the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
10K notes
·
View notes
the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
15K notes
·
View notes
Liushen AU where SY transmigrates into SJ's older brother, and subsequently nopes them right out of the slavery backstory by using his general knowledge of the story and actually being an adult in a kid's body to just leave (basically) with SJ and YQ.
SY carts them both up to Cang Qiong for the next sect trials. It's actually not all that hard, the trickiest part is getting enough to eat and finding safe places to sleep between leaving the slavers and taking the trials (SY manages just barely, with considerable help from his new little brothers.) Nobody bothers to go after them because it's before Qiu Jianluo and this style of human traffickers mostly operate by virtue of their merchandise having nowhere else to go. Chasing down runaways is an expense not worth indulging, given that most of them either come straight back or die of exposure.
Anyway, they take the trials, and as expected YQY gets chosen to become a personal disciple for the sect leader, and SJ gets chosen by the Qing Jing Peak Lord, but also as (kind of) expected (by SY alone) nobody wants SY. He's older the Yue Qi, so too old, and unlike YQ and SJ his cultivation potential isn't striking enough to make any exceptions for him.
SY, however, can't leave it at that. He's spent more than five minutes with the street kid codependency gang, so he's gotten attached to both of them. And he knows what will happen if they're left to their own devices and The Plot proceeds accordingly. (Also, they keep threatening to not stay at the sect if SY doesn't stay too, for some reason.) So with a heavy heart and internal candle lit for himself, SY heads to Bai Zhan Peak. Which is the only peak that accepts disciples by way of them turning up and refusing to leave.
SY's not much of a fighter. He actually really hates the atmosphere on BZP, he's not bad at physical cultivation (his health's pretty good in this life, ironic considering how much worse his situation was) but the random ambushes and survival-of-the-fittest stuff is just not his brand. But that's okay, because it turns out that BZP actually DESPERATELY needs disciples on the actual peak who are interested in things other than fighting and cultivating their own strength. Stuff like, filling out requisition requests for An Ding every time things break, apologizing to An Ding every time things break again, organizing schedules, browbeating senior disciples into actually teaching, educating disciples on virtually any artistic or social skill, hosting lectures on how to beat vicious beasts without just overpowering them, and etc.
Okay so some of this stuff isn't and has never actually been on Bai Zhan's curriculum but Shen Yuan is going to make this place tolerable. And stop these children from needlessly getting acid burns or lyme disease or scurvy or whatever. He keeps internally chewing out Airplane for designing a sect system that means there are a lot of largely unsupervised 12-year-olds running around the wilderness on a mountain picking fights all the time. (When he actually meets Shang Qinghua and figures him out he switches to doing it in person, of course, in twice-monthly bitching sessions that look a lot like budding friendship.)
Of course one of the worst offenders is the Liu kid, who SY would suspect was actually raised by wolves if he didn't know for a fact that Liu Qingge has a younger sister, and also the kinds of nice clothing and letters from home that strongly imply not only does he have a family, but that the family is pretty well-off. Liu Qingge is at first deeply offended by SY being a BZP disciple. He rarely fights anyone, and uses tricks and evasion tactics whenever a fight can't be avoided. And he does other annoying stuff, like pestering him about meals and baths and lecturing him on identifying dangerous plants and the early signs of qi deviation. This is not what their peak is about! He should get with the program already! Just fight stuff until you're too tired to keep fighting stuff!
Also SY's younger brother, SJ, is pure evil (at least according to baby Liu Qingge) even though his other younger brother (?) is cool and nice.
Anyway, Liu Qingge stops complaining about SY after their first mission together, where Liu Qingge doesn't lose a fight but does get into a kind of pyrrhic victory situation where he's really badly hurt, and it's SY who helps him win (correctly identifying the monster and then pointing out its weakness) and takes care of him afterwards and gets him safely back to Cang Qiong. SY expresses surprise at LQG actually being polite to him, and LQG realizes that he's been a colossal ass if people think he wouldn't be grateful to someone who saved his life, so the usual Liushen dynamic proceeds from there. Liu Qingge starts bringing SY fans he leaves behind and hunts down animals that are supposed to be useful for bolstering weak cultivation, SY invites LQG to tea and keeps the critters as pets, etc etc.
SY doesn't get the Head Disciple position, because that's only acquired via beating the current peak lord in combat and lol no. Also he's not interested in stealing it from Liu Qingge, to whom it rightfully belongs (in his mind). But that's fine, because Liu Qingge takes the position when the next generation ascends and then he lets SY exclusively handle all the peak duties SY actually likes (mainly teaching). It's perfect -- Liu Qingge gets to focus on his War God antics and occasional administration/meetings without having to deal with students his has no patience for, but the disciples of BZP don't get neglected because SY is actually teaching and organizing classes and student care. BZP hasn't enjoyed a golden age like this since it was founded!
Things are pretty good overall, but Shen Yuan knows that it's only a matter of time before The Plot shows up, and so he can't rest completely easily.
Meanwhile, the will-they-or-won't-they bets on Liushen have been going strong for a while now. The thing is, most of their martial siblings are convinced that these two are already "together", and just being circumspect about it. Those who know SY well (like SJ, YQY, and SQH) know better but think that SY's romantic obtuseness is to blame, whereas those who know LQG well (LMY, WQW, and MQF) are pretty sure that it's actually LQG's obtuseness that's the problem. Of course it's actually both of them, so efforts to "fix" matters by getting through one of their thick skulls inevitably run afoul of the other's.
An additional complication is of course: SJ doesn't like LQG (mutual), and now that he's the leader of his own peak, he wants to poach SY to come and live there. Not only so he can have one of the 2 people he trusts actually close at hand, but also because SJ also hates actually teaching the atrocious little brats on his peak, and would like to have SY come and do it for him. YQY is still a total pushover for him too, and is also now the sect leader, so YQY agrees that SY can change peaks if SY and LQG both agree to it.
Liu Qingge, of course, is a no, but he's a variable "no". He's not going to hold Shen Yuan against his will or anything.
As for Shen Yuan, it's... complicated. He doesn't really like BZP, but it's gotten a lot better than it was at the start. These days he's actually pretty proud of his accomplishments, and it's more comfortable, but it's still a rough and rowdy place with fewer creature comforts, libraries, or other appealing points than QJP. Also, if he goes to Qing Jing to teach, he can personally ensure that SJ doesn't go around persecuting any of his students!
But... SJ never lived with the Qiu family in this AU, and even though SY's not totally clear on what the PIDW backstory for SJ was, he knows he's a better guy now than the scum villain in the book was. He has a reputation for making cutting remarks, not for being an abusive snake or a lecher. SY's honestly less worried about him doing anything bad at all, and there are other people on QJP who can teach. It might even be good for SJ to promote more people to fill out a social circle he can rely on! That guy needs more friends, seriously.
And QJP really doesn't need more layabout literary intellectual types who get into pointless arguments, which is all SY would be if he went there. Just yet another nerdy scholar for the rich kids with middling cultivation that the peak favors to ignore. At least on BZP he's filling a gap.
SY is clearly torn, and the fact that SY's considering it has LQG upset, and LQG doesn't handle being upset very well, so of course they have an argument about it. SY storms off to cool his head and LQG is like, this is it, he's gone to Qing Jing Peak, I've drive him off by being too aggressive and he's probably remembering all those times I told him he didn't belong here and oh no what have I done maybe if I build him a heated bath and get him books he will come back???
Turns out that SY just went to An Ding to vent at SQH while SQH was like "I think you would have fewer problems if you and Liu Qingge just got married and my disciples could call you Shigu to your face instead of behind your back" and SY threw melon seeds at him and sulked on his fainting couch (which is always cold for some reason...)
Thus begins the Liushen Divorce Arc where SY tries to be anywhere but BZP or QJP, Liu Qingge tries to figure out what thing he can punch to fix this not-punchable problem, SJ is like "I don't see what the big deal is they should break up Liu Qingge is awful and I want my brother to teach my classes for me" like the spoiled youngest sibling he's finally allowed to be, YQY is trying to moderate this Hades vs Demeter situation and is all "well maybe SY could spend half the year on QJP and half on BZP?", and Liu Mingyan is going "I know my brother if this doesn't work out he is going to die single and pining like an idiot" and so keeps conscripting other disciples to y'know, lock SY and LQG into storage closets together (ineffective: LQG can punch through walls) or at least get them in the same room (underestimating SY's willingness to yeet himself out of windows to avoid awkward social interactions.)
By the time Luo Binghe joins the sect (as a Qiong Ding disciple), the drama is in full swing and is the main topic of gossip across most of the peaks.
2K notes
·
View notes