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denimbex1986 · 5 months

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'...“It’s fun playing bad, but actually he’s not,” the actor says, smiling as he reflects on his character, Crowley. “He’s a villain with a heart. The amount of really evil things he does are vanishingly small.”

...As it always has, “Good Omens” dissects the view of good and evil as absolutes, showing viewers that they are not as separate as we were led to believe growing up. Aziraphale and Crowley’s long-standing union is proof of this. The show also urges people to look at what defines our own humanity. For Tennant — who opted to wear a T-shirt emblazoned with the words “Leave trans kids alone you absolute freaks” during a photocall for Season 2 — these themes are more important now than ever before.

“In this society that we’re currently living in, where polarization seems ever more present, fierce and difficult to navigate. Negotiation feels like a dirty word at times,” he says, earnestly. “This is a show about negotiation. Two extremes finding common ground and making their world a better place through it. Making life easier, kinder and better. If that’s the sort of super objective of the show, then I can’t think of anything more timely, relevant or apt for the rather fractious times we’re living in.”

“Good Omens” is back by popular demand for another season. How does it feel?

It’s lovely. Whenever you send something out into the world, you never quite know how it will land. Especially with this, because it was this beloved book that existed, and that creates an extra tension that you might break some dreams. But it really exploded. I guess we were helped by the fact that we had Neil Gaiman with us, so you couldn’t really quibble too much with the decisions that were being made. The reception was, and continues to be, overwhelming.

Now that you’re no longer bound by the original material that people did, perhaps, feel a sense of ownership over, does the new content for Season 2 come with a sense of freedom for you? This is uncharted territory, of sorts.

That’s an interesting point. I didn’t know the book when I got the script. It was only after that I discovered the worlds of passion that this book had incited. Because I came to it that way, perhaps it was easier. I found liberation from that, to an extent. For me, it was always a character that existed in a script. At first, I didn’t have that extra baggage of expectation, but I acquired it in the run-up to Season 1 being released… the sense that suddenly we were carrying a ming vase across a minefield.

In Season 2, we still have Neil and we also have some of the ideas that he and Terry had discussed. During the filming of the first one, Neil would drop little hints about the notions they had for a prospective sequel, the title of which would have been “668: The Neighbour of the Beast,” which is a pretty solid gag to base a book around. Indeed there were elements like Gabriel and the Angels, who don’t feature in the book, that were going to feature in a sequel. They were brought forward into Season 1. So, even in the new episodes, we’re not entirely leaving behind the Terry Pratchett-ness of it all.

It’s great to see yourself and Michael Sheen reunited on screen as these characters. Fans will have also watched you pair up for Season 3 of “Staged.” You’re quite the dynamic duo. What do you think is the magic ingredient that makes the two of you such a good match?

It’s a slightly alchemical thing. We knew each other in passing before, but not well. We were in a film together [“Bright Young Things,” 1993] but we’d never shared a scene. It was a bit of a roll of the dice when we turned up at the read-through for “Good Omens.” I think a lot comes from the writing, as we were both given some pretty juicy material to work with. Those characters are beloved for a reason because there’s something magical about them and the way they complete each other. Also, I think we’re quite similar actors in the way we like to work and how we bounce off each other.

Does the shorthand and trust the two of you have built up now enable you to take more risks on-screen?

Yes, probably. I suppose the more you know someone, the more you trust someone. You don’t have to worry about how an idea might be received and you can help each other out with a more honest opinion than might be the case if you were, you know, dancing around each other’s nervous egos. Enjoying being in someone’s orbit and company is a positive experience. It makes going to work feel pleasant, productive, and creative. The more creative you can be, the better the work is. I don’t think it’s necessarily a given that an off-screen relationship will feed into an on-screen one in a positive or negative way. You can play some very intimate moments with someone you barely know. Acting is a peculiar little contract, in that respect. But it’s disproportionately pleasurable going to work when it’s with a mate.

Fans have long discussed the nature of Crowley and Aziraphale’s relationship. In Season 2, we see several of the characters debate whether the two are an item, prompting them to look at their union and decipher what it is. How would you describe their relationship?

They are utterly co-dependent. There’s no one else having the experience that they are having and they’ve only got each other to empathize with. It’s a very specific set of circumstances they’ve been dealt. In this season, we see them way back at the creation of everything. They’ve known each other a long time and they’ve had to rely on each other more and more. They can’t really exist one without the other and are bound together through eternity. Crowley and Aziraphale definitely come at the relationship with different perspectives, in terms of what they’re willing to admit to the relationship being. I don’t think we can entirely interpret it in human terms, I think that’s fair to say.

Yet fans are trying to do just that. Do you view it as beyond romantic or any other labels, in the sense that it’s an eternal force?

It’s lovely [that fans discuss it] but you think, be careful what you wish for. If you’re willing for a relationship to go in a certain way or for characters to end up in some sort of utopian future, then the story is over. Remember what happened to “Moonlighting,” that’s all I’m saying! [Laughs]

Your father-in-law, Peter Davison, and your son, Ty Tennant, play biblical father-and-son duo Job and Ennon in Episode 2. In a Tumblr Q&A, Neil Gaiman said that he didn’t know who Ty’s family was when he cast him. When did you become aware that Ty had auditioned?

I don’t know how that happened. I do a bunch of self-tapes with Ty, but I don’t think I did this one with him because I was out of town filming “Good Omens.” He certainly wasn’t cast before we started shooting. There were two moments during filming where Neil bowled up to me and said, “Guess, who we’ve cast?” Ty definitely auditioned and, as I understand it, they would tell me, he was the best. I certainly imagine he could only possibly have been the best person for the job. He is really good in it, so I don’t doubt that’s true. And then my father-in-law showed up, as well, which was another delicious treat. In the same episode and the same family! It was pretty weird. I have worked with both of them on other projects, but never altogether.

There’s a “Doctor Who” cameo, of sorts, in Episode 5, when Aziraphale uses a rare annual about the series as a bartering tool. In reality, you’ll be reprising your Time Lord role on screen later this year in three special episodes to mark the 60th anniversary. Did you always feel you’d return to “Doctor Who” at some point?

There’s a precedent for people who have been in the series to return for a multi-doctor show, which is lovely. I did it myself for the 50th anniversary in 2013, and I had a wonderful time with Matt [Smith]. Then, to have John Hurt with us, as well, was a little treat. But I certainly would never have imagined that I’d be back in “Doctor Who” full-time, as it were, and sort of back doing the same job I did all those years ago. It was like being given this delightful, surprise present. Russell T Davies was back as showrunner, Catherine Tate [former on-screen companion] was back, and it was sort of like the last decade and a half hadn’t happened.

Going forward, Ncuti Gatwa will be taking over as the new Doctor. Have you given him any advice while passing the baton?

Oh God, what a force of nature. I’ve caught a little bit of him at work and it’s pretty exciting. I mean, what advice would you give someone? You can see Ncuti has so much talent and energy. He’s so inspired and charismatic. The thing about something like this is: it’s the peripherals, it’s not the job. It’s the other stuff that comes with it, that I didn’t see coming. It’s a show that has so much focus and enthusiasm on it. It’s not like Ncuti hasn’t been in a massive Netflix series [“Sex Education,”] but “Doctor Who” is on a slightly different level. It’s cross-generational, international, and has so much history, that it feels like it belongs to everyone.

To be at the center of the show is wonderful and humbling, but also a bit overwhelming and terrifying. It doesn’t come without some difficulties, such as the immediate loss of anonymity. It takes a bit of getting used to if that’s not been your life up to that point. I was very lucky that when I joined, Billie Piper [who portrayed on-screen companion, Rose] was still there. She’d lived in a glare of publicity since she was 14, so she was a great guide for how to live life under that kind of scrutiny. I owe a degree of sanity to Billie.

Your characters are revered by a few different fandoms. Sci-fi fandoms are especially passionate and loyal. What is it like being on the end of that? I imagine it’s a lot to hold.

Yes, certainly. Having been a fan of “Doctor Who” since I was a tiny kid, you’re aware of how much it means because you’re aware of how much it meant to you. My now father-in-law [who portrayed Doctor Who in the 80s] is someone I used to draw in comic strips when I was a kid. That’s quite peculiar! It’s a difficult balance because on one end, you have to protect your own space, and there aren’t really any lessons in that. That does take a bit of trial and error, to an extent, and it’s something that you’re sometimes having to do quite publicly. But, it is an honor and a privilege, without a doubt. As you’ve said, it means so much to people and you want to be worthy of that. You have to acknowledge that and be careful with it. Some days that’s tough, if you’re not in the mood.

I know you’re returning to the stage later this year to portray Macbeth. You’ve previously voiced the role for BBC Sounds, but how are you feeling about taking on the character in the theater?

I’m really excited about it. It’s been a while since I’ve done Shakespeare. It’s very thrilling but equally — and this analogy probably doesn’t stretch — it’s like when someone prepares for an Olympic event. It does feel like a bit of a mountain and, yeah, you’re daring to set yourself up against some fairly worthy competition from down the years. That’s both the challenge and the horror of doing these types of things. We’ve got a great director, Max Webster, who recently did “Life of Pi.” He’s full of big ideas. It’s going to be exciting, thrilling, and a little bit scary. I’m just going to take a deep breath.

Before we part ways, let’s discuss the future of “Good Omens.” Gaiman has said that he already has ideas for Season 3, should it happen. If you were to do another season, is there anyone in particular you’d love to work with next time around or anything specific you’d like to see happen for Crowley?

Oh, Neil Gaiman knows exactly where he wants to take it. If you’re working with people like Gaiman, I wouldn’t try to tamper with that creative void. Were he to ask my opinion, that would be a different thing, but I can’t imagine he would. He’s known these characters longer than me and what’s interesting is what he does with them. That’s the bit that I’m desperate to know. I do know where Crowley might end up next, but it would be very wrong if I told you.

[At this point, Tennant picks up a pencil and starts writing on a hotel pad of paper.]

I thought you were going to write it down for me then. Perhaps like a clandestine meeting on a bench in St James’ Park, but instead you’d write the information down and slide it across the table…

I should have done! I was drawing a line, which obviously, psychologically, I was thinking, “Say no more. You’re too tempted to reveal a secret!” It was my subconscious going “Shut the fuck up!”

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jellyfishsthings · 2 months

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Nerves and Stolen Kisses

I have been toying with the idea of writing a fic about him for quite sometime and after last weekend I just had to. Estelle ( Ollie's rumoured gf is mentioned here but it is a fake relationship for PR reasons.) Also Paul Aron has a gf... friends to lovers trope.

Shoutout to @httpiastri for the inspiration

The Saudi Arabian Grand Prix was fast approaching. And Ollie was a jumble of nerves and excitement as usual. Since the early hour of the day, he opened the curtains letting the sun into the room and you groaned into the pillow.

“Wakey wakey, sleepyhead. Come on, we have a whole day ahead of us.”

“No, you do. I don't know why I came.”

“Because I am your bestest friend and I paid for your ticket and let you stay with me.”

“Both of which are for your benefit.”

“Come on….”

“Fine.” You say with a dejected sigh as you get up and you both get ready for the day. David, Ollie's dad was already waiting for you and you headed towards the paddock.

Everything was a frenzy and was passing by so quickly. As Ollie got into the garage and got ready for the quali you headed towards the stands trying to find Cassie, Paul's long-term girlfriend. Throughout the years you have formed a unique friendship. She was the only one who knew about your crush on Ollie and she teased you endlessly about it. Ollie and you had been best friends for the better part of your life, joint to the hip, having endless sleepovers, even if Dad didn't approve.

It was an endless nightmare being close enough to get a taste of all the what ifs, but never experiencing them.

“Do you and your lover boy share a room, huh?”

“It's not like that and you know it, Cassandra.”

“Yeah, it hurts, doesn't it?”

“So much. You have no idea. Yesterday I couldn't sleep and as the hours passed, he came closer and closer. He ended up holding me in his sleep. And I felt so bad because of Estelle. I know that they aren't really together and it's for PR, but still, I feel awful because technically I am the other woman… and she is just so nice and sweet. Never overstepping, I think she knows.”

We both stay quiet after that as the session continues.

“You know… whatever the case. You both love each other, platonically or not.”

“Yeah, I know.” I say as I watch the times set by all the drivers, Ollie having the fastest one yet.

“Looks like your man is on pole.”

We both make our way through the paddock, trying to pass the roaring sea of fans and we hand out already-signed autographs to anyone who asks for them. When we finally arrive, we part ways, before making promises about having dinner together at a restaurant Cassie wanted to try. And I head towards the Prema garage finding two beaming Bearmans, hugging.

“Hey Bear. Did you drive fast enough?” You call at him. And he grins like an idiot before swooping you into a tight hug spinning you. His laughter echoes in your ears as he sets you down.

“Yeah I drove fast enough, you minx.”

“Good. Now let's go. We are having dinner with Paul and Cassie in four hours and I want to see the city.”

“Give me five minutes to change and we are good to go.”

The afternoon is spent visiting local stores, trying to communicate in scrappy English and making terrible puns with products or street names. When they finally head to the restaurant their sides hurt from laughing. Dinner passed by as quickly as it came. As everyone says, time flies by when you are with the people you love.

Just as they open the door for their hotel room, Ollie flops in the bed as you head towards your computer and open it as hoards of emails and messages appear on the screen. Great more deadlines and essays to write until the end of the week.

“Leave it. We can pretend that we have nothing to do and watch a movie or local TV and try to understand what the hell is going on.”

“Thanks Bear. But I can't, as tempting as your offer is. Go to sleep, I will join you soon.”

And so you sit in front of your computer, ending essay after essay, sending them on time, until your eyes hurt from the pale blue light. The bed seems more welcoming than ever before as Ollie starfishes the entire length of it and his soft snores fill the empty space. Yeah, maybe it's time to call it a day.

An awful sound echoes in the room and eventually wakes you.

“I swear if it's one more ad I will jump from the window.” You grumble into your pillow as you steal the blankets and turn yourself into a burrito.

Ollie hisses as he opens his phone only to find a ton of messages and many missed calls from Ferrari. He dials Fred back as he moves towards the bathroom, trying to let you steal a few more minutes of much needed sleep.

When he emerges back in the room he sits down in front of you, his back supported on the bed.

“Ols, what's going on?”

“Carlos has an appendix”

“Oh no. Is he having surgery?”

“Yeah.” He says softly. “They want me to replace him.”

“What?” At that you are fully awake. Your hair is a netted nest and you look at him in shock. He looks at you, you his best friend who would look like a mess to anyone else but to him you look like the most beautiful and amazing creature in the world. Your mere presence has a more calming effect on him than anything else. If it weren't for you, he would have already lost his mind. “How? When? I…”

“We need to get to the paddock, if I don't want to miss FP3. I will wake up Dad and break the news to him.”

Soon after you enter the paddock and thousands of reporters try to get a better look at Ollie, flashing their cameras at you and bombarding you with questions as you make your way to the Ferrari garage and mechanics steal Ollie from you and David as they set to work quickly. David looks pale and sick as he paces into the garage trying to control his nerves through the FP3 and the Quali. When Ollie finally got off the car when he scored the 11th place, missing Q2 only by 3 hundreds of a second, you knew that this was it. He was finally shining like the bright star he was. He had done more than enough, his raw talent showing with barely one hour to get used to the car. And as mechanics and reporters closed around him. You couldn't help but feel like you didn't belong here. Where did you fit in? The reality hit you and it hit you hard. You hid in the back corners of the garage, eyes glued to the screen as everyone passed by without acknowledging you. You would happily hide in the shadows where he shined but this world wasn't meant for you. The anxiety was picking up at you, eating you alive from the inside.

And when Ollie got too close to the wall, your heart stopped beating. He was driving a car that was twice as fast and twice as dangerous than his normal F2 car. It was too much. The sound, the danger, everything really. Breathing suddenly seemed so hard and you needed a way out. As you hide behind the garage you call the one person who could understand. Terri picks up in the second ring her soft voice already calming you.

“Hey love. Is everything alright?”

“How do you do it? How can you stand back and do nothing?”

“You love him, don't you sweetheart?”

“I thought it was obvious.”

“Well … no I always hoped but… whatever the case, to answer your question you simply do it, you just have to. A driver needs his support system and you are it for him. You are his forever person, whether that is romantically or not. He needs to be near you and as much nervous as you are, so is he. Without you he would be lost, believe me I know my son. And I can bet you that as much as your heart breaks right now, you are also immensely proud.”

“Of course I am. But where do I fit in, in this world.”

“Right beside him, love.”

“Thanks Terri. Please call David. I think he is losing his mind and he is sick with worry.” You say chuckling before saying your goodbyes and head back towards the garage. The session is already over and Ollie is nowhere in sight.

Ollie plays with the power button of his phone trying to calm down but to no avail. The lock screen is a photo of the two of you. It was last summer both your skins flushed and hair slightly wet and tangled. You both smile at the camera and your eyes look bright with happiness. He feels slightly lighter but he knows that there is an impending panic attack and so he turns to the one person who could help him in this situation.

"I got your text," you say, tiptoeing inside and shutting the door behind you, careful to not make any loud sounds to scare him. "How are you doing?”

Ollie is sitting on a massaging table, elbows on top of his legs and head resting in his hands. His eyes are stuck on the floor, his silence is defeaning. When he still doesn't answer, your heart rate picks up. Is something really wrong?

You make your way over to him, hands finding his cheeks and softly tilting him up to look at you – and you swear you've never seen him look this wrecked before. Not after his worst crashes, not when he lost the rookie championship last year, not when he was cheated out from the Formula 3 championship. Once again, you've entered completely new territory, and your heart breaks at the sight.

"Ollie, talk to me," you plead, holding back the tears that starts to form on your eyes and threatento spill. It's so painful to look into his eyes, but you can't back down. Not now, not when he needs you this much.

"I'm-" his voice cracks but he shakes his head, clearing his throat. "I'm so nervous, I don't know what to do."

It's like he's oozing anxiety, and his heavy sigh is like a stab in your chest. Ollie, your usually so calm and collected best friend is probably going crazy over this – you know him well enough by now to understand that he's definitely freaking out even more on the inside than what he shows or tells. He is a messy jumble of nerves.

"I get that. One hundred per cent. But.." your thumbs begin to stroke over the skin of his cheeks, along his jaw, and then finally across his eyebrows, to which his eyes flutter closed. "This is your dream. It's been your dream since forever, and now you finally have the chance.”

"And it's not just any car, it's a Ferrari. Do you realize how cool that is? Do you realize how many people would kill for an opportunity like this?" You smile at the sight of him with his eyes still shut, eyelashes resting atop his cheeks, messy fringe covering his forehead. Even like this, at his most stressed state, he's completely gorgeous, not that you would ever tell him that. "You would've killed for an opportunity like this just 24 hours ago."

"But what if I ruin it?" His voice is barely above a whisper when he speaks, shoulders slumping forward. "What if I go out there and I'm shit, and then they realize what a big mistake they've made by even putting me in the academy? What if-"

"It won't happen." His eyelids slowly open and he looks up at you, seemingly not even the slightest upset that you cut him off. "You're too good to do that. You'll get in that car and it will feel like your second home, just like it always does."

Finally, a small smile makes its way onto his lips. It's only been a few minutes since you came in, but he seems much more relaxed now, leaning into your touch completely. "I'll try my best to make you proud."

“I'm always proud of you, you mufflehead.”

A laugh bubbles from his chest and he stands up from the table, opening his arms wide and pulling you in for a tight hug. His heart is still beating louder than a drum in his chest when your ear is pressed up against it, and you're almost worried it will jump out any second now. But his breaths are much more controlled now, and his mind seems much lighter. And soon enough his heartbeat slows to normal.

“I bet that in twenty four hours not only will you finish the race, you will score points and beat Max Verstappen.”

“Let's not get ahead of ourselves” he says chuckling. “God, my neck is killing me.”

“Sit down. I've got you.” And so you start massaging his neck. It's stiff and hard under your hands and he lets a small groan as you untangle one of the knots that were quite painful. After a few minutes he is putty in your hands, his eyes closed, trusting you completely and feeling at ease for the first time in the past two days.

True to your world, Ollie crosses the finish line in seventh place, having gained points in his debut. But the one thing that kept him calm through the process was the thought that she was waiting for him in the cool down room. When the race finishes and drives the car back home he jumps from his seat and he can't get fast enough to her. People around him are praising him and congratulating him but they all fall to deaf eyes.

When he finally gets into the room to change into new fireproofs, she is patiently waiting for him. Her eyes are a little misty and her face flushed.

“I told you.”

“I didn't beat Max.”

“Still.”

She closes in on him and her hands are thrown around his neck, he reciprocates the hug immediately as his heart beat finally slows down. They doth draw away after a while only for him to dive back into her and kiss her firmly on the lips. Shock petrifies her and when he stops, he places his forehead on top of hers. He is a flustered mess and he is mumbling apologies, before she reconnects their lips.

For the following hours Ollie sports a shit-eating grin on his face. Everyone thinks that it is because of his amazing performance and not for kissing the girl that held his heart captive since they were five years old.

#ollie bearman #ollie bearman imagine #ollie bearman x reader #ollie bearman x you #ollie bearman x female reader #oliver bearman #oliver bearman x reader #oliver bearman imagine #formula 1 #formula 2

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youcancallmeelle · 7 months

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She’s got a boyfriend anyway…

Rating: 18+ (Minors DNI)

Word count: 7K

Warnings: Semi public sex, Missionary, Cowgirl, Unprotected Sex, Creampie, Cunnilingus, Teasing, Sneaking around, Secret relationship, Brief David mention, Ellie being a menance, Tommy trying to play matchmaker.

Summary: Tommy has been trying to set Joel up for AGES, he’s got other interests.

You and Joel have secretly been seeing each other.

A03

Read below…

Life in Jackson is promising, nearly a year and half here and Joel feels comfortable, no longer itching for a way out of civilisation because he’s just not used to that no more. Ellie is settled too - finally. She’s attending school three days a week, enjoying the new responsibilities that come with being sixteen and the tad bit of freedom it brings. She helps out at the stables, in the kitchen too but she’s not a fan. She likes being in the library most, checking in and out books, tidying shelves, using her art to create eye catching displays aimed at the younger generation of Jackson.

Joel is proud, his heart feels like it could burst out of his chest all the time. Ellie is still full of wit and charisma that comes out in curses and daft puns that make Joel roll his eyes and get her in a headlock until she’s laughing so hard she’s pink in the face.

There’s times when she skips school completely if a male teacher has subbed in, she flinches away if someone comes too close and sometimes if it’s stew night at dinner, she’ll stare blankly into her bowl at the chunks of meat and see a severed ear, she’ll try to swallow but gag instead. These are nights Joel gives her his bread and Tommy will too, then he’ll make her a fruit salad when they get home with a little double cream poured over it.

The nightmares are persistent on these bad days where triggers occur, he finds Ellie in bed screaming and thrashing multiple times a week. She’ll sob and cry hoarsely as he holds her, hushing her gently and resting his cheek on her head. Most of the time she’ll fall back asleep with him beside her, curled into him like she did back at Silver Lake when death was close.

But mostly, everything’s okay.

Joel had been with Tommy every single day this week so far and it was Thursday evening, they’d been focusing on fixing up the bathroom in a house way further down from his, they were getting it ready for a family that had expanded to move in. The floor was rotten and the pipes wrecked, neither of them were particularly fond of plumbing but they sorted it between them. There was still the kitchen to do but that was a job for tomorrow and probably Saturday too but not Sunday, that was his day with Ellie.

Sunday’s were for late breakfasts of bacon and pancakes - before and after the world ended. The only thing that changed was the kid for Joel, he used to serve Sarah indulgent breakfasts on a Sunday and they’d do something together and the tradition was carried on with Ellie and Sarah remained tucked in his heart.

Tired and stiff from working hunched over all day, Joel was enjoying a quiet drink with Tommy. They were tucked away on a small table with two stools, Joel would have preferred something with a back but beggars can’t be choosers; he was grateful for the cold glass of bourbon nearly empty in front of him and the sound of Dire Straits playing over the old speakers.

As always, Tommy is picking and prying into his lack of a love life. Since he’s noticed his older brother being more settled within the community, he’d been trying his hardest to set him up with various women and Tommy Miller was nothing if not persistent.

At this point in the day, Tommy’s voice is almost just white noise.

“Cath is nice.” Tommy pointed out, Joel snorts.

“She’s also gay, Tommy.”

“Oh shit, really? I didn’t know.”

“Clearly. Can we please stop talking about this? It’s the same thing every fuckin’ time I come drinking with you.” Joel begs, Tommy sighs heavily but drops it for now.

Joel takes in the scenery as he sits there, grateful for the moments silence from Tommy. His eyes stray to the left of the table and he listens as you speak to Denton, an older gentleman in his late sixties with a love of horses. He’s quizzing you about the new mare in the stables, he hears you mention checking on her again after your shift because she’s been particularly temperamental since she was brought in from outside but you’ve developed a nice bond with her, she’s slowly becoming more trusting.

It occurs to Joel that everyone likes you - literally everyone, even Ellie and she was a tough nut to crack. You’re sweet, soft spoken yet confident. You’re always helping out where you can; on patrols, stable duty, in the communal garden, sometimes at the school and also here at the bar when Darius needs his shift covered.

You find good things on patrol and give them to Joel or Ellie before taking the rest for the community, so they get first pick of everything.

You’re just the sweetest thing.

Tommy sees you and beckons you with a friendly wave, you mutter a goodbye to Denton and pat his hand.

“Hey.” You hear your name called over the music and you turn as Tommy Miller grabs your attention as you scoop up two glasses and an empty bowl that once held nuts and dried berries from the table two away from his and Joel’s.

“Yes, Miller?” You patter over with your hands occupied, you sneak a look at his older sibling, sparing him a wink as a greeting, he smirks softly back.

“Has Darius got an other fuckin’ music or are we strictly limited to the sounds of 1985 tonight?” He questions and you laugh, shaking your head.

“You don’t like Dire Straits?”

“He doesn’t appreciate good music.” Joel interjects, shaking his head at Tommy.

“I do - but other music. Eminem or even fuckin’ Britney! Anything but this shit.” Tommy groans, tossing his head back.

“Keep talking smack about Dire Straits, Miller - and I’ll snitch to your wife about the fact you’ve switched patrols with Mark twice this week because you were too hungover to go.” You smile sweetly at Tommy, tilting your head.

“Snitches get stitches.” Tommy remarks playfully, not an ounce of malice in his dark brown eyes and your eyebrows rise, you beam back.

“That right? Well, troublesome men get barred for life.”

“Oooooh.” Joel chimes in, looking amusedly between you and his younger brother.

“Touché.” Tommy quips, folding his arms.

“Tell you what, next time I’m in, I’ll have a rummage out back and see if I can find you some Britney. Bless you.” You pinch his cheek as you walk past and he swats your hand, rubbing the spot while Joel laughs.

“You’re pushing your luck giving her lip, I’m not sure if you’re aware but this is the only operational bar in Wyoming.”

“Tell me about it.” He grumbles back, Joel shakes his head once more as the door behind Tommy on the back wall opens.

“Joeeeeeel?!” He hears yelled from close by, he looks up and sees Ellie dragging her sneakers across the floor, scouring the bar for him with her honey coloured eyes eagerly. She spots him within seconds, beaming and practically skipping over to him and Tommy in the corner. “There you are, I looked fucking everywhere for you.” She groans dramatically, throwing her head back. “I wanna go out, I’m bored shitless at home. There’s nothing for me to do and yes - I’ve done my school work.” She quickly adds.

“You done those quadratic equation questions we were going over last night?” He raises his eyebrow.

“Yep. Easy peasy lemon squeezy, though I did ask my teacher because I’m pretty sure you were figuring them out wrong. You were, by the way.” Joel puffs indignantly, rolling his eyes. Ellie spins to Tommy, the soles of her shoes squeaking. “Can I try that?” She’s laser focused on the bourbon swimming between globes of ice in Tommy’s glass.

“What have I said the last twenty times you’ve asked, El?” Tommy’s dark brows are high on his forehead, his mouth is twisted with hidden laughter. Ellie rolls her eyes with annoyance, sloping over to Joel now.

“No.” She huffs, swinging her lanky arms around Joel. She hums and rubs her face into his shoulder bone, resting there for a second before her attentions shifts comically fast. There’s a warmth that spreads through Joel every single time she does this, she’s so casual about it and he’s drawn the conclusion that it’s a teenage thing because Sarah was the same. There’s a sadness that blossoms too, a darkness that twists and anchors in his chest as he thinks of her and who she’d be now. He can’t dwell for too long, not now - he did that for too long.

At one dark point in time, human connection was not key to survival, hence why he always kept Tess at arms length and then referred to Ellie as cargo until one snowy day it became apparent she was no longer cargo when she was frenzied and panting in his arms, splattered with the blood of a predator and gasping like she was taking her last breath. The sound haunted him for a long time, all memories of Sarah hitting him like a freight train. He had to protect Ellie, the minute he drew her in - oh baby girl - and held her tightly, wrapped in his coat and clinging to him just as hard.

Ellie’s his kid now. She’s his. He’s hers. They’re a family. Ellie Williams Miller - that’s how she’s known now. It’s scrawled on her school books. The love he feels for this human tornado in sneakers is unmatched, the one thing he’s ever been truly good at has been restored and it’s a role he knows well; being a father.

Sure, this teenager that he’s raising is the furthest from bubblegum pink and Avril Lavigne she could be, she’s particularly jagged around the edges and does have the temperament of an unsocialised cat that will bite if you get too close.

He looks down at her, rubbing into him like she’s trying to get his smell on her because it’s comforting and she feels safe and feels his heart ready to burst.

Of course the sweet moment of affection is shattered when Ellie yawns directly into his fucking ear because why wouldn’t she?

He grunts when she bears most of her weight on his aching shoulders, leaning easily into him and twisting her small fingers into his flannel.

“So? Can I go or not?” She presses.

“Go where?” He prompts, raising his eyebrow.

“Toni’s from school. Her cat had kittens a few weeks ago and they’re starting to play. Five of them, Joel! That’s a lotta kittens!” Ellie enunciates, brown eyes wide and Joel can’t help the smile that graces his otherwise tired face.

“You mean a litter?” He corrects and Ellie pauses, frowning.

“Huh?”

“A bunch of kittens is a litter, Ellie.” He informs her and she somehow manages to frown even more, she makes a noise like she’s computing the new information.

“Yeah, whatever.” She mumbles, Tommy snorts in amusement. “So I can go see them?” She presses, shifting her weight again and Joel groans louder now, unhooking her arms from his shoulders with a quiet ‘don’t do that, baby’ that’s full of affection.

“Yes but you’re back at nine latest, okay? Nine. I’ll be waiting for you, the minute those street lamps turn on, you’re home.” Joel says, Ellie’s mouthing along to his instructions that he’s been laying out since Summer began and the evenings stretched longer. “Be good.” He speaks more softly now and she nods, he presses a kiss to the side of her head, her eyelashes flutter happily as the warmth blossoms in her too with the security that’s Joel Miller.

“Peesh. I’m always good. Bye Tommy!” She says excitedly, fist bumping him when it’s offered.

“See ya, squirt.” Tommy replies but before he’s even voiced his reply, Ellie’s hurrying away and knocking into a patron while waving to you on the way out of the door so hard it slams. Joel sighs, thinking she’s a literal hurricane.

The door hinge has barely stopped shaking before Tommy starts with the suggestions of suitors once more.

“What about Myleene?” Tommy proposes, Joel shakes his head quickly, downing the remainder of his drink.

“Too young.” He replies.

“She’s twenty five.”

“Too young.” He repeats firmer this time.

“Okay, fine. What about Michelle? She’s what forty? I was talking to her in the cobblers the other day, she’s definitely interested - mentioned something about making you a pie?”

“I’m good.” He grumbles looking down into his empty glass but quickly shifting his gaze to the bar, you’re leaning on your elbows, laughing heartily with a patron.

You look beautiful tonight - just like every other night. Your shoulders are sunkissed, your cheeks a little flushed and skin glowing from the summer humidity. He absorbs the way your hair tumbles down your shoulders and the way the thin straps of your tiered sundress slip down occasionally, only to be tugged back into place with dexterous fingers.

“Yeah, that’s not gonna happen.” Tommy jibes, Joel looks over with a firm scowl.

“What?” He asks, Tommy shakes his head.

“You can dream, brother.” Joel rolls his eyes, trying to act nonchalant. “She’s got a boyfriend anyway.” Tommy adds, Joel eyes him with full attention.

“A boyfriend?” He asks, trying to be sure he heard right.

“Yeah, overheard her talking to one of the girls in the garden a few days ago. Didn’t mention no names but she definitely said she was seein’ someone.” Tommy shrugged, Joel hummed with interest. “Anyway, it don’t matter because she’s way out of your league.”

“Thanks.” Joel retorts, sneaking one last look before focusing on the door behind Tommy, the one Ellie had not long barrelled in and out of just moments ago.

He wonders about the kittens she mentioned and gulps as he imagines her taking to one with its big eyes and soft paws, his mind is pulled back to a time in April when he’d come downstairs one morning to a sink full of tad poles she’d ‘rescued’ from birds out of the neighbours pond.

Basically, his girl can’t resist animals she deems too vulnerable to leave.

“Scared Ellie’s gonna come home with one of them kittens?” Tommy wonders, reading Joel’s mind.

“Terrified.”

********************************************

The sun is setting in bursts of burnt orange and marigold by the time he leaves Tommy to his own devices at the bar, he hazards a look around as he makes his way in the complete opposite direction to his and Ellie’s house.

He slinks around the back of the school house, slithering through the gap and walking up the winding path that leads to the stables. He climbs the short fence and hops to the other side, his boots kick up the dust from the dirt path and the crickets chirp beneath the skyline.

With one more look around, he opens to rear door to the stables and slips inside, shutting it softly behind him.

Immediately he hears the horses further down huff and puff, he can make out the swish of their tails hitting the walls as they munch on hay, there’s a neigh that is absolutely Shimmer kicking up a fuss about something.

He slopes around the riding gear and sees you leaning against the wall, hands behing your back. You grin.

“Took your time, cowboy. Was beginning to think you couldn’t take the hint and stood me up.”

“Never, honey.” Joel prowls towards you, ready to grab you. “Missed you.”

“You just saw me.”

“Not the same.” He yanks you close like a man starved, you’d shared company less than 24 hours ago but you greet and leave each other like it’s the last time you’ll ever be together. It’s the apocalypse affect, you know that, he does too

This arrangement had been going on for almost two months now, all started by a late night patrol together where you’d shared more about yourselves in an eight hour shift than both of your time in Jackson combined. There was an instant attraction, it was so easy to talk to one another and that’s what you did every single time you were partnered together and it became the highlight of your day. It started innocently and friendship had bloomed, then before you knew it you were sharing a rum laced thermos of tea with him in the bed of a truck and kissing him with reddened cheeks shortly thereafter. You’d first slept together in the same truck, just as dawn began to break. It was clumsy and quick but you couldn’t get enough of one another. You hadn’t cum but Joel promised next time would be better which lead to the question of next time? You’d been seeing each other most nights since.

Any chance you got, you were together. Nobody knew about you both, hence why Tommy was incessantly trying to hook Joel up with other women around town and jealousy burned as you listened in on their one sided conversations in the bar whenever you were covering for Darius.

You’d left the bar shortly before Joel had, waving farewell to him and Tommy, coming straight up here to check on the mare just as you’d told Denton. This was a usual spot to meet Joel, it wasn’t your first rodeo in the stables with him. It was the one place you could be alone after a certain time.

“Were you hiding from me, honey? Hmm?” He growls playfully, pulling you to him even though you were barely a millimetre away in the first place. You hum in response, so utterly lost in him. You’re nuzzling his throat, fisting his shirt, desperate for his attention. “God, you look so good today.” He murmurs, mouth finding yours. You moan softly, standing on your tip toes and kissing him in a way that makes his lungs and loins burn alike. His grey tinged moustache prickles your upper lip beautifully, his beard feels familiar beneath your soft hands.

He’s crowding you and guiding you backwards, kissing you hotly in a sense that makes your cunt throb eagerly. You moan into his mouth when he nips your bottom lip, squeezing the left cheek of your ass.

You love when he’s like this - playful and easy. He feels lightyears younger around you, it’s like the heaviness dissipates the moment he’s in your company. He loses himself in the way you smell, the way your hair feels when his fingers are entwined between the sun kissed strands, the way in which your eyes sparkle with mischief.

It’s easy to pull him towards the back of the stable, where the bales of hay were stacked created a nice wall of privacy. You’d been in here a couple of times with him, having gone as far to stash a flannel blanket in one of the cupboards to lay down as to protect you both from the cold floor and the prickle of loose hay.

Once behind the hay and seated on a bale with you in his lap, strong hands are moving the thin straps of your sundress down your shoulders, you momentarily break away from his mouth to aid the removal of your dress to your waist where Joel roughly bunches it up so that your underwear is now on show and so are your tits.

His eyes light up at your bare chest, like he hasn’t seen your breasts countless times before. One thing among many that you first noticed was that Joel Miller is a tit man through and through. His rough and work toughened hands cup them both gently before his tongue swirls around your left nipple.

“Joel.” You murmur, arching into him, rolling your hips into his. He’s hard already, age not affecting him like that in the slightest. He’s a hot blooded male, every single inch a man and that warms you to your core. You grab his hand, bringing it to the top of your panties and he slides it in without hesitation.

“Christ.” He curses, exploring your lips with his fingertips, gliding through the dewy wetness gathered there and coming back up for a split second to drag it over your clit roughly. You whimper, bucking into his hand. “Mmm, babydoll.” Joel huffs against your cheek in a hot pant, repeating the action.

“Need you so badly, Joel. Almost got started without you.” You confess.

“Fuck. You can’t- don’t say shit like that, honey.” He growls lowly, unbelievably hard beneath you. His fingers explore again, you aid his explorations by canting your hips just so.

Joel is eager to get things moving, he’s hard and frustrated, he has a beautiful woman in his lap and the perfect setting. He pulls his hand from your underwear, looking down to see the shine of you on him. He loses his mind when you take his hand and lead it to your mouth, sucking the tips of his index and middle finger as he watches with eyes blown wide; they look black instead of the earthy brown that sometimes melts into caramel or runny honey.

The minute you hum like a content cat, he has you lifted off his lap and braced against him. You squeal at the sudden shift, the ceiling looking closer than the floor but then he gently lays you back on the blanket and settles between your legs.

“Hey, who was Tommy trying to set you up with?” You blurt, Joel pauses.

“Cath.”

“She’s gay.” You frown.

“Michelle too.” He adds before diving down into your chest, pressing your breasts together, mouthing at the swell.

“I’m not sure you’re Michelle’s type, she’s a cougar apparently.” You remark, Joel ignores you in favour of sucking your nipples until they feel raw. “Why Michelle? I don’t understand why Tommy thinks she’s a good match for you.” You don’t know why this is coming up now, your mouth seems to have a mind of its own, the jealousy settling like lead in your stomach.

“He said she wants to make me a pie.” Joel pipes up, the confession half muffled.

“What kind of pie?” You ask, pulling his face from your tits. Joel groans frustratedly, looking up at you with eyes dark and deadly.

“I don’t know. Why does that even matter?”

“A cream pie probably.” You snarl under your breath, the jealousy swirling in the pit of your stomach like a rattled viper.

Joel laughs, shaking his head and coaxing your mouth back to his. “Gross.” He murmurs, kissing you softly and squeezing your hips as if to guide you back. “You know I only like your cream pies.” He jokes, this time you break into a smile.

“Now whose gross?” You snort, tugging his plain grey undershirt over his head and to the side. You run your palms over his chest and down to his softer stomach, digging your nails in as they drag a long his skin. Goosebumps erupt all over him.

Joel is softer in his older age but strong too, years of walking different terrain, heavy lifting and fighting have made him lean also.

You hum contentedly, tracing over those familiar scars that have been made in the 20 years since the world imploded.

“He said you were out of my league.” Joel suddenly admits, resting his hands on your spread knees. You frown up at him. “Tommy said you were out of my league.”

“Tell Tommy he doesn’t know shit.” You retort with an eye roll, grabbing Joel by his belt and yanking him forward. “I like you, Joel. Fuck what anyone else thinks, it’s not anyone’s business who we choose to be with.” You say softly now, kissing your way up his chin to his lips. “I like you.” You affirm again, Joel kisses you tenderly, weaving his hand into your hair as you moan quietly.

“Well, I like you too.” He says, kissing you with so much passion yet so much tenderness all at the same time as you fumble to unbuckle his belt. You yank it apart, tugging open the button and prying the worn denim apart with the hiss of his zipper.

He barely lets you wrap a hand around him over his boxers before he has both your wrists pinned above your head, you make a sad whine but all disappointment quickly dissipates when he shuffles down the length of your torso and yanks your underwear down so fast you feel the material leave a friction burn. He grabs your thighs and then manoeuvres your legs by the backs of your knees, you like where this seems to be going.

Your spine curves against the hard floor when his mouth makes that first contact, he starts slow with a lick up the length of you, then he lightly suckles your lips and gently licks over the hood of your clitoris.

“Joel.” You murmur, twisting the blanket beneath your fingertips, scrunching it and bitting down on your lower lip as he continues his gentle assault on your clit, the rubber toes of your hi tops dig into his ribs almost painfully.

His thumb comes up to gently push the hood of your clit back, the sensation of his tongue directly stimulating the nerve causes you to gasp and wind one hand down into his hair, you tug and he groans against you.

You’re transported back to one of the first times you’d been intimate together after sleeping together in the truck.

For some reason, it had shocked you that Joel Miller ate pussy like a champ. The first time he’d gone down on you - behind the bar just after you’d blown him - you’d prepared yourself for dissatisfaction and disappointment, only it never came. Joel had licked into you with such ferocity and precision that you’d almost keened over.

He’d made you cum so quickly that you’d barely had time to process the first swipe of his tongue on your clitoris and the climax that followed minutes later.

He’d looked up at you, moustache and beard slick with his eyes wide; ‘I forgot how much I enjoyed doing that’ he’d panted while you squeaked back in shock.

Now, as you live in the moment, you feel that tingle of pleasure building but you don’t want to cum without him inside of you. As much as it pains you, you tug on his hair, urging him back up.

“Wanna cum with you.” You pant when he looks up with dazed brown eyes, frowning a little. He seems to accept that and sits up, shucking his jeans and boxers down over his ass with the help of your clumsy hands. “Lay back.” You demand, he does so and you move to take his place.

You throw your legs over his and settle above his lap, he’s got one arm behind his head and watches as you take him in your first and tease yourself with the flushed tip of him. He breathes in sharply through his nose as you do it again before notching him at the site of your heat, you steady yourself and begin to sink down.

“Fuck me.” Joel sighs, closing his eyes briefly because he’s so sure he’s in heaven. The sensation of your wet heat surrounding him never gets old, he’d forgotten how much he loved sex before meeting you.

“You’re so big, Joel.” You whimper, stroking his ego deliciously and he hates to be such a guy but the compliment goes straight to his dick.

“Fuck, honey. Take what you want, I’m yours - just fuck me.” He begs as you slowly begin to move, your nails scrape across his torso as you fall into an easy rhythm of rolling your hips into his. “You’re so fucking perfect, baby.” He babbles, looking up and admiring the curve of your back and the way your tits bounce as you ride him.

“Mmm.” You whine, picking up the pace and throwing your head back which exposes your jugular and Joel just wants to sink his teeth into you because you truly look good enough to eat.

“Come here, babydoll.” He urges, pulling you down so you’re chest to chest. Your peer at him with pretty doe eyes, your lashes flutter as they shut to kiss him deeply, your tongue swipes his and you taste the tang of yourself on him. You moan louder when he manages to plant his boots on the floor and thrust up into you roughly, tangling his hand in your hair to keep you pressed against him.

It’s so hot in the stables, you’re both sticky and warm. But with your pretty moans and keens filling the air, Joel manages to easily forget the irritation from the heat.

You push against his chest to sit up and Joel grabs your hips, guiding you easily and you feel yourself getting close but you can’t achieve orgasm through penetration alone.

You brace one hand on his thigh behind you, tipping your head back as the pleasure becomes almost too much to handle. Your hips roll in an easy rhythm, his cock head hitting your G spot perfectly and you whine when the hand on your left hip moves ever so slightly until Joel was able to thumb your clit. He knows you so well.

“Oh f - fuck. You feel so good, you’re so good - fuck.” You babble, your hips moving faster.

“Jesus christ.” Joel huffs, throwing his head back against the hard floor, biting his bottom lip hard to stave off his orgasm. You feel so good wrapped around him; wet and snug, like crushed velvet.

He knows he can’t stay like this, he’s too close to finishing and he can sense you’re not quite there yet despite being edged so he makes the conscious decision to hold you and flip you both over with a nimbleness he didn’t know he possessed in his older age.

You stutter out a choked moan, arching into his strong hands. You drag your nails down his toned back, leaving a little spatter of blood in the red tracks.

Joel hisses when your nails puncture the skin on the globes of his ass, somehow trying to pull him closer and push him away at the same time.

“Where?” He asks, nodding downwards as he fights off his climax.

“Inside.” You reply without hesitation. You’d counted your cycle days, marking in a blank notebook the day number and your symptoms, pretty accurately guessing your fertile window and probable ovulation day by cervical mucus alone. You were four days from your period being due, it was safe.

“You sure?” He hesitates, brow furrowed hard with concentration, he’s a stroke away from finishing. He knows better than most people to not trust the pull out method and he knows the importance of contraception but he still ended up a Dad before he hit his mid twenties. Pushing sixty he’s still playing a dangerous game but so far, neither of you had gotten burnt.

“Yeah.” You gasp, fingers on your clit rubbing faster. You groan suddenly and twist into him, making pretty little whimpers and purring. He groans too, thrusting in hard once, twice and then three times. You feel his cock stiffen and twitch, then the pulse of subtle warmth of his cum spreading inside and aiming for your cervix. He works himself through it, you push in return as the aftershocks slow to a flat line.

Joel heaves a breath, resting on his forearms as you lazily kiss his neck in satisfaction and rapture. You sit there for a minute, basking in the afterglow until Joel grows too stiff and has to withdraw from you slowly, kneeling up between your legs to pull his boxers and jeans back up but he leaves them unbuttoned and his belt loose.

You don’t miss the primal look in his eyes when they drift to between your legs, he can see his cum leaking and the pearlescent finish it leaves on your lips. His cock twitches, perhaps if he was younger he could go for another round but alas, he settles next to you on the blanket, pulling you to his chest and cushioning your head with a strong bicep.

“I think that might have been the best time yet.” You pant breathlessly, looking up at the ceiling and seeing the evening sky through the cracks of wood.

“Maybe one day we can do it in an actual bed, I’m not sure how much more of these places my back can take.” Joel jokes, you giggle and turn into him, listening to the rapid pace of his heartbeat as it settles, a perfect mirror of your own.

“Not bad for an old timer.” You tease, giggling when he growls and squeezes your hip.

“Was patrol okay today?” Joel questions you, you nod lazily against him. “You come across anything?” Now you speak, leaning up to peer down at him.

“A couple of runners. We shot them in that abandoned gas station near the entrance to the offices off the trail. I think they were probably people passing through, one was infected on the journey and turned, then bit the other.” Joel hums, rubbing your lower back and hip. “I have some things for Ellie I found, by the way. I’ll drop them over tomorrow. Nothing crazy, just some things I thought she needed.” You say between kisses down Joel’s chest and sternum, your delicate fingers tracing out old battle scars.

“What like?” He asks, catching your hand as it reaches his happy trail, bringing it to his lips instead where he presses tender kisses to your fingertips.

“Pyjamas, underwear and some toiletries. Oh! And get this, a new casette tape for her walkman.”

“What tape?”

“Teardrops.” You grin.

“Womack and Womack? She’s gonna love that.” Joel says, laying back and smiling at the ceiling of the stables, humming the song in his head. “Fuck, I haven’t heard that song in - jesus - years.” He’s frowning, contemplating lost time, the whole concept of time evades him, it never used to at the start but now? It’s one big jumble, his time is defined by events and not a calendar.

“She still playing that one you got her on repeat?” You wonder.

“Yeah.”

“What was it again?”

“Bowie. Heroes.” Joel replies.

“Nice.” You nod.

As you lie there together in an easy silence, content to be together in the quiet solace of the stables, Joel’s mind wanders back to his earlier conversation with his younger brother:

“Hey, er - Tommy actually said something else earlier.” Joel winces at how awkward he sounds and you huff loudly, ready to hear what other dumbass thing he’s said. “He said he heard you say you have a boyfriend or that you were seein’ someone.”

You sit up, frowning down at Joel.

“Okay…” You reply hesitantly, uneasy now. “Am I not seeing you?” You frown.

“No - no! It’s… that came out wrong. I just meant - “ Joel grumbles, covering his face momentarily while you try to will your stomach from not sinking. “I don’t know, I just wanted to know if you meant me.”

“Seriously, Joel? This conversation is going so well.” You say dryly, utterly unimpressed.

“No! Oh my god! I can’t do this.” He groans, realising his mistake. “I’m sorry, that came out so wrong.” Joel apologises, you snort.

“Look Joel, I was talking to Mrs Patterson in the garden and she was telling me about her late husband, saying how lovely he was and how men just aren’t like that anymore. She asked if I’d found anyone and I let it slip that I was seeing someone, I didn’t mention any names and I can totally understand why you’re freaked when we haven’t even had that conversation ourselves. I shouldn’t have assumed this was anything more than sex, I’m sorry.” You annunciate, warm in the cheeks.

“You want to just have sex?” Joel is sat up now, matching your frazzled expression.

“If that’s what you want.” You shrug, taking an interest in your cuticles. A large hand lays over yours, squeezing. You shift your focus to his knuckles instead, tracing out the scars.

“Honey, look at me.” He urges softly, you hesitantly meet his eyes. “I think somewhere we’ve miscommunicated.”

“How so?” You press.

“Look… it’s been a long time since I’ve done this, I’m a little rusty. I’m sorry if I haven’t been clear about what we are or what I want us to be, I kinda just assumed you knew and yeah, that’s real shitty of me.” He says sheepishly, rubbing the back of his neck. “But I wanna be exclusive with you, honey. I mean, I have Ellie to think about so we’ll need to go slow just so I can ease her into the change. Is that okay?” He whispers, pressing his forehead to yours.

“That’s more than okay, Joel. I completely understand, I don’t want to spook Ellie either.” You confirm, Joel let’s out a relieved sigh.

“Good - good, okay. We’ll figure it out, baby.” He assures you, nuzzling his nose against yours and kissing you softly.

It’s easy to lose yourself in Joel Miller, you’re swept up in the gruff voice and strong arms, the softness beneath his outer shell reserved for those closest to him.

You’re kissing him back in earnest, he’s reclining to lay back down with you on top of him and you’re sure this could lead to round two or at least head from either one of you, maybe even both.

However, the moment is spoiled when you hear voices creeping closer to the stables. You both stiffen and wait, looking at each other with eyes opened wide.

The voices are getting closer and you decipher it’s two sets, it’s not made clear who it is until they’re walking behind the stables and you can see their shadows slink between the thin gaps in the planks.

It’s Ellie and Tommy.

You and Joel scramble, you yank your dress back over your breasts and pull the hem of it over your ass. Your panties are on the floor and you narrowly dodge Joel’s elbow as he hastily buckles his jeans back up just in time for the door around the corner to open with a shriek of the hinges.

“What if he’s gone out on patrol without telling me? Or maybe he’s swapped with someone and gone hunting? I know I’m back way earlier than he said but he said he’d be home! Do you think he’s left the gate? What if he’s hurt? What if - “ Ellie begins to ramble and Tommy sighs.

“Kiddo, stop worrying. I’m sure he’s around here somewhere, let’s look at the whiteboard and see if his name’s on there. I highly doubt he’s swapped shifts and he wouldn’t leave without telling you, he’s gotta be around here some…” Tommy’s reassurance comes to a stop when he round the corner of the hay bale wall and abruptly stops, staring at you and Joel with as much shock as you return.

Ellie slams into his back and he wobbles but his gaze never falters.

“What the fuck, man!” Ellie exclaims, shoving Tommy and stepping around his statue like form but also freezing too.

You look between them both, trying to formulate an excuse but Joel shoving his t-shirt on, the fact your clothes are crumpled and there’s absolutely hay in your tousled hair says it all.

Your panties are shoved behind your back out of view.

“Well I’ll be damned, you’re the guy she’s seein’!.” Tommy snorts, looking between you both. Joel growls, yanking on his flannel while Ellie manually retrieves her jaw from the floor.

“What the fuck is this?” She asks, looking between you and Joel. “You have a girlfriend? What the fuck, dude? You didn’t say anything!” She fumes, crossing her arms over her chest.

“Look, it’s complicated and new.” He says, which placates her slightly. She stares at you again and you see the betrayal hidden behind a scowl, she looks at Joel again.

“Fine. I guess this isn’t that bad, it could be worse - we could of caught you with Esther.”

“That’s true.” Tommy nods, pointing at Ellie, she nods back.

“Esther?” You question, raising an eyebrow.

“Yeah, Tommy’s neighbour, she totally fancies Joel.” Ellie tells you. “You should fight her.”

“No, she doesn’t and stop shit stirring.” Joel warns Ellie, she hides a smirk which tells you she’s winding Joel up.

“I could take Esther.” You say, playing along, Ellie’s eyes brighten with mischief.

“Nobody’s fighting no one.” Joel settles, you’re all silent for a millisecond and then Tommy throws in his two cence.

“You could take Esther.” He agrees.

“Enough about Esther, please!” Joel begs, beside himself.

“This is fucking embarrassing, Joel. What the fuck do you expect us to do? It’s awkward!” Ellie complains, Tommy nods in agreement, you do too.

“Yeah? Try being where we’re stood, kid.” He retorts.

Ellie kinda has to resist the urge to throw up in her mouth because Joel has sex which is so horrifying that she almost can’t bare to look at him but she’s equally happy for him and utterly disgusted, she swallows back a retch.

“Fine, whatever. I’m very happy for you and my da - Joel.” Ellie bursts and corrects herself at the last minute, you don’t miss the hitch in Joel’s breathing but this is not the time for that discussion. “I’m willing to negotiate a price for the emotional damage you’ve both caused me by lying to me, sneaking around and also having sex in front of my horse.” She lists.

“My horse too!” Tommy adds.

“And Tommy’s horse too, Crash and Shimmer didn’t want to see your bare ass.” Ellie continues and for some reason Joel knows exactly where this is going, so he braces himself.

“Name your price.” He bites, Ellie looks at him with a levelling glare, it’s getting hard not to laugh when you see Tommy observing like he’s watching a mafia deal go down.

“A kitten.” Ellie reveals.

He fucking knew it.

#joel miller smut #joel miller x reader #the last of us #joel miller fic #joel miller #the last of us fic #joel miller fanfiction #joel miller one shot #pedro pascal fanfiction

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rickybaby · 7 days

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We keep talking about media literacy, but it's actually something very difficult to put into practice in this very overcrowded F1 media ecosystem, especially for new fans. I thought it would be a good idea to put together a list of reliable sources to hopefully make this year's silly season easier to navigate.

Publications

Auto Motor und Sport (more commonly known as AMuS) - the German publication is arguably considered as the most reliable source for F1 news. Most other publications will very often quote AMuS as source.

Speedcafe.com - Australia's foremost motorsport website. Mat Coch, their F1 editor, has access to Daniel's management and was one of the first people to seek clarification from Daniel's team when the rumour that he would be replaced by Miami first cropped up.

Other reliable publications: Autosport, Motorsport, PlanetF1 (caution to be advised with PlanetF1 because very often, it just quotes sources like AMuS or tends to have a lot of clickbait articles), BBC F1.

Journalists

Chris Medland - Chris is a freelance journalist with permanent FIA accreditation. He usually writes for RACER.COM. In my opinion, he is the most reliable from the whole cohort of journalists on twitter. He may not always be the one to break a story, but if he tweets out about a rumour or story, this is pretty much confirmation that the rumour or story is true.

Nate Saunders - Nate writes for ESPN F1 and is generally considered to be the Ricciardo camp mouthpiece. However, this does not necessarily mean he is, at all times, privy to insider information from Daniel's camp. Look out for him quoting 'sources close to ...'

Thomas Maher - Thomas writes for PlanetF1 and while PlanetF1 is not the most reliable of publications, I think Thomas is a good source to follow on twitter as he is pretty good at reaching out to his sources in the paddock when it comes to seeking clarification on a rumour.

Erik Van Haren - the Dutch journalist writes for the Telegraaf. He has the reputation of being close to the Max & Jos Verstappen camp and was the first one to break the Christian Horner SH story. Therefore, anything he writes about Max or Red Bull can be more or less be relied upon.

Albert Fabrega - he is a longstanding reporter with great technical expertise and is considered as the go-to source for the Spanish/ Spanish-speaking drivers, especially Alonso. Though, caution to be exercised after the whole 'I cannot believe what I have just been told' thing he pulled last year.

Lawrence Barretto - Lawrence is a presenter for F1. He is one of my favourites in the paddock and from time to time, he will have some insider information when it comes to Daniel. He was the first one to report on Daniel's best lap at the Silverstone being good enough for the front row.

F1 Pundits

There is a whole host of characters who act as commentators or guests across a variety of international broadcasts over a race weekend (or some of them just hang around the paddock). Think Martin Brundle, Crofty, Karun Chandhok, Damon Hill, Jacques Villeneuve, David Coulthard, Eddie Jordan, Ralf Schumacher ...

Their opinions are invariably given a lot of weight by virtue of most of them being former drivers or World Champions, but fact remains that many of them have no insight into what's actually happening within a team. However, that being said, a few of them still have close relationships with some of the teams, for e.g., David Coulthard with Red Bull or Mika Hakkinen with McLaren and whatever they say about these teams could potentially be relied upon.

Caution ⚠️

Joe Saward - Joe is rather notoriously known for his Green Notebook column on his blog. The column is supposedly meant to provide titillating insider information about F1, but it more often ends up being a regurgitation of the rumours that have been floating around that week. He has more misses than hits when it comes to rumours and anything he says needs to be taken with a generous dose of skepticism.

Will Buxton - if you see Will tweet something out, please lock your phone and walk away. This is not to say Will doesn't know what's happening in the sport - after all, he was the first one to give any indication of the Lewis to Ferrari story, but he is too committed to playing the game of shit-stirrer for engagement. The unfortunate thing is, we're all too human and we all invariably for his game and we end up going into a downward spiral of 'what does he mean???' when he tweets something out...

#i should also point out how certain of these so-called commentators are highly biased #re danica and villeneuve #there is also the whole italian media side who usually reports on ferrari related news which im not aware about #please feel free to correct anything in the post or add any other useful information #i'd say happy silly season but ricnation has perpetually been in silly season since 2022 #daniel ricciardo #information

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asgardian--angels · 7 months

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Izzy Discourse Masterpost

Hey all, given the amount of awful splintering and wank happening in ofmd fandom rn regarding Izzy's death, including the flat-out immature and unacceptable harassment of David Jenkins and Co, I wanted to just make this one all-encompassing post to address the various grievances and complaints I've seen (almost entirely on Twitter). If I've missed anything, please feel free to add on. I'm putting most of this under a read-more for length.

Please be aware, I say all of this as an Izzy fan. I've loved his character since season 1, and while I was sad to see him go, I completely understand and support David & Co's reasons for concluding his arc, and I think it was done respectfully in a way fitting to his character. So let's break down some of the takes I've seen. I am not referencing specific posts or people here, I just want to address the general themes that I keep seeing about why some people are upset.

Izzy's death served no narrative purpose.

Look, this is one that I'm sure fans will debate for the rest of the hiatus. It's completely within your right to disagree with this writing choice, but Izzy's death did serve a narrative purpose in the story that David Jenkins is telling - and he has spoken to this end in several interviews already. I can only summarize here, and fans may find other perspectives in time as well. What we need to remember is that Our Flag Means Death is, at the end of the day, Ed and Stede's love story. That has been made abundantly, explicitly clear. The show has been fantastic at fleshing out the other supporting characters, but that's what they are - supporting characters. They often have their own subplots but ultimately the narrative seeks to move Ed and Stede's story forward and they are tools to spur Ed and Stede's growth or mirror their struggles. Izzy has been a wonderfully complex, multifaceted character but we must remember that all characters are vessels through which stories are told, lessons are imparted, and metaphors are established. He's not a real person who 'deserves' any particular fate. David said he's always intended for Izzy to die at the end of his arc.

Firstly, Izzy (now canonically, through his own dying words) represents part of Blackbeard. He enabled and encouraged Ed's darker side, they were mutually toxic forces to each other. Ed is attempting to cope with and move on from this phase of his life, and like Stede in season 1, set out a free man, unshackled by expectations and loose ends of those he's hurt and been hurt by (though we realize this is an ongoing process that takes time). This lovely gifset sums it up nicely, with Izzy being the Mary parallel, and making s2 mirror s1. Blackbeard is both Ed and Izzy; Ed cannot be free of Blackbeard while Izzy is in his life, and when Izzy is gone he will never truly be Blackbeard again. They are each other's rotting leg!! Yet, they love each other - and David has said that for Ed, this has developed into a mentor and father relationship, and where Ed has previously despised his father figures (his actual father, Hornigold) he does not want to lose Izzy. This time, Izzy brings out Ed, not Blackbeard - and that's where we get the callback to 'there he is', bringing their impact on each other full circle, freeing Ed, getting approval of sorts that he never had, to be soft, to be loved (and there are parallels to Zheng and Auntie here as well that others have made) from that force that drove him to stay in line all this time. David has said in multiple interviews now that he was going for the idea of the mentor/father figure dying and the hero living on and trying to do justice to them.

From Izzy's side, Izzy cannot be free while Edward remains either (Mary cannot find peace while Stede remains). The scar never truly healed, the leg will always be a reminder. At this point the argument becomes 'yes, but why did he have to die? Why not just sail off with the crew of the Revenge?' David has stated that he feels they've done everything they can with, and for, Izzy; he's come leagues from season 1, he's found community, he's found hope, he's found new parts of himself, and he's made good memories. He's found worth outside of what he can be to others. That's more than most pirates could hope for. Where would his character go from there, when the Golden Age of Piracy he belongs to has burned to the ground? Would he stay around and whittle on the Revenge? If he were a real person, yes, that would be lovely, and he'd deserve all the quiet peaceful happiness in the world. But as I explain several points below, he's not interested in being a captain. He's not up for the hard physical labor of regular crew, and he's extremely overqualified for that besides. He has served his narrative purpose, and symbolically, to enter a new age, everything must go. He's connected to the old age of piracy, to the Republic of Pirates, that is now demolished. To him, fighting for what he believes in, for the family he's found, bringing down an army of British twats in the process, is how he should go. It's a pirate's death, and as Izzy's said, he's a pirate - unlike Blackbeard who's succeeding in breaking away from piracy, Izzy never wanted to stop being a pirate, throughout his arc. To me, that's why Izzy remains trapped in the narrative, trapped in history, whereas Ed and Stede will escape history. They leave piracy, and canon, behind, while Izzy was content to remain a pirate and face a pirate's fate.

Burying him on land, right next to Ed and Stede's beach house, shows that his sacrifice was not in vain - they start this new life together, thanks to Izzy's mentorship, his role in their lives that sometimes for worse, sometimes for better, made their love what it was and made their breakaway possible. The new age is built on the foundations of the old age, and is stronger for it.

As we're well aware by now, David tweeted that there's no version of ofmd without Izzy. Whether that's literal or not, symbolically it's true. Izzy's arc of growth affected everyone on the Revenge. Jim fondly remembered fighting for a time when life meant something on that ship; the crew helped give Izzy new meaning in life, and he helped them in return. When he dies, they mourn and have a funeral; that wouldn't have happened under Blackbeard's watch in episode 2. His life meant something to them. He influenced Ed and Stede immensely, and they will take that with them. As David's said, they're all a family, and Izzy was a part of that family, and his loss unites them and brings them closer to continue to fight for that family they've built. It's a tragic, sudden death of someone they've all grown to care for, and that steels their reserve to keep the torch lit. They literally sail off into the sunset to hunt down Ricky to avenge Izzy; he will always be a part of this show. And, of course, with the brief appearance of seagull Buttons, the door is left open for anything.

If this was The Izzy Show, then sure, we'd be content to see him simply engaged in shenanigans every episode. But the plot, and therefore the characters, need to keep moving forward, and Izzy got his growth and development. He got what he needed for his character to have closure, and he served his symbolic narrative purpose in Ed's (and Stede's) story. You may have your own ideas and perspectives, and that's great - that's what fandom is for. But we cannot say his death was pointless when David Jenkins and the writers clearly had a well-defined motive for pushing the narrative in this direction. I actually think the narrative around Ed and Izzy is the most well-developed in the entire show. I for one am so happy we got such an interesting and complex character, and had the brilliant Con O'Neill to portray him.

Izzy's growth & healing arc was rendered pointless by his death.

As this post so eloquently puts it, it's pretty bleak to have the outlook that taking steps to heal and find meaning in life is worthless if it's later lost. Seeking happiness and self-actualization is worthwhile for its own sake; no one knows what's down the road, and we all die eventually. Find meaning in life now. Would you rather have had Izzy not miss with his bullet in ep2? He was given the chance to experience joy, freedom, and hope for the first time in potentially a long time, and when he died he did so with those happy memories. As mentioned, Izzy's death was decided long beforehand given the narrative, and the point of storytelling is to make you feel emotions. We were given impetus to connect and relate to Izzy's character through his process of healing, so when he did die, we felt it keenly. That's how stories work actually! We felt what Ed felt. It moved us. It's not a bad thing that Izzy's arc made him more likeable to fans before his death. It's not a bad thing to lose a beloved character - guess what, it happens constantly in stories - and it's not bad to grieve over it either, but to say that it made his journey pointless is just not true. People saying that Con must be upset that they snatched his character away from him after getting to develop him so much - again I say, would you rather him have died in ep 2 before he had the chance to grow? Or how about in s1, when the crew tried to mutiny? How'd you feel when Stede killed him in his dream, in the very first scene of the season? I think Con's probably glad for the opportunity to have explored this character so much in season 2. Ask him if he thinks it was pointless.

Killing off Izzy was bad for queer rep/burying your gays/"Izzy was the queer heart of the show"

I'm putting 'bury your gays' on the top shelf so people can't use it when it doesn't actually apply. Most of the main cast of characters in this show are queer, and it's a show about pirates with a good amount of violence. Ergo, chances are a queer character will die in the course of Things Happening In Stories. Izzy didn't die because he was queer, and he wasn't the token queer rep. Please turn your attention to the boatloads (literally) of queer characters that are happy and thriving (how about the LuPete wedding immediately afterwards??). As for Izzy being the "queer heart of the show," this is literally the Ed and Stede show. You know, the two queer leads whose queer love the show revolves around, per David Jenkins himself. I'm glad folks connected with and derived joy from Izzy's growth and especially his performance in Calypso's birthday, but he is not the main character of the show. The queer heart of the show is in fact, the entire show, all of their characters and the community & found family they create aboard the Revenge. Not to mention the fan community as well. Izzy was never carrying the show's representation on his back, and frankly that's an absurdly wild take to have (esp when he spent most of s1 actively working against the main queer relationships in the show, attempting to maintain the oppressive status quo of pirate society).

It was bad and irresponsible to have a suicidal character die

Are we forgetting the entire first half of the season where Ed, who was suicidal, kept trying to passively kill himself because he felt he was an unlovable monster, only to be shown that he is in fact loved unconditionally and it gives him the strength to fight for life and triumph against his own self-doubt? The show has spent quite a lot of effort telling viewers that despite feeling damaged or broken you are worthy of love and that you are loved even if it may be hard to see it when you're in a bad place. That you don't need to be fully healed to deserve love and care, and that love and support will help you along your journey. It's incredibly wild to disregard this major plot point and fundamental message of s2 to try and spin this the opposite way for Izzy's character.

Secondly, where are people getting 'Izzy is suicidal' from? Are we going back all the way to episode 2, when he's at his lowest point and fails at his suicide attempt, only to be figuratively reborn after removing the metaphorical rotten leg? By the time of the finale he's shown to be in a good place, thanks to the arc of healing and growth he's gotten, through the support of the Revenge crew and his 'breakup' with Blackbeard allowing him to find his own way in life, realizing he doesn't need a purpose to have value and enjoying his time on the Revenge and the bonds he's made with Stede and the crew. He is, in the words of Ivan, "the most open and available I've ever seen him" by the finale. To take episode 2 as evidence he's suicidal is to erase his whole season of growth, which is an ironic thing to do in the context of these arguments. There's no canon evidence Izzy Hands was suicidal post-'Fun and Games'.

As for 'irresponsible,' once again I say, David Jenkins is not your therapist, he's not 'Dad,' and has no responsibility to tell his story any other way than he intended to tell it. Please find media that gives you what you want or need, and if the death of a fictional character causes you this much distress please seek help. I mean this kindly but seriously.

Killing off Izzy was ableist/bad for disability rep.

I point once again to the rest of the characters, several of which are disabled in varied ways. There are literally multiple other amputee characters specifically. It's not good storytelling to wholly avoid killing off any character that is disabled/queer/poc/female or [insert marginalized group here], especially when a) it makes sense narratively, and b) there's plenty of representation of these groups in the media in question. The answer isn't making such characters invincible and immortal, it's increasing the number of these characters in shows so it's not devastating when some do die in the course of natural storytelling.

OFMD was my comfort show/safe space show, now it's ruined for me

I am not trying to be insensitive here when I say that's a problem that is yours and nobody else's. David Jenkins created this show with a three-season vision and a story in mind, and he is telling that story to the best of his ability the way he wants to. It's already been said that he and the crew did not anticipate the fandom becoming as large and passionate as it has. The plot of the show was never intended to be 'fan service,' and it's ironic that there were people complaining this season that there's been too many fanservice tropes, up until David and the rest of the writers room made a narrative decision they did not like, then the complaints changed to not coddling the fans enough.

We as viewers can derive joy from this show, it can be a comfort to us, it can be important to us. But it was not designed specifically for that purpose, therefore it cannot fail in that respect. We do not have the right to harass writers for not steering the ship in the direction we want - it's their work of art, and we can choose to either come along for the ride or not. It's rare to see creators actually given the chance to tell their story the way they intend (budget cuts aside), so let him do that. He should not cater to fans, or cave and change the story to appease us. Respect his right to create his art, and remember you have the right to create your own. That's what fanfiction is for - write fix-its to your heart's content, but keep these realms separate. David Jenkins and Co hold zero, and I mean zero, responsibility to you. He could not please everyone no matter what he did, it would be fruitless to try, and it would certainly compromise the quality of the story he set out to tell.

You are absolutely allowed to dislike choices made in any show. Curate your media experience. If this show no longer brings you joy, stop watching. But it was never David's purpose nor responsibility to juggle the mental health of millions of fans. Trying to put that on him will only make him less enthusiastic about interacting with fans or continuing to make this show. This isn't rocket science. You're responsible for yourself, not this guy you call 'Dad' that you've developed a parasocial-therapist relationship with.

Izzy should have become captain of the Revenge.

Really?? Firstly, we did actually get that already in s1. He was tyrannical and the crew mutinied. But even if you think 'well after his character arc he'd be better suited to it,' it goes against the point of this arc. He's found value in not having a distinct role or purpose on the ship, decoupling his worth from the job he's expected to perform. He's found his place amongst the crew, not commanding it. There's no narrative reason to put him in charge when he's expressed no further interest in slotting himself back into a role full of pressure and expectations.

Con O'Neill was only told halfway through filming, it's cruel to just kill off the character he loves so much.

Guys, he's an actor. More than that, an actor with a theater background. I think he's used to characters dying. You don't need to look out for him. Con and David spoke one on one about it at length so they were on the same page, and David even said that Con took it well. I'm sure Con had input, just as other members of the cast have influenced their characters' stories, costumes, backstories, etc. Do you really think David Jenkins hurt Con's feelings or something? The writers (remember, it's not just David, it's a whole team of hard-working people coming up with these ideas) gave Con such a chance to shine this season, really developing Izzy beyond what he was given in s1 and letting Con show off his full acting range. Why are you only focusing on the destination rather than the journey? Sure, Con's probably sad to see Izzy go, but please do not project your distress onto him or try and accuse David & Co of being 'cruel' to their cast. That's really ridiculous. It's constantly evident how close they all are.

More importantly, do you actually, seriously think that Con O'Neill would want fans to harass each other or the writers over his character? The man who preaches being kind above all? There is no better way to make an actor uncomfortable about a show and its fanbase than to start treating fictional characters like they're more important than real people. He would not want you to bully people over Izzy Hands, and it's mind-boggling that some of you have convinced yourself otherwise.

Lastly, I just want to talk about the fact that some people are holding OFMD to absurdly high expectations.

Our Flag Means Death has been a pioneer series for its diverse representation, earnest storytelling, and themes of hope, community, and love. It's fine to discuss aspects of the show with a critical eye, but so much of the discourse has truly felt like folks are trying to find fault in a show that is leagues ahead of the average tv series that we still enjoy. How many fan favorites are killed off all the time? How many plotlines are scrapped, or drawn out without closure, or contradicted the very next season? How many shows are indifferent or actively hostile towards their fanbase? How many have any queer characters, or actually do bury them? The bar's so low, and OFMD has risen above to give us so much. Some are holding the show to astronomical expectations, waiting for it to fall from the pedestal it's been placed on. If something you don't like happens in the show, it's not suddenly ruined or demoted to being ~just as bad as those other shows~. Give them some breathing room, have some perspective on how progressive the show is, and that perfection is impossible, especially meeting every single viewer's idea of it. This is basically a repeat of the recent Good Omens drama, with an absurd number of people harassing Neil Gaiman for breaking up Aziraphale and Crowley and leaving the second of three acts on a very predictable cliffhanger. Let stories be told, let them unfold as they may, and you are free to leave anytime. It's so wonderful that more queer love stories are becoming popular and even mainstream, but let's not shoot ourselves in the foot by tearing them down when they don't go exactly the way you want it, which often seems to mean no drama, no character deaths, and therefore no conflict or even plot!

Just, please be civil human beings, and while this seems to be a difficult thing for so many fandoms to do, just keep your fan opinions in the fan space. Never bring your grievances to the writers, never bully them and persecute them for telling a story that you opted into viewing. That's something that goes entirely against everything this show, and this cast and crew, have imparted onto us - the importance of kindness, support, community, and love. I'll say it again because it bears repeating: the fate of a fictional character is never more important than how you treat real people. Just be kind in real life, which includes the internet. Thanks.

Now please, let's work together to ensure we get a season 3. There's so much more story to be told, and if you want to see Izzy back, whether that's as flashbacks, as a ghost haunting the inn, or in the gravy basket, we'll need more episodes! #RenewAsACrew

#our flag means death #ofmd #ofmd s2 #ofmd s2 spoilers #and after this i will speak of it no more ok #now once we're all calmed down i am really looking forward to meta about izzy's role in the narrative #i truly think izzy's one of the most well written characters on not just this show but on tv lately in general #suicide mention tw #I tried to put a read more under the first bullet point but tumblr's formatting basically deleted it #by automatically overriding it with an Expand #so sorry about the length and such

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andsomemaniacgotridofthewheel · 7 months

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David Jenkins was not a Big Name Showrunner before OFMD. In fact, I had never heard of him before. I am not even sure what he did before OFMD, according to IMDB he wrote exactly one other show and it is one I have never even heard of before.

And he somehow got HBO to make his weird little show about gay pirates, and he got Taika Waititi to help with it, and while nobody was expecting anything of it - I mean come on guys, remember when OFMD dropped and everyone only gradually realised what it was - it became The Little Show That Could. With almost no advertising. No marketing. HBO did clearly did not expect this show to be anything, to make any real money or to go beyond one season.

But then it blew up.

Because David Jenkins was so insightful, he was so good, he brought so much fresh wind into a business where we usually can tell how the next three steps of how any show is going to go (and to be fair, a lot of us feared that Izzy's death in season 2 was coming, because all the signs fit), that we put him on a pedestal.

THE FUCKING PEDESTAL.

Yes he is brilliant. He has done stuff with OFMD that you never ever see somewhere else. He has understood that historical accuracy, as well as physics and geography, are merely backdrop for plot and characters. Completely irrelevant if you need them to be, but then suddenly important if you have a bit of story that won't work without. He understood that queer relationships deserve to be told, and when confronted with skeptic fans he learned about queerbaiting.

He took a lot of tropes and put them on their head. He structured his show like fanfic. He put thought into his stories instead of following the beaten track. He single-handedly raised the bar for every showrunner out there.

But it is still only his second show.

If he didn't shine so brightly during OFMD's first season, nobody would have expected so much of him.

And yes. He dropped the ball on Izzy.

I loved Izzy to pieces ever since season 1, I wanted to pin him to a board like a bug and study him and take him apart and put him in a blender and in situations, I loved to hate him and in season 2 I loved to love him. He is such a brilliant, complex character, so well written and so well played by Con O'Neill; the options for character analysis, relationship analysis, various interpretations of everything he has done, are simply limitless. 🤯 That is due to David Jenkins & Con O'Neill.

And David Jenkins, standing in the spotlight of all of our exaggerated expectations, decided it would have the greatest emotional impact if he killed him. He made him a symbol, for the end of The Golden Age of Piracy™, and he killed him.

He was right.

He was not original.

He fell for one of the very tropes he so successfully fought in season 1, and for the most part of season 2.

Procuring an emotional response by having a beloved character, who was just starting to embark on an exciting new journey, die tragically and emotionally, providing motivation for the remaining characters.

It was a cheap move.

It is not a Bury Your Gays. Everyone is queer on this show, you can't call something a Bury Your Gays if that would be true for every character death.

But Izzy was also old, and disabled, and he had survived a suicide attempt (that he was driven into, not chose for himself), and had just had an arc of growth and character development that could have gone on for such a long time after this. He had just learned to trust and be vulnerable and experience (gender)queer joy. God, there were so many places his character could have gone.

I loved Izzy as a character, I didn't relate much to him. But Your Mileage May Vary, and I am so, so sorry for everyone who did. You didn't deserve this.

But David Jenkins? Is still sooo much better than any generic bland showrunner that is going places in Hollywood. You want to boycott anything, boycott the big streaming services that don't have the guts to make their main characters queer, to think that "a bit of both" is inclusive or bold, and who drive out any creatives that object and try to sneak in inclusiveness. They are the enemy. They are systemic discrimination and injustice.

David Jenkins is just starting out. And he did so much better on his very first successful show than anyone who has been in the business for years. If anyone deserves a chance to prove that he can do better, it's him.

I'm sure he'll come to regret his decision. I'm sure he'll see where he went wrong, how he could have done better, and fix it in any show he might do after this. I, for one, would much rather see any show he is involved in than most of the crap that the AMPTP is putting out, now or in the future. He can only get better. And he did do a lot of things right. Never forget that. Because the majority of showrunners can't even do the minimum, and David Jenkins went above and beyond.

I think he deserves a little slack. If anyone in the streaming industry does, it's him.

It's the fucking pedestal that is the problem. It makes people who do good but are not perfect suddenly look worse than the most cowardice, opportunistic mediocre guy. But they are not and they deserve a leg up, or we are stuck with the worse option who gets support from all the wrong places. Don't fall for it.

#david jenkins #our flag means death #ofmd #izzy hands #ofmd izzy hands #con o'neill #nikku.txt

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naomihatake · 6 months

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Solitude

you can find other zoro fics here: Naomi's archive

pairing: zoro x fem reader

tags: hurt/comfort, fluff, consumption of alcohol

summary: One would expect the swordsman to unwind after a battle, but there are times when he can't help but think. Alcohol doesn't always come in handy when a specific crewmate he grew fond of cuddled a tad bit too close to his heart.

word count: 3.3k

theme song: 'Daylight' by David Kushner

A/N: It can be imagined with both anime and opla Zoro. I don't know if he's slightly ooc or not, but I genuinely wanted to dig into this side of a relationship with the swordsman. The awkward times when he's getting used to it and simply accepting everything as a new part of his life.

I didn't forget about my multi chapter fiction, I just didn't find the inspiration for the 8th chapter. I couldn't help but write this for my own comfort and I want to mention that this original art of @tea917339 inspired me (check it out, it's absolutely amazing!!!)

I'm always open for your opinions and comments, so don't be shy about sharing your thoughts with me! <3

Usually, nights with the Straw Hats were lively, even after battles that left the crew members injured and bleeding. They would pick each other up and cheer up by simply bickering — that's what Zoro thought.

The same way Luffy's hand extended to help him back on his feet after he plopped down on the ground to rest. The same way Zoro reassured Chopper after the kid tried his best not to get emotional afterwards. The same way Sanji threw some remarks and the swordsman spat back in annoyance. And, for fuck’s sake, Nami reminded him for the tenth time that day he owes her berry for something he completely forgot about. Usopp was sighing in relief every time he remembered they escaped with life again while Robin agreed with a soft smile on her face. Truly, it was almost insane — Zoro wouldn't exactly call that a miracle because he's doubtful of its existence.

However, he couldn't bring himself to cheer up once the celebration of their victory was over and everyone went into their rooms. He was on the night watch and all he found himself capable of doing was burying in memories of all kinds, be it happy or not. With not enough alcohol in his system yet, it was rather hard to push those thoughts into the back of his head.

The swordsman sat on the deck, his back resting against the wooden cabin. Hidden from prying eyes, he found peace in the temporary silence. Rare were the times when the crew was so peaceful and it was usually during the night, when they were asleep, because otherwise they would've caused a mayhem.

The side of his mouth curled upwards at that thought. It was equally annoying and endearing, since in the months spent with them he found a lot of things about himself. Like the fact that he found his crew to be a family, like the way he sometimes found peace even in the chaos caused by them.

Or like the presence he grew way too fond of along the way. That witch — she truly was one, judging by the effect she had on him. Only a spell could've made his mind get so clouded, only some unknown force could've managed to soften his edges so well. She joined the crew from the first day and he believed that a spell had been casted upon him since the first time they gazed at each other.

Right. Zoro gulped down. The effect she had on him was equally annoying and pleasant.

Annoying because he should've focused on his promise to Kuina, not get lost in between fairytales. He wasn't by any means the charming prince riding a white horse and he didn't intend on becoming one anytime soon. It filled him up with feelings unknown to him. Zoro might be a fan of adventures and he had rather insane ideas — as one might say —, but such sentiments were an entirely new path to walk on.

First and foremost, it bothered him the fact that he wasn't sure he could fulfill both his promises and whatever the fuck was going on between him and the witch. He couldn't pinpoint what was happening, it was all in a blur, even if everything was clearing up whenever he saw her.

That's when he's reminded why he likes their relationship — what kind of, he didn't know. When he saw her, there were always sparkles in her eyes and the smile on her face would grow wider, lines of happiness appearing on her cheeks. The curl of her lips would make his heart skip a few beats and he would relax his shoulders unconsciously. Eyes filled with joy looked at him as if he was the very reason behind her purest sensations.

Also, not to mention how warm the depths of his chest felt when she was near. The heat would rise to his cheeks, which he sometimes found uncomfortable, but Zoro never ran away. A side of him wished so badly to go the other way and never look back, ignore her and those stupid damned feelings, but he never gathered enough courage to do so. Every single time, he would remain stuck, with his eyes stuck on her frame and fingers aching to touch and lips tingling to kiss.

God fucking dammit.

With a curse rolling off his tongue casually as he closed his eyes, the back of his head collided with the wooden wall he rested his back against. Zoro sat with his knees bent and feet planted onto the floor, only his Wado Ichimoji in his proximity. With its hilt glued to his shoulder, the sheathed sword was in between his fingers. By that time, he held it for comfort.

If that's what he could call it. The swordsman wasn't sure what else to associate it with. Or was it familiarity? The white sword was the only memory he had of a long lost friend and his first home at the dojo, by the side of his sensei. It was the only object tying him to his past, to his beginning, to times when he was much weaker, but determined nonetheless.

To care about his promise was familiar. Zoro wouldn't give it up — proof was the simple fact that he still achieved to become the strongest swordsman in the world. One day, he will meet Mihawk again and when he does, he will be stronger than the first time he encountered him at Baratie.

Looking back, it's been so long since. So long since a new life appeared before his eyes and he accepted it with no hesitation. He was a pirate, a Straw Hat, Luffy's first mate. The swordsman swore to help his captain achieve his own dream.

Those promises were familiar. The erratic heartbeats caused by the witch weren't. The sensation settling in the pits of his stomach when her gentle fingers would brush over his arm weren't. It was foreign and it didn't sit well with him.

Kuina.

He still saw her face in his dreams sometimes and it was usually her ghost haunting him. Other times, in her place would be one of his friends and each time it was harder to fall asleep.

When awake, memories of her replayed so vividly in his mind. Swords clashing together and whistling as they cut the air in half. A grin brightening up Kuina's face when he would fall on his butt and cuss her out again. They promised that one of them would become the greatest, but he was the only one capable of that, because her bones lay in a grave somewhere far away.

Zoro opened his eyes and stared at the night sky with scars scattered all over it. A calming view, even if there was tumult inside of him, hidden in between ribs that broke with each new pump of his heart. His brown eyes fell to the floor and he crossed his arms on top of his knees, gripping the sword tighter. His chest puffed up with air when he inhaled and he let out a heavy sigh.

“Zoro?” a soft whisper made him jump out of his thoughts.

The swordsman snapped his head and he was greeted by the sight of someone he didn't even know he was searching for. A side of him wished to say something along the lines of “fuck off” while the other side desperately wanted to soak into her presence.

A witch, indeed.

His eyes ran up and down her figure. She didn't seem surprised to find him there, in a rather hidden spot, which meant she didn't search for too long. Did she even search for him or did she also wish to be alone for a while? The first place to search for someone during night shifts was the crows nest.

She held two bottles of what he guessed to be alcohol and she swung them carefully before stepping closer. His chest tightened and he found it harder to breathe, even if it was inevitably easier than before at the same time. For some reason, she had that effect on him.

Maybe he knew that reason all too well, but he just avoided thinking of it.

“You told me we'd drink something together,” she reminded him in that warm voice of hers.

The sweet melody that calmed his nerves.

He didn't know what kind of energy radiated off him, but her behavior was far more gentle than usual. She wasn't hesitant, the witch never hesitated around him, she was just mindful of her actions and words.

He didn't know why for a second he saw understanding in the curl of her lips when she crouched down. Unconsciously, Zoro knitted his eyebrows together in confusion at her gestures.

The bottles hit the floor and she let go of them. Her eyes sparkled like they always did, but there was something different that time — a warmth they held only when she comforted Chopper or encouraged Usopp. Warmth similar to the shy rays of the sun of the morning, when the cold is still lingering and there's a specific scent in the air. Gentleness he only ever saw in her, because Luffy's kindness was different.

A warmth so humane that was visible for the crew alone or those in need of it.

The witch recognized something in his demeanor and Zoro had no clue what that was about. He could only see it in her gaze.

“I suppose it isn't really the perfect time for me to butt in, hm?” she whispered.

Like a promise only for him to hear. A secret.

“How'd you find me here?” he found himself speaking before he thought it through.

The question made her shrug.

“I pick up easily on your energy. It's quite unmistakable, y'know?”

There it was — one of the main reasons why she had the nickname of Witch both on the ship and outside of it. She's spoken about that for a few times and he had to admit he understood what she meant. However, the swordsman only felt those “energies” (as she liked to call them) in specific moments. He remembers that time in Lougetown when everything felt like energy instead of palpable objects, the reason why he won that fight.

Sometimes he seriously wondered if she hadn't met his sensei at some point in her life.

“What is it like?” once again, he asked before thinking.

The witch pulled her lips in a tight line and hummed, gathering the right words to describe it. Her gaze bounced around and she grimaced once, when she probably found her choice of words to be unpleasant or inappropriate — she always scrunched her nose when it was difficult to find the proper terms.

“It's sharp, but warm. Kind of steady, constantly flickering. For example, Luffy's energy is always all around the place and Chopper's gets out of control easily. Robin has the steadiest energy of all of us, even if it was kind of… strange lately.”

Zoro arched his eyebrow at the last piece of information and only received a hand waving through the air.

“Ignore the last part, I'm still figuring it out myself. No need to worry.”

The swordsman knew the energy she was talking about was different than what he felt when she was in presence, but he wondered if whatever laid in her heart interfered with her ability to distinguish his being from the others.

He watched as the witch looked at the bottles next to him and then clicked her tongue, deep in thought.

“I don't know if they'd help you tonight, but I'll let you be.”

None of those words were accusatory. They were all coming from a place of kindness and patience.

Suddenly, her fingers curled around his bicep, below the bandana wrapped around his arm. Skin on skin, her touch was hot and pleasant, even if very confusing.

What was she thinking?

His puzzled feelings were written on his face. Uncertainty laid in his dark brown eyes and his fingers held onto the sword tighter. He didn't even notice when the grip on his Wado Ichimoji loosened up.

Her gaze was reassuring as ever and she gently rubbed her thumb into his tensed muscles.

Zoro had to at least admit to himself that vulnerability was uncomfortable. Without spoken words, she picked up on it.

“I don't know for sure if I'll get to sleep tonight, so you could cut your night shift in half.” She's having issues with nightmares again? he silently wondered. “I'll be in my room, reading. Do what you see fit.”

Instantly, she was back on her feet with her back straight and walked away. The swordsman didn't know what happened or what he should understand.

He was utterly and completely confused. What just happened?

Oh. The witch gave him space and time to think. She also told him where she was in case he decided to grip at the promise of comfort and hold tightly onto it. The opportunity laid right in front of him and he was the only one to decide whether he used it to his advantage or not.

Zoro didn't notice when his shoulders relaxed. His body wasn't as tense as a few minutes ago, his back didn't feel as stiff. The exhale he left wasn't heavy anymore.

The swordsman knew what this was about. Maybe it was the time to just accept his feelings and get on with it. He had to suck it up and deal with it, even if dealing with her wasn't the right way to word it out. It always felt more like she was dealing with him.

With closed eyes, he remembered the last time her lips brushed by his. Gosh, it was so hot and his blood was bubbling like lava in his veins. It wasn't an accident, he intended on kissing her back with fever, but he had a hard time accepting everything. It was… weird. Facing that reality was troublesome.

She has yet to lose her patience. The witch remained firm and each one of her questions were answered by gestures instead of words — something familiar for him. She was far more skilled with expressing herself even when sensitive topics came up.

That was a miracle. Her presence alone could be compared to a miracle because it was completely unexpected and somehow always caressing him the right way. It was scary how accurately she could read him and the same applied to him.

The sky before his eyes continued to sparkle with stars and he remained still in his place. His fingers caressed the scabbard of his sword as he blinked in the darkness, the chill air of the night invading his lungs.

It was complicated and so simple at the same time. Zoro knew the answer — he just had to come to terms with it.

Just as age promised, the witch sat on the bed in her room with a blanket warming her up. The lamp on the nightstand by her side casted a golden light over the pages of a book sitting in her lap. It was hard to focus on the story — a captivating part of pirate's history, sometime before the appearance of Gold D. Roger.

Her thoughts were followed by the swordsman. Zoro's mood was… sad at best. She didn't expect to find him in that state, but she quickly came to the conclusion that leaving him alone might do him good.

She tapped her finger over the pages of the old book and clicked her tongue. Was it right to leave him? The witch never saw him in a similar mood and she also realized she didn't know how to help him. There could be a lot of ways to bring him back to earth or at least keep him afloat. Those ways were only known by him. All she could do was guess and hope for the best outcome.

Heavy footsteps echoed on the other side of the door. When it opened wide, there was Zoro's tall silhouette, his white sword in his hand and one bottle of alcohol in his other. He came closer, his face hard as a stone. The pink hue painting his cheeks was the only detail giving away the fact that he drank one of the bottles she brought hours ago.

“Why aren't you sleeping yet?” he said with a gruff voice as he plopped down on the mattress.

There were only a few hours left before the sun would rise up from the sea.

“You've probably guessed already,” she averted her eyes from his figure.

“Nightmares again?”

The witch only nodded, eyes focused on the book. Zoro let the sword against the couch.

“I won't fall asleep, so you could as well take a night off,” only then she looked at him again.

His darkened eyes have been locked on her since he entered the valley. The witch wanted to move, to eventually get away from his knowing gaze, but she knew there was no possible way to do it.

“Are you alright?” she blurted out.

She had to fill that silence with some kind of conversation. Maybe that wasn't exactly the wisest decision, considering his shoulders visibly tensed and he straightened his back. A frown appeared on her face. She regretted talking.

The witch figured out he needed more time to sort his thoughts.

“Why don't you go to sleep?” she tilted her head to the side. “The fight has worn us all out. You could rest for a while.”

“And you?”

“We'll be sailing for a few days. I can sleep ‘till afternoon.”

“Nothing will happen for as long as you're on this ship with us,” the reassurance slipped so easily. “Do you trust us?”

“More than anything,” the witch responded with a faint smile.

Several weeks ago, her answer and reaction would've been so different. She made so much progress since she first met them, her trust now fully laying in their palms. Long ago, she would've backed away at such a question and, if they were lucky enough, the witch would admit she “needs time to adjust”.

At first, all he did was lean close enough for his shoulder to touch hers. The swordsman only intended to enjoy some peace while he shared his booze with the witch. From time to time, she'd gulp from the bottle and then give it back to him before continuing her lecture. After each two minutes, the room would be filled by the rustling of pages.

It didn't last long until he fell into her trap and tiredness dragged him glued to her. With his head in her lap, Zoro bumped his nose in her thigh. The witch's fingers ran through his hair and he let out an audible exhale, eyes closing instantly. Greeted by darkness, he felt warm not only on the inside. The blanket she curled around herself earlier was now covering his upper body as he sunk into the soft mattress and her.

One of his hands curled around her knee and he dug his fingers into her flesh. Her leg jerked slightly at the unexpected touch, but when he tried to move away, she muttered a sweet “It's okay”, stopping his movements.

The oxygen in his lungs was exchanged with her perfume and he bit back a groan. Her voice was like a lullaby, even if there weren't many words rolling off her tongue. Zoro wasn't bothered by the light of the lamp, completely forgetting about the world around him once her fingers continued running through his hair.

His hand traveled up, until it fully rested on her thigh, the warmth of her body seeping through the thin material of her pants. Truth be told, he's never felt better.

She was a remedy. His remedy.

“Good night.”

Zoro heard her whisper solely because he was near her; otherwise he would've confounded it with the night breeze.

Maybe giving in to her affection isn't that bad.

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