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#i love that but i don't tend to use it in my interpretation since i hc dot
the-moon-files · 2 days
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YESSSSS I BEG GET INTO THE CULTURAL DIDFERENCES BETWEEN HYLIANS AND HUMANS 🙏🙏
...now ur just sweet talking me 🥰 /lh
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Not years, well maybe 1 year-
but i have wanted to ramble desperately to smone, even the tumblr void if i had to, abt humans vs. hylians so much, esp with a guide reader or male reader bc whatdya know im into niche stuff that only u and like 2 other ppl like lmao ¯\(ツ)/¯
Anyway im so shocked, since ur like the third person to be interested in this and wanna hear abt it 🥺 🤲💌 here u go!! Hope u like it <333 👉👈
Sun: Masc!Reader (he/him)
Orbit: Humans are Not Hylians/Humans are Space Orcs AU, Headcanons-ish, long overall but each section is kinda short
Stars: Mostly worldbuilding! you've been warned, don't get mad me for not talking abt the boys too much✌️
Comets & Meteors: Content Warnings: mild cursing, mentions of private area/joke in the clothing headcanons, & Trigger Warnings: none known.
Please comment if I missed any. /gen
just some quick headcanons bc tbh i haven't given it too much thought, and i feel like I've been able to somewhat get into it in other posts? or maybe im thinking of stuff i have in my drafts idk-
Imma make another list, so buckle up for the short ride lol
Courting periods/dating/marriage
individual/small groups society-based hylians v. large personal groups/large community society-based humans
simpler foods hylians v. complex food humans
clothing modesty/style/relationships with fashion
fighting styles/strategies
entertainment complexity/differences
and language
1st one, not much yet, im also making a separate post bc someone else asked me to talk abt that more 🥺
(tysm for all the enthusiastic asks guys <33)
anyway, basically hylian courting is a lot shorter, think “lesbians with the uhaul” type of energy, like sort of the classical medieval “does thee wish to pursue marriage with this one?” ← how hylians ask u out for the first time lmao
if it helps, they do tend to get to know one another well, talking about morals/kids/life goals/preferred lifestyle/house/etc. pretty clearly and quickly, then using the in between time to sort of stew on that information
id say the total time is sort of something like 6 months? maybe 3/4 if they're really compatible
(so bc i love interpreting video game logic for real world building, I actually blame this on how fast Zelda/link get together in games despite having sometimes never met before that moment lol)
like i said, ill be posting about this later
2nd one!!
pretty basic, just saying we don't really see hylians in big groups, despite the organizations they form, like kingdoms/knights or on a more personal level, towns/families/etc.
(once again, in-game appearances/video game logic translated to real life to draw these conclusions)
like not only are family units pretty small, like nuclear family setup, with like 2 parents and 2 kids, or single parent 1 kid type of situation, but the towns or collections of these families arent very big either
hylians kind of use their government the way it was intended lmao?
like the villages and towns matter more for everyday decisions than the kingdom/royalty, like Zelda would esstientally just be the mayor of Castle Town for those constant decisions,
while occasionally is called on to make decisions like for several towns or like is a natural disaster happens
meanwhile humans are, in comparison, in Way Bigger groups, both on an organization scale, and a personal scale
like u have all these specific branches of government, whereas im sure the population difference doesn't help,
and on a personal level, humans can easily have like multiple parents, lots of siblings, and once u combine that with each parent having family too, and those families like to meet up? All together??
yeah, itd look insane to any hylians (who’s smaller extended family may just make up their own village and that's it)
3. I've touched on this
like the use of spices, syrups, seasonings, etc
but also the complexity of dishes too, like chilling cream and mixing it for awhile to make ice cream, or even just getting ordering a pizza,
that's a lot of processing, like making the dough from flour and other ingredients, to letting it rise, to making the tomato paste, making cheese, then combining those things with any other toppings, all into one dish??
i like to think that hylians have only just started to touch on actual complicated cooking processes (as in BOTW, where they sell flour and salt, so people besides Link/Wild must know what to do with it)
this has the advantage of impressing any hylian with what a “creative genius” you are lol
4. look im just a fan of medieval time periods Links
so i think its funny if the hylians are used to like 4/3 layers and ur over here like, “wym, if i take off my shirt there's nothing underneath?”
one of them gets bold enough to ask, “d-do you not. do you not have undergarments??”
you “just my boxers? like just to cover my di-”
also this makes its easy to seduce people here? LMAO
clothes are def higher quality, after all there's not as many artificial processes or materials interfering,
plus u usually get some sick embroidery on it too!!
5. so like i get it, Link is the main fighter in games
but like, the few times there is a war/army in loz games, there's rlly not a lot of strategy, beyond just finding the enemy and fighting
tho im partial to that hylians/most inhabitants of Hyrule abide by the “lets meet up either literally by inviting each other or just between our territories to fight”
with occasional guerilla warfare (by any means necessary/stealth/ambush attacks/strategy) that's only rlly used either by Demise/Ganon, or by the wilder individuals/races in games
or maybe even the more civilized fighters in an emergency
and so that means by this logic that all of the Chain use kind of wild techniques compared to their race/kingdom lmao
id imagine its not too surprising to also see “every fight is a bar fight if its for my life” from individual travelers, so im sure they're not viewed too crazy (esp when ppl know their the hero that constantly has to deal with guerilla warfare from Ganon)
but its be hilarious to watch the reactions of both the Links realizing they’re in a bigger group that should be using “proper” fighting strategies and seeing the general publics reaction to this absolutely feral, armed to the teeth, trained hylians with their equally wild human lol
LMAO everyone thinks ur the reason they started using the more brutal fighting methods bc ur human, ur a bad influence lol
(humans would use it primarily, esp after we converted to use that method in warfare a couple hundred years ago i think?)
changing course a bit, hylians tend to use weapons (to compensate for difference in strength compared to humans, and since they don't experience/get a lesser version of adrenaline)
while humans tend to equally rely on weapons and our body as a weapon (marital arts/basic self-defense)
6. this is mostly bc the hylians only rlly seem to have the basics of music, books/stories, theater, and art
i have, surprise surprise, another post abt how i think this came to be,
mostly based on how human curiosity is indomitable and insatiable and the endless force that has not yet met its immovable object.
or at least an immovable object they haven't at least poked a little, out of curiosity lol
like we went to space for that reason, we reach the most dangerous corners of our planet (deep underwater/volcanoes) out of sheer curiousity/for the sake of simple knowledge of the thing
so needless to say, curiosity can absolutely drive any field to its limits, including the arts, which is why we can have stained glass, or movies/tv shows, hell, the marvel that is Hatsune Miku lmao
(fully for entertainment, a projection of light and sound, what is essentially magical illusions but u did it hte hard way, to the hylians)
on a different entertainment related note, i don't know if the hylians would be super into sports, or not really at all? mostly bc they have to use their fighting/training against real threats, not the sort of “fake” threats that sports are
but on the other hand i could see people like knights wanting to use their abilities for something other than violence and fighting bc their life or their villages lives depended on it
bet the Links would enjoy it for those reasons especially, what with at least sumo wrestling being a sport or activity for them at some point in history, and practically beg u for any new games to play, or to ref their games, bc whewwww
im sure they could get pretty competitive lol
7. obviously, their mostly influenced by the Japanese language
id almost like to imagine a sort of, if not outright Japanese (like with earlier heroes like Sky) then a sort of English-Japanese hybrid further along the line
sort of like how English has German/Greek/Latin roots and therefore u can see what words or structure comes from where, or even how u can understand a fair amount of basic words when other languages share the same roots (english, pants = spanish, pantalones)
would make for some funny miscommunications
or even better, most hylians liking ur unique accent or the Links love to hear u talk bc of it lol
well the fever has broken, i am now free of the sickness that made me hack this up geez
i hope u got some enjoyment out of these my beloved anon!! esp since u were so nice as to ask abt it <33
hope u guys have a great weekend, look out for some more posts, bc its been great to get some more asks in lately and very motivating,
not to mention i actually have time to write now that my siblings graduated/we’ve moved several states over 💀
so i have reliable internet now too! sheesh :’)
Peace out,
🌙
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kouyou-arc-when · 11 hours
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Hey, this is a great ask and I am so sorry for not replying earlier. I am responding like this because I actually broke the character limit since I'm dumb -_- I've written a lot of posts about this on reddit, and many people came up to me and asked me something similar. Your line of thinking is good. Regarding Dazai:
So, the thing is - to properly diagnose any personality disorder, you need to talk to that very person to understand their inner mechanisms. There are certain behavioral traits we can observe from the outside and make some guesses based on that: for example, Dazai's broadly dented empathy and why that's often found in people with ASPD.
However, for many other personality disorders it is very difficult to conclude much without the person saying ~I feel x because of y. I do c because of b.
Why? Personality disorders are internal structures that cause a person's behavior to be challenging to either them or others. To understand these mental processes is much more demanding than seeing a person just feels sad or anxious, to explain it simplistic terms.
The key behind many disorders is to know WHY a person is doing what they're doing. This one thing changes whether a person has x,z,y,t,n or whatever condition.
An example: BPD and CPTSD are often mistaken for one another. Same as with BPD, CPTSD, Autism and ADD in women, but BPD and CPTSD tend to have the largest "overgap", you can even have both at the same time. That's because many of the outside observable symptoms are the same.
An example: unstable relationships are a symptom of ALL of the above, but BPD is sort of...an outdated PD according to many specialists due to the fact that it was used as an "everything" disorder, where people with socially unconventional emotions were dumped. That's why you'll find two people with BPD that are almost nothing alike.
However, even if we hold to classic diagnostic criteria, let me show how the same symptom can be a product of entirely different circumstances.
For example: Someone with BPD will have unstable relationships due to an extreme fear of abandonment. Someone with Autism may have unstable relationships due to differences in communication styles Someone with ADHD will have unstable relationships due to various circumstances: emotional regulation, executive functioning etc.
So really, the outward result may be the same, but the cause is different.
However, now, typically the main reason someone could have BPD is either due to extreme splitting, favorite person behavior, numbness and/or abandonment issues.
Dazai 100% has "favorite person" syndrome going on with Oda - the way he idealized Odasaku and then devalues everyone around him in comparison is pretty clinical - doesn't mean their relationship isn't lovely, but it's certainly something a therapist would take note of.
It's no shocker Dazai has unstable relationships, but we don't 100% know why he does what he does.
That's the whole thing Asagiri said - the character is meant to be like a donnut, where you don't really know what's in the middle - so it's extremely difficult to say which PD fits him for sure, probably even more difficult than the average neurodivergent character. In my opinion, several interpretations of Dazai are simultaneously valid due to the fact that you could assume multiple personal struggles within him, and come to a reasonable conclusion.
Does Dazai have abandonment issues? He says he always loses everything he wants, is EXTREMELY bitter over Ango, and definitely shows some levels of "splitting", especially in how he treats Oda vs Ango, Akutagawa vs Atsushi etc etc.
I'm pretty confident he has PTSD, and everything that comes with that. He certainly has a personality disorder too, due to the fact that a lot of his difficulties stem from his personality, and not just brain chemistry.
Kunikida says that most of his emotions "seem" like an act, which raises a lot of questions to what is even happening on the inside. Asagiri said Dazai is really only himself in front of people like Oda and Fyodor. That version of Dazai is...much less cheerful than with everyone else.
I don't personally think Dazai is autistic since he has a good hang on social cues and overall communication. Mamoru Miyano said PM Dazai was still learning to communicate with others back in his Dark Era days, but it wasn't that he couldn't do it - he was just not interested in learning it.
I feel like Asagiri gave Dazai this "unrealistic" trait of being primarily isolated because he's extraordinarily intelligent (which is not how geniuses tend to feel irl, most of the time) but I always feel like there is something more to it.
There is definitely some /disconnect/ between Dazai and "normal" people, where he doesn't fully seem to understand certain things, he falls short there. As someone who has CPTSD diagnosed, I get the impression he maybe has a similar thing going on as many of us: A extremely traumatic experience disrupted a lot of normal emotional and cognitive processes, and now he's both extremely hypervigilant and unable to snap out of that "shellshocked" state. He needs to "perform" conventionality, and being a normal person.
In one wan chapter, he "made a joke" that you start doing one bad thing after another, and suddenly you feel nothing at all. That's the trademark numbness in both CPTSD and BPD.
There was this TDIPUD moment where he talks about how a personality is just a bunch of unstable premises that survive to uphold the basic instincts of the human mind - but how it's easily destroyed for that reason. This is a scene where he tortures the guy, and I was like "wow, I really get it". Severe trauma can just destroy the very structure of your personality, because extreme pain just numbs everything within you. "You" as a person can't survive.
BPD is also related to an unstable sense of self - which could be connected to the former paragraph. Sometimes lowered empathy is also a byproduct of BPD, in fact, the thing is that both BPD and CPTSD come from trauma 99% of the time. They're shockingly similar disorders.
So, does Dazai have BPD? No idea. He could also be schizoid to some extent, which is funny, because Franz Kafka had this disorder, the author that inspired Asagiri's nickname.
For now, I'd just leave at he has CPTSD for sure
Most of these disorders are very broad descriptors, and it's difficult to label most humans in a way that will genuinely encompass what their experiences are. Most of the time, these diagnostics are used to match a person with the best treatment available, or to explain what they're going through - so I don't think there is a perfect diagnosis for Dazai aside from PTSD, but he's definitely extremely neurodivergent. Thanks for reading <3
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pigdemonart · 1 year
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Battle Subway Depot Agents (by pig-demon)
When I made designs for these guys last year I didn’t really think they needed colored references/master post, but since then I’ve drawn them a lot! Also people have added them to their fanfics and drawn fanart! So I figured it was time I made a post for easy ref. :]
These designs are obviously free to use, just give credit (and link me your work if you're comfortable, because it makes me happy to see!) All I request is to stay respectful to their pronouns and skin colors, ya knooow… 👍 note: The pokemon on their cards are all companions, not the ones they use on the Battle Subway. Except Jackie...the litwicks are just there to fill space/give them company.
More info under cut:
Edit: Important disclaimer:
These are again my designs/interpretations for the agents. Please don’t treat them as canon or as the only, quintessential designs for these literal background npcs. Many people have done takes on them before and after me, even back in 2010. It feels silly to ask, but due to past experience, I ask that you please DONT hunt down anyone that does a different take on the depot agents!! 👍
Tags:
I'm gonna start tagging them individually, but for now all Depot Agent comics and art on this blog are tagged under Depot Agents.
Height chart:
I’m not too strict about heights, so I don’t really care about actual measurements. Here’s an approximation of what I tend to visualize though:
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Sexualities/Gender Identities: I don't have official labels for each and every agent because I like keeping things fluid for characters to develop these traits on their own. However, as a queer person, I enjoy designing characters who are also queer, therefore I can safely say none of these characters are straight. The ones who are set in stone are Ramses (gay man), Cloud (lesbian woman,) Jackie (non-binary.) Furze uses he/they pronouns but their gender is undetermined. I also welcome anyone giving the agents a different gender identity to suit them (as long as it's done respectfully.)
Notes about each agent...
Cameron:
- Cameron dyes parts of his hair blonde and keeps other parts in black. This is because he is a big fan of Elesa and her fashion choices.  - Though there have been a few occasions to meet his idol, he is always way too nervous to approach her, feeling deep down that he'll mess up somehow. - He practices modeling poses in secret. He loves flourishes and flare, but is simply too insecure to put it on display. - Of his coworkers, he gets along the best with Furze. He's the easiest to talk to because Furze will do most of the talking. - Cameron is easily intimidated — even mean Pokémon can make him nervous. Though, his two worst fears are being left in a room alone with Jackie, and being left alone in a room with Isadore. - He takes advantage of his height to sometimes hide behind some of his coworkers. - Cameron is much better at Pokémon battles than he gives himself credit for. Emmet and Ingo were pleasantly surprised by this, since Cameron was promoted to fit a temporary role on the Battle Subway. They happily made him a permanent member when he proved himself capable. - His Dwebble (Pebby) is secretly very strong, and rushes to protect Cameron when it can. Cam sometimes thinks Pebby helps him feel more confident in himself too.  - If he stumbled into any of his coworkers outside of work, he would simply explode of embarrassment. - He is the youngest child and only son of his family. He lives in his own apartment in Nimbasa.
Cloud:
- Cloud (like Ramses) knew the twins when they were very young. - She used to be an ace trainer in her youth, even going so far to compete in the Pokémon league. Winning and becoming the champ was the most important part of her journey, but something happened along the way that changed that outlook. - It seems with age, her competitiveness has mellowed out. However, she maintains an intense energy when battling.  - Her favorite types are Psychic and Flying types. Swoobat (Sweetie) is her ace.  - Her favorite hobby is baking, and she often bakes sweets for the crew. She knows all their favorite flavors by now! - She prioritizes keeping a friendly relationship with all her coworkers and thinks of them fondly. She considers Ramses family after all the years of working together!  - She is a big fan of Brycen's movies and can recite the lines. - She lives with her wife in Anville. - Cloud loves doing maintenance work both at home and in Gear Station. She enjoys bringing her own tools and industrial flashlight.
Furze:
- Furze only has one volume setting (mid loud,) but he finds himself feeling right at home when talking to either one of the twins. - Furze has ADHD, and this is reflected in some of his habits, most visibly is his fidgeting when sitting still for too long. - He rides a bike to work every day. When he is late, Cloud clocks in for him so he doesn't get in trouble. - This is a kind of a guy that sits crouched gargoyle style on chairs. Only outside of work, of course. Bad posture could get him in trouble. - While working on the Battle Subway, there will be times Furze feels sorry for his opponents and offers to quietly let them pass anyways. This...has also gotten him in trouble. :[ - He went to the same elementary school as Isadore in Castelia. Though Isadore seems to have forgotten their short-lived acquaintance, Furze has not. This is part of the reason Furze claims they are in fact good friends!!! - Furze is the middle child of a big family. He lives with his mom and takes care of her, along with his many Darumakas and Darmanitan. All of his Pokemon have famous trains names. - He collects model trains. Naturally.
Isadore
- Isadore had plans to become the station master the moment he was hired as a depot agent, but alas... (sad trumpet sound.) - As a youth, he was more interested in science and engineering over Pokemon battles. He enjoys the strategizing aspect, at most. Not so much the competitiveness. - In addition, his Pokemon are all rescues and not used for battling. He's had his Watchog (Winston) since he was in his late teens. - His Electrode (Gregor) and Voltorb (Leonard) were rescued from the likes of Team Plasma. - Isadore admits he understands Pokemon better than humans. This has been apparent his whole life. - In spite of acting like a sitcom villain, Isadore cares about the management of Gear Station and the safety of the passengers to an incredible degree. He sees it as a personal life goal to assist in the management of Gear Station, as well as the success of the Battle Subway. - Though it pained him to become a subordinate to the twins, he begrudgingly accepts it for the greater good. - His almost militant efficiency certainly made up for his years of antagonizing the twins before they became the bosses. Ingo and Emmet understand this better than anyone. - Isadore keeps tabs on all of the staff members. So he very well knows all their birthdays and makes it a point to celebrate it. This is by no means a -happy- or -festive- event. It's just customary. - Like Furze, he was originally from Castelia, but now resides in Nimbasa. Isadore's only family is his mom and she lives in his childhood home with their Stoutland. - Isadore would have probably been voiced by every glasses guy ever J. Michael Tatum had he not already been cast as dear Emmet lmao
Jackie
- Jackie is a mystery and they like keeping it that way. When they talk, it's practically impossible to determine what is a lie or truth, especially if the subject is themselves or their background. - They love scaring Cameron the most and will ask to be paired with him whenever possible. They claim Cameron is their "favorite coworker," while Isadore is the least favorite. - It's plain to see why -- Jackie is the only one that doesn't passively tolerate Isadore's tirades. - Though my comics sometimes may allude to Jackie being a ghost/supernatural, this is not confirmed nor canon. I just personally enjoy toying with the concept. : ) That being said...
- Item #: SCP 7453
- Object Class: Euclid
- Special Containment Procedures: The ████ ██████ is ██████ within ████-██████. - Ingo and Emmet choose to not question anything about Jackie, since it's clear they're one of the more efficient workers. However it can be a safety concern... - Cloud and Ramses have worked with Jackie for a long time, though they've forgotten somehow. They believe Jackie is a new hire since they appear to be young. - Anyone trying to make sense of Jackie's employee records simply can't bring themselves to any conclusions. It's better to ignore the inconsistencies. - Jackie has never been seen to leave Gear Station. Jackie has never been seen in anything but their uniform. Jackie has never been confirmed to eat, drink or blink. Jackie knows your secrets. Jackie thinks it's... amusing.
Ramses
- Ramses sometimes misses having a full head of hair, but he thinks his signs of age make him look distinguished. (he is correct.) - Ramses is sort of the "mom friend," making sure everyone's concerns are heard, as well as trying to keep the peace whenever a conflict might arise. - If another coworker is feeling low, Ramses will try to cheer them up with a lighthearted joke or offer advice if they'd like it. - When the twins were promoted to bosses of the Battle Subway, Ramses cried because he felt so proud. - In most circumstances, he is a very simple and logical man. He is quick to find solutions and tries not to fret over the little stuff. It's not good for his heart after all. - His ace is his Pikachu (Musa,) though the mouse is more of a lap pet now. At home, he also has an Audino (Sara) and a Manectric (Nubi) who keep Ramses' husband company. His Klinklang (Moli) is the only one of his personal pokemon that accompany him to work nowadays. - Ramses considers Cloud family. They are best friends and love having family gatherings outside of work. They also gossip a lot, and don't mind when Jackie decides to join. - Ramses jokes about looking forward to retirement, but really doesn't want to leave until he is physically incapable of working anymore. Gear Station is like a second home to him.
In-Game Quotes
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The most important reference of all are their in-game quotes, of course, so I'm adding it to the post. A lot of their personality traits can be extracted and interpreted from these few lines. And I personally love that about Pokemon NPCs -- there's a lot of room to explore and play with. Some appear very obvious. Cameron practically announces that he isn't ready for the battle that's about to ensue and seems genuinely surprised to win. Furze comes out the gate talking about the subject they actually care about, which is their job and their love for trains. The two of them are very easy to understand. Now, Ramses lines allude to a gentle and simple personality. He views himself with humility, and maybe even with a bit of humor comparing himself to a train and to his opponent to a station. If he loses he shows no signs of disappointment, he just accepts defeat with one last honest quip. It s also amusing to see the Depot Agents all use train metaphors to describe themselves since it falls in line with how Ingo and Emmet talk.
In comparison, Cloud does the same thing calling herself the terminal instead. Immediately, she is way more daring, though still keeping a sense of professionalism. To me, it's obvious she is competitive as she even admits she was expecting to win ("Ah...I didn't see it coming.") Jackie's lines are fun since it's up to interpretation if they are being literal or lying. It's almost like they are more interested in confusing/creeping out their opponent than actually beating them. To me, it gives off a mischievous vibe. Isadore's opener "There are only two roads in life." is a curious one because it almost feels like he is trying to be philosophical. Definitely a guy who views himself as an intellectual, regardless if that’s true or not. I like to think it's a saying he really believes in, and it applies to his life. The road he likes (long route) vs the road he hates (shortcut) -- fighting tooth and nail to become boss vs biting his tongue and accepting Ingo and Emmet as the Subway Masters.
Those are just my thoughts on how I write these characters. Please have fun playing with these lines too!
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hamliet · 4 months
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Hazbin Hotel Has Better Theology Than Most Modern "Christian" Stories
As a Christian who was raised in a fundie cult and escaped to now have a far healthier and vital faith, I genuinely really like this show. The songs are bops. The characters are well crafted and interesting, and likable too. The art design is bizarre but appealing.
And, as a theology nerd who studied theology as part leaving said cult and also has since gotten papers published in theology, I'm actually fairly impressed by the show's handling of theology.
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No, I'm not expecting the story to preach or even like, be explicitly Christian in a lot of ways. But it's taking a lot of the really beautiful aspects of Christian theology and re-contextualizing them in a way designed to provoke thought: by juxtaposing them with the antithesis of what you would think, by making demons heroes. In my opinion, this makes the beauty shine brighter.
Yeah, yeah, it's designed to be offensive and obscene in a lot of ways. Yet, it's never (thus far) mean-spirited. On the contrary, it seems to have a big, beating heart at its core that is perhaps best embodied by Charlie Morningstar, its protagonist and the daughter of Lucifer and Lilith.
Critique of the Church, with Caveats
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The story works best with an interpretation that heaven isn't actually heaven or God (who has been conspicuously absent), but instead as a critique of the church. Specifically, the evangelical American church, and specifically, white evangelicals. (Same as She-Ra's premise, actually).
God's absence therefore makes sense, because while Christians do believe God is present as a living reality among us, we also can't like, see him physically now. So, God being not even mentioned in HH makes it seem more like a mortal reality rather than an immortal one. Honestly I kinda hope God doesn't appear in the story, not only because I think it could cross some lines (which is admittedly personal), but also because I don't see that the story really needs it.
Adam in particular reminds me of every "theobro" on Twitter (I'm not calling it what you want me to, El*n). Basically a dudebro coopting his supposed salvation to flex in an often misogynistic way, who doesn't realize that he has absolutely no love in him and therefore is actually a worse human being than everyone he condemns on the regular.
(Which is kind of why I'm expecting Adam to wake up in hell next season...)
Think red hats. And Mark Driscoll. And, I have a list of pastors. Sigh. They advocate for how "simple" Christianity is, except they themselves make it ridiculously complicated and don't even examine what they suppose is "simple" if it requires them to take the planks out of their own eyes. "Shallow" is a better description of what they actually preach.
But what sends people to hell or heaven anyways?
Eschatology and Atonement Theory
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Hazbin Hotel combines a lot of theories, throwing not only the idea of a physical hell (albeit mixed with Dante's idea of what hell is the Inferno, but to be fair a lot of the church has adopted that idea too) but the idea of annihilation, which HH calls "extermination."
See, in Christianity, there's a lot of debate about hell. Like, since 2000 years ago. The reason is because a lot of Bible verses seem to indicate hell, but others indicate the eventual redemption and salvation of absolutely everything in the universe, so you have Christian universalism tracing itself back just as long. But, setting aside universalism, people who do believe in hell tend to fall into one of two camps:
Physical hell, aka suffering for eternity, or annihilation: the idea that souls that aren't saved end up annihilated, or snuffed from existence. HH combines both of them, wherein everyone lives in hell but then every so often heaven "exterminates" a certain number of sinners.
And then you also have Catholic purgatory, which is also adapted in HH in that... for most Christians, physical hell doesn't offer the ability to redeem yourself. Chance over, you're dead. But, Catholic Christianity, which draws on ideas of praying for the dead, has the idea that people can improve themselves or be prayed out of it and into heaven. This seems to be somewhat similar to the idea of Charlie's hotel, in that sinners can improve, redeem themselves, and rise to heaven.
And, I mean, it's already kinda worked. Sir Pentious acted out Jesus' words: Greater love has no man than this, that he lay down his life for his friends (John 15:13).
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But anyways, the branch of theology that deals with the afterlife is eschatology. And Hazbin Hotel takes on a related form of theology as well, a type of theology I've only seen covered in stories once before (The House in Fata Morgana): atonement theory.
Atonement theory is something I remember well from my theology 101 class, as in I remember sitting with a friend and her turning to me and being like, "okay, so we know Jesus' death and resurrection give us eternal life, but we have no idea how or why?" To which the answer was "basically, yeah."
Most of the white, American evangelical church is very "penal substitutionary atonement," but the reality is that this theory has only been popular for the past few hundred years. It's also, imo, somewhat scripturally unsound. But there are a lot of other theories, and sometimes the theories overlap. Here's a fairly decent summary. (I'm in general a believer in Christus Victor.)
So how does atonement theory tie into Hazbin Hotel? Well, essentially the scene where Charlie and Vaggie are debating with Emily, Sera, Adam, Lute, and others in heaven is them going over various atonement theories and realizing that they actually know nothing at all. How does one get to heaven? How is one saved? They don't know.
Sera criticizing Emily for asking questions was also very relatable, and I feel for Sera. She's genuinely scared but the truth will set you free, Sera. John 8:32. Anyways, the point is like... the angels are an organized religion, an evangelical church, that preaches about simplicity but mistakes shallowness for simplicity and discourages depth and discovery.
Anyways, the whole crux of theological study and atonement theories is that they should promote humility. We don't know for certain on this side of the curtain. That's okay. So what do we have to guide us?
Love. After all, God is love (1 John 4:8).
Charlie is Jesus
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"Why would you endanger your immortal life for these sinners?" 
Adam, the absolute worst, says the above to Charlie in the finale.
I mean... look. That's literally the premise of Christianity. That the immortal son of God comes down to earth, lives with sinners, loves us, and dies to save us. However that happens. Charlie even responds:
"They're my family!"
In other words, she loves them. Yeah, sure, they're destined for extermination, but they are going to be exterminated over her dead body.
In a lot of branches of Christianity, and even in some creeds--though I'm going to give into my pet peeves here and state that it is NOT Scriptural and relies on the faulty assumption that God is bound by time, when I think God exists outside of it--state that Jesus descended into hell after his death and took all the souls of people who were saved prior to his coming to earth to heaven. Again, I think that's small-minded at best. But, the idea that Charlie is working among them to bring them to heaven is pretty reminiscent of this idea. And I don't hate it lol.
Charlie sees worth inherent in everyone, and no matter what they've done, thinks there's a future for them. Honestly we need people like her on this earth.
Angel Dust
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Angel Dust is clearly my favorite character. Bite back your shock, I know (I have a type). But his name is also a fascinating multi-layered pun.
Angel is clearly foreshadowing his endgame. Let's be real, we all know Angel is ending up as an angel. And "angeldust" is of course a name for PCP, and considering Angel's drug habits, yeah.
But, dust also has another meaning to it. See, when Adam was created in Genesis 2:7, the words in Hebrew are "apar min ha'adamah," which is translated literally as "dust of the ground." So the dust is what creates Adam, literally "ground."
In other words, I very much expect Angel Dust to end up being foiled with Adam even more so. Adam might be the first man, but Angel is the first sinner working towards redemption. And let's be real, for all Angel's flaws, he's already a better person than Adam. And if there's any hope for Adam (not that I particularly care if there is but) it'd be through realizing that he and Angel aren't actually different after all. Conversely (and not necessarily mutually exclusively), Angel might serve as a more symbolic "adam" in that he becomes the person all sinners look to for hope. Which, y'know, since "the last Adam" is also a Scriptural term for Jesus...
And so it is written, “The first man Adam became a living being.” The last Adam became a life-giving spirit. (1 Corinthians 15:45).
I fully expect Angel's arc, alongside Charlie's, to bring life and redemption for everyone around them. Maybe, maybe even the dramatic "all" of Colossians 1:20 (which means, literally, all, everything, everywhere, in the entire universe).
Closing Thoughts
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But honestly, regardless of how the story ends--besides that it will presumably end happily because HH is at its core feel-good despite being profane--season one at least has got good theology. Why? Because it's digging into the questions that theology is concerned with. It's digging into the ideas of human nature, of what it means to be a good person, of what it means to redeem oneself, of affirming how precious each individual human soul is.
It doesn't offer cheap answers, and it specifically calls out the white American evangelical church for how it purports to be simple but actually just confuses people and punishes them for things they can't help, that creates more stumbling blocks than it does shine a light. And it does it in a way that is scandalous. Offensive to many religious people.
But, y'know, Jesus was pretty scandalous too.
So I really love the story so far because it emphasizes what I find so beautiful about my religion, and criticizes the parts that have also hurt me. I don't think it's remotely aiming to be a Christian allegory or anything like that, and I don't at all think anyone has to be religious to enjoy it or gain the core message of it, but I do think that it's doing a hell of a lot more good in the world message-wise than most evangelical movies of the past 30 years.
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meanbossart · 3 months
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Lore Ask Compilation: "Every Other Question Is About The Drow's Dick" edition
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Oh I LOVE Minthara, her dialogue is absolutely fascinating and in my opinion some of the best written In the game. Experiencing her in my Evil Durge playthrough without having been spoiled to her companion scenes prior was great - the amount of depth they managed to add to her, without it at all feeling forced or rushed, and considering how much less time she gets to develop at our side is really well done. While nearly everyone's quests had me immersed, she was one of the few characters who really made me pause and think about the things she had to say to me, what she truly meant by them, and what they meant for me as an avatar doing an evil run.
We have a lot of characters in this game that are meant to be full of wisdom and experience, who are meant to be the ones who say the right thing at the right time that inspires us to make the correct choices, but I don't think either Halsin or Jaheira (and I love Jaheira) made me feel like I knew so little about life quite as Minthara did.
And, of course, she's absolutely hysterical. 10/10 I wish she had a proper companion quest past being rescued but I understand why she doesn't.
[MORE ASKS UNDER THE CUT]
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It doesn't connect to the urethra since the slit in on top, so he nuts and pisses normal.
Also you 100% are not sorry, stop lying to me.
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Man, I thought a lot about this one because I play so fast and loose with the content the game gives us that I'm positive there must be SOMETHING I'm completely disregarding, but I couldn't think of anything! I've chosen to pick slightly less obvious interpretations to some lines and text but nothing that completely deviates from canon, I don't think. If anyone has noticed something I neglected to mention, feel free to let me know - not because I want to revise it, but just because I'm curious!
For the second part of the question, not really. Larian did a great job of giving us plenty of room to play around in the dark urge's background, I think I'm yet to see something that I find to truly "not fit" in the ample freedom they've given us. I have my preferences, of course - I'm shocked to find that most dark urge's are NOT big hulking beasts, for example - in fact that seems to be the minority by far, but I realize that I have my... Uh... Biases.
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You can see a cute little divot through the fabric if you look closely LOL
And nah, I think his penis has seen enough sharp points for a lifetime.
Well.
Unless someone decided to add some bite-marks to it.
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HMMM, I... Don't think so.
He didn't cry as a baby, he didn't cry as a child (and this isn't something I just decided on now - this is a major reason why his foster drow mother even kept him around) he didn't really cry growing up or at any point during the campaign. I think he is capable of it - sadness in him just tends to be far more confusing a feeling than anything else.
He will have emotional moments in ANE, whether or not that will culminate in crying is something you will have to wait to find out LOL
Astarion has noticed this and just took it as a character trait - the drow doesn't cry, he just gets confused, angry, frustrated or simply bottles it up. While he can be demanding of his emotional maturity, he isn't going to try and dictate how he should experience his own feelings. If it did happen it would definitely catch him majorly off-guard, perhaps even shift the perception he has of him to a certain extent.
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Oh my god you just know they All managed to be utterly quiet about it for as long as humanly (and unhumanly) possible until like, I don't even know, halfway through the Shadow-cursed lands where one day Karlach finally turns back to the group around the campfire after a half-nude drow has strut past and she's like "SO
"DOES ANYONE KNOWS WHY HIS DICK HAS A SNATCH"
And Wyll is like :0... Karlach you can't just ask people that.
And then she pointedly turns to Astarion and starts trying to interrogate him on how it works while Gale covers his ears and Shadowheart is like:
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This is gonna blow you guys backwards but he does not do those things in front of people and thinks its rude if you do.
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HMMM Mostly physically but it's a little subtle. He really enjoys interacting with Astarion's (and previously Orin's) hands - kissing, holding, caressing. Touching hair and faces as well. He can engage in more overt physical affection but usually Astarion has to be the one to initiate.
A disarmingly earnest proclamation of love and adoration here and there as well - he isn't shy in the slightest to tell people how he feels about them, he just isn't constantly reminding them of it unless inspiration strikes.
Most of all I think he expects his loved-ones to see his care for them in his tendency to go out of his way to help them achieve their goals.
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He went with them to the Shadow-cursed lands but I never helped him fix the curse, so he stayed behind when the gang went onwards to the city. DU Drow didn't really like him so it was good-riddance as far as he was concerned.
If he had come along and propositioned him during act 3 - uh, you know the really mean rejection line you have as a choice during that dialogue? Yeah, that one lmao.
Alas, DU drow is just monogamous. He could entertain group-sex with a partner for fun at the most, but not ever a third person in the relationship. And In my personal interpretation (but by all means - everyone else have fun with their poly arrangements!) of Astarion and his delivery of the "this is about Halsin" line, I also thought he was lying about being comfortable with it, so I write him as monogamous as well.
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Nothing. Nada. Not a thing. Say what you'd like about Bhaal but he sure knows how sculpt them out of his murder-meat.
(Thank you!!!)
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transmutationisms · 5 months
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hi! was wondering if you have any recs for some good critiques of Foucault’s historical method (or lack thereof)?
I enjoy reading his theory but I know his methodology can be lacking and would love to learn specifically how. ty <3
i don't have a text off the top of my head that is solely dedicated to making this critique of foucault (usually it's scattered into various historical literature) but i can just tell you:
foucault the historian has the consistent problem of relying on too few primary sources, almost all of which are french or english, meaning his claims are often only applicable to limited local cases (even the differences between the highly centralised, bureaucratised french state and the british situation tend to get flattened). his sources also tend to be authority figures like doctors and government officials, and he frequently makes the assumption that the powers they claim to have (or claim they SHOULD have) are powers they actually do have, which leads to a 'top-down' history that presents authorities and institutions as almost infallible in their efforts to repression, with virtually no attention paid to how people actually received any such mandates, and whether they were actionable, or subverted, or both. he also has a real problem conceiving of liberty in any terms but individual; politics for him is frequently characterised by a group vs individual struggle, which is a problem if what you are trying to understand is, say, the history of class struggle.
as a philosopher foucault articulated some general methodological guiding principles that remain useful in history: genealogical and archaeological methods, the call to historicise (meaning, to problematise; to contextualise) institutions and ideas presented as timeless or transcendent. there are also concepts in his historical narratives that other people have since fleshed out further, nuanced, and grounded in better evidence and 'bottom-up' histories, like biopolitics. so it's not unusual to see his name pop up in historical footnotes, especially in an introduction or conclusion where he may form part of a conceptual framework the author is using to interpret their evidence and turn it into a viable argument. but even these usages are certainly subject to critique (eg, the emphasis on individual liberty that suffuses his conceptual work; the extent to which his arguments can apply beyond the specific early modern metropolitan french contexts about which he was writing) and he should pretty much never be cited as a historian because his methodology in that respect was at best lacking.
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elysiansparadise · 7 months
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hii i adoreee your writing style. you’re truly one of my favourite astrologers 🥹 i was wondering about your interpretation on sun in 10h? i hope you have a lovely day 🥹💗
Hello love, thank you so much for your words. 💗
Sun in the 10th house
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These natives radiate a lot of light, energy and power, they tend to be the focus of attention in many situations even if they do not look for it, they also tend to be greatly admired either for some talent, a quality of their physique or for their personality. Many people tend to think that they are somewhat unapproachable or perceive them as somewhat distant/focused on their own issues, but the reality is that they can be very kind. They are very hard-working, ambitious people and they try to make it clear that they are sure of their value as a person, their abilities and potential. What people sometimes don't see is that these natives also tend to doubt these aspects of themselves, but they try not to show it to other people. They can enjoy a good reputation and can even gain a lot of prestige through their career, they are usually well regarded by people. If Pluto or Neptune make tense aspects to the Sun, the native is likely to attract people who become obsessed with them or who envy them. They tend to be very dedicated to meeting their goals and can set high standards for themselves, they can put a lot of pressure on themselves to do something productive, not waste time or do things well. They are very upright and honest people who like to do the right thing and can be a role model for many people, since it is easy for them to inspire and motivate others. There is a sunshine quality in them, which makes them brighten or improve the vibes.
This placement favors the popularity and good reception of people, especially bosses, people with more experience or older people, who will see a lot of potential in the native and will motivate them. They tend to be people with a lot of charisma and a unique sense of humor, they can please others easily. Some of them may come across as sassy, ​​very dominant and self-centered [especially if it’s aspecting Mars] but they are people whose hearts overflow with generosity and thoughtfulness. These people have the ability to give the impression they intend to give, they show themselves authentically but still reserving some things for themselves. There are many people who may believe they know the native perfectly, but the reality is that they only scratch the surface. They are very independent people since they are young, because life has taught them to take care of themselves, and many of them, although independent and fierce when it comes to facing the turbulence of life, when they love a lot they can bring out this protective side and warmth. Deep down they have the desire to be supported and protected.
These natives opt for long-term plans, relationships or projects, and they hate ephemeral things that waste their time, as it is something they deeply value. Despite their disciplined and responsible nature, they like to make their work or tasks fun. Some of them were able to grow up with the idea that only by achieving things or doing something can they feel that they are worth it, but one of their lessons in this life is to become aware that by the mere fact of existing they deserve to be loved and respected. The relationship with the father can be complex, because being in this house tells us of two extremes, or a supportive father who, although not very expressive, was attentive to them, we also have a possible father who is emotionally and/or physically absent or who focused a lot in his work and responsibilities. These natives are very trustworthy people who like to be there for those they love in times of crisis, they support unconditionally, they do not easily give up and they do not hesitate once they make a decision.
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the-music-maniac · 7 months
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I haven't watched that much of One Piece yet, so feel free to disagree with me on this analysis, but there's one thing about people's general interpretation of Sanji as a character that drives me a little nuts. And I'm saying this because even though I'm not very far along, I got spoiled for his backstory (because I refused to stop reading fanfiction even though when I first started I was like, on episode 3).
So before you continue, there are spoilers for Sanji's past.
I think people tend to ignore that the differences between Sanji's demeanor towards men vs towards women likely partially stem from severe trauma. I don't believe his actions are entirely intrinsic, its not like he was born acting like this - nor is it an unchanging immutable fact of his character, despite what a lot of people seem to believe.
And for some context on what prompted this - I'm a sanzo/zosan shipper, so I tend to crawl through the depths of the internet looking for fun little videos and fanarts, and one consistent protest I see with this ship is "Sanji DESPISES men and WORSHIPS women, there's literally no way he could EVER be attracted to men or want to date a man he HATES them."
Which bothers me outside of any arguments about Sanji's sexuality or even about any ships - which I will get to in a second - because that interpretation of Sanji assumes his actions are just there for no reason. Sanji hates men, therefore he hates all men with no exceptions, and he will always hate men. Sanji loves all women, therefore he will always worship every single woman he meets. I dunno, I think it's just a very surface level understanding of who he is, and relies on setting a rule for no reason and just sticking to it, as if it's just a mere quirk of his character with no backing to it.
Sanji's first interaction with any people, was in the form of his biological family, as is the case with most of us. Specifically, his father and brothers, who abused him and didn't even treat him like a person, and his mother and sister, who were the only people that treated him with kindness and saw his humanity. Tbh, he reminds me of the way women who have experienced trauma from men act - a general dislike/disdain and distrust for them (for good reason). And I don't doubt Sanji's overall elevation of women was only hammered home by the fact that his first ever father figure - arguably the first man who's treated him with kindness - teaching him the lesson to always respect women. His very illogical need to never fight women probably partially comes from the events in his life, and because it's not just a two dimensional arbitrary rule established for his character - there can be exceptions and growth.
We already know this, because despite Sanji's general disdain of men as a whole, he is capable of caring/loving men that he personally knows. He loves Zeff, and he loves his nakama - some of whom are MEN. Like, it's right there??? In the same way a woman who has experienced violence at the hands of a man probably still has family and friends or even a significant other that they love and care about that are men.
Like if you're using his demeanor towards the different genders as an "aha got you" argument for why Sanji couldn't possibly be queer, its not as strong of an argument as you think it is.
And if we're operating under the assumption that Sanji partially acts like this because of trauma, it brings up quite a few interesting arguments about his sexuality and potential romantic partners.
Which segways into sanzo/zosan, since admittedly I got into this entire debacle because I was looking into fanart (non-shippers feel free to click away now if you wish, I get that not everyone likes the ship, which is valid).
I don't think Sanji's actions means he couldn't be bisexual. Cause I'm bisexual, and you know what would make me very very keen to ignore all my attraction to one specific gender? If I had multiple instances of that gender hurt me severely. In fact I'm not so certain I don't experience that, because while I haven't had anything super bad happen to me, I hear about things in the news, about friends and family who have been harmed, interacted with men who have talked down to me, and I definitely went through a phase in my younger years where i just refused to consider men as a possibility for a romantic partner, because I was just so so angry. And I'm not saying Sanji doesn't like women in truth, because he absolutely does. He's both attracted to them and likes them. But that doesn't eliminate the possibility that he might also be attracted to men, or other non-binary genders. In fact the more he doth protest, and puts on a show when he sees a pretty woman, the more I'm sure he's in denial. Internalized homophobia can also be a bitch. Contrary to making me think Sanji is absolutely straight, the way he acts in the show actually puts me the opposite way.
I've heard Sanji also has an interesting relationship with gender and may be genderqueer but I don't know as many details about that yet, so I'll skip it for now. But regardless, I look at Sanji and go "I don't think this is a traditionally cishet character."
Of course, this is by far not the only interpretation you can have of Sanji. It could be that he's traumatized and also heterosexual. That's absolutely fine. But my overall point here is that I don't think what we see in canon negates the possibility that Sanji can be queer.
As to why I like Zosan in relation to this:
1. First, a relatively minor thing, I enjoy the sheer amount of bickering/fighting. People hold that up as a reason to not like the ship and I'm like, my dude that's one of the only reasons why I'm here. My love language is annoying the people you love and occasionally having homoerotic battles. duh.
2. Zoro is one of the aforementioned men that Sanji cares about, one of the exceptions to his "men are horrible" thing. Like they argue and fight a lot, sure, but you're not convincing me that they don't love each other. In whatever capacity - platonic or romantic - is up to your interpretation. Sanji loves all of his nakama, that's not really something I see as up for debate.
3. I honestly believe that until Sanji gets a less extreme viewpoint of the different genders - he won't be able to be in a healthy romantic relationship with a woman. For one thing, I know Sanji has self worth issues for days. For another thing, his hero worship for women as a whole - his refusal to fight women, even when they're actively trying to harm him - I don't see that translating well to a relationship. Moreover, I can see it being exhausting for the woman he ends up with, to always be treated like she's made of glass or agreed with, regardless of what she says.
Essentially, he wouldn't really treat that relationship as a partnership between equals, and I think when that happens, you run the risk of the individuals hurting each other, even on accident. Of course, we can also see this as a facet of his character with exceptions and possibility for personal growth. Maybe if he gets with a girl he'll grow and learn and still end up in a good relationship. You could also just interpret his demeanor as over the top flirting that he'll reign back in for an actual serious relationship. Sky's the limit when it comes to fandom interpretations.
But because of this, regardless, I just don't see any potential between the female characters I've met and Sanji. What I do see potential in, is Zoro. Here is actually a character Sanji not only trusts to watch his back, is on equal footing with, but is also unafraid to speak his mind and fight with. He doesn't walk on eggshells or worship the ground Zoro walks on, he has no qualms about defending himself if Zoro crosses a line. That is what a relationship can be built on.
4. Zoro has a contrasting way of interacting with women that I find super interesting. He comes off as the kind of character that doesn't actually care about the gender of the person he's fighting or interacting with - he cares about their ability. Which kinda explains his reactions when he hears Kuina's thoughts about being a girl - and I think Tashigi as well if I'm remembering correctly. There could be a clash of beliefs there that might be quite interesting. I know Zoro and Sanji do fight about how they talk to women, but I meant like something not just played off for laughs. Maybe there is something like that later in the show, who knows, I'm still early on.
5. Again the entire reason why I like enemies to lovers is the need for personal growth. I heard someone say that Zoro would be fine with being in love with a boy if it wasn't Sanji, and Sanji would be fine with being in love with Zoro if he wasn't a boy, and man do I think that's accurate. And here's the crux of the matter - in order for them to get together, they need to get over their hang-ups. Sanji needs to unpack the ten million tons of trauma he keeps repressed under his curly noggin, and Zoro needs to figure out why Sanji rubs him the wrong way. That shit is INTERESTING. People forget that the reason why this trope is so popular is BECAUSE it's a fixer upper - there's work to do. Nothing is perfect. It may even be a little toxic. That's the appeal.
Anyways this is getting TOO LONG. Thanks for reading!
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xoxoamyas · 4 months
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For You.
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rating : fluff/comfort, singular alcohol mention, petnames used on reader [ darling, love, and baby ]
wilbur x fem!reader [ use of you/yours, no use of y/n ]
☆ wilbur comforts you after a hard day. he plays you some in progress songs he'd been working on. <3
note : this was meant to take place sometime before ycgma came out! though, you can interpret it as whenever. either way, hope you enjoy !
request [ ☆ ]
masterlist [ ☆ ]
⋆˙⟡
You had little tells for everything. Wilbur knew them by heart.
So the second he heard the door close a little harsher than normal, he was up in an instant. He had been writing up some new lyrics for some songs he wanted to put together.
“Darling?” Wilbur lightly calls out as he moves through the short hall of the shared flat. Seeing you set down your purse on the couch in the living room, he lightly sighs. “Beautiful,” He starts, catching your attention more now. Muttering a soft apology when he sees your face screw up.
Oh, you definitely didn't have a good day if you weren't melting at the complimenting.
“Want to talk about what happened?” His voice is soft and low as he speaks, well aware you didn't take kindly to a raised voice in moments like this. A small frown tugs at his lips when he sees you shake your head no, so he just silently nods.
“That's fine, love. How about we run a bath and then go lay down?” Wilbur tilts his head a bit as his hands move to hold your upper arms. A small smile appears on his face when you nod.
He pauses when he feels one of your hands move to the hem of his sweater. Leaning down for you when you moved to be on your forefoot, pressing a kiss to Wilbur's cheek in a silent show of affection.
It takes a little bit after as you calm down, Wilbur with you nearly the entire time. He had gotten you bubbles for a bath at some point and helped you wash your hair. You weren't very talkative like you usually would have been, him having picked up on you needing the time to adjust and relax.
After a while, you finally deemed it time to get out of the bath. The water had gone cold and lost its comforting warmth. You managed to coax Wilbur into lending you one of his sweaters and even a pair of his boxers. He could never say no to the puppy eyes you tended to give him.
“You ready to talk about it?” Wilbur calmly asks after you're laid in his bed cuddled up to one of his favourite and most used pillows. He wasn't jealous over an inanimate object whatsoever.
You give a light groan, pressing your face hard into the pillow for a good long moment. Another tell that you weren't ready to talk just yet.
It's quiet for a good moment, and Wilbur bites his tongue. He's not sure what to say for what felt like an eternity. Eventually, he ended up eyeing the bedroom for a good moment before his gaze landed on his guitar.
You don't move immediately when you hear the first strums of the guitar, just hearing what sounded like a gentle tune. Each chord eased into the next, which soothed an ache in your mind. The Bm, to D, A, G, and right back into Bm.
“The cute bomber jacket you've had since sixth form,” When you hear his voice, you finally look up. Curiosity started gnawing at you as you watched Wilbur from where he sat in his streaming chair.
“Adorned with the patches of places you've been. Got nothing on my khaki coat I got from the roadside.” You can't help but let your face scrunch up as he sang. He had paused his singing. You caught the nervous glance he sent you, like he was uncertain about what he was saying and singing. His hands faltered with the glance before he looked back down at the guitar and continued strumming.
“My boots from the airport, the backpack’s my friends.” You sit up more as the words are softly sung out. A small warm feeling fills your chest as you make the sudden realization that this is a song he hadn't shared with you just yet.
You recognize the moment Wilbur seems stuck with the words, seeing him just continue to strum the chords along the guitar wordlessly.
“I haven't finished it just yet.” Wilbur admits after a moment of strumming, letting the last chord he had played ring for a second.
“I think it's really nice so far, Wil.” You give a small smile as your eyes flicker over him. “Have you been working on any others with it?” You ask out of genuine curiosity, to which Wilbur gives a slight grin.
“A couple others, yeah. Hold on.” Wilbur moves to stand from his streaming chair, moving to plop down in his spot next to you on your bed, guitar in his lap.
He had to take a second to get situated and comfortable before his hands found their spits on the guitar again. The strumming starts again, this time starting with an Am chord, to F, back to Am, and then to F again. You watch as Wilbur testingly strummed the chords, holding back a small giggle when you saw him make a face before adjusting the chords to fit together better.
Am, F, Am, F. Repeating it but instead landing on a C instead of an F interchangeably.
You watch with interest as he moves his hands in a more relaxed manner than before when he finds the rhythm he's looking for. It was almost mesmerizing, the way he played solely for you in this moment.
“Maybe one day, we'll live in La Jolla,” He starts, glancing at you as if silently seeking approval. You tilt your head in response, a notion for him to continue on.
“Drinking cocktails out over the water,” He's quiet for a second after that, trying to find out the next words he wants to say. A small soft hum could be heard from him as he tried to find the tune to keep rolling with.
“Our own personal sunset. A diploma for each day on our own.” The words are even as he says them, though the small hesitation of his hand shows he's not entirely confident with them. Either way, it made you move a tiny bit closer as you shifted. Now sitting cross-legged beside him with a hand along his knee closest to you for wordless reaffirmation.
“Shhhit, I don't know.” He eventually huffs out a humourless laugh, a frown on his face as he stops strumming the guitar.
“Hey, you did good.” You move one of your hands to cup his cheek, gently having him look towards you. “Thank you for playing what you did for me.” Your words make some of the unease melt away from his expression.
One of his hands comes up to hold along the side of your neck, and he leans in. The press of his lips against yours is careful and precise, a kiss meant to be loving and open.
Wilbur lets the kiss go when you want to, giving a small breath of air as your forehead pressed against his. “You're an amazing girlfriend, y'know that?” He asks quietly, as if scared to disrupt the peaceful moment happening between them.
“And you're an amazing boyfriend.” You murmured out in response, keeping still where you were for a moment longer before carefully moving. Taking Wilburs guitar and setting it to the side so that it rested against his bedside table. “Snuggles before bed?” You asked as you looked at him, a small pout forming as you tilted your head at him.
A small sound of surprise escapes you as he suddenly catches you off-guard when he wraps his arms around your waist. Him having dragged you closer and down onto the bed with him.
“You're so stupid,” You jokingly complained as you moved with more ease after a moment. Your head against his chest, arms wrapped around his torso and your leg thrown over his waist.
“But you just called me an amazing boyfriend.” Wilbur playfully pouts as he looks down at you. He lets out a more genuine laugh after a moment, kissing the top of your head then resting his chin along that same spot.
“I retract my statement, then.” You grumble out against him, not truly meaning your words.
“Just get some sleep, baby, we got a day ahead of us tomorrow.” Wilbur can't help but smile, loving that the two of you could at least sleep in the manner you two usually do.
“Goodnight, Wil.” You hum out, moving to hold him closer in search of the comfort he was providing you.
“Goodnight, love.”
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zoerocksand1 · 3 months
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hiiiiiii the puppets live in my brain :)
OKAY SO i don't remember where i saw some of the posts, but overall stuff is happening with censoring i think
i'm gonna ramble now:
on the art for Howdy's Holiday Hullabaloo, aunt Tooduloo and uncle Adieu's Good Friend Sue wasn't present (i for sure interpreted the three of them as poly), im fairly certain Sue is the only person in the song not present in the art (minus Barnaby since he shows up at the end)
Eddie is having a whole situation, as we've seen, and he and Frank are a thing yah? but in universe it seems like the narrators and story are pushing Frank and Julie as a couple (i think i remember Julie being confirmed as genderfluid somewhere, but it seems like she tends to present fem, and Frank being nb but seems to present a lil more masc?, so on the surface Julie and Frank could pass as a cishet couple)
back in the interview with Wally, the interviewer asks about his love-life, and seems disappointed when he doesn't understand- like he really wants Wally to have a romantic partner
it seems like something really wants to keep things from being queer? no art of Sue, trying to get rid of Eddie, pushing romance on Wally...
like am i crazy (yes) or is one of the warnings for welcome home specifically even homophobia?
also Eddie only started that whole disassociation breakdown once he relaxed, and stepped out of his Overworked Mailman role. once he relaxed and tried to be himself while in Home, things went Bad. SO where im going with this is Home might be homophobic??? or represent a homophobic household?? Eddie wasn't fitting the role he was expected to play, tried to be himself, and then Bad Things happened. A homophobic household?
HOME-OPHOBIC?
EDIT:
ALSO, so we all agree that Frank knows some things, right? okay what if he KNOWS about this? What if that's why he called Eddie "Mr. Dear"??? like yah maybe they have a thing, but like on-set Frank holds up a professional facade between them?
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WHAT IF THAT'S WHAT HE'S ACTUALLY SINGING ABOUT HERE IN THE BUG-A-BYE & GOODNIGHT SONG???
some might find it sad (us)
even if i might not be able to see you (he has to act cold to Eddie on-set)
i know it's for the best, i can't keep you (he knows Home or something else will hurt Eddie if they don't fill their roles of "Mailman" and "Julie's Partner" respectively)
?????????????????????
EDIT 2:
OHMYGODS HI AGAIN
ALSO WHAT IF THAT'S WHY FRANK ONLY CALLED HIM EDDIE ONCE HE REALIZED SOMETHING WAS VERY WRONG WITH HIM? HE WAS WORRIED THE WHOLE TIME BUT DIDN'T WANT TO SLIP UP AND BLOW THIER COVER UNTIL HE THOUGHT IT WAS ABSOLUTELY NESECARY TO SEE IF HE WAS OKAY
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sweettjrose · 3 months
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Quick question for you cuz you seem to know very well the little guy
Do you think Mickey has any bad sides? Bad qualities/Habits
Ooh! I was hoping someone would ask this question. It was sitting in my mind for a while. I love sharing my thoughts on this little guy.
I do think it is important to remember that when it comes to characters like Mickey it can be challenging to ascribe specific traits to him since there are so many interpretations with differing personalities. Mickey in the black and white shorts is different from Mickey in the Gottfredson comics who is different from Mickey in the Paul Rudish shorts and etc. So some traits may fit better for some versions than others.
I don't know if I can say I am the Mickey expert. But I do think about him a lot and if I came up a list of what I think are bad habits or flaws that he has, based on how is generally portrayed and my own personal interpretation, I would say:
Stubborn - To start off, I feel like a common flaw for Mickey is his stubbornness. Once he sets his mind on a certain idea or situation, he has a hard time being convinced of anything else. It can be really difficult to change his mind, though not impossible. I don't think it comes from a place of seeing himself as better than anyone though, but rather from his desire to hold fast to what he believes in. And in some cases, it can have beneficial results. Such as when he is investigating some kind of mystery he tends to drop everything else, unable to change focus until he finally solves it. This usually gives him the push to solve problems most people give up on. But unfortunately, it tends to result in him ignoring the world around him which can be frustrating at times, especially for Minnie. Sometimes I think Mickey even uses these situations as an excuse to push aside things he doesn't want to do and focus on something he would much rather do.
Untamed Curiosity - I feel like this is actually an offshoot of his earlier personality. He was much more mischievous in his earlier appearances, but that was somewhat tamed over the years. However, I do think one element that has remained is this mouse's curiosity for the unknown. It seems like Mickey can't help himself but stick his nose into things he probably shouldn't. Whether it is listening to a conversation, checking a locked room, testing out a weird machine, or even following an odd feeling. I also feel like his stubbornness doesn't really help as it seems like once a curiosity is in his focus, he can't let it go. Mickey rarely likes to cause problems, but if his curiosity overtakes him, he usually ends up being a troublemaker. Sometimes this usually leads to him catching a crook. But other times it results in a big mess that he would have to clean up. I do think though that his mischievousness isn't entirely gone and does pop up every once in a while. Especially when trying to get out of things he finds boring or doesn't want to be in. And sometimes he just wants to be a prankster and have fun with his friends and family. Which is funny until things get out of hand.
Overthinks - Mickey is very intelligent and can come up with pretty clever plans when trying to solve problems. Unfortunately, this comes with the side effect of him overcomplicating even simple situations. This is usually why Goofy is such a vital friend for Mickey. Mickey tends to come up with complex solutions while Goofy tends to show the easier option Mickey tends to overlook. I think part of this does come from Mickey being afraid of being wrong and making mistakes, so he tries his best to be as thorough as he can be, which unfortunately can lead to more mistakes.
Lack of Self-Protection - One positive about Mickey is that he cares about others and would stand up to protect them. But unfortunately, this doesn't always extend to himself. He is not a doormat but tends to lean more "Turn the other Cheek" approach when he is the only one getting bullied (unless things go too far or if others get involved). To be fair, it is important to know when to pick your battles, but this tends to lead into other areas as I feel like he doesn't really share his problems and tends to keep personal issues to himself. I personally see him as the kind of guy you really have to pry to get him to talk about what he is feeling as he would much rather bottle it up to not cause any trouble. I also feel like he rarely is one to ask for help and tends to try and solve it all on his own, especially if he is worried that others may get hurt. The issue is, he doesn't seem to worry about whether he would get hurt.
Takes on Too Much - I also feel like this connects to another flaw as he tends to take on too much and constantly puts himself in risky situations. Whenever a life-threatening situation comes up that could help everyone but is extremely dangerous, he is usually the first in line to do it. It feels like Mickey doesn't even consider his own safety or limitations at all. Sometimes it feels like he is overconfident in his abilities and just believes that he will be okay, which works until it doesn't. It also doesn't help that Mickey has a hard time saying "No", so even if he didn't want to do something or knows he is not capable of doing it, he would probably still do it, not wanting to disappoint anyone. He rarely thinks of himself. And seldom considers what would be best for him. Usually, his friends are the ones to think about his safety and needs.
Need to be Perfect - Though I feel like part of the reason Mickey takes on so much is his need to be the hero. He feels like he has to be a perfect, selfless, and brave role model who does everything without a single complaint. I feel like he overexerts himself because he is afraid of what happens if he doesn't. He is afraid of not being needed or wanted. He is usually the underdog, a small mouse in a world with characters twice his size, and if he isn't constantly proving himself people will leave him behind. I also feel like he has a hard time admitting to mistakes (which connects to his stubbornness) because he feels like he can't make mistakes, or that would show that he isn't as capable as people think. I also think this explains why he has more of a heated rivalry with Mortimer. Mortimer somehow taps into his insecurities in the ways others don't. I feel like Mickey is kind of jealous of Mortimer because he tends to be taken seriously (at first) while Mickey usually needs to earn it. I also kind of wonder if he is worried that if he starts messing up, Minnie and the others will leave him for someone like Mortimer, so he feels like he can't mess up. Ever.
Lack of Self Worth - Unfortunately this means that he is very reliant on others for his self-worth. Luckily Mickey is really good at making friends. But he tends to rely on the existence of his friends for his worth. I can imagine that if for some reason they all stopped existing, I don't think he would even know what to do with himself. While he doesn't need everyone to like him. He does need at least one person to like him to help ground him or I can see him going into a deep depression. I feel like he would really struggle with being alone for too long unless there was some hope of being able to be with his loved ones soon.
But yeah these are the bad qualities that I feel like Mickey generally has. There are probably more, especially ones more specific to certain interpretations, but these are the ones I was able to come up with. As nice as Mickey is, he isn't perfect and his insecurities, overthinking, stubbornness, and curious nature tend to get him in trouble. But fortunately, he is also just as capable of getting out of trouble.
I would honestly love to see other people thoughts on this as well.
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burst-of-iridescent · 9 months
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I've actually seen people say that the line in TSR sounds like Zuko isn't about defending Katara but that Zuko thinks Aang's beliefs are silly, and he doesn't think it's not part of the "real world" or something. How would you explain that part? I hope this doesn't come off as aggressive, I just want to know your thoughts.
i think what a lot of people tend to forget about aang - mostly because the show loves to paint him as Eternally Right and Wise most of the time - is that we cannot take what he says about air nomad culture as the Word of God. this is not to say that his beliefs are wrong or immoral, but that his interpretation and understanding of those beliefs will be naturally influenced by the fact that he's only twelve years old.
we see multiple times in atla that aang's perspective of air nomad culture is contradicted by that of other air nomads. gyatso is found surrounded by dozens of fire nation corpses that he undoubtedly killed. yangchen tells aang directly that his moral and spiritual duty is to kill ozai, regardless of his own feelings on the matter. clearly, then, neither of these two practiced absolute pacifism and both of them have years of experience and learning on aang. that is why simply reading, or studying, or parroting what other, more learned people have told you does not make you an expert on your culture - because the final component of genuine understanding comes from practice, from living and experiencing and putting your beliefs to the test, tempering them in the fire, questioning those that don't hold up and renewing your faith in those that do.
the problem arises from the fact that aang never does this, because he simply does not yet have the life experience to critically think about what he was taught! and that's fine, but it's also why it grinds my gears when people act as though aang was some kind of moral authority in the southern raiders, because he is very much still a child with a child's understanding of his culture.
that is what zuko means when he says that this isn't air temple preschool, but the real world (not a nice or polite remark, for sure, but also not without an element of truth to it). zuko is not calling aang's beliefs "silly", but he is calling out the fact that aang is not in a position to lecture others using beliefs that he himself does not - in fact, cannot - yet fully comprehend since he does not have the time and learned experience necessary for said comprehension.
and there was a much better narrative there about how aang clings to what he was told about his culture because it's all he has left of it, and how truly honoring his people's legacy means critically engaging with his cultural beliefs rather than enshrining them, allowing him to become a fully realized air nomad instead of remaining forever crippled by his grief - but sadly that's not the narrative we got, since aang had to be Unquestionably Right, and that's why we're still stuck dealing with discourse like this.
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odusseus-xvi · 10 months
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Hello helloooo friend! Hi! I just wanted to say that I'll be going around and asking people about QSMP characters to avoid mischaracterization of said characters (in analysis, fics, and just overall fan interpretations). So if you're cool with it, can I ask you about the French streamers?
Like, can you tell me the mischaracterization you often see regarding their characters and how they actually are? I mean, ANY facts about them would be very very cool to know! I love all of them and I would really like to know more about them since I can't really watch everyone, ya kno?
Yes I would love to :D ! But also, keep in mind, I'm not immune to a bit of mischaracterization (that's how you write that right ?), sometimes I probably do a little bit, though I try my best not to. I have to admit, I don't see a lot, or just little things, and mostly from the english side of the community, cause over here with the french we are a really small part of the overall fandom, so I don't have a lot of interactions, AND it's our first (ever) smp like that (semi rp etc...), we never had that over here in France, it's a new thing both for us and the ccs, so we are getting our footing. But here we go I do have some things I can say : (wrote a fricking novel holy)
q!Baghera Jones : I see a lot of people characterize her as this hyper competent investigator that knows everything etc... In a way she is, she is a good investigator, and is always eager to solve the mysteries of the island ; What people miss most of the time is that she is also (it's not mutually exclusive) a Goofball : She sings randomly, she walks on mines and jumps off buildings willingly for the lols, some people say she witholds information, most of the time she actually just Forgor. Something that people do get most of the time is that she genuinely is really empathetic : She loves Walter Bob, two days ago she talked about how Cucurucho may be manipulated, she is worried about Quackity, about Cellbit, Foolish, Jaiden etc... And outside of petty rivalry (mostly with Forever, BBH, Etoiles, and a bit Cellbit) she is not a vengeful person at all. She is very understanding. Oh and almost forgot : She is surprisingly insightful ; She guessed what was happening to Cellbit as one of the firsts, she immediatly figured Gegg out the first day she met Slime, ElQuackity is VERY obviously another person than Quackity at first glance etc...
q!Etoiles : There was for some time a bit of mischaracterization in the way people saw him as a bloodthirsty killing machine, though it is fading steadily as we speak ; He is a really nice person that lifts up others, gift them things whenever he can, cares about the eggs, and is always reactive when it comes to saving or helping others. Also, he is a badass in the eyes of everyone (ccs and fandom) but people have a way to write that in fics that doesn't really match him : They write a badass and dark character that is mostly silent and cool ; Etoiles is NOT that (he is badass yes but not much the rest), he SAYS he is that, that he is "dark, and broody, and mysterious", but the guy is always cracking jokes, about others, about himself, he is very self-aware of his problems (social and health related) and likes to joke about it because "it puts smiles on the faces of people" (his way of cheering people up most of the time : "You are not useless, you put smiles on my and the people's faces, and that wonderful"). The moments that CAN be a bit dark is when he is asking for a fight ; most of the time it's goofy, but then there is moments like the dinner party when the codes revealed themselves, where he will be saying while everyone panics "Yeah... Yeah.. FINALLY ! FINALLY !!" and you realise he is not to be trifled with. He aslo tends to blame himself when something wrong happens ; to him, HE is the one that misplayed, that made a mistake.
q!Aypierre : Some people could see him as a relatively chill dude ; he talks calmly, never screams and very rarely raises his voice, but he is NOT chill : He is the most gremlin of the french, his favorite past-time in all the smps he's been in is pranking and breaking the servers : Two days ago in his 24 hour stream, he broke in the federation base three times, exploded a bunch of stuff in there, tortured Foolish alongside BBH, summoned lightning to make Foosh and BBH believe Gegg is still alive in front of his infinite Gegg generator, rickrolled Cucurucho etc... He is a every ingenuous guy with ways to build factories of everything. Most people, out of the french, would fear Etoiles because he is always begging for a fight, and fought and won against the code several times, but he is a nice guy, who they probably SHOULD fear, is Aypierre, this guy can be EVIL at times ; He loves contracts and deals, and using those against the others. He is not all evil though. He does care about Pomme, the french, and is willing to help others when they need him, though he likes to make exchanges.
q!Antoine Daniel : Antoine is probably the hardest to write or get when you are not used to him. He has such a way of speaking and a weird twisted humor that to someone not french, and not watching his streams regularly, it's REAL hard to get him right. He is an apreciator of dark humor and cynicism ; Joking about Bobby in front of Pomme is an example, though he is starting to be more compassionate about the eggs than he was at the beginning of his journey on the smp. Probably because of one of my posts and some others, a lot of people see him as incredibly paranoïd, and for a time he was, though he said himself (both in and out of character) that it was starting to get better because people came talked to him about it, there IS still remains though. What's interesting is that he can be both paranoïd, AND incredibly insightful : His takes are either the rambling of a madman, or scarily on point. Though he is rarely willing to help others (both because of his next to level 0 skills in minecraft and general air of "I don't care"), he is always on alarm and willing to help when it comes to the eggs, multiple times he ironically is one of the most reactive ones when it comes to realise there is danger or a problem for the eggs ; Though he is relatively self-centered, he is very compassionate and attentive of the eggs, with Pomme potentially being the person he trusts most. (everytime he acts aloof and cynical on his stream, to then immediatly worry about Pomme's well-being warms my heart.)
q!Kamet0 : AHAHAHAHAH ahAHaHhah, ahahah... ahah.. ah. oh. (he left for cigarretes)
(HOLY SHIT I WROTE A NOVEL. Sorry, didn't excpect to have that much to say. But here you go, hope that helps.)
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dutchdread · 6 months
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A small rant
I've noticed that a lot of places that discuss the LTD are less focussed on analyzing and explaining final fantasy VII, and more focussed on throwing insults at either the characters, or the people who support them. I think I've done a fairly good job at making sure this place stays relatively matter-of-fact, and despite believing that "Cloti" is the only interpretation of the story that makes sense I am usually pretty positive about Aerith as a person, and more importantly, as a character. My stance tends to be that the only version of Aerith I think is fundamentally unlikable is the one presented by Cleriths. So permit me to slightly backtrack on that as I ask:
Am I the only one getting sick of Aeriths character?
And I don't mean "the only Cloti supporter who is sick of Aerith", I mean isn't the general fanbase of the game getting sick of her?
I ask this because I was watching the new Rebirth trailer, and I couldn't help but roll my eyes during the scenes where Aerith sings, or where it tries to survival-bait the viewer. In FFVII Aeriths death plays only a small part in the grand scheme of things. It neither prevents nor causes holy, holy was summoned before she died and is actually held back by the will of Sephiroth, which is the bulk of the external plot. And it doesn't cause Clouds mental break, which was an inevitable outcome of his history with Tifa, Sephiroth, and Nibleheim.
So why does the trailer make it feel like Final Fantasy VII is the story of Aeriths potential death? I thought the point of Aeriths death was that it comes suddenly and unexpectedly, without a large fan-fare, leaving nothing but a hole in its wake. I thought the point was to show a death that wasn't like "in hollywood". So why does her death now get it's own musical accompaniment and stage play?
Aerith was once a normal girl with a big destiny, one that she was as unsure of as any of us, she was just a person, just like us, with maybe a hint of something more. She got angry, she could be petty, she could be clueless. In another words, she was human.
But what is she now?
Aerith is now Jesus and Mary all in one. Fans got so upset at her death that Square-enix felt the need to include her in everything and every time Aerith became a bit less human, and a bit more idolized, until in remake she became a walking, talking, deus ex machina. In advent children she was presented as almost angelic, giving guidance to lost souls both good and bad and healing the children. But it was still ok because most of it was centered around Clouds psyche. The problem isn't with Aeriths death having importance to Cloud. The problem is square-enix trying to milk Aeriths death for all it's worth, making it into a soulless spectacle.
Aeriths death is now the horror monster that loses its terror once you see it. It's everywhere and everything has to revolve around it and because of it it's no longer a good story, but cheap emotional manipulation.
Within the remake Aerith is no longer the playful and innocent GIRL she once was. She's Gandalf the white, come back from the dead to pass down quests and wisdom from up on high. Step aside Cloud, this is Aeriths story, all you other side-characters are only here for back-up. Aerith is now a self-insert fan-fiction character. She has no flaws, everyone loves her, her death is more important than those of other people, the universe, time, and destiny will all bend to make sure the Mary-godessue doesn't die. Because everything has to revolve around her you know? So yeah, of course Aerith can sing! Who cares that there was never before any indication of this. Sure, Tifa will probably get to play the piano, but here is the thing….Tifa being able to play the piano has actually always been a part of the game! Since when is Aerith suddenly a broadway performer? Probably since the same time that she became a picasso at random wall art.
Years of fan obsession have deified away everything that once made Aerith interesting. The grand story of Final Fantasy VII, the quest to save the planet, and the internal heroes journey about accepting the past and the true self. Clouds backstory and struggles, it's all overshadowed by the once irrelevant plotpoint of "will Aerith die?".
Like with Sephiroth, fan obsession has caused square-enix to destroy all sense of mystery, magic, and restraint in order to "give fans what they want", even if it ruins the product.
While I think the cheap spectacle of hyper focussing the marketing and potentially early game around Aeriths death have already essentially poisoned the remake, making it into a mere shadow of what it could have been, I still believe that Square-enix has enough integrity left to actually kill her and move focus back on what actually matters. But I have to say, at this point it's not even just because I want the story of FFVII to be protected and experienced as it should be. But also because I am just getting sick and tired of what Aerith has become, and would now consider Sephiroth stabbing her as a mercy killing for what's left of her character.
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girlashfur · 2 months
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Transmisogyny In The Warriors Fandom : The Mothpool Issue
hi, my name is muyang / @girlashfur and i'm a transfeminine being who enjoys the fictional series of warrior cats. i've been into this book series for as long as i can remember, ever since i was a little kid. and growing up with this fandom, i've noticed a reocurring issue among it, which i aim to do a break-down of now.
the issue is transmisogyny. for those who are unaware : transmisogyny is the unique combination and overlap of misogyny and transphobia, specifically targeting transfeminine individuals. it's a widespread issue in just about every corner of the world, even spaces for transgender and otherwise queer individuals seem to have a problem with being transmisogynistic, intentionally or not. the warriors fandom is not exempt from this; and they're not special, either, i'm yet to encounter a popular fictional fanbase that doesn't have several transmisogynists among it's members. but the warriors fandom seems to have a peculiar way of going about it.
to start, i want to clarify that there seems to be...a surprising lack of transfem warriors fans to begin with; i can name about three off the top of my head, not counting myself, compared to hundreds of cisgender, transmasc, or otherwise tme (transmisogyny exempt) fans. perhaps we're just underrepresented, i'm sure there's more of us out there, but nonetheless i'd like to make it clear i'm writing this mainly based off of what i personally have experienced and witnessed in this fandom. my word may not speak for every transfem person, and that's okay.
transmisogyny isn't always violent and obvious; it's not always slurs and misgendering and harrassment, although don't get me wrong, plenty of transmisogynists do engage in such a way. but it can also be a subtle practice, something most tme people would not pick up on. like all systems of oppression, it can also be a learned behavior, one somebody witnesses happen (typically unpunished) and assumes is okay to recreate. one of the ways this can happen is through the objectification and sexualization of transfeminity. stereotypes are a common form of this. oftentimes, transfeminine characters are portrayed as violent and agressive, masculine and gruff, or as suave and predatory womanizers, sometimes a mixture of all three.
the warriors fandom does this often. there are several characters that are commonly headcanoned as transfem by the fandom, and most are victim to being portrayed this way. a few i can think of off the top of my head are cats like russetfur, crowfeather, mapleshade, darktail, tree, and yes...mothwing. mothwing is a bit of a special case, because i believe most people only headcanon her as transfeminine so they can ship her with leafpool (the ship commonly named mothpool) and imagine the two with biological kittens, in some aus, even as the three's parents.
this is a form of objectification already, although one might not catch onto it immediately. mothwing's transness is turned into a token, a special card to be exchanged to fit the fandom's idolized version of the ship. one could argue it could be interpreted as sexualization as well; while the warriors fandom tends to stray away from outright sexual portrayals of the cats (for good and obvious reasons), mothwing being transfem is still only done for the purpose of making her a cat with a penis, so she can have kits.
mothwing isn't canonically a particularly violent or angry cat, nor does she seem to be particularly romantic (she actually doesn't have a canon mate at all, being a medicine cat). however, in fandom based portrayals of her, she's often twisted to fit these stereotypes. sometimes she's designed to be large and masculine with the excuse of it being because she's a tigerkin, or sometimes she's portrayed as being very proud and open about her love of leafpool (who is often portrayed as shy and defenseless, practically hiding behind her). i've seen several aus with transfem mothwing in them "conveniently" include things like her formerly training as a warrior, or killing another cat (such as crowfeather) "for leafpool", or even portraying her as evil, typically falling to the manipulation of her father.
mothpool as a ship isn't really the issue here. it's the fandom's doing. the two have quite a few canon interactions that could be portrayed as romantic, and sure, it's really not my buisness what people ship as long as it's legal and all...but when you get exposed to so much hidden transmisogyny tied to one ship, as a victim of transmisogyny, you grow kinda wary of the ship as a whole. the few transfeminine people i've spoken to about this issue seemed to share my feelings as well. the moment i see a mothpool shipper mention making mothwing trans, i get shivers.
another point i'd like to make clear is that it's not every mothpool shipper doing this either, even out of the ones who do make her trans, i've met a few who portrayed it well and seemed very open and concerned about my views on transfem mothwing as a transfem person. i'm also certainly not saying you should go harrass people for shipping what they want, that's not my point nor is it helpful. as i've mentioned before, there's a good chance some of the people portraying mothpool in harmful ways like this don't fully realize what they're doing, and think it's okay because it's something they've seen before. i don't want those people to think they're bad for falling into those false beliefs, as long as they change them when they realize how they're offensive.
what i'm aiming to do here is give my two cents on why i generally dislike the ship as a transfeminine being myself, and to also spread awareness to why i feel that way. if i can make some people out there rethink some transmisogynist views they had perpetuated before, then my work is done well. as i'm finishing off this little essay of mine, i hope my message was explained clearly and gently, as it should be. see you guys in the next post, muyang out.
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crustaceousfaggot · 2 years
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Why you should give Text Adventure games a try (and how to do so)
There is not nearly enough love for Text Adventure Games here on Tumblr. Or anywhere really. But especially here, I feel like you guys would really get a kick out of them. Here's why:
(quick note, I'm gonna be using the words Text Adventure and Interactive Fiction pretty interchangeably here. Technically that's not perfectly accurate, they are technically different things, but I don't care to explain the difference Just roll with it.)
So
Do you like weird short stories told through unconventional mediums? That's most of what Interactive Fiction is
You like story based video games but hate the finicky combat? Congrats, there is literally no combat skill required beyond the ability to type "hit guard with crowbar"
Blind or visually impaired? Since these games are (with a few exceptions) entirely text based, they work great with a screen reader!
Sick of profit motivated AAA titles with no creative integrity? Well, these games are almost always produced by a single nerd (usually a horrid amalgamation of computer geek and literature geek) with no budget and no responsibilities of the product they're making. And they're usually not paid, since these games are free. Text Adventure is a labour of love, and in most games you can feel the care and effort the creator has put into the game.
Sick of spending $20-70 on a video game? Lucky you, I've been playing TA for years and I have not spent a cent in doing so (Fallen Londen will try to make you pay. But Fallen Londen sucks and is run by bigots. Fuck Fallen London.) Games are either available free on a browser, or as free, small downloadable files (most of which can be played using the Parchment Interpreter)
Wish you read more, but reliant on the quick dopamine of digital media? Well now you can read while also being an active participant in the narrative.
Bad at puzzles? Me too! Games from the 80s and 90s, as well as more famous newer games, have walkthroughs and hints easily available online. Newer games tend to either have a "hint" command, or come with a walkthrough file.
Do you like weird surrealist horror? Well there's... A lot of it.
Okay, but where do I start?
So there are two types of text adventure. The one you might be more accustomed to, and which sees more modern use, is called Hypertext Interactive Fiction. The other is called Parser Interactive Fiction, it's generally seen in older games, as well as games that are larger, feature more puzzles, or involve more exploration.
Hypertext games
Basically, the game will give you a scenario, and then a list of options (hypertext links) to click on to decide what to do next. These are usually more beginner friendly since you don't need to fiddle around with parsers, but personally I find them a bit limiting. Nonetheless, if you're new to Text Adventure, they're a good place to start.
Some of my favourites hypertext games (summaries in green)
My Father's Long, Long Legs is an interactive horror story about family, unease, and loss. Really more of a story than a game, but still good. Very nice use of sound. It does have some visual aspects, so this one might not work with screen readers
Scene Kid Simulator is pretty much what it says on the tin. A cute, nostalgic, coming-of-age slice of life story from the POV of a 2000s scene preteen. Nothing special, but a fun time.
The Uncle Who Works at Nintendo is a strange, unconventional, witty, and heartfelt horror game. Your friend has an uncle who he says works for Nintendo. You're about to meet him, or so he says. A fun and spooky look at childhood, childhood friendships, and childhood lies.
16 Ways to Kill a Vampire at McDonald's is... A joy to play. The name says it all honestly. Witty, charming, tense, engaging, and emotional when it wants to be. I actually found this one through a lucky Tumblr Blaze, which makes sense since this is perfectly suited to Tumblr sensibilities. This one has more puzzle aspects than most hypertext games, but it's still relatively easy and beginner friendly. You're a vampire hunter. It's your night off, and you go to McDonald's. But there's something wrong with the customer sitting beside you...
Toadstools is a game about hunting mushrooms. You have trespassed in a national park and you are wandering blindly through the woods looking for rare fungi. Good luck :)
Parser games
Okay these fuckers are where I really get excited. These games have the classic flashing cursor line where you input text like "go north", "search bookshelf", or "kiss my husband", and the game's rudimentary AI parses your input to decide what happens next. These are my favourites. They really allow you the feeling of exploring the game world, immerse you in the protagonist and the story, using just text on a screen and simple inputs. This does make them considerably more difficult, since a) you need to decide the right way to phrase what you want to do, otherwise it won't work, and b) more possibilities means more chances to mess up and miss things. Unlike video games, your cursor won't light up when you see something important, you'll have to search stuff and work things out on your own But, in my opinion, it is so, so worth it. Summaries in red
The first text adventure game I ever played was One Eye Open. It's an extremely graphic and gory medical horror game (although I would consider it tasteful medical horror, in that it never derives horror from medical procedures, disability, or ooOoHh gross scary sick people) You play as a volunteer test subject for a medical research facility, having to unravel the mystery of the hospital's bloody past. It's good. It's fun. It's tense. It has some really dumb mechanics. Don't play if you're sensitive to descriptions of gore, death, or corpses. This one doesn't have a walkthrough, but I've played it enough times to know the puzzles by heart, DM me if you need help.
Anchorhead is possibly my favourite piece of interactive fiction I've ever played. It's incredible. You play as a newlywed woman, moving to the small seaside town of Anchorhead after your husband Michael inherited a mansion from some distant relatives. There's something wrong with the town though. There's definitely something wrong with your husband's mysterious ancestors. And you're starting to think that there might be something strange happening to Michael. Get ready for some wonderfully atmospheric and immersive Lovecraftian horror, action sequences that are incredibly vibrant for Text Adventure, and a super compelling mystery that the game lets you work out on your own. The puzzles here are hard. I'm not gonna lie, I used a walkthrough at several points during this game. But my god it's worth it. Big massive huge content warning here for mentions of incest, sexual assault, and pedophilia. Not in excess, and nothing explicit, but it will be mentioned as part of the story.
Little Blue Men is a short, strange, sci-fi-ish horror-ish comedy-ish game by the same author as Anchorhead, though the two games are wildly different. You are an office worker. Cope with it. Take The Stanley Parable, Stella Firma, and Hitchhiker's Guide to the Galaxy, mash 'em together, and you have Little Blue Men. It's bizarre. It's evocative. It's pretty darn good.
Coloratura is a strangely beautiful sci-fi story. You're a weird little alien blob. You've been separated from your home and are trapped aboard a human spaceship. You need to get home, need to make the humans understand in the only ways you can: color and song.
Slouching Towards Bedlam is a brilliant little steampunk game about language, choice, cults, Armageddon, and triangles. This game has multiple endings. It's neat in that none of the endings are really "good" or "bad". Rather, you need to decide where you stand, and act in the way you think is best.
The Lurking Horror is the grandparent of horror interactive fiction, released in the late 80s. You're a tech student in university. Something more than electricity is powering the school's computers. Find it, but don't die along the way. Besides the comically archaic descriptions of computers, this game doesn't feel all that dated. It's tricky, puzzle-heavy, and charmingly surreal. (Fun fact, this game and another old TA game called Zork inspired the "darkness kills you" mechanic which would later be popularized in Don't Starve!)
Nine Lives is a very short, very weird, very cartoony game where you play a cat that is very bad at staying alive. Cw for non-graphic but repeated cat death.
Spider and Web is one of the most ingenious uses of Text Adventure as a medium I've ever seen. It's famous for having one of, if not the singular best puzzles in video game history. It's tense, it's fast-paced, it introduces you to mechanics slowly and then lets you test them out on your own. I won't spoil too much, but you play as a very badass spy, reliving your brilliant heist during an interrogation. This game even features a character destined to be a Tumblr Sexyman. It really has it all.
If anyone actually read through all this, and has even considered playing any of these games, I'll be a little surprised. This post turned out a lot longer than I wanted it to be. It was meant to just be "hey interactive fiction is a cool and underappreciated medium, go check it out", but this is my special interest, and not one I often get to talk about. I guess this was me infodumping to the only place that will listen, the empty void of the internet. But these games are fun. And they do not get enough love. Text games are a dying genre, if they're not dead already. Give them a chance, show them some love.
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