you see price sitting like this when you walk into a room post mission- and you know exactly what it is he needs.
he's licking at you and holding your thighs open with his rough palms- and you can't take it. his calluses and his beard and the fabric of his sleeves are rubbing at your legs just right- but not enough for you to lose focus on his hot tongue rubbing on you and in you and you've never been wetter in your LIFE.
his only problem? you're still moving too much. he can't reach where he wants to inside of you because you keep wiggling out of his way. his hands want to touch you everywhere- not just hold your thighs still. this is when he begins to squeeze at you everywhere, and tell you to rest your thighs on his shoulders.
"b-but price- hhnngh ohmygod- i c-can't. they're too big. thighs are too big"
you whine at the loss of contact, but then you look down and see him staring at you with massive pupils and a wet face. "lovie- my shoulders are broad for a reason. rest your thighs on em and i swear they'll have enough room"
and you listen, and you're crushing his ears with your thighs, and he's never been happier. the next time you look down? he's rutting into the mattress and you see his hips stutter when he groans into you and your vision goes white
(@chamomiletealeaf and i had SUCH A HORNY discussion about this and she told me to post it so here i am- and also omg photo creds to her. we've gotta reign it in lmfao)
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the batfamily would NOT be on social media at all realistically, but of course tim loooooves photography, so i think he'd be a super dedicated scrapbook-mom type instead. (to compensate for the incredible instagram posts he WOULD make)
like, he's got books for each of his friends, one for each family member, and multiple for pictures of parts of the family and all of them together (although rare). he even has separate books for people in-costume and out-of-costume.
every christmas + birthday he recieves a loooooot of scrapbooking materials, he has draws of washi tape and stickers in his room.
he definitely tries his best to match the themes of the pages to the people in them too, and not one book has the same feel to it. he always writes very sincere little captions under the pictures as well. if he wasn't so attached to the books, he'd give them as gifts.
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yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.
to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!
i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.
also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.
they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.
they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.
i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.
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Usopp casual reaching into sanji's pocket pulling out his box of cigarettes, lights one and puts the box back in sanji's pocket. He thanks him and walks off leaving Sanji standing there in shock with so many questions.
When did he start smoking?
It's obvious it's not his first time. How long has he been smoking?
Does he do it often?
Has he been hiding it?
Why are they so open about it now?
How come his lighter is nicer than his?
AND WHY WAS IT ODDLY ATTRACTIVE?
This is extremely funny because another person sent me an ask about Usopp hating Sanji smoking, but I find this idea extremely cool and funny too, help.
This opens so many possibilities for Usopp and Sanji to grow closer!
Okay, so, Usopp starts smoking. Don't really ask why. He starts smoking. And as you said, he casually just reaches into Sanji's pocket (a thing that's already sexy as hell), pulls out a cigarette, lights it up, and walks away. And he looks hot and confident doing it because Usopp always looks hot when he's not actually thinking about his actions. It's pretty much casual and domestic and he doesn't think twice about it. But it leaves Sanji completely confused and aroused and he has to bang his head against the kitchen table because he can't- He can't handle whatever this is.
And so turns out he sees Usopp smoking more and more. Not to the same extent as him, of course, but obviously more than what he used to (which was nothing). And one night (can you tell I love it when they're alone at night? I always use this) he sees Usopp sitting on the deck failing to light up his cigarette, so of course Sanji is the one to do it for him (oh, so so so close to each other) while he sits down next to Usopp. Then, of course, after the sniper thanks him, he just has to ask when he started smoking because he has never seen him do it before. But well, they've been apart for 2 years so it's not that weird that they have new habits and stuff. Usopp only tells him that he smoked some kind of equivalent to tobacco back at the island where he ended up and now that he doesn't have those herbs he's just settling for actual tobacco. Which is not the same but it's better than nothing and it helps him calm down. Usopp apologizes for complaining years ago about Sanji smoking because he understands why it helps now, however, Sanji still shouldn't do it that much.
They grow closer after that because every now and then one will need a lighter or a cigarette from the other, and one thing leads to another and they end up having smoke breaks together. And what's more homoerotic than smoking with your bestie your pal your bro super super close and lighting up his cigarette-- What's more homoerotic than Usopp, one day, grabbing Sanji's wrist while he's smoking to take a drag of the cigarette because he doesn't feel like lighting up his own? What's more homoerotic than Sanji lighting up Usopp's cigarette with his own? Wha-
I am going to shut up now I want to write this shit uhhh I am sorry tumblr dot com I am sorry anon you gave me a wonderful idea for a fic.
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Been a fan of your fics for YEARS. I was just telling my friend how despite how much I read fics I never actually love them, with some of your fics (especially TMA) as the exception. Felt the need to reread some of them and saw you reblogged some ISAT fanart. So. Any thoughts on ISAT you'd like to share?
Hope you have a wonderful day!! So happy I found your fics again!!
I avoided answering this for a while because I was trying to think of a way to cohesively and coherently vocalize my thoughts on In Stars and Time. I have given up because I don't want to hold everybody here all day and I have accepted that my thoughts are just pterodactyl screeching.
I love it so much. I have so much to say on it. It drove me bonkers for like a week straight. I have AUs. It's absolute Megbait. They're just a little Snufkin and they're having the worst experience of anybody's life. Ludonarratives my fucking beloved.
I am going to talk about the prologue.
The prologue is such a fascinating experience. You crack open the game and immediately begin checking off all of the little genre boxes: mage, warrior, researcher, you're the rogue...some little kid who's there for some reason...alright, you know the score. You're in yet another indie Earthbound RPG, these are your generic characters, let's get the ball rolling.
Except then you realize that these characters are people. You feel instantly how you've entered the game at its last dungeon, at the end of the adventure. They have their own in-jokes, histories, backgrounds, adventures. They get along well and they're obviously close, but not in a twee or unrealistic way. They have so much chemistry and spirit and life. I fell in love with them so quickly.
But Sif doesn't. Sif kind of hates them, because they will not stop saying the same damn thing. They walk the same paths, do the same things, make the same jokes, expect Sif to say the same lines. They keep referencing a Sif we do not see, with jokes we never see him make and heroic personality he never shows - they reference a Sif who is dead - and Sif can't handle that, so he kills them too.
They become only an exercise in tedious frustration. Sif button mashes through their dialogue, Sif mindlessly clicks the same dialogue options, Sif skips through the tutorial, Sif blows through the puzzles. Sif turns their world into a video game. Sif is playing a generic RPG. Sif forgets their names. They are no longer people with in-jokes, histories, backgrounds, adventures. They're the mage, the warrior, the researcher, and...some random kid.
I did not understand the Kid's presence at first. I had no idea what they contributed to the game. They didn't do anything. As a party member in a video game, they're a bit useless. Why is the Kid there?
Because Sif's life isn't a video game. Because the kid isn't 'the kid'. They're Bonnie. Bonnie, who the party loves. Why is Bonnie there? Because they love them. There is no room for Bonnie in the boring RPG that Sif is playing. And then you realize that Sif is wrong, and that they've lost something extremely important, and that they'll never escape without it.
Watching the prologue before watching ISAT gave ISAT the most unique air of dread and horror, because you crack open ISAT and you see the person Sif used to be. You realize that Sif used to be a person. Sif used to be the person who made jokes, who gave real smiles, who interacted with the world as if they are a part of it. And you know you are sitting down to watch Sif lose everything that made them a person, to lose everything that made them a member of this world, and turn them into a character in a video game who doesn't understand the point of Bonnie at all.
At the climax of the game, when the others realize that something is deeply wrong and that Sif physically cannot tell them, they realize that there is nothing they can do. So Bonnie declares snacktime. And for the first time they have snacktime.
What is snacktime? Classic JRPGs don't have snacktime. There's literally no point to a snacktime - not in a video game, and not in Sif's terrible life. It's not fixing this, because nothing can fix this. But Bonnie gives Sif a cookie and Sif eats it.
It's meaningless. It's a cutscene. It didn't save Sif and it didn't change a thing. It will make no difference in the end.
But it did make the difference. It made all of the difference in the world. Bonnie is a character who you really don't understand the point of before you realize that Bonnie was the entire point.
ISAT is about comfort media. Why do we play the same video games over and over again? Why do we avoid watching the finale of our favorite shows? What is truly comforting: a story with no conflict, or a story where you always know what is about to happen? Do you want to live in a scary, uncontrollable world, or do you want to play Stardew Valley? Do you want a person or a character?
When I beat Earthbound for the first time (and if you don't know, the prologue/ISAT battle system is just Mother) and watched the ending cutscene where the characters part ways and say goodbye...I felt a little bit sad. I wanted them to be together forever. But that's something only characters could ever be.
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Biting the bars of my enclosure about autistic ford tonight. There's something about him using vocabulary and turns of phrase that seem "outdated" or "pretentious" that feels so painfully genuine to me. When people say he talks like that just to "try to sound smart" I wish I could explain what it's like to be so ostracized from your peers growing up that you spend all your time reading instead, to the point where you pick up your way of speaking from books instead of from people. And then what it's like for people to call you out for "talking weird" over and over again, not able to wrap their heads around why the fuck you would choose more archaic or technical or formal words than the simpler ones that surely come to everyone's minds first. What it's like to have to dedicate a sizable chunk of attention to filtering through every single word you say out loud in real time before you say it, to make absolutely sure that it isn't a word people will judge you for using or make fun of you for using, just so you'll have a chance of being taken seriously. Learning through trial and error how to filter out the words that other people don't think are normal or casual enough for the conversation, even though for you, the word choice that's "natural-sounding" enough for them is the third or fourth word you came up with when searching for the right way to phrase something in your head. I wish I could explain just how long it takes to say fucking anything after spending a lifetime doing that during every single conversation, and how repetitive and long-winded you end up being when you spend so long coming up with alternative ways of saying every little thing you ever think. And I wish people realized that, at the very least for autistic people and autistic-coded characters, speech that's seen as pretentious is really just the way they talk when they're not putting in the extra effort to filter through every word they say just so others will take the time to listen.
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