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#i can't believe i read the book of revelation for this
backup-shoe · 1 year
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Lilith, my sweet half-demon child. I would love to see somebody more well-versed in Catholicism take a stab at picking apart the symbolism suffusing her character arc. There are just enough things that my little osmosed-christianity-as-a-child brain recognises, but can't quite assemble into a coherent picture. Some thought fragments that have been kicking around in my head under the cut:
1. Death, resurrection, and a holy wound
Minus the holy wound part, the first two are simply a statement of what happens in Lilith's storyline in season 1. Lilith sacrifices herself to save Ava from the Tarask in episode 5, and returns in episode 7, seemingly resurrected from the dead. So far, fairly run of the mill death/resurrection plot common to a lot of sci-fi/fantasy.
However, when Lilith comes back, she (and we) discover the following remnant of her encounter with the Tarask:
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A side wound on the the right hand side resulting from being pierced through by a pointy lance Tarask spine. Hm, this screamed stigmata to me during my first watch through, and with each rewatch, I am become more convinced that this is a deliberate reference to Christ being pierced by the Lance of Longinus during the crucifixion.
However! Lilith can't possibly be the Christ-figure of this show, can she? That is more straightforwardly Ava, who is 1. the protagonist of the show, 2. also rose from the dead, and 3. has a more innocent Lamb sacrificed to save the world narrative come season 2. Indeed, come season 2, Lilith very quickly becomes a full-time antagonist, and really ends up being more of Book of Revelation-esque monstrous figure than a Christ-like figure.
So, how do we reconcile Lilith's face-heel turn with the Christ imagery from season 1? Well, I venture that it is pretty uncontroversial that Lilith, from the very beginning was set up to be Ava's narrative foil, and so it makes a lot of sense for her to share in Ava's Christ imagery. However, in the end, she is not the true Christ-figure but a pretender. At this point, I am sorely tempted to make the leap to calling her an Antichrist, but this is also the point where I run up against the very limits of my knowledge of Christian eschatology.
(An aside: I also tried to figure out if Lilith came back on the third day after she died, but fell down a rabbit hole trying to figure out Ava and Mary's route between episodes 5 and 7. I have come to no conclusion on this matter, because none of the routes they take really make sense from a routing/availability of transit standpoint.)
I will conclude this section with a parallel between Lilith and Ava from season 1 and season 2, respectively, that I thought was neat:
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2. Scales, wings, and the Book of Revelation
By the time season 2 rolls around though, Lilith quickly becomes a full-time antagonist, developing scales and leathery wings as she descends further into villainy. At this point, I think the most salient Biblical touchstone for her is the dragon from Revelation 13. Whereas Adriel is the beast, Lilith is his dragon. Given the physical traits she develops, I think this reference was fairly obvious, and not terribly interesting on its own.
The one wrinkle to this that I will note though, is that I think her role as the dragon was already alluded to in season 1. She is the last person who is not Kristian that Jillian Salvius and Michael Salvius interacts with. I think her brief interaction with Jillian and Michael in episode 9 (before she teleports off to the Vatican) is to establish her as the dragon that stood ready to devour the child of the Woman of the Apocalypse (Rev. 12:4). Here, Jillian is the Woman of the Apocalypse, whose child (Michael) was taken away to God (Reya) upon birth (Rev. 12:1-6). Not sure what the significance (if any) of this is in context of the Warrior Nun narrative, but I thought it was pretty neat.
Anyway, tl;dr, scales + wings = dragon!Lilith.
3. A parallel to the conversion of St. Paul
All right, here's the one that drives be absolutely insane, because buried in the midst of all these obvious, in-your-face dragon references, there is a reference to St. Paul of the Pauline epistles! And i can't, for the life of me, figure out what it means for Lilith.
I first noticed this parallel to St. Paul during the scene in season 2, episode 5 where Adriel burnt Lilith's eyes:
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This immediately dredged up from the depths of my memory the following image:
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(Source: Wikimedia)
This is the lower half of Caravaggio's The Conversion of Saint Paul. Look at how he is on the ground. Look at the way he is covering his face. Is the show deliberately trying to get us to connect Lilith with St. Paul, or was the framing of LIlith's blinding subconsciously conjured from the brain of someone steeped in Catholic iconography?
In any case, this was the scene that got me thinking about Lilith and our boy Paul. Much like our boy Paul, Lilith was blinded but had her vision restored. Unlike our boy Paul whose restoration of vision was accompanies by scales falling from his eyes (Acts 9:18), Lilith gains some lovely scales under her eyes that totally do not make her look like a raccoon:
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In addition, unlike Saint Paul, who simply regains his regular vision, Lilith also gains the ability to see "reality," whatever that means. (To the audience's knowledge, it means she sees wraiths, but I have my suspicions that maybe there's more to it than that.)
The interesting thing to me about this reference to Paul, is that it was so strong, but confined to this one specific episode. Lilith never does anything that calls back to this moment for the rest of the season. Nor do her actions at all jive wit what Paul decided to do with this life after he regains his sight (spread the word of Jesus Christ far and wide), unless we count her feeble attempt at converting Ava to Adriel's side during their episode 7 fight.
So, where does this leave us? Why the random reference to Paul in the middle of the season when we already have the dragon of Revelation pretty much right in our faces? Is this a hint at the next step of her journey? Something clearly changed for Lilith during Ava's final confrontation against Adriel—she goes from actively helping him to becoming a bystander, content to watch him get ripped apart by Tarasks. Not to mention her sudden change of attitude in helping Ava, and telling Beatrice that she hopes that they will be on the same side during the upcoming Holy War. Maybe she's meant to play a Paul-like role if the show had managed to get a third season.
tl;dr: Lilith makes my Bible trivia brain go brrrrrrrr. I need someone more knowledgeable in these things to come tell me how I'm getting this all completely wrong.
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coffeeandcalligraphy · 10 months
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btw
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CHANGING STATES
Lately, something has taken hold / of me—not hunger, not shame. It is like a flower / blooming in the injury. —Richie Hofmann
On the evening Jeremiah decides he’ll drive thirty hours to Maryland, the other half of his mattress is cold and Madonna’s on the radio. In his bedroom, he taps his cigarette on the windowsill, the ash scattering into rainy blue hour, and listens. Time goes by so slowly, she goes, her voice singed through his boombox’s broken speakers. He’s meant to replace it, though he’s meant to do a lot of things: check the mail, make a quiche, buy lightbulbs, call his sister, take up cross-stitch, recycle an olive jar, move his bed to the opposite side of his room. But time goes by so slowly, and Jeremiah would know—he’s twenty-one, yet feels he’s been alive for much, much longer.
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marypsue · 10 months
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I freely admit that this post is more propaganda to try to get people to consider using a book journal than me actually believing that People In General keep book journals, but consider: keeping a book journal.
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wardenparker · 4 months
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Hummingbird Has Landed, ch 3
Marcus Pike x female reader Co-written with @absurdthirst
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After the debacle of his failed engagement and relocating to Washington to take charge of his task force, newly minted Special Agent Marcus Pike is ready to get back out into the dating pool once more. A slew of bad dates has him feeling a little down, and he takes an old friend up on an invitation to get away and get his head on straight. Imagine his surprise when he finds not only fresh air, but his soulmate as well - hiding in plain sight but in the unlikeliest of places.
Rating: Mature, but this blog is always 18+ Word Count: 11.1k Warnings: *Blanket warnings for this series: occasional mention of American politics, pregnant character, food/alcohol consumption, mentions of clothing/regulated dressing for occasions, mentions of therapy because we believe in self care here, reader is in a previous relationship, love triangle* Disagreeing amongst partners, disappointments, unexpected turns, denial of feelings, unwanted revelations. Summary: It's Valentine's Day and no one's date seems to be going quite the way they expected. Notes: Apologies for the posting delay, my lovelies! Please enjoy 💖
Ch1 ~ Ch 2
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When you still haven't heard from Marcus the next day, you're really pretending not to be bothered by it. You go about your work as usual, take care of your guests, manage a few nibbles of lunch, and work through the Valentine's check-ins with Malachi to make sure that everything goes smoothly. The whole day is chaotic and the inn is completely sold out, and yet you can't stop glancing down at your phone to see if you've gotten a text back.
You've just slipped into the kitchen after your shift to see Sydney after her spa-and-afternoon-tea date when the restaurant's hostess on duty comes in with a reservation slip to add to the board. The restaurant is basically fully booked now, with a few last minute cancellations and reservations working themselves out throughout the day, and a part of you wishes you could just stay here tonight and keep working, but you promised Sam. And you promised your mother's office that there would be social media updates tonight. This date might as well be public, so there is no backing out now.
“Hey babe!” Sydney grins as she looks up from the cake she is decorating, the piping bag in her hand full of dark chocolate buttercream. “Checking in before going to get ready?”
“Yup. Just came in to say hi and check the last minute reservations.” You take the slip from Sydney’s hostess with a flourish to tack it up on the board, and immediately make some sort of inhuman squawking noise that has your best friend whirling around in the kitchen.
“What is it? What’s wrong?” She demands, rushing over to the board. From the noise you made, it’s either incredibly good or incredibly bad.
“Nothing’s wrong.” Not technically, anyway. But you hand over the slip with obvious discomfort — or maybe a tinge of something else deeper and darker — on your face. “It’s…I guess…Marcus has a date tonight.”
“What? Oh…” she takes the slip and reads it, frowning slightly as she looks up to see you fidgeting and looking away from the paper. “Well, um, I guess that means he will be here and it’s good that you are going out with Sam.”
The frown that has formed on your face cuts deep, and you put down the empty mug you had grabbed to pour yourself a late afternoon cup of coffee with a slam. “Of course it’s a good thing.” You state unequivocally, not wanting to deal with or admit to the burning feeling in your chest. “He’s my boyfriend. It’s a very good thing.”
Sydney doesn’t comment, just pins the reservation to the allotted slot: 7 pm for two. There’s a note on the reservation to have a bottle of champagne brought to the table with dessert, so she’s not sure what to make of that. It seems unlikely that he’s taking his mother or sister out for a romantic meal.
“I have to get changed.” Comes the unnecessary announcement as you pace a little square around the corner of the kitchen only to end up facing Sydney again. “I just wanted to say hi, and I hope you and Juan had a good day.” Before this…intrusion into your thoughts, you had wanted to know everything. Every single thing they ate at tea and did at the spa. Now you feel like throwing up from pure discomfort.
“We did.” It seems wrong to rub it in your face right now, since you seem to be having some sort of reaction to the idea that Marcus would book a date here. She has to wonder if there’s meaning behind it, or if he had just imagined bringing someone here because it was a wonderful little place. The dining room of the restaurant is intimate, perfect for romance, especially tonight with the lights lower and the decor that had been brought out for the holiday.
“Good. I—okay. I’m going to go up, then. Malachi has a full reservation book and there’s an extra bellhop on tonight for the full house.” Sweeping out of the room is probably an overstatement, but you certainly move fast enough that Agent Bailey has to hop to in order to keep up with you as you head for the back stairs. Suddenly you have all the nervous energy in the world to walk all the way up to your apartment instead of taking the elevator.
“Okay…bye.” Sydney calls out, eyes wide at the dramatic exit and she pulls out her phone to send a quick text to her husband.
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You might have tried a little harder than was strictly necessary to look good tonight. Not because Marcus might see you — that doesn’t make any sense — but to try to shut up all the whirling thoughts in your head about your loyalties and your attachments. You’ve been with Sam for almost a full year. It’s eleven months next week. And he deserves your complete attention. So if he gets you in your best little black dress and the earrings he gave you for your last birthday? That’s good, too.
Sam is nothing if not punctual, actually showing up fifteen minutes before you needed to leave. One of his office aides had run out to get you some flowers, now in hand, and he smiles widely when he sees you. “Wow.” He hums, whistling appreciatively. “I feel underdressed.” He jokes, wearing a smart suit like he normally does.
“You haven’t been underdressed since the day you were born.” Sam is perpetually put together, so you have definitely stepped up your game from the jeans and cheeky blouses that would normally have been good date clothes in the past. “Hi honey.”
“Hey, sweetheart.” He offers you the flowers with a smile. “You look incredible. These are only half as beautiful as you.”
“Thank you, honey.” The large bouquet is all red and pink buds, clearly done up for the holiday, and you let the day’s earlier tension roll off your shoulders as you inhale the sweet scent. “Let me put these in the vase in my office and we can get going?” Upstairs in your place they’re beautiful, but downstairs means anyone who sticks their head in your office will see them.
“Of course.” He nods and looks towards Agent Bailey. “Happy Valentine’s Day, Agent Bailey.” He tells her politely. “Would you mind following us to the restaurant tonight?”
“No surprise stops, Congressman?” Following behind isn’t unusual, but Bailey still had to do her job. Any unexpected additions to the night just complicate matters.
His smile tightens slightly. “Just the itinerary you have planned out.” He comments, slightly irked that he has to have plans approved through the Secret Service. It’s not exactly his idea of pleasant.
“Ready to go?” It only takes a moment to get your flowers in water, and you reach for Sam’s hand. After spending your time getting ready reminding yourself to focus on your relationship and stop being so wishy-washy, you’re trying to put your best everything forward for tonight.
“Absolutely.” Sam smiles broadly, his shoulders rolling back and he puffs his chest out proudly. “Let’s go get romantic.”
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The restaurant that was picked out is small and welcoming, a  homespun but upscale bistro owned by a couple from New Orleans that moved up to Maryland sometime during the raising of their children. You had read the website while you were getting ready for tonight. The place boasts an impressive menu and a fan favorite étouffée, as well as an entire family working every aspect of the restaurant. From what you can tell, it looks like a perfect date spot. When you pull up it’s brimming over with people, too, which makes you even more excited. Busy means tasty, of course.
“Well this looks promising.” Sam comments, looking over at you. “What did you say the menu was?” He hadn’t really paid attention to where it was, just that you had said it was a good choice for a dinner out and photographs. You know how to work PR from your mother’s campaign, something he admires.
“New American through a New Orleans lens.” That’s what the website had said, and you could swear you already hear jazz pouring out the front door.
“Interesting.” He doesn’t particularly care for spicy foods, his stomach never agrees with it, but he trusts your judgement. “It’s perfect for the photographer and I’m assuming there’s some heartwarming backstory to the place?”
“Family owned and family run.” You can practically hear the silent commentary in his head, and you touch his arm as he holds the door for you. “I read the reviews in advance. Not everything is spicy. Don’t worry.”
“You know me too well.” He throws you a grateful look and leans forward to open the door for you to enter the bistro.
“Good evening.” The hostess at the front of the restaurant knows exactly who you are, just like everyone working tonight does. Just like their entire family does. Getting a visit from the Secret Service and having a discreetly placed photographer arrive just a little while ago gives the whole night an extra flare of the unbelievable. With two menus in her hand, she smiles a shaky, bright grin. “Please come right this way.”
Sam’s hand is on your back, knowing that a lot of eyes are turning from the staff to the patrons. It’s expected when your significant other is a recognizable face. He doesn’t miss that they put you and him at a table in the middle of the room.
There are small vases of red carnations on every table, and candles, and neat purple tablecloths that look like they have been given a little extra pressing for the occasion. You thank the girl politely and smile, not thrilled to have all eyes on you but already knowing that there is nothing you can do about it.
Sam is the one to pull out your chair and help you sit down before he pulls his own chair out. “Shall we order a bottle of wine?” He asks. “Or would that not look good?”
“How about a half bottle?” You suggest, showing him the part of drinks menu that lists half bottles. “Celebratory but responsible.”
“Perfect.” Same agrees, knowing. It wouldn’t be a positive image to have drinking and driving be recorded.
“Whatever you want to choose.” He’s pickier than you are in general, and definitely about wine, so it’s up to him.
He smiles at you in gratitude and immediately dives into the wine list to see what they have available.
“Oysters Rockefeller to start?” As a Maryland boy he loves seafood, and there’s some sort of odd determination in your mind to prove to yourself that your focus is entirely on Sam.
“Absolutely.” He agrees while wholeheartedly and when your server approaches, he finds in a polite smile to give them.
He orders the wine and your appetizer, and beams a smile at the flustered waitress before the two of you are left — sort of — alone again. Agent Bailey has gone to sit with the designated White House photographer at a separate, discreet table. It leaves the two of you to pretend that this is just as normal a date night as any other. “So,” you hum, looking over the menu. “How was work?”
“It was good.” He had kept his office hours short today, like most of the House, so he could get out on time. Plenty of other members had plans or just didn’t show up at all today. “Worked on the bill I want to introduce.”
“How close are you to having the draft done?” The House Judiciary Committee has been an important posting for him, and though you can’t claim to understand the nuance of every single detail of the bill he has been working on, you know that it is a big offering to make from such a new member of the committee.
“First draft is almost complete.” He tells you proudly. “Only a few more hours of work to be honest. My team has been working hard on it.”
“The first bill you’re sponsoring yourself is a big deal. I’m glad you’re proud of it.” Given how much of his work is paperwork and legal-ease, it’s good to have something tangible to work on and be proud of. Certainly not everyone who works in the government can say the same.
“Thank you.” He smiles, leaning back as the waiter comes back with the glasses of wine. “Hopefully it’s just the first of many.”
"I hope so, too." He has high hopes for his career, and you know he'll work hard for it. There's just the tiny voice in the back of your head reminding you that he might not value your success as highly that is bothering you. Still, you raise your glass to him and smile. "Happy Valentine's Day."
“Happy Valentine’s Day, darling.” Sam smiles and taps his glass to yours before taking a sip. “Have you given any thought to my proposal?”
“I thought we could talk about it tonight?” The mention of a proposal specifically makes you shiver in a way you didn’t know you could shiver, but here you are. “Starting with…the logistics of it all.”
He admires the practicality of your statement and nods. “What are your concerns?” He can hear that you have them and hopes that the two of you can come to some kind of agreement. He’s negotiated a lot in his position and knows there is always give and take for things to work.
“I…” He’s practical. Pragmatic. And you know that. It’s something that you have always said you liked about him because it balances against your tendency to dream. “I want to move forward. Take another step.” In your impulse, you reach across the table and take his hand. “But I’m not sure I’m ready yet. So I’d like to do it slowly.”
“Maybe a drawer for when you stay over?” He offers, lifting a brow. “Space for a toothbrush?”
“That’s kind of what I was thinking, yeah.” A relieved smile spreads, glad to see that he isn’t upset at your still moving slowly in this relationship. Moving too fast in the past is what you blame some very serious relationship failures on. “Maybe try to see each other more than just once a week? Work permitting, of course. I know we’re both busy.”
“That was kind of the point of moving in together.” Sam reminds you, although he’s not put out by it. “Maybe we can, but you will have to spend less time at the inn.” He hums. “You are always there. You even live there.”
"I know." That's on you, and you know it. But you still shift in your seat like you've been called to the principle's office. "I have to cut back on late nights. Malachi is more than capable of running the place any time of day and the new night manager is doing really well."
Sam nods, it’s a conversation that he’s had with you several times but nothing has changed so far. “I understand being passionate about your work.” He reminds you with a smile, reaching for your hand. “But I also want you to be passionate about other things too.” He squeezes your fingers. “Maybe kids, one day?”
"You know I want kids." That is never something that you have hemmed or hawed about. Wanting a marriage and a family is something you were pretty up front about. "Kids, a dog, the whole white picket fence thing."
“I know.” It’s a good thing too, because he wants the same thing. Although he knows that can’t really happen if you are running yourself ragged at the inn. “Just wanted to make sure that was still the case.” He jokes.
"It is." Your fingers squeeze his gently. "I haven't changed my mind about what I want."
“That’s good.” Sam smiles and feels a little better about the fact you aren’t jumping at the chance to move in with him. He had expected less resistance if he was honest with himself.
"So the next time I come over I'll bring some things to keep at your place?" A little bag of work clothes and duplicate toiletries at his house sounds positively quaint, but very sweet.
“If that’s what you want.” He agrees, leaning back again when the waiter comes with the appetizer. “Are you still planning on staying tonight?”
You pause long enough to thank the waiter and for both of you to order your entrees and have a sip of your wine after the waiter goes again. "Of course I was planning on it. It's what we talked about. But...I felt like packing a bag to bring over tonight felt a little...presumptuous? I didn't want to jinx it."
“Nothing presumptuous about it.” Sam disagrees with a smile, knowing he would have loved if you had started bringing things over. “But we will do things on your schedule, as long as our end goal is the same.”
End goal. That part still bags at you a little and you still aren’t sure if you’re overreacting. Marcus seemed to agree with us, and so did Sydney…and it’s making you wonder. But will it ruin the night to make a fuss over it? There’s really no way to tell. “I want to make sure we’re on the same page about all of it.” You decide, making sure there is no worry or waver in your voice as you reach for an oyster. It’s just a conversation. Just a conversation with your boyfriend. No big deal. Just clearing the air.
“Good.” There’s a moment’s pause where the two of you start to split the appetizer, each of you tasting it and Sam hums in approval. “I say we live together for at least a year.” He looks up at you. “What do you think?”
“At least a year before what?” The clarification seems important, since the two of you seem to have slightly different expectations. It’s slight, but it’s there.
Sam chuckles slightly. “Before the next step?” He asks playfully, shrugging slightly.
“That makes sense.” But not knowing exactly what he meant makes you feel a little foolish, so you huff a laugh and have another sip of wine. “Of course. That makes perfect sense.”
“You seem off tonight.” Sam tilts his head curiously. “Fight with Sydney? Never thought I would see that.”
“No, god no, nothing like that.” A fight with Sydney is about the farthest thing from the truth. The trouble is…you can’t really tell Sam the truth. It would be a ticking time bomb in the middle of your relationship. To not only think that you might have met your soulmate but to suddenly find yourself caring immensely about what that could mean? Hell, even being attracted to him? It would be a disaster. And you can’t blame him because you would feel exactly the same way if Sam came to you after meeting the girl that the universe says is his perfect match. Instead? All you can really do is make an excuse. “I haven’t really been feeling myself for the past few days.” That is very much true. “I’m sorry. I shouldn’t let it affect tonight.”
“Don’t worry about that.” Sam’s brows pull down. “Do we need to ask them to box up our meals? The photographer can take their photos now and we can go home if you aren’t up for a night out.” Despite his own views of how the night would go, he would never drag you around if you’d rather be in bed sleeping.
It’s sweet of him to offer, but you know he would be disappointed. And, unfortunately, no amount of sleep is going to pull you out of the Marcus-shaped funk you have found yourself in. No, sleep won’t help. And tonight is supposed to be about you and Sam, so it’s going to be. “That’s okay,” you assure him, shaking your head and promising yourself that the smile on your face won’t falter again tonight. “I’d rather spend tonight celebrating with you.”
“Okay, if you’re sure.” He’s giving you a doubtful look, but he doesn’t call the waiter over. “Maybe it’s just that you need a night away.” He suggests. “I have a late morning scheduled so we can sleep in.”
“Unfortunately, I have an early morning.” You bite your lip, knowing he’ll hate that. “We have a big event tomorrow night and they’re showing up early in the day. Early bird check in, venue set up, all of it.”
Sam is quiet for a minute and then looks down at his plate again. “Well, I guess that can’t be helped.”
"It's all hands on deck right away." And suddenly you feel horribly guilty about it, even though it's your job. It's something you do out of love and a deep passion for the industry that you've chosen to work in. But a morning of just sleeping in sounds so nice.
“You don’t need to explain.” It’s not like you would change your plans anyway, but it definitely sours the idea he had for the next morning. “You have priorities.”
“Yes, I do. Just like you would if you had a day full of meetings to handle.” He sounds cold, and it bothers you so much more than you would have thought. Like you’d had disappointed your parents with a bad grade on your report card instead of telling your partner than you’re anticipating a demanding work day. “I would support you if that was the case, so I don’t understand why you seem so upset with me.”
“Because we had talked about it.” Sam reminds you. “Two days ago.” He clenches his jaw and takes a breath before releasing it. “You’re right, you have work and it’s important.” He agrees. “Forget I said anything.”
“We did talk about it two days ago. And we talked about me staying over, but not about doing anything the next day. Because I told you weeks ago when this group booked their party that it was going to be a big deal.” Barely managing not to drop your fork in the table, your eyes drop to your lap and you can feel the pressure of disappointment driving at the backs of your eyes like fire and you have to take a deep breath to steady yourself. “I feel like we haven’t been communicating as well as we used to.”
“After we talked about you staying over, I asked if you wanted to have a lazy morning and you said ‘sounds good’.” Sam realizes you had told him about the booking. “We got our signals crossed. It happens. We will need to work on it.”
“Yeah.” You nod, quietly sitting back in your chair again while being very aware of the pairs of eyes that have all turned to witness the First Daughter argue with her boyfriend over their romantic Valentine’s dinner. Fuck. Mom’s going to kill me. “Yeah,” you agree with a vague nod of your head. “We’re just a little off. We’ll work on it.”
“It’s okay.” Sam promises with a smile, reaching out and taking your hand again. He doesn’t want you to be photographed looking unhappy, because then rumors would fly. Public figures aren’t allowed to have bad moments. “We will make the best of tonight.” He tells you. “Or…we can go back to your apartment if you’d prefer?” He offers. “That way you can sleep a little longer?”
"You normally hate staying at my apartment." The water pressure is better at his house, you'll give him that. And the bed is bigger. But the breakfast at your place is far superior every single time.
“I know, but I also know that you have an early morning and I would like to compromise.” He offers.
His hand fits around yours, anchoring you to the table and to him, and you remind yourself to breath. A miscommunication isn't an argument. And even if it is, an argument isn't the end of the world. "I would really like that," you agree, squeezing his hand just a touch. Trying to show him silently how much you appreciate that he's willing to bend a little for you. It has never bothered you that you go to him — stay at his place, attend his work and social events, usually let him pick restaurants for dates as well. But it's nice to feel a little give in your direction as well.
“Alright, then it’s settled.” He nods quickly and smiles at you. “We will have to swing by my house to pick up a change of clothes though.”
"We can do that." You'll tell Agent Bailey after dinner, and the message will get relayed. It will all be fine. Whatever is causing this gap between you and Sam, you'll figure it out. Starting with a little bit of compromise. "And tonight we'll clean out a drawer for you at my place. We'll each have a drawer."
It’s on the tip if his tongue to refuse, to remind you he doesn’t like staying at your place. It’s too busy and he likes privacy in his home, not people coming and going at all times. “It’s a plan.” He decides to say instead, happy that the meal is coming out.
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The restaurant is busy tonight, full up with reservations for dates and girls’ nights out. Tables are packed full and the kitchen is bustling, but Malachi sits calmly at the reception desk making sure that all of the inn’s reservations for the night are being taken care of to the best of his ability. The less you have to worry about tomorrow with that incoming party, the better.
Marcus smiles as he walks up to the desk, guiding Vanessa up with a warm hand on her lower back. He hadn’t wanted to be alone, especially on Valentine’s Day, so he had once again tried one of the dating apps. Tinder Without Marks was kind of the opposite of Mate Marks and he appreciated that. There wasn’t any emphasis on tattoos or scars, just on personalities. He had been talking to Vanessa since you had bailed on his offer of dinner and tonight was the first date. “Reservation for Pike.” He greets Malachi warmly.
"Special Agent Pike!" Malachi was not going to forget that face or those shoulders anytime soon, and he smiles genuinely for what seems like the first time all night. Holidays are always a lot of extra running around. "Reservation for the restaurant tonight?" He would have noticed the name if the FBI agent had reserved a room at the inn. He definitely would have noticed that.
“Yes.” Marcus nods and smiles. “How are you Malachi?” He remembers the concierge’s name and greets him like a friend. “I knew that coming here would be a fantastic treat.”
“And…Miss D’Amario.” When the concierge’s eyes light on the woman beside Special Agent Pike, he nearly bursts out laughing. This is going to be the biggest gossip amongst the staff. Multiple staffs. “Does chef know to expect you? Or should I let her know?”
Marcus tilts his head and looks at Vanessa. “I didn’t realize you’ve been here before.” He had told her where he had made reservations, but she hadn’t said. “Do you come often?”
“Once or twice.” She admits with a sheepish smile as Malachi comes out from behind the desk to escort them into the restaurant. “Usually just to run errands. My boss…he comes here a lot.”
“Interesting coincidence.” Marcus muses as the two of them follow Malachi. “You never actually said who you worked for.” He reminds her.
She hadn’t. That’s true. Because on a dating website all kinds of information can get taken out of context or photoshopped into other things. All she had said before now is that she works on Capitol Hill. “Congressman Chase.” She tells her date, a little more secure in handing this information over after having looked into him and agreeing to this dinner. A girl can never be too careful, after all. “I’m the senior aide in his office.”
To his credit, Marcus doesn’t freeze, although his eyes blow wide. He can hear Malachi snicker quietly, although the agent isn’t sure why. Even though he doesn’t have anything against the congressman, the knowledge that she is his senior aide dulls the excitement of the date almost immediately. “I met him just the other day.” Marcus admits. “My friend and former colleague is the event planner here.”
“You know Juan?” Vanessa seems to ease immediately, the tension of meeting a stranger off the Internet soothing with the knowledge that Juan Badillo is an excellent judge of character. “Okay. So you know who owns the inn, then. And why I’m running errands here fairly often.” She smiles when Marcus pulls out her chair for her and thanks him before sitting. “I’ve always wanted to try the restaurant but never have a chance.”
Marcus smiles and nods, even though he’s not exactly sure how this dynamic would work. “Then it’s a good thing I got reservations here.” He tells her and picks up the menu. “Do you want some wine? I think I would like some.”
“That sounds great.” She nods happily, not catching the change in his demeanor even in the last few seconds.
He’s still not going to be rude. Vanessa is a lovely woman, and he shouldn’t feel guilty for being here on a date with her. Not even if you know her and she works for your boyfriend. “Are you a red, white or rosé kind of woman?” He asks, scanning the selections and looking back up at her.
“Usually white. But if you like red I’m happy to try something new.” Vanessa is happy to let Marcus take the lead, not feeling strong enough one way or the other to have a preference.
“There’s a wonderful Prosecco on the menu.” Marcus offers, lifting his brows. “It’s Valentine’s Day after all, and we aren’t alone. We should celebrate.”
"Perfect." Her smile spreads again and she sits back, looking over the menu and regarding the man across from her. "So what department of the FBI are you in? We haven't really talked about work yet."
“Art Crimes.” He supplies wondering where you and Sam are. A discreet glance around the restaurant was a relief and a disappointment not to come up with you. “I’m actually the head of the department.”
"So...is that forgeries and thieves? Like in caper movies?" Vanessa sounds suitably impressed even though it isn't the part of FBI work that gets glorified on tv or in movies. "I didn't know that was a whole department on its own. You must have a lot of responsibility."
“It’s a lot of paperwork.” Marcus admits. “Although I’m sure you have plenty yourself.” He chuckles. “I wish that it was like the movies, or that show White Collar that was on a few years ago. I could use a Neal Caffery sometimes.”
"Oh, I don't think I've ever seen it. I guess I have a little homework to do." On whatever the show is, plus on art as a whole. Art class or art history...museums in general aren't really Vanessa's thing. It just never seemed very practical. "Paperwork is okay when there's a rhythm to it. Sometimes I even turn on music quietly in the office while I'm copying and filing. It's really helpful even though it's kind of a no-no."
“Why would that be a no-no?” He wonders if Sam is a stick in the mud. “Most of the time, I encourage my team to listen to music, it helps engage your mind.”
"We try not to have anything on in the office that could interfere with being understood on the phone," she explains, like it's some kind of party line or sage advice that has been handed down to her. "Staying on message is important. And it's hard to stay on message if you can't be heard."
“And what’s your message?” He asks, finding it slightly intense, but he’s not the politician.
"Right now, our message is about serving our community. Working to bring business into our district without threatening existing small businesses, and making sure that we take safety standards into account." Obviously very proud of her work, Vanessa sits up straight in her chair and folds her hands in her lap with the air of someone being interviewed. "The Congressman is paving his own path and we're all on board for the ride."
“I see.” He can approve of such a message, admire it even. The congressman is obviously working for the best of his district and there is something noble about that. “That’s a good message to have.”
“It really is.” When Vanessa nods, it’s eager. “He’s on the fast track to the White House. It’s a privilege to get to work for him now.”
“A fast track, you say?” Marcus works so hard to keep from frowning, not liking the way that it makes it seem as if you are a steppingstone for Sam. Even though that shouldn’t bother him as much as it does.
“Absolutely.” She pauses long enough for the waiter to return for their drink order and explain the beautiful Valentine’s prix fixe menu before leaving them be again for a few minutes. “Congressman Chase has seven more years to be the youngest president ever elected, and he can do it.”
“That’s a lofty ambition.” Marcus agrees, wondering how much of dating the current president’s daughter is included in those plans for the White House.
“It’s going to be great.” She laughs, not the least self-conscious, but shrugs her shoulders. “I like my job a lot. Sorry if I get carried away a little.”
“Nothing to be sorry for.” Marcus waves that away, although he’s sure he sees hero worship in Vanessa’s eyes, and perhaps a crush on her boss. Nothing wrong with that unless they are being inappropriate and he can’t see the congressman doing that with his ambitions. Some congressmen, sure, but not Sam. “I wish a lot more people enjoyed their jobs like that.”
“It makes hard work worth it,” she agrees, though she does demure and tuck a stray hair behind her ear. “You…must love art? To be so involved with those crimes specifically?”
“I have come to really appreciate it.” Marcus tells her. “I never really stopped to look and think about much art before, but some weekends, I enjoy going through the museums for pleasure and not trying to research a piece.”
"DC is a very good place if you like museums." Even if she's not very big on them herself, she knows that to be absolutely true. It's where she ends up bringing family whenever they visit, so she has seen quite a few of the Smithsonian museums by now. She'd just rather be at a game.
“They are nice. Especially if a game gets rained out.” Marcus agrees, leaning back when the waiter comes back with the first course. “Thank you.” He hums and looks up at Vanessa. “This looks amazing.”
“It really does.” Vanessa looks as delighted as Marcus does and she offers him a sincere smile. “I’m very glad you decided to ask me out tonight.”
“I am too.” He smiles at her even if he feels guilty that he’s not as glad has he had been before he realized the connection to Sam Chase and therefore….you. He picks up his Prosecco and holds it up. “To positive first dates.”
“Absolutely.” Their glasses make lovely clink as they tap together and Vanessa smiles again, very glad that she decided to take this step to try to get over the crush she has on her boss.
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“Looks like the inn is fairly packed tonight.” Sam hums as he pulls into the employee only portion of the oyster shell parking lot. He’s not upset for you business-wise, but he wished there weren’t so many people there.
“The night manager had the idea to keep our sitting room open for some live music, and it seems like people have stayed. It must have been a success.” The rooms aren’t sold out tonight because there are early check-ins for that party in the morning, but managing to keep people in house and engaged is a huge deal.
“Interesting concept.” Sam’s not really sure if that would attract the kind of clientele that you want here, but he’s a politician, not an inn owner. “Hopefully not too late?” He asks, wondering if it will be noisy into the late night. That’s not romantic.
“It should be over soon,” you promise him, seeing that your watch reads almost eleven o’clock.
“Good.” Once out of the car, he rushes around the hood and wraps his arm around your waist. “I don’t want them to interrupt our plans for tonight.”
“Nothing’s going to interrupt us.” Heading for the back door, you can pop right into the elevator to head upstairs without having to interrupt anything that’s going on or get sidetracked by Malachi. You just want to take a peak into the sitting room but that’s all. “And you can sleep in, in the morning after I’ve tired you out.”
"Is that a promise?" Sam asks playfully, allowing you to lead him away from the elevator and down the hall.
"Absolutely." The rest of the date had smoothed out, being a relatively quiet and pleasant night Now that you're back at the inn with a bag of Sam's things to stash away in your bureau, you're feeling a little bit flirtier and more upbeat. "And when you come downstairs after you finally drag that excellent butt out of bed, I'll have Syd make you some breakfast."
“I do love her breakfasts.” Sam groans, smirking at you playfully. “So you are planning on wearing me out completely?” He squeezes your waist and looks ahead towards the music.
"I'd say you deserve a night of intensely deep sleep, and I intend to make sure you get it." There is a little line waiting for the elevator as guests start to go up to their rooms for the night, so you hang back with Sam and look toward the sitting room instead. The music coming through is atmospheric and sweet and you are right about to lean your head on Sam's chest while you wait — when you spot someone unexpected in the sitting room.
Marcus had decided that just because Vanessa works for Sam doesn’t mean that he can’t have a nice night with her. The music had sounded lovely floating from the sitting room and he had asked if she wanted to stay. Now, they are dancing and he hasn’t thought about you in at least five minutes.
It's not exactly a gasp, but you end up trying to swallow whatever noise of surprise you were going to make when you spotted Marcus with his date in the the other room — and instead of keeping your reaction to yourself you end up choking on your own damn spit and coughing hard enough to worry Sam.
“Are you alright?” Sam pats your back and leans in with a worried look on his face while you wave him away. “What’s—” he glances around the room and immediately stiffens. “What is he doing with Vanessa?” He asks, his voice bristled with a slight anger he can’t shake.
"Vanessa?" You hadn't even seen who he was with, just choked at the sight of Marcus enjoying a quiet, romantic moment with another woman — something which you know shouldn't bother you but it had been a whole five minutes since the last time you thought about him so apparently that is your maximum. "Like your aide Vanessa?"
“How does he know her?” Sam ignores the question, staring holes into the FBI agent that is currently slow dancing with said aide and making her beam up at him in a way that has Sam wanting to drag her away from him.
"I don't know." He's practically fuming, and your forehead furrows as you turn your eyes back from the couple in the other room to Sam beside you. "Why does it matter?"
“I find it funny—” his tone definitely says otherwise, “that this man just magically shows up, gets invited to a game night and is now cozying up to my top aide.” Sam knows that he’s already been tagged by the DNC as a rising star, his own seat on the council is indicative of that, and now there’s this FBI that is showing up everywhere.
"He's friends with Juan." The defense in your voice is impossible to miss, and you cross your arms defiantly over your chest like you're waiting for him to pick a fight. "Maybe they were introduced by a mutual friend? Met in a coffee shop? Found each other on a dating app? Who knows?"
“And they just happened to book your inn as a date?” He scoffs slightly, unable to believe that fanciful tale and narrows his eyes as Marcus twirls Vanessa around and pulls her back against him.
"Why don't you go interrupt them and find out if you're so curious?" This has taken a very deep turn for the worse, and you can only be glad that the last guests waiting for the elevator near you have gone up so you're more or less alone now. Of course Agent Bailey is nearby, but she never comments.
“No.” He wants to. That’s the problem, and he knows it’s not a good move. Frowning, he turns away from the dancing couple. “Let’s go upstairs. The music is horrible.”
It's not. At all. But this isn't about the music and both of you know that silently even if it isn't said out loud. Sam jams his thumb in the 'Up' button for the elevator again but you say nothing, glancing back at the sitting room one more time to wonder if Sam is upset about the date that is happening for the same reason you are. And if he is...what does that mean for the two of you?
Once upstairs, Sam steps out of the elevator and sighs. “Can we just have the apartment to ourselves?” He directs his question to Agent Bailey, not looking at you.
There are certain protocols that have to be upheld, and Agent Bailey looks to you before starting them. “Ma’am?”
In your mind it’s awfully rude, knowing that asking her to sit in the hallway means hours and hours of uncomfortable sitting, but you also know that Sam is…in less than a good mood right now. And while you’re cranky too, you would rather try to smooth things over if you can. “If…you wouldn’t mind?”
“Please stay here.” Bailey directs you both. She’ll do a sweep of the apartment to make sure no one is waiting for you, and then she’ll take a chair into the hallway. She won’t say so, but she doesn’t mind not hearing a fight if it happens. Or the makeup sex. Neither one is her favorite.
Once you two are alone, Sam sets his bag down, aware that the mood of the evening is ruined and it’s his fault. “Do you want me to leave?” He asks, not even sure if he wants to stay at this point. Especially if Vanessa and that agent will also be spending the night under this roof. He’s not happy to see his best aide here, and usually he’s always happy to see her.
“Can you explain to me why you’re so upset?” It’s definitely uncomfortable, this tension that hangs in the air now, and you try not to let your eyes drop to the right before going back to him. You didn’t do anything wrong. You were just surprised. He’s the one who got mad.
“It’s— I’m not—” There’s not a rational reason why he’s upset, and logically he knows this. “I don’t like the fact this man seems to be everywhere.” You had told him about meeting Marcus at the market and it seems as if he’s suddenly everywhere when a few weeks ago, no one knew this man was even in the area. “Strange in my eyes.”
“It’s just a coincidence.” That’s what you’ve told yourself, anyway. It has nothing at all — nothing whatsoever — to do with the universe putting you into situations where you’ll bump into each other. Not at all. “The Secret Service did a background check on him. He’s totally clear.”
“Then I guess I’m just overreacting.” Sam sighs and wipes a hand down his face. “I should go.” He knows that if he stays, the night won’t proceed like it was planned and he’s better off going home. You don’t seem too happy with him. “Unless you want me to stay?”
What you want, and what you should do, and what seems like the healthiest decision for your mental health all are different things. You should tell him to stay, brush it off, and try to salvage the evening. You want to go downstairs and interrupt that damn date to find out if Marcus Pike is as good a dancer as he seemed to be in the small space of the sitting room. But what’s best for your mental health? Is probably neither of those things. “Maybe I can come over this weekend and we can try to have a less stressful night at your place instead?”
Sam is silent for a moment and then nods. Understanding that something has fundamentally shifted in your relationship and trying to figure out what that might mean for the future. “Sounds good.” He agrees and looks at his bag before picking it up. “I’m sorry about how the night ended.”
“So am I.” The air between you feels different. Colder or heavier or just more tense, but you won’t back down just for the comfort of having him next to you in bed tonight. That isn’t fair to either of you.
Instead of a romantic kiss, Sam leans in and presses his lips to your cheek. “I’ll text you when I get home.” He promises, stepping back and frowning slightly before nodding. He had honestly expected you to change your mind, but he won’t beg to stay, knowing it’s not the best idea.
“Get home safe.” A long moment passes with thick air hanging between you before Sam nods again and opens the door, stepping out of your apartment and back in to the elevator. “It’s just us tonight,” you tell Agent Bailey, who comes back into the room the moment she hears the door. “The Congressman has gone home for the night.” And of referring to him by his title instead of his name isn’t a big fucking clue to you right then and there, it should be.
It’s not surprising, given the way the evening has turned sour, but it’s not her place to say anything. “Very well.” She nods. “If you need anything, let me know.” She intends to stay outside and let you sulk if you need to. She hadn’t missed ’the Congressman’ title instead of Sam.
“You can stay inside.” Banishing your Secret Service detail to the hallway is one more thing that rubbed you the wrong way. “I’m just going to go to bed. But the coffee you like…the vanilla caramel one? It in the cupboard above the coffee maker. Any time you want to make some.”
“Thank you.” The couch you don’t mind her sitting on is a lot more comfortable than the chair in hallway and she appreciates that you don’t mind her using the bathroom either. “Is there anything you need before you go to bed?”
“No.” You’re too afraid to ask if you did wrong by letting Sam go home, so you don’t even consider it. “Tomorrow’s an early morning. Agent Sisson coming to relieve you early?”
“Five.” She nods. “If you need to be up earlier, I will be here.”
"I won't be up until after that." Unless you can't sleep, which is a serious possibility considering how poorly the night went and how half of your thoughts are currently downstairs in the sitting room. "So I'll see you tomorrow, Agent Bailey."
“Goodnight, ma’am.” It’s best to keep things formal, although she feels bad that your evening did not end up like it was supposed to. And incredibly interested in the reaction of the congressman to Marcus Pike’s presence.
"Good night." Going to your room alone isn't what you wanted for tonight, but it feels like it's for the best. All you can do now is hope that you sleep.
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The next morning is a flurry of activity, but Sydney notices that you aren’t rushing in from the parking lot when you come into the kitchen, looking like you didn’t get much sleep last night. “Good morning sunshine.” She teases, reaching for the coffee pot to pour you a cup.
Teasing barely earns her a grumble in return, but you gratefully accept the cup of coffee she pours you and turn to doctor it immediately. “That early check-in group should be here in a half hour.”
“I already have a breakfast spread ready for them.” She motions to the counter and the baskets she has already started filling with baked goods. The bowl of fresh fruit is inside a hollowed-out watermelon. “I couldn’t sleep.” She explains. “Indigestion.”
“There’s a joke in there about swallowing too much cum, but I’m too tired to make it.” You huff though, trying for a smile for your best friend. “It looks great, Syd. Thank you for working so hard.”
She sees through you instantly and frowns, moving around the counter and wiping her hands on the ever present rag tucked into the pocket of her chef’s jacket. “What’s wrong?” She asks, feeling your forehead and looking like an over anxious mother hen worrying over her baby. “Are you not feeling good? Juan, Malachi and I can handle this if you need us to.”
“Not a chance.” Considering you never take sick days even when you’re actually sick, there is no way you would make your team handle a big event without you. “It’s nothing. I just…had a bad night. That’s all.”
“Everything alright?” She frowns, tutting at your stubbornness and moving over to the espresso machine to give you a shot to help boost you up.
“Sam and I had a little…series of tiffs,” you admit with a sigh. There is a pan of her fresh baked broscia nearby and the Sicilian brioche-style bread is calming to you to be crammed full with jam and butter so you grab one still warm. “We got into it at the restaurant over me having to be at work early today and then again later when he flipped out about Marcus being here on his date.”
“Marcus?” Her head whips around and she gives you an utterly confused look. “One, why was he here? Two, why was Sam upset about that?”
“He must have stayed after dinner. For the musician that Malachi brought in.” Sam had been cranky about it, but you thought the singer at the piano had been lovely. “He…uh…Marcus, that is…did you see who his date was? When they came in for dinner last night?”
“I didn’t see, it was crazy in the kitchen, but Malachi told me that it was Vanessa.” She huffs. “How the hell do they know each other?”
“I don’t know. But the same question made Sam so upset that he ended up leaving my apartment last night instead of staying over.” The best you can do is shrug your shoulders. Because as much as it bothers you? You know why it does. There’s no mystery there, only guilt. “He thinks there’s something suspicious about Marcus, apparently.”
“Something suspicious about Marcus Pike?” She chokes out, trying not to laugh at the absurdity of it. “The FBI agent? The man who was an Eagle Scout?” She and Juan had pulled that nugget of information out of him at game night.
“Because apparently, he’s ‘suddenly everywhere’ when none of us had seen him before.” Jam and butter join your bread roll and you sigh a little at the comfort of it. “I think it’s just confirmation bias. Like we probably were in the same places as him before, we just didn’t know to look for him.”
“Well…Juan would have recognized him.” Syd reminds you. “So that’s not exactly true, but I understand what you mean.” She sighs and hesitates for a moment. “Do you think it’s him or because he was with Vanessa?” She knows the other woman has a crush on Sam, it’s obvious from the hero worship stars in her eyes when she’s around. She knows Sam isn’t the type to cheat, but maybe there’s some feelings there that are repressed.
“I feel like that didn’t help.” Coffee and a little breakfast is helping. You can think a little straighter even if you don’t like the thoughts. “I know Vanessa has a thing for him. It’s not subtle. But before now I didn’t think there was cause for concern the other way.”
“It could be that Sam thinks that Vanessa could give away information that he could use if Marcus wanted to cause problems between you and Sam.” She rationalizes. “Slightly conspiracy theorist in my mind, but I could see how it could be construed.” Sydney enjoys playing Devil’s advocate, even if she likes Marcus and doesn’t think he is angling for anything.
“Before last week, I didn’t think there were problems between me and Sam.” It’s disconcerting to realize, as you stand here and talk through it with your best friend, that your relationship has not been as steady as you once thought. “Now? I don’t know.”
“Other than his overreaction, what makes you think that?” She asks, aware that you’ve been a little edgy lately but every relationship has ups and downs at times.
“He seems…really agitated lately. Much more upset than usual about having an agent around. Last night he wanted Agent Bailey to sit out in the hall while we slept, how does that make sense? And making comments about the future of our relationship to other people?” To Vanessa’s parents, now that you think about it. It sometimes slips your mind that his most trustworthy aide is also the only daughter of one of his largest donors. “Everything just feels on edge.”
“Have you talked about all this? Like really sat down and talked?” She frowns, not liking what she is hearing, although it could just be a case of miscommunication.
“Before now there hasn’t really been a reason.” Or at least, there hasn’t been such an obvious compilation of reasons. “And considering he never texted me back when he got home last night, now I’m wondering if he’ll be willing to sit down and hash things out.”
“I’m sorry.” She slides the shot of espresso over and reaches for your hand. “I like Sam, but if it doesn’t work out, it’s better to find out now, than down the road.”
“With the whole soulmate thing and now this kind of…weird accumulation of things?” You shake your head and just sort of shrug awkwardly. “I feel discouraged in a way that I really wasn’t expecting.”
“I’m sorry.” Immediately feeling guilty, Sydney’s shoulders drop and she bites her lip. “I shouldn’t have teased you about finding out what kind of hummingbird tattoo he has.” She hadn’t expected it to cause so many problems, or for you to be so resistant to it. Before Sam, you would have demanded to see the tattoo right away just to disprove the soulmate theory. “What can I do to help you?”
“Honey, you’re growing a literal human. You have enough to deal with.” It’s disheartening, and confusing, and frankly you’re shocked that you’re so willing to throw up your hands. That’s not like you at all.
“That doesn’t mean I can’t and won’t be there for my best friend.” She argues, frowning at you. “Your shit is my shit, remember? I’ll be expecting you to do a rotation getting up with the baby.” She jokes, wanting you to laugh a little.
"If we still lived together, I absolutely would." Being in this apartment upstairs is actually the first time you've ever lived alone — taking over the role of caretaker for the inn when Sydney moved out of the apartment you had been renting in Old Town to buy a house with her soulmate. "At this point I feel like I'm between a rock and a hard place...and one of those blockages is purely made up of how confused I am over...just feeling like I want to throw in the towel instead of working things out. That's not who I am. Or not who I have been."
“Honey, sometimes you just…don’t want to work things out. That doesn’t make you a failure.” She hums. “You might just realize that you have different goals.”
"But why do I feel that way?" There's only a few bites of your bun left and you know that today is going to be a peckish day. You tend to nibble when you're worried. "Is it just because I'm having doubts? And why am I even having doubts? It's...soulmates never mattered to me before this."
“Maybe it’s because of the man and not the soulmate aspect?” She probes gently. “Let me ask you this….if you weren’t in a relationship with Sam, would you be interested in Marcus. Even without the soulmate possibility?”
"I—" It feels dirty. A kind of guilt you really don't like and makes your skin crawl. But this isn't a situation you're going to lie about. Not when you're literally asking your best friend for help. "I mean...probably. Yeah."
“Then you should step back. From Marcus or Sam, that decision is yours. But some space might be needed to figure out what you are feeling.” Syd suggests.
"All the social media shit from our date last night is going to go viral really fast if anyone gets a whiff that we've broken up." Just as astonishing as the idea that you would even consider ending things, it's alarming how fast your heart knows the right decision to make. Or at least what you perceive as right in this moment. "It's going to be a shitshow..."
Sydney doesn’t comment on the fact that it seems like you’ve made up your mind, just humming. “Take it slow. It doesn’t have to be some kind of announcement.”
"The last thing I want is to have to make an announcement." The end of your coffee cup comes all too soon, and you fill it up again with a sigh. This morning is going to be a lot for many different reasons. "Syd...you would stop me if you thought I was making the wrong choice, right?"
“I would definitely try to talk to you.” She promises. “I like Sam, I really do, but if you don’t see yourself marrying him, well—” she shrugs. “Just give yourself a week, how about that?”
"Have I really reached the point in my life where it's not worth staying with someone that I don't see myself marrying?" That is a fairly rude awakening because of how honest it is, and you stifle a groan in one hand. "You're right, and I know you're right. But the State Dinner for the Spanish royal visit is in just over a week. The last thing I want is to have to go to that alone."
“To make it fair, give yourself that time.” She tells you. “Give him an honest try and if you still can’t see it, then you have your answer because Sam is the type to want marriage.”
"I want to get married, too." You always have. Ever since you were little. You reveled in family weddings and dreaming in your own big day. You had even talked to Marcus about it at the market. But whenever the future comes up with Sam, it ends up feeling tense now. "I just...it's a lot to even think about, Syd. You and Juan just...you're so good together. I don't think I'll ever get that lucky."
“I think you will.” She encourages. “My relationship with Juan isn’t without work.” She reminds you. “We still have to communicate and work through issues.”
"But it's worth it because you love each other so much." The sentence is out of your mouth before you have a chance to really sit on what you're saying, and just seconds after you hear yourself say it, your shoulders fall in defeat. "Oh...fuck..."
“What is it?” She asks, frowning at the way you just seemed to deflate.
"It's worth it for you and Juan to work through your issues because you love each other so much." Repeating the phrase makes it hurt all the more, because you didn't realize until this exact moment that it doesn't apply to you. At least, not anymore. "I...don't think I feel the same way..."
“Oh honey.” Her expression softens and she is immediately around the counter again, this time pulling you in for a big hug.
"I'm okay," you insist, through very obvious tears that announce the contrary. "I'm okay." You have to be. You have work to do, and you can't greet a large family party here to announce and celebrate an engagement with runny mascara. "I...have to be okay."
“Listen.” She lets you go and takes your shoulder to look you in the eyes. “You are going upstairs. Ahhh.” She stops you when you start to protest. “Take ten minutes, take an hour, take all day, but take some time to yourself before you start running around dealing with the very obvious results of love.” She tells you. “I can get them started with food and then Juan can take over to take them to the venue.” She shakes her head, huffing when you open your mouth again. “No, I’m not listening. Now go.”
"I'll be back in ten minutes." The best thing you can do for yourself today is keep busy, but she's right that you need to have a clear head for things to go well. "I just...I didn't know this was going to happen today. Or ever."
“I know, babe.” She squeezes you again and sighs. “But I’m here for you. Completely.”
"Thank you, love." Squeezing her tight against you as much as you can, you steal your second coffee away with you from the kitchen and head back upstairs with Agent Sisson following behind.
Sydney sighs as she looks at the door you disappear through for a moment before turning back to her work. The best way she can help you right now, is to make sure the incoming clients are happy.
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Walking out through the back hall, you clutch your mug of coffee and try to hang onto a thread of dignity until you get back upstairs. There are more tears pressing at the back of your eyes and you absolutely do not want them shed in public. The elevator is in use, apparently, and you jam your finger in the button a second time for good measure before blowing out a sigh. What a great fucking Valentine’s last night turned out to be, and what a terrible fucking day this is looking like…
The little toiletry kits provided in the rooms are a godsend and both Marcus and Vanessa quickly clean up after the alarm had woken them. “Can’t believe we drank so much and we don’t have hangovers.” Marcus hums, riding the elevator down to get a quick breakfast with his Valentine’s date. They had ended up finishing a bottle and then having another few glasses while dancing. Feeling too drunk to safely get home, the night manager had agreed to let them take one of the rooms on the promise they would check out early. He has been grateful and eagerly agreed. “How about you?”
“Normally I would say I’m still drunk,” Vanessa admits with a sheepish laugh. “But I’m okay. I think it’s just a miracle and I’m not in the habit of questioning those. Though I could use some breakfast.”
“I’ll get you fed and then get you home so you won’t be late to work.” Marcus promises. He will be late, but he had already told his team to come in late, so it’s just paperwork that he’s missing.
“In case no one has ever told you before, you are a consummate caretaker.” It makes a girl like Vanessa feel very special, who spend her working hours caring for someone else and her downtime making sure to live up to her parents’ expectations, and while Marcus Pike isn’t quite her dream man — he’s handsome and sweet and she would be stupid to ignore that.
"I like to make sure people are happy and safe around me." Marcus shrugs off the praise with a small grin. "I took you from your house, it's only right I deliver you back to it." He hums as the elevator stops and dings before the doors open. "Now to get you fed."
When the elevator doors slide open in front of you, the most unwelcome sight in the world is waiting. The vision of Marcus Pike and Vanessa D’Amario in the same clothing you saw them wearing last night, looking refreshed and giddy huddled together in one corner of the elevator car makes you want to turn on your heel and flee back into the kitchen. And you probably would, if you weren’t rooted to the spot in shock and trying to remember how to breathe.
Vanessa murmurs your name in surprise. "I—I didn't expect to see you here this morning!" Her eyes dart around, almost nervously as she expects Sam to pop up. "I—uh, is Congressman Chase here?" She asks, "I thought— he said that you had a date." Normally dates between you and Sam included sleepovers.
“He’s not here.” You won’t invite questions by giving extra information, but when your feet remember how to work, you step out of the way to let them off the elevator. “I—um—I was just headed upstairs.” Sam is going to be in a very foul mood if he’s coming off a bad night and Vanessa walks in looking freshly fucked, and that almost makes you sob all over again. “N—nice to see you, Vanessa. Marcus.”
Marcus can't even do more than just nod and lift his hand and wave slightly, feeling foolish as he watches the doors slide closed and your eyes meet his in a kind of silent agony. "Well," Vanessa giggles and Marcus can't help the way that he swallows guiltily, like he's done something wrong. "I guess that's one way for my boss to learn I had a date."
______
Master Tags: @pixiedurango @chattychell @winter-fox-queen @lady-himbo @artsymaddie @princess76179 @paintballkid711 @missminkylove @pedrosbrat @ew-erin @sarahjkl82-blog @sharkbait77 @justanotherblonde23 @lv7867 @recklesswit @mylittlesenaar @f0rever15elf @gallowsjoker @steeevienicks @athalien @sherala007 @skvatnavle @thatpinkshirt @jaime1110 @girlimjusttryingtoreadfanfics @goodgriefitsawildworld @greeneyedblondie44 @littlemousedroid @harriedandharassed @churchill356 @ajathegreats-blog @haylzcyon   @beardsanddetectives @kirsteng42 @ladykatakuri @adancedivasmom @madiebear @tanzthompson @emilianamason @bigsdinger @xocalliexo @pedr0swh0r3 @avaleineandafryingpan @charlyrmv @avidreader73 @iceclaw101 @loveslide @elegantduckturtle @becsworld @julesonrecord @its-nebuleuse @itsrubberbisquit @mikeyswifie @guelyury @lizzie-cakes @for-a-longlongtime @vabeachazn @purplerain04 @weho2kcmo @madnessofadaydreamer
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brf-rumortrackinganon · 4 months
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Endgame: The Book Report
So here it is. It kinda goes off the rails towards the end. That's the problem with having to drink through this: it's very easy to lose your train of thought, so you end up rambling.
As always, the TL;DR first. I'm goign to use headings and subheadings in the report below for easier skimming.
There aren't many new revelations, but there's still a bombshell.
It's not as bad as Finding Freedom but it's still not good.
Scobie definitely holds a grudge for the way he was treated after Finding Freedom published.
The hypocrisy is unreal.
Scobie and the Sussexes don't understand how business works.
An important conversation on race gets lost.
Rage against the machine and media
Not many new revelations, but there's still a bombshell.
There isn't a whole lot that's new. Most of the book (maybe 75%/80%) is things we already know about because they were covered extensively by the media when it happened.
Sources. He never names names, so the whole thing is written based on anonymous sources and it doesn't seem reliable. Not to mention, some of the sources read like it might be the same person, but Scobie is treating them as different people so it looks like he has a ton of sources. It suggests, to me, that he doesn't have the kind of access he claims to (which is probably true. There was a leak a couple months ago by one of the royal reporters that Scobie once called them begging for contacts and sources because no one was talking to him) and he's scrambling to cover it up.
Piers Morgan. Scobie confirms that Piers is close to Camilla. They grew up near each other and have fond memories of their hometown that they’ve connected over. There’s a 10-year age gap between them so it’s more like they have people/experiences in common than they played together. Scobie is careful not to say that he thinks Camilla gives information to Piers but he makes it clear that Piers’s loyalty has not gone unrecognized by Camilla.
The Bee, The Wasp, and The Fly. Harry's villains in Spare, which he nicknamed so he wouldn't be sued could speak more openly about them. I remember a lot of guessing about who these were but I can't recall if anyone confirmed their names. Well, Scobie does.
The Bee is Edward Young, whom Harry hates because “Young abused his gatekeeping power, gaslighting him when it came to passing along important messages about his lawsuits to the media, and then prohibiting access to his grandmother when Harry needed her the most, all under the guise of ‘protecting the sovereign’.” Harry and Scobie also believe that Young truly loathed Meghan and “was slow to help find patronages and active roles” for her after the wedding. “Sources say he ‘dithered’ for eight months before nudging Queen Elizabeth II to appoint Meghan as the royal patron for the National Theatre.” (So Meghan is incapable of doing her own work to find suitable charities and patronages? So much for hitting the ground running like she claimed.)
The Wasp is Clive Alderton. He's Charles's crony.
The Fly is Simon Case, whom Harry sees as the cause for his and William’s relationship breaking. In Harry’s perspective, Case made moves that prioritized William’s role as heir without consideration for Harry. Some of Case’s actions felt like they were made to promote William at Harry’s expense (for instance, Harry believes Case pushed British media to attack the Sussexes over their travel by private flight and organized the Cambridges’ commercial Flybe flight to Balmoral with the express purpose of being able to tip off the press). 
Rota System. Scobie describes how the rota works. It is the most complete explanation of how the rota works that I can recall reading in royal books and I can't see them being very happy he pulled the curtain back. (More on this in the 'Media' section further down.)
Courtiers - Scobie explains that in the palace lexicon, a courtier is “a press official or private secretary who manages and offers advice to working royals, strategizes engagements, and releases information.” These are Diana’s “men in gray suits.”
The bombshell - Scobie implies that Harry accused Christian Jones of either hacking his and Meghan’s phones/office(s) and feeding information to Dan Wootton at The Sun or facilitating access for Wootton/The Sun to hack their phones/offices, leading to Wootton’s Megxit scoops.
Scobie doesn’t say that specifically and he’s careful to paint Harry with sympathy but it’s there between the lines. After describing what happened, Scobie writes that Harry was surprised by the Palace’s response, that they were angry at him, not Jones, and that they had arranged a lawyer for Jones (which is, to me, the first subtle hint that Harry wasn’t just complaining and had actually made some kind of accusation). Scobie goes further to say that the Palace interpreted Harry’s complaints as a threat to sue so they lowered the boom and then Harry realized how badly he fucked up so he did the classic “you’re overreacting, that’s not what I said.”
The timeline is a little unclear but from Scobie’s writing, Harry’s “report” to higher authorities of his concerns about Jones and The Sun happened in April 2020 after “starting” in January 2020 at the Sandringham Summit when Harry apparently spoke to William about this. Now, this is where I get a little “be fucking for real.” Let’s be clear: the Megxit statement was Harry announcing his intent to quit and the Sandringham Summit was the BRF saying “we accept your resignation, your last day is X” (which ended up being March 9th, the Commonwealth Service). Which means that by the time April rolled around and Harry made this “report,” he was no longer an employee of the firm; he was, for all intent and purpose, a disgruntled ex-employee with a grudge. Of course the Palace is going to come down hard on him, because they’re going to protect the person who is still there working for them. 
Harry (and Scobie) seem to believe that this “report” of his concerns with The Sun is directly connected to the palace’s decision in July 2020 to cut off all the financial support he and Meghan were still getting from the Crown, including the official private security that Charles was paying for. (This is the second subtle hint that his “report” was actually some kind of accusation or threat.) Maybe there is a correlation, maybe there isn’t. But at the end of the day, Harry fucked around and Harry found out.
(Christian Jones comes up again in the Media section.) 
It's not as bad as Finding Freedom, but it's still not good.
Finding Freedom. One of the things everyone roasted Scobie on was all the merching, name-dropping and brand promotion that was in Finding Freedom. He must have learned his lesson because there’s very little of this. In that regard, Endgame isn’t as obnoxious to read.
The Crown. Scobie mentions The Crown a few times and talks about a couple of plot points. It only happens three or four times, but it’s a definite clue that his audience is the casual royal watcher here only for the drama. It’s hard to take him (or anyone, really) serious when he’s compelled to base the veracity of something happening on whether, or how, The Crown covered it.
Editing and fact-checking. The editing (grammar, punctuation, etc.) isn’t as bad as in Spare, but Scobie and his team definitely have some mistakes. Someone on that team doesn’t know how to write a list, so there’s a lot of strange clauses and phrases.
With the fact-checking, there are a few glaring errors that close followers/watchers of the royal family will pick up. The most egregious one is this sentence:
During a conversation just hours after the September 19, 2022, funeral of Prince Philip, Harry confronted his father and brother about why nothing was done on Meghan’s behalf.
Philip’s funeral was April 17, 2021, and we know there was a Harry-Charles-William confrontation afterwards. The Queen’s funeral was September 19, 2022, and no one reported a Harry-Charles-William confrontation afterwards, so I don’t think it happened there. (Also William wasn’t talking to Harry by September 2022 - Scobie makes it painfully clear that William was both refusing to see Harry and refusing to take his calls.)
However, if you google Prince Philip’s funeral, you get this:
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The truth is that Philip’s funeral was on April 17, 2021. But Philip wasn’t actually buried (i.e., placed in his final resting place) then. That had to wait until The Queen’s funeral, and it was widely announced at the time that he would wait. The Queen and Prince Philip were both interred together on the evening of September 19, 2022, in a private family-only service.
So that’s some very lazy fact-checking. It's Internet 101: Verify, verify, verify.
Other similar instances:
Scobie’s description of The Queen’s return home to London: "Five days into the ten-day period of national mourning, King Charles and Camilla, Queen Consort, received the coffin at RAF Northolt, on the western outskirts of London. It was there the royal family handed over her body to the public she served--Her Majesty then lay in state until the day of her funeral." (Charles and Camilla weren’t at RAF Northolt. They received the coffin at Buckingham Palace - remember, Scobie? When you got the only photograph of the moment because Meghan tipped you off?, and the family didn’t “hand over” The Queen until the following day, Day Six.) (Here’s the livestream from RAF Northolt; go to 25:07 for a view of the receiving party).
Scobie writes that Sara Latham was working for the Sussexes in Summer 2018, but she wasn’t hired until March 2019. (The specific quote is in the Meghan’s Lapdog section below.)
Scobie writes that William “automatically became the Prince of Wales--the Duke of Cornwall in England and the Duke of Rothesay, Earl of Carrick, Baron of Renfrew in Scotland” on the Queen’s death and Charles’s accession. William got the Duke of Cornwall and the rest on Charles’s accession. Charles had to bestow Prince of Wales on him.
The second instance of fact-checking that jumps out is Scobie’s own fact-checking on misinformation about Harry and Meghan, yet he perpetuates it against other members of the royal family. Here’s an example. Scobie discusses how News of the World published stories about Harry's drug use as a teenager but then goes on to say:
While Harry has admitted to spending many nights at Highgrove getting high and drunkenly falling into trouble at a local pub in Wiltshire, the story failed to mention that this rebellious time in his life was partly the result of Charles leaving him alone at his country mansion for a majority of the summer in 2002.
But then Scobie gives only partial stories for other royals, conveniently leaving out the pieces that nullify his argument:
It's impossible to forget the time Kensington Palace issued an official statement in defense of Kate after a plastic surgeon had suggested to a newspaper that she, then the Duchess of Cambridge, had 'baby Botox' injections to reduce wrinkles.
and
And who can forget when [Edward and Sophie] was sent to Antigua and Barbados, Saint Vincent and the Grenadines, and Saint Lucia just one month after William and Kate's flop Caribbean tour?
and
“There is even a rumor (one that, surprisingly, sources have confirmed) that Charles likes to have someone squeeze exactly one inch of toothpaste onto his toothbrush for him ahead of his bedtime routine.”
The truth is that KP only took action about Kate's baby Botox claims because the surgeon was using her image to promote his practice. And the way Scobie describes the then-Wessex tour of the Caribbean, he means for us to think it was an apology tour after the terribly-received Cambridge tour, but that is not at all the case: the Cambridge tour and the Wessex tour were both announced on the same day, in the same press release. And yes, Charles did once have someone toothpaste his toothbrush, but only when he had a broken arm/wrist and couldn’t do it himself.
Citations. Let me ask you a quick question first. When you read a nonfiction book like this, you expect the author to cite their sources in the text, right? You want the footnotes and the endnotes so you can look up where things are coming from, right? Well, not Scobie! He lumps his sources and citations together in a “credits” section at the end of the book. If you want to know what a source says or which article he’s referencing, good luck. For me, this is terrible practice because it obscures and obfuscates the strength of his work. It calls a lot of questions about the accuracy of his reporting that he can’t properly attribute his quotes, sources, or reference materials and makes the possibility that his entire book is the same handful of anonymous sources more likely.
Strange interludes. Throughout the book, there are strange interludes of, well, history lessons. There are sections on Charles II and William IV, sections about Hamlet and Beckett, and Scobie even discusses Lucy Worlsey’s book on Georgian courtiers (YOU KEEP LUCY WORLSEY OUT OF YOUR MOUTH **Will Smith slap**). I see what he’s doing - he’s trying to connect the issues in the modern House of Windsor with other periods of institutional stability - but it doesn’t really work. It’s awkward. In some places it works better than others, like the piece about Worlsey’s courtiers goes easily with Scobie’s discussion of Charles’s courtiers. But to bring up William IV only to point out how Charles is older than him? It’s clunky.
What exactly is this book? I don’t know. Sometimes it’s a cultural interpretation of the modern House of Windsor in the new Carolean age through the lens of media relations. 
Sometimes it’s Scobie’s memoir. He puts himself in the middle of these stories a lot, to the point where it’s like 50% his personal recollection and 50% commentary. We get it, man. You have a fabulous job with access to the kinds of people and events the rest of us can only dream about it. But it’s not about you. It’s about the people around you. Take yourself out of it.
Sometimes it’s an investigative journalism-like expose. It reminds me a lot of the works by the muckrakers, who were working hard to expose corruption and implement reform. There are sections of the book that feels preachy, where Scobie is writing about his ideas for how the palace’s relationship with the media need to change or how their stance on race relations could modernize, and when it’s not accepted or taken seriously, you can feel his anger seeping off the page that no one’s listening to him. 
And sometimes it reads as if it’s been ghostwritten by Meghan and Harry themselves. There are some stories, some quotes, some details–especially post-Megxit–that could only come from them, or people very close to them in California. And you know, given how intensely private Harry and Meghan are, they absolutely consented to those stories being part of Scobie’s book. Scobie tries hard to cover those tracks but it leaks through. Here are some of those quotes/sections:
The next morning, after a further Palace update warned that her doctors were 'concerned for Her Majesty's health and have recommended she remain under medical supervision,’ an insider messaged me to say, 'It's not looking good.' For a multitude of reasons, I hoped the warning would turn out to be false. Arriving at ABC News' offices that Thursday afternoon, I received a text from someone very close to the family. As I caught my breath in the elevator of the Disney-owned building, 'A Spoonful of Sugar' was playing quietly in the background, making a surreal moment even more so. 'Please don't say anything yet, but I think it's happened,' they wrote. I responded with a follow-up, checking that I understood their message correctly. No doubt trying to get confirmation of their own, the source--someone whose word I had come to trust over recent years--didn't reply.
and
[Princess Michael] later apologized for the indiscretion (though never directly to Meghan), but according to sources, the princess still shrugs and wrinkles her lip when the subject comes up. 'I don't think she particularly cared,' a senior royal source told me.
(how would Scobie know she never apologized directly to Meghan?)
and
As the morning sun rises over Santa Barbara, bathing the steep Santa Ynez Mountains, and the Pacific Ocean sparkles with California's trademark glow, the sprawling Sussex compound in the wealthy enclave of Montecito is already popping. With Meghan already preparing a family breakfast in the kitchen, Prince Harry is busy getting the couple's children, Prince Archie and Princess Lilibet, ready for nursery school and toddler playgroup, respectively. Despite the staff on hand to help during the daytime, when Harry and Meghan shift into work mode, the Sussexes keep their mornings as time 'for the family only,' said a source--no staff.
and
The Sussexes' team received correspondence from Buckingham Palace's Keeper of the Privy Purse Sir Michael John Stevens, who informed Harry and Meghan that, as they were no longer working royals or based in Britain, they needed to give up the keys to their royal rental, Frogmore Cottage. Although there were reports to the contrary some months later, I spoke to a source close to the couple on the day they were informed, and there was a clear feeling of shock and disappointment as the news sunk in.
Kate. How Scobie writes of Kate reveals that he may not be as close to the Waleses as he claims:
And now, like Diana, she, too, is the Princess of Wales. It’s a title that carries a huge and extremely important legacy, but sources close to the royal (who, for those wondering, ‘is just as happy being called Kate as she is Catherine’) say she is surprisingly ‘unfazed’ by her new destination.
I’m specifically talking about why he calls her Kate versus Catherine. (And I have issues with “surprisingly ‘unfazed’” too.) Yes, everyone knows that at one point, she was called Kate. But it’s been made very clear that she prefers to be called Catherine. She introduces herself as Catherine. William and the family calls her Catherine. She signs her letters, cards, and tweets as Catherine. She asked her own friends and her own family to call her Catherine. Nobody calls her Kate except the public, and I feel pretty confident in saying that the “call me Kate or Catherine” message was explicitly intended for the general public, because she isn’t going to be all ‘ahem, my name is CATHERINE’ to fourteen-year-old Jennifer who’s so excited to see her, and the press decided to lump themselves into that category because their SEO is tied to ‘Kate.’
But what I’ve noticed is that people in the traditional press are starting to call her Catherine, especially those that write books. The shift seems to have begun when The Queen passed and Kate became The Princess of Wales.
So for Scobie to happily call her Kate and justify it with ‘well she said it’s OK!’ when she very clearly prefers Catherine makes him more uncredible. He can call Meghan by her preferred name. Why can’t he call Kate ‘Catherine’ because she prefers it?
(As for “surprisingly unfazed” - listen. The woman took William back seventeen years ago KNOWING that this was her future. That’s 4 years “pre-engaged” and almost 13 years of marriage, and you’re telling me you’re shocked, just SHOCKED, that she was prepared to be the Princess of Wales? Scobie, please.)
Scobie holds a HUGE grudge about the way he was treated after Finding Freedom.
He’s not Meghan’s lapdog! Much of the criticism Scobie endured from Finding Freedom were allegations of how close he was to Meghan. He denies, denies, denies all through Endgame, and those statements are dripping with scorn and derision. He absolutely hates that people don’t take him seriously because of a perceived connection to Meghan:
The papers would often refer to me, incorrectly, as Harry and Meghan's 'pal,' another lie largely created to delegitimize the details I was sharing from sources close to the couple that often went against narratives that tabloids were reporting.
He goes to great lengths to tell us and make sure we know that he is not close with Harry and Meghan, that he is close to their communication aides/staff. That may or may not be true, but it certainly does not help his case when he keeps saying things like:
During the peak of [Meghan's racism on-slaught and Scobie's social media pile-on] in late summer 2018, I received a call that I thought was from the couple's head of communications at the time, Sara Latham. We had been texting back and forth about an upcoming royal engagement. 'Hi, Omid!' a female voice chirped. It was different to Latham's northwestern American accent. 'It's Meghan.' I put my iced coffee down, not quite sure if the call was a prank. 'We saw your name keep coming up on the phone...and I just wanted to say high, see how you're doing.' Sara had mentioned to her that I was dealing with my own online harassment and threats.
and
When the couple left their children in California with Meghan's mother, Doria Ragland, and a nanny to visit the United Kingdom and Germany for five days of engagements in September 2022, neither knew that the quick-fire trip would result in a two-week return to royal drama. Neither did I. During this visit, I joined some of their engagements and watched as Meghan gave a speech to teenagers and young adults at the One Young World summit in Manchester.
and
That summer, Christian Jones--who remained at Kensington Palace to oversee all the Cambridges' media efforts--messaged me out of the blue to say it would no longer be appropriate to socialize. Another aide later told me that William had requested this. As we approached 2020, I felt the growing strains on my working relationship with Kensington Palace, who were also much more guarded when it came to their own communication with the Sussex team at Buckingham Palace. I was still invited to the private briefings and announcements but, two months after returning from an October tour with the Sussexes in southern Africa, one of William's aides revealed that William felt 'uncomfortable' with my relationship with the Sussex team.
He’s so close to the Sussexes that Meghan has personally spoken to him, that he was invited to cover their fauxyal tour in September 2022, and William himself is uncomfortable with the access he has to Harry and Meghan. And he doesn’t see how or why people may think he’s in Meghan’s pocket?
It’s very clear that Scobie thinks of himself to be a consummate journalism professional, a neutral third-party whose only loyalty is to truth and fact. According to himself, he can report a Cambridge/Wales versus Sussex issue fairly, accurately, and evenly, but the way he describes certain events taking place tells us that part of his dislike for William is because William never gave Scobie the opportunity to prove it; William, or William’s team, saw Scobie getting closer to the Sussexes and nipped his “both sides of the fence” strategy in the bud. This, I suspect, is why he’s so offended when people accuse him of being close to Meghan and Harry - because by being so closely linked to the Sussexes, he lost preferential treatment from the Cambridges and that absolutely reflects poorly on him. 
Lost access. Scobie is very transparent and very clear that he lost sources and access to Kensington Palace several times because of his “loyalty” to the Sussexes, most especially after Finding Freedom published:
Owing to a unique pool of sources and a refusal to follow the crowd, I quickly became a trusted confidante for many in and around the younger family--a true insider. But all that changed in late 2020 after the publication of my first book, Finding Freedom, about Harry and Meghan's whirlwind journey in, and out of, the House of Windsor...The fear of damaging revelations scared the family and angered powerful Palace operatives, and it also put a mark on my back...I'm still in the mix, but let's just say I'm no longer the journalist who some in the family, or the more royalist-leaning correspondents, are thrilled to see at engagements. Having moved away from playing the Palace game of give-and-take to maintain access, I am now a perceived source of trouble for the institution.
While he’s mostly bitter that Finding Freedom cost him sources and affiliation, he also sees it as a badge of honor, arrogantly boasting:
I am now a perceived source of trouble for the institution. Why? Because I know--and share--too much. For four years, some of the most damaging in Windsor history, I witnessed the full scope of the deceptions, malice, and defensive posturing of an unstable family business and an institution in decline. I saw how far they would go to save their own skin, the deep corrosion at the heart of the royal establishment, and I've witnessed the human damage done because of it."
and
Parts of this book will burn my bridges for good. But to tell the full story, there’s no holding back. Not anymore. We’re in the endgame. (Isn’t this the same speech Ironman gives in Avengers: Endgame?)
The hypocrisy is unreal.
Overly sympathetic to the Sussexes. We all knew that Endgame would be clearly biased in favor of the Sussexes since that’s where Scobie has drawn battle lines, but the extent to which he gives Harry grace and sympathy is beyond astounding and, at times, beggars belief.
For instance, one of the constant lines throughout the book is how frequently Harry keeps trying to reach out to Charles and William to have “conversations.” In Scobie’s world, Harry is completely absolved of anything he may or may not have done to upset Charles and anger William, that the lack of relationship between Charles/William and Harry is completely on Charles and William because Harry is always communicating, always reaching out, always wants to talk, always available for a call. Scobie makes it clear that Harry (and Meghan) expect apologies and accountability. But where is Harry and Meghan taking accountability and making apologies for what they did? There’s a fundamental inability for any of them on “Team Sussex” to realize that if they truly desire a conversation and apologies, then they need to apologize first; doing so would make it clear to Charles and William that they’re serious about resolving these issues. 
Except I think they know that. The way Scobie phrases some of this seems to hint that the Sussexes know being able to have this conversation means they need to take accountability for their own behavior/actions and apologize to Charles and William. But they won’t because they thrive on the attention and drama that making these demands every quarter brings them. It’s the only way they have been able to reliably and consistently stay in the news.
And one of the more infuriating comments Scobie makes is this one:
One is left to wonder if William of Anglesey or William the air ambulance pilot would have left his sibling out in the cold in the same way.
Why is the broken brotherhood all on William? Why is it exclusively related to William coming to terms with his status in the family? Why isn’t there equal accountability on Harry, who takes such pride and ownership in being a soldier, who’s talked about the guilt of having to leave my guys behind? If William of Anglesey or William the Air Ambulance Pilot wouldn’t leave Harry out in the cold, then Scobie needs to equally ask: Would Captain Harry Wales have abandoned his brother and left him behind?
Bias against William and Kate. We also knew that Endgame would be a smear job against William and Kate. Scobie doesn’t let us down. He delights in pointing out how awful William is to be thinking about a future without Charles (forgetting that Charles did the same thing to The Queen, and also when The Queen was much younger than Charles is now). He’s thrilled to paint William as a ruthless bully in the way he manages his staff and how his staff is equally ruthless in the way they engage/interact with other staffs, especially in communications and media relations.
What surprised me is that Scobie isn’t as venomous as he usually is in his coverage of her, which often is rooted in the relationship between Kate and Meghan. He does get his digs in, don’t get me wrong:
He calls her workshy and lazy without saying the words directly: “Where other senior royals are out and about several times a week…Kate has long maintained a smaller work schedule that helped her check off the required royal boxes while saving time for her roles as a mother and wife.”
He reinforces the “Carole is the master schemer” rumor: “Carole saw that the pretty and grounded Kate was ready to carry the family name further to the top…The Middleton strategy involved more than just aristocratic affectation–Carole calculatingly placed Kate right at the center of young Prince William’s world….Carole set things up, and Kate took it the rest of the way.”
He mentions the “plastic princess designed to breed” article.
He says that Kate’s Hold Still project was the same thing as Meghan’s Hubb Community cookbook. (On the surface they are similar, yes, but Meghan slapped her name on the cookbook and took credit for everything whereas Kate was involved with the Hold Still book from Day One with the initial contest and took credit only for the actual introduction she wrote, letting the community own the actual content.)
He brings up the unfriendliness with Meghan: “She spent more time talking about Meghan than talking to her…Kate has jokingly shivered when Meghan’s name has come up around her”.
And of course, it's not a smear job until the Rose rumors are addressed. Don't worry. They're here too.
There’s plenty more where this comes from, but Scobie’s overall portrayal of Kate is that he sees her as a victim to the palace machinery who survived on the basis of being willing to submit fully to the “palace personality makeover.” She has succeeded where Meghan, Diana, and Sarah failed because she was willing to be trained (why, Scobie claims, The Queen liked her) and she had William’s protection to keep the monarchy from corrupting her. It’s an interesting spin that I didn’t expect from Scobie, but he takes it too far with a metaphor that the Palace has stifled her individuality: 
"Here's the thing about [the weeping blue cedar Kate planted at an event in 2019]: It's naturally slow-growing and requires adequate space for its sculptural branches and cascading needles. But if there is too much pruning, or the space around it is too restricted, the tree ends up taking on an odd shape and loses the character that made it so special in the first place."
Because in blaming it all on the Palace, Scobie conveniently leaves out any accountability for himself or the press in the way they treated, and have, at times, mocked Kate, such as:
Some journalists who have been approached by publishers to author biographies about the Princess of Wales have turned down the chance. 'I'd barely be able to do a chapter, let alone an entire book,' one joked to me. (Even so, a Kate book would sell like gangbusters. Missed opportunity if you ask me.)
and
[M]ainstream coverage of Kate in the British papers is overwhelmingly positive, often bordering on infantilizing the princess, with articles marveling at her ability to perform the simplest of tasks (think enthusiastic reporting about kicking a soccer ball or flipping a pancake or how amazing it is that she can assume a perfect 'princess pose' in photographs).
Scobie seems unable to realize that the reason Kate has retreated “further into” the palace machinery is because the press keeps pushing her into it. She has kept her individuality and her personality and her “Kate”-ness, but it’s reserved only for those close to her and only for the general public that genuinely cares for her. The “palace persona” that Scobie sees her in is the elevated version of herself she presents to the press. And why wouldn't she let them see who she really is? They mock her and belittle her any chance they get!
The hypocrisy, overall. It’s just exhausting. Scobie plays everyone against each other, sometimes even contradicting his own stories.
We can be ageist but not racist - discriminating against Lady Susan Hussey is okay because she’s eighty years old and that disqualifies her from public service.
It’s okay for Harry to complain but not William or Charles.
It’s okay for people to not know who the Earl and Countess of Wessex are but everyone in the whole damn world must know who Oprah is.
It’s okay for Charles to plan his future but not William.
It’s okay for Charles to own six properties but William can’t have three.
It’s okay for Harry to use the media to settle grievances, but not Charles.
It’s okay for Charles to show leadership, but not William.
It’s okay for the Dutch royals to let scholarly research on their role in the slave trade determine how, where, and when they apologize for their colonialism but the BRF needs to apologize and make reparations immediately.
It’s okay for Meghan to have help at home and prioritize family time, but not Kate.
It’s okay for Harry to cash in on Diana’s memory but not anyone else, and certainly not William.
It’s okay for the Queen to take lots of time off because she works a lot but not Kate, who doesn’t work because she has children. (Is raising children not work?)
It’s okay for the Queen to avoid talking to the media, but not Kate.
It’s okay for the Sussexes to have preferred reporters but not the Cambridges/Waleses.
It’s okay to tackle misinformation about Harry, not anyone else.
It’s okay for Charles to upstage the Queen/his parent but not for William to upstage the King/his parent.
It’s okay for Harry to blindside his family announcing things to the media first, but not anyone else.
Scobie and the Sussexes have no idea how actual business works.
So many times I thought “tell me you don’t know about the corporate world without telling me you don’t know about the corporate world.”
The biggest giveaway that they have no idea how businesses operate is this mutually-held idea that change must be immediate and must begin as soon as someone thinks of it. There’s no regard for policy, no regard for process, no regard for procedures, no regard for research, no regard for any kind of preparation to make it a lasting, effective success.
Here’s an example, from Scobie:
But it would be hasty to unreservedly believe that real change is on the horizon for the wider royal establishments just yet. In 2023, it was reported that 9.7 percent of employees in Buckingham Palace were from ethnic minority backgrounds (up from 9.6 percent the previous year) and Kensington Palace employed 16.3 percent (up from 13.6 percent). The numbers appear to be ticking up in the right direction, but a closer look at the senior staffers around royal family members reveal a predominantly white lineup (exclusively, in the case of communications team members and private secretaries at William and Kate's household). It depressingly shows that the majority of non-white employees are at junior levels or working in more service industry-type positions.
This reads like Scobie’s expectation is for the Palace to fire their existing teams and replace them exclusively with diversity hires - but even that isn’t an effective solution because everyone would just scream “it doesn’t mean anything! It’s just for the PR!” The kind of institutional change Scobie is demanding actually takes a lot of time to implement, more than the few days he thinks it should. They have to wait for vacancies to open up or, if they’re going to create a new position, then it’s even more complicated:
Where in your budget is the money coming from to be able to pay the new person their salary and benefits? What project isn’t going to happen? What program is going to get canceled?
What exactly are they going to do? If you’re taking X duties from Jane, then what is Jane going to do now?
Where are they going to sit? What kind of technology do they need? What kind of resources, access, passwords, keys?
What’s the priority for this staffing need? What aren’t you going to do because you’re going to do this hire instead? What position isn’t going to get filled? What project isn’t going to get done? 
Should the palace be hiring more diversely? Yes, absolutely. But it’s going to take time. It’s not going to change very much in one year. But what can change in one year is the recruitment strategy behind hiring, and that’s something that Scobie could actually get answers on. Are they still recruiting from the usual places or have they diversified and branched out? Are they doing blind hiring (where they remove all the personally identifying information like race, gender, name, education)? Are they recruiting from the Commonwealth realms? And this is what someone like Scobie should be asking the BRF to uphold their accountability.
Here’s another example:
Naturally, as paid members of the team, household staff for each of the three offices look out for the royals they represent. This is where 'briefings' get complicated, because while the aides are all working to prop up the Crown, they owe nothing to the family members they don't report to.
Um…does Scobie not know that he’s described every single organization and every single job? Everyone at the company works to support the company but you only owe results to the people you report to. Does he not see this at his own magazines or has he freelanced for so long he doesn’t remember what a “real” job is like?
Family businesses. Harry, Meghan, and Scobie cannot see the firm as a business. They look at and perceive everything through the lens of ‘family.’ This is, probably, the biggest “lightbulb” moment I had in reading Endgame. Harry and Meghan don’t understand, or they don’t care to understand, that there’s a family side to the monarchy and that there’s a business side to the monarchy. Everything they have done, they’ve done through the family side, hoping to leverage their personal relationships for change and action, when it was really a matter for the business side. 
And all of their problems with William, with the courtiers, with how things are done, is because they viewed the monarchy as “family first, family always” when everyone else understood, fundamentally, that there’s a time for family and a time for business. And what’s interesting is that William and Kate - forasmuch as they prioritize their own family (scaled back diaries and long breaks overlapping with the kids’ school holidays), they also prioritize the monarchy and the business side of it. They show up when it matters: they do the ceremonies, they do the walkabouts, they do the small talk, they promote the work and the people and the culture of Britain. 
Here are some quotes from Scobie illustrating how he, and the Sussexes, think “family only”:
Over time, William increasingly complained about Meghan to aides and family members. He didn't like how opinionated she was, how she spoke to his staff, and how much of her Markle family dramas were in the press. 'William shifted away from acting like a brother and became more like someone only focused [on the Crown]," a source close to the Sussexes said.
and
Charles vanished into the sacred Crown's engulfing orbit, leaving William to face the royal family's new chapter and the institution's increasing demands without his brother close by, the one person in the world who can empathize with all that's in store for him.
and
During the days ahead, Harry and Meghan kept a low profile, praying the press wouldn't turn their attention to them but remain rightfully focused on the loss of a beloved monarch. 'There was an incredible sense of sadness,' said a family source. 'For them, the Queen was one of their last strong links to the family. She always made them feel welcome. Without her...it will never be the same.
And this is in addition to Harry expecting to keep the perks of monarchy as “just” a family member that I mentioned in the “bombshell” section. He really thought he could have his life, “career,” and family fully subsidized by the business profit because he’s the CEO’s son/grandson. He’s so gobsmacked in July 2020 to realize that not everyone sees the monarchy as “family first, family always” that it literally breaks him. All of his lawsuits and all of his fighting since then has been trying to force the BRF to remodel themselves into his vision of “family first, family always” so he can get his perks back without having to work another day in his life.
An important conversation on race gets lost.
I know that race and race relations can be painful to talk about, but this is incredibly important. I don’t want to wade in too deep into it because these are conversations that aren’t easy to have through screens.
The monarchy, the institution, needs to change to be more conscientious of the power dynamics at play between an aristocratic white family who made their money on the backs of labor, land, and servants and a fast-changing world demanding more and more accountability. Charles's endorsement of the research project that the University of Manchester and the Historical Royal Palaces is a good start, as Scobie also recognizes, but there needs to be more and they can't just wipe their hands off when the report gets published saying "We did our piece. What's next?" There needs to be more and I hope there is more.
Scobie makes a lot of good, important points in his discussion (like it's not enough for the BRF to remove offensive pieces of art or contextualize their collections and they can't hold these discussions behind closed doors and that the public/the Commonwealth realms deserve to have a say in what happens next). But he also makes a few points that seem to indicate he doesn’t fully understand just how complicated race relations are, particularly when it comes to their intersection with politics. Scobie seems to think that the royal family, including the monarch (The Queen at the time), should disregard the “don’t get involved in politics” principle on a case-by-case basis to be able to speak out and support communities suffering injustice and inequality. It’s a fine line to tow; at what point is something “worthy” enough of the royal family to speak out? And how is something judged “worthier” than another to warrant royal intervention? And why has the press nominated themselves to judge that line, instead of, you know, the actual public the monarchy serves?
Probably the most disappointing thing about this section is how misplaced it feels in comparison to the overall book and message. 90% of the book is about media relations; Scobie's relationships with communications staffers, the relationship the palace has with the media, the dynamics at play between aides, principals, and the media. And then there’s a chapter on race. It's as misfitting as the chapter on Andrew (which largely just serves only to let Scobie remind everyone of the Epstein affiliations because Charles seems to be sweeping it under the rug). And that is horrific for Scobie to do; the palace's inability, or unwillingness, to recognize their role in a near-global racial disparity should not, cannot, and must not be equivalent to Andrew's scandals.
Purely from an editorial standpoint, this chapter would have been much stronger, much more compelling, and probably more thought-provoking if it was a standalone essay or part of a larger work that specifically examined racial and ethnic diversity in modern institutions of power or modern monarchies. I think Scobie shoots himself in the foot a little if his goal is to have a conversation and introduce reform by burying it in a book about media and communications. 
I do hope Scobie considers writing more on this. In fact, I think if he did do a larger and more critical piece about diversity, he might be able to earn back some of the professional credit he’s lost by becoming so closely affiliated with the Sussexes.
Rage against the machine and the media
(It kind of goes off the rails here. Apologies in advance.)
Royal rota system. So there are two rota/pool systems. One is for broadcast/television reporters. One is for the newspaper/print reporters. “Royal rota” as it’s used in the royal-watching community popularly refers to the newspaper pool.
The rota is a system where members take turns reporting back to the larger group all the information (and gossip - Scobie makes it very clear that the royal reporters absolutely engage in gossip as much as we do) from royal engagements where open coverage isn’t possible or when a larger group isn’t necessary (i.e., “boring”). The smaller rota pool is one print reporter, one television camera/broadcaster, a couple of photographers, and someone from the Press Association. This smaller group travels “inside” with the royal while everyone else waits outside in a designated press pen for arrivals and departures.
There are 10 print publications that participate in the rota. Only established British national papers are allowed. There have been occasional exceptions for the London Evening Standard and Hello. No Commonwealth publications, no foreign publications (albeit one exception), and no digital publications/media sites are permitted to join.
The exception to the “no foreign publications” rule is US media. Americans are not officially part of the rota but in about 2010ish, the rota invited two US-based reporters (Scobie and one other person) to unofficially join the rota on a honorary basis. They were given access to the pool reporting notes and could join the rota’s press pen at engagements, which had priority access. This changed in 2017 with Meghan’s arrival, because with Meghan came more US media. The new American reporters complained to the rota’s oversight officials on grounds of fairness (i.e., Scobie and the other guy were getting more information and more access than all the other Americans) and the decision was made to take them off the rota.
And just who made that decision? Who’s in charge of the rota? Drumroll please…
The Daily Mail. Rebecca English, specifically.
But how it comes across in the book is that Scobie believes, bitterly and scornfully, that he was demoted from the rota because of his closeness to the Sussexes, and specifically Meghan. It really isn’t looking good for his denial that he treats Meghan “objectively.” He says that English told him he was pulled from the rota because he had become, largely, an American television news reporter and in classic Sussex whataboutism, Scobie says she “conveniently ignor[ed] my role as royal editor for Harper’s Bazaar.” Well, Scobie, you seem to be conveniently ignoring that Harper’s Bazaar is an American publication which further disqualifies you. That’s quite the entitlement.
The rota is overseen by the News Media Association. They appoint press “captains” - there’s two, one for the everyday and one for overseas tours - who manage assignments, the rotation, and ensures that everyone is getting the reports. Rebecca English has been the captain for thirteen years, which Scobie sees as a “monopoly.” Valentine Low, of The Times, is the overseas tour captain.
And that, to me, sheds a little bit more light on Harry’s vendetta against The Daily Mail. He hates that they “control” the rota and how firmly enmeshed the rota (i.e. The Daily Mail, in Harry’s mind) is with Palace operations. Harry says in Spare (which Scobie helpfully reproduces): “I'd had it with the royal rota, both the individuals and the system, which was more outdated than the horse and cart...It discouraged fair competition, engendered cronyism, and encouraged a small mob of hacks to feel entitled.”
Scobie feels the same way, and while he’s a bit more polite about it, he is equally as bitter:
Restricted access for Commonwealth outlets, digital news organizations, or US publications (the latter being relevant to a newly installed American duchess in the House of Windsor) didn't make much sense to man of us. With the support of two senior Palace aides, I wrote a letter to relevant senior individuals at Buckingham palace about why it was important to have an additional position in the rota--one that could at least be shared by the aforementioned groups. Harry, I was told, was also keen to back the effort. But it quickly hit a dead end. Rather than decide themselves, palace aides called in [Rebecca] English and The Times' royal correspondent Valentine Low, the rota's overseas tour captain (who was admittedly far less bothered about petty politics and mostly attempted to be fair in this less-involved role), for a meeting. English told them that letting 'others' in would be unacceptable. 'To be honest the rota is just a headache none of us want to deal with. It's easier to just leave it as it is,' a senior courtier said with a shrug over coffee with me. Yet another case of institutional fear and blinkered acceptance of the status quo when it comes to the media.
Scobie’s entire focus is on restoring his access to the rota. It’s not unlike Harry’s entire focus of media reform being on positive press coverage. 
Speaking of Harry, Scobie immediately drops another revelation, one that directly played into Megxit:
Harry and Meghan, who were having their own conversations about the same issue, were then told that if they wanted to break away from the rota system and give other journalists access to their work, they would have to foot the bill for their own engagements. The list for their reasons to leave was getting longer by the month. 
Concern about cronyism, outdated tools because ‘status quo’, and a refusal to modernize are legitimate complaints, absolutely. It would be far more beneficial if the rota system was overhauled completely to reflect today’s diverse media environment. (Not to mention, adding some spots for Commonwealth and realm publications could very well have an impact on the kind of coverage being reported back home.) But once again, Harry’s entitlement leaps off the page here.
He is such a penny-pincher that he couldn’t put up his own money to institute the kind of change he wanted to see. It wasn’t his responsibility, you see. His job is to make demands, but it’s up to everyone else around him to do the actual work, to pay for his ideas, to implement the change he desires. And circling back to the “Harry has no idea how a business works” theme from earlier, this betrays what Harry thinks “business” or “work” is. Harry thinks “work” is just showing up at the appointed time, reading the provided script, sharing a genius idea or two, shaking hands, and returns in 3 months expecting to see 10 years of progress on his genius idea so he can take all the credit. Harry absolutely is not capable of comprehending exactly how much happens behind the scenes to make his idea reality. It’s no wonder why Invictus Games is sinking like the Titanic. It’s no wonder why Archewell has plateaued. No one is interested in buffing up Harry’s ego anymore. No one is interested in implementing his ideas because he refuses to help or contribute.
But you know who does? William. William has an idea or William wants to see a change, William puts his head down and does the work to recruit the people, give direction, and find the funding. When the press start spreading lies or misinformation, William doesn't just sit there and complain at people to protect him. He uses his own resources to fix the problem, which Scobie (and Harry) perceive as the problem: William as heir has more power than Harry does to protect his wife. That's not what's happening. What's happening is that William doesn't take 'no' for an answer and he works the business till he gets what he wants. Harry gets told 'no' and he tries to manipulate the family to get what he wants...but the family can't do anything.
At the end of the day, it has nothing to do with power, or money, or status, or resources, and what William has that Harry doesn't. It’s that the Cambridges/Waleses are willing and able to do the work themselves. They put their money where their mouth is while Harry and Meghan prefer to buy knockoff athletic competitions and ice cream trucks that they can slap their name on and reap glory.
And Harry is so short-sighted. There would have been absolutely zero harm in abandoning the royal rota for one week or one month, paying out of pocket for press coverage with the “specialist media”, “grassroots media organizations and young, emerging journalists” and seeing what happened? If the experiment failed, then that gives him legitimate grounds to complain that the rota blacklisted him and more people would be sympathetic to the cause. But if the experiment was a success? Oh, man, it would’ve been the modern equivalent to Lord Altrincham’s recommendations to The Queen and Harry could have coasted on that for the rest of his life. Well, woulda, coulda, shoulda. Now William will be the one to reform the press when the time comes, all because Harry freaked out at “do it yourself.”
(Which is pretty ironic, if you ask me. He and Meghan are so desperate for this ‘changemaker’ label yet when they were presented with the opportunity to do just that–albeit at their own expense–they bailed. How dare you -- spend my money on other people?! Meghan couldn’t have clutched Diana’s pearls any tighter.)
Palace relationships. I’ve said it in a few other places here, but Scobie’s book is largely about the relationships between the palaces and the media. There’s nothing really new here and it’s mostly an opportunity for Scobie to brag about how close he is to certain people and how much access he has for his reporting.
Scobie absolutely hates the team at Kensington Palace and the deeper into the book you read, the more it becomes apparent that he isn’t targeting William and Kate as much as he’s targeting the communications team that works for them. Christian Jones and Jason Knauf, to be more specific. Scobie doesn’t like how readily they appeared to do William’s bidding, how fiercely the palace protected them when Harry (and Scobie, remember, he likes to put himself in the middle of everything) called it out, and how freely they seemed to work the press for amiable coverage of William and Kate:
My proof of Kensington Palace's schemes at work wasn't just in the newspaper coverage. I also had close working relationships with Buckingham Palace aides and people on Harry and Meghan's team. Back in 2019, one of the Sussexes' main communication aides felt strongly that William's staff, led by press secretary Christian Jones, crossed a line with the mental health stories. One of the couple's team called me the moment the 'William's concerns for Harry' front pages dropped. 'It's pretty disgusting that they would pull out the mental health card for this...None of them care for his health,' the aide said. As Harry later shared, 'They were happy to lie to protect my brother. They were never willing to tell the truth to protect us.' This wasn't Christian Jones's first rodeo, and he was just one of many at Kensington Palace who engaged in these tactics. William's private secretary Simon Case and communications secretary-turned-senior-advisor Jason Knauf also shared details with preferred reporters to quell rumors about the broken relationship between the Cambridges and the Sussexes. When William and Kate went to see Harry and Meghan after the birth of Archie, Jones made calls to a Mirror reporter and me to share an exclusive--the couple had just minutes ago stopped by for a special visit. 'It's a great story that shows that the the relationship isn't as bad as everyone makes out,' he said. 'It was really sweet.' What he failed to mention, as I later found out from Sussex sources, was that the couple's lukewarm drive-by lasted less than twenty minutes.
(Also, in what universe do the parents of a newborn baby want visitors and guests to stay for hours on end? Twenty minutes to check in on the new parents, deliver some food or a gift, and give the baby a cuddle sounds like an appropriate amount of time for visitors to be there.)
Scobie further goes on to describe how he thinks it’s hypocritical of William to be so manipulative and treacherous in how he uses the media to improve his reputation, particularly at Harry’s expense, because this is exactly what Charles and Camilla did to him and he had hated it. Scobie’s overall message seems to be that the more power William gets, the less “William” he is and the more “Palace” he becomes (similar to the argument he makes of Kate), and the more “Palace” he becomes, the more ruthless his communications team gets.
I mean, Scobie even goes so far as to say that William has gone so far into the Palace machinery that he's abandoned and discredited his mother in accordance with the preferred script:
The differences in the brothers' statements are stark. Both expressed understandable outrage over Bashir's duplicity and the BBC's moral and professional failures. But while Harry stopped to acknowledge and honor Diana's strengths, despite the whole faisco, William reinforced the counternarrative that his mother was paranoid at the time. While there is no duobt that William's rebuke came from a place of love, sources sexplained he was also keen to toe the company line without any concessions to what his mother said during the interview itself. To write his statement, William turned to a number of aides within the royal household, including former private secretary Simon Case, who had left a month earlier for his new role as cabinet secretary for then prime minister Boris Johnson. He embraced the institution's version that, because Diana was duped, the interview was null and void as a result--even if wha she said was completely in line with what she had previously expressed in Morton's book. By disparaging Bashir's trick and by extension the entire interview, William ended up discrediting a large part of his mother's own story. To make his points, he did not remind the public that his mother was candid and truthful, despite Bashir's dirty work, but, instead, maintaned the royal version that she was emotionally fragile and thus easily manipulated, and therefore her claims are not to be trusted.
Or maybe, Scobie, this is William’s own personal experience and recollection of his own mother. It’s well known that William had a very different relationship with Diana than Harry did, such that he already understood at the tender age of fourteen, just how complicated her life was and how complex a person was. And, t was recently revealed that William did actual work to understand who his mother actually was as a person, warts and all. He spoke with his family and with her friends and came to know Diana The Person, whereas Harry has only entrenched himself in his twelve-year-old “My mummy is better than yours” fantasy. 
Both versions of Diana – William’s reality that she was a complicated and complex person and Harry’s reality that she was a beloved idol – can be true. But to dismiss William’s truth as “Palace bullshit” because it doesn’t match the popular narrative as told by Harry is, frankly, poppycock.
Welp, that was a huge train derailment. Getting back to the point: Scobie doesn’t like Jones because of Jones’s relationship with Wootton and his readiness to speak William’s truth at Harry’s expense. (Which is also hypocritical because Scobie spends all of Endgame speaking Harry’s truth at William’s expense.) And Scobie thinks it is unethical for Jones to be openly friendly with Wootton.
But here’s the catch. When he was being interviewed for the job in 2019, Jones disclosed his friendship and working relationship to both Simon Case and William. Yet William still hired him anyway. And with that little nugget, it becomes very clear very quickly what one of Harry’s issues is: he’s butthurt he didn’t get to know of the pre-existing relationship between Jones and Wootton and wasn’t asked to weigh in on whether he should be hired.
Now, for Knauf. Well, I’ll let Scobie tell you himself how much he hates him.
Knauf continued to work in his role as chief executive of William and Kate's foundation for a few more months before stepping down to join the board of the foundation for William's Earthshot Prize. As a loyal aide, he stuck by William through it all, from helping brief the press long after his communications role ended, leading the bullying allegations against Meghan, and joining forces with the Mail in court. Unsurprisingly, a year later, King Charles included him on his list of those to receive the honorable title of lieutenant of the Royal Victorian Order for his 'personal service to the monarchy.' Notably, this high honor is chosen by the royal family and not the government, and it was his pal the Prince of Wales who performed the investiture on May 10, 2023, at Windsor Castle. Knauf--a man who went above and beyond to protect the royal family's relationship with a British tabloid--emerged from this fiasco as a titled hero, the personification of duty above all. His dangerous dalliance with the media in the courtroom is all part of a job description you won't find on his LinkedIn profile and a soon-to-be forgotten footnote in a celebrated career.
Scobie’s angry that Knauf waded in on Meghan’s copyright lawsuit with the Daily Mail. After all, he didn’t have to come forward and there was no official request for his evidence or any palace evidence in her lawsuit. But he did, because “it was [William’s] opportunity to watch the institution strike back after Harry and Meghan went so public with private details about the Firm.”
So everything goes back to the all-powerful William and his newfound power to use the palace’s relationship with friendly press to suppress, control, and humiliate others.
Paradigm Shift. After the discussion on the royal rota, probably the most fascinating part of Scobie’s criticism of the media is something he glosses over: the paradigm shift as a result of the information revolution that changed palace strategies with public relations and communications. In the span of about 50 years, the BRF went from one centralized Palace staff to three companies of Palace staff. They went from one single royal brand using ten newspapers to nine competing royal brands using national newspapers, foreign publications, digital media, and special interest groups and two ghosts (Diana and The Queen) whose legacies shape the 21st century.
I don’t know about you, but I’d rather read that book than 300+ pages of background for Harry’s lawsuits.
Rehabilitating Harry. Scobie reveals the plan for how to rehabilitate Harry if/when the time comes: it's Operation PB, Mark Bolland's creation to rehabilitate Camilla for the public to (eventually) accept her as Charles's Queen.
A parting gift for making it all the way through: my very favorite quote.
Just five years ago, the thought of the Windsors becoming equal citizens without privileged status seemed unreal to most, but now that future doesn't seem as far-fetched. Harry and Meghan have already fled to real life, and, by the looks of it, they're not hurting for either money or status.
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You sure about that, Scobie? You sure that Harry and Meghan aren’t hurting of money or status? Harry just flew 20 hours round-trip for a 12-minute meeting with his father to make sure his inheritance was still solid after offending everyone and burning all the bridges.
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cosmic-glow · 10 months
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Can i ask a story with Kakashi Hatake accidentally talking to the reader who likes her but doesn't know how talk with her? like drunk confession
Notes: YES! I don't know why I like writing about drunk characters so much... maybe that's a little worrying... But this turned out so cute and honeyed, I really hope you like it, good reading!
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"A Good Reason to be Drunk" - Oneshot.
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Warnings: Kakashi x fem!reader; mentions of alcohol and drunkenness (obviously); small plot at the end; SFW; Kakashi in love💕
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There was no shortage of warnings about how difficult the journey of becoming a jonin is, and indeed it is, but you were aware of this when you decided to become one. What you weren't aware of was that the person who would train you until you had experience was a big slacker who would leave all the work to you.
You heard a lot about Kakashi, the ninja who copies, while you was studying and training to become a jonin. But what you were never told was that he was late for every appointment, procrastinated on mission paperwork, slept whenever he could and left all the hard work to his teammate. You couldn't deny that he was indeed very skilled during fights, but his behavior didn't make up for it.
And here you were, sitting on a sofa in a bar, drinking sake with your already drunk colleague beside you, leaning on your shoulder and smiling idly. Kakashi irritated you very easily and sometimes you didn't even know why.
But at the same time, he had already saved you so many times during fights, intervening when you believed that all was lost, he taught you so many things that weren't in the books, he compensated you for the hokage's scoldings, taking the blame for any mistake in the mission ... In the end you were a good pair, it was just his lazy side that got on your nerves sometimes. Actually, come to think of it, it was even an honor to train with a ninja like him, you just didn't want to admit it.
After all, in addition to the reputation of being a very skilled ninja, he also had the reputation of being a "stealer of hearts", there weren't a few women who said they were in love with him, maybe you were just wanting to focus on some of his defects so as not to let yourself be carried away by the charm too. But it was hard when he was so close to you, laughing with cheeks flushed from alcohol, looking at you with those eyes as black as night. The strain on your nerves at the thought that maybe if you looked too hard he would use his sharingan on you, having you under control to do whatever he wanted.
- I have a headache these days... Can you help me?
- How can I help you? - you asked as a question and not an offer of help.
- There's this girl that I like... But I think she hates me - he sank deeper beside you, sad - How can I make her like me?
You hesitated, not knowing how to proceed, were you imagining or was Kakashi asking you for love advice? He must have been very drunk.
- I don't know, ask her out - you tried to get away from him a little, the heat of the drink starting to take effect.
- I already did that - he settled down on the sofa, stopping leaning on you, resting his head on his hand, his elbow on his knee, the white hair falling over his face, he looked at you between the strands - I don't think it worked.
- So I don't know, ask her directly if you did something, maybe she'll tell you - you got impatient.
- No, y/n is too stubborn to admit anything! - he frowned, irritated by the suggestion and shaking his head to dismiss the idea.
You stopped whatever you were doing, now just staring at him with wide eyes in shock. No, you're drunk too, not as drunk as he is, but the drinking must be making you hear things, make things up, there was no way Kakashi was in love with you.
- Who? - your voice threatened to break, still surprised by the revelation.
- What? - he asked looking for a glass that was still full.
- The girl you're in love with, who is it? - he turned his head to you.
- I can't tell - he said, with the most serious look a drunken man can muster.
And just now, unfortunately, what was left of sobriety in him decided to show up, you would have to manipulate him into giving you the answer without realizing it.
- But how can I help you like this? Tell me at least a little about her.
Kakashi took a deep breath and leaned back on the sofa, he had found a glass that was half full, he was staring at the ceiling but seemed to see through it, far beyond what you could see.
- She is beautiful, very beautiful... She makes me laugh with her stressed way, she always gets angry so easily - he laughs - She likes to look at the stars and listen to music... Her laugh is contagious... And I see myself more and more in love with her... - he was silent for a long time, you even thought he had finished talking -... I need to tell her, I can't even sleep wellI, lose the time and I'm late every day, and she always fights with me because of that - he laughs softly.
Kakashi was so peaceful as he described you, he had a passionate look on his face, fascinated by his beloved, as if just remembering her brought him peace. But at the same time, you could feel his heart sink when he spoke because he thought his beloved despised him, because he was afraid of rejection, because he loved too much.
- I don't want her to hate me... I love her so much - tears started to well up in his eyes - I just wanted her to know that, but I can't even tell her - the tears fell amid sobs, his eyes got low.
You felt helpless not knowing exactly what you should do or say, so you decided to focus first on his problem with being drunk - as if you weren't. Assuming the role of responsible for the situation you got up, took the cup from his hand while he was crying, tried to wipe his tears and got him up saying "it's going to be okay, Kakashi" because it was the best your head could think of and took him outside from the bar after paying for the round.
Now you had a drunk and crying Kakashi on your shoulder being carried all the way home. It was better not to complain, as you could only end up making the situation worse, besides, you thought that part of it was kind of your fault, like, it was you who decided to be rude on purpose to the guy who was in love with you (even though before you didn't know that). Before you could think about it, you entered Kakashi's apartment and put him to bed, which didn't take much effort since he was practically asleep on his feet.
- I love you, y/n - he whispered with his eyes closed, you don't know if it's for you or some vision of his dream.
- And I don't really hate you Kakashi, it's just easier than admitting that I like you too - you spoke low so as not to wake him up, arranging the blanket, not bothering to say it since he wouldn't remember.
Kakashi opened his eyes slowly, a smile forming on his face, looking directly at you with a twinkle in his eyes like a shooting star in the night.
- I knew there was an explanation for all this anger - he said, his voice without any hint of drunkenness anymore - And I also knew that you would never admit it.
It took you a moment to process his speech, Hatake could see the gears turning inside your head as you was transfixed staring at him. When your gaze lit up, understanding what he had done, he started to chuckle at your expression.
- Were you pretending this whole time?!! - you took a step back, crossing your arms, indignation written on your face.
- Yes and no - he sat on the bed, still with the smile on his face - I did pretend to be drunk to get to know if you felt something for me, something besides anger, of course. But I didn't lie when I said I was in love with you, when I said that I stay up all night thinking about how to confess to you.
A silence hovered between you, he had already finished and now he was waiting for your answer, you on the other hand didn't know where to start, all you wanted to say getting stuck in your throat, needing a moment to organize everything.
- You took advantage of my kindness - you don't know why your mind chose to start with that one.
- For a good cause.
- Tricked me.
- Because you're stubborn and would never give me an answer, just like you're not giving now.
- And what answer are you waiting for?!
- That you tell me if you accept to be my girlfriend or not! - he said as if it were obvious.
The silence from before returned, you staring at each other again, your cheeks more flushed this time and his also slightly flushed. Even though he tried to keep a calm, carefree look on his face, Kakashi was internally begging for your answer to be yes, so that he could show the love he's had for you for so long, so that he could touch you the way he wanted, so that he could kiss you. You wanted to let Kakashi love you, you wanted to tell him that you loved him too, and you couldn't understand why you felt that this was a sign of frankness. But with a deep sigh, trying to silence this insistent thought, you looked at him and smiled.
- Of course I do, you idiot!
His smile widened, his cheeks now as flushed as your own with pure happiness.
- I guess I'm the luckiest man in this village now.
He gets up to hug you and can finally kiss his beloved, wrapping his arms around you. Kakashi wouldn't allow there to be a single day when you didn't feel loved after that.
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Sorry for any typos;
Masterlist;
Buy me a coffee?
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theshoesofatiredman · 26 days
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“Idk call me crazy but I don't think you should worship a god who says you can't kiss someone before you're married.”
He literally didn't tho??
Same with drinking (which God didn't outlaw), and people still misread “being an alcoholic isn't that great of an idea” to start the Prohibition.
Like, what book did you read, bro?
When I was a Christian, I did not believe that you couldn't kiss before marriage. But I knew some Christians felt that way. I made this post after I had a long conversation with one such person. This person genuinely believes that not only is the kissing prohibition sound theological practice supported by scripture, but that he heard the voice of God tell him this directly. Hard to compete with that kind of revelation by asking for him to show where he gets that from the Bible.
However, perhaps a more salient point is that I'm an atheist - to me there is no existing divine revelation. God hasn't said anything. So it doesn't matter to me whether it's in the book or not, because real flesh and blood people sincerely believe it and let it impact how they live their lives. And I think those people should ask themselves if it makes sense to listen to the edicts of someone who cares so much about where they put their lips but doesn't seem to lift a finger to stop the rampant suffering and loss of life that's present the world over.
I assume from the wording of your ask that you are a Christian, in which case you are able to say: "God didn't say that." I will continue to ask: "why worship a God that says that?"
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uptoolateart · 2 years
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'Perfect' White
We can't have failed to notice that in S5 Gabriel has gone all white...like Cat Blanc. So my wheels got spinning and here I am, exploring the symbolism of this 'colour'.
Many viewers will link white to ideas of innocence, cleanliness or peace. Maybe even holiness - think angels. We've even seen Adrien wearing angel wings, in 'Simpleman'.
I once read an excellent analysis, I forget by whom, suggesting that Adrien is often in white to show that he's a blank slate, waiting to be written on. We even get the word 'blank' from the Latin root of the French 'blanc', meaning white. Taking this further, we could see it as Adrien not yet being certain of his own identity.
White is also linked with virginity - think of the Western European wedding dress colour. Applying this symbolically, Adrien begins the story inexperienced and naive, kept ignorant of the ways of the world. He also takes things at face value. But this is definitely changing.
I see irony, as well, because the angelic public image of Adrien hides his 'darker' thoughts and impulses. White is often linked to simplicity, and Adrien is perhaps most fascinating for being so much more complicated than anyone in his life believes.
We could also see virginity as not being 'used' yet, and this is ironic too because Adrien is used left and right, by both his father and by Ladybug.
And of course white is honesty. Nothing has been hidden. Adrien is typically the most honest one on the show and the most open with his feelings. An interesting fact I didn't know before some quick research today is that in ancient Rome, public officials wore white, and their robes were called 'candidus', which gives us the word 'candidate' but also 'candid' meaning honest and frank (because politicians never lie...???). We'll come back to this later.
White also indicates being innocent of sins or crimes. It tells us Adrien is a victim.
So why is Gabriel all in white?
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Let's start with the obvious. Scientifically, white is both the source and absence of all colour.
On the one hand, we could see Gabriel in white as him trying to swallow up everything else - think of how colourful the kwamis are, and the way Gabriel tries to consume his son.
Or we could see it as his coldness. Think of the Hans Christian Andersen's Snow Queen, adapted as Elsa in 'Frozen' - or 'The Lion, the Witch and the Wardrobe'. White is ice. We also saw this with Cat Blanc - we all talk about his 'ice-blue eyes' in fan fics.
But Gabriel's white could also be the antithesis of Cat Noir - white versus black. Gabriel is trapped in s state of mind that Adrien is gradually leaving behind.
Another thing I didn't know is that author Robert Graves tied white with the moon goddess, who in mythology is usually said to have three faces, standing for the stages of life - childhood (waxing), motherhood (the full moon), and old age (waning). I think Gabriel's powers are beginning to wane. And although it's a stretch to say the writers of Miraculous had Graves in mind, there is so much moon symbolism tied into the show that I thought this was interesting to think on nonetheless.
Getting heavier, let's travel around the world to places like China, where white is the colour of mourning and worn at funerals. This makes white the colour of sadness, which ties up with Cat Blanc's months of grief and loneliness - but also Gabriel, who literally lives in a mausoleum for his wife and refuses to let go. Suddenly dressing all in white tells us he's gone all in. This is endgame. He's totally embodying his grief. And with white being tied to the end of life, it's a sign that the end of this particular story is nigh.
Now let's remember the old saying that 'Death rides a pale horse'. This comes from the depiction of the Apocalypse found in The Book of Revelation, at the end of the Bible. In fact, in Celtic tradition, if you see a pure white animal (especially if it has red ears), it's supernatural and not to be trusted. White is otherworldly and unnatural - about as unnatural as Gabriel making banana pancakes, amiright?
Gabriel is also straddling life and death. He's been cataclysmed and is now rotting away before our eyes. He's on that pale horse and has nothing left to lose.
There’s also a suggestion of the unknown - going back to that idea of being a blank slate, Gabriel is a wild card here. When someone like that gets truly desperate, we can no longer predict what he will do. Forcing a cataclysm on himself was definitely the start of this.
Coming back to the notion of honesty - we could apply this ironically to Gabriel, who, in his new white suit, recently shook hands with Nino, as if they were partners working against a common enemy.
On that note, let's look again at the Latin 'candidus'. This was considered the brightest shade of white, and it gives us the word 'candle'. So, white can be illuminating. We can see this as Adrien heading towards understanding, revelation. Gabriel is posing in the colour of honesty and innocence, but Adrien is soon to see through the pancakes.
On the other hand, Gabriel is slipping into a state of ignorance. He has never gained anything from all this power because he no longer understands love. He claims to do all this for Emilie, but it's gone far, far beyond that goal. He has reached the point of seeking power for power's sake.
He could learn a few lessons from Adrien, who reprised his Cat Blanc costume in 'Jubilation', this time worn as a wedding suit. It stands out because in European-style weddings the bride wears white but not the groom. The dream was a vision of grief and heartache being transmutated into something pure and beautiful - and of new starts. The slate had been wiped clean, ready for a new story to be written.
This leads me to think of the levels of karate. A lot of people don't realise that after the black belt, there's a higher level - the white belt. It's a sign of humility. Returning to the beginning shows an understanding that we never truly master anything. We're always learning. So Adrien moving from white (Alliance and other ads) to black (Cat Noir) to white again (the wedding vision) tells us he's completed one journey and is now applying the lessons he's learned to his next journey in life.
Of course, it was only a dream because he's not there yet. He needs to learn and deal with the truth about his father first. But all of this is coming.
Because white is the light at the end of the tunnel. As much as my son likes to say the Netflix show tags should now be 'grief', 'child abuse' and 'trauma', I truly see hope in every scene. White wipes the slate clean. Our favourite couple are so close to not a happy ending but a happy new beginning.
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dextraicarus1994 · 4 months
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When you think you've seen it all, it turns out there's more than meets the eye.
This will show spoilers from Captain Laserhawk manga Crushing Love and also it will brings some Splinter Cell lore, so watch out if you don't want to get spoiled.
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This little discovery had showed me a different take of the Captain Laserhawk lore and probably will be answering some questions (or create more *I am creating more questions than ever and the anxiety to know*).
It looks like Anna Grimsdöttir got a role in Dolph past
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For some that are not familiar who Anna Grimsdöttir is, she was an ally of Sam Fisher during The Splinter Cell games and books, she was the Communications Lead later Chief Technical Analyst for Third Echelon and then became Technical Operation Officer during her Fourth Echelon era. She provided Sam with technical support during his field work also adressing any high - technology issues and a skilled hacker.
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In this panels we see how Dolph tells his story with Alex (Grim was the only lady who could Boss Alex and he would not complaint, that means the situation was bigger than anything) and suddenly Marcus is surprised by seeing Ana and mentions that she was part of the war (I assumed he was mentioning about the Wastelands War), who provided Intelligence and saved Sam and Marcus many times and after they Lost, she went missing, not knowing about her whereabouts...
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Now with this little revelation, It looks like there more than meets the eye, I can't tell everything yet because It looks like I need to read the rest of the manga, but how the things are going, there will be many revelations that could unite the missing links of the series' lore and this could be a twist to some questions that are unaswered.
Remember the last episode where a Rayman was send a message about going to see Bullfrog? Some assume many characters that would had sent that messege, but now with seeing this revelation about Grim, I can believe she could have been the one who send it. It looks like Anna was willing to stop Eden, too and the reason why she and Alex were working together, also there is something curious about a dialogue of Alex telling Grim if Dolph is not able to do his part he could talk to the Arms Dealer Andy (some that are not familiar with the Splinter Cell lore would past it unnoticed, but if I am correct, or I am assuming many things, Alex would had been referring to Andriy Kobin, an arms dealer who was enemy of Sam Fisher during Splinter Cell Conviction, then a temporal ally in Splinter Cell Blacklist).
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So... Here it is this little discovery and man, there is a lot to be reveal and to see this, brings me a Big joy to know that more Splinter Cell characters are around the Captain Laserhawk serie, meaning that that maybe Sam will have a bigger part in Dolph's role in Season 2 (I really hope so). 🥺🥺🥺💚🖤💚🖤💚🖤💚🖤
Oh!!! Almost forgot, Anna design in the manga looks like the design from Blacklist more than anything.😁😁😁😁💞💞💞💞💞💞
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simpforthedead · 1 year
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Genshin x fem reader
✧Here I am with a new headcanon idea !✧
✷What if Y/n was pregnant but learn later that her child is dead ?✷
๑I always see the if YOU die giving birth scenarios⁠๑
✿Don't worry it's all fluff even if it have a little angst plot ✿
✯Characters (Minors aged up if they're minors I don't know how old they are)
✯Scaramouche (You simp-)
✯Alhaitham
✯Baizhu
✯Bennett (Im sorry )
✯Albedo
✯Thomas
✯Cyno (My main and now I do bad jokes too...please tell me I'm not the only one)
Scaramouche (Well it's when he's wanderer but I'm not calling him wanderer)
☆When the doctor told you that to both of you he frozed up, like really...
☆You two left the hospital in shock, and you were only now starting to understand what the doctor meant.
☆You wanted to cry so badly but nothing was coming out of your eyes, and they just stayed open and with the wind it made them hurt.
☆Scaramouche finally took you in his arms and placed your head on his chest while kissing your head, you could even felt tears falling from his eyes.
☆It was only now you started crying.
☆You hugged him so tightly like for escaping the sad truth.
☆Weeks later you were still sad and didn't want to leave your home.
☆Scaramouche had to force you to go outside and to talk to people.
☆Everyone were worried for you and especially Scaramouche.
☆Even if he didn't show it, he was very sad and had cry a lot, maybe even more than you...
☆But he knew you were going to feel guilty if you saw him like that, that's why he kept it a secret.
☆After 1 month he was totally fine mentally, but for you it was a lot harder and Scaramouche kept helping you with things.
☆Nahida even came to talk to you since you were slowly starting to feel better.
☆After 2 months, you were capable to do everything right and feel happier than ever, but you still felt a little sad.
Alhaitham
⁠⑅I recently started to like him so it's prob not the best thing I've write.
⁠⑅You were sleeping when he learned it.
⑅When you woke up, he was reading a book on the edge of the bed, with his back facing you.
⁠⑅You happily greeted him but he didn't answered.
⁠⑅You moved to be able to see his face but he was covering it with his book.
⑅You were confuse and keep on going like that, but you stopped when you could have seen a tears rolling down from his eyes.
⁠⑅You suddenly stopped and hugged him, even if you know he's not a fan of hugs.
⑅After what seemed like 10 min, he faced you and tell you with a shaky voice.
"H-he's dead ...Our child is dead..."
⑅At first, you didn't believe it- No you didn't want to believe it.
⁠⑅You were hoping it was just a prank or something else.
⁠⑅Your eyes started to fill up with tears and you wiped them away with your arm.
⁠⑅He hugged you and kept reading his book
⁠⑅You were devastated and keep crying on his chest (Pillow chest is the best ಡ⁠ ͜⁠ ⁠ʖ⁠ ⁠ಡ)
⁠⑅ For the next few days you stayed by his side, and together you slowly started to feel better.
⑅ He was a little harder for him to kept his original himself, even if he didn't look like it you knew he was hurt inside.
⑅ Luckily your smile and your everything kept him out of the depression.
Baizhu
๑He's the doctor.... Yeah...Imagine the guilt he felt when he had to told you about it.
๑ Basically, he already knew the chances of having a baby were little cause he has a disease (I think...I didn't read his lore lmao)
๑You wanted to hug him but you were stunned by the revelation.
๑He understand your intention and immediately hugged you.
๑You felt so guilty you didn't want to eat for months, obviously you eated but never a big proportion.
๑Baizhu, being the amazing person he is, keep on telling you it's not your fault and taking you to peaceful places.
๑Qiqi was also worried about you and she was sooo sweet to you, I mean as a Qiqi she was cute.
๑Baizhu was amazing to comfort you, and you were really grateful for that.
๑There's nothing else to say except he's hot-
Bennett
⁠♪He think it's his fault.
♪He have bad luck and you can't do anything about it.
♪Yeah he turned EMO. Jk but it would be funny to see
♪Bennett felt so guilty, nobody could comfort him...
♪Except you of course ! So that's what you did !
♪You were sad too, but you already came up to this deduction when you couldn't feel the baby moving anymore...So you had the time to take all the informations slowly.
♪But him....He wasn't ready for this, I mean he knew his badluck would affect his child but didn't thought it was going to kill him.
♪Yea, so you guys had to transform into a psychologist , not that you mind it because you were cuddling while he was saying it's his fault.
♪You reassured him, even if it took time, you never left him thought it was his fault.
♪Baby was finally acting normal after 1 month and half
Albedo
✿Like Baizhu he was the one who told you.
✿He didn't want to hurt your feeling though, so he kept him a secret 2 days after learning his child was dead.
✿Yeah only 2 days because it was heartbreaking to see you happy for a dead person.
⁠✿When he told you, he had everything to comfort you like blanket, snacks, tissues and things like that.
✿As he thought you cried and run into his arms to get a hug from him.
✿Albedo being very smart, knew how to help you with this traumatizing event.
✿Nothing more to say except he was just perfect and sad, not for long time but still.
✿Here come the best part with.....KLEE
⁠✿Klee was so sad, she wanted a friend to play with.... Although she knew it wasn't your fault because Albedo told her.
⁠✿Klee once said "I can be your child !" even if it seemed weird because well... she already have a mother, she was innocent and you can't say she wouldn't say that.
✿Klee is still a child so she thinks it's the same, and she only wanted to comfort you!
✿So you told her you see her as a little sister but it helped you a lot to have this cute ,little ,blond ,legged bomb with you.
✿Klee is and will always comfort you no matter what !
Thoma
⁠◕MAID THOMAS AT YOUR SERVICE MAAM
◕He for real turned into a to do man
◕You feel lonely ? BAAM Have a party with friends !
⁠◕You don't like the noise in the party? BAAM silence ...
◕You want to change your clothes but you're too lazy ? BAAM YOU'RE STILL IN YOUR CLOTHES ! Yeah he ain't dressing you because he have a lot of respect for you
◕Thomas was trying to hide his sadness but sometimes he came in you room and sat in front of you on your bed, he placed his head on your shoulder crying while you were rubbing his head.
◕You weren't really an incredible person toward him...But he knew it was because of the death of your child.
◕You did have a lot of regrets everytime you yelled at him or drank until you throw up.
◕You felt even more guilty and tried to suicide yourself but bro....HAVE YOU SEEN THOMAS PERFECT ARMS ??
◕He didn't let you fall and you just wanted to restart everything...Sounds familiar? Then you are a good person don't worry about it ⊂⁠(⁠・⁠▽⁠・⁠⊂⁠)
⁠◕He helped you go through it and you were so...Free like all the events were past and your dead child was probably proud of you from Celestia.
Cyno
☆Shocked, sad, angry, sad, guilty from being angry at something he couldn't do anything for, Cried
☆Cyno is...Sad but will get mad at the god, like they had killed your child.
☆Well later he learned that your child was dead because of a illness incurable.
⁠☆You were sad he was sad, so you two stayed at your home waiting until you feel better.
☆Even if everyone thought the house was dirty with chips bags on yhe ground, dirty cups or plates, water bottle empty and dirty socks averywhere, well surprising the house was clean !
☆Once you decided to invite some friend like Tighnari, Collei and maybe Alhaitham with Kaveh.
☆They were shocked.
☆You looked like nothing ever happened! But in truth you just didn't want to cry for something you couldn't help for.
☆The same for him.
☆Well it was harder for you but Cyno was here with his bad jokes to help you.
⁠☆It was funny tho (not like mines)
☆Your friends were happy to saw you two being okay, but they bring presents ?
☆Like, they bought you food and a new notebook...But a pretty one (You choose because I have a shitty style)
☆Cyno had a new TCGC cards but its a customized one so it's worth it.
Author:"Hope you enjoy ! "
Klee:"Have a good day or night !"
Author:"Go to sleep"
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supernaturalfreakout · 4 months
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Revelations pt. 2
[History on Your Side—Chapter 3.] Sam Winchester x Reader
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Summary: Revelations of a different kind are revealed. You and Sam spend some time alone. *Please see the masterlist for entire work summary and tags* Masterlist | Read on AO3
The Impala rumbled through the streets, the engine's purr resonating through the rainy night as Sam and Dean navigated towards your address. The houses stood in neat rows, each one barely distinguishable from the next in the dimly lit neighbourhood. As they pulled up outside your modest townhouse, the porch light cast a soft glow, illuminating the rain as it fell.
You met them at the door, hurrying them into the kitchen where an array of old texts and manuscripts lay, covering the table and floor.
"Wow, you've really gone to town" Dean remarked.
The three of you gathered around the small kitchen table, the air thick with anticipation as you laid out a leather journal and a few worn manuscripts in front of you.
A touch of nervousness colored your voice as you continued. "I've been studying these texts for a while and have never been able to make sense of them, but when you mentioned a spell... well, take a look..."
Sam leaned forward, recognizing a familiar seal on the journal. "Are these… Men of Letters materials?"
Your confusion was evident as you locked eyes.
"You know about the Men of Letters?" Dean's tone was laced with both concern and intrigue.
You nodded. "I've been quietly researching their history for years. It's not something openly discussed in academic circles... it's often dismissed as mere conspiracy or myth."
Sam's eyebrows rose in interest. "What got you interested in their research?"
"I stumbled upon obscure references during my doctoral studies. It was like uncovering a hidden world of knowledge. But the deeper I delved, the more I realized how deliberately it was obscured. My colleagues shrugged it off, but I sensed there was more… and… I'm sensing that you know more than you're letting on?" You looked between the brothers as they glanced at each other, silently contemplating whether to reveal their connection to the secret organisation.
Sam leaned forward as he explained. "The Men of Letters, they've been around for centuries. They've catalogued knowledge about every kind of supernatural entity you can imagine. They're like a secret society, guarding information that most people can't even imagine."
Dean, nodding in agreement, added, "They've got archives full of books and lore from all over the world. But they keep it under lock and key, hidden from the public eye."
You listened intently, visibly intrigued. "So, you're saying that this organization has been safeguarding knowledge about the supernatural for generations?"
Dean chimed in. "It's not just about information. They've got tools, spells, ancient artefacts—stuff that's pretty powerful if it falls into the wrong hands."
Your eyes widened slightly. "How do you know all of this?"
"We've had our fair share of encounters with the Men of Letters," Sam began, a hint of hesitation in his voice. "In fact, we live in one of their old bunkers."
"Yeah, it's our headquarters. It's packed with centuries-old knowledge, weapons, spells—everything we need for our... line of work. Where did you say you found this?" Dean's voice turned accusatory as he picked up the journal.
"It was donated by a member of the public… I reached out for information on local folklore and someone handed it in. There should be a name in the cover, hold on…" You flipped to the back page. "Donated by a Mr Henry Win… W... Winchester".
A silence settled between the three of you. Sam and Dean gaped.
"Henry Who?" Dean asked, not believing his ears.
"Henry Winchester." You gulped, watching the brother's shocked expressions.
"Huh." Sam huffed, visibly baffled. "Henry Winchester is… or was… our grandfather".
"Wait, so you're telling us that you just happen to have our missing Men of Letters' journal, donated by our grandfather?!" Dean accused. "Who are you working for lady?".
"What?! No one… I mean, I work for the university… No one else... I'm just as confused as you are right now!" You sat back in defence, noting the concern in the brothers' eyes.
"Not many people even know about the Men of Letters, let alone actively research them" Sam added, searching your eyes.
You looked at him pleadingly. "I swear Sam, I wouldn't lie about this..."
Sam calmed, noticing the panic in your eyes. "Hey, hey… it's okay, I believe you Y/N." I don't know why, but I just do. Sam soothed as he looked into your eyes.
Relief washed over you and Dean appeared to calm, trusting Sam's intuition.
As the tension lifted, a sense of understanding gradually filled the room. Sam's unwavering belief seemed to bridge the gap, diffusing the suspicion that lingered moments ago. The relief in your eyes mirrored Dean's easing stance.
"So, you're like… guardians of this hidden world?" You asked, reigniting your conversation.
Sam exhaled through his nose. "More like janitors, cleaning up the messes others can't handle."
"It's not always glamorous," Dean teased with a smirk. "But someone's gotta do it." The hint of humour in his tone reassured you that his earlier suspicions had dissipated. "Anyway, back to this spell…"
"Right, of course..." You pulled the journal towards you.
Sam leaned forward, studying the text intently as you pointed out the details you had identified. Aided by Sam and Dean's knowledge, you worked together to translate the details of the spell.
The spell involved a meticulous process- a ritual, cleansing a site with specific herbs and offerings, all of which had to align with the energies of a full moon.
Hope coloured Sam's voice. "This is incredible... So the spirit's energy is tied to the full moon?"
You nodded. "Lore states that the tribe worshiped the full moon, and when a member died and their bones burned… their souls transcend there…Somehow, this dude got trapped on earth"
"Huh" Dean mused. "Sounds like a sci-fi movie".
Sam huffed, "Are you forgetting that Vampires exist, Dean? Werewolves, Demons, Angels...?"
"Angels?!" You blurted, shock evident on your face.
The brothers chuckled in unison. "Why is it always the Angels that shock people?" Dean smithed.
You squinted at Sam, tilting your head to the side in mock suspicion. "Angels, really!? You're not getting out of that one easily, I'll have questions later."
Dean winked at Sam.
"Anyway moving onnn…" Sam pressed, placing his hand on the table. "This explains why there have been no reported sightings in a few weeks. No full moon = no spirit."
"So… yeah, this spell… the moon." You stumbled over your words, a hint of reluctance in your expression. "Basically… it seems the spell can only be performed on a full moon. And, well, the next one is... tomorrow."
Dean's eyebrows shot up in surprise. "Tomorrow? That soon?"
You nodded, feeling the weight of time. "I'm sorry I didn't mention this earlier. That's why I called you over so urgently."
Sam nodded thoughtfully, understanding the sudden rush. "Thank you Y/N. We owe you big time for this."
You glanced at the clock on the wall. "Soo… we should get cracking then. We'll need to gather the ingredients and prepare for the ritual before sunset tomorrow".
Sam and Dean exchanged a concerned glance. "Y/N... This ritual, it might not be safe. We can't guarantee what we'll face there."
Dean's expression hardened as he chimed in, his demeanour firm. "Sam's right, we can't risk putting you in harm's way."
You met their concern with an unwavering, resolute look. "I understand the risks, but I called you here for a reason. I want to help."
Sam sighed deeply, his concern etched in his furrowed brow. "We appreciate that, but this is our job—our responsibility. We can't involve you in something this risky."
"But… I've been studying these texts for years... I know the history," you insisted firmly, your determination shining through. "I can be an asset, not a liability."
Dean shook his head, his reluctance evident. "We can't take that chance. Our line of work, it's not for everyone."
You stood your ground, your stance holding a mix of frustration and resolve. "I understand the risks, and I'm willing to take them."
Sam and Dean exchanged a knowing look, silently acknowledging your unyielding determination. With a heavy sigh, Sam relented, albeit with lingering worry etched on his face. "Okay. We'll need to gather the ingredients, and rehearse the spell."
Your eyes lit up with gratitude. "Thank you. I won't let you down."
After a tense pause, Sam spoke in a softer tone. "We'll prepare everything. But promise us, if it gets too dangerous, you'll stay back."
You nodded firmly. "I promise. I'll follow your lead."
Dean, uncomfortable with the tension in the air, decided to excuse himself. "Hey Sammy… as you’re the bookish one, why don't you stay and get clued up on this spell. I’ll head out to grab the herbs and shit". Dean shot a reassuring look at Sam, a silent encouragement to handle the situation, before swiftly leaving to gather the required supplies.
As the sound of the closing door echoed through the room, the atmosphere seemed to ease a bit. Sam met your gaze, his concern softening into a reassuring smile. "He's got a way with words, hasn't he?"
You chuckled softly, the tension easing a little. "He sure does. Is he always that direct and to the point?"
Sam let out a breathy laugh. "Yep"
You mirrored his amusement.
Sam leaned back in his chair, folding his arms as he regarded you. "You really shouldn't have to do this. It's not your responsibility."
"I know," you admitted, a hint of weariness in your voice. "But I can't stand by knowing that I might know something that could help. This means a lot to me."
Sam's expression softened, understanding the depth of your commitment. "We appreciate your willingness to help. But you have to understand, this world we deal with, it's dangerous. We've seen things that... no one should have to."
You nodded solemnly. "I get it. But sometimes, doing what's right means taking risks."
Despite his concerns for your safety, your words resonated with him deeply. "We'll do everything to keep you safe, Y/N. That's a promise."
A faint smile touched your lips. "I trust you."
---
With a newfound understanding, you focused on the task ahead together. Time passed swiftly in your combined efforts, Sam absorbing every bit of information like a sponge, whilst you offered clarifications and insights from your research.
As you discussed the finer points of the ritual, your voices softened, the air thickening with a palpable chemistry, unspoken yet undeniable. Your forced proximity seemed to heighten the charged atmosphere. An accidental brush of hands while reaching for a text, or a fleeting touch as you exchanged notes, sent jolts of awareness through you both.
Sam caught himself lingering on your words longer than necessary, admiring the intelligence and passion in your eyes. He tried to concentrate on the ritual details, but his thoughts occasionally drifted to the way your eyes sparkled with enthusiasm or the way you ran your fingers through your hair in moments of deep contemplation.
You too, couldn't help but notice the intensity in Sam's eyes as he absorbed the information. His focused demeanour was intriguing, and the way his brows furrowed slightly in concentration was oddly endearing. You found yourself drawn to his earnestness, dedication, and the way he spoke with a gentle authority.
"Y/N," Sam began hesitantly, breaking the intensity of your study. "I owe you an apology. When we first met, I... I made a mistake, misgendering you. I'm truly sorry. I haven't stopped thinking about it… I'm pretty embarrassed actually."
Your expression softened, surprise flickering briefly before a reassuring smile tugged at your lips. "Honestly, forget about it... titles can be deceiving."
Sam exhaled through his nose. "It must suck though, right? That people still make assumptions like that".
"I guess so, I just try not to think about it."
"Yeah, yeah, right, I'm sorry."
You chuckled. "Stop apologizing... It's all good."
"Good." Sam smiled, unsure where to lead the conversation next. He hoped he hadn't ruined the vibe.
Sensing Sam's hesitancy, you shuffled in your seat. "Um, I don't know about you, but all this reading is making my head fuzzy. Do you…fancy a beer?"
"Uh, yeah… sure." Sam rose from his seat, unconsciously mirroring you.
"Awesome, you relax, Sam, I'll grab them".
"May I use your bathroom?" Sam asked, ever so politely.
You chuckled. "Yeah of course, up the stairs, first door on the right."
Once in the bathroom, Sam closed the door and stared at himself in the mirror. He felt like a teenager on a first date, full of butterflies. He tried to calm himself down, splashing some cold water on his face and checking his teeth. Taking a deep breath to calm the flutter of nerves in his chest, he ran a hand through his hair, trying to compose himself. He couldn't deny what he was feeling- he was head-over-heels crushing on you.
As he tried to steady his racing thoughts, Sam couldn't help but replay the moments you had shared—your smile, the accidental touches, the way you seamlessly connected over shared enthusiasm.
"Pull yourself together, Sam," he muttered to his reflection. He couldn't afford to let his feelings interfere with the task ahead, especially when danger might loom.
Taking another deep breath, he straightened his posture and splashed a bit more water on his face, letting the coolness soothe his nerves. "Just a crush," he reminded himself firmly, though his heart wasn't completely convinced.
Downstairs, you were gathering drinks from the kitchen, your own thoughts a mix of excitement and nervousness. You had sensed a shift in your interaction, and now, with Sam excusing himself, you tried to contain your own flutter of anticipation. The prospect of spending a casual moment together felt oddly thrilling.
With two bottles in hand, you made your way to the lounge, taking a deep breath to calm your nerves. You set the bottles down on the coffee table as you heard Sam's footsteps coming down the stairs.
"In here!" you called, signalling Sam to turn right, instead of left back into the kitchen. "Needed a change of scenery" you smiled, trying to ease the tension as you both sat on the sofa.
Seated next to each other, you took sips from your drinks.
"Sooo, besides solving supernatural mysteries, what else do you do?" you asked, attempting to break the ice.
Sam chuckled softly, grateful for the shift in conversation. "Well, it's pretty much a hunter's life for me—saving people, hunting things, the family business, as my brother likes to say."
You grinned. "Saving people, huh? That's quite the noble endeavour. But what about when you're not hunting?"
Sam paused, considering the question. "I guess I try to keep some sense of normalcy—reading, jogging, that kind of stuff. Dean says I'm a bit of a nerd."
You chuckled. "Sounds like a good way to balance out the otherworldly chaos."
Sam's gaze softened, memories of a different path flickering in his eyes. "I had another life planned before all of this... I was studying to be a lawyer."
Your eyebrows rose in surprise. "Really? What made you change course?"
"Family duty." Sam's reply was tinged with melancholy and regret. "Some things happen, and you find yourself down a different road. Dean and I… well, we took on this legacy, and it became more than just a choice."
You nodded, sensing the depth behind Sam's words. "It takes a lot to give up one path for another."
"Yeah, it does," Sam agreed softly, a hint of sadness in his tone. "But I guess in the end, we all have to make sacrifices for what we believe in."
You considered him for a second, admiration in your thoughts.
"Anyway... enough about me…what about you? Besides being an encyclopaedia of hidden knowledge, what fills your days?"
You blushed. "Well, you know... the simple things—hiking, painting, exploring new cafes..." A soft smile graced your lips. "Oh, and I have this habit of binge-watching crime documentaries. It's a bit of a guilty pleasure."
Sam chuckled. "Oh yeah?"
You exhaled in amusement. "Yeah, um... I know it sounds so cliché, but understanding the human mind, motivations—it's fascinating."
Your conversation flowed effortlessly, each question peeling back another layer, revealing more about your lives, interests, and aspirations.
Dean eventually returned, laden with an assortment of herbs and artefacts. You were so engrossed in your conversation that you didn't even hear the door open.
"Got everything we need. What'd I miss?" Dean's grin widened as he surveyed the room, sensing the intimate atmosphere he'd stumbled into.
Sam cleared his throat, a faint flush of embarrassment tingeing his cheeks. "Uh, we finalised the spell... Y/N here kindly offered up a beer."
"Yeah, we were just winding down... Are you a true crime fan too?" You asked with a playful smirk.
Dean's eyebrows shot up in mock surprise. "True crime, huh? You've been holding out on me with that one Sammy."
Sam rolled his eyes, a faint smile tugging at the corners of his lips.
"No need to explain, Sammy. Just remember, if you ever need pointers on a real hunt, I'm your go-to guy." Dean winked and headed to the kitchen, focusing on arranging the herbs and artefacts he'd gathered.
You and Sam exchanged a glance—an unspoken acknowledgment of the moment you had shared, now shelved in the wake of the imminent task ahead.
Chapter 4
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gffa · 9 months
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The thing I really miss about Star Wars novels is exemplified by being two-thirds of the way through Inquisitor: Rise of the Red Blade and how I think I'm legitimately enjoying it, but in a very specific way, and I think there's actually a ton you could dig into the structure and bias of the narrator that I think is done on purpose and that I can find sympathy for a character actively falling to the dark side and what she's going through without validating the people she's demonizing in her head because I've been there, I have had my brain lying to me all my life, telling me things I know aren't true, making me believe them despite all evidence otherwise, and do you guys KNOW how much I love hot messes of a disaster lady? I fucking love a woman who is just an awful mess and doesn't have to actually be perfect or nice and maybe just once or twice says a kind of catty thing, NO, SHE IS A WHOLE ASS MESS and I LOVE HER!! But also I'm kind of in the position of how I'm tired of getting stories of characters falling to the dark side being the vast majority of what stories explore with the Jedi, I enjoy them, but not when that's all there is, and I have spent YEARS AND YEARS going back and forth with the discussions about the Jedi and I am so tired of it, I DON'T WANT TO ANYMORE. I just want to write my commentary and thoughts down in the vein that I have them and have that be it. I want to say, "This is a really glorious unreliable narrator here, because everything she says is contradicted by what the Jedi actually say/do, and she is explicitly a character designed with neurodivergent/mental health issues aspects in mind and you can't divorce that from her character." and like I don't even want to discuss with other Jedi fans about what the author may or may not have said (I read one interview from her at the beginning, enjoyed it fine, and AM NOT INTERESTED in knowing or hearing anything further) or how annoying it is to have a book like this, I JUST WANT TO DIG INTO A STORY and not have to worry about bracing myself for combat. (And also the thorny issue of how this isn't precisely a recommendation because I'm not sure others would enjoy it, like even if you agreed with me, I'm not sure it'd be something in your wheelhouse, but I don't want to even get into that, it feels exhausting, like, just I want to talk about how I'm enjoying it, but not have to articulate why I think others possibly wouldn't, just leave it at "nah, I don't think you'd enjoy it".) I know this is some IRL stuff spilling over onto my reading of this book and I'm aware of the state of a lot of creators in SW right now hold opinions that have made me stop reading their works because I am no longer interested in anything they have to contribute, but also like. Sometimes I just want to enjoy a book on my own terms and not have to feel like I'm arguing a case, but instead reveling in the glorious hot mess of a central female character that maybe I relate to and have sympathy for even while recognizing that she is painting a very unreliable portrait within the book, because I Have Been There. Idk, I'm not saying this very well, and a lot of it is outside factors, but I have this giant tangled ball of "I just want to enjoy something for once, not examine why it might actually be doing my Blorbos all wrong", like aren't we supposed to be in fandom for the enjoyment of things, not to constantly argue with people? /tired and hasn't been sleeping well and has been thinking about this instead of wrenching irl stuff
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queer-reader-07 · 5 months
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if you would allow me to be sappy on main for a moment, i think there is something so powerful in choosing to fall in love with the world and with the human story.
i can't speak for everyone, but i know that i went through a period in my life where i was nothing but cynical and nihilistic about the world. i had convinced myself that nothing mattered, that if the world fell apart before my eyes it was what we deserved.
but here's the thing, cynicism isn't sustainable. you are never going to be able to find joy in this world if you convince yourself everything sucks and there's no joy to even be found in the first place.
yeah, sometimes the world does suck. sometimes all i want to do is curl up in a corner and sob because i'm violently scared that my loved ones won't come home safe because they dared to exist as themselves in this world. i cannot put into words the levels of fear i felt for my mom's safety during 2020/2021 when anti-asian hate spiked in the US, i worried everyday that she would not come home because how dare she exist as an asian woman in this country. when anti-trans legislation started picking up steam i was, and still am, scared for the safety of myself and all the trans people i know. the world sucks sometimes, people suck sometimes. but i refuse to let myself give up.
i want to believe in beauty of the world, i want to be able to revel in the fact that we are alive, that i am alive. and that our being alive means that we can create beauty and wonder and joy.
i get to enjoy the art that people create, because oh how special is it that we create art? that i can open my phone and read beautiful words crafted by people oceans and countries away. that i can bask in the beauty of the drawings and paintings people so kindly share with the world. that i can walk into a library and be surrounded by generations of stories that i have the privilege of reading. that i can go to a concert and experience the transcendence of live music.
but i also get to experience the beauty of nature. i get to watch as the clouds turn pink on my early morning drives to school. i get to take photos of the cherry blossoms in the few weeks that they turn pink in the spring. i get to look out my car window on a clear day and see the mountain grace us with her beauty.
i am alive. we are alive. why should we waste this life wallowing in cynical despair?
i have to believe in the world. i have to believe in the human story. i have to hold onto the hope that life is worth living and that things will get better. i am reminded of that hope every time i see art that makes me feel alive, every time i read a book or a poem or a story that makes me feel like being a human is a beautiful thing, every time a song transports me into a new world. i am reminded of that hope every time i talk to my friends and am reminded of why i love them so deeply. i am reminded of that hope every time i learn something new and feel the joy of new beginnings and new experiences wash over me.
i hope. and that is a powerful thing. it is a powerful thing to hope and to love and to believe. to hope for a better world. to love the world. to believe in the world.
a friend told me recently that i love and care for humanity fiercely and gently. and i think that's the root of it all. i don't just love my people, i love people. i love the human story, i believe in the human story, i have hope for our story.
it is powerful to love and believe and hope when you exist within a society that wants to beat you down. it is powerful to love and believe and hope when you are the "other" in the social order. it is powerful to love and believe and hope when you used to think you were not worthy of those things.
it's hard to love and to hope and to believe. but i have to, for my own survival. i have to allow myself to fall in love with the world. i have to allow myself to believe. i have to allow myself to hope. because for so long i didn't allow myself those things. and i think that is a powerful thing, that i can allow myself those things now.
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charlottesbookclub · 2 months
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which plants each of the greens would get from the plant shop where i work 🪴🌱🌿🍃
y'all i am so sorry for my sporadic activity on this blog and also for the chaotic jumble of fandoms i keep posting about with no warning 😭
so i was kinda into hotd last season, and with the new trailers coming out i was thinking about it again and this idea came to me like a revelation from on high so i decided to curse you all with these headcanons as well
for context, i work at a houseplant shop and was watering my own plants today when i was seized by the vision of which plant(s) each of the greens would get from the shop
i guess this is kind of modern au but not really?? like i guess i sort of envisioned it as the characters walking out of the world/canon of the show and into the plant store and so that's the characterization i went with idk
anyway sorry this is so chaotic – here are the headcanons:
alicent – def something pretty basic but classic like a pothos or a philodendron. a marble queen pothos would be especially appropriate, so honestly that's what i would probably recommend if she asked. is able to keep it alive just fine but i'm just not sure i would recommend anything too much more demanding – i just feel like losing a plant would be too demoralizing for her. also i feel like she would be one of those people who would come in and be like "i need a plant that filters air bc i need clean air in my living space" and i'd have to put on my best customer service voice/smile and be like "well actually ma'am that's all of them – that's kind of like one of their main things" lmaoooo
criston – i truly do not believe that my mans could keep a plant alive; i'm just not convinced of it. i think he'd get a funky spiky little succulent or cactus and it would be dead within a week and he'd come back in and i'd recommend a snake plant (very hard to kill) and then he'd kill that too 💀 but also i think he'd be sooooooooo in denial about it and always come up with a bunch of other things that must've happened to it
aegon – also cannot keep a plant alive but is painfully self-aware about this fact. would def be one of those people who comes in, walks right up to the counter and instantly says "i need a plant i can't kill." so i'd point him to the snakes and zz's and he'd get either a nice black coral or golden hahnii snake plant. the funniest thing about this is that i'm convinced that aegon's snake plant would actually survive and criston would be sooooo pissed about it. like he wouldn't water it for weeks, and then when he finally remembered to, he accidentally (drunkenly) watered it with wine and it still lived and criston was fucking livid about it
aemond – would for sure have more success keeping plants alive than aegon or criston. i feel like he'd try to start with something cool but tricky, like a complicated carnivorous plant, and after excruciating months of going back and forth with it, it kinda just gives up because he tries to do everything precisely by the book rather than reading the signs of the actual living plant in front of him. he admits defeat only personally – he tells everyone else that he gave to plant to helaena. he comes back for something a little easier and goes for a nice dracaena marginata (yes, he did buy it mostly because the name sounds like "dragon" and also because it was spiky and cool). he's definitely able to keep that one alive and it lives in the corner of his chambers and he's secretly very proud of his success with it. also he does not even let criston or aegon so much as look at it lmao
helaena – my girl could buy anything in the whole store and keep it alive 😌😌 she for sure likes the "weirder" plants and has a whole bog garden situation of carnivorous plants aemond is insanely jealous of this but never admits it out loud. she's very drawn to strange-looking cacti and succulents, and also fun little novelty plants like goldfish plants, string of turtles/bananas/hearts/pearls, starfish snake plants, etc. also, whenever she comes in she always buys all of the scraggly discount plants because she feels bad for them and nurses them all back to health. she has not lost a single plant yet regardless of the state it was in when she got it, and she doesn't intend to start any time soon 😌
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mimisempai · 8 months
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Precious moment
Summary
Some habits change when you live together. Aziraphale remarks that reading alone all night doesn't have as much appeal when you have a demon sleeping in a cozy bed right above you.
Notes
Day 6 : Sleepy Kiss
My holidays have begun and although I can't do without my daily dose of ineffable fluff, I can't devote as much time to it as I'd like. So I hope you'll enjoy this short and sweet story anyway.
On Ao3
Rating G -  614 words
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Aziraphale closed his book and decided to go to bed.
He realized that this was happening more and more lately. He used to be able to read all night long, but now that he and Crowley were living together, now that he was aware that the demon was lying and probably sleeping upstairs, reading a book alone in the quiet of the bookstore wasn't as interesting as it used to be. 
Besides, it didn't bother him at all.
He got up, turned off the light and climbed the stairs to the bedroom, now eager to find his sleeping beloved.
Arriving at the door, he called softly, "Crowley?"
Receiving no response, the demon probably sound asleep, Aziraphale silently undressed, then pulled on his pajamas before approaching the bed.
He couldn't help but smile fondly as he saw the way the demon had curled up into a ball under the blanket, only its head sticking out of the warm cocoon, which made Aziraphale want to crawl in right away.
Sitting on the edge of the bed, Aziraphale carefully lifted the covers and slid against the demon. 
Then he pulled Crowley against him, once again overcome with emotion as the demon automatically wrapped his arms around him in a gesture that had become so familiar. 
What a long way we've come.
Two beings in need of physical affection for so many years, denying it to each other and now reveling in it. And most of all, no longer hiding it from each other.
Aziraphale couldn't resist. He took the demon's face between his hands, raised it to his own, and planted a tender kiss on the half-open lips.
Crowley made a small sound of contentment, almost like a purr, and returned the kiss lazily in his sleep.
Aziraphale smiled softly, planted soft kisses on the tip of the demon's nose, on his closed eyelids, and finally a lingering one on his forehead before cradling his head against his chest.
He murmured softly against the demon's hair, "I love you so much, sometimes it's overwhelming. I don't know if it's because our love has taken so long to blossom, or because I've kept these feelings locked up inside me for so long, but they're so strong now that they are out, that it takes my breath away. I know I've told you and that you know it, but I want to tell you again and again. I love you, Crowley."
He pressed his lips to the red hair in a long kiss, letting the emotion spill out of his eyes a little, for not all the tears were sad, and those were absolutely of overwhelming joy.
Then he laid his head on the pillow and closed his eyes, a smile on his lips as he waited for the sleep that would soon come. 
Little did he know that a certain demon, resting on his chest, had not lost any of his words. Crowley smiled softly and curled up even more before breathing into his neck, "Believe me, Angel, we both feel the same way. I love you so much that sometimes words are not enough to express it. But as long as we know what we feel, we are fine. And I know that you love me as much as you know that I love you."
Moments didn't always have to be full of meaning and big words.
Sometimes, just a moment between day and night, a few words of love and gestures of shared tenderness, were enough to make a moment precious.
Like this very moment.
Crowley, smiling too, let sleep take him.
No doubt, for both angel and demon, there would be no nightmares that night.
_________
Still not beta'd
Still not my native language
Still hoping you'll enjoy this story  🥰
Still thanking you for bearing with me 😝
Ineffable Growing Love series : here (After season 2)
Ineffable Husbands masterlist : here (Before season 2)
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mirtola87 · 7 months
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"Tale as old as time", or how Good Omens planted a seed in my soul that's growing more and more (bettah) [2/2]
[Continues from Part 1] Then we started watching S2, and as it happens in any good mystery story, clues became evidences. Crowley and Aziraphale started laying their cards on the table. Throughout the episodes, they act more and more like an "us" and we get used to the idea that their side is a fact. No matter what happens, they will face it together, as they did more and more in the last 6.000 years of their "tale as old as time". Being a coup... ehm, "group of the two of us" without telling themselves and each other, walking on a wire. And then came the rainstorm, the canopy, Jane Austen, the ball, Beelzebub and Gabriel going off together, Nina and Maggie talking with Crowley. The moment not only the characters but the audience, too, realize that the ineffable love could be actually named and told. "Just a little change, small to say the least / Both a little scared, neither one prepared." It was pure revelation, mind-blowing and delightful. After 9 long years, I finally knew that they loved each other, that I loved them, and that I wanted them to be happy together, forever. If I could feel it so deeply, I wonder what it could have been like for Neil himself to discover that the two characters he knew so well from almost 30 years were in love with each other. And then, after 6 "quiet, gentle and romantic" episodes, exploring the evolution of the characters and their relationship and mutual influence through the time (6.000 years of bickering, longing glances and building trust in each other, "bittersweet and strange, finding you can change, learning you were wrong"), the last 15 minutes suddenly came and leave them (and us) heartbroken, as their love is told and denied in the very same moment. It was painful and devastating. And here I am now. Two months have passed since I saw S2 E6, and all that I, all that we can do is wait (and see, hopefully). But it's not, it can't be as before. Something in me has definitely changed. Or rather, it woke as if it had been long asleep. And it grows better and better. This story made me feel things I hadn't felt for years. It's making me feel love, and pain, and longing, and hope. It made me remember how great stories (amazing lies) can make you experience true, deep feelings ("true as it can be"); and it awoke my desire to tell stories and share feelings as well, a wish that had lied sleeping in the back of my mind for a long time. So yes, I am obsessed with GO, but it's not just about this story I love, it's also about me, I believe. And all the time in-between reading the book, watching S1 once, rewatching it and then watching S2 lead me to this, because things can develop and grow only with time. So I guess I should be grateful for that heartbreaking cliffhanger. If S3 had already been there for us to watch, I would have already consumed the answers I wanted. My mind would be at peace and probably none of this would have happened. Instead, I find myself full of questions (about the story, and about my life), I'm restless and eager, I'm painfully alive. And I feel like a new path, a new chapter, is opening before me. "Certain as the sun rising in the East", in the next years I'll be waiting for Neil to tell us about the "Neighbour of the Beast", and in the meantime I'll try my best to cling to that feelings as a precious gift, don't let them go, nurture them and use them for the best. There are many things I wish to thank @neil-gaiman for, but this is probably the most important so far.
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