the thing about having been really broke. averaging $500 a month in a good year broke. using a gamestop credit card i shouldn't have qualified for to buy taco bell gift cards for food broke. is that i am SO bad with money. i have a degree in accounting and i am so bad with money. i do not think of myself as superstitious at all but money feels so cursed. not in a spiritual way, i mean literally. practically.
having 'too much' money feels so bad. money is a thing you spend as soon as you get it because it's so cursed. the more it is the more cursed it is. i save too much money and bad things will happen that cost all my money. money is a thing that summons expenses. if i have no money and the car breaks down i find a way to make it work. i scrounge and resell and pass the hat and talk to my mom's friend's friend who knows a guy and in the end i'm so relieved to be right back where i started. but if i were saving my money for a new computer and then the car broke down, the money is just gone. i spent the money i saved for a thing i wanted on a thing i needed instead and after all that hoping i'm right back where i started.
i get a windfall and i set the money aside because if i'm careful that's enough to pay for gas for months. but then i need to pay for heat and i apply for assistance and they look at my bank account and see i have money and now they won't help pay for heat. soon it's just a habit. i get the money and i spend the money. immediately, as soon as possible, get this money away from me. don't even save enough for cigarettes. i can find money for cigarettes, somehow i can always find money for cigarettes. cigarette money is a weird magical fake money i summon from dark corners whenever i run out of cigarettes. i don't know how it works either. i've tried to summon the cigarette money for things that aren't cigarettes and it never works. just get this out of my bank account. get it out of here before something notices there's money here.
anyway i'm working on it but god it's hard
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Sometimes I feel like I'll never do anything with my life.
And then I remember that I've held koalas, fed kangaroos, eaten alligator, been to like 10 different countries, dyed my hair so many colors (sometimes unintentionally), nearly got trampled by half tame deer, gone skydiving, beat the bucking bronco at the museum of sex (NYC), and so much more.
I'm about to turn 30. And my financial/housing situation might not be the best. But you know what?
If I was able to to all that in 30 years, the next 30 should be something else to remember.
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I’m a firm believer of the idea that the writers had to get Cas and Dean to stay away from each other as much as possible in season 9, especially after everything that happened before, during, and after their time in Purgatory—like Goodbye Stranger, for example—because if they stayed together, destiel would’ve already been canon.
So just imagine if Gadreel wasn’t a dick who was being used to keep them apart, and they let Cas stay inside the bunker. Cas is human, complete with fresh, new, and intensified human desires. Who’s also canonically in love with Dean, by the way. As for Dean, that motherfucker literally almost confessed in season 8. They wrote an entire subplot about Cas being brainwashed with the intention of breaking him out of it by having Dean confess his feelings towards him. By telling him he loves him.
Do you fucking see where this is headed towards?? THE natural progression of these events??? That the writers had set up and trapped themselves in?????
Human Cas safely staying in the bunker with Dean would’ve been such a perfect environment for more intimate moments between them. And they couldn’t risk that. Dean having to guide Cas through mundane, day-to-day human things he never had to deal with before literally sounds like the plot of a cheesy romantic series I’ve seen. Which makes me wonder about what the hell took place between the night Dean stayed with and took care of Cas after their fight against Ephraim, and the morning when he drove Cas back to work. That was one of the few moments in that season where they could be alone together. And also something that they chose to skip over.
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ur tags about ur piano teacher ;-; did you have a crush on him?
anon i yearned for him like we were in a jane austen novel. his hands, oh my god. his florentine accent & the way he said my name (with an [h] instead of a [k] at the beginning). the almost unbearable intensity of his musicality and his technical control... the expectations he held for me and yet the gentleness with which he treated me. his visible adoration for the material he played and taught. he fundamentally changed the way i engaged with music. i still can't hear beethoven without thinking of him or perform mozart without hearing his voice in the lines
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see, the thing is that (up until countdown at least) there’s no symmetry in jay and bruce's respective ways of grieving.
jay is perpetually trapped in the bargaining stage of grief, trying to reach out to bruce from beyond death.
bruce is way past this. he has settled into a quiet, passive type of mourning, devoid of hope for a reunion. and to stay in this state, he had to necessarily disregard jay’s true image – an image of an earnest, bright child, his son. the memory of jay has been reconstructed in his mind a thousand times and sealed in a folder labeled as “soldier” (or even just a personal failure). it's ugly. it's unfair. it's a coping mechanism.
so to me, the issue isn't that bruce wants his dead, sweet little boy back – the issue is that he barely remembers him. if he did, maybe he would be willing to take a leap of faith and search for that person in jason who came back. but he's not even trying to reconcile the image of 15yo jay with red hood – or rather, maybe the image of a volatile kid that he created in his grief fits with the red hood a bit too accurately. maybe it's a bit too convenient. it works perfectly well for his own self-preservation and sanity, to think that jason has been doomed from the beginning.
jason, on the other hand, is cursed with remembering. one of the very sparse concepts that i found interesting in rhato was when in #3 (2011) jason chose to give up on his happiest memory – skipping patrol to watch a movie with bruce. maybe it's because recalling these tender, sweet moments is what gives him hope, and motivates him to keep bargaining and trying to reconcile with bruce. and bargaining with reality is exhausting. the readers and jay know that it's a lost cause – both because neither bruce nor jay are the same people anymore, but also because, ironically, batman, the symbol of hope, doesn't have any left when it comes to getting his son back. bruce, in his grief, essentially closed the door. jay, in his grief, is banging on them.
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tell me about drawtectives. what is this little show.
oooooh my god oh my god. they are my guys. so.
drawtectives itself is a youtube series created by julia lepetit on Drawfee. it's an rpg mystery show– s1 is a murder mystery, s2 is just a mystery– that doubles as an art challenges show. she draws all of the backgrounds and npcs and most of the assets (the 'cutscenes', you could call them) and then the team gets together, knowing absolutely nothing besides what julia's asked them to prepare, and does some funky improv to create a very funky storyline.
there are 3 players and one dm; the pcs are rosé, york, and grendan/grenda/grandma/gma, and the Big NPCs are Jancy True (s1/s2) and Eugene Finch (s2) and they're, in their own words, a found family, so. beloved. their backup plan if all their jobs fail is to move out east and open a bookstore. jancy and eugene have fully accepted their titles as mom/ancestral ghost and son despite meeting each other likely once before the drawtectives dragged them together. overall though if i had to summarize, it's a bunch of friends getting together, making a bunch of puns, appreciating julia's art, and laughing together. the vibes are 10/10 so loving. in writing the transcripts i've written (Karina laughs) (Nathan laughs) (All laugh) So Many Times it's just fun.
so there's three pcs. first one we meet is gyorik 'york' rogdul, who's a half-orc come to the city to learn about his mother's culture. he is the character we have by far the most lore for– if I compiled all the lore I had about the Northern Tribes and Wild Trains, I think the document would be multiple pages. he's also illiterate, which was an interesting decision for the english major of the group to make (in other words, York Will Not Be Illiterate For Season Three bc Y'all Cannot Read) and morally gray if you think about it too hard (he killed his own brother) but yknow he's hot so it's okay. they're all hot any crimes committed are okay. he's also aroace (confirmed by the player, which is!! vibes!! THANK YOU SO MUCH FOR TELLING ME @axolotllee!)
rosé is the Human Rogue and the youngest of the party; her main trait in s1 was Millennial and she Dealt with that. she, in contrast with York, has so little lore we are scraping the barrel. she was a thief, then left everything about that life behind and changed her name to rosé when she went to work for jancy. she lied on her resumé. she knows how to sew; she's sewn Pockets of Holding on most of her clothing. she bonded with a stray cat that lived outside her last apartment. she's three credits short of graduating college. she's, in addition to being a drawtective, jancy's intern, and cried when jancy got her a cupcake. she won't tell her best friends when her birthday is or where she goes to school or what her last name is. that's all we know about her and i love her and she could probably kill someone as she has multiple knives on her person and does not use them. she's bright and funny and can be pretty dark but really does find the humor in it which is. wonderful.
so grendan highforge starts out as The Snobby Rich Boy which. already love the trope something Always Happens To Them if they're a pc. then through s1 they make an offhand comment about a character (faucon, whose name is pronounced 'falco') and how if her name was pronounced that way it'd be grenda. faucon asks how they feel about it. they are caught very off-guard by that and then ask to be called it for the next hour or so. then the next witness calls him gma, and then grandma, and then. yeah she realizes she's genderfluid. and he uses any pronouns and has a full beard and also wears a romper and loves dogs and the player is the Most Experienced TTRPG-er so through maybe using resources a bittt grandma is the most observant character of all of them. he's also a dog walker and a lightweight and does canonically have druidic magic though that was Not Touched On Much and showed up to their first day on the job slightly stoned (they did stop doing that though.) she carries around a box to make the height difference (york is 7'. grendan is 4'. rosé is 6'. you can see the formatting issue) slightly less difficult. she doesn't know how rhinos reproduce but has had a fascination with them since a police chief said one might've committed a crime. i think they could kill someone by talking too much but they don't actually have the strength or dex to do Jack Shit.
and jancy true is the head pi (a great many of the characters are puns and i love it so much) and is there to make sure things get done and clues don't get missed. she has a cochlear implant and uses a cane and solved s1 just by Reading The Paper and hearsay. she solved about half of s2 before Someone Stopped Her. she says hello children to the drawtectives and it is such a fond thing. eugene is. a guy who i love. julia started the show thinking he would be some mysterious character to join them and then made the wonderful improv decision– avoiding having to do npc-npc conversation– of saying 'yeah eugene is spinning a camera on its stand' and rosé just says so gleefully. 'guys. i think he's stupid.' and he became their son. his character is a lot of The Plot of s2 so i don't want to get into it too much but. jancy and eugene my beloved.
they're just. such a family. to quote nathan (grenda's Player) from the s2 talkback: "That's one of my favorite things about this show, is we came in with these vague ideas for characters, and just playing them with each other, they became friends and became better people as a result of knowing each other and solving mysteries. ... Like, we all kind of independently made our characters people that either were distant from their families or, you know, just had tenuous connections to other stuff, and so these are, like, the realest connections they have in their lives."
and then karina (rosé) about 10 seconds later: "Yeah, we love a found family where they bond over just being the worst."
god. them. they're chaotic and loud and feel very real to me. they have excitement and are pretty bad at social cues but they love each other and want to die together because they would hate too much to be separated. i could articulate this better but it's one in the morning and they mean a great deal to me.
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