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#i don't have any time for or interest in 'proving' points
sunkissedchld · 2 days
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𝐏𝐈𝐂𝐊 𝐀 𝐂𝐀𝐑𝐃
𝒄𝒉𝒂𝒏𝒏𝒆𝒍𝒆𝒅 𝒎𝒆𝒔𝒔𝒂𝒈𝒆𝒔 𝒗𝒆𝒓. 𝒐𝒏𝒆
the piles go from left to right. therefore, pile one is the clear quartz, pile two is the tiger's eye, and so on and so forth.
take your time to use your intuition to choose the pile that will best resonate with you. lastly, please don't be afraid to say if the message resonated or not; it helps me in determining if my interpretations are correct or not, and i appreciate any sort of feedback - even if it's "bad".
good luck to you, reader 🔮
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𝐏𝐈𝐋𝐄 𝐈
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Signs:
heavily craving or avoiding physical touch, prominent first house or major first house transits right now, 9/99/999, heavy fire sign placements or embodying fire sign energy recently (or needing to), archangel gabriel, heavy sagittarius and/or cancer energy, mercury, uranus
Shufflemancy: 
“Confessions” by Usher
“Lost Without U” by Robin Thicke
“Insecure” by Amare La Negra
“ICONIC” by Aespa
“3RACHA” by Stray Kids
Cards:
Ace of Cups, Page of Wands (Rx), Knight of Swords (Rx), Broom, Knight of Pentacles (Rx), Queen of Pentacles, Justice, The Hermit, The Star, The Magician
Reading: 
It feels like there’s two camps of people for this pile: those with project ideas in mind for work or for their own personal lives and those interested in a potential crush or relationship. I’ll try to give examples for both and keep things semi-neutral, but sometimes things aren’t always that clean, so apply to your situation as needed. 
You may feel excited about this new project or relationship. You’re excited about potential prospects and have all these ideas running in your mind about how to go about things or how things will turn out, but this excitement is actually proving to be unhelpful or detrimental in a sense. Excitement with the right work ethic and listening ears can be a blessing, but without direction and input from others can cause you flail. It seems you could be rushing into things and trying to make pieces fit where they don’t so to speak. You could be thinking your plan is perfect and if everything just went the way you wanted, then all would be great, but this isn’t true. You need to get rid of this idea of you being this know-it-all who knows exactly what’s happening right now. 
For those of you who are used to always pursuing and making things happen; you need to step back and allow the universe to play out its wants. You could be the type of person who thinks they have to sacrifice everything in order to be happy or live comfortably, and the truth is that is not the case. You can have a balance between your work life and romantic or personal one; it’s okay to love working and coming up with all these ideas, but you also need to learn how to get comfortable with being with others and yourself outside of that professional, work-minded setting. 
For those of you who sit in the background and are a little more lazy, the opposite is true in that you need to step into taking control of your own life instead of leaving decisions and everything else up to the universe or other people around you. you could be too hedonistic and concerned about personal connections to the point where you put your livelihood and financial security at risk. In both instances, a need to balance is present. Also for both instances, there’s an emphasis on spending a little bit of time with yourself to determine in which way you need to expand and in which way you need to pull back from some of your habits. 
This pursuit versus lackadaisical attitude can also be applied to pursuing relationships. Some of you are constantly on the look for this person you’re interested in, or you’re always thinking of how you want to be in a relationship or how you can get into one when you need to step back and let it come to you when you need it. Others of you are acting as if you’re completely out of the game and are putting in no effort to create and maintain relationships when the reality is humans are interactive creatures, and you too need interaction! Again, a balance is needed for those this aligns with. 
Ultimately, you can have whatever it is you want: the lead on the project, the relationship, the good work ethic, the hedonistic lifestyle, but you also need to balance that with what it is you’re avoiding. The perfect recipe or spell concoction isn’t made with too much of any one ingredient. Everything has to work together in order for so-called perfection to be derived.
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𝐏𝐈𝐋𝐄 𝐈𝐈
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Signs:
lack of sight, “going in blind”, prominent twelfth house placements or transits, heavy pisces placements or energy, 1212, venus, 3/33/333, “i’m walking on sunshine”; “i’m trying to ascend”; “i’m crucified like my savior; saint-like behavior”
Shufflemancy: 
“in my head” by Ariana Grande
“Cry Baby” by Megan Thee Stallion (feat. DaBaby)
“Say My Name (Live)” by Beyoncè
“Emotional Bruises” by Madison Beer
“Streets Is Callin’” by B2K
Cards:
Page of Wands (Rx), Page of Pentacles, The Chariot, Ace of Swords, Seven of Cups, The Patient Witch, Three of Cups, Three of Pentacles, Good Luck Charm
Reading: 
Those choosing pile two might be in an intermittent state currently. Previously, you could’ve felt like you were on top of the world with everything set in stone, but now you’ve lost your footing, and you can’t necessarily figure out why. You might’ve started a project or new endeavor, and now you’re running into unexpected troubles which are making you want to give up. 
You might be someone who is obsessive about the things they want; you need everything to turn out exactly how you pictured it - to the point of refusing to be happy with anything less or slightly different even if the bulk of what you want is given to you. When you do encounter differences (or what you’d consider roadblocks), you have a habit of abandoning things or believing you must’ve messed up in some way – even when that’s not the case! You get so focused on “fixing” things that you forget to be appreciative of what you do accomplish. 
It seems you recognize you’re on some sort of journey, and you’re excited to do so much; you have so many ideas you want to pursue that sometimes you confuse yourself about what to do. In some ways, an abundance of choices is confusing you. You could inherently know that you likely can’t pursue everything (or that you shouldn’t), but your curiosity is getting the best of you. For some of you, I feel like some of these illusionary good choices have already come forward, and you’ve figured out the hard way that not every choice available to you is a good one. 
Those of pile two are being called to do a few things. One is to be patient and listen to yourself. Again, you can have all these ideas about what you want to do, but you need to figure out a way to “be still” and concentrate your energy on what’s best for you. You don’t have to be making moves or plans all the time; I know being told to meditate can feel frustrating, but the truth is that it’s hard to make good decisions without fully thinking them through. This act of listening to your inner self does not have to be done completely alone though (although parts of it should be). Don’t be afraid to ask friends, your guides, or other people around you for advice or help. Talk through your ideas, work with others to achieve them – you might see more success creating a community as opposed to acting totally alone. 
Overall pile two, things will work out for you depending on how you act and whether or not you listen. If you keep pursuing things faster than you’re ready to, then you can expect rude awakenings about needing to slow down and think before acting. If you take the time to get in tune with yourself and determine what it is you truly should be going after, then you can expect better outcomes and results.
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𝐏𝐈𝐋𝐄 𝐈𝐈𝐈
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Signs:
9/99/999, feeling sick recently, not trusting yourself, “don’t trust yourself”, uranus prominence, the color red, lack of fight, dogma, fire dominance or being drawn to fire, 3/33/333, swords, prominent air energy or dominance, 6/66
Shufflemancy: 
“Right Here” by Alex Aiono
“Princess Going Digital” by Amaarae
“King’s Dead” by Kendrick Lamar (feat. Jay Rock, Future, & James Blake)
“Muwop” by Latto (feat. Gucci Mane)
“Die A Little Bit” by Tinashe (feat. Ms Banks)
Cards:
Six of Swords, Six of Wands, Four of Pentacles, Nine of Swords, Five of Swords, The World, Nine of Wands, Temperance, The Tower, Ten of Cups (Rx), Ace of Swords
Reading: 
I think this pile is mainly for those thinking about or experiencing a romantic situation – not everyone will be, so don’t be alarmed because the overall message will be able to be applied regardless of whether romance is in your life right now or not. Those who chose this pile may be the type to close themselves off from others; in a lot of ways you’re hiding your light and existence from people who would appreciate and celebrate you. You could be someone who has social anxiety or worries often about the way people perceive you; you might find it hard to make friends or to establish relationships (romantic, platonic, maybe even familial) where you feel comfortable revealing your authentic self to others. 
You’re being called to leave this unsure part of yourself behind. You could be insecure when it comes to interacting with others – maybe you have a stutter or there’s some other factor that impacts your speech or how comfortable you feel when talking to people. For some of you, you may not understand what makes you special or what would draw people to you as a person, but Six of Wands in the deck I have says, “you’re kind of a big deal, so start acting like it!”. Even if you can’t see your own beauty, draw, or light other people can and want to connect with you because of it and because of who you portray yourself to be. 
Going back to relationships and trying to make connections with others, you may be someone who always thinks the worst of people. You may often think, “no one will like me”; “I won’t be able to make friends here”; “I’m not interesting enough”; “all my relationships go to shit in some way, so why try”, and the advice to you is “you can’t be right all of the time”. The worst possible outcome is not the only outcome. There’s almost a guarantee that if you get out of your comfort zone and be intentional in establishing relationships with people, then you may find the outcomes you fear so much won’t happen. “You have to give people the chance to show you they’re not like the people who have been in your life previously”. 
There’s an emphasis on the fact that you’re still standing even though you may have experienced times when you didn’t think you would keep going. The only/main thing holding you back right now is not your guides or the universe or the people around you or some outside evil force that you think only has it out for you – you are imposing limitations on yourself because of your fear of being hurt again. Although you’re being urged to try and pursue relationships out of your own volition; it’s important to note that some people are coming forward regardless. You must get rid of this idea that you’re unlikeable or unlovable, and you’ll likely have a Tower moment regarding your idea of and the way you act in relationships soon.
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𝐏𝐈𝐋𝐄 𝐈𝐕
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Signs:
the color purple, feeling restless or tired, sun dominance or needing to go out in the sun, prominent capricorn, libra, and/or gemini placements, red orange/blood orange, second house placements or transits, “trust yourself”, artemis, poseidon, water dominance or working with water, hades
Shufflemancy: 
“libidO” by OnlyOneOf
“Focus” by H.E.R
“Victory” by Yolanda Adams 
“UGOMDN” by chlothegod
“Star Lost” by Stray Kids
Cards:
Page of Pentacles (Rx), Seven of Cups, The Patient Witch (Rx), Queen of Swords, Page of Cups, Five of Wands, Ten of Wands (Rx), The Lovers (Rx), Ace of Pentacles, Eight of Cups. Judgment
Reading: 
The message for those of you who chose pile four is going to be a little harsh – just as a disclaimer. Your guides may be at their wits end in trying to tell you nicely or in trying to contact you in general, so this could be a message you’ve been ignoring or not understanding for a while. This could be a lesson you keep running into; I heard “you’re tired? We’re tired too”, so take that as it resonates. This pile also feels adjacent to pile two because some of the same cards came out, but I think this pile is for those of you who have little time to make your decision to change your ways because you’ve already been warned multiple times. 
At your core, you embody the Queen of Swords; you may be quick-witted, steadfast in your knowledge of who you are and what you want, outspoken, and independent to a fault, but currently these attributes are manifesting in the most negative ways. Currently, you could be acting childish and “rotten”; I’m reminded of Violet from Charlie and the Chocolate Factory. You’re so stuck in this idea of how you want things to play out and what you want that you’ve backed yourself into a situation where you come off as immature and lazy if things don’t go your way. What seems to be coming through is “oh, you’re stubborn? We can be stubborn too”. 
Your guides are wanting you to loosen up and be open to experiencing what’s thrown to and/or given to you. You have the ultimate control over your life, but I’m seeing some of you specifically asked for your guides’ help and aid, so if you want it, then you have to listen to their suggestions also. Your work with them is not a one-way affair, so stop treating it as such. They are not magic genies who are to drop everything and give you everything you want at your beck and call. I heard “cruisin’ for a bruisin’” which could be related to your need to control things. 
The advice of this reading is really to be mindful of how you're treating your guides and your intentions in your journey with them. For one, you’re shouldering too much responsibility to the point where you’re burning yourself out. It is not possible to go through life all by yourself with no help or input from anyone else. It’s also not possible to have a relationship with your guides and never listen to them or treat them like they’re your servants. If you keep running into obstacles and misfortunes going on your own, then maybe try their way for a while and see how it works for you. 
Overall pile four, your guides want to work with you. They want to provide you with abundance and see you prosper and above all happy, but if you refuse to listen, then you will keep stumbling.
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naamahdarling · 1 month
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#my psych who prescribes my psych meds is a resident and is moving on in a couple of months#i don't even remember the names of them all at this point#this happens over and over and I cannot find a clinic that will put me with someone who intends to stay#thst will also prescribe my adhd meds#and my anxiety meds#and the real kicker is that twice now they have LIED about it and said they would#only to reveal after all the hoop-jumping that oops sorry they didn't really mean it#so it's a risk i have to take any time i leave#and rhen there's the issue of new people almost always wanting to DO something#but instead of talking to me about it they just decide that my meds need overhauling and pressure me to go off shit that works#but that they morally object to i guess#and my psych for some stupid reason has decided she wants bloodwork for my cholesterol and blood sugar stuff and im just like#what hell does THIS presage because if she harasses me about the results or tries to put me on drugs for that#I'll give her a nasty scrap about it#im not interested in those meds at all#and im certainly not messing with my diet since food is the only pleasure i get most days and even that is marginal at best#and removing that would just make me worse#but medpros for the most part really don't give a fuck about that#and so now im afraid - because i do not and cannot trust them - that if i disapprove of the meds they will retaliate somehow#which good luck proving that when management and oversight often don't even care if they course of treatment will HARM you#if it relates to being fat or having bad numbers#they just gotta pathologize!#so yeah im sick of everything and just kind of want to bury myself in a bog forever#i shouldn't have to deal with this
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nanaslutt · 4 months
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The wrong place at the wrong time
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snopsis: you walk in on a particularly interesting facetime between gojo and geto in which gojo tries to convince geto that the prostate is magical thing, but he needs your help in convincing him
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contains: fem reader, sub!gojo, geto is on the phone while you and gojo fool around, dirty talk, prostate milking, anal fingering, hand job, masturbation, bisexual satosugu
MDNI
°❀⋆.ೃ࿔*:・°❀⋆.ೃ࿔*:・°❀⋆.ೃ࿔*:・°❀⋆.ೃ࿔*:・°❀⋆.ೃ
..."You what?" You stopped in your tracks in the hallway in front of Gojo's bedroom, staring incredulously at the white-haired man lying on his back, one knee propped up, his arm outstretched above him, Geto's face filling up the phone screen. "Oh? Were you eavesdropping on our conversation?" Gojo asked, covering his mouth as he snickered behind his hand.
"Your door is wide open and you practically just screamed at the top of your lungs that you've fingered yourself before, was I not supposed to hear that?" You asked, your face scrunching at your own words as if you couldn't even believe what you were saying.
"I don't care if you hear~" Gojo cooed, his hand dropping back down to his chest. "Is it really that surprising?" Geto's voice chimed in through the speaker on Gojo's phone. "What's that mean?" Gojo chipped, turning his neck to pout at the dark-haired man, his soft hair falling graciously against the sheets around his head.
"I think he means you're shameless, Satoru." You said, crossing your arms over your chest, leaning against his doorframe. Gojo smirked, unable to deny your words. "You always have been one to talk brazenly about your endeavors in bed... like you were just doing." Geto agreed, his deep voice coming out smooth and sultry through the phone.
"Well, you asked if I had any ways to spice up your alone time... since you're too scared to go find a hookup~" Gojo outted the man, resulting in a tsk from the speaker. You shouldn't be standing in the doorway still, but this conversation was too intriguing to walk away from.
"I didn't mean fingering my ass, save that for the people who really love it. Like you, apparently." Geto deadpanned. Gojo sat up in his bed, his hand placed behind him as he held his phone out in front of him, pouting at his best friend. "It really does feel good, I'm telling you It'll change your life~" Gojo cooed, raising his eyebrows at the dark-haired man.
"I bet my roomie can attest too, I hear you whimper through these thin walls late at night when you think I'm asleep," Gojo revealed, turning his head to look at you. Your jaw dropped, words failing to find your tongue as you stared at him dumbfounded. Yeah, you absolutely should've minded your business.
"W-what the fuck?" You stuttered, feeling your cheeks heat up at Gojo's unexpected words. You heard Geto laugh through the phone, followed by a quiet "Does she really~?"
"Since when was this conversation about me now?" You said, your face scrunching in displeasure as embarrassment flooded your body. How was all of the attention suddenly on you? "It's okay, everyone gets horny, so no need to feel all shy about it~ You sound really cute anyways, you have nothing to worry about."
A loud groan fell from your lips, your hands uncrossing to cover your face, your displeased noises becoming muffled from how hard you pressed your hands to your face. Geto's laughter became hysterical at your dismay. You felt a headache start to come on.
"Heh~ further proves my point though, fingering yourself feels good Suguru~ I don't want you to come crying to me when you're 80, complaining about how you wish you would've tried it when you were in your prime," Gojo said, raising his chin smugly.
"With your eating habits, you'll be lucky if you break 60." Geto quipped, "Anyways, I wouldn't even know where to start." He confessed, Geto's voice coming through softer, honest. A sinister smile formed on Gojo's face as Geto's words reached his ears, an idea popping into his head. His eyes falling on you made your body tense where you stood, wondering why he was looking at you again. You thought you had successfully escaped being the center of attention.
"Wanna help me show Geto how good your prostate can feel?"
The words fell from your roommate's lips as nonchalantly as he had just asked what you wanted for dinner. You kept your hands over your face, your fingers cracked over your eyes so you could see him. You felt a blossom spread in your tummy at his proposition, what did that even mean? How would you have any involvement in this? You didn't even have a prostate.
You felt your heart rate pick up, the organ beating faster in your chest as you stood underneath his awaiting gaze, trying to wrack your brain for the right words to say. Your eyes darted around the room as you tried to escape his eyes long enough to think of a reasonable reply.
You and Gojo have lived together for 2 years now. The two of you practically joined at the hip, courtesy of Gojo who had no concept of personal space and hated being alone. Gojo liked to refer to your personal space as 'our personal space' you had grown used to it.
The childish man could be obnoxious and crass sometimes, but he also had a strange sort of charm to him. He was very observant of your needs, and somehow always knew what you were thinking. Not to mention he was undoubtedly easy on the eyes, no matter how annoying he was--and you would be lying if you said a few of those nights you spent alone in your room with just your fingers to keep you company that Gojo had referred to; hadn't featured said man in your fantasies as you fucked yourself.
After going over these facts and losing yourself in your own mind as you did so, you decided on what you were going to say back to Gojo. Snapping back to reality by dropping your hands to your sides and making unsure eye contact with Gojo, you spoke. "H-how would I help?" You didn't realize that those very words had sealed your fate.
"D-deeper cmon~ touchin' me like you're scared I'm gonna break or something." Satoru teased, wiggling his ass back into you. You felt your face heat up at his words. Well sorry... I've never exactly fingered someone's ass before, excuse me if I'm a little tentative... you shot back in your head, opting to just bite your lip and take his jab in the world outside of your head.
Gejo had placed his phone on his five-foot tripod on the side of the bed, giving Geto a perfect view of Gojo who was laid face down ass up, with you sitting on your knees behind him, a bottle of lube by your thigh, the cap was still undone in case you needed more. Your finger was about halfway into Gojo's ass, slowly and shallowly pumping into him. He was right, you were afraid he was going to break, afraid that if you moved too suddenly, you would hurt him.
The camera was angled near the end of the bed so Geto could also see Gojo's hungry little hole swallow up your fingers, making him palm his large hand over his cock at the sight of it pulsing around you. "You listening Suguru?" Gojo breathed, his head lying against the sheets, and turned to the side so he could see Geto staring at him, and a little sliver of your blurry, shy face.
"Oh, I'm listening," Geto responded, squeezing his hand over his tip as he spoke. He didnt want Gojo to know how much this was affecting him; watching his best friend get fingered by his cute roomie; so he kept his camera on his face for now, keeping the minstrations on himself to himself.
"G-good... you better take it all in for when you try this later~" Gojo cooed, confident that Geto would actually try this. Geto nodded, jerking his hand over his clothed cock harder as he pretended to listen to his words. A choked moan from you brought the attention you detested so much to be centered on you once more. "You okay there?" Geto's voice chirped teasingly through the phone, his eyes taking in your flustered face.
"It's... It's in." You whispered, your words barely being loud enough to be heard through the phone. "Your finger?" Geto asked you, keeping his voice and face monotone as he slid his hand underneath the band of his sweats, his growing arousal needing more than over-the-clothes touching to be satiated.
You nodded, a deep blush spreading across your face as you relished the feeling. Gojo was so tight around you, even tighter than your cunt felt when you touched yourself. "Yeah, I can feel it too, so stop teasing me and move it already~" Gojo groaned, pushing his hips back against your finger, slick from the abundance of lube you used.
You swallowed hard watching Gojo fuck his hips back against you, the motion only resulting in your finger jolting around slightly, not enough to give him any real stimulation. "O-okay." You mumbled quietly, before you pulled your finger out, and screwed it back in. Gojo breathed out through his mouth, relieved you were finally moving.
"How's it feel?" Geto chimed in, his hand now tentatively stroking over his cock, his sweats and boxers alike pulled halfway down his thighs. Gojo grumbled, pouting dramatically against the sheets before he spoke, trying to angle his head to look at you the best he could from his current position. "Feels like I have a finger in my ass," Gojo replied with a short giggle.
Geto hummed in response, tilting his head at his companion through the phone. "Though you were gonna show me how good your prostate feels?" Geto teased, slowing his strokes over his cock as he waited for the real action to happen, not wanting to blow his load too soon. "I would if my cute roomie started listening to me~" Gojo cooed, disguising his jab at you in his teasing words.
You knew he was immediately referring to how gently you were being. Curse you for being curdious of his most sacred place in all of his body. "Fine, you want it harder? Don't come crying to me if you get hurt." You said with a sigh, shaking your head. You placed your free hand on his ass, giving yourself some leverage before you started fingering him properly.
"Yeahhh~ Cmon, give it to me~" Gojo cooed, that annoyingly cocky tone laced throughout his voice. His unaffectedness to having your finger in his asshole made you want to wipe that smirk off his face and replace it with a more desperate look. You tried to be nice, but clearly, that wasn't what he wanted.
Geto watched you carefully as you pulled your lower lip between your teeth, readjusting yourself on your knees closer to Gojo before you pulled your finger out of his hole and grabbed the lube, spreading it across two fingers this time. "Hey, I said give it to me not pull out complete- ahh!" Gojo's complaint was short-lived when you thrust both of your fingers in his ass to the hilt all at once.
Gojo gasped against the sheets like the wind had just been punched from his lungs, his eyes wide as he stared at the wall in shock. "You're so impatient Satoru." You shot back, starting up a decent pace on his ass, your fingers colliding against him causing the fat of his ass to ripple under your hand as you held him steady. Geto laughed at how fast Gojo's expression changed from cocky to desperate, the sight making his cock twitch in his hand.
"A-ah- ah-" Gojo softly whimpered, his hands curling around the pillow under his head for comfort as you fingered him. Your pace now felt words better than your sloppy, slow one just seconds prior, but something was still missing. He needed you deeper, lower. Your fingers just barely ghosting over his prostate was not nearly enough, he needed you to jab directly into it, to abuse it with no remorse.
"Deeper baby, a little deeper," Gojo instructed, the teasing in his voice long gone, now replaced with a carnal need. "Angle your fingers down, curl them down like you're trying to touch my stomach." You quickly took his words into action, wanting to see him crumple under your hand. "You know all the tricks, huh?" Geto chimed in, wishing so badly he was there right now.
What would be his role? Would he be the one fucking his fingers into Gojo's ass while you sucked him off? Maybe he would have you lean forward so he could eat your pretty pussy out while you fingered Gojo, both options sounded delicious. His hand sped up as he lost himself in his fantasies, his free hand curling into the sheets as his eyes stayed glued on the two of you.
You angled your fingers down, towards his tummy like he had instructed, and jabbed your fingers in, curling them when your fingers fucked into his ass to the hilt. The guttural moan Gojo released sent shivers down your spine. "Oh fuck- right there, do that again-" He begged, his arms tightening around his pillow as he shamelessly wiggled his hips back against you, trying to get your fingers to hit that spot inside him again.
Your face scrunched in pleasure as you repeated the motion, feeling a walnut-shaped ball under your fingers each time you curled them inside him. "Ohmyfuckinggod-" Gojo grits through his teeth, his teeth clicking together each time his jaw opens and closes in pleasure. "That looks like it feels good, Satoru," Gojo smirked, the only tell of his arousal being how a light blush spread across his face. Pretty impressive considering how much he was leaking on his fingers from how hot he felt watching the show the two of you were putting on.
Gojo tried to open his mouth to respond but you had gotten more confident with his unabashed moaning, your fingers pistoning in and out of his tight ass, drilling straight into his prostate. "Ah- ah- ah-" The white-haired man moaned so prettily, all the sounds coming from his body being music to your ears. "Does that feel good, Satoru?" You ask, your words coming out more timid than you would've liked.
Your roommate nodded profusely, an adorable red blush spread across his cheeks as his eyes rolled back in his head from how good he was feeling. "So f-fucking good- Ngh- feels so- intense! Nghhhh-" Gojo whined, his words coming out choppy and slurred from the whines being fucked from his body.
“Oh fuck baby- fuck- fuck my ass baby ohmygod- harderrrr-“ Gojo slurred, whimpering into the sheets like some slut. You pressed your thighs together, your clit throbbing at his desperate show of his need for pleasure.
Geto pressed his lips together as subtly as possible, trying to appear unaffected as he rapidly jerked his hand over his cock, matching your pace inside Gojo's tight hole. His camera was shaking slightly with his movements, but he was feeling too good to care. The both of you were quite preoccupied anyway, it's not like you would notice his camera shaking anyway.
"Grab his cock pretty girl," Geto instructed, his eyes falling lower with his arousal, a warm heat flooding over his body. You looked over to the camera, making eye contact with Geto, who kept his unwavering eyes on yours, his eyes slightly glossed over with his arousal.
"Yeah- y-yeah, m-my cock, touch my cock-" Gojo jumped in, a drunken smile plastered on his face as he tried to look at you over his shoulder, his pink face nodding profusely. You looked away from Geto to look down between the white-haired man's legs, your eyes finding their target--being his long, thick cock that dangled heavily between his legs, a steady drip of pre-cum dripping from the tip of his cock each time your fingers hit his prostate.
"Been watching his poor cock leak since you started this, the tip is so red," Geto added, his voice failing to sound as unaffected as he would've liked. If Gojo was in the right headspace, he would've teased Geto at the fact that he just admits to staring at his cock throughout this whole endeavor, but alas, he was too busy drooling and whimpering against his sheets to tease anyone right now.
Blushing, you abandoned your hand that was placed on Gojo's soft ass to drop it between his legs. The second your lithe fingers wrapped around his neglected cock, his whole body jerked harshly, almost like it was trying to escape your hand. "Fuck-" Gojo grit, wincing at how sensitive his cock was from being neglected for so long.
"Oh shit, bet it's sooo much right now, huh?" Geto asked his best friend. Gojo's eyes found Geto's through the phone screen, tears welling up in his pretty blue eyes as you immediately fell into a quick rhythm, your hand jerking over his length at a pace that matched the one inside him. Gojo could only nod pathetically, his face scrunching in pleasure as your hand focused on his tip, jerking over the sensitive red head quickly, causing cute squelches to echo throughout the room.
"You're so wet, Satoru." You whispered in awe, your mouth dropping into a small o as you milked his cock, the pool of pre-cum on his sheets between his legs making it look like he had already cum several times--you had no idea how he still had so much to give.
Gojo's body jerked around, the tears that had welled up in his eyes finally fell down his rosy cheeks, over the slope of his nose, and joined together on his pillow. "Fuck- please p-please- Nghhh- A-ah-" He didn't know what he was begging for. He was unsure if he wanted you to stop, or give him more. All he knew is that it was all so fucking overwhelming; having everyone's attention on him.
"Talk to us Satoru, how's it feel?" Geto asked, his words coming out more like begs as he felt himself steadily approach his orgasm, his hand focusing on his tip just like yours was doing on Satoru's. "I- I don't know I- fuck it's so much- too much-" Gojo answered, his eyes twitching and rolling back in his head.
You showed no mercy, jerking your hand faster over the entire length of his cock you stood on your knees and pistoned your fingers into his prostate more directly with the new leverage, resulting in Gojo's ankles crossing and kicking up at the intense pleasure. "I thought you wanted it rough? Do you take it back? Want me to stop?" You asked teasingly, knowing you weren't going to let up even if he begged you to stop.
"No! Nonono don't stop p-please don't stop-" Gojo cried, his head jerking against his satin pillowcase as he fought through the intense pleasure, his body jerking and spasming without his permission. "He's a fucking mess, look what you did~" Geto laughed, his dick twitching with interest at Gojo's teary, drooling face.
"Ahhh- ah- right there- keep f-fucking me right there-" Gojo gasped, his hands digging into his pillow as his eyes squeezed shut, his orgasm welling up in his tummy. "I think he's gonna cum pretty, is his cock twitching?" Geto asked, knowing very well what the telltale signs of a man's orgasm were.
You nodded, Gojo's cock was throbbing profusely in your hand, and his tight hole was squeezing more consistently around your fingers as well, almost like a heartbeat--it was so cute. "Oh yeah, you're gonna cum aren't you Satoru? Gonna cum from a few fingers in your ass? Hmm?" Geto teased, taking a sharp inhale in through his teeth as his own hand sped up, his cock twitching in his hold.
Satoru nodded, unable to voice his thoughts. Unable to scream from the top of his lungs, "Yes! Yes, I'm going to cum!" Instead, his jaw fell completely slack, drool pooling out of his mouth and onto the sheets as you worked him right up to his orgasm.
"Me too, look at me Satoru, look at me." Just moments before Satoru was pushed over the edge from your merciless fingers, he cracked his teary eyes open and was faced with Geto's long cock filling up the expanse of the phone screen, his massive hand jerking quickly over his length, making it almost look blurry from how fast he was going.
The visual of his best getting off to his ass being pummeled was all Gojo needed to be pushed off the edge. With a high-pitched cry of your name, his shaky hand shot back to grip your wrist as the first rope of his orgasm shot out of his cock, adding to the pool of his cum already between his legs, soaking into the sheets.
His hole squeezed tightly around your fingers, acting as if he was trying to snap them off, keeping them deep inside him. “Don’t stop- D-don’t stop” He begged pathetically, his wrist being dragged with you as you kept thrusting into him, working him through his high.
You moaned with him in awe as his body was wracked with tremors, threatening to collapse against the sheets. “I won’t, I got you Toru, I got you.” You consoled, paying special attention to his tip as you milked him for all he was worth.
Gojo’s thick cum made a mess of your fingers. Most of his hot cum landed on the bed sheets, but when someone cums as much as he does, it only makes sense that you got some on your fingers.
“Oh fuck- so pretty-“ Geto groaned, his jaw muscles clenching under the weight of his teeth as he came. You and Gojo both watched as white streaks of cum landed on Geto’s abs and thighs, the squelching on his own cock got louder as his cum acted as lube over his cock, increasing the already messy slick on his length.
“I didn’t realize you were getting off to this Geto.” You said, your chest heaving with your own arousal as your eyes flit back and forth between Gojo’s tight hole and Geto’s cock on the screen.
Through his groans, you heard him laugh as you watched him wring out his cock, making sure all of his cum had released from his cock. “How could I not? You guys are so fucking hot.” His gruff voice spoke, the camera flipping back to his handsome face.
You and Gojo both silently mourned the loss of the view of Geto’s cock. Although it was fairly hard to be disappointed when his pale face came into view his cheeks dusted in a deep pink, sweat beading on his forehead, his chest heaving as he tried to recover from his orgasm.
“H-hey-“ Gojo whined, his strength returning to his body as he gripped your wrist he had a hold of, signaling you stop moving inside him. You mumbled a quick ‘sorry’, you had gotten distracted watching Geto cum, forgetting you were pleasuring your handsome roommate underneath you.
You slowly pulled your fingers out of his ass, Gojo whined dramatically at the loss, his hole clenching around you in sensitivity. “You don’t wanna let me go, do you?” You giggled, your fingers finally slipping free of his tight hole.
“Fuck no~” Gojo giggled, the cloudiness slowly clearing from his brain, allowing his signature snarkiness to come back to him. Geto laughed as he set his phone down, you watched out of the corner of your eye as he wiped his softening cock clean with a towel.
“Suguru~” Gojo called in a singsong voice, his body collapsing on his side, his cock twitching limply against the sheets. Your hands rubbed along his thighs as he relaxed into the bed, noticing how a cute red flush was also dusting along his thighs and shoulders. Adorable.
“Were you paying attention? You have to admit that looked nice, right~?” Gojo asked teasingly, raising his eyebrows at the dark-haired man through the screen. Gojo’s ability to bounce back from even the most intense prostate orgasm was astonishing.
“I think it looks nice on you, sure.” Geto laughed, throwing the towel he used to clean his cock to the floor, grabbing his phone back in his hand as he laid back against his bed, throwing his arm behind his head.
Gojo pouted, rolling on his back to look at you for help with puppy eyes. “What are you looking at me for?” You asked, sitting back on your heels as you jerked your head back, looking around the room for anyone else Gojo could be looking at.
“I thought you were gonna help me convince himmm.” Gojo drawled, his arms pushing himself up to sit on his ass as he reached out for you. You blushed as you let him pull you into his arms, your hands falling on his chest with a surprised noise as you sat on his thighs, just under his cock.
“I could only do so much you know…” You said, avoiding his eyes as his hands made a home on your upper thighs, stroking the skin teasingly. “Maybe you should‘ve cried a little harder!” Geto chimed in, winking into the camera.
Gojo pouted, wiping his hands over his still-wet cheeks to rid the evidence of Geto’s teasing. “So all of that was for nothing then?” Gojo asked, looking between the two of you incredulously, his hand that had whipped at his cheek slapping back down onto the skin of your thigh.
“No, not nothing,” Geto said, looking smugly into the camera. You and Gojo looked to Geto confused, waiting for him to elaborate. “I discovered how bad I wanna fuck you both. That’s not nothing, right?” Geto revealed nonchalantly, making you and Gojo’s jaws drop in tandem.
You felt your face heat up at his confession. Maybe you hadn’t convinced Geto to play with his ass just yet, but you had unknowingly convinced him to play with something even better.
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axiina · 5 months
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I saw your post about writing for Coriolanus Snow Andi was thinking classic enemies to lovers nsfw I’ll give you free liberty with everything else 💕
'I hate you' is new 'I love you'
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Pairing: Coriolanus Snow x capitol!reader (gender neutral afab)
Summary: When your professor tells you to come to an agreement with your enemy, and you take 'come' too literally.
Words: 3.2k
Themes: smut, nsfw
Warnings: using of 'you' to reader, set before events of tbosas so no actual spoilers, more like academic rivals to lovers but they want to fight at some point so I guess it counts, NSFW | public sex (or more semi-public), unprotected sex (wrap it before tap it), p in v sex, kinda toxic but it's enemies to lovers, more like enemies who fuck, Coryo is pretty rough and possessive, marking, making out, idiots in love but they prefer fighting with each other
Author's note: I found some free time between studying, so I decided that I can no longer delay. English is not my first language so i hope that i didn't do too much mistakes. It is possible that a single "she" or "her" will appear here because I changed the concept during writing and I do not know if I got rid of everything. Let me know whether to stay with the use of 'you' or maybe replace it with personal pronouns or 'y/n'. I hope it's not written very awkwardly and you will like it!!
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Coriolanus Snow is a peculiar person. Most people love him. Nice, classy, handsome and rich from a wealthy family. What more could one want? However, one of Coriolanus' traits that everyone seems to turn a blind eye to is his two-facedness. Some say this is merely a symptom of his cunning and wits. He knows when and how to behave to make his counterpart happy. You are not one of those people. Saying that you and Coriolanus Snow don't like each other is a huge understatement. You guys hate each other. From the very beginning when you both met at the academy it was known that you would cause a lot of problems. Too much of a character difference, or perhaps too much of a similarity between the two. However, this is not what is crucial. Whatever it is, it makes you two most likely to kill each other if you could. Every move you make you do to screw each other up. To prove who is better.
Professor Satyria's pleas for you to finally come to an agreement are of little use. The conflict must go on, and neither of you has any intention of giving up.
You like the way things are working out. At first, Snow was annoying and you didn't understand how people couldn't see him for what he really was. Fake. Now he is still annoying, but getting under his skin has become a sort of routine. Quite a pleasant one.
"You have to get along with each other and set a good example as rightful citizens of the Capitol, otherwise the Academy will draw out the consequences."
Professor Satyria's words continue to ring in your ears as you get ready to go home after finishing classes and doing punishment work. On the one hand, you don't want something as silly as arguing to weigh on your future, but on the other hand, reaching out to agree is like admitting you were wrong. Failure.
"Wherever I am you must also appear. Are you obsessed with me?" Behind your back, you heard a familiar, annoyingly kind voice, in which you could sense some arrogance. You groaned turning around to see no one else but Coriolanus.
"Don't you have anything better to do? People are finally getting tired of your idiocy?" Your words, however, did not budge the blond. His expression remained unchanged. One that might make most people think he is a nice person. You, however, have known him long enough to see right through it. Perfect. Too perfect.
"We need to talk. A positive outcome for both sides. It will interest you." Well, the threat of Satyria. He is the first one to extend his hand for agreement. Where is the trick? You look at him suspiciously without saying a word, and so Snow takes it as a sign that you are thinking about the proposition. "Do you have free time? Maybe we could go out somewhere together?"
The suggestion makes you burst into laughter. "With you? No thanks, I'll pass on this pleasure."
Coriolanus is not surprised by your answer. He knew it wouldn't be that easy. Accepting rejection, however, is not his strong point. He is annoyed by your behaviour, but he bites his tongue to avoid responding in the same spiteful way. Instead, he doesn't give up.
"I know we were never on good terms, but I want this war between us to end. I hope we can put behind us all the bad things that happened between us and start fresh. What do you think about this?" he says, sounding quite sincere.
"Let me think." You say and sigh, pondering the answer, which is obvious, but you can't let go of a little malice. "No."
The expression on Snow's face became more serious. It seems that your refusal offended his pride. But he doesn't show it in his tone of voice.
"Why not?" he asks and you notice how he clenches his jaw and his gaze becomes unpleasant.
You enjoy the view and it fills you with satisfaction. "Because you think that with a pretty face and fake politeness, you can get anything. Maybe it works with others, but I'm not that stupid. Additionally, you are damn annoying. That's why."
The expression on Snow's face becomes dark. Typical when he fails to get what he wants. His usual tone is completely gone. His face is twisted with anger. He still tries to maintain a polite voice. The attempt fails.
"Do you want to repeat it?" he asks through his teeth. It's obvious that you've hit one of his sensitive points. That was the plan.
"Exhausting, isn't it? Hiding behind the mask of a nice and put-together boy from a highly placed family who is a veritable ideal is tiring, isn't it?" A mockery can be heard in your voice. Coriolanus is very sensitive to it.
"What do you think you know about me?" He asks through clenched teeth, his tone no longer artificially polite, it is filled with rage. Your mockery has really gotten to him. He tries to calm down, but it's all in vain. Coriolanus has never had problems with self-control, but something about you makes him ready to abandon everything. You manage to get him off balance with ease. In his head, he has one plan. To destroy you.
"Do you think you pretend so well?" You burst out laughing and shake your head. You know you shouldn't say such things. The academy is practically empty, and Coriolanus's angry enough can be unpredictable. However, you can't help but point out everything that annoys you about him. "It's actually quite easy to see what kind of person you are. You look at people with disgust, but when they look in your direction, you suddenly change dramatically. how fake you are to everyone. I wonder how they don't see it. How empty and shallow you are."
"You don't know anything about me!" Snow shouts at you, his face twisted with rage. He is barely able to control himself. He doesn't even try to hide it anymore. He stares at you with hatred in his eyes.
"Don't you dare assume that you know everything about me. You don't know me one bit. You don't know what my life is like. Don't think so highly of yourself. You aren't better than me." He continues, his voice getting louder with every word he says. You really hit his sensitive spot.
"I don't know everything and I'm not going to pretend otherwise. For me, the most important thing is acts, and in your case, they are fake and two-faced. You despise people, and you yourself are at the bottom." Irritation takes over. You know that at any moment you can say one word too many if you haven't already. However, someone has to talk it all out for him. Adrenaline makes you take a step closer to the upset boy without considering the possible consequences.
Snow seems to be on the verge of a breakdown. His fists are clenched and his eyes are wide open with rage. He is breathing hard, trying to control himself. He's not used to being treated this way by anyone. He has come this far over the years, solely because of himself and what role he has taken in society. You really succeeded in hurting his pride. "I warn you right now. Don't mock me any further."
"Why? What will you do? hit me? do it, I dare you. Then everyone will see how "perfect" you really are." You know the situation is starting to get dangerous. However, you come closer. It's stupid, you know it, and yet you do it. Maybe it's the way his reactions give you satisfaction, or maybe it's the way he looks at you.
You can see the hatred oozing from his eyes when they are locked on yours. His face is full of rage, his breathing heavy and his muscles tense.
He takes a step toward you with a clenched fist. You can see his knuckles turning white. He grabs you and presses you against the wall, his body against yours.
A second later, you feel him pressing you against the wall tighter than before, and his hand grips your throat.
You feel the warmth of his breath on your lips. Your heart is pounding as if it wants to jump out of your chest. You feel a strange sensation in your lower abdomen. His eyes are cold, yet they make a pleasant shiver run through your body. His face is right next to yours, flesh pressing against yours. It was a matter of split seconds as you two pressed your lips to each other in an aggressive and hungry kiss.
He returns the kiss, wrapping his free hand around you. He seems to enjoy the kiss as much as you do.
You can feel his body trembling as he still tries to keep control of his overwhelming emotions, or maybe it's because of the situation you're in.
The two of you kiss aggressively. Snow's body shakes as he fights between his desire and how much you get on his nerves. You feel how rough but passionate his kiss is.
He draws you closer and your bodies press against each other. The friction of your bodies makes you uncontrollable over the muffled whimpers you make. You feel the bulge forming in his pants rubbing against your body.
The situation seems hazy, and only fragments register in your mind. How you both enter the bathroom without stopping your hungry and clumsy kisses, and your hands work to get rid of clothes that only makes it difficult. How Coriolanus presses your body against the wall slamming his hips against yours.
All this is to express yourself and give vent to all the negative emotions you have been holding for years.
Snow's body is now almost completely controlled by his emotions. His movements seem full of hatred and at the same time passion. He just wants to express himself using his flesh to claim you as his own.
You feel as if you are on fire, your body moves and reacts according to your desires. The tension that has built up between you for years is finally released, and it all comes out as raw passion.
His fast and aggressive movements make the place where your bodies meet burn in a pleasant way, and you think to yourself that it will be a miracle if you walk normally tomorrow. His dick stretches you nicely and his movements make your inside sting slightly. It's not a problem for now. Not now when your legs are wrapped around his waist and the only sounds you can make right now are moaning and repeating his name like a mantra.
Your body trembles at how rough his movements are, but you don't care now. The most important thing for you now is to show him how much you hate him. A broken moan leaves your lips when he reaches deeper.
Coriolanus feels your legs tighten around him. He moves slower now but is more passionate and rough. He holds your hips tightly, not caring if it is uncomfortable for you. His lips move to your neck, where he bites as if he is trying to unload all the emotions you are causing you this way.
His hips buck firmly against you. Each thrust makes your body more tired and aching but at the same time, it makes the whole experience even more pleasurable. If someone told you that you would end up having sex with your biggest rival in the academy bathroom, you would laugh in that person's face. There you are, panting, with your arms around his neck when Coriolanus Snow is abusing your cunt sensitive from too much friction.
Coriolanus brings his lips closer to your ear. His warm and irregular breathing makes a shiver go through your body. "Do you like it when I claim you as mine?" He purrs, his voice still filled with desire.
"I hate you, I hate you so much," You exhale in a trembling voice that takes a lot of trouble to keep from cracking. You bite and suck at the smooth skin of his neck, leaving there dark marks. "I hate you, Coriolanus Snow."
"I hate you too," Snow says with a low growl as he continues to hold you. He bites your shoulder, leaving marks on your skin. His moans are muffled by your skin, which he touches constantly, as if afraid that at any moment you might escape and leave behind only a faint memory.
You hate him, but you enjoy him. You are pleased when he takes you as his own. You are excited when he uses your body. You feel his passion and desire through his body. You feel his raw passion and it's hard to hate him now.
"oh go to hell" You hiss and bite your lower lip to stop your moans, feeling him moving faster.
He doesn't care if he hurts you or not. All he cares about is that you belong to him right now. His hips slam against yours in an aggressive peace. The bathroom is filled with sinful noises because you don't even think about the fact that someone might come in and hear them.
"you may have already fallen in love, but with me, it's not so easy" A trembling laugh leaves your lips. You feel your head getting foggier and foggier. It's hard for you to put together a meaningful sentence, "but you're doing a good job" a loud moan leaves your mouth. you close your eyes and throw your head back "mmm my sweet toy."
He hears your moans of pleasure, and his eyes close with a smile. He has won and he knows it. Snow always lands on top. He presses you against the wall with his body even tighter. His movements become more sloppy and deeper as if he wants to bury himself inside you. His body trembles as his lips leave broken moans and whimpers.
Passion is so strong that you can almost forget about hatred. You can almost fall in love with Coriolanus Snow. Almost. But you know that what you feel now is only lust, and you know that it's all temporary.
Not him. Not the arrogant boy whose whole life is based on lies. Not that boy who doesn't care about anyone. Not that boy with a beautiful face and mesmerizing blue eyes. Not him.
You press closer to his body, almost clinging to him as a wave of pleasure sweeps over your body.
Coriolanus lets out a raspy throaty moan feeling your walls pulsate around him. His voice is low and shaky. He doesn't seem to notice anything except the way you cling to his body. He moves faster and harder, making sure he satisfies you completely.
Snow is fully immersed in feelings. He can't think clearly or rationally. He only knows that he has to claim you, that he has to satisfy his needs. He wants to feel you and make the most of the situation. All his thoughts and desires are focused on you. His hip movements speed up as he reaches the climax. He hides his face in your neck to muffle his moans. His body stiffs as he comes inside you.
Your arms wrapped around his neck, while his wrapped around your waist. you cling to each other, still not making contact with the real world as your breathing slowly calms down.
What happened in that bathroom is over, they both return to reality. Snow steps back slightly and helps you stand on your own two feet. He looks at you with heavy eyes. All the emotions he had been hiding inside him had finally been released.
He has won and he knows it. He has succeeded. But what now? Was it really worth it? This is not a question for now. Coriolanus does not look far into that future with his thoughts.
You look at each other in silence. Slowly you begin to realize what you have done and now you look at each other awkwardly and somewhat panicked.
Coriolanus is the first to break the silence. His cheeks are flushed and his breathing is faster. The passion he felt a minute ago still lingers in his heart, something he tries to hide from you. He looks at you with a somewhat absent and uncertain gaze
"Do you think we should forget what just happened?" He tries to make his voice sound normal as if nothing had happened.
"Definitely." The words leave your lips before you have time to think. You stare at each other in silence for a few more moments and begin to quickly put on your clothes.
Snow is surprised at how quickly you agree with him. He needs to make sure this is the end of what just happened between the two of you, so he adds.
"If anyone asks, it never happened." He now looks at you with a somewhat panicked expression on his face.
"You don't have to tell me," you scoff, buttoning your shirt, "if you tell even one soul, I'll kill you, I swear."
Coriolanus looks at you with small amusement while fixing his jacket. "I hope you won't become obsessed with me after this."
"Maybe in your dreams," you say with a slight smile fixing the collar of his shirt. " you better be careful that you are the one who will be lost in memories of me." Before you leave the bathroom you stop in front of the mirror and fix your uniform and hair. Coriolanus smiles for a moment but then quickly clears his throat and tries to look cold.
You both come out of the bathroom, look at each other and part your lips, as if to say something to each other, but you look at each other in silence "Now everything is back to normal. We can still hate each other," you say, but this does not improve your mood at all.
"It never happened," Snow says trying to look you in the eyes, wondering if you're thinking about it too. He wonders if what he feels is real, or if it's just a moment of passion.
"Never" You agree by nodding your head. Your gaze goes down to his mouth. As you look into his eyes again without a moment's thought you move closer to him and press your lips to his in-hungry kiss. He kisses you back wrapping his arms around you to bring your body closer.
You parts away after some time and you both catch your breath for a moment after this passionate kiss. Coriolanus is completely consumed with passion and there is nothing in his mind but you.
You move away and nod to each other as if you have just made a deal and each is walking in your own direction in a much better mood.
Maybe that's not exactly what Professor Satyria meant when she said you two should come to an agreement, but it certainly worked.
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I want to talk about one of the most terrifying and interesting bsd characters who almost no fan remembers.
This character nearly tore down the ADA without ever getting involved herself, yet the entire fandom has ignored her because of her terrible anime adaptation.
Who am I talking about?
Nobuko Sasaki
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If you haven't read Dazai Osamu's Entrance Exam, then you probably don't even know who this character is, in the anime she is watered down to the lovesick girlfriend of an actual villain, and you probably dismissed her immediately. But in the light novel, we get to see how dangerous and cunning she really is, to the point she nearly gets the better of Dazai and almost causes the ADA to be shut down. (Fukuzawa says he would have closed the agency if they hadn't caught her)
In terms of intelligence I'd put her on the same level as Mori, just slightly below the super human genius characters i.e. Dazai, Fyodor and Ranpo
The Azure Apostle
For those who don't remember, Sasaki was the Azure Apostle, a mysterious figure who challenged the agency with several horrifying cases, which would all lead to mass casualties if the agency failed to stop them. These were; uncovering an underground organ smuggling operation (which the agency failed to stop and which massively hurt their reputation) stopping a bombing of Yokohama port which could have killed hundreds of people, and preventing a commercial aeroplane from crashing into the city (this was not included in the anime)
Each of the people, who committed these crimes, had no Idea they were being manipulated and thought it was their own idea the whole time. There was no evidence that anyone else had been involved at all, and the agency had no way to connect her to any of the crimes. And she even makes the genius move of framing Dazai, the mysterious new member with suspicious knowledge of the underworld and a hidden past, as the true culprit.
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In fact, she only made one mistake, challenging Dazai. If Dazai had been basically anyone else, they would have been cornered and arrested, but since Dazai's mind works on a level even master strategists can't imagine, he was able to turn the tables on her.
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But even after Dazai sees through her plans, the ADA still has to act exactly the way she wants them too and stop the plane crash. Even when they know they're being manipulated, they still have to do exactly what she wanted.
Finally, after Dazai and Kunikida confront her and get her to admit to being behind all those crimes, even then they are powerless to stop her.
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Even after being involved with so many massive crimes, Sasaki herself hadn't done anything illegal, so within the law the ADA is completely powerless to stop her.
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They can't arrest her, and if they try then the agency will be put in even more danger as will many innocent lives. She has completely trapped the ADA, and even Dazai in a choice to follow the law and let her go or take justice into their own hands and prove they will stoop as low as she did.
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In the end, there she has them in a perfect deadlock, let her continue her mission, or kill her themselves. Both are bad outcomes for the ADA.
In the end, Dazai has her killed by using a third party (Rokuzo) to shoot her, so the agency can't be blamed for her murder, though this ends her plans it deeply scars Kunikida and shakes his resolve in his ideals.
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The trauma from this event still haunts Kunikida to this day, we see that when he is affected by Q's curse, Sasaki is who he sees.
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So thats the Azure Apostle, a terrifying master mind who nearly brought down the Armed Detective Agency, but now lets look at the other side of this character.
Nobuko Sasaki Herself
We know several things about Sasaki as a character and her history from the light novel. That she was a brilliant criminal psychologist and was internationally recognised despite being so young
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,that she was the ex-lover of the Azure King and the real mastermind behind his plans, and that she had very little motivation of her own.
That's not meant to be an insult to the character, she says herself that she never really had much direction in life, even with her incredible intelligence she never really had anything she wanted to achieve.
But the Azure King was the opposite, he had powerful drive and strong ideals, he wanted to punish criminals who couldn't be touched by the law and when he failed to change the law as a bureaucrat, she offered him an alternative.
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A very important thing here is that neither of them were manipulating or forcing the other into this path, as far as we see they genuinely loved each other, each providing something the other couldn't, Sasaki her mind and the Azure King his drive.
When the Azure king died, Sasaki had no path of her own to follow, so she simply kept following his, even though she doesn't seem to have really cared about his cause.
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All of this creates a very unique character, you can't say she was driven by revenge, because she wasn't really driven at all. It's more like she was running on momentum, she had chosen a path to follow and could not stop even though there was nothing pushing her down it any more.
She's a perfect antithesis of Kunikida and was the best possible villain a light novel about him could have had.
A man who brings his ideals into reality with his own hands against a woman who uses others to enforce ideals that were never hers to begin with.
Anyway, I made this because Sasaki is criminally underrated in this fandom, If you haven't read "Dazai Osamu's Entrance Exam" I highly recommend it, I've only put a tiny fraction of the amazing story here.
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meefy · 6 months
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I've talked about codependency and how it presents in Hunter x Hunter, and now I want to talk about how it presents in Dungeon Meshi - specifically between Thistle and Delgal.
Thistle, from the start, is in a perfect place to be taken advantage of and manipulated. He was taken from his family as a child, and he knows nothing about his past, not even his name. His sole purpose is to be there as a fool to entertain those with power. Delgal's father names him and raises him like a "son" and a "brother" to Delgal...but let's be honest, there is nothing normal or "brotherly" about how Delgal and Thistle interact here:
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Thistle is not an equal with Delgal. From Delgal's perspective, Thistle is court magician and confidante, the one who can save his life and his kingdom. I certainly don't see Delgal considering Thistle a "friend" or member of the family. Perhaps when he was younger, but definitely not as an adult. Some of the earlier interactions between Thistle and Delgal as the latter grows up might have been sweet - sneaking food to share, talking about Delgal's marriage - but that sweetness quickly turns sour when we see how Delgal treats Thistle when the elf cannot be of use to him.
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There is a tremendous amount of pressure on Thistle's shoulders. He knows Delgal's love for him is conditional; we can argue that Delgal yelled at him in a moment of desperation, but the fact that Thistle later feels the need to apologize (for...not being able to make Eodio defy death?) tells me he's used to asking Delgal for forgiveness where there is nothing logically to forgive.
Delgal, however, offers heaps of praise for Thistle when he keeps his kingdom and people safe.
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Delgal needs Thistle to maintain rule of his kingdom and keep Eodio alive, and in turn, Thistle needs to be needed to feel fulfilled and useful. Thistle is Delgal's codependent, and Thistle has misconstrued putting aside his own wants and interests (his Adventurer's Bible page lists his likes and dislikes as "Nothing") in favour of serving Delgal and only Delgal. Thistle craves the affection he receives in return, and who can blame him? He has no family to speak of, no connections to the world outside of Delgal. Praise from Delgal is all Thistle lives for - and so he pours himself into creating the dungeon, keeping his people safe to the point of immortality.
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So when Delgal and Eodio begin to talk about leaving, it's understandable that Thistle reacts so violently. If he can't protect his people, he can't earn Delgal's affection and praise. He is too deeply entrenched into the role of dungeon lord - the role of Lunatic Magician - to see that the dungeon is falling apart, and that Delgal probably long regrets asking Thistle for help.
Thistle is so obsessed with protecting Delgal and earning his love that he maintains this obsession for an entire millennium. Mithrun eventually tells him that Delgal is dead, to set his people free, and Thistle is in complete denial. He continues to search for Delgal even after learning the truth from Mithrun. He is so panicked about finding Delgal and proving that Mithrun is lying that he is driven to self mutilation.
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Thistle's love for Delgal is not "true" love - it is obsession. But, in turn, Delgal's "love" for Thistle is not true love, either. Delgal would not have placed blame on Thistle for his son dying, would not have praised his use of dark magic, would not have placed the weight of his life on Thistle's shoulders...had he truly, purely loved Thistle. And I think Yaad knows this, because, when Thistle finally "reunites" with Delgal, he gives Thistle the apology and accountability the elf never got at any point during his life. He's sorry he made Thistle worry, and he's sorry he placed so much weight on his shoulders...those are things Delgal likely never said to Thistle at any point in time, but that Thistle deserved to hear after a thousand years. And I think it's very telling that the apology he got from "Delgal" isn't from Delgal at all - because the real Delgal probably wouldn't have apologized to Thistle in the first place.
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I know there's some debate about whether or not Thistle is dead at the end of Chapter 96. But I am of the belief that yes, he is - that after finally being freed from the burden of needing to earn approval and protect everyone, and hearing Delgal apologize for it all, Thistle is at last able to rest peacefully.
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yawnderu · 6 months
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Lorelei — Simon "Ghost" Riley x Reader | Part II
1 2 3 4 5
Synopsis: Aware of the way his lifestyle doesn't align with your dream life and unwilling to quit his life as a soldier, Simon breaks things off with you. It isn't until a year later that he sees you again, a tiny carbon copy of him held in your arms.
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"Can I hold her?" You dread the question. The way he asks it, the way he looks at you, the way you know he's going out of his comfort zone to come to your house, knowing you don't want him there.
"Sure." You put your pride aside, having the best interest of your baby in mind. The little girl is placed carefully in his arms, and it breaks your heart to see just how well she fits there, like a missing puzzle piece.
"She's so beautiful." He whispers, brown eyes fully focused on his daughter—his daughter. For someone who avoided the topic of family like the plague, the concept was still weird to even think about, despite the way the girl in his arms looked just like him when he was a baby, countless pictures hung around his house before they were permanently destroyed by his father in attempts to torment Mrs. Riley.
"What was that, Captain?" Simon crooned teasingly, leaning his head closer to the baby to try to understand the babbles that were slowly becoming more and more clear each passing week. Of course, she was still too young to talk, though the little girl loved babbling out at any given moment.
"She's lovely, isn't she? Shame she looks like you." Your words came out teasing for the first time ever since you saw him again, the banter in your previous friendship coming back for a second as he playfully glared down at you.
"Shame she acts like me too." He jested, the baby's mannerisms very reminiscent of his own. You poke your tongue out at him jokingly before looking back down at your daughter, the strings of your heart being pulled the more you stare at her. The little creature doesn't cry much, luckily, so you have all the time in the world to simply admire what you created— what you both created.
"Look at her tongue stickin' out." Simon pointed out to the baby's tiny tongue sticking out, a quiet laugh leaving his lips at the way she imitated you. You gently pinch her chubby cheek, planting a kiss on her forehead as a small laugh escapes you too. It's not hard for her to steal your heart, Simon noticed.
"Hush, darlin', daddy's busy flirtin' with mommy." He knows he's overstepping, but... it's worth the risk. He wants what you used to have back then, despite knowing he doesn't deserve it. He'll prove himself, Simon promised since the first time he saw you again.
"Just so you know, this—" You point between him, the baby, and you. "Doesn't mean we're together. Not a chance." You try to be stern, though you both can't deny the look in your eyes. Still, you resist, not wanting to be disappointed again. Simon leaving is an open wound that never healed.
"I know." He replied after a few seconds, not looking at you. His eyes were focused on the baby, holding her close to his chest as she cuddled up to him, quieting down from her babbling. He sat down on the couch, one of his fingers absent-mindedly running over the features of his daughter.
"I'm thinkin' of retiring within a year or two, once Makarov's dead." He starts hesitantly, not daring to look at you just yet.
"Do you think the three of us can be a family? I know I messed up, and I'm sorry." He finally looks up at you, though only for a short second before he's getting up again, gently putting the baby in her crib. He gives her a small plushie to cuddle, soft blanket wrapped over her tiny frame. He comes back to you, bare hands hesitantly reaching for yours before noticing you're about to recoil back. He doesn't blame you.
"I'll do anything." He swears, taking a step back to respect your personal space. You look away for a few seconds, arms crossed and a small frown on your lips. The thought of Simon leaving or dying is always there, eating at the back of your mind.
"You're retiring?" Is all you can ask, not bothering to hide the sheer curiosity and confusion. Simon has been a soldier since he was 18— it's all he knows. He has given up his entire life and family— why stop now?
"Yeah. Think it's time to slow down... actually live life a little, for once. I had to retire at some point, yeah?" It wasn't an easy choice at all. He has bled for the army countless times, lost his family because of it, lost so many allies he can't even count them in his head, yet the tiny girl was the one that made him realize enough is enough.
"Interesting." It's all you reply, eyes slightly narrowed as you look deep into his, seeking for any signs of hesitation or lying. You find none.
"I'm serious. I can be a father to her, and... a husband to you, if you let me. Just like you wanted." Just like you told him you wanted things to be. Just like he thought about before breaking up with you after 4 years.
"Don't have to give me an answer now, but I'm retirin' and that's final." He went to grab his backpack, pulling out a folder. He placed it in front of you gently before giving his sleeping daughter a soft kiss on the forehead, eyes fully focused on her as he memorized her features. It's gonna be a long time until he sees her again.
"I'm deploying in an hour." He mentioned, his back turned towards you as you read the papers. His will, updated to include your daughter. Previously, it was only you there.
"Not comin' back for a long while, unless things go well. If shit hits the fan..." He knows it's always a possibility when dealing with Makarov.
"You'll both have enough to live a good life." He was getting choked up. Not crying or tearing up, but uncomfortable enough that he was struggling to speak.
"Simon." You call out and he turns his head towards you, slight surprise in his features. It's the first time you call him Simon since he came back into your life— it used to be Ghost, much to his dismay, to place even more space between you. He never said anything about it.
"Something to keep your heart safe." You walk up to him, both of your hands holding one of his, placing a hard object in his palm. He looks down at it and his heart almost stops.
The ID bracelet your baby wore shortly after she was born. He nods his head once in acknowledgment, expression growing more determined as his fingers trace the outline of the plastic.
"Come back to her safe." Your hand hesitantly went to the back of his neck, pulling him closer until his forehead was against yours. He lets you, and you're both stuck looking deep into each other's eyes for what feels like forever.
"Come back to us." You plant a soft kiss to his forehead before letting go, basking in the slight sense of normalcy, ignoring your worthless pride for once. He leans down and returns the kiss to your forehead, nodding once. He stares down at you, memorizing your features the same way he did with your daughter before turning around and leaving, swearing to keep the silent promise with a newfound sense of determination.
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pia-nor481 · 5 months
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Empty bed Part One
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Lando Norris x reader smut 18+
2.7k words
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Racing was always hard on Lando, he left exhausted and with extreme back pain from sitting almost parallel to the ground in the Mclaren. Many thought he was happy with P2 most races, but that wasn't the case. Coming third means you beat seventeen other drivers, it was something to be proud about. Coming first means you won, all the effort you put in payed off for 25 points and a trophy with "1" written on the front, it meant you were the best on the grid. But second, it always came with the worst feeling. He would be ecstatic getting out of the car, sitting in the cool down room and spraying champagne on the podium, but once he reached the sofa of the post race interviews, waves of dread and disappointment waved over him. "So what about the car is proving to be so tricky for you?" One of the interviewers asked looking directly at Lando, he couldn't blame the car if Oscar. a rookie, managed to come third in the same car. A car that was made for him. "Nothing, just a ... lack of talent." The pause after was so loud, although if Max and Oscar had their mics up, it would have picked up their laughter. But Lando wasn't joking, he just broke the record for the highest number of points without ever winning a race. It was upsetting sure, but his team mate winning a race before him, even though it was a sprint, hurt him even more. It wasn't Oscar's fault Lando felt so down, he just got used to losing, 
All the drivers decided to go out to a club to celebrate another win for max. Lando loved clubs and raves, the atmosphere was so over whelming that he couldn't really think. The DJ wasn't playing as well as he should have, Lando thought, he dances around the line of confident and cocky very well, it was never a turn off. He left Daniel to go the bar for another drink, once he got his vodka and coke he debated on just staying at the bar, drinking a way his problems just for the night. He didn't have to worry about a race next week so he didn't have to easy. Taking a sip of the barely cold drink almost caused him to cough, this was not the Smirnoff he was used to, there was an artificial after taste to the drink as well. "I think you might have my drink."  The girl next to him said laughing lightly, clearly trying to hold back her tears, not from laughter but from the remaining taste of vodka in her mouth. "I think so. Well, here's your just less than full rum and diet coke." Lando said, offering a playful smile in return, offering the glass to her, she took a sip with a nod, pleased to wash the awful taste out of her mouth. "You can definitely have your glass of paint stripper back." Lando chuckled rather loudly at her comment, it wasn't the first time some one had commented on his choice of drink, but her was the funniest. "You don't sound local, so I'm guessing you don't do this very often." He had to shout over the music, in retrospect he should have listened to Daniel on how to chat girls up, but she was too cute not to try. "If you mean come to clubs and talk to strangers at the bar, no. If you mean steal the drinks of very attractive men, then yes." He could barely hear her, so he had to lean in close. Her perfume was sweet and inviting, it was as if everything she said was the most interesting thing in the world, he was captivated. He was able to take her all in, a beautiful mini skirt, it was blue and iridescent, and it barely covered anything, if an elder saw her they would claim it to be a belt. Her mesh white top didn't aid in covering her any better, it did have long sleeves sure, but you could see her lacy white bra beneath it. She clearly knew how to style herself, she had lovely little white heels on and a lot of highlighter on her cheeks. She was stunning. 
"So what are you doing here ....?" She trailed off, not knowing his name. "Lando." He almost struggled to get out, so concentrated on her. "Celebrating with some friends, What are you actually doing here, other than chatting up men?" he almost laughed out, she joined him. "Looking for some fun." She hid her face behind the glass, allowing him to see the frosty blue eyeshadow on her lids. "Is that so?" He responded in a lower octave, reaching out to touch her waist with his free hand, her back immediately arched at the feeling, he was pleased to see how well she responded to his touch. She necked her drink quickly and grabbed his wrist, going to tug him out of the club. He was shocked with how her demeaner changed, she seemed so shy, but now she wanted him so desperate. Once he caught up, she stopped her by grabbing her hips firmly. "My hotel is definitely closer." Lando said, reaching for his phone. Once they were inside the taxi, he couldn't keep his hands off of her, his tongue was basically down her throat with how much he wanted her. Once of his hands snaked up her back, running his hingers over her vertebrae, her face began to warm at the feeling. 
Lando practically dragged her out of the car towards the door of the hotel. Once the lift doors shut he pushed her against the mirrors, kissing her lips again in desperation, in the process his hands grasped he sides of her face, smudging her make up. She rested her hands on his chest before pushing him back slightly, needing air. Lando however, didn't need a break, his continued his venture of kissing every bit of exposed skin, first her neck, the collar bones, there her chest. It was at this point he could also smell her body wash and lotion, their proximity was giving him good access to her body. She began to pull on his hair slightly as a sign to come back up, she reconnected their lips while he hiked her leg up around his hip, groping her ass unapologetically. The doors opened and they rushed towards his room. They didn't stop kissing until the back of her knees hit the bed, their contact broke for a second as she fell back. This gave Lando a chance to really take her in, and she was perfect. He began to lean over her, running his fingers over her neck and jaw, until he reached her mouth, she toyed with her lips before pushing his fingers between them. She sucked lightly, not breaking eye contact, Lando's breath got caught in his mouth upon the sight, licking his lips as he felt his cock get harder in his black trousers. He slowly pulled his fingers from her lips with a loud pop. She tugged her white top over head with more pace than he thought was possible, he quickly pulled her skirt down and was met with the intricate white lace of her underwear. "Fuck me." Lando rasped out, going to pull his clothes off. "I plan to." She said back, sitting up on her knees at the edge of the bed, reaching for his cock. Lando stepped closer, rubbing the tip over lips, before lightly tapping her cheeks with it, even now he was bit of a tease. She stuck her tongue out while grasping his hip, wanting him to be still while she took his whole cock in her mouth. His head fell back slightly as he groaned feeling the tip hit the back of her throat. "That's it baby, just like that." She bobbed her head over and over, motivated by the noises that slipped his mouth. He pulled off and quickly began to glide her tongue on the underside of his cock, she kissed and kitten licked the head before taking his whole cock again. He was surprised with how eager she was, no other woman was able to take the full thing, they had to use their hands to cover the base, she didn't. Lando let out blissful sigh above her, slipping his hand over her jaw, forcing eye contact. He tightened his grip when she hollowed out her cheeks, the pressure was becoming too much for him. His hips thrusting slowly was a sign of how close he was getting. Lando's hands found the back of her head, pushing it down until her nose met his pelvic bone. He lost himself in the feeling of her mouth, his cock pulsating as he moaned out quietly. Her mouth was quickly filled with his cum. "Swallow for me." She did as she was told, looking up at him when let her tongue lull out. 
Lando groaned as he stood up, walking leisurely towards the bed side table, his hand quickly met the neck of a bottle, a bottle of Ferrari champagne. She leaned back on the bed as he slammed the bottle on table before looking back at her; spraying the bottle above her. Her skin quickly became sticky with the bubbly liquid. This gave Lando an excuse to suck on her skin again, obsessed, he needed to feel her against him. He licked his way down her abdomen, once he met her cunt he sucked her clit rather aggressively, she moaned at he contact, closing her eyes to bask in the feeling. He wasted no time slipping his fingers between her slick lips. He began to scissor slowly, hungry to hear her whines at him stretching her out. He was relentless in licking her clit, switching from slow circles to shaking his head side to side, pushing his tongue down flat and hard got the best reaction from her, so he was persistent; curling fingers every now and then to receive an extra gasp. Her heels began to dig into the mattress as her pelvis began to rise; he would gorge on the sweetness leaking out of her cunt. She was quickly becoming drunk on the feeling of her blooming pleasure; rolling out a song of moans and hums. Her hips began to twitch against his face, the orgasm was a sight to behold, let a lone something too feel as her mind began to melt as he sucked and licked aggressively. She didn't know whether she wanted to pull him closer or pull away. The stimulation was too much and she began to see stars in her new found haze, moaning out curses with a mix of his name. Lando pulled away, flashing his teeth in the process of smirking. 
Once she caught her breath, he leaned closer brining the bottle with him. "Open, baby." he tilted the bottle back, letting the champagne pour into his mouth, but his Adams apple didn't bob. He grabbed her jaw and let the alcohol spill into her mouth, she swallowed quickly, wanting to feel his lips on her, he was intoxicating, a feeling she hadn't had in a long time. She was so focused on him that she didn't register being flipped over onto her stomach. Lando pulled her hips up, supporting her weight slightly. She pushed up onto her elbows as he spoke. "You gonna be good? yeah?" he said with a tinge of sass, smacking her ass lightly. She nodded, moaning out as a verbal response. He chuckled before sliding his cock through her lips, she clawed at the now wet sheets, unable to control her self. Lando started slow needing to pace himself slightly, just kissing her got him so worked up, “Fuck.” He strained, becoming more breathless with each thrust. As he continued to press into her, she couldn’t help but clench around him, the way he was hitting all the right spots, touching her skin, groaning in pleasure, made it all that much harder not to cum then and there. His hand made contact with her ass In sequence with the thrusts, the sting was painful and yet it felt euphoric, she groaned into the bedding at the feeling.
Once he pushed in to the hilt, she arched her back further, not being able to contain herself for much longer. Hot breaths filled the air, which was already filled with sex and desire.
Lando’s hand make work up her back before drawing shapes on her shoulders. His hand soo reached her scalp, where he grabbed a fist full of her hair and tugged lightly; ensuring she wouldn’t object before he pulled rather hard, causing her back to reach his chest. He kept her hair in his hand while sucking on her neck, she wanted to feel everything and he made it happen. “Oh, please Lando, please.” She asked, gasping for air after each word.
“Why? Can’t hold it?” He teased, not that he was any better off. She just felt so good and her reactions only heightened the sensation. She whined in response as he thrusted deeper inside of her pulsating cunt. He groaned in her ear before speaking again, “you didn’t answer my question baby.” He was being cocky, but in a way he knew would only turn her on further. “I can, I swear.” Her words were slurring together, making it that much more obvious that she was on the edge of euphoria. She reached around him, grabbing his waist for some support, she could barely hold her head up anymore, the over stimulation setting in quicker than she anticipated.
Lando’s hand slid back down to her clit, aiding in the blissful feeling. Rubbing figure eights over her cunt while thrusting harder made her moan louder in between heavy breaths. He was smirking into her neck, knowing how good he was making her feel. She could feel his teeth against her skin, he was biting down, almost as if to hide his voice, muffling the groans. “That’s it baby, cum for me.” He said, voice dropping an octave for a mere second. She did as she was told, practically spasming in his arms as she let out guttural moans. The feeling of her clenching caused Lando’s cock to twitch. A mix of their cum dripped down her legs and into the bed.
“Good, so good for me. Makin me feel so good baby.” Lando whispered, pulling out. He ran his hands over her body gently, it almost tickled. By the time he got under the covers, she was already asleep; hair tangled, make up smudged and skin dotted in marks that would be hard to cover with the clothes she was wearing, or lack there of. Lando was happy, it was more than the post orgasmic haze, something about her was just right. He didn’t stop touching her, keeping his arms tight around her body to keep her warm, knowing the alcohol would wear off. He felt like he’d accomplished something more than just a win.
When Lando woke up at half past eleven, skin stuck to the bedding he was surprised and confused, until he remembered, partly, what had happened that night. He looked to his side, only to find an empty bed. He shot up, quickly looking around the room for any sign of the night. He walked through the whole “room”, past the tables and sofa, only to be met with silence. Lando walked back to the bed sorrowful, knowing his flight would leave in an hour, so he decided he needed to get ready.
Once he opened the bathroom door he first noticed it was still quite warm, it wouldn’t have been because he’d used it more than 24 hours ago. The condensation on the glass was new. Someone had definitively used his shower. Wrapping a towel around his body as he left, Lando went to his suitcase to pick up some clothes for the flight, he again noticed something was off. One of his hoodies was missing. In an attempt to find it he stumbled upon a pair of white lace underwear across the room. He was please that he didn’t imagine last night, but was disappointed she wasn’t still there. Lando was broken out of his trance when he heard the sound of a notification from his phone.
“Hope you wore a condom xx”-Daniel
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Any mistakes let me know.
Part Two
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leighsartworks216 · 7 months
Text
You Have A Type, Don't You?
Astarion x gn!Tav/Reader
Based on this post
I wrote this instead of doing any of the work I need to do! I'm gonna go do that now lol
Warnings: innuendos, minor references to sex, the barest hints of jealousy
Word Count: 1,601
Masterlist
AO3
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Your pencil scratched across the paper, drawing Astarion over and over again on a single page. This wasn’t anything surprising; you drew all of your companions. Gale, Wyll, Karlach, Shadowheart, Lae’zel - they all had pages of their own, but it was usually only one drawing. Some had even posed for it. It was just a way to relax, and their faces always lit up when you showed them, even if they tried not to show it.
Everyone needed a break from fighting and exploring day in day out, so you decided one more day here wouldn’t hurt. As such, you’ve spent the better half of the day just drawing. At first it was little doodles of Scratch, but then you realized you hadn’t drawn the vampire spawn yet.
Most of the expressions you captured came from memory. You’d occasionally sneak a glance for quick reference, pretending to stretch or get distracted by some birds. But at some point, he’d disappeared from camp. You just assumed he’d gone off hunting.
That assumption was proved quite wrong when a voice tsked over your shoulder, almost directly in your ear.
Startling away from the sound, you whipped around to see Astarion crouched down. He wore a self-satisfied smirk and settled down into a full sit on the ground.
“It seems someone is infatuated,” he teased. “So who is it? Someone we saved from peril, perhaps?”
Oh. Right. It had completely slipped your mind.
You cleared your throat as your cheeks warmed and smiled. “Y-Yeah, something like that.”
He chuckled. “Come on, darling, there’s nothing to be shy about. Spare none of the juicy details. What’s he like?”
“He’s, well,” you stammer, “he’s interesting.”
He scoffed. “That’s hardly juicy or a detail. Or is he just another pretty face?” He leaned forward, trying to get a better look at your drawings. You wanted to pull them away and hide them, but why? All the others had drawings done of them, and you loved showing it off when they were done. Why was this any different?
“No, he’s a lot more than that,” you admit quietly. You weren’t good at lying - usually Astarion took the lead any time you had to - but maybe if you didn’t tell a complete lie… “He’s funny, charming. His laugh lights up my world. He’s had a rough go of it, but he doesn’t like it to show.”
“He must like you if you know,” he hummed. Your heart leapt into your throat as he pointed to the pin pricks drawn on the neck. “Is he a vampire, too?” He chuckled, but it sounded strained. “You have a type, don’t you?”
You scoffed even as warmth flooded to your cheeks. “No! I do not have a type.”
“No, of course not,” he played along. “Certainly not for creatures of the night who bite into that pretty little neck of yours.” Despite his smile, there was a tension in his eyes. “I don’t mind, dear. I’d be more than happy to scrounge around some nights so you may indulge your new lover.”
You shook your head. “You don’t have to do that, Astarion,” you assured. “He’s not… We’re not together.”
“No?” You shook your head again. He opened his mouth to give you advice or console you, but you cut him off. It was better to end this fantasy now, before it began to hurt too much.
“It doesn’t matter. Besides, you shouldn’t be sneaking around so you can look over my shoulder. I could have been drawing something terrible.”
He laughed. “All the more reason to risk a peek. You’re so good, it would be nice to know you can be tempted.” Then he scowled. “Unless it’s something terribly dull. You deserve much more than missionary.”
If your cheeks weren’t already blazing hot…
“In any case, I was only wondering when you’d draw my portrait. You seemed more than happy to provide the others with a likeness. And…” He looked past you, seemingly far away. “I haven’t seen myself in two centuries. One gets curious, especially when you’re as vain as me.”
If he heard your heart start racing, he didn’t comment on it. Drawing him would make him realize it wasn’t some other vampire crush you were drawing. But, it had been a while since your adventure began, and you’d drawn everyone else. You swallowed down your anxiety. “Yeah! Of course! Did you wanna pose, or anything?”
He blinked and suddenly he was back in the present. A sly smirk covered up whatever emotions could be lingering on his face. “If your little vampire friend doesn’t get too jealous. I would actually like if you could draw me just,” he paused, “smiling. It would be nice to know what everyone else sees. Make sure I’m not off-putting, you know how it is.”
Once he was sitting comfortably, you turned to a fresh page and began drawing. The paper was hidden from his view, but he watched as your hand, wrist, and arm all moved in tandem like a clock’s gears to create an image. Your eyes moved between the sketch and him multiple times. Sometimes you’d glance up and draw for almost a minute. Then other times you kept going back and forth, constantly checking for reference.
Watching you work was fascinating. All your surroundings faded away. Karlach being her usual loud self, Wyll dancing, Gale cooking, Lae’zel sharpening weapons - nothing could turn your attention from him. He almost felt subconscious with the intensity of it. Your eyes studied him, taking in every single feature, and translated it to your journal. What did you see when you looked at him, he wondered. What did the world see? It had been so long, he couldn’t even remember his face. All he knew was he was attractive.
With a final few marks, brushed away to blend them into the rest, you looked down at your masterpiece. You were so caught up in the drawing you forgot why you were hesitant before, but now that Astarion stared at you from two different angles, your anxiety came back full force. There was no way out of this.
“All done, dear?”
You smiled shakily up at him and turned the journal around. His face scrunched up in confusion. When he met your eyes, he was decidedly unamused. “Darling, if you’re going to draw your fleeting fancy, don’t trick me first. I know it’s hard to see past the depraved bloodlust, but we don’t all look alike, you know.”
“No, Astarion, it’s not- I-”
While you fought to find words, Karlach picked up the slack. Cupping her hands around her mouth, she shouted across the camp, “IT’S YOU, FANGS!”
Dread washed over you. You closed your eyes. If a merciful god was going to kill you and rid you of this embarrassment, now would be the time. A bolt of lightning, perhaps. You’d even welcome decapitation.
You risked a glance when you felt your book being tugged carefully from your hands. His eyes were wide, mouth slightly open as he tried to comprehend what the fuck had just happened. Gods, now he was going to leave camp. You buried your face in your hands. He was going to pack everything up and leave before the sun even touched the horizon. And you’d never see him again. Maybe you’d go find Cazador yourself, just to kill the bastard.
“All these drawings… are me? Darling?”
You inhaled deeply and lowered your hands, but you couldn’t bear looking at him. He could stab you with his dagger and you’d apologize to him for it all. Hell, you’d let him drink you dry if it meant leaving this all behind you. “You’re very pretty,” you admitted quietly. “I didn’t know how to ask, and just- You can rip the pages out, burn them, whatever makes you feel better. And if you leave, I won’t blame you or chase after you or-”
“I’m not upset.” Your head never shot up so fast. “Well, a little. You’re not subtle when you stare, you know. I thought you were just uncomfortable being around a vampire, but this…” He turned back to the portrait you’d just finished. “This is really what I look like?”
You swallowed away a small portion of the shame. At least he wasn’t running away. “As best as I can capture you, anyway. Y-You’ve got these sharp eyes, and your hair curls around your ears, and you get little wrinkles around your eyes and mouth when you laugh - and I just like drawing you.”
The page flipped over again. The page of expressions, capturing everything you described. When he smiled full and bright his fangs were on full display, accented by the laugh lines on either side of his mouth. And the puncture wounds on his neck…
“Ah, so when I said you had a type…” He chuckled, but it didn’t hold as much warmth as usual.
“Your laugh does light up my world,” you admit. His red eyes were on you in an instant, flickering over your whole face. “Just, for the record.”
He glanced at the drawings once more, contemplative. Then, he held the book back out to you. “I wouldn’t be… opposed to trying this. Whatever this is.”
You reached out to take it, but he pulled it away. “But, no more sneaking glances across camp when you want to draw me. I would be delighted to model for you again, in any pose your sweet heart can concoct.” He held the book out again. “Deal?”
You grabbed onto the book, finally relaxing as you smiled. “Deal.”
---
Tag List:
@satelliteapotheosis @hypopxia @mjmygd @flsalazar @thedevilssinner @marina-and-the-memes @softempest @rebeccasship @pinkishredlemonade @faeoran
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neptuneh0rn · 1 year
Text
morning reflections | fire lord!zuko x reader
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(gif not mine)
warnings: fluff, one kiss, tears (very brief), advisors being mean :(, fire lord zuko ;)
summary: trying to get zuko out of bed leads to unexpected confessions.
word count: 0.6k
A/N: this is a very short drabble that's been sitting in my drafts for way too long, so enjoy! English is not my first language, so I apologize for any grammar/ spelling mistakes. feedback is appreciated.
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“Honey, let go, we have a meeting with your advisors in 30 minutes.”
In answer, Zuko grumbled, tightening his arms around your waist and drawing you closer to his bare chest.
“Zuko,” you exclaimed, giggling, “we have to be there! You’re the fire lord, remember?”
“Exactly. I'm the fire lord, therefore I get to decide whether or not I attend I meeting,” he replied smugly, “and right now I’m deciding that I want to stay in bed with my beautiful wife.”
“Flattery isn't going to work, Zu. Don’t even try. Besides, your advisors have finally agreed to allow me to attend this one. I can't be late. That would hardly provide for a favourable first impression."
You had not been looking at Zuko's face when you said that, but you felt him stiffen at your words. All sense of playfulness eviscerates from the air.
"What," Zuko enunciates.
You shift your gaze back to his face, perplexed at his tone. "What?"
"What do you mean, 'my advisors are finally letting you attend this one'?"
"Oh," you replied sheepishly, "just forget I said that."
Zuko gave you a pointed look and sat up straight, resting on the headboard of the massive bed. You followed suit, suddenly taking an obstinate interest in his warm hands, fiddling with his fingers. He took one of his hands from yours and raised your chin with his index finger, urging you to make eye contact with him.
"You want to inform me," Zuko spoke softly, "or should I ask the advisors myself?"
"It's nothing," you started, "it's only that… every time I ask if I can attend the meetings, your advisors refuse. They tell me that these are not affairs that concern me."
Zuko always thought you didn't join meetings simply because you weren't interested in these affairs. His visage distorted into one of rage, and you felt compelled to calm him down, fearful of what he would do to his advisors.
"But it's truly not a problem! It makes no difference to me, honey. As a result, it should not concern you." You ran your hand along the nape of his neck, tenderly running your fingers along the hairs resting there.
"Why didn't you tell me? I could've handled it," Zuko inquired, his voice concerned.
"What would it look like if I came to you with all of my problems? I need to show your advisors that I'm capable of being the fire lady you deserve; that the fire nation deserves," You muttered solemnly. Your head bowed low as if you were ashamed to admit this.
Zuko's heart ached at your confession. How long had you been feeling like this? It's been a year since Zuko took you as his betrothed, and it angered him to just find out now.
"Sweetheart," Zuko started, taking your hand and placing a kiss on your knuckles, "you don't need to prove anything to anyone. You are already the fire lady that I deserve and that the fire nation needs. Your presence and input in these meetings are valuable to me, and I want you there by my side. I should have made that clear to my advisors from the start."
You looked up, tears forming in your eyes, "Really?"
"Of course," Zuko replied, wiping away a tear with his thumb, "I'll speak to my advisors and make sure that they understand your importance in these meetings."
You leaned in, pressing your lips to his, revelling in the softness of his lips. Zuko deepened the kiss, his arms wrapping around you tightly. You felt relieved that you no longer had to hide your frustration and disappointment about being excluded from important meetings.
"Thank you, Zuko," you whispered, "you always know how to make everything better."
Zuko chuckled, holding you close, "That's what I'm here for, my love."
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likes, comments, and reblogs are highly appreciated♡
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inkskinned · 9 months
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it just sucks because nothing is ever fucking made for you, and if it is made for you like 75% of the time it gets chopped into little pieces by every person alive because this is the one thing you have, so it has to prove itself to you.
like, a thing can't just be for women. men need to assign it to women. women have to experience "must" or "should" before their hobbies and passions - women are allowed to do silly, passive things like tuck our ankles and titter behind a fan, or something. women are allowed to, they are welcomed to. like the world is a house and we are supposed to be in the kitchen and now we are being given the divine right to enter the living room if we bring chips
because when it becomes for you, or about you, that is when the thing is vile. you should/must wear makeup so you can appear beautiful to men. once you wear makeup for yourself, or because you yourself enjoy putting it on, then you are no longer doing the right thing. there is a reason men hate certain fashion trends. there is a reason men hate things like the pumpkin spice latte - because it's not about them. you are buying it because it is good for you. they degrade your passions and interests. there is a reason women-led fields are largely seen as being "not a real" profession. when you are a good cook, that is because you can provide for him. close your eyes. you're not going to be a chef, be honest. that is a man making food for himself.
bras are made so breasts will be appealing to men. they are rarely about comfort or support. you have given up entirely on the idea of pockets. young girls have to worry about a shorter inseam on their shorts. a girl on instagram gets her septum pierced, and men in the comments are rabid about it - i just want to rip it out of her face. she'd be beautiful without it.
and fucking everything is for them. even the media that is "for you" is for them, eventually. remember "my little pony"? remember how hard it is to convince any executive to believe that little girls are worth selling to? in the media that is for you, you see little ways that you still need to make it accessible for them - the man is always powerful, smart, masculine. he is a man's man. the media usually forgives him. it usually says okay, some men are awful, but hey! gotta love 'em. because if you don't hold their hands and say "this is literally just a story about my lived reality", they shit their pants about it. they demand you put them into the media that's for you.
these are people who are so used to glutting themselves on the world. they are used to having every corner and every dollar and every place of leadership. so you say can i please have one slice of cake, just for myself, please, holy shit. and they fucking weep about it. they say you're being unfair, because some of their one-thousand-slices aren't beautiful, and your singular cake slice doesn't have their name on it. and aren't you being rude by not offering to share?
and honestly. fucking - yeah, man. you were kind of surprised, because the cake is a little basic (you bake at home, you're way past this stuff). but holy shit, it was nice just to be offered cake in the first place. you're used to having to starve. you're used to getting nothing, but going to the party anyway, because you're expected (professionally) to show up. you liked that it is a simple cake, and that it is warm, and mostly: you like that there is, for once, a cake-for-you.
in the real world, outside of metaphor, it feels like fucking being slapped. barbie didn't even say anything particularly unusual; it literally just made factually evident points. there are less women in leadership than men. we can look at that fact objectively. that is a real thing that is happening. and the movie is aware that it has to defend itself! that it has to spend like half an hour just turning to the camera and saying: i know this is hard for you to understand, but this is a real thing that women experience.
it's just - this is that one kid on the playground who thinks its allowed to hog all the toys. he builds this hoard that nobody else is allowed to even look at, or he'll get aggressive. everyone's a little scared of him, so they let it slide, because his daddy gave him the golden touch. he hates when people cry and thinks bullying is cool. he writes boys only! on a big sign and makes all his friends take "alpha male" classes.
and then girls pick up barbies, because there was nothing left for them. and in the void they've been given, with their scraps: they make long, spiraling narratives about how barbie is actually descended from snakes and has given her righteous followers magical (if concerning) powers and can speak 32 languages (2 of which are animal related) and has big plans for infrastructure (beginning with the local interstate). and the boy comes over, and he has a huge fit about how the girls aren't "including" him. he wants to know why the girls aren't making the story about ken.
"we didn't like your story." the girls blink at him. they point to his war stories and the gi joes and the millions of male-led narratives and how still in the modern day men get two-thirds of the speaking roles in movies and they point to men making mediocre shows that don't get lambasted and they point to men encouraging toxic masculinity and they point to men everywhere, men and men and men. and they say: "how is this our fault? you had ken."
"no!" he is already back to screaming and stomping his feet and tearing at his hair and intentionally reminding them that men are holding back thinly concealed violence and he says: "if it's not for me, it's actually sexism."
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imfinereallyy · 3 days
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I wonder if you look both ways (When you cross my mind) pt. 2
pt. 1
🐝・゚ ・゚·:。・゚゚・✦ʚɞ
June 1996, Chicago
Steve doesn’t exactly know when Eddie Munson became one of his best friends, let alone when he fell in love with him.
He supposes both things occurred between the end of the world, and Eddie’s back walking out the door for the last time, unbeknownst to anyone. Though, that is five years of time, who’s to say when it really happened.
Dustin will argue the friend part. He likes to think it was he who brought them together (it certainly wasn’t; in fact, it put a real bump in the road for them). Dustin also thinks, which Steve is more inclined to think is true, that the two of them had become friends during Eddie’s slow recovery and Steve’s guilt complex, which made him feel responsible for him.
Which—ouch, Dustin—but years of therapy would prove him right.
Little shit.
Dustin doesn't know about the love part, though, and Steve doesn’t think much of the party knows except for one or two of the perceptive ones.
Looking at you, Lucas.
Robin likes to argue that Steve doesn’t know when he fell in love with Eddie because Eddie was different from everyone else.
Steve puts everything into love, moves fast, falls hard, and ultimately gets crushed by his own passion. Steve doesn’t know how to take things slow or wait around for the right person.
Until he did, with Eddie.
Steve managed to have a slow decent into the madness of loving a man like Eddie Munson. And he never did anything about it, although he didn't mind. Steve was okay with just being friends and loving from afar.
Until they weren't even that, and Eddie was gone.
Steve can't think about that now, instead he should probably worry about the man himself breaking into his apartment at 3 a.m.
"Get. Out." Robin hisses, breaking Steve from his thoughts.
Suddenly, Eddie stands. His hands thrust forward in a placating nature, and nervous energy radiates off of him. "Robin, please—"
"No, Munson. You don't get to disappear from our lives for five years, and then break into our apartment!" Robin whisper shouts, the metal bat waving around in her grip.
Steve still hasn't said anything, still unsure of any of it is really happening. But he can't help but warm at Robin's fierceness.
She will go down swinging for Steve, even against someone she cares about.
Fuck, he loved her.
"Give me one good reason not to bash your skull in with this thing, Munson. I dare you!" Robin took the metal bat and pushed it into Eddie's chest.
Steve gets a good look at him as he stumbles backward. He doesn't look much different—well that's a lie. He does look different; more tattoos, more piercings and Steve is pretty surprised to catch him wearing anything other than a band tee. It is just so all quintessentially Eddie. The jewelry is all silver, any tattoo he got after 1986 appears to be in black and red ink only. Even his tee is still black despite the lack of a band on the front.
"Birdie, I don't think you should have Steve's bat in your hands, you're a bit dangerous." Eddie tries to grab the bat from her hands but Robin yanks it back.
"Oh, fuck you, Munson! You don't get to call me Birdie, and this is my bat. Steve's is wooden and full of nails and underneath his bed. You should know that, or has the last five years really rotted your brain?" Robin is now waving the bat around with gusto, nearly missing Steve's head at one point.
Trying to shake himself from his frozen state, Steve decides it is probably in everyone's best interest if he steps in.
"Robs." Steve speaks gently, hand on the bat as he slowly lowers it down. Her shoulders drop, the fight draining out of her in seconds. "It's okay."
It's not okay. Steve doesn't understand what's happening right now. But Steve is okay as long as he has Robin, and Robin has him. Steve hopes she understands that's what he meant.
Robin nods her head, and shuffles closer to him.
Steve takes a shaky breath, "What are you doing here, Munson?"
Eddie cringes at the use of his last name but doesn't comment. "Listen, I know it's weird me just stopping by suddenly—"
Robin snorts, "I wouldn't exactly call breaking in 'stopping by'."
Eddie shakes his head, ignoring her. Stray curls start to fall loose from their bun. "I just want to talk, for you guys to hear me out."
Steve rubs a hand down his face, he is getting too old for this stuff. Being blindsided, being surprised—being thrown sideways and upside down. Sure, twenty-nine isn't exactly old, but Steve has lived practically six different lifetimes by now. There is so much damage to him—physically and emotionally. He is supposed to be past nonsense like this.
Robin takes his silence as permission to snip at Eddie, "No. Go away, Eddie. You don't get to do that. Get out."
Eddie moves a step forward, he is now illuminated completely by the side table's light. He looks tired—good but tired. It's not the kind of tired you see of someone in distress, not the ache that comes along in the tunnel that has no light in the end. No, Eddie looks tired in the way that comes with healing. Like working hard exhaustion. As if coming home from a long but good day at work, and the night grows weary.
Eddie opens his mouth to argue, but Steve cuts him off. "It's fine, Robbie. It's late; let him crash on the couch."
Eddie's shoulders sag in relief, "Thanks, Stevie, we can talk—"
"No." Steve chokes out, moving his hand towards his throat so he can remember to breathe. "You don't get to call me that. And we're not talking about anything. You'll sleep here, but that's it. I might not want you here, but it doesn't mean I'm going to let you wander the streets at night."
"Steve, please—" Eddie reaches out his hands to touch Steve. It is most likely going to be a gentle touch, but Steve can't help the way he violently flinches.
Eddie looks taken aback, eyes wide and full of sadness. He pulls his hands back.
"No, Eddie." Steve grabs Robin's hand and starts to pull her to bed. She doesn't protest and instead leans into his touch. Steve turns over his shoulder to look at Eddie again. "You'll stay the night. It's not an option. But my morning? I want you gone. I don't want you to be the first thing I see after sunrise."
Steve turns quickly back around, ignoring the pained grunt from behind him.
Bypassing Robin's bedroom, Steve pulls them both into his. Robin doesn't question it and instead makes herself comfortable in his forest green blankets.
Steve quickly follows after, snuggling into the bed beside her. People have thought them weird over the years—always in each other's spaces and knowing every little thing about each other. Partners, friends, family—all of them had something to say about it, never even bothering to understand.
Well, except Eddie. Eddie appreciated it, accepted it. Adored it at times.
"Are you really okay with this, Dingus?" Robin whispers softly between them.
"No." Steve never lies to Robin; she'll know. "Not at all, but I'm not going to let him wander the streets, no matter what I loved him at some point. I don't let the people I loved, get hurt."
Robin squints in pity, "Loved?"
"Not now, Bobbie," Steve whispers.
Robin nods, "Besides, I'm pretty sure 'Ed Sloane' can afford a fucking hotel room."
Steve lets out a loud snort, it echoes throughout the room. "God, don't remind me. What a stupid fucking name."
The two of them dissolve into giggles, bumping their heads together. Under the covers, they clasp their hands together tight. "I just don't want you to derail your life, for someone who walked so easily out of it. I know you have that important lunch with Drew tomorrow."
Steve takes a breathe through his nose, "Yea, I do. But it'll be fine. He'll be gone before I'm even up. You know Eds, he's a runner. Wouldn't stop trying to prove it, in fact."
Robin's face is scrunched in pain, and her eyes pool with pity. It's as if she knows something Steve doesn't or sees something he chooses to ignore. She doesn't comment on it, though. Instead, she raises an eyebrow, "Eds?"
It isn't snippy or accusing. Her voice is soft against his cheek. Steve doesn't have the mental capacity to argue though. "G'night, Birdie."
"Goodnight, Stevie." She whispers.
Steve closes his eyes, knowing it will all feel like a dream tomorrow.
Steve is familiar with having dreams with Eddie in them.
🐝・゚ ・゚·:。・゚゚・✦ʚɞ
more to come i promise, especially after your (loving demands). especially my mutuals who yelled at me in the tags and my dm's (it made my day).Part 3 is currently being typed up. Also might fuck around and make this a full-blown ao3 one shot; who knows.
tag list!:
@stevesbipanic @withacapitalp @emryyyyy09 @brainfugk @blueberrylemontea-fanfic
@slv-333 @thetinymm @connected-dots-st-reblogger @helpimstuckposting @dreamercec
@goodolefashionedloverboi @stripey82 @little2nerdy @anne-bennett-cosplayer @resident-gay-bitch
@ghostquer @sourw0lfs @devondespresso
(please let me know if you don't want a tag, I had to guess by the comments, and sorry if you’re getting a random tag after posting, I had to fix the tag list cause tumblr is weird)
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r0-boat · 1 month
Note
Hiii, I just noticed your blog and really impressed by your... spicy stuff 👀 Hope that you can accept this request hehe 👉👈 (oh and sorry for any grammar, English is not my first language 🥹)
I absolutely love your headcanons about demons in WHB is animalistic, so what if the kings (and Lucifer) have that time of the month where they completely act like an animal (biting, marking,...) and MC didn't know about that, so MC got tricked by the nobles and being lead (?) to the room where their kings are destroying everything because they cannot find their human (maybe the kings got tied down too or just be sealed inside the room).
Okay I really wanna know what will happen after that 👀 Hope that it will be spicy 😋 Thank you and have a great day ❤️
Demon Rut headcannons
Whb Demon Lords x Gn!reader
Nsfw
Cw: everyone's a slut, The demons are yours and they want you. Slight mentions of demons fucking other demons just to let off steam, demon gangbang.
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You know that little private room that looks like it's in a club on the summoning screen? I think that's where their sessions take place, where they're all dressed up in nice for you, only to rip off their clothes seconds later and make a beeline to your body.
That room in that special club for elites only are reserved for the seven lords and you to be used as they please.
I totally think demons have rut, they can fuck and cum whenever they want but during that time of the month when the sexual appetite is heightened to a point where they can't even think clearly. The sense of smell and taste. They will use toys, their subordinates anything! to get them off but it's not enough they need you. From your time you've been in hell and from maternity waiting for you, they've been holding off, and now that you're here... And they can sense you, smell your sweet scent of human and sex they can no longer hold back.
Bold of you to assume that the Lords would share. Some of them wouldn't mind but Satan and Levi who are notoriously more possessive??
Perhaps if they just need you so much that they are willing to share you just to have you at the moment. Without help with potions or magic, You will not survive Even with just the five of them at once. I don't even think you'll survive Mammon with just him during rut.
At first, they'd hate the idea of sharing you, but after the first time. They would kind of like seeing you squirm on another demon's cock. Seeing you get ruined and covered in demon seed would be a sight to purged in their minds, something they would jerk to when you're not here. Something that they'll definitely start doing more often. Not only as a way to prove their worth to you but for their own pleasurable benefit of seeing you soaked with tears, cum, and your own juices. As well as bragging rights to the other lords the next time they see them.
Expect clashing of horns and claws and teeth because only a test of their strength can determine who gets the fuck you first. And using you to test their virality and stamina will determine who gets to keep you for their rut. These demons will go for hours, days until they are tired, until they throw in the towel to the other. They use how many times you come how many orgasms they could milk out of your human body as a dick-measuring contest. Even after bragging about how many times you squeezed their cock while cumming as a badge of pride as their subordinates look at them in awe.
"oh yeah? Well fuck you Satan because last rut I made them cum this many times."
*cue Satan lunging at them with their teeth and claws*
That teasing and play fighting is all in good fun because they know they share a similar interest in being excited to see you next time in another demon's lap, squirming for their touch. Cooing about how much you like their cock and how human cock isn't good enough for you, huh? How they're so lucky to have someone so hungry for demon cock, have delicious your juices taste, how cute you cry for them.
Maybe they'll even start asking you to wear little pretty Lacey lingerie so they can tear off or play with their tongues and teeth. Maybe there's subordinates will catch wind of their lords escapades with you. An excitedly wait for one day their Lord will ask them to come with them. They know that the Lord is in control, and they are just there to be your toy.
And after every rut session, you're treated like a literal princess with aftercare; why do you have to lift a finger. They know that they pushed you beyond your human limits. And they are eternally grateful You indulged their sinful desires and gave up their body to be used and destroyed.
This sex dungeon-like club also doubling as a little hotel room with a full bathroom with a huge pool of bathtub as well as another bedroom with a giant bed for sleeping or other sexual escapades if the Lord's desire. If they ever want alcohol, sex toys, or condoms, they will be brought to them in a care package like basket. And as well as to their dislike, a little locker for the human for other demons store their presents in. It's like you don't already have a permanent residence in hell with a mailbox chocked full of flowers and chocolates and anything you desire.
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fuwushiguro · 8 months
Note
Hi love! Your content is great and always makes my head spin🤤 I was wondering if you could maybe do fitness trainer Toji with a plush reader? Like you go to the gym wanting to slim down and ask for a trainer and before any of the other loser trainers can get to you, Toji steps in. He is constantly reassuring you the entire time And at the end of the session he just can’t resist from not touching you🥺🫶🏼 thank you in advance and I hope you have the best day possible!
I can literally imagine Toji quoting this in his head as he hears you talk negatively about your body (not proofed I'm lazy) warnings: chubby!reader, body issues, raw sex, slightly public, praise etc etc lmk if i missed any
"Huh?"
"I literally need a gym trainer who's going to help me look like a rake."
"I- what? A fuckin' rake? What are you talking about?"
"My boyfriend cheated on me, and of course the girl he slept with is tiny. He left me for her... I don't want him back but I want to prove a point!" you explain, looking at him with hopeful eyes, desperate for him to help with your mission.
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He stared at you, and it scared you a little. You aren't sure if you've said something wrong or if he just had no interest in your tragic love life. But you can only assume he doesn't get many clients with this attitude.
"Fine, kid. But listen, I'm not helping you 'look like a rake'." he tells you.
"B-But..."
"I'll help you train. If you lose weight, whatever. If you gain muscle... I think that'll be a better revenge body to make your ex regret leaving you." he explains.
"O-Oh... really? Okay, I trust you."
He smirks at that.
It's not often he's trusted by women.
"I hate sit ups." you pant, breathlessly.
"It's your last set, just do it 'n then you can go home." he tells you, as he sits beside you drinking some water from his comically large bottle. By the size of it, you'd think he'd be the one who had been working out for the last hour.
"C'mere." he shuffles his body so that he's closer to you, positioning your legs and hips like you're weightless. "You might find it easier now. I'll stay here, gimme ten more."
"Ten?!"
"Do it."
You sigh, lying flat as you mentally prepare yourself for how bad your stomach is about to ache. Your cheeks fill as you blow out a puff of air. You're painfully aware of his eyes on you, and honestly, you're embarrassed. You begin to sit up again and again as you think about his incredible physique. About how he surely thinks the same way as your ex boyfriend.
Your eyes lock with his with ever sit up you perform, his hands grabbing your knees to keep you in place. Your noses almost touch and his eyes are filled with what you can only assume is disgust. You're humiliating yourself trying to make yourself appear more attractive to the male species.
"Aaaand done, good job, kid." he smiles at you, his small mouth scar pulling slightly as he does. "So, wanna make this a regular thing?"
You hold up a finger as you catch your breath, eventually nodding. He holds his hand out to you, helping you to your feet with ease. He walks away from you, tilting his head and indicating for you to follow. You aren't sure where he's taking you, but you follow mindlessly.
"My calendar is in my office, I'll get you booked in for a few sessions this month and then you can just give them your card details at the fron desk." he explains.
"Sure, sounds good." you smile, he walks into his office first and holds the door opening, closing it right after you come in. Your ears prick when you hear the door lock, but for whatever reason you don't feel alarmed.
The air is knocked from your lungs as you feel his hands on your waist, lifting you into the air and practically slamming you onto his desk.
"W-What are you doing?!" you gasp.
"Can I kiss you?" he asks, it's almost polite but not really. He's expecting one answer, and luckily for you you're nodding before you can think of declining. He hikes up your leg and squeezes your plush thigh as his lips connect with yours. "You're so soft... so fuckin' perfect."
"Shut up." you laugh, you try to kiss him again but he pulls away.
"I'm serious." he lifts your up your sports bra and tosses it aside, grabbing a handful of your large chest. He pushes you backwards so that your spine is flat against his desk, tugging off your leggings with no hesitation. He peppers kisses across your tender skin. Your thighs, your tummy, your heavy tits. "There's nothin' wrong with your body, y'know? Your ex is a fuckin' pussy."
Your body tenses up, feeling horrendously aware of how exposed your figure is and how he's examining you.
"I- I was too heavy for him." you pant, unsure whether to try and chat casually about it or make a run for your clothes and the exit. "I don't blame him."
"You weigh the same as paper to me, darlin'." he smirks, picking you up and making you wrap your legs around his waist. He slams you against the wall as you makeout heavily. "You want this cock? F-Feel how hard I am for ya?"
"P-Please. You're so big.. please fuck me." you beg. You paw at his shirt, desperate to feel the muscles that you could clearly see beneath.
His facial expression is almost menacing as he knows he's won, he's got you exactly where he wants you and you're begging for his cock. Thick fingers dig into malleable flesh, bruises of his name signed into your skin like a binding contract that you're his new favourite play thing.
"You're so fuckin' perfect, sweetheart. Love cute bodies like yours..." he tells you, staring into your eyes to catch your expression, grinning at the way your cheeks flush and a bead of sweat forms in your hairline.
"Aah! Ah, fuck.. 'h my god..." you moan, the embarrassment overwhelming you and the feeling of his heavy cock splitting you open making your heart race.
He begins a brutal pace, easily holding your body up with one muscular arm as he slams into you, his free hand tweaking your pert nipple. The way your eyes cross dumbly as he ruins your insides almost makes him blow his load on the spot.
"Too— mmmnn.." you moan, unable to form a coherent thought.
"Too what?" he laughs a little, "Too? Have I fucked you so stupid you already can't think? Oh sweetheart... think I'm in love." he tells you as he kisses your neck.
Your fingers scratch his back repeatedly and he can only his from the pain and pleasure of it all. He's happy to be marked by you, he's going to do the same to your insides after all.
"'m gonna cum, I'm— ah—!" your cunt tightens around him as you finish, and soon enough he's pressing his body as much as he can into yours, pinning you between him and the wall as his balls tighten and he paints your desperate, wanting walls.
You pant against each other, neither of you moving for a while. All you can bring yourself to do is catch your breath and stare into his jade coloured eyes. And eventually, he helps you down and offers you a towel before sitting at his desk and checking through his calendar.
"Are you free Friday night?" he asks.
"O-Oh, Toji, I'm too exhausted from that workout to even think about my next training session." you chuckle a little, wiping yourself down before collecting your scattered clothing.
"No, baby, I'm takin' you on a date." he smiles at you earnestly. "Perfect body, perfect pussy, and newly single. You're crazy if you think I'm not taking full advantage of the opportunity to make you mine."
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txttletale · 2 months
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Can you elaborate on what you think would be the minimal needed changes to fix what you see as an issue in Civ? Civ has done fairly large shifts in some mechanics before, and "civ like" is still an interesting game space that can scratch certain itches
yeah i mean as i said, the baked-in racism arises from a certain set of core assumptions that i think lock it into that position, which are that civ is a
1) symmetrical
2) 4X
game about
3) 'real world civilizations' (deeply loaded terms ofc but that's how civ envisions them)
4) trying to 'win the game'
5) with a global
6) and transhistorical
scope
so, in its role as a symmetrical (1) game with victory conditions (4), civ as a text has to take positions on what constitutes a 'successful civilization'. as a (2) 4X game this definition also has to include some variation on the profoundly loaded eponymous Xs, 'explore, expand, exploit, and exterminate'. furthermore, as a (1) symmetrical game with a global, transhistorical (5, 6) scope, it has to necessarily create a model of what 'a civilization' looks like and apply it to every 'civilization' it wants to include, at all points in their history.
this all kind of naturally leads into civ being a game in which the colonial european imperialist powers are the default 'civilizations' and all other cultures are basically just like them -- a game where technology progresses linearly and innovations are made in the order they were in european imperial history -- a game where all cultures fundamentally work in the same way and hold similar values, a game where all religions are based on christianity (i mean, just look at civ vi's system, where every religion has a 'prophet', 'apostles', 'missionaries' and 'inquisitors'), a game where not only do cultures have teleological overarching 'goals' but where these goals are shared and these goals are fundamentally based on imperialist visions of 'victory'.
to drill into some specific examples: you can't play a game of civilization without founding cities. you will constantly be founding cities. when you're playing as 'the mongols' or 'the cree' or 'scythia', this makes no sense! these were peoples who historically had rich culture, science, arts, and certainly a notable military history, but were (to varying degrees, at varying times in their history, i don't mean to create a new and similarly heterogenous absolutist category here) nomadic!
similarly, to advance in civilization you must invent 'the wheel'. 'the wheel' is necessary to many later innovations, while of course the andean peoples represented by the playable 'inca' never made significant use of the wheel because the lack of suitable pack animals and environmental factors meant that it did not, in fact, prove a suitable tool for transporting large quantities of heavy goods. for an even more glaring example, a lot of early military technology is locked behind 'horses', which is pretty absurd considering that several of the game's playable civilizations, in the real world, developed plenty of military technology despite living on a continent without any horses!
so having established what i mean by 'the issue', which is that the game's core assumptions lock it into imposing a eurocentric, imperialist vision of 'civilization' onto cultures where it doesn't make sense, here's a few different jenga blocks you could pull out to resolve it:
SID MEIER'S EUROPE
the pillar you knock out here is #5. keep the game engine and core assumptions just as founded on eurocentric imperialist societies as they are now, and just make it about european empires doing imperialism. now, i think we can immediately spot some problems in there -- how are we going to represent the rest of the world? after all, this kind of just creates a situation where, either as NPC factions or as outright exclusions, all other cultures in the world are deprived of any meaningful agency in "history". this one just kind of gives you a new problem and also from a gameplay standpoint results in a game that just Has Less Stuff On It. i think this is a bad one
SID MEIER'S ELYSIUM
now here's one you can get if you knock out pillar #3. keep the same assumptions and gameplay and transhistorical global narrative scale, but remove the 'real-world' aspects. you can get real silly with it and add fantasy stuff to it, or you can be a relatively grounded 'our-world-but-to-the-left' situation. now to some extent this already matches a lot of the features already in civ games: after all, unless you specifically load in a 'true start location earth' map, you're usually playing on a strange parallel world with semiplausible but wholly original continents! now, you also need to get some fucking Nerds and Geeks working at your company to build out your fictional world, or you'll just end having pointlessly pallette swapped a bunch of factions that are now just Schmance, Schmina, and the Schoman Schempire, and not really have avoided the issue. but if you do that, and invent a deep and rich fictional history to riff on, then you could create something really cool and incorporate alt-tech or fantasy or retrofuturistic elements or all sorts of cool shit.
the downside of this is that it makes your game less accessible and appealing to a lot of people. a big part of (at least the initial) appeal of civilization is pointing at the screen and saying 'hey i recognize that thing!'. it is instantly more accessible to someone who isn't super invested in strategy or fantasy dork shit to say to them 'you can be BRAZIL and nuke FRANCE while at war with CHINA and allied to BABYLON'.
more importantly than that, i think some parts of the historical theming (because let's be honest, it is ultimately theming, i don't think civ is interested in 'history' in any serious way) serve a pretty load-bearing role in the game's information economy. it's a pretty tall order to ask a player to remember the unique abilities of dozens of factions and unique wonders, and the historical background makes it a lot easier. e.g., it is a lot easier for a player looking at wonders to remember 'the pyramids need to be built on desert' or 'broadway will help me make more culture' than it would be for them to remember the requirements/effects of 'under-eusapia' or the 'wompty dompty dom center'. i think this is one of the number one things that, if subtracted, would meaningfully create something that is no longer 'sid meier's civilization'.
SID MEIER'S ALPHA CENTAURI
now if you cut out #3 and #5 and #6 on the other hand... sid meier's alpha centauri is not technically an entry in the civilization franchise, but i think most people correctly consider it one. it has similar 4X gameplay to the series, and its (very bad) spiritual successor beyond earth was an official entry. instead of 'civilizations', the playable factions are splinters from a colony ship that fell into civil war as soon as it landed, each one representing a distinct ideology. now, y'know, this doesn't mean it's free from Some Problems (the portrayal of the Human Hive in particular is some of the worst apects of 90s orientalism all piled together) but i think they're problems it's not at all locked into by its design!
SID MEIER'S THERMOPILAE
by cutting out #5 and #6 -- making a civ game about a particular time and place in history you could achieve something much more richly detailed in mecahnics while also being able to handwave a lot more homogeny into it. giving the same basic mechanics to, say, every greek city-state in the peloponnesian war is far less ideologically loaded than giving them to every 'historical civilization' someone who watched a few history channel documentaries once can think of. it also lets you get really into the weeds and introduce era-and-place-specific mechanics.
the scale needs to be smaller conceptually but it doesn't really have to be smaller in terms of gameplay -- just make maps and tech trees and building more granular, less large-scale and more local and parochial and specific. this also gives you the advantage of being able to do the opposite of the last two options and really lean hard into the historical theming.
if this sounds like a good idea to you, then good news -- old world does something pretty similar, and it's pretty good! worth checking out.
SID MEIER'S LOVE AND PEACE ON PLANET EARTH
what if we take an axe to #2 and #4? instead of putting all these civilizations into a zero-sum game of violent expansion, make it possible for several civilization to win, for victory goals to not inherently involve 'defeating' or 'beating' other factions. now, that doesn't mean that the game should be a confictless city-builder -- after all, if you've decided to be super niceys and just try and make your society a pleasant place to live, that doesn't mean that the guy next to you isn't going to be going down the militarist-expansionist path. hell, even if all you want to do is provide for your citizens, a finite map with finite resources is going to drive you into conflict of some kind with your neighbours in the long run.
to make this work you'd have to add a bunch of new metrics -- 'quality of life', for example, as a more granular and contextual version of the 'happiness' mechanics a few games have had, or 'equality', game metrics that you could pursue to try to build an egalitarian, economically and socially just society where everyone is provided for. after all, why shouldn't that be a goal to strive for just as much as going to mars or being elected super world president or whatever?
SID MEIER'S DIVERSE HISTORICAL CONTEXTS
ultimately, all cards on the table, if i was made god-empress of The Next Civ Game, this is the option i'd go for: jettison #1 as much as practically possible, introduce as much asymmetry into the game as you can. some civilizations keep the established settler-city model -- others are nomadic, building their units in movable 'camps' -- maybe the 'colonial' civilizations, your USA and Brazil and so on, can be like the alien factions from the alpha centauri DLC, only showing as NPCs at the appropriate point in the timeline when other civs are colonizing other continents, or putting you into an accelerated-forward version of the game if you choose to play as one.
you could combine this with a more interesting version of humankind's civ-choosing system, where you lock certain civilization choices behind specific gameplay events. this would let you do crazy shit with the balancing -- imagine an ostrogothic kindgom civ with crazy strong abilities and units that you could only choose to play as if your capital is overrun by barbarians, or a hungarian civ that requires you to have started as a nomadic civ and invaded somewhere, or a soviet union civ that requires you to lose a revolution, or a usamerican civ that requires you to split off all cities on a foreign continent from your original civ -- you could add so much variety and so many new and bizarre strategies into the game with this!
as for the universal aspects of tech and the narratives of linear progression contained within, there are lots of approaches that already solve this! stuff like stellaris' semi-random branching tech paths, or endless space 2's circular tech web, could allow civilizations to take tech paths that make sense for them, rather than imposing one single model of 'technological progress' on the wole world.
obviously there's limits to this, right -- civilization isn't going to be a detailed historical materialism simulator any time soon. but i think abandoning the idea that every faction has to play fundamentally the same and introducing some severe asymmetry as well as choices that you can make after starting the game would work wonders to wash out some of the racist and colonialist assumptions built into the game's foundation, while also (imo) creating a more fun and interesting game.
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bonzos-number-1-fan · 3 months
Text
What DPHW Means, and Its Relationship to Smirke's 14
The following contains spoilers for all of TMA, TMP (eps 1, 2, and 3 released currently if you’re in the future), and the ARG. Spoilers for all of this are throughout so I would advise against reading any of this unless you've listened to everything mentioned. It could also spoil episodes of TMP that have yet to release but if it does I don't think it will be a major spoiler. If I'm right I think I'm only right about a fairly trivial piece of information. 
Theory of Fears; or, Zur Furchtlehre
Part 1: Opticks
Smirke's 14 isn't the truth. With or without Dekker's +1. It is, however, necessary and correct. It has also been talked about ad nauseam and isn't a topic I want to dedicate a lot of time to. Smirke's 14+1, or even TMA in general, isn't the focus of this theory nor is it that relevant past its necessity as a point of comparison.
There aren't 14+1 distinct entities in the TMA cosmology. There is a singular entity that has been given divisions by fear and labels by those that have witnessed it. There is no objective line in which to draw these divisions. No matter where you put them or what you name them these concepts will always bleed into each other. Aspects of one Entity will manifest in another because the labels are invented and Fear is a storm of concepts crashing into each other. That's not a flaw in Smirke's list but its strength. A single entity of that scale is impossible to discuss in meaningful terms, the concept has too much gravity to be properly conceptualised and so an entire spectrum of fear must be divided in order to combat it. Categorisation is a vital part of TMA's cosmology and Smirke was as correct as anyone to put those lines down where he did. The real flaw with Smirke's list is forgetting the spectrum exists and stopping seeing the shades in between the Powers.
Finding a way to categorise this concept is important, but the methodology isn't. Smirke's 14 isn't the truth. The only truth is there is a singular whole. But branding goes a long way both in terms of research and in terms of following. This branding lacks accuracy though, it is in large part arbitrary and by its nature removes the shades and the bleed. TMP takes a different approach, one only hinted at, but one that I think is now fully explainable. 
Part 2: Lost in Translation
Perhaps the most interesting mystery in TMP thus far is DPHW. However, I think based on episodes 1 and 2 of TMP (and now 3), and the Klaus excel sheet from the ARG, we have all we need to explain its utility.
In order to show that conclusion in a satisfactory manner some basic facts need stating, and the order of my thoughts on those facts needs explaining. Firstly, each DPHW is 4 digits. Secondly, each DPHW is read as 4 numbers rather than, say, a pair of 2 numbers. Thirdly, these numbers can change independently of each other. Fourthly, incidents may share CAT#R#'s but have a different DHPW as found in the Klaus sheet (a German document listing OIAR-style incident reports). Finally, the German equivalent of DPHW is TSHU also found in the Klaus sheet. We can use those facts to determine something important. Each letter of this initialism is paired with a digit meaning that DHPW is a group of 4 categories. If that is true we can intuit some of its meaning. It is likely that these numbers are a rating of sorts for each category there. To prove that's the case we would need to know the categories and fortunately we have a starting point to understanding it, German.
If the categories that DPHW describes start with the letters TSHU in German then what needs to be done to find the categories is quite simple. You pair each letter up and then find a suitable word to categorise the supernatural whose first letter starts with the respective letter from the initialism in its language. D/T, P/S, H,H, W/U. After some brainstorming in the Statement Remains PLUS Discord server we had come up with strong candidates for 3 of the 4 pairs.
The first was Deadly/Tötlich, a seemingly solid start that gave this theory some legs. Next was Painful/Schmerzlich which was a distinct enough category for the threat of an incident that proved this was a strong direction to head it. H/H proved more troublesome. To my mind the two strongest contenders here were Hypnotic/Hypnotisch or Helpless/Hilflos. Both sound very reasonable but that in itself is a problem. However the last one was found relatively easily as Weird/Unheimlich. With 3 of the 4 it seemed like this was all but correct at this stage. However, I had been thinking about this backwards and it wasn't until I had a revelation that the pieces really fell into place.
Unheimlich sounded familiar when it was suggested but not in a way I could place. It wasn't until the next day that the aforementioned revelation happened. The ARG had a huge focus on Germany, and Ep 1 of TMP revealed why. FR3-D1 uses German source code which makes German the original language for the OIAR's methodology. Meaning DPHW is the translation, and I now think it's a shoddy one at best. The reason unheimlich sounded so familiar to me is because it's a fairly important part of psychology's history.
DPHW's Weird isn't weird, DPHW's Weird is uncanny. A direct translation could give you weird but a more accurate one, especially in this instance, gives you unheimlich. Unheimlich as in Jentsch's "Zur Psychologie des Unheimlichen", and Freud's "Das Unheimlich". Both of which are essays on the uncanny. It's all about the fear of the unfamiliar, and a central example of this is Olympia from Der Sandmann, a seemingly living doll.
The German word unheimlich is obviously the opposite of heimlich, heimisch, meaning “familiar,” “native,” “belonging to the home”; and we are tempted to conclude that what is “uncanny” is frightening precisely because it is not known and familiar... - Freud, The Uncanny
This is incredibly relevant to a lot of what has been discovered so far. The uncanny as a topic in psychology was kickstarted by two Germans, and a central part of their essays was the German Der Sandmann, and a German, SSandman, was a large presence in the ARG. The strength of this connection all but solidified this theory in my mind. And, briefly, this is also related to Masahiro Mori's uncanny valley hypothesis which I'm sure I won't need to explain.
The obvious way to test this is to take the few W ratings we have been given and compare them to the incident to which they're assigned. The first is from Ep 1, “dolls comma watching”, and was given a 7. This is a good start both in that a 7 feels appropriate as an "uncanny rank" but also that a doll is a focal point on the essays on the subject. Also in Ep 1 is "Reanimation (Partial)", again with a 7. Another very appropriate number. The last in Ep 1 is "Transformation (eyes)" with a 5. Certainly less uncanny than the previous examples so this is still strong. In Ep 2 we get a 5 for Bram Stoker's Dracula, which seems more than fair for a strange man like him, and a 7 for Frankenstein which gives parity for another story of the resurrected dead. Finally we get "Transformation (full)" at a 7, more uncanny than "Transformation (eyes)" which tracks nicely.
With what I felt was such a strong theory for the W/U pairing it helped clarify the ideas of the others. The final digit rating the uncanniness of an incident gives an idea of how these categories work and the breadth of their definitions. Up until this point I was leaning towards Hypnotic/Hypnotisch for our H/H pairing. But giving it more thought, and comparing it to TMA's own groupings, it becomes apparent that Helpless/Hilflos is more appropriate. Hypnotic effects are too aligned with things that would already be very aligned with Uncanny ones, the Stranger's Not!Them alter memories and prey on the fear of something being not quite right, so as a categorisation tool I think it makes less sense because of the greater overlap. Helpless on the other hand works better for things like The Dark, The Buried, or The Lonely. Aspects which I don't think show up in our current other 3 groups. But given the current definition of the strongest category, the fear of the uncanny, I think that helplessness is a more apt label. The fear of helplessness. Which makes H Helplessness/Hilflosigkeit.
With this level of breadth established re-examination of the final two categories is warranted. Painful/Schmerzlich is more likely to be Pain/Schmerz. Not just incidents that are themselves painful but the fear of pain, possibly including the emotional. A comparison to TMA gives this rating a strong affiliation with Entities such as The Desolation, The Corruption, or the Flesh. Similarly Deadly/Tötlich should now be broadened beyond the fear of things that will kill you, to the fear of death in a broader sense. Which makes D/T Death/Tod instead. To compare again to TMA this is The End, The Extinction, or The Slaughter. Although, while I might be describing these ideas as the fear of ____ I think it's important to know that they do appear to be more conceptual in nature rather than just if something is scary or not.
Comparing each of these assumed categories against current DPHW’s strengthens this argument. “Dolls, watching” scored 1157. It’s a very low fear of death and pain, but they present a medium fear of helplessness and a high fear of the weird. For a fear that’s rooted in paranoia that makes good sense. “Reanimation (Partial)” got a very similar rating, at 5257, but it being a corpse cranks up its fear of death. “Transformation (eyes)” got 2155 which, again, seems to fall in place with what we know. It’s more human than the doll is so it’s less weird but a physical and alarming transformation naturally seems like more of a terminal concern. Combine that with some good ol' internet death threats and it's not nothing, but not much.
As a small aside, while it's not come up in the episodes so far the Klaus sheet shows DPHW's are 0-9. There is a good bit of evidence to suggest 0 might be read as 10 here. 0 most commonly showed up in that sheet for P and the incidents often had the notes "Kriegsvolk". Literally "war people" but more accurately "army/soldier". So pain of 10 for those would track better than P of 0, and it explains why things like the watching doll rate a 1 for D and P instead of a 0, and Dr. Webber's infection is a P of 1 despite entirely removing physical and emotional pain as it goes. Because 1 is the lowest.
For Ep 2 we start with Dracula scoring a 7465, he’s undead and a killer for high death, if he kills you it hurts but it’s not extreme, he’s both hard to physically stop and has mental tricks, and he’s just a weird dude in general who always seems off somehow. Frankenstein at 5337 has aforementioned parity with the reanimation incident as you’d expect but notably less on the helplessness rating as he is just a man. Next is “Transformation (full)” at 1567. This is generally a more severe rating overall than Transformation (eyes) and you’d expect that, but I think it does show something interesting. At no point did Daria want to end her own life. The transformation is far more severe, arguably looks more life threatening, and was clearly more painful but it is explicitly and repeatedly not about dying. I take that as a suggestion that these ratings take into account more than just the mundanely observable nature of the incident. She looks very sick which would make you think of death but it rates low for it because of the emotional, or maybe supernatural, purpose of the incident. She didn’t want to die, the manifestation didn’t try to kill her, and so despite its appearance it’s low on death.
Then finally in Ep 3, we have "Infection (full body)" with a 8175. (Although I'm assuming that's a misfile and it should be Infection (Arboreal)). I think D and H here are more interesting to dig into. P is pretty obvious it's the lowest rating because it seemed actively pain-numbing as it went. W being 5 tracks too is certainly uncanny and has strange geometry but it's not full Distortion levels. So with those two out of the way we can get to the good stuff. D is the most interesting of the two to me. Because while it's pretty clear he died I don't think that's got much to do with it. Rather I think the 8 is more specifically about the way it deals with death, decay, and rot in relation to new life and the growth of other things, plants and insects. Thematically, I think there is a lot more emphasis on death as a broader concept beyond the terminal nature of the infection. For Helplessness there is also an additional element beyond whether or not he was able to do something about the infection, and that's whether he wanted to. As the symptoms worsened his desire to treat them decreased. Initially he was worried about the infection and determined to seek attention when able, then he was happy to let someone else help instead (a hallucination, which makes things more helpless), before finally wanting it to happen. These sorts of elements are things I think we're going to see factor in quite a lot.
In summary; it is my belief that DPHW is a way to rate incidents that the OIAR catalogue based upon the strength of the fear they elicit in the categories of death, pain, helplessness, and weird (uncanny). This system is effectively the TMP equivalent to Smirke's 14 from TMA. Rather than assigning each statement to an Entity each incident is rated for those qualities. These systems are distinct methodologies but each is a way to categorise the supernatural.  
Part 3: On Analogy
That is the juicy bit of this post out of the way so now I have to put a bow on it and touch upon the overarching analogy here. As alluded to by the title and some turns of phrase, it's colour theory. It's a somewhat common analogy for TMA's fears but I think it applies in equal measure to TMP and taken together might provide an insight into how the cosmologies will differ. So, to me, colour theory is not only the perfect lens in which to view the Fears as a whole, it's the perfect lens to view these methodologies.
Smirke is Newton. He broke up a singular spectrum into wide chunks. The Dread Powers themselves are very analogous to a colour wheel. Colours bleed into each other and the boundaries of where one stops and starts is up for debate but red is still red, and blue is blue. That is a useful context for them, it aids discussion. Try talking about red without ever saying red and only referring to a representation of a divided whole. But all too similar to Newton's 7 colours Smirke's 14 lacks nuance, it lacks shade.
On the other hand we have DPHW and this is all shade. DPHW is CMYK. It's not one thing or another with DPHW. You don't have the pitfall of Smirke's methodology where one manifestation is in one arbitrary box. Here, assuming I'm correct, each incident is made up of constituent parts. The OIAR, and presumably its German forebear, are less interested in Smirke's occult ancient gods and more interested in bureaucratic precision. Smirke was doing research while the OIAR are doing administration. As such DPHW takes a wholly different approach. It's now all shades. This has its own problems in that it's harder to discuss in broad terms. It's such a specific methodology that it's lost a lot of what Smirke triumphed with. This is well represented already given that no one has been shown to know what it means at all yet. But if there is a truly different cosmology at play here we might see the axes of DPHW being where alliances fall.
All that leaves us with is a comparison of these two. The only way to really do that is to talk about how Smirke's 14+1 would fit in DPHW's system. This is something I touched upon briefly. Death is strongly related to The End, The Extinction, or The Slaughter. Pain to The Desolation, The Corruption, or the Flesh. Helplessness to The Dark, The Buried, or The Lonely. Weird to the Stranger, or the Spiral. But that's not all of them and even within those it's already clear that something like The Vast isn't just about helplessness, and we've already seen Daria who would likely be an avatar of the Flesh rank highly in Weird. Which hits upon what I feel is the most interesting aspect of this entire theory. We've seen what happens with Smirke's boundaries on the Entities. We don't know if Entities even exist in this setting, or if they do exist whether they'll be the same ones, or even if they're not the same ones whether they'll function under similar rules. But now we get to see what happens when there aren't those boundaries. We get to see much broader mingling than TMA showcased. It was hinted at there, especially early on before the lore really settled, but now that mingling seems to be the whole point.
And as a brief mention, and to further labour the theme, I don’t think there is enough information to really discuss how CAT#R# works but there are some analogies to work with here. From the Klaus sheet we can infer that CAT# has the following values 1/2/3/12/13/23/123. Or three non-mutually exclusive groups. What those groups are is hard to say right now. There is some soul/body/spirit stuff for the alchemic tria prima that's got some nice connections but doesn't map well now that Ep 3 is out. Either way, this is RGB. An incident can be all red, or red and blue, etc. R#'s values we can infer to be C/BC/B/AB/A/S with maybe an AS in there too. That's a linear scale of similarly unknown value but could represent something like potency/threat. If that is the case then R# is saturation. Some things are more intense than others. We also know from the Klaus sheet that CAT is the German from the "kategorie" meaning "category" the R was from the German “rang” meaning “rank” and so probably has more meaning to it than currently implied.
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