I need Damien to forget his vow of peace for five minutes and just. slit Sir Tristan's throat

listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded psychopath happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.

i’ll find you again in every universe. let us be a little more honest, let us have a little more time.

soap's whole deal being sniper and demolitions gets me going bc on the surface they sound so different but when you get into it, you realise it's bc soap's smart

sniping is all math; calculating distances and wind interference and bullet drop. something i think people overlook is he was listed as a sniper first so it can be implied that he's better at it than demolitions. he does more sniping in both campaigns than demolitions work; in capture or kill, ghost specifically calls on him to take down the aq snipers

and demolitions is math with a hit of chemistry; knowing what mixes with what, knowing how much to use, recognising environmental factors and adjusting accordingly. it's not just about the boom; so much work goes into contained/ planned explosions. especially when having enough power for a breacher charge and not bringing down the whole building is the difference between mission success and failure

the chemical bombs he makes in alone can't just be any old cleaners, they have to have the correct reaction to each other; he just knew off the top of his head what would mix with what to create what reaction. he would also potentially have to recognise them by sight/smell bc they would’ve been written in spanish

soap would also have to know architecture; recognising structural integrity and weak points so he knows exactly where to plant a charge to bring it down and how it'll come down

he has an incredible soldier's mind people just forget that bc he's sociable which itself is a skill

we know he tends to buck against orders he doesn't agree with like when he pushes back against ghost in capture or kill and shepherd when he tells them to release hassan

he gets closer to people and sees if he can trust them and that's when he follows them without question. really think about how he talks to alejandro and rudy; he asks about their home and alejandro's family and rudy's relationship with him. those aren't questions you ask a stranger after a few hours of knowing them. that's not even touching on his relationship with ghost

he also deliberately brings people of higher ranks down to his level; talking informally with ghost and giving him a shoulder punch, addressing alejandro (a colonel!!) by his first name and rudy by his nickname despite literally just meeting them. he personalises all of them and it’s in direct opposition to the reason most characters do that; it’s not due to insubordination or lack of respect, the more he respects and trusts someone, the more casual he is with them

he digs into people; he wants to know what makes them tick and that determines if he can one, trust them and two, follow their orders. once he decides that, he's the ultimate soldier; he bleeds loyalty which makes him vicious when that loyalty is taken for granted

he isn't naive or bubbly or insecure; he's an incredibly smart and aware soldier. he's aggressive and bloodthirsty and loyal and intuitive and i love him so much

regret

Prompt 216

“So we all know that Damian is trying to sneak in a new animal, right?” 

 “I mean, yeah, he only starts sneaking around like that when he’s sneaking something he shouldn’t be, and the box was pretty obvious…” 

“Are we going to ask about it or…” 

“Nah, plausible deniability when Alfred or Bruce inevitably finds it.” 

Later, Duke will regret listening to Dick and Steph, because there is now a massive fucking dragon glowering down at all of them from the back yard with nine heads. Each of which do not seem pleased. It might be time to question what Damian might have brought home this time…

echo

Someone tell me why I'm in between catching up on 10 different television series many of them quite excellent, but the only thing I want to post about is Tay saying "Gun's not into gaming, so when New and I play videogames he teases us for attention and we have to include him so OBVIOUSLY we kiss back!!!" and "Gun is like this with Off too but he sees him all the time so he misses us more and when he sees us we HAVE to sniff each other" and Tay and New saying "we were raised differently than Gun [very rich subtext here] but he likes skinship and now that he's part of our gang we've all changed and we all like skinship" and Tay saying "we've been this way for 10 years, fan scolding may stress out a younger group of acting friends and convince them to keep their distance but you're not going to change us, we're like this and we're going to stay like this"

Fake Cryptids, Real Ghosts

Ok, so dp x dc/batfam because this AU has me by the throat but what if it's the fake cryptid batfamily AU who never joined the JL.

Just...imagine it. The Batfamily has been protecting Gotham quietly but fiercely by scaring the daylights out of criminals as creatures that go bump in the night. A bit of stage magic, frightening method acting, contortion, a whole language comprised of chirps, growls, and body language, and the best tech possible and you've got a recipe for striking fear into the hearts of everyone.

They've got shrines on the rooftops, vaguely on the JL radar (Cause really, who's gonna believe that Gotham, one of the worst cities has a demon problem? Constantine? Homeboy took one look at Gotham and went Nope.) and they're protected cause any self respecting Gothamite wouldn't go spilling the beans to Outsiders. The Bats keep them safe. Who would believe them anyways?

Enter half dead, half alive Danny Fenton.

Danny Fenton who has a best friend's named Tucker and Sam who find out about the Gotham Cryptids, and go absolutely ham on research because here lies something,a bunch of someone's who are Other. Maybe they're creepy but they're cool and they're Heroes and they help people.

Sure, at first it was an attempt from Sam and Tucker to help their best friend feel less alone in the face of other, more 'normal' heroes and people out there in the world. Maybe they try to further bury the Bats online cause if anyone understands keeping on the down low, it would be Amity Parker's. For awhile, Danny Fenton, sometimes Phantom is simply happy to know he's not alone.

Then he's outed and his sister who's long since been ecto-contaiminated is put at risk there's nowhere that seems safer. Gotham is a chaotic city, even without the Bats factoring in. After all Gotham has (Demons-Spirits-Creatures?) The Bats already. Who would care if a halfa and his sister hide out there? As long as they're respectful of their territory, it'll be fine right? Besides, they've got to warn the Bats anyways about the GIW and government. They're coming after ghosts, who knows if they'll be next? Spooky things have to look out for each other after all.

Cue shenanigans as Phantom who stops hiding all of his creepier traits as a ghost walks up to the Totally Human but Faking it Batman with really thoughtful gifts for all of their shrines (And one fruitcake), no heartbeat and an earnest plea for a safe haven in their Haunt because the Ancients taught him manners and the importance of respecting another entities territory.

Fav father daughter duo ✨️❄️

the way garak looks at bashir as he puts all the clues together at the end of cardassians. the sheer 'look at that little twink go (affectionate, sexual overtones)' energy he manages to convey in the background there as bashir passionately does the presentation of their group project that garak did 80% of the actual work on. immaculate

I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)

As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)

He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.

(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)

It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.

(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)

back when i worked at [large chain coffee store], i tried to unionize my workplace. my manager sat me down and gave me a very guilt trip-y talk. lots of "but i thought we were a family :(" and "you don't *really* know what unionization does, do you?" i played dumb and managed to avoid being fired, but. chilchuck momence.

SET SIX - ROUND ONE - MATCH THREE

"Electric Fan (Feel it Motherfuckers): Only Unclaimed Item from the Stephen Earabino Estate" (1997 - John Boskovich) / "Untitled" (Portrait of Ross in L.A.)" (1991 - Félix González-Torres)

ELECTRIC FAN (FEEL IT MOTHERFUCKERS): it makes me literally insane that’s all that’s left of him and he made sure it would stay remembered, something something the last trace of a breath immortalized the only way it could be. Feel it, motherfuckers. (courfeyracs-swordcane) (also submitted by callixton and weeweewhirlwind)

UNTITLED (PORTRAIT OF ROSS IN L.A.): It fucks me up SO MUCH. The artist's partner was named Ross, and died of AIDS in the same year this was created. The ideal weight is roughly the average of an adult man. The allegory there... people taking the candy, decreasing the weight, the same way people took away from Ross and every other victim of the AIDS crisis by refusing to help, to do anything at all. Except this has an "endless supply" of candy. People can take and take and it keeps coming back. They can't get rid of us forever. We will prevail and we will rebuild and I WILL be fucked up about this forever (ceaseless-rambler)

("Electric Fan (Feel It Motherfuckers): Only Unclaimed Item from the Stephen Earabino Estate" is an electric fan encased in plexiglass with vinyl faux etching and a plexiglass base with casters by gay American artist John Boskovich--Stephen Earanbino's partner. It was the last item left in Stephen Earabino's estate after his death by AIDS and measures 56 7/8 x 22 3/4 x 12 1/2 in. (144.5 x 57.8 x 31.8 cm). It is held by The Museum of Contemporary Art in Los Angeles.

"Untitled (Portrait of Ross in LA)" is a modern art installation consisting of wrapped candies (constantly removed and replaced) by gay Cuban-American artist Félix González-Torres after the death of his partner, Ross, by AIDS. The weight is equivalent to a healthy human male - approximately 175 lbs (79kg). It is located at the Art Institute of Chicago, Chicago.)

A very fine captain, and a finer friend.