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#i just want this part gone
androcola · 2 years
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disassociated and depressed in the way where every color looks dull and yellow light makes you disassociate worse and every thought and action is so uninteresting
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watchingwisteria · 6 months
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listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded psychopath happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.
#seeing some discourse and im not saying lucy grey didnt know#im saying she never dropped the kind of hints that she knew like she did in the movie#or if she did snow isnt worried about them until he very suddenly is consumed by them#snow is not concerned about whether or not she believed him. of course she did! hes snow!#but then shes gone…. for a while……#and its the sudden immediate drastic unravelling that comes across so clearly in the book#that i knew wouldn’t translate to screen yet still cant help but miss#the hunger games#coriolanus snow#tbosas#lucy gray baird#not a crime or anything just a note that i cannot stop thinking about#the ballad of songbirds and snakes#this is all from memory of reading it quite a while ago. so maybe 3 pages is an exaggeration#but i remember it happening VERY quickly and without much external cause#like we as the reader have no indication as to whether shes nearby or not.#snow has no idea either. he just SUSPECTS. and his suspicion breeds the hatred that has been bubbling inside him all this time#he hates how she undoes him. he hates that he WOULD run away with her if shed let him keep his secrets#and he HATES more than anything that she makes him WANT to tell his secrets#he wants to be vulnerable and reveal the ugly nasty parts about himself and still be loved#but he does not let himself and it is everyone’s downfall#he chooses cruelty bc it is easy and familiar and makes him feel more powerful than the vulnerable give and take that real love requires
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onesidedradiostatic · 2 months
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stayed gone but you're the sinners watching/listening
(AKA I spend an unnecessary amount of time editing)
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newoozi · 26 days
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your new friend vernon is walking you home one night, telling you all about the date his mom is setting him up on in an attempt to “get out there more”. he admits it’s been a while since he’s taken somebody on a date, and he’s sort of nervous and half dreading it. he doesn’t even have any idea what he’s going to wear.
the two of you reach the front of your apartment building, and you face to look at him. placing your hands on his shoulders you teasingly say, “wear that navy blue polo shirt of yours. it almost makes you look nice.”
he huffs out a small laugh in response, but the truth is he’s sort of spiraling. you notice what he’s wearing beyond an aesthetic sense? do you pay attention to how the shirt fits him perfectly, how it hugs at his chest and shows off his arms? of course, vernon knows he’s attractive — people swoon over him on the daily, and many times he can get away with not paying for ramen at the convenience store if the girl at the counter is young. but, it never crossed his mind that you thought about him in that way. it was different with you, wasn’t it?
he thinks about that, and you, on the way back to his dorm.
you text him to ask about his date the next night, the curiosity getting the better of you.
how was ur date? did she appreciate the polo?
he admits he didn’t wear the polo, but doesn’t offer any explanation as to why. he adds that the date was going fine until they were saying goodbye and she went in for a kiss on the cheek and he held out his hand. he probably won’t see her again.
you laugh out loud at his message.
when it’s your birthday a week later, he wears the polo to the casual dinner you host at your place with your closest friends. he notices when your eyes linger on his lean figure, and the way you blush when you know you’ve been caught. you’re almost sure he’s worn it on purpose.
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arthursfuckinghat · 2 months
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"I was gonna say you're like a son to me.. but you're more than that."
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"It ain't that complicated!"
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How quickly that shoulder pat of comfort turned into a condescending one.
#he makes me feel so emo#this life was never meant for you but your fate was forced#the way dutch (and hosea) talks to arthur like he's stupid will never sit right with me#like they've been by his side over 20 years they KNOW he isn't stupid because if he was he would have been gone a long time ago#not only is arthur incredibly emotionally smart but he's a trained conman vault breaker gunslinger horse rider you name it#the fact that his own adoptive parents break him down like that hurts#it's a manipulation tactic on dutch's end - break your victims self esteem to make them chase your praise and approval#hosea I believe has just gone along with that kind of attitude but in a different way he just likes to jest lightheartedly#arthur doesn't see the difference though and it's understandable but he takes it to heart#the worst part is that hosea sees through his tough guy act and has called arthur out on it#his act is a defence mechanism to protect himself from being too vulnerable - in arthur's mind#and it isn't a sudden thing it's very likely something that has built over the years given the life he has lived#and hosea notices he knows this#but they still jab at arthur#oh it hurts#is he your son dutch? or is he your guard dog? your personal workhorse?#playing through the second time is opening my eyes more and more#rdr2#red dead redemption 2#mick squeaks#mick rants#mick gifs#arthur morgan#dutch van der linde#liveblogging#you guys gotta understand - arthur seeks and longs for dutch's approval he'll never say it but it's the key motive behind his loyalty#and arthur *rejects* dutch's comfort#he doesn't *want* dutch to pat him on the shoulder because he knows dutch is digging them an even deeper hole#he doesn't want that touch he craves#it's so insanely monumental for such a small scene because it shows us how arthur feels without telling us
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b4kuch1n · 3 months
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simulated earth (it does not matter)
transcript
#sherlock and co#sherlock & co#podlock#comic#sherlock holmes#john watson#victor trevor#ft. archie (in like three panels lmao)#need to figure out a podlock specific tag for these guys so this doesnt clutter up the main sh tags#bc ohhh boy. I anticipate being insane abt s&co for a While#this comic def a Hot minute post-gloria scott#what is this about exactly? you ask. haha well (there's sunlight bouncing off a window and when u look back Im already gone)#listen I caught up to everything right before gloria scott and holy Shit that case knocked me on my ass#as a chronic adhd (and thus serious memory problems) haver.... (holds sherlock tenderly)#I have not listened to SOLI yet btw I will tomorrow. I wanted to finish this before catching up#Im obsessed with them. Im such an easy idiot lmao Im a sherlock holmes adaptation enthusiast before Im a human#gloria scott.... the way it muses on the limit of the genre same as the red headed league.... what about the victims?#what about the victims. what about the victims. what part of the pain does the process of investigation cure#victor's like. he's between jobs he's between boyfriends he's living with his dad whose caretaker he just became. who does he have#and sherlock holmes is about the truth but john's been about the solution so far. I just. I really like this john watson lmao#listen the way he complains and then refuses to shoot the underlings in red headed league. based. I love him#I can fix him (radicalize him against punitive justice)#(I am refraining from talking abt sherlock in the tags here bc I Will run out of tags before Im done)#(mariana is not here but I care her too!! she will be here more often in the future I swear I fuckign swear......)#(''I'm in a co-op that's sponsoring my visa. also I just witnessed two actual dead bodies like a month ago'' you mean everything to me)#screams. I got attached SO fast this show is targeting me specifically. my broke millenials suffering in london show#I have like a number of sketches too be prepared. theyre gonna show up soon. until then#have a good day lads. be there! be there.#edit: this comic is finished and assembled in full before I listened to the solitary cyclist part one. this has been an update#I have now listened to SOLI part one. I must hit john watson with a hammer
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eddiezpaghetti · 4 months
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It has come to my attention that SOME OF YOU who read my last Byler post remain UNCONVINCED. So I'm gonna tack onto it this:
I'm older than fucking God and air, and I've been out and proud since 2007. Yes, I know what homophobia is, and yes, I know what queerbaiting is. I know about Supernatural and Teen Wolf and Sherlock and blahdyblahdyblah. No new ground is being covered here. I thought I made that clear in the original post, but, clearly, I did not.
I am aware of queerbaiting and homophobia, and I'm still wholeheartedly certain in Byler being canon anyway.
Okay, so there are three types of relationship I want to discuss when it comes to queerbaiting. They're all, like, "queer relationships that could have happened, but didn't".
First off, queer-coding. This isn't really a thing so much anymore, but it still crops up every once in a while. I'd argue it probably happens most with male-male relationships in family shows these days. First example that comes to mind is Mr. Smiley and Mr. Frowny from Steven Universe. You can't make a relationship canon because some shitty overhead bastard overhead said no, so you get as close as you can without compromising the show. Can't make someone gay? Well, now their comedy routine is a blatant allegory for a romantic relationship. Boom-shaka-laka. This is something I don't see being a problem with regards to Stranger Things, but I want it to be there as contrast, a demonstration of one of many things queerbaiting is not. However, one could argue that, thus far, Will Byers is, canonically, queer-coded. It's pretty fucking heavily implied in the show, and the creators have confirmed it, and you're gonna be able to see it if you're not FUCKING BLIND, but word of god is not technically canon which means that interviews don't technically make something canon, blahdyblahdyblahdyblah, technicalities, Robin has been explicitly stated in the text to be queer while Will has, thus far, not, outside of good ol' Show-Don't-Tell. Of course, anyone with two brain cells to rub together can tell that that's going to change by the end of Season 5, but, hey, for what it's worth, I'm throwing this out there.
Alrighty, Thingamajingama Number Two: "Oops, I accidentally made the greatest love story known to man." AKA, a genuine, honest-to-goodness mistake. Unfortunately, we do live in a heteronormative society. Sometimes people who don't think about being gay much write a friendship that's incredibly compelling and don't even consider the possibility that it could have been read as romantic. Something something Top Gun something. This is, again, not queerbaiting. This is Steddie, this is Ronance, this is Elmax, this is your favorite flavor of non-canon ship this week, this is not Byler. The creators know DAMN well what they're doing. They've talked about it. We know this. Nothing new here.
Which brings us to the topic of discussion here. Actual queerbaiting. This usually starts out as an "accidental greatest love story", and then reacts to fan response. And when I say "reacts", I mean like a goddamn chemical reaction. Like bleach and ammonia, bitch. It's noxious and it's gonna kick your fucking ass without mercy. This is when a creator is like, "Hey, let's get our queer audience invested, but we're not actually going to give them what they want because our straight audience isn't here for that/we personally think it's gross/we don't give enough of a shit to want to research a goddamn thing to write a real gay character," blah blah blah whatever excuse they want to come up with this time.
And when you think "queerbaiting", I want you to think "bullying". Because that's what it is. It's lucrative bullying, like beating us up and taking our lunch money, but it's bullying all the same. And it's a real goddamn thing, even if people misuse the word a lot, often when they mean one of the two above, sometimes when they mean "bury your gays", which is another homophobic thing entirely that I'm not going to get into here. Queerbaiting is the thing we're focused on, and it's real, and it's bullying. And here's the reason I want you to think of it as bullying:
They
Think
It's
Funny.
They are actively making fun of us.
That's why Dean had the "Cas, get out of my ass," line in Supernatural. It's why the "Do you like boys?" line happened in Teen Wolf. It's why "Lie with me, Watson," happened in the RDJ Sherlock Holmes movies. Because "It's just a joke, mate." "It was just a prank, bro." "You didn't really think it would happen, did you?" "You should see your face."
So here's probably the biggest reason I don't think it's specifically queerbaiting in this specific instance of Will Byers and Mike Wheeler.
Stranger Things has never, not once, made a gay joke. Ever.
Every single time queerness comes up, it's dead serious.
Lonnie calls Will a fag, and the show is not at all reluctant to show what a goddamn horrible person he is. And when Hopper latches onto that, it's not as "Hahah, is he gay, though?" It's because he's trying to determine a potential motive for Will's disappearance, and even if someone had interpreted it as a joke, Joyce immediately has a line that functions as snapping her fingers in front of the audience's face and yelling "FOCUS" when she says "He's MISSING." Basically outright saying "This isn't funny!"
Troy calls him a fairy, along with targeting Lucas and Dustin for their skin color and disability respectively, and Mike gets damn near murderous. Troy is portrayed as a goddamn monster and the show portrays it as justice when El makes him piss his pants and later breaks his arm.
Steve calls Jonathan "queer" as a slur and gets the shit beat out of him for it.
Billy's father is revealed to be homophobic and abusive in the same breath.
Mike says "It's not my fault you don't like girls!" and we're shown how devastated Will is and Mike immediately follows him to beg for forgiveness.
There is a joke in Robin's coming-out scene, but it's not at Robin's expense. It's at Steve's. Specifically for being heteronormative.
Jonathan has multiple scenes where he's trying so hard to tell Will that he's always going to love him as he is, whether he's gay or not, without pressuring him to come out before he's ready.
Even when there's a little bit of ribbing at Robin's expense, it's always because she's an awkward nerd who's nervous around pretty girls, just the same as Lucas and Dustin are teased when they both first develop crushes on Max, and even then, even then, it always comes as a package deal where they make fun of Steve's girl problems at the same time.
Stranger Things is an emphatically pro-gay show. It may not be the core point of the show the way it is in, say, Our Flag Means Death, but there is nothing less than respect for its queer characters. Its queer characters are always taken completely seriously. No one is making fun of us. They never have. That's why I have serious doubts that this is queerbaiting. It would come completely out of left field for the bullying to start in Stranger Things' final season.
So it's not at all likely to be queerbaiting because queerness is taken completely seriously. The creators have talked about Will's queerness, at least, so it's not an accident. And queer-coding would be silly to expect from this show when it's already on its final season. Like, what is Netflix gonna do? Cancel it? Not to mention all the explicit queerness that's in there already. And no one's gonna "What about the children?" a show that's had sex scenes in it since the first season.
There's no fakeout here. It's gonna happen. Breathe.
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writer-room · 1 month
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Isn't it fun how everyone saw what terrified them most, but Nya's was so "unbelievable" that she broke out instantly? She was shown the one thing that was supposed to terrify her, make her spiral. But of course it wasn't real. It's Jay. If there's one thing she never once doubted, its that Jay is absolutely smitten, so of course he'd never forget her. What a silly thing to think, to be afraid of. She went through so damn much for this boy, and him for her, and we know how she is. Wouldn't it be petrifying if all that work, all that emotional turmoil, that clawing for love, could be forgotten just like that? Its quite a feat, really, that she can finally be confident in knowing such a fear is irrational.
It was easy to break free from such a place. It was only ever meant to scare her, and she has nothing to be afraid of. Right?
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red-moon-at-night · 10 months
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I find it so SO interesting that as soon as Kazui's breaking their marriage vows and revealing his true feelings (literally tearing apart the dove), the wife is already falling off the balcony
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Her hair is fluttering in the wind. The apple fucking splatters on the ground this whole sequence is so visceral I'm spinning it around in my mind. Kazui views his truth telling as a violent act, the killing blow.
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chirpsythismorning · 4 months
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Can we talk about how Jonathan might've been able to clock Mike simply because of what happened with him and Nancy in season two?
This will be a long post, so you might want to strap in or save it for later.
In Will and Mike's case, it would obviously be much different from Jonathan and Nancy's situation, given that you know, they're gay. But we still have Jonathan arguably going through a similar experience as Will, while Mike is going through a similar experience as Nancy.
In s2, we see Nancy confront Jonathan about how she waited for him before getting back with Steve, which is a revelation to him. Then they're at Murray's and she's struggling to say she loves Steve, after a handful of moments between them that felt like she might return Jonathan’s feelings. And you can clearly see it in his eyes, listening to Murray imply that they have feelings for each other, with him looking back and forth sort of in awe of what's happening, like he's starting to question if she might actually like him back.
Will doesn't have that same affordance as Jonathan to really hope, at least not anymore. Which is why these relationships in s2 and s4 end differently for these two brothers.
Based on all the signs he was seeing that Nancy felt the same, Jonathan decided to take the plunge to admit to Nancy how he felt, and at that same moment Nancy had the courage to show how she felt. In Will and Mike's case, Will wasn't ready to take the plunge to admit to Mike how he felt, at the same moment Mike didn't have the courage to show how he felt.
What's so painfully hilarious to me about all of this though, is that Jonathan arguably starts the season in the same shoes as most of the audience, where from his perspective, it's becoming obvious to him now that Will like's Mike, but that Mike does not feel the same way.
First at Rink-O-Mania, Mike appears a little uncomfortable upon hugging Will. Then as the happy couple continues on their adventure into Rink-O-Mania, he watches Will lagging behind moping. And then unfortunately he's out of commission for the rest of the evening...
But once he's sober and back to being an attentive brother the following morning, we see him watching them at breakfast, with Mike barely sparing Will a glance, all while Will is blatantly staring, almost like he's waiting for Mike to look back, only for Mike to get up and walk away.
All of these instances gotta be SCREAMING unrequited gay love to Jonathan. He's already gotten signs for years that Will is gay, these are now just the signs that are instilling his suspicions that Will has feelings for Mike. He could have easily interpreted their relationship in the early seasons as young best friends, with Will seeming to have a crush on Mike, and with them growing up and that potentially including Will's straight friend distancing himself from him because he doesn't feel the same. It's not the most unexpected thing in the world considering.
But then there's a shift.
Suddenly he's creeping up on them talking in his room. And we know he was listening in on the conversation because he brings up Owens when he sits down. As he's eavesdropping, he's probably thinking something innocent like Aww they're making up! And like, hey! Even if Mike doesn't feel the same, which is okay and entirely expected honestly, at least he still cares about Will enough to make things right after acting so out of character. Still, I'm not gonna lie, that sounded a lot like flirting to me--
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Then he's knocking on Will's door like 30 minutes or less later only to find Mike and Will back on their bullshit. Mike suddenly isn't going out of his way to ignore or put Will on the back burner. In fact, he's on his bed and they're talking, again! The door is even closed this time, which is interesting. This has gotta be a good sign in Jon's eyes. Nothing to worry about! Right? Right...?
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But then suddenly this shift continues, going in a direction he probably didn't expect.
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I mean, this is literally an identical jancy parallel we have here with byler on the hood of the car, with Jonathan right there to witness it. Despite him maybe only now subconsciously picking up on the similarities between Will and Mike to him and Nancy here, he's at least taking note (I mean he's even got his gay map out and everything).
It isn't until the van scene happens, that I think Jonathan starts to genuinely consider his suspicions, which is that Mike might actually like Will back.
EVERY time we get a shot of Jonathan looking back at Will and Mike in the van, followed by a shot of his POV from the rearview mirror, we're faced with Mike looking at Will while Will is looking away.
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As Jonathan is hearing Will confirm his suspicions about his feelings for Mike, he's simultaneously witnessing Mike not looking at Will with disgust, but something more akin to reverence. All of those moments in the van that we witnessed, including all the ways Mike looked at Will and everything that was said, Jonathan was right there.
And what's even more insane about this scene, is that it circles back to Jonathan as a character himself.
I remember when people were talking about how odd it was that we never saw Jonathan with a camera in s4. After 3 seasons in a row of making his passion for photography a big part of his identity, that part of him was apparently absent entirely this time around... But was it really?
This is the same guy that said, "Sometimes, people don't really say what they're really thinking. But you capture the right moment, it says more."
Jonathan might not have had his camera in s4, but this was without a doubt one of those moments where he captured something more.
Something that I also think get's highly overlooked about this scene, especially when it comes to Jonathan looking back at them, being followed by a shot of Mike staring at Will, is that he could see both of their reactions the whole time, from beginning to end. Will nor the audience had the affordance of knowing because Will was facing the other way at the end, while we on the other-hand were blurred from even having the chance, despite Mike literally being in the frame. But not Jonathan. He even lets us see what he sees, a few times, but not at the very end, which would have been nice after they didn't let us see Mike's reaction seconds before this.
Let's just stop right there for a second though and circle back to what I consider to be the first time Jonathan really picked up on Will's feelings for Mike, which was at the end of s3, in a sequence that is a little too relevant to the van scene if you ask me, given that they are almost direct parallels.
While these parallels are pretty spot on visually, they are also near spot on narratively when it comes to the evolution each of these characters are experiencing.
For Will in the first scene, it's sadness that he's moving away from his friends in Hawkins and also feeling like he's losing Mike, after what looks like him and El making up, which makes him scared he'll distance himself again. For Jonathan, it's sympathy for his brother who appears to have some very deep feelings for his friend, feelings he can't quite grasp yet but soon enough will.
For Will in the second scene, it's heartbreak that he has to accept that Mike will never feel the same, knowing that supporting his relationship with El (encouraging it honestly) will likely turn out just as it did last time, with him losing Mike all over again, for the last time. For Jonathan it's sympathy for his brother who has now confirmed his suspicions that the feelings he has for Mike are more than just that of a friend.
Given that this parallel reinforces the same feelings Will and Jonathan had in s3 to now, why would this not also reinforce those same feelings that Mike had in s3 to now?
In the first scene, Mike was visibly distraught, with dialogue from Hopper in the background applying a little too perfectly with what he was feeling in that moment, which was scared. He’s apparently back together with El now, despite them doing just fine as friends for the last 3 months, as well as him and Will just having finally gone back to them being on good terms again. But now, it’s like he’s right back where he started at the beginning of s3, feeling obligated to be the perfect boyfriend to El, and as a result, having no choice in his eyes but to distance himself from Will. Mike then walks into his house looking like a zombie, almost emotionless stepping into his mother's embrace.
Now, I say almost emotionless because it looks like Mike was trying to hold back showing how he truly felt in this moment. He's not crying like he did in s1 when he lost Will that first time. Time has passed and things have changed (he doesn't want things to change). And he's trying his best to keep it together. But the in-focus close-ups make it clear that he is definitely not okay.
What's so impactful about these parallels is that it presents the inner struggle both of these characters are having, both queer and experiencing doubts, but in different ways and for different reasons.
Will is the one who covers it all up with lies, hiding the tears in his eyes, because boys don't cry.
Mike is the one who has never cried to them, just to his soul (RUN AWAY! TURN AWAY! RUN AWAY! TURN AWAY! RUN AWAY!!!).
If you actually try to get a gage on Mike's in-focus emotions in that first scene vs. his out-of-focus emotions in that second scene, well they're not that far off from each other.
We go from Mike smiling vibrantly at Will, to him now slowly turning away to look back down at the painting, with whatever the hell emotion this is...
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It's near impossible to catch because of how out-of-focus it is, but looking a lot closer, it honestly appears like Mike is feeling something akin to sadness that he's trying to mask. For a moment it even looks like he turns his head to wince emotionally, only to correct himself.
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And call me crazy, but these shots also low-key parallel each other. Mike looking down trying to keep his emotions in check and failing miserably, only to look up and meet eyes with someone whose witnessing it.
With each shot before this of Jonathan observing Mike looking at Will, with him showing all the emotions Will never got to see and everything else in between, I wonder what Jon saw this time? Probably another thing he didn't expect.
Can you just try to imagine the silence in this van, accompanied by Will's muffled sobs, and then try to imagine Mike turning to look down at the painting, only to sneak a glance, and then go right back to looking at the painting, IN SILENCE, and then try to tell me how the assumption that Mike didn’t notice Will crying makes any sense, like realistically?
Yeah me and Jonathan are confused too.
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Right now, Jonathan's probably wondering why Mike was acting a little fruity and repressed during the painting reveal. And that although he may have a penchant for being able to 'capture the right moment', Mike is sticking with his story (despite all the stalling and doubt). He is 100% straight!
And so maybe this is where Jonathan tries to accept what is being presented to him as the truth, despite the contradictions in front of him. It's likely that despite the way Mike looks at Will and acts around him, in ways he would have assumed coming from Nancy in s2 would've been evidence that she felt the same, it probably doesn't apply to Mike.
Maybe Jonathan's ready to accept that it's a lot more likely Will is experiencing unrequited love as a gay kid growing up in a small town, the most predictable experience a gay kid could go through, and in contrast Mike just feels too bad to let Will down easy.
Or who knows, maybe Mike could still be a little bit gay too...
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But it doesn't matter anyways. Mike seems to be adamant about this and so there's really nothing else Jonathan can he do besides tell his brother he'll be there for him no matter what. And so he does just that.
But then Mike just has to surprise him one last time.
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For those that don't know, the line Mike gives here in his monologue was in part pulled from Will's monologue in the van. Most don't know this because this line didn't make the final cut for the van scene, but in the official script the writers posted, what we find is an almost a direct parallel.
Which makes the reaction shots of Will and Jonathan directly after Mike says this all the more epic.
From Will's end he was probably hearing Mike say this and just thinking 'Damn. Well, that's what you get for using your feelings to inspire Mike to profess his love to El.'
But from Jonathan's end, I don't think his outside POV of these events overlapping was nearly as naive as his brothers understanding of the events. Because why the fuck would Mike need to use Will's feelings to inspire him to profess his love to El in the first place? Is this what Mike has been struggling with? Really? Why before every moment Mike takes action in this scene, is Will's hand literally pushing him into it? Why is Mike being so dramatic about saying I love you, stuttering and rambling about her being a superhero, not saying nearly as meaningful of things as what Will said in the van?
And then it hits him.
Mike is reminding him a little too much of another Wheeler right now...
Nancy Wheeler, who was afraid of what would happen if she accepted herself for who she really was, leading her to retreat back to the safety of Steve. Because Nancy liked Steve, but she didn't love Steve.
And now here is Mike Wheeler, who has went from being incredibly distant with Will after reuniting with El, something that is very unlike the Mike he knew in previous seasons, to something more himself again after they make up, with him looking at Will with adoration after hearing his words in the van, only to turn away and look heartbroken. Mike who is now struggling to simply tell El he loves her with Will right behind him literally yelling at him to do it.
And now it's like all those little moments are starting to add up to Jonathan.
Suddenly all those signs he picked up on from Will when he was younger are now blending in with moments Will shared with Mike. It was Mike who jumped in after him and his mom's speech to Will in the shed in s2, with tears in his eyes recalling the day that they met (without being asked, let alone pushed to). And it's Mike who is now looking like he's at war with himself as he attempts to give encouragement to El, just like he did with Will in s2, but this time he needs someone to push him to do it, and that person just so happens to be Will. After just finding out about Will's feelings and also while assuming El wants him to love her that way still, Mike is stuck.
I don't think it's takes a genius to consider Jonathan is capable of realizing how fucked they all are in this situation.
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As much as Mike isn't ready for a sleuth of reasons, Will isn't ready either.
This provides a huge contrast between the bylers ², because while Jonathan and Nancy went through a similar experience to Will and Mike, them being ready to accept it and act on it didn't involve nearly as many factors and risks. Will and Mike also have the added barrier that is homophobia.
Will's internalized homophobia lies in part with assuming Mike could never feel the same based on some of the words he said in their last two fights, with parts being painfully reminiscent of the things his dad and bullies used to say about him. These are also words that contradict Mike's own words and actions from the previous seasons, things that did once give Will hope. The shame and guilt that comes with falling for your best friend, who you now know will never feel the same after being foolish enough to believe it not too long ago, and who might not even want to be your friend anymore upon finding out the truth, is understandable. He can't have hope like Jonathan can. It's just not the same.
Mike's internalized homophobia lies with assuming El wants him to love her, along with their relationship being expected and socially acceptable from everyone around him. Though unfortunately for her he feels abundantly more in love in the moments he shares with Will. Despite trying to make it work with El as hard as he could, because she's amazing and all any guy could hope for in a girlfriend, he can't ignore the fact that the feelings he has for these two people are different. The shame and guilt that comes with you, a boy, falling for your best friend, who is also a boy, and who is starting to show that he feels the same, all while you can't muster up the courage to break up with your girlfriend, nor can you muster up the courage to tell her that you love her, not when she's begging you, dying or even just simply at the end of a letter, is pretty understandable too. He can't have hope like Nancy can. It's just not the same.
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Spoiler: They were not ready.
PS: I'm still not over the fact that they low-key confirmed these events elsewhere in the story...
#byler#st analysis#pocketgate#lettergate#i'm aware this is a hot (big brain) take#but i'm like 76% sure mike understood will in the van scene#also why mike is gonna finally be dealing with some personal business in s5...#just want to add that this makes the scene at Nina hit harder#also#mike trying and failing to tell el he loves her or break up with her at surfer boy and stalling because he just can't fucking do either?#mike's face when will pushes him to profess his love to el right in front of him???#honestly i dont think mike would've gone through with his monologue if he didn't think this is what el wanted in large part#i think he thought that if he did break up with her she wouldn't need him at all anymore#or more specifically if told her the truth she might hate him for it and just not want to be in his life in the aftermath of that#this is why he struggled so much with being honest#it was either lie and suffer but get to keep her in his life most likely or tell her the truth and potentially lose her and still suffer#it's just that now he has literally no choice but to conform and be with her all while knowing it's not what his heart truly wants#the heart not being true to himself jumpstarted the apocalypse#everyone act surprised#byler getting jonathan’d in s5 can be something so personal#no but imagine jon getting even more signals mike feels the same 😭#and he tries to talk to will about it but will just gets upset like pls stop why are you saying this?#or imagine him talking about it subtly with Nancy and her being like no way#only to see it for herself#maybe then Nancy would try to talk to Mike about how he’s feeling#idk I could genuinely see byler just getting byler’d individually#but it’s clear at this point Jonathan is extremely suspicious#honestly all I think it would take is him having intel about their previous fights#if he found out mike defended his behavior by insisting that they’re friends…#jonathan would just be like… oh shit.. the first lie…
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seiwas · 6 months
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there is a very specific image in my head of early-mid 20’s iwaizumi hajime
#iwaizumi x reader#and he’s the guy taking on an internship in his senior year with minimum load for his classes#bc he’s planned it all out since starting college#you see him in parties because he has the time & he works so hard it’s only right he plays hard too#every time you lock eyes he gives you a small smile#there’s an air about him that isn’t cocky but isn’t too shy; a comfort that settles into his skin like he’s sure of who he is#—of what he wants & it definitely isn’t hauling up his drunk friends and a few acquaintances up his car#but some of them are your friends and you’re helping him so maybe it isn’t so bad#he drops you off with your roommate and you rarely see him after#until you spot him at some bar (again) and he’s wearing a tight fitting polo (it’s his uniform you later notice)#it’s a year or two after your graduation and when you lock eyes across the room there’s something so familiar yet wholly different#he’s confident now & maybe a little flirty too when he tells you he’s working as an assistant to shadow one of his mentors#you catch up for the rest of the night and your friends have long since gone ahead#he still knows what he wants and it’s to bring you home—not that way (not yet); you’re a little suspicious because#you know there’s /something/ but he drives you home like a gentleman. without really trying anything (and maybe part of you wishes he did)#it’s iwaizumi though and he knows what he wants—to ask you out properly (one he’s been thinking about since chance encounters in uni)#and he’s hoping that when he asks you can tell just how much he likes you#hajime#i want him so bad im crying#there is a whole workd of backstory to this but i got lazy typing it#shotorus.bubble
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phantom-0-writer · 1 month
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The Justice League had finally given the go ahead to officially form the Young Justice. Not that any of them were going to stop regardless of having permission. Since the Justice League had opened up their slots for more than the original six earlier that year, Batman thought it would be a good opportunity to use the Young Justice to help reach out and recruit some other heroes without drawing too much attention by going themselves. With protégés of most of the originals in the roster it was a solid plan.
They had been told about their newest "assignment" (if you could even call it that) earlier that day and they would be leaving in the morning. They were supposed to go meet a duo in Illinois (it was their base of operation even though they'd worked in other place). Phantom has been in the vigilante/hero scene for almost 10 years now, and Red Huntress started a few months after him.
Their names were well known, Dick had known of them even before he became Robin. But despite their national (maybe even International fame) little was actually known about the duo and the rumored Team Phantom that alluded to there being more than just the two. Dick had been a big fan of Phantom, and modeled a lot of his moves off of the super-powered hero.
Batman told them that they had already reached out the Phantom (Red Huntress had deferred them to him, and refused to speak with them afterwords) and he agreed to meet the YJ team and mentor them for a designated amount of time. There had been rumors in certain forums that the JLA had reached out to Phantom to be one of the original members of the league but he had turned them down. When Kid Flash had brought it up during the meeting, Batman refused to confirm or deny (which was proof enough).
The plan was for the YJ would stay in Amity Park for 15 days and learn from them, they would check in after that to see weather their stay should be extended. Specifically citing that their legendary teamwork would be incredibly beneficial to learn from to strengthen them as a team. The other plan, and equally as important, was to warm them up to joining the JLA ranks since a direct invitation hadn't been received favorably.
All that was thrown in the window when, three days in, the YJ, Phantom and Red Huntress get portaled to an unknown destination, with strange and unknown life(?) forms, with no supplies, no working communicators, and worst of all, no way back.
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soapysudz · 4 months
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qqueenofhades · 2 years
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Okay, sort of on that note: I know we are all thoroughly enjoying the Bird App's destruction and drama and firing shots in the air to keep our property values low and complaining about Twitter users moving here and all the rest. But I'm gonna be real with you for a second and offer a Hot Take that might well get my Tumblr elder credentials revoked:
As long as they are willing to play ball with us and understand the rules of the road and etc (and lbr, we have plenty of absolutely idiotic Disk Horse of our own, that will never go away), we should a) actually be glad that they're coming here and b) recognize the far more sinister aspect of Twitter's slow motion Jenga collapse. Because it's all fun and games until the massive human rights violations and democracy destruction starts (or rather, continues). Why is that? Well:
As noted a few weeks ago when this insanity started, the second-biggest investor in the Twitter takeover, apart from Musk himself, was the Saudi government. Now, I have a friend whose PhD dissertation in sociology I have been copy-editing/proofreading for the last few years (he is originally from Saudi Arabia but doing his PhD in the UK). A huge part of his research is about how ordinary Saudis use Twitter HEAVILY, and as a replacement for the freedom of speech they aren't allowed in any other formal aspect of their country, despite many cosmetic reforms and plans for greater international investment and openness. The Saudi government, while tolerating this newfound criticism on the surface, has also routinely jailed these citizens for one critical tweet about them, including those made while the person in question was not in the country. In other words, they're not nearly as happy about this as they like to pretend, even if they're putting a good face on it, and especially during the Arab Spring and other attempted uprisings/calls for reform in the region, Twitter was a hugely effective way to circumvent government narratives and get out community information. After all, it is the biggest communication platform in the world, and anyone can instantly use it.
So, enter Musk: a petty alt-right billionaire who pals with dictators and can do anything he wants by burning ungodly amounts of money. He partners with the Saudis. Two weeks later, Twitter is going down in flames, its entire top legal team has quit, Musk is braying about bankruptcy, advertisers have fled, it's 50-50 whether it survives the year. And yes, this could be because Musk is a sociopathic idiot, since he is. But if you consider that this one evil prick can literally destroy half of the world's only medium of quasi-free speech and community organising just by throwing $44 billion at it... well... that's a lot more sinister than just him wanting to make "free speech" for all the absolute dregs of the Internet who adore him. In other words, it starts to look awfully deliberate, and Musk is anything but a fan of democracy, community organising, and all the rest.
Anyway: Tumblr doesn't function the same as Twitter, we don't want it to, and we are able to laugh at its burning corpse because many of us don't rely on it as our one and only place of meaningful speech and ability to criticize the government. But if Twitter DOES go down in flames, it will be a huge and irreparable loss in a real sense, and in that case, if you see a Twitter user poking their head in here, give them some rules of the road, advise them to change their icon, and otherwise let 'em stay.
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bericas · 2 months
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isaac & scott / mason & theo | sometimes all i think about is you
#twedit#twvid#scisaac#mason x theo#twrarepair#back on my scisaac masontheo parallel bullshit btw#back on my masontheo is just scisaac if they were True enemies to lovers bullshit. btw. if anyone was wondering.#like of course scisaac and masontheo get paintaking scenes. its enemies to lovers. ofc mason calls theo a bitch its FULL enemies to lovers#for clarity the hands at the rave and the masontheo hug r parallels to ME bc its touch with an excuse for it#scisaac can brush hands when theyre holding a needle between them and theo can hug mason when its a means to an end#the rest i feel r fairly straightforward but i wanted to share the vision for that one#mason hewitt#theo raeken#scott mccall#isaac lahey#tw#oh also the last shot is the last shot of isaac and theo respectively. if that wasnt clear.#like how isaac and theo both nebulously sort of Gone from beacon hills#and the theo shot also to me looks like footage from The masontheo ep 618. btw. which just brings me joy#actually i have more to say. hi. masontheo r just so.#you know how isaac kind of has. he has the awkward tenderness of someone who has never been loved and is forced to improvise#theo doesnt even have THAT!!!! scott holds out a hand and isaac takes it with an awkward fervor#mason keeps his hands to himself because he doesn't trust what theo might do with it and theo can only help when its helping himself#bc the tenderness will be TOO AWKWARD. so isaac says he wont leave without scott and theo says we need to find him so i cant leave you#so isaac grabs scott because scott makes him feel safe and theo can only grab mason when its part of a script bc thats how he feels safe#HELLO. IS THIS THING ON. DO U GUYS HEAR ME. SCISAAC IF THEY WERE TRUE ENEMIES TO LOVERS!!!!
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mwagneto · 7 months
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this site is so unlike anything else in all the best ways and they've tried for years to make it profitable but couldn't because a user-friendly and user-driven experience and profit simply cannot coexist but stagnating/dropping profits aren't an option in today's climate. that being said i highly doubt tumblr is going down it feels too unkillable but if it is im not going to instagram or twitter or mastofort or whatever i will simply walk into a forest and become moss. god bless
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