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#heroes reborn chapters
flaringgoosebumps · 2 years
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Sometimes when a show/movie has a really bad finale, I just want a surprise release of another part that basically goes "psych!! Suprise bitch I bet you thought you seen the last of me" like please don't leave your audience with the bullshit you gave them
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audarcy · 7 months
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The original percy jackson series is about cycles of abuse and neglect, right. Were introduced to percy as a kid who has clearly been left behind by a school system that has given up on him, restless and unengaged and self-defetist because hes been given nothing that works for him and no one even tries to meet him where he is. Then hes told no, listen, your neurodivergence is amazing and you just need to be given something that actually utilizes your unique palatte. And thats obviously the uplifting idea rick wanted for his kids, right. But once we get to know chb the same cycles are happening there too. There are kids "left behind" there too for one reason or another, because their parents dont want to claim them, because their parents werent important enough to get a cabin. Do you get it, all the kids who dont fit the most common neurotypes get shoved into the same closet. Kids are being left in a cruel world to fend for themselves without the tools they need. Theyre dying because no one bothered to accommodate them. Its such an obvious parallel that the first chapter introduces a teacher whos written to be especially hard on percys disability and she turns out to literally be one of these monsters trying to kill him. Meanwhile sally jackson tells him she named him after Perseus because she wanted a redemption for a hero whos story ended in tragedy. Meanwhile every book in the series replicates a greek myth step for step until the moment they break the cycle. Annabeth, playing Odysseus, is talked down from her hubris and grounded by her friends. Percy, playing Heracles, meets someone wronged by the original Heracles and rights his wrongs by refusing to go down the same selfish path as him. Monsters are reborn because they are--as the books explicitly call them--achetypes. These kids are stuck inside the cyclical nature of mythology because thats what happens to mythology, it gets retold over and over again. But these are the kids who have to live it. The series ends with percy being offered immortality and he rejects it because he wants to use his godly favor to force them to break their cycle of neglecting their kids. The series ends with a declaration that we cant keep letting this happen. The very first book offees the same choice. It ends with percy refusing to keep the head of medusa as a spoil of war, refusing his heroic reward. He lets his mother have the head and use it to kill gabe. Isnt that fucking crazy for a kids book? Gabe wasnt a Monster. He wasnt going to Turn to Dust and Disappear in a narratively convenient way. He was a living breathing mortal dude and percy and his mom killed him without remorse. Break the cycle of abuse!!!! Dont let this happen again!!! Anyway thats why the original percy jackson series is Hey where are you going with our breadsticks
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mistystepmoonbeam · 2 months
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Reborn in Baldur's Gate 3: Chapter 1
Plot: You’ve been reincarnated.  It’s the realization you come to when the tiefling offering you a health potion introduces himself as Tav.  You died and your soul revived in Baldur's Gate 3, at the beginning of the game no less.  But you only have the memories of your past life on Earth, and none of your current one.  
Tav invites you to join him on his journey, despite your lack of abilities or maybe because of it.  You might as well go along with it; where else would you go with no memory of who you currently are, or knowledge of anything that lies outside of the narrative?
There is much to discover about your life in Baldur's Gate, and what transpires relies on the tiefling leading your group as Tav.
Word Count: 2.5K
A/N: This is very self-indulgent so there will by a lot of Gale and Astarion.
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“I’m Tav.”
He’s a tiefling, you recall.  Tall and bulky with curled horns.  The dark gray skin tells you he’s descended from Mephistopheles, and his simple leather gear tells you he’s a barbarian.  Huh.  Yeah, that makes sense, he’s Tav, the hero of the game!  Or…the villain?  Your head pounds as memories flood back to you—tieflings, bards, goblins, vampires—you, sitting at a computer debating which choice would garner you the most favour with your companions in…
“Baldur’s Gate,” you mumble.  You slap a hand over your mouth, staying on your knees as you blink at the tiefling.  At Tav.  He arches his brows and kneels beside you, offering you a small vial of red liquid.
“You’re from Baldur’s Gate, too?” he asks.  “Drink this, it’ll make you feel better.”
Without much thought you take the already opened vial from him and swallow it down in one small gulp.  With a deep breath the pounding in your head subsides and you can think a little clearer.  Maybe not clear enough to fully comprehend that you’re currently in a video game, or that there’s a small wriggling behind your left eye which means…
More images come to you, a mind flayer holding a worm with too many teeth to your eye,  a githyanki—Lae’zel—pointing a sword at you, and then falling from the ship.  The nautiloid.  Tav’s memories of the ship.
Tav winces as the visions fade.  “Guess you got one of those, too.”
A chill runs down your spine, through each and every bone of your body until the squirming thing behind your eye stops movement all together.  
“I uh…”  You look around at the crash area, taking in the rocks and splotches of fire dotting the land on one side and water on your left, until you meet the gaze of a raven-haired half-elf.  
“This one doesn’t seem to be all there,” she says.  Her voice is as smooth and condescending as you remember, and you find it endearing despite the insult.
“Give them a moment,” Tav responds over his shoulder.  “It’s a lot to take in.”
Yes, especially because this is most definitely a dream.  A very vivid, painful, exciting, insane dream.
“What’s your name?” 
You fear all you can do is blink.  You tell them your name, voice as shaky as your body.  There’s a tremble in your hands that you can’t control, even with a hard grip on the now empty vial.  “And thank you…for the potion.”
Tav lifts, holding a large sharp-nailed hand out to you.  “Can you stand?”
You nod, taking his hand and letting him lift you to your feet. You let your hand drop to dust off your clothes, nothing that you remember wearing.  The last thing you recall was going to bed in a tank top and shorts but you’re now wearing a dark blue overcoat atop loose fitting pants and a fitted shirt.  The borders of the coat are stitched with gold swirls, and based on the softness of everything you wear it has to be expensive.  Somehow, after everything (whatever the Hells that involved) you are quite clean.  Not to mention the bag that hangs at your hip beneath your coat is quite heavy, and another bag that wraps around your waist and sits at your back has the contents clinking together when you move.
You look like a caster of some kind, but you can’t tell which.  You can’t feel anything that would indicate your abilities, but some cold sensation at the back of your mind tells you you can do something.  Like another limb sits in your mind, waiting to be moved.
“We don’t have time for stragglers,” Shadowheart says.
“Yet I helped you,” Tav counters.  There’s a playfulness to his tone that doesn’t match his furrowed brow.  
Shadowheart concedes.  “Fair enough.  You’re welcome to join us in our search for a healer.”
You nod.  Yes, a healer!  They’ll be able to—pain strikes your temples as another memory clouds your mind.  
A truck careening at you, horn blaring—a sharp hit of adrenaline and then…here.
“Oh my God I’ve been isekaied.”  Your revelation earns you quizzical looks from Tav and Shadowheart.  Reincarnated.  Just like those cheesy but addicting books about a girl being reincarnated as a villainess in some cheesy addicting romance novel.  You press your hands to your face, feeling familiar features but still wary.  “Quick, what do I look like?”
“A lunatic,” Shadowheart answers.
Tav hesitates, but describes you.  You.  Not some other face, not a character you recall from the game but you.  Regular human you. You sigh, relief flooding over you.
“As…interesting as this conversation is, we should get moving,” Tav says.
“Agreed.”  Shadowheart doesn’t move until Tav heads to the only direction you can go, near part of the crashed ship.  
“We need to find Lae’zel,” Tav adds.
“Less agreeable,” Shadowheart says.  “She’s probably long gone by now, if not dead.”
“Well we should still keep an eye out.”
You follow the two into the still burning wreckage where they suddenly stop and draw their weapons—Tav a large axe, and Shadowheart her mace and shield.  
“Intellect devourers,” you conclude.  Three sit at the far end of the ship, scurrying towards you at a frightening speed.  With one slash of his axe Tav takes out two of them before they can get close to you, and Shadowheart smacks the other one down.  All defeated in what?  Three seconds? 
The three brains bleed out and flop to their sides, clawed limbs twitching.
“Vile creatures,” Tav says, holstering his axe.  You expect the two to keep moving and check the nearby bodies for gold and supplies, just as you do in the game, but they don’t.  They walk right past the dead man without rifling through his pockets and as you step by you feel your stomach lurch.  To see a bloody disfigured body in reality felt very different from the game. The vacant eyes staring upward, pieces of flesh torn from his stomach…It isn’t until a hand covers your eyes and directs you forward do you realize you’d stopped.  
“Just keep moving,” Tav says, keeping his hand by the side of your head so you can’t see the body.  When his hand falls you keep your eyes on his swinging tail, and follow after him as he turns and moves into the sun.
Barrels and a broken down cart let you know what’s coming next—who’s coming next.  
Your excitement strikes you then, still shaky and confused but awake.  You’re in Baldur’s Gate 3, with Tav and Shadowheart, and hopefully all the others.  
Your eyes scan the water nearby, debris scattered everywhere until you spot a dagger on the dock.  Tav and Shadowheart watch you dart over and pick it up.
“I thought you would be one to attack with words, not knives,” Shadowheart says coolly.
You stash the dagger in a boot, smiling at Shadowheart.  Gods. She was pretty as pixels but seeing her in the flesh, she was something else.  “Well, words aren’t always the best weapons.”
“Can I get some help?”
You recognize the voice without needing to see the speaker.  Astarion is just up the hill waiting to ambush Tav and…kill him depending on how he answers.  
Based on how Tav darted ahead at the sound of someone in trouble (albeit fake trouble) you figured it wouldn’t turn out too terribly.  So they had skipped over robbing the dead, and didn’t explore every corner of the map looking for treasure chests…that didn’t mean things would be different with each companion intro, right?  There’s a plot here, and it has to be followed to a certain degree…right?  There were no screen pop ups to decide dialogue and you all appeared to have free will, which was good.
Right?
Your thoughts did little to comfort you as you climbed the hill to find Astarion already pointing his blade at Tav who was apparently perceptive enough to dodge rolling around in the ground with the vampire.  You stopped next to Shadowheart, at ease just watching the situation unfold.
Both men twitch and writhe as their parasites connect.  When their visions fade Astarion questions it, and Tav answers honestly about being in the mind flayer ship and what the worms can do.
You study Astarion’s face as he realizes that he’s somewhat free, but there’s a time limit to the incubation period.  Tav offers for him to join your trio, and just like you remember, he agrees.
“Splendid,” Astarion says.  “Lead on.”
At that the vampire meets your eyes.  Icicles dance up your spine until they pierce the back of your head, making you wince and hold a hand against the spot.  
You grunt at the sudden pain, the sound quiet but drawing attention all the same.  You wave the eyes away from you with your free hand.  “Sorry.  Head still hurts a bit from…having a tadpole put inside it.”
Nobody questions that, though you know it was something else.  Every time your eyes even flit in Astarion’s direction you can feel a push at the back of your head, that phantom limb clenching as if trying to stretch and release itself.  You wish you could say it was the tadpole, but it feels nothing like when you connected with Tav.  
“Well let’s just try to keep our worms separate,” Astarion says, seemingly at you.  “I don’t need to see what’s in your head anymore than you do mine.”
His eyes linger a moment on Tav.  You nod your agreement though he isn’t looking at you now.
“I saw some footprints along another path,” Tav announces.  “There could be other survivors.”
There doesn’t seem to be any question as to who is in charge.  Shadowheart insists on searching for a healer but with a quick convincing from Tav you’re all headed towards a strange looking purple sigil.  
“Looks unstable,” Shadowheart says.
“Best left alone,” Tav agrees.  It was just like a friend's first play through that thought the sigil would kill them, so they never had Gale join their party.  It wasn’t a totally unfounded theory—swirling, sparking voids did seem like something that shouldn’t be touched but everything in this world had a purpose.  Anything out of place or, well, glowing, was important to the story.
But then the group is walking toward the bodies of three goblins discussing supplies.  
They’ll steal from goblins but not humans?  Seems odd but maybe you’re the weird one being so willing to pillage the dead, no matter their race.  You frown, looking back at the sigil and knowing who is inside.  “You sure you don’t want to see why it’s like that?”
Astarion is observing his nails while Tav loots the goblin bodies.  Shadowheart kicks one of the bodies out of her way once fully plundered and looks back at you.  “Be my guest.  But if you get sucked in don’t expect me to come looking for you.”
“I’ll come look for you,” Tav states with a cheeky grin, hands inside a dead goblins pockets. It makes you smile back, so…kind and disarming.  You recall barbarians didn’t have high charisma, but Tav seemed to have it in spades.  Or perhaps your recent head injury was clouding your judgement—after all your reaction to being reincarnated, to being dead, was quite tame. 
“Ah, a true hero.”  Astarion looks between you and Tav, eyes narrowing as if trying to solve a puzzle.
You turn your attention back to the sigil, taking a small step towards it when an arm pops out. 
“A hand?” a voice calls.  “Anybody?”
You slap the waxing hand immediately without a thought.
“Perhaps I should have been more specific,” Gale says.  “A helping hand please?”
“Oh, right!”  You quickly take his hand in yours and tug to no avail.  
“Keep trying!”
You pull harder, wondering if you were going to end up holding a severed arm in your hand as the sigil sparks brighter and buzzes with energy.  You choose to ignore those thoughts and keep trying to free the wizard. 
With one final pull the person connected to the arm comes tumbling out of the sigil.  If it had been Tav to pull Gale free you’re certain it would have been a smooth experience, and he would have stepped back and dodged getting shoved to the ground by the sudden lack of resistance.  But it wasn’t Tav, it was you, and instead of dodging the wizard your feet tangled with each other and you both went down. 
The wind is knocked from your lungs with Gale atop you, his forehead connecting with your sternum and leaving you gasping for air.  Strands of his hair fall onto your lips, soft and smelling of something spicy while his left arm is wrapped around your middle, the other braced against the ground.  You realize he’d been trying to protect you on the way down, but wasn’t quick enough to cover the back of your head, which now throbs from the fresh battering.  
“Ouch,” you croak, voice barely making it out of your throat.  Footsteps approach until Tav, Shadowheart, and Astarion are hovering over you, each with a small smile.  Well…Astarion’s is more of a smirk…
Gale pushes himself off of you and before he can say anything Tav has his hands beneath your underarms and is pulling you up.  His hands slide to your back until you’re steady enough to stand on your own and thank him, rubbing at the back of your head again. 
Throbbing is better than stabbing, you suppose.
“Apologies,” Gale says as he smooths his hair back, “I’m usually much better at this.”
You continue to rub the back of your head as he and Tav exchange dialogue, much of it going in one ear and out the other as you focus on the pain radiating in your skull.  You squeeze your eyes shut and let your hands fall to your sides, giving in to the fact you can’t rub away whatever sensation is there.
“And you my friend.”  Gale is in front of you, drawing your gaze to meet his.  “I am truly sorry for landing on you, but extremely grateful for the help.”
You can’t stop your smile at him anymore than you could with Tav.  “Happy to help.”
His eyes stay on you a moment longer than appropriate, but when they drape down your body you think he’s almost sizing you up.  For a fight, or romance, or maybe to steal your coat you aren’t sure.
You look to Tav for direction, waiting for the leader to…well, lead.  Lae’zel should be next, but that’s when you notice you have an extra member.  With you there it makes five travellers, but nobody has been sent to camp yet.  Wherever that is.  While you’d like a moment to sit and organize your thoughts, the idea of heading somewhere on your own was terrifying. 
“I hear voices over that ridge,” Astarion announces.  Everyone turns towards where he’s looking, just a few feet ahead where the path winds up and you know you’ll find two tieflings looking at Lae’zel.  But you can’t hear them yet.
“Let’s check it out.”  Tav is already moving before anyone can object.  And like ducklings you follow him with Astarion, Gale, and Shadowheart.
Taglist:
@half-poison-and-half-hope
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linkspooky · 3 months
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You're boring. You don't thrill me at all.
I received a few asks about Sukuna's comments on Yuji and decided to make a post about it. To begin with one thing I have noticed about Sukuna is that despite being the embodiment of arrogance and selfishness he's sometimes gracious and even praises the opponents he's fighting.
The complexity of Sukuna is that he can rip the NanaMimiko twins into pieces for daring to ask too big a favor of him for only one finger, but he can also a few chapters later take time to praise Jogo before he dies. He can praise Gojo with touching words even when Gojo in his afterlife segment believes he failed tor each Sukuna. He can also slaughter thousand of people just to get Yuji's goat. He's capable of being somewhat honorable if you earn his respect, and yet there's nobody he respects less than Yuji.
In fact, the way he treats Jogo is a contrast to Gojo, Gojo just mocks him openly in his defeat. Sukuna gives Jogo advice that he should have fought for himself instead of teaming up with others, and then praises his efforts.
He slaughters both Hajime and Higuruma, but in their dying moments he also seems to grant them what they wanted. Hajime wanted an answer on whether or not it was possible for the strong to love other people, and Higuruma wanted to die fighting. Gojo was lonely at the top as the strongest and he lost all identity, Sukuna cuts him down and he dies as a human being and Sukuna praises him saying he'll remember his name forever.
Sukuna sees all humans as insects, but he seems to divide them into the ones that are tasty enough to eat, and the ones he wants to squash. If you're worthy in his eyes, he'll even entertain you and play with you for a little bit. That's not saying much, but Sukuna is known as the worst curse in existence. There are small moments though where he seems to have a sense of honor, at least to opponents who earn his respect or catch his interest.
All of this makes the way he treats Yuji stand out even more.
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Sukuna says that basically all of humanity is his toy box and he can have endless fun playing with them until he dies, and yet Yuji is the one toy that Sukuna doesn't want to play with.
It's not because Yuji is weak, because Yuji has been shown to steadily grow in strength over the series. Yuji doesn't have the mental handicaps cutting off his true potential like Megumi does either, Gojo says right away that Yuji's crazy, that he swings for the fences, that he's obsessed with getting stronger. Yuji may not be on someone like Yuta's level, but he fights side by side with Maki perfectly in sync.
Yuji is even someone who will walk face first into Sukuna's cleave and then keep walking.
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It's not because he's weak, it's not because he lacks potential or handicaps himself like Megumi, so why is Yuji the one opponent that Sukuna just cannot stand?
Much like Mahito who also sought to destroy Yuji, and felt like he couldn't be reborn or become himself until Yuji was out of the way it's most likely because they are ideological opposites. Down to the roles they play in their world, Yuji is someone who has completely repressed his own identity in order to become a true sorcerer, a cog in the machine, one among many fighting for a supposed greater good. Whereas, Sukuna alongside Mahito were what Yuji identified as "true curses". Mahito said as much in his monologue where he attempted to break Yuji, that he is a curse, and Yuji is a sorcerer. The point of curses is to kill humans, the point of sorcerers is to kill curses they don't need any deeper reason to fight and it's not a fight between heroes and villains it a cycle. Exorcise, consume. Exorcise consume. Curses are born, Sorcerers kill curses it goes on and on.
Looking at it that way, Mahito is Yuji and Yuji is Mahito. They're both cogs in the same endless cycle of curses vs humans. Yuji doesn't keep track of how many curses he's killed, and Mahito doesn't keep track of how many people he's killed.
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Yuji is suppressing himself to become a sorcerer. Sorcerers are cogs and cogs have a function. He wants to carry the torch that Nanami gave him, because Nanami is basically the most ethical and model version of a sorcerer, and Yuji's only imagined role in things is to keep fighting until he dies and then ideally passes the torch to someone else. Sukuna was a strong sorcerer from 1,000 years ago who died and became a curse to linger on in this world. Yuji was a normal kid (or a science experiment from Kenjaku) who decided to eat Sukuna's finger and then become a sorcerer and die for a reason greater than himself.
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Sukuna represents the ideology of curses, while Yuji represents the total collective ideology of sorcerers from the modern age.
Sukuna will ask his opponents their ideology, he'll even sometimes give advice and share his point of view. He questioned Jogo's beliefs on whether curses were the true humans. he shared with Hajime his thoughts on love to give him an answer to his question. However, he doesn't want even want to engage with Yuji, he just wants Yuji out of his sight.
He wants to invalidate and disprove Yuji's beliefs because they represent the opposite of him and everything he stands for, but he also knows he can't.
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Sukuna does explain in this chapter that part of the reason he hates Yuji is that he's been forced to share a body with him for so long and was forced to endure his thoughts long enough to know that Yuji actually means what he says his selflessness is the real thing.
You could also argue that Yuji is a literal cage that Kenjaku constructed to contain Sukuna. Sukuna's entire character is built around the fact that he has so much strength he has the absolute freedom to do whatever he wants, and in a thousand years the only thing that's hindered his freedom is Yuji.
I think it goes a step beyond that though, one is selfishness incarnate, who is obsessed with freedom to Eren Jaeger extents and the other is selflessness incarnate, who deliberately chains himself to roles. Yuji is willing to give up his free will to be a cog in the machine, because cogs have a function, they have a role and meaning.
That's the extreme of selflessness though, you give up your very sense of self. Yuji builds his sense of self over the roles that others assign him, not anything he does himself. His function, his purpose, is given to him by others he doesn't define it for himself. Sukuna even mocks him for it in the latest chapter.
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Yuji needs other people to give him meaning. Sukuna on the other hands rejects the notion of love because he's never needed and will never need anyone.
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Sukuna is all about his overwhelming sense of self, whereas Yuji lacks a sense of self entirely. By Sukuna's logic where strength comes from asserting yourself and burning everything around you, Yuji is weak, Yuji should have been crushed like a bug by now, but Sukuna hasn't crushed him yet.
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Sukuna is the ultimate ideal of strength in the story. The only way to be strong is to get rid of your attachments and become a human calamity like him. Yuji's selflessness on the other hand is something that he's continually punished for. Yuji even thinks of himself as weak he says as much to Higuruma, people died, Yuji was unable to stop Sukuna because he was weak.
Yet Sukuna cannot get rid of Yuji, which challenges Sukuna's black and white ideals that all that matters is strength and weakness and the strong always triumph over the weak and devour them.
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To change the subject for a moment let's talk about Gege's inspirations. Can you guess who Gege's favorite Fate Character is? I bet you can't guess.
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While Gilgamesh is the unequivocally strongest hero in the Fate franchise, there is one character who is the natural enemy and the perfect counter to Gilgamesh. That is Shirou Emiya, who actually defeats Gilgamesh in combat in one of the three routes, something both gilgamesh stans and Gilgamesh himself hates Shirou for.
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Gee, I wonder what the inspiration is.
However, there's a particular reason why Shirou and Gilgamesh are opposites besides the fact that they have relatively the same ability, Shirou can copy swords and Gilgamesh has every weapon in existence in his armory.
Gilgamesh is the first and greatest of heroes who defined what it is to be a hero and the heroic legend. Shirou Emiya is a fake hero. That's even how Gilgamesh refers to him, "Faker." Shirou has completely destroyed his own sense of self in order to be of use to others, because he thinks he is not allowed to exist unless he is saving others in some way. This is a pretty brief summary of Shirou's character, but because of survivor's guilt Shirou forgot his past, and identity and thinks it's unfair he got saved while others didn't. At the same time, Shirou saw the happiness on the face of the man who admired him and then became obsessed with the idea of saving others. Shirou can only experience happiness when he saves someone, and feels pretty much nothing otherwise. Not only does he save people for entirely selfish reasons, because of his survivor's guilt and to give him a reason to exist, but it's also not his own dream of being a hero. He stole someone else's dream, that of his father Kiritsugu who wanted to be a hero and who saved him and looked happy saving him.
I read in an analysis a long time ago, too long for me to remember who's it was that Gilgamesh will respect those that have a dream. When he fights Iskander in Fate Zero, while he completely slaughters him he also gives him his props in his last moments and honors him by killing Iskander with his full strength, because he respected Alexander the Great's dream of conquering Europe from ocean to ocean.
Which is why he cannot tolerate someone like Shirou, who has no dream of his own, no reason for fighting, only saving others for the sake of saving them and asking nothing in return.
Shirou wants to repress himself entirely and become an ideal, the same way Yuji does, it's just Shirou wants to become the ideal superhero and Yuji wants to become the ideal sorcerer.
There's another video I want to reference to illustrate how little sense of self Yuji has, and how conversely reliant on others he is for that sense of self. The video is [here] I reccomend the whole thing but this quote summarizes it pretty perfectly.
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Yuji is the main character of the story, but the series own villain, and even a vast majority of the fandom constantly insists that he is not the main character, because he is so lacking in a sense of self. That's not a knock against Yuji, that's the point of his character. Shirou Emiya is one of my favorite characters of all time, they're similiar it's just Shirou goes to greater lengths to show how hollowed out he is as a person, how deeply unhappy and even mentally ill he is to live for the sake of others the way that he does.
Yuji wants to crush his own sense of identiy and become an ideal like Shirou, that ideal being the ideal sorcerer. Whereas Sukuna is defined by his overwhelming sense of self and his lack of ideals.
It only makes sense that they'd be at odds with one another, but Sukuna takes things a step farther he cannot abide by Yuji's existence because he's against the idea of ideals themselves.
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Sukuna wants to believe that he is right to reject idealism and love, that he is not missing out on anything as long as he has himself and is strong. So far in life he's been able to poke holes in the ideals of anyone who challenges him, but he's spent so long in Yuji's brain he knows that Yuji's ideals are not false.
Sukuna doesn't just want to crush Yuji's hopes he wants to prove himself right. This is probably the first time in a thousand years he's even paused to question himself or think over his own beliefs because he's been so unchallenged and right.
Yet, Sukuna can't be right, by the very nature of the manga.
Jujutsu Kaisen isn't about one person being right, it's about balance. The worst person you know in Jujutsu Kaisen can have a point. Kenjaku does everything for his own amusement, but both he and Tsukumo Yuki agree that things in the modern Jujutsu World can't stay the way they are. Geto is a genocidal maniac but he's right that it's unfair for Sorcerers, especially children to sacrifice themselves pointlessly over and over again and if Geto hadn't been a close friend of Gojo's and went off the deep end Gojo likely would have never seen the flaws present in his own society.
Jujutsu Kaisen isn't a story about binary opposites, but one of yin and yang, of complementary ideals. Even a character like Sukuna can't last forever with his binary thinking, and Yuji existing and disagreeing with him is clearly having an effect on him. Sukuna's been so thoroughly challenged by his inability to crush Yuji outright that he's changed his goals. A thousand years ago Sukuna laid waste to sorcerers yes, but he was fine just being worshipped and bribed and getting into fights in the country side. He didn't destroy the world or anything.
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His frustration with Yuji has gotten him to the point that he's willing to go full omnicidal maniac in order to challenge Yuji's ideals. That is how out of balance Sukuna is currently.
The manga won't land on the side of Sukuna being right, it will land on the side of balance, which is exactly why Yuji needs to challenge Sukuna as his antithesis.
The true answer however, will probably not lie in Sukuna's utter selfishness, or Yuji's selflessness, but rather somewhere in between.
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rebo-chan · 2 months
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I've been thinking about KHR's bonds. (When am I not?) And I've thought about the way that Amano likes to write bonds. You'd be pressed in this fandom to find people who don't care about at least one area of it whether that's the Vongola kids, Varia, the Arcobaleno, Kokuyo, etc. After a conversation with my best friend, I realized it's kinda interesting how Amano has somehow successfully created so many realistic bonds for such a diverse cast. Like we see so little of them, but you'd be pressed to convince the KHR fans that the funeral wreaths don't adore Byakuran.
So there's the thing right? Katekyo hitman reborn is the shonen that is 100% about the power of friendship. Like yes other shounens use it and its a meme for a reason, but they also have other stuff going on. Other motivations. Other theming. Meanwhile Tsuna growing up and becoming a better person for his friends /is/ the theme of Reborn. That is the entire motivation for the series. There's no grandiose scheme where Tsuna will save the Mafia world and be the chosen one, though the series tries to put Tsuna in this position to his chagrin.
As evidenced by the scene in Future arc, where Tsuna is unable to light his ring because he is so stressed about sending everyone back to the future and fighting this unknown powerful enemy. And so Reborn walks up and tells him "You're not a hero. Stop trying to be. It's not like you. What were you thinking about when you first lit your flame?" And he responded with "I just..wanted to protect Kyoko." Reborn satisfied with that answer then asks, "And who do you want to protect now?" And Tsuna answers with "Everyone." And then his ring lit up. That's the core to the series!! Right there!! All it ever was 403 chapters worth of these characters just wanting to protect each other.
So, in talking to my best friend, he pointed out that outside of daily life arc, these characters don't really have moments of vulnerability towards each other. Frankly, it seems the cast of KHR is allergic to being vulnerable. There aren't that many scenes of "you guys are important to me. I love you guys." Y'know stuff that tells the audience yeah these guys are close. And when Tsuna TRIES to have these moments, like with Reborn, Reborn pretends like he's asleep and doesn't hear Tsuna say that he's going to save him. Yet somehow, we all understand that these characters love each other so deeply.
And that made me realize it's all in the dialogue and actions, rather than inherent bonding moments. It's Reborn clenching his fist when Tsuna is getting gravely injured by Daemon. It's Yamamoto and Gokudera having a fight about Gokudera not being worthy of being Tsunas right hand man as Gokudera doesn't care for the other members of their family. And Gokudera never addressing this again, there's no verbal indication that Gokudera even heard Yamamotos criticism. Yet later during Merone invasion, Gokudera reaches a hand out to catch Yamamoto when they're getting separated. And later, he protects Ryoheis unconscious body as he is fighting Gamma to the death. It's Byakuran saving the funeral wreaths from their miserable lives and them protecting him even when he begins to strike them down. It's the way Mukuro runs to assist Chrome when she is in danger, or swears up and down that he is not allied with Tsuna but also feeds the Vongola information about Byakuran. It's the way Squalo refuses to cut his hair for his vow to Xanxus, or Mammon's gratitude towards Xanxus's willingness to fight for them. It's Ken ensuring that Chrome is always fed by giving her the snacks and candy they bought. These characters don't need bonding moments, their love for each other shines through their every breath and finger twitch.
And I think that's a fascinating way to write a connection on Amanos behalf. And it was done so well we can't even argue that these characters all love each other.
The way I summarized it is most characters love each other because they spend time together and improve together. KHR characters spend time together and get better together because they love each other
Anyway that's it for this one. Please let me know any dialogue/actions that drive you guys mad about these characters 👀 I know this series is full of them.
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trigun-manga-overhaul · 5 months
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TRIGUN MAXIMUM VOLUME 01 JAPANESE - Scans.
It's finally time for Trigun Maximum Vol 1 in the original Japanese version! This means it's the dialogue as written by Yasuhiro Nightow. We've only done cleaning work to remove any damage done to the pages through wear and tear, literally, and then some minor editing for chapter and page numbering.
This is also the quality you can expect from the 2.0 translation release, as this is what we will refer to as 2.0 in terms of the scans. We hope you enjoy the scans and their resolutions, and as always, everyone's free to make edits and art with our scans as long as they leave credit.
Please do not publicly share this post on X (Twitter), instead share it with people through private accounts or in DMs. We hope to stay a little bit under the radar with the non-transformative releases to avoid attention. If we believe trouble might be brewing, we'll be deleting the post again, so remember to save the files if you can so you have them forever.
Please support the original creator however you can!
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Download the entire volume here.
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Read the chapters online here:
Chapter 01: Hero Reborn
Chapter 02: リィナ
Chapter 03: ガールズ・ブラボー!
Chapter 04: Hero Returns
Chapter 05: Dancing Revolver
Chapter 06: 罪
~~
Donate to the Overhaul Project here!
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I understand that there is a sizable amount of Jon stans whose delusions can be aggravating. Trust me, I’ve come across my fair share of people who think that the sun rises only for Jon Snow and no one else. But, it’s really annoying when certain sections of this fandom act like reading Jon as Azor Ahai is a result of Jon fans making shit up. No, we’re not. We’re literally reading what the text is telling us. We’re not reading into it, we’re reading it straight up. Mel’s singular ADWD chapter is literally just: hey Mel pay attention to Jon Snow, also there’s random stuff happening all over Westeros, and also pay extra attention to Jon Snow.
Mel’s visions are absolutely correct. What’s not correct is how she interprets them to fit an agenda/make herself appear more credible to others (Jon, Stannis). We already know exactly what this looks like when she sees towers being submerged in water, says it’s Eastwatch by the Sea when asked, even though in her head she’s like “oh it can’t be Eastwatch because that place doesn’t look like that”.
ADWD shows us that Mel looks into her fires searching for Azor Ahai and sees “only Snow”. There’s no other way of reading that other than “oh yeah if Mel is specifically looking for Azor Ahai and is seeing Jon Snow, then Jon is the Azor Ahai she’s looking for”. And the gag with this is Mel’s entire purpose, her existence, is to find Azor Ahai. But she completely misidentifies him so when she encounters the real deal, she’s in far too deep to make the obvious and necessary pivot. And it’s even funnier (and I think that’s what GRRM is going for) when there’s nothing special about Mel’s chosen hero Stannis, but there’s a lot that is special about the one she’s ignoring: Jon. Mel literally tells Jon “you’re a super special magic boy let’s make babies because of how super special you are, and these babies will be even more powerful than the ones I made with Stannis” but at the same time being like “yeah mr not-that-special Stannis is totally the guy I’m looking for”.
Plus, Mel’s “only Snow” is quite literally reaffirmed in Jon XII when he dreams himself atop the wall, armored in ice, and wielding LIGHTBRINGER. This isn’t some ordinary flaming sword. This sword burns “red in his fist”, which literally equates it to “the red sword of heroes” - Azor Ahai’s sword. Not only that but Mel’s ptwp is definitely going to be reborn. She has visions about a grey girl on a dying horse WHICH IS TRUE!! What’s not true is this girl being Arya. It’s Alys Karstark. She then has visions about daggers in the dark, which again happens!! Read the last few pages of Jon XIII ADWD. The one that hasn’t come yet but will (based on Jon XIII) is a “promised prince born amidst salt and smoke”. There’s a reason why GRRM included these things in the narrative. And there’s a reason why they happen sequentially. So unless Winds comes out and GRRM is like sike forget that ever happened, it’s pretty safe to assume that Jon is Azor Ahai.
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demifiendrsa · 9 months
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Weekly Shonen Jump 55th anniversary appendix in Weekly Shonen Jump 2023 issue #33
1968 Weekly Shonen Jump Issue #1 Otoko Ippiki Gaki-Daisho by Hiroshi Motomiya 1969 Dr. Toilet by Kazuyoshi Torii 1970 The Gutsy Frog by Yasumi Yoshizawa 1971 Tezuka Manga Award 1st Edition Samurai Giants by Ikki Kajiwara & Ko Inoue Boy of the Wilderness Isamu by Soji Yamakawa & Noboru Kawasaki 1972 Astro Kyudan by Shiro Tōzaki & Norihiro Nakajima 1973 Play Ball by Akio Chiba Hochonin Ajihei by Jiro Gyu & Jo Big 1974 Akatsuka Manga Award 1st Edition 1975 The Circuit Wolf by Satoshi Ikezawa Doberman Deka by Buronson & Shinji Hiramatsu 1976 Toudai Icchokusen by Yoshinori Kobayashi Kochikame by Osamu Akimoto 1977 Ring ni Kakero by Masami Kurumada Susume!! Pirates by Hisashi Eguchi 1978 Cobra by Buichi Terasawa 1979 Kinnikuman by Yudetamago 1980 Dr. Slump by Akira Toriyama 1981 Captain Tsubasa by Yoichi Takahashi Cat's Eye by Tsukasa Hojo Stop!! Hibari-kun! by Hisashi Eguchi 1982 High School! Kimengumi by Motoei Shinzawa 1983 Fist of the North Star by Buronson & Tetsuo Hara Ginga -Nagareboshi Gin- by Yoshihiro Takahashi 1984 DRAGON BALL by Akira Toriyama 1985 City Hunter by Tsukasa Hojo Miraculous Tonchinkan by Koichi Endo Sakigake!! Otokojuku by Akira Miyashita 1986 Saint Seiya by Masami Kurumada 1987 JoJo's Bizarre Adventure by Hirohiko Araki The Burning Wild Man by Tadashi Sato 1988 Bastard!! by Kazushi Hagiwara Jungle King Tar-chan by Masaya Tokuhiro Rokudenashi BLUES by Masanori Morita Magical Taluluto by Tatsuya Egawa 1989 Weekly Shonen Jump reaches 5.000.000 copies in circulation Dragon Quest: The Great Adventure of Dai by Riku Sanjo & Koji Inada Video Girl Ai by Masakazu Katsura 1990 SLAM DUNK by Takehiko Inoue Chinyuki by Man Gataro Yu Yu Hakusho by Yoshihiro Togashi 1992 Hareluya II Boy by Haruto Umezawa 1993 Tottemo! Luckyman by Hiroshi Gamo Hell Teacher Nube by Makura Sho & Takeshi Okano 1994 Midori no Makibao by Tsunomaru Rurouni Kenshin by Nobuhiro Watsuki 1995 Weekly Shonen Jump reaches 6.530.000 copies in circulation Sexy Commando Gaiden: Sugoi yo!! Masaru-san by Kyosuke Usuta 1996 Hoshin Engi by Ryu Fujisaki Yu-Gi-Oh! by Kazuki Takahashi Kochikame 20th Anniversary & Chapter 1000 1997 I's by Masakazu Katsura Seikimatsu Leader den Takeshi! by Mitsutoshi Shimabukuro ONE PIECE by Eiichiro Oda 1998 Rookies by Masanori Morita Whistle! by Daisuke Higuchi HUNTERXHUNTER by Yoshihiro Togashi 1999 Hikaru no Go by Yumi Hotta & Takeshi Obata The Prince of Tennis by Takeshi Konomi NARUTO by Masashi Kishimoto 2000 JoJo's Bizarre Adventure: Stone Ocean by Hirohiko Araki BLACK CAT by Kentaro Yabuki 2001 Bobobobo Bobobo by Yoshio Sawai BLEACH by Tite Kubo 2002 Strawberry 100% by Mizuki Kawashita Eyeshield 21 by Riichiro Inagaki & Yusuke Murata 2004 Death Note by Tsugumi Ohba & Takeshi Obata Gintama by Hideaki Sorachi Katekyo Hitman Reborn! by Akira Amano D.Gray-man by Katsura Hoshino Muhyo & Roji's Bureau of Supernatural Investigation by Yoshiyuki Nishi 2005 Neuro: Supernatural Detective by Yusei Matsui 2006 To Love Ru by Saki Hasemi & Kentaro Yabuki 2007 Sket Dance by Kenta Shinohara 2008 Nura: Rise of the Yokai Clan by Hiroshi Shiibashi Toriko by Mitsutoshi Shimabukuro Bakuman. by Tsugumi Ohba & Takeshi Obata 2009 Kuroko's Basketball by Tadatoshi Fujimaki Beelzebub by Ryuhei Tamura Medaka Box by Nisio Isin & Akira Akatsuki 2010 ONE PIECE New World Begins 2011 Nisekoi by Naoshi Komi 2012 Haikyu!! by Haruichi Furudate The Disastrous Life of Saiki K. by Shuichi Aso Assassination Classroom by Yusei Matsui Food Wars: Shokugeki no Soma by Yuto Tsukuda & Shun Saeki 2013 World Trigger by Daisuke Ashihara Isobe Isobee Monogatari by Ryo Nakama 2014 Hinomaru Zumo by Kawada My Hero Academia by Kohei Horikoshi 2015 Black Clover by Yuki Tabata 2016 Yuuna and the Haunted Hot Springs by Tadahiro Miura Kimetsu no Yaiba by Koyoharu Gotouge BORUTO by Mikio Ikemoto & Ukyo Kodachi The Promised Neverland by Kaiu Shirai & Posuka Demizu Kochikame 40th Anniversary and Serialization End 2017 We Never Learn by Taishi Tsutsui Dr. STONE by Riichiro Inagaki & Boichi 2018 Jujutsu Kaisen by Akutami Gege
2019 Chainsaw Man by Tatsuki Fujimoto Mission: Yozakura Family by Hitsuji Gondaira 2020 Undead Unluck by Yoshifumi Tozuka MASHLE by Hajime Komoto Ayakashi Triangle by Kentaro Yabuki Me & Roboco by Shuhei Miyazaki BURN THE WITCH by Tite Kubo SAKAMOTO DAYS by Yuto Suzuki 2021 The Elusive Samurai by Yusei Matsui WITCH WATCH by Kenta Shinohara Blue Box by Kouji Miura 2022 Akane Banashi by Yuki Suenaga & Takamasa Moue
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butterflydm · 10 months
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wot reread: a memory of light (chapter 38-epilogue)
spoilers for a memory of light!
Well, the rest of the chapters have fewer pages in total than chapter 37 did, so this is going to be my last full reread post, though I do have a couple of follow-ups planned.
My timing ended up being pretty good, even though my original intention was just to reread books 1-3 in anticipation of the second season of the show. And now I’ve still got over a month to get good and excited about everything the show will be bringing to the table.
1. We go back to Rand, still deep in his conversation with TDO. The chapter “the Last Battle” really revolved around the battle between the forces outside Shayol Ghul, because it ended when the commander of the other army finally was killed (though there are still a ton of his forces to take care of, the head of the snake was cut off and so was the person who fancied himself Demandred’s replacement).
2. The ‘let go’ that Rand is hearing in his mind is in his father’s voice, and the meaning expands here -- let them sacrifice. it is their choice to make. And then Egwene’s voice -- am I not allowed to be a hero too?
Because this is something that Rand has been resisting over the course of the books -- basically ever since he accepted that he will be the sacrifice, he’s struggled with knowing that he’s not the only one, with knowing that other people are sometimes even sacrificing just to get him here, to this place. And, I imagine, with his tentative plans to maybe even survive this ‘sacrifice’, that’s going to make him feel even more guilty about other people giving up their lives in this fight.
3. He talks in dialogue with Egwene’s voice in his head (given that he’s existing around and between reality, it might really be Egwene’s voice too). He is not in charge of protecting her. He decided to take that charge on himself, back in EotW, but it was never his to claim. Let us die for what we believe, and do not try to steal that from us.
4. And so Rand takes himself through his list again, backwards, this time, releasing his feelings of shame for failing to save them, releasing his need to protect them. Letting go of the mountain that has been crushing him for the majority of the series.
He hadn’t realized how large it had become, how much he had let himself carry.
...
Ilyena was last. We are reborn, Rand thought, so we can do better the next time.
So do better.
5. And now Rand, as he stands surrounded by all time and nothing at the same time, comes to understand that the Darkness was never a being, never an entity of its own. It is the between of everything. It can only win if no one is willing to keep fighting against it.
6. Mat gets the news of Lan’s reported death. As he did with Egwene and with Elayne, he swallows the grief and doesn’t let it show to anyone else, instead using the news to spur the army onward to attack the now-stunned foe.
7. Rand tells TDO that he can’t win, and TDO argues that it has Rand in its grasp right now, and Rand says that that’s missing the point, because it was never just about his victory. The people he lists:
Morgase (?) - a woman, torn and beaten down, cast from her throne and made a puppet
Thom - a man who remembered stories and took fool boys under his wing
Moiraine - a woman who hunted truth before others could
Perrin (?) - a man whose family was taken from him, but who stood tall
Nynaeve - a woman who refused to believe she could not Heal those who had been harmed
Mat - a hero who insisted with every breath that he was not a hero
Egwene - a woman who would not bend her back while she was beaten and who stone with the Light for all who watched
Rand realizes -- “it was never about beating me. It was about breaking me.”
8. Okay, I have to say. I have to! But this is... this is literally also how the Seanchan work. This is their philosophy of life -- to take people and break them to the Seanchan’s purpose. As I’ve said before, there really is no way around the fact that the Seanchan are going to be the Great Evil of the Fourth Age. There are just too many Shadow-Seanchan parallels! Maybe Mat and Min can slow the train slightly but I don’t think they can actually put the breaks on it.
9. But back to now -- Rand and TDO watch the battlefield, where Mat is fighting -- Tam at his side, then Karede and his suicide-slave troops, then Loial and the Ogier. “Outnumbered three to one”. Mat is shouting in the Old Tongue: For the Light! For honor! For glory! For life itself!
I will take a moment to be glad that, despite the first half of this book trying so hard to align Mat with the slavers for whatever fucking reason, he’s not fighting for the slavers in this battle. That he actually did become the General of the Forces of the Light, not primarily the General of the Slavers. Looking back, it really does feel like the change was signaled when Mat first took off his Seanchan clothes and put back on his Two Rivers coat*. That seems to have been a visual cue about his change in characterization -- how he started pushing back more against Tuon, forcing her into more compromises, and standing more aligned with the Forces of Light rather than pandering to the slavers all the time. idk, maybe forcing Mat over to Ebou Dar at the start of the book was Sanderson’s way of trying to finally create a synthesis between the horrible Mat of CoT & KoD and the non-horrible Mat of the earlier books, and he felt like he actually had to take Seanchan!Mat to his worst conclusion before bringing him out again? It still really sucks that the Mat and Rand reunion happened during our low point of Mat’s characterization, though.
(* which appears to have been triggered by the ‘not pleasant’ conversation that Mat and Tuon had after Tuon berates him for not telling her that Egwene was briefly enslaved by the Seanchan. After that (off-screen) conversation, Mat starts being much more combative re: the Seanchan -- after that conversation is when he has his bitter/sarcastic thought that he’s not done much to convince Tuon to stop using damane and when he suggests to Min that she mislead Tuon about her viewings to try to soften her stance on Aes Sedai; so I think we can safely give Egwene credit for the turnaround in Mat’s characterization -- I wish that that conversation between Mat and Tuon hadn’t happened off-screen! like so many important emotional moments!, but it seems like perhaps that was a watershed moment for Mat)
Rand and TDO watch, and TDO taunts Rand “the son of battles. I will take him [Mat!]. I will take them all, adversary. As I took the king of nothing [this is Lan, I assume]”.
10. Mat thinks about how he knows he can win this battle, despite the horrible odds. He just needs “a favorable toss of the dice”.
And, not too far away, with the Trollocs outside his hiding place, Olver gives up on the idea of trying to get the Horn to Mat, and lifts the Horn of Valere to his lips.
11. First Mat, and then everyone else, hears Rand’s voice -- he calls out Shai’tan as wrong, telling everyone that Lan isn’t dead. And just after he says that, Mat hears the familiar golden and clear note of the Horn of Valere.
...wow, the Seanchan feel so superfluous to requirements right now. They didn’t show up until after the final combat was engaged, after Rand had his final necessary epiphany, after the Horn was blown (they have still not shown up, technically).
I’m going to take a moment to daydream about a world where Tuon’s nature as marath’damane was revealed and accepted, so she really did flee with the Seanchan (so that she can try to recover from this blow to her powerbase) and the Seanchan never returned to the Last Battle. This would be a much easier way to de-tangle Mat from the Seanchan than whatever he’s gonna need to actually do post-canon.
12. The Heroes of the Horn return and our first sight of them is Birgitte coming to save Elayne from Mellar, with a shining silver arrow. 😍
Birgitte standing over her own corpse kinda cracks me up. Good for her! It’s also probably the first time she’s felt like herself in books and books.
“That was the bloody Horn of Valere!” Mat announces to his troops. “We can still win this night!” Inside, he marvels over how the Horn was sounded without him, showing that one of the things that he’d believed that he was permanently tied to isn’t tied to him after all.
Well, if that knot can be untied, Mat, maybe another one can be as well.
13. Between losing Demandred and the appearance of the Heroes of the Horn, the Shadow are now the ones who are on the defensive, with some Trollocs breaking and trying to run away.
The mist of the Heroes forms near Mat and he feels a moment of worry, wondering if maybe someone on the side of the Shadow summoned them. Hawkwing rides up to Mat, and tells him, “Do take better care of what has been allotted you. Almost, I worried we would not be summoned for this fight.”
I know, right? The lack of urgency in the Mat-in-Ebou-Dar half of the book about actually getting him to Merrilor to blow the Horn was really frustrating to me too!
When Mat confirms that this mean they’re fighting for the Light, Hawkwing tells him, “We would never fight for the Shadow.” The rumors about the Horn are wrong -- I feel like we learned this back in TGH as well but, you know, Mat was dying at the time, so I don’t blame him for not remembering.
Yeah, here’s the line: “We have come to the Horn, but we must follow the banner. And the Dragon.” So it was Rand, Perrin, and Mat who learned that. But, like I said, I don’t blame Mat for not remembering.
14. Hawkwing and Amaresu both scold Mat for not showing Rand enough appreciation for saving his life. Honestly, so fair and legit for Mat to finally be on the other end of a scolding like that. “I have seen you murmur that you fear his madness but all the while you forget that every breath you breathe - every step you take - comes at his forbearance. Your life is a gift from the Dragon Reborn, Gambler. Twice over.”
Mat feels so scolded. As he deserves.
He’s told that they can fight here because they have Rand’s banner and because Rand is... technically sort-of kind-of leading them... from a distance.
Amazingly, Mat takes a moment out of this encounter to marvel at how pretty one of the heroes is and then Remind Himself again that he’s married. He really does have to keep Reminding Himself. One of these days, he’s not going to remember to Remind Himself until after he’s already slept with someone else. It’s been more subtle in this book than in ToM, but Mat is still constantly checking out Every Other Lady around him.
15. Olver gets dug out of his hole by Trollocs but Noal, now one of the Heroes, arrives to save him. I don’t care about Noal, and Jordan definitely didn’t do enough to build up their relationship in CoT & KoD, but I still got a little misty at the tiny orphan child feeling grateful that one of the people who ‘abandoned’ him has finally come back.
16. haha, this next chapter is called ‘wolfbrother’ so I guess that Perrin is finally gonna wake up. But first, we have Elayne!
She’s able to wriggle lose enough to make the medallion copy shift away from her skin and fall to the ground, and now she can embrace saidar again. Elayne apologizes to Birgitte but Birgitte laughs it off, “Why do you mourn, Elayne? I have it all back! My memory has returned. It is wonderful! I don’t know how you stood me these last few weeks. I moped worse than a child who’d just broken her favorite toy.” Ah, yeah, that confirms that Birgitte’s spiral into bitterness was not meant to be a reflection of Elayne but on the dark place that Birgitte was in, with her loss of memories, I think. But it’s a shame that it feels like parts of the fandom just took Birgitte’s unrelated bitterness as a reason to slam on Elayne more. My girl gets so much undeserved hate.
And Elayne and Birgitte will ride back into the battle together. Not as Aes Sedai and Warder, but as friends. 😍 😍 😍 😍 
17. Aviendha! I’ve missed you! Her timeline isn’t advancing as quickly as it has been for those further away from Shayol Ghul, so not as much as happened here in the valley. She can feel the channeling inside the Pit of Doom - “a quiet pulse”. Oh! The wolfbrother of the chapter’s title is actually Elyas, who Aviendha runs across now. The Darkhound Wild Hunt is happening, and hundreds of wolves have come to fight back against them.
Aviendha is about to go fetch channelers to help bring down the Darkhounds, when she spies Graendal a bit higher on the slope, with some Turned channelers, and Aiel guards under compulsion. Aviendha alerts her companions (Amys & Cadsuane) and then begins the fight against Graendal.
18. Elayne has a sword again. Where is she getting these swords? I’m just gonna assume it’s made out of Air or something. More useful than the sword, Elayne creates a banner with the Power, the red lion of Andor, lighting up the night.
19. [Mat] remembered, within those memories that were not his, leading forces far grander. Armies that were not fragmented, half-trained, wounded and exhausted. But Light help him, he had never been so proud.
...
This was the moment he had been seeking. It was the card upon which to bet everything he had. Ten to one odds, still, but the Sharan army, the Trollocs and the Fades had no head. No general to guide them.
...
Elayne’s death had been a lie. Her troops had been in disarray - they had lost more than a third of their soldiers - but just as they were about to be routed by the Trollocs, she rode into their midst and rallied them.
20.  Catching up with Moggy! Hi, Moghedien. I bet your Last Battle is going pretty shitty. She kicks Demandred’s abandoned corpse. Oh, his devoted Shendla just left his body there to rot? Yikes. For Moghedien, she discovers that now that so many of the Chosen have been killed off, TDO is ready to let her have a taste of that sweet sweet True Power.
She disguises herself as Demandred and heads to the Sharan forces. I have to admit, given how open Min has been about her Talents, it’s kinda astonishing that Moghedien doesn’t know about her viewings. Min will tell anyone who stands still for five seconds, plus Tuon announced her as a Doomseer and has been plumping her up for the past whatever-number of chapters.
Moghedien starts to gear up for her role as Fake Demandred...
...and then she gets a blast of cannon/dragon-fire in her face from the Band’s part of Mat’s plan.
21. Instead of the Band leaving their caves to fight; channelers are opening them up brief windows to shoot through. Aludra is placed up on a high location with a spy-glass, giving orders to the channelers for the next locations for the booms. Honestly very clever.
22. As Aviendha fights in the valley, plants grow to cover her passage.
They had come right when she had needed them to hide her approach. Happenstance? She chose to believe otherwise. She could feel [Rand], in the back of her mind. He fought, a true warrior. His battle lent her strength, and she tried to return the same.
Determination. Honor. Glory. Fight on, shade of my heart. Fight on.
😍 😍 😍 😍 😍 😍 😍 😍 
23. Aviendha kills a Compelled attacker, only realizing it’s Rhuarc after she has struck the fatal blow. She kills him moments before he would have killed her, and only her shoulder gets injured.
She does her best to convince herself that she only killed a shell. That Rhuarc was already dead.
There is a burst of determination from Rand (Strength, Aviendha) and her fatigue leaves her, and she refocuses on the fight.
24. Aviendha studies Graendal and decides on her approach -- she creates a spear made out of fire and light, and some other weaves in reserve -- and charges for Graendal. See, this makes a lot more sense that Elayne randomly having a sword, because this is a weapon and Aviendha knows and has trained in most of her life. I think that Sanderson Just Likes Swords tbh.
I really love the description here because of how it brings back Aviendha’s Maiden roots as she launches her attack on Graendal. The ground explodes underneath her (her legs get pretty destroyed, it sounds like), but she’s leaping up already aimed like a spear herself, and she sinks the spear into Graendal’s side just as Graendal is using the True Power to Travel... and because they’re touching, she goes along with Graendal when she Travels.
25. Mat rides with the Heroes of the Horn. He gets them to confirm that he isn’t one of them. He can see Elayne from where he is.
Mat saw Elayne’s banner glowing above them in the sky, crafted of the One Power, and caught a glimpse of someone who looked like her riding among the soldiers, hair glowing as if lit from behind her. She seemed a bloody Hero of the Horn herself.
26. And then the great battle is over, at least here on the battlefield.
He would have to thank Tuon for returning. He did not go looking for her, though. He had a feeling she would expect him to perform his princely duties, whatever they might be.
Hmm.
27. He does feel that tugging. Rand needs him. He tries to convince himself that this was his part, out here, and whatever is going on where Rand is... that’s Rand’s business. The dice are still tumbling in his head. This part here manages to capture Mat’s double-think in a way that I didn’t feel like came across in the actual chapter when we had the Rand & Mat reunion.
After trying to talk himself out of it, Mat ends up saying that he’s a fool because “I need to go to Rand.”
As a parting note, he asks Hawkwing to go have a conversation with “their Empress” (Tuon), and hmm, interesting. Okay, I need to break this down a bit.
So, one of the things that gave Tuon the big jollies back in the negotiation chapter with Rand was Mat referring to the Seanchan forces as “our forces”, which she basically interpreted as “haha you’re mine now, no take-backs”. And here, he does not call the Seanchan empress “my” Empress. He says she’s “their” Empress. The Empress of the Seanchan, who he is not currently identifying with, it would seem. So. That’s interesting.
We don’t get to see the conversation between Hawkwing and Tuon, of course, but what would Mat assume about what Hawkwing would tell Tuon? Why would Mat send Hawkwing to talk to her? The Heroes of the Horn follow Rand, pretty explicitly. They literally just recently scolded Mat for not appreciating Rand enough. They are aware of current events in the world and of the Seanchan Empire.
Which is to say... of course, Mat is assuming that Hawkwing will try to set Tuon straight on how to be an Empress without abusing millions of people under her power. Hawkwing told him that they would never fight for the Shadow. I think it’s reasonable for Mat to assume that he would disapprove of slavery. And Hawkwing’s hatred of Aes Sedai in his lifetime was canonically influenced by Ishamael, if I recall correctly, so the idea that Ishamael’s corruption is still influencing him in his Horn-form just seems like kinda silly to me. So. That’s my stance on that. Mat has clearly stated in recent chapters that he disapproves of the damane system, in particular, and that he wants to influence Tuon to soften her stance on Aes Sedai. So we know what Mat’s motivations are in sending Hawkwing off to talk to her. And it kinda fits Mat’s pattern of trying to use other people to influence Tuon to be less awful.
28. Rand has thought about Mat often, here in the battle with TDO. He thinks of him again -- Beneath them, on the battlefield, the Trollocs had fallen, beaten by a young gambler from the Two Rivers.
29. Oh, hey, Perrin just woke up. Page 853. He went to sleep on page 670. Nice long nap. Missed... a lot of stuff.
He learns that the battle at Merrilor has been won, but the battle at Thakan’dar, outside of Shayol Ghul, rages on. He gets his exhaustion washed away by one of the Aes Sedai and goes physically back into TAR (where he left Gaul to guard the cave where Rand fights).
30. In the waking world, Thom is the one guarding that cave entrance and he ponders the various ways that the ending of the world can be turned into a song, once this is all over.
31. Mat goes to Grady and tells him that he needs to be taken to Shayol Ghul. He’s brought Rand’s banner with him. Hanging out with Grady are Olver and Noal. The dice are still tumbling in Mat’s head. As far as I can tell, they haven’t stopped since Elayne asked him if he knew what he was doing.
Mat, on thinking about Noal/Jain becoming a Hero of the Horn:
Well, you wouldn’t find Mat trading places with him. Noal might enjoy it, but Mat wouldn’t dance at another man’s command. Not for immortality itself, no he wouldn’t.
Another data point that I’m placing into the pile.
Grady says that Traveling is wonky in that direction. Can’t be done.
Mat won’t accept that as an answer, and he gets Grady to take him (and Olver) as close as they can get -- a Seanchan scouting camp, a day away.
32. lol, we get a tiny glimpse into Fain the mist god-demon here. This just feels so anti-climatic, to still have Fain around at a time like this. Anyway, he’s basically a walking Shadar Logoth at this point. Fain kinda suffers from the same issues as Slayer, in that it feels like he’s a villain that the story grew past and yet he hung around anyway.
33. Gaul has been standing alone against Slayer all this time in TAR, fighting against him and protecting Rand, on his own, while Perrin was taking his restorative nap. But now Perrin is back to help. On the plus side, because of the time dilation stuff, only two hours has passed for Gaul in here.
34. Since he couldn’t take a gateway to Shayol Ghul, Mat is going by dragon to’raken. And, yes, Mat takes time out of his terror at being up so high to notice how pretty the morat’to’raken is, even as he thinks that anyone willing to do this must be “completely insane”. Olver, who is riding with them, is having a great time, though.
From up high, Mat sees a mist covering the valley below and gets a tingling that tells him... it’s about Fain and the dagger.
35. Then their to’raken gets hit by arrows, killing the rider or knocking her out. Mat undoes his straps and climbs over to take the to’raken’s reins. So he’s... he’s riding the closest thing that this world has to a dragon. Subtext, fun for the whole family.
He does his best to give them a gentle landing. It is not terribly gentle.
36. In the aftermath of the crash, Mat thinks that kidnapping Tuon (aka marrying her) is the worst decision that he’s ever made. Hmm. And this is after she ‘returned’ to the battlefield per their plan.
“That,” [Mat] finally groaned, “is the worst bloody idea I’ve ever had.” He hesitated. “Maybe the second worst.” He had decided to kidnap Tuon, after all.
And he doesn’t undercut that thought with any kind of caveat. He just lets it stand as he moves on to the next thing. Another interesting data point.
37. Mat literally panics when he realizes that Rand’s banner has gone missing during their dragon to’raken flight. Why does it seem like Sanderson is so much better at writing Cauthor-related scenes when Mat and Rand are separated from each other?
Olver points out that the swirling clouds above them are forming Rand’s sign, and then he blows the Horn again, for good measure.
38. Rand breaks out of his frozen battle with TDO and re-enters his own body. “From his watching of the Pattern, he knew that although only minutes had passed here since he’d entered, in the valley outside this cavern, days had passed, and farther out into the world, it had been much longer.”
He points Callandor at Moridin, and Moridin promptly throws a knife at Alanna.
Broke back to consciousness by Nynaeve’s herbs, Alanna pulls herself together long enough to release the bond she forced on Rand before she dies.
...I kinda feel the need to point out that Moiraine has done nothing but be a battery for Rand since she entered the cave with him.
I also feel bad for Alanna, who really disappeared from the story once Min was bonded to Rand and could take over as Cadsuane’s Rand mood-ring, and now is only here so that she can die. I have extremely large beef against Alanna for forcibly bonding Rand but it feels like the story really should have used that beat even more than it did, rather than it disappearing after WH.
39. Perrin kills Slayer. Finally. And then he pulls back out of TAR and is “on the rocks in the valley of Thakan’dar”, near where the Aiel are gathered.
40. Mat leaves Olver with the Heroes and meets up with Perrin at the mouth of the cave. So, yes, Mat and Perrin get another reunion. Why does Perrin! Get all the reunions! This is what I was talking about when I said how annoyed I was that Mat thinking about Rand tugging on him wouldn’t end up with any good payoff. All we get is yet another Mat and Perrin reunion.
That Rand is literally inside that cave and yet the three ta’veren do not reunite here is honestly somewhat infuriating for me. Genuinely those two things: the Emond’s Five reunite and the ta’veren three reunite should have been at the TOP of Sanderson’s priority list! There is a lot that I have enjoyed about AMoL but there are just way too many important emotional moments that were either skipped or didn’t happen at all but should have happened.
And, fuck, letting Mat and Rand have a scene that doesn’t take place during Mat’s weird Ebou Dar adventure. That would have been nice! Once Mat decides that he’s not going to be a lapdog for the Seanchan/Tuon anymore, his storyline and his PoV get so much better and so much more enjoyable and I am just... eternal bitterness that our only Mat & Rand reunion was plopped into our most lapdoggy-Mat era.
Mat came here specifically to protect Rand and then he never sees him! That is just fucking awful. They deserved a better reunion. What was the point of having the Heroes scold Mat if we didn’t actually get to see Mat and Rand interact again after it? This is kinda a place where the epilogue is mostly at fault -- Mat just strolling off to plan a fireworks show for Tuon post-Last Battle conflicts pretty hard with him spending time with his dying best friend, tonally-speaking -- but that really just makes it all the more frustrating that the only Cauthor reunion took place when Mat was in his worst Seanchan-era.
41. Aviendha attacks Graendal with an exploding gateway; and Mat kills Fain/Mordeth/etc.
And Perrin almost takes off to go searching for Faile but manages to resist the urge: If Rand died, then he would lose Faile. And everything else.
Yes. I have tried to yell this at the fictional characters so many times: if the world dies, then so does your sweetheart! It’s nice that Perrin finally listened.
42. And for his final trick, Moridin grabs Callandor, and Moiraine and Nynaeve spring their trap, using the flaw in Callandor to take control of the ‘circle’ that Moridin has accidentally formed with them. With Moridin having pulled the True Power, Rand is now able to enter the link, and Moiraine and Nynaeve can feed him all three sets of Power: saidar, saidin, and the True Power. Light explodes from him, and from Shayol Ghul, as Rand uses the True Power to protect himself as he reaches through the Bore and grabs onto the Dark One.
43. We get a quick beat of people reacting to the light:
Elayne is on the battlefield of Merrilor, as they search for the living among the dead. She feels the “swelling of power in Rand” and her attention focuses on him.
Thom shields his eyes as the light bursts from the entrance to the Pit of Doom.
Min appears to have managed to get away from the Seanchan for now, changing linens for the wounded, perhaps also on the Field of Merrilor.
Aviendha is drawn back from the darkness of near-death by the light and the warmth of Rand inside her, and realizes that her explosion twisted the compulsion weave so that Graendal compelled herself to worship Aviendha. Awkward!
Logain sees the light and knows that it’s what was meant by the message that Egwene sent, and he breaks the seals on the Dark One’s prison.
44. In TAR, Perrin runs across Lanfear. Together, they walk into Shayol Ghul, and we learn that she apparently compelled Perrin a little while ago? He’s able to pull out of it by reminding himself of his duty and of Faile, and he snaps her neck, killing her.
*squints at the scene*
Yeah, I mean. That’s certainly still what looks like happened? Sorry, Sanderson, I’m not seeing your hints here about Lanfear tricking Perrin and surviving.
45. Rand holds the Dark One in his hand. Or the representation of his hand. And, once again, when Rand tells TDO how pitiful he is, all I see are echoes of the Seanchan:
You would have enslaved me as you would have enslaved the others. You cannot give oblivion. Rest is not yours. Only torment.
Rand can feel himself dying, his life blood slipping away. Realizing that the world that he’d seen without the Dark One would have been the truth, he knows that he cannot kill it. So he thrusts TDO back into his prison, braids saidar and saidin together to reforge a new shield onto the Bore.
With this new form of the Power, Rand pulled together the rent that had been made here long ago by foolish men.
He understood, finally, that the Dark One was not the enemy.
It never had been.
(because it only reflected the evil that people were already capable of)
46. The black hole inside the cave expands, as Moiraine and Nynaeve run for the safety of the cave entrance.
47. And now we are at the epilogue.
Much like I did with The Last Battle chapter, I’ll take the epilogue in sections by character. Rand & co will go last, this time.
Perrin
The spirits of the dead wolves fade back into the dream. Perrin voluntarily worries about Rand? Wow, that feels kinda out of character for Perrin, who has always been way better at pushing away thoughts of Rand than Mat has been, but I guess let’s go with it. It seems to exist to tell us that Perrin no longer sees color swirls and no longer feels any tugging towards anything. “Those seemed like very bad signs.”
“Have you sent for the three?”
What a weird way to ask “do Rand’s girlfriends know that he’s dying?”
I’m going to take a minute and count up the PoV & page counts everyone gets in the epilogue.
Rand: 3 PoVs (4 pages total)
Mat: 2 PoVs (1 1/5 pages)
Perrin: 3 PoVs (6 1/5 pages)
Loial: 1 PoV (3 pages)
Moghedien: 1 PoV (1 page)
Nynaeve: 1 PoV (2 pages)
Birgitte: 1 PoV (1 page)
Tam: 1 PoV (1 page)
Min: 1 PoV (1/2 page)
Cadsuane: 1 PoV (1 page)
That’s a lot of Perrin, comparatively-speaking.
Anyway, Perrin finds Faile, happy ending, etc.
...oh, I just looked it up and Sanderson answered some questions about the epilogue (tor[dot]com/2013/01/23/brandon-sandersons-wheel-of-time-answers-from-torchat/)! He added Perrin’s and Loial’s scene(s). Ha! I knew that Loial was a Sanderson addition because he uses “Matrim” instead of Mat (that is, imo, by far the easiest ‘tell’ of a Sanderson scene -- someone using ‘Matrim’ when they normally wouldn’t). And the Perrin scenes make sense too because it really builds off of and finishes the narrative thread that was at play earlier in the book for Perrin, which was presumably all written by Sanderson.
Mat
Mat strolls away from the aftermath of having killed Padan Fain, calling the dagger “a gamble I don’t want to touch”. The dice stop rolling in Mat’s head after he decides not to pick up the dagger. Hmm. Mat avoiding becoming the new Fain for the Fourth Age?
After that, we skip to his scene with Tuon. And there are only those two scenes with Mat in the epilogue -- killing Fain and finding out that he’s been baby-trapped into the Seanchan Empire. Though Perrin confirms in his own PoV scenes that he no longer gets the swirls or the tugging, we don’t get the same kind of confirmation in Mat’s (very short) scenes.
I will say that there is more subtlety in Mat’s ending here than I had remembered -- I was extremely unhappy about his ending but this marriage is pretty troubled already in the text, and so it’s not really the book that tries to pretend this is a happy “babies ever after” ending for Mat; I feel like that’s maybe more of a vibe that I got from fans at the time, rather than from the text. There are a lot of “male power fantasy” fans who just really like that Mat ends up married to an Empress and commanding vast armies, I think, at least from what I’ve seen around the internet (and especially back when the series was originally published).
And Mat specifically forces a grin at the news that Fortuona is pregnant, so he’s not genuinely happy about it (and we got things in recent chapters like Mat thinking that kidnapping Tuon was the worst idea he’d ever had).
But, honestly, I do still hate that it happens. I hate it up one side and down the other. It sucks as an ending for Mat so much. Miserable marriage, awful wife, horrible shackles tying him to a terrible fascist empire built on slavery.
That being said... just Tuon’s rule is incredibly fragile, this marriage is also incredibly fragile (which is probably why Jordan slapped a baby in there to begin with -- otherwise, given his general misery level in many of the Seanchan-related scenes, it’s difficult to see how Mat could bring himself to stick with Tuon for long enough to do whatever plot-related things Jordan was imagining would have happened in the outriggers -- the baby is a trap for Mat, not from Tuon but from Jordan).
There are still so many things about the Seanchan that could end up being deal-breakers for Mat if he finds out about them!
(ex. Bodewhin Cauthon is never mentioned in the books after Knife of Dreams, so it is entirely possible that she is among the new damane who were taken by the Seanchan in recent days, and Mat might end up seeing his sister with a collar around her neck post-canon. How would he react to that? And to Tuon’s unwillingness to let her go?)
In addition to Mat potentially seeing people he knows and cares about in collars, we also have the possibility of him learning just how brutal Tuon’s attack against the White Tower was (there isn’t any indication that he knows about the attack at all yet); or Talmanes telling him about Verin’s letter and Mat realizing how damaging his fear of Aes Sedai has been for the world; or further in the future there’s Mat’s potential reaction to the lethal political wrangling that Imperial heirs are meant to get up to (he was disturbed enough that Galgan liking him only means that subpar assassins will be sent against him -- when he realizes that Tuon might well encourage their own kids to kill each other to win her favor, it’s very hard to see him brushing that off). Plus he’s regained his sense of disgust over the damane system. So there are a lot of powderkegs waiting to be blown sky-high for Mat, post-canon.
idk, Mat’s storyline is maybe the one where I most have to untangle whether I dislike it more because I feel like it was executed poorly or if I dislike it because it sets up a situation that will never get resolution. And how connected are those things?
A big frustration that I’ve had with how Jordan and then Sanderson handled Mat’s storyline over the course of the last few books of the series was how many shortcuts were taken with his character and how artificial forcing him into the Seanchans’ arms has felt to me.
a. Mat getting trapped in Ebou Dar and then all the characters involved taking a vow of silence when it came to telling Rand about it. Mat getting trapped in Ebou Dar is plot nonsense: relatively forgivable. But having multiple characters being given the opportunity to change that situation and just... not bothering to do it is... that’s a characterization issue. It severely impacted my feelings about Nynaeve for Jordan to turn her into the kind of person who just doesn’t bother to tell Rand that his best friend was left behind in that kind of perilous situation. Plot manipulations... that’s just how the plot works. But over and over, characters got broken or bent for the purpose of jamming Mat into the Seanchan storyline.
b. Setalle Anan is a minor character, so I get why people don’t care about her, but she’s a character who pretty much completely reverses her characterization between WH & CoT (in WH, she is anti-slavery and finds Mat charming and trustworthy; in CoT & KoD, she protects and waits on Tuon while treating Mat like the dangerous one, including betraying Mat’s secrets to Tuon -- and her betrayals are never acknowledged by the text in any way; she just keeps on being treated as if she’s a friendly supporting character) and, from what I could see, it’s just so obviously done in order to protect Tuon from ever having even a sliver of character growth rather than it making sense for Setalle Anan’s character.
c. We keep tiptoeing up to the brink of Actually Having A Plot Happen with the Seanchan and then backing away at the last minute without really having a good reason to do it. Incredibly frustrating. This was one of my main annoyances with CoT & KoD. And in AMoL, both Rand and Egwene inexplicably back down when they have Tuon on the ropes and off-balance.
d. Mat’s teleportation to Ebou Dar in-between Towers of Midnight and A Memory of Light. I’ve talked about this one a lot but yeah. It’s just... really bad? I do suspect that Sanderson couldn’t figure out any way to actually make it believable that Mat would go to the Seanchan and that’s why he had it all happen off-the-page. But the careless damage that it does to Mat’s characterization is just horrific. Mat gets ripped out of the action of the first third of the book, and doesn’t get to the Last Battle itself until the book is more than half over. Once Mat is actually engaging in the Last Battle, his characterization steadies a lot but especially those first four chapters with Mat, it feels like we’re only working with half of his characterization and the other half has vanished somewhere in-between ToM & AMoL.
(and if Mat hadn’t been cut-and-pasted from the Tower of Ghenjei over to Ebou Dar, then we would have had a full reunion at Merrilor. So I’m annoyed/bitter about that too)
I could keep going but... let’s keep it at four issues for right now so that we’re not here all day, lol.
All of those issues are problems that I had with the execution of the storyline.
I am not inherently opposed to depressing endings for characters that I love but... it has to be done well. It has to make sense. And Mat’s ending just... required cutting away too many parts of him (and other characters) for it to make sense to me.
But though it is not always handled well (to put it mildly), Mat’s storyline with Tuon (and Tylin before her) is an example of the ‘typical gender roles are swapped’ done in a way that is more down to the very core of his storyline than a lot of other storylines, which are more on the surface.
He’s much less politically powerful than his spouse and needs to use guile, intrigue, and manipulation to get his way and try to persuade her to a gentler and kinder path than her warlike nature naturally aligns towards.
He undergoes something of a gender-swapped version of “The Taming of the Shrew” storyline, in which a fiercely independent person gets coerced/’tamed’ into being a properly submissive spouse (or, depending on your interpretation, into pretending to be one) -- many of the tricks that Tuon and Tylin use are similar to what Petruchio does to Katherine in the play. Mat gets publicly humiliated and starved by Tylin into submitting to her (which is what Petruchio does to Katherine during/after their wedding), and isolated away from his past connections during his time with Tuon, where he constantly has to act to try to figure out how to appease her without provoking her temper (Petruchio compares taming Katherine to falcon-taming, but Tuon would probably compare it to horse-training or damane-breaking), and Petruchio changes her name from ‘Katherine’ to ‘Kate’, which fits pretty well with Tuon’s insistence on never once calling Mat ‘Mat’.
Plus Mat getting his name changed to indicate that he now ‘belongs’ to Tuon’s people fits into this general category --  and historically, in the culture that Jordan belonged to, that’s normally a role given to women, to be given a new name that shows that they are now of their husband’s people and not their father’s; it’s usually their last name but, in the not too-distant past (and maybe currently in some places as well, idk), at least in the USA, women were often referred to as Mrs. “husband’s first name” “husband’s last name” with none of their own name making it into the address.
But a lot of the issues that I have with how this was written is that it felt like Mat was behaving like his hand was forced even when it wasn’t. Which is definitely a writing issue -- it’s a similar issue to the one that I have with the Rand & Min romance, for example, where Min desperately chases after something even though she doesn’t really want it at the start. Prophecy gets used as a way to skip actually writing important character or relationship beats, instead of prophecy being one of many tools in the writer’s kit.
So, yeah, it really is the execution of the storyline that is the biggest problem for me with Mat & Tuon, and the way it feels like he is pulled away from his other attachments whether or not that makes any narrative or character sense.
I really hope that the show does better with them, and with Mat in his endgame (should we get there, etc.).
I will say that I do think that Sanderson handled the romance better than Jordan did; the main problem was that it was already fundamentally broken by how the relationship was written in CoT & KoD, imo (the KoD collaring chapter in particular made me despise them as a pairing and my feelings never recovered from that moment). But in Sanderson’s books, we actually see the effects of Tuon compromising with Mat during various points of the Last Battle (though we see don’t actually see their private discussions and/or arguments that lead to those compromises), and there’s always a throughline showing how miserable the Seanchan lifestyle is for Mat, and those are two things that were majorly missing from CoT & KoD for me, but that make sense as the only way to make the romance even half-believable for Mat’s pre-established characterization from WH and earlier.
The three big issues that I have with Sanderson’s Mat are: the terrible first chapter of TGS (with the gross sexism); the terrible first chapter of AMoL (now featuring inexplicable teleportation); and the deep deep disservice done to Mat and Rand’s friendship (Rand got a personal goodbye with EVERYONE important to him EXCEPT Mat! And Mat got a personal reunion with everyone important to him, except Rand! All they got was the negotiation scene that was ultimately all about Fortuona and the Seanchan treaty, with Mat and Rand’s friendship being the set dressing around the scene).
But the relationship with Tuon honestly... makes a lot more sense in this book than it did in CoT & KoD (once we work past the brain-breaking logistics of the first chapter or so). There are TONS of hints that Mat has uncomfortable vibes going on underneath his casual exterior, plus Tuon actually does make some attempts at compromising with him, and if the well hadn’t been poisoned by how much I despised CoT/KoD-era Mat & Tuon then... I might have had a chance at enjoying AMoL-era Mat & Tuon for the toxic trainwreck that it is.
But, like all the characters & relationships in AMoL, we skip some pretty big moments in the Mat & Tuon relationship -- we see the effects of them compromising but we never actually see them coming to that compromise in private, which I feel like we needed after how unyielding and frankly how annoying Jordan made Tuon about everything.
We do end up with a Mat & a ‘Fortuona’ who remain at cross-purposes -- Mat continues to think of and refer to her as ‘Tuon’ while Fortuona has kinda reversed from thinking of him as a ‘buffoon’ to instead believing that he has the same kind of practical motivations behind his choices that she does, which is also not accurate. But Sanderson did add in some actual give-and-take to their relationship, which Jordan never seemed willing to do, so the AMoL-era Mat & Tuon is a lot more genuinely engaging for me, even if I do still think that they are one of the most obviously doomed fictional marriages that I have ever seen.
Final Mat-related question for the moment: the Seanchan Empire is based on authoritarian governments throughout history, so does how the Seanchan Empire operates mimic the behavior of a cult?
The popular model for cults is the BITE model, which was developed by a man who was deprogrammed from the Moon cult in 1976 (Steve Hassan). It’s an acronym:
Behavior, Information, Thought, and Emotion control. BITE.
Do the Seanchan seek to control people’s behavior? (yes) Do they seek to control the flow of information that the people under them learn? (yes) Do they seek to have their members reject critical thought and only apply to the group-think? (yes)  Do they manipulate the emotions of their followers, usually instilling fear or paranoia about outsiders? (yes)
We know from earlier books that the Seanchan culture =/= the Seanchan Empire. There are constant civil wars and uprisings in their native land. This is explicitly why they are such good soldiers, because they are always fighting each other. Yet they present themselves as a monolith when they come to the Westlands, bragging about how they’re here to bring ‘order’ to a lawless continent. What they say about themselves does not match the truth of what else we know about them.
How does the Seanchan Empire exercise its control over its people? Everything I included here is something I think we’ve see the Empire do, but I did bold ones that are particularly blatant in the text.
Behavior control: Control types of clothing and hairstyles; permission required for major decisions; rewards and punishments used to modify behaviors both positive and negative; discourage individualism; encourage group-think; impose rigid rules and regulations; punish disobedience by beating, torture, burning, cutting, rape, or tattooing/branding; threaten harm to family and friends; encourage and engage in corporal punishment; instill dependency and obedience; kidnapping; beating; torture; murder
Information control: Distort information to make it more acceptable; systematically lie to the cult members; minimize or discourage access to non-cult sources of information; ensure that information is not freely accessible; control information at different levels and missions within group; allow only leadership to decide who needs to know what and when; encourage spying on other members; impose a buddy system to monitor and control member; report deviant thoughts, feelings, and actions to leadership; ensure that individual behavior is monitored by group; extensive use of cult-generated propaganda
Thought control: require members to internalize the group’s doctrine as truth; adopting the group’s ‘map of reality’ as reality; instill black and white thinking; organize people into us vs them; change person’s name and identity; use of loaded language and cliches which constrict knowledge; encourage only ‘good and proper’ thoughts; thought-stopping techniques to shut down reality testing: denial, rationalization, justification, wishful thinking; rejection of rational analysis, critical thinking, constructive criticism; forbid critical questions about leader, doctrine, or policy; labeling alternative belief systems as illegitimate, evil, or not useful
Emotion control: teach emotion-stopping techniques to block feelings of homesickness, anger, doubt; make the person feel that problems are always their own fault, never the leader’s or the group’s fault; promote feelings of guilt or unworthiness; instill fear, such as fear of: thinking independently, the outside world, leaving or being shunned by the group; ritualistic and sometimes public confessions of sins; phobia indoctrination: inculcating irrational fears about leaving the group or questioning the leader’s authority, no happiness or fulfillment possible outside of group; shunning of those who leave; being told there is never a legitimate reason to leave.
“Destructive mind control can be determined when the overall effect of these four components promotes dependency and obedience to some leader or cause; it is not necessary for every single item on the list to be present.“ (in this case, that would be to the Empress, ~may she live forever~)
(all taken from freedomofmind(dot)com -- not linking because sometimes outside links make tumblr act weird about posts)
On the page, we witness the slow process of Leilwin née Egeanin pulling away and deprogramming from the Seanchan Empire, and then in this book, it feels like Mat has begun that process as well. And it feels like they started the same way -- because of a massive overreach by Tuon, the leader of the cult/Empire. Leilwin née Egeanin gets humiliated and punished by Tuon for no reason; just because Tuon felt like being a brat that day, and that moment of humiliation -- the re-naming and the forcing of the jewelry on her in a way that treated her like a slave -- was really what made Leilwin née Egeanin start to pull away from the other Seanchan and go into the path that eventually led to her being, however briefly, Egwene’s Warder.
For Mat, it really seems like whatever happened in that ‘not pleasant’ discussion that he and Tuon had after she berated him for, essentially, prioritizing Egwene’s privacy over Tuon’s desire to get information from him... that discussion (that we didn’t get to see) really seemed to lead to the more combative Mat who refused to back down and roll over for her. Mat still feels a level of protectiveness and affection for Tuon through the rest of the book but he stops letting her push him around and he starts acting like he cares about doing something about the slavery system in the Seanchan Empire again, which was a part of him that we lost at the start of CoT and I have hated so much that we lost in his character. But it slowly grows back over the course of the second half of AMoL.
Again, my big regret here is that the Mat & Rand reunion happened before Mat started his spine regrowth program. Even though Mat does start to push back on Tuon more here, he still never finished several of his character arcs that were set up over the course of the entire series: namely his own mistrust of Aes Sedai and his fear of Rand as a channeler. Both of those fears were things that he was actively working in the text and that he abruptly backtracked on when Tuon was introduced into his life (because being chill with channelers and being chill with people who enslave channelers is contradictory and so Jordan decided... to go with being chill with slavers). So those are two flapping loose ends for his character at the end of this series that never got to fully be addressed because the ‘romance’ was prioritized over Mat’s characterization.
Loial
Loial is looking for people to help him with accounts for his book and “Perrin ignored me and Mat cannot be found”.
Mat just completely disappearing from the Westlands side of things to go set up a fireworks show for Tuon (and asking Aludra to be the one to set it up, which just seems kinda mean, considering that the Seanchan pretty much completely eliminated the Illuminators) is just... frustrating. Apparently Mat visited the battlefield here “smiling and healthy” but then vanished. So, in theory, there’s an empty place here where Mat might have visited Rand and talked to Elayne & co one last time, since Rand is in the main healing tent on this battlefield.
Loial also notes how odd it is that Elayne and Min don’t seem to feel any urge to go in to hold Rand’s hand while he’s dying (Aviendha is getting her legs looked at). I know, Loial! They’re the worst fake-grievers who ever lived, I swear. If the whole point is to trick people into thinking Rand is dead, then it might be a good idea to... actually try to trick people?
Moghedien
In which Tuon’s people are already breaking the terms of the treaty by snatching up channelers from the battlefield at Merrilor. No hundred years of peace, Rand. I’m sorry.
Rand (& all those who say ‘goodbye’ to him, or who don’t)
Rand leaves the mountain, slipping on his own blood and carrying a body. Shayol Ghul is trying to close before he can leave and he only barely makes it out in time before the cave snaps shut behind him.
Moiraine tells Rand that he did well, and Nynaeve tries desperately to keep him alive, but eventually, and without ever waking back up, ‘Rand’ dies.
Elayne, Aviendha, and Min do the absolute worst job of playing grieving widows ever. Like, if Rand had actually died, I could understand this better. Because they might really be in shock. But they know he’s alive! And their whole job is to convince people that they absolutely believe that he’s dead! Just... pinch your arm until you start crying! This is literally the most suspicious way that they could have gone about things -- Nynaeve is already extremely suspicious of how they’re acting. Seriously, she’s gonna wiggle the truth out of them pretty much five seconds post-epilogue.
Birgitte comes to say goodbye to Elayne because she’s about to be reborn... and to mention that she’s tossed away the Horn of Valere. Sure hope that Elayne doesn’t regret that in ten years when they’re at war with the Seanchan!
Tam hopes that now his son can get some rest. My hope is that Rand will, you know, go and talk to his dad after he’s had a chance to recover from the stress and trauma of the Last Battle. Also, Tam... you’re gonna have grandkids. No thoughts on that, I see. Still no thoughts on that.
The funeral scene frustrates me to pieces.
Honestly, the most frustrating thing about the funeral scene is how easy it would have been to casually mention that Mat and Perrin were there? Like, that’s ONE SENTENCE. Just... the erasure of those years of friendship, because heterosexual marriage, in Jordan’s fictional world, meant that close male-male friendships just stopped existing. It’s depressing. That CADSUANE is considered to have more right to be at Rand’s funeral than his childhood friends who were also vital parts of the Last Battle. It’s insulting. And apparently Tam organized it? But he couldn’t be bothered to invite his kid’s best friends. Definitely a place where Sanderson should have done some editing of the original epilogue. One sentence is all that was needed.
*sigh*
I do think that Sanderson did try to set up why Mat wouldn’t have gone -- we have seen Mat, in several of his recent PoV scenes, swallowing his grief over losing people he loves and not letting it appear to affect him openly, even as it rocked him deeply, so Rand’s death would be another of those gut-punches that he would do his best to pretend didn’t happen. But, fuck... it just sucks that the friendship between Mat and Rand is such a sublimated thing in this last book, when Rand and Mat both got to much more openly deal with pretty much every other important relationship that they had (though I will note that Rand and Sulin never got a reunion either! Rude!).
Perrin didn’t get anything like that kind of subtextual explanation, but Perrin actually did visit Rand’s healing tent while he was dying, so at least he got that much. *shrugs*
Min thinking here about how the assembled people expect a ‘show’ of grief -- yes, they have all found it exceedingly odd that none of you appear to be grieving the man you said that you loved.
Rand wakes up in his new body, washed clean of the wounds that he’d taken over the course of the series. No more missing hand; no more agonizing pain in his side. 
I have to admit “she left me some money” feels like a pretty anti-climatic way for Alivia to “help Rand die”? She wasn’t really involved in his “death” at all -- it was really Moiraine and Nynaeve who were the ones who ‘helped’ him die. I mean, any one of Min, Elayne, or Aviendha could have left him some money, since they all know he’s alive. I wonder if Jordan was originally thinking that Alivia would be the one joining Rand & Nynaeve for the cave journey, and it was Sanderson who decided that Moiraine would be more appropriate? Nothing distinctively Moiraine happens in that cave, not the way that Nynaeve was needed to be there to heal Alanna without using the Power. Like, this poor woman was harassed by Min for a handful of books because of that prophecy and all she did was leave Rand some money! Min better find her and apologize to her! (I already know that she won’t)
Haha, so confession: my brain edited out that new!Rand had lost saidin. My brain was just like “nope, of course he can still channel”. Personally, I’m not a huge fan of Rand not being a channeler at the end of the story, so that part I’m not thrilled about. He does have his newfound ability to use the threads of reality to basically channel anyway, though. Or at least I assume that’s what the pipe scene is about.
And then his thought, too, about ‘which’ of the women will follow him - yeah, you’re right that thinking that means you’ve gotten a swollen head! They all have responsibilities! Though since Rand leaves so abruptly here, there’s a lot that he doesn’t know, and the two things that most affect this specific question are: the extent of Aviendha’s injuries and the extent of Min’s involvement with the Seanchan. Literally zero of them is in a position to go chasing after Rand, even if they wanted to! Rand is the one who has no obligations and can easily visit them if he wants (well, maybe not ‘easily’ if Min does end up in the Empire).
But I can still remember, wow, what a relief it was that he was alive at the end, and free and unbound. The rest can be... adjusted by post-canon theories.
In terms of ‘things that aren’t covered but that we can probably assume’:
It does look like Elayne ended up with all three of the medallion copies -- the one Mellar used on her, the one that was on Birgitte’s body, and the third was with Lan and she probably reclaimed it (there’s nothing to indicate that Mat spoke with Lan and got it back), so the slaver empress never gets that medallion that Mat wanted to give her back in ToM. Tragic.
Despite Elayne and Tam speaking frequently over the course of AMoL, they somehow never speak about the whole grandkids issue. I feel like we can assume that this happens at some point, post-epilogue? Elayne and Aviendha both seem like they would go back to Caemlyn to rebuild. And Tam doesn’t really have a reason to go back to the Two Rivers at this point, so I can see him ending in Caemlyn too because: grandkids.
Technically, Min has slipped the Seanchan net at this point and could just not go back if she wants, so she can either go back to the Seanchan or she could go to Caemlyn with Elayne & Aviendha, but if she does stay away from the Seanchan, Tuon is going to try to get her back. Unless she was super-turned off by Min actually standing up to her in front of all the Blood and hastily makes Selucia her Truthspeaker again. That’s another possibility.
Ah, since we were told earlier that Melaine was about ready to give birth and Birgitte tells Elayne that she’s about to be reborn: Melaine might be her mom. I feel like Birgitte being reborn as Aiel sounds kinda fun.
I feel like Rand would not actually enjoy traveling all on his own after a while, given what we know about him, so he would probably end up visiting Caemlyn. And given how suspicious Nynaeve already is in the epilogue, I’m going to guess that she knows the truth by the time Rand goes to Caemlyn.
If Mat decides to leave the Seanchan behind at any point, he will probably also go to Caemlyn, and Mat and Rand can finally have a good reunion.
All in all, there are things about the ending that don’t thrill me but there are also things I really like. And having an ending at all helps in terms of sparking the imagination for fanfiction or meta or... an Amazon Prime television series. I don’t think we would have ever gotten the series if the books had stayed unfinished.
The epilogue checklist (and my theories about how it affected AMoL)
So, while reading AMoL, it felt like Sanderson took a couple of shortcuts in order to bruteforce the characters into reaching their epilogue endpoints, because there simply wasn’t enough time for it to happen naturally. This is my list of things that I believe got shortchanged due to “writing to the epilogue”:
Fortuona is pregnant in the epilogue: at the start of AMoL, Mat gets teleported to Ebou Dar without any kind of narrative or logistical explanation (contradicting his PoV chapter in the ending of ToM, where he was planning to return to Caemlyn, which would have thrust him directly into the main stories at play in the prologue & early chapters). I feel like part of it is that Sanderson really wanted to get that bun in the oven as quickly as possible.
“they expected something from the three of them; a show of some kind” : There’s just a wide acknowledgement in the epilogue that literally everyone knows that Rand has three girlfriends, so everyone just already knows in AMoL that Rand is in a relationship with three women now. No need for anyone to have emotional reactions to it, please! (not even Rand’s literal dad!) This one also ends up being weird because it seems to change from moment-to-moment whether or not the whole army knows that Rand has three girlfriends (if everyone knows already, why is Rand playing spy games with Elayne?).
Min is Fortuona’s pregnancy test: Min instantly respects ~Fortuona~ as an empress even while thinking that she doesn’t normally respect nobility. Bizarre, considering Min’s own history with the Seanchan from Falme.
Mat kills Fain: we got two super-quick glimpses of Fain earlier in the book to set up this moment but Mat had so much other stuff to do that Sanderson couldn’t really do more than say: yeah, Fain exists and he’s bad, lol.
Minor elements I think were affect by the epilogue:
Rand is still pondering over the idea of choosing between Elayne, Aviendha, or Min: we get Rand’s going “am I allowed to love three women? idk sounds fake” when he and Aviendha sleep together in chapter 4, which just was kinda silly. I think the epilogue is also the genesis of the vibe where Rand appears to consider “having sex with Min for months” to not be any kind of “choice” when it comes to the three women, but having a romantic interlude with Aviendha or Elayne would signal a choice -- because the epilogue acts like the situation between Rand and each of the three women is roughly equal, so “months of sex with Min” appears to hold the same emotional weight to Rand as “pining from afar with two nights of intense passion” does when he thinks of either Elayne or Aviendha.
Mat has no thoughts about any of the Westlands characters: I think that this is more of a subconscious effect -- as he focused more on the final book, I think Sanderson focused on the relationships highlighted in the all-important epilogue... and the only person that Mat cares about in the epilogue is himself *cough* I mean, Fortuona, of course, lol. In both TGS and in ToM, Mat’s deep affection for various Westlands characters was constantly on display, as shown in his own ‘loves lying to himself’ way. This gets curtailed in AMoL, especially in the early Ebou Dar chapters.
I think I’m going to let myself might let myself marinate over the various books before I post a final list of my personal ranking of the books.
One thing that I’ve really noticed is that, more than any other character, the quality of Mat’s storyline has a huge impact on my overall enjoyment of the book. In CoT & KoD, Elayne and Egwene (both of whom I love), got pretty good stories. But Mat’s story was so bad that it made it difficult for me to enjoy the good parts. But maybe some time just letting myself think about the series as a whole will balance out my thoughts. Does that make Mat my favorite character or just my most impactful character? idk. I feel like Elayne or Rand would more consistently hit the top of my favorites.
Overall top five characters throughout the entire series:
1. Elayne
2. Rand
3. Egwene
4. Mat (might be higher if not for CoT & KoD)
5. Nynaeve (might be higher if she didn’t basically disappear after she married Lan)
Then, moving on to the next favs, I think there’s more uncertainty there for me:
6. Verin, probably, but it could be Moiraine. Let’s say they tie.
7. Aviendha and Siuan can both go here. Both generally very good and interesting characters.
8. You know, I had a real turnaround with Gawyn in this reread of the books; I’m gonna put him here. He can share this spot with Leilwin née Egeanin.
9. Loial, probably. Needed more PoV; that would have been nice. I’ll put Faile here with him.
10.  For more minor characters, I gotta give a shout-out to Narishma (favorite Asha’man), Sulin, Pevara during her Black Ajah Hunter phase, Olver is really good in his sections here in AMoL, Asmodean for being my favorite fail-Forsaken and Moghedien for sticking it out until the very end, Elaida honestly very fun PoV as far as villains go, Teslyn and Joline for being troopers and enduring Mat Cauthon at his very worst, my girl Berelain who always deserved better, the ‘Finn in general always lots of fun, Aludra and Juilin who always kept their integrity intact.
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goodqueenaly · 23 days
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How do you think Melisandre will react when she discovers that Stannis isn't actually Azor Ahai reborn? What about the Queen's Men?
Perhaps the better question to ask - although it might amount to about the same thing - is what Melisandre and the Queen’s men (not to mention Selyse herself, and Shireen) will do as TWOW opens - namely, in light of both the bombshell news (or purported news) from the pink letter that Stannis is (again, supposedly) dead, as well as the assassination of Jon. If, as Ramsay’s letter to Jon so bluntly asserted, Ramsay had slain Stannis after seven days of battle, then the hopes of both Melisandre and the Queen’s men might seem, perhaps to use an apt turn of phrase, snuffed out: Stannis obviously could not be the hero chosen by R’hllor to save the world if he was already dead, and at the hands of so mundane and temporal an enemy as Roose Bolton’s bastard son. That Stannis isn’t in fact dead, as I very much believe is the case, does not really matter; so far as anyone at the Wall knows, the would-be apocalyptic champion of the Lord of Light is currently lying dead in the snows around Winterfell.
Melisandre, in her sole chapter, had already faced the trouble of vague portentous guidance on Stannis as Azor Ahai. More to the point, Melisandre had also already received at least some indication via her fiery visions that the identity of Azor Ahai was indisputably linked to Jon Snow. Consequently, I think she may realize or believe she now understands, as TWOW opens, that she had been focusing on the wrong person as Azor Ahai. Stannis was clearly not “the Lord’s chosen, the warrior of fire”, as she put it to Davos, since the apocalypse was still nigh; clearly, what R’hllor was trying to tell her was that the person to look for was Jon. Now, the fact that Jon had also recently been killed may not seem as big a stumbling block to Melisandre as it might objectively, in terms of the identity of a universal savior; Melisandre may not have ever brought anyone back from the dead (so far as we know), but as Thoros and Moqorro demonstrate, the ability of R’hllor’s priests (and presumably priestesses) to defy even death in the name of their god is a substantial power indeed. I have a feeling Melisandre is going to move quickly to return Jon to the land of the living via her fire magic (with the unconscious bonus, perhaps, of having Jon’s “soul” still be preserved in his wolf in the interim).
As far as the queen’s men go, the death of Stannis may seem more like a political tragedy than a cosmic one. The true devotion of the queen’s men to R’hllor is a mixed bag: some truly converts to the new religion (like young Devan Seaworth), some devoted only for the cruelty the exercise of that religion allows (like Clayton Suggs), and some converts only in name (like the late Alester Florent). However, whether or not any given pro-Stannis aristocrat at the Wall feels a sense of cosmological devastation at the news of Stannis’ (supposed) death, all of them would know that their political prospects were now far from certain. In the patriarchal, misogynistic world of Westerosi politics generally, a preteen girl might have a very hard time asserting herself as queen in her own right; as a result, the queen’s men at the Wall might be pretty uncertain about what to do without the strong male warrior-king figure of Stannis behind whom they could rally.
And of course, that’s without the immediate problems at the Wall overtaking them all as well. Jon’s assassination was the acme of a chaotic day at the Wall: not only had Jon dropped his bombshell news regarding the letter from Ramsay, his planned march on Winterfell, and the planned mission to Hardhome, but Ser Patrek had taken the opportunity to challenge Wun Wun the giant to seize Val - which ended about as much as anyone might have expected. With Jon murdered out in the open, the Wall is going to be, to put it bluntly, a mess: anti-Jon conspirators with his blood quite literally still on their hands, pro-Jon brothers potentially retaliating against those conspirators, queen’s men rushing about to rescue and/or avenge Ser Patrek from Wun Wun, free folk realizing that their pseudo-leader at the Wall is now dead. Any questions of Stannis’ death, and the apparent failure of him to be Azor Ahai, may be subsumed in something like a miniature civil war breaking out at the Wall, and them being caught in it.
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tamhi21 · 6 months
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This chapter feels like something is finally coming full circle.
Katsuki has spent the entire storyline feeling like Izuku was looking down on him, belittling him or mocking him up until chapter 322 (with the big apology).
Meanwhile, all this time, Izuku was trying to connect to Katsuki, expressing that he admires him and thinks of him as "his hero, closer to him than All Might". He never stopped seeing this awesome guy that Katsuki was when they were children, and the nickname stuck.
Choosing to call himself Kacchan Bakugou in this chapter feels like he is finally acknowledging Izuku's point of view, he's ready to leave his egocentric-self behind, like he just did a few minutes ago by saving All Might (Save to Win, Win to Save, right?). He is being reborn anew, ready to fully reach out to Izuku and own that bond that he tried to ignore for a decade.
That's character's growth if I've ever seen one lol
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sunandflame · 6 months
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Shards of Glass, Chapter 7
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Summary: Kyojuro Rengoku, History Teacher on the Kimetsu Academy, is constantly having strange dreams about a Slayer who looks exactly like him. He thinks nothing of it until he recognizes a very specific person from these dreams and feels a very unique connection to her.
Pairing: History Teacher Kyojuro x Teacher Fem!Reader
Trope: Reincarnation / Sequel to Flame and Water (can be stand-alone)
Word Count: 1829
Warning: blood, slightly suggestive
Pinterest Board of Shards of Glass
Crossposted on AO3
editor / beta-reader @desi-the-blue-eyed-kakushi
Masterlist of Shards of Glass
“It’s you.” The history teacher just watched him with wide eyes and was not sure how to react properly.
The smile on his ancestor’s face was brighter than that of the sun. “Oh, I am glad that you know me!” So was his boisterous voice.
“Yes, I keep seeing you in my dreams or rather, the memories of you. That’s at least what I am thinking. You… You died young and as a hero.”
“Young, yes. Hero, I am not sure, but at least I am glad that I could give my life in exchange for each passenger of that train.”
“That is one of the definitions of a heroic death.” The history teacher from the modern world stared right into his eyes. It was like he looked into a mirror of time. “Why am I here? Why do I keep seeing all these things?”
“Because you are my reincarnation and you have to finish something that I couldn't do anymore.”
The fact that he was the reincarnation of him didn't really surprise him, but it was somehow relieving to finally hear about it after all these years and that he was having these dreams with a purpose. “What is it that you couldn’t finish?”
The Rengoku from the past didn't answer him immediately but looked around as if he was looking for someone. “I know that Y/N’s soul is reborn in your time like all my comrades from the Taisho-era. Why don't I feel her presence in your heart? Why is there no connection between you?”
“She is in my heart! But…” Kyojuro was brutally reminded of his heartbreak again and clutched his chest. “... she has a boyfriend. She is not ours nor does her heart belong to us.” It was painful to speak those words out loud.
Suddenly everything became quiet. The red spider lilies that had danced in the wind around them stood still and turned to dust. The sky above them became darker. Everything happened so suddenly. 
His counterpart had both eyes closed but opened only one; his anger was clearly visible as the veins popped on his forehead. He stepped up to him, his threatening presence made the history teacher stumble and fall. He pinned him down with the white sheath of his katana to prevent him from getting up. Then he saw that a hole was forming in his abdomen, red leaking from it like spilled paint; he also started bleeding from his mouth and eye. All the blood was dripping onto his white shirt and turning it red. The Kyojuro from the Taisho Era looked down at him and Kyojuro from the modern one could only stare in shock.
“I died too young to fulfill our bond and so did she. It falls now onto you to fulfill it. She is our soulmate. She belongs to us and we belong to her. If you don’t fix this our souls will never find the peace we deserve after giving our lives fighting against these demons.”
He woke up with a loud gasp and looked into the worried eyes of his little brother. “Big brother! Are you okay?!” Senjuro's touch had brought him back to reality. He tried to get up from the dirty floor and realized that he had clutched the white haori onto his chest.  
“I-,” he paused and took a deep breath while getting up, “I am okay, Senjuro.”
“Are you sure? You still look a little bit pale and you’re sweating, brother. I was worried when I saw you laying down like this.” Senjuro’s big eyes were glazed from the tears that were threatening to fall.
“Don’t worry.” Kyojuro put the haori back carefully . He ruffled his hair and then decided to pull him into a hug. “Everything is alright. I promise. I finally found what I was searching for.” 
~ ~ ~
If Kyojuro had gathered one thing from this miraculous meeting with his past self, then it was that he has to fight for Y/N even if it goes against his strong morals. So he decided to confess his love to her on Monday.
He went to school with a purpose this time and looked for her, but she was nowhere to be found. Not for the rest of the day either. It wasn't until school was over that he found her a ways away from the school grounds. Surprised to see her and yet happy, he went straight to her, with the firm conviction that he was confessing his love, but the image that appeared in front of him changed his mind rapidly.
He watched as she nervously took a cigarette out of the pack and tried to light it with shaking hands. She coughed briefly and then she spotted him, only giving him a weak smile that didn't reach her hollowed eyes. 
He couldn't return her smile as concern was evident on his face. “I didn’t know you smoked.”
She looked down at the bud of the cigarette and then threw it on the ground. “I don’t, and I don't even know why I bought this pack. I actually hate the smell and taste of cigarettes. It’s just-” She sighed and held herself back, not wanting to annoy him with her problems. “I am alright.”
“You are a bad liar.”
Y/N wasn't expecting this answer and couldn't help but laugh, even if it was quiet. “But probably still better than you.”
"Yes, probably." He offered her a mint gum. “Here, this helps with the bad taste in your mouth and maybe even against the stress.” He watched her silently, while she took it with trembling fingers. “You should know that you can confide in me. We are friends, right?”
He repeated her words from Friday and she noticed. She tried to suppress the tears that welled up, but she couldn't. She wanted to talk about how she had spent the whole weekend arguing with Kenji in the worst possible way. It had been really bad and she shed so many tears after he had left the apartment frustrated and angry - but no sound came out.
Kyojuro watched how she struggled with her words and how her breath started to quicken. Oh no, she was going to have a panic attack. Without a second thought he pulled her into his arms.  "It’s okay. I've got you. Don't you worry anymore. Just breathe. Don't forget to breathe." Reassuring and soothing words that were so familiar that she caught a glimpse from an old time. Of a Kyojuro in a different attire who was holding her the same way and soothing away the upcoming panic attack with the same words. 
She wanted to stay forever in the warmth of his embrace. It was like his heat was burning away all her worries.
~ ~ ~
After making sure she was okay, he headed home. He didn't want to leave her alone, especially since he could only guess why she was feeling so troubled, but he didn't want to make any blind assumptions. And yet, he couldn't stop thinking about her sad face and how much it hurt him to see her like this. The connection he felt to her was there, he sensed it when she was in his embrace. The feeling of familiarity. 
‘She is our soulmate.’ Those words were still ringing in his head and he had to get to the bottom of them. Luckily, in addition to the haori, he had also found the diaries from the Taisho era that he took to his apartment.
It felt unreal to read his dreams in someone else's diary from a time gone by. Nevertheless, he continued to go through and read what his ancestor Senjuro, who had the same name as his little brother, wrote about his older brother Kyojuro, whose reincarnation he was. He read everything about his noble death and how he was able to save every single life in that demonic train. About his legacy, his Tsuguko and finally his fiance, Y/N. 
He immediately noticed her name and eagerly read on just to see that there were only 1-2 paragraphs about her. How she had fought against the Demon King Muzan Kibutsuji, in his haori, with her comrades. How she chose to stay alone after the final battle, since she was not able to get over the death of her master and fiance. And many other things. He continued reading and had to swallow hard at the last sentence about her.
The demon slayer mark took her at age 25 and made her reunite with my brother in heaven.
Kyojuro put the diary away and had troubled feelings. He was proud of what his ancestor did, since it was the right thing to save those people, but he also felt mournful about the tragic end of their romance.
They both died so young so that everyone’s children and grandchildren had a better future. They had sacrificed everything that was dear to them and had to watch their loved ones die. Now his dreams made sense too. The strong feelings that came with it and what they felt for each other. The worry that his own feelings towards Y/N weren't his own was in question. But upon closer inspection it wasn't like that. He was in love with the current Y/N and not the past one, even though they seemed like the same person.
He was aware of this, even as he didn't let her out of his sight for the next few days and kept trying to have a conversation with her to make her laugh or bring up little surprises like chocolate or something else until he couldn't stand it anymore.
It was in the middle of the week when they were alone, having their usual conversation that felt so light to him. Everything with her felt right - like the love he felt for her. That's why it wasn't difficult for him to say the following words.
“I love you, Y/N.” 
His gaze was clear. It was finally out and it felt like a weight had been lifted off his shoulders, but only for a moment, because she looked at him with a desperate look. A look that said ‘please, don't force me into this situation’, but he couldn't help it. She needed to know how he felt about her. Her next words broke his heart again.
“I'm sorry, but I- I can’t… I should not love you back. I already belong to someone else.” She quickly turned around and walked away so he wouldn't see her tears.
Kyojuro stood there for a few minutes to realize what had happened. She had rejected him, but not because she wanted to, but because she was forced since she was already in a relationship. A little hope glimmered in his heart like a little flame. 
She was loyal to the bone and fuck if that didn't make him fall in love with her even more.
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A/N: This was literally my most favorite chapter to write and finally I can share it with you sweethearts. Also I wanted to share it a bit earlier than usual. As many of you know I always get heavily inspired by wonderful artworks. This chapter is completely inspired by this wonderful piece. Some of you already have seen it on my sideblog @sunnyandflame I will definitely reblog it again.
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kitsunefyuu · 30 days
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This Chapter Climax: MHA 418
We are basically at climax of the war arc as Izuku was able to connect to Tenko. To assure him and show that he is still there for him at the least wanting to help him lost his hatred. It was painful, terrible, he lost his arms but he didn't get up holding his arm.
Because Tenko was crying and Izuku would not abandon him. He knows how important it is to hold a lost child's hand.
It's such a gentle and soft thing to see. He even presses his forehead against Tenko in a loving manner. But even if might be able to let go of his hatred, the thing that kept him going because it the only way to justify why he is like this... He still wants to be a hero to his friends, the other villains.
It's a touching moment, showing how from the villain's side they truly were the underdogs. They were on their own heroes journey just on the inverse side of the broken and the damned. It's beautiful but then a memory that belongs to neither Tomura or Izuku breaks that moment.
It's Kotaro, Tomura's dad looking surprised and smiling at a 'construction' worker. They talk like good friends, he is asked about Tenko and admits still has no powers. Something is very very wrong.
As there is one being that will despise the idea that there is some kind of choice. That you can live like that, listless yet still doing things for others? To allow yourself to become weakened by those around you much less someone that should be your enemy!?
All for One emerges no longer held back by Tenko's will and consumes the boy. Flinging Izuku away with venom as says how Tenko has never made a single decision of his own. Now the true fight with a true villain shall begin.
This chapter honestly has me going mental not just because AFO returned but the fact they were able to humanize Tomura and all the villains. To show they had endured so much terrible truama and yet all the heroes still tried to help them let go of their hatred. The nasty feelings in their heart because they cared, and Tomura moment impressed and brought me joy.
And AFO coming in was expected as it was literally mentioned by AFO Prime that the vestige has a trump card he can use. Bakugou saying he died can also mean he has been reborn. Meaning Hori was definitely planning to activate it now especially now that Tomura is no longer suppressing him. With Izuku no longer having OFA this is actually dangerous at the moment they are in the vestige but who is to say it won't get worse.
Because AFO is the actual true threat as the two hundred year old monster who has been living in debauchery for so long. It makes you wonder how is Izuku going to handle this. His real body it wrecked it was being puppeteer by Blackwhip which he no longer has. There aren't many heroes around as they went him to handle Tomura.
Ain't looking good for our hero, All for One ain't here to give a happy ending and that's why I'm excited.
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hanafubukki · 1 year
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Malleus Draconia’s Flower Bouquet Meaning Revisited
Twst Bdays Flower Language Masterlist
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So, I have already made a post about Malleus Draconia’s Flower Bouquet Meaning   but now knowing what I do about Book 7 and then seeing these flowers and their meanings again? The flower language has an added layer to them now and it just makes me want to go crazy. 🌺🌺🥺🥺
The way they chose his bouquet? and the way they intertwined it from what we knew about him in the past to what we know about him now? It’s just makes me so giddy because I love him so much and we are getting so much more in depth with him.
Anyways, obviously, Book 7 spoilers ahead so tread with caution. ☺️🌺💕
I won’t be mentioning all the meanings and flowers I mentioned in the original Flower language post I made for him (if you're curious, the masterlist link is given and so is the original post). I will only be mentioning the meanings/flowers that stood out to me even more now.
So, we know family to Malleus is everything, but even then, for their happiness, he wouldn’t speak his true thoughts. It is only when Silver breaks down that his emotions which he was holding in break. His hold was already fragile from Lilia’s and MC’s revelation and now, we have Silver who usually can’t express himself well, breaking down in front of malleus. 
You know...the one who helped raise him (with Lilia) and probably sees Silver as a little brother, which leads on to his OB.
Malleus literally OBs because he doesn’t want to loose Lilia.
and I bring these points up just to show what family means to malleus.
I also want to bring up that, like in Maleficent 2, Malleus doesn’t understand humans. Which is one of the reasons why he’s attending NRC. That is also why at times Lilia and the others have to make him understand what he clearly doesn't compute lol.
With these thoughts, onto flower meanings we go:
Flower Colors: 
Green Flowers: Youth is one of the meanings for this flower and in this chapter we get an idea of his age. Dragon Fae lives for a long time, with reaching age of maturity at 1000. Malleus was said to be around the age of his fellow classmates (so maybe around 200-500 years?) in terms of human development. 
White Flowers: True love, purity, and sympathy. We already know about True love connection and as Malleus put Lilia to sleep, time will only tell who wakes him up. Though maybe, just maybe, Malleus will be waken up with True Love kiss? by Lilia? Sympathy and innocence plays a huge role in Chapter 2 of book 7. Malleus’ innocence of not wanting to loose his family but also the sympathy he felt towards Lilia, especially when he mentioned how great Lilia used to be and now he can’t even stop Malleus or perform a strong magic spell against him.
Red Flowers: pride, passion, strength all played a a role into malleus OB and putting everyone to sleep. It was his love for others and his strength that allowed him to do such while in control of his emotions. After all, he didn’t go feral or uncontrollable yet.
Bouquet:
Green Roses: Renewal and New Beginnings is what I want to focus on for this flower. Renewal in the sense of him not loosing Lilia and in a sense, Lilia would be healed in his dreams. As for New Beginnings...well, Malleus said it himself didn’t he? You will be the hero of your own story and he will show you the True Happy Ending.
Hidden Lilies: As mentioned before, Lilies = Lilia in my mind and with the added meaning of Love and Rebirth? It only confirms that these flowers represents Lilia even more. In a sense, these dreams are a way to have Lilia be reborn to his old self again (at the cost of Malleus’s life?).
White Amaryllis: The symbolic meaning of children and innocence, in the end, Malleus Ob because of his love for Lilia. Malleus might see Lilia as a father figure and that need and desperation of having Lilia alive and with him cries out as innocence and devotion of a child doesn’t it?
Hypericum Berries: Peace, protection, and rebirth, all of which again brings to mind why he put them all to sleep.
Thistle: Pain and aggressiveness which given all that Malleus feels in Chapter 2, this stands out even more now and what he was feeling.
I am surprised time and time again how much this story and the diasomnia family are entwined and how much they love each other 🥺💕🌺 Feel free to come scream with me in the comments and my inbox 💕💜
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thisflowerbeforeme · 1 year
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Remember when Wolfwood spent two years looking for Vash (who disappeared under an alias) and only recognized him when he was buck-ass naked? Pepperidge Farm remembers.
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Trigun Maximum Volume 1, chapter 1: Hero Reborn
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gopher-jade · 1 year
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What endlessly frustrates me about the writing in the moon arc is that it is so focused on technobabble and philosophical arguments that it completely neglects what even made honkai such a good story in the first place - the masterful portrayal of the characters' emotions, struggles and growth.
We love Kiana because we saw and heard how she was a bratty kid, and then became depressed, and then slowly climbed out of that hellhole. Props to the translaters, the scriptwriters, the voice actors, the staff behind the CGs. Mei's arc was heart-rending also because we saw how crushed she was by Kiana's struggles. Seele in CG slamming her fist on the ground and crying to herself, "Move, you coward!" will always haunt me. Veliona seeming like a psychopath and being pit against Saule and then eventually reconciling was the best thing ever, because the team really did such a good job of making it really seem like Veliona might harm Seele, and then later of conveying just how much Veliona actually loved her.
What do we get of that kind of character-building in this arc? Basically nothing. The characters are so busy talking about the technicalities of Project Stigma that we don't really know how they feel about the whole thing apart from (stock action movie hero voice) "that is so despicable and we will stop you!"
Senti is thankfully an exception, because she doesn't bother engaging with conversation unless it directly affects her. And she's got the right idea!
imo, when it comes to storytelling, the worldbuilding only needs to be as coherent as is necessary for the emotional stakes to make sense. The writers have spent so much time trying to explain the tech to us that they completely forgot about establishing the emotional stakes. Anyone who's stuck around with Honkai this long knows that the worldbuilding doesn't really make sense. Things gets retconned all the time. Anything that doesn't make sense gets blamed on Fenghuang Down. The writers really don't need to spend so much time convincing us that the worldbuilding make sense. We already know, it doesn't, and we loved you anyway. Why did you stop doing what you were good at?
Another thing that takes time away from actually establishing the emotional stakes is the philosophising. Okay, so most of the world is going to die and be reborn as a new entity that isn't really them. But the characters we love are mostly spared from that fate, so why should we care? I know this might make me sound heartless, but I only care about these fictional nameless people because the characters I love care about them. These nameless masses are fictional. I don't care. I can't even tell if the protags even care about these masses outside of an abstract "killing people bad" ideology. I don't know if it's because I haven't cleared the chapter yet (the writing is just that boring; the trio just met Kevin). But after hours of gameplay, the trio have never displayed any emotion outside of mere disapproval. The kind I might have when I go "wow that person has such a shit take on things, but I'll just live and let live". What are they even fighting for?
Granted, I do think the philosophical arguments are interesting and I'm not saying that there shouldn't be any in Honkai at all. But I can only enjoy it to a certain point, and it's not even done well here. We don't get to see any of the protagonists actually engaging with the philosophical argument. From what I can tell, it's just "Project Stigma is the only way some semblance of humanity can live past Finality" "Okay but CE isn't as driven into the corner as PE, can you let us try our things first before you effectively kill all of us?"
That's not a conversation. There's literally no emotional grappling with the fear that maybe, maybe Kevin is right and they will really fail, and that if they miss this chance then all of humanity really will be doomed.
Not to mention that we already covered this philosophical argument with the Kolosten arc. "Do a small group of elite, powerful people have the right to decide the fates of the masses, even when they've arguably already made it a good deal for them?" The answer is no, not when the timeline and form in which they existed would no longer exist, and when they didn't even consent to it. We got it! We had to go through that long arc to reach the moon arc! We got it! Can we move on to the character arcs now?
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