#i can't help it i like all the antagonists on this show | Explore Tumblr Posts and Blogs

mirpuzzle · 2 days

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I've been really curious about this, who are your top ten Yu-Gi-Oh characters?

Hello! 🌷 Usually, I only have a few favorites. So, aside from the first three, the rest is constantly changing. I'll try to put them in order (all under the cut).

♡. 10 ── Carly Nagisa (5Ds)

What's not to love about her? She's funny, pretty, and a complete mess of a person. She gets in all sorts of trouble, all because she's trying to make a living. I like it when she gets screen time.

♡. 9 ── Noa Kaiba (DM)

He was my favorite as a kid, so I still have a special place in my heart for him. His story made me cry. He did not deserve that. He only wanted others to understand him. You're valid, Noa.

♡. 8 ── Yusei Fudo (5Ds)

It's rare for me to favor a protagonist. That's how you know he's good. This man is a blessing to Yugioh. He has a natural charisma that's impossible to ignore. He's perfect.

♡. 7 ── Bandit Keith (DM)

...I think. I have mixed feelings toward him. I don't even know why he's on this list. I keep going to him in games where Kotsuzuka is not there. So, that must mean I like him, right? I'm confused.

Cross Duel showed me he can be really nice to you if you help him win. I appreciate how he helps other duelists fortify their decks, using the themes they originally had instead of giving them a completely new deck. He cares.

While there's no excuse for what he did to Kotsuzuka and the boys, the fact that, behind that 'bad guy' front, there's a sad, broken man makes me feel bad for him. He deserves to heal.

♡. 6 ── Ryou Bakura (DM)

The anime doesn't do him justice. The more I learn about him through other fans and Duel Links, the more I like him. He's a precious cream puff who likes spooky stuff and is treated terribly by almost everyone. He deserves better (friends).

♡. 5 ── Divine (5Ds)

This man is terrible in every way, and that's the point. I hate that his character was designed to be hated. He gets no backstory, no redemption arc, no nothing. I pity him. He's the worst. I love this guy.

♡. 4 ── Thief King Bakura (DM)

PLEASE give this guy a break. He has gone through enough.

♡. 3 ── Kiyoshi Takaido & Satake (DM)

They share third place because I can't have one without the other. I automatically started loving them because they're close friends with Kotsuzuka. I like that they care about him. These guys have so much potential to explore, and it's a shame we see so little of them.

They're not 'Keith's lackeys'. They're duelists in their own right. They have ambitions and aspirations. They just didn't get to be in the spotlight.

♡. 2 ── Yami Bakura (DM)

Sometimes switches places with Takaido and Satake but usually stays in second place. He's wickedly perfect. From his gorgeous design to how he pretends everything is part of his plan, even though he's literally dissipating into nothingness. And he has the nerve to make empty threats that he never carries out.

There's something beautiful about this ancient evil spirit dedicating his existence to fulfill his objective - all while showing us that he can enjoy normal human activities, like playing games. The complexity of his character captivates me. You can study him for hours, and it will still take you a while to figure him out due to his confusing lore.

The way he makes others suffer causes me to have mixed feelings. Sure, I love angst. I just wish there were some feelings involved.

Seeing him make enemies with almost everyone he crosses paths with makes me think he wants to keep everyone away, and that's sad. I want him to care about someone other than himself. I want someone to care about him.

♡. 1 ── Ghost Kotsuzuka (DM)

Yes, that one guy who's known for using Zombie-Type monsters. That short, spooky 15-year-old who walks around hunched over pretending to be a ghost, not realizing he's too cute to be scary. That naive boy who trusted the wrong person and then was unlucky enough to cross paths with the main antagonist. He's my favorite.

I love him. The way his eyes light up when he talks about the things he likes is adorable. I could listen to him gush about ghosts for hours.

His character tends to be frustratingly misinterpreted and overlooked. It's sad that some people think of him as nothing more than collateral damage to Yami Bakura's 'mischief'. He deserves better than that.

When you see past his 'side antagonist' role, you realize he's a precious little guy who's trying his best. Behind that ghostly, mischievous smile, there's a lost youth looking for guidance from a 'big bro' figure he can look up to, whether he realizes this or not.

Despite the differences in his characterization between the manga, anime, and games, one thing remains consistent. He grows into someone who wants to prove he can duel by himself.

But what does he get? Nothing but pain. Betrayed, deceived, ending up dead or lost in the darkness, condemned in almost every canon, with only his sentient Duel Links data to remember him by.

He only wanted to duel.

---------------------ꕥ

I'll stop here. Otherwise, I'll be talking about Kotsuzuka for hours. Thank you so much for the ask! ♡ Sorry that it took a while. I was struggling to organize what I wanted to say for some of the characters, and I wanted to add some art :3

Keep in mind that I've only seen Duel Monsters and the first half of 5Ds, so there are many characters I don't know yet.

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starlighz · 3 months

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I just noticed something

Hazbin Hotel has a large main cast.

But they managed it to make me like every single one of them?

Charlie screams naive Disney princess. But she has her own issues to face, she feels anger when lied to and can lose it.

Vaggie is the stormcloud to Charlies sunshine. Overprotective. But her past haunts her and she has to accept it.

Angel Dust seemed like the usual joke character that tells all the sex joke. When he actually deals with so much and copes with it in an unhealthy way and learns to unlearn those because he has reason to live for tomorrow now.

Husk was the standard grumpy character. When in actuality he had everything, was one of the highest. Until he made choices he can't take back and now he's at rock bottom. But that doesn't stop him from helping and listening to others.

Sir Pentious was the joke antagonist, not meant to be taken seriously. But he grew self confidence through those people and proofed that redemption is possible.

Nifty, again, joke side character, who has one motif. But she's not annoying. She always comes at the best of times to protect the people she cares about. Even if it is unintentional.

There were so many theories surrounding Lucifer. And then it was revealed that he is depressed, doesn't know how to actually talk to his daughter, seems to have no idea what actually happens in hell. He is so defeated. But his daughter shows him that there are so many things wirth fighting for and dreams are worthy.

Alastor was a fun character to begin with because he's so mysterious. But now we get bits and pieces of him interacting with other characters, him starting to lose that oh so dear control and it is interesting to see it all break down in those little moments only to fall back into the mask

#hazbin hotel #charlie morningstar #charlie hazbin hotel #vaggie #vaggie hazbin hotel #niffty #niffty hazbin hotel #angel dust #angel dust hazbin hotel #hazbin hotel husk #husk #lucifer #lucifer morningstar #lucifer hazbin hotel #sir pentious #sir pentious hazbin hotel #alastor #alastor hazbin hotel

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eggcats · 29 days

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Radioapple fic, where after it's revealed that Pentious was redeemed, Heaven sends some angels (including some of Lucifer's own family) down to check out this Hazbin Hotel. (common fic theme)

And Lucifer is STRESSED. He hasn't seen any of his family in millennia, and they absolutely did not part on good terms. Especially because now he has to make as good of an impression as he can because he will NOT be the cause of Charlie's dreams failing.

Anyway, one of Lucifer’s estranged family arrives and they have absolutely NOTHING good to say about the hotel, it's people, or even hell itself. Insulting the decor, how it looks, being like "You got kicked out for free will and THIS is what they do with it? Ugh." and the like.

Lucifer is trying to keep himself together for Charlie's sake. (He's only had 3 breakdowns today, he's doing good!)

However, the last thing he expects is Alastor coming to his defense. Alastor looks at this shitty relative of Lucifer’s and is immediately like, "How DARE you? Antagonizing this angel is MY JOB, and I don't send him into hysterics, I send him into MUSICAL NUMBERS. Get out of my hotel immediately." But, obviously, he can't SAY that (for many reasons, the least of which is that Charlie needs them here for her redemption project).

So instead, he just picks at everything they say. "Hmmmmm, yes, but we at least chose to do this with this, free will you're insulting. What's your excuse for that eyesore youre wearing, hmmm?"

Alastor goes as far as to defend Lucifer’s choices in decor in the hotel, and Lucifer is completely confused because he and Alastor literally fought the day before about that SAME decor??

(The second the angel leaves Alastor turns to him and goes "They're right, you know, that is the ugliest interior design I've ever seen," and then DISAPPEARS before Lucifer can even respond. What the hell?!)

Alastor is not ignorant of toxic family dynamics, and while part of his initial issues with Lucifer stemmed from his belief in him being a deadbeat father, actually knowing him kind of changes his thoughts on this. It's a little telling that Charlie has been (apparently) attempting to contact her mother during her 7 year disappearance and has heard nothing, but the father who (she believed) thinks she's a failure shows up within an hour of her calling him ONCE. And then he does whatever he can to help her dreams, and the second she implies she wants him around more, he MOVES IN. It's kind of hard to continue thinking that LUCIFER is the toxic parent in the family dynamic, after all this.

(He still fights him, though, because it's fun to tell the most powerful being in hell his choice of interior design is ugly. If Alastor kind of doesn't go for the throat in all of Lucifer’s insecurities anymore, no one needs to acknowledge that.)

So, during the entire Heaven tour, Alastor is strongly in the "form a united front" boat. He can and WILL come out of the shadows for a sarcastic quip that simultaneously shuts them down AND makes Lucifer feel better.

(Alastor will NOT acknowledge the anger that goes through him at the idea of someone other than him picking at Lucifer, especially when they are CLEARLY trying to send him into a breakdown. How dare they. *cough* Anyway.)

So the whole ordeal winds up not as stressful as Lucifer was dreading, because somehow he has an antagonistic cannibal deer defending him the entire time. And Lucifer has no idea HOW that happened, but it does kind of make him feel better. (And Alastor's form of mocking him does, too, somehow.)

When they're alone, however, Alastor still picks at him so they can fight. (And Lucifer didn't notice until now how much FUN he has fighting with Alastor, and that Alastor insulting him makes him want to do better and prove him wrong, unlike his visiting family that makes him want to lock himself away for a decade.)

The tour ends, and Alastor and Lucifer go back to how they were before. (Sort of. Lucifer might be re-evaluating every interaction they've ever had and might send himself into a mild crisis.)

#hazbin hotel #radioapple #alastor #lucifer morningstar #duckiedeer #hazbin alastor #hazbin lucifer #fic #mine #long post #Alastor seeing someone else making fun of Lucifer: how DARE you thats MY job and youre not even DOING IT RIGHT get out of my hotel now

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here-there-be-bad-dragons · 8 months

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You are allowed to be trans even if you're poor or live in a red state.

No one can stop you.

Yeah, there's twice/four times a year checkups but Estro and spiro are only like 30 bucks a month.

Yeah, sometimes I have to skip for a little while to wait for my next paycheck to afford it but here I am, openly trans and working at a sonic.

Yeah, sometimes I encounter a shitbag coworker, but I'm still here, they can't do shit about it.

Hell I live and work in mississippi and most my coworkers are aware I'm trans and still respect me regardless.

Yeah, I face discrimination, I've been fired at one place when they found out I was transitioning.

That doesn't stop me. I'm out, I go all around town in a jacket with pins that openly state that I am trans and when people express their disgust towards me I tell them that if they don't like seeing me they can either do something about me themselves or they can pluck their eyes out. I'M STILL HERE.

I'll keep being here, and I'll keep showing the closeted people it's okay to be who you are, and I won't stop doing it until someone does something about me themselves.

I refuse to hide just because I'm poor and you don't have to either.

You don't have to be as openly antagonistic towards bigots the way I am but you don't have to hide who you are just because you're poor. You deserve to live a life where you love who and what you are and to hell with anyone saying you're too young or too poor or too old or any of that ignorant shit.

Be you, burn the bigots, burn the rich, and love and help build up the community around you.

#trans #trans rights #trans men #trans women #nonbinary #queer #gender fuckery #poverty

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novantinuum · 4 months

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Steven's Breakdown Was Inevitable From the Very Beginning

I feel like the thing that fucks me up the most about Steven Q. Universe and how well conceived he is as a character is that the fundamental building blocks of why he reached his breaking point in SU: Future were laid out as clear as day in the span of legit only the first four episodes of the original show. The writing was literally always on the wall that future him would struggle with matters of self worth and identity in relationship to the others around him.

Let's take a look:

Gem Glow

"Awesome! What are these things?"

Foundational Trauma #1: Steven's home is always either under threat or actively being wrecked by antagonistic forces/beings, and he constantly copes with this by pushing down his fear in favor of a curiosity and silver linings based mindset.

Look at his initial shock when he opens the door and gets tackled by one of these things, and then his response when one of them spits acid:

The kid's freaked the hell out about all this, and while I do think there's a part of Steven that genuinely IS curious about what these lil critters are, I think he's subconsciously using that curiosity as a way to distract himself from his own fears and anxieties. This is Steven actively learning how to ignore the deeper problems in favor of emoting a facade to the others in his life that he can totally handle himself in scary situations like these.

The underlying reason why is incredibly apparent, when you look at the example from the next episode-

Laser Light Canon

"I don't know what a magic lady like her ever saw in a plain old dope like me..."

Genuinely- from the bottom of my heart- I think the above quote from Greg is a moment where his own insecurities around the Gems actually rubbed off on Steven.

At this point in time, Steven may be living with the Gems... but he hasn't started to harness any of his powers at all, so in his own head he might as well be the same as his dad- another human, just one who happens to have a gem! But the way Greg talks about himself... given Steven was living with him in the van for years before moving in to the beach house, he had to have heard negative self-talk from his dad like this before.

And then there's the rest of the Crystal Gems... always speaking of Rose with such reverence as if she were an all-powerful goddess... and Steven can't help but look back at himself, and his gem that won't work... the gem that the others still identify as Rose's...

"Your gem-! You have Rose's gem!"

And maybe he starts to wonder if- without any working powers- he's just a plain ol' dope like his Dad, too.

"Please work... Unlock! Activate! Go! Please-!! Everyone's counting on you, you can't just be useless!"

Foundational Trauma #2: Steven has Rose's gem, and as such, is constantly living under the silent expectation to live up to a standard that he simply cannot ever hope to achieve, because he doesn't KNOW her and he never will.

I want to highlight one of Steven's expressions while his dad is talking about Rose- look at that sad look. My god, I just wanna hug him. This is the expression of a child who has already come to terms with the fact that his only relationship with his mom is through the rose tinted stories that other people tell him about her.

Cheeseburger Backpack

So. Steven has learned so far that he needs to push down his feelings and emote a false veneer of cheer and bravery even when he's afraid, because the rest of the people in his life have expectations and hopes for him due to the legacy of his parentage and he can't bear the thought of letting them down. (And in a sad way, at this point "letting them down" literally just means... being an ordinary human boy. I believe Steven at this stage of the show is flat out scared to be human, because to be human is to fail at being a Gem, and no amount of love and sacrifice in the name of humanity in the seasons to come could've ever saved him from the fundamental fact that the wedge between him and this whole half of his being was already drawn long before the events of season 1 even started. But I digress.)

Let's see where we go from there. Let's check out Steven's first "mission." Or as Pearl puts it about 35 episodes later, his first "test."

"Yeah... they can't all be winners."

This episode is tinted with a little bit of tragedy for me on rewatch, because I genuinely do think the Gems handled the situation as well as they could've. They were supportive of Steven's successful ploys, and (for the most part) responded with grace when he majorly blundered and left the Goddess Statue at home. The main problem, however, is that Steven has already developed a bit of a complex about impressing the three of them-

Foundational Trauma #3: Even when they claim otherwise, Steven has convinced himself that affection from the Gems is transactional, and that when he messes up he's not truly a part of the Crystal Gems.

Of course we the audience know this isn't true- I mean, hell, Amethyst even said as much in episode one after her slip-up ("and you're fun to have around, even if your gem IS useless!")... that the Crystal Gems wouldn't be the same without him. But Steven... the poor kid is a complicated little guy living a complicated life, and whether they intended it or not, the language used they've used around him thus far has not backed up their attempts at fully embracing him, human parentage and all.

Thus, Steven just spends the entire episode wracked with anxiety trying to find creative non-power using ways to make the mission easier so he can convince them he's useful to have around.

Look how nervous he gets even when all three of them are visibly and vocally supportive of his presence here:

This is the face of a boy who feels like he's under constant judgement and scrutiny from those around him.

Blessedly, viewing this episode in isolation, he experiences a brief moment of mental respite where he finally accepts the Gems' encouragement and agrees that his ideas 'can't all be winners,' but this lesson does not stick for him moving forward. A shame, really.

Together Breakfast

"What's the matter, Steven?" "I wanted us all to have breakfast together, so I made Together Breakfast! But everyone keeps leaving..." "Oh, that's nice..."

Taken in context with what we've learned already in the last three episodes, Steven's desperation to spend quality time with the Gems here and his sadness that they keep leaving him alone doesn't just exist within a vacuum. He spends the whole morning watching them shuffle in and out of the temple, or come back from missions he wasn't invited on, and with the disastrous result of the LAST mission he went on probably fresh in his mind it's not hard to understand why this bothers him.

Foundational Trauma #4: Steven internalizes that the price of "not being useful" is that the Gems actively ignore him, meaning that the only way to guarantee their attention is to work as hard as he can to become a stronger member of the team.

I know this screenshot is usually used as a lighthearted meme, but I wanted to include it because I think it's a good example of how Steven's intense desire to impress permeates every facet of his personality at times. Just LOOK at how desperate he is to make Garnet laugh at his joke, to be the one that's at very least "fun to have around," as Amethyst put it in episode one.

The Gems do eventually drop what they're doing to spend time with Steven by the conclusion of this episode, but this only comes after Steven shows his growing strength and "proves" himself by saving their butts from the breakfast monster.

If he successfully gained their attention in literally any other way he might've come away from this episode with a different lesson, but no. Instead, his fears were proven true- the Gems value strength and utility, and if he's not exhibiting that, then what use is he to them?

These fears of his can be seen weaving throughout the foundational fabric of the entire show, but I think Steven lays out what he sees as his "stakes" in the clearest way possible in the episode 'An Indirect Kiss.'

"But- if I don't have powers, then I can't hang out with Amethyst, or Garnet, o-or Pearl, and- I-I can't go on missions!"

And these same insecurities even rear their ugly head as late as the movie.

"I can't believe this... for the first time in years, everyone's in danger, everybody needs me, and- I'm useless!"

Powers = Utility = Worth = Other's love, for Steven. Everything is transactional to the end, which is a hilarious double standard he's set for himself when he's made his reputation as the kid who always listens and encourages and gives others a chance to change, no matter their messy history with him.

So let's recap and restate those foundational traumas from Steven's perspective.

One: The only way to cope when your life is constantly under threat is to bury the damage and pretend to be fine.

Two: Everyone expects you to live up to the standards of someone you're not.

Three: The Gems only love you when you're of use to them.

Four: If you ever stop being useful, the Gems won't want anything more to do with you.

In sum, Steven's habit of burying his feelings for the benefit of others was there from the very beginning, not just since 'The Test.'

Those unreachable standards he felt so daunted and intimidated by all his life were the ones set by Rose, at first... but over the course of the series, the dynamic of this shifted. As Rose's influence fell into the background, Steven's rose into the front. And so it's with great irony that- by the time of Steven Universe: Future, the expectations this exhausted, worn down teenager is fighting to once again achieve are the ones HE set for himself. Many of young Steven's selfless actions during the war are quite admirable when analyzed in isolation, but almost none of them are sustainable. He set himself on fire just to save the world, but teen Steven is genuinely unable to see this for what it is yet- as a tragic sacrifice of his own childhood. You can't burn your own ends for others forever, not at all. His breakdown was simply inevitable.

When it comes to the interconnected beliefs three and four, these are exactly why the ultimate confrontation at the end of I Am My Monster HAD to be one fueled by selfless love. Steven is at his absolute lowest at this point- he's everything he fears he's become, trapped in a form that's nearly incapable of reason. He's big and angry and spiky because that's a part of the facade- because a part of him WANTS to scare the Gems away, wants to be left alone forever, believing this the fate he deserves as price for his misdeeds.

In this form, by his own definitions he is NOT useful to the Crystal Gems at all.

But they don't care.

Because it never WAS about Steven's 'usefulness' to them, they simply love him for being Steven.

With this in mind, the conclusion of Steven Universe: Future wasn't just a salve to teen Steven's immediate struggles, it was a salve to the foundational insecurities that have been plaguing him his entire life.

And hopefully... from this point on... his family's shows of love and encouragement will be enough to finally convince Steven that he's more than worth their time...

No matter what path the future leads him on, and no matter what form he takes.

#su #su future #steven universe #su meta #my post stuff

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periwinkla · 2 months

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I think what I love the most about AA is that characters have a duality to them that I don't see often in media. They have actual flaws and do actual bad things, and it's not glossed over. Phoenix is a fundamentally good person, he helps people at the drop of a hat, risks his life for them. Has a penchant for taking strays under his wing. He believes in people... but also not really. He carries a literal lie detector with him at all times, and only employs people who can also peer into other people's hearts. So is he really that trusting? Sure he trusts his clients are innocent, but he doesn't trust they will tell him the truth at all (there's always something to lie about). He believes himself naive, and that's why he works extra hard not to be. Some people think he changed with his disbarment but I feel like when he actually changed was after Dahlia. He became less and less trusting as time went on. And Phoenix actually does forge evidence and risks his subordinate's career, and he says pretty nasty things sometimes (that one time to Edgeworth had got to hurt, badly, especially if you consider that the note could have been genuine at first, which we don't know for sure), has a pretty tactless and somewhat hurtful sense of humor, brings his daughter to cheat at poker, and doesn't tell said daughter she actually has some family left alive. He's secretive, elusive and cryptic, and masks it under a false pretence of goofiness. Miles is, by contrast, very easy to read. He may appear emotionally stunted but is one of the more emphathetic characters. He realizes when he's wrong and immediately needs to correct those wrongs. He grows uneasy and uncertain and eventually recognizes when he's mistaken. By the end of it he begins to help people naturally, without even thinking about it as much as he would have in the past. He helps so many people, he has basically got Phoenix's savior complex 2.0 but the healthy kind where he doesn't jump off a bridge. But... he was also actually cruel, and did send innocent people to their graves (was he really so naive to believe whichever defendant came his way was guilty?). He feigned his death disregarding other people's feelings, and while you could say he had no obligation towards Phoenix (apart from basic decency and respect towards someone who had turned his life around to save him), he still abandoned Franziska, who was still just a kid and had just discovered her father was a psychopath. She probably thought, at some point, that the apple didn't fall that far from the tree. That's it's somehow her fault as well. He may be rude and antagonistic, frank to a fault. Isn't afraid of telling stuff to your face. But he also cares about the people he loves so much, to the point he doesn't hesitate to risk his career and break the law multiple times. He may appear a pessimist but he's pretty idealistic at heart, it's quite funny that his favourite show is about an hero of justice, isn't it? Godot is... well, we don't know much about it from before his coma, but he definitely shared Mia's sentiments for helping people in their hour of need. But when he wakes from a 6-year coma he's so broken that he just pins the blame on the most absurd person to blame it on, settles on a complicated plan, and also prosecutes on that particular murder he should just confess upon. Iris was sweet, innocent, self-sacrificing. She knew absolutely nothing about the world apart from what Bikini or her sister told her. She was naive and falsely thought she could fix everything, that her sister was salvageable, that she could save Phoenix. But she still ended up lying to the person she loved and abetting a murder. That's why I love these characters so much. They're interesting and their stories make sense. People don't remain unchanged from what happens to them. People are multi-faceted and complex. You can't sum them up in a bunch of characteristics and aspect them to act on every single one of them, always, consistently. Sometimes people break. They make mistakes they regret, ...and some they don't.

#ace attorney #musings #aa musings

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avelera · 2 years

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Some critical rules for writing coherent genre fiction, courtesy of my writing teacher, who is very wise. I don't pretend to have mastered all of these, but their application can do wonders for a story, their lack can cripple it:

Employ the causal chain - every action must be connected to what comes before and after. Each action and beat needs to have impact. They don't all need to be shown but the author needs to know what they are. It is impossible to build suspense without this principle. Things can't happen "just because" or there's no reason for the audience to become engaged with your sequence of events or do things like make predictions. All subsequent rules follow from this principle.

When showing a new type of fictional magic or science, you must show it work before you can show it break. For example, if a character has the ability to summon objects into their hand, we need to see them do so successfully and see how it works, before we see it break at a critical moment during the climax. Otherwise, the audience can't be expected to follow why this situation is unusual because they don't know how it works during normal circumstances.

When claiming a character is good at something, you must show them succeeding at it before you show them failing at it during a moment of pressure. Otherwise, we don't believe you when you establish your character's competence or badassery. For example, when saying your character is an excellent military commander, we need to see them win a fight using those skills and tactics. We can't open with a fight they lose, or else the character and author lose credibility. By all means, show the experienced hero/military leader/ruler/assassin/mage etc break down during a moment of intense pressure, fall down sobbing in terror at a truly insurmountable foe, or otherwise fail to meet the moment, but don't do this before we've seen them succeed at least once, or the moment loses impact.

During the build-up of tension, coincidences should hurt the hero and help the antagonist. This plays into the causal chain rule. Coincidences that help the hero feel cheap. Coincidences that help the villain raise the tension.

Every beat, whenever possible, should be connected to conscious action by central characters (hero, love interest, or villain). The more events are connected to purposeful action by key characters, the more satisfying the causal chain for the reader.

Avoid things that happen "just because" whenever possible. You can have one or two, sure, but the more often things happen "just because" the less interesting the story is, especially if those "just because" moments are core to the story. Fiction is not real life. Audiences are drawn to stories where purposeful actions dictate the success or failure of the characters.

#writing #writing advice #maggie rambles

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aratedfreyjablog · 2 months

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Relationship between Lucifer and Michael + Theory on "God's" Disappearance

PB did a fantastic job with the new event where not only did they drop more lore but also emphasize no side is a complete antagonist/"bad guy". Up to before this event, the angels have continued to set up as petty and villainous being that only wishes to be the eyes of "God". The event shows that isn't really the case when revealing the relationship between Lucifer and the seraphims.

In fact, I can't help but really pity the angels and their relationship with Lucifer. Especially with Michael, it's obvious that he really does love Lucifer in an extremely twisted way. He never once faults Lucifer for anything he does and, instead, blames and kills those around him to be the cause for any actions Lucifer takes that Michael disagrees with/ "goes against 'God's' will". Heck, despite Lucifer being the one to have pulled one of his eyes out as a way to save the remaining two dragons (Gamigin and Serenade), Michael does everything in his power to find Lucifer and tries to bring him back to Heaven from Hell. He still calls him "hyung", which in both KRN and JPN, a guy calling another guy who's older than himself whether being blood-related or not "hyung", "aniki", and so forth is interpreted as being extremely affectionate and close with the other party. He also doesn't frown or get angry at him but smiles and flushes in Lucifer's presence.

The part that makes all of this ever more tragic is that the love between Lucifer, Michael, and the rest of the seraphims is mutual. Lucifer doesn't come to hate them but shows desire for them to realize what they're doing is wrong. It ranges from Lucifer saying to Michael his desires outright to having Michael be the only surviving angel to go to Heaven while killing the rest that were brought down to Hell. He really could've killed Michael and in the event, it was mentioned how Lucifer had felt when addressing Michael was fury and "child-like affection". Not once was the word resentment or hatred used, rather his feeling of resentment/hatred seemed to be targeted toward himself and had caused him to lose his mentality.

This leads to Michael's final action of not knowing how to react or what to do and instead, choose to fly back to Heaven. Before the event, Michael and the other 2 seraphims were portrayed as those that were fanatic purely towards "God" alone and would destroy everything for the sake of "God". So, it wouldn't be surprising and perhaps, event expected, that Michael would at least call Lucifer a traitor and swear he would be the one to take his life. The new event, however, definitely showed that's not the case and the seraphims are capable of being affectionate towards others as Michael ends up crying and leave without a word, seemingly from heart break.

All of this makes me think what Lucifer and the angels had was like the relationship between "God" and the angels. Both loved each other yet even "God" had reached his limit with the amount of atrocities the angels were committing for "his sake". I want to think it's because how precious the angels were to him as were the rest of the races he created that "God" wasn't able to have the heart to actually discipline them. And since he didn't want to lay his hands on them, this issue had become one of the reasons as to why he disappeared along with the possibility of wanting to be with Solomon - to punish them and have them realize the crimes they have committed. Nothing is confirmed and we have to wait for more information to drop but if this ends up being confirmed, it's obvious it only served to worsen the angels behavior.

There's a ton of questions still left that makes future content from PB more looking forwards to! Especially with lore behind the demons that are older than the seven kings as Lucifer ended up being "newest" and seventh king of Hell but is called the oldest from the previous event featuring Orias + Og!Gamigin was the one that found Drago!Gamigin and gave his entire being for the other's survival on top of the already existence hints with Gusion and Satan being king before Lucifer.

#whb #what in hell is bad #maple ramble #whb spoilers #whb lucifer #whb michael

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warningsine · 7 months

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Notice how Helena uses "I" instead of "she" and how Milchik gives her the soft sell.

Combine this with:

her embarrassed "My dad forced me to recite the 9 rules as a child and I did not like it then" admission in front of a camera.

James basically thanking her for risking her life for the company and lying about it. He "cried" about the suicide attempt, and yet he didn't even contact his daughter, since he's telling her this now at the gala as an aside to the event. In terms of family emergency time? Too fucking late. Is this the only time Helena's seen him since then? Not to mention how he didn't want to take responsibility and blamed it all on his daughter's alter ego.

And you'll get a more nuanced interpretation than the "Helena pure corporate evil, Helly R. good rebel" binary one.

Despite doing that cruel "I'm a person, you're not" presentation and being determined to see the process through even after Helly tries to commit suicide, there's some part of Helena that must know that this is messed up.

Sure, she's complicit and not a hapless victim, but she's also a product of her upbringing. Stripping her of her privilege, heritage, cult-like brainwashing/indoctrination and Shiv Roy-like desperation to win her dad's approval gives you Helly.

They are the same person under different circumstances.

There are no contradictions between the fundamental makeup of her innie and outie.

The version of herself Helena brings inside Lumon questions everything and demands accommodation and answers, because she is used to getting what she wants as a privileged woman.

What changes her is the different context she's given.

Helena is a wealthy and powerful woman who gets what she wants; Helly is a powerless woman who is often being tortured. It makes sense that her traits—stubborness and determination among others—and the fundamental sense of "I deserve to get what I want" are present in Helly.

But also make no mistake: they're both prisoners. Helly in a more literal sense, Helena in a figurative one—a prisoner in her family and the role that was imposed on her.

A willing participant that benefits from a controlling system is not free from the harm or influence of it. Acknowledging Helena's abusive circumstances doesn't take away from her as an antagonist, it makes her story more compelling.

Helena's self-serving qualities are more a matter of nurture than nature, because Helly shows caring and compassion as well as rebellion and independence. Helly is like a very young version of Helena.

All of the outies' emotions leak through to some extent.

Helly's "Well, that's a given for me [that I'm an asshole out there]" is a pretty safe assumption to make based on Helena's video, but it also oozes self-loathing. Helena taking it out on Helly does too.

Ultimately, I think this happens on a figurative level to a lot of people who undergo an—emotionally in this case— abusive upbringing. Rejecting their most vulnerable parts and imprisoning them. It's a survival mechanism, and helps them feel like they have more control over their out of control personal life. But, in a way, it makes them more out of control once they get into the real world.

Their inner, imprisoned parts find ways to make it so they can't ignore them. We definitely saw that with Helly threatening to mutilate herself and attempting suicide.

There are consequences to denying and imprisoning any part of ourselves over the long term.

#severance #helena eagan #coherence and cohesion? -10/10. i don't know them. oh well here's to the feels.

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bethanydelleman · 6 months

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Writing Villains (Advice from Jane Austen)

One of the reasons that I find Jane Austen's novels so wonderful is that they have amazingly realistic villains, some that are fully fleshed out characters. Austen's biggest strength is that she gives her villains clear, logical motives. In fact, for many of her villainous characters you can turn the entire story around and see a rational story from the other side.

For example, Lucy Steele. She doesn't attack Elinor out of mindless evil, but because Edward Ferrars is her golden ticket to wealth and she knows that Edward loves Elinor. Lucy might twist the knife a little on Elinor out of sadism, but generally she attacks Elinor in an attempt to secure Edward. When it comes to other characters, Lucy is overly sweet if she wants something from them, otherwise she acts normally. As an example, she leaves Marianne alone because Marianne is not competing for Edward and also can't do anything for Lucy. Anne, Lucy's sister, likes her. Lucy has friends and family she stays with, she's a fairly well-rounded person.

You can put yourself in Lucy's shoes, you can turn the entire narrative on it's head and play it out from her perspective and it would make complete sense. You could even make Lucy sympathetic! She probably sees herself as a hardworking underdog, trying to wrest her one chance at prosperity away from the conniving Elinor Dashwood. I'm sure she thinks the pain she causes Elinor is justified.

If you can't do that with your villains, then there is a good chance they are just evil for evil's sake. I picked Lucy Steele on purpose because I hate when the entire motivation for a antagonist female character is "bitches be crazy". Bitches may be mean, but almost always for a good reason.

Even Mrs. Norris, who is probably the most cruel of Austen's female villains, can be perspective switched. Her life is about being useful to the Bertram family so she can feel important because her married status/wealth is lower than she wished. As she must always be deferential towards the Bertrams, she takes out her negative emotions on those below her, the servants and Fanny, while also showing off how good she is at "managing" those people. (And yes, she is your childhood bully)

We often hear her perspective and she clearly sees herself as a useful part of the family and a defender of Sir Thomas's wealth. She thinks she's a good person! Which is also an important point: most people doing wrong do not believe that they are doing wrong. That is what really makes a villain scary. Mrs. Norris thinks she's helping Fanny in a very twisted way by teaching Fanny her station in life. If you asked her, she'd give you a self-justified answer and she'd probably actually believe it.

Another way to do a good villain is to just make a person very selfish. Henry Crawford doesn't sit around all day laughing about how much pain he causes women, he doesn't think about it. He only thinks about the fun of flirting for himself, not the harm to others. The glimpses we get into her perspective are not cruel at all. It's the same with Willougby, he thinks only of his own pleasure and tries very hard to ignore that he has crushed Marianne and destroyed Eliza Williams. When he is forced to accept that people were hurt, he blames everyone but himself.

Wickham thinks that he's a victim, Caroline Bingley is ambitious and doesn't care who she steps on to get to the top, Mr. Elton is insulted that Emma could even dream he's a match with Harriet but he can't touch Emma so he punches down at Harriet. They all make sense, they all probably believe that their actions are justified.

Also, imagine taking the heroine/hero right out of the story, would the villain still act the same way? If Anne didn't exist, Mr. Elliot would still try to bring himself into the Elliot family because he was afraid of losing the title. If Elizabeth didn't exist, Wickham would have had another favourite in Meryton. If Fanny didn't exist, Mrs. Norris would have found some other puppy to kick. The villains don't just appear for the plot of the main characters, they have their own reasons for moving around and messing shit up.

Lastly, explaining but not excusing (though unfortunately some people will excuse anyway but that's not your fault). Mary Crawford is mercenary and doesn't seem to believe that love is even a real thing. It's pointed out several times in the novel that her defects have to do with being raised in an immoral environment and a broken home. She was taught by her aunt to marry for wealth and disregard love. Austen doesn't excuse Mary, she doesn't give her a happy ending, but she does explain how she came to be. She's not just greedy, she has been taught that wealth is the best recipe for happiness. As an adult now, it is her responsibility to question that maxim or remain a villain.

Austen wrote amazing morally grey characters and "villains" (a term I used a little liberally here, some of them probably only count as antagonists, not full blown villains). I love how real and human she made her characters, it's something I aspire to myself!

Linking my Caroline rant because it's related, people remove her motives so often and flatten her into a "bitches be crazy".

#jane austen #villains #avoiding “bitches be crazy”#Lucy steele #mrs. norris #mansfield park #sense and sensibility #henry crawford #mary crawford

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roz-ani · 3 months

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One issue I don't quite get and want to briefly comment on is the idea that Alastor has to be either an old-school villain who's just evil for the sake of being evil, or more of an antagonist with actual depth, emotions, and traumatic backstory to explain his actions, letting the audience relate to him. I think we're going to extremes here. We don't have to go, "Oh, I understand why he would do that". The main goal is for us to say, "Oh, so that's his deal".

While we don't know exactly what Alstor's deal is, what the exact terms of his contract are etc., he is, without a doubt, the most complex character in the show. He's in a unique position since he technically helps Charlie achieve her goal, but it's obvious he's in it for selfish reasons, with some grander scheme going on behind the scenes. May he eventually be the one the main cast will have to fight at some point? Sure. Would it be even more fun because he is a part of the said cast? Absolutely.

Let's get one thing straight: Alastor is evil. He's in Hell for a good reason. He's a cannibal and a serial killer. And I know we can absolutely forgive characters for doing the absolute worst, but he is not a good person. And yes, you can like (and simp for) evil characters. (If you think being a fan of intriguing fictional creations makes you a terrible person, you need to get off twitter and tiktok to actually interact with real people.) At the same time, the finale of season 1 simply made it clear that Al does have depth, and that he's going to be a three-dimensional character. Not that his actions are going to be suddenly justified.

But why can't we explore evil characters while enjoying them and letting them be evil? We can. Alastor started his carnage in Hell before making his deal, so it's not the main reason behind his less-than-questionable actions. For now, he's looking for freedom so he can (re)gain power and be in control again. At the same time, he is growing attached to the other characters. I highly doubt he'll be redeemed; we'll just learn more about him, his backstory, and his goals.

Can you even call Al an antagonist? If you ask me, he's more of an anti-hero. Heck, do we know who he is? Not really, and that's the point. He's one of the main characters, but he makes himself separate in both the story and the writing. He's a wild card.

We don't know what's coming for the Radio Demon in season 2. The first one established that there's more to him and that he started growing fond of the other characters, while the finale made Al realise it almost got him killed. He was humiliated and it reminded him even more that he's still under someone else's control. At least, that's how I see it. Alastor may become more sinister as the story progresses, and as he's getting more and more desperate to free himself of the contract. AT THE SAME TIME, he did come back to the Hotel with a smile and consent for a group hug, so it's not like he's going to blow it up in the first episode. He's not against the Hotel itself. He's doing his own thing, knowing that the titular establishment is an inherent part of his story. All paths lead to the Hazbin Hotel. My guess is that he will simply become more active.

Alastor is already a three-dimensional character; there is no doubt about that. But it's not like he's getting reckoned here. I don't really understand where this notion of our Radio Demon being an old-school villain came from in the first place. He's always been a mystery. Okay, maybe in the pilot it was not so clear-cut, and I'll admit, it would be fun to just see the Radio Demon as a powerful entity overlooking the hotel for his own pleasure. Turning him into a villain later on? Meh, depends on what would happen in the story if that were the case. Watching Jack Horner in "Puss in Boots", reminded me how much I missed villains that were not an initial antagonist's evil-incarnate-superior. However, it was quite quickly established that there is more to Alastor. He would have to appear pretty rarely to not go through any character arc in a show with such an ambitious storyline as Hazbin Hotel (and what a delightful character would we lose if that was the direction the writing team would have taken?). I would mention the pacing actually harming that development, but it's clear this is the show's biggest problem, and we just have to take things for granted.

If anything, Alastor is being restrained from being purely evil. To me, he's a combination of both of the character types I mentioned at the beginning, leaning more toward the well-developed anti-hero. Just let evil characters be evil and three-dimensional.

#alastor #hazbin hotel #hazbin hotel spoilers #roz writes #mine

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poisonheiress · 6 months

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Vivziepop's ability to decay any women and fem-aligned characters she creates has always haunted Helluva Boss, and as a result, limits them to being one dimensional characters that fall into a "with them or against them" mentality when it comes to her male characters; they only exists to prop up other (male) characters or to serve as morally bankrupt villains.

From Verosika to Stella to Loona and Millie, this trend is clear from the beginning of the show and likely will follow it to the end. However, for this post I will discuss the recent victims of this trend: the lovely Glitz and Glam.

To be honest, I adore Glitz and Glam (to the point of writing fan fiction for them) and they have become my favorite characters in the entire show so this discussion will show some bias towards them. While some may say its too early for this call as they will be seen again, but from what I've seen on twitter from fans and even creators of their song alike, I do not have the hope this will occur.

From the beginning, Glitz and Glam are looked down on for their desire to win and for doing anything they can to get that position. When confronted with Fizz's kind words of support, they look down on him and further emphasize how they are going to win against him even gaining the title of "snatches" and "sluts" by Blitzo. From this moment forward, its clear the narrative doesn't want us to look kindly upon the sisters. After all, they are being "bitches" to Fizzarolli and competing against him in a manner that pushes him further and further into a breakdown. The fact that Fizz's relationship with Mammon and self esteem issues are not their fault is shown as irrelevant to both the audience and their creators.

This isn't made better by their song writers' commentary on twitter on how the glam sisters are perverting the true nature of clowning and that their song shows how they are simply wanting to get Mammon's attention by feeding into the financial and sexual exploitation (even saying that they want this to happen). This commentary solidifies the idea that they are not someone we should root for especially since they are allying themselves with Mammon, a horrific, abusive asshole.

While I expect this level of dismissal and honestly misogynistic writing from Helluva boss, I can't help but be extremely agitated by it and the reason why was made clear recently: the narrative acts as if the Glam sisters are doing this for out of selfish desire alone, as if they are terrorizing Fizz for no good reason. But that's simply not true, and even Vivzie's canon supports me here.

The Glam sisters are hellborn demons, only one rank higher than the imps. This means that while they may be treated better, they still are not treated as full citizens like sinners are, and in a dog eat dog world like Hell, kindness is not something they can afford.

Getting this position with Mammon is a life changing deal, something Fizz is proof of. Yes, it is as exploitative as it is lucrative for the individual, but this is Hell (as Vivzie likes to claim) and opportunities like this are something many would die and kill for.

So at the end of the day, I cannot help but be confused why the narrative punishes and looks down on Glitz and Glam for taking some crumb of control back from the system and accepting their objectification with open arms as long as they are rightly compensated for it. Why does even their (albeit catchy) song look down on them for doing whatever it takes to survive in Hell? After all, they would be exploited anyway, right? It's what Hell lives on.

In a class system like Vivzie claims to have, the glam sisters are a prime example of the kind of oppressed vs oppressed the system creates, but instead of trying to understand them or even see them as morally complex, they are simply the slutty female antagonists who are corrupting the sanctity of hell clowns simply because they don't clown for the sake of clowning. Whatever complexity they could have, even if it is beneficial to the entirety of the show, is worthless compared to their narrative propping for Vivzie's favored characters. But it doesn't surprise me. After all, what else is a women is Helluva Boss good for if not to support the main male cast.

#helluva boss critical #helluva boss criticism #helluva boss glitz and glam #If there are no Glitz and Glam defenders left then I am dead #please ask me about my glitz and glam things #i will even write an x reader #I will write so many things just ask please #helluva boss season 2 #helluva boss #vivziepop criticism #vivziepop critical #fizzarolli

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happypotato48 · 5 days

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Wandee Goodday EP 1 Unhinged Tangent Thoughts

God damn it Viu why no sub. i need that thing for making this kind of post better. help a nong out here, i'm too lazy to transelate and making cringy jokes at the same time.

Here we go! first episode of the horny boxer-doctor Sexy BL. could Yor-Yak's BIG Dick save our cringe fail Doctor Wandee from life of sexual repression? of course its can, BL dicks are magic like that!

Get it? wandee mean good day, horny double meaning message, me likey.

Ace rep woo woo! also how dare you besmirch ตาคิ้วหนา drake's eyebrows like that. those eyebrows are thai national treasure. it's the sexiest human features that ever grace us on thai television. is this why he haven't been cast as a lead in ages cause if that is the case then i'm willing to commit light ar$on at gmmtv hq for eyebr... i mean drake.

Ok that's good. they made being a doctor something relevant in the show. cause book wandee definitely seem like he doesn't care about being a doctor at all.

Cher can you teach me your game, เค้าอยากได้ผัวแบบนี้อ่าาาา.

Oh, Okay i get it, if someone this pretty did this to me i'd probably followed him around like lost puppy for 8 years too.

That's hot. god i really want a man who looks like they could beat me up.

YES! more eyebrowns fanservice. thank you show.

"Oh queer yoda bless us with your elder queer wisdom, us dumb twinks are too dumb and too horny to survived in this harsh society."

Money over dick, my kind of girl, loved her already.

Boy you didn't listen to a word he says, you're such a embarrassment for our people. thank fucking gay god i'm tired of perfect homos in BL already. let them be cringe let them be dumb and let them be failure of a human being, This is the representation i want!

Kao is the best of boy. he didn't even tried to stop his friend from embarrassing himself and even joined in the debasement. this is a friendship that would last a life time.

"whatta man whatta man whatta mighty good man"

Yas boy work it! and by work it i mean you need to work on your seduction face, cause idk wtf is going on here but i never been so turn off by a pretty face like this my entire life.

This is a face of a man who had seens all kind of crazy shits from life time of working night shift in a convenient store. i laughed so hard that he didn't faze at all by the whole situation 🤣

Thank you show for putting this man where he belongs. cause someone else's trash is someone's treasure and Yak is about to pick up the best trashsure he'll ever have.

Is this real do people get cramp when they have sex??? god i really need to sex ed myself. ข่วยไม่ได้นิเค้ายังจิ้นอยู่นี้นา >.>

Fine! i'll watch the eclipse.

This show is indeed Zab. i liked that the show fleshed out a lot of minor characters in the book cause Taemrak and Pakao characterization in the book was non existent. i also liked that they changed yak and dee first impression of each other to be more antagonistic. it like putting on a little spice in their dynamic, and i can't wait for more heat from the show.

#wandee goodday #thai bl #bl drama #dumb boy unhinged thoughts #wandee goodday the series

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mymanyfandomramblings · 7 months

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When Ford popped out of the portal, and Stan described him as 'the Author of the Journals--my brother', Dipper and Mabel heard different parts of that sentence, and that set the tone for the remainder of season two.

For Dipper, Ford is his great-uncle, but more importantly, Ford is the author of the journals. The author of the journal that Dipper has been borderline-unhealthily obsessed with all summer. Ford is a mysterious, all-knowing figure who Dipper has built up in his head, and he can do no wrong as far as Dipper is concerned, at least at first. As far as Dipper is concerned, the rift between his grunkles doesn't concern him much. This is, of course, partially because Dipper didn't overhear Stan and Ford's conversation in which Ford threatened to throw Stan out at the end of summer, but honestly, it was mostly because the author of the journals was in the house, and honestly, given Dipper's obsession with finding the author, it's not surprising. Also, Dipper was likely less concerned with whatever feud Stan and Ford have with one another, as he himself frequently feels that Stan doesn't understand him or like him as much as Mabel, and Dipper is just so genuinely happy to have someone who gets him in the house that it just wasn't worrying him.

Mabel, meanwhile, while she might have been slightly intrigued by the author of the journals business, by this point in the season she's seen her own and her brother's lives endangered by her brother's journal fixation enough times that she's probably utterly sick and tired of them. What she cares about, however, is that Ford is Stan's brother. Mabel, of course, has a brother herself, and so she understands the kind of sibling affection that leads you to ignore repeated warnings and endanger the fabric of reality in order to save them. But wait...her new great-uncle seems to resent Stan's efforts to help him, and is now threatening to throw her beloved grunkle out of the house. This isn't how it's supposed to be at all. Mabel at this point can't possibly imagine that close siblings, especially not twins, could grow apart to the point where they resent one another and view each other as antagonists. And of course, as the show points out, this starts Mabel wondering if the same thing would happen to her, if she and Dipper could one day fall apart the way her grunkles did. This is of course exacerbated for her in their first really meaningful interaction with Ford, during DD&MD, where the grunkles unwittingly pit the twins against one another in their own argument, and without meaning to, the exact idea that Mabel fears arises in the subtext, the idea that she's not clever enough to understand what they're doing and that she (and Stan) are less mature than Dipper and Ford, thus serving to highlight exactly what Mabel fears most: that Dipper is going to leave her because she can't keep up, just like Ford did.

All this has probably been said before, but I just think that it's interesting, that the root of the Ford-surrounding conflict in S2B can be traced back to the difference between how Dipper and Mabel perceive him, and that difference can be traced right back to Ford's introduction.

The Author Of The Journals--My brother.

#gravity falls #mabel pines #dipper pines #stan pines #ford pines #my ramblings

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shenanigans-and-imagines · 5 months

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I Keep Thinking About a Gale x Ace!Tav x Astarion AU

It makes no damn sense. Compels me though.

Let me be clear, this would be an AU and not a continuation of the “canon” I’ve established with Ace!Tav. It’s just not how I picture their story playing out. All the same, I keep circling back to this in my brain. Call it a thought experiment.

I’m probably not going to write a full fic for it. So, if anybody wants to take this general idea and run with it, feel free. Just give me a shoutout. Or if you guys are curious about this AU drop me an ask and I’ll answer with some rambles.

Speaking of, shoutout to @leighsartworks216 for letting me ramble to them about it.

Astarion x Ace!Tav Masterlist (for reference)

Cards on the table, none of these people are ready for a poly relationship

Gale is explicitly monogamous and ties sex and romantic love intimately together. Astarion is still dealing with the idea of being enough and just ✨the trauma✨ . Meanwhile Tav has their own abandonment issues and is just waiting for Astarion to get bored and leave. And yet! This disaster trio won’t leave me alone.

So this whole thing gets started when Astarion approaches Tav about wanting to experiment with sex again

He knows Tav isn't interested in sex and doesn't want to make them feel pressured into having it just to please him, so they talk about opening up in the relationship

Tav is hesitant about it, but also doesn't want this to be the reason Astarion leaves and so agrees

They convince themselves that if Astarion wants to have a one night stand, it’s fine; so long as he’s not seeking out his emotional needs with other people then there’s no risk of him wanting to end things; this is, of course, a terrible way to handle it

So, with that hanging over their heads they reconnect with Gale over some quest (maybe getting a magical item to allow Astarion to walk in the sun)

Gale has been teaching and while happy is admittedly still a bit lonely so is grateful to see his friends again

Gale and Tav always had a close relationship, but seeing them again does stir up some of those old feelings he'd let lie because, you know, the Absolute (headcanon here for further details)

Gale internally berates himself for this because he 1) knows Tav is ace and therefor not interested in a sexual relationship which is something he prioritizes when it comes to romance and 2) Tav is clearly still in a loving relationship with Astarion, so he's not going to be the asshole to get in the middle of all that

He tells himself it’s just the loneliness talking and pushes that shit down

So, he starts getting closer to Astarion who, while still a bit of a rogue, has mellowed a bit and worked on some of his more selfish instincts

Honestly, having the opportunity to see how much Astarion is devoted to Tav increases his opinion of the man

He and Astarion’s relationship is still antagonistic, but much more playful than before

This culminated in a moment when Astarion and Tav are checking in on each other after a trap goes off

Astarion pulls them close a moment kissing Tav on the temple once it’s clear they’re fine

Gale watches this interaction, his stomach twisting with familiar jealousy, but pauses as his mind screeches to a halt realizing “wait, am I jealous of Astarion or Tav?"

Meanwhile Astarion is a bit surprised at Gale being more friendly with him, but he can't say he's complaining. He knows Tav missed him, and while he had his own jealousies early in the relationship, he's since moved passed it. Gale was the one to help him ultimately get together with Tav after all.

He makes more of an effort to get to know the wizard one on one and finds himself looking more and more

There is something oddly endearing when he rambles

Gods he really is a powerful wizard (connotation: scared and horny)

Did his robes always show off his chest hair like that

He really does make Tav happy

Until one morning he's laying in bed and snaps up enraged with himself like, "GALE?! OF ALL THE PEOPLE YOU CAN FEEL COMPELLED TO FUCK. FUCKING GALE?!?!?!?!"

Full existential crisis

Yes, they said opening the relationship, but he knows how nervous Tav feels about it. They’ve told him about their past relationships and how so many of them fell apart when the topic of sex came up

But he also knows he can’t do a one night stand; he needs to trust the person he’s having sex with, he wants it to mean something

He knows Gale and he knows it would mean something with him

He also knows Gale’s opinion on monogamy; would he force him to choose between him and Tav? Would Gale even want to be with him? Astarion knows Gale used to feel deeply for Tav

And what if it ends badly? Gale is Tav’s friend, his friend. Fuck, this can’t be happening

Meanwhile Tav is reconnecting with Gale and is like, “Gods I did miss him…oh wait I like *missed* him, missed him”. But pushes that shit down because, again, in a very loving relationship with Astarion which they won’t risk for anything and 2) Gale has made it clear that sex is something he values in a relationship as a form of intimacy.

They knew they couldn’t give him that then and they can’t now

Tav is also starting to notice how Astarion is looking at Gale

They’re much more in tune with his emotions and can see he’s interested

Tav starts to feel jealous and then feels guilty for doing so because they said opening the relationship was fine

Gale is wonderful. They know he’d treat Astarion the way he deserves. They could hardly blame Astarion for ultimately choosing him

They knew deep down they were just a stepping stone on Astarion’s road to recovery. If he can be with someone who can give him so much love and sex, why would he need them?

It also doesn’t help that as they start noticing Astarion looking at Gale, they see Gale looking right back

They do feel deeply for Gale, but know his thoughts on monogamy

Besides, they turned him down before, they can’t expect Gale to have held onto those feelings

So they start to slowly distance themselves from both men, resolving that if Astarion approaches them about it, they’re not going to stand in his way.

This course of action causes all of them to start driving themselves crazy in their own heads

Astarion is scrambling because they can sense Tav pulling away and is desperate to figure out what’s wrong, but Tav won’t tell them anything

Gale can see it too and so is pushing down all of his emotions because “Tav I know you love Astarion and Astarion loves you, so what’s going on”

Tav can’t confide in him either so they just don’t say anything

This leaves Astarion and Gale to start confiding in each other more because what’s going on?

Finally Astarion spills everything to Gale, he and Tav opening their relationship, his fears about them leaving, and becuase he’s got a good idea why they’re pulling away

Gale is admittedly a bit obtuse about it which prompts Astarion to grab him by the front of the robes and start kissing him

Gale respond enthusiastically and the two of them start making out. But before it goes any further their brains catch up with them and they stop, both knowing that they need to talk to Tav

So they approach Tav and Tav’s like, “yeah, it’s fine, can’t say I’m surprised, neither of you are exactly subtle. It’s fine. I’ll take this as my queue to go then.”

Astarion then jumps in like, “wait, no, who said anything about leaving”.

Tav tries to convince him that it’s fine, that they’re happy for him, really. They can’t begrudge him for wanting more and he shouldn’t feel compelled to stay with them.

Astarion’s brain is reeling from this because are you actually kidding me? Please say you’re joking and don’t actually believe that.

He then takes their face in his hands and tells them he’s not going to stop loving them just because he wants to have sex again and if there is one lesson they’ve taught him is that he has more love in him that he ever thought possible. He’s got plenty to spare.

Gale meanwhile has been watching Astarion and Tav’s relationship for some time and has come to understand you can separate sex and romantic love

He then steps in saying, “yes, I am interested is pursuing something more with Astarion, but also with you. Honestly out of the two of you, I’ve loved you for much longer”.

Tav would still need time to accept the idea that they’re not the third wheel. Gale would need to work out how to put that sometimes obsessive love into two people and Astarion still has his trauma, but they’d all have each other to work it all out once they get everything out into the open.

#astarion #gale of waterdeep #gale dekarios #astarion x tav #astarion x ace!tav #gale x tav #gale dekarios x tav #bloodweave #gale x ace!tav #gale x tav x Astarion #bloodweave x tav #baldur’s gate 3 #bg3 #asexual!tav #asexual!reader #bard!tav #astarion x evie #gale x evie

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rex-shadao · 1 year

Text

The Lonely End of Belos

Or why Hunter, Caleb, Evelyn, Lilith, Collector, or anyone that Belos personally wronged didn't get to be the witness to his demise.

I admit, I was a bit unsatisfied with Belos' demise. After all the build up with Caleb hallucinations and Grimwalker bones, I thought he would fall into the graveyard pit, see the ghosts, and realizing all too late it's his fault before he melts into a pile of bones.

Prior to that, before Thanks to Them, I speculated on Belos' fate would be him being hunted down by an angry mob of humans led by Jacob Hopkins believing him to be some kind of cryptid monster either threatening the town... or offer a rare opportunity to get rich on the news. And then he falls apart like an animal.

And when Watching and Dreaming trailer hinted at Belos possessing the Titan, I wondered how they were going to defeat Belos without resorting to revenge or poetic irony (since Belos is this big final boss that the heroes would blow up like with the core). I thought perhaps they would turn Belos into a Palisman tree and make him give back all the Palisman he devoured in a twisted form of redemption. Perhaps they'll remind him of his past and start a mental collapse that causes him to lose control of the Titan as he sees images of Caleb. I was pretty sure Caleb would show up just before Belos dies, giving him the realization that he's damned.

But his actual demise... feels empty. He did fall apart as I expected and there's sense of loneliness in his demise, but... no Caleb. No Evelyn. Nothing hinting to his past. Heck, I don't think the name Philip is even brought up once. It feels like we've been cheated out of a cathartic demise, and I spent the hours since the special aired trying to make sense of this choice and why. Why is there no Wittebane lore.

And ultimately, I make this conclusion:

Belos refused to open up about his past. It's quite telling the Collector spilled everything of his Freudian Excuse from being bullied by the Archivists to being wrongfully imprisoned by King's Dad to his desire for friends and being accepted. Him opening up communications of his insecurities allowed Luz, Eda, and King to empathize and help him. To teach him kindness and forgiveness. To teach him the value of life through death. And through their teachings does the Collector become better and ultimately redeemed.

But Belos? We know he had a traumatic past and a lot of insecurities with his brother. We know he's a lot like Luz and the Collector when he was a child. But unlike them, he never opened up about his insecurities. He forcibly molds them into abstract ideas and rules. For the greater good of humanity. For the good of your souls. He always tries to make it non personal, thinking it makes him selfless and pure.

But what he ends up creating is a caricature of himself. A shallow representation of his former human life. The Hollow Mind portraits released this week on Twitter shows tragedy with the happy memories being free of scratches and burns. Those were the original looks. But in the actual episodes, even the happy memories were scarred and burned. As Understanding Willow reveals, if you burn the memory pictures, you essentially erase them from existence. This means that Belos barely remembers his past. Now that I think about it, Belos never actually used the word brother at any point. Just an old friend. At first, I thought he was trying to avoid triggering trauma memories regarding Caleb's murder, but now I wonder... did he actually forget Caleb was his brother?

Because if he did, then it explains why he never seem to make the connection that Eda and Lilith may in fact be the descendants of Evelyn and Caleb. He only remembers Evelyn's first name but can't remember her face or anything that would link her to the Clawthrones.

And then it hits me. Despite being the big main antagonist of the series... Belos has only one personal connection to our main trio: Luz the Human. Eda, he dismisses her as an Owl Lady outlaw who isn't important in the grand scheme of thing. And King, he thinks it's a weird dog demon, not a baby Titan. But Luz, he's obsessed with because A) she would help him learn the Light Glyph and find the Collector and B) she's the first human he has seen in centuries.

Thus, it is Luz that Belos focuses on the most. It's Luz that Belos wants to form an actual connection since Caleb's death. And when you think about those witnessed Belos' demise... Luz is the only one that Belos has any genuine interactions with. Eda, King, and Raine... they were all background pawns or obstacles, not even worth specializing personal grudges towards like he would with Lilith, Hunter, Evelyn, or even Caleb.

So in spirit, Luz is the last lifeline for redemption and forgiveness. And Belos blew it. He was so obessed with Luz due to her human status but he never gave anything about his past to her (Luz only got Belos' backstory from Masha). He assumes that being human alone is sufficient enough for speaking terms. And he choose the best looking human look for her: A non-broken nose Philip Wittebane. Just as how she saw him in Elsewhere and Elsewhen. The ideal adventurer and hero of the 17th century. He evidently forgot that this bearded Phillip destroyed Luz's respect for him. This Philip lied to her and betrayed her and Lilith. This Philip was not the hero Luz envisioned. After all, the Philip she idolized in the diaries was clean shaven. He could have chosen that form... if he actually remembers that.

And then he sloppily try to make himself sound like he's freed from a curse, sloppily using the term dark magic instead of wild magic, and taking great pains to even say that he did horrible things, even under the excuse of a curse. He has no idea on how to make himself relatable when it's all there within him deep down. He just uses the surface-deep level of relatability and Luz doesn't buy it. And the boiling rain melts away that skin deep humanity, revealing a rotting ghoul barely clinging onto life, screaming of how witches are evil and unforgivable as he crawls to Luz. Notably, he still doesn't give a reason as to why he thinks they're all evil. We all know what it likely is, but Belos never confirms it to Luz.

Belos is virtually on autopilot, repeating the mantra of humans are superior and witches are evil. He never speaks about how Caleb was "stolen" from him by a witch. He never speaks about how Gravesfield taught that witches are evil. His memories almost completely erased by his self-inflicted denial, all he can think of is wiping out witches and saving humanity. A caricature of his former self.

And by failing to swayed Luz, he's completely alone. There is no Caleb now. No Evelyn. No Hunter. No Lilith. No Grimwalkers. No Flapjack. Just Luz whose connection he tries to forge is now a shallow parody because of how much he doesn't understand her at all. But she wouldn't kill him since that would give him a known company at his last moment. Instead he meets his end by those that he doesn't even see as personally important beyond pawns. Though they have a lot of personal grudges against the former Emperor and tyrant, Belos only sees strangers at the end of in his long life.

Philip Wittebane is nothing more than a faded memory of a bygone era. He died with his brother Caleb, regulated to just folklore ghost stories told in Halloween of Gravesfield. To some, they may never really exist in the first place since 1613 is a very long time.

The creature that resembles Philip is just Belos and he is little more but a parody of a man, full of sound and fury, signifying nothing.

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