#i guess it has something to do with them only being silly kids or that's really just their basic dynamic 99% of the time in the show | Explore Tumblr Posts and Blogs

hairmetal666 · 11 months

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The note shows up in Eddie's mailbox cubby on Valentine's Day.

It's nothing fancy, loopy cursive handwriting on lined paper:

"I know this is probably silly but I can't go another day without saying it, and today seems appropriate for this kind of confession. Seeing you in the morning is the best part of my day. You're so gorgeous it leaves me breathless. I hope you don't mind if I don't leave my name. Just wanted you to know that you're beautiful."

His eyes fill with tears that he blinks back, a goofy smile stretching his mouth wide.

"You good there, Munson?" Robin Buckley asks.

"Oh, yup, yeah, all good." He laughs. "Just got one of those 'you're my favorite teacher Mr. Munson!' notes."

He squeezes the letter to his chest before slipping it in his pocket.

---

The worst thing about Eddie's new job is that someway, somehow, Steve-fucking-Harrington works here too. PE teacher, JV basketball coach, of-fucking-course. Once a douchebag jock, always a douchebag jock. What makes it all worse is that he's still the prettiest guy Eddie's ever seen.

---

The first week of March, there's a commotion in the hallway that has him rushing out of his room, ready to breakup a fight. He finds Harrington already there, holding Dustin Henderson and Will Byers by their shoulders. Troy Walsh and James Dante stand across from them, wearing matching snarls.

Of course Harrington is picking on little nerd kids; he knew it. But before he steps forwards to break it up, Steve speaks, voice low and angry. "You want to tell me what happened here, Troy?"

"Byers tripped. He really should watch where he's going," Troy says. James laughs.

Steve's glare goes even more icy, more disdainful (it's so fucking hot, Eddie hates it). "You want to take that again? And try being honest this time, or you're suspend from the team."

Troy splutters for long enough that Eddie finally notices Will's stricken face, the sketchpad and snapped colored pencils littering the linoleum.

"I saw you take those things from Will, and unfortunately, I'll have to call your parents and you will be responsible for purchasing a new sketchbook and pencils. You're also benched for the next four games."

The boys shout, but when Steve raises a hand they quiet immediately. "You want to complain more, or do you want it to be five games?"

"No, sir," they answer before scampering off.

Harrington faces Dustin and Will. "You boys okay?" he asks them.

"We're good, Mr. H," Dustin answers.

"Glad to hear it." Steve begins collecting Will's ruined belongings, stops to study one of the drawings.

"This is really good, Will."

Will flushes. "Thanks. It's my character for dnd,"

"Dnd? That's that game that El and Max are always talking about? With the character sheets and the dice?"

"Yeah!" says Dustin. "You know it?"

Steve's smile is a little bashful, and it tugs at Eddie's heart in a way he has to ignore. "Not much. Just from what the girls have said. You want to tell me about it?"

"Really?" Their eyes light up.

"Really. You can stop by the gym during lunch. Only if you want to, though."

"Cool," says Dustin.

He pats them both on the shoulder, and they hurry away, leaving Steve and Eddie suddenly alone.

Eddie should head back to his class, hasn't been needed in this situation at all, really, but before he can disappear, Steve spots him and his eyes widen.

"You need something, Munson?" Steve's cheeks go a faint pink.

He shakes his head, feels wrong-footed. "Uh, that was really cool what you did just there."

"They're really good kids," Steve says. "I know them a little. Used to babysit El Hopper." He slides his hands into the pockets of his khakis and, seriously, fuck Harrington for looking like that in a pair of Dockers.

"Babysitter, Harrington? Never thought I'd see the day. Or that you'd be the one defending a bunch of nerds," Eddie says. He means it teasing, but Steve's face warps into a frown.

"Y--yeah, I guess. I mean. I'm trying not to be that guy anymore, and Robin's really helped--"

"Shit, man, I'm sorry. That's not what I meant, at all--"

"--I feel terrible about all that shit I pulled back in school. That King Steve stuff? I was awful and you didn't deserve--"

"Steve!" Eddie cuts him off. "I forgive you. For everything." He looks down at his shoes. "For all I didn't want to believe it, you really have changed."

They're both pink faced now, avoiding each other's eyes. "Thanks," Steve says. "I should get going, but--for the future-- I really wouldn't mind--um--trying to be friends."

The grin that passes across Eddie's face is huge. "Yeah, Harrington, I'd like that."

Eddie has to run to make it to his classroom on time. He passes Dustin and Will and the rest of their gaggle of friends, rushing them along, but forgets all about it as he steps in front of his third period juniors.

---

He and Steve are...friendly now. They chat, they joke, they share smiles that have Eddie's heart beating too fast even though it's not like that. Turns out Steve is kind and funny (a little bit of a bitch too, but in a way that ties Eddie's stomach in knots), and a hell of a teacher.

---

His freshman are in small groups, peer-reviewing an essays, when Max Mayfield catches his eye. She's one of his favorite students and absolute trouble.

"What's up, Mayfield." He asks.

"Are you friends with Mr. Harrington?" She asks.

He chuckles. "Sure, Max, we're friendly enough. Why?"

She narrows her eyes, like she knows he's not being totally honest. "Oh, nothing. He just talks about you all the time."

He's blushing horribly and Max, and all of her friends, smirk up at him. "He does?" He chokes out.

"Mmhmm," Lucas Sinclair says. "Says he thinks you're really cool."

"Definitely one of the best teachers here," Mike Wheeler adds.

Eddie rolls his eyes. "Okay, very funny, guys. How're your essays going?"

They answer, but before Eddie goes to help another group, Will says, "he really does like you, Mr. Munson. A lot."

El nods earnestly up at him. "It is true," she says. "I know him."

"Thanks, kids. I'll keep that in mind." He gives them a smile, tries not to let their words get to him. When he reaches the next group, though, he notices his hands are shaking.

---

Gifts start turning up in Eddie's cubby. It starts with a bag of oatmeal chocolate chip cookies from his favorite bakery. There's a small note that says "from your secret admirer," on the packaging. Every two weeks or so, something new shows up in his little mailbox; a woven friendship bracelet, a yellow rose, Hershey kisses, a delicately painted dnd figure that gives Eddie a small crisis because it's his own bard character, an Iron Maiden cassette, a bag of dice that almost brings him to genuine tears.

Eventually, he gets another note. This one is typed and reads: "I would love to have coffee with you 11am this Saturday at the Cafe on Main Street."

---

He walks into the cafe at 10:50am, wearing his favorite pair of ripped black jeans and a burgundy button-down, his hair pulled into a loose bun. He doesn't recognize anyone there.

Eddie gets in line, studies the menu, and the little bell above the door rings. He whips towards the sound to find none other than Steve Harrington in little wire rim glasses, a butter colored sweater, and jeans the man must have painted on, Jesus Christ. Honestly, the whole thing is enough to give Eddie a coronary (and to, embarrassingly, chub up in his own tight jeans).

"Steve?" He asks. He's overwhelmed with the (stupid, stupid) hope that it's been Harrington all along. "What are you doing here?"

"Henderson asked me to meet him. He around?"

"Uh, no?" Eddie feels heat creeping up his throat.

Steve shakes his head, as though he expected as much. "You alone? We could grab drink."

"I can't believe this." Eddie hides his face in his hands, knows it's gone horrifyingly crimson.

"What's wrong?"

"My secret admirer told me to be here now, so we could meet," Eddie's misery slices through his words. "I'm such an idiot."

"I--your--what?" Steve stammers.

He gathers himself enough to look Steve in his hazel eyes and ask, "I'm assuming it wasn't you leaving notes and gifts for me at work?"

And he expects Steve to say no. To laugh and ask why he'd ever do something like that, but instead, instead he flushes a deep red. "O-only one note."

"What?"

"I, uh," Steve clears his throat. "I left you a note. On Valentine's Day. I--we weren't friends yet, and I wanted you to know how much I liked you. It's --uh--it's pretty silly, huh? Robin's--"

"Steve," Eddie interrupts. He's going to tell Steve that he reads the note often enough that he has parts memorized; that it's the kindest thing anyone has done for him, but what he says instead is, "Dustin Henderson told you to meet him here at 11?"

"Yeah. Said he had something to show me."

Eddie remembers running into Will and Dustin and their friends that day in the hall, the weird conversation in class, the dice and the miniature. Something must click for Steve at the same time because his mouth drops, blush getting somehow deeper.

"Oh my god. Henderson! I'm gonna kill him. They figured out I had a crush on you."

"They WHAT?" Eddie says, loud enough that several looks are aimed their way.

"I'm so, so sorry, Eddie. Holy shit, this is so humiliating. You have to believe me, I had no idea they were doing this. God, I'm really starting to think it is possible to die from embarrassment."

"You have a crush on me," Eddie says instead of any of the dozens of helpful things he could say.

"Um. Yes?"

Eddie takes a deep breath, straightens his spine, and asks, "You wanna have coffee with me?"

"I'd really like that." Steve's return smile is so beautiful, it makes Eddie weak.

---

Eddie Munson is making out with Steve Harrington in the backseat of Steve's BMW. He and Steve spent the day together. They've kissed for so long that the sun has set, both of their lips are swollen, their skin red from stubble, and Eddie is nowhere near ready for the night to end.

Steve breaks away, gently pulling their mouths apart, but arms still tight around Eddie. "Hey, what kind of gifts were they giving you anyway? The kids?"

"Oh," Eddie blushes. "Uh, cookies, a dnd mini, lots of candy, a set of dice."

"Oh my god," Steve says, he pulls a little more away. "Oh my god, I'm going to kill her, Jesus Christ."

"Who are are you killing, sweetheart?"

Steve groans. "Robin. She was helping them. We found a set of dice at this little bookstore and she told me to get them for you, and--" he breaks off with a helpless, frustrated noise.

Eddie doesn't mean to, but he starts to giggle.

"It's not funny!" Steve says.

That only makes Eddie laugh harder. "Your best friend," he squeaks. "And a group of literal children set us up. That's hilarious, Harrington."

Steve's mouth drops and for a second Eddie thinks he'll be upset, but then he's giggling too, his whole face crumpling into it.

Steve pulls Eddie close once the laughter subsides, his eyes trained on Eddie's lips.

"We could pretend we didn't get together," Eddie manages to say.

"What, like, make them think they failed?"

"Yeah. We could tell them I got stood up, but you and I hung out. Had a bro day."

Steve giggles again, and it's the best sound Eddie's ever heard. "I'm absolutely on board with this plan, but you should definitely kiss me some more."

"Oh, yeah?" Eddie asks, his voice low. "And what'll I get out of it?"

"Why don't you get over here and see."

As if Eddie could turn down an invite that enticing. He slides a hand behind Steve's head, drawing him in, and they're kissing like they never stopped. It only been a few hours, but Eddie knows--without a doubt--he's already head over heels.

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ineffable-romantics · 9 months

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Some thoughts on why and how I believe Crowley and Aziraphale's relationship would incorporate sex/why I do not read them as wholly asexual:

This is something I've seen the most discourse about in this fandom, and I've had a few thoughts of my own that I really wanted to expand upon in a full meta/character analysis post. I do understand that this can be a contentious topic, so first, let me clarify a few things:

First of all, this is going to be long. Tbh it probably won't be that organized either. I ramble and I'm not very good at editing, so just... you know. Be warned. (*Hi, it's me from 2 days after writing this; I'm really not kidding, it's LONG)

These are all my own thoughts. They might not be hot takes, because recently I've seen more than a few people come to the same conclusions on a lot of these points as I have. But I've also had these notes in my drafts for about a week and a half now, and have been continuously adding to it as things have occurred to me. This post is essentially just somewhere for me to collect the separate but related meta I've been kicking around in my head.

I fully respect anyone who does see and prefer an asexual reading of this relationship. These are my own thoughts and interpretations as someone who is not asexual. I am in the LGBT+ community, so while I do know a few things about the asexuality spectrum, I am by no means an expert.

This is NOT something I expect, need, or even necessarily want the show (or, God forbid, Neil's tumblr ask box) to address. Tonally, it's just not that kind of show. Newt and Anathema's sex scene was very much played for laughs, and it worked for that reason. If the show found a way to address it in a way that was both appropriate for the tone of the show and ultimately satisfying, then great! But there is so much more to this relationship than sex, and I didn't need a kiss to confirm their love, so I certainly don't need a sex scene. As immortal beings (as I assume they'll stay) there is so much of the rest of their lives we'll never get to see. You can headcanon them as asexual and potentially be right. I can headcanon them as not and be equally potentially right. Again, these are just a collection of my own thoughts, because I think the question of sexuality (or lack thereof) is just as interesting a facet of these characters as any other.

Note: Tbh I've been second-guessing this whole post and debated deleting the whole thing several times for being silly or unnecessary, bc I don't want anyone to think that this is the only thing I care about when it comes to this story/characters. But if nothing else, it's inspired me to write in a way that nothing has in a very long time, so I've decided it's worth continuing, if for no other reason than that.

This is going to be a mixed bag of textual reading, subtextual reading, and a full-on reach or two. It's been a while since I've been in an English class, but if my teachers expected me to find a deeper meaning behind blue curtains, you can expect me to read too deeply into the symbolism of a loaded rifle or an ox rib. (This is probably not what my professors had in mind when grading my literary analysis papers but oh well) My point is, if it feels like a reach, I'm as aware of it as you are. I am in no way saying that all (or even any) of my points made were deliberate on the part of Neil or the actors or the writers or the directors. I am no longer the delulu Apple Tree Yard child of my youth, I promise.

If anything said here is in any way offensive or hurtful to anyone in the asexual community, please do not hesitate to message me or comment and let me know exactly what it was. I promise you it is not my intention to do so, and am happy to clarify or outright edit anything that reads that way.

With all that being said, let's talk about why I think Crowley and Aziraphale would absolutely fuck nasty incorporate sex into their relationship.

Note: I am out of practice with essay writing, so I think I'll just go down the bullet points of notes I have been making, and expand on each as best I can

Food

Where better to start than with Aziraphale's introduction to Pleasures Of The Flesh? (Just a heads up, this entire post may feel very Aziraphale-heavy, and with good reason).

This might be the least hot take here. We've all seen the Job minisode. We've all seen That Scene.

Whether this was intentional or not, the symbolism here is off the charts. Eve was tempted by an apple. So why not go a similar route and tempt Aziraphale with another fruit, or cheese, or bread, or literally anything else for his first experience with food? Instead, we go with a huge, glistening slab of fresh meat that he proceeds to absolutely go feral upon, moaning and gasping into his meal while Crowley watches with what definitely doesn't look to be disgust or even satisfaction with a good temptation. There's surprise at the ferocity of Aziraphale's appetite, certainly. But ultimately he looks to be intensely fascinated by it, while the thunder crashes, the music crescendos, and the earth literally shakes around them.

(It's also interesting to note how very little it takes for Crowley to tempt him with the ox rib. One murmured suggestion, a bit of unwavering eye contact, and vavoom Aziraphale immediately meets him in the middle.)

Cut to Aziraphale devouring the rest of the meat with Crowley splayed back on a makeshift bed, drinking wine and continuing to watch him indulge through half-lidded eyes. Outside a thunderstorm rages while they're learning secrets about each other in warm flickering firelight. It's cosy, it's intimate, and if they'd thrown in a bearskin throw blanket, it might as well be a post-coital scene straight out of Game of Thrones.

The next time (chronologically) we see them discuss food is when Aziraphale "tempts" Crowley with oysters in Rome. So Crowley first tempts Aziraphale with meat and then Aziraphale tempts Crowley with what is widely regarded to be an aphrodisiac. Interesting.

And then chronologically after that, the Arrangement begins to form, which has always reeked of a friends with benefits situation. Just to throw that in there.

It's What Humans Do

In the very first episode, we're shown Gabriel's obvious disgust and bewilderment towards Aziraphale eating sushi, calling it "gross matter" and being proud of the fact that he does not sully his body with it. Aziraphale initially tries to defend his own enjoyment in it, before passing it off as something that humans do, as something he simply has to do in order to blend in (which we know very well is not the case).

He does this again in season 2, passing off Nina and Maggie being in love as "something humans do". But it isn't, is it? Angels are beings of love, and can sense it, and understand very well what it is... up to a point. Even romantic love is obviously within their wheelhouse, given what we now know happened between Gabriel and Beelzebub (we'll come back to them).

What the "humans do" that angels wouldn't understand is messy, physical forms of love.

But here's the thing: Aziraphale and Crowley love doing what the humans do. They love drinking, they (or at least Aziraphale) love eating. They love music. Crowley loves driving and sleeping and watching rom-coms and sitcoms. Aziraphale loves reading and doing magic and earning little licenses and certificates for achievement in his various hobbies. They love to playact at being human so much that they've stopped playacting and started building a genuinely human lifestyle for themselves and with each other.

Once together in an unambiguously romantic sense, why do we think they wouldn't also want to explore one of the most prominent, intimate, powerful human expressions of love and desire with each other?

Angels, Demons, & Asexuality

Here's where I really want to clarify that in no way do I mean that sex is necessary for a healthy, fulfilling, and loving romantic relationship, or that the lack of desire for sex makes you any less human. Asexuality is a sexuality as valid and human as any. What I would say is that it is definitely in the human minority compared to allosexuality.

Angels and demons, on the other hand, are predominately asexual. Sexless/genderless unless Making An Effort. (Which, btw, is a concept introduced as early as the original book; why even bring it up as a possibility? Why not keep angels/demons being sexless/asexual as a hard and fast rule, if not to open up the potential for later use? Chekhov's Effort, if you will. And isn't that something that Aziraphale in particular is shown to do time and time again? He makes an effort in French and driving and magic, doesn't he?)

And this is why I don't believe Aziraphale and Crowley necessarily need to be asexual, narratively. There is already a huge amount of ace rep within the angels and demons (and no, not just the horrible ones. Muriel also doesn't "drink the tea" and has no reason or desire thus far to Make An Effort, and there are certainly other angels and demons who aren't horrible like the archangels seem to be who likely wouldn't Make An Effort either).

The central conflict for Aziraphale and Crowley is that they are on their own side, the ones who went native, the ones who are so different in so many ways from their respective hives. It would make sense for them to also break away from traditional angel/demon asexuality.

I say "traditional angel/demon asexuality", because I would also like to note that I would absolutely not rule out demisexuality for either of them. This post is being written to as a response to people who specifically believe that they (like the rest of the angels/demons seem to be) would be sex-averse in a relationship, and that it wouldn't be a factor in their relationship. I could easily read them as demisexual, but I do think there would be no real way of verifying this, because they've never been able to form as close an emotional relationship with anyone else but each other. Certainly not in heaven, and I can't imagine they would be able to form that kind of attachment with any of the humans, who they love and emulate but ultimately regard as the separate species they are. So yes, they could either be allosexual or demisexual, in my opinion.

Then again, now that I think about it, Making An Effort itself could be a great metaphor for demisexuality, since they would be entirely sexless/asexual until they have enough of an emotional connection with someone to consciously manifest otherwise. Since the other angels and demons don't generally form those types of emotional connections with anyone, there hasn't been a precedent for it.

Except...

Brielzebub

We do have a precedent for it now, don't we? Gabriel and Beelzebub fell in love. They are a direct foil for Crowley and Aziraphale's relationship, speedrunning right through their courtship and finding their happily ever after on the other side of things.

For being such a 1 to 1 comparison, it feels deliberate that they did not kiss. They held hands, they were gooey with each other, but they did not kiss. That feels like such a deliberate thing to omit when you know what's to come at the end of the episode between Crowley and Aziraphale.

And going back to the food = sex metaphor for a moment, let's notice how even as they fell in love over the years, even when pints and crisps were there on the table in front of them, they never felt the desire to reach out for them. They didn't need to. It's a date (love story) even if you aren't eating dinner (sleeping together).

Yes, I know Jim liked hot chocolate. No, I am not counting it because I don't consider Jim and Gabriel to be the same person with the same proclivities, and Jim was highly suggestible at the time anyway.

Gabriel and Brielzebub's big happily ever after moment (as of now) was one between two asexual supernatural beings. They did not need to kiss to drive the point home. They showed what Crowley and Aziraphale could have, if they would only acknowledge it.

Crowley & Aziraphale's Dissatisfaction

But they do have that already, don't they? If you really think about it, what do Gabriel and Beelzebub do with each other that Crowley and Aziraphale don't already? They hold hands, they spend time together, they create little rituals, they give gifts, they're visibly and verbally affectionate with each other, etc. They are more or less already in a romantic asexual marriage relationship with each other, aren't they?

And it doesn't seem to be enough for either of them.

At the beginning of the season, Crowley is immediately shown to be unsatisfied with the way things are. Obviously part of it comes from living in his car, but it seems to be more than that (especially since Aziraphale makes it clear that the bookshop is just as much Crowley's as his, implying that he could have been living there the whole time and is choosing not to, for some reason?). You could argue he's feeling unmoored without Hell telling him what to do, but isn't that what he wanted? Isn't that what he still wants, by the end of the season? All season long, he's never indicated the desire for a new job, or a new project. He stopped the apocalypse because he wanted the freedom to openly spend time with Aziraphale, to spend his time on Earth however he sees fit. Until Gabriel arrives, he has exactly that (minus a flat).

So where does the dissatisfaction come from? And if it represents anything to do with his relationship, what does he want out of it that he isn't getting already?

I think Crowley only really comes to the realisation of what he's missing when Nina names it for him, not only putting them in the category of romantic, but physical (outright asking if they are sleeping together). These two posts [1], [2] go into more detail about what I mean, but I think it really pushes him into acknowledging that their relationship is more human than either of them have stopped to consider, and what that might mean as far as everything a human relationship can entail.

After all, Nina and Maggie only advised that he should talk to Aziraphale, make clear his feelings. The decision to kiss him, to tip them over the edge from nonphysical to physical, that was all him. And no, kissing isn't sex, but I wonder how taboo even that might be in the kind of all-encompassing asexuality most angels seem to identify with. (If they're disgusted by food and drink, I can only imagine what they think of snogging, much less sex.)

Aziraphale doesn't have this moment of someone observing their relationship from the outside. He loves Crowley, and as of 1941 probably even knows he's in love with him in a way that Crowley doesn't understand yet. Which makes sense, since love is technically his job, he'd be more likely to recognise it for what it is.

However, Aziraphale's reference for romance and relationships is Jane Austen. It's chaste. It's dancing and dinner and doing sweet things for each other and roses and candles and handholding. He contextualises his love for Crowley in that soft fantasy sort of way, where it's there, it's obviously there, but it's neat and easy and unspoken. Not to quote Glee in this, the year of our lord 2023, but it's all very "the touch of the fingertips is as sexy as it gets".

Someone should tell that to Aziraphale's face, then.

I'm not going to pretend I know what Michael Sheen's script notes were, but there were definitely some Choices™ made. Because yes, there were plenty of moments in both seasons with Aziraphale looking at Crowley in a sweet, loving, smitten way. And then there were moments that were yearning.

But yearning for what, exactly? All of those sappy Jane Austen tropes already apply to the two of them. So why are there moments where Aziraphale is looking Crowley up and down like the last eclair in the window and licking his lips and visibly exhaling like he's trying to get in control of himself (see: Bastille scene + Crowley telling Muriel to ask him if they have any other questions about love)? Why is Aziraphale not only unconcerned when Crowley shoves him bodily up against a wall in s1, but staring at his lips and a beat too late in noticing Sister Mary's arrival? Why are some of his lines so suggestive? I'm sorry, but the car ride after the church explosion might as well have been the beginning of a Pizza Man porn with a really weird Blitz theme. If even my mother picked up on that vibe, I can't imagine it wasn't intentional on part of both the dialogue and the delivery.

(This section may feel like more of a reach/joke, but I'm really only 20% joking. These are writers and actors who are EXTREMELY good at their jobs; they know what they were doing here.)

More importantly, I don't think Aziraphale is even aware that there is more to what he wants. He lives in the Jane Austen fantasy and it never even occurs to him that he might be interested in anything further. It never even occurs to him that, as an angel, there is anything further to be interested in in the first place. Until Crowley forces it to occur to him. Just like I believe Nina forced Crowley to confront the idea that romantic love is what he's been feeling all along, I believe Crowley forced Aziraphale to confront the idea that physical intimacy is something he's been wanting, without even realising.

Aziraphale's Hedonism

Expanding on Aziraphale for a moment. We talked about his relationship with food, but we all know that Aziraphale is defined by his love of things that Feel Good.

It isn't just that he and Crowley love human things. Aziraphale loves the best of the best, or at least his version of it. He doesn't just love food, he loves going to fancy restaurants. He doesn't just love clothes, he loves soft, cosy, warm, plush clothes, or shiny, flashy, bougie fashion. He loves the warmth of tea and cocoa, loves getting drunk, and sitting in a comfy chair in the sunlight. He doesn't just experience, he indulges.

Given the emphasis put on things that Aziraphale loves just because they Feel Good, it feels narratively strange to assume that he wouldn't enjoy the feeling of being touched, or that he wouldn't be willing to try it, at least once, with someone he cared very deeply for. And just like the ox rib, I think that once he gets the first taste of things, he would absolutely tip over into complete and utter self-indulgence.

Dancing

I also think that dancing could be construed as a huge metaphor here. After all, we're told flat-out that angels don't Dance. Except one.

I would argue that Aziraphale, in fact, Made An Effort to learn how to Dance. He threw himself into the gavotte with delight (at a Victorian gay club; noted) and worked hard to be good at it. He's chomping at the bit to Dance with Crowley, working up the nerve to ask him with undeniably romantic intent and eagerness. So, angels don't Dance... unless they Make An Effort to do so.

We are told that demons, on the other hand, do Dance, but not well. Makes sense, since they're the ones who would want to encourage a deadly sin like lust, but have as little understanding of human love and physical intimacy as the angels. Crowley, however, is shown to be an excellent dancer at the ball, especially in his compatibility with Aziraphale.

(But Aziraphale WandaVisioned the ball so everyone knew how to dance! Yes, he did. However, the rest of the brainwashing doesn't seem to affect Crowley in any way, and they did actually live through the time period where this sort of dancing was a social norm; I'd be surprised if he never needed to learn. After all, the demons can't spell either, and Crowley is at least functionally literate, as far as we know.)

As of today, it's also been confirmed that when Aziraphale asked Crowley to dance, Crowley replied with "you don't dance." Not "WE don't dance". So going along with the metaphor, Crowley is just now discovering that Dancing is something Aziraphale is interested in at all, much less with him, and not denying that he himself is interested in Dancing. In his defense, I believe he was asleep for a few years while Aziraphale was learning the gavotte, so he wasn't exactly aware of Aziraphale's hot girl summer.

Love Languages

I want to expand on that; Crowley and Aziraphale's compatibility. Specifically in regards to their individual love languages.

We all know Crowley's love language is Acts of Service. I don't think there's any debate there. He loves it, Aziraphale loves it, they're both aware of it, we're all aware of it, God and Satan are aware of it, no surprise there.

You may disagree with me, but I believe Aziraphale's love language is Physical Touch, for a number of reasons. One of which being his aforementioned hedonism. Aziraphale likes things that Feel Good, remember? He likes soft clothes, and well-worn books. Neil himself has said that they like holding hands. And any time he is taken by surprise (Brielzebub getting together, the wave of love in Tadfield, etc.) what is the first thing he does? Reaches out for Crowley. He stops him with a hand to the chest in the pub. He leads him by the hand to the dance floor. He guides him by the waist in the graveyard. He reaches out during the entire Brielzebub scene, whether he can reach Crowley or not. Despite his own turmoil, he grasps at Crowley's back during the kiss.

The one time Crowley reaches out for him (not counting the kiss yet; we'll get there), he is aggressively pushed against a wall (by someone he loves and trusts) with a complete and utter lack of concern (and perhaps some interest, depending on how you read it).

And when he isn't reaching out for anyone, or there isn't anyone to reach out to? Well, he's wringing his own hands together, squeezing his own fingers, as if to find that physical comfort in himself.

So. With that theory in mind, we have Aziraphale (Physical Touch) + Crowley (Acts of Service). Throw in 6000+ years of deep love, cherished companionship, and forcibly repressed longing, and there is a very real potential of this combination resulting in fierce sexual compatibility. Where Aziraphale would want to touch and be touched, to indulge in physical pleasure with someone he adores, in the same the way he indulges in every other fine thing in his life. And where Crowley would want to indulge him in return, to give him everything he wants, and to take pleasure in Aziraphale's pleasure, in the same way he enjoys watching him take joy in food everything else.

So Aziraphale is an angel who is insecure about his own less-than-holy desires, who would want to treat Crowley like a luxury to be touched and cherished and adored. And Crowley is a demon who has, over the millennia, been unhappy about how they've been forced to deny even their friendship with each other, who would want Aziraphale to feel comfortable and safe and encouraged to indulge in earthly delights. That sounds like a stunning recipe for sexual compatibility to me.

"You said 'trust me'" / "And you did"

Just like the Job minisode, the Blitz is RIFE with symbolism (intentional or otherwise). This one will be quick, but I did want to touch on it because I thought it was interesting. Maybe I'm reaching at this point, but I'm assuming you read the tin.

First of all, Crowley not wanting to admit to never firing a gun before; comes off as someone who very much does not want to admit to their crush that they're a virgin ("You must have done this lots of times!" / "Umm.... yyyyyeah.")

(You could make the argument that Aziraphale having a firearms license and a Derringer in a hollowed-out book is symbolic of him not being a virgin while Crowley is. I disagree, for reasons I'll go into later, but it's a valid reading. However, I see it more like keeping a condom in your wallet; it's there in case you need it, but the opportunity has not yet risen no pun intended.)

More importantly, the theme of this entire minisode is trust. We already know they trust each other with their lives against the rest of Heaven, Hell, and the world. But specifically, this is about the importance of having complete trust in your partner in a charged, physically vulnerable, intimate moment, where the only danger is between the two of you.

Aziraphale needs to believe Crowley would never hurt him if he can help it. Crowley needs to trust Aziraphale's unwavering blind faith in him. Frankly, it all feels very symbolic of two people deeply in love losing their respective virginities with each other.

The trick is a success, and they share an intimate candlelit dinner in which they reaffirm their faith in each other. Aziraphale also begins to voice his agreement with Crowley, that maybe Heaven's rules shouldn't have to be as black and white as they are, and that there are benefits to... blurring the lines, shades of grey, wink wink (at which point even my mom was like, whoa guys, this is a family show).

Btw also: Can we all agree how much it looked like Crowley was getting ready to get a lapdance in that one scene? You know the one.

Also also: "Aim for my mouth"? Come on.

The Birds & The Bees

Now that I think of it, there's also something to be said for the fact that Crowley and Aziraphale are both obviously familiar with where babies come from (how they're made and how they're born) while the other angels aren't.

Something something Aziraphale and Crowley fundamentally understand sex and reproduction in a way the other angels (and probably demons) very much do not, nor have any desire to.

Probably not important. Just thought it was worth mentioning.

The Kiss™ & Religious Trauma

The Kiss. Where to even begin?

This has definitely been the hardest one to start, because there is so much going on here that I definitely won't be able to cover it all, and will certainly miss a few things here and there.

Aziraphale's reaction to the kiss afterwards is the most interesting to me. And I don't mean directly after, I don't mean the "I forgive you" part. I mean the way he touches his lips when Crowley is no longer in the room and he no longer needs to save face, when he is completely alone. Had it been directly after the kiss, it would have been rightfully read as horror, or disgust, a shield to discourage further action.

It's not. It isn't just a touch, it's a press. As desperate and angry and unexpected and imperfect as the kiss had been, Aziraphale is pressing it into himself, recreating the feeling as best he can. Beneath all the poor timing and shock and hurt from their fight and fallout, I think it's fair to say that it was something he enjoyed. Something he doesn't think he should enjoy, something that Feels Good that he only allows himself to indulge in when completely alone.

Remember, Aziraphale's idea of love is Jane Austen and gentleness and courtship and fantasy. If he'd ever even considered kissing an option, it might have been gentle pecks, cheek kisses, forehead kiss, hand kisses. Soft, safe, chaste affection.

Crowley's kiss turns all of that on its head. He introduces physical intimacy in a very real, very messy, very human way that I don't think Aziraphale ever even considered could apply to them. Considering what other angels are like and what they look down on, even Aziraphale's Jane Austen fantasies probably would have been considered taboo.

So for their first kiss to be rough and desperate and passionate in the way it was, of course he was confused and in shock. It was deeply physical, and as overwhelming and awful as it was in the moment, it Felt Good. Enough that he grasped at Crowley and kissed back, if only just for a moment, before stopping himself. Enough that he actively pressed it into his lips afterwards, in private, to remember.

I adore how Neil has decided to evolve these characters past the first book/season. More so in this season, Aziraphale and Crowley have both become such interesting allegories for queer people on either side of the spectrum of toxic religion. Aziraphale in particular obviously, because he is the side that so desperately wants to believe, to make a difference, and to unlearn all of the propaganda he's been fed over such a long time. Just like so much of organised religion, there is so much that he is told, time and time again, that he should not want, that he is silly or stupid or outright wrong for wanting. It reminds me so much of the severe Catholic guilt one might feel for wanting/engaging in sex for the first time, and the stigma of being queer layered on top of that.

What is so critical to Aziraphale's character is that he goes on wanting, and more than that, actively pursues. He was convinced to go up against Heaven and Hell and stop all of Armageddon because he wanted to go on listening to music and eating lunch and reading books and enjoying the simple company of the person he cares most deeply for, even if that person is supposed to be the enemy.

All this to say that if angels are as generally asexual/sex-averse as I believe them to be, narratively speaking, it would make sense for Aziraphale to be singular in that regard as well. Mirroring his first experience with food, it would make sense for Crowley to be the one to first introduce this new messy, physical, human dynamic between them, for Aziraphale to hesitate (obviously we are at the Hesitation phase at the moment), and then (eventually) for him to dive in wholeheartedly, to absolutely glut himself on this new thing that Feels Good. It would make sense for his character development to show him overcoming his metaphorical Catholic guilt and pursuing the sexual intimacy most (if not all) of the other angels would scorn.

(I can't help but remember that plot idea Neil described from the unwritten sequel, with Aziraphale in a hotel room trying to watch a full porno by way of the free 2-minute teaser clips so he wasn't technically sinning by paying for it. I so hope this is used in season 3, because gosh, I wonder why Aziraphale would suddenly be so interested in observing human physical intimacy after 6,000 years. Lonely and doing a little surreptitious research there, angel?)

Crowley, on the other hand, is the queer person who has broken free from his toxic religion. He prides himself on being his own person, on their his own side. He doesn't have the hang-ups Aziraphale does. He doesn't worry that he's going to be judged or cast aside for wanting things he's not supposed to. So it only makes sense for him to be the first one to suggest/initiate physical intimacy. It makes sense for him to be the one who "goes too fast" (another fantastic example of this dynamic beginning as early as s1; what is that conversation in the car meant to represent, if not Aziraphale being overwhelmed by the intensity of their relationship, and his fear of succumbing to it when he believes he shouldn't? It's also interesting that this is the first conversation to take place in Soho, just after watching Aziraphale realise he's caught feelings for a demon, with the red glow of lust serving as the backdrop).

Do I think the kiss in and of itself was sexual? No. I think it was a passionate and devastating last-ditch effort on Crowley's part to convey the way he feels for Aziraphale. Not just that he loves him, but that he loves him in the most human way possible. But I do think that the kiss represents how they can move forward from here, and what they might want to explore with each other once they feel free enough to do so.

In Conclusion

I am sure, deep in my bones (unless we are explicitly told otherwise), that this was both of their first kisses no, I'm not counting the gavotte, and that neither of them have ever thought to do anything else physical with the humans while they have been on Earth. Like I said before, they adore the human race and lifestyle in general, but ultimately view them as a separate species altogether, and they seem mostly happy to keep to themselves and each other, unless otherwise necessary. I just can't see either of them being drawn enough to a human to pursue anything close to sex. If Crowley in particular has had anything to do with sex in the context of temptations, I'm positive he would be inciting lust amongst the humans themselves, not involving himself directly. At least not that directly.

So, like every other human experience they've had on Earth, sex is something new that they could explore together, just the two of them, on their own side. A deeply intimate, tangible declaration of their love and everything they've gone through to earn it. A visceral finger to give both Heaven and Hell. A renewed appreciation for their corporations and for each other's. A enjoyable method for immortal beings to simply pass the time in each other's company. A new and exciting way to Feel Good, and all the variations that come with it.

You might agree with this post, or you might not. Whether this is something that is ever addressed or not, it doesn't matter to me. This is a brilliant love story either way, and I genuinely feel so privileged to witness it.

But I just can't find it in myself to imagine, given everything we know about these two characters, that sex isn't an experience they would both consume with wholehearted enthusiasm, curiosity, and profound, ineffable adoration.

___________________________________

Bonus feature: the very silly notes I made to myself that inspired this post

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anarcoqueer1994 · 11 months

Note

I need more of Eddie telling the band! Need it! Fix my brusied heart! Fix Steve's bruised heart! Tell me that he's everything! He is everything!!

Part 1 here.

Hope this fixes it <3 I'm going to admit my toxic trait is being angsty and not always being the best at fixing it. But I hope this is good. Thank you for reading!!

"Dude, what was that?" Gareth finally breaks the awkward silence between the 4 of them. They all look at Eddie.

He presses his palms to his eyes until he can see little white dots when he opens them again to stare at his three best friends. He feels like dirt. Actually less than dirt. He cared so much about what they would think of his dating Steve, that not only did hurt his favorite person in the whole world, but he did not even trust his friends enough to give them a chance. He finally lets out a sigh before saying "That was me fucking up. Like royally fucking up.".

"You going to explain, maybe?" Jeff asks, slowly putting the pieces together but confirmation from Eddie would be nice.

"I, um, I mean Steve and I have been seeing each other for the past 6 months, since Spring Break actually." Eddie finally says, holding his breath, waiting for a response.

"You guys have been seeing each other for six months?" Garreth parrots back in disbelief.

"Yea. He's my boyfriend...well he was. I actually don't know now." Eddie says sadly.

"You have been together for like half a year, and you didn't tell us, why?" Caleb asks, confused in why Eddie would hide this.

"I don’t know, man. It's just, in high school we would talk so much shit about people like Steve. And I know Steve better now, so I know how much of a great guy he is but like he is still an ex-jock. And I was worried about, you know." He mumbles.

"You were worried what we would think. Man, what is wrong with you?" Jeff laughs. "Eddie Munson isn't supposed to care what people think, even your loser friends."

'Besides, if you say he's good, we trust you, okay?" Gareth adds. "But I do have a couple of questions."

Eddie can't help but smile at his friends, even though his stomach still hurts thinking about the look on Steve’s face from a few minutes prior. But he indulges Gareth. "Ask away, I guess I owe you guys."

"Does he treat you alright?" Gareth asks simply.

Eddie nods softly. "He treats me better than anyone I've ever been with. He's always so soft and gentle with me. I swear, he looks at me like I'm something special, and I don't know why. Sometimes I don't think I deserve it."

"Do you love him?" Gareth follows up.

"God, more than anything." Eddie says with out hesitatation.

"And do you think he loves you?" He asks simply.

"I know he loves me. He tells me ever day." And not just with his words, but with his actions too. Steve shows Eddie he loves him every day with all the little things does for him.

"Then why are you still sitting down here, dude?" Gareth asks. "You better go and fix this before you lose him." He says it likes its the most obvious thing in the world.

Eddie hurriedly nods. Gareth is right. He has to talk to Steve, like now. He practically jumps up from the table, nearly tripping as does.

As he runs past his friends and up the steps, he looks at the cupcakes Steve had sat down on the small table by the steps. They looked homemade, a little messy but perfect. Steve had piped little silly hearts on them all, and in the center were little frosting dice. He can't help the way it makes his heart skip a beat. Steve was ridiculously romantic, and Eddie loves that.

He continues up the steps, two at a time, hoping Steve and the kids are up there, but they aren't. He frantically makes his way to door, only to see them sitting in Steve’s car through the window, still in the driveway. He's relieved.

As soon as he opens the door, all their eyes shoot up. He can see the look on Steve’s face, obviously trying to hold back tears. Even now, Steve is trying to be strong with the kids. Their eyes though looked like they could kill Eddie, even Dustin. He fucked up badly.

He nervously makes his way over to Steve's open window. When he gets there, Steve doesn't say a word, doesn't even look at him, just stares forward. Eddie tries anyway. "Stevie, can we talk...please? Alone?" He looks at the other 4 in the car.

Steve squeezes the wheel harder. He knows if he talks, he will start crying. And he doesn't want to do that in front of Eddie. Fuck, this hurts so bad. It felt like when Nancy called him and his love bullshit all over again. He is bullshit...he is nothing. Just a washed up ex jock, who is just there when people need him. He doesn't get the happy ending, the true love.

Dustin speaks up "You're an asshole, man. Go away." Not even Mike speaks up to defend him. Who does though, surprises him.

"He's not...." Steve whispers, unable to speak any louder. Steve can't see it, but Eddie sees all the looks of pitty shot at him. Eddie knows Steve shouldn't be defending him, but he is.

"No, Stevie. I am. I am an asshole. And I'm so sorry. Please can we talk?" Eddie begs.

Steve lets out a sigh before turning to the "kids." "Go on. It's fine. Go and clean up your shit so Mrs. Wheeler isn't mad." He tries to say in a straight voice.

They reluctantly get out but still shoot Eddie dirty glances as they head in. Eddie nervously walks to the passenger side and gets in.

"What do you want to talk about?" Steve chokes out, still not looking at him.

"What I said in there wasn't the truth. Steve, baby...I am so sorry. I did not mean it..." He tries pathetically.

Steve's hands are shaking as they stay rested on the steering wheel. He finally turns his head to look at Eddie. "Then why did you say it, Eddie? If you didn't mean it, why did you say it?!" His voices cracks, as a little tear escapes, running down his cheek.

All Eddie wants to do is reach over and wipe it away, but he thinks better of it. "Because I'm an idiot, sweetheart." He replies softly. "I shouldn't have hidden us, but today everyone was ganging up on me, and I got overwhelmed...and it just came out. You are not nothing, baby."

"Come on, Eddie! There had to be some truth to it, or it wouldn't have come out. I am not an idiot." Steve says in his bitchiest voice, his wall going up, trying to protect himself from more hurt.

It feels like a punch to his gut. Eddie really made Steve believe their could be some truth in his words. "Steve....I promise you, I was just being some vain asshole, too worried about my reputation as a cool metalhead." He says, knowing how lame it sounds to say out loud. "How could I, Eddie "the freak" Munson, possibly have ended up with the prettiest boy in school."

"What you said was fucked up, you know..." another tear escaping, but the punch is gone from his words.

"I know...I know. I am so sorry, princess. I'll do anything to make it up to you." Eddie pleads softly.

Steve gives him a sad smile, anger melting away leaving only hurt. "I'm just having a hard time believing that I'm not nothing...I mean, you didn't want to tell your friends. And like, I know I can be a little much sometimes, and overbearing. And I'm sorry if I embarrassed you...."He whispers. He feels like nothing, like bullshit, like trash. He isn't endgame, he's never anyone's endgame.

Hearing Steve Harrington apologize for being embarrassing makes Eddie feel like he is in some alternate dimension, maybe he never left the upside down. But more concerningly, to hear Steve sound so small, broke him. Steve was the bravest, sweetest, bitchiest, protective, hottest person he knew but right now, Steve felt small. And it destroyed him to know he caused this. He caused Steve to feel unimportant...unloved. and he had promised himself that he would never do that to him.

He reaches over and grabs Steve's hand, squeezing softly. "God, baby, you have nothing to be sorry for. I am the one who was so self centered, that I did the worst thing I have ever done. I hurt you." He moves his other hand to Steve's cheek, and to his relief, Steve leans into, doesn't pull away. "I somehow made the person who is everything to me, feel like nothing. And that just won't do."

"Eds..." Steve whispers.

"Stevie, I promise you, I will spend everyday trying to make it up to you."

"You...you don't have to...." Steve says softly, sadly.

"Yea, I do. Because Steve, you are everything. You are it for me, sweetheart. There is not a single day I will let go by without you knowing that. I will never let anyone, including myself, make you feel like you are nothing." Eddie leans closer, resting his forehead against Steve's.

By this point, tears were freely falling down Steve’s face. But now he's smiling, even laughing a little. "You are such a sap, Eddie." He jokes before leaning in and placing a tiny kiss against Eddie's lips. "And I love you so much."

Eddie feels a million times lighter as he keeps holding Steve. "I love you too, baby. And you are everything...you are everything....you are everything. " He repeats as I to make sure Steve understands how true it is, not leaving any room for doubt in Steve’s head.

Thank you for reading again! Also side note, did not want to drag this out but definitely see the others eating all the cupcakes downstairs, leaving only one and Steve and Eddie share it.

Tag list (you all are so sweat) There are more but the max mentions was 50. I will reboot and add more

@notsopretty-notsopink @pukner @justforthedead89 @lololol-1234 @little-crickett @thing-a-ling @swimmingbirdrunningrock @oldwitcheshat @my-baek-hurts @thequeenrainacorn @derangedhermit @plantzzsandpencilzzs @littlewildflowerkitten @ronance-is-my-wife @xjessicafaithx @cinnamon-mushroomabomination @sofadofax @just-a-tiny-void @whalesharksart @death-thee-nervousqueer @estrellami-1 @starman-jpg @oblivion-void @thequeenauden @thealwithnoname @sapphirecobalt-1 @thelady-mary @silentlycorrectingyourgrammar85 @theluckyalien @cheeseyberg @breealtair @messrs-weasley @heartthingsstuff @paintsplatteredandimperfect @tillystealeaves @pearynice @bela-valdis @beckkthewreck @breadboi66 @th30ra3k3n @0o-queendean-o0 @spideysteveloml @lauras2912 @seths-rogens @lovely-little-lass @envyadams-vs-me @meccaminayah @heartstarstar-blog @weirdandabsurd42 @virginlemontea @stevesbipanic @yulecogs

@sereinpetrichor @kittycat1810

#stranger things #steve harrington #eddie munson #steddie #steddie ficlet #fix it fic

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yeyinde · 1 year

Text

past and pending | John Price x f!Reader

"Fuck, love," his voice carries the taste of cigars and scotch when it rumbles in your ear. You smell the heady Maduro on his skin when you sink your teeth into the freckles on his shoulder. He tips his head forward; his rasping groan is heavy with smoke. "The things you do to me."

(you haven't stopped thinking of what it would feel like to burn your lips on his cigar, and numb the sting with the scotch on his tongue.)

warnings: smut; literal filth; kiiiiiinda an illicit relationship(?) but ya'll are consenting adults; power imbalance by proxy; breeding kink (slight); gendered reader; female anatomy; little substance just pure filth

notes: alt title was: when ur boss has baby fever and ur like, well damn, i guess i'm taking one for the team; this man is sooo damn fine, and Barry Sloane is a 1.88m snack (and tbh, scousers always make me a little weak in the knees)

Price looks like he smells of cigars whiskey cheap leather and hickory and i am feral.

It starts in Madrid.

(Though, if you're being honest with yourself, it really starts on a motorway outside of Dorset.)

Scotch in one hand, cigar in the other, he stands on the balcony, and gazes out at the water in the distance. Eyes fixed, crystalline, on the families below playing in the sand. A gaggle of children. Their mothers lean over the railing of the tapas below, shooing them off to find their fathers.

The sounds carry through the streets, bouncing off of the stucco. High-pitched giggles from the kids playing in the cobblestone roads. The admonishing calls of their parents. Laughter from passersby.

You watch him from the doorway. Catch the longing in his eyes; wistful and melancholic.

A family. Children.

It's not your mission—this isn't what you're here for—but there is an ache in his gaze that makes you bite your tongue, words stifled in your throat.

You've never seen your Captain look like this.

He notices you—has probably known, you don't doubt, that you were there from the start—but there is something almost painful about the way he gives himself one more moment of this, one more fleeting glance, before he has to take up the mantle of a commander, of a leader.

When he turns to you, it lingers in his eyes. A shade of mourning you can't quite understand. Can't quite reconcile about the man who, hours earlier, was barking out well done! and nice shot! when you took down an enemy operative. A bullet an inch below the eye. He clasped you on your back, grinned wide under the moustache, and it tasted of gunfire when he leaned in close.

("Mm, got 'em right in the fuckin' head!")

John Price is a man you'd never thought could feel anything except the high of the challenge, the chase. He smelled of scotch, Maduro, and gasoline. His voice was always ragged, and hoarse, from how loudly he bellowed on the battlefield, a roar that echoed in the distance.

This—

This is new. Different. It's both softer and sadder than you'd ever imagined him, and how it fits inside the man you'd known as one of the only people you could genuinely trust, is jarring. And simply put: it doesn't.

The idea of his longing fills you with a visceral ache.

(You're a good soldier. You wonder if you could—)

"Ready, then?" He asks, and digs his teeth into the cigar until it dents. The glass is placed on the dresser, empty. His lips stain the rim, and you think about bottle caps and Iceland.

You can't stop staring at him, now. Like an idiot. Like a—

Silly little girl with a crush.

You fluster. Force a nod when his brows buoy, bunching in concern. Bewilderment. You're not acting like yourself.

(You really haven't been since Reykjavik when he turned to you, and said—)

It's pushed aside when he takes one last drag, chest swelling with the inhale, and breathes out, words a plume of smoke.

"Let's get these steamin' bastards."

If Madrid started it all, then his hand on your thigh is certainly the cataclysmic finale, the end.

Well, that isn't entirely true.

It's the offer of a cigar. A little scotch.

(Maybe more than a little, really.)

Alone in a tapas in Madrid, he orders too much food for two people, and a bottle of their best scotch.

Asks, gruffly in aborted Spanish, if he can have a smoke, too.

(You end up having to translate both his Spanish and English to the befuddled waiter; the heavy accent renders his words to nothing but growled smoke.)

The mission was a success. Gaz perched on the loft across the street, the man cornered by Price, his only exit cut off by you—it was as smooth as one could go. Easy, almost. Effortless.

It should have been the first sign that things were going to unravel, quite quickly, from that point on.

Gaz declines the invitation. Laswell in your ear, well, you've earned it. You should have said no, too. Stayed in your room, ordered out, and poured over the piles of documents that will be waiting for you sooner or later. Red-tape means every moment must be noted down, each breath counted. Each step. Each choice. It's a mountain.

But Price had his face turned toward the streets when he asked. The breadcrumbs of his gaze led you to a woman holding a blue swaddle in her arms, cooing down at the lump hidden under soft cashmere. Old ladies congregated around her, faces lit up with joy.

He watched for a moment, and you saw that aching thing in his eyes when the woman peeled back the layers, showing off a ruddy-cheeked baby with a smattering of curly brown hair on his tiny head.

A catch, then, in your throat, when the words were out before you could stop them: I want to.

"...to go," you added hastily, flushing brilliantly under the lights in the hotel room. His hotel room. The one used to reconvene, to plot, to plan. The one that reeks of him—

The man you captured is held in a prison by the authorities, departing tonight under the cover of darkness. His weapons sit in the corner. Focus. You stare at them to ground yourself. "With you, that is."

Price turns, eyes finding yours when you lift your chin—automatic, magnetic: your Captain looks at you, and you offer a nod in response.

The longing is thick, palpable. It burns, and it aches, because it isn't for you. It's for some unattainable thing he's decided not to pursue.

You taste the flavour of it when he speaks, when he clears his throat, and gives a gruff good in response.

It, of course, is not good.

It's very bad.

Dangerous, even.

The attraction you feel toward Price—Captain, boss; off-limits —isn't anything new. It's not incipient, but it hasn't had a chance to take root, to hold firm. You haven't let it.

You'd felt the same swell of intrigue before; a fledgling thing that always dissipates before trouble starts. This should have been no different.

(But trouble comes quicker than you'd expect.

And you've always been rather good at lying to yourself.)

The look in his eyes. The tightness in your chest. Scotch on your tongue.

It festers when he leans over, eyes pools of cerulean, and says, want a cigar?

And now—

Now:

Your lungs are heavy with smoke that, apparently, isn't supposed to be there.

Not supposed to inhale, dove, he tells you, words rough from his own puff, and drenched in humour.

You sputter, knuckles pressed to your mouth to stop yourself from looking foolish in front of your Captain. Too late, of course. His eyes dance with mirth, lips crooked with the tang of it.

You duck your head. "Fuck, that's disgusting."

"Don't blame the cigar." He grins, easy, relaxed. The bucket hat on his head looks out of place in a tapas in Centro, but he's never felt more touchable to you when he's bathed in the mundane.

(At least it isn't the leather jacket, the beanie—)

You swallow down the acrid taste of tobacco on your tongue, sending him a sharp glance from the corner of your eye. "Who do I blame, then? The teacher?"

Price lets out a soft huff, a little chuckle under his breath, and tips his head in concession. "Yeah, alright. My fault, love."

Love. It makes your chest feel tight. Head dizzy. You can blame it on the pungent concoction of cigars and scotch, but it sits too heavy in your chest for you to pretend.

You drop your gaze to the table, to the half-eaten plate of setas al ajillo that sits in front of you as if it will somehow have an answer in the oil. That you might find god amongst the sauteed mushrooms, and he'll smack sense into your head. Don't be stupid. Don't be—

"Another?" He rasps, the word sticks to his throat.

The smoke from the cigar makes your head feel gummy. It's a balm that soothes over all the little voices in the back of your head that scream at you to stop. This is a bad idea, they say. You'll regret it in the morning.

But—

You want to impress him. Stupid. Price meets your stare when you lift your head. A smile. A nod.

He doesn't mention the way your hand trembles when you take the cigar proffered to you between a thick thumb and forefinger. He has a burn scar on his first knuckle. A round circle.

It's not the way you'd hold a cigar.

Your eyes linger for a moment on the burn, mind startlingly empty, as if refusing to partake in piecing together whatever it means, if only for his privacy. His own sense of untouchability.

Price is the core of the group. The man who everyone—even Ghost, to some extent—relies on, and absolutely respects. It's ironclad. Unshakeable.

He's the man who is always looking at you, at others, first. When something happens, his eyes are drawn to everyone else, making sure they are stable on their feet as the world around them crashes, and burns.

You know because, now, you're always watching him.

A silly little girl with a crush.

It began in Reykjavik.

A slurry of imported chemicals drafted by a man with an abhorrent agenda led you, Price, and Laswell on a chase through the city. It was close, down to the last nanoseconds. And then—

"You alright?"

Shaken. Terrified. You turn to him, and he's there, watching you. Eyes drawn tight. Taut, humourless smile pulling on the corners of his—for once—clean-shaven face.

It's hard to begin to grasp the words necessary to properly convey what you felt at that moment. Panic. Horror. Dread. Fear. They come close, but they miss that unnameable feeling of your heart leaping into your throat when the seconds ticked down to five, four, three…

Too late. Too—

And then a gunshot. A bullet in the man's head. Success. It felt too close to be considered a win. Like grasping at victory with the tips of your fingers as it fumbles from hand to hand. Narrowly snatching the win from the jowls of defeat that nipped at you.

"S-sir—"

He's there. Hand on your shoulder, firm and steady: it's the only thing that keeps you from toppling over.

"Mm, stay alert," he mumbles, eyes cutting back to the throng of agents—on loan from Norway as Iceland hadn't the means to take care of it on their own, the very same people whose pride refused to allow you any intel, almost leading to—

"Eyes, ears are everywhere."

It's the solid weight of his presence, his unmovable utilitarianism, that reinforces the liquid relief in your knees, giving it the stability needed to congeal, to harden.

Iceland was the first taste of reality. The first mission where you realised every single second mattered.

"Did good," he says under his breath, and nods at you when you turn, bewildered, to him. "Might not seem like it, but you held yourself up. Did what needed to be done. Good job."

There is a softness in his eyes, one that you can't place, but it makes your pulse race.

And now, that same something swims in his cerulean gaze, slightly misted from the scotch, but remarkably the same.

You drop your gaze again. His stare is heavy—its not oppressive, or intense, but its—

A lot. Weighed down by something that has been steadily building since you bunkered down in a frozen bivouac on the fringes of the Arctic. Each breath of plume of pure white. Nestled tight together under a single insulated blanket, sharing heat. Keeping each other from the white death looming at the edge of the door.

It sits there, now. The tendrils of frostbite in his eyes: memories of when the snow piled so high outside your door, you'd begun to fear that this little shack was going to be your icy prison.

His chest under your chin. Heat bleeding into you.

("Gotta stay warm," he'd rasped, gaze flickering to you in steady intervals. "Can't turn the heat on. They'll see us.")

In the morning after everything, he found you on the terrace overlooking the landscape, the rolling hills of white in the distance. Back in the sanctum of your hotel. The one free from tundra and sleet. From the howling winds that slammed against the shack you both holed up in for the night. Surveillance. Your first taste of it.

"You good?" He murmurs. It's a loaded question, and feels more like a test.

Still—

"I will be." A lie.

"Go on." He calls it.

You turn to him. "We—;" the words are heavy on your tongue. Blame, and anger, and— "if they shared information with us, we would have gotten to them sooner."

And then you bite your tongue, eyes darting across the barren balconies. Eyes and ears are everywhere, he'd said. Test: failed.

"Mm, yeah," he mumbles. His presence is comforting. A kinship born from ice and darkness. He leans against the railing beside you, fingers looped into the straps on his tactical vest. "Could have done a lot of things quicker."

"Why did we need to wait?"

His laugh is caustic. "Bureaucracy."

"Sounds pointless when people are waging chemical warfare on the innocent."

"Mm, you're not wrong." He adds, his breath a plume of white when he huffs. "But red tape is the line that keeps us in check. Can't go around shooting whoever looks at us funny."

"But—"

"I agree, though." His words are low, and doused in the residuum of anger from missions you've yet to experience. A chasm is carved between you. An uncrossable moor. "Fuckin' politics."

His hand is almost as heavy as the steel in his eyes when he pulls it free from the strap on his chest, and lays it on your shoulder. "Get some rest. Maybe a bloody drink if you can. They only got vodka," he spits the word out like it's blasphemous, and considering he's never too far away from a cigar in one hand, and a scotch in the other, you think, to him, it might be.

It's a dismissal. A nice chat, have a lovely day, ta. He's your Captain, a man who shares each success with everyone, but bears the weight of each failure on his own. This debacle only reinforced the notion that you can't keep operating in the strict lines given to you, but there is very little you can do to stop it.

Fuckin' politics, you think. And then—

Cacoethes.

"I mix a mean vodka cranberry," the offer is out before you can swallow it down. "I mean—it isn't scotch, but—"

He pauses by the door, hand in stasis over the handle. The silence is stifling.

"Sorry," you murmur, chastised. Embarrassed. "I didn't—I hope I didn't cross a line."

He turns his head, brows drawn together.

(You wonder if he, too, thinks of the cabin. Of the bottled water shared between you, the heavy breath that settled in the middle of the negligible space that separated you, turned toward each other to protect your vulnerable pieces from the frigid cold.)

Then, a flash of teeth. His moustache wobbles. "Sure," he murmurs. "If you can make it taste like it isn't vodka, I'll go for one. Not much of a pint, but…"

"Should have taught me how to smoke in Iceland," you say, reaching for the proffered cigar in his hands. Your eyes slide over the burns, the pock marks in his flesh that could not be self-inflicted, but you turn from them; your gaze, instead, fixed on him. "Might have kept us warm."

A rasping chuckle falls from his lips. He has a smear of ash in the corner. A dollop of oil on his beard by the seam of his mouth. "Iceland," he repeats the word, and it sounds like an old friend, filled with a touch of fondness you can't quite capture when you think back on the time spent there.

(A panic attack in the shower stall, head full of vodka and cranberries— definitely not a pint, he rasped, but still took another swallow; your eyes were fixed on the bob of his Adam's apple—and him. Run. Run. Don't look back—

Alright? His eyes are on you. On Gaz. Laswell. He makes his rounds between everyone, silently checking in. It warms you, and makes you think of the taste you caught on the rim of the water bottle. Hickory. Smoked sandalwood. Scotch. Your nose pressed tight to his chest. The heavy weight of his arm around you. Gotta get up, lo—

Love. You wonder if that's what he was going to say before he cleared his throat, and looked away from you.

A lie. Yes.

He calls it. Yeah?

No. Never. The way the amber light from the early morning sun caught the lazuli in his eyes made your heart shatter, and ever since he pulled you from the wreck years ago, you haven't stopped thinking of what it would feel like to burn your lips on his cigar, and numb the sting with the scotch on his tongue.

A tight smile. Distant. Hidden. Always, Cap.

He relents.

You wished he pushed. Gave you a reason to spill your vodka-filled guts on the tarmac to rid yourself of this rut you'd fallen into. An endless stasis of does he, he can't, could he, he might, don't get your hopes up—

His hand is between your shoulder blades. A soft smile in your direction.

—too late.)

"Ah, Reykjavik," it's a slow burn when he speaks, heavy with smoke. Voice thick, full of static. His eyes catch yours. Price leans in close, as if he's sharing a secret; something confidential and meant only for you. The heady scent of hickory fills your nose. You roll the scotch in your glass, but taste vodka on your tongue. "Might have, but then we would've had to keep it lit while running away from the terrorists in the snow."

"I've seen you keep one lit in a hurricane, sir."

There is something coarse in the way he huffs; a gravel-filled husk of droll mirth that rumbles from his chest. His knuckles brush yours when he passes the cigar over. "Only time I ever lost one was when our heli went down in Mexico. Simon got an earful that day."

"Amazing."

The cigar is less intense when you let it fill just your mouth until the smoke is stagnant between your teeth. It's—sweet. Robust.

"You sound very impressed," he husks again, words pitched low. "But I'll have you know it was my last good one. Quite a shame."

Fingers touch again. You wonder if it's on purpose. If he, like you, can't get enough of the warmth on your skin. If it makes him think of the chill—

"It sounds like one. I don't know how you finished the mission at all, sir."

"I had a spare." He smiles, but it's taut around the edges. Then: "none of that—," he stops, clears his throat again. Lower, barely a whisper, he adds: "none of that sir stuff here. Just call me—"

"Cap?" You breathe, heart thudding in your chest. The scotch. The cigar. Maybe, it was packed with weed. A little nicotine. Something that might make your heart race, your palms sweat. Your stomach burn.

"John."

Your heart pounds, but it's off-rhythm. An irregular beat. The pattern is wrong, the crescendo stutters. It's not—

"John," his name is caught in your throat; a corrugated wobble of a breath barely recognisable as a word, but he finds it, anyway. His eyes lift, catching yours. It's heavy. Oppressive. You think of his arm on your waist, his breath in your ear—

Another tight smile. His eyes are liquid sapphires. "Yeah, love."

Love. Love. Twice, now, he slipped and uttered it.

(Lo—

Thrice, then, if you count Iceland.)

"John—," you need to stop. To put distance between yourself and this man who is wholly off-limits before the wet tip of the cigar, once clipped between those full lips, will become a crutch. Addicting.

You don't know where it starts.

The cigar in your mouth makes him groan low in his throat. Your eyes drop when he shudders. His hand on your thigh. Voice in your ear.

"Gotta stop this, love."

The first thought: he knows.

The second: he knows.

There is a chasm between them. In that paradoxical degree of separation lingers a firm, judicious no. It is resolute. Ironclad.

But the sheath is made of latex. Your hands feel the sting of the rubber bands when your fingers pluck at the bonds holding it all back.

"And if I don't want to?" Your lashes fan your cheeks, eyes peering up at him through the wisps cresting over your pupils. Tongue peaks out. A tease. "John? "

His pupils dilate in response, blown wide until pits of coal eclipse the sapphire; a black hole lined with a thin halo of blue. The hairs on his upper lip flutter when he heaves out a breath through his nose.

John's smile is tight. A fleeting thing that flickers across his face before disappearing into a hard frown. "You don't know what you're getting into, love—;" he stops himself, clears his throat. Your name falls from his lips, saturated in smoke.

You meet him. One step back, one step forward. A dance until those blues fix themselves solely on you.

Maybe, it's the scotch. You've always been more brazen with amber than clear.

His Adam's apple bounces when your hand drops, covering his. Your fingers stroke the powerful hands that hold your flesh firm between scarred fingers; nimble and dexterous despite the thickness of them.

"Then show me."

His groan tastes of tobacco and ash.

It should be awkward, and uncomfortable, but it isn't.

Price's hand curls over your waist, tucking you to his side as you lean against him, hip bumping into his thigh, hand settled on the warmth of his back.

You wonder if everyone around you can tell that you're going home with this man, your boss, and he's going to fuck you when you get there. It feels sacrilegious. Wrong.

But not even the spume of trepidation that wells inside of your gut is enough to stop you from getting this. Him.

You want it. Need it.

Your hand slips over his chest on the corner of the street. His eyes flash, caught in the light from the veranda.

Does he feel it, too, you wonder? All those moments that lead up to this? Soft words over the comm. Late nights spent pouring over coordinates and maps, reaching for something at the same time. Hands brushing. Eyes meeting over the median. Smiles shared. A world in the dead of night when everyone else had long gone to bed. You should have, too. You didn't. You stayed up as long as you could, soaking up his company.

Mornings met by the coffee maker.

No tea, it seems.

They have tea, sir.

Not the good kind.

You're just picky.

Look at this—it almost makes you ashamed to be British.

Only that?

He's untouchable—well: should be, rather; but Price is anything but. He's a constant amid many raging storms, a rock in times when the world feels like it's spiralling down toward some cataclysmic abyss and your fingers aren't quick enough to reach out and catch it.

But he is.

Always.

Your failsafe. Your security net. The only man on the planet who will rage against insurgents and terrorists, and politicians and red tape in equal measure for his team. He'll risk his neck, offer his jugular, if it means you can finish the mission.

Gaz in your head. He said something to me once… stuck to me, y'know? We get dirty, and the world stays clean.

It bludgeoned into you then just like it does now. It's the perfect iteration of exactly who Price is. He's not a hero. He doesn't pretend to be one. But if him gunning down a man on the fringes of society means that innocent people in the cities get to sleep at night without even knowing what he, and his men, sacrificed, he's content. He never asks for anything except the freedom to keep peace—however it comes about: in a hail of bullets, a fist against a man's jaw until he spits out blood and teeth and the truth, or in cuddling together on the verge of hypothermia so people in a country he has no connection to can continue to live without fear.

John is—

Well. It was inevitable, wasn't it?

They can't forge a man like him into existence, and expect you not to feel overwhelmed in his presence.

This feels inevitable.

And sure—human resources and internal affairs might have opinions about that, but it's been brewing since he pulled you from a burning wreck on the motorway (a small travesty in what could have been calamitous had you not decided to trust the SAS with an impeccable moustache, and your gut, and broke every rule in the book), and then looked you in your soot-covered face, and asked: have you considered a transfer?

Your drug enforcement days slipped into the past when he offered you a spot on his team.

And now—

Your lip is raw from the cigar burn, but the taste of scotch on your tongue soothes the ache. His hand is heavy on your waist, flesh hot to the touch like he is burning up in a fever.

A woman wanders past, the same one you saw earlier with a baby swaddled in blue, but—

Price only has eyes for you.

"C'mon, love," he husks in your ear, his breath heavy with smoke and scotch, and sending shivers racing down your spine. "Wanna come back with me?"

And you—

("I'll follow you—")

"Anywhere, John."

His hands are reverent when they brush across your skin. The heavy weight of his palms pressing against the back of your thighs makes you tremble. His rough skin feels good as it grazes yours, touch softer, more gentle than you thought he'd be.

It's a strange contrast—you'd come to expect gruffness with your Captain. His voice, his words, his practices all carry the same abrasive lilt to you, and you assumed that he'd fuck you the same way. Rough hands, brutal commands barked out.

It's none of that. It's—

His eyes peer down at you, spread out below him, and he carries the same tenderness in his eyes as when he stared at the women from before. Families. It settles inside of you. This unexpected way he handles you so gingerly makes your heart pound, and makes your core knot.

He looks at you as if you're the best thing that has ever happened to him.

And you can't be. It's impossible, isn't it? This man who'd lived many lives before you even knew how to shoot a gun, or tie your shoelaces, should not be looking at you as if you'd offered him salvation.

But he is.

You press the back of your forearm to your crown, arching your back for him. His eyes are drawn to your body, to the way you open up for him, and the darkening of his eyes makes you pant.

Your hand reaches up to his chest, palm pressed against the thick bed of unruly auburn hair that covers his pulse, and the feel of his thick body over you makes your cunt throb with need. You want him. You want him so badly that it hurts.

"This what you want, love?" He husks in your ear, beard tickling your skin. "Want me to fuck you, yeah?"

It had sprung up when you first tumbled into the room. The dance is familiar—the steps ingrained in your head, now muscle memory—but he isn't just any partner. You stood before him, unsure for the first time since you caught that aching sense of wishfulness in his eyes and knew that you wanted whatever permeated in those cerulean depths to look at you, and hold you in the same regard.

Now—

Your body is fever-hot, and he stands by the minibar, offering you scotch.

"I want you—," the words tumble out, a breathless lull in the otherwise silent room, broken only by the glass nozzle clanking against the side of the cup he set out. You've shocked him. You swallow thickly when he turns, brows lifting.

"I want you." You repeat, firmer this time.

"Are you—"

You skip the introductory waltz and immediately jump into a tango when you breathe: I want you inside me, John.

You know he aches for it. You can feel him twitching inside of you; deep and full. The head of his cock nudges against something soft in your cunt that makes you spasm around him, whimpering.

"Yes, sir…" you pant, heavy and breathless. The way you address him makes him grunt, makes his hips cant into you, the movement tinged in desperation. "Fill me up."

Price groans, rolling his hips into you. Each thrust knocks the air from your lungs until only the cloying smoke from his cigar resides inside. You're dizzy, dazed. He fucks you like he's worshipping you—each time he moves inside of you, he aims for that gummy place that has your nails digging into his sides, legs locking around his waist, caught on the bend of his thighs, as he rides you through it.

He tastes of smoke. Loam. Sandalwood. Butterscotch. "Please," you murmur, tongue laving over the indents of your teeth in his skin. You wish it was permanent. "It's your own fault, Captain."

"Yeah?" He grinds his cock inside of you until your eyes roll back, mouth dropping open as white-hot pleasure spools in your core. "Sounds like you need some discipline then, soldier."

Fuck —

He does it again, thrusting into you this time until he's seated in deep. You whine at the bliss flooding your core.

His hand lifts from your thigh, and you blink your eyes open, watching as his tongue sweeps across the pad. His eyes are wicked in the soft light spilling from street lights outside; bluer than the wide, open ocean.

You shiver when they drop to your cunt, spread out for him and stretched taut over his twitching cock. A frisson passes; waves crashing against the shores, frothing white.

His hand drops, thumb pressing against your clit. "Gonna cum for me?" He murmurs, a sonorous knot in the quiet room. You hear the roar of the ocean in the distance. Humid breeze flutters through the open balcony.

Anyone can hear you. Can hear how badly you want your Captain to fill your cunt, to make you see stars, and swaddles of blue—

You keen low in your throat when his thumb rubs tight circles over your throbbing clit, cock knocking against the gummy walls of your cunt. His head brushes your womb, presses there tight for a moment until your back arches in that deep-seated ache, that quiver of pleasure-pain that lacerates through your core.

"Fuck, fuck—," you whimper, needy and breathless, hips working in time with the insistent press of his thumb, working you in small, shallow circles. "Cap— Captain, please—"

"Fuck, love—," he throaty words a bitten, jagged plea that sticks, thick and molten, between his molars. You can feel him twitch within you. Feel the way he batters into that spongey nook inside of you that has the Aurora Borealis flashing behind your lids. "You're a cheeky little thing, aren't you?" He pants, bending down to press his teeth over your raw neck, already bitten and bruised, chafed by the coarse hair of his beard.

His groan rolls out of him; dredged up from deep within his chest. The rumble of pleasure, the sloppy way his hips snap into you, now, all practise and control dissociating with his desperation to get you to cum on his cock so he can fill your pussy up with cum, deep enough that it floods your womb—

"Cum for me—!" He snaps, the words chewed out and broken, punctuated by a deep grind of his cock. "Need to feel your pussy cumming on my cock, love; you want it, don't you? If you be a good girl and cum for me, I'll fill your pussy up—"

Your toes curl at the wrecked, raw tone of his voice, breaking over the end. He wants it. You feel him throb within you at just the thought.

"Yeah," you whine, that spooling coil in your belly pulling tighter and tighter with each brutal thrust, each nudge of his cock as it bludgeons inside of you. "Want you cum inside my pussy, John—"

His head tips, forehead dropping to rest on yours as his eyes roll back, fluttering with the sultry plea that drips from your cigar-singed lips.

You taste smoke when his thumb presses against you, the other sliding over your body until he has a palmful of your breast in his grasp. Each roll of his hips makes you see white; tendrils and wisps of smog fill your eyes until all you can see is a hazy blue through the curtain of snow. Fog on your breath. His words in your ear.

It pinches taut when he turns his head, beard scraping your skin, and presses his lips to your temple. Slurred words that taste of tobacco. "Need to feel you cum on my cock, love —"

Liquid bliss spumes deep when you cum—a deluge of euphoria richer than scotch, and more addictive than nicotine.

His name is a choked sob into the thick blanket of desire that weighs down on you.

He drops, his torso flat against your chest as he slots his mouth over you, tongue delving deep as he ruts into your pulsing cunt, fluttering like a heartbeat as you cum around his cock. He groans into the messy kiss—hickory and smoke and the bitter tang of scotch—and you feel him jerk within you before he pushes in as far as he can. He doesn't stop until your cunt swallows him to the base, where he sits taut against the seal of your cervix. And then you feel it. You feel him throb deep inside of you, stuffed full of his cock, and a molten spume spills out when he cums.

He's cumming inside of you, filling your pussy up—

Your cunt clenches, a soft flutter against him at the thought of it, the feeling.

His head lifts, then, and you can see the draw of his brows, the clench of his jaw, the grunts that slip out, deep and punctured, from between the grit of his teeth, and you think you could get addicted to the sight of him in bliss.

Your hands slide over the slick bulk of his back, nails raking softly over the skin as he shudders against you, heaving from exertion.

"Christ," he rasps in your ear, whiskey-timbered and heady with malt. "You're gonna make me lose my goddamn mind, love."

You tip your head back, grinning. "What is it you like to say, Cap?" You purr, fingers dancing over the indent of your teeth. "We're all a bit crazy."

You lay with your head tucked on his shoulder. His arm is bent at the elbow with his palm under his head; your hand rests on his chest, feeling the steady thrum of his heart under your skin.

It's—

Cosy. A little moment where you feel liquid and blissful, eyes lidding as you peer at his naked chest—flushed roseate, peppered with auburn that that runs all the way down to the indent of his groin—and map the dusting of rust-coloured freckles that peak through the wisps of coarse hair. It's domestic. Basking in the acrid afterglow of your illicit coupling.

Your index presses into a thick patch of hair just below his pectoral, catching the curls on the tip until they wrap around your finger. He rumbles deep in his chest, and pulls the lit cigar up to his mouth, biting it between his teeth, before dropping his hand down on yours.

Cerulean peaks through a thick breath of ashen smoke. You feel shy, suddenly. Demure. Maybe, it's the scent of sex and tobacco thick in the air, the taste of spice and scotch on your tongue, or the way his cum stains your inner thighs, leaking out of you, and drenching the sheets below. Proof, then, that you fucked your Captain.

Most people start at the bottom of the totem and work up. It was a running joke amongst your class when the physical demands of the role became too much, and the drills got harder, and harder the more you sloughed through the ropes.

All the way to the top. The easy way. On your knees, soldier, you'd pass between each other in covert secrecy, eyes fatigued but grinning wide. How easy it would be, comparatively, to just lay back and let your drill sergeant have his fill. It was all chatter. Jokes. None of it was real, and if anyone of you ever had the notion to act on it—

That has never been your goal. Sergeant, Lieutenant, Captain—none of it meant anything to you until a hand appeared out of dense, black smoke, a gruff: c'mon, now, I got you following. It still doesn't. Not really. Does he know that, though? That you'd followed along dutifully behind him, not over some sense of grandeur or hero-complex, but because you admired the shape of him, the grit.

John's hand slides over yours, fingers tangling between the brackets of your own until you're locked together, palm pressed against palm.

There are years worth of things you want to say, but they dissolve in the malt still saturating your tongue.

Price's hand is rough. Scarred and weathered; aged and worn.

Your hands don't quite fit together. His brackets are too wide for your slender digits to rest without being swallowed whole by him. His fingers are the exact opposite: too wide, too thick. The seam between your knuckles aches when he slides his into the gaps. Like everything about him, this, too, is stretched taut.

Still. Still—

His hand folds over yours, devouring your palm, and suddenly all your listing axes are righted, centred. The ground you walk on is firm, solid.

It's always like that with him, you find.

His warmth bleeds into your palm.

Price shifts. His hand slips from behind his head to take hold of the cigar in his mouth. The knob of his wrist rests on your shoulder, cigar dangling between his fingers.

You wonder if this is the moment when we shouldn't have, we can't come in.

He clears his throat, always a low rasp as if he'd just gotten done screaming. Hoarse and rough. You don't think you can go back to before when you didn't know what your name sounded like falling from his lips when he cums—

"You don't know what you do to me, love."

Don't hope—

"And what is that?" You peer up at him through the wisps of auburn.

His eyes make your pulse race. A lagoon in the middle of the Arctic. A deep, endless pool of blue.

Price offers you the cigar, and bends down to press his sweaty forehead against your temple when you lean up and take it.

Scotch. Hickory. Smoke.

A motorway in Dorset. Your superiors snapping at you to leave it alone. You followed him then, and when he mumbles in your ear, words drenched in malt and petrol, you know you'll follow him even now.

"You make me want things, love. Things I shouldn't."

You catch his clear blues in yours. The cigar burns when you press it to your bottom lip, catching the taste of him on the end.

"You have no one to blame but yourself," you whisper, squeezing his too-big hand in yours. "I learned from the best, you know."

"Cheeky—"

—he takes you back to Iceland when your allotted off-time mysteriously syncs together: a fumbling romantic at heart. he has no idea what he's doing. wooing, courtship, and long-lasting were never words in his vocabulary, but he tries.

—on his phone, you catch a glimpse of what he was looking at so intently on the plane: romantic places in Iceland: romance for idiots

—it doesn't surprise you, then, when you find the article yourself that he sticks to each individual one like it's a personal mission. flowers. chocolates. "don't know what's so special about these bloody things. do you really like them?"

—it surprises you, even more, when you press your lips to cheek, murmuring, "i like you more," and see the flash of roseate flooding his cheeks.

—Gaz is firmly on team "i don't want to know" but too bad for him, he's the only one you can really tell.

"please tell me he doesn't wear The Hat... y'know...," his face looks a little ashen when he says it. You smile. "...Please. No, you can't—hey! You can't just walk away—!"

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chilschuck · 17 days

Note

anon called him mickie and now i wonder how mickbell would react if his crush started calling him by his first name (since that is only for close friends in half-foot culture) and by a nickname basically. so reader starts calling him mick but sometimes slip in a mickie. and perhaps also the same sort of request for chilchuck? i love them both so much

`✦ ˑ ִֶ 𓂃⊹ anon this is SO SO CUTE of an idea and i had so much fun writing it!!! i hope it turned out okay and that you enjoy!! <333

— MICKBELL & CHILCHUCK: hcs for calling them by their first name.

꒰ warnings: ꒱ none! gn!reader.

꒰ wc: ꒱ 761

✦ thinking about this so hard rn…. god bless you anon. this was such a precious idea!!!! hope they turned out okay!! <333

— MICKBELL:

✦ The first time you called Mickbell by his first name, he just about froze on the spot. It was already obvious to anyone that he had developed an attachment to you, and now you were only making it worse.

✦ Since it’s something only close friends and companions do, when you begin calling him Mick, he gets really excited. So you think of him that way? Do you even know the implications of calling him that?? Mickbell can’t help but get a bit excited whenever you call him such.

✦ I think calling him Mickie would be the icing on the cake. This man would literally let out a sound of bewilderment when you first say it, but as soon as you stop, thinking he was objecting to it, he gets upset.

✦ This man is going to crush even harder now, be prepared. You’re giving him hope and also causing him to crave your affections even more. But of course he’s going to act like it’s silly to call him that. He’s not a kid, don’t make him feel like one! (Even if he enjoys it.)

✦ Pair it with touches of softness or endearment, and he’s got those rosy cheeks you love. Not only are you indirectly teasing him now, but he’s going to pitch a fit about it if you stop. Be prepared to shower him in praise and call him Mickie when he does something you should be proud of!

✦ If other members of the party begin to comment on it, he’s going to complain more. Especially if they try to mess with him. So what if you called him something cute like that?? Only you were allowed to do it, though. No one else!

“Hah? Where did that name come from?” Mickbell asked you when you first called him Mickie, raising a brow at your new nickname.

“Thought it was cute, and it suits you. Is that okay? If you don’t like it, I can stop.” You were as kind as ever, making him bite his tongue for a moment before grumbling out.

“‘S fine… I guess it is kinda cute…” The elation on your face at his answer made him a bit too happy.

— CHILCHUCK:

✦ Calling Chilchuck by his first name causes him to stop for a moment, this being the first time you’ve done so. He takes in the implications of that, before shaking it off and continuing what he was doing.

✦ But if you continue to do so, especially with that sweet tone and gentle demeanor, he’s going to choke on his words a bit. It’s been a while since he’s heard someone say his name like that, and coming from you, well… Let’s just say it makes his chest get really warm. (And his face.)

✦ Chil is crushing on you and is going to act the complete opposite, and in doing so pushing you away in the process. Stay by his side through it and continuously call him by his actual name, tenderly so, and he might end up melting a little.

✦ It’s obvious he has a soft spot for you, and now it’s getting even worse with the way you speak his name with that voice of yours. Why were you doing this to him?? Maybe even slip in a soft touch or two and he’s going to leave to busy himself with something before he thinks too hard about it. (That definitely sticks in his head for a while.)

✦ You begin to think he doesn’t like it, but soon he ends up softening whenever you do so. It’s like it pulls him out of his own head a bit… Now he can’t think of you calling him anything other than that.

✦ Definitely enjoys it but won’t admit it when it first begins. Now he enjoys it more than he’ll ever let on. Behind that cynical wall of his is a longing for softness like that, so you’re doing more to him than you think!

“Chil?” You spoke softly as he worked on unlocking something, tools in hand. He just about dropped it for a moment, but managed to stay focused enough to keep control.

“Hmm?” Was all he managed to reply, trying to keep his attention on the task at hand.

“You look so cool like this. Just wanted to tell you.” He could hear the awe in your voice through your words, making his head feel a little fuzzy.

Now he really was going to drop everything in his hands.

— dividers by @/cafekitsune!! <33

#⟡ lilia writes! 🌿#hope these are okay!!!#it’s been a bit since i posted!#trying to get back to posting regularly!!!#lots of love to everyone!! <333 #chilchuck x reader #chilchuck tims x reader #mickbell tomas x reader #mickbell x reader #delicious in dungeon x reader #dunmeshi x reader #dungeon meshi x reader

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lunarmoves · 1 year

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you don't think you'll ever get over how tall the daycare attendant is.

it's a bit intimidating at times, you think. all seven-foot-something of metal and silicon that tends to loom rather ominously over your own figure from time to time. you're not sure why they were made that tall, but you figure it has something to do with being able to see kids easier around the daycare. or maybe fazbear entertainment just likes making freakishly tall robots. who knows.

the first time it really strikes you how much of a height advantage they have over you is during the daytime hours of the daycare. some poor kid had gotten their toy thrown up onto the playground structure and it was stuck on the outside, nestled between two bars that you definitely can't reach from the ground nor from the inside of the structure.

you look down at said kid holding onto your leg after you'd scolded the other two who were the culprits of such an act and let out a small sigh. you don't like climbing, not particularly, but you guess you're going to have to suck it up for now. if only so the poor kid can stop making that teary-eyed expression at you.

you pat the kid on the head and take the few steps to the playground so you can grab onto one of the bars and pull yourself up. but before you can even attempt to shimmy your way farther up, a bright and certainly loud figure comes swooping in from behind you.

"heellooo friends! that's awfully dangerous to be doing here!" sun exclaims as he grabs you easily on the sides and lifts you from the playground to set you back on the floor. you blink up at him and watch as he extends a long arm (seriously, his arms are way out of proportion compared to the rest of his body) up to the toy and easily grabs it from its stuck position.

"i believe this belongs to you?" he asks the sniveling kid standing next to you, and they immediately brighten once their toy is back in their hands. sun gives them a little hair ruffle. "don't go losing it again, now! we don't want to get any boo-boos climbing where we shouldn't be, right?"

"mmh!" the kid nods, then wipes their snotty little nose on their sleeve and runs off to show their retrieved toy to their friends. sun's head turns 180 degrees to watch them scamper off, and then he's turning back around to face you with a wagging finger.

"friend! you know you can always ask me for help, yes?" he chides you in a way that makes you feel a bit embarrassed, but you only roll your eyes in good nature.

"c'mon sun, i'd thought you were busy with the others!" you frown, and the sight makes sun reach out a large hand so he can smush your cheeks together until your lips are puffed out like a fish's.

"i'm never too busy to help you, silly!" he says as you bat his hand away and rub at your cheeks. "all you have to do is ask!"

"i had it handled," you murmur, looking anywhere but at him. with the way sun is looming over you, slightly bent at the torso, you're covered in his shadow. it makes you feel small.

"climbing the outside of the playground does not set a good example for the children!" sun says, and his words make it seem like he's scolding you, though his tone is light and airy. "no, no, no, friend! we don't want you to get hurt, do we?"

"i get it already," you reply, stepping back slightly so you can look at him better without having to crane your head back. sun's head tilts slightly to the side, but he doesn't comment. "i'm not a kid, you know. a fall from that height won't hurt me." okay, yeah, maybe your pride's just a bit wounded at needing someone taller to do a simple task for you. sue you.

"it can if you fall right on your head!" sun gasps dramatically, bringing his hands up to his fixed smile. "no, better to be safe than sorry, okay?" he reaches down to boop you right on the nose. you wrinkle it at him then concede with a large sigh that's more for show than anything. this was a dumb semi-argument anyways.

"okay, i'll ask you for help next time," you relent, and it makes sun spring up, his rays spinning happily around his faceplate.

"wonderful!" he chirps, then reaches a lanky arm down to grab your wrist. "now, come! it's almost naptime!" you get practically dragged over to the sleeping mats, sun's long stride making you do an awkward jog to keep up.

you've long come to realize that sun tends to use his height to help you with different things. whether it may be cleaning parts of the playground equipment that you can't reach, or helping you stack things on shelves that were way above your arm's length. he just wants to be of good use, you suppose, no matter how teeny tiny it makes you feel.

you can't say the same for moon.

for where sun may inadvertently make you feel small, moon does it on purpose.

"moon, c'mon!" you groan, standing before him in the dark daycare after hours as he dangles your phone just out of reach over your head. you raise your arms up half-heartedly and try to snatch at it, but he pulls it up farther away from you when you do. "give it back."

moon snickers, white eyes upturned into crescent moons of delight. "no."

"moon," you say sternly, as though you have any power of authority over him (you don't). "please."

"no texting on the job," moon replies, even though you know that he knows you were literally just checking the time. you give him an exasperated look.

"moon. phone. now."

"no." then, as though to taunt you even further, he bends down to pinch your nose. "shorty."

you give him a glare and bat his hand away so you can rub at your poor nose. both him and sun liked to squish and squeeze you, you've noticed. "moon!"

he says your name back at you in the same tone you just used. it just makes you huff.

"if you don't give me back my phone, you'll regret it," you say ominously, mustering all the darkness you have in your body to make your scowl as scary as possible. moon just giggles. you don't think you're successful. he probably thinks you look like a wet cat.

"yeah?" it's obviously an invitation. he wants to see what you can possibly do. your mind's practically in overdrive trying to think of something on the spot. and you do come up with something. unfortunately.

there's a moment where all you do is stare at him. his head rotates curiously to the side. and then you launch yourself at him, hands gripping at his torso so you can claw your way up his body like you're some kind of small animal (to him, you probably are).

moon freezes for the slightest of seconds, and it gives you ample opportunity to shimmy your way up so that you can grip at his thin shoulders and pull yourself farther up. then he's leaning backwards slightly, his arm raising higher above his head to prevent you from reaching your phone.

"give!" you demand as you hook your feet around his body like he's a sliding pole and use one of his shoulders to keep yourself balanced as you extend your arm as far as it can go.

"cheating! cheater!" he barks out in response, and his voice is a bit muffled from where it's nearly against your stomach, but you don't care.

"not cheating! give me back my phone!"

it's a few moments more of this kind of struggling until you finally just end up yanking his nightcap over his face in a temporary distraction. it works, too. at least long enough for you to yank his arm down, grab your phone, and then leap off of him. you stumble a little when you hit the ground and spin around with a triumphant look as you notice moon has lifted his cap high enough so you can see the lower half of his eyes.

"ha!" you gloat, pocketing your phone right away so he can't snatch it out of your hands again. "you asked for it!"

moon simply stares at you. and just when you're starting to think that maybe he locked up or something, his mischievous smile returns with a vengeance as he bends low and raises his arms like he's about to grab you.

uh oh. you know that look. you don't even hesitate as you spin around on your heel and immediately make a run for it.

and well... as moon chases after you through the plex, his long shadow constantly overlapping your own, you figure that you'll just have to get used to being constantly swamped by the significantly taller animatronics. it isn't the worst thing, at least, but it will certainly take some time.

even if moon's an ass about it.

#i was strugglingto end this can u tell #fnaf sun x reader #sun x reader #fnaf moon x reader #moon x reader #dca x reader #daycare attendant x reader #fnaf sb #fnaf sun #fnaf moon #the daycare attendant #fnaf dca #dca #fnaf daycare attendant #shay scribbles daydreams

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rocketbirdie · 1 month

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Arrrghh. People are finishing up Rebirth and looking up the different localizations, and the inevitable wave of hate for the English version is starting to gain traction again just like with Remake. I guess I just get super defensive about it because I have worked on large translation projects before, and it's not as straightforward as players seem to think.

It's not like the good ol' days of "This Guy Are Sick." They don't write the JPN script first, and then just send it out for translation anymore. Nowadays the different language scripts are all written simultaneously, with the teams working back and forth together, to check over each ofher's work and make sure that no one sentence is under- or overshooting a goal. Like it or not— everything is checked over and approved.

There's a lot more being translated than just words. There's so much to take into account— tone of voice, the cultural context, the lip sync and corresponding length of each line (which isn't allowed to run over by more than 0.2 seconds which is CRAZY). It's a messy process and it's a lot of goddamn work.

And then there's the audience, too. Different languages' audiences are often going to have wildly different interpretations of a character. A really good example from FFVII would be Yuffie. In the JPN version of the OG, Yuffie is written to be a confident girl who's dead serious about her ninja training. The ENG translation didn't do that justice... she instead comes off as a silly annoying kid pretending to be a ninja. Remake's DLC was testing the waters to see if they could write Yuffie in a way that's still faithful to both of the strikingly different regional perceptions of her character. And they nailed it.

The same thing happened with Cloud, and continues to influence the way he's written in the Re-trilogy. It's much more subtle than with Yuffie, but it's still noticeable, and I think it's why a lot of people get up in arms about his dialogue.

Cloud has always been written as having a stark disconnect between his tone of voice and his choice of words. It's just that the two major languages get it swapped! JPN Cloud has a harsh, mean tone, but his choice of words is polite and easygoing. On the other hand, ENG Cloud says a LOT of nasty shit out loud, but his true feelings are betrayed by his soft voice and gentle body language.

The difference goes unnoticed by the average player who isn't so invested to give a damn. But if you're actively searching for "bad translations" to get mad at, then you'll find them where one version's Cloud comes off a bit too strong. It's only natural that English Cloud is the one that pisses people off more often— after all, he's literally saying stupid shit to to piss other characters off constantly. His character is so convincing that players want to reach into their screens and wring his neck, and I think that's glorious.

But that's why it upsets me to see people turn that frustration at the localization teams. They didn't "ruin" a character's dialogue— they were just barely able to make something work, all things considered. Character, line length, culture, story context, facial animations, voice acting, for MULTIPLE languages, like... holy shit. It's a miracle that most of it is really really good, and that the bad is only a little bit bad.

Idk where this rant is going. Just... c'mon people. Have some respect for such an insanely complicated art form.

#look dude. some of the shit cloud says in ENG is awful yes. THAT'S THE POINT THAT'S THE POINT THAT'S THE POINT #it's supposed to be jarring!! it's supposed to make you want to fucking bite his fingers off!!!!!!#it's his shitty asshole coping mechanism and it's The Point Of Everything #the ENG and JPN versions may be different but The Point gets across nonetheless. and that is GOOD.#ugghhh ok just get this outta my system. seeya lol have yourselves a wonderful me gongaga monday tuesday #ffvii

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dorylinae-supremacy · 4 months

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Thinking about an AU where Techno, Wilbur and Tommy are all the harbingers of the actual entire apocalypse and Phil (just some insane guy) decides that those are in fact his kids and starts gaslighting the absolute shit out of them about it.

Rambles under cut!

I wanna try something where they're just more insidious and passive killers than anything else, theyre mostly just biding their time and watching as wherever they're lingering around gets sicker and just starts withering away.

They're a slow moving threat that just can't be stopped and for some reason (because Kristin thinks its funny) Phil just isnt affected by them.

Phil: Oh Techno's always been like that ever since he was a baby Techno: I have literally never met you a day in my life Tommy: Idk man... you have always been like that Wilbur: Oh my death he's actually getting to us

Its a mix of that combined with that "how did he know I was a gemini" meme

Phil: Wil! I brought you some salmon, I know how much you love it! Wilbur: How the fuck did you know I like salmon Phil: I'm your dad silly, of course I'd know :-)

I just think itd be super fun since Phil in this au is literally just some insane dude. He literally lies about their entire childhood but does it so consistently and so realistically that it throws them off guard.

I also have a few ideas where they start referring to Phil as their dad in the beginning as a sarcastic / mocking thing but accidentally just getting themselves even more adopted as they do it.

Phil: Wilbur put on a coat Wilbur: I don't need one! Techno: Go on, Wil. Listen to dad Wilbur: Ugh fine. Only because dad wants it, though

Stranger: Whos this? Tommy: Oh thats our dad. He kinda just tags along Stranger: Aww thats so sweet! You got his nose and everything Tommy: I- wh- no he's not actually our da- Phil: I know he did! Isn't he the cutest, spitting image isnt he? Tommy: You're not my dad! Stranger: Oh someones embarrassed! Phil: Yeah he's going through a rebellious phase right now

Just a mixture of things like that where it starts as calling him it but then accidentally actually giving him parental authority along with that.

I also wanna explore how Kristin and Phils relationship would be like. Maybe her as death being very bemused by this silly human that just decided she was his wife one day.

She literally visits him in dreams and stuff and he just acts as if they're married and have been for years. He complains about their 'rambunctious kids' and how he has to threaten them with her so that they behave sometimes. She finds it so silly and just cant help but play pretend.

Kristin: Hello, human Phil: My love! Its been so long since I've seen you Kristin: We've never met Phil: Oh don't say that! It hasnt been that long. I've just been far too occupied with our boys to visit too much Kristin: Our boys? I made them Phil: And they came out beautiful! I'm so glad Wil and Tech got your eyes. I was hoping they would.

I think that'd be a core part of this AU as well. Everyone is playing pretend but then it just fuzzies and it all becomes real for them. At first its a joke that Phil is her husband and their father but then they get lost in the fantasy and fun of it all and actually accept him as such.

Phil has no ulterior motives either, he's literally just a strange insane man that heard stories about neotrio and started thinking they were his kids one day. He genuinely believes his delusion and they end up accidentally making it a reality.

He just makes lucky guesses and plausible lies often enough that he's still shiny and new, he's still fun to play with and thats what ends up 'tricking' them all.

#dory writes #harbingers AU #dark sleepy bois inc #dark sbi

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goddessofroyalty · 4 months

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So this was based on a silly joke I have in my head about hormonal birth control not working for omega!Sanji for (spoilers) reasons and him and Zoro then ending up with 3 kids on the pirate journey because they keep breaking condoms.

Anyway this is just them finally making it back to the Baratie and having to face up to Zeff about it (from Zeff’s POV)

Pairing: Zoro/Sanji

Tags: omegaverse, mpreg

---------

Zeff will admit he is slightly surprised at the swell in Sanji’s stomach when he showed up again as part of what seems to be the new Pirate King and crew’s Victory Tour.

It’s not that Eggplant had given him no indication of it – he had been getting more and more jittery every damn time he’d gotten in touch as the Strawhats made their various stops before reaching the Baratie. Saying how some things had happened during his travels and that he’d needed to talk to Zeff about them in person. But Zeff had assumed it was to do with his damnable family. Not that his woman-obsessed omega son had gone and got himself knocked up. By an alpha, going by the new layer of scent clinging on top of the one he remembers to be Sanji’s.

And, because wonder’s don’t fucking cease, they’ve only just gotten through their tearful hug when a little green-haired girl comes running over. Clinging to Eggplants leg and staring up at Zeff with curious, familiar, blue eyes.

“I thought you were staying on the ship Princess?” Eggplant says, brushing a hand through her hair. And Zeff is equally sure that actually Sanji told her to stay on the ship as he is that his boy was as much a pushover to his daughter as he had been any woman who had stepped foot into the Baratie before he left.

“You know she wasn’t gonna’ as soon as she found out this was your old home.” And there was the newly minted World’s Greatest Swordsman and apparently sire to Zeff’s grandkids walking in like it had been his home as well and not the place he had gotten nearly cut in half by the former owner of the title.

And, fucks sake, there was another little one resting on his hips as he does it with that same matching green hair.

“I do remember teaching you about the importance of making them wrap it,” Zeff grumbles, because going by the age of the older one the two it hadn’t been all that long after Sanji left that he had gotten himself knocked up. “I know you said you weren’t planning on getting with any alphas but I know you were still listening.”

Eggplant goes red at it before glaring at Roronoa who gives a grin back that is entirely too filthy and leaves Zeff sure that he doesn’t actually want to know.

“Why didn’t you tell me earlier?” Zeff asks more to move the topic away from his kid’s sex life before he finds out more about it than he wants to.

They had been exchanging letters and calls on and off the whole time and never once had Eggplant mentioned that he was going to be or had become a granddad in any of them.

“I did try to but I couldn’t say anything too direct in case it got intercepted,” Sanji explains, resting a protective hand over his middle while the other curls around the girl at his side.

It makes some degree of sense. Best way to keep the two, soon to be three, pups from being a target is to have nobody know they exist in the first place.

Maybe Zeff should have guessed something like this was up when Sanji had asked him how he had dealt with the stress of raising a kid in the dangerous world they lived in. But he had just assumed his boy had finally matured enough to realize how much of an antagonistic dumbass he had been at times.

“I did want to tell you though,” Sanji continues, his voice guilty.

Roronoa has moved close to his mate’s side, not touching though. Which is probably what Sanji actually wants – always had been a bit funny about any too direct an offer of comfort. Something Zeff’s probably as much to blame for as anything else in his life.

“You have no idea how many times I nearly did.”

“Probably for the best you didn’t,” Zeff says because he can’t have his kid feeling guilty for doing the smart thing. “I don’t know if I’d have been able to keep away if you did.”

Neither he nor his ship these days are made for the journey to the Grand Line. And it wouldn’t have been good for Sanji or the rest of the crew of his to have an old pirate getting underfoot while they were making names for themselves on history’s pages.

“Hell, I’m gonna’ struggle letting you sail off with my grandkids with you now. You better come visit more than you have been!” He doesn’t actually hold it against them and damn well know the reason why this is the first time he’s seen them since Sanji left to join a pirate crew. But he still missed years of his grandkids lives as a result and they had better make up for it.

#zosan #One Piece #One Piece mpreg #mpreg #zoro x sanji #one piece zosan #op zosan #One Piece omegaverse #omegaverse #roronoa zoro #vinsmoke sanji #red leg zeff #I accidently a ficlet

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the-cat-and-the-birdie · 8 months

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Spidersonas are the perfect exercise and I recommend everyone try -

Quick-Spidersona Exercises

How I use new Spidersonas as Artistic Practice

[A MEDIUM length post where I share ideas and exercises to create Spidersonas quicker and easier, while practicing your writing/art]

Spidersonas can be a great tool for any artist!

If you're a writer looking for a way to get better at character creation, research, and world-building - Or an artist looking for a way to get better at character design:

Consider trying out Quick Spidersona exercises as a fun way to do that! I use them all the time, because seriously, who says you can only have ONE Spidersona?

(I think I have at least 15-20 now - counting the eight named kids I gave Miguel & Moche)

I usual end up making at least one a week - and I find they're amazing for learning how to make characters quickly and in a really fun way.

Everything can be canon in the Spider-verse, including a sentient piece of Lego-Plastic and a Pre-historic Spider-saur.

Plus, with the Spider-Society being full formed, and canon events at your choosing, you have a loose template for a background - making it easier to throw them into the story.

I use a couple different exercises on making Fast-Sonas, and I thought I'd share some.

Here's a couple of my favorites! If you find this helpful, let me know!

1 - Hour Sona Challenge

Ever have a half-baked Spidersona Idea or come up with a funny crack Spider?

Give yourself an hour (or two) and go at it.

[This challenge is good for quick practice, Character Creation & Design]

Design them a suit as quick as you can, coming up with abilities and a rough personality.

You don't need to go into backstory if you don't feel like it, and it's a great way to get started

This is something you can do routinely - I do, I usually do this once or twice a week; And soon you'll have a full cast of sonas that can interact with each other!

It's great practice, and the more you do it, the easier it gets.

When you're doing it on the fly, or know it's just one hour - it can produce characters that are more natural, because you don't have time to second guess. Plus, since it's only an hour, you can get as silly as you want!

Stoner-Spider is an example of a 2-hour Sona Challenge.

Adapt-A-Spider

This challenge is good for Character Design

Make your own cross over!

For something a bit easier - Take a Non-Spider character and make them a Spider-person.

This could be anyone, from other Marvel characters, to Disney Princesses, Celebrities, and characters from your other fandoms. You can even make some of your old OCs into Spider-people!

For Artists - this can be a real fun challenge - try and blend the characters original outfit and design into a suit suitable for swinging.

For Writers - try to adapt their current background, and shift it around so they have 'canon events'. If the character you like has lost someone, the person they lost could stand in for their Uncle Ben or Aunt May.

Example: If you're looking to adapt Ellie from The Last of Us, losing Joel could be her Uncle Ben canon event.

This works for every character (basically). What if Black Widow ACTUALLY got bit by a black widow? Now Nat Romanoff is on campus. (Every Peter thinks she's an MJ cause the red hair at first).

No matter how ridiculous, you can stretch it. In Spiderverse, everyone is Canon.

If they can write a SpiderCar - you can write ANYTHING.

Some ideas are:

Celebrities, Animals (like SpiderCat or the Dinosaur), Princesses, Greek Gods, Historical Figures, Fandom Characters,

Mundane Spider

This challenge is good for: Character Building & Design

Not everyone is extraordinary. SOMEONE has to flip those McMiguel burgers goddamn it.

If making a huge story and traumatic canon events send daunting - just... Don't do it. Challenge yourself to make a Spidersona that's literally just a person.

Like a Target employee who got bit by a spider that came out a shipment. And now they have to work at the Society AND target. They wear the Target polo over their suit.

Pick a normal type of person, and challenge yourself to make them super.

Maybe a stay at home mom that got bit by a house spider, or a college student that got bit at the library. Any one could be a Spider-person! So don't worry that they're 'boring'.

Ideas for this:

A person based on your town/city, Random Professions, Teachers, Therapists, People based on hobbies you like to do (ex: Margo is eSports. SpiderCanada is hockey based),

History Spider

[This is good for Research]

History Buffs WHERE U AT?????

If you love a period of history - GO ALL IN.

Take the SpiderNoir and Hobie route.

If your Spidersona was from Ancient Egypt, what would they wear? If you really like the Medieval Era, would their city want to burn them at the stake?

For Artists - What would they wear? And how would the fashion trends of their time period effect their suits?

For Writers - What would be their real name, if it were time period accurate? How would they act and speak? Consider how they would adjust to things like 2099, and how their time period would effect their fighting style.

Culture Spider

If you're from a interesting culture or place, make a Sona for that!

[This is another great one for Research, as well as Character Design too]

I've seen it all, from my own IncaSpider, to Korean Spider-people and Romanian Spider-people.

For Artists - It's REALLY fun adapting traditional dress and colors into a Spider-suit, and you may even find yourself falling down a research hole.

For Writers - This can go DEEP. You can pick any time period of your culture and home. Things like their accent, their behaviors and traditions, and their backstory can all be reflections of your culture.

With HUNDREDS of years is material to pull from, using Culture as a back drop for a Spider can help them seem deep and natural. Plus, you can just Google clothing and use that as suit inspo

Ben Reilly - Mary Sue Spider

Arguably my FAVORITE. Not for the faint of heart.

[This is the best for everything - Literal SELF CARE I MEAN THAT]

BE CRINGE. DO IT ON PURPOSE.

Write a character that's super strong and effortless about it. Pavi is. And he's still a great character.

Write a character who ALWAYS looks kick ass and rides a cool motorcycle or plays a rad guitar - Jess and Hobie are literally THAT.

Want your character to be big and super smart with deep trauma that haunts them? - Ben Reilly and Miguel. The three of them can be a trio.

Challenge yourself to make the COOLEST MOST FLAWLESS DRAMATIC SONA YOU CAN.

Every time you draw something or write something that makes you cringe, or feels to OP or too much.

Good. Leave it in. Turn it up to 11.

Go all out. Draw your Instagram dream outfit. If you want your Sona in 12 inch heels - have at it!

'Oh but that's impractical and stup-'

They're literally a Super-Human. If Gwen can catch a helicopter like that, I think a Spidersona can manage stripper heels or Final Fantasy Hair.

What's the worst that can happen? You're doing it on purpose.

At the best, you'll make someone REALLY REALLY rad - like Hobie.

At the least, you'll make someone REALLY REALLY funny - like Ben Reilly.

Disco-Spider Diane is an example of this. She was probably supposed to be a completely self-indulgent, unhinged Sona.

So much so that she thinks she's perfect, even though she's a little bit naive, lazy, and in her own world. But because she doesn't care.. it's all good :)

No Logic Whatsoever Spider

[This one is just funny. Great one for Character Design and getting out of your comfort zone.]

Spider-Ham, Spider-Car, Spider Cat, LegoSpider, Spiderplush and SpiderPopsicle all have a club. The No Logic Whatsoever Club.

Challenge yourself to make a new member.

Break all the laws of logic. If something can be Spiderman, then it is or duty to make it so.

What's your favorite animal? Make that.

Can they put on the suit themselves? No? Who cares they're a Spiderperson-thing now.

Is there a funny art style you like - make a Bendy's style 1930's black and white silent cartoon.

For Artists - This is a great one. It can be as simple as drawing Spider-man merch and making it sentient. Or as bizarre as drawing a Dinosaur in a Spider-man costume.

For Writers - HARD MODE. For pure crack fanatics. Enjoy trying to make logic of this. Or don't. They are what they are.

----------------------------

So here are just some exercises and ideas for those looking to strengthen their writing/art skills with Spidersonas.

They can be really quick to make, and you can always build on them over time, do a '1hr Sona Update' Challenge, run them through canon events and see them change.

Having multiple spidersonas can be fun, make writing easier, and it's great practice that translates everywhere - into world building, character design, research, and a lot of other creative skills.

Literally theres no need for just one! The Spiderverse is open to any Sona, no matter how bizarre, mundane, or self-indulgent!!

If this gave you and ideas or inspiration, let me know. If you try a challenge, I'd love to see too!

And as per usual if you've read this far: Here take this as a token of my gratitude

Go forth, create, and kill cringe with your bare hands. Smash it into a moving train. That usually does the trick.

Bye.

#got a couple asks about writing advice lately so I wanted to start here first hi hello :)#nooo proofread lol #spiderman #spider man #atsv #across the spiderverse #spidersonas #spidersona #ocs #spiderman oc #writing practice #marvel #across the spider verse #spider society #spiderman atsv

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mother-na · 5 months

Text

Yandere Policeman!Gojo X Reader X Yandere Policeman!Geto!

A one-shot set in a world where Jujutsu Sorcerers are replaced with a police unit and Curses are just a nuisance. With Gojo and Geto as policeman, you're bound to be caught somehow, since you're a mischievous curse! [Fem Reader]

Warnings!: Dubious Consent, Oral (both F and M receiving and giving), pet names (sweetheart, little curse), virgin reader, spit roasting, praise kink, lmk if I’m missing anything!

MDNI

NOT proof read or edited

You've been having so much fun! Being a human is a boring experience. You have to work to eat and then you just sleep, but not when you're a curse!

As a curse, you just run around, stealing whatever food you want and sleeping where ever you please. What does it matter? Nobody can see you anyway!

Or so you thought. Lately you've been staying in a mall. During the day you eat all the food in there, pet the animals in the pet shops, and ride the kiddy trains with the kids! And then you get to sleep in the mattress store with the poor night shift worker!

You know you haven't been well behaved, but to think that somebody would call the police!

You planned to stay and exploit the mall and leave at the first sign of danger, but you'd accidentally met them and changed your mind…

It was late at night and most people had already left. You'd figured you'd grab a muffin, one of your favorite treats, but sneaking through the staff hall, you'd noticed a handsome man staring at you.

His ridiculously blue eyes caught you off guard for a few reasons. For one, who has eyes that blue? And for two, why were they looking at you?

It took you a moment, but you soon realized that this man was of the policemen sent to subdue you.

You didn't run though. You thought maybe you could trick him into not killing you. Though most policemen just drive away curses instead of killing them.

But you've just about the seductive skill of puppy because rather than doing something flirtatious like flipping up your skirt you… jumped.

Yes jumped, like a dog getting ready to play, your legs firm on the ground and your back bent forward. Which, to be fair, as a curse you've never been able to understand sexual behaviors. You're just a mischievous curse, nothing more and nothing less.

Though, to your surprise, the man didn't have a negative reaction or one of even surprise. Instead, he gave half a chuckle, before mirroring you movements.

He jumped and leaned over just like you were, spreading his legs just like yours.

You couldn't help yourself after that! He's was basically inviting you to play!

You gave another little jump, and he jumped to, an amused smile in his face.

“You're so playful, for a curse,” The man spoke, his hands on his knees, “very human as well.”

You didn't quite understand what he meant, you couldn't look in mirrors or take photos of yourself so you've no idea you look human.

Still, you couldn't help but giggle. He should just shut up and play with you!

You turned your back on him, looking over your shoulder and swaying a little, inviting him to chase you.

“You wanna play? You sure?” the man chuckled, a boyish grin on his face, “Silly Curse, you don’t really think you have a chance, do you?”

You'd thought it'd be fun! And you were very very wrong for a bit there.

The man turned out to be significantly faster then you. You only got away because you morphed through the floor!

It was so scary! One moment it was all fun and games and the next his footsteps are right behind you! You could hear him panting and breathing, his large slender hand hovering just behind your neck.

Terrifying!

You'd thought he was the only one there that night, but you were wrong about that to!

As you caught your non-existent breath and drank some apple juice from one of the kitchens, you were caught by yet another one!

It was only thirty or so minutes later, just how fast were these guys moving?

“I guess Satoru was telling the truth.” a smooth voice spoke from behind you, almost making you drop your juice in surprise.

You huff, why are these people doing this? What jerks.

Taking another drink of your juice, you stick your tongue out.

“Aren’t you childish? Come here.” The man with black hair spoke, soothingly almost, stretching out his arms like he was inviting you.

You knew exactly what this was! He thinks that just because your a little childish that he can just beckon you and you'd listen! Stupid!

With a cocky attitude, you took steps back.

Right into the other’s arms.

Hooking his surprisingly thick arms underneath your armpits, trapping you against his chest. Was the blue eyed one from before!

“Geez Suguru, you almost scared her off! Scary~!” the man holding you teased.

The other man, Suguru, approached, ready to exorcise you, “Lets just hurry this up.”

You held your breath, preparing for your seemingly inevitable end.

But it never happened.

With sudden force, the man holding you lifted you with his arms under your pits, effectively swinging you to his side so his partner couldn't kill you.

“Or~ we can do something else!” the white-haired man proposed.

Suguru’s face changed to one of disgust, almost comically, “Whatever you about to suggest, please think it through…” the man basically pleaded. Poor guy must deal with his partner's nonsense often.

“I propose that we let this curse run around for just a little~ while longer. You know how the higher-ups are, they know we're the best so they plan to have us running errands till we drop, not that we’re at any risk of dying to curses like these~,” the man nuzzled his face playfully against yours, or perhaps it was meant to be condescending?

“So you just want to shirk your responsibilities then?” Suguru surmised.

“Right on the money~! Come on, you can't tell me it doesn't sound tempting.” the man squished his warm cheek against yours and gave the other man his best attempt at puppy eyes.

“C’mon, you smile too. It's your life on the line.” the white haired man spoke, to which you have an awkward smile.

Suguru looked at you two with a tired expression, pinching the bridge of his nose with light fingers.

“Fine.”

And with that, the three of you had an agreement!

It’s been couple weeks since and you’ve completely forgotten your plan to leave.

How could you not, the two policemen spoiled you! Suguru, or Geto, would give you all the attention you wanted, albeit passively.

You could lay in his warm lap and pet your head gently.

He didn’t warm up to you at first, but the more he witnessed your simple behaviors, he too could not help finding your antics amusing.

The other one, whom you discovered was Satoru Gojo, was more of a gift giver than a cuddler, strangely enough.

Sure, he was touchy, but only to tease you. Otherwise, he’d often give you snacks and treats to keep you out of causing more trouble. The more trouble, the more you convinced their superiors that you were more than they could handle.

In the day you got to lay at their feet and be fed and given attention and during the night they’d let you curl up with them in the break room.

You’d honestly thought you had something special…

“Yeah yeah… I know…. No we don’t need backup… yup, yeah. Goodbye.” You heard Gojo mumble into a phone as you eavesdropped on the other side of the door.

“They want us out of here by tonight.” Gojo relayed simply, tossing the phone to Geto who was deep in thought.

“Figures. We have been here a long time.”

“Guess so… ugh, we’ve no choice then. We’ll take care of [Reader] tonight.”

And that was all the go to you needed. You scrambled right out of there!

It’s not like you needed to eat, so you just skipped your usual lunch with the two of them.

You wanted to collect what few belongings you had but… you just couldn’t find them! Your blanket and pillow were both gone! You’ve had them since you appeared in this world.

They were nowhere to be seen! The sun was setting and the store closing… and you still couldn’t find your stuff. In the end, you had to leave it.

“[Reader]~! Where the hell’d you go…?” You could hear Gojo call for you.

Whatever, you thought, they’re planning on killing you so why should you care if they were upset about it or not, you should be upset not them!

Sneaking out to the parking lot, you sulked a bit. There were no cars in the parking lot except the one police car belonging to the duo inside tucked around the corner.

Maybe you could go pop their tires or tear up their seats! It’s not a bad idea.

Hurrying around the corner to get your measly revenge you spotted their spacious black car. It wasn’t one designed to take the arrested since they were in a curse unit so it was quite big. Kinda like a van.

Peering in the front seats it was clear who the designated driver was. The drivers seat was spotless but the passenger had some fast food wrappers at the feet of it.

The image of Gojo absolutely downing several cheese burgers in the passenger seat as Geto watches in annoyance painted a rather hilarious scenario.

Still, you’d come to tear up their car! Looking at it, it’s a fairly new and pristine black car. Though they’ll be needing a better car when you’re done!

Fazing your hand through the front door, you unlocked the door with ease and crawled in. With a sudden burst of energy, you wasted no time in dragging your mildly clawed nails across the front seat. It wasn’t as deep as you’d like, but it’d do.

As you lifted your head to see your work, you incidentally could see something in the back.

In the back of the car on the floor in a neat little pile was your blanket and pillow.

Confused, you allowed yourself to lean over the center console where the cupholders were.

Before you could even think about what it meant, a firm hand pushed your bottom, making you land face first into the back seat.

Suddenly, Gojo was straddling the center console that you were just on and holding you down on the back seat.

Geto stuck his head in through the drivers side door, seeing the damage, and sighed, “Seriously?”

Geto shut the front car door and opened the back where you and half of Gojo were, leaning and placing a knee on the leather seat to steady himself.

“What’s the matter? Running and ripping up seats, why are you so upset?” Geto spoke kindly, though you could tell he was still angry he tried his best to hide it so as to understand better.

“I heard you two talking, you were gonna go against your promise and kill me!” You growled, feeling betrayed and hurt that they’d feign ignorance.

Geto’s furrowed his eyes brows and looked up at Gojo with an angry and disappointed expression.

“Why are you looking at me like that, I’m not the one spying on people.” Gojo weakly defended himself, pressing himself against your back, trapping you underneath him entirely dramatically, pinning the blame on you.

Geto turned to you and crouched down to meet your squished face, “Don’t be ridiculous. We were never going to kill you.” He spoke in his motherly voice, soothing and honest, lifting a hand to run his large hand through your hair.

“Then… what were you going to do?” You asked, confused.

Geto simply smiled and you could feel Gojo’s firm chest rumble as he chuckled.

“This, sweetheart.” Gojo stated simply before using one of his hands to crane your neck upward before consuming your mouth in his.

It was an overbearing kiss. His body weight smooshing you and his hand gripping your chin and neck, keeping you in place.

You smell, feel, and hear him acutely.

The way his scent blanketed you and his warmth ate away at your form and the small little sadistic laughs he released when you whimpered. His fingers digging gently into your skin.

He’d not-so-carefully bite at your ghostly lips, pulling them away before returning once again to thrust his tongue down your throat or, conversely, pull your own tongue down his own throat.

So focused on consuming your lips that he’s left to pant above you, his cruel laugh turning into drunken whispers as his chest heaved against you.

“Perhaps our little curses’ cursed technique is seduction. I’ve never seen you so distracted before, Satoru.” Geto mused to himself.

Gojo unlatched himself from the sloppy kiss, panting, “Ha… I wouldn’t be surprised.” He agreed.

“I was joking Satoru.” Geto mumbled out.

“Doesn’t sound like a mere joke when you’re faced with these lips, Su-gu-ru~. Taste for yourself.”

Gojo raised his body just enough to push your upper half toward Geto and allow himself to squeeze behind you, opening the car door on the other side so he could still press against you.

Geto looked thoughtless for a moment and you almost believed he was going to deny you a kiss, but he leaned in any way.

It was a gentler start then with Gojo. Geto’s kiss was gentle and rather than pushing past your lips like Gojo had, he merely licked at them for a bit.

It was only when you shyly allowed your lips to part, curious about this new experience, did Geto lunge his tongue without warning.

Geto’s hand that held your in place were more gentle then Gojo’s. His large hands holding your cheeks tenderly.

Yet despite his gentle hand, his kiss only got harsher. As though he were trying to consume your soul from the outside, Geto stole your breath as he kissed with more determination than Gojo had.

Of course, Gojo was not still either.

As Geto kissed you with harsh love, Gojo was poking around your skirt and underwear. Your skirt was a bit shabby, old as it was, but that doesn’t really matter given that Gojo was going to pull it down regardless.

Slipping your skirt and, by extension, your underwear off you shivered as the cold air hit your now exposed pussy, a new sensation.

You wanted to ask what was happening, but honestly your stomach was fluttering with Geto and Gojo touching you like this. It made the presumed betrayal seem like a silly notion.

Gojo gripped your love hands and hips, his large hands able to wrap around both, before forcing you onto your knees.

You were about to ask why but between Geto refusing to free your mouth and Gojo’s fingers now rubbing experimental circles around your virgin clit.

Gojo’s fingers were testing their limits, feeling what ministrations made you twitch most, your hole clench in desperation. While at the start it was only half good, he quickly figure out your favorite patterns. Though, even if he hadn’t, the idea that it was his fingers touching you was enough to get you off.

You arched your back, asking for more nervously, before you felt Gojo groping your thighs, no longer touching your stimulated pussy.

But your pussy’s loneliness didn’t last long as soon after you felt Gojo’s hands’ gripping your thighs, firmly, sternly even, keeping you in place as you felt his breath on your pussy.

With an open panting mouth, like a starving man, Gojo used his tongue to swipe one very long, very slow, and very intrusive, slobbering lick across the entirety of your exposed genitalia.

Every time he drunkenly laughed at your twitching pussy with the flat of his tongue pressed firmly against your pussy you could feel the resulting hot breath reminding you just how close he was.

With just one drooling lick, Gojo had managed to use his tongue to invade every last cell of your cunt and effectively make you dumb in the head.

Your hips couldn’t help themselves, wanting to follow that long tantalizing and cruel stroke, but Gojo kept you firmly in place, his hands holding a bruising grip, refusing to give you even an extra inch of his tongue. You could only be mercilessly teased by him.

It was so mind numbing that you had to interrupt Geto’s kiss by allowing your tongue to loll out when you gasped in utter pleasure.

You babbled, wanting to ask what he was doing, wanting to know what this pleasure was, but Geto stared deep into your eyes, a gentle smile gracing your lips.

“Haha… hah,” Gojo pulled away from your dripping cunt, mindlessly laughing to himself like a madman out of breath, “Suguru~, don’t tell me- hah- you’re just gonna sit there and- ha- waste that hot mouth of hers.” He panted.

Geto hummed, “Oh I’ve no plan to waste any part of our little curse. I just want to make sure we’re running at the same pace.”

Geto seemed relatively calm, but you could hear Gojo hurriedly rush to his feet, the sound of a buckle moving, “Oh trust me, I’m all ready to go.”

Geto reached out his hand and grabbed your lolling tongue between thumb and the knuckle of his pointer finger, massaging it there, “I’d say she is too.”

You’d believed Geto to be the only calm one, but as he stood up you realized that what’s in his pants is anything but calm.

From both in front of you and behind you, you could hear the sounds of belts being removed and pants being pulled down. It was a good thing the sun was just about set because what was about to happen shouldn’t be seen by anyone’s eyes.

Geto’s cock, already hard, was already wet at the tip, pre cum pearling as a sign he’d been worked up for a while now. His patience was certainly not something to gawk at.

Geto once again raised his knee to lean into the car, right next to your head so your face was against his warm thigh and, obviously, his cock right near your mouth.

“It’s simple, you just open your mouth and suck, is that easy enough for you?” Geto cooed at you, kindness in his eyes as he pet your head.

You could only nod your head. Ah~ even in such a forceful situation, Geto was so very kind.

Geto allowed you to explore his cock first, to get a handle on it.

Only just as you were lapping up his precum eagerly did Gojo decide he’d waited long enough.

His impatience got the better of him for a moment, his cock slapping against your slick before sliding the tip into your sopping cunt.

Of course, a virgin as you were, you yelped a bit at the foreign burning.

The sound of your pain seemed to force Gojo back to his senses a bit, his motion coming to a halt.

“Oh! My bad sweetheart~, I was too excited, wasn’t I?” Gojo apologized, sincerely for once, gently rubbing your legs and back soothingly.

“It’ll be okay, just take deep breaths and take me in one~ inch at a time, yeah?” Gojo leaned down to whisper to you.

“If it gets to much, just let me know, I’ll give him a good punch for it.” Geto joked.

“Oh come on, I’m not that bad~.”

True to his word, Gojo took it very slow, and Geto didn’t ask you to keep pleasing him while you focused, instead praising you generously for your efforts.

“You’re such a good girl, taking it in so well. You’re so sweet.” Geto held your face against his thigh, stroking your head, occasionally gripping the hair gently.

“Hn- I’ll say. You’re more than sweet, you tasted divine.” Gojo, currently pressed down against you again, groaned in your ear, his hot breath and aroused voice reaching thickly against you, tracing a line steadily from your chin, down your neck, between your breasts, against your tender belly, and finally to your clit, offering a little stimulation.

Gojo’s cock, angled as he’d gone in, dragged steadily across your sensitive virgin walls.

Finally, as his final inch popped into you, did Gojo’s heavy cock kiss your cervix.

You, finally at ease, went back to pleasing Geto. In order to steady yourself, squished so fiercely, you held onto Gojo’s wrists as he held himself up, or barely up any way.

With Gojo now moving at a steady pace, his body sweaty above you, you couldn’t keep focusing on Geto and decided to instead take his cock into your mouth.

His taste was foreign but not at all unpleasant. And his precum was somewhat creamy and sweet!

Of course, the most distracting thing was Gojo’s merciless cock. There was now only a faint sensation of burning as your stomach and pussy exploded with pleasure like firework going off in your belly.

His pace was fast and sloppy but is strokes were lengthy. His fit body allowed him to pull out all the way to the very tip before delving straight back in, his thick head quickly meeting to gently smooch your cervix.

His length throbbed and every time his pelvis met yours there was a good chance you could feel his heart beat through his phallus. Though, you could hear his hammering heart anyhow as he pressed so firmly against you as though wished to become one with you. His wrists too, as you held them, had a quickened pace. You could feel his bulging veins against your palms.

From sadistic laughter, to drunken giggling, to now heavy pants as his face scrunched in focus. His eyes closed firmly and his mouth hanging open as he released deep quiet moans and stifled whispers of desperation into your ear.

Geto was no better. To please him, you completely negated your gag reflux against your bodies wishes and, in your need to please your sweet Geto, recklessly took several more inches of him down your throat than you probably should have.

His heart beat as could be felt. So thick in your throat that it felt as though he wished you could consume him, heartbeat and all.

Geto leaned against the cars door, his body occasionally quaking as he groaned deeply and released gasps intermittently. He had sweat glistening on his face, the hand he’d placed on your face was damp as well.

Eventually, Geto couldn’t help himself and subtly rocked himself into you, his hips stuttering and losing rhythm.

Gojo too was beginning to lose pace.

And you?

You were a mess.

You were coated in their essence, your own essence was coating Gojo’s cock. And your thighs. And probably Gojo’s thighs.

You moaned with abandon, your body thoroughly stuffed in both ends as the only people you’ve known in your life rocked their body inside you.

Their rhythm became a mess.

Geto was gripping the door of the car so hard you swear he was denting it, his cock throbbing in your throat, threatening to burst. His hand was so clearly fighting the urge to grasp at yours and Gojo’s hair as Gojo has hovered so close to you that Geto was now tasked with providing a loving hand to both you and Gojo.

As for Gojo himself, he’d begun cursing, entirely out of breath, and his pace was sloppy. With clear desperation he was humping you like an animal.

Make no mistake, he was pounding you.

You’d kind of thought Gojo was the more experienced with this kind of thing, but he was so clingy and desperate that you’ve no idea where he’d gotten his previous attitude from.

He whimpered and stifled mewls but you heard it all the same.

Geto did too, which is probably why he was now bringing his other hand to give both you and Gojo attention.

As the three of you, sweaty, drooling, and loudly moaning, reached your climax Geto had gripped both Gojo’s hair and your hair.

Gojo moaned, well moaned and yelped honestly, as his cock pumped thick hot strings of cum deep into your sensitive quivering hole, collapsing on top of you.

Geto too had came, straight down your happily swallowing throat.

Geto popped his now half soft cock out of your slimy and exhausted throat as the three of you panted.

You slowly gathered your thoughts. What just happened..?

“S…So… you were never gonna… gon’ get me..?” You asked confused.

Usually Gojo would’ve responded first but you were pretty sure he was half asleep. He moved his arms to around your neck and shoulders and cuddled you close. Fairly certain his bare ass is hanging out the car currently, but he doesn’t seem concerned.

Geto laughed with half a breath, “No, sweetheart. How could we ever? We were going to take you with us.” Geto assured you, fixing his pants.

Looking back, it made sense. Your stuff was in the car and everything. How embarrassing… and to think you messed up his car.

“‘M sorry! About the car… I mean…” you apologized, burying you face into your arms, embarrassed.

Geto smiled gently, closing the car door on his side and going around the car to fix Gojo, “It’s alright. I mean, I’m mad sure, but I get it. You were fearing for your life after all.” He responded, pulling up Gojo’s pants and lifting his feet into the car so he could close the door.

Geto entered the drivers seat door, taking a seat and pulling out the car keys.

“You don’t have to fear anything anymore. We’ll take care of you, we promise.” Geto tenderly spoke, before driving you to live with your new family as your eyes fell closed.

The two of them will care for you for as long as they live, and when they die, they’ll make sure you come with them. They just love you that much.

This ain’t proof reeaadd

328 notes · View notes

runninriot · 5 months

Text

written for the @steddieholidaydrabbles

Day 10

prompt: first kiss | rated: T | cw: underage drinking | tags: Robin, Steve & Eddie are friends, confessions, coming out

“What d’you mean you never had your first kiss?”

Oops. Did he say that out loud? Shit. Eddie knew he should’ve gone easy on the rum. But they’ve been running around town all afternoon to buy Christmas presents for the kids and when they finally made their way back to Steve’s, the idea of having some rum-spiked hot cocoa to warm them up from the inside sounded great. And it was - up until now.

Now, he’s being reminded of the fact that alcohol loosens his tongue, makes him say things he usually would keep to himself.

“Uh, yeah? It’s no big deal.” Eddie tries to play it down, tries to ignore the heat spreading uncomfortably in his cheeks.

“No. Hold up. Eddie, are you really telling me you’ve never kissed anyone? Not once?” Steve’s eyes are huge and Eddie searches for mockery in them, finds only honest confusion.

“Well, Steve. Not everyone starts their slutty era as young as you did,” Robin defends him. Maybe because she can sense how embarrassed Eddie feels. Maybe because she knows something about him that Steve doesn’t.

“Yeah yeah, I know. Keep making fun of me but- I can’t believe it, Eddie. You’re 19 and no one has ever been worthy enough for you to kiss them?”

The way he phrases it makes Eddie’s insides twist into a knot, makes his heart flutter at the notion of Steve actually thinking anyone had ever wanted to kiss him.

Because the truth is that no one has.

“What can I say? Maybe I’m just waiting for the right one.” Eddie laughs, makes it sound like a silly joke to hide the fact that in another universe, the right one would be sitting right next to him. Not in this life, though. He’ll never know what Steve’s lips taste like.

“I’d rather not had my first kiss at all than the one I got. Middle school, Jackson Hughes. Planted one right on me, wet and sloppy. Ugh, guess that’s when I knew I don’t like boys.”

Steve shoots her an alarmed look.

“It’s okay, Steve. He knows,” Robin answers his silent question, obviously referring to Eddie knowing about her being a lesbian.

“Oh. G-good. That’s good.”

“Takes one to know one.” Eddie chokes on a laugh.

FUCK!

Did he really just out himself in front of Steve?

As if his earlier confession hadn’t been enough to throw him off, the look on Steve’s face now is even worse. Not like- he doesn’t look disgusted or anything. More like, surprised. His facial expressions going from confused to… soft? So soft in fact, that Eddie suddenly has a hard time breathing.

“Oookay. That was awkward. Moving on. Who wants another?” Eddie quickly jumps up from the sofa, waving his empty cup at the others, not even waiting for their response before he makes his way to the kitchen.

He needs to do something, needs to get away. Splash some cold water into his face to cool down, sober up. Maybe getting another drink isn’t a good idea, after all.

Eddie braces his hands on the edge of the counter, drops his head down and sighs.

Shitshitshit!

Yeah, nope. He should not get another drink. Not if he doesn’t cut out his own tongue first. He already said too much, already confessed too many things for one evening. What comes next? Telling Steve that he’s hopelessly in love with him?

Over my dead body.

No one needs to know that. Especially not Steve. So, yeah. Definitely no more rum for him. He should probably go home and hide under his blanket until the end of days or at least-

“Eddie?”

He turns around quickly, trying his best to steady himself.

“Are you okay?”

Steve’s eyes are warm and his voice is gentle and Eddie just wants the ground to open up and swallow him whole.

“Yeah. Just needed a minute. That was not exactly how I planned on telling you.” Eddie laughs but it sounds strange even to his own ears.

God, you’re pathetic.

The other boy steps closer and Eddie feels like he’s frozen in place. His heart beats like crazy when Steve stops only inches away from him, so close now that Eddie can feel warmth radiating off Steve’s body.

“I’ve been wanting to tell you, too. A-about me.”

Eddie thinks he can feel, hear, and smell the wires in his brain short-circuiting. His mouth drops open, eyes blown wide in disbelief.

What?

“I’m… bi. Apparently.” He shrugs his shoulders and smiles shyly at him.

“Th- that’s. Cool.” Eddie stutters, doesn’t really know what to say when his mind offers nothing he can share.

Steve likes boys? Maybe I have a chance. Maybe he likes me too? Shut up, Munson! He’s so pretty. I want to kiss him so badly...

“And I-“ Steve bites down on his bottom lip as if he’s trying to prevent himself from talking.

“I wanted to tell you for a while that I-“

Eddie knows he’s being delusional but he can’t take it anymore. He needs to know.

“I like you, Steve. A lot. I-“

Steve's whole face lights up and Eddie's head is spinning.

“Can I kiss you?”

He doesn’t know how exactly it happens or who starts it but somehow he finds himself glued to Steve’s lips not even a second later - his hands in Steve’s hair, Steve’s hands wrapped around his middle, their bodies pressed against one another so close that he thinks he can feel Steve’s heartbeat in his own chest.

Eddie must’ve died and gone to heaven because he is kissing Steve and Steve is kissing him back and it’s nothing like anything he’s ever felt or tasted before. A tender brush of lips, a hesitant tongue asking silently for permission, Steve’s hot breath on his face, the sweet little noises they both make… it’s like a dream come true.

And yeah. If waiting 19 years got him this - he'd do it all over again.

#steddieholidaydrabbles #day 10 #eddie munson #steve harrington #first kiss

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quixtrix · 6 months

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rayman, eden's feel good american dream story; an analysis

guess who's back with taking ubisoft's silly guys and cutting them open. yknow, if you strip rayman of his personality, of all the behind the scenes we get of him, we get a run of the mill news reporter that is an immigrant, who by face alone serves as a shining ray of hope. he's easily something that by all means, can be classified as a diversity hire. immigrant, nonhuman (which in the world of clh can be considered to be equated with poc irl), and notably the only one in his work environment. don't believe me?

we rarely ever see anyone other than rayman on the show in the form of a coworker. the only time we do see other eden affiliated people, they are both white. "but you can't see red's face!!" there is a reason his dialogue makes you think of more right leaning people with their claims of 'wokeness is destroying everything' under something like april from tmnt being black and not ginger. he's a caricature meant to represent a specific group of people under fascism; those who have successfully consumed the fearmongering and have let it turn from fear of those that they are told are beneath them into hatred for them. there is also the fact that on live tv he throws up a middle finger, refers to an implied group of immigrant people as 'filthy interdimensional alien scum,' and seemingly gains no backlash for it. yes, the other reporter does try to give red a chance to go back on his words, but he sticks to it. and despite all of this, we get no indication that neither red nor the niji 6 had to apologise or received punishment for this. in fact, red is possibly given more chances by eden due to him being weirdly in charge of bullfrog's containment in a way? (i'm not entirely sure WHY he was there, but as he is one of eden's tv personalities, he's at a possibly televised trial of a terrorist.) now if you compare this to rayman, who also acted inappropriately on tv by literally saying fuck, you'd come to realise that rayman was treated so much more harshly. he was IMMEDIATELY replaced by a clone of himself, with no warning nor any indication that eden would do such a thing. it's very likely this was one of, if not the first time that rayman has slipped up like this on live tv. maybe it's a repeat offence considering his personality, but then you could argue that red is a repeat offender of the same shit and then you have to wonder why a soldier like red was not easily replaced but someone who is the literal face and voice of eden was with ease. it's because rayman made himself more than jus a story, he humanised himself by showing a peek of his raw feelings. remember that cute little exposition of the rayman kids show about hybrids? where we see all of these hybrids working as society's grunts and the kids are told to be thankful for hybrids? it's very sweet and gives a good message! now the rayman kids show is a product of eden propaganda, but rayman very much has a hand in it, most likely as a writer. he uses his platform to speak on issues that has happened and affected him. this can be seen in his biopic.

jus sit with this image for a moment. you ever think about why rayman is specifically made as an alien? why he's specifically an immigrant? in real life news reports and speeches, there is a difference in implications when people use immigrants and not aliens. you wanna know why?

as someone apart of an immigrant family myself, i live in a community of other immigrants. majority of them are hispanic, and while i myself am not hispanic, i am very aware of how hispanic immigrants were referred to and treated by politicians under trump's presidency. how couldn't i? even as children in middle school and elementary, we had discussions about what trump was saying because it directly targets my friends and their families. they are people targeted by a man who specifically uses derogatory terms to dehumanise them, to make it easier to justify in the average american mind that the government is doing the right thing by keeping out and protecting america from these so-called 'invading animals.' makes what red was saying earlier feel very on the nose, right? adi shankar, the showrunner for captain laserhawk, is also an immigrant man. immigrated from india, which by the way, did you know has a lot of people immigrating for the purpose of having a better life? that's a common sentiment that can be found in every single immigrant family's story. i've asked my filipino mother why she took an opportunity to live and work in america, and she told me it's because she wanted to give her children a better life than what we would have had in the philippines. hell, i bet if you share a similar background to me, you can ask your own parents the same thing and get the exact same answer, regardless if you came from latin america or africa, or asia. it's because of the concept of the american dream. everyone who has ever engaged with any degree of immigrant discussion has heard of the american dream. it's a concept that seems to be consistently proven via word of mouth, with the biggest examples being celebrities. they will always, without fail, eventually speak about the american dream within their backstories. and typically, they will use their platforms to further empower others within their community. it's why people from specific ethnicities tend to group together, why people make art meant as something akin to a homage to their people. it provides hope to the masses, makes you relate to the person on the screen, and believe that this society is truly a gracious one by providing opportunity. because yeah, it may be bad, but it could be worse. i mean we appreciate you! just look!

dont mind the fact that the majority of opportunities allotted to you is grunt work, the work where you at the base of the pyramid, with the harder jobs and the jobs no one wants to do. dont mind the fact you will be actively dehumanised, forced to work for hours in conditions we wouldn't put anyone else in, but hey. we appreciate you. we thank you. and yknow, you can become more than what you are. yknow, we let someone just like you be more than what you are! nevermind the fact that if they slip up, they'll be met with MUCH harsher criticism in comparison to someone who isn't you! aren't we so gracious? i probably sound a bit like matpat's insane out of context real world examples, but this show is filled with political imagery, so let me be. anyways, let's get back to eden and rayman. rayman, despite being specifically from dimension x as an alien, keeps hybrids in mind when he's doing his work.

people of colour tend to share solidarity with one another due to the fact that surface wise, we share similar struggles. to grossly oversimplify things, we all face discrimination through our appearances and are oppressed by the rules of a society created by our white oppressors. again, hybrids and dimension x immigrants can be equated to irl poc, and despite being different from each other, there is still community. rayman keeps them in mind, hoping to make things better for the overall nonhuman and nonnative (native as in naturally born) population of eden. but, rayman is not what he believes he is. because despite everything he has worked for, despite what he has tried to do, he is still a facilitator of the fascist regime that has an active hand in the perpetual oppression of his own people. one of the core concepts within fascism is us versus them. it's an easy way to instill fear (which is very much needed in fascism to make it easier to lie to the masses) and it's used in multiple layers, beginning with a large group (ex. us versus ussr, capitalism vs communism), then progressively sizing down (ex. saying all eastern europeans are communist, then going smaller and say all those affiliated with eastern europeans are communist) with the goal being to put people against each other and break up community since if you put your minds together, you'll start to realise that the fascist system is bullshit. what i've personally come to find is that in order to hide the fact that there is fascism lurking is that someone that can be considered a 'them,' an other, will be given a seat at the table. it's so they can be used as an excuse, a human shield, when they inevitably slip up and can be paraded to the masses as proof that the other is not as smart or powerful as 'us.' the 'other' within the 'us' is used as something to look down at, while also justifying to oneself that they have a place, that they are not being oppressed. they have an opportunity as much as anyone else! so long as they don't mess up. rayman messes up, and is shunned from 'us.' hes a mistake, impure, clearly not like 'us,' 'us' who had been so gracious to give this 'other' a place. he's cut out and discarded because he has well worn his purpose, and clearly, they can just get another little puppet. they'll dress him up and make him worthy of being one of 'us,' and make sure that this one won't fall to the fault of his little ideas. which is exactly what leads to rayman's transformation of ramon. being forcibly forced out and discarded by eden because he showed his true ideas makes him realise that there was no real place for him within the system. because what good is his work if it leads to what he tried not to create? it's worthless, just as the system it attempts to thrive in is.

tl;dr, rayman is a representation of the american dream, specifically celebrities. he tries to do what he can with his platform, but the fact is that within a fascist system, his impact is not entirely felt in the way he wants it to. that is why he becomes ramon.

anyways if you reached the end of THIS LONG ASS PIECE GOOD LORD thank you!! always open to discuss this and take criticism, my ask box is open in the lil 'who's asking' :^]

#this was a fucking long one my bad #this is inspired by saji sharma's video on mindy kailing #in the sense that it made a few things click nd well here we are #i'm on my fourth rewatch and yeah #yeah i had to say smth bc i dont think anyone has said shit abt this?#i blame the fact that i believe theres not that many poc doing the lil insane analysis thing i do #which is fine btw #also sorry if i got anything wrong !!#im slightly going off of my own memory sooo #captain laserhawk #rayman #clh rayman #captain laserhawk rayman #all the rayman tags bc idk what to do #character analysis

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