated look over his shoulder. Will smiles small and guiltless, in response, raising and dropping his shoulder.
“Dunno what you’re talking about. Just wishin’ you’d eat a vegetable or two.”
Liar. Well, that exact sentence isn’t a lie — Will is such a bad vegetable pusher that he is often teased about secretly owning a farm — but it’s not what he’s thinking about. Nico isn’t stupid.
He sighs. “Here,” he grumbles, wedging his thumbs between the two hemispheres of the fruit and tearing. “You can have half.”
Will brightens. His smile is like clouds clearing, like the give of a snapping elastic. Startling, demanding, storm-cracking and loud. Eye-catching in every possible way.
“Thanks!”
He holds out a cupped palm, and Nico rests half the fruit inside it, fingers brushing the heel of his hand for no justifiable reason. It’s callused — most of his hand is callused. Nico wants to trace the outline of them, with his fingers and then his tongue.
He watches as Will brings the fruit to his mouth, happily munching on the whole thing without bothering to separate the sections, like always. Nico winces.
“You’re barbaric.”
“It goes to the same place! There is not logical reason to eat it section by section!”
“If the sections weren’t meant to be eaten one by one, they wouldn’t be naturally separated, you heathen.”
“Corn is naturally separated. D’you eat that kernel by kernel?”
Nico hates being friends with smart people.
Will laughs, and Nico’s eyes flutter shut, savouring.
“That’s what I thought.” He pops the last bite in his mouth, chewing and swallowing and smiling his dazzling smile, after, sticky citrus juice making his lips look shiny. “Thanks for sharing, Neeks.”
“Course,” murmurs Nico quietly, hiding his smile behind a segment of fruit. “Anytime.”
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waheelawhisperer · 2 years
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Every so often, I hear people say that Adam Taurus was wasted potential, and I am of two minds about this. While I certainly don't think he needed to be the morally gray revolutionary certain segments of the fandom insist that he was before the evil writers ruined him, I do think he (or, perhaps more accurately, the White Fang plotline as a whole) represents a missed opportunity - namely, he has no connection to Weiss whatsoever.
The conflict between the White Fang and the Schnee family/SDC is central to Weiss and Blake's dynamic in the early Volumes. They first fall out when Weiss reveals her racist attitudes at the end of Volume 1. During this story arc, we learn through Blake how the rest of the world (and Weiss's family/family company in particular) treat the Faunus, why Blake felt violence was the only solution left to her if she wanted to obtain equality, and we learn the effects that violence had on Weiss - the White Fang killed people she knew on a personal level, and her father took his frustrations out on her family. The end of Volume 1 establishes Weiss as an important component of the White Fang storyline and establishes the White Fang as an important part of Weiss's personal narrative.
Other parts of the early Volumes support this: Blake's first interaction with Weiss is dunking on her family company, Lieutenant Banesaw expresses pleasure at the thought of killing a Schnee, Roman Torchwick riles up a crowd, Weiss's big goal is to redeem her family name, etc. and we get more evidence in Volumes 4 and 5, where we see what Jacques is like in person and learn that Ilia lost her parents in a mining accident. All of this is setting up Weiss to be important to the resolution of the White Fang plotline, and yet she never really feels connected to it after Volume 3 at the absolute latest. She gets over her racism with minimal struggle, no one ever bothers mentioning it again (because that plot is done and it's on to the Next Cool Thing), and she and Blake eventually become comfortable enough with each other that Blake casually roasts her.
The reason (or one of the reasons, at least) Weiss feels so disconnected from the White Fang plotline is because Adam is the primary representative of the White Fang we see on screen, and Adam does not give a shit about the White Fang except as an instrument of his own will and power and vengeance, a tool which he can wield to make the world hurt the way it hurt him, something he can use to repay real and imagined slights tenfold.
I always find it funny when people say that making him abusive and self-centered violates his established characterization when:
A) He'd been on screen for like 5 minutes at that point and didn't have much characterization to contradict to begin with.
B) His literal first appearance involves him expressing his willingness to harm innocent people who were just doing their jobs (unless you think everyone who works for a crappy company is complicit in that company's misdeeds, but we see no indication that the workers on the train were doing anything more morally reprehensible than earning a paycheck).
C) His next appearance involves him showing up after one of Cinder's operations cost some of his subordinates their lives and got others arrested, showing no concern for any of them, and confirming that he'll ensure any dissidents fall in line.
D) The only scene that could potentially support the interpretation of Adam as someone that actually cares about Faunus rights takes place when he can't afford to lose face in front of his men. Considering everything else he does during his time as part of the story, it seems pretty clear that he's just posturing in order to maintain the loyalty of his troops.
The Adam his fans want to exist was probably real at one point, sometime long, long ago. He probably did care at one point, given that he was apparently willing to follow Ghira's lead until Sienna encouraged him to employ violence more readily, he started receiving accolades for his ability to kill people, and his newfound standing in a White Fang that was turning more openly to violence in general went to his head, but that Adam was long gone by the time he started playing a major role in the story. By the time Adam mattered to the narrative, everything was about him, not the cause.
On the one hand, making it so that Adam never interacts with Weiss is an interesting way to demonstrate how small and petty and selfish he is, how everything in his life is about how it affects him personally. He doesn't go after Weiss because she's less important to him than Blake and Yang, who (he thinks) hurt him more recently and threaten his power. The Schnees don't matter to him the way they do to his subordinates, even though he has an SDC brand on his face, because all Adam wants to do is hurt someone, anyone, the way the world hurt him. He's happy to attack the Huntsman Academies despite those not exactly being the fountains of injustice that plague the world of Remnant because they happen to be convenient targets that his allies are giving him the power to destroy. He's lashing out at whoever and whatever he can. Weiss doesn't matter. The SDC doesn't matter. Equality doesn't matter. Salem's targets or the consequences of attacking them don't matter. All that matters is Blake, who defied his power over her and made him feel weak. He targets her parents and maims Yang to hurt her. She's his priority even when he's in control of the White Fang. Even Yang only matters to him because she represents a threat to his control over, his ownership of, Blake. Ultimately, it's not even about Blake, it's about Adam's need to be powerful and in control.
On the other hand, Weiss is inextricably intertwined with the White Fang storyline and Adam is its primary representative, which means those narrative threads should've gone somewhere. The closest Weiss ever gets to confronting her family's complicity in the oppression the Faunus labor under is her conflict with Blake. She doesn't get a meaningful confrontation with any member of the White Fang besides a background character who mostly existed to give her someone to lose a fight to and her own teammate, who had already left the organization. The other side of that storyline, her connection to the SDC, fizzles out when her mother hands her the evidence she needs to get her father arrested with minimal effort and Ambrosius casts Meteor using Atlas as the projectile.
This is one of many reasons I hate the way they killed Sienna Khan off the way they did. If she'd survived, if Adam's faction had been a splinter group in truth, we could've positioned Sienna as the member of the White Fang with the conflict with Weiss and Adam as a more personal antagonist for Yang and Blake. We could've had Weiss express the frustration Sienna's White Fang caused her and given Sienna the chance to air her very legitimate grievances with the Schnee family, call Weiss a spoiled child, and all the other good stuff that comes with their ideological conflict. Give Weiss a real good look at who her family's hurt, let her come to terms with the damage Jacques caused to people outside her immediate circle, make her desire to redeem her family name mean something by showing her exactly what the world thinks of it. Hell, let her talk to Ilia. They had the chance for that, she was literally right there at the start of Volume 6, but I'm pretty sure by that point they were trying to close off the White Fang plotline as quickly as possible. I'm pretty sure the writers have never really been comfortable writing the fantasy racism storyline, which is a shame because I think it could've been really good if they'd knuckled down, done their research, and really engaged with it. Unfortunately, they didn't, and we switched gears to Salem on top of that and everything else kind of fell by the wayside.
Do I think RWBY could've told a good story if Adam really had been the morally gray revolutionary, the badass antihero, that certain people seem to think he either was or should've been? Honestly, yeah, it's not like that character archetype hasn't proven successful before, and edgy weeby characters can absolutely work, but also, like, I don't think RWBY needed to go that route, nor do I think it would have been significantly better if it had. Can't say I'm super thrilled about the decision to give Adam a brand on his face and then just... never really engage with that or acknowledge that literally being marked like livestock suddenly made him a lot more sympathetic and had implications for the worldbuilding, but overall I'm pretty fine with how they handled him.
In conclusion, goatman a bitch.
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inkwolvesandcoffee · 2 years
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Ink & Rum Raisins (Alfie Solomons x Reader, Modern AU)
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(Credits for the images in the moodboard go to their respective owners. The absolutely gnarly Anubis is by @/dugagau (IG))
Genre: Romance, Humour, Modern AU
Pairing: Tattoo Artist!Alfie Solomons x Dutch Fem!Reader
Word Count: 12.3K
Warnings: a lot of swearing, Alfie being a gentleman, size kink, unrequited crush/love/lust (or is it? Also, I’m sorry, but the reader, like me, has a thing for older men), allusion to smoking/vaping, allusion to past violence
Summary: Prequel to Mokum Part 1.
Alfie
There was once a little dove, yeah, who found herself in a shithole of a place called Birmingham. Little brave thing that she was, she flew over the wolves living in it, looking for the one she had business with. Now, this wolf, right, was already an older chap, greying and with a bloody bad leg. He was, no, is the King of Camden. Anyways, the little dove found him and the wolf and her agreed upon a contract, according to which he provided his services. He soon found himself rather charmed by her, perhaps because he reminded her of days gone or because she awakened something in him, a reminder of a fantasy he hadn’t dare to fancy in a long time. And that’s why he coaxed the little thing into a deal.
Because he’s a selfish, in her words, bastard.
Caught between vice and virtue, unsure which of the two she is.
Y/N
I had heard the stories about the eccentric Alfie Solomons, owner of King of Camden Ink in London. However, when he announced he’d fulfill a guestspot at Shelby Tattoo Company in Birmingham, there was no way I could pass up the rare opportunity to be tattooed by one of the biggest (though infamous) names in the industry and get myself one of his gnarly yet gorgeous pieces.
In hindsight, if I had to do anything differently, I would have picked any other spot on my body but my thigh, simply to save myself from transforming into a bumbling fool. However, I would happily relive the whole experience even though it was quite... turbulent, to say the least. And, I’ll be honest, Alfie’s a bit of a bastard. Nevertheless, I’d do it all over again.
I wonder if butterflies see the potential danger in roses. The thorns, I imagine, could rip their wings if they come too close. Fancy could be their downfall. Then again, they never live long, do they? 
Author’s Note: Oh my days, it’s at last, the first segment in the behemoth this Alfie Solomons romance has become. This particular story started out as a one-shot, but gradually grew longer and longer up to the point I now have at least enough of a story to write a novella. 
Bloody hell, anyways, I made the reader Dutch because I’ve never seen anyone do that before (mind, I’m willfully ignoring the Dutch fanfiction I’ve come across because it was... not good, and that’s putting it politely) and since I’m Dutch myself and this tale is based upon actual events and conversations, I thought, ‘‘Well, why the hell not?’’
Also, this is the first thing I’ve written and edited since my thesis, so if it sounds rather formal or even academic in places, it might be because of that. I’ve yet to get accustomed to writing fiction again.
But, without further ado, kick back, relax, and enjoy the story.
Monster Masterlist / TH Masterlist
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Having jolts of electricity shooting throughout your body and making your hands a bit jittery while your stomach seems to tie itself into a permanent knot is only natural when something exciting is about to happen. And as long as there is coffee nearby, the nerves can be fairly contained. In my personal opinion, that is.
However, when getting tattooed it’s better to not drink coffee before the appointment and let your emotions run wild. Now, I can only confirm for the former it helps the tattooing process because you do not want to start bleeding more than might be the case in a non-caffeinated scenario. The latter, on the other hand, is perhaps worse than a caffeine overdose. What also does not help my current case is entrusting part of my body to a man, regardless of his talent.
Another unhelpful detail is that I am about to go to a shop where practically only men work. Although, if I’m lucky, the two resident female artists have an appointment today too. We don’t have to have a conversation, interact at all, but it would make the environment more pleasant if I’m not the sole feminine presence.
Then again, I suppose I brought this down on myself. When I saw that Alfie Solomons would have a guest spot at Shelby Tattoo Company, I knew I had to get an appointment somehow. A holiday to Birmingham and getting a tattoo by a brilliant artist? Two birds with one stone, count me in.
Alfie has become somewhat of a celebrity in the tattoo community thanks to his art, inspired by various religions around the globe, specifically focusing on its monsters, demons, and other animal symbolism. The designs are gnarly yet awe-inspiring, the blacks stark and each element easily discernible despite the dark ink. For this specific guest spot he noted he’d only do flash and wanna-dos. Fortunately for the both of us, I’m obsessed enough with ancient Egypt to dedicate a part of my skin to the god of its Underworld and the dead.
The skin of my right thigh, to be precise.
And that’s where the problem lies. 
For my other tattoos, I went to a women-run tattoo studio because I’m more comfortable with having a woman tattoo me. That is, of course, not to say all male tattoo artists aren’t to be trusted, because there are genuine sweethearts out there, and that women can’t be predators or walking red flags themselves. I, myself, have simply heard one too many tales of a woman being mistreated by a male tattoo artist to entrust them with the intimacy that comes with getting a tattoo.
Quite a contradiction, innit, considering the fact I’m about to let Alfie, a bear of a man, tattoo my thigh? Let’s call it a leap of faith, spurred on by incredible talent no one else possesses.
A sacrifice of principles in the name of art.
Sounds rather poetic when I put it like that. Better than ‘I want new ink and that Anubis looks fucking awesome. I want it. I’m gonna get it. Don’t care if I’m gonna have to travel.’
Yes, a sacrifice for art. We’ll keep it at that. 
The bus stops on Victoria Street, a small straightforward walk away from Shelby Tattoo Company in Small Heath. Red brick worker’s houses line the wide cobblestone street, the occasional old storefront among them hinting at what the edifice was used as in days past. Stone steps inlaid in a patch of grass lead up to the main street, an older couple descending them. The woman holds firmly onto her husband, her arm looped in his. He, in turn, clutches the railing for dear life. Nonetheless, it’s a sweet sight, an affirmation Love and Romance still exist.
‘‘The destination is on your right. Shelby Tattoo Company.’’
I turn off the navigation and tuck my phone into the back pocket of my jeans. For a second I remain unmoving, merely looking at the handle of the door. 
Breathe in… breathe out. It’s gonna be fine. It’s gonna be okay. Alright, let’s go!
The mental prep has done little to still the tremble in my fingers, but my racing mind becomes eerily clear when I push the front door open. 
The single step across the threshold must have been noisy or his hearing is like a bat’s because my entrance rouses the bulking figure in the corner of the shop. He’s clad in a white shirt and jeans, his long brown hair tousled and haphazardly slicked back as best as possible. 
The man spins around on his stool, the movement languid and wary. A brief silence settles in, a moment in which we look at each other quizzically. In fact, it might even be safe to say we’re trying to estimate each other, guessing at how much danger hangs in the air.
“Can I help you, miss?” he asks, a note of caution in his Cockney accent as he strokes his beard. 
“I- I have an appointment. W- With Mr Solomons,” I stammer, feeling like a child caught red-handed trying to steal a cookie.
And that immediately shows how much of an actual threat I am
“Ah, Y/N! Shalom!” Alfie rises to his feet and swaggers over, precariously balancing his weight to hide his limp as best as possible. His broad shoulders block out the light as he comes to a halt, a polite distance between us. I tilt my head to look up, mentally cursing my genes for making me a head shorter than him and myself for the flutters of a butterfly storm in my stomach, caused by the height difference. “Welcome.”
He tilts his head and huffs, strangely amused. “I see you’re wearing new pants.”
“How- How’d you know they’re new?”
This is already getting sus. Maybe I should turn tail and run.
“I follow you on Instagram,” he says matter-of-fact and shrugs. “I saw you had a new Story, one about buying pants to get tattooed in.”
“You,” I point at him and then at me, still not registering his words, “follow me? On Instagram?”
“I do,” Alfie casually confirms. “If you don’t believe it, go see for yourself.”
He gestures for me to grab my phone.  “Go on, check.”
My face pales when the follow button turns a light blue and states follow back. 
Oh God, he’s seen my Stories. Seen my cat Stories. All the bullshit I posted.
Alfie leans in, the light providing extra definition to his toned arms, crossed firmly over his chest. “I don’t think you looked like shit. Those jeans look good on you.” The glee of being proven right melts into a curious pondering. “Boyfriend jeans, was it? Yeah… They look good on you.”
What does he mean by that? Is he flirting? Or is he being himself? I mean, I’ve heard he’s a bit eccentric, but what do I do?
Apparently nothing, because my feet are rooted to the spot, my mind erupted into pure chaos with not a single coherent thought thinking of walking out the door. So I remain where I am, still like a statue.
Until Alfie claps his hands. “Right! I won’t lie and say I’m not ecstatic about you picking the Anubis design.” 
He turns around and walks to his station to grab something. After a quick search, he returns with two pieces of paper and his tablet. An expression like water has been poured over him to wake him from a dream passes over his face. A funny contrast with the warm gesture towards the worn leather sofa.“Where are my manners? Please, sit down. Tea? Coffee?”
“Ah, no, thanks. I’ve already had two cups of coffee and I don’t want to turn into a bouncy ball.”
“Water, then?”
“Yeah, sure.”
“I printed the design in two sizes, the original and a smaller one. I think both will work fine, but I’ll leave the decision up to you. Also, I’d like my clients to fill in a form. It’s kind of a dossier, right, only accessible to me of course. It’s due to the new regulations on ink, you know how fond the authorities are of control and paperwork, and to document which ones I used in case you get a reaction. It’s also nice to know, in general, I have your consent to place the tattoo. All you need to do is put your signature on the line at the bottom.” He puts the pieces of paper on the coffee table and carefully hands the tablet and stylus over.
I look over the form, fill in the missing details, and sign the form. In the meanwhile, Alfie pours a glass of water, judging by the sound of an opening and closing fridge from a bottle rather than the tap. 
“Piece of lemon?”
“Pardon?”
“Lemon? Would you like a slice in your water?’’ he patiently repeats, adding playfully, ‘‘It’s wonderfully refreshing.”
“My, what luxury!” I exclaim in a terrible imitation of a posh accent.
“I only want the best for my clients,” he says, though it’s unclear whether he’s serious or playing along. All the same, with a bit of a show, he grabs a cutting board, a knife, and a lemon from the net sitting in the corner of the counter. Sonorously, he hums along with the jazz song that plays over the speaker as he slices the fruit and adds two slices of it to the glass of water.
After washing his hands, he holds out the glass like a butler would. “Here you are, madam.”
“Thank you,” I say, cheeks warm. “Let’s trade. Here’s your tablet back.”
“What’s your email?” he asks after looking over the form. “I’ll send a copy to you. It’s always good to have a backup of important documents like this, innit?”
A brief flash of confusion passes over his face when I tell him the part of my email which contains my last name. Unable to suppress a giggle, I resort to spelling it out to not subject him any further to the difficulties of the Dutch language.
“Hold on, slow down.’’ He mumbles the letters to himself, the stylus making soft tick tick tick sounds. ‘‘Alright, carry on.’’
The last bit is evidently easier to keep up with. Everything noted, he turns the screen to me for a final check. ‘‘That correct?’’
I nod in confirmation
‘‘Alright. Now let me just… there. Sent.’’ The furrow in his brow smoothes out now the paperwork is done. Alfie puts the tablet on the coffee table, sits down and leans back in the chair across from me, thick fingers entwined. ‘‘So that’s how you pronounce your last name?” 
‘‘Yep, but I do admit I anglicised it. In Dutch it sounds like this.’’ With a little mental effort, I temporarily suppress the innate tendency to use English. An effort well-spent since it earns me the joy of the look of utter befuddlement anyone who is not acquainted with my native tongue gets once they hear it.
“Okay, now, see, I did not expect such a last name after hearing you talk.”
  I tilt my head, puzzled. “How’d you mean?”
“Your accent and last name don’t add up. Unless you’re married, but you’re not, are you?”
I shift in my seat, uncomfortable with the mention of marriage. “Where’d you think I’m from?”
“Either Dublin and Belfast, but now I’m leaning more towards the latter.” A mischievous though well-meaning grin tugs at the corners of his lips. “You have a tendency to go down with your intonation and your speech almost has a slight underlying growl like they have in the north. Do you have family there?”
“None. I have no ties to Ireland aside from my travels.”
“Do you mean Ireland as one country or do you make the distinction between the north and south?”
It’s the Republic and the north, but I’ll let it slide.
“Are you asking my opinion on the border?” I ask, a wary tone in my voice.
“I think I already have my answer.” Like a pleased cat, he entwines his fingers only to individually crack them a moment later. “Anyways, let’s not talk about politics. It’s all the same, toffs unable to agree on what they think is a matter of the common people like you and me but is essentially a bureaucratic quarrel that’s nothing to do with the public whatsoever. Sharks eat fish smaller than themselves to survive. Big fucks small always.”
He clears his throat and leans forward. “Have you decided yet?”
“Well…” I start, overwhelmed with thoughts of the various outcomes and permanency of the matter. 
Before I can make an attempt at a proper answer, Alfie picks up on my indecisiveness. “If you want, you can try both. We’ll tape both sizes to your leg and you can tell me which size you prefer.”
“Sounds good,’’ I say, letting out a small sigh of relief. ‘‘First, though, let me put my shorts on. Where’s the restroom?”
He points to somewhere behind me. “Behind the door with the chrysanthemums.”
I stand up, grab the pants from my backpack, and slip into the restroom. It only takes a minute or two to change, but nevertheless I find myself unable to go back out into the studio right away.
I bought these especially for today. Shit, he saw that Story too, didn’t he? And what if other men walk in, be it clients or tattoo artists? What will their first thought be?
A gentle knock on the door violently jolts me back into reality. On the other side, a familiar baritone voice calls out, concern evident in the simple question. “Y/N, you alright?”
“Yeah,” I answer, opening the door a crack and slipping through it, “I’m fine.”
Alfie takes me in, gaze unwavering and expression unreadable. His body also shows no hints eluding to his train of thought. The peculiar investigation ends with a low hum.
What was that? Does- Can he read me like an open book? Is that what he just did?
Without knowing whether he did and hesitant to ask, I let the matter rest. 
We move over to the large mirror covering the wall nearby his station. The tattoo artist makes a brief detour to his station to put on a pair of black latex gloves before sauntering over to kneel down. For a second I wonder what it would be like to cup his cheek, how his beard would feel against my palm as I’d turn his face to make him look up at me.
Part of the fantasy comes true, because he lifts his head. “May I?”
More than a second passes before I register what he means. Then I notice his hands a few centimetres from my thigh, ready to place the first design, the one with the original size. Instead of an answer, too afraid of what might come out of my mouth, I swallow and nod.
With precision, he sticks the piece of paper to my skin, smoothing it out to display its full potential. Smiling proudly, showing his slightly crooked teeth, Alfie rises to his feet and puts his hands on his hips. “What do you think? We could also mirror the design, but that would make Anubis face your…” he vaguely gestures, struggling to find the words that are polite enough. Evidently, he can’t find them, settling for “you know.”
I model the design, twisting my leg this way and that, all the while trying to ignore Alfie standing with his arms crossed in the background. However, there is only so long I can close him out so eventually I search for and meet his eyes via the mirror, furiously trying to hide my nerves under only a half-feigned expression of exhilaration. “Let’s do it.”
“Are you sure? You don’t want to try the other size?”
I turn around, forcing myself to maintain his gaze. “I’m a fairly small person, so I think the size is just right.”
“No mirroring?”
“Nah, let’s keep it classy.”
The low chuckle rising from the depths of his throat ignites a pleasant warmth that spreads throughout my body. “If the lady says so. I’ll get everything ready, so sit back with a snack or, if you want, there’s plenty of time to go outside for a smoke.”
“I don’t smoke, so I’ll go with the former,” I say as I plop down on the worn leather couch.
“That’s likely the better option of the two. Nicotine and tobacco are vices, ones I’m only too guilty of indulging in. Although, I’ve recently switched to vaping. Less stank, less laundry, better for the environment and clients.”
“I don’t mind the smell of cigarettes too much, but I do admit I prefer the smoke of vaping above that of regular smoking. Sometimes it smells quite good, actually. Kinda sweet.”
“Depends on the cartridge. See, like whiskey, yeah, the flavour is dependent on the environment, the way it is brewed. I prefer rum myself, though.”
“I’ve never tried it.”
Alfie turns away from the printer busily cranking out the stencil. “You never had rum?”
I shake my head. “I generally don’t drink, but if I do, I tend to stick to my favourites. Licor quarenta y très, amaretto, limoncello, Guinness, whiskey.”
“Irish or Scottish?”
“Generally Irish.”
“Of bloody course,” he chuckles. “My family has a rum distillery, based near London, but we sell the stuff throughout the country in shops run by family members, of course. There’s one in Birmingham, so if you tell them I sent you, I’ll make sure there’s a bottle ready for you. Free of charge, of course, because it’s the least I can do to save you from that sin.”
“The sin of not knowing the taste of rum?”
“Exactly! When are you leaving England?”
“Tomorrow. And, unfortunately, I only have hand luggage, so there is no way I could take the bottle with me.”
“Hm, that’s too short notice…”
“We can make good on this later? I mean, this isn’t the last time I’ll be in England.” I cross and uncross my legs, feeling rather self-conscious. “Or we could meet at a convention? I don’t know whether you’ll be attending one in Holland any time soon, but-’’
“I’ll be attending the Amsterdam Tattoo Festival in September,” he interrupts me, fortunately saving me from having to finish a sentence I don’t know how to continue. “We could meet then, if you’d like? Or are you planning to go to the London Tattoo Show?”
“Unfortunately, I have to skip that one since I don’t think my bank account will allow it. Especially considering I’m planning to quit my job soon and do some travelling around Scotland and Northern Ireland for about a month, which won’t be cheap.” He mumbles something under his breath in response, the words bleeding into each other to form an incoherent mess. However, the disagreeing tone is a hint that he disapproves of something, whatever it might be. “But I’m planning to go to Amsterdam too, so, could we- we could-’’
Stop being such a coward. Just ask already, for God’s sake! 
“I’d like that,” Alfie cuts in as if he’s read my mind. Stencil in hand, he turns back to me, his features soft. “Gives me plenty of time to make good on my promise.”
We return to his station, a polite distance between us. Alfie sits down on the stool and grabs a disposable razor, which he puts down again with a hint of slight surprise after inspecting my leg. “Already shaven, eh?”
I run a hand through my hair while my stomach quivers. “Yeah. I thought it would be polite. Also, I can’t stand my legs being hairy. My arms neither.”
“I wish more people had that mentality. Then again, humans tend to be selfish creatures,’’ he grumbles while pulling on a new pair of gloves.
“Are there really that many clients who don’t shave?”
“More than you think, darling, but it makes me all the more appreciative of clients like you.”
The ‘darling’ means nothing. Stop being a fucking idiot and don’t get your hopes up. He literally just confirmed you’re just a customer, a source of income.
“Right, before we start, would you like to use numbing cream? We could also use nutmeg oil, if you’d like.”
“Nutmeg oil?”
“It’s completely vegan and helps relieve the pain,’’ Alfie explains. ‘‘It has quite a strong scent, though, so I hope you’re not faint of heart. Or, rather, have a sensitive nose.”
For a moment, I contemplate the options, weighing past experiences against each other. Thus far, line work has never been a problem and blackwork hasn’t been either. “D’you know what? Let’s go without.”
“Tough as nails,” he says with a hint of awe and appreciation. “You’re full of surprises, in’t ya?”
“Am I?”
“So far, yes. A young Dutch woman with a misleading Irish accent wants a gnarly scowling Anubis on her thigh whereas her other tattoos are colourful and less gnarly. One can only speculate regarding her story.” He grabs a big pot with the image of a geisha and red lettering on it, unscrews the lid, and scoops out a dollop of the stuff within to put on the side of his gloved hand. “This is Dragon’s Blood. It helps calm the skin and closes pores. It can be used as aftercare too.”
He screws the lid on again and puts the pot back in place. “May I?”
I stare at him blankly. “What do you mean?”
“May I touch your thigh and prep the skin?” he clarifies, his slightly crooked teeth showing.
“Oh, right, right! Yes, of course,” I answer, stumbling over the words and barely refraining from breaking out into a ramble.
Alfie picks up some of the balm with his fingers and leans in to work it into the skin. At first he tries to do it without support, but quickly finds himself struggling a bit. “Is it okay if I place my hand on the back of your thigh?” he asks, looking up with sincere greyish blue eyes. “It’s easier to work it in if there’s a bit of resistance and support.”
Wow, he has really pretty eyes. But then again, even a rose has thorns.
“Y- Yeah, sure.”
“Are you agreeing because you want to or because you’re feeling intimidated?” 
The question catches me off-guard, its thoughtfulness rendering me speechless.
“Y/N,” Alfie sighs, “I have no ill intentions. I’m a man of honour, one who believes a woman should be treated with the utmost respect. So let me ask you again and I want you to look me in the eye, yeah, as you give me an honest answer. Is it okay if I place my hand on the back of your thigh?”
“Yes,” I answer, steady. “Yes, it is.”
He grunts in acknowledgment before placing the palm of his other hand on my skin too. 
Though light in touch, the supporting grip nevertheless feels sturdy and the warmth seeping through the latex of his gloves secure. I can vaguely hear myself hum at the thought of holding his hand as we walk through Amsterdam in summer, the temperature still high enough to feel hot and clammy but with the unmistakable first signs of autumn setting in. Halfway through the month, it will become colder, especially at night if you keep the windows open. Then, to have a grip like that on your body, your skin warmed by the friction as the whiskers of a coarse yet soft beard worship it, and a baritone voice in your ear that occasionally falters with pleasure…
The sensation of cold liquid on my skin snaps me out of my reverie. I snap my head down to see where it comes from, only to discover I apparently zoned out and Alfie has cracked on to the stencil stuff.
“Try to relax your leg,” he gently coaxes while trying to apply the stencil.
I take a deep breath and do as he says, forcing my muscles to lose their tension. Although it doesn’t feel like I’m loosening up, I’m apparently doing something right enough to earn myself an oddly prideful whispered “attagirl”. Fortunately, Alfie is blissfully unaware of the fact I heard him and the storm of butterflies the compliment unleashes in my stomach. Nor does he seem to catch on to how badly the pressure of his hands, finally having found the right placement, makes my mind short circuit.
“Go take a look in the mirror,” he says after meticulously peeling the stencil off.
Even the mere outline of the Egyptian god of death looks menacing. Anubis bares his fangs as sharp as daggers, viciously snarling at the viewer. ‘‘Don’t come near me. Don’t even dare to speak to me lest you want me to feed your heart to Ammit’’ he seems to warn. 
It’s absolutely, drop-dead gorgeous.
‘‘Let’s do it!’’ A skip in my step, I walk back to the massage table, which Alfie has covered with an electric blanket. It has heated to a pleasant temperature, not too low yet not high enough to break out into a sweat. Perhaps the best way to describe it is to say it makes you feel all warm and toasty.
‘‘Well, if the lady truly is ready, then who am I to deny her ink any longer?’’ Alfie says, barely able to suppress his amusement. Nevertheless, it shows in the theatrical attitude in which he continues. ‘‘Before we begin, my lady, may this old chap indeed have the ‘onour of tattooing you?’’
‘‘Yes, indeed you may, mister Solomons.’’
‘‘Marvellous.’’
The bell by the door tinkles as a long-faced, clean shaven young man, in his early to mid-twenties, walks into the studio. His casual step gives away he’s one of the resident artists, lost in thought as he hangs his jacket next to mine on the coat rack. He throws the hood of his black hoodie back to reveal muzzled short brown hair the colour of milk chocolate and runs his hand through it, tousling the locks even further. 
“Why are you so early?” Alfie throws a look over his shoulder at the newcomer. 
The question seems to catch the other man off-guard, the pensive expression on his boyish face fading into surprise. “I have an appointment, half sleeve, Japanese style. It’s going to be a koi pond.”
“Right,” Alfie scoffs. “I hate koi fish. Can’t stand drawing them, right, because it’s always the same composition, the same old story.”
“Is that really your reason?” the other asks as he approaches and comes to a halt a step away from where I’m lying. A whiff of fresh cologne hits my nose, mixed with the indescribable smell of rain.
“Nah, mate. I don’t really have a ‘reason’. Simply hate the fuckers. I prefer things that have a bit more life to them, a higher intellect that prevents them from smacking their lips like eternal gluttons. Gluttony is a sin, you know.” Alfie perks up as if he’s remembered something and shifts his attention back to me. “Right, this here is Michael, a show-off.”
So that’s Michael Gray. Strange, I thought he’d be older and more… tough, rough-looking, instead of a lad I could easily cross paths with at the bookshop. In fact, wait, didn’t I see him at Waterstones yesterday?
“Just because you don’t do Japanese-’’ Michael starts, but Alfie cuts him off.
“And a bloody pacifist.”
“I saw your work on Instagram.” To delay or, rather, hopefully stop a fight from breaking out between the two, I speak up before the two can continue catfighting. “It’s really cool. I’ve started warming up to the Japanese style because of your designs.”
Cheeks flushed, he rubs the back of his neck. “Thank you. You know, if you ever have an idea, send it my way.”
Alfie rolls his eyes, which earns him a venomous glare from Michael. “This is how you hold a proper conversation instead of being a cunt.”
“You see, the problem, right, is that so many people have said I am a cunt I don’t fucking care. Because they were all hypocrites, yeah. So, Michael, who’s the real one here, eh?”
My gaze flits from one man to the other while I tense up, ready to jump off the table and run for the hills if the situation worsens. And it’s likely it will because each man seems more than ready to lash out at the other. 
Although I don’t think he’ll notice, I shake my head at Michael. Among the two, he is the most approachable and likely to listen at the minute, so I mentally cross my heart and pray he notices my silent plea to stop fighting. Although it’s Alfie who started it, I wager Michael is mature enough to walk away. At least for now. Afterwards, both men are free to tear each other to pieces.
Fortunately, he sees me. Lips pulled into a straight line, Michael skulks off to his own station, glowering.
Thank God.
I take a couple of deep breaths to calm my racing heartbeat. That was a close call, too close.
“Bad blood?” I ask, trying to sound nonchalant. ‘‘I don’t mean to pry.’’
“Ah, the boy’s just cross ‘cause Tommy and I haven’t always seen eye to eye. Chap adores him. A little too much, if you ask me, but someone’s got to be the good little soldier, right?” Alfie checks the set-up once more to ensure everything is in place. Now that the threat of imminent conflict has proven false, he, too, relaxes. The tenseness in his muscles fades, his body loosening up. His shoulders lower and he unclenches his jaw, releasing the strain on it.
The last remnant of sharp biting sarcasm has evaporated when he turns back to me, gloved hands in his lap. “Comfy?”
“Incredibly so. I could curl up and take a snooze.”
“That would make my job easier.” He picks up the wireless tattoo machine from the tray, eyes still trained on me, watching out for any withdrawal of consent. “May I?”
I nod, allowing him to touch and stretch the skin. “Okay, let’s first do a line, yeah, to see how it feels. Ready?”
“Yep.” Sheepishly, I give him a thumbs-up.
Alfie shakes his head, chuckles and murmurs something under his breath before he sets to work. 
Every time you get new ink you tend to think you can still remember the feeling of being tattooed and instantly adjust. However, the opposite is true, at least for me. At first, it’s an unpleasant nagging sensation like someone is dragging a sharp-edged though blunt object to and fro over your skin. This only lasts for a few seconds and then gradually fades to an oddly therapeutic feeling that is near impossible to describe. Yes, I’m being poked by multiple needles constantly yet it doesn’t hurt. I wouldn’t say it’s enlightening, but it is calmingly enough to stop the on-going flow of various thoughts which consist of everything at the same time. Tattooing brings order in the chaos and is the best therapy out there. 
“How’s that?” Alfie asks.
“Good. Well, I mean, it’s like my cat has its claws in my thigh and by this time, I’m used to that.” I let out a sheepish giggle, only to mentally slap myself in the face for being awkward.
“What’s its name?”
“I have two, actually. One is called Saul and the other Solomon. Not really names you’d expect for a cat, but they’re big.” I try to indicate the size of them with my hands, my heart skipping a beat as he takes a second to pay attention. “Big lads.”
“Solomon was a prophet according to the Talmud, a man of great wisdom and power. Now, Saul was the first king of Israel. Great man, too, who knew that he who lives by the sword, dies by it. I suppose Anubis knew this too, weighing hearts and deciding who gets to go on a boat trip to the underworld or eaten alive. Well, as alive as a spirit can be.”
“Unfortunately, the boys haven’t a sliver of wisdom between them, unless it concerns the knowledge of being charming enough to earn themselves a treat. However, they’re bloody powerful if the need to cuddle strikes. They’ll literally attempt to take me hostage, regardless of what I’m doing at that very moment. But on a different note, it sounds like you know a lot about religion.”
“I tried theology in university, but that didn’t get me far. Doesn’t help I had a couple fights with some Italian kids, Catholics, who saw themselves above a Jew. The last one that saw me kicked out was perhaps my most brutal.” For a second he seems to continue the story, but thinks better of it at the last minute. Instead, a low grunt rises from his throat. “Yeah, definitely the most brutal, that one was.”
Though he tries to move past the topic, I’m not quite ready to let it go. Being a curious cat isn’t particularly a good thing to be when it comes to people because it can go both ways once they realise you’re after a piece of their story. Nevertheless, my curiosity is peaked and therefore I can't help myself. “I’m glad the fights in the classroom remained at heated debates. But, um, and I don’t mean to pry, but how did that fight go? The final one, I mean.”
If I don’t get an answer, it’s fine. I won’t push. Nevertheless, I eagerly hold out hope to get the story out of the enigmatic mister Solomons.
Alfie.
Don’t blush! Take a sip of water, cool down. My God, is even his name now getting me hot under the collar?
He pauses and sits up. A tentative smile builds on his lips as his brows furrow. 
“Only if you want to, of course.”
“Do you really wanna know? Ladies should be spared the violence of the world.” The lines in his face deepen, the expression changing to a frowning grimace.
“It can’t get any worse than Jack the Ripper.” He blinks a few times, letting my comment sink in. In the meanwhile, I bite my lip, desperate to find a way to redeem myself. “What? Am I weird for being intrigued by the case? I am, aren’t I? You know what, don’t mind me. Guess I’m being rather silly.”
“No, you’re not. I’m simply surprised the little lady harbours a fascination with the obscene,” he answers, his tone devoid of any form of judgement.
“Don’t get a lot of those clients?”
“None who admit it outright.”
“Well, here I am.”
“So you are.” His eyes are fully focused as he gazes at me, which does about as little to lower my racing pulse as the comment that follows. “I wonder what else goes on in that head of yours.”
“It’s chaos, to be honest. I don’t think you actually wanna know. Anyways, the fight.”
“Right,” he murmurs, his eyes still trained on me and trying to imagine what goes on in my head. Needles cleaned and dipped in ink again, he returns to work and tells the story. “I once carried out my own personal form of stigmata on an Italian. I pushed his face up against a trench and shoved a six-inch nail up his fucking-’’ the snarl on his lips vanishes as he throws me an apologetic look. “Sorry, I shouldn’t swear in the company of a lady.”
“I don’t mind. You’re literally saying this to someone who has the mouth of a sailor.”
The remark is a small comfort to him. Alfie visibly relaxes, his posture loses most of its tension and his jaw slackens. “Right, I shoved a six-inch nail up his nose and I hammered it ‘ome with a duckboard.” The corners of his mouth curl into a sly grin. “It was fucking biblical.”
“Fucking hell, yeah, okay, now I’m really glad I only have had to deal with debates. Jesus.” I shake my head, caught between believing the story and finding it too far-fetched. “Why, though?”
“He had it coming. Little fucker was harassing girls of the nearby Jewish community. They mightn’t been part of mine, but it’s never right to mistreat a woman. So, one day, I caught him doing it again and made sure he’d be a wiser man for it.”
“Did you get caught?”
“I got arrested for ‘grievous bodily harm’, but didn’t go to jail considering I was still a young chap. And, to be honest, from a well-connected family.”
“How old were you?”
“Eighteen.”
“Dang.”
“I’m not as violent as I used to be. It’s all behind me now,” he blurts out, pausing again while the words rush to fill a non-existent gap between us. “No more fights, gangs, or firms. Starting tattooing was me turning a new leaf.”
I don’t know what to say, unable to think of anything appropriate while also trying to figure out his intentions. So I merely stare at him, blankly. 
His eyes flit from me to the ink pots and back to me, likely feeling equally as awkward. 
Neither of us initiates further conversation, me partially because I’m starting to doze off. That is, until Alfie stops and throws me a look. “I’m almost done with the linework. You’re still okay?”
“Yeah, no pain at all,” I say, a slight taper in my voice and half asleep. “Nothing I can’t handle.”
“Good,” he replies, a little unsteady as well. “Let’s finish it and ‘ave a little break, yeah?”
“Sounds good to me.”
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“It’s good to have something to occupy yourself with outside work.” Alfie saunters over to where I’m sitting on the worn leather couch and puts a plate on the coffee table. On it, golden brown raisin buns are stacked in a charming little heap. “Want one?”
“Wait, you made these?” I put my phone away, conscious to neither cross my legs or rest my arms on my thighs as I lean in. My friends will have to wait a little longer on a tattoo update.
“I did,’’ he says, sitting down where he sat earlier today. ‘‘Learned the baking trade from me mum who learned it from her mother, my babushka.”
“You have Russian heritage?”
“I do. My mother fled to England during the Holocaust. My old man was running a distillery and was willing to take her in. In a sense, they saved each other. She got him off the drink… for a time, and kept the books. He taught her English and gave her a ‘ome.” He leans back in his chair, fingers entwined. “Yeah, funny that, how such horror can bring souls together.’’
“Did they survive the war? Like, no interference from the Nazis or fascists?” I stiffen when it hits me how intrusive the question is. Badly concealing my panic, I hastily add. ‘‘You don’t- You’ve already told me so much, so, uhm, you- you don’t have to tell me anything else.’’
“They did,” he nods sagely, ignoring my anxious outburst. “Though I’m glad they don’t have to deal with current affairs.”
“I’m sorry.”
“Nah, don’t be. They’ve been dead for a while, died in their sleep, two months between them. Regardless of the war and England’s policy towards anyone that isn’t one of them, they’ve lived a good life. It was simply their time to go.” He rests his elbows on his knees and leans forward. “What about you?”
“How’d you mean?”
“How’s your family?”
“Not particularly close. I try to avoid father’s side of the family at all costs because they’re these posh- toffs, I think you call them in English. Though, that’s more my father’s sister. His brother is an alcoholic and divorcee with a midlife crisis that’s bigger than my father’s. On mother’s side of the family, I’m only close with my aunt and grandpa. With my mum I try to connect at times, but it’s more like friendly co-existence.”
“Any siblings?”
“A younger sister. Not particularly close with her either.” I shake my head and take a sip of water. “But I don’t mind. I’ve learned how to be a lone wolf and accepted being one. Working, studying, and travelling help with that too. They’re likely the only things preventing me from going insane.”
“Insanity is a gift only given to few. The greatest minds were lonely even in company, the greatest visionaries those that had seen the world by themselves.” Our eyes lock, the strange but tender sentiment in his adding to the sweet comfort of his conclusion. “I think we’re both mad.”
Alfie nods to the plate with buns. “The raisins have been soaked in rum, family recipe. Try one.”
“Are they poisoned, Solomons?” Michael remarks across the room. Judging by the venom in his tone, he hasn’t moved past the conflict earlier.
They’re really gonna cut each other once I’ve left, aren’t they?
“Unlike you, kid, I actually provide service. People have bonded over food for centuries and God gave me the brilliant idea, yeah, to make these buns to share.”
“You never share food. Not with me, at least.”
“That’s because I don’t want a bond of any sort with you, mate.“ He picks up the plate and holds it out to me. “But I’ll always be glad to share with a peer.’’
“Thank you,” I say, though I can’t prevent myself from saying his name, “Alfie.”
Smiling brightly, he leans back in his chair. “My pleasure. But what is it that kills the time for you?”
“Believe it or not, but I sew,” I say while nibbling on the sweet bun.
“An affinity with needles, eh?”
Unable to suppress it, I give into the uncharacteristic urge to giggle. “You could put it like that, yeah.”
“It’s rather broad, though, ‘sewing’, innit? What am I to envision?”
“I make plushies, really bloody adorable ones.” I grab my phone and look up a picture of my latest project: a whale shark made with white, very fuzzy teddy and Delft Blue-printed cotton. “Don’t tell me that isn’t cute.”
I turn the screen to Alfie. The eager confidence doesn’t last because the tingle travelling through my chest, which seems to be weighed down by a heavy stone, ends in a chill down my spine. With bated breath, I nevertheless wait for a sign of his approval.
What the fuck am I doing? He’s a grown man. What would he care for a stuffed animal?
An ache starts at the back of my throat at the thought that follows.
I did post that picture on an Insta Story. Did he see it, though? What if he did? No, he did, didn’t he? I’m repeating myself. Why am I repeating myself? He’s had enough of a look.
However, as I make to put my phone away again, Alfie speaks up. “It’s well-made, especially for an early attempt at the craft. You can see it’s made with passion.”
Fuck, he definitely saw my sewing shenanigans on Insta.
“You already saw that picture, didn’t you?” I respond, mildly sarcastic regardless of his kindness.
“Well, we already established we follow each other and I like to get to know my clients as best as possible. So, yeah… yeah, I did.”
Gaze averted to the floor, I shut the screen off and continue to stare at my shoes, feeling like a stupid lovesick teenager.
  “But it’s indeed adorable. You’ve got a knack for the trade.” His features soften when I raise my head, though there’s a hint of mischief in the raised eyebrow. “You’re no seamstress, though. Or are you?”
“If you want, I could mend your clothes,” I blurt out, the words spilling forth before I can give them a second thought. “Oh Lord, I- I didn’t mean- I’m so sorry, I should’ve-’’
 Alfie’s hearty laugh cuts through my poor attempt to try and justify my idiotic bravery. “Fucking ‘ell. I had a feeling you’re not the type to beat around the bush, but that was more forward than I thought you’d be.”
“Please ignore what I said.” I stuff the last of the bun into my mouth, lest it should blabber any more nonsense, and wave a dismissive hand.
Only to nearly choke at his response.
“Why? I like it, this honesty. Now, see, Tommy, yeah, he likes to beat around the bush and it’s absolutely doing my nut in. I’ve told him before I’ll shoot him if he doesn’t hurry up and quit his little games. Man really needs to learn how to directly make his point, saves both parties involved a lot of trouble. But not you.” His tone turns pensive, the words clear yet strange. “Curious, that. How a little dove flies over the wolves.”
I remain quiet, because no reaction I come up with seems adequate to respond to his reverie. So we let an oddly comfortable silence settle in, lined with the addicting sweetness of rum raisins.
“These are really bloody good,” I say after a while, pointing at the plate on the coffee table. ‘‘We have buns like this back home too. We call them ‘krentenbollen’, which would roughly translate to ‘currant buns’.’’
‘‘Say that again.’’
‘‘What, ‘krentebollen’?’’ Evidently I hit the nail on its head, judging by Alfie struggling to imitate my pronunciation, silently mouthing the syllables. “Kren.”
“Kren.”
“No, no, ‘ren’. A pronounced, not rolled ‘r’ and short and sharp ‘e’. Like in ‘cigarette’, the final ‘e’ sound. Kren.”
“Kren,” he echoes.
“Ten. ‘En’ is pronounced with a schwa.”
“Ten.”
“Bol. With a clear ‘l’.”
“Bol.”
“Len. Again, a clear ‘l’ and a schwa.”
“Len.’’ Having been given an example of how to pronounce each syllable, Alfie tries out the word again, brow furrowed in concentration. ‘‘Kren. Ten. Bol. Len.”
A warm fuzzy feeling spreads throughout my body while watching him sincerely make an effort to mimic the Dutch sounds despite the struggle it proves to be. However, I do have to give him credit for his attempt because, despite his slightly wonky pronunciation, it’s better than some others I’ve heard. 
‘‘Kren- Krentenbollen.’’
“‘Ey, there ya go!” I clap my hands, smiling in satisfaction. ‘‘That was really good!’’
“Dutch is a funny language. Very strange and harsh.”
“Apparently, it’s the scientifically proven hardest language to learn. I’ll be honest, even the Dutch sometimes don’t know how to speak it. The grammar is whack too, sometimes. Doesn’t make sense.”
“Maybe you can teach me some more next time we meet.” His eyes go from the buns to me, beaming. “I’ll bring you some more krentenbollen.”
‘‘Nah, these are better. In fact, I think I prefer these. Much more exclusive, an English delicacy.’’
Can I get any more lame? What kind of comment was that?
“Help yourself, but be quick about it because we need to get back to work. You’ve been sitting like a rock and I don’t want your adrenaline to run out just yet.”
“I’ll leave it for later then.”
He rises from his seat, throwing an imposing shadow over me as his shoulders block the light. “Before we resume, do you want anything? You still got enough water?”
“I’m good to go, though I wouldn’t say no to another glass.”
“One round of Solomons Lemon Water, coming right up.”
As before, Alfie puts care into the simple act of cutting a lemon and adding a slice of it to plain water. And with the grace of a gentleman, he holds it out to me. “A glass of water for the little lady. It’s on the house.”
Whilst the comment is in jest, a funny thought sets my cheeks ablaze. “Th- Thanks.”
What the fuck was that stutter? By Jaysus, pull yourself together! He’s only joking, playing around. It means nothing. Nothing! Besides, he likely has a wife, good-looking and charming as he is.
Glass in hand, I follow Alfie back to the table and clamber back onto the cosy electric blanket while he completes the last preparations to continue the session.
“Comfy?” he asks once I’ve settled in.
“Extremely.”
“Good.” He restarts his tablet, the screen lighting up with Anubis’s snarling face. A new pair of gloves on, he grabs the black pot with red lettering and scoops up a blob of Dragon’s Blood with his pinky before he sets it back in place. 
“May I?” Alfie asks, hands a few centimetres from my skin.
I nod, giving him the permission to resume working. 
Except, he doesn’t.
He pushes his stool back slightly and purses his lips. “Y/N, I need you to relax, yeah. Tense muscles aren’t particularly tattoo friendly. If I start working now, it’s like tattooing a stone and needles, right, don’t do well with hard surfaces.”
“I’m sorry,” I say, inhaling and exhaling deeply in hopes of unravelling the tightness in my chest. “I’m sorry.”
“Don’t be. What’s on your mind? Something funny?”
“Ah, it’s fine. No worries.”
Don’t mind me. I’m being silly, interpreting things the wrong way. Besides, I’m likely half your age. Unsuitable, undesirable for a man like you.
“You sure?”
“Yeah, it’s okay.” My breath tapers, which I hope he doesn’t pick up on. Then again, Alfie has proven to be a very perceptive man thus far. Nonetheless, a girl can hope. ‘‘I’m okay.’’
Please believe that. At least this once.
He lets out a low displeased grunt, blueish grey eyes dark with lingering worry. “If you say so.” He averts his gaze to the unfinished snarling Anubis, the sternness in his voice blurring into resignation. “Can I?”
I hum in response, giving him the sign he still has my consent.
And to keep up appearances a little longer.
Because when you’re crushing hard on someone you can’t have, it’s okay not to be okay.
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It’s not unusual for other tattoo artists to pop by their colleagues to see what they’re working on. Normally I wouldn’t mind it, proud to be a canvas for someone else’s art. Nonetheless, this time, I wish it was someone else other than the resident Japanese style artist sauntering over. Anyone would do. 
Tommy, who came in around two to do a touch-up.
Finn, who’s the youngest in the team and does geometric designs. 
Even Arthur, who Alfie immediately sent away when he felt me tense, genuinely afraid of Cerberus personified, would be better.
Unfortunately, it’s Michael, which means the two might break out into a fight soon. It’s only a matter of time.
“Wow, that looks gnarly.” Maintaining a polite distance, Michael leans in to inspect the fearsome god of the afterlife.
“Oi, don’t you have your own client to look after?” Alfie asks, the first ripples of irritation already noticeable in his voice.
“She’s too busy taking pictures and whatever else she’s doing on her phone.” Michael points over his shoulder at his client and shrugs. I turn my head, doubting how bad the girl’s company can be. She is indeed absorbed in her phone, posing like most girls on Instagram and making all the familiar facial expressions. To keep things polite, let’s say that a tattoo isn’t what she came here for.
I scoff. ‘‘I see she’s one of those.’’
‘‘That’s one way to put it,’’ Michael sighs, but his expression brightens as he changes the topic. “What made you get Anubis?”
“Give the lady some space, treacle. You’re not yet drooling over her like some lovesick puppy. We’re trying to create a bloody masterpiece here, right, and art, yeah, art needs effort, focus, and attention.” A grimace treks over Alfie’s face, foreboding like a black cloud forms the prelude to a storm. “None of which I can muster with you around, mate. So off you go.” He waves a dismissive hand. “Go on, fuck off.”
“The fuck’s your problem, Alfie?” Michael raises his voice.
Oh Lord, here we go.
“My problem?” Fortunately, Alfie turns the machine off and puts it to the side because getting tattooed amidst a fight is the last thing you’d want. Unless you’re a lunatic. “My problem right now, mate, is that I have a massive disturbance in my work environment which prevents me from providing Y/N with splendid service and proper care.”
“‘Proper care?’” the other man echoes, raising an eyebrow. “Now that’s an awfully ambiguous statement, even for you. Proper care… Is that why you didn’t go on your usual vape break?”
“Don’t twist my words, kid. It should be an honour for a tattoo artist that someone is willing to wear their art on their skin. Y/N is doing me that honour so of course I wanna treat her right.”
“Alfie Solomons, the King of Camden,’’ Michael sneers. ‘‘The Jewish gentleman from Margate.” 
“It’s never a bad idea to be a gentleman, kid. Hasn’t your mother taught you how to treat women properly? Then again,” a mean gleam lights up stormy grey eyes, “she did abandon you, didn’t she?”
Michael is positively fuming by now, looking red in the face and fists shaking with an eagerness to throw the first punch.
“Lads! That’s enough!” I bark, propping myself up on my elbows. “Alfie, that’s a fucking low blow and you know it.”
“How do you know it is?”
Is he fucking serious?
“Look at him!” Lips pulled back into a snarl not unlike Anubis’s, I point at Michael. “Obviously that fucking hurt.”
“So the little dove flew down, still not afraid. Although, her wings waver ever so slightly, don’t they?”
I gaze blankly at Alfie, puzzled by the comment, but quickly return to raging. “Shouldn’t you apologise or something? Or is that something men don’t do to each other?”
“Y/N,” I hear Michael mumble next to me, a tone of surprise in his voice.
“Fucking apologise or I’m out, tattoo finished or not.” I look him up and down, barely able to suppress the urge to spit in his face. “I thought I booked a professional, not some… some fucking bastard.”
“I’m a bastard?” he scoffs.
“People who attack others by using their personal lives? Yeah, that’s one of the definitions of ‘bastard’ for me.”
Both men are quiet, startled by my interference. They exchange glances, neither of them helping the other with their confusion. However, Alfie tries to solve his by making an effort to make amends. For the time being, that is.
“Right,” he begins, struggling to sound genuine. “My sincerest apologies, kid.”
“A little more honest,” I grumble.
“I shouldn’t have brought up your mother, kid. Clearly it’s still an open wound and you don’t need salt in it.”
Wouldn’t have phrased it that way, but whatever, it’s Alfie Solomons.
I shift my attention to Michael. “Please accept his apology, at least for now. I don’t want any more fights during my therapy session. You can rip each other to shreds after I’m gone, okay?”
A careful smile tugs on the corners of Michael’s lips. “Then I will, if only to not completely ruin your ink therapy. Seriously, though, Alfie’s not the only one who should apologise. So, for what it’s worth, I’m sorry for my behaviour. A client should never be put in the crossfire of a dispute which doesn’t concern them. Can you accept mine?”
“Afraid of me ripping you to shreds?”
“Uhm, maybe?’’ He rubs the back of his neck, cheeks rosy. ‘‘You do get kinda fearsome when you get angry.”
“The thick Irish accent doesn’t help, either,” Alfie chimes in. “If someone’s accent deepens, especially if it’s Irish, you better run.”
“How can you possibly be afraid of me? I’m a head shorter than you. I think you can easily have me.” I search Alfie’s expression for signs he’s lying yet end up empty-handed. The second thereafter, however, a surge of heat spreads through my body as the possible implications of my comment run through my mind. Unconsciously, I rub my wrists while trying to get comfortable again on the rather hot blanket. Or does it merely feel like that because I’m a mess? “Take me on, I mean. Have me is… ehm… It’d be easy to overpower, no, ehm, win? Win against me!”
“I’ll leave you two alone.” Michael says, hardly containing his amusement. Then he turns around and returns to his station. Along the way, he stops to explain the situation to the girl, who miraculously has managed to put her phone away for a second and show worry like a normal human being.  
“I really need to learn to shut the fuck up,” I groan as I lie down again, a bit calmer. “Please forget everything I said.”
“Including your tantrum?” Alfie asks, a lopsided smirk on his lips.
“Just remember the apology part. Maybe the bastard one too.”
“If the lady so wishes.” His hands hover over my thigh, the machine still turned off in his left. “Can I?”
I nod, unwavering in my willingness to give him my consent. Perhaps others would have left, but I choose to remain because of the shallow reason he’s at least good to me.
Even if he’s not for me.
Funny thing, innit, Love?
A silence broken up by the whirring of needles settles in. The only other noise in the studio comes from the Bluetooth speaker, continuously playing jazz tunes. It’s the first time to hear the music genre in a tattoo studio since everywhere I’ve been before they seem to prefer hard rock and soft metal. I wonder whether it has contributed to their reputation as ‘the gentlemen of the Birmingham tattoo industry’ or it is simply because the oldest of the Shelbys are at work today. 
“Y/N?” Alfie wipes off the excess ink and dips his needle in one of the little pots besides him.
“Hm?” I turn my head to face him.
“I’m sorry.” Though lacklustre compared to the apology to Michael, the words are sombre with pure remorse and don’t need reiterating.
“No more fighting, alright?”
“Yes, ma’am.”
“Good. Hey, by the way, what did he mean with you skipping your Vape-’’
“Tell me more about your cats,” Alfie suddenly demands, tone harsh and his gaze not straying from his project. 
“Wha-’’
“Your cats,’’ he repeats, losing his temper. ‘‘Tell me about them.”
What’s gotten into him? Did I do something?
“Uhm, well,” I haphazardly begin, unsure what to tell him. “They are absolute cuddle bugs. They’ll literally go to any length to make me stop whatever I’m doing and give them attention.”
Don’t panic. Don’t cry. Be brave, just like before. He won’t hurt me… I hope.
Alfie closes his eyes and lets out a deep sigh, forcing himself to calm down. “Men are jealous creatures, especially when a woman is involved.’’
“Was that also the case with the Italian?”
 “No, that was a matter of common decency.”
“The situation just now?”
He lets out a sonorous noncommittal sound, holding the middle between a disagreeing grunt and acknowledging hum. There is no way to know for sure nor is there a chance to ask because he changes the topic, clearly wanting to let the matter rest. “You’re still doing fine?”
“Is there a chance I can get another glass of Solomons Lemon Water?” I ask carefully, the hairs on the back of my neck still raised.
Alfie looks up, eyes warm and a soft smile forming beneath his bushy whiskers. “Always, darling.”
Amidst a storm of butterflies is a prematurely broken heart.
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The remainder of the session remains calm, the conversations between us few. In fact, the only time he speaks up is to comment on how astounding it is I’m like a rock whereas people getting tattooed in the same spot might be having a hell of a tougher time. I merely shrug in response and blame it on my high pain tolerance.
Strange, how much more one can bear physically than mentally. 
Although the fight earlier hasn’t affected the amiability between us, we both unanimously agree to settle for the comfortable silence we seem to create together. Occasionally, he sonorously hums along to a song when not glancing up to look for any signs of discomfort. Each time, I give him a drowsy lazy smile, still as tranquil as the minute before.
“Alright,” Alfie turns off the machine and claps his hands. “You’ve got Anubis looking over you from now on.”
I let out an involuntary yawn, quickly clasping my hand over my mouth to hide. “I’m so sorry. I was literally on the verge of taking a nap.”
“That’s better than fainting,” he chuckles. 
“Does that happen a lot?”
“More than you think, darling.” A piece of paper towel in one hand and a blob of foam in the other, Alfie patiently waits for me to give him the green light.
Which I, again for the same vain reason, do. However, this time it’s bittersweet because it means it’s almost time to go, to let the long moment of pure relaxation and fun come to an end.
To say goodbye to yet another man I find myself fascinated by despite better judgement.
His touch is light as he applies the foam on the tattooed skin, his movement slow as he wipes it off with the paper towel.
“Now that’s gnarly, innit?” Alfie beams while disposing of the used towel and his gloves.
“It is,” I agree, bending my leg to get a proper look at the piece. “And I fucking love it.”
“I’m glad to hear it.” He gets up, walks around the table to my right side and holds out his hand. “Can we take a picture for Instagram? If the lady wants to, of course.”
“Of course, Mr Solomons.” He grows still, unmoving like a statue, while an indecipherable expression flashes over his face. I swallow hard, but my mouth remains dry. “Did- Did I say something wrong?”
He clears his throat. “No, not at all. Forgive this old soul. You get tired faster with age.”
“You still look fairly young to me.” I place my hand in his big open palm, the skin rough and calloused. His warm thick fingers easily envelop mine.
Stop dreaming.
“Just wait until you’re in your forties.”
“Hey, I’m twenty-three and already complaining about my back. My colleague and I wager we’ll be needing a walker by the time we’re thirty.”
Alfie lets out a hearty laugh. “Fucking ‘ell, lets hope not.”
We come to a halt in front of a brick wall, surrounded by tall lights. “Now, you stand there, in front of it, and I’ll make sure we get pictures nice enough to put in a frame.”
I lean against the cold bricks as he takes care of the set-up, shooing Finn and Michael out of the way and throwing a warning glance at Arthur even though he’s sitting with his back to us, immersed in designing. The only one allowed to come close is Tommy, whose beautiful icy blue eyes meet mine.
Awkwardly, I shift my weight from one leg to the other only to right myself and clasp my hands behind my back. It does nothing to help escape his scrutinising gaze. If anything, it has only worsened how self-conscious I feel.
What kind of stance is this? Fuck, I’m wearing shorts.
“That’s a nice piece of art, Alfie.” I try my best to resist the urge to flinch as the studio’s owner approaches to admire the piece up close, crouching down a polite distance away from me.
“Yeah, it is, innit?” Alfie agrees, switching on the lights. “Now, if you don’t mind, you’re in the shot, mate.”
Without another word, Tommy gets to his feet and throws me one last pondering look before setting off to his station. 
In the meanwhile, Alfie has lumbered over and crouched down in front of the lights, phone in hand. “Ready?”
“Yep.”
He takes a few shots, gives out a few instructions, and beckons me over to check them afterwards. Slowly he flicks through the images, his thumb slowly swiping over the screen. Had it been any other person, I would have paid attention and helped with deciding which picture looks the best regardless of minor differences. However, the musky scent of oud wood mixed with dark vanilla and the proximity of his large warm body, makes it hard to concentrate on anything but the man next to me.
“… one?”
“Hm? Sorry, what?” As if woken up out of a dream, I blink and look quizzically at the man next to me.
“I asked which photo you think is best,” Alfie calmly explains.
“Oh, uhm, well, the first one? I think that one was already good. Fine. You know what I mean.”
He’s in his forties, maybe twice your age. There’s no chance whatsoever. Don’t be such a bumbling idiot and pull yourself together.
“I’ll send them all to you later so you can look through them again.’’
“You really don’t have to-’’ I begin to protest, but find myself cut off by his determination.
“It’s no trouble. We created a bloody masterpiece, didn’t we?” Alfie’s face lights up. “So I’ll let you do the honours of picking the best representation of what we’ve accomplished.”
“Th- Thank you.”
Our eyes meet for a moment, a few seconds in which he takes me in for a reason I can’t fathom. Nor do I get a chance to think about what it might be since he quickly moves back to the topic of business. “Let’s wrap up your leg, eh?”
We return to his station, where he cuts off two pieces of Second Skin. He carefully layers them onto the tattoo after being granted his silent request for permission to touch me. An image of him grabbing my thigh and placing it over his hip while we’re in the sheets flashes by when he applies pressure to ensure the derma foil properly sticks to the skin.
Get your mind out of the gutter! Gods damn it, what the hell’s wrong with ye?
“Y/N, you alright? You’re looking rather red in the face, darling.”
“Yeah!’’ I blurt out, sounding annoying and loud to my own ears. ‘‘Yeah, I’m fine. Let me, ahm, let me just put my pants back on and we’ll- I’ll- yeah… be right back.”
I hasten to the sofa, grab my jeans out of my backpack and rush into the restroom. Carefully, I wriggle out of my shorts and into the loose-fitting jeans, only to recall his comment about the fit.
Was he imagining me wearing one of his jeans? Nah, he’s a professional, he wouldn’t do that.
My vivid imagination, on the other hand, thinks it’s perfectly fine to conjure up yet another intimate image of Alfie’s defined inked arms firmly wrapped around me, a slow but proud smile on his lips, nose buried in the crook of my neck, and me indeed wearing his jeans.
Snap. Out. Of it!
The mirage fades like sand blown away by the wind. I take a few deep breaths to ground myself and step back into the studio.
Alfie’s sitting in the chair opposite the sofa. As soon as I step out of the restroom, he turns in his seat, eyes futilely searching for mine. It surely isn’t the first time it’s happened he’s had a client fawning over him, considering his looks. Nonetheless, I refuse to acknowledge nor allow myself to show him how he affects me. So, still avoiding his gaze, I plop down across from him on the sofa, tuck the shorts back into my bag and fish out my wallet. 
Fully focused on the notes in it, I lean in. “So, how much do I owe you?”
As a response, thick fingers firmly wrap around my wrist. I flinch at the contact, caught between surprise and alarm since he hasn’t touched me today without asking. Certainly not as forcefully as now.
A fact he acknowledges when he explains himself, retracting his hand. “I know I haven’t asked permission, but I wanted you to look at me and ask if you’re alright. You were in there for a bit.”
“I’m okay, Alfie.”
“Something tells me you’re not, darling.” He tilts his head, brows furrowed whilst he strokes his beard. “Penny for your thoughts?”
“I don’t think it’s appropriate. This topic, at least.”
Especially since I’ve only known you for a day.
“You don’t have to if you don’t fancy it.” The deep sigh he lets out through his nose, however, betrays his disappointment.
“I’d rather not tell. But don’t worry, I’m fine. Not sick or anything. My mind’s just… I guess you could say I was gone with the fairies for a bit.”
“Fortunately, they didn’t whisk you away entirely. I don’t fancy myself a man capable of going to the Otherworld.” Although he tries to be humorous, his smile is wistful. “Doesn’t mean I can’t or won’t try.”
“It’s difficult to come back, once you’ve set foot in Tír na nÓg. Anyways, let’s crack on. What do I owe you again?”
‘‘You don’t have to pay me.’’
‘‘You’re pulling my leg.’’ His expression doesn’t change, remaining warm yet stoic. ‘‘You’re serious?’’
‘‘I am. See it as compensation for having to deal with a hot-headed bastard.’’
‘‘Thank you, but this isn’t right. Like it or not, but I’ll still pay you.’’
“Despite the fight?”
“Despite the fight. So, how much?”
He names his price and I count out the notes. ‘‘Wait, that’s not…’’
‘‘Let me give you a discount if you don’t accept a full restitution.’’
‘‘Alright, fine,’’ I sigh, knowing protest will be futile, and continue to count. “Oh, and here’s another twenty. For the splendid service and, well,” I let out a shy giggle, “proper care.”
He hums and leans forward to collect the money. “In that case, thank you very much, my fair lady.”
My fair lady… my… his.
Though my mind is a million miles away, the rest of my body stiffens in reaction to the pet name. He notices, a note of concern in his question. “Was that too much?”
I wave a frantic dismissive hand. “No! No, not at all. Don’t mind me.”
It’ll pass, this feeling. Butterflies never live long. 
Rubbing his lower lip, he mumbles something under his breath. The only words I can make out are “flustered” and “cute”, which doesn’t help with my mood whatsoever.
Neither does the mischief underlining his normally polite suggestion. “Want another round of Solomons Lemon Water before you go?”
“I’m good. Yeah, I’m- I- I should go.” 
I get up and prepare to leave. Alfie rises to his feet too, falling into pace as we move towards the door. On the way, I grab my jacket off of the coat rack, putting my arm through one sleeve, but clumsily grabbing into nothing in an effort to put my other arm through the other sleeve.
A struggle quickly ended by two sturdy palms which help me ease into it. “There you go.”
“Thanks.” I turn away towards the door, ready to go before I make an even greater fool of myself. Then again, my feet won’t move, refusing to budge the slightest inch. “Such a gentleman, aren’t you?”
“A Jewish gentleman from Margate,” he merrily quips. But the amusement doesn’t last, fading into an indecipherable expression which seems equally as hesitant to end things here alongside something hidden. “Normally, yeah, I meet up with clients for pictures once the tattoo is healed. So let’s make it a date. Appointment,” he quickly corrects himself as a grimace flashes over his face. “An appointment, yeah, right, make an appointment when your leg has healed.”
“I think it will have to be by the time you come to Amsterdam.”
His brow furrows and he purses his lips, displeased. “I don’t think the convention will provide good pictures. The lighting isn’t that great and there’s all these people walking around.’’ The deep lines in his forehead smoothen out, a devilish smile gradually forming. ‘‘But I’ve booked an extended stay so, considering I’m not familiar with the city, we could meet up and you show me around? Unless you think you won’t be able to handle two days with a bastard like me.”
Don’t squeal. Stay calm. Don’t mess up at the last second. Calm and collected.
And unusually bold, apparently. Without wavering, I make a suggestion of my own. “Will you show me around Margate if and when I’m in England again?”
He chuckles. “Fucking ‘ell, negotiating, are we? I thought Tommy was the only one fond of that.” He scrunches his nose as someone else comes to mind. “And that numpty.”
“Hey, be nice. Michael’s a good guy.”
Alfie grumbles something under his breath, not shy to let on he’s annoyed by me siding with his colleague. Then, like he did before, he forces himself to repress the dangerous mixture of irritation and anger bubbling inside. “Tell you what, yeah, you show up in Amsterdam with your leg properly taken care of and I’ll show you around Margate. I’ll even pick you up from the airport.”
“It seems we have a deal,” I extend my hand, “Mr Solomons.”
Instead of a handshake, his warm big palm envelops my fingers and he lifts them to his lips. His beard feels ticklish against my skin, the whiskers rough yet oddly soft at the same time. “So we do, Miss L/N.”
Alfie holds the door open, plush lips curled into a knowing smile, and I step out onto the street.
A king’s promise in my pocket.
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personalcjcjcj · 2 months
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death's end (trilogy overall)
discussed at book club with alexis & kristie
main thing i found myself questioning throughout the series: how is it that a civilization as advanced as trisolaris did not have any ability to lie or deceive, when lying has been so integral to human history? perhaps it has to do with their social structure (we never really heard much on whether there was a societal hierarchy or not, and perhaps if there is none and people are more on equal footing then there is less to lie over). perhaps it goes deeper and there's a lack of greed or self-interest, which often is what usually begets lying. perhaps the presence (or lack) of resources has always been democratic -- everyone has the ability to dehydrate, and it doesn't sound like food as we know it is a thing, so there may be fewer things to fight over. i wonder if it was mainly a plot device or whether there was some type of societal commentary cixin liu was drawing.
this book in particular was probably broadest in scope. it covered millions of years and a significant part of it occurs in outer space. parts of it got a little too complicated to fully grasp -- ie. how being in a higher dimension looks and feels -- but i found the explanation of the origins of the universe to be very elegant and simple. i've never thought to question the speed of light, but in cixin liu's universe, it used to be infinitely higher, and the universe itself had more dimensions too. with time however there's been an inevitable decay in both dimensions and speeds of light, and now the universe is dying. the idea that you can also manipulate the speed of light and become somewhat of a black hole itself to prevent light speed travel was also very creative. all this is to say that when we first learn about outer space it seems so vast, infinite, and limitless, but it takes a higher order of thought to see the universe itself as a finite and historical object.
this book also really had me thinking about humanity, because this is where humanity breaks away from Earth -- both in the form of the large exiled spaceships that discover the higher dimensional fragments, and in the form of cixin and AA fleeing the destruction of the solar system. humanity itself is context-dependent. in the exiled spaceship, people were eating human remains nonchalantly, and in the eventual testimonies they say that everything (including their reference point/axis of ethics) changed once they were severed from Earth. similarly, you also see people hibernating through eras and waking up in a completely different society of information overload and feminized men. even in our human history, humanity 2000 years ago was dramatically different from now. it was thought-provoking to see a story that portrayed humanity as a living organism, capable of breaking off into segments and transforming over time. perhaps there is much more mutability to human society than we can even realize.
things we also talked about in book club: the relative absence of politics especially towards the end of the trilogy. would it really have been possible for all of the nuclear powers to cooperate with cheng xin's experiment and donate their entire stockpile of nuclear weapons? i think not, or at least not without a huge political shitstorm lasting a minimum of years. there is inter-nation mistrust and competition that the conflict with trisolaris could very well escalate. and the UN is more of a figurehead than an actionable political body, which made its transformation into the world's leading space agency also somewhat unbelievable. none of the wall facers were female (except in the TV series). humanity is probably more likely to kill each other while waiting for trisolaris to arrive -- but that wouldn't have made for a good sci fi book.
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readablenoise · 11 months
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Radio, Live Transmission: A 28th Anniversary Retrospective on 103.1 The Buzz And It's Lasting Legacy On South Florida
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(Pictured Above: 2008 Logo for the Buzz Bake Sale, WPBZ’s annual music festival)
While the station signed off the FM airwaves in 2011, its impact, disappearance and legacy remains prominent to this day.
There is one constant to which you cannot deny; in some facet, in some way, FM radio is heard at least once a day.
Be it in your local coffee shop while you wait for the frother to cease its hissing, inside of a Lyft or your own car, in a retail store (RIP to almost all K-Mart’s) or even perhaps in your own workplace, the medium itself is the oldest driver and receptor of auditory media consumption.
And while there are some television events that will forever be integrated into the ever growing, and increasingly strange fabric of reality, it can arguably be stated that none are as special as radio transmissions.
Think on your childhood. How many of those memories are associated with one of your parents driving in their car, blaring some of their favorite songs with the windows down?
What songs were playing in the background of your first kiss, the volume turned down just enough to hear and feel those first precarious breaths as you both leaned into the unknown?
What songs did your family member have on in the kitchen as they began dinner prep, and you took in the scents and sounds of what would influence you later?
Or maybe your own experience is similar to this particular writers: anxiously waiting to press record as you counted down the minutes to 7pm on a Thursday night. Because this night, tonight on an evening in late September of 2006, when The Killers “When You Were Young” is going to be premiered on The Buzz during Dropping Trou with Ross Mahoney. Finger hovering right over the record button of an old (but reliable) ocean blue boom box. You’ve checked the tape inside about a dozen times, and now you’re just waiting for this Green Day song to finish so you can click it.
Finally, you hear the queue come on for the segment and you mash the button. It’s the World Premiere of the first single from the follow-up of the Las Vegas act and though it’s more than likely being premiered across the country, it somehow feels special. It feels like this is the debut of it on your home station, and the rest of the country can wait.
The special thing about radio, is that every experience is unique. And while every community may or may not have their own rallying call, 103.1 The Buzz, call sign WPBZ, made it somehow feel like this community was the best damn one.
“I was working with a radio consultant at my current station at the time, who was also going to be the consultant for The Buzz. “ says Jason Davis, one of the original DJ’s at the station and host of the weekly Buzz Light show every Sunday morning. “I had expressed my desire to work at a startup modern rock station in a cool market to that consultant before. So when this station was being formed, he had me in mind and recommended I send in an audition.  I did, and the program director, Amy Doyle, heard it and thought it was awful. She called me and told me so, but said I came highly recommended by the consultant so she wanted to give me another chance.  I sent in another audition tape and she liked it, flew me down for an in-person audition, and made me a job offer before I flew back home.”
WPBZ operated in West Palm Beach from 1995 to 2011, being not only a stalwart beacon for alternative music as the sole provider for newer alternative and rock music in West Palm Beach, but provided a rallying point for the entirety of Palm Beach County.
“Everyone who worked there was young and trying to figure out life.” said Dan Stone, who also worked as a DJ on the station and now works as a voice actor and audio producer. “The music and city kinda felt the same. It was where I started to learn production on a DAW which gave me a career as an imaging director and eventually voice actor.”
In addition to the myriad of radio personalities, the station also held the accolade of the Buzz Bake Sale, starting in 1996, with the tagline being 13 bands for $13. The first ever line-up cultivated artists Evan Dando, The Mighty Mighty Bosstones, Primitive Radio Gods, Butthole Surfers and more onto Coral Sky Amphitheater’s stage.
During its 16 year run, the lineups grew to include Green Day, Reel Big Fish, Foo Fighters, Drowning Pool, Our Lady Peace, Muse, My Chemical Romance, Chevelle and AWOLNATION, to just name a small few of the headliners that graced the bill throughout the years.
“A memorable moment with an artist (there were many) was at the after-party of the '97 Bake Sale and we were standing around having drinks with Green Day.” replied Davis, who is now based in Atlanta as the News Producer for WSB-TV. “I (or someone) asked the singer, Billie Joe Armstrong, if we could snap a photo.  When it came time for the pic, he unexpectedly leapt into my arms. So in the pic, I'm cradling him with a shocked look on my face. Good thing he's a wee little fella and I didn't drop him. Unfortunately that was back in the olden days before digital cameras and the hard copy of the photograph is long lost.”
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(Pictured above: The logo for the 10th Year of Buzz Bake Sale in 2006)
“Probably my proudest moment was staying on the air for 36 or 32 hours straight to raise 10k for Forgotten Soldiers. It still upsets me that the only thing people remember was the Handlebars bit.”, said former Buzz DJ Tre Nation, who now works with SiriusXM as an Imaging Producer. “Also, this may not be my proudest but it's one of the things that affected me the most. Standing on stage at Bake Sale and listening to John O’ Connell (Program Director for the station) thank the listeners and say good bye. I still pull up that video on YouTube every now and then and it still chokes me up to this day. I think we all knew what was going to happen, but we didn’t dare say it to each other. I remember walking back stage with Ross (Mahoney, former Buzz DJ and current Regional Vice President of Audacy Alternative) and out of nowhere he told me he loved me. Most would have thought that to be weird but, I knew why he did.”
The station also held sessions such as Buzz Lounge, a special in-studio acoustic performance by an artist. While the performances were broadcasted on air, a select number of listeners would also be allowed in studio to watch the performance, as well as a short interview between the band and one of the DJ’s.
The below performance, uploaded to YouTube of Yellowcard’s “Ocean Avenue” was one such example.
youtube
“Working with the other DJ’s & managers, we were truly a TEAM. A band of brothers. And we got to do basically what we wanted.” said Metal Mick McCabe, who was the Production Director for 16 years with the station, and is still involved with the radio industry today. “With the Alternative format, the weirder the better! John (O’Connell) and I really pushed the boundaries of poor taste and humor with the station imaging. ‘Why is it 103.1 The Buzz always sounds better to the hooker tied up in your trunk?' comes to mind…."
Some of the station’s hijinks and various other clips, including the earlier mentioned Buzz Lounge are still available to watch on the station’s archived YouTube page, buzz103 .
“What made the Buzz great was the freedom it gave its staff to say and do what they thought in the moment to entertain and connect with an audience.  The world has become so politically correct that those freedoms have all but been taken away from broadcasters and instead lives in the world of un-regulated podcasts.” answered Mark Rider, former Buzz morning show host who now works as a VA and whose credits also include narration for National Geographic and various commercial campaigns such as “Into The Spiderverse”.
“I’m not sure it would work in WPB.” Nation responded, when asked if he felt a station could operate such as WPBZ did in the current market. “The Buzz came on the air before WPB and Treasure Coast grew into what they are now. That hometown audience has been diluted. Too many people have moved away or just outgrew the music. They have also been replaced by new residents that aren’t necessarily going to support a rock station. A lot like Miami and Ft. Lauderdale. Now it would probably work in a market that’s a bit isolated like a Buffalo or Rochester NY. No one is moving to those places and no one really leaves.”
Since WPBZ’s sign off on December 5th 2011, the city and county remains without a true local alternative or rock station which incorporates newer acts into its rotation.
Currently, the only locally based station within the city range and county remains 98.7 The Gator (WKGR), and while a more modern song does occasionally grace the airwaves, it's playlist caters mostly to classic rock for both this generation and its predecessor.
“I was there for the sign-off. I was the DJ tasked with telling the audience that 'this is it'. I got to thank them and speak from the heart for a little bit. It was very emotional. I played the last song on the air before it switched to the pop station.” elaborates Davis. “The last song was a sweet full-circle moment, Midnight Oil "Beds Are Burning." I smile every time I hear that song since then. The people who were going to launch the new pop station were gracious and allowed me to be in the studio alone for my last break. And I started the song and remained in the studio with it nice and loud for about half the song as I choked back tears. I left the studio, went down the hall, closed an office door and let those tears go. It was like mourning a loved one.”
Since the hole left by the station, there have been an occasional few music festivals to take up the place of an annual local alternative music festival, but none have truly lasted.
Rock venues itself have come down to only perhaps half a handful of major players for smaller acts, which include Respectable Street in Downtown West Palm Beach, and both Propaganda and Bamboo Room in Lake Worth. The lack of a rock radio station in the county has resulted in a ripple effect which has reduced the live music market for Southern Florida to arena shows with exorbitant prices (resell tickets for My Chemical Romance’s sold out show in Fort Lauderdale were upwards of $400 for nosebleed seats, and near double the amount for other closer areas), and a lack of attention, desire and traction for local acts in the area.
A trend which Broward publication New Times noted in their tributary article following WPBZ’s sign-off. “Concertgoers will soon start to notice that fewer and fewer tours will come our way. After all, why should agents book tours to an area where there is apparently no rock market and no avenue to help in promoting? Not everyone uses the internet to find out what concerts are coming to their area; radio has a hand in that one, as well as bringing the sounds of new music to our ears we otherwise would not have known about. A lot of smaller alternative artists may not have had a fan base in South Florida if not for the Buzz giving them the necessary spins for listeners to discover them and venture out to experience them live.”
This may also attribute to why the stations fans remain loyally dedicated to this day, almost 12 years since its last transmission. The Facebook group, REMEMBER Buzz 103.1, currently has nearly 900 active members, with past personalities of the station often active on the group as well.
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(Pictured above: Logo for the station from its inception to it’s final sign off)
“What a unique time.  Maybe the last time in American history will a format of music be so powerful in uniting an entire generation of listeners. The music was like a drug that we all couldn't get enough of.  We lived it, thrived off of it and needed it to be complete human beings learning how to grow up in such a strange time.” Rider continued, when asked of the experience working with the station.
“It was a thrill for me. I love the fact that I got introduced to, and introduced so many others to, bands that were unheard of at the time and ended up being some of our lifelong favorites. I waved the 311 flag proudly since The Buzz first started. Those guys are still chugging along with a loyal fan base 30 years later.” Davis stated.
There are still glimmering beacons of hope around the country for flagship alternative stations.
In the San Francisco Bay Area, Live 105 (KITS) returned to the airwaves on June 5th of this year, two years after going off air, when it was changed to Dave FM. And former Buzz DJ Ross Mahoney, as Davis states, “has been the King of Las Vegas radio for years now, and rightfully so.”
Davis continues. “These days I listen to a public radio station out of southern California, KCSN. They aren't 90's alternative rock like The Buzz was (hardly any station is these days, which makes sense). But they aren't beholden to ratings, so they can play what they want. It's very eclectic and they have lots of great specialty shows. You're not going to hear hard rock like Tool or Rage or anything. But you might hear some obscure Talking Heads, into Marley, into Garbage, into Jack White, into brand new Depeche Mode, into some new band you've probably never heard of, etc. You never really know what you're going to hear.”
Stone adds “I wish people demanded more from radio instead of letting corporations and hedge funds call the shots.  It’s a public trust and citizens could put pressure on the government to demand more live local content.”
Nation elaborates further. “Terrestrial radio is still the dominant platform. The reason people seek out other platforms is because of commercials and the fact that terrestrial radio lacks personality and won’t take real risks with new music and artists.”
“Radio as an industry destroyed itself when it decided that it was more important to focus on websites and apps than it did the connection between itself as a product and the consumer.” says Rider. “The clock is ticking like it has been for a long time now.  Radio as we knew it doesn't even exist anymore except for a few big major markets that still employ real people that actually live in that town.  Even though I am the station voice for over 30 radio stations around the country, I would be shocked if real personality radio is ever really a thing again."
The legacy that WPBZ instituted into the hot concrete of Florida remains a timeless and irrefutable staple. And it’s a token that the former personalities are thankful for.
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(Pictured Above: Buzz Bake Sale 2006 Staff Photo, courtesy of Jason Davis)
“I’m incredibly grateful to have been a part of that station and its staff and to have experienced the leadership of John O. I'm also insanely thankful for the support and loyalty of the Buzz listeners. If my career would have ended with the station like it did for some, I would have considered my career incredibly successful. I deeply miss each and every one of you”, says Nation.
Davis adds, “I had so much fun hosting Buzz Light for all those years. Sure, it sucked to get up early most every Sunday (sometimes still "buzzed" from Saturday night) and drive in. But it was a true open format.  I could play what I want, play any request I wanted. Add any new music I wanted.  It was a blast.”
While it may be a more personal opinion, and perhaps even biased, it is an undeniable fact: South Florida has some of the most passionately driven music fans, and fanbases, of anywhere in the country.
It may not be the small-town hotspot that Washington is, or the underground chic that New York has always carried, but Florida is one of the most powerful markets.
Take out the tourism, strange animals, Florida Man and mounting news headlines against the state and look at its demographic.
Here are the young and in-between generation: a group which stands on a sinking piece of land that may very well be the next Venice, Italy. But we stand on its soggy, mosquito infested and sandy shores, supporting all our friends' bands.
We go to shows, even if our backs hurt and we have work the next morning. We mosh, sing our hearts out under a humid veranda of stars and then drive through the traffic the next day.
We wear band tees in the summer despite the fact that Gildan shirt brand clearly wants to kill us, because who else will rep these bands? Where else can we broadcast our love for new music, acts and show our passion for those acts which shaped our youth, along with the Buzz?
Local and national acts, once they come to the state and most especially West Palm Beach, seem to make a valiant effort to try and come on back once they do. Because they see a crazy, tired and passionately diverse group of people, who just want to sing the words we had etched in our hearts, right back to the people who gave us the words to begin with.
As Dio once said “The world is full of kings and queens, they’ll blind your eyes and steal your dreams, it’s heaven and hell”. And strangely, it encapsulates Florida pretty well.
Whether the FM radio will ever blast alternative once more, we carry that little piece with us.
The FM radio, playing softly in the background, narrating some of our favorite moments. In the car, in our room, and kitchens.
And where there’s a kid, getting excited to hear their favorite song on the radio, is hope for the next wave of possibility.
“The love and honest to God passion for this station is undeniably one of the most timeless things I have ever been a small part of and I am wicked proud to have been a part of such an amazing time in radio in West Palm Beach.” Rider stated. “There will NEVER be a tighter group of people who respected and understood each other more.”
-Jenelle DeGuzman
Additional Links:
The archive Buzz YouTube Page can be viewed here: https://www.youtube.com/@buzz103/videos
New Times full article, “RIP The Buzz 103.1 -- Goodbye South Florida Rock Shows?” written by the New Times Staff can be read in it’s entirety here: https://www.browardpalmbeach.com/music/rip-the-buzz-1031-goodbye-south-florida-rock-shows-6426023
The Wikipedia page for KITS, which has a partial and condensed history of the station can be viewed here: https://en.wikipedia.org/wiki/KITS
The REMEMBER Buzz 103.1 Facebook Group Page can be found here: https://www.facebook.com/groups/242324635833984/
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dafuzzz · 2 years
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Succubus Dreams (2008) - Richelle Mead
No Spoiler Review
Rating: 3/5
~~ I really rode the struggle bus through this one, and I know you all are aware. Don’t mind my unpopular opinion. It took over halfway into the book before I found enough substance to actually enjoy reading this story, and while I don't believe in bad books, I do believe that sucked hard. So, let's talk about it. ~~
Succubus Dreams is the third installment in this particular series, and was the novel that made me believe the rest of the series might grind to a slower than snail pace that I would not personally be able to push past. By now we're used to the ordeal, Georgina wants to live her not so average life and some supernatural being would rather kick her in the face over and over. Its not the consistency in that specific plot point that pumped the breaks on the flow train, but rather how far around the bush we beat to get to that segment of our usual programming. Perhaps it was the change of pace that made it jarring in comparison to every other book of this series, or maybe it was the lack of initial convincing problem that made it hard for our author to connect the tracks to other characters caring enough to offer help, but regardless...oof.
Now, you know I won't lay out any spoilers so we're not going to dig into the inevitable supernatural problem that once again plagues Georgina, because that part was pretty cool and holds its own without my opinions as support. Matter of fact if you can claw your way through the buildup, the resolution actually felt worth any suffering. Not to mention that we finally learn a little more about the dynamics of Angels and how they work together/with others. Personally, I'm a sucker for any tidbits of lore in any universe so to flesh out the other side is fine with me. 
Along that same vein, I want to talk about how much I adore Dante, so don’t roast me about how much of a bad guy he is. I’m aware, but not so great people are kind of my thing when it comes to favorite characters. If you have been holding out for some tall, dark, mysterious drink of water to latch onto as a favorite, this is your guy. Absolutely refreshing, seeing an introduction into more than just supposedly squeaky clean psychics who help in the grand scheme of it all. All I could wonder from that point on was what other kind of crappy people were out there and what they do for their living, and that’s a cool thought to provoke.  The biggest highlight of this whole thing, however, was the lack of predictability I found in this novel. I've talked before about how easy its been to pick out the big bad, but this time is was nearly impossible for my brain to formulate a guess until it was revealed. Woohoo!
What does this book offer? Romance, confusion, annoyance, shock, and a touch of speechlessness (unless you’re an avid user of the term ‘bruh’). In that order. This is the point where I think I'm supposed to joke about the five stages of grief, but that would be too easy. Just know that whatever you think you know, you don’t know. All joking aside, I can tell you with completely honest hindsight that it is a very big piece in the overall puzzle that could not have been missed, so I do not regret it at all. 
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WWE Championships (Part One)
Okay, here's the deal: as I write this I am getting set to watch the 8th August episode of Raw. When I have finished watching, or perhaps whilst I am watching, I am going to give my thoughts on the state of play for each of the existing WWE Championships followed by how I think they should be booked over the next few months, maybe all the way to Wrestlemania 39. There might also be some wrestler-specific digressions along the way because I do love a good tangent.
Before I do either of those things, however, can I say how great it is that these championships, these titles, these... belts, are meaningful again!
Also, because I'm watching the opening segment as I share these preliminary thoughts, I will quickly say that (a) the women's divisions, on Raw in particular, are absolute fire right now and (b) Dakota Kai and Io Sky are absolute weekly highlights for me.
Alright, here's my thoughts on the belts:
24/7 Championship
Get rid of it. Enough said.
Women's Tag Team Championships
I'm excited for this tournament, which is kind of a crazy thing to type. Of course, I am a big fan of tournaments and their story-telling potential, something I am going to elaborate on soon. Hopefully. The bracket is solid, the pairings are interesting and there should be some good to great matches. The inclusion of Nikita Lyons & Zoey Stark is something I didn't anticipate. I'd suggest Toxic Attraction is more "ready", but I'm just a guy who watches wrestling. Plus, they needed another heel team to balance the bracket, and Lacey Evans seems to have been told to stay off TV for the time being.
On the left-hand side of the bracket, I think it is pretty obvious that Sky & Kai advance to face Alexa & Asuka in the semis. In my opinion, it is the former who need to advance to the final, with them being presented as a legit tag team, as opposed to two moonlighting singles stars such as their competitors. I also think that they should have the easier path to the semis, with Nikki A.S.H. and Doudrop needing a good showing far more than the comedic duo of Tamina & Dana Brooke.
The right-hand side of the bracket is a little more difficult to call. Before the matchups were established, I was hopeful that Sasha Banks & Naomi would return and make it all the way to the final of the tournament for the Championships that they never lost in the ring. The matchups we have though... well, I'm not sure how I want this to play out. If I have to choose something that I would like to see and would make for a good story, I think I'm going to have to pick Raquel Rodriguez & Aaliyah to defeat Natalya & Sonya Devile in the semi-finals and face the Sky & Kai team in the final.
Xia Li & Shotzi don't make for a natural tag team (though they're not the only pairing in this tournament to which that assessment applies) and they don't appear to be the kind of talent want to or need to push right now. Lyons & Stark could get the underdog run, but once again I do not think they're ready. They're also still young and they are babyfaces, which wouldn't make for the most compelling semi-final. Deville & Natalya on the other hand, well at least one of them feels like a solid showing or two away from being a consistent threat to upper mid-card and even main-event talent.
So, that leaves us with a Dakota Kai & Io Sky vs. Raquel Rodriguez & Aaliyah final. I don't think I need to type out who I think should win this matchup and be crowned the new WWE Women's Tag Team Champions. Rodriquez and Aaliyah can put up a little bit of a fight, particularly Rodriquez, who should continue to be pushed in the Smackdown Women's division, but in the end, the heels should score the, dare I say it, clean pin on Aaliyah.
As the newly crowned champions, Sky and Kai should be given a substantial run with the belts. They should be positioned as clever, crafty and talented title holders and should come out victorious in television and premium live event matchups against a variety of teams from the tournament bracket. Not all the victories need to be clean, but they do need to portray the champs as professionals who know what they're doing.
After that? Well, that's where I would bring back Sasha & Naomi. The former champions should be the first big test for the new champs. Whether that test comes at Day One, the Royal Rumble or Wrestlemania, that depends on how much WWE can get out of some of the smaller programs with their existing roster and whether or not they can establish or bring onboard any new teams in the coming months.
Ultimately, I believe that Sasha should be put into a main event-level singles program for Wrestlemania, one that she wins and that Naomi should join the Bloodline in order to freshen up her character and that stable as a whole.
WWE Intercontinental Championship
The good work is already underway with this title. Surprisingly enough, it started under the previous regime.
The best path to take here is to stay the course. Gunther needs to hold the title until Wrestlemania at the very least. He should be given quality, increasingly difficult challenges from former Intercontinental Champions and up-and-coming babyface talent alike, but he needs to continue to retain and he needs to do so cleanly. Should a credible opponent emerge, one that shouldn't be given the belt but does need to be protected to an extent, then some shenanigans are acceptable, but overall Gunther needs to be dominant. He needs the Roman Reigns push.
After that, I don't know that the answer is there right now. It could be Gunther's associate Ludwig Kaiser in a slow burn face turn. It could be Madcap Moss or a returning Rick Boogs, if they can improve their work rate. It could and probably should be Xavier Woods. It could be someone from Raw who is ready to breakout. In any event, it shouldn't happen for a while, but when it does it needs to mean something.
United States Championship
Look, I'm not a fan of former WWE , World or Universal Champions holding one of the traditionally secondary titles. That said, Bobby Lashley does make for a good choice as United States Champion. And I fully buy into the John Cena comparison here; Lashley is in that sweet spot where he makes for a believable champion who can elevate the prestige of the title and the reputations of his competition. However, and I'll be blunt here, there are far more interesting talents that are already at or need to be elevated to the main event level than the Almighty,
And this is why I think Bobby should remain the United States Champion for the foreseeable future. Exactly how long that is doesn't need to be expressly agreed upon right now, but the eventual title change needs to mean something in much the same way as the eventual IC title change does. The only difference between the two situations is that Gunther's title reign should probably be his one and only run with the secondary title before he is elevated to monster heel on the main event level, whereas Bobby is more someone who should stay at this level, for the most part, occasionally pinch-hitting in the main event scene.
What's the difference between the, you might ask? If anything, Bobby Lashley deserves to be higher on the card than Gunther because he is arguably more over with fans and his matches are far more representative of what WWE generally like to see their talent deliver in the ring. My response to these valid arguments is that Gunther is 34 years old, just hitting his wrestling rime, Bobby Lashley is 46.
Bobby has most probably hit his ceiling in terms o all the skills required to be at the top of a wrestling card. Yes, he is more over as a babyface now than he has been in his career, but I just don't see that continuing for long. His ringwork is fine, but it's never much more than that. His mic work has never been a strong suit and it feels like it is heading in the wrong direction listening to some of his solo promos.
Walter's promo work is behind Lashley's at present, but he has shown signs of improvement over the past few months, and the work he has put into other aspects of his character gives you a good indication that he is the sort of person who will keep working to improve. As far as in-ring work goes, Gunther has almost always delivered, his style suits his character far more than Bobby's does, and he can be relied upon to deliver better matches, more consistently and against a wider range of opponents.
All of this is to say that the United States championship should stay around the waist of Bobby Lashley even longer than the Intercontinental Championship should stay around the waist of Gunther and that even after Lashley loses it to Montez Ford, Angelo Dawkins, Chad Gable, Otis, Ciampa, Logan Paul or whomever, he should stay in that title scene.
Undisputed Tag Team Championships
Should the Undisputed Tag Team Championships be split and should we return to having Raw Tag Team Champions and Smackdown Tag Team Champions? That's the question that needs answering before a plan is made for who the Usos feud with over the coming months, who they eventually drop the titles to when they're done, and who enters the title picture after that. I don't want to waste too much time on answering this question because to me it is pretty simple. The title unification happened less than 6 months ago and there are barely enough established tag teams to support one set of belts. These two facts alone tell me that we keep the titles unified for the time being.
The only argument for two sets of titles that makes sense to me is the utilisation of talent argument. That is, with two sets of titles to target, more wrestlers can be involved in meaningful matches and programs. However, that can actually be done without extra belts, just write better segments for tag teams and have more competitive matches in the division. I also think that it is a bit of a tail-wags-the-dog argument in that, first, you establish teams, a division and a pecking order, then you think about installing a second prize for which to aim. It's the same reason I think the Women's division would have an Undisputed World Championship and two brand-exclusive secondary titles, rather than two world championships and tag tea championships, but I digress.
Right now, The Usos are the champs and given that The Street Profits didn't defeat the at SummerSlam and seem to have their own story playing out outside of the tag division, I don't think those titles would change hands anytime soon. WWE needs to build this division quickly with 2-3 teams who can credibly stand across the ring from The Usos. Right now, I don't know that there are any tag teams who are qualified to do just that. Even the teams sitting a tier below that believable title contender level - we're talking The Viking Raiders, Alpha Academy, any two of the Brawling Brutes, and Los Lotharios if you're being generous - won't work right now because they're heels.
I will quickly note that I haven't included the Mysterios, RK-Bro or the New Day in my considerations here because, in my opinion, these are all singles wrestlers who have been moonlighting (for lack of a better word) in the tag team division over the past 12 - 18 months. I'm alright with teams like this having a title reign every now and again - the RK-Bro reign with the Raw Tag Team titles was very good - but they shouldn't be a fixture of the division in the long term and when they've had their moment they should move on.
So, who is up next for The Usos? Who takes the titles? And when does this title change occur?
Firstly, despite what I have said previously and in previous posts, you're going to have to put The Usos against a non-tag team pairing for their next couple of marquee matches. It's not ideal, but it is a direct result of the tag division being neglected for so long. After Clash at the Castle, where I don't think there needs to be a Tag Team Championship match, there are three more premium live events this year. I think The Usos need to hold those titles for the rest of the year. In fact, the more I think about it, the more I think Day One 2023 is where they should finally drop the belts.
Let's say that the ridiculous "brand supremacy" nonsense is dropped from this year's Survivor Series and The Usos are instead involved in a traditional Survivor Series match with Roman and Sami Zayn. They can go up against Drew and the other top three babyfaces on Smackdown. Drew can get his heat back by eliminating Roman. Sami can somehow be the sole survivor, annoying the Bloodline who were looking for a reason to kick him out or end their association, and setting the table for the Sami Zayn face turn.
This leaves two PLE's or which The Usos need a Tag Team Championship challenger. The first of these, which will be at Extreme Rules, should probably be against Drew McIntyre and a mystery opponent because Drew is sick of The Usos interfering in his matches against Roman. Who is Drew's mystery partner? Take your pick from these five options: Ricochet, Madcap Moss, Kofi Kingston, Shinsuke Nakamura and Pat McAfee. All these men either already have beef with the Bloodline or are a segment or two away from drawing the Bloodline's ire. Easy example, Ricochet wins a television tournament to earn a Smackdown title shot against Roman Reigns but loses due to interference from The Usos.
The second defense should be against a team or quasi-team from Raw. this one would take place at Crown Jewel. Again The Usos are the Usos, they're everywhere and they're annoying, so it's not hard to match someone up against them. For this defense, which is pretty much 3 months away, we simply need two Raw babyfaces who have a loose connection with each other and with The Usos. AJ Styles and Dolph Ziggler tagged together a couple of weeks back and are both amazing workers who could put on a brilliant catch with The Usos, so they're two of the options. Rounding out a top six options list, because that's how many people I considered for Smackdown, are Mustafa Ali, Riddle and Edge. (Side note: OMG the Raw babyface brigade is a shambles right now.)
Next question. The team that should take the titles from The Usos is... DIY. That's right, Johny Gargano is going to return, Ciampa is going to turn face and this already been a tag team with a tag team name and tag team aesthetic are getting a feel-good victory at Day One as well as a title reign that lasts through Wrestlemania 39. The team that finally defeats The Usos needs to be a beloved babyface team, which DIY is, because of who The Usos are and because 80% of the established tag teams in WWE are heels.
Post-Day One, DIY can feud with two or more of the heel teams I mentioned earlier. And throughout all of this, the mentioned-above teams, the yet-to-be-mentioned teams like The Judgement Day and Maximum Male Models, and a handful of brand new teams, are being built up through competitive matches against each other and squashes of local talent. I'm giving the Wrestlemania match to Alpha Academy, because Chad Gable should ALWAYS be given a featured spot, with the team to defeat DIY probably the Viking Raiders, because those guys have had to put up with a lot of shit and I really don't see either of them being future singles stars.
Right, that's five of the eight WWE title belts and I have written A LOT of words. I am going to put a pin in this for now and come back with a Part Two where I look at the two WWE Women's Championships as well as the Undisputed WWE Universal Championship.
I hope this has been an interesting read so far. Thanks for allowing me to fantasy book for a bit.
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mmmmalo · 3 years
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For anyone still under the impression that June Egbert is just a product of the Toblerone wishes with no particular relevance to Homestuck proper, here's an argument to the contrary: that June (or whatever you like to call her) was already here, woven into John's relationship with the idea of Dad.
Act 1 has a certain preoccupation with the ideal forms of things, John having multiple instances of saying X isn't a REAL X unless it has this or that characteristic. "A fire BELONGS in a fireplace, categorically." One of those outbursts touches upon masculinity, with John saying a gentleman without a monocle is a piss-poor excuse for such. Along such a paradigm, you might gather that something like John saying the beaglepuss sucks as a disguise or trying (and failing) to integrate Dad's pipe into the façade communicates that John is kind of grasping at this ideal of masculinity exemplified by Dad and getting frustrated that he can't seem to measure up to it (or that masculinity feels "fake" on him).
This sort of dynamic is more blatant with Dave, who talks openly about how he isn't a "hero", not really, measuring himself against the impossible standards set by his Bro. But as much was already implicit in Act 1.
Later it gets established that John has some kind of fear of heights: the first ogres appear after John experiences vertigo from almost falling off the stairs, and again after getting launched by the pogo hammer. (Just as Karkat suspected he was given a planet covered in his own blood as a form of harassment, Sburb placed John's house on that needle plateau because of this fear of heights; the game generally manifests adversaries in response to fear). The phobia becomes relevant to Dad stuff after the ogre fight is over, when John is hesitating to jump down into Dad's room: it isn't just that John's nervous about entering the room for the first time, the descent itself makes John anxious. Furthermore, this juxtaposition serves to establish that the fear of heights and anxieties around Dad are related somehow, if not outright synonymous. The two are associated again at the beginning of Act 5 Act 2, when dream!John tries to jump over a canyon to reach Dad, but awakens mid-leap. The formal reason John awakens is Vriska of course, but if we ignore her we're left with John approaching Dad and immediately experiencing vertigo. (The name "June" comes from Vriska contacting John shortly after this dream, incidentally)
This comes up again when John finds Dad's wallet and gets overwhelmed by the prospect of Manhood and the responsibilities it entails -- next thing you know John is flying around in Dad's car, having fun... and after the scene is interrupted by Seek the Highblood, we return to find John crashing the car (another fall from the sky!) and talking with Vriska about dread surrounding societal expectations, and the possibility of rejecting them to pursue something different for yourself. John came into the scene worried (if quietly) about the expectations surrounding manhood, so the Vriska conversation serves to makes those kind of concerns more vivid.
The car crash is itself kind of a metaphor for that conversation's trajectory... in Act 6 we see something analogous play out among the Dersites who have gotten into dapper-wear: one Dersite sits on a hat, panics about ruining it, and then begins to wonder if perhaps a crumpled hat could have a value of its own, aesthetically. (Dirk expresses this sort of counter-assessment more bombastically: "...the next best thing. By which you mean, the vastly superior thing.") Dad Crocker swoops in to condemn the crumpled hat, but the Dersite's tentative revaluation of an apparent failure mode is something the scene shares with Vriska, who initially regards her ambivalence towards murder as a symptom of personal failure, unbefitting her caste. John enters that conversation with a crumpled car, and from context we can guess John's revaluation concerns "failing" to be a man in the way Dad is, and how maybe that doesn't need to be considered a failure.
As laid out so far, I guess none of this quite necessitates trans-Egbert, since people can come at "anxiety and reservations at the prospect of embodying masculine ideals" from a number of angles... but there are other considerations which make me think wrestling with self-deprecating thoughts like "I'm a failed man" are maybe comorbid with a budding sense of being a girl, in Egbert's case.
Foremost, I think it helps to recognize that Dad's car can function as a symbol of John's body. To sketch a case for that:
1a. Death often means transformation: the trolls die in questcocoons to reach the godtiers, suggesting that death stands between the caterpillar and the butterfly, their too solid flesh dissolved into a goo.
1b. A command in Act 1 implores John to "retrieve arms from MAGIC CHEST". John complies twofold: we see some fake arms retrieved from the toy chest, held up by John's real arms which have been "retrieved" from John's ostensibly armless torso.
2. This dual usage of chest is deployed in part 3 of Openbound, in service of building a dysphoria metaphor (among other things). The segment reintroduces us to Fiduspawn, a game in which one creature hatches from another, a host creature, killing the host in the process (fans of the Alien films may recognize this as derivative of the "chestburster", fans of Homestuck may recognize this as analogous to godtiering). Damara (who Rufioh refers to as "doll") becomes the host plush, who is accused of locking away Rufioh's "happy thought" (Tinkerbull) in her "chest". Rufioh's beef with Damara serves to illustrate an adversarial relationship with one's own body, the ways in which the body itself seems to function as a barrier to some happiness. The carnal imprisonment of euphoria (the "happy thought") represents dysphoria. The conversation between Kanaya and Porrim which follows has analogous content and offers a potential resolution to such a conflict, with Kanaya coming to distinguish her body from the reproductive duties assigned to her body by her caste's place in society, and knowing that she is not "bound" to the Matriorb by any will but her own...
3. But the paradigm of Fiduspawn reminds us that the act of actually ripping the happy thought out of your chest has suicidal overtones, when taken literally. And Aradiabot notwithstanding, the inner ghosts the kids give up are often green: Dirkbot tears out his uranium heart and explodes, Rose peels pink bricks off the green core of an island and wonders aloud if her existence is a mistake, and (returning to our main topic!) John tries to retrieve the green package from Dad's car. The retrieval of the box comes to represents the birth of the self from its shell, the now broken body, a gesture which overlaps with the pursuit of death.
So we can infer that Dad is akin to Damara here, having locked the desired object (the box, the "happy thought") within a container that we can identify with John's own body. Thus Vriska's talk of perhaps rejecting her assigned role in society proceeds naturally from the wreckage of Dad's car: insofar as the car functions as an emblem of the masculine expectations imposed upon John, the car's wreckage suggests the possibility of liberation from those expectations, liberation from your own body. John is "sick to death of cake" -- cake is a Life symbol imposed by Dad, in visceral excess, accumulating as every birthday marches John towards Manhood. The possibility of living as a girl does not seem to have occurred to John yet, life and masculinity seem inextricable and absolute. The first time John sees Dad's car totaled (after Rose drops it), the symbol of self-as-corpse is surrounded by yellow bands of caution tape. The Authority Regulator who placed the tape will later declare himself to be THE LAW, and we should take his word for it: the scene's function is to declare that the crumpled car, the "dead" and therefore feminized body, is forbidden to John. No surprise then that as John marches to her death, in defiance of the Law's prohibition, she-whose-name-does-not-yet-suit-her is met with impressions of several maps that actually align with their territories: troll movies whose titles are their contents in full, a rocket encoded by the sound PCHOOOOO. John wants that for herself, I think. And as @lscholar once pointed out, it’s worth noting that John's pursuit of this unity (this pursuit of "death") is interrupted by Dave, who in saving John's life repeatedly emphasizes their status as "bros" -- masculinity being, again, inextricable from life within John’s symbol system.
...and that's the short of it. A more detailed account might get into the association of Vriska and other blue girls with the feminized corpse, or read into Equius self-consciously roleplaying as a cat girl between John’s joyride and crash, or perhaps try to apply this car-body framework to the appearances of Dad's car in the Epilogues. And I haven’t even touched upon clowns...but I'll call it here for now.
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jjungkooksthighs · 4 years
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Claws of Carnality | jjk (3)
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 Pairing: alpha jungkook x omega reader
Genre: smut, fluff and angst, abo/werewolf, fantasy 
Rating: 18+ / nsfw
Word Count: 3.2k
Warnings: alpha!jungkook, possessive!jungkook, omega!reader, mentions of breeding/ruts/heats, mentions of a mark, slick and pre-ejaculatory production, scenting 
Summary: Denial is a crude adversary in how it battles your want to accept the alpha that has no shadings of doubt that you are, in fact, his mate. He intends to clear things up for you using the one surefire thing that will, however, prove him to truly be yours and you are utterly helpless in denying him.
A/N: So, here we are with part three already. Goodness, I can’t even believe how much attention this has gotten so far. Please keep it up, you guys! It really feeds my creative juices and encourages me when you guys let me know what you think of the stories I put out! Anyway, I hope you all enjoy this next part. Things are gradually going to begin to heat up from here on out and I can’t wait to see how you all react! 
Part 1  Part 2  Part 4  Part 5  Part 6  Part 7  Part 8 Part 9
You try to swim through the flurry of thoughts, the floundering disbelief heavy as you wade through it in spite of the amused alpha that watches you with interest as a myriad of expressions pull at your features. It’s difficult to keep yourself afloat amidst the frenzy of emotions that cascade over you and your alpha notices this in the way that you fidget where you stand in the intensity with which he regards you, your hand clutching at your skirt as you inhale through your mouth to attempt to replace the air that eludes you.
 One side of his lips curl upward in the effect he’s already had on you that only deepens in your silent refusal to acknowledge the final piece of the puzzle that would complete the missing segment of conviction still lost to you.
 Unlike you, Jungkook has not an inkling of doubt that you are, without question, his mate. He just hadn’t known up until a few moments ago that you are to become something so much deeper than that to him that will extend into his very being, for even he’d had no idea that you are destined to be his soulmate in which there hasn’t been a pair of wolves like that for many thousands of years.
 It all made sense to him in how his eyes had found themselves magnetized to the opposite pole that was you,  the constant holder of his attention whenever he’d had the privilege to watch you frolic gleefully with your omegean friends outside your den whenever he passed by through the cover of the trees after a successful hunt, his own scent masked by the carcasses of his prey.
 He’d never been able to explain the inexplicable pull toward you that had grasped him unrelentingly until he’d managed to catch sight or smell of you to, nor had it made sense to him why he’d wanted to express himself to you so much so that he’d danced in effort to satisfy the need to bask in the warmth of your intrigued gaze.
 Nothing has ever quite compared to the way that his blood races when you so much as glance at him now that he thinks on it and gods, he longs for you to welcome him now as eagerly as you had in the supposed safety of dreams. Even now the inebriating scent of you coils around him insistently as it begs for him to come closer to the source of his desires he’s yearned for years.
 It’s not as easy for you to accept this, though, no matter how much you want to. Gods, do you want to.
 In light of the bright, flashing signs that your wolf begs for you to heed, there’s a very critical and very crucial element that would immediately clear away the lingering shadow of denial that this creature before you who looks to have been crafted by the gods is meant to be yours. Despite your purebred omegean blood that distinguishes you as the most desirable of candidates for alphas and betas alike in the rarity of such a pedigree amongst your dynamic, Jeon Jungkook could have any bitch in the pack he wished. There were many others who you believed looked better and gave back to the clan more than the likes of you.
  And in the self-consciousness that shackles you, you had not breathed through your nose ever since he’d brought himself near to you.
 You know that the moment that you do, there will be no question that he is truly the alpha from your dreams who boldly claims to be your mate, for the intoxicating scent of him that had incensed itself within you was deliciously unforgettable in the way it had had the power to have you glistening with slick upon a single whiff. Because of that, there is a reason that you are actively choosing not to use your olfactory sense around him.
 Only within the old tales written in the aged tomes of the compound’s archives which are guarded by the elders has there been recollections of the legendary lupi antiquis, who were the progenitors of the werewolf race. These creatures were incarnations of nature manifested into the bodies of wolves that were guided by the moon’s phases in the celestial body’s wish to bring life to the earth in the decay of other mythical creatures who had grown sad and lifeless without a companion in the rarity of which they’d roamed.
 To ensure the strongest and most virile of the moon’s creations found a partner that would belong and be designed solely for them, it was said that the celestial body preselected the companion that would remain loyal to them through the entirety of their life by choosing for them a soulmate.
 The word has always been held close your heart in the romantic radiance of it, for it had been said that a bond unlike any other in the lupine world burgeoned inside two destined mates of the moon’s selection among the abilities that allow such a pair to share thoughts and feelings with one another telepathically across insurmountable distances in addition to each wolf becoming stronger where the alpha would gain physical strength while the omega would be granted bolstered mental fortitude.
 Beyond that, the wolf’s kiss could cure their mate of any ailment or injury in the profound love that the very essences of each kindred spirit were vested with as they longed ardently to remain together forever and always.
 As time had passed, the word had begun to become diluted in the diminished occurrences with which it happened as more and more werewolves began to populate and once pure bloodlines became soured by excessive mating between different partners in the uncontrollable ruts and heats that drove them to couple with any wolf in the vicinity under the influence purely of instinct to breed and be bred.
 Many lives had been lost during the violent, territorial battles over both alphas and omegas for a partner that often ended in death to one or both participants, the lessons of the past yielding guidance to the future generation in the written accounts left behind so that the fledgling pups that came after would not suffer as the earlier wolves had.
 It is why your pack has such defined rules now upon the presentation or period of peak maturity for omegas in particular because they have always been the desired mates of alphas.
 It is also how the entire compound knows when the last happening of two soulmates was, which had been a couple thousand years ago when the moon had aligned with the rest of the planetary bodies in the meticulously structured history courses that all maturing wolves are mandated to take and in the stories that are told by the elders over annual bonfires celebrating the bonding between two wolves.
 Perhaps it is all of these reasons that have every wolf in your pack still able to discern and recognize the defined series of circumstances that present themselves between two lupine creatures fated to be each other’s soulmate.
 The first is the gift of sight, which allows each lupine creature to see the eyes of their mate. The second is the gift of olfaction, which is the amalgamation of scents naturally produced from the scent gland of each wolf that have the ability to draw the undivided attention of their destined other so temptingly that it causes sudden production of either slick for omegas and pre-ejaculative fluid for alphas. In addition, this one is powerful enough that it acts an effluvious vice that impulses each lupine creature in how desirously their mate can waft into and draw out their counterpart’s instincts.     
 Each are granted only after the moon lights a path for them both to meet, but that hadn’t happened for you, had it? After all, it’s not like the stream of dreams every night after the last eclipse could have-
 Your eyes widen bigger than the largest star as your cheeks color themselves redder than a ruby in mortification as the links join together and that has the alpha relishing in the adorable sight of you as he croons, “There it is, pretty. I knew you would come around soon enough,” he fixes his sight on the edge of a reddened petal he’d caused to fall over your skin in your supposed fantasy that peeks out from under the edge of your silken choker that he wishes he could tear off of you and add more of his marks to as he continues, “Did you think I would allow my mate to suffer with how desperately you whined and how loudly you howled for me?”
 You fumble for words in the embarrassment that soaks you as you try to speak past a mouth that is dryer than the desert while you shake your head like you’re in a daze and you might as well be in how incapable you are of rationalizing at this point.
 “This can’t be… it can’t be possible.” You whisper quietly as if thinking aloud and Jungkook finds that he appreciates the sound of you, that he is pleased in how you’ve finally chosen to use that cute voice of yours and let him into your thoughts.  
 The alpha coos, “Oh, my pretty omega, but it can,” he takes one calculated step closer, “Come on, little omega, smell me.  Do not think that I have not caught on to the fact that you haven’t used your nose in your efforts to deny this, to deny me.” His honeyed voice slathers itself over you, as you melt under its thickness, “You asked your alpha to come find you and I have, pretty. Now, it’s time for you to do the same. Scent me and see that I am the one the moon has promised you to, that I am the alpha you belong to.”
 He delivers his words to you in the form of a command as he takes another step toward you only to have your heart beat faster against your ribcage, your wolf lowering its head in submission as you try to make yourself smaller under his searing, prompting gaze and the longer that you dangerously surrender yourself to those golden irises that are still speckled with the silver that mirrors your own, your resistance cracks and folds gradually under his increasingly prominent pressure. It can only be compacted and compressed so much until nothing remains and, unable to disobey his directive, you swallow a thick lump of nervousness down your throat before clearing it as he looks on expectantly.
 His avid attention sears into you doggedly and, under its power, your omega blood boils in need to heed him and, purely driven by your body’s desideratum to yield to him without the input of any cognizant thought, your hand finds itself slowly and tentatively lifting toward the exposed neck that he has bared torturously against the obscenely opened shirt.  The fluttery wings of anticipation flap animatedly within you as the alpha watches with intrigue, allowing you to slowly near him.
 Your fingers do not stall as they ghost over the notch between his collarbones as you dare to allow yourself to touch the skin that tries to reach for you in the waves of heat that roll off of him and when you turn your hand so that the soft underside of your wrist just barely manages to rub against his sensitive scent gland that all but strains and pulses against you, your breath hitches as a deep rumble of a growl tumbles from his throat in response.
 It is not a sound born of aggression, but of satisfaction that has your omega preening under its euphoniously low trill and when his fingers close around your forearm to possessively drag your radiocarpal joint back and forth over the intimate area that secretes pheromones wantonly for you, your wolf sings at his hot touch, at the way that his fingers curl deliciously over your delicate skin.
 The whole time, his irises flash tellingly in gratification that has you helplessly falling for the way he looks at you like you’re the only thing that exists, the only thing that matters as he greedily drinks in the way your mouth has parted dazedly while he coats himself in your own essence that is produced richly from the glands in your wrist.
 The scent glands of the neck were far stronger, far more potent, but right now, he will take from you what you decide to give. There will be time for more later, he is sure.
 Your delicious scent is quick to consume him, the sound that drips from his lips deepening in pitch as your aroma drapes itself over him in its entirety before sinking into his very pores until he’s momentarily drunk off you, his pupils enlarging until there is only you.
 “Gods,” he utters, “you smell like sin, pretty. You’re like a fucking aphrodisiac in how you tempt me.” Somewhere in his pants, his cock twitches to life at the mere scent of you as your carnal essence awakens something far too primal within him.
 “J-Jungkook,” you whimper, your wolf baying in delight at his admission and wantful actions.
 In response to him, your own irises dilate as your heart pangs wildly against your chest, breath a hard companion to come by in his overbearingly alluring presence that seeks your own in the warmth of his skin that reaches longingly for you.
 You can’t begin to rationalize how long he slides your wrist sinfully against him as he makes a point of trailing your radiocarpal joint over the vast expanse of muscles that line his neck as they all but jump at your touch as the sound that tumbles from his lips darkens impossibly more only to draw out a whine from you. Minutes or hours could have passed since this started, but you have no care in the world because of how caught you are under his simmering stare.
 Once he’s secure in the knowledge that succulent scent of you has smeared him to the point of no return, that’s when he pulls your hand back until he holds it under your nostrils while his mouth waters at the delectable waft of you through his own that sets his very blood on fire.
 His fingers sink wonderfully into your skin and it is positively unholy in how his heat permeates you until you’re filled gloriously with it he orders, “Go on now, my pretty omega.  Breathe me in until every last doubt is torn from you and all you can think about is me,” his breath is hot against your cheek as he inches impossibly closer in the need to be impossibly closer to you as you shakily exhale while he finishes, “Drink me in until this little body of yours is sated in the sweet recognition of the alpha that owns it.”   
 His words settle viscously over you and in the command of the alpha that you are helpless to resist with your omegean blood, you do. You did not want to fight this, did not want to fight him. It went against your baser instincts and nature to do so. It was all just your self-consciousness that had bound you back and away from him, but under his attention that does not waver in the imposing neediness of it that glints with a savage saturation dripping from his very being, you can’t withstand it. So, you obey.
 The change is immediate.
 Upon the first whiff of him that drizzles up through your nostrils to trickle fluidly like that of a delicious philter through you, your every cell is flooded with stimulation that is guided by the heady essence that is decidedly and uniquely him. He tastes of newly dewed grasses that are accented by an earthly underlayer and somehow it is all bolstered by the overwhelmingly delicious amalgamation of blooming gardenia, black vanilla and freshly matured pear.
 A sudden deposit of slick finds itself between your folds that glisten to life and it earns a sharp growl from him as he brings one lip between his teeth.
 He reeks of pungently dangerous desire that beckons your very being and your eyes roll to the back of your head at in its insistent invitation as he fills you with his quintessence and soon your body can no longer bear your weight in the way that his strong incense curls around you to have your limbs grow weak under its inexorable consummation of you.
 Your weakly whisper, “Alpha…my alpha,” the concession quick to run through your veins as you yield to him.
 Your legs begin to tremble precariously with each breath you take in effort to collect as much of him as you can, the familiar smell exactly alike to that of the one belonging to the wolf from your dreams as understanding and recognition saturate your being.
 “Omega,” Jungkook breathes, satisfaction washing over him as he watches your body react so affectedly to him.
 And when your body is no longer able to bear your weight in how quickly the alpha has drawn away their strength through his own power, he is there.
 At the same time that your head falls back and your sense of equilibrium leaves you through numbed legs, one of his large hands finds its place along your nape while one muscled arm wraps around your back to pull you against the built planes of an aureate chest as he croons, “My beautiful omega. You’ve acknowledged me at long last. Such a good girl for me, you are,” he angles his head low so that his heated breath once more billows against you, “I’m going to take you with me to the forest now, pretty. Once we’re there, you’re going to watch me shift so that I can hunt just for you. When I return,” his pink tongue darts outward to wet his lips as his gaze surges with hunger, “I expect my mate to be waiting for me before I let every wolf in this fucking compound know that you’re mine when I claim you at the ceremony tonight.”
 Your breath stutters at that and when his arms dip to collect you like his bride as he tucks you against the muscled chest that you subconsciously lean into you in the safety that pours from him that your wolf relishes in. Through it all, you can only barely utter, “As you wish, alpha.”
 As he holds you close, you nuzzle your alpha and there’s a high-pitched, satisfied purr that easily cascades through your throat in the warmth and security that his able body offers. You care not how far your song of satisfaction is carried in the winds that swell against you only to roll tauntingly over all the alphas in the distance that Jungkook is in charge of as the pack alpha’s son who is meant to one day lead the compound.
All that matters is that you’ve found your alpha and that he, in turn, has found you.
 High in the sky, the moon hides behind the awakening sun as golden rays begin to filter searchingly through the thick underbrush of the forest lining the horizon as far as the eye can see.
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miserablesme · 3 years
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The Les Miserables Changelog Part 5: 1992 UK Tour
Hello, everyone! This is the latest edition in my attempt to chronicle all of the musical and lyrical changes which the show Les Miserables has undergone over the years. Much like the last part, this one focuses on changes made not to the official libretto, but to one particular production: namely, the 1992-1994 UK tour. However, in contrast to the last part, the vast majority of these changes at least made it elsewhere at some point. This will be a bit longer than Part 4, but still shorter than any of the first three parts. With all that cleared up, let us begin!
Like the West End production before it (more on that later), the UK tour swapped these lines from "At the End of the Day":
What is this fighting all about?
Will someone tear these two apart?
He thus instead sings:
Will someone tear these two apart?
What is this fighting all about?
The first noticeable difference original to this production occurs during "Lovely Ladies". Originally after Fantine's "Ten francs will save my poor Cosette", there was a rather complex section in which the sailors and prostitutes sung different lines simultaneously. It went as follows:
(SAILORS - simultaneously with prostitutes' lines)
Lovely lady, fastest on the street
Wasn't there three minutes
She was back up on her feet
Lovely lady, what you waiting for
Doesn't take a lot of savvy just to be a whore
Come on lady, what's a lady for?
(PROSTITUTES - simultaneously with sailors' lines)
Lovely ladies, lovely little girls
Lovely ladies, lovely little ladies
Lovely girlies, lovely little girls
We are lovely, lovely girls
Lovely ladies, what's a lady for?
The UK tour totally reimagines this scene as an exchange between a prostitute and a pimp:
(PROSTITUTE)
God I'm weary, sick enough to drop
Belly burns like fire
Will the bleeding never stop?
(PIMP)
Cheer up dearie, show a happy face
Plenty more like you, dear
If you can't keep up the pace
(PROSTITUTE)
Only joking, dearie knows her place
This is quite a massive departure from the original! I imagine it would be quite a bit easier to get right given that it involves only two actors, neither of whose dialog overlaps the other (in contrast to the original scene with an entire ensemble of actors with distinct but simultaneous lyrics and tunes). It's hard for me to decide what I prefer. Thematically, the revised version is better, given that it makes the negative and exploitative aspects of prostitution quite a bit clearer than the original. However, lyrically I prefer the original somewhat simply for the sake of consistency. The sick prostitute scene, as it's sometimes been called, is the only point in the entire song where that chorus is used without some variation of the words "lovely ladies". Feels a little out-of-place to me.
"Fantine's Arrest" also gets different lyrics - for a time, at least. I have two different audios from the UK tour, from April and December 1992 respectively. The December audio reverts to the original lyrics for Bamatabois (though not for Fantine). I wonder whether or not someone just forgot to tell the replacement Bamatabois about the lyrical edit, or if it was a conscious choice to revert the scene? I also wonder if the year-plus of the tour after that performance kept the original lyrics or put the new ones in again. Regardless, this is how the exchange between Fantine and Bamatabois originally went:
(BAMATABOIS)
Is this a trick? I won't pay more
(FANTINE)
No, not at all
(BAMATABOIS)
You've got some nerve, you little whore
You've got some gall!
It's the same with a tart as it is with a grocer
The customer sees what he gets in advance
It's not for the whore to say "yes sir" or "no sir"
It's not for the harlot to pick or to choose
Or to lead me a dance
The UK tour initially revised the sequence into the following:
(BAMATABOIS)
Is this a trick? I won't pay more
(FANTINE)
I won't have you
(BAMATABOIS)
You've got some sauce, you ugly slut
You've got some gall!
What's become of the world when a whore from the gutter
Can suddenly get such ideas in her head?
Your job is to lie on your back for your betters
This hideous harlot believes she can choose
Who she takes to her bed
I guess the revised lyrics feel a bit more threatening, as well as a little less contrived. (Who the hell has ever actually used the phrase "lead me a dance"?) Still, I prefer the original ones because the rhyme scheme feels a lot more natural.
More changes occur during "The Runaway Cart". The original (rather clunky) conversation among the townspeople was as follows (with each line separate due to being said by a different person than the previous one):
Look at that
Look at that
It's Monsieur Fauchelevent
Don't approach
Don't go near
At the risk of your life
He is caught by the wheel
Oh the pitiful man
Stay away
Turn away
There is nothing to do
There is nothing to do
The UK tour rewrites most of the scene into the following:
Look at that
Stay away
You'll be crushed by the cart
Don't approach
Don't go near
It'll fall on you too
Oh my god, who is that?
It's Monsieur Fauchelevent
He is caught by the wheel
Oh the pitiful man
There is nothing to do
A far more natural progression in my humble opinion, and less repetitive as well.
The later scene involving the townspeople doesn't actually include any lyrical changes. However, like the West End production before it (more on that later), it does take lines that were previously in the singular into ensemble lines. The sequence was generally being performed as follows:
(MALE TOWNSPERSON)
Don't go near him, Monsieur Mayor
The load is as heavy as hell
(FEMALE TOWNSPERSON)
The old man is a goner for sure
(MALE TOWNSPERSON)
It will kill you as well
The UK tour instead staged it as follows:
(MALE TOWNSPERSON)
Don't go near him, Monsieur Mayor
(ENSEMBLE)
The load is as heavy as hell
(FEMALE TOWNSPERSON)
The old man is a goner for sure
(ENSEMBLE)
It will kill you as well
This ensemble business, which was already being used in the West End at the time, is an interesting callback, perhaps, to the pre-Broadway libretto in which much of the segment was sung by the ensemble. Personally I consider this edit an improvement. It feels far more frantic when the entire crowd is involved in the scene.
Once Valjean actually saves Fauchelevent, his lines are originally as follows:
Monsieur Le Maire, I have no words
You come from God, you are a saint
The UK tour changes them into the following:
Monsieur Le Maire, I have no words
You saved my life, you come from God
I guess the rewrite makes the reason for Fauchelevent's gratitude clearer, though it was already perfectly clear to begin with. The edit certainly doesn't hurt anything though.
The preamble to "Master of the House" retains the original "Hell, what a wine" instead of the post-Broadway "God, what a wine" edit.
Similarly, the "Waltz of Treachery" number has Thenardier ask the original "Have we done for your child what is best?" instead of the post-Broadway "her child".
A slight variation can be heard after the “Waltz of Treachery”. Usually Little Cosette asks:
Will there be children
And castles to see?
However, in the UK tour she instead asks:
Will there be castles
And children to see?
This variation also occurs in some early post-Broadway West End performances, and in the Complete Symphonic Soundtrack. I’d be interested to know whether or not that soundtrack may have inspired the choice during the UK a tour.
Interestingly, “Look Down” reverts an exchange back from the 1987 libretto into the original pre-Broadway version. Perhaps drawing from the West End show which was still using the original variant of this particular moment, the sequence officially sung by the ensemble as follows as follows:
When’s it gonna end
When’re we gonna live
Something’s gotta happen now or
Something’s gotta give
Because, as it was originally written, sung by one person at a time:
When’s it gonna end
When’re we gonna live
Something’s gotta happen, dearie
Something’s gotta give
My thoughts on the two variants can be seen in Part 3 of this blog.
Like the Australian tour, the UK tour has Thenardier say "God rewards all the things that you do" during "The Robbery" instead of "the good that you do".
Also, for some reason Thenardier refers to "the brand across his chest" instead of "upon his chest" later in the number.
The UK tour borrows the revised lyrics to “Stars” from the Australian tour and the West End production. Instead of the original lyrics:
A fugitive running
Fallen from grace, fallen from grace
It used these ones:
A fugitive running
Fallen from God, fallen from grace
Instead of these lines:
He knows his way in the dark
But mine is the way of the Lord
And those who follow the path of the righteous shall have their reward
It uses the shortened variants:
He knows his way in the dark
Mine is the way of the Lord
Those who follow the path of the righteous shall have their reward
Finally, instead of these lines:
And so it has been
And so it is written
It used these ones:
And so it must be
And so it has written
You can read my thoughts on all those differences in Part 4 of this blog.
The next noticeable difference occurs at the beginning of “Red and Black”. Previously the song opened with the beginning chords. However, the UK tour added a short musical sting before these chords. If I’m not mistaken, this musical addition was placed in to account for a change in staging. Originally the number began with the barricade set sliding off-stage, revealing the ABC cafe set behind it. However, around the time of this tour the blocking was adjusted. Now, the turntable instead revolved at the beginning of this number, revealing the ABC cafe set on the other end of the turntable and allowing the barricade set to double as the walls of the cafe. I believe the opening sting was added to allow time for this slightly more elaborate staging.
Additionally, as was the case in the West End at the time, no one shouts Enjolras' name during the instrumentals to "Red and Black".
In “Red and Black”, Enjolras usually sings:
We need a sign
To rally the people, to call them to arms
To bring them in line
However, the UK tour replaces it with the following lines:
We need a sign
To rally the people, to fire their blood
And to bring them in line
I guess “fire their blood” has a certain idealistic flair that fits Enjolras’ character, but I still definitely prefer the usual lyric. It conveys the message a lot more directly.
After the number, this is Enjolras’ original remark regarding General Lamarque’s passing:
On his funeral day they will honor his name
It’s a rallying cry that will reach every ear
In the death of Lamarque we will kindle the flame
They will see that the day of salvation is near
The time is here…
The UK tour rewrites those lines into the following:
On his funeral day they will honor his name
With the light of rebellion ablaze in their eyes
From their candles of grief we will kindle our flame
On the tomb of Lamarque shall our barricades rise
The time is here…
Though there’s a bit less rhyming in the revision, it strikes me as somewhat nicer and less clunky-sounding. The sentences’ subjects no longer feel all over the place, and the phrasing is far more poetic.
As with “Look Down”, some lyrics to “The Attack on Rue Plumet” are reverted to their original form (which was also still used in the West End at the time). Thenardier’s official lyrics following Eponine’s scream were as follows:
You wait my girl, you’ll rue this night
I’ll make you scream, you’ll scream alright!
Leave her to me, don’t wait around
Make for the sewers, go underground
The UK tour brought them back to this form:
Make for the sewers, don’t wait around
Leave her to me, go underground
You wait my girl, you’ll rue this night
I’ll make you scream, you’ll scream alright!
You can read my thoughts on these variants in Part 3 of this blog.
As with the Australian tour, Philip Quast changes “we’ll be ready for these schoolboys” into “I will join these little schoolboys” in “One Day More”. Unlike the Australian tour, the UK tour would maintain this variant even after Philip left. You can read my thoughts on this variant in Part 4 of this blog.
That’s it for the first act! The first noticeable difference occurs right before “A Little Fall of Rain”. Instead of opening with the beginning music, the UK tour added a short musical interlude beforehand. In my opinion, this music sounds terrible and feels extremely out-of-place. I wonder whether or not there was some change in staging to account for these extra notes.
After Enjolras' "Night of Anguish", the instrumental music is edited. Originally the number was followed by the same tune which would later be heard in "Drink with Me". However, the UK tour replaced it with a reprise of the tune of "A Little Fall of Rain". This is one of my least favorite edits for the tour. The original music felt highly emotional, and, since it predicted a later number, it implies the sense that, despite Eponine's death, there is more to come and the revolution is far from over. I'd argue that simply reprising a song that just happened suggests a degree of closure that is not appropriate for its context.
Everything is as usual right up until the epilogue. As with the Australian tour, the UK tour uses the “I’ll lead you to salvation” line instead of “And lead me to salvation” for Fantine and Eponine. You can read my thoughts on that change in Part 4 of this blog.
That’s it for this part! If I missed anything feel free to let me know, as my goal is to create a changelog as thorough and complete as possible. I plan on making more parts in the near future covering all the changes that have been made in the show up until this day (discounting concerts). Any feedback and constructive criticism is very much appreciated. As a side note, both for this project and my own enjoyment, I want as complete a collection of Les Miserables audios as possible. I already have most of what’s commonly circulated, but if you have any audios or videos you know are rare, I’d love it if you DMed me! Until the turntable puts me at the forefront again, good-bye…
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thewritingstar · 3 years
Text
The Sun Sets With You
Pairing: Blossutch 
Fandom: Powerpuff Girls 
Rating: T
Word count: 6k 
Warnings: Major Character Death. 
Note: I am so excited to finish this fic! Thank you so much to @creativecilla for commissioning time and time again. She asked for a sad and angsty fic so I hope I delivered! (She also asked for a happy fic so dont worry that's coming soon)
Don't worry there will be a little bonus after this so don't come for my throat too hard.
Anyways, I hope that you enjoy this because I had the time of my life writing it while crying.
Thanks for reading <3
(the italicized is flashbacks just in case ya confused :) 
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“Your love is like a sunset, the longer I wait, it slowly fades into the sea, making a beautiful distraction, As loneliness and despair creep from behind like the shadow of the night.” -Albion Gremory
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The gate waits patiently for her to cross. It's black and shiny as if it were polished just for her. She has been here for almost an hour and yet she hasn't moved an inch. The bouquet of flowers she spent just as long picking out are starting to get annoyed by her lack of movement and although they don’t have a voice or emotions, she can tell they are growing weary too.
She doesn’t understand. Why couldn’t she simply walk forward and make this easy? She was a trained assassin, a spy at the very core where nothing could challenge her except for this field of grass. Grass that is bright green and thriving yet underneath its healthy roots, is a minefield of bodies. It's odd to think about. The care and water used to make sure that the green is at its brightest and the stone looks nice but in reality, it won’t matter.
Nothing matters anymore.
Her grip tightens on the poor flowers. A frail red ribbon holds them together instead of being wrapped in her ginger hair where it belongs. The last time she wore it was the day...it's been a while.
The cemetery has a familiar feel to it. She’s been here before. She has been here many times and has even memorized the grounds. However, this time is much more...intimate. A much more personal experience.
It was never personal because in her line of work, this was normal and happened often. You would come into the office and hear about the poor sucker that got shot, stabbed or blown to bits, grab a hopefully fresh cup of coffee and make sure that you don’t end up the same as them. It was all a part of the job to join the unavoidable circle of life.
Before it was just people whose identities changed day in and day out to avoid this particular outcome. To avoid becoming worm food and having fresh flowers at the bottom of your name. Death never meant anything to her but an end we all have to face. It never meant to stop and think about your life because she didn’t have one to live.
There was no glory waiting for her back home as she finished another mission. There was no dream to achieve because she plagued those of her mind years ago. Warmth and desire from others could not be tolerated. It was dangerous to have anyone close to you but hurt even more when they were gone.
Her dreams had been swept into the night and burned like a fallen star. They were meant for rare quiet days where she could close her eyes and have a glimpse of another chance at life and then it would be over and she couldn’t allow anyone to hold her back. But just as there are dreams, nightmares will surface too.
This was a nightmare only for her eyes. It was common for members of their work to come and pay respects if they got time but for this, she asked that she would be the first. And only then was anyone else allowed.
The months that ate away at her aching heart caused her to be the opposite. She said she had gone, said her dues and the rest followed. Her lies now corrupted her normal life, if you could even call it normal.
So she became the last person and perhaps that's for the best. Even in death, she keeps him waiting. But unlike the other times, he couldn’t leave or say anything about it. The silence of the coffin was enough for her to know that she might get the last words like always but she doesn’t want them.
She would rather keep her words to herself, her mouth stapled shut than utter the last words. She also knew that he would rather listen to her all day than have a moment of silence.
So here she is. A little black dress that poofs out gently at the bottom just above her knees. It was the same dress she had worn on their mission in Italy years ago. It had ended up on the hotel bathroom floor much sooner than expected, however this time the smell of sandalwood and pine had been washed out.
She feels like a housewife ready to see her lost husband coming back from the war in the form of a corpse. The only difference is her vision won’t include the golden bands. Her thumb grazes her ring finger feeling nothing but bare skin and it pains her to think that she was so close. So close to a dream.
She inhales and exhales. Her ability to control her emotions is unlike anyone else. If she chooses to be a stone wall, then nothing will make her crumble. For years she had seen bloodshed and violence. Encountered dangerous people and never once had a hard time sleeping.
Steps take her closer and she feels herself start to decay brick by brick.
Every breath comes out colder and slower and she doesn’t have to look to know she's right in front of it because all the oxygen surrounding her has left and replaced with a frosted void she's grown used to over these past few months.
“Hello.” Her voice is firm and polite.
Formal. She’s too formal and she can practically feel him rolling in his grave to tell her to die it down. Die it down. She hums at that thought and complies with the request that wasn’t even asked but she knows him.
Her feet slip out of her heels, the ones he had bought randomly. The ones she had danced in as he spun her slowly. Her toes feel the dew on the grass. She hates the feeling, her exposed skin starts to itch and irritate her but that just reminds her of her beating heart. So she forces herself to rest on her knees but keeps her eyes shut. Bravery was never something she lacked.
But being brave with her vulnerable emotions had never come easy.
“Just open them.” She scolds herself. No one is around but she feels like the entire world is staring at her.
This isn't work.
This isn’t a mission.
This is him.
Slowly her eyes flutter open to reveal the truth she tried to conceal. The wall inside of her has fallen. There's a suffocating way about this all. She's a woman of logic, a see it before believe it kind-of-person. It's a crumbling mess that turns her into ruins.
And that's when it hits her.
Like the fall of Rome, there are no survivors. There is no happy ending here. Everything leads to Rome...everything leads to heartbreak eventually.
Tears overwhelm everything else. Blossom Utonium has cried for a fallen coworker but never once had she had to grieve and take in the burden of her heart growing dark and heavy.
Her fingers clench the soil. She didn’t want to cry. Didn’t want to sob, not at the risk of seeming weak, but to actually force herself to come to terms with it. To see it written in stone as literal as it comes.
Butch Jojo is dead.
There’s no other way to put it. No soft angle to come at. No lessening the blow because she was there and saw it with her own eyes. No one had to tell her because she relieved it every time her eyes closed.
How was she supposed to go on? He was the piece of her puzzle that fit so neatly and perfectly. She didn’t realize that the picture became indecipherable the moment he was removed. She clawed at that table trying to put back all the pieces. Trying to figure out where they all go but she's left with segments that don’t seem to fit any longer.
He was her sun and moon, the day and night and every other cliche slapped onto an overpriced Hallmark card. He was it all, and now he is gone. Gone too soon and she barely had him in the first place.
The gravestone itself is simple. It's the only one on the lot that isn't decorated by a three foot high statue or a giant cross. It's as basic as they come yet the man it was for was far from it. There was no luxury of filling the coffin with a body. So every bit of him was taken physically and metaphorically from her.
His name is in an elegant cursive and his birth name. Something most people didn’t know. Usually spies and assassins change up their name to make their identity untraceable. She had known him as many different names, but Butch was the only one who she cared about. The only one to ever make her feel like herself.
Her fingers hover above the engraving before setting on the coldness and tracing it with the tip of her index finger. It takes her breath away like an old candle finally burning out.
She wonders if a cruel joke is being played on her as she stares at the curls of the cursive. It was the same font she had chosen for their makeshift wedding invitations the moment she realized that he was the one. Of course he would have had comic sans or some heavy metal font on his tombstone if he was given the chance just to spite everything and everyone.
She's sure that this was already made far before his death. In fact, she's convinced that everyone already has a grave with their name stored somewhere in the back for fast and easy access. Hers is probably waiting and collecting dust.
“Hi.” She utters, less formal than the first time and that felt like ages ago. “For the first time, I’m speechless.” She confesses. “I’m not quite sure what to say.”
For days she sat underneath her flickering desk light writing a speech for a funeral that no one would attend.
The words never came into place even though she deemed herself a thoughtful writer. But what do you say when the person who gave you a reason to speak is gone? Was there anything worth uttering when she couldn’t bring herself to do it?
But she wrote. She wrote everything she had felt and ended with a flood of pages on her desk. Pens with tired ink cartridges littered her desk and endless chicken scratched papers were tossed away. It needed to be thoughtful and inviting but in reality, it just needed to be the words she never said.
The moment she finished writing them, she threw them into a box to never see the light of day. But when she finally had the courage to come and pay her respects, she became drawn to them. Her mind fought with her hands to take them even if she decided to keep them in her purse.
Her purse opens and she takes out a few pages. The ones that made her heart ache the most and that are decorated with stains of dried tears. She clears her throat. “The first time I met you, I thought nothing of it. It was in front of the coffee maker at work, you had just joined our firm and you walked by, glanced at me and then you were gone into the other room. That was it. That's what we were meant to be. A simple meeting of the eyes and then we don’t interact again.”
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The coffee drips way too slow, she thinks. A state of the art facility full of lasers, guns and cars and they couldn’t be bothered to get something just slightly better. The mug finishes filling just in time for her patience to run out. She grabs it and turns to look out towards the rows of cubicles that make it seem like a simple office.
Instead of a bored coworker looking tired at a computer, she's met with green eyes and an emotionless face. For a second she saw his lips turn into a smirk. It's quick. A match striking the box with a flame igniting on impact. And then it’s dropped in water and out just as fast. He's gone by the time she blinks next and even though it was nothing, those eyes fueled a fire she wasn’t sure she had.
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“But then I kept seeing more and more of you.”
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“You clean up nice.” Blossom turned to see a guy. She recognized him from last week, a new transfer who she only caught a glance at. He was in a highly expensive tux and was adjusting the equally priced watch on his wrist.
“I assume you must be my new partner.” She said as she mentally analyzed him slowly. Slicked black hair, looks as if he goes to the gym quite often, hands looks steady for a firearm. Green. Forest green eyes.
He smiled. “Must be.”
“You can call me Amanda.” Her fake name suited her fine as she checked the time. “I hope that you read over the files of our mission.”
“I tend to skim and wing it.” He winked and that irked her. “Matts fine for the evening.”
Blossom, or Amanda for now, kept her eyes from rolling and walked to him and wrapped her arm around his. “You might be my husband for this mission but if you fuck up, you better be thankful this isn’t legally bounded.” She finished with a flutter of her eyelashes and a smile before pulling him along.
She didn’t get too far before he pulled her back and her bright pink eyes met deep green ones closely. “I take my job very seriously. But I wouldn’t dream of making you mad at me. But on the other hand, I admire strong women.”
She didn’t know why she didn’t smack him in the face. Usually every partner who has tried to flirt or mess with her learned the hard way that is a no no. Yet, even after moments of knowing him, there was something genuine about him that she couldn’t quite understand but became interested in.
“Glad to see we are on the same page Matt.”
“Of course Amanda.” Butch replied and held out his hand. “After you.”
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The trees nearby moved in the breeze without a care in the world. They had nothing to care for except for their leaves changing in the fall and losing them in the winter. But leaves always came back, they always blossomed and started a new life and were the same tree no matter how many times the seasons passed.
She wondered if those trees ever felt heartbreak or if it was easier to lose something when you know it will come back to you with time. She envied those trees. Envied the way that they can continue their lives just growing and flourishing and it felt like her leaves were turning to dust as she was being cut down.
From her purse she pulled out a thermos and two plastic cups. She nestled one into the ground as she poured the wine into the cup and then one into hers.
“I never cared for this brand of wine before I met you.” She smiled softly and took a sip. “Never cared for a lot of things. Yet this was your favorite and everytime we had a mission, I could always find you relaxing with a glass. I guess it became an acquired taste over time. You became my taste.”
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“Care for a glass?” He asked her as she sat in front of the fireplace.
Due to them working together for more than a year, the agency decided that personal rooms weren’t necessary and if anyone were to see them leave together and follow, it would fit with their stories.
Blossom looked up from the book she just pulled out. A dissatisfying glare focused on the bottle in his hand. “No thanks, that stuff is garbage.”
Butch, or well, Sebastian for the evening, scoffed. “Garbage?” He exclaimed dramatically. “This is some of the finest wine in the world.”
“I’ve had better.”
“It's from Italy!”
“I prefer local or even cheap box wine to that.” Blossom scanned her book.
Butch only huffed again but still proceeded to pour two glasses and joined her on the floor.
“I said I didn’t want any.”
“I think you just haven’t had it with the right company.” He smirked and offered her the glass.
She rolled her eyes and took the glass, her book forgotten now. Blossom brought the glass to her lips, took a sip and tried her best to hold back a grimace. “It's fine.”
He only shook his head and drank his own glass, the small smile on his lips never leaving. “Butch.”
She turned the glass in her hand then glanced at him. “What?”
“Butch. That's my name, my real name.”
Her heart started beating quicker. “Why are you telling me this? You shouldn’t be.”
It was a common understanding. You might know the face of your partner or colleagues but a name and identity was off the table. The only thing anyone needed to track down someone was a name. And the moment it's out there, you can start counting your days.
Butch shurgged and downed the rest of his wine. “Not sure. Never told anyone before. Well anyone who I didn't know beforehand. But there's something about you. I don’t think you fully trust me. I get it of course. I don’t trust people at all.”
“So why tell me?” She questioned.
His eyes met hers. Seriousness washed across his face and any hint of amusement was gone. “I have no one in my life who knows me as Butch anymore. Only myself and my thoughts. And after years in this shit business-you’re the only partner I’ve had that I trust with my life.”
Her fingers tighten around the stem of the glass. Her poor heart is beating much faster; she's sure he can hear it. She’s never had a partner like him. Never met a person who she blindly trusted like this.
“Blossom.” She blurts out. “My name is Blossom.”
And that smirk returns and his eyes soften. She's seen him kill a man before and yet he looks so incredibly soft and honest.
“That's a pretty unique name.”
“My father told me it was because of cherry blossom trees.” She smiles at the memory. She reaches and takes the brown contact from her eyes. Her main defying feature that no one but the higher ups knew about.
Her eyelashes flutter as she places them in the contacts case. She looks back at Butch and prepares for the intergation look.
It never comes.
Instead he's looking at her as if she's the most interesting thing in the world. Pastel pink eyes greet his own and he's taken back and tries to keep these emotions down.
“Its weird I know-
“You’re the most gorgeous woman I’ve ever met.” He interrupts. “And I swear I’m not drunk.
That flicker resurfaced. The match struck the box but the flame was held much longer this time. Her reaction surprised the both of them as she laughed and her smile reached her eyes, something they haven’t done naturally in years.
She controlled her laugh and hummed bringing the glass to her lips and taking another sip. It wasn’t as bad as the first. “And you are very-”
“Charming? Irresistible?”
“Interesting.” She finished.
The bottle poured more wine into his glass and he tapped it to hers. “I’ll take it for now.” He winked.
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Her glass is empty now. She pours the glass for him into the soil, hoping to give him one last taste of what he loved.
“Over the years I forgot myself, you have to.” Blossom tells him. “I forgot my passions and hobbies. The simple pleasures of life were taken from me when I joined this path.”
The books on her shelf at home had collected dust over the years. The pages stuck as the days passed but only recently did she find herself opening them, even to just a random page and basking in the tiny shred of warmth it gave her.
“I felt those pleasures rise with you. Even buying a simple candle because you said you liked the scent brought me a joy I hadn’t noticed was missing. I was missing everything in life because I didn’t have a light to guide me.”
She bites her lips hoping to stop another sob. How many tears can a person shed in a short amount of time? When do they stop and allow the body to rest?
“That first time you kissed me.” Her voice cracks. “That's when I started believing that life could be more than what we were conditioned to do.”
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Her feet ached. Her heels were in her hands and she was tired from another successful work day. After six months of locating and sniffing out an underground drug market, they finally caught the group of men.
She glanced at her shoes and dress, irritated that the blood ruined another perfectly good outfit. She wanted to just get into her room, take a bath and pass out on her bed and to not be distrubed for at least seventy two hours.
She got to her hotel door and started to search for her key.
“Oh shit.” She grumbled. Her purse was nowhere in sight.
“Here.”
Blossom turned to see Butch holding the desginer bag.
A sigh of relief left her lips as she took it and fished out the key card. He leaned against the wall, clearly tired and wanting to rest like her. Two years they had been partners. The longest partnership she’s had and she wasn’t complaining. Usually they shared a room on missions but they had separate rooms this time.
“Tired?” She glanced at him.
“No, I'm fully awake.” He said sarcastically. “I feel like I got hit by a freight train.”
“I’m sure those guys thought they did too when you punched them.” Her door clicked open but she didn’t move.
“Oh please, you did most of the heavy lifting. I mean who takes down a giant dude with a high kick in heels.” He was practically beaming with pride from the memory. “Badass stuff Bloss.”
She was sure there was a blush on her cheeks. Shaking those thoughts from her head she smiled and opened the door. “Goodnight Butch.”
“Night.”
..
.
“Isn’t this the part where you walk into your room?” He raises a bow that is answering the silent question she asked.
She straightens her back. “Shouldn’t you be walking to yours?”
He moves closer to her. Brushing the hair on her shoulders off and there's a buzz throughout her as his fingers graze her shoulders.
He's closer now. Their lips only inches apart and although her body is killing her and aching, she can’t help but let her mind wander.
“I prefer the view right here.” He says in almost a whisper that makes the hairs on the back of her neck stand. “And possibly even the taste.”
His lips press against hers. They have kissed many times in front of people on missions but it's never been like this. Never a sign that everything she had been feeling, wanting could be hers for the taking.
It's not fast and heated. It's slow as if he's testing out the waters that he can glady swim in. It's a sign that they know they shouldn’t be doing this but for once, she's playing by a different set of rules.
They break apart. The kiss wasn’t very long but the sparks linger and scorch through her body. She's afraid to look at him now. Afraid that rejection and everything she had told herself not to want, can’t be hers. The ground should just swallow her whole now.
She feels a hand softly touch her cheek and she looks up at him. This look on his face, she can't describe it. She can see the gears turning in his head, wondering if this was a mistake just as she thought.
But rejection never comes. He doesn’t pull or push away.
Instead his lips turn slightly up. “I know we fight for the greater good, but I’m starting to think I have a different purpose.”
“What?” She questions.
“You.”
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She could have sworn it's only been a few minutes but the sky’s blue had morphed into a dusty pink. A wonderful sunset that she is surprised she can still find beauty in. She knows she’ll have to leave soon. She is afraid that when she does, she might not come back.
One of the final happy moments with him was weeks before his death. Five years they had known each other and it was all washed down the drain.
Her head turns towards the sky as she basks in the sunset. “I hope that wherever you are there are still skies like these.”
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Sunsets in Hawaii were much better in person than any photo could capture.
“Another successful mission.” Blossom giggles as she takes a sip of her mai tai. Her feet are swaying above the water and the breeze flows through her hair. She hasn’t remembered being this peaceful but she could get used to it.
“Yeah.” Butch says as he downs his drink.
Five years she's known him. Every action and mannerism he's done is burned in her memory. It's the most priceless information she has, the most important because it's all hers.
He seems calm, she admits. But something is on his mind. He's not thriving in the glory of another mission or running around crazy and jumping into the ocean like the days before. He seems to be in deep thought. Something she's not quite sure she likes.
The horizon catches her eyes. “The sky is pretty.” She adds.
“Runaway with me.”
The movement of the waves stops. The breeze halts and her eyes widen.
“What?” She turns towards him. “Runaway?”
He nods. “Runaway from this place and all its madness. We could get married, travel the world, anything you want.” He took her hand. “I don’t care where we go. I just want to be with you.”
“With me?” She's practically speechless.
Butch cracks a smile. “Only you. Imagine this.” He scoots closer to her and wraps his arm around her shoulder. “A house on private property, hell maybe even a beachfront. You have your own little library and I’ll even get you a nice espresso machine. A garden with all the flowers you could imagine and even a baby grand piano since I know how much you love to play.”
The images flood her mind. “That sounds lovely.”
“And you wanna know the best part?” He asks.
She nods her head. “Tell me.”
“I would get to wake up each morning with you in my arms.” He smirks and kisses her softly.
“That would be the best part.” She hums against his lips. Her stomach then drops. “But we can’t.”
“Three good reasons.”
She tried to think. How could she leave the agency she's been in since she was a kid? How could she throw everything away? These feelings she had were all muddled into a mess that she didn’t know how to get out of. That vision he told her sounded like a dream.
That's what this was. A dream. Something she wasn’t allowed to have. But she wanted it.
Butch sighed. “I guess it's easier for me cause I’m selfish.” He smiled softly at her and tucked a strand of hair behind her ear. “Whatever choice you make, as long as I can still be by your side, is fine by me.”
✼  ҉  ҉  ҉  ҉  ҉  ҉  ҉ ✼
Blossom looks at the notes in her hands then back to the stone.
“I’m sorry Butch.” She cries and crumples them. Tears overwhelm her once again but she doesn’t wipe them or try to stop it. She is a dam that's been holding it all for too long. Holding her emotions for years and she was tired.
“Everyone told me to come here to get closure, but I don't want that. I want to feel the emptiness and shallowness. I want to cry myself to sleep and wish I could hold you again. It's torturous and cruel to think like that but it means that it was real. And that it was mine. This-” She beats her fingers against her chest, against her heart. “This is yours.”
“I am sorry Butch. I vowed to never let my heart act over my head. And that is something I regret deeply. You were right. You always have been. You wanted me without hesitation and I’m sorry I was guarded. But I swear when I was with you I wasn’t.”
The laughter and joy he brought her. She felt like she was breathing for the first time around him and even in the most serious situations there was still an element of peace.
“I had hoped that I would never have to say this. Never had to face this reality because it's too painful. I tried to deny it all, even though I watched it happen. Maybe if I had never let myself be charmed by you, I could avoid all these feelings but we both know that you were just so-’ She bites a laugh. “Irresistible.”
Her voice got louder as her sobs grew. “Every single moment was worth it. Your eyes and your smile. The way you knew what I was thinking even though no one else could ever know. I treated it like our job but the truth is, I wanted you to figure me out so I could finally tell myself it's okay to be happy. That's what you were Butch. My happiness.”
✼  ҉  ҉  ҉  ҉  ҉  ҉  ҉ ✼
This can’t be happening, she thought. Never in her entire career had she been kidnapped and captured. She was careful and guarded but they got the best of them this time.
The gag in her mouth was doing its job and her wrists were bound behind her back. The cold chill ran up her spine as she watched the men drag him in front of her. He was a few feet away and his face was covered in blood and bruises.
“Only one of you makes it out alive.” The man said.
She tried to pull against the restraints but felt the cool metal touch the back of her head.
“No moving sweetheart.” She heard behind her.
She watched as they removed Butch’s gag and he choked on the air before his hair was pulled and he was forced to look at her.
Those dark green eyes met with frightened brown but he knew that below the color was a brilliance of magenta that he adored.
He should be scared and terrified. And he was. But looking at her even in this state, he felt a sense of happiness wash over him. Everything he never thought he could have was right there in front of him.
Tears fell from her eyes as she watched the man stab him in the stomach. The knife plunged into his flesh and Butch let out a horrifc cry as she screamed into the gag.
“Dying words buddy?” The man laughed as he pulled out a gun and held it up to head.
Even through the pain shooting through his body, he looked at her with tears in his eyes.
His lips turned into a smile, even with blood coating his teeth. “Blossom-” He coughed.
No.
No.
Please No!
She wanted to scream and tell him that she takes it all back. She wanted her dress and the ring. She wanted their own house and a piano where she could play for him.
Everything. She wanted everything.
She wanted him.
“I love you.” He says. 
BAM!
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Her breath catches in her throat as she sees it. The blood and the life leaving his eyes. It replays and she tries to stop the memory.
“Could you ever forgive me?” She sobs. “Forgive me for not telling you?”
Her hand presses against the gravestone. She's not sure what she's hoping for but it's cold.
“You said it moments before your death and I couldn’t even let you die with that. Yet through that you smiled at me. You fucking smiled as death was taking you faster than I could realize because you knew. I couldn’t say it. No matter how much I wanted to tell you, I was afraid that the moment I did, this would happen. I wasn’t prepared to lose you. I wasn’t ready to face a life where I would spend every waking moment wondering if waking up next to you was truly real or a dream.”
Anger rises in her. Anger at the world and the men who killed him. Angry at the agency who turned the other eye when he died. There was nothing for her there anymore. She realized it way too late that she was robbed of everything from this life. Robbed of having him because she was afraid.
“I don't get it. How did you make me want that so bad? How you took my heart and made it beat faster than ever before. You told me to be selfish so here it is. I want you. I want you back and alive so that I can go and buy that white dress. I want everything you said.”
The anger bubbling shifts. It lingers but she takes a deep breath. It won’t help her to be angry or to bring him back. That sorrow takes its hold over her again. It's sad but calming as she tries to reason with herself that he is gone. She knows closure won’t come but she's okay with that.
“But that's not the reality anymore. I can’t change the past but I won’t change the future either. I am deeply and madly in love with you Butch. You gave me a glimpse of what a normal and fulfilling life could be and I thank you for that. Thank you for giving me slices of happiness and making me feel like I was worth loving.”
She reaches into her purse one last time and pulls out a letter and a box. “I resigned and I bought myself a ring.” She opens it and slips on the silver band with a small opal. “It's silly I know, not even a wedding ring. I hope you don’t mind. I stole one of the gems from your watch to make it.” She cries.
“They took all your stuff you know.” Her hands quiver as she stares at her ring. “They took every part of you like it was nothing, like you didn’t exist at all. The watch was all I could get.”
The sun is now setting and the breeze picks up. She's not cold anymore, and can't feel anything.
“They’ll kill me, I'm sure of it. That's what happens when you leave. And when they do, I better see you on the other side. A place where we can watch the sunset and have our little home. A place where this emptiness inside me can be whole again. I just want a place where I can love you.”
The glasses and letters go back into her purse. The flowers lay with her ribbon at the base as she stands and dusts off her dress.
She finally wipes her tears and forces a wonderful soft smile. “You were the most charming and wonderful man I have ever had the honor of working with. But most importantly, you were proof that dreams could come true.”
She touches the stone one last time. Feels the coolness but it's not as frightening. She's not afraid anymore. Blossom takes a step back and her eyes dance over his name one last time. She slips on her heels and grabs her purse.
“Goodbye my love.” She says and makes her way across the grass to the black gate.
​​✼  ҉  ҉  ҉  ҉  ҉  ҉  ҉ ✼
I hope you enjoyed! 
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danieyells · 3 years
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Hey Danie! I was wondering if you had any thoughts on Nyarlathotep in TAS; I was playing through the segments where he's relevant in the story and I find it really difficult to understand a lot of what he's saying xD I'm sure that's the point, but I wondered if you had any ideas about breaking down how he talks, cause he seems almost normal when you meet him and then rapidly becomes more and more difficult to parse? And his description says that he does a lot of dipping into multiple guilds and implies that he has an insane amount of influence on things, so I'm curious as to what your opinions on him are, if you have any!
Hello hello 'u' I love Nyarl lol he's. He's silly--but also has his own things going on. I wanna see more of him, and I imagine we have to eventually--maybe when we get together with the Missionaries and take on some of the Rule Makers.
(Somehoe this got long lmao. . .i've been eriting it on and off for a few hours, erased like all of it ay one point. . .i ended up going through all of his main story dialogue lol but i feel like i've explained nothing ay all. Here's a readmore)
Nyarl is "Crawling Chaos" for a reason--a lot of what he says and does has little to no sense or has real 'reason' beyond advancing the story or making things exciting/active. It's not supposed to, he's largely contradictory and he serves only himself, so he's just trying to have a good time and make interesting things happen. As he said, he wants to make reality into "mind-bending fiction"--his motivation is 'make everything as fun and wild as possible' basically.
But there's 1000 Nyarlathoteps. So part of the reason he's somewhat all over the place in terms of speech patterns and actions is possibly that, at any given point in time, you're not dealing with the same Nyarl you saw last time. Thus why he says things like "We Nyarlathoteps" when referring to himself. He also says at some point that he's collectively lived many lifetimes--so Nyarl is all at once a hivemind and not. His Aoyama Guild aligned iteration said the other 999 Nyarls don't care about the Missionaries, but he calls them his friends and helps them(though, only after he makes a mess of things because he wanted to see an exception--he also, through provocation, helps Ryota to learn to use and strengthen hos artifact). So it's important to understand that he's supposed to be contradictory and he's supposed to be hard to understand. He's honest and dishonest all at once because there are multiple Nyarls and not everything is true for all of them--except, perhaps, their love/admiration for Azathoth and their misery at being abandoned by him. Even their heights and weights are inconsistent.
But they do have feelings and they do live a lonely existence because the father/world they love has no mind for them and no future. So when Maria basically says "I forgive you and I love you and I understand and don't hold any of this against you because to act on love is the way of the Missionaries no matter how that action may be" he seems to have had felt. . .seen? Heard? Loved for the first time. And while the other 999 Nyarls don't care for the Aoyama Guild, they all love Azathoth and know the emptiness of his lack of feelings towards them. So with their hivemind, they were willing to defend Maria and the Guild for being the ones who care about them when no one else did, even though he's also the one who instigated the attack in the first place. Ultimately it fell in line with his will anyway--it'd be less interesting to act because of his love than to change sides in the middle of the war.
(For the most part Tsathoggua and Dagon are the only like. Idk. Decently mentally together Old Ones. Nodens apparently used to be sane but he's changed.)
Uuuh as for parsing together what he says. . .idk i guess it depends on what he's saying that's throwing you off? Were there any lines in particular? He mostly speaks in slang, jargon, and references. If there's any part in particular you're confused about I can see if I understand it myself and try and explain! I assume you mean his exchange with Maria where he talks about his love for Azathoth?
Re: his introduction. Something that doesn't translate at all is that. Nyarl speaks English. A lot. Especially in his first scene, he speaks almost entirely in English, a language MC and the others are implied not to understand well. On top of that he still speaks in a lot of modern English slang(reminder: this Tokyo was cut off from the rest of the world starting from 1999.)--so even if they do understand English, they're probably even more confused because he's speaking in colloquialisms beyond their grasp.
But that's really hard to translate to English because English is taught in most Japanese schools afair--so Japanese speakers have a decent chance of understanding some English. And even without that comprehension, the English is in rubytext/furigana while the Japanese is on the main line--so they have a sort of translation key that we haven't been given. He could have spoke in another language but there's no language that most English speakers would probably know the way that most Japanese speakers know a certain amount of English. (And they could've given us rubytext but it wouldn't make much sense to most English speakers nor really work/come across the same way and it'd look out of place.) So Nyarl speaking normally in that scene is actually like.
You may or may not know another language very well (for all i know you're ESL)--so imagine you're lost and ask someone for directions. They speak to you in a language you barely know, although they seem to understand what you're saying even if you don't understand them super well. That's what that scene was.
Basically there was no way to get across that part of what makes him incomprehensible is literally a language barrier. Maria says "I don't understand him most of the time" because she doesn't understand English as he speaks it.
SO THAT'S WHY THAT SCENE IS SENSIBLE COMPARED TO THE REST.
He speaks in Japanese much more after introducing himself to Ryota(after the "Yeah, baby! The Nyarlathoteps are at your service, yeah?" line he speaks in more Japanese--so that's where his dialogue starts getting a bit more wild, since they're no longer just giving him most of the same lines as the Japanese version.)
There are a lot of things I don't get either tbh. For example "heroic band of Mr. Carters"--I assumed it was the character from a story of some sort. He says "Mister Carters" in Japanese in the furigana and the regular text says "物語の主人公気取りたち" something like "the ones we'll call/claiming to be the heroes of the story". It's possibly a reference to the Lil Wayne song "Mr. Carter" which would make sense since Nyarl's a DJ????
So a lot of what he does is make references(mythology ones, for example calling Azazel 'Mr. Scapegoat' because the 'scapegoat' tradition originated with Yom Kippur and throwing goats off a cliff 'for Azazel'--to send away their sins; and he also calls Azazel 'Shub-Niggurath', the name of an Old One who's i think described as "The Black Goat of the Woods with a Thousand Young"--so because he has a friend who's a goat, he calls him the name of a goat he knows from home) speak in other languages(calling Hati 'Loup-garou', french for 'werewolf',) and says contradictory things or the opposite of what's 'normal.'
So just remember, as 1000 separate beings, you're supposed to see contradictions in most everything he does and says. So if you're struggling to understand then in a sense you're understanding perfectly lol
As for his influence on multiple guids, again, there are 1000 Nyarls. Each one may be part of another Guild, thus at their disposal should that Nyarl want to help--but usually they just wanna cause chaos, except now that Aoyama Nyarl's seemingly come to be attached to the Missionaries he seems protective of them(and the others will follow him when he calls for them). All of the Big Three Guilds as well as the Wisemen and Creators have a transient from Old Ones at their disposal.
So basically Nyarl can turn the tide but usually he doesn't care to help out that much because he has his own agenda. (He's also probably aware that the other guilds would sic their Old Ones on him if he attacked himself and it'd be a stalemate(and thus boring!) so he hangs out in other ways.
I feel like i definitely didn't say anything cohesive lol I REALLY LIKE NYARL he's just a very funny and interesting guy with no real barriers and he doesn't wanna admit he's jealous of Arc and he's just. Chaotic.
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recentanimenews · 3 years
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Mieruko-chan – 08 – Let Sleeping Moths Lie
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While shopping with Kyousuke for a birthday gift for their mom, Miko comes across a very cute dress and decides to try it on, since she and her mom are pretty much the same size. Unfortunately, a ghoulish store rep who says “It looks great on you!” kinda ruins the mood…not to mention Miko wears the dress out of the store, basically nixing it as a gift for mom.
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While she and Kyousuke find another gift, the trip home is less than stress-free, thanks to a spectral axe murderer walking down the subway car, swinging its axe right into peoples’ heads. Miko has every right to be scared about what the axe might do to someone like her who can see them.
Thankfully, the axe only hurts other ghouls, and goes right through her head without incident. We don’t see Miko and Kyousuke giving their mom the gift of couple mugs. Rather, we watch as their mom makes two cups of tea with them: one for her, and one for her dearly departed husband.
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The balance between creepy/gross/spooky/sinister ghosts and benevolent ones continues when Miko and Hana see off their pregnant homeroom teacher, learning that the child she’s carrying is her second try. This explains the odd white specter that’s so interested in the teacher’s belly: it’s the ghost of her dead child.
This was one of the best and most powerful segments of Mieruko-chan to date, because it once again subverts expectations. At first I thought the ghost was a threat like Miko did. But when we see how it interacts with his mother’s hand, it’s as if we and Miko can see the healing love emanate from her. I was well and truly choked up.
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Contrast that with just regular choking due to one of the grosser ghouls Miko has come across. With a dozen slithery three-nostriled tusks leaking snot and some unsettling googly eyes, this particular specimen is not the first ghost Miko decides to face “head-on”. Perhaps she’ll face a less gross one later. For now, Miko joins Senpai’s Futaba as a Fall 2021 character who is partial to canned oshiruko.
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The final segment brings back two very different cat people. First, Miko and Hana’s substitute homeroom teacher is Toono Zen, the guy Miko wouldn’t let adopt the stray kitten. Between those nasty demonic cats surrounding him and his blood red eyes, I wonder if he has “the sight” like Miko and Yulia, and knows that Miko can see too?
Whatever his deal, homeroom is not going to be pleasant for Miko for the foreseeable future. As for the tough yakuza-looking guy, he takes his time finding just the right cat food and cake to celebrate his late wife’s life, their anniversary, and the lives of their two beautiful white cats, who continue to watch over his new fuzzy companion as benevolent spirits. Mieruko-chan continues to spook me out and melt my heart.
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By: sesameacrylic
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deliciousscaloppine · 3 years
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Hot takes galore 2: A brief overview of fandom backlashes that influenced fanfiction writing traditions as I have personally experienced them.
In this segment we examine...THE INDOMITABLE MARY SUE!!!!!!!!!!!!!!!!
So, as I was entering fandom in 2008 (Bleach, a manga by Kubo Tite), the hottest, sweattiest discourse pertained perhaps to Mary Sues. I thought the hatred of Mary Sues had completed its cycle and it was dead and gone in our days, BUT I happened upon a post that said that we are all stanning Moxiang Tongxiu’s OCs (original characters), in a sort of admonishing tone, and I couldn’t help but smile.
For back in the day, OCs, were termed self-inserts at best, and if they were a female protagonist that would sideline the canonical cast of characters then they were Mary Sues. And there were as many people hating original characters, and Mary Sues in particular that I remember sitting up all night thinking on whether I should post or not this fic that had some OCs in it that were there to just deliver some messages.
And of course this bled into accusations of writing canonical characters as basically “original characters” or “self-inserts”, by use of the term “ooc” (out of character). Personally, I thought this was over, but recently Riri accused me of disregarding the existing characterization and turning the CQL characters into my own original characters...for KINKY HAVOC IN VOLCANO PALACE!
An unjust accusation, I feel, Riri, because I do my damnedest to maintain characterization even under the wildest circumstances. 
People were looking to extend their enjoyment of the existing characters and story, and for some reason fanfic authors could come under fire for not catering to that, and writing for their personal self-fulfillment. 
And there were as many people writing oc’s and Mary Sues as there were people hating them, and the writers for it. It was chaos, there were journals (i was in livejournal) devoted to roasting mary sues, laughing at authors etc. If you came in fandom after me, you live in much much gentler times, and perhaps you have the Mary Sue to thank for that, because the Mary Sue kickstarted a lot of fandom feminist discourse.
Back in the day they usually determined “Mary Sue” as an overpowered, female character, whom everyone loved even though she might not be particularly charming (by whose standards?), who was adept at everything, knew everything, felt everything etc. 
The thing is that Mary Sues did not seem to exist only in fanfiction, but everywhere around us, whenever there would be a project film/show/comic/book that had a strong female protagonist.
And that was because fandom and male nerd culture were intertwined. Anime, games, comic books were heavily “invaded” by swaths of girls who were not quite fulfilled by corny pop stars, or saccharine rom coms, and seeing that there were no female power fantasies available in these media, they created their own.
It was a very interesting time because if you remember, Marvel Movies started getting made around that time, riding on that convention power, which was dominated by male nerd culture - and that is why they gave so little screen time to female characters, because the demographic was pretty thoroughly examined and they were found to dislike any and every female character that was not there to validate the male character’s cishetero sexuality (YEAH BABY)
I mean women, actresses, female characters had a good portion in media, and the marvel cinematic universe and its imitators pretty much sidelined all these people very aggressively. Male stories started exploding and taking over during this time, exploiting that very vocal male nerd demographic. 
But where is the backlash you ask, because so far we’ve only seen the oppression. 
I saw a lot of writers struggle with the validity of the female character, and then the validity of female writing. They conflated writing female characters, as writing without examining themselves, or attaining a neutral voice and a role of representing accurately reality (lol). Writing Mary Sues was bad writing, and at some point all women were Mary Sues.
...So can you guess what happened?
A lot of these people turned to male slash in order to cope. Before the Mary Sue hate, male slash was a considerable but not dominant piece on the fanfic pie, which was mostly dominated by main het ships. Male slash was already enjoyed by female heterosexual audiences, but it started gaining more and more traction until a term was coined (shipping goggles), and accusations were once more flung: that fangirls will ship any two white dudes - not untrue. 
This audience was not very friendly to actual gay people. There were all sorts of strange views passing before my bespectacled eyes at the time. People proclaiming that they loved yaoi (i was in manga, so this was the term used), but would not watch gay porn, and thought gay people were gross. And in the case where gay people were in fandom these people often complained of not being included/invited in fandom activities, or having minimal readership from groups that promoted male slash, but not gay writers.
This is why I often say fandom is not a friendly place for lgbtq people, because this type of audience still exists, even if it had to suppress their discomfort and assimilate the rhetoric of allyship at some point. And sadly a lot of people who dominated these early discussions about fandom becoming more lgbtq friendly since it consumed such relationships in media, managed to set this climate of dishonesty where everyone is pro-lgbtq in theory, but not in action.
Meaning a lot of stereotyping that is not endemic to actual lgbtq communities. Like top-bottom (most people are verses), whiny bottom, subby bottom, violent top, aggressive sex, hypersexual gay characters, almost complete erasure of bisexuality, lesbians what are they?, a complete and absolute fear in portraying trans characters, suppression of genderfluidity, accusing people of writing male gay characters as female characters as a form of wish-fulfillment or supposed homophobia.
A while ago I saw this article asking why lgbtq people are so mean to each other that confused me thoroughly, until I remembered this call out phase that happened a while ago and still goes on, where everyone blames everyone else of abusing and gaslighting them, friendships falling out etc, which is not at all the reality of older lgbtq scenes, because these were not formed online under this climate. 
And because fandom is a vehicle for self-exploration a lot of people to this day conflate consuming lgbtq relationships through media as being lgbtq themselves, or these “actual” relationships being set as these other fictional “idealized” relationships. Whereas in older lgbtq scenes a lot of people come into them by realizing their attraction to actual, real, live people and not characters, or hot celebrities.
I am not saying that current lgbtq people who discovered that about themselves online are lying, or lying to themselves, but they definitely came out in an environment of fake acceptance, and have a hard time reconciling reality with that lie of acceptance through no fault of their own, of course, because they never developed the language and the understanding that language brings in order to communicate amongst them. The characteristics were set by a group outside of them that might be pro gay marriage, and having a cool gay friend, and the inherent tragedy of homosexuality or something, but are not really for it - as a very wise queer eye contestant once said. 
And so every trespass by their own people, becomes a proof of this generalized rejection with tremendous consequences for young people’s mental health. YOU ARE BEING GASLIT IT’S TRUE - but not by your own people, it’s just a miscommunication going on there.    
BUT WHAT HAPPENED TO THE MARY SUE. She changed. She stopped seeking love, sex, and power, or at least pretended that she did not want any of these things, or did not understand them, she stopped speaking, and became more stoic so people wouldn’t judge her opinions, and finally one day she went on to accomplish great things, because women seeking representation was also a pretty set demographic, and somebody could and would exploit that!
The Twilight Saga, Fifty Shades of Grey, even Hunger Games, are the media progeny of the Mary Sue powering through the entirely of male nerd culture. In a whole decade where people wanted Marvel to release a Black Widow movie, there have been three major spy/action girl movies that did very well in the box office, and since producing and releasing a movie usually takes three years, i’d say the audience was heard loud and clear - even though not by Marvel. 
And the side girls in these Marvel movies, or other action movies, became more and more badass - they all went from damsel in distress, to saving the hero, and of course the male characters were subsequently “queer-ified” until everyone was finally happy, and nerd culture was exposed as having been infiltrated by neonazis and that’s why it was making those unreasonable demands for no women ever in the first place.
And everything was right in the world, except that it was not. Because...girls had also been infiltrated by “neonazis”. A lot of these media, and a lot of these “white” Mary Sues, fall under many conservative criteria. Conservatism being a nice word for fascism. 
A few examples is the person of color always dies, or is brutalized, or is admonished constantly even as they shadow the protagonist in order to reinforce their inherent radiance. Characters who might be poc in books or in the anime (hur hur), are whitewashed in the visual media. The women are almost never comfortable with sex or romance, always thinking about the future and amassing power, not for themselves, but for the benefit of the resistance, or the family, or any other entity they belong to. And of course they are forever incredibly flawed - as opposed to idealized versions of male heroes always on the side of good for the right reasons! Also a minimal cast of women, with one woman being the protagonist, and the rest functioning as side characters or mostly antagonists.
So every time you feel a slight trepidation for not being the right type of lgbtq for writing something that is not strictly anal, or fear to include feminine characters, every time you erase yourself from the narrative it is it, the spectre of the Mary Sue coming to haunt you with a “We won, what more do you want?”  
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keeztickles · 4 years
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•The Creative Lers Strike•
TW! Remus and Janus!
Ler!Roman, Ler!Remus, Ler!Logan for 2 seconds, Lee!Logan, Lee!Virgil, Lee!Patton, Lee!Janus/Deceit
Remus and Roman were both in Ler moods, and unlike anything they usually do, these two work together when it comes to tickling the shit out of the other sides. Get ready to die a million times from these little shits!
------
SMASH SMASH SMASH! "Guess who's hereeeee!" That was simply Remus with a tambourine, which he immediately threw to the ground.
"Remus! It seems the tickle tickle lers are out to play!" Roman's excitement could be seen from the moon and farther, maybe pluto saw the ler boi!
"Reeeeeeally now? I hadn't noticed!" Remus faked surprise, giggling immensely as he watched the other sides.
"Look at all those lees scattering, what do you wanna do about that?" Roman pointed out the scattering sides who were realizing what was about to happen to them.
"Who shall we attack first, dear brother?" Remus asked, crossing his arms, though the question was useless, as only one side was even in the room anymore.
~Virgil Segment!~
"Well despite being Fight or Flight, Virgie doesn't seem to be flighting." The twins simply jogged over to the emo who seemed to "accidentally" fall on the floor in his efforts to escape. Roman and Remus easily pinned him down.
"Another lee mood? Didn't I stomp that out yesterday?" Remus asked, one of his fingernails gently trailed down Virgil's stomach, making it start to spaz with trapped laughter. "Clearly our power combined makes all the giggly lees appear!" Roman deducted, he summoned a paint brush, and went after Virgil's ticklish neck.
They currently weren't planning on murdering him with tickles all day, they had 3 other little lees to catch, and all three of them were very good at pretending to be lers when they we truly very giggly lees! So the future is scarily exciting for the two creative twins!
Virgil continued his attempts to not let out any laugher, but his breaths got increasingly panicky as Remus's gentle fingers inched closer and closer to the current giggly sides belly button.
"The walker walks around the hole! Wondering how it came, he goes to the edge.."
"Remus NO!"
"And checks it out..."
"R-REEMUS-"
"aND FALLS ONCE IT CAME!" Remus digged both of of his hands into Virgil's mystical belly button, while Roman's fingers trailed everywhere else, his neck, his stomach and sides, his thighs and feet, the two princes were having a ride, leaving verbal teases all over the air for the very laughable emo.
Though the teases were also excruciatingly flustering, since these cute twins were very creative! We love some unstoppable tickly twins!
"Look Virgil! Are you seeing how much your tummy is jumping? You must be loving this!" Remus cooed, watching the emo's stomach.
"Virgil! I've forgotten how much you loved being tickled! Especially on your cute little thighssss!" Roman cooed, delighted to find out that Virgil' blushy face became even more flustered.
"Tickle Tickle Tickle Virgieeee!" The two lers happily cooed as they smirked down at the laughing lee, who was getting closer and closer to his breaking point.
Roman looked to Remus, and they both nodded, completely stopping their attacks, they went to each side of Virgil's stomach, keeping their smirk up. "And now, for our final act.."
Virgil, in his out of breath state, tensed up, watching the boys with a large grin on his face. The two leaned down at the same time, creating a raspberry on both sides of his stomach, making the boy in question laugh like hell.
"AHAHOHHOHOHOSHIHIHIHITFUHUHCKKYOUGUHUHUHYS" Virgil basically screamed out a bunch of cursed, before finally reaching his limit. "SANDERSS!"
Remus and Roman immediately pulled away, rubbed away the excess ticklee feelings, and summoned a bottle of water for the now very exhausted boy. "You go start up frozen two! We gotta go catch 3 other cuties!" Roman affectionately left a kiss on Virgil's forehead, as Remus gently picked Virgil up, and left him on the couch.
~Patton Segment!~
The twins left the room, going to where they saw the other sides run off too. "Who's ready to be tickled! You can't run from it cuties!" They continued to sing teases as they searched for a few more minutes, finally, they heard a little giggle, which they immediately froze by.
"..That sounds like a Patton!"
"Absolutely, Padreeee! Come out and play! We'll find you soon anyway cutie!" Remus was completely joking, but Patton came out of the cupboard, completely red faced, he grinned softly, immediately raising his hands above his head.
"Awww! Do you want the tickles? I think he wants the tickles Remus!" Roman quickly went over to the boy, gently rubbing the father fingers neck with the tips of his fingers, making him let out soft giggles.
"Absolutelyyyy!" Remus wasted no time, immediately digging his fingers into Patton's thighs. Making Patton squeal loudly and fall into happy and giddy laughter, Patton immediately pulled himself to the floor, feeling his legs become shaky.
Roman chuckled softly as he quickly took the liberty of tickling Patton's neck and ribs, making the boy squeal in very ticklish delight. "ROOOHOHOHOHO!" Roman titled his head, giving Patton a silly face. "Whaaaaaat? I'm simply giving you what you clearly asked for! The tickly tickly tickles!" Roman cooed, leaving a small raspberry on Patton's neck, which made Patton into a happy snorting mess.
"Squeezy Squeezy! Squeezeeeeeee!" Remus happily sang, dancing slightly as he continued his attack on Patton's legs. "Dance your legs for me you pretty leee!" Remus smirked, gesturing to the kicking legs he was currently tickling the heck out of.
"Sanders!" Patton squeaked out, which the best beans immediately stopped their playful attack, retrieving water for the bean. He wanted soft tickles today, and that's what he got!
"You okay padre?" Roman gently asked, rubbing his back and happily helping him to sit up. "Yee! Thank you cuties for this experience." Patton giggled softly before taking a sip of his water. "Of course Patty!" Remus exclaimed, leaving a gentle kiss on Patton's forehead.
"Now, go join Virgil in watching frozen."
"On it!" Patton giggled, before jumping up and going into the living room.
The boys happily went deeper into the castle, knowing their next threat wouldn't be so easy to conquer. Remus had his slimy tentacles on standby, just in case they came into contact with 6 gloved hands.
But perhaps those tentacles were needed sooner then the duke thought.
~Logan Segment!~
Suddenly, the boys stepped into a room and were immediately caught in a trap, fully spread in the middle of the room, they yelped loudly, scanning around for Janus and sighing in relief when it was only Logan.
"My apologies, my dear twins, but you two are on a particular rampage that must be stopped." The teacher stood in between the two of them with a collection of items commonly used for tickling, Roman gulped.
"Logie you've been in a lee mood all week! I've literally seen you without shoes! That's a rarity bud!" Remus retorted, smirking as he saw Logan's face turn into a red tomato.
"Whatever sensitive feelings I obtained this week are currently meaningless, you two need to be dealt with." Logan stated simply, pulling up Roman's shirt, smirking at the trapped boy. "L-Logan! We can talk about th-THIS!"
Roman squeaked loudly, falling into happy and giddy laughter, quickly attempting to escape the bonds and attempted to protest in attempt in trying to keep his ler mood up, he knew Remus would save them. He just wondered if he was such a little shit that Remus would choose to save them after Logan was done with Roman.
"Awww, look at you now princey! Giggling up a very cute storm! If Virgil and Pat-" Logan squeaked as his hands were pulled away from Roman by some slimy tentacles, and was pushed to the floor.
"Y-You saved me?!" Roman let out a deep breath and looked at his brother in wonder, who was currently being untied by a tentacle. Remus rolled his eyes, rubbing his wrists after being untied. "Ro, this is our day, im not letting some bitchass nerd tickle you to death! Now! Let's tickle a little lee!"
Roman nodded, letting himself get out of the small lee mood he put himself in, and smirked as he felt his ler mood arrive back in full force. He gave the tentacle a small pat and dove to Logan's body, who Remus was already leaving very furious tickles on the teachers bare sides.
"Hi, bitch!" Roman affectionately cooed, kissing the laughing sides cheek before crawling down to Logan's feet, smirking as he summoned a feather. "So you decided you were gonna try to split us up, yes? Fat chance for that Logie! When together, the creative twins are absolutely unstoppable!" Roman cheered, giving a high five to his brother.
Roman leaned down, gently wiggling a feather on the ball of Logan's feet. He chuckled softly as he immediately heard a loud squeal of laughter followed by a very pleading nerd.
"Roman, R-Roman please don't, Roman im sorry!r-ROMAHAHAHHAAHAHAHHAHAHAAHHHAHAN!" The nerd squealed loudly, making both boys giggle softly. "Logie! I'm not even touching your toes! And yet your still screeching like a wounded animal!" Roman pointed out. "You must be reaaaaaaally ticklish Logie!"
"I'm nohohohohohohohohohohohot!" Logan squeals out, thrashing in an attempt to get the tentacle off of him, though to be noted, the tentacle, was able to be easily removed, Logan was clearly failing on purpose.
"Oh? You aren't? Then why is the usually stoic Logic laughing so much? you wouldn't mind if I tickled the tips of your feet then!" Logan's eyes widened in an instant before pleading as Roman took his hand away from the balls of his feet.
"Wait, roman please don't, I will do your laundry for a week, I won't criticise your writing, I will do the dishes without complaint, roMAN!" Roman glanced up at Remus, who had stopped his own actions and was just letting Roman have his own revenge, aw.
He smirked, and quickly started rapidly scratching Logan's toes, and the padded part of the foot, humming softly as the nerd under Roman went absolutely ballistic.
"SHITTTTTIHIHIIHIHIHIHIHIHIT!" The male screamed, giggling and laughing madly as he basically pleaded for his life. "PLEAHEHEEHEHEHEHEEHEEHEEHEESEEEUEHE!" Along with a favorite of Romans, "FUHUHUHUHUHUHUHUHCK YOHOHOHOHOHOHOYOUOHUE!"
Truly, Logan was having an amazing time today, but sadly, all giggly men must have to end at some point! Logan endured a few more seconds of his favorite torture, before he practically screamed.
"SANDERS!" Logan called and Roman immediately stopped, and the tentacle disappeared, Logan happily took the water he was given, giggling happily from after giggles. "Thahahank you!"
"Of course you ticklish little cutie, go join Patton and Virgil, alright?" Logan nodded, and both the brothers stood up, glancing at each other. "Thank you guys!" The twins giggled and gave a loving nod before the nerd left.
"You know what comes next, right?"
"He's had all this time to prepare, why didn't we go for him first?
"Because Virgil is cute!"
"True-"
[Janus segment!]
"-Boys, Boys, Boys, I believe it's time for you two to lay down and submit defeat, or else I shall personally show you how." Janus walked into the room, all 6 of his hands were out, and on show.
The twins spun around, immediately getting into defensive positions of both defensive and offensive.
"Janus! It is not us who shall be submitting ourselves to the tickle attacks today! It shall be you!" Roman made a grand gesture to hide his nervous insides.
"I'm afraid not, Roman, I have a few tricks up my sleeves, because you two are a mighty force for all tickling kind, if you truly wished to absolutely wreck someone, you could, you both are the creative people here, you could summon anything with a blink of an eye." Janus explained, stepping closer to the mighty twins.
"So with that said.." Janus clicked his fingers, and suddenly the twins didn't seem to have powers anymore. "Let's make this an even fight, shall we dearies?" Janus smirked at the boys, wiggling all the gloved fingers.
The twins turned to each other and gulped, but Remus smirked, pulling a button out of his pocket, he did plan for Janus and his mischievous tricks!
"Sorry Jan, but we are the creative twins, we have plans for your plans!" Remus giggles, tapping the button and immediately all 6 arms were trapped, as well as suddenly the twins had their powers back. "Thanks Logan!"
Janus immediately attempted to get out of the restraints, trying his hardest. "Now boys, let's think about this!" Remus rolled his eyes, summoning two small tentacles and placed them in one of the sets of armpits, Remus placed them in the least sensitive part so that the only thing that emerged from the now swirling tentacles was soft giggles and snorts.
Roman viewed the tied up snek man, and giggled slightly, placing a individually mobile feather on one of his scaley melt spots, before happily tickling both of his individual arm pits with scratches and pokes. "Aww Janus! You are so adorableeeee!" Roman cooed the the tied up loud snek man.
"You are way too soft with him, he can take it, trust me, I've lived with the bitch for 20+ years!" Remus grins and starts to mercilessly tickle the armpits he was given, grinning madly when Janus's squeals go up and octave or three.
Roman watches Remus and nods, copying his brothers actions along with his own spark of genuine roman love.
"BOYOHOHOGOHOHOHOHOHOYSSSSSS!" Janus calls in an attempt to plead for his freedom.
"No can do Jan!"
"You wanted to try to destroy us! We ain't letting that happen!"
"Never! Tickle tickle tickle Jannnn!"
"Aw he isn't even fighting back anymore!"
"That's absolutely adorable."
"SANDERS!"
Immediately, the binds were down, the tentacles and feathers were gone, and immediate cuddles and water were given to the giggly side.
"You did amazing."
"Better then usual!"
"Remus!"
"Whaaaat?"
"Dude!"
"Anyway, lets go give the boys a lovely night of frozen, shall we?"
"Yessss!"
---
The two twins waddled into the living room, letting a small gigle out at seeing all the tuckered out lees.
"We will get you tomorrow."
"Sureeeeee, keep telling yourself that Virge!"
------------------End~
Oh boy, this is a long ass fic, I hope y'all like it-? Thank you for reading, pls reblog and like if u like it, thank u, I am new to the community, and im tryna be a nice human!
Keez~
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