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#i love asshole characters who have reasons for being assholes
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Friend Like Me: Murderbot's Relationships With Other AIs throughout The Murderbot Diaries
It’s important to me that the thematic core of The Murderbot Diaries is not only about determining what it means to be a robot person in a human world, but about showcasing so many ways to be a robot person in a human world.  And about building relationships with other robot persons to support that self-actualization as both a robot and a person.
So often, in science fiction about robot personhood, the robot character is the only robot in the cast.  Not only that, so often the robot character is the only robot they know.*
When media thinks about AI personhood, or Ais as characters in society, the AI character is often alone.  Alone, and different.  It’s a potent allegory for what it feels like to be an outsider, to be “other,” to feel “off” from the people around you.  Whether a sympathetic friend or a scary unknowable villain, a lot of people can relate to feeling like that.
The Murderbot Diaries is doing something interesting, then, by showing us our protagonist Murderbot, the prototypical robot-among-humans, the robot as a parallel for queer and neurodivergent and outsider-cultural experiences in a world of expected norms, the robot with human friends, the one robot member of an otherwise all-human team… and it can’t live like that.  So it leaves.
So far, the series feels split into two halves: the first four books, about Murderbot learning different ways to be a robot in relationships with humans, and the next three** about Murderbot learning different ways to be a robot in relationships with other robots, and a robot in a mixed society.
In All Systems Red, Murderbot starts off painfully alone. It repeatedly sees other SecUnits as enemies, and believes that SecUnits can't trust each other because they're all under control of humans. It has a very low opinion of SecUnits, including itself.  Murderbot hates being used by humans for violence or for petty reasons, and admits that it wants to half-ass its job.
In Artificial Condition, Murderbot meets ART, a university research ship who loves its crew and loves its function.  It is also free to be a snarky asshole, as Murderbot repeatedly notes (and assigns in its very name).  This relationship to humans—genuinely caring for its crew, genuinely wanting to participate in its research and teaching function—is a very different relationship than Murderbot has had, though ART still needs to keep its intelligence and personality hidden from most humans for its own safety.  Conversely, this is the book where Murderbot meets a ComfortUnit that is blatantly being abused and misused by its human owner, and it hates her.  The contrast between ART and the ComfortUnit displays very different ways of Ais relating to their human “owners”—and what it means for them to get what they want out of life.
In Rogue Protocol, Murderbot confronts this theme most directly, with the bot Miki.  Unlike the implications of secrecy we get from ART, Miki is not hidden from anybody; unlike with the ComfortUnit, Miki is a respected and equal member of its team.  Murderbot has a very hard time believing that Miki is anything but a patronized “pet bot” to these humans, despite the evidence that the humans genuinely consider it a friend and teammate.  Miki has never been abused, and never had to hide.  Murderbot has a hard time accepting that this is a way bots and humans can relate to each other.
But Miki is still, in the classical sci-fi robot-on-a-human-team way, unique; it expresses to Murderbot, “I have human friends, but I never had a friend like me.”
This is a much better way of being a robot among humans than Murderbot has seen before, but it’s still not the ideal Murderbot wants, either.
Exit Strategy brings the theme full-circle and the quartet to a close.  Murderbot faces off against a Combat SecUnit (or CombatUnit; Wells seems to change her mind about this).  The Combat SecUnit represents everything Murderbot has rejected being, everything it has overcome on its journey of self-actualization.  During their fight, the CSU rejects Murderbot’s offers of freedom, money, a fake ID, the opportunity to get out of its situation the way Murderbot has; it ignores the offer.  Murderbot asks the CSU what it wants.  The CSU replies, “I want to kill you.”  The CSU represents the kind of SecUnit Murderbot does not want to be, the kind of robot it used to think it would inevitably be but has now seen so many other ways it can be.  Murderbot says in the same scene, “I’m not sure it [the offer of freedom] would have worked on me, before my mass murder incident.  I didn’t know what I wanted (I still didn’t know what I wanted)…”  But at the same time, the confrontation makes it clear: Murderbot knows some things it doesn’t want, and the CSU is embracing everything Murderbot doesn’t want about being a SecUnit.
If this quartet is about what it means to be a robot, and to be a robot among humans, then the next set of books (Network Effect, Fugitive Telemetry, and System Collapse) is about being a robot among other robots, and a robot in a society that supports both humans and robots.
Fugitive Telemetry makes this most obvious, with its plotline about the free bot community on Preservation.  Murderbot is uncomfortable around them in a similar way that it was uncomfortable around Miki.  The Preservation bots are happy, fulfilled, responsible, mutually supportive, and have a meaningful community with both humans and each other that does not match Murderbot’s experiences of what being a bot, or being a bot among humans, means.
Network Effect brings Murderbot back into contact with ART, and introduces a new SecUnit, Three.  Murderbot navigating its relationship with ART as a free agent and after a perceived betrayal is a huge part of the book.  Murderbot’s disembodied-software-fork Murderbot 2.0, freed from much of Murderbot’s organic anxiety, shows itself much more willing to be social with other bots and constructs.  System Collapse follows, bringing further depth and complexity to Murderbot’s relationship with ART and expanding its interactions with Three, and furthers Murderbot’s integration into the casual bot-human community that is ART’s crew.  It also shows that Murderbot’s willingness to trust and even form tentative friendships with other AIs and systems, like AdaCol2, has expanded.  The way it extends the governor module hack to the opposing SecUnits is informed a lot more strongly by Murderbot 2.0’s interactions with Three than its own previous clumsy attempts to reach out to the CSU in Exit Strategy, or abrupt dumping of the hack on the ComfortUnit in Artificial Condition.  All of these plotlines emphasize Murderbot maturing into not just being a person among humans, but a person recognizing its place and obligations within society that includes both people like and unlike it.
The models of the many ways to be a robot person, and significant relationships and interactions with other robot persons, were and are crucial to Murderbot’s development, sense of self, articulation of its desires, and sense of belonging in the world.  Murderbot isn’t alone, and it’s not the only person like itself that it knows.  When offered a place in society, it is not the only person like itself in that society.  Meeting other AIs, forming relationships with them, was crucial in helping it articulate what it wants in its life.  Its human friends are incredibly important to it!  That doesn’t stop being true.  But so are its AI friends, and the other AIs it passed through the lives of.
This feels like one of the most honest and affirming depictions of what it’s like to feel “other”—that being around only majority people unlike-you, even the ones you like, even your friends, even the ones who mean the best for you and ask you what you need and do everything they can to provide it, can still be exhausting and alienating.  Meeting other people like you—even if they’re like you in unlike ways, and have different ways of moving through the world—shows you the many ways to relate to the rest of the world, to be in the world.  The many ways to relate to other people and to yourself.  The Murderbot Diaries opens up a world where that can be true of bot/construct/AI characters, when so often in sci-fi, their loneliness and alienation is where the metaphor stops.
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*Lt. Data from Star Trek: The Next Generation is probably the most famous example; the only positronic android like himself in existence, barring his evil twin who mostly just needs to be stopped.  Others coming to mind include Becky Chambers's A Closed and Common Orbit, in which the AI character is trying to understand who she is in the context of being surrounded by humans; Alien, the secret android crewmate among humans is a threat, and in the sequel Aliens, the android crewmate is earnestly trying to prove he's not; Space Sweepers has a ragtag crew of several humans and a robot; most of the stories in Isaac Asimov's I, Robot are about a singular robot in a human facility.  The setup "Human crew with their ship AI" is fairly common in sci-fi, from 2001: A Space Odyssey with its tragically antagonistic HAL9000 operating on a logic that would never occur to humans, to Wolf 359 and The Long Way to a Small Angry Planet where the ship AIs are struggling to determine and articulate how they want to relate to their human friends.  Even in Ancillary Justice, Breq is alone and having to pass undercover as human cut adrift from her previous life as a ship's AI. (I know this changes later but I have not actually read the rest of the trilogy)
**as of System Collapse
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So like I love Adam so much and really hope he isn’t shafted in season 2. Everyone wants Lilith so badly to be good and Adam to be bad. The whole Eve is Lilith theory is kind of sucky because it’s literally Disney and we’ve just seen it in resident evil with Mia. I just really want a female villain that is evil because she is, where she doesn’t flip flop at the end and she just doesn’t care. In modern day it’s always the men who are villains and the women are heroes or if a woman is a villain, she flips at the end and is shown as a victim to a man. It’s annoying and so overdone. I want Lilith to just be evil because she is!
The story would be so much more interesting with a fresh twist on it if Lilith is shown to just be a basic evil person with no inner depth, like she really just didn’t care about anything and wanted power all along. From season 1 Adam is shown to be an asshole pig that everyone hates and is believed to be the controlling one in Eden who hurt Lilith. It would be such an amazing twist if it turns out Lilith really was an amazing manipulator, she doesn’t love Lucifer and she doesn’t love Charlie, she just used them to get more power. Like Adam and Lilith generally represents light and darkness, and lucifer corrupted light and gave into darkness, which is the real reason he was thrown into hell. Adam became what he is because of Lilith and Lucifer, who is still an Angel, has to fix it or something. Charlie would have to go through a character arc when she learns she was born from darkness itself. It would be fascinating if sir Pentious was redeemed due to being killed by light itself since Adam used his full power to kill him.
Don’t know if any of that makes sense lol I just really hope Lilith doesn’t come back and everyone forgives her, her excuse or sob story is Eve holding her captive or something stupid like that
I'm all for Lilith being an actual villain buddy. Give me that any day of the week. And yes, evil because she wants to be not because of a sob story.
Yeah Charlie needs a character arc.
Like how you mentioned Adam is the light and Lilith was the darkness, it makes sense really. Wouldn't be surprised if the book of Hell turned out to be bullshit lol
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pippin-pippout · 3 days
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Thoughts on the side stories with the other characters:
I can't believe it was such an ordeal to get to sky island and get off sky island and this weather man that Nami's with just fucking took an elevator and a boat down and up.
I also can't believe the posh-ified Franky. He has tea in his system instead of coca cola. This isn't right. Also apparently tea = pacifist and coke = hentai??? WHAT? And this is where we first meet Vegapunk? Or maybe it's just his lab.
OH THIS IS WHERE THE SANJI IS TRANS HCs COME FROM. Also watching the second episode of Sanji's side story makes more sense after watching impel down and meeting Ivankov. Can't believe Sanji is so overconfident about this fight when he doesn't even know Okama kenpo... I mean he barely beat bon clay.
OF COURSE Chopper who ends up in like subjectively the worst circumstances stranded on an island with giant birds and humans that want to eat him, and winds up helping a baby bird out of the goodness of his little Chopper heart.
I just want Robin to kill these people so hard. She turned herself in to protect these people. Now the revolutionaries are coming and this little girl just wants to give her chocolate even at the cost of her life. And this old man who DOES NOT know that Robin is the nakama/crewmate of his commander's son is like 'yeah we're gonna free her. And then, as they are preparing for an arsenal of assholes firing at them, Robin just breaks all the bad guys' necks. I have further thoughts about how the narrative continues to place Robin with young girls (even tho one at least was anime-only) but I like it. I HOPE ROBIN MEETS SABO. I HOPE I MEET SABO. IT'LL BE SO GREAT WHEN ACE SABO AND LUFFY ALL MEET AGAIN.
Oh wait sorry Chopper maybe Usopp has subjectively the worst he's being eaten by a sunflower as nightmares go that's not great.
Although Zoro has to deal with Perona...
Hmm. Nvm. Perona has to deal with Zoro. She told him where his sword was and has given him a bunch of hints and baby boy still can't find it. Girls just wanna have fun I can't fault that and my love of my life is simply too directionally incompetent. "UP THE STAIRS AND ALL HALLS LEAD TO THE SAME PLACE" and he just doesn't understanddddd. Peak sibling behavior from these two. "Just follow me" *continues in straight line*. Zoro *starts walking diagonally for no reason.*
If Brook were less of a pervert this wouldn't be happening to him...
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flower-boi16 · 21 hours
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Let's Analyze and Rank Every Song in Hazbin Hotel (From a Narrative Perspective) From Worst to Best
Hazbin Hotel has a pretty good soundtrack. The songs are definitely one of the better parts of the show, they are well-sung, well-composed, and just incredibly catchy. As songs completely divorced from the context and narrative of the main show...they are really good...
...however, Hazbin Hotel is also a musical, meaning that the songs also have to play into the narrative of the show. I want to try something different in this post; here, I'm going to rank each song in Hazbin Hotel not as songs, but rather, analyzing them from a purely narrative point of view, what they do for the show's characters, plot, as well as what happens in them, factoring in the outside context and narrative of the show as well as looking directly at the lyrics.
Because, when you judge Hazbin's songs from a purely narrative standpoint & factor in the outside context of a lot of the show's writing...many of the songs begin to completely fall apart. without further ado...let's get into this ranking.
16. Hell is Forever (2/10)
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A major issue with Hazbin that I've talked about a lot on this blog is how heavily black and white the show's themes are in spite of the show preaching about being against black-and-white moralities.
Charlie is always portrayed as completely in the right and anyone who remotely opposes her is portrayed as automatically in the wrong despite the fact that, her "everyone can be redeemed" mentality is just as simplistic and black-and-white as Adam's "no one can be redeemed" mentality. But the show never calls that out and only tears down Adam's ideology while portraying Charlie's mentality as completely right despite it also being just as extreme as Adam's, but the show never chooses to call that out.
Adam is also nothing but a pure straw character who only exists to be torn down by the narrative and thus can't have much real depth or nuance as a character beyond "asshole who swears a lot" (which I talked about before).
The reason why Hell is Forever is at the very bottom of the list is because the song puts those issues on full display. It exposes how black-and-white the show's theming is and how much of a strawman Adam is.
Lines like "the rules are black and white there's no use in trying to fight it" or "are they winners? are they sinners? cuz it's cut and dry" not only sound awkward from a song perspective but also sound very forced from a narrative perspective; it's shoving down the "Heaven bad" message down your through and simply shows how one-dimensional Adam is as a character, very explicitly saying "HEY LOOK HOW BAD HEAVEN IS AND HOW MUCH OF AN ASSHOLE ADAM IS!!!"
Those lyrics show Adam being a pure straw character at his worst since they no-so subtly communicate the idea of "Heaven bad" in a way that's forced and awkward. Those aren't the only lyrics that show this, as there is the verse where Adam says "There's the question of fun (fun) and for those of us with divine ordainment...extermination is entertainment!".
It insinuates that the exterminations are purely a game to Adam and the exorcists and they do it because it's fun, which does no favors in further cementing Adam as a one-dimensional pure straw character.
Ultimately, while Hell is Forever exposes how black-and-white Heaven's way of thinking is, the song also exposes how black-and-white and simplistic the show's own themes and messages are, making it the worst the song in the entire show from a narrative point of view.
15. Out for Love (3/10)
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Out for Love, like Hell is Forever, puts one of the show's major writing issues on full display and ends up even validating it in-universe. Out for Love’s entire premise as a song is that Vaggie needs to fight for her loved ones (specifically Charlie) rather than just for vengeance. This works fine enough until you start factoring in outside context within in the narrative.
First of all, Carmilla says that Vaggie is "driven by her detestation" and is fighting for pure vengeance….but she isn’t. Vaggie was never thirsting for vengeance at all, she always thought for Charlie, one of the lines in Whatever It Takes literally says that Vaggie will be Charlie’s armour, as in, she’ll try and protect her no matter what.
So Vaggie was never driven by vengeance in the first place so this song’s message doesn’t make much sense. Oh, but I haven’t even gotten to what this song means for Vaggie as a character.
The main issue with Vaggie as a character throughout the show is how she is heavily defined by Charlie, not just that "she doesn't get developed beyond being Charlie's girlfriend", no, I mean EVERY SINGLE major character moment Vaggie has is tied to Charlie in some way.
Out for Love accentuates that issue, being Vaggie's second big character moment where she has to fuel herself with the desire to protect Charlie, to fight for Charlie and ONLY Charlie. The song even confirms that Vaggie is defined by Charlie in-universe with the line "Fuel yourself with the fear of losing that somebody who's you reason to live".
Vaggie can't exist without Charlie. She can only be Charlie's partner and girlfriend. She is only defined by Charlie. She is just "Charlie's girlfriend". All of her character moments revolve being a good girlfriend to Charlie and defending her.
Out for Love while having a good message on paper ends up putting of the show's major issues on full display like Hell is Forever and the message flat out validates an issue with the show.
14. Whatever it Takes (3/10)
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Whatever it Takes has a similar problem to Out for Love in terms of what it does for Vaggie as a character. It, like the former song, it keeps on pushing the idea of Vaggie being solely defined by Charlie, as Vaggie's verse in this song is purely about her singing about how much she wants to protect Charlie and the best girlfriend to her.
Again, it has a solid enough message on paper (singing about how you'll do anything to protect your loved ones) but in the context of the rest of the series this only further damages Vaggie as a character and further cements Vaggie as just "Charlie's girlfriend".
This song is intended to be a major character moment for Vaggie, but the problem is that character is tied directly to Charlie. Again, Vaggie's big character moments revolve around Charlie in some way, making her whole character tied to Charlie.
The song also has other problems with Vaggie directly tied to the lyrics. The lyric "It felt so good to be understood" is pretty weird to me, because how did Charlie make Vaggie feel understood? How did Charlie understand Vaggie in anyway? Since when was Vaggie being misunderstood apart of her character? Because it never was.
The song is also supposed to be a big emotional ballad for Carmilla, where she sings about her motivations for why she killed the angel, that being she wanted to protect her family and do whatever it took....
....which would've been impactful if Carmilla wasn't a character introduced in this same episode that the show barely does much of anything to get you to care about. We haven't gotten to know Carmilla much as a character so this whole moment feels unearned and unimpactful.
Whatever It Takes, like Out for Love has a sweet enough message on paper, but factoring the outside context of the show's writing damages the song significantly.
13. Finale (3/10)
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Finale has a similar problem to You Didn't Know (which I'll cover later) in how despite being this grand, big musical number, it feels empty and hollow.
The first verse has Charlie mourning over Pentious' death which would've been fine if his death wasn't played as a joke in the same episode right before the episode then instantly treated it like a big moment. Then the verse further shows how hollow this song feels when Lucifer says that Charlie was the "first one to change this town" and how she helped everyone grow into better people and "touched their hearts"
....except she didn't. Lucifer, please tell me, how did Charlie remotely change Hell in the slightest? Sure, she proved that sinners can become better people, but this line implies that Charlie made a difference in Hell and changed it to be a better place in some way...when she didn't. She never "changed" Hell as a whole. And the part where Lucifer sings about how Charlie "helped the sinners become better people & grow" doesn't feel impactful because we never saw that growth happen.
Characters singing about how much they've grown doesn't work when we never saw that growth actually happen. The song wants to be this grand number about how Charlie helped souls improve as people but it falls flat within the context of the story because we never saw this process of Charlie helping Pentious and Angel to become better people, rather the show just completely skips over that.
Then the characters start singing about how they'll rebuild the hotel and make it even better than before to cheer Charlie up...
...why are they still trying the hotel after Heaven REJECTED it? Seriously, Charlie's plan to convince Heaven FAILED, there isn't much of a point to still continuing the hotel at this point since they KNOW that Heaven isn't going to accept it. They know they can't get sinners in Heaven because Heaven's rules are bullshit.
Oh, and this is not the only part of the song that doesn't make any sense in the context of the story, as then there's the V's singing about a power gap in Hell...that didn't happen, yet they act as if the extermination happened all across Hell when it was only toward the hotel and everything else was completely unaffected. How are overlords "hanging by a thread" exactly???
The final verse is then this grand final chorus about how they'll "be better" and redeem themselves and all I can feel is just...nothing. Because the show never earned this grand big final moment to make it feel impactful.
Finale is intended to be this grand final song about how much the characters have grown but it all feels empty and hollow because the show didn't do anything to actually earn this moment at all. I feel nothing when I listen to this song. Absolutely, nothing.
12. You Didn't Know (4/10)
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I already made a full analysis of You Didn't Know so this section won't be nearly as long as the others, but like the other songs, from a story perspective You Didn't Know feels unearned and hollow. The main issue with the song is that although it clearly TRIES and gets you to feel something...it doesn't, which is entirely because of the show's outside writing.
Though again, I've already talked about this song before in a previous post where I analyzed each verse so go read that if you want my full opinion on why the song fails from a story perspective.
You Didn't Know just feels hollow, it's this grand, big musical number that's meant to be the climax of episode 6, a song that's BEGGING you to feel something...but it doesn't.
11. Happy Day In Hell (4/10)
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Happy Day in Hell serves as the very first song in the show and Charlie’s I Want song.
For older fans, it doesn't really tell you anything new about Charlie as a character and is kind of redundant as a song, it just says that Charlie is optimistic and believes anyone can be redeemed, which is something Inside of Every Demon is A Rainbow already did.
However, to newer fans who haven't seen the pilot or any supplementary material, Happy Day in Hell could serve as a good introduction to Charlie as a character can tell you a lot about her...except that the rest of Hazbin doesn't seem to be made with newer fans in mind. Overture is written as a direct continuation of the pilot, and that would be fine if the episode reintroduced the characters for newer audiences...but it doesn't. It seemingly expects you to have already watched the pilot or any other supplementary material before seeing the show, meaning that it's catering to Viv's past audience.
With that in mind, Happy Day in Hell becomes a lot more confusing. If this is supposed to be an introduction to Charlie for newer fans...why wasn't the rest of the episode written like this? And if the show is expecting you to have seen the pilot, then Happy Day in Hell becomes completely redundant since again, Inside of Every Demon is a Rainbow tells you everything this song does about Charlie as a character, and that song did it with infinitely better visuals. Sure, there's Charlie singing about how she wants to change Heaven's mind and prove them wrong etc but anyone who watched the pilot would already know that, so a song isn't really necessary.
Happy Day in Hell would have been better if the rest of the episode it was in wasn't written the way it was. With the context of how the rest of Overture is written, Happy Day in Hell just comes across as Inside of Every Demon is a Rainbow except...worse.
10. Hell's Greatest Dad (4/10)
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Hell's Greatest Dad doesn't make much sense. Alastor seemingly dislikes Lucifer for some reason and starts playing up a fatherly role to Charlie purely to piss her dad off...for some reason??? I've seen Cartoonshi try to make an explanation with this:
"This is an instance of Alastor just being petty because, underneath his smile and the persona he's crafted for himself, he cares a lot about his own reputation and doesn't take it well when people don't seem to respect it or have any interest in him"
However, as Cartoonshi later points out, Alastor's first reaction to Lucifer is twitching his eyes in rage, which is BEFORE Lucifer "disrespects" Alastor's reputation, so it still seems like Alastor has some unknown beef with Lucifer for...some reason? We don't know. The song also suddenly builds a father-daughter bond with Charlie and Alastor out of nowhere...? Again, this could be Alastor just purposefully trying to piss Lucifer off but like. Why???
Hell's Greatest Dad just suffers from Lucifer and Alastor's rivalry just kinda not making much sense and rushing in a found family dynamic at the last minute.
9. More Than Anything (Reprise) (4.5/10)
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More than Anything Reprise has a similar problem to Finale and You Didn’t Know where the characters sing about how much they've grown and how much Charlie helped them grow when we never see that actually happen, all of that growth happened off-screen.
A big reason why this gets annoying is because it ends up feeling a form of telling rather than showing; we're TOLD that Charlie helped the characters grow and become better, we're TOLD that Charlie changed Hell as a place, we're TOLD that she "changed the lives" and "did so much" but we NEVER SAW that. We never saw Charlie slowly help Angel and Pentious become better people, again, a majority of their arcs happen off-screen and they end up feeling rushed.
Aside from that I just care very little about this relationship. Chaggie is a pretty boring relationship with little chemistry between them so I can't really feel much from this song. It's a cute enough moment I guess but again, I don't feel very invested in this relationship.
More Than Anything Reprise while a cute moment suffers from the same issue as the past songs and I can't really feel much for it since I don't care much about this romance.
8. Ready for This (6/10)
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This is where we start getting to the pretty decent songs story-wise. There isn't exactly that much wrong with Ready For This aside from how some of lyrics are...weird for Charlie as a character.
A lot of the lyrics are about Charlie "coming to her own" and "ascending to her throne" when that was never something that was apart of her character...? Aside from that most of the song is fine. It's Charlie singing about how she’s accomplishing her destiny, which is consistent with Charlie since she was also singing about her destiny in Happy Day in Hell, so there isn’t too much "characters having grand musical numbers that don’t feel earned" here, aside from the previous problem I just mentioned.
So overall, ready for this is a fine song in terms of what it does for the narrative. It has problems, but its better than the previous few songs.
7. More Than Anything (6.5/10)
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More Than Anything suffers from one big issue that harms the song, mainly the final verse. Basically, Charlie just says "I need 2 save mah people" and Lucifer is just like "ok". The reconciliation is kinda rushed here, and, since this song is meant to be Charlie and Lucifer reconciling, this tanks the song quite a bit. That being said, there is stuff I like about the song.
For one, it provides decent development for Lucifer and Charlie as characters, with Lucifer singing about how he didn't want Charlie to be faced with the same crushing feeling that he faced when Heaven rejected him, showing that in spite of his flaws, he does deeply care about Charlie as her daughter. For Charlie, the song gives the information that Lucifer inspired Charlie as a child, inspiring Charlie to fight for her dreams to become a reality.
Also, while it's still rushed, the song is still a cute moment between the two, with them reconciling and Charlie being able to bring back a spark within Lucifer, with him promising that he'll support Charlie's dreams, and how he's grateful for being her father, and that Charlie is grateful for being his daughter.
While More Than Anything does still feel a bit rushed, it's still a cute moment between two characters.
6. Welcome to Heaven (7/10)
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Welcome to Heaven also doesn't have much wrong with it narrative wise. It basically just serves as world-building Heaven, which is fine, and the world-building it does provide does really have any major holes in it.
Don't really have much to say here.
5. It Starts With Sorry (7/10)
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It Starts With Sorry is pretty good. The song is basically about Charlie deciding that Pentious deserves a second chance, singing about how she'll take his redemption one simple step at a time, beginning with him simply saying "Sorry". She believes that any soul can be redeemed though it may take some time.
She recognizes that, Pentious isn't all bad, seeing a decent person deep down. The message of the song is sweet and there aren't any real narrative issues with it. It's actually pretty good narratively and sets up Pentious arc decently well (though that arc is rushed but hey).
4. Stayed Gone (7/10)
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Stayed Gone is a pretty fun rivalry song. It's a duet between Alastor and Vox, two visceral rivals, one TV and the other radio. The song does do a good job of showing Vox's pettiness in their rivalry, with his whole cool and levelheaded facade completely shattering at the mere mention of Alastor. His whole verse is spent on how Alastor's medium is "outdated", insulting him, calling Al a "coward" and among other things. Alastor meanwhile, spends his whole verse poking fun at Vox, right before he pisses of Vox so much that he starts buffering and he ends the song on a menacing note.
Again, not much to say here, Stayed Gone is just a pretty fun song that does a good job at showing the rivalry between Vox and Alastor.
3. Poison (8/10)
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Poison is a song that does its job pretty well. The song is meant to show Angel Dust's struggles at the hands of Valentino, who now owns his soul. The lyrics emphasize the direness of Angel's situation; how he's trapped at the hands of Val, slowly dying from poison he's being forced to drink, being trapped in the claws of a cruel rapist sexually abusing him for his own pleasure, constantly being tortured every single night.
He believes it's his fault for his situation, that he can only blame himself for falling to Val's lies and his deal, that he should have seen what would have happened when he made the deal with Val. And now, he's just...accepted it, believing that this is just his life now and he'll be all for Val in any way he wants him to be.
And the song ends somberly as Angel falls to the ground after the night. It defiantly does capture the struggles of someone being SA'd, and does a good job of showing the horrendous mental state Angel is in.
I know a lot of people REALLY hate the Poison sequence for apparently fetishizing SA, but I'm analyzing the song, not the stuff shown in it, and to me, I think Poison does a great job of showing Angel's horrendous mental state and struggles, and does add a lot to Angel as a character.
2. Respectless (9/10)
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I used to criticize Respectless for feeling more like a conversation that the characters are singing rather than a song, and it does still kinda feel that way. However, I don't think the song is unnecessary anymore because it establishes a lot about Vellvette as a character.
The song shows Velvette being overly smug, arrogant, confident and bratty, not having any respect for the authorities higher than her, doing whatever the fuck she wants and not giving a damn about the higher authorities think, having no respect for them. But the song also demonstrates Velvette being cunning and smart, being able to tell that Carmilla is hiding something based simply on the expression of her face when she first brought the angel's head.
She instantly knows that, Carmilla might know what happened to the angel. The song displays a more developed personality for Velvette as a character in just one-minute than characters like Adam or Crimson or whoever the fuck did in multiple episodes, making Velvette one of the best antagonists in all of Hellaverse (which I talked about here). Respectless also continues this theme with Carmilla demanding that Velvette check her attitude, calling her and the Vee's "Smug wannabees who don't head when they've been warned", giving off an impression of an authority being made at the disrespect being thrown at her, which Velvette just responds by smugly saying "oops".
The song also does do a good job of furthering the plot along while doing a great job of showing off Velvette's personality. Respectless overall is a great song that furthers the plot along while telling us a lot about Velvette as a character.
1. Loser Babey (10/10)
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I'm assuming y'all did not expect this song to be number one, huh? Loser Baby seems to be fairly divisive amongst viewers, a lot of people love it, others despise it. Personally, I think the song is pretty great.
A common critique that Loser Babey gets is supposedly making fun of Angel for being SA'd, and, I can see why some people may see the song that way considering the first chorus. However, it's best to factor in the verse that comes before that chorus (holy shit I'm defending HH. I am just as surprised as you are).
The first verse is Husk singing to Angel about how he's at rock bottom, the lowest point anyone can be, his life being wrecked from his deal by Val, it all looks dire and hopeless as Angel is trapped in a dark situation with no way out, believing his life to be a trash fire at this point...and Husk says that he's right! His life IS a trash fire, he IS in a dark situation, he IS at absolute rock bottom, he's a "loser", if you will. Admittedly saying he's a loser might be a bit iffy but you can still see the point; Husk is saying that Angel is completely correct, that his life is a dumpster fire where he can't try and fight back, but he says that he isn't alone in this.
Husk had a similar experience with Alastor, where, like Angel, made a deal with an overlord and lost everything, regretting that decision for the rest of his afterlife as he's trapped at the hands of Alastor, with every day of his life being torture for him now, like with Angel. Granted, Husk's situation isn't 1 to 1 the same as Angel's, but there is still a parallel with how they made bad deals with overlords that they lived to regret, how they became trapped in these deals that seemed appealing at first but worn down when the overlords showed their true colors.
And so, Husk tells Angel that, it's better to set down the walls he's built for himself, letting hope back into his life and finally having someone he can bond and relate to due to having similar experiences. He's no longer alone. His situation is still bad, but at least now, he has someone who he can bond with and help push him through his situation, and that person ended up being Husk, the last person who he thought would have gotten him to open up.
I know I'm going to get a lot of people who'll disagree with me and that's fine, but personally...Loser Baby is the best song in the whole show in terms of its narrative. It provides great character growth for Angel & Husk, does a good job of furthering their relationship, and (in my opinion), has a really sweet and beautiful message of how you aren't alone in a dire situation, and that's best to let others help you rather than sulking by yourself in the dark. You aren't alone. There are people who may have had similar experiences to you, and it's best to let them in rather than shun them away.
And the thing is; Loser Baby is not only the best song narratively, but musically, making it overall the best song in the whole show. It's one of the only songs in the show that manages it be great in both categories, like a musical show should, which is what makes this song truly stand out compared to the rest of Hazbin's soundtrack.
It's the best song in the whole show, hands down.
Conclusion
Well, that was long. In all honesty, the songs lower on the list might have been better if the writing around them was better, since that's a problem a majority of them suffer from. If Vaggie wasn't defined by Charlie, Whatever it Takes and Out for Love wouldn't be so low, and if we got to know Carmilla and Emily better, Whatever it Takes and You Didn't Know would've been more impactful.
Really a lot of the songs just suffer from being in a very mediocre and flawed show, and the reason why songs like Loser Baby and Poison were high was because the writing around them was actually good, but hey, the good ones were still able to pull through in the end. So ya, that's my ranking...bye.
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animangalover-writes · 2 months
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I feel like we as a fandom don't talk enough about how sad Norman's life was and how he could potentially fit into the weird little found family the gang created post canon
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roobylavender · 1 year
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one thought before i disappear again but i really fail to understand damian fans' logic or interaction with canon on any level like your entire engagement with him as a character relies on a bastardization of every person around him. i don't see what worth there is in comparing how dick and bruce are comparatively written as parental figures in damian's life when your primary basis for analysis is canon from a writer who believes (1) dick shouldn't be in a relationship with kory bc he's happy-go-lucky and hates drama; and (2) bruce's life as a hero naturally culminates in fascism. neither of these are good faith takes on the characters involved so how can you place any value in how either of them are portrayed to interact with damian by way of that. and obv this doesn't even get into the plethora of talia issues which i have essayed about to the point of exhaustion. like idk i get that i can't make people hate a character obv lol and for many damian fans that attachment is there bc they read about him when they were young but i still don't really understand what there is about damian to be invested in once you're an adult who realizes he is holistically built on character assassination and racist stereotypes that he is inseparable from. like you can't really analyze his interactions with anyone without the context for those interactions being shoddy writing of someone else and i know that can happen in comics a lot but it happening in isolation is different from it forming the entire basis for a character
#to be deleted#like idk the parental comparisons wrt damian make my eye twitch. you are arguing about bastardizations this is USELESS..#the fact that people genuinely believe bruce being written as an abusive asshole who would tell his child to his face that he doesn't like#him or treat him like an alienable object bc he didn't raise him himself and was turned into an animalistic assassination is just#so deeply insane to me like i get people don't like bruce sometimes it upsets me sure but the reasons are there but this just#feels so extreme bc it's literally built on the most egregious bastardization of bruce ever that refuses to even#acknowledge how deeply he loves and wants to help children not to mention how excited he was when talia was pregnant#and to be honest. to be HONEST. new teen titans dick would not have been able to stand damian at all#they do have some of that snark and dick is clearly annoyed with him when he has to take damian under his wing but like#it's ridiculously tame compared to how new teen titans dick would have reacted to someone so loath to team work#dick went to bruce's house when jason died and asked point blank why bruce put an incompetent kid out in the field#he's severely poor when it comes to tact and i'm not saying developing a relationship with damian would have been impossible but#it would have taken time and it would have taken time bc of DICK needing to adjust. not the other way around#dick is good at being a leader and taking charge when all the parts of a machine work in synchrony#what he's not good at is being faced with deviations from expectations esp when they cross the line with his morals#idk i know this is starting to sound like a bruce apologist dick hate post but it's really not i promise i just#i feel like people deliberately misunderstand their demeanors and expectations ESP in context of how they're written with damian#and bc when they're written with damian is at a time in dc comics where their respective character trajectories are practically#opposite to what they were twenty years ago rather than feeling like any kind of natural progression
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famderfries · 2 years
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Thinking about how Snotlout has this grand facade that no one really believes that hes cutthroat and suave and cool and manly because thats what his father says he should be, but he will see one (1) dragon that he likes and immediately melt and cry and show hes literally anything BUT his father
#And he always goes back into it too :(#GOD i WISH theyd let him commit to being himself in the third movie :(#like if theyd given him solid developmen and than killed him off it wouldve given hiccup all of the motive to send the dragons away#Snotlout is one of those characters that isnt allowed to change for reasons you csn totally empathise with and I love him so much#Snotlout is GENUINELY a complex character and the movies do him kinda dirty tbh#Like you have this fuckin. swagged out bully who thinks hes so cool and so strong and all that. and he deprives his dragon of sleep-#and attention and youre thinking 'God This guy sucks.' AND THEN YOU MEET HIS DAD AND YOURE LIKE OH. NEVERMIND#and honestly? peak character introduction#Having Spitelout himself be such an absolute asshole who only believes in muscle and strength and masculinity is so interesting#And the whole group hates him!!! and they put up with Snotlout partly because his dad SUCKS.#AND AND AND. SNOTLOUT IS ACTUALLY SUPER COOL. HES ACTUALLY HAD SO MANY COOL MOMENTS BUT ONLY WHEN NO ONE IS WATCHING#AND THATS BECAUSE AROUND EVERYONE ELSE HE FEELS THIS PRESSURE TO BE WHAT HIS DAD EXPECTS BUT AS SOON AS HES ON HIS OWN HES SOOO COOL#like hes genuinely so likeable and soft and caring but Spitelout is such an abusive piece of shit that he doesnt like him for it#this is surface level analysis treated as if its profound but you get the point#heres your monthly snotlout rant#apollo says stuff#snotlout#snotlout jorgenson#snotlout httyd#httyd#how to train your dragon#rtte#riders of berk#defenders of berk#rob/dob#apollo rants abt httyd
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if you hate him we can’t be friends 💔
#this is how I cope with seeing people who are Inherently Wrong™️ in the main tags btw#he’s just a guy……..his heart is so full and he loves so thoroughly#he adopts an emo and a feral goth and helps them to appreciate life again what more do you WANT FROM HIM#obviously he has flaws but every dr character does??#and frankly aside from the translation issues I find that his flaws are handled in one of the most narratively satisfying ways#and I definitely feel as though a lot his actions and behaviors that people point to as reasons for disliking him are simply taken out of#context#he’s a character who was facing death before the killing game ever even started -#YES he’s intense but that’s because he has to be. he’s trying to do as much as he can within a limited timeframe#AS A TEENAGER NO LESS#Y’ALL SEEM TO LIKE TO FORGET THAT PART TOO…..GUY’S IN HIGH SCHOOL 😭#and anyway when push comes to shove he sets aside his grudges to try and do the right thing for the people he cares about#it’s. sigh. I think about the hangar scene SO MUCH.#like he really doesn’t let Shuichi apologize because he knows that Shuichi shouldn’t HAVE to#ALSO??? he’s not BEING AN ASSHOLE in chapter 4 HE’S JUST SEEING THE AFTERMATH OF SOMEONE HAVING BEEN HORRIBLY MANIPULATED INTO DOING#SOMETHING THEY WOULD NEVER OTHERWISE DO#he puts so much faith and trust in his friends because he KNOWS that fundamentally they are good people#he’s not even!!!!! directly an asshole to Kokichi until Kokichi starts treating the losses and trauma they’ve all suffered as trivial!!!#oh and don’t even come at me with the ‘’hypocrisy’’ shit#the dude’s body is fucking SHUTTING DOWN I can forgive him for not doing a couple pushups 😭#cries and sobs I love him so much. he tries so hard to be positive and make the most of things#y’all just jealous 🤧#danganronpa#kaito momota#ndrv3#new danganronpa v3#killing harmony#new danganronpa v3 killing harmony
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I need more people to watch Love is Written in the Stars so that I can scream with them about Patrick and Ian’s characters. I mean, I can do it alone and I will but…having friends watching as well would be nice
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dyketubbo · 2 years
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babygirl i have so many more bitchy opinions about this fandom that even my blog followers dont hear about
#sees a post and immediately has like 5 bitchy thoughts about it like girl chill out#shoutout to the cafe who have to hear my unfiltered opinions about like fucking everything#anyways this was brought by being tired of cranboo crit at this point. idk why but it just always makes me roll my eyes#is this how ctechno enthusiasts feel /hj#i suppose i just dont see the purpose in people deciding to just randomly shit on ranboo all the time#like ok we get it you think hes a shitty writer and that yout hink his character isnt interesting. can you at least tag crit#for the love of god#this post was also brought by perhaps having Opinions about tubbo3091 and being nitpicky#for clarification i dont think its a bad blog or extremely ooc or whatever#i just never get people hailing it as the One True ctubbo interpretation when like. from what i can see the point is to be Funny#i see tubbolul as a much more in character depiction of ctubbo in an rp blog#but really in general im just tired of depictions of ctubbo being an asshole to ghostboo#thats my ultimate break off of enjoyment with ctubbo depictions is if theyre like unrelentingly an ass for ghostboo for no real reason#without like. consideration to how he actually acts which isnt like. bitchy or passive aggressive#but just vaguely distant and at times dismissive#i do think hed be kind of a dick sure but like. not by actively insulting or yelling at/about ghostboo#i think theres plenty of interesting ways to go about ctubbo being sort of a jerk to ghostboo at times#but im personally burnt out on depictions where hes actively a dick that only sees ghostboo as a big nuisance#idk exactly how to articulate it its just something that has to be done in a specific way or else i roll my eyes#mask mews#negative
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uselessnbee · 2 years
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i see so many people saying how S1 Mike jumped off of a cliff for Dustin but S4 Mike would never and that's why they hate him and
just
like yes he's an asshole but that doesn't mean he would let his friends die without doing anything that's just plain stupid. he still cares about his friends so so much
or i see poeple saying that if this same scenario would happen now he wouldn't jump but would try to resolve it with words and like would that be so wrong????
this boy has seen so much death these past few years. they all did
if he said "no i will not kill myself just because some stupid bully who needs to harm others to feel better about himself told me to" i would fucking cheer him on
he would still do anything for his friends but if he would decide not to meaninglessly throw away his life in the process then you really can't blame him after all they've been through because now he knows what death looks like, he knows what it's like to see poeple die, he knows what it's like to survive and try to pick up the pieces and it wouldn't make him a bad person
(and anyways i still believe that Mike still would die for his friends yall just find anything to hate him for even if it's not canon)
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lesbiansaaviik · 16 days
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Can I be beautifully honest with you guys? I hate 91 Whiskey and So Says the Sword
#no hate to the author cause I actually liked a one shot of theirs#but like man these fucking suck#so so boring and pointlessly long#in SSTS nothing happens and it’s boring because it’s all ridiculous purple prose that tells and doesn’t show#you can set it up with Cas being emotionless as an angel and then gains emotions when he falls in love#but he has to actually gain those emotions and you can’t just tell me what a beautiful and masterful love story you’re writing#you have to actually write it#in 91W it’s all troop movements and militaristic bullshit that I don’t care about because I know Dean and Cas will be fine#and they haven’t shown me enough about literally any other character to make me give a fuck if they live or die#great. Inias will get killed off. maybe I would care more if it weren’t so predictable and also if Cas weren’t just an asshole to him#for no reason#which brings me to my second point of jesus fucking christ 91W is so OOC#crazy take I know but Cas is not randomly an asshole! maybe he is at first but then he changes because he’s in love with Dean and he’s never#like. snappy and grouchy this is So OOC and it makes it painful to read because why should I care about someone who’s mean and cruel#all the time#I’m not saying Cas is an angel (pun half intended) all the time but I don’t think he’s cruel#and moreover I think they’ve just got Cas and Dean flipped. Dean would be perfect for the grouchy military commander in the late seasons#kind of way where he’s an ass to everyone due to grief#and Cas would make a great medic; caring about humanity to his detriment#this way around it’s just painful to watch Cas piss off Dean who is somehow more emotionally literate??? in what world#it’s just fucking boring and painful and Cas is not the one with internalised homophobia let’s be real#I would love to see 1940s era repressed queer Dean but no; I’m stuck with asshole Cas freaking out over being a fairy#and taking it out on Dean!#do you seriously think that corresponds to canon Cas’ reasons for repressing his feelings for Dean? answer quickly#anyway. rant over I will continue hate reading it so I can see if it gets good#but at this point the smut isn’t even good enough to justify it so. idk why I’m wasting my time#anne speaks#please someone say they agree with me or otherwise I’ll feel like I’m going insane#the whole fandom loves SSTS especially and I’m here like. well that sucked
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llycaons · 6 months
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well that's certainly a reading but like. this was canonically a character kidnapping a lucid, independent adult who at the time barely knew him and deeply distrusted him. and it's really weird to see wwx compared to a child or a literal animal for his (very reasonable!) resistance to being fucking abducted by people he does not trust after a lifetime of alienation and hatred
he doesn't need anyone to feed him or bathe him, he was a very-self-sufficient traveler and a literal genius who can survive perfectly well on his own! and he wasn't even angry at 'the indignity of being loved' he was pissed about having his movements restricted and being forced to stay in a place he disliked with people who clearly thought poorly of him and disregarded his wishes. and it doesn't even matter what lwj's true motives were, it's not like his whims supercedes wwx's wishes for himself. like how paternalistic. but trust an mxtx fan to reframe kidnapping and imprisonment as ~love~
#NOT that needing support or not being lucid excuses kidnapping of course#but the situation just makes no sense presented like this. wwx was PISSED. he eventually came to like the food and stability sure#but it's extremely disingenuous to frame his anger as being upset at ~being loved~#wwx may have secretly craved love and caretaking etc. but the fact that 'protection' and food he didn't like were forced on him#is really shitty? it's really shitty. he didn't have a choice! at least not initially#but he wasn't an animal and he wasn't helpless. he was in danger but as an adult he should have been able to make his own choices#reason no. 9834304 why the drama was better lmao. man passes out wakes up in his bestie/longtime unspoken soulmate's house and immediately#starts having really emotional and important conversations. opening up. listening to music. affirming trust and belief in each other. WHEW#it's never indicated that wwx is being held against his will. he may not love CR but he clearly stayed by choice#and he's clearly really close with lwj right from the beginning#the book didn't need to do this! there are way more interesting and less creepy ways of forcing two characters to spend time together#even if they don't like/trust each other. it made lwj look like a disrespectful and presumptuous asshole abusing his power#who decides he can just be in control of wwx.#because ~he loves him~ or some shit. ohh I'm just remembering how much I dislike novel lwj#boooo cql lwj all the way. AND cql wwx. I haven't forgotten ch 96#and yet. I still won't unfollow this person. the bad posts are still too fun. good posts are okay#cql txp
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gremlingottoosilly · 6 months
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I met a guy in the Summer (dilf!Konig x fem!Reader)
Your boyfriend is an asshole. Luckily, his hot dad just returned from deployment. CW and Tags: Cheating, dub-con, size kink, daddy kink, age gap(reader in 20s, Konig is early 40s), Konig is a pervert, slightly obsessive Konig, love(and lust) at first sight, fingering, dom!Konig Word count: 3713 AO3
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“Just one more game, babe, don’t be a buzzkill. I don’t want to end at a loss.” You didn’t want to be a buzzkill, of course. You simply wanted to be a good girlfriend, have some domestically cozy date, and for your boyfriend to at least try to put an effort into being with you. It wasn’t much to ask for, really. You hoped so, at least. You didn’t want to be an annoying, nagging girlfriend who only ever waits for another reason to yell at him, but your patience started to run thin. 
You spend the past three hours either listening to his apathetic rambling about the shows he watched – really, you wanted to invest in stuff he liked, but an abnormally large amount of animes he talked about had 1000-year-old girls who looked like they were 10, wearing inappropriate outfits, and you started to raise the alarm. 
You also watched him play – and also listened to his rage quitting and angry voice messages to his team that, honestly, made you slightly anxious. You never liked loud people, people who were so easy to rage about something as silly as some colorful video game with too many characters to look after. 
So, like a good girlfriend would – you wanted to be a good girlfriend, he was such a nice guy before you started dating, and you need something to think about besides the tremendous amount of study work you are doing for college – you decided to go and look for snacks. Maybe bring something for him as well. 
— I’ll find something to eat, alright? 
He didn’t respond at first, so you shook his shoulder. Your boyfriend took off his headphones with annoying look on his face, half-turning to look at you. You gulped, suddenly feeling like a child in front of the principal – not a feeling that you were supposed to feel around your partner, but with him, you somehow constantly felt like you were being judged. 
— Nah, stay here. I don’t want my father to see you. 
— Ah…your father is at home? 
You never heard anyone else being at the house – big house, you must admit, and it’s embarrassing almost how you never thought about his family. He lives with his dad, apparently, and the depth of your relationships can only be judged by the fact you literally didn’t know what his father’s name was. 
— Returned from his fucking deployment. He’d ask too many questions about you. 
— You didn’t tell him about me? 
Ah, now you’re hurt a little bit. You knew it wasn’t anything serious or too committed yet, but you intended to make this work. To try and fix all the problems you can without ending things abruptly. 
— He never asked. Not like he cares too much, but…
An apathetic dad, huh. 
You started to slowly piece together the puzzle that was your boyfriend’s horrible boyfriend skills. Now, you want to meet the man who conceived him and kick him in the nuts for creating such an unlovable human being who somehow captivated your chronically lonely heart. 
— If you don’t want me to come and meet him, I can go home. 
He doesn’t answer because his queue is finally coming to another match – you simply nod, knowing everything you need to. You can grab a little snack for yourself, fuck off to your dorm and rethink your life choices while your roommate is getting pounded by some gruss British bloke with an accent that makes your ears bleed. 
You have dignity, and right now, it has asked you to get some snacks from the kitchen. 
*** Now, the only thing König wanted after returning from deployment was to take as many hot showers as he could, shut his bastard of a son up, and get some delicious food waiting for him in the freezer. He was already home for a few days, but adjusting is always hard when you basically fucking hate living at your own house. Of-fucking-course, his son was watching the house while he was away – and now he can’t even think of a good excuse to set him off to his mother. Too old to do this, and split custody never really worked when not even one part of the relationship wanted to take care of the kid. 
König closes the door of the refrigerator – of course, his son took every good thing that he stashed for himself. With a groan, the colonel fights the urge to finally throw him out of the house – a thing he needed to do a few years ago, just when he celebrated his 18th, but some sentimental part of his heart instead promised to help with finding a place close to the college. No good deed goes unpunished. 
With a groan, he takes a few steps from the fridge – and then he almost stumbles across an angel. 
Scheisse
Now, König never thought of himself as a predator who prefers running after college girls who might as well be his daughters. He never thought of himself as a gut who liked them young – his wife, god forsake her name, was his age when they started dating, and he hardly had any sexual encounters with a person under 25 in the past few years. Well, not like he had any sexual encounters in the past years, but…
The thing is – he never thought he liked girls with wide eyes, pouty faces, and trembling hands who were holding a bag of his cookies that he carefully stashed away from his son. 
You are wearing something cute, a nice skirt and an adorable pink cardigan that looks so cozy and warm and soft, and he fights the urge to grab your skirt and simply lift it, You’re dressed up for a cute coffee date, and König has to double check if he isn’t dreaming and no one has decided to play a prank on him and send him a cute callgirl. 
— Oh! Sorry. It’s yours, isn’t it? 
You give him his cookies back – but not before your fingers fished another salty caramel goodness out of the bag, and you bit it. He looks at your teeth, at your lips, and glimpses of your tongue – god, he is an old, dirty bastard because even his baggy pants aren’t enough to hide his boner. You have no right to look this pretty for a man who hasn’t seen a woman in three months and hasn’t had sex in the past few years. 
You lick the crumbs from your fingers – it’s such a deliberate action that he can’t believe he actually sees it, and it’s not even something from porn he used to like. 
— Ja. You can have it. 
He would give you the code to his bank account if you asked for it. 
— Thank you, sir. I’m…well, I assume if Paul didn’t introduce me to you…I’m his girlfriend. Nice to meet you. 
You lick your lips and take a step back, pressed against the counter. He looks at the sway of your hips, a bit of crumbs on your shirt, and almost brushes it away with his hands. It would be a good excuse to touch your chest – but he can’t be like this, he has to keep his urges under control, or else his son will never forgive him. 
Yeah, like he needs a better reason to throw his useless son from his home. 
— Girlfriend? He never spoke about you. 
You look sad, and he immediately curses under his breath. For a moment, you look too fragile – too real. He can’t handle this look on a woman, especially as pretty and young as you are. You bat your eyelashes, even involuntarily, and he already prepares to give you the keys to his home just so you’d stop with such miserable expressions. He has a spare bedroom. 
He has his bedroom with a bed that would be enough for both of you. 
— Ah. Um. We’re…I guess we’re not at this stage yet. 
— Knowing him, you’ll never be, Schatz. 
You look at him immediately – you’re offended, angry, and sad at the same time. There is a certain stubbornness in your eyes that immediately makes him want to simply scoop you in his arms, lift you, and drag you straight to the altar – and here he thought that his impulses over getting married would be over after his first divorce. 
— What do you mean by this, sir? 
You look uncertain now, he can see this in your eyes – and really, knowing his asshole of a child, he is almost sure that Paul never once got you off, either physically or emotionally. 
Now, König never once considered himself to be a good man. He has killed countless people, overthrown many governments, and made shitty jobs for shitty people way more than saving hostages to help the good guys – and in the romantic field, it’s even worse. Wife, unsatisfied with his controlling tendencies and inability to feel normal love for a human being – and a son who hates him because, in fact, he never once wanted to have a kid. 
He looks at you and sees a pretty young thing, still in college or freshly out of, probably without a stable job and normal social standing – a good girl won’t be with his son if she isn’t stupid or extremely desperate for a relationship. 
The thing is, König is also extremely desperate for another warm body next to his, to feel a woman beside him, to love and obsess over someone – he looks at your pouty lips and shaky hands, at the way you bite the corner of your glossy mouth, and he almost wants to drop you on this very table and fuck you until you’re crying under him. He can’t do just that, of course. It would probably make you extremely uncomfortable and scared, but…well, quite frankly, his son doesn’t deserve you. 
König is. 
— I won’t sugarcoat it, Schatz. My son is a Scheiß Arschloch…fucking asshole, that is. I’m surprised he brought home someone as cute as you. 
You feel embarrassment collecting in your body. Paul’s dad is a…interesting man. 
Tall, broad, very muscular – even his baggy house clothes aren’t really concealing his extremely interesting physique from your eyes. He looks yummy and tasty, and you fight the urge to eye the bulge in his pants because you’re a good girl, you don’t look at your boyfriend’s dad like this. 
König has greying ginger hair, locks already curling slightly at the lack of cutting, and you fight the urge to sit on the counter and get your palm in his scalp, massage his head gently, and pull him closer for a kiss. You feel like a dirty, horrible woman – your boyfriend is in his room, probably enjoying his time on your “date” while you’re lusting over his father. 
Then again, this date already felt like a disaster. This relationship, too. 
— Paul isn’t all that bad, sir. 
“He at least has a nice dick,” you wanted to add but stopped yourself. Paul is tall and somewhat strong – if he weren’t sitting at his computer all day, you would call him even muscular. And he has a nice dick, yes, even though he had no idea how to use it. You liked the idea of laying with him, of spraying your jaw trying to fit all of this in your mouth, but his kinks and his sex skills being directly taken from porn…not really your thing. 
You look at König and wonder if they are similar in all of the places. He is his father, after all. 
König catches your gaze locked on his bulge and smirks. 
God, if he knew his son had such a cute girl, he would ask her to come earlier. He is two weeks off deployment and probably won’t take another long contract for a few months because they just upped his retirement payings, and he can afford to slack off a little bit, only visiting the home base for some training and instructions for rookies. 
He can afford to retire and never worry about money again – but he needs someone to make his days less boring, right? 
You look like a good candidate. 
— I’m sure my son was convincing, but I know him better than anyone. He doesn’t deserve you, Schatz. 
He is shitty at flirting, it’s not his forte – he can flaunt his money, maybe, show you in his wallet and bank account face first. He can just straight up ask you to be his sugar baby and suck his cock instead of doing your studies, but he can’t flirt and manipulate to save his life. Lying isn’t something he is good for, this is why his wife has left. 
— I…not sure we should be having this conversation here. 
You’re a good girl, and it’s infuriating. He knows that having someone in his bed shouldn’t be the end goal for his leave, but he wants you, and by the look on your face, you aren’t opposed to the idea. König doesn’t understand if he likes that you’re so reserved about it or if he wants you to be a bit more slutty – but he captures you in the space between the kitchen counter and presses you with his body. 
— You want to see the bedroom then?
Pushes you so close his knee gets between your legs – it might look involuntary like he didn’t exactly want for it to be placed here, but you aren’t dumb, you know what he wants from you. Like a good fucking girl, you’re too shy to give it to him right about now. God, sometimes he hates being so nice to people around him. 
— Sir, this is very…
He got you caged in his hands, body trapped in his embrace – you jerk your head upwards a little bit, staring at him like a small bird in the hands of a predator. He isn’t a strong man in regard of morals, he doesn’t see anything wrong with fucking his son’s girlfriend – if the girl is up to it. And if she isn’t…well, he better make sure she is. 
— What is it, Schatz? Paul won’t hear us in his headphones.
You know just how wrong it is, and you almost want to escape – his dick grinds on your pelvis through his pants, and you’re horrified to see how big it is. Excited too, of course, he is bigger than your boyfriend ever could be, and you don’t want to be a slut, but, oh well, not like you were in a committed and serious relationship anyway. 
Paul was seeing your friends more than you ever saw them – it’s probably a sign that you should settle for someone older. You did enjoy Lana Del Rey's songs, after all. 
— I don’t want to break his heart. 
— He doesn’t have one. 
You’re lost when he pushes his lips to kiss you over and over again – a surprisingly good kisser, and you give in because it was the first time in forever a kiss made you feel this good. His lips are sending electricity down your spine, you want to moan just from his knee, pushing on the softness of your cunt through that adorable skirt you liked so much – you feel so small like this, so tiny in his hands, you…
God, you feel like a slut, and you like it. 
Soon enough, you answered the kiss, your lips meeting his in a dance that made you feel hot, that made you feel like your boyfriend never could. Never thinking of yourself as someone who can fall so easily into the hands of an older man, now you know that he got you right where he wanted. 
You push your hand on his pants, trying to get the control back – but he stops you, a giant hand enveloping your wrist and pushing you back. With a surprise on your face, König just wants to kiss you all over. God, you’re adorable, and he knows that you deserve way more than being fucked on the rough kitchen counter while your so-called boyfriend is too busy dickriding his friends in some useless online game. 
— Not now, princess. You deserve better than being fucked on the kitchen counter, ja? It can come later. 
“Later” sounds like a promise, and you bite back your moan when he keeps pushing his knee against your cunt, making you throb and clench on nothing. He is such a gentleman, you can’t help but compare him to his son – and his fabulous ability to make you feel dirty after fucking you in the backseat of his car and tossing you to your dorm with your pussy still wet and messy after you didn’t cum. 
You sob, not from sadness, but from pleasure mixed with some weird, unnatural for you emotions – you feel weird, strained here like this, but you hug his neck and whisper something in his ear. Something, dangerously sounding just like “daddy, please” 
König is blushing, and he looks fucking adorable. 
— Daddy, ja? God, you’re dangerous, liebling. Going to get me in trouble with my son later. 
He laughs when he kisses you again, his hand slipping in your panties only to find them completely soaked – he knows you deserve a nice pillow and soft sheets under your body, and he pushes you up so you can hug his waist with your legs. You rely on him like a cute pet, and you’re so perfect in his hands he curses himself for not seeing you before. 
He is going to ruin you for anyone but him. Put so much cum in you, it will make your tummy bulge – make you his precious sugar baby, pay for your dumb college and make you move to his bedroom instead of some shitty dorm you probably share with four other people. 
He can be good for you – but he will ruin you for anyone else, anyone appropriate, every guy your age who clearly doesn’t know how to treat a lady right. 
— So wet for me…such a filthy thing, I didn’t know my son dated a whore. 
— N…not a whore, please…
He kisses you on your forehead, silently apologizing. You feel his crooked, scarred smile, and you push your face up to kiss him – you want to touch him so badly it makes you feel stupid. 
— Sorry, Schatzen. Not a whore, a good girl for her daddy, ja? So nice for me, too fucking young…
— W…we really shouldn’t… — Tshhh, don’t think about it. Thinking will only hurt your pretty dumb head. — I’m not…
— Quiet, little one. Let daddy handle everything.
He kisses you over and over, his fingers playing with your pussy – meaty digits digging in your hole, making you whimper from sudden intrusion. He is big, bigger than anyone else, just two of his fingers are enough to spread you as much as normal cock would, and even though you’re used to taking Paul’s size, you just know that his dad would be much, much bigger. He is going to split you open, and you will love every fucking second. 
It feels so wrong, you still aren’t sure if you want him to touch you like this. 
It feels so right, he is experienced and eager, pushing every button to make you squirm in his grasp. Your orgasm comes embarrassingly quick – maybe because you haven’t gotten off in ages, only miserable masturbation sessions and poor attempts at faking your orgasm made it feel real. Paul never cared enough to actually get you off – but now…
You aren’t ready for him. You squirm in his grasp when the pressure becomes too much, and he soothes you, two fingers still buried in your soaked cunt. You feel so dirty, so wrong right now – you are cumming on the fingers of your boyfriend’s absent father, and you love every second of it. 
Post-orgasm clarity makes you whiny and sobby, and you whimper in his shoulder when he gently lifts you in his hands. God, you’re adorable, and he knows that he just scrambled your brain with that orgasm – it’s good, really, he might just want to keep your pretty head nice and empty for him. Not like you would ever need to think in his presence, the colonel can handle everything in- and out- of bed. 
König holds you close, not allowing you to scramble away no matter how embarrassed you are. You are his precious thing, with a pouty face, and he will do everything in his power to make you squirm on his fingers again and again before he makes you his wife for good. 
So impulsive, maybe this is why his son is such an asshole – taking the worst traits of his father. 
— Don’t cry, Schatzen. You’re okay, it felt good, didn’t it? 
— W…we shouldn’t have. Shit. I’m sorry, it was a m…god, I need to tell Paul. 
— I’ll tell him. 
— No! — I will tell my asshole of a son that you’re my girl now, ja? And then I will take you to the bedroom, so we can fuck. 
— I need to return to my dorm. 
— And then I will dine you properly, okay? Sorry, Liebling, I know I should court you before all of this…but we can afford to go a bit off board, ja? 
He is smiling, so smitten and obsessed over just having you cum on his fingers once – you don’t have the heart to say no. Never did. You’re a good, proper girl, and Paul was never treating you right anyway. You feel dirty, yes, but somehow, it is almost right. 
He peppers your face with kisses, like a dog lapping its tongue all over your skin – you’re so concentrated on the warmth of his strong, seasoned body that you don’t even look in the direction of the doorway to the kitchen. 
Paul, however, looks straight at you, disheartened and shocked. 
— W…what the fuck, dad?! König laughs, kissing you once again – deep, hot, with tongue and loud, sloppy sounds of your mouth pressing into one another. You’re stuck in place, still caged in his arms like a precious little pet you are. 
— She’ll make a good step mom, ja? 
You don’t even register his hands slowly caressing your fingers as if he already tries to check the ring sizes. 
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ellemj · 5 months
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Wear That Again: 12 Days of Smut #7
Bucky Barnes x Reader One-Shot
This fic was inspired by two things:
https://www.tiktok.com/t/ZT8Ha16Rj/ this Tiktok edit by @the.stark.internship ( @thestarkinternship on Tumblr)
@littlemiss-yeehaw's latest smutty drawing which can be found on her blog, I've stared at it since yesterday and I'm still not over it.
Summary: Bucky ruins your brief holiday romance with a SHIELD agent out of jealousy. You'd think storming in and yelling at the super soldier would've ended in an argument and some slamming doors, but that's not what happens at all.
Warnings: profanity, some objectifying thoughts, possessive!Bucky, jealous!Bucky, thigh riding, MINORS DNI, 18+!!!
Word Count: 1.7k
A/N: I don't know how tf it's happening but y'all have me averaging 1.2k notes per day on my blog for the last couple of days and it feels surreal. Also I just want to say, I wrote Bucky out-of-character for this one-shot and this is not how I imagine he'd be at all, but it was fun to write hehe.
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            “You little fucking shit.” You finally snap as the elevator doors are opening to let you out into the common living area of the tower. “Bucky, you are such an asshole.” You’re absolutely livid, and if your words hadn’t showed that then your actions sure would’ve. You’re slamming your hands down on the kitchen island before the elevator doors have even fully closed. Bucky sits on a barstool with a near straight face, completely unaffected by your rage and only briefly looking up at you as he chews through a bite of his Chinese takeout. “You’re the reason he stood me up, aren’t you? What the hell did you do this time?”
            “Wear that outfit again.”
            You’re silent for the longest moment yet, at least fifteen seconds, and Bucky thinks it might be a new record for you. He hasn’t paid attention to a damn thing you’ve said since you walked in, but he sure as hell paid attention to what you chose to wear tonight. You were supposed to be going on your third date with a SHIELD agent who crossed your path a number of times professionally before finally asking you out two weeks ago, and with it being just six days until Christmas, you were dressing for the occasion tonight. You’re wearing a tight black turtleneck sweater that’s tucked neatly into the tiniest holiday-themed miniskirt you could find. It's a sort of festively-colored tight plaid skirt that barely covers a thing, but you didn’t wear it for any reason other than to encourage your date to rip it off of you later. However, Bucky made sure the poor guy wouldn’t even get the chance to see the damn thing.
            “What did you just say to me?” Your voice is shaking but not with fear, no. It’s shaking with the sheer amount of anger that’s currently eating you alive. Bucky lifts his gaze to meet yours as he sets his chopsticks down and picks up his half-empty beer bottle from the countertop. Letting his eyes roam over the entirety of your figure that isn’t obscured by the kitchen island, he boldly repeats himself.
            “Wear that again.”
            “If you like it, I’m burning it.” You say defiantly, crossing your arms over your chest as you glare at the man before you. Bucky lets out a low laugh now, the sound is melodious but his gaze hardens and narrows as he focuses in on your face.
            “If I like it?” All he can think about is pushing you up against a wall, lifting the back of that tiny little piece of fabric you call a skirt, and fucking you until Christmas morning. If he likes it? Hell, he fucking loves it.
            “That’s it, I’m burning it.” You’ve had enough. First, he ruins your short-lived holiday romance. Then, he has the audacity to act like your outfit is doing something for him. As you said before, he’s a little fucking shit. You shoot him one last passing glare as you move around the island and start heading toward the hallway, ready to lock yourself in your room and plot his demise for the rest of the night. But Bucky just can’t let you have the last word, and he sure as hell can’t let you walk away from him looking like something that belongs under the Christmas tree. Or more accurately, something that belongs under him.
            The two of you have done this dance so many times that you aren’t even surprised when you hear his barstool slide away from the island seconds before you feel a firm hand gripping your forearm and yanking you backward. You’re not surprised when suddenly, your front is pushed roughly against the wall of the hallway and his lips graze over the shell of your ear. Frustratingly, you’re not even a little bit surprised when you feel heat rushing through your body and settling between your legs.
            “You’ll wear that outfit again, when I tell you to.” Bucky’s tone is so much less indifferent than it was only a moment ago. It’s so full of lust that it leaves you trembling, awaiting whatever his next move may be. He knows no one else is in the tower tonight, which means if he wanted to, he could take you right here in the hallway and not feel an ounce of guilt over it. Who’s he kidding? He’s done that before even with everyone in the tower, and guilt sure wasn’t the feeling he felt afterward. But he wants you in his room tonight. You and that fucking skirt.
            Bucky takes your silence as obedience and steps away from you, letting you push yourself off of the wall and turn around to face him. If you’re being honest, you’re a little disappointed. That’s all he wants from you tonight?
            “How long has it been since the last time we had sex?” Bucky questions. He knows you remember, probably down to they very hour. He remembers, but he has to make sure you do too.
            “Two weeks.” You haven’t slept with Bucky since the SHIELD agent asked you out. Bucky mulls over the length of time in his mind. He wants to remedy that, he wants to fuck you tonight, but he won’t. You started seeing someone and threw Bucky to the side so easily that him waiting two weeks to ruin your dating life was the nicest possible thing he could’ve done in retaliation. He’s not going to give you what you need now, at least not everything you need.
            Bucky’s silent as he pushes open his bedroom door and waits for you to step inside before him. He’s still silent as he sits on the edge of the bed and beckons you to stand between his legs. He begins raking his hands up the outsides of your thighs, sliding them underneath your skirt until he feels the waistband of your sheer tights. He isn’t so silent when he begins sliding those down your legs, letting out a soft groan when his hands meet your bare skin underneath. It’s been too fucking long since he’s touched you and an unfamiliar peace settles in his soul when he feels your warmth. You’re expecting him to rip the tights off, followed by the skirt and everything else you’re wearing. However, Bucky’s plan involves keeping you nearly fully clothed, and only partially satisfied. Once he has your heels and tights on his bedroom floor, he kneads your ass underneath your skirt, letting his fingertips brush over the fabric of your thong. God, he’s really practicing his restraint tonight. His cock is already hard, threatening to rip the seam of his pants with even the slightest movement, but he isn’t planning on getting his own fix tonight.
            “Sit.” He commands, gripping your hips with both hands and pulling you down to straddle one of his thighs. As soon as your clothed core makes contact with the toned muscle of his thigh, you stiffen and try to shift your weight so you won’t be so stimulated. Bucky makes an annoyed face at you before slipping one hand back underneath your skirt and drawing your panties to the side, causing your wet clit to press against the fabric of his pants. “I’m not rewarding you for spending your time with some other guy for the last two weeks, I’m not having sex with you.”
            You’re about to protest, to tell Bucky that he’s being sensitive, that the two of you never had any rules about dating, but Bucky senses your opposition and begins dragging you back and forth over his thigh. He looks down between the two of you as a wet spot quickly begins forming where your pussy meets his clothed leg. Fuck. It feels too good for you to even consider stopping and telling him that he’s an asshole. So, you go along with his guiding movements, grinding against his leg and finding just the right amount of pressure and friction to start heading toward an orgasm.
            “You didn’t have to scare the guy off.” You mutter as you lean forward, letting your hands rest on Bucky’s shoulder as you place a gentle kiss against the side of his neck. He sighs and tilts his head to the side to give you better access, but his hands continue to guide the movement of your hips.
            “Three dates were enough. I couldn’t stand it anymore.” He admits. You feel an odd sense of pride surge through you at his words, though you have no idea if he’s being honest or not. “I couldn’t let him have you like this.” You suck on the skin just beneath Bucky’s left ear and pick up the pace with which you’re grinding on his thigh.
            “Fuck, James.”
            Bucky knows this isn’t the right time for the conversation, so as you grind out an orgasm on his thigh, letting out the most heavenly moans and whimpers just for him, he tells himself to hold it together until Christmas. That’s when he’ll tell you. That’s when he’ll tell you that he wants more than the angry, hateful late-night rendezvous in his room or yours. He wants more than sitting around waiting for you to come home from a date while he nearly goes insane with jealousy. He wants more of you. Fuck, he wants all of you.
            Just as you’re coming undone on his thigh while moaning his name and squeezing his shoulders, he lets his hands snake underneath your little plaid skirt. He grips your ass with both hands, digging his fingertips into the supple skin there as he leans into your neck. You feel him take a deep breath in as you’re coming down from your orgasm high.
            “Why do you always smell so fucking good?” He asks, licking a small stripe up the side of your neck before pressing his lips against it in a soft kiss. You only hum lightly in response, your brain not quite ready to formulate a full sentence. Bucky presses a second kiss to your neck, and then a third as his works his way up to your lips. His hands move to smooth over the fabric of that little skirt that he can’t seem to get over. “Stay away from the fireplace this week. I can’t have you burning this skirt.”
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Randomly watched My Life With The Walter Boys and I'll say this...
Alex in the first half was so endearing. His anxiety, his mannerisms and literally everything about the way he acted and spoke made him extremely likeable and just someone you were absolutely rooting for. And you could tell they wanted us to root for him.
Then in the second half it was like they were actively attempting to assassinate his character, to the point that even within the show itself Jackie was calling out his OOC behavior. But this was an obvious attempt to make Cole seem less problematic and the better choice for Jackie. What the show failed to realize however is that the thing that made Cole almost redeemable was finding out he wasn't the asshole that hooked up with his brothers girlfriend on purpose, so to have him turn into the asshole that hooks up with his brothers girlfriend on purpose is crazy to me. I mean this dude spent the entire season on his soap box claiming to be crucified for something he "would never do" to his brother and then in the end did it anyway knowing how much that affected Alex the first time.
I'm sorry but I cannot root for them. It's disgusting what Cole and Jackie did to Alex. And as much as they tried to make it seem like Alex was being insecure, clingy and generally overbearing in the relationship he had his reasons and to be fair they were completely understandable. Alex 100% did not deserve that from either of them. This will crush him and his relationship with his brother is now probably ruined beyond repair. I'm on Alex's side on this one. He can do so much better than a girl who would kiss his brother right after he tells her he loves her.
Cole and Jackie deserve each other. He's a mess and so is she. They'll be great together until they're not and when it's over he would have ruined his relationship with his brother and she will be licking her wounds wishing she had chosen the guy who treated her kindly from the beginning.
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