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#him saying hold it like you love it and remembering that parallel on here to Joel ep6 talking about squeezing the trigger
skoulsons · 1 year
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the father-daughter relationships where they start off pointing their weapons at each other not liking the other to literally flying home together in the span of like…two days. or less. no but really. I’m dying over here.
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videogamelover99 · 1 year
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OKAY BUT LISTEN. LISTEN. I WANNA BREAK DOWN SOME OF THE PANELS FROM THIS SCENE CAUSE UH. This is like a powerpoint of the audience realizing the Sheep are not Chuuya's friends.
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First off, baby? Baby. Also Chuuya's body language in the art is so, like, embarassed/self-conscious teen, except instead of the problem being hanging out with the wrong people in high school its...Mafia-level stakes. Anyway, Chuuya curling up while hiding from his "friends" immediately gives you a sense he is not the one in control.
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Dazai-like expression who? Chuuya is putting on a mask so eerily similar...it gives us some great parallels.
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Chuuya unnecessarily apologizing to Shirase? Yeah. Straight from the book.
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Insane over Shirase's solid B+ gaslighting. I don't remember if these lines are from the book, but Shirase implying Chuuya's the one "acting like a tyrant" when he literally didn't do anything?? Except ask politely for favors? Throughout the whole conversation he's been the polar opposite. But hey, maybe Shirase's just projecting.
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Haha, "somehow".
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Nothing to add here except Shirase's body language in this is SO much better than the anime. In the anime he just acted mad and kinda hot-headed. Here he's smiling, acting friendly, giving off those "ofc I'm on your side Chuuya but you make it so hard for these made-up reasons" vibes. Shirase is opportunistic, manipulative, he believes he has control over Chuuya, and therefore his ability.
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Of course, Dazai can tell immediately what Shirase is doing. That Shirase has more power over Chuuya than Chuuya does over any of the Sheep (which is once again reinforced by the body language. Shirase's arm over Chuuya's shoulders, swamping him. Being physically taller than Chuuya. Chuuya just kind of standing there, passively.
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Also despite what Shirase seems to believe, he and the other Sheep are not one bit smarter than Chuuya. They're eagerly celebrating their victory when Chuuya can clearly tell this is some sort of plan on Dazai's part.
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Dazai destroying any leverage they had over Chuuya and yet knowing there's some reason Chuuya is doing this anyway. Offering him a choice.
As I've said before (and it's more obvious than ever in the manga) Shirase's using it to gain Mafia territory by getting some of their members captured. I've stated this before, and we do get a confirmation:
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The "self defense rule" is something Chuuya explicitly created. To not strike unless provoked. I have a lot of thoughts on this and why but that's not for this post.
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And we have!! Dazai getting pissed off on Chuuya's behalf!! He's scary.
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(Spoiler alert: they are not his friends.)
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Ahhhh
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Ahhhhhhhh
Guys I love this chapter. Because on one hand, Shirase, like the rest of the Sheep, have very legitimate fears. They're literally a bunch of kids that used to be preyed on by other organizations, and if Chuuya is not guaranteed to protect them, then...well...they're in horrible danger, really.
The problem is that Chuuya is ready to protect them. But they don't trust him, and it seems they never have. The whole thing is built on Shirase (and probably the others) holding some kind of emotional and social power over Chuuya, therefore guaranteeing their safety. But when that's not longer the case, well, they don't trust Chuuya to protect them. I'm curious how the manga is going to adapt Dazai's whole "meat" story later on because the issue isn't a selfish conflict of interest. The issue is trust, and the lack of it between Chuuya and the rest of the Sheep.
It's like the Sheep built their gang on high school clique rules, and didn't realize Chuuya's not just operating out of a sense of obligation and need to belong, but genuine care. Anyway, that's all I have to say. The art is beautiful.
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ireneaesthetic · 14 days
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Pointing out little moments and details of scenes that need to be remembered.
library scene • episode 1
their expressions softening and smiles growing bigger as soon as their eyes meet. oh the effect of each other’s presence!!!
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wille's staring contest and the lip bite while approaching give off so much confidence. he leans in for the kiss like it's all he's been waiting for - everyone is watching and yet he sees and cares about anyone anything but simon.
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simon dives into the kiss just as quickly. it starts out as shyyy but you can see the tension easing through his body language.
it’s a second first kiss for them in a way bc it's their first public one: the thrill, the excitement, the butterflies - it's all there. for this huge step to come from wille makes it even more special.
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it’s a super tender kiss, with simon’s hand ending up on wille’s chest. background noises fading away to enhance the sound of their lips is so on point: none of that truly matters bc in this moment it's - them.
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first they kiss and then greet with a proper hej *giggling*.
lip biting is serious business in this scene. simon's shows a lot of embarrassment tho - he comes out of their own bubble and suddenly becomes very aware of people's chatter.
shoutout to felice and maddie in the background not giving a damn about it ahsjsj.
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wille pulling simon by the hand in such a hurry is funny and so him. he literally says 'ok folks you've seen enough, i want him just for myself now'.
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ugh i love parallels in this show sooo much. they alone tell the whole story!
same spot but different point in their relationship: so distant in s2 - both physically/emotionally - and couldn't be seen or heard so they were hyper attentive; deeply connected on all levels in s3 instead, the focus is solely on each other, reaching for comfort by holding hands. the coloring tells the same plot too: cold and dull tones first but much warmer ones in s3.
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simon side eyeing the hallway but turning to wille is enough to reassure him and ease the discomfort.
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hands intertwined with the key chain in such a ‘fuck 'em, this is about us’ way is a genius move.
wille’s whole posture is extremely relaxed - one arm behind his back, the other hand holding simon’s, his legs crossed. it’s a breath of fresh air to finally see him acting this loose and unbothered around people. he's also the one who helps simon feeling much more comfortable here too.
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not much to point out, i just needed to gif simon’s bambi eyes and wilhelm being mesmerized by his face.
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hela terminen's line delivery is honestly *chef’s kiss*. they care to keep their voices low throughout the scene and then -
i have a thing for height difference so this shot is everything to me. it's peak head over heels boyfriends behavior!
wilhelm is stronger than me bc i would've kissed simon right on the spot if he tilted his head up like that.
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shhh they’re cuddling.
the forehead touch with closed eyes and content smiles. this is basically what i've always loved the most about them - the state of pure bliss they're in only when with each other.
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simon's eyes on him while wille is still keeping his eyes closed, slowly pulling away, to enjoy the moment a little longer.
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simon's attention directed towards wille and the linked hands. it must feel the best kind of weird to experience the freedom of doing couple-things publicly - people's scrutiny no longer being something they have to hide from.
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letustalkaboutlevihan · 2 months
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8) ISAYAMA'S ENDING FOR LEVIHAN
On the manga, Levi was sitting on a wheelchair and he's with Gabi, Falco and Onyakopon
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Levi was holding a magazine/newspaper(?) in his hand, but instead of looking at it, his eye was looking at the plane above them... remembering Hange.
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In Isayama's draft for this panel, the sketch for the plane was different. But Isayama redraw it to a similar flying boat that Hange protected. Isayama also crossed out the dialogue that says, 'The pain that we feel' and changed it to, 'The story we sought after'
Can't imagine how painful it is for Levi, losing everything and Hange 😢💔 (If only I could, I would give him a hug...)
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On the anime, Mappa changed Levi's ending into Levi distributing candies to the children. When he saw a round lollipop, he blinked because he remembered someone.
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He remembered Hange and the day they visited Marley with the kids...
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Isayama and Mappa were trying to tell and show us that in whatever endings, Levi will always end up thinking about Hange.
Just how can he even forget the person who saved his life? The wounds that Hange treated before might've already healed, but he would always remember her by his scars.
Afterall, Levi spent more of his days with Hange than anyone else. Hange truly played a big and important role in Levi's life 🤧
9) IS LEVIHAN CANON?
Even without statement and confirmation from Isayama-sensei, I firmly believe that Eremika and Levihan are both canon.
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There's a lot of evidence that proves their relationships are parallel to each other.
Just like Eren and Hange are both obsessed with Titans. Eren wants to kill titans while Hange wants to learn and study them.
Levi can recognize Hange by her knock while Mikasa can recognize Eren by only sensing him.
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When Eren asked Mikasa, "What do you think about me?" Mikasa replied, "You're a family".
When Hange asked Levi, "Maybe we should just live here together. What do you think, Levi?" Levi replied, "If we just run away and keep on hiding, what will we have left?"
Both Mikasa and Levi lost Eren and Hange because they chose to say a safer answer. Had they answered differently and truthfully that time, then maybe they never lose them.
I think that's what really Ackermans are. They are physically strong, but they are not good in expressing their feelings through words. (They only show it through their actions)
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When they bid a farewell to the love of their life. They didn't say, "Good-bye," ... But instead, they told them, "See you," / "See you later,"
They believe that they would see them again, in a place where there is no more war, no more pain, no more tears, no more regrets... A place where they can be happy together. A place where they could finally get the happy ending both Eremika and Levihan deserve <3
Bonus:
Isayama himself wrote, "Levihan" instead of writing it as "Levi and Hange" so he would lie if he'll say that he doesn't agree with Levihan ship 💜💚🤭
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English is my third language so please forgive me if I didn't get to explain it well. I just really want to talk about Levihan because they mean so much to me 💜💚
Thank you for reading! 😊
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queercanon13 · 1 year
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The Karma music video is packed with queer and sapphic themes. But what’s with that yellow beret?
We all watched the Karma music video on Friday (or Saturday), right? And then we all watched it ten more times because there IS JUST SO MUCH THERE. Right?!
I can’t even begin to unpack the whole thing yet, but let’s talk about the yellow brick road scene.
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Taylor is obviously wearing ruby slippers (“the rubies that I gave up”) alluding to Dorothy/the Wizard of Oz. But she’s not wearing the rest of Dorothy’s getup. That’s because she’s not Dorothy, but in fact a friend of Dorothy.
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She’s holding a broom (lots of witchy themes from her lately) and blows a kiss of blue (iykyk) glitter to three grim reapers (the two SBs and…?).
She’s keeping her side of the street clean, which harkens to the YNTCD MV where she clearly shows which side of the street she’s on:
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Other things of note: it appears there are daisies embroidered on her collar, as well as growing along the yellow brick road. Her braids are also looped (“your braids make a pattern”).
The yellow brick road itself may be a nod to Elton John and his album/song Goodbye Yellow Brick Road. Here are some of the lyrics from that song, as well as a generally accepted analysis of the lyrics:
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&
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Seems like it would be super relatable to Taylor, right? Add in Elton John’s queerness/coming out journey, and the parallels continue.
There are probably a hundred other things I’m missing just from that scene alone, but what I really wanna talk about is the yellow beret, especially in light of current news surrounding Taylor.
When I saw the yellow beret, I furiously googled “yellow beret” + the names of Taylor’s muses, but I came up empty-handed. Because Taylor is specifically not wearing a Dorothy costume, I knew that fucking hat had to mean something. Then I remembered — isn’t yellow beret a military term? And we know she loves a good war story. To Google I went, and the results did not disappoint.
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During the Vietnam war, all physicians in the US had a mandatory draft order. One of the ways to avoid the draft was to apply for a position with a Public Health Service program called the NIH Associates Training Program. Because the elite program was highly competitive, only a small percentage of doctors were able to serve their required military time without going to war.
Yellow beret was a self-deprecating and derogatory term used by and for doctors who avoided getting a green beret/going to war (yellow can be associated with cowardice, i.e. “yellow-bellied”) via the NIH program.
Sounding familiar? But wait there’s more.
Bob Seger wrote a song in 1966 called The Ballad of the Yellow Beret. It was written as a parody of the song The Ballad of the Green Berets. Here are some of the lyrics (I encourage you to read all of them!):
Verse 1: Fearless cowards of the USA // Bravely here at home they stay // They watch their friends get shipped away // The draft dodgers of the Yellow Beret
Okay, I’m seated.
Verse 3: Men who faint at the sight of blood // Their high-heeled boots weren't meant for mud // The draft board will hear their sob stories today // Only the best win the yellow beret
Oooookay.
Verse 4: Back at home a young wife waits // Her yellow beret has met his fate // He's been drafted for marching in a protest //Leaving her his last request
Are you screaming yet? Just wait.
Verse 5: Put a yellow streak down my son's back // Make sure that he never ever fights back // At his physical have him say he's gay // Have him win the yellow beret
And if that wasn’t enough, two of the last lyrics are “I've got a pimple on my trigger finger” (ew) and “well, we were planning on having children sometime soon” (devastating). These themes also align with The Great War, epiphany, etc.
But despite attempts to diminish their efforts through claims of cowardice, these “yellow beret” physician-scientists contributed to some of the most important and innovative medical research we have today. Dr. Fauci attended the training program, as well as nine others who went on to win Nobel Prizes.
Could it be that Taylor is trying to tell us that, while it looks like she dodged the draft (didn’t come out), she’s doing some important mastermind shit behind the scenes? Only time will tell, but since we are now at “dawn,” I believe daylight is soon to follow. ☀️
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stationintern · 2 months
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Hello all!
This month was, truly, a beautiful month for me reading-wise. The birds were chirping, I found smut that made me sweat, and I revisited some old favorites. Let's jump right in. I am so excited to share these with you. (Hence why I am posting this a day early.)
Strap in!
Dwelling On Dreams by @the-sinking-ship for H/D Big Bang 2021, 135k, E
I reread this fic this month, and it was just as delicious as I remembered. There are aspects of this fic that felt burned into my memory, so it came as a shock to me when I realized that the last time I'd read this fic was over a year ago. Everything about it feels so vivid. Harry's magic, his raw sexual energy. Draco's ability to make me scream at my phone and throw a mini temper-tantrum. I love flashbacks, and this fic has them in abundance. If you're looking for a thick read with complex characters and an interesting case to solve, look no further!
Hear Me Out by @rainstormradish for @dronarryfest 2024, 5.2k, E
I am pleased to announce that I have officially bought my ticket and jumped on the Dronarry train. You've all convinced me. This fic, in particular, is what really got the ball rolling. This was... immaculate. When I said I found smut that made me sweat, I MEANT IT. I had to, like, physically reconnect with my limbs after I read this. A bit of fake dating to start you off, and it only gets better from there.
The Way You Say My Name by InnerLilith 5.3k, E
Ya'll ever just bark at your phone? Sometimes, a girl just wants to read about Harry Potter going absolutely bonkers over Draco Malfoy calling him sweet little names. Very hot, very important to me.
Please hold. Your call is very important to us./Bloodlust and Bureaucracy by @goblinmatriarch 5k, T/8.5k E
DOUBLE FEATURE! I love the smell of wizarding bureaucracy in the morning. What a little world you have built! Authors who can create a new little piece of the wizarding world to explore mean the world to me. Very interesting in regards to how the medical system in the wizarding world relates to its real-world counterparts. Also, some biting action. Very smart, very hot.
Crossed Wires by @skeptiquewrites 11k, E
Critics are raving. "Literally ripping up the wallpaper in my home," says one reviewer. "Gnawing at the bars of my enclosure," says another. Bureaucracy lovers win forever and ever. Also, Draco gets to wear many suits. Harry Potter the reluctant politician. I couldn't have wished for more.
Our Objective Remains Unchanged by @citrusses 46k, E
BOATS, REPRESSION, MORE BOATS, EDGING (for sports purposes), EVEN MORE REPRESSION, AND WILL YOU BELIEVE ME IF I SAY THERE'S MORE BOATS. I don't know how you've done it, but you've managed to parallel the epic highs and lows of college rowing with the literal wizarding war. If that isn't talent, I don't know what is babe.
Truth or Dare? by @lettersbyelise 3.4k, E
There is truly nothing more intimate than jerking off your childhood rival while a party goes on around you. THAT, my friends, is the key to post-war, inter-house unity.
Borrowed Time by @the-starryknight for @dronarryfest 2024, 7.6k, E
Oh this was fire. What do you know about body swapping threesomes? Would you like to know more? Yes. Yes, you would.
Alrighty, I think that's all for now, folks. Very thankful to be in a fandom with so so so many talented people. You all blow my mind. Here's to another month of fantastic fiction!
See ya!
XX, Moon
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taurussbabe · 1 year
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Heyyy i saw ur taking request for the song related fics and i have to say the 2 fics u wrote were absolutely amazing!!!
Can u write smth related to the song 'all of the girls you loved before' by taylor swift
Or
'Pretty please' by dua lipa
All of the girls you loved before
a/n: Thank you so much for this request, absolutely loved it. Hope you like it anon!! word count: 1.1k
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Cryin' in the bathroom for some dude Whose name I cannot remember now (ooh) Secret jokes all alone No one's home, sixteen and wild (ooh)
            You and charles have been friends ever since you were kids, your parents were friends with his parents since they were in school, and eventually, that lead to you always being raised close with each other. You were together through everything, when his dad passed and when Jules and Anthoine died. He was always there for you too, no matter how busy his schedule was, so much, your parents started to wonder if there was something else going on between the two of you. You were fifteen and had a crush on a boy in your school, you thought he liked you too, that was until you saw him kiss another girl at some random party, of course, your fifteen-year-old self took it pretty hard, immediately leaving the scene and running towards the closest bathroom and letting the tears fall. What you didn’t know at the time was that charles had witnessed the whole scene and also ran towards the bathroom, storming in, not caring if it was the ladies room, immediately embracing you, holding you tight, brushing your hair out of your face, kissing your head and whispering into your ear, reminding you how everything was gonna be ok, and how he would always be there for you.
A few months later, you found yourself turning sixteen, charles right there by your side as you blown the candles, making secret jokes the whole time. The name of the boy who made you cry in that bathroom, long forgotten by now, the only person in your mind being the Monegasque by your side.
Your past and mine are parallel lines
Stars all aligned and they intertwined
And taught you
The way you call me, "Baby"
Treat me like a lady
            “Y/n, can you come here?” you heard him calling you from the living room, making you leave the room who were in to go to him.
“Yes, baby” you made your way to the couch, straddling charles as his hands found his way to your waist.
“God, I love when you call me baby.”
“Yeah?” you ask kissing his cheek and neck, him only humming as a response. “Why did you call me?”
“I wanted to make you a snack, what do you want to eat?”
“Really? You called me here just to see what I wanted to eat?”
“Yeah, why? Did I do something wrong?” his face expressions changing, but you quickly put your hands on both sides of his face.
“No, no, you didn’t. You just caught me by surprise, that’s all, you don’t need to make me anything.”
“No, but I want to, you deserve it.”
“Thank you, mon ange” you hug him tight, kissing his chest, his arm wrapping around your waist, keeping you close to him.
Every dead-end street
Led you straight to me
Now you're all I need
I'm so thankful for
All of the girls you loved before
But I love you more
            “I miss you” you heard on the other side of the line, making a soft smile creep its way onto your face.
“I miss you too, you know that, but you win this race, and you might get a reward when you get home.” You heard his chuckle through the phone and hear a mechanic calling him, letting you know your time with him was over. “Good luck, champ, I love you.”
“I love you too, mon ange.” Was the last thing that you heard and then he hung up.
“Y/n?” you heard from behind you, making you turn around “Y/n Y/l/n?”
“Charlotte? Hi, how are you?” you greeted the girl in front of you, silently hoping charles’ name wouldn’t come up, considering she was his ex-girlfriend.
“I’m good. How are you? I heard you and charles are dating now” ‘and she went there’ you thought.
“Hm, yeah, I’m good” you said, not knowing what else to say.
“It’s fine Y/n, really, I kind of always knew he had a thing for you, besides we just weren’t good for each other, I’m glad you’re both happy”
“Thanks, really, it was good to see you.” You said your goodbyes and headed home so you could watch charles’ race.
.
“Mon amour, I’m home” You were in the bedroom, and as soon as you heard him you sprinted down the hallway, launching yourself into his arms, making both of you loose balance, causing you to fall on the couch, charles on top of you. “Woah, are you okay?” he asked as he carefully placed a kiss on your lips.
“I’m so freaking proud of you, you did it, charles, what a fucking brilliant race” you kissed him passionately, making him moan into the kiss.
“Thank you, I think I did good.”
“You thought you did good? You did amazingly, you did perfect, I’m so proud of you I can’t put it into words. Hard work always pays off, and you’re living proof of it. I love you so so much, my love.” You said looking into his eyes.
You stayed like that for a while, looking so deep into each other’s eyes you could almost look into each other’s soul, until charles lifted you up and carried you to the bedroom, kissing you during the entire time of the walk. He dropped you on the bed and kissed you one last time before going to take a shower and put on some more comfortable clothes.
“You know who I saw today?” you asked charles, who was still getting ready in the bathroom. “Charlotte.”
“Oh yeah? Did you talk?”
“Yeah, she said she knew that we were together, and she was happy for us, because she always thought you had a thing for me.”
“Oh well, she’s right, I did always have a thing for you, ever since we were like twelve” he said in the simplest way, as if he hadn’t just admitted he liked you since you were little.
“Wait, what? You dated her when you were seventeen.”
“Yeah, but just because you were dating that douchebag.” He walked out of the bathroom, coming to sit next to you, holding onto you has you brushed his still wet curls.
“Well, I’m thankful for everyone we dated before, it lead us to here, and I couldn’t be happier to be here” you stated while his finger drew soft patterns on your skin.
“Me too, mon ange, I’m really happy that we’re here”
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luveline · 2 years
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something sweeter | eddie munson x reader
summary you get a tattoo. eddie takes care of you [1.5k]
warnings 18+ for suggestive theme, nsfw, established relationship, fluff, hurt/comfort, tattoos, fem!reader, idiots in love, no s4 spoilers besides eddie, requested here
<3
“…something sweeter,” Eddie’s talking in that quiet voice reserved for you, missing his usual bravado. Even softer, he looks at you in the passenger seat through a tangle of dark curls and asks, “You okay?”
“Yeah. I’m fine. What’s sweeter?” you ask, smiling apologetically.
You push your clammy palms into the scratchy fabric of your short skirt. Eddie’s unconvinced.
“I was only saying,” he begins, reaching across the gap to wrap his ring-heavy hand around your thigh, “that it surprised me. What you chose. I thought you’d get something sweeter.”
“You don’t like the bat?” you ask, nibbling at your lip.
His rings are cold but his fingers are warm, rubbing a short, comforting line into the dough of your inner thigh. He gives you a quick squeeze before returning both hands to the wheel, concentration face in place as he parallel parks the van outside the tattoo parlour. His eyebrows pinch up.
“No, I love the bat. You’d hope I would, right?” he says as soon as he’s done, pulling the keys from the ignition. He gestures to his arm and the trail of bats flying up his skin.
“I thought about it. Getting something pretty. A garter or a heart or something.”
“Yeah?” he asks.
“But I wanna look cool like you,” you say.
Eddie waves a hand at you, rolling his eyes though he’s smiling. His face is transformed by his pretty smile. He’s ridiculously handsome like this - it makes your chest hurt, his puppy eyes and his almost demure grin, so at odds with his eccentric and, at times, rough personality.
He scratches his collarbone, sneaking a peek down at the watch on his wrist, lips parting. “Are you ready?”
No. “Yeah.”
You pile out the van and into the parlour. Only when you’re lying face down on the chair with someone touching the back of your naked thigh do you remember to freak out. The side of your face pushed into thin, crinkling paper, you give Eddie a wide-eyed look. He chuckles under his breath, eyes flitting between the tattoo artist and you.
Elbows braced on his knees, Eddie holds one hand out to stroke your hairline quickly. “You good?” he mouths.
You nod almost imperceptibly. He sees it. You watch his pupils trace from your narrowed eyes to your smushed mouth.
He sits back in his chair, elbows braced on his knees and hands hanging in between his spread legs. You’ve already had the stencil placed, skin prepped. The tattoo artist tells you he’s about to start, and the needle starts to buzz. Eddie opens his mouth wide, lips an ‘o’, teasing. He’s so hot it almost distracts you from the pain. Almost.
The closer the artist draws to your knee the worse it hurts. You try not to complain. You’re seized up tightly, hands wringing under your stomach, chests aching from being face-forward. Time stretches impossibly long.
It surprises you when tears well in your eyes, sniffling as the artist lays in finishing touches with white ink. It hurts much more than the rest has, but maybe that’s because you’re sore.
“Are you good?” the artist asks.
You whisper uselessly. “Yeah.”
The artist stays paused.
Eddie cups his chin in his hand, fingers pressed over his lips. “She’s good. You’re good, sweetheart.”
You’re good. The tattoo gets finished, the artist wraps you up. All paid up you leave, your leg hurting in a scratching, hot way that makes you wince with every step. Eddie walks behind you with his hand loose on your shoulder, pulling you to a stop in front of the vans hood.
“Does it look good?” you ask, though you’ve both just stared at it in the mirror in the parlour for a good five minutes.
“Looks great,” he says, “very cool. Come here.”
You turn to him obligingly, not knowing what he wants. He takes your face into his hand and holds you still firmly, bringing his other hand up to wipe at your sticky teartracks with the side of his pinky finger.
“You were awesome in there. Even though you cried like a baby,” he concedes lightly, finished with your tear tracks. He cups your face, leans in close. “Super cool. The artist was almost as impressed as I was.”
You flush at his praise. He’s too nice.
His nails scratch your skin gently as he follows the curve of your ear, hands coming down to your neck, thumbs pushing under your jaw. His eyes are wide and impossibly earnest as he says, “And the tat is super fucking hot.”
He grins wolfishly. You groan and shut your eyes, pulling your face from his grasp as he laughs at you.
The two of you climb back into the van and you're incredibly careful not to lean on it.
“Can I put my feet on the dash?” you ask, kicking off your shoes.
“Sure,” he says fondly, searching through the radio for his favourite station. Soon, rock music rattles and your legs are up, nothing to do except watch Eddie as he drives you both back to his uncle's trailer.
He can feel your gaze. You don’t like to beg, but you’re not above it, eyes staring a burning hole into his hand on the wheel and then his face. Whether he gets your hint or he wants to himself, Eddie grabs at your soft thigh, giving you a little shake before he traverses up to your knee, down your calf. He messes absent-mindedly with the lettuce hem of your sock and the climbs back up. When he reaches your thigh again you cover his hand and hold him there.
He smirks.
“When d’you want your next one?” he asks.
You shake your head. “Maybe not too soon.”
“No?” he asks, chuckling. He glances at you. “Know what you want?”
“Something sweeter, like you suggested.”
“Bunnies and puppies?”
You giggle.
He nods to himself, pleased by your reaction, and doesn’t say much else until you’re following him up the steps and into his home, past the living room and into his bedroom. It’s a small room. It smells unmistakeably of Eddie, of sneaky cigarettes and beer, though it’s clean where it counts — he always has fresh sheets when you come around, a window cracked open on the latch — and hiding beneath him there’s hints of you, too. Your perfume, your skin.
He kisses his fingers and presses them to his guitar where she hangs. You bite back a smile at his antics and drop your shoes at the end of his bed.
“Are you hungry? I’m starving.”
You sit on his bed, hiss, and promptly slide onto your stomach, nestling your face into his pillows. “No,” you say, word muffled by fabric.
Eddie sits by your knees, hand going straight to your calf. “Are you sure? We didn’t eat before we went, you don’t feel, like, nauseous? If you throw up in here I’ll never get rid of the smell.”
You look at him over your shoulder. “I’m fine.”
“You’re always ‘fine’,” he says under his breath, without any real malice. More like he’s bemused.
“If you’re hungry, you go eat something, baby,” you say, eyes closed, suddenly tired.
Calling him baby usually has one of two effects. Either he goes gooey soft and does what you tell him, or he gets ravenous. Apparently, despite good intentions, it’s going the second way. You feel your boyfriend's hand as it climbs up the back of your leg, feel the mattress shift as he moves. He spreads your legs and kneels between them. You hold your breath, heart in your throat, looking over your shoulder at him.
A familiar silhouette; baseball tee pushed up at the elbows, tight dark jeans, face framed by messy dark curls. The air in his room feels suddenly heavy, like the breeze before a storm.
“I think you should stick to cool tats,” he says seriously.
“How’d you figure?” you ask.
“‘Cos you’re already pretty sweet without ‘um. Your smile, your…”
His implication is lost as he kisses you. You turn on your side just slightly as he pulls your calf to his mouth, lips skipping up your skin in chaste pecks, his lips part over the back of your knee, a damp half moon left behind. He moves inwards, steering clear of your tattoo, though he does scratch at the edge with his thumbnail.
You whimper, not entirely from his prodding.
“Hurting?” he murmurs into your inner thigh. His hands spread your legs gently, his chain cold where it rubs against your hot skin.
“A little.”
“You want me to make it feel better?” he asks.
You squirm underneath him. His nose pushes into your thigh as he vies to get closer, prompting a wave of chills as his teeth scrape your skin. A curl of heat sparks in your abdomen.
“Please?” you ask weakly.
You can feel his grin.
“I like when you say please, sweet girl.”
He takes a big bite of your leg between his teeth and pulls until you shudder, hiking up on his elbows. He rubs at the flesh he’s just abused with his thumb, mouth hot as he starts on your other thigh.
You end up saying it again. And again. A heaping handful of pleases and a generous, quieter thank you afterwards, the pain of your new tattoo briefly forgotten.
<3
thanks for reading | my masterlist
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ninjakk · 27 days
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Hey!!
I recently saw someone claim that Wei Wuxian was starved of conversation on his journey to Yiling with Lan Wangji and Wen Ning and so board he needed to chat to people before they ascend the mountain. I hadn't really noticed this until it was mentioned. What do you think of that scene?
I love your meta and fics btw. You use your understanding of the novel in your writing and it's just *chef's kiss*
Hi anon 👋🏻
Personally, I've not seen any comments regarding the above - but we can certainly look at the text in question 😊
Let's take a look at the scene in question:
Several days later, they arrived in Yiling.
The Burial Mounds were less than five kilometers ahead of this small town. Although they didn’t know exactly what awaited them there, Wei Wuxian had a feeling it wasn’t anything good. But Lan Wangji was right by his side, his gait steady, his gaze cool. Wei Wuxian had never been one with any sense of crisis to begin with, and with the way Lan Wangji looked, he was even less likely to get nervous at all.
Passing through the small town of Yiling, he was awash in the sounds of the local accent. It was invigorating and incomparably endearing. While he wasn’t planning on buying anything, he couldn’t help but strike up conversations in the local dialect with the street vendors. Only after he’d had his fill of socializing did he get down to business.
“Hanguang-jun, you remember this town, right?”
7S translation
So the scene opens with WWX gushing over how safe and happy he feels around LWJ. He's just so thankful to have someone by his side, someone he can fully depend on and is there for him, should he need it. This very much echoes his thoughts from when they began their descent from the Cloud Recesses, at the start of their journey here. For someone nearing the place he met such a gruesome end at previously, he seems incredibly content and calm - all thanks to LWJ. So straight away, we are reminded of how WWX feels around the other man. It's there for a reason, to set the scene. WWX is relaxed and enjoying himself because he's with LWJ.
They have just arrived in a city he is very familiar with. It's the place he both lived as an orphan and frequented as a man while residing at the burial mounds. He is surrounded by the accent of his "home" for the first time in over 13 years and it's making him feel sentimental. I also think it's a great parallel between when WWX finally visits Lotus Pier in the coming chapters and how desolate and subdued the place has become since JC became sect leader.
I think the above reaction is very normal considering the emotional impact it obviously had on him. WWX has already stated on numerous occasions that LWJ makes him happy and he enjoys his company, but he's also very sociable and likes to look around markets and chat with vendors - there's even a scene in the novel which states as such and many other examples. Although WWX is running around chatting and exploring the stalls, LWJ is still by his side. Doing so does not subtract from his obvious enjoyment of having LWJ's unwavering presence.
We see more than enough evidence that WWX happily chats to LWJ and that he, in turn, even responds and asks questions also. There seems to be this mind-boggling misconception that LWJ literally doesn't speak, and if he does he's like some caveman that can't communicate effectively, when it's the exact opposite. LWJ talks when necessary and is very succinct with his words - he's a true gentleman of their time. Of course, in comparison to WWX, he's much less chatty - but when he does talk it's sincere and relevant. WWX loves this about him! He's also an incredible listener and doesn't miss a single thing WWX says, which WWX also appreciates! Hardly anyone listens to all his ramblings and holds them all so dearly!
It's funny, because although WWX chats to anyone and everyone, it's obvious he enjoys conversing with LWJ the most. He treasures the fact they are on the same wavelength and understand each other implicitly 🥰
Aww! Thank you so much anon! I'm glad you are enjoying my meta and fics ❤️
I hope I managed to answer your question! Have a lovely day 😘
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theflyindutchwoman · 6 months
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I don't need you protecting me. I know. So clearly what you're saying is you need me protecting you. Clearly. You know me so well. I'm happy it's you at my six. Back at you. […] Go. Up, up, up! I'll hold 'em off. What? No. We have the higher ground. We stand a chance, but only together. Okay. We hurt as many as we can, retreat up the stairs. Okay, but they're gonna expect us to push. Let's go the other way. Pull not push--copy that.
| ANATOMY OF A SCENE - CHENFORD EDITION 5.22 - Under Siege
Battle Couple… This is one of my favourite trope ever… And these two embody that so well. The way this scene starts softly, with their banter, is very interesting… It could have come off as a tad tone deaf, with Aaron still in a coma. But they make it work. They're not downplaying anything, they're simply trying to get a moment of respite… and being together make that easier. It's the fact that they are bickering on who needs protecting… It's so them. And that 'you know me so well' parallel, with Tim being the one to say these words this time…. And this scene does have some eerie Day of Death vibe, so combined with all the reminders of Jackson's death, it's no wonder he doesn't want her out of his sight. Lucy's little confession that she's happy he's the one having her back also serves to underline that, for all the banter, she does appreciate that he is there with her. His 'back at you', while watching her six, literally… Sir, you are working! Remember when the first punishment for failing one of his Tim Test was to make Lucy fight so he could see her in action? Fast forward to now and not only is he happy she is the one having his back, he also wouldn't have it any other way. His pride in her is still the same : it's just that now, he can overtly check her out and flirt with her on top of it. And let's not forget how Grey didn't object when Tim volunteered to go check this place with Lucy. The amount of faith he has in both of them, that their relationship is not going to interfere with their work, is amazing. In a way, it makes sense : he had front row seats to the development of their relationship, so he knows. And I love how they find ways to be paired up together because they work so well together.
Something that is particularly highlighted during that fight sequence. And let's start with the fact that Tim's first instinct is to tell Lucy to go to safety while he holds the assailants off, knowing full well that his odds of escaping unscathed in that scenario are slim to none… He is seriously ready to sacrifice himself just so she can have a better chance to get out - which isn't even a guarantee… His love for her… And her immediate rebuttal… of course, she isn't about to leave him behind. That's not who she is. And I really appreciate how he doesn't waste time protesting when she refuses. That's the thing I love the most about his protectiveness. It's fierce, but it's never used as a way to undermine Lucy's abilities. It's all about him loving her and wanting her safe. It's all about how much she means to him. But he never tries to stop her either when she disagrees : he respects her way too much for that. He gives her an out and if she doesn't want to take it, then he'll simply be at her side, backing her up. Like on the plane during their undercover mission, when she refused to back down. And that protectiveness goes both ways. Lucy is just as fierce. She was protecting him in so many different ways, right from the start : from himself, covering for him several times, standing up to superior officer's to defend him… And here as well, during the fight : there are several moments when she helps him get the upper hand on his assailants. They both do : when one of them is in trouble, the other is not far behind. They both protect each other and that's the real beauty of their relationship.
And that fight sequence… My only gripe is how they kept shooting in the riot shields, knowing how ineffective it would be. Otherwise, it was everything I didn't know I wanted and then some. It's the way Lucy is the one coming up with the strategies and Tim follows her… It's all these little callbacks to their old battles that make this one even better, like that time she was fighting with the sticks in A.C.H. or when he was using his pepper spray like she did in Standoff… It's how several times Tim leads her by the arm or the vest to get on higher grounds… How he grabs her after she was being strangled… There's something in the way he is holding her, as if he's trying to support her and shield her with his body, while guiding them to safety that is doing things to me… That and the parallel with the Pilot, when Lucy was the one having to guide him to safety after he got shot… And how he was caught completely off-guard by Nolan. There's this split second where they don't know whether it's another wave of masked guys or not. But in that moment, Tim is unprepared. Remember when he blew a gasket when Lucy was holding something in her gun hand in The Q Word? Well, this time, he's the one who makes that mistake : getting her to safety is so much more important that it overrides his training. And the way she instantly raises her weapon, ready to protect them both, while still trying to catch her breath after being strangled… And even once they make it to safety, Tim keeps his hand on her thigh because he needs the reassurance as much as he needs to reassure her… And Lucy who looks like she's about to grab his hand before remembering where they are, looking around everywhere to make sure that they are truly safe… Still in a fight or flight mode, ready to protect them again… God, these two…. Couples that fight together stay together.
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42starsintheuniverse · 2 months
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Sokka & Zuko- The Invisible Winner of the Kataang/Zutara Debate.
Please don't take this as "Shipping War Bait", I'm doing a character analysis of ATLA about my opinion on which close Zuko relationship makes the most sense!
I feel like fandom treated Zuko/ Sokka as a crack ship but like?? That's never made sense to me.
Firstly I personally think that Aang will always remember how the fire nation destroyed his people. No matter how much he consciously says he forgives Zuko (& the fire nation) I would BET that unconsciously there's still something deeply hurt in Aang that can never truly be healed about that. As a result, Aang would not be able to LOVE Zuko as close as his other relationships. It's one of those hard to swallow pills but it's just how I interpret the characters. Aang's body has that bias, the deepest parts of his mind won't ever forget the horrific fact that his people are dead because of Ozai, and Zuko is Ozai's firstborn.
I know Aang's whole thing is that he preaches forgiveness, but here's the thing... We aren't always aware of how deeply our trauma affects us. Sometimes you don't hold a conscious bias against people... You hold an Unconscious bias. And to me, Aang holding an unconscious bias against Zuko, and not being as close to him, makes sense.
Toph could honestly work with Zuko, I think she's also a good contender for closest relationship. Though I see it in either a platonic or romantic sense (depends on the vibe). I think there could be a bit of 'fandom implicit bias' there in having Zuko and Toph constantly presented as platonic only. Like, Toph is disabled, she's blind... Do we ever question that maybe we don't like putting her with people romantically because she's disabled? Is Katara the one people ship Zuko with romantically- because Katara is more traditionally attractive? Toph is short, stocky, has short hair, is brash, and blind... Like, there's a chance she doesn't get the same treatment as Katara because she's not traditionally attractive in the way Katara is.... Something to think about.
-All that being said, I like Toph and Zuko as having a close bond either romantically or platonically. I think it's funny that they're both born rich kids, I think it's funny that they only have one fully functioning eye between them (and the comedy and hijinks that leads to). And they do work really well together throughout the show, Toph forgives Zuko when he accidentally burns her feet. And Zuko clearly appreciates how chill Toph is- she doesn't have PERSONAL bias towards Zuko as the son of the Fire Lord, in the way that the other three do.
Moving on to Katara, I have a similar sort of feeling there. It's made obvious that Katara SAW her mother die at the hands of the fire nation. It was traumatic, it was horrific, and because she was a child watching it- that is likely a DEEP core memory. In the context of the show, Zuko helps Katara find the man who killed her mother, because it's sort of a levelling of the scales. It doesn't even make Katara LIKE Zuko, it makes her neutral towards him. He helped her to basically right a wrong (that's her perspective). So yeah- for the same reasons, I've just never been convinced that Zuko and Katara could have a strong and intimate relationship because of the deepness of Katara's trauma. It takes a significant amount of time in terms of the show for her to even start talking and trusting Zuko at all. Doesn't FEEL like good romantic potential to me.
But Sokka, Sokka is the best fit of them so far. The thing is, Zuko and Sokka have a lot of different experiences- but shared values. Consider the things they've had to deal with, Sokka had to handle a huge level of grief & pressure as he quickly became responsible for his family and community at a noticeably young age. Then consider how that parallels (it is not THE SAME, but there is a PARALLEL) to Zuko's abuse & exile. They're both young men, they're both conditioned to think they should be a certain way (Sokka a warrior, Zuko a tyrant). Sokka is creative & inventive, which mirrors how Zuko has to create a new emotional source for his fire bending- once again, these are parallel elements of their characters, and demonstrate how they could relate to each other.
Sokka as a character is also slightly more separated from the association between the fire nation and the death of his mother- compared to Katara. Once again, she saw it happen right in front of her as a small child, Sokka was slightly older when the event happened, and didn't see it first hand.
There are some more generic elements of their characters that might suggest gay subtext; such as Sokka's hypermasculinity being a masking behaviour so no-one would think he's attracted to men. (Most people understand why that is; but if you don't know- leaning into very masculine things as a man, can make it feel like people won't question your assumed "straightness").
But I think what I've touched on is more relevant because it's very much tied to THESE specific characters, and how they interact, and how they could relate to each other.
TLDR; Zuko and Sokka work as a ship cos they have less things stopping them (barriers to intimacy & trauma to heal from). And they have probably the highest relatability to each other's lives, allowing them to trust each other and open up, compared to the other characters.
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sunbloomdew · 9 months
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i can't stop thinking about the constant mentions of fall and summer in regard to baxter and mc, in the dlc.
i find the emphasis put on the seasons very interesting. unlike other potential love interests - cove and derek - baxter is not from the sunny state of california, but a town in oregon, surrounded by forests and mountains. in fact, baxter is the only character from the cast of olba that is not associated with summer, but with autumn instead, so it makes perfect sense to draw attention to that dissimilarity.
following that fact, just by acknowledging it we can see how different baxter is from other characters from sunset bird at his core. and since most of his time is spent with mc, that means the focus will be drawn to how different are these two specifically.
on a side note, this might be a complete overreach, but i consider it interesting how baxter uses the phrase 'suitor for a season' to describe himself in step 3. the use of the word 'season' in my opinion drives home the idea that their time together will inevitably come to an end, just like summer will end eventually, and there is simply no other outcome for this relationship.
when we consider the seasons theme even more, a thing that stood out to me is that summer and fall aren't opposites, like i'd say summer and winter are. they are next to each other (like california and oregon) and in some ways they intertwine. still they are different enough, to be regarded as separate seasons.
just like baxter and mc, no matter how alike, feel so different from each other, and they are aware of that.
i really love the monologue in the sightseeing moment, that mc has about them and baxter being different in that way.
"More and more, you felt as though Sunset Bird formed a vital part of your emotional core. Happiness to you was the sound of waves on the shore, the feeling of warm sand between your toes. [...] Maybe you'd forever be seeing the world through sea glass. But Baxter was another person entirely. For him, perhaps the world was monochrome, or maybe it was golden, but with color of leaves instead of sand. Talking with him made it impossible to ignore just how different your lives had been up until now. How separate your worlds were. All up until that moment, when he showed up on your street. Now your lives were intertwined, however briefly, the forests and the seafoam commingling. Though you knew his love was in the trees and the fall air, you couldn't help but feel happy that he'd wandered his way down to the shore. To you."
i find it so beautiful. everytime i read it i get a little choked up, you know? in my opinion, the summer/fall parallel is the perfect way to portray their relationship. the brainrot gets so intense every time i remember about this,,,
the same seasons theme returns in step 4 when the two reunite. to be precise, it comes back during mc's internal monologue preceding a confession. i was unable to recall if it appears somewhere else in the dialogue as well, but if you happen to find some more, feel free to reblog with this post!
"He tore himself away from you like an autumn storm bringing down a sapling/He fell away from you as naturally as a leaf fluttered off its branch in the fall. There was no holding on to your suitor for a season. Yet the affection you'd nurtured never died out. It had gone dormant for a long winter, ready to burst back to life if the cold passed. Seasons were meant to come and go, but there was no guarantee summer would come again for you and him."
(i'm pretty sure the dialogue here changes based on how you decided the break up went, cause i found two versions of the same confession monologue. still, both of them have a comparison to autumn!)
seasons can be used in art with a lot of different symbolism and meanings behind them. the cycle of the seasons is usually used to portray the passage of time, how the nature but also people change.
in this part of the monologue we see the usage of changing of the seasons to show how despite the time that passed ('winter'), mc still had feelings for baxter, that were ready to return ('spring'). the words "seasons were meant to come and go" bring our attention to how wrong things were between the two, to have something inevitable like the seasons cycle stop.
each season on its own also has its own meanings, and can be used to enhance certain themes or emotions in the text.
in case of baxter and mc, summer is the season in which they met time and time again. not only did their relationship start during summer but it developed in that season as well. as such, for them summer is inextricably a time of growth for their relationship.
outside of their relationship, individually their characters' are connected to summer and fall respectively. as mc referred to it, their emotional cores were influenced by their hometowns - one a summer tourist spot and the other a picturesque autumn town.
to bring back one more thing from mc's monologue in step 3, they wonder if baxter sees the world in gold, but in the colour of the leaves and not sand. well, i noticed, how when they make up after the wedding, the whole place is bathed in gold. you could view it as the summer gold and autumn gold merging together, as those two finally reconcile. or you could see it as a summer gold, as this season is important for their relationship. i like both options.
aside from that monologue, there are several instances of baxter's appearance being compared to things associated with autumn or nature, like descriptions of his eyes as "brown rich like the earth" (i love this one sm it lives in my head rent free) and "oak brown eyes". i think it's a great characterization to have baxter be a 'woodsy person', despite most of us (me for sure) thinking he would be a 'city boy' kind of character at first glance.
i think the reason there is such strong focus on the fact that mc and baxter embody different seasons, is to make the differences between them even more pronounced. when they ultimately reunite and overcome their struggles to mend their bonds, it's even more impressive to witness.
either way, i cannot stop thinking of summer/fall parallel and how genius i think it is. the vibes! the emotional turmoil!! the art potential!!! it's incredible. especially if you try to implement it more into your mc, which is what i'm trying to do.
i'll leave you with this screenshot, that is kinda making my stomach go funny, because of the whole summer/fall parring thing,, i am so unwell in the best of ways
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because like if you think about it way too deeply which i of course had, he's saying that summer/fall combination is beautiful, like he's not saying anything besides that BUT when you remember that mc is summer and baxter is fall, then you know?????
i hope you had fun reading this spontanous post! i've been thinking about the summer/fall thing since my first playthrough, so i'm happy to finally gush about it <3
i should not be here, it's 4am and i'm leaving in three hours,,, my time management skills never fail me. toodle-oo~
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amxrany · 9 months
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!! CHAPTER 7 / DIASOMNIA ARC SPOILERS !!
One more part before all of this suffering ends (Part 5):
We now go to Sebek, Yuu and Grim who are journeying through the darkness to save Silver. Ok something happens while this goes on, Sebek thought Yuu was holding his hand until he looks and sees that it was a blob of darkness 😂
Ok going back we see more memories in Sebek's segment, we see Lilia taking in Sebek as a pupil when Baul requests Lilia to train him (Baul actually sees Sebek's dad as weak, but still wants his grandson to get a good education), Sebek training with Lilia for the first time, Malleus teaching Sebek and Silver on how to use their magic and a lot more childhood memories
We also see a memory of Lilia talking about his old admission letter, which he tore up and threw away; but Leverne found it and pieced it back together. In which Grim says "oh if Meleanor was a scary woman then Leverne must be a "kind" man then?" (Crowley is not beating the Leverne allegations, but I'm just thinking about Lilia also loving Leverne, and if it turns out Leverne is Crowley. I will laugh so hard like how did bro score a baddie like Meleanor). We also see Malleus receive his admission letter from NRC, and this is where we find out that Sebek's older brother is an NRC alumni
They then find Silver, who is currently getting swallowed by his darkness and for this portion I found someone who translated Sebek's speech to Silver (which I really recommend to read for more info) since I will just summarize everything. But here Sebek forces Silver to wake up using his Unique Magic "Living Bolt", they don't really explain what it does but from what I'm seeing, it turns Sebek into lightning, which allows him to summon powerful waves of static
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Sebek tries to talk Silver out of it, but Silver is still stubborn, thinking that Malleus and Lilia wouldn't love him after the whole thing (which shows the amount of self hatred and lack of self-identity Silver has for himself)
After that doesn't work, Sebek resorts to them fighting, which results to him losing. Silver thinks Sebek intentionally lost but Sebek uses it as a way to smack Silver back into reality, saying that Silver has his strength because of Lilia and if he wasn't loved then he would have grown up with nothing. Sebek also tells Silver that despite everything, he chose to continue fighting; and it was Lilia who raised him to be that kind of man. He wanted to show to Silver that Lilia always loved him, even after everything 🥹
That's when Silver fully snaps back into reality, he remembers his dream of serving Malleus and making Lilia proud, and Sebek tells him to never go against those words (THE FUCKING PARALLELS I CANNOT)
When I tell you guys this part made my SilBek heart soar, cuz Sebek was literally going through hell and back just to save Silver and smack back to reality, just like Silver did to him in the previous update
The group lands back in the Corridor of Dreams falling into Lilia's dream, but not before seeing the Knight of Dawn, smiling at them...
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This is honestly funny because if you take it out of context it's literally just this meme:
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But that's all for the Part 5 update, boi that was a rollercoaster of emotions. This will be feeding us good for awhile and I'll fix the masterlist in awhile.
But thanks for reading 🩵
Previous: Part 4
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daydreamalley · 27 days
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A Ramble about Phase 19 of the Fifteen Manga Ft. Storm Bringer spoilers
Just absolutely cannot get over the 15 manga. I love the light novel so much, but this manga adaptation is so ridiculously amazing. Dazai and Chuuya’s proximity/touching has been amazing of course. I adore the way Hoshikawa draws Dazai and Chuuya as well (my baby boys, especially Chuuya). But these last two chapters with Rimbaud and Verlaine. Like, fuck. The whole “At least, one of them felt that way,” part just hits so much harder in the manga for me, with the art and page placement. And this whole most recent chapter. Like firstly, you don’t have to end every chapter with like Chuuya getting stabbed okay, help me out here.
Comparing the last page of phase 18 with Verlaine and the first page of phase 19 with Chuuya makes it so obvious that Rimbaud is seeing the similarities between them with just that parallel, which is confirmed later with Rimbaud quite literally seeing Verlaine standing behind Chuuya. 
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Not to mention in phase 18 the “That’s right Paul, I remember you,” in conjunction with him seeing Verlaine in Chuuya.
Then that flashback with Verlaine carrying Chuuya and Chuuya’s just so small I could cry.
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Like, I knew he was small, but he's just so young, I can't. People were experimenting on him. Like, how??
The way Rimbaud wants to ask Chuuya something and Chuuya crouches down to him. Which leads to Rimbaud putting a hand around Chuuya as he tells him to live. How close and personal they are when Rimbaud says all of this just make it feel so much more impactful for Chuuya. Kinda love too that Chuuya isn't just standing over Rimbaud. He's making it obvious he's open to listening.
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Rimbaud says a lot of shitty things to Chuuya up to this point, even complaining that he has to kill a kid while only referring to Dazai, completely not acknowledging Chuuya as anything more than Arahabaki. But once he fully remembers what happened with Verlaine, I feel like that’s when Rimbaud remembers what he truly believed about Verlaine and his humanity and how that extends to Chuuya’s humanity. Because Rimbaud’s whole final speech is most definitely things he’d also thought of or told Verlaine before (as I think is confirmed in SB). I think those are Rimbaud’s true thoughts and beliefs on the matter, it just took that long for him to remember the full story and how he felt about it all. Rimbaud saw Verlaine’s struggles with humanity, and now he also remembers why Verlaine betrayed him. And so he tells Chuuya to live, just as Verlaine wanted him to back then, live without the burden of worrying about your humanity or where you came from, because “you are you.” It doesn’t matter if Chuuya (and Verlaine) “are but a pattern etched on the surface of raw power.” In Rimbaud’s mind, and honestly where we eventually end up at the end of SB, is that it really doesn’t matter what your origins are, whether someone is an artificial personality (aka pattern) etched onto raw power, because really everything is some version of a pattern upon the world. And in a word with abilities, a lot of people are a pattern connected to a power. Just as in SB Chuuya decides that even though Adam isn’t human and he knows it, it doesn’t take away from Adam’s actions, his sacrifices, or his dreams. Same goes for Chuuya and Verlaine. Their origins don't affect how human they truly are. Their humanity is significant no matter what. It just took a bit more convincing for Chuuya to get there, a little more than what Rimbaud could offer on his (almost) deathbed.
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Anyway, Chuuya holding Rimbaud’s hand as he dies just does things to me. Like, the book described that “Both Chuuya and Dazai quietly listened as if there was something in what Randou (Rimbaud) was saying that they couldn’t allow themselves to miss… Some things, however, would not return to normal: the body of a man who no longer felt the cold, and the hearts of two boys who stood rooted to the spot, staring at him. A gust of wind peered through their souls as it passed them by.”
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This page just so well depicts that last line. It truly feels these boys have heard something so monumental, that they won’t ever forget. Standing in the aftermath of their first fight together, hearing these words about humanity that both mean so much to both of them. Dazai’s expressions really convey this to me in the manga, and convey it just so beautifully. And Chuuya being so close to Rimbaud when he speak those words just makes it feel like those words truly are so monumental for him. And also this means that Chuuya fought to kill a man, that to be entirely fair and clear was trying to kill him first, and then held to his hand as he dies, and there’s just something about this added detail that’s so significant to me in portraying the weight of it on Chuuya. Chuuya's connection to Rimbaud is a complicated but important one. But really these words are important for both boys, because let’s not forget that Dazai also struggles with his humanity. Even if he doesn’t have a physical reason to doubt his humanity, like Chuuya, there are many other reasons that he does doubt it. So hearing that all people and all of humanity are really just patterns within the physical world, human or not that’s true of everyone and everything, and that’s important for Dazai to hear too. I think both boys think back to Rimbaud’s final speech quite a bit, if I’m being honest or did for a while.
I am NOT getting over the detail that someone (Chuuya??) put Rimbaud’s scarf on his grave. I just… it does something to me and I love that detail so much. And cutting back to that “You are you” line while Chuuya’s talking to the grave is just so perfect in my opinion, and again just shows the significance of it so, so well. It’s like, he's talking to Rimbaud, complaining about his actions really, and then it cuts to that “you are you” and it just shows almost the contrast I guess between Chuuya feeling unrest at not finding stuff about his past that Rimbaud could’ve given him, but maybe wouldn’t have anyway, and Rimbaud’s statement that those things don’t matter because Chuuya is who he is beyond all that. Also the little dandelion blowing into the wind, to me also signifying a wish being spread.
Anyway, entirely unnecessary to end the chapter with a big knife in Chuuya’s back, thanks. Especially after Chuuya mentions how he’s still exhausted from everything. Like let’s just, stop, please.
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He's just a boy, leave him alone for the sake of all things good.
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melancholysway · 1 year
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I don't remember how bad Raph's anger issues were in the 2007 film so this might be a little ooc
But could you do something with Raph and Leo are arguing over something, and Raph throws his sai at a wall
It hits the wall and they hear a yelp, both turn around in a panic
The sai barely missed Y/N who was just coming in the room so now they're like, "hah I'll just come back laterrr :')" <- stressed out by a near death experience
Thank you!
You can do whateverjust Leo's and Raph's reactions, or all of their reactions, or a fic, whatever you're vibing with
Aww! I got you :) I'm doing this as if you're either of the turtle's S/O! so you can choose which you'd want to read:)
TMNT 2007 Imagines: How Leo & Raph would react if you were almost hit
As Leonardo's S/O
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Ah- guys- he's pissed
He just looks at his brother with such disappointment that it makes Raph feel even more guilty than he already is.
To be fair, you learned to never get involved when there was an argument between Leonardo and Raphael, you could get hurt- seriously hurt.
They don't mess around, they will physically fight- they give no fucks
But when it's announced that Leonardo will be leaving to South America for training, Raphael is fucking livid. He interrupts Leo's meditation session and rips him a new one.
"I can't believe ya wouldn't tell us! What happened to not keepin' secrets O' Fearless One?!"
Although it may not look like it, Raphael cares a lot about his older brother. So to see him up and leave like that pisses him off.
But, he has it all wrong. Leonardo didn't want to hurt him or his other brothers with the news.
So, they argue. What about you may ask? it's beyond me. All of this pent-up anger and frustration from both sides causes an all-out yelling war. While the others are doing their own thing, you can't help but intervene. The last thing you want is a fight to break out between your boyfriend and best friend.
Just as you walk in, Raph grunts in frustration and throws his sai- and if it wasn't for your instant reflexes, you would have been gone.
You duck quickly, and when you turn around, you see how his (extremely sharp) sai just sticks in the cement wall behind you. it's at this moment that you're so lucky to be alive.
It shakes you up, and you see Raph's amber eyes go wide, he didn't mean that- he didn't even know you were standing there.
"Shit, Y/n, I ain't kno-" "Raph!? What the shell!?"
Leo's PISSED. Raph could've killed you.
This causes more arguing, as Leo goes over to you and pries the sai from the wall- throwing it to the side and putting a protective arm in front of you and standing in the middle of you and Raphael.
But, you try and leave. You don't want to be in the middle of the feud. Not again. You can't take a side. You don't want to take a side. It's not your place.
"No y/n you stay right here- RAPH. Apologize. Now."
Will literally force a sorry out of Raph and will NOT let him go until he does.
Once he apologizes (Raph does feel bad, he seriously didn't mean to nearly cause you an early death, so the sorry comes quick,) he picks up his sai and leaves the dojo.
Leo stays and makes sure you're okay after that. It's natural, you're shaken up, you feel weak in the knees, the normal. You're in shock.
That seriously could've gone south quick, and Leo thinks about it for a split second. What if it did? He doesn't want to think about it anymore. It causes him to tear up.
Leo believes in parallel universes, in a different universe, you DID wind up getting stabbed. He could only imagine how is parallel self is handling it right now.
"Deep breaths, love, I'm sorry." Once you calm down, he helps you to his room, it's very clean and bare now, as he already packed essentials for his trip. But, his bed is still the same. Same scent and everything.
Once you're in his bed, he gets you some water, and then he lays beside you, holding you, comforting you.
He apologizes. Although you stop him and tell him he has nothing to apologize for, he doesn't care. He feels responsible. He should've been more attentive. He shouldn't have continued arguing with Raph. Maybe that would've never happened if he did.
You calm down as minutes go by, and Leo asks you (for the 1000th time) if you’re feeling okay.
“Thanks to you, I am.”
His heart soars at your response. He’s always glad to help you.
As Raphael's S/O
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ooh does this boy feel like shit for doing that
It’s been a rough couple of weeks, especially finding out Leo will be leaving for god knows how long
So when he barges in the dojo one day and just starts going off on Leo- letting out all of his anger, it turns into a full blown argument
“I’m doing it for you, Raph! For our family!”
Raph doesn’t wanna hear it. He wants his brother HERE. In the sewers of NYC, not 3727228 miles away.
As Raph’s S/O, you understood why he got so angry at times. He was mad at the world around him. How imperfect it can truly be, and how it can turn upside down in an instant.
You had to understand Raph before you even thought about dating him- he’s a handful. He knows that, and he tries his best for you. You know he does.
You comfort him a lot. Like that day when Leo announced he would be leaving. He was feeling so many emotions and didn’t know what to do
So he started to dislike his brother. Like right now, how he just came in the dojo and started up an argument just because he can.
“We need ya here! I need ya here!” Doesn’t Leo understand that? But, it’s also Splinter’s orders. Leo has to go.
They continue to go back and forth, and from experience and observation- you know not to try and be the mediator. That was more Splinter’s thing. But, he wasn’t around. Nobody was. Just you as you just so happen to walk by.
But, you put all those conversations between Donnie and Mikey about what you should and shouldn’t do when Leo and Raph argue and go in there to try to at least dial it down.
Note: you should NOT tell both of them to shutup, they will literally forget they’re arguing with each other and come together and tell YOU to shutup and stay out of it (via Mikey)
Back to the current situation, you walk in and hear Raph’s accented voice get louder, and as you get closer to see them both, you also see something sharp fly right in your direction
After quickly ducking and yelping in the process, Raphael and Leonardo both stop and look at you.
Barely missed. And now? You’re sitting on the floor looking at them both.
Leonardo apologizes first. He should’ve been more aware of his surroundings and stopped Raph from almost decapitating you.
Your boyfriend, on the other hand, is shocked. He’s frozen in place, watching as Leo helps you get up, and soon leaving the dojo to get Donnie as you mention that you feel your heart racing.
“I’m fine, Leo, I’m just…” too late, he’s already gone.
Raphael truly fucked up, didn’t he? The last thing he would ever want to do is hurt you. You’re practically his everything. Who he tries to be a better person (err, turtle) for.
“Shit, babe, I’m so…fuck…I’m sorry,” once Raph gets himself out of that shocked state, he comes rushing to you, not even thinking about his sai that’s sticking out the wall.
He begins to ramble, that’s what he always did when he has no grasp on his emotions. He didn’t mean to do that. He had no idea you were there. He’s sorry, so fucking sorry. He knows he could’ve hurt you-he knows.
As you feel your heart rate go down as moments pass, you just embrace your boyfriend mid ramble. You hold him. You’re okay, and you have to tell him that.
“Hey, I’m okay, see?” You say while you bury your face in his plastron, “That reflex training you taught me finally came in handy, huh?” Raph isn’t sure what to do with his hands at first, but they soon wrap around your smaller form. How can you be so sweet to him when he almost took your head off?
He apologizes sincerely once again, but…it’s okay. Things happen. You knew Raphael wouldn’t do anything to hurt you intentionally. He’s not like that towards you. He cherishes you.
You cherish him all the same.
Leo comes back with Donnie, but you insist you’re okay. Which, you are. Raph and Leo end things bittersweetly, but what matters is that it’s over. They know not to fight to that extent. Raph understands now.
Raph’s still thinking hard about what he almost did to you, and it takes a lot of reassurance for him to see that you’re truly not angry or upset at him.
And once you’ve given Raphael that reassurance, he’s feeling better.
“You’re gonna have to try harder than that to get rid of me, Raphie.” You’re using his nickname again, you’re joking with him again like you usually do, and it makes him smile. It makes him love you even more, how you can get past his fuck ups with no hard feelings. He needs someone who understands.
You understand, and that’s what he loves about you.
//
taglist:
@bee-1n-space @ducky-died-inside
Masterlist
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nephilimbrute · 3 months
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Yo, how you doin' ? Did you play Side Order ? What are your (gay) though ?
i'm doin alriighhtt :3 i didn't play side order actually (I don't have a switch.) but i went through a gameplay with my friend and i'm scrounging up more lore >w< we were freaking tf out the whole time. especially me. i was screaming at every cutscene
like when marina showed us her computer background i goofy-screamed Out Loud (i probably did that like 8 times in total). there's literally No straight explanation for that, pearl's literally holding marina's zipper in that and he's laying down. nonone has a pic of their Best Friend (heavy quotes) laying down smiling all pretty and handsome like that
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OHHHHH THIS ONEEE😭😭😭my girl is literally tearing up she's so happy😭😭😭😭😭 all the dev diaries were sooooo fwjgwgkxkgwkhcjcxjg😭😭😭😭
AND ALL THE PEARLINA???????? my GOD this girl is crazy i hate them so much!!!! /affectionate
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jesus CHRIST girl pull yourself toGETHER... "aw pearlie! you say the coolest things" "she's sooooo coool" "pearl, don't drool over my diaries. i'm right here!" "i can't help it! pearl's just too precious. she's fearless at the core and adorable on top!" among many other marina quotes. i'm speechless
and ohhhhhh dedf1sh's letters😭😭😭😭 little marina i can't do this. i get so emotional when i see her, she was just a kid😭😭😭😭😭😭😭😭😭😭😭😭😭AHHHHHJJJJJJJ😭😭😭😭😭😭😭
marina's hyperfixation on excavators persists. she's such a nerdddddd!!!!!!!
and ughhhghhghjf marina agitando. i was freaking out so bad when i saw her AND PARALLEL CANON. the lore implications THE LORE IMPLICATIONS×@!!!!! this also gives me some new content to use in my AU.....devilish
i said this before but the Order you see in the dlc is in my AU as a type of malware that marina created for herself. she encrypts it into the personal software she uses as an attempt to. self destruct (off) herself. but (Un)fortunately it didn't work. she's just stuck forever wallowing in her own grief
the memverse in my AU is where marina puts everyone she has under her mind control thingy. they're all hooked into the same memverse, marina has her own that she messes with to see the possible consequences of every action she does and. stuff.
and i also said this on my alt twt acc but in the Normal Side Order(...??) my agent 4 turns into parallel canon either voluntarily or unvoluntarily. and since there's others with him i decided to make them robotic clones of 8 and cap3. and they only serve to mock agent 8 and what little they remember of their lovers and themself, a materialized deteriorating memory
tbh i was more focused on the theme of side order instead of dedf1sh stuck in the elevator with two lesbians that would do the unthinkable if they weren't there
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here's how i see it. so much for your memories fading away while you are actively trying to get them back
i also kept freaking out At dedf1sh. i shouted them for to get off the screen each time they popped up (also affectionate). creepy zombie GET OUT. dedf1sh and their dumb puppy eyes
unconscience is sooooo good i only listened to it twice and if i did any more times i would be gone and in the woods somewhere
i loved all the bosses.........marina and parallel are my favs....also rondo. That thing's so horrifying i love it. when i saw it i was like "what kind of panopticon shit is this....." and was absolutely THRILLED! to see that it was actually based on a panopticon as well as the floor level (0ct0ptic0n)
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and these album covers??????they're so fucking AWESOMEEEEeee i love the album art of splatoon. when i saw all the stuff in alterna i was so amazed. the gear is so awesome too i wish i played splatoon. i'd grind the shit out of side order tbh......smollusk is so cute the. Awwww awww
also this dlc made me realize i'm a big machine but make it girly
as Side Order C.E.O i feasted GOOD this was a bountiful harvest
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