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historicallyaccuratecheese · 4 months

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Well, I guess I’m continuing to make these now! Here’s the next part of my thoughts on every Magnus Archives episode! Now, last time I said that I was planning to write about episodes 21-40 in the next post, but as it turns out, the hyperfixation has set in and my thoughts are a LOT longer (so buckle up if you want to read this), and I also reached the tag limit. So, I’m only going to be covering episodes 21-30 here, and then I’ll write about episodes 31-40, and this 10 episode trend will probably continue for the rest of the posts, but that just means I’ll be able to put them out faster.

Also, unlike my first post, where I wrote all of my thoughts after finishing episode 20, all of these ones were written right after I finished the specific episode I talked about, so my thoughts are a lot more clearly documented. Finally, there’s a link to my masterpost, which will contain all the post’s detailing my thoughts on every episode before and after these ones.

Once again, no spoilers for future episodes please, and for anyone who hasn’t watched up to episode 30, spoilers are under the cut, so I recommend turning away until you’ve caught up. :)

- Episode 21, Freefall 🪂

Statement of Moira Kelly, regarding the disappearance of her son Robert.

WHAT THE FUCK??!! MARTIN??!! DAMN, I guess the horrors did get to him! Well, it’s nice to finally meet him, even if his first line was dropping shit on the ground. Either way, I get the vibe I’m in for a wild ride for this second half. ….What was I talking about? Oh yeah, the actual statement. Anyways this one upset me. Not only did it bring out my fear of heights pretty well, but the portrayal of a grieving mother who can’t comprehend what happened to her son was really heartbreaking. The line “The sky ate him” was kind of comedic at first, especially with Jon’s following reaction (love this guy btw, he’s such a loser), but then it became really horrific when I realized how it was just Moira desperately trying to make sense of the impossible horrors she just witnessed. The plot thread set up with Simon and Harriet Fairchild is also very interesting, and the whole sky thing kind of reminded me of Dominic’s visions in Ep. 4. Overall another one of many fantastic episodes, but HOLY SHIT I’M SCARED.

- Episode 22, Colony 🔦

Statement of Martin Blackwood, archival assistant at the Magnus Institute, London, regarding a close encounter with something he believes to have once been Jane Prentiss. Statement taken direct from subject.

….aaaaaAAAAAAAAAAAAA!!!! Ok let’s start from the top. Firstly, I’m really happy we finally got to meet Martin in this episode, and he’s great! Honestly he comes off as more dorky than stupid, and just comes off as a real sweetheart, so Jon’s distaste for him (outside of very different personalities), gets more mysterious. Though all things considered, after what he experienced, I don’t think that the bullying is his biggest worry anymore… Alexander J. Newall does a fantastic delivery, as much as I love Jon’s readings, you can really feel how terrified Martin is here (also “Blackwood” is a sick as fuck last name, and I related to him trailing off about spiders…) Outside of Martin himself, we have Jane Prentiss (or what remains of her) and…well, let’s just say that I don’t find the sex worms nearly as funny anymore. Jane and the worms inside her are absolutely terrifying, and while I would say I’m excited to learn more about her, I wouldn’t be complaining if the institute staff never had to deal with her again. Also the text episode made me, if you’ll excuse my language…squirm. Honestly, this might just be my favorite episode so far. The way that the plot threads from previous episodes connected here was extremely satisfying, and needless to say, I’m very excited and horrified to see where the show goes from here.

- Episode 23, Schwartzwald 🇩🇪

Statement of Albrecht von Closen, regarding a discovered tomb near his estate in the Black Forest.

Worst episode ever because Jon didn’t do a German accent, smh. Ok but in all seriousness, I really liked this one! It wasn’t the strongest in terms of complex themes in my opinion, but it had a great vibe, and was still very interesting, entertaining, and decently creepy. Having a “statement” written before the archives was founded is a really cool idea that’s executed perfectly here, and while we didn’t learn that much about Jonah Magnus, I still found it cool to get a first glimpse of the archives’ history. (Also, given the eye imagery that appears both in here and in other episodes, I can’t help but feel like Albrecht’s wording of Jonah having “good eyes” or something like that is a little weird…) And…now that we have the instance of something that isn’t a statement, but is important being in the archives, I absolutely agree with the idea that Gertrude Robinson organized these poorly on purpose, so that Jon would get the knowledge he needed to have. Regardless, this whole episode had the vibes of a classic ghost story, which while not as weird and off-putting as some of the other horror here, was still a nice change of pace overall. The descriptions of The Schwartzwald were really well done and added to the atmosphere, and I just like the fact that we have another historical episode, that’s also set outside of The UK. Also, the way that they played with the time period at the end was amazing, I already had my suspicions due to the eye imagery, but the reveal of Mary Keay (and therefore Gerard Wa- I mean Keay) being a descendant of Albrecht was still really cool. I also do wonder if the Arabic book was eventually found by Jurgen Leitner in the future…eh, food for thought. Lastly, I loved Martin jumping in out of nowhere, it was both funny, and a grim reminder about how fucked the archives supposedly are, yippee!

Wow, these are a lot longer than my previous thoughts. This, my sweet children, is a phenomenon called “brain rot”.

- Episode 24, Strange Music 🪆

Statement of Leanne Denikin, regarding an antique calliope organ she possessed briefly in August 2004.

Jon, honey, are we not going to elaborate on the fact that one of ✨the horrors✨is literally inside the institute? Like, HELLO? That’s not terrifying at all! Anwyays, this episode continues the trend of making me scared of things I’m not initially scared of, yippee! It had great vibes as well, the weird shit in the attic was made to be as creepy as possible. Initially, I didn’t find this one to be too scary, and figured it was going to go in the direction of “music makes people feel kind of weird”. AND THEN JOSHUA GETS KILLED AND TURNED INTO A DOLL HELLO??!!! Like, I know he was kind of a toxic boyfriend, but DAMN, whatever was behind the calliope and the dolls did NOT have to go that far. (Also until the end I thought he might be Joshua Gillepsie, and like, I don’t care how toxic he is, but you do not dump a guy who bested an evil coffin with his freezer.) Outside of that, It was really cool to meet Sasha! I like her voice, and the introduction was quite funny. (Also, even as someone who has lived in England for over two years, and has a family that is 90% British, nothing hurt more that Jon’s “Americans”.) Lastly, I have a theory, which I like to call “Ringmaster? More like cult leader.” Because I’M SORRY, but you cannot convince me that a CIRCUS, called THE CIRCUS OF THE OTHER, which possessed a HAUNTED CALLIOPE ORGAN, is anything but a cult. (Watch me when I’m inevitably wrong lmao.)

I guess now is a better time than any to say that I’m kind of wondering if there’s an in-universe reason for the music in the background? I mean, considering that the whole framing device is Jon recording these statements, I have to wonder if there’s a reason for the noise we hear, especially with the worms in Ep. 22 and the music in Ep. 24.

- Episode 25, Growing Dark ⛪️

Statement of Mark Bilham, regarding events culminating in his visit to Hither Green Chapel.

HAHAHAHAHAHA!!! I LOVE BEING RIGHT!!! I saw the episode title and immediately assumed this would continue the lore of Episode 9, and I WAS SO RIGHT!!! (Also, I now just noticed that the PCOTDH’s symbol is a closed eye, while The Keay Family’s symbol is an open eye…my cult theory thickens…) Anyways, this was another very enjoyable episode! Firstly, even though it’s far from the first piece of media to do so, I though the way they portrayed a cult brainwashing someone when they’re most vulnerable was very well handled and pretty depressing. I also really enjoyed how the episode isn’t the most weird and paranormal on it’s own, but the knowledge of the connections to Ep. 9 makes us know that it DEFINITELY is, even when the characters in the story don’t. The episode was certainly very spooky, the description of the spinach and the dark church definitely got me. (Also my mom came into my room briefly and when she left she accidentally turned off the light and I nearly screamed.) There were also some really interesting plot threads set up here, like the chanting of the northern most human settlement in the world, the mention of “three hundred years waiting”, and I also wonder if “Mr. Pitch” is an alias for “Detective Rayner.” then…the ending. Holy shit. You know, maybe I DON’T need to know what happened to Gertrude….

Episode 26, A Distortion ☕️

Statement of Sasha James, assistant archivist at the Magnus Institute, London, regarding a series of paranormal sightings. Statement taken direct from subject.

I…what…I don’t even…we are so fucked. Ok, there’s a LOT going on here, but I’ll try my best to formulate my thoughts as clearly as possible. Firstly, this episode easily scared me the most so far, I agree with Jon when he says that the horrors being somewhat friendly is scarier than them being antagonistic, like HOLY SHIT this one was unnerving. But with that out of the way…uh…let’s talk about Sasha! She’s really cool, I like how her character gives us a lot more insight into what working in the archives is like for a fairly regular person (i say this because Jon is weird as fuck and Martin is too nice to be normal, and I mean that as kindly as possible). But…while I don’t necessarily doubt her status as the most level-headed person in the archives, I don’t think that’s saying much. Like, she saw a creepy guy with weird-ass hands who spoke in riddles and knew too much about her and her coworkers, and followed him into a dilapidated building, also she works at the council of ghost stories despite not liking horror. Like, no offense, I’m sure she’s overall an intelligent person, as are most people in the archives, but none of them are beating Joshua Gillepsie anytime soon (yes I’m still thinking about him.) But mentioning the guy with fucked up hands, WHO OR WHAT EVEN WAS THAT??!! I have very little ideas as to how this “Micheal” even connects to the greater picture. I know some people connected him to the mentions of the man with bones in his hands in Episode 8, but that honestly reminds me more of the Leitner in Episode 17. Outside of that, his name is quite interesting, I initially thought that he might be Micheal Crew, but given that Sasha doubts it being his real name, I have my suspicions (although it would give us a connection between this, the words in Episode 8, and The Boneturner’s Tale….hm….) However, I could absolutely see him being Micheal Keay, as he gives off enough ghost vibes to pass as him (and I’m assuming that if Gerard’s dead, Micheal is as well.) Also he is not described as having a Lichtenburg figure on him so…yeah. Lastly, we have the return of THE SEX WORMS. And as happy(?) as I am to see that The Magnus Archives, a podcast developed by RustyQuill.com, that is also licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, is continuing it’s message of staying abstinent, all things considered, that was absolutely terrifying. I just LOVE the knowledge that the worms are a hive-mind and that Jane might not be the source, I LOVE THAT SO MUCH. In conclusion, I am probably going to sleep with a fire extinguisher tonight, and I am very scared for what the next 14 episodes have in store for me.

Also I guess I’ll mention Tim (the archival assistant, not the dead guy) here because why not. So far I’m getting major bastard energy from people’s descriptions of him, which means I will either love or hate him. Also I found it very funny but also kind of sad that Jon said he only trusts Tim to not prank him in Episode 11, and then he pulled a prank shortly before this statement took place.

- Episode 27, A Sturdy Lock 🔑

Statement of Paul McKenzie, regarding repeated nocturnal intrusions into his home.

Ok, after everything that happened in the last episode, it was nice to get a short and sweet one here. Well, as sweet as an episode of a horror podcast can be. Overall, this one isn’t my favorite, I thought it was a little bit under the standards of creativity for the show as a whole, but that’s obviously not saying much, as it was still pretty damn good in its own right. I think it was definitely very effective with its storytelling, and credit where credit is due, it certainly brought out my fear of weird noises in the middle of the night. And even if I can’t personally resonate with this aspect of it, I do really appreciate how it tackled the idea of mental illness at old age, and while I’d be surprised if the statement wasn’t real, considering where the show seems to be going, it did a very good job at planting seeds of doubt in my mind. But still, it was genuinely pretty crushing how Paul had no proof throughout the entire thing, along with how the cops treated him. It really did make me thing about what would have happened if he hadn’t washed the blood off his hands. It still had a creepy atmosphere, and the reveals at the end were pretty interesting, I hope they show us Marcus’ statement soon enough. Also, the aspect of loneliness in this one did remind me a lot of what happened in Episode 13, so I wonder if there’s some connection there. (Also, I love how I’m 27 episodes in and Jon is STILL roasting Gertrude’s organizational skills.) So while this one isn’t the most interesting for me, I still enjoyed it, and it was nice to have a slightly lighter one after Episode 26. I hope Sasha had a good few days off, she deserves it.

- Episode 28, Skintight 📷

Statement of Melanie King, regarding events at the abandoned Cambridge Military Hospital during filming in January 2015. Statement taken direct from subject.

WHOA THAT WAS SO GOOD!!! Ok, I feel like I should start off with my thoughts on the basic premise, as while those episode is certainly…not the most humorous in its execution, the premise itself kind of is. I don’t know why, but I just thought the idea of there being an in-universe competitor was a really fun concept that was executed perfectly here. It kind of reminds me of something like Hatchetfield and Clivesdale (I don’t know how many people reading this will understand that, but there seems to be overlap between TMA fans and Hatchetfield fans, and also like, shut up, let me indulge in my hyperfixations.) The bickering between Melanie and Jon was great, as was Melanie herself, I’d love to see her again as I think she oddly brought a lot to the world of the series. Although I will say that, while it doesn’t make me like him any less, Jon’s reluctance to buy into statements is a lot more frustrating when there’s another person in the room. I also absolutely love the fact that there’s an in-universe spooky podcast mentioned by name, like, come one, that’s genuinely hilarious. But comedic value aside, this one was definitely pretty creepy. In a similar vain to what Episode 23 was doing, the whole “young people enter creepy abandoned building to film stuff and then get genuinely scared” concept felt evocative of other classic horror stories, and the way they spun it into the context of the show was great. The atmosphere was definitely very creepy as well, as I have mentioned, hospitals creep me the fuck out. And lastly…oh my god, THE CONNECTIONS. So, I’ll start off by saying that all of the skin shit reminded me of what happened in Episode 18 (which I hope is true because I think some connections to other things would make me like that episode more). But that pales in comparison to the fact that we have stuff on THE ANGLERFISH, HOLY FUCK THE ANGLERFISH. I’m SO glad that they didn’t throw it away just because it was in the pilot episode. In retrospect, I think that the story of Episode 1 isn’t quite my favorite. It doesn’t really have to be, as I think the main draw of the episode is getting a first look at the framing device and general vibe of the entire podcast, but the stories didn’t really grab me until Episode 2, which is still one of my favorites. But MAN, this episode really made me appreciate the setup at the beginning so much more, and the knowledge that the people who walked into the alley didn’t necessarily die, meaning that all of those names could potentially come back, is SO exciting to me. In fact, when you consider that Sarah was kind of going through what looked like a possession, I wonder if The Anglerfish is a figure of worship in a cult, if that theory is to be true. (Also I have relatives that live in the same area as Sarah so…maybe I should tell them to watch out for their neighbor lmao.) So yeah, this…this show is just really freaking good.

Note: I have discovered the Leitner rant, and therefore I have achieved true enlightenment.

- Episode 29, Cheating Death ♟️

Statement of Nathaniel Thorp, regarding his own mortality.

I should start off by saying that I love the episode title for this, like, it’s not even metaphorical, the guy literally cheated in a game against death. Well, anyways, the main thing that caught me about the episode was how it absolutely blindsided me. While I was right about the soldier being the same as the statement giver, which I think was supposed to be obvious, everything else in those last six or so minutes left me with a wide-open jaw. (Also, can I just say that I love how poetic this guy just…decided to be? Like, I just love it when the statements really show of personalities with the way they’re written, and it comes with a cool framing device.) Regardless, I initially assumed that it was going in a very traditional line. Nathaniel cheats death, becomes immortal, and regrets it in modern day because he’s lived longer that he really should have. That, combined with the fact that “Death” didn’t seem like the one of the more creative horror monsters in the show so far, had me so prepared to just write this one off as one of my least favorites (once again, not like that’s saying much.) And then the twist comes and HOLY SHIT I WAS WRONG. The idea of there basically being multiple grim reapers at the hands of some unknowable power, who have to gain successors to finally die themselves is absolutely terrifying and extremely clever. I tip my hat to you Rusty Quill, you did a great job at fooling me. Kind of funny considering how this is a story about being punished for your hubris (which seems to be a recurring theme???) I have a few other small thoughts as well. Firstly, I can’t help but shake the feeling that Nathaniel Thorp was an actual revolutionary war soldier, but I can’t find anything online other than the character from this episode. Also, the fact that his fate remains unknown makes me think he’ll show up again, as it seems weird to NOT end the story with confirmation of his death, given the themes. Secondly, a lot of the…less than pleasant imagery here definitely reminded me of Piecemeal and The Boneturner’s Tale. I don’t remember the story inside that Leitner very well, but I might check just in case there’s any parallels between it and this statement. (Update: Not really.) And finally, I was just a little bit intrigued by the fact that we learn no one who was working at the institute in 1972 works there anymore. It’s probably nothing, but given the mysteries surrounding Gertrude’s death, I’m just a little suspicious, both in general, and of Elias because he’s still around. Overall this episode went hard, I’m still kind of stunned by what it pulled off.

Jane Prentiss statement…save me…save me Jane Prentiss statement…

- Episode 30, Killing Floor 🍖

Statement of David Laylow, regarding his time working at an industrial abattoir near Dalton.

You know what, Jon is right, there’s a lot of meat in this show. Not that I’m complaining, I mean, it does fuel my obsession with connecting the dots between statements. Regardless, while this isn’t among my favorite episodes so far, I still had a good time with it. The reason it’s not one of my favorites is purely personal, as I don’t do too well with animal violence. Like, as much as I do really appreciate how viscerally Jonny Sims can describe the statements, I will admit that the opening minutes describing the slaughter house made me more uneasy than the actual horror, and not in a particularly fun way, but it was overall fine. Speaking of the actual horror, that was actually pretty good. The endless hallways lined with doors that lead to precarious situations also kind of tapped into a personal fear of mine, but in a more fun and digestible way. And while the idea of “imagine humans being slaughtered like animals” is something I’ve seen many a time before, it was still much more well executed than many other interpretations of the idea (*cough cough*, peta) and there were also plenty of other interesting themes and ideas, like how the episode touched on the inherent horror of working in a job as gruesome as the killing floor, being enslaved to said job, and the idea that maybe we’re all just walking sacks of meat in the end, and nothing more. As for some other thoughts, I was definitely creeped out by Tom Han, I’m not sure whether or not he’s someone who spreads ✨the horrors✨or someone affected by ✨the horrors✨, and his sudden disappearance was certainly…odd. On top of that, it’s admittedly haunting to know that there’s still creepy stuff going on at the slaughter house, and that this isn’t something that happened to David, and only David. Overall, a pretty good episode, I don’t have much to say about it, but it was a fun time overall.

Tim…save me…save me Tim…

Well, if you’ve made it this far, thank you so much for reading! Genuinely means the world to me when there are people willing to listen to me ramble about my horrible (affectionate) interests lmao. I should have my thoughts on the final episodes of Season 1 out in due time, and while I’m sure it’s obvious, I’m absolutely hooked on this podcast. It absolutely has the potential to become one of my favorite things ever if the overarching plot becomes more involved and this is coming from someone who up until now, wasn’t all that gripped by podcasts. While I’m a little sad that I’m as late to the party as I am, then I remembered “oh yeah, I was in elementary school when this horrifying series came out”, and I’m also hopeful that I’ll be able to be around for The Magnus Protocol while it’s airing (I know it premieres in like a week but still.) Anyways, thanks for reading and hopefully you’ll be around for my thoughts on the next batch :)

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avissapiens · 5 months

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Jockbull Summer Week 1 (12/11/23-18/11/23) - Set A

Model used is Tsonghan Wu

1 & 2.

I don’t typically train with push ups all that often, but I picked this as my personal goal because there’s such a potent jock energy about being able to show off and crank out effortless reps of push ups. Massive high school sports star energy. But we started small. Only managed 22 on my first day. Granted it was immediately after a Push session.

The second attempt however I integrated the competitive element. I went to one of my best friends from back home, K. Total stud who i’ve always envied and idolized. I expect he’ll come up a few more times before this is over so might as well give him some designation. I asked him to make it a contest to beat his score. He hit 30 in one go. I pushed myself so fucking hard because I would not lose to him. I was gonna kick his ass. And I did. I hit 31 and then spent a good minute on the floor unable to get up. It felt so fucking good tho. Increasing by so much. Pushing and winning against my bro. It made my night. 3rd attempt i hit 32. If i keep increasing. Keep pushing. Maybe i’ll get to 100 by the end.

The first step is an important milestone. Obviously as a Self-employed writer/full time student in a different country I don't have a MASSIVE collection of clothes to chuck out (you all can change that). But there are definitely a few that I already know are going to get the boot when the time comes. The reason this one was so important for me and Jockrs is because we both felt that as long as those old clothes were an option, I’d keep defaulting to them out of habit. Over-sized, drab, boring. Hiding the gainz and the new person i want to become. So the first piece I threw out was a fairly cheap ugly grey long sleeved shirt that I bought when I first moved to NZ. 6XL. Bought 3 sizes too big for me at a time when I was 3 sizes too big for me. And as I've leaned down and put on muscle, all this shirt does is wash me out and make me swim in fabric. It had to go. But I still feel indebted to it. It was a go-to piece of clothing on my worst Dysmorphia days when I felt like a fat, disgusting piece of shit. It helped me deal with the anxiety of being in a new place where I clearly didn’t look like I belonged. It helped me hide when I needed to hide. But i don’t need to hide anymore.

Unfortunately I couldn't really work on this as much as I wanted. Jokers was still in exam mode so some of the shared tasks that required him were a bust. That said, I did slip a few more "dudes", "mans" and "bros" into my chatter with gym bros. And I went as far as coaching some dudes through my leg day workout. This is one I'm eager to make progress on because it's so antithetical to what I've always been. My speech has always been a weird indistinguishable hybrid. I’ve been mistaken for American, British and Canadian. I’ve had my voice described as “trans-Atlantic”, Despite coming from the Caribbean. I was always discouraged from indulging too much in dialect and slang when I was young. “Speak properly”. Combined with being fairly bookish and advanced, maybe that led to some good things in the long run. My skill with words, language and voice are unique. They’re why you all love me. But it did mean that by the time I was in secondary school I was a little alienated from my peers. I didn’t talk like them. I didn’t want to either but it was rough always being mistaken for a foreigner on soil you have never left in your life. In a sense, me picking up an even more exaggerated americanized accent is taking that full circle. Developing a bit more control over my speech to inhabit an ideal I have always longed for. Sounds cool, rite brah?

Again, one restricted by Jockrs being in exam mode. I didn’t want to get too far. But we finally watched the first episode of the 2018 series. One of the rare occasions where the dub is notably better than the sub. But god. What a wild ride. 10/10. No notes. It's just pure gas. And that first episode really struck a chord with me. Something visceral about being palpably perceived as a threat. Emanating danger from you that lessers can sense in their bones. Actually being a weapon in human form. I get such a thrill from that concept. I understand why the toxic tik tok gym bro crowd latches on to this show so much. I think I will too.

#muscle #jock #hypnosis #bull #bodybuilding

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mysteriouslybluepirate · 6 months

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Thank you for offering your askbox. I've been thinking that Izzy being just a side character whose story wasn't main plot thread makes even better proof that not everything was well planned? If I was a writer and this would be easily the most discussed topic about the finale, I'd reflect on storytelling decisions I made. There's a good reason why Izzy's fate overshadows everything despite that he wasn't the point of the show.

(Post posted 10/31/23) Feel free to comment below if you agree or disagree, we're all here for discussions.

Thank you so much for this amazing question!! [If you're seeing this and want to discuss some aspect of S2, or my thoughts on OFMD overall, SEND ME AN ASK! I love doing this]

TLDR: Vague characterization from historical records means Jenkins is free to bend history without a lot of guilt. During early days of casting and during scene changes Jenkins got inspired by Con's audition tape. Con was told to play this shit as a Jesus/Judas relationship. An amazing performance in S1 keeps the character relevant in fandom spaces in the hiatus, and in Jenkin's mind for S2. The S1 season finale accidentally reveals a really interesting dynamic in Ed/Izzy's relationship. [Speculation from this point on] Jenkins feels like he needs to explore, with little plans to fully explore it. Fleshing out both Ed/Izzy abuse and love.

Jenkins realizes 'Oh shit, Izzy wasn't supposed to be this' midway through S2. But he still follows his original plan in killing him off, because he's not needed for the story in his outline, leading to him accidentally killing off a character as they're growing and healing. Leading to what some consider a move SO off-brand for the show, they are leaving the fandom.

[*Tin Foil Hat On*] I expect the original cut of S2 to include more scenes of the crew. I bet for every other Izzy scene, we got a crew scene. So when 'extra' not plot-relevant scenes had to get cut, they kept the Izzy scenes due to Izzy's stable arc, the fact that he'd die at the end either way and Con's amazing performance.

EXPLINATION AND DEPTH BELOW! It's a long one. A lot of this post will be speculation, interviews from Jenkins, and highly dependent on if you were in fandom between seasons 1 and 2. If you need me to hunt for sources, I can do that for you.

I'll separate everything into a chronological timeline as much as possible.

Before we touch on why Jenkins wrote Izzy to stick out in the story, we need to assume how he outlined this entire show.

Pre Con O'Neill:

I am of the personal belief that Jenkins likely wrote out an imagined arc for Ed and Stede. Including a lot of cool set pieces, fights, etc. for the three seasons he wanted vaguely based on the real lives of Stede Bonnet and Edward Teach(watch a YouTube vid documenting their history, it's a wild ride) turning it into something explicitly romantic. This is easy enough to do, as most of what we know about them was written YEARS after their deaths.

Next was filling in the cast. This is where we get our crew, mostly characters Jenkins made up, as very little is known of the men either sailed with.

Izzy Hands being a pirate under the age of 18 whose notable actions with Blackbeard include- Captaining his own vessel, running a ship aground, being Blackbeard's first mate, and getting shot by Blackbeard maybe on accident.

[THEORY] So. If you're any writer you see that and think 'cool a side character we know almost nothing about'. You slot him in as being Edward's one thing keeping him to the pirate lifestyle. Not necessarily romantic, but a serious Boss/underling relationship. This is a bit of how Izzy was written in S1 UNTIL-

Con O'Neill is cast as Izzy.

In interview, Jenkins has admitted that Con's audition tapes influenced how he wrote Izzy. As a writer, this shouldn't necessarily be ringing red flags. But he has gone on record as admitting to changing the script before shooting to suit Con. IN SEASON 1. My guess is Izzy at the end of episode 10 was meant to be more of a side character. Another Frenchie, or Wee John, who serves their purpose and then gets pushed to the side by the plot.

But at some point, Jenkins wrote how important the dynamic was between Ed and Izzy. Describing Izzy/Ed to Con before filming S1 of a 'Jesus and Judas' relationship like in Jesus Christ Superstar.

If you tell a (then closeted) queer actor who has been playing queer roles since the 1990s that his leather daddy character was having a Jesus&Judas JSC dynamic in a TV show that respects and celebrates queerness? 🤩 MY GOD.

[Speculation] That's how we get an Izzy Hands who is watching the man in front of him slip away, trying to dig his heels in. Hell, if I were Jenkins, I'd be adding a few more lines for Izzy to be pissed just to see Con have fun in the role. Let him be mad. Let him be in the background of scenes just glaring. Let us see a man slowly lose something he's built up his whole life.

[As mentioned from Comic Con- From Con O'Neill] This was important for me to bring up as Jenkins could have said 'henchman' but he didn't. Hell, when Taika and Con did hair and makeup they'd listen to the JCS cast album. It was a choice on both their parts.

[ovservation from here on out] Con plays it up, and a lot of queer fans saw this and grabbed hold of a man so desperate to keep the man he loved close that he sacrifices almost everything for it (Izzy also signs the Act of Grace to get Ed out of there).

Izzy, in a show full of openly queer people, is still on the fringe of society. SO MANY queers saw this and said 'OMG me'. ME INCLUDED. With a super supportive actor who genuinely is respectful of the fandom? Of art, and fic and meta? The Izzy 'Canyon' became so loyal because Con is a Queer Elder we didn't know we all needed in our lives!

Jenkins accidentally wrote into what could be an amazing story of a queer character living in a homophobic society where he learns to open himself up. All without ever writing a 'coming out' scene for Izzy. Jenkins knows this. Hell, since S1 Izzy fans have been telling him how cool that type of arc would be.

Now here comes the issue of where to take a side character, when you have loose plans for them.

S1 IS TIGHTLY WRITTEN ONTO ITSELF... S2?

Something we might forget now is HOW tightly written Izzy's falling out with Ed is tied into Stede and Ed falling in love. Beat per beat, Izzy is shoved away as Stede takes his place. That's really fucking smart. So smart, it was planned in the writer's room. The fact that some took it as romantic, that Ed could ever really love him back? Well...this is where Jenkins had a decision to make.

So he dips his toe. Let's make Ed even more violent than at the end of S1ep10. Let's include the bit where Blackbeard shoots Izzy Hands. Let's have Izzy confess his love for Ed and have it not be enough for Ed to change his mind. Let's show Izzy rising like a phoenix reborn after a failed suicide attempt where Izzy chooses to mutiny on Ed to protect the crew. Let's see Izzy growing. Because Jenkins loves Con's performance. Everyone in the cast enjoys him as a person. Let's give Izzy one last hurrah.

Jenkins knows this character meant a lot to Con. It's obvious in the way Jenkins recently confessed he told Con about Izzy's death midway through shooting. Sadly we likely will never be told when Con was told. But imagining Con filming the AMAZING character change of S2eps 1-2, then AFTER being told Izzy would die anyway? Oh. I wouldn't be alright. Not after all his fans had spent the last year telling him how much seeing a character like Izzy 'being accepted because they are worthy of love'.

This is the 1 thing that fucks me up. Not telling Con until midway through shooting, Versus his belief that writing Izzy's death was a fitting way to end his story. BOTH CAN'T BE TRUE. Right? If Jenkins felt the need to take con aside and go grab a meal to announce Izzy was dying but then market the ending as a 'Good Idea'. Then...What? If Con felt it fit the character, then he would have likely guessed Izzy would die. But that wasn't the vibe in the fandom at the time. It feels like a decision Jenkins made this season.

Because yes, some general audiences predicted that Izzy would die. But when your core fanbase for a character don't expect it, you didn't plan the death correctly. Fuck, I thought Izzy was trying to RECOVER this whole season. Not that Izzy was hiding how hard he was struggling. That's not a good sign when I've ALWAYS called Izzy as some brand of suicidal/depressed.

[Quote from Jenkins Entertainment Article: Oct 26 2023] 'What's the best journey we can give him(Izzy)? And what's the most interesting thing we can do with Con, who can do just about anything?'

That is not the quote of an author who has planned everything out. That's a writer who knows points A and E and is fighting to find everything in between.

The Fly in My Ointment

There's a point most writers know when a character or story slips out from under you. You didn't mean for this to happen. Hell, I write Scene by Scene outlines. My stories change. When Izzy Hands' growth arc became the most interesting part of S2, Jenkins had a choice.

How far was he willing to bend his idea to keep a character that wasn't 'essential'? Not that fucking far apparently. Because for some reason, Jenkin's labeled Izzy in his mind as 'Blackbeard' and tied Ed and Izzy's fates together. Ignoring how this season Izzy died to separate his old life with Ed from his new life with this crew.

Your question poses it perfectly- If I was a writer and this would be easily the most discussed topic about the finale, I'd reflect on storytelling decisions I made. There's a good reason why Izzy's fate overshadows everything despite that he wasn't the point of the show.

That's a trick they teach you in some writing podcasts. That in the end, you are telling one story. You can have twenty side characters and a romance arc, but in the end, you are telling one story. Each side character is going to show what happens when you fail or succeed at the central thesis.

What do we have in S1? What does Frenchie sing to set up where our story STARTS-

"A pirate’s life, [it’s] short but nice,” -“we won’t live long,” AND “to death we go, a certain death we go.”

Our characters expect a short simple life of what most pirates EXPECT. In my mind, this story has ALWAYS been about survival. From the extravagance of Stede's ship, and a crew ready to throw him overboard, to the barebones Shark eats Shark type of survival described in Ed's own fleet. OFMD is about living in a world that doesn't want you there. About surviving and thriving. About these two men from different worlds coming together and forging a life of kindness for them and for their family.

Saying fuck you, I'm here, I'm still alive, and I'm going to THRIVE. I deserve kindness, happiness, love, and a fully lived life. I deserve to spend my short time on this Earth happy.

IN S2? The ONLY character that matches this thesis is Izzy. After scenes of Izzy struggling. Of finding himself. Of crawling up from his own personal hell, Izzy dies. He dies from a random bullet wound in the same spots that didn't kill Stede or Ed in the previous season. Breaking the one established rule for wounds in this universe that the left side is the safe side so that Izzy can die.

Even if Izzy spent this entire season wanting to die, he tried to live. For a few days after a breakup of over 20+ years of casual intimacy. Of a bond where Izzy was the murderer, the brawn. The dangerous right hand. Where Izzy dying meant not just his death, but likely that of Ed. Given the man's constant depressive moods, crews that didn't like him, and reoccurring suicidal tendencies. Ed didn't need Izzy Hands anymore. Ed had Stede now. He was ready to finally leave Izzy for good. What will Izzy Hands do now?

He gave up. He tried to move on. He listened after being told he was too rough, too loud, too mean. He tried. He tried to survive this new way of life surrounded by people who supported him. But he was tired. After so many years of putting up a mask, tearing it down was too much work. So he wanted to die. In the end. Izzy died in the arms of Edward surrounded by his family.

Buried on a plot of land Jenkins has already told us Stede and Ed will leave when things get boring. Left behind like the corpse of a pet the family has forgotten. Buried without his ring and cravat, items Izzy is only seen without when he's naked. Without the prosthetic gifted to him by a family that cared about him.

Izzy wasn't mourned for more than five seconds, before Stede and Ed were making jokes on his fresh grave, and then the episode moves on to a wedding.

RIP Izzy Hands- a man who loved more than he was ever loved in return.

Was this the right message? FUCK No. But for those of us who believed that theme of queer survival and community- We saw framing Izzy's death like this as a fucking betrayl.

Izzy Hands isn't buried with his most prized possessions- they're left out to be stolen or rot in the front yard. With only one man crying over his death and a silent funeral. He leaves this world without more than a 'he was intense'. Which...isn't great coming from the man Izzy loved for most of his life.

The reason why we're mad about Izzy isn't that it's Izzy. It's that when we boarded this flight we were given a set of rules to follow. It's a comedy about men falling in love on a boat that sometimes gets serious. That's it. To watch a character start to grow only to die for NO PLOT SPECIFIC REASON. Is insulting. If your death has no tie to the narrative (sacrifice or it comes with a revelation) it's a death just set up for shock. Izzy and Ed could have had that deathbed confession talk at the start of episode 7.

A REASON WHY I'M MAD BEYOND THAT SPECIFICALLY. [Very Personal Gripe]

A SALUTE TO CON O'NEILL -AGAIN!

I had the privilege of hyper-fixating on this show from the entirety of S1 ending to S2 beginning. During this time I explored the catalog of Con O'Neill's work on Tumblr under the tag 'Conography'. I watched this man play queer roles since the 1990s. Genderqueer/somewhere on the Trans spectrum, Gay, Bi. This man loves to play a queer story, even if it's sad. If it's tragic. He will breathe new life into their lungs and express their moments of Joy. Of love. Of community.

After the filming of S2 at a con, Con he felt comfortable publicly coming out due to the love and support he felt from our fandom. Do you know JUST how crazy that is? That Con KNEW Izzy was dead, yet he loved our fandom so much he let himself be vulnerable, and come out as queer? It's fucking INSANE to me, and shows just how much this show means to him.

He's not just Queer. He's a Queer fucking elder whose been protective of this entire community since S1. This 57-year-old man has proudly stood up in the name of Trans rights this entire time. Treating everyone, but especially Trans Izzy fans with so much fucking respect. Trans Izzy is a common headcanon partially because of how comfortable people feel knowing they won't get harassed because they interpret Izzy a certain way. That trans people feel at home seeing themselves as a misunderstood character with a chip on their shoulder.

I'm pissed for every in universe thing listed above AND NOW THIS. Because our Queer Elders are dead. There is a generation of Queer people we can never get back. They died from a mix of society pressuring these people into the closet or an early grave. Of disease running wild in communities unchecked. Of media ruining the careers of anyone who dared to come out. To see Con O'Neill So Fucking Happy and having it cut short because Jenkins thought Izzy was better dead than being an actual background character makes me see fucking red.

No. Jenkins probably didn't know Con was Queer when writing S2. But I'm assuming he still saw how happy Con was at Izzy fans before S2 was written which still makes it feel shitty.

Sure. Give Izzy all the amazing speeches about family and belonging and rip that right from his hands as soon as Izzy realizes it's something he might want for himself. Let's have Con O'Neill say all the prominent lines that are a blatant metaphor for why the Queer community needs to stick together.

Izzy's arc isn't just overshadowing the conversation because it was mismanaged and feels unplanned, it also just feels cruel to the central arc of this series. Add that to an actor who was so vocal about loving this community, it feels pointed to give him a tragic ending.

Jenkins doesn't need to consider why people hated this finale. Because there are SO MANY Ed/Stede fans who just don't care. They put Izzy in the box with every other side character and decided to put their effort into the protagonists and point and laugh when we suffer. Jenkins won't rethink anything because he can just say the 'Izzy community was passionate and are sad their favorite died'. Ignoring how this season made Stede into a shittier, less sympathetic captain and gave Ed an interesting arc only to give up before the finish line.

#Now. I didn't bring up how viewing Izzy as being useless post disability ALSO pissed people off but there are posts everywhere about that #physical disability is not my place so I don't overstep #THE WAY IZZYS DEATH WOULD WORK SO MUCH BETTER IF HE STEPPED INFRONT OF A BULLET MEANT FOR STEDE #Or that post floating around of Ed getting shot for Izzy. Showing that yes. Ed cares. that they're both fucked but are working on it #If most of the fan base hates the *implications* for S3 thanks to this ending it wasn't the right move #GOD I DIDN'T EVEN TALK ABOUT THE DAD/MENTOR THING. Ah well #it's taken me 3 hours to type this up. I'll add later if it needs be lol #ofmd s2 #ofmd season 2 #ofmd s2 spoilers #izzy hands #ofmd s2 finale #ofmd critical #ofmd meta #omfd analysis #israel hands

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eoieopda · 10 months

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all of eoieopda's stray kids fics + drabbles are linked below the cut.

psa: minors who like, reblog, and/or comment on any of my content (regardless of whether it's NSFW or not) will be hard blocked immediately. my blog is strictly 18+, so please indicate your (adult) age in your bio and/or pinned post before engaging with me.

🗝 key

☁️ — fluff 🌊 — angst ⚡️ — smut ⭐️ — series, spin-off, or prequel/sequel 🌱— w.i.p.

navigation. skz permanent taglist. multi permanent taglist. request rules.

📍due to personal preference, requests + fics will be limited to the members listed below.

force quit ⭐️⚡️🌊// cyberpunk au, specific au varies by episode // insp. by cyberpunk 2077, the true lives of the fabulous killjoys // it's 2077, and life's a fucking nightmare.

episode i: scraps // childhood friends to lovers // trainer!felix x edgerunner!reader episode ii: professor // secret relationship // recon!hyunjin x defector!reader episode iii: spider // fuck buddies to lovers // combat leader!minho x hacker!reader 🌱 episode iv: doc // established relationship // leader!chan x medic!reader

the one where chan didn't mean to yell 🌊 // established relationship au // in which chan doesn't want to go to bed angry. — request fill, 1/17/23

the one with chan and the promotion ☁️ // fuck buddies au // in which you need a ride home after your wisdom teeth removal, and only one person was available to drive you. — request fill, 8/4/23

the one with chan and the promotion pt. ii ⭐️☁️ // fuck buddies au // in which you need a ride home after your wisdom teeth removal, and the only person to drive you goes above and beyond the call of duty. — request fill, 4/20/24

🌱 the one with chan and the promotion pt. iii ⭐️☁️

more felix content coming soon...

#stray kids #skz #skz fanfiction #skz fanfic #skz fic #skz series #skz drabble #skz headcanons #jade writes #jade's masterlist #jade's drabbles #jade's requests

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hangingslothcentral · 2 years

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a weird quirk of starting testosterone whilst in the middle of recording a long-form audio drama is that i can't go back and fix things in episodes i've already recorded because my voice just changes that damn fast

it wasn't something i did super frequently, but because i usually record episodes in batches of two to four, and usually about two weeks from the first of those episodes needing to go up, sometimes in the time between recording and sitting down to edit, I'll have changed my mind about a line or decide i need something extra.

i cannot do this anymore because it would be like *sam speaking* *SAM SUDDENLY A WHOLE SEMITONE LOWER* *sam speaking again*

it's a wild ride! this week's ep (episode 30 of S2) my voice is I think noticably different from episode 29. i also one i recorded on its own, and that means my voice will likely be noticably different again in episode 31.

whose voice will be deeper by the end of the show's run? Sam's or Oliver's? place your bets now.

anyway tune into Spirit Box Radio, the only show where you can listen to a nonbinary trans guy on t playing a nonbinary trans guy on t whose voice is dropping in real time

(edit: I am CONVINCED I cannot actually be the first person doing this. Do you know of other shows where actual messy bit of where your voice is in the middle of changing is just included in the show??)

((second edit!! I know Hero from Monstrous Agonies and Matty from Neighbourly as internet pals now!!! it's very cool, check out @monstrousagonies and @neighbourlypod for more potential hrt-related vocal changing shenanigans))

#horror audio drama #audio drama #horror podcast #podcast #audiodrama #horror #sbr #spirit box #ghost story #lgbt #lgbtq #nonbinary #trans masc #just hrt things baybeeeeee #podcast recommendations

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kolbisneat · 3 months

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MONTHLY MEDIA: January 2024

I know folks say January feels like a long month but it kinda felt normal to me? I dunno. Anyway this is how I spent the last 31 days.

……….FILM……….

Asteroid City (2023) The artistry is top notch and spoke the loudest but I feel like I'll need to watch it a couple more times to take in the quieter voices. I can't tell if it's me or specifically this film, but it felt...sadder than Anderson's other work?

Saltburn (2023) A lot of false starts, or rather a lot of pivots from what I thought the movie would be. And then also a lot of false endings? I dunno. I found the whole thing...indulgent (take that for what it's worth). A lot of beautiful and memorable imagery.

Spice World (1997) Technically a New Year's Eve watch and a great way to wind down 2023. Truly a wild ride and so many great cameos. And for anyone who doesn't know the Spice Girls I actually think it'd be a pretty great introduction to them.

……….TELEVISION……….

Delicious in Dungeon (Episode 1.01 to 1.04) Digging this adaptation so far! If you haven't heard me ramble on about how great the manga series is, this is your chance to see if you dig the tone and concept.

Daisy Jones & The Six (Episode 1.01 to 1.10) Gotta love the Fleetwood Mac fanfic. Feels both familiar and wholly unique and the brief documentary-style character moments are a lot of fun too. I strive to be Warren the drummer.

Blue Eye Samurai (Episode 1.05 to 1.08) Really great season of television. The last episode stuck the landing in an unexpected way and while I didn't looooove it, I respect it. Still suffers slightly from "just wait til next season" but one misstep amongst a season of perfect steps is okay by me.

The Crown (Episode 6.07 to 6.10) Having not watched the rest of the series (outside of a few eps of the Diana-centred eps this season) I really found the finale...moving. Elizabeth and Philip really do feel like the end of an era.

……….YOUTUBE……….

This Candyman Makes a Wonka-Style Candy Feast | WIRED by Wired Certainly didn't realize how interested I'd be in the process of making candy, but here we are. Really great breakdown and watch it if for no other reason than to learn the backstory behind the "drops" in "lemon drops". VIDEO

How YouTubers Can Avoid Burnout by Extranet Shaquille While specifically talking about YouTubers, this succinctly captures my approach to working in the creative industry: push yourself but not for the sake of exponential growth. Any creative could benefit from hearing this alternative to those pushing the grind mindset. VIDEO

……….READING……….

Full House by Zeke Masters (Complete) Picked this up randomly at a thrift store and it didn't disappoint. Not quite as horny as I expected an "adult western" to be, but that's okay. An easy read and if I see more of "Zeke's" books I'll definitely pick them up.

There Is A Tide by Agatha Christie (Complete) Plenty of twists and I think it all played fair as everything Poirot revealed made me think "oh yeah that was mentioned earlier". Great introduction to Christie's work and excited to pick up more!

Ducks: Two Years in the Oil Sands by Kate Beaton (Complete) Heart-wrenching. Such a deeply personal reflection and perspective on Canada's relationship with oil and the people who take it from the ground. While the entire read is a blend of very fun and deeply sad, I found the written epilogue to contain the biggest gut punch. Should be required reading for anyone who drives a car.

Richard Stark's Parker: The Score by Darwyn Cooke (Complete) It's incredible just how cinematic Cooke's work is. So much style and substance with such little brushwork (and only two colours)! If you haven't read any of the Parker retellings then know each pretty much stands on its own and are all worth checking out.

Delicious in Dungeon Vol. 3 by Ryoko Kui (Complete) Really enjoying this reread while also catching the Netflix series! It's interesting to see the little details peppered in that really shows the whole thing was developed from the beginning. Go watch the show and if you like it well enough then the books are, as cliche as it is, even better.

……….AUDIO……….

God is Dead by Twin Temple (2023) Satanic doo whop? Heck yeah. Their first album was great but something about this follow-up really clicked for me. Maybe it's the the track "Be a Slut (Do What You Want)".

……….GAMING……….

Oz: A Fantasy Role-Playing Setting (Andrews McMeel Publishing) My Tuesday crew is knee-deep in Ozian politics. They're allied with a few different parties and many of those parties are in conflict with each other. Classic. Anyway you can read all about their antics here!

And that's it. See you in February!

#Monthly Media #Andrew Kolb #Kolbisneat

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evilwriter37 · 8 months

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Warning, you reblogged an ask game, and I’m about to go ham.

1, 4, 8, 13, 21, 22, 24, 26, 31, 32, 35, 48, 50, and 71

Do you prefer writing one-shots or multichapter fics?

That's a hard one, because I've written quite a lot of both. One-shots do make up the majority of my fic library though, so I'll go with one-shots.

4. Where do you find inspiration for new ideas?

Anywhere and everywhere. @ashleybenlove is also super great for inspiration! Prompts are good, rewatching episodes, listening to music, pulling from a personal experience... It's like I never run out!

8. Do you prefer the beginning, middle, or end of a story?

Hm, usually I want to say the beginning. I'm very good at beginnings and first lines. Middles are fun, but can drag sometimes in the process, and endings are difficult to get just right.

13. What's a common writing tip that you almost always follow?

Change your font when editing. It makes your brain look at the story differently and pick up on mistakes you probably wouldn't have seen with the original font you wrote in.

21. Would you ever collaborate with another writer for a story?

I think so. I've done sort-of-collabs with @mdoodlerfandomart and those were always incredibly fun! But those were the kind where one person writes one half of the story and the other writes the second half. I wonder if I'd be able to collaborate with another writer where we could write on the same document at the same time. Maybe I can do one with you, @lifblogs? Like on a Good Omens one?

22. Are there certain types of writing you won't do? (style, pov, genre, tropes, etc.)

Mm, there is a lot I will write. It's probably longer than the list of things I won't write. I'll write from virtually anyone's perspective. I don't really write poetry, though I could see how it could be fun in fanfic form! I explore all sorts of genres in fanfic and write things I probably wouldn't write in original fic. Like, when it comes to realistic fiction in original work? Ew, no! Realistic fiction like modern AUs and such in fanfic? That works just fine for me.

24. Worst writing advice anyone ever gave you?

"Cut out sex scenes and filler. They're not necessary to the story or character development."

Okay, sure. Fuck off.

26. Which of your fics would you call your wildest ride?

Infernal Fascination for sure. 3 years, lots of harassment, but also lots of praise and fun. Yeah, that was wild for sure.

31. Do you start with the characters or the plot when writing?

Hm, I think plot maybe? I develop a plot based around the characters though, so maybe both.

32. Name three of your favorite fanfic writers.

@howtowhumpyourhiccup @fictionalnormalcy @lilliths-httyd-blog @ashleybenlove @thedragon-and-hisboy (No, I could not keep it to just 3).

35. What is one essential thing to remember when writing a villain?

That villains are human too. You can portray them as a monster, but the monstrous is human. Villains will be much easier to write and more fun and fleshed out when you treat them like human beings. (Unless of course, your villain is an eldritch horror of some kind.)

48. What do you look for in a beta?

I don't use a beta, but I think I would look for someone who is understanding of my writing style and sensitive about my RSD.

50. How long is your longest fic?

Infernal Fascination: 470k words.

71. When it comes to more complicated narratives, how do you keep track of outlines, characters, development, timeline, etc.?

I make an outline with notes at the top of the page about times, dates, characters, etc. My outlines are usually just bulleted list of the events that will happen within the story. I try to keep my outlines and notes in one document so that I don't have too many documents and confuse myself.

Get to Know Your Fic Writer

#asks #lifblogs #fanfic asks

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vespadesu · 7 months

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Sailor Moon Filler VS Plot List

Hey so awhile ago I went through every episode of the original 90's anime series of Sailor Moon and put together this list for a friend who was trying to speedrun it, and I figured folks might find it useful, starting with some definitions:

"Real main plot progression": absolutely necessary. They tell the story of the season, and are the most important parts of the plot. They may also include major character introductions or deaths. "Plot progression": technically skip-able if you read a summary, but things will make more sense if you watch them. May include minor character introductions or deaths. "Character exploration": generally mostly or all filler. Watch if you enjoy casually spending time with the characters. "Filler" is filler. Has no bearing on the plot whatsoever, and can be safely skipped. It may contain some fun or interesting elements, but if you're rushing, you can skip it without confusion.

Sailor Moon Classic 1: series premiere, real main plot progression 2: filler 3: filler 4: filler 5: filler 6: filler 7: filler 8: real main plot progression 9: filler 10: real main plot progression 11: filler 12: filler 13: real main plot progression 14: plot progression 15: plot progression 16: filler 17: filler 18: filler 19: plot progression 20: filler 21: filler 22: plot progression 23: plot progression 24: real main plot progression 25: real main plot progression 26: some plot progression 27: plot progression 28: plot progression 29: plot progression 30: plot progression 31: Wild fucking filler episode with a small amount of plot progression 32: plot progression 33: real main plot progression 34: real main plot progression 35: real main plot progression 36: character exploration, some plot progression 37: filler 38: filler 39: filler 40: filler 41: plot progression 42: plot progression 43: filler 44: real main plot progression 45: real main plot progression 46: real main plot progression, season finale

Sailor Moon R 1: season premiere, real main plot progression 2: real main plot progression 3: real main plot progression 4: real main plot progression 5: real main plot progression 6: character exploration (cute) 7: character exploration (cute) 8: character exploration 9: character exploration 10: character exploration (funny) 11: filler, some character exploration (funny) 12: real main plot progression 13: real main plot progression, arc ends 14: new arc begins, real main plot progression 15: real main plot progression 16: character exploration (serious), some plot progression 17: plot progression 18: real main plot progression 19: plot progression 20: character exploration (cute) 21: weird fucking filler episode, some wild shit goes down. 100% filler, but it's worth the ride. 22: real main plot progression 23: some real main plot progression 24: plot progression 25: plot progression 26: plot progression 27: real main plot progression 28: real main plot progression 29: real main plot progression 30: plot progression 31: plot progression 32: character exploration (funny) 33: character exploration (funny) 34: character exploration (serious) 35: character exploration, some real main plot progression 36: real main plot progression 37: real main plot progression 38: real main plot progression 39: real main plot progression 40: real main plot progression 41: real main plot progression 42: real main plot progression, season finale

Sailor Moon S 1: season premiere, real main plot progression 2: real main plot progression 3: real main plot progression 4: character exploration 5: filler 6: filler 7: character exploration 8: character exploration 9: character exploration 10: filler, some character exploration 11: character exploration 12: character exploration 13: real main plot progression 14: real main plot progression 15: filler, some character exploration 16: character exploration 17: character exploration 18: character exploration 19: filler, some character exploration 20: character exploration, some real main plot progression 21: real main plot progression 22: real main plot progression 23: real main plot progression 24: plot progression 25: filler 26: plot progression 27: filler 28: plot progression 29: plot progression 30: real main plot progression 31: plot progression 32: plot progression 33: plot progression 34: real main plot progression 35: real main plot progression 36: real main plot progression 37: real main plot progression 38: real main plot progression, season finale

Sailor Moon SuperS 1: season premiere, real main plot progression 2: real main plot progression 3: real main plot progression 4: filler 5: character exploration 6: plot progression 7: filler 8: filler 9: filler 10: filler 11: filler 12: filler 13: filler 14: filler 15: filler 16: plot progression 17: filler 18: filler 19: filler 20: filler, some plot progression 21: plot progression 22: real main plot progression 23: real main plot progression 24: filler, some plot progression 25: filler, some plot progression 26: filler 27: filler, some plot progression 28: filler 29: filler 30: character exploration 31: plot progression 32: filler 33: character exploration 34: real main plot progression 35: real main plot progression 36: real main plot progression 37: real main plot progression 38: real main plot progression 39: real main plot progression, season finale

Sailor Moon StarS 1: season premiere, real main plot progression 2: real main plot progression 3: real main plot progression 4: real main plot progression 5: real main plot progression 6: real main plot progression, arc finale 7: new arc begins, real main plot progression 8: plot progression 9: filler 10: plot progression 11: plot progression 12: plot progression 13: filler 14: filler 15: real main plot progression 16: real main plot progression 17: filler 18: character exploration (cute and funny) 19: filler, some real main plot progression 20: filler 21: real main plot progression 22: real main plot progression 23: plot progression 24: real main plot progression 25: filler 26: character exploration 27: real main plot progression 28: real main plot progression 29: real main plot progression 30: real main plot progression 31: real main plot progression 32: real main plot progression 33: real main plot progression, series end

I even went ahead and did the same treatment for the 2003/2004 live action drama, which in my opinion is the best adaptation of Sailor Moon that exists:

PGSM 1: real main plot progression 2: real main plot progression 3: real main plot progression 4: character exploration 5: character exploration 6: character exploration 7: character exploration, some plot progression 8: character exploration 9: real main plot progression 10: real main plot progression 11: real main plot progression 12: real main plot progression 13: real main plot progression 14: plot progression 15: character exploration 16: character exploration 17: real main plot progression 18: real main plot progression 19: character exploration 20: real main plot progression 21: real main plot progression 22: real main plot progression 23: character exploration, some plot progression 24: real main plot progression 25: real main plot progression 26: real main plot progression 27: real main plot progression 28: real main plot progression 29: real main plot progression 30: real main plot progression 31: plot progression 32: real main plot progression 33: character exploration 34: character exploration 35: plot progression 36: real main plot progression 37: plot progression 38: real main plot progression 39: filler, some character exploration 40: character exploration 41: plot progression 42: real main plot progression 43: real main plot progression 44: plot progression 45: plot progression, character exploration 46: real main plot progression 47: real main plot progression 48: real main plot progression 49: real main plot progression, series end.

They also did two additional specials for the live action series: Special Act: filler Act ZERO: plot progression

#sailor moon #reference #live action #pgsm #filler

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threebooksoneplot · 4 months

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Episode 31 - "Ism Bingo" (Show Notes)

listen along here

General New Moon content warning for ongoing discussions of suicide! Also discussed in this episode: various instances of anti-native racism, plus

Self-harm: 01:25:29 — 01:29:36

Ableism (including ableist slurs): 01:38:04 — 01:40:20 and 01:54:08—01:55:32 (G’s second Euphoria & Agony excerpt)

[00:01:11] Kacie right now

[00:06:06] The results of the Euphoria & Something title poll and epigraph poll

[00:06:25] Once again, Byron’s Manfred

[00:07:43] "Agony" from the Into the Woods movie adaptation

[00:09:33] The Megamind pronunciation of “melancholy”

[00:11:27] More from the Dark Noon and Euphoria & Agony cover contest, plus the winners!

[00:12:49] Catch James in Episode 30

[00:19:32] Bella and especially Beau for 6 miles in their new hiking boots

[00:24:33] The funny ask we got about how edbella would consider minor things cheating

[00:27:00] “Olivia Rodrigo style” + 3B1P’s official still-in-progress New Moon/Season 2 playlist

(and the completed 3B1P official Season 1 playlist)

[00:35:50] Stephenie Meyer discussing the writing of Midnight Sun plus a screenshot from this similar InStyle article G refuses to link because they can't even get Stephenie Meyer's name right

Smeyer's blog Q&A on the writing of New Moon plus the BYU symposium recap where she talks about imagining child loss

[00:42:12] We quote it twice per episode so if you haven’t seen this clip yet then where the hell have you been loca, but: the origin of My Hungry Guys

[00:47:46] Monster Garage and Pimp My Ride

[00:49:10] G’s list of other Discovery Channel shows Beau and Julie could watch: Ace of Cakes, Planet Earth, Man vs Wild, Guy’s Big Bite

[00:58:18] Olivia Rodrigo's good 4 u

[01:01:35] "Black people CAN sell drugs"

[01:01:56] Laurie, the scary drug dealer lady from Euphoria

[01:19:25] A Tumblr meta about one possible explanation for Bella's "adrenaline junkie" behavior

[01:22:44] What do you think—how does Hallucination Edward compare to the hallucination scene in Jane Eyre?

[01:25:36] G’s "loose bear in the neighborhood" chronicles, in case you missed them last episode

[01:38:44] Some dictionary definitions of "gimp:" (cw ableism)

[01:40:01] (Profound, world-weary sigh) and "gimp suits"

[01:50:25] Beau's Riverdale reference

[01:51:13] The mines of Moria

[01:49:07] Euphoria & Agony chapter 7 - "Repetition" and chapter 8 - "Epinephrine"

[01:57:11] Dark Noon chapter 7 - "Isaac Randall"

[01:59:58] The original "Coke Zero brown eyes" post

[02:00:13] AO3-Exclusive BONUS Dark Noon chapter 8 - "Guilt"

[02:02:20] “That Death Cab song on the album” ("Meet Me on the Equinox")

[02:03:01] Bella's Book Club November info

#show notes #episode 31 #twilight #podcast #twilight podcast #midnight sun #new moon #life and death #twilight saga #twilight renaissance

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clay-cuttlefish · 7 months

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Forging ahead with 52. #19 to #38. It's so much.

#19

The Evil Skeets plot is great. According to the omnibus it was a very late change away from a generic broken-time story, and I can kinda see that with how some of the earlier evil Skeets behavior doesn't seem super purposeful, but it all works for me.

#20

Mostly spaceguy plot that I don't care much about. The fight's cool at least.

I have no idea what fan speculation was like at the time but the idea of Supernova Jason Todd conspiracy theories is extremely funny so I support the intentional red herrings here.

#21

I keep changing my mind on which storylines I like more as I go. How could I not love Natasha?

#22

Dr. Magnus is back! I wish him being bipolar was handled more sensitively, the whole "oh the medicine keeps me from going ~crazy~" thing is :/, but I'm willing to read it charitably as his own perspective because I like him. He's a psychotic DC character who's heroic and not spooky or magical, just a guy who really doesn't want to have another depersonalization episode and has some internalized sanism about it, it could be so much worse.

#23

I like that Vic's more jaded to the horrors he can't stop than Renee is. He's had a lot of time to get used to the idea he can't save everyone - back in his own book he would've thrown himself in harm's way just like she wants to, but he's gotten better at not starting fights he can't win.

Hate to give Geoff Johns credit for anything but "What the hell are you doing?" "Seeing if it's contagious." is really good.

#24

"We were both guilty of ignoring Ted" Pretty sure Booster nearly died because he dropped everything to help but okay.

Osiris is just a kid...

Introducing a First Nations hero just to kill him off and give his stuff to a white dude sucks.

#25

Alan's out of the spaceguy zone and doing his own thing.

Almost halfway and the threads are still only starting to link up.

#26

I cannot get enough of Vic and Renee being friends with the Black Marvels. It's very sweet!

Tot my friend Tot :)

This is just a nice moment for them.

#27

I'm very into how Evil Skeets is drawn. He manages to be expressive despite having no moving features, it's a good trick.

Ohhh no it's now. I thought I had another issue, but no, this is the turning point.

#28

THE QUESTIONS!!! Love how they're heckling Kate together.

Kate is so cool.

Oh right, the spaceguys are still here.

#29

The way the mad science island handles mental illness generally sucks, but it's almost hitting at something interesting with Will being forced off his medication for the sake of "creativity".

#30

Get out of here Bruce.

I am going to cry!

#31

I don't even dislike the spaceguys really, but cmon, more of Ralph or Nat would've been better.

Ralph's still a detective even at his lowest! Strong foreshadowing.

#32

Uh oh, Ralph.

#33

Ohhh Charlie.

Him hallucinating Myra? Only able to admit he loved her at the very end?? It takes me out!

Almost all of his dialogue is straight from the O'Neil run. Rucka describes rereading the entire run just to write this issue because he had to get this right, and it shows.

There's a reason I consider O'Neil and Rucka the essential Question writers, and all the other takes to be interesting sidenotes.

#34

The kids aren't doing so well.

aaaaaaaa

#35

Hands you a picture of Nat. Hands you a picture of Nat. Hands you a picture of Nat.

Lex is the best villain in 52 and it isn't even close to a competition.

#36

AAAAAAA

Fuck dude! Nothing coherent to say here! Look at them!

#37

Wild emotional roller coaster for me as I go from Renee agony to cheering about Booster. My first read of this was a Time.

It's such a fun mystery. I can confirm it works if you know nothing about comics and are just along for the ride, and it comes together so well on the reread.

Mayor Ollie!

#38

AAAAAAA

"I'm afraid of who I'll become without you..." How am I meant to be normal about this!

I had to read this in two pieces because it made me need to get up and pace. It has done this every time I have read it. I am physically incapable of being normal about this.

Head in my hands. Comics are good and worth reading actually.

#clayposts #clayreads #the question #vic sage #renee montoya

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twistedtummies2 · 3 months

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Year of the Bat - Number 12

Welcome to Year of the Bat! In honor of Kevin Conroy, Arleen Sorkin, and Richard Moll, I’m counting down my Top 31 Favorite Episodes of “Batman: The Animated Series” throughout this January. TODAY’S EPISODE QUOTE: “Life used to be so placid! Won’t you PLEASE put down that acid?! And Say That We’re Sweethearts Again!” Number 12 is…Harlequinade.

Ladies and gents…let’s discuss Harley Quinn for a bit, shall we? I’ve been saving up the chance to really dive into Harley till now, because I felt it was important to wait till this episode for reasons I’ll go into. Almost without any argument or doubt, Harley Quinn is the single greatest and most lasting legacy that “Batman: The Animated Series” left behind. Of all the characters and concepts that the show fostered or expanded on, Harley is the one who truly broke the mold: an original character made for the series, she started off as sort of that one semi-obscure Batman Villain that only “real fans” who loved the TV show knew about…then started to make her way into more mainstream recognition, slowly at first, and then suddenly with explosive intensity. She’s now got her own TV show, a couple of movies with her as the main character, and more comics than you can shake a stick at, not to mention numerous other adaptations in other media. For me, however, the version from the DCAU will always be the truest and greatest version of her character: the first and still the best. Harley was originally voiced by Arleen Sorkin, and the character was partially inspired by her, as well. I say “partially” because Harley’s truest inspiration – and this is most obvious in her earliest appearances – were the henchgirls that frequently popped up in the 1960s Batman TV Series. (In fact, there are at least two specific henchgirls who I am convinced directly influenced Harley’s character, since both seem almost identical to her.) Over time, the character became more fleshed out and really blossomed into a major player in her own right. In my opinion, the episode that OFFICIALLY settled Harley as a mainstay was this one: “Harlequinade.”

The plot begins with the Joker stealing a nuclear bomb, of all things, and then going into hiding. Knowing time is of the essence, Batman and Robin decide to team up with the person they know is closest to the Joker’s cold, black heart: Harley Quinn. Harley agrees to help the Dynamic Duo out in finding the Joker and dealing with the bomb, in exchange for an early release from Arkham Asylum. What follows is a wild, chaotic ride of hijinks and shenanigans, as the trio bounce around Gotham trying to track down the Joker, complete with a random musical number…yes really.

This, I feel, is the episode that really put Harley on the map. Before this, yes, we knew she was a fun character, and she had a lot of great lines and moments, but she was always in another person’s shadow, whether it be the Joker, Poison Ivy, or even both. This, the Honorable Mention “Harley’s Holiday,” and one other episode I’ll get to later in the countdown really solidified her as a proper character in her own right. We learn more about Harley in this story, with little hints to her backstory and a better idea of her philosophy and motivations. We also get a greater idea of her beyond just being a villain, as she proves to be a surprisingly capable helper and even shows signs of right thinking. She’s not as far gone as the Joker is, she has things she values and cares about that make her more human and sympathetic. You can really see this episode as the start of where Harley would go in later/more recent years, with her becoming less of a villainess and more of an anti-hero: a wild card who can’t always be trusted, but makes for a surprisingly great ally in a tight pinch. It’s not by any means the darkest or most complex story, nor even the greatest look into Harley’s mind and personality we ever got…but it’s a LOT of fun, and one of the main stories that helped to make Harley who she is now, for better or for worse.

Tomorrow we move on to Number 11! Hint: “Why don’t you show them what an overdose can do, Daggett? Why don’t you tell them about ME?!”

#list #countdown #best #favorites #new year's special #year of the bat #top 31 btas episodes #btas #batman: the animated series #dcau #dc #batman #animation #tv #harley quinn #harleen quinzel #joker #number 12 #harlequinade

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limowlee7389 · 11 months

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CURRENTLY WATCHING: June.

KOREAN.

+ The Good Bad Mother (2023)(26 Apr-) ~ Airing. ★★☆☆☆

This has been a wild ride. I recall that episode seven was absolutely crazy. When you count up all the angst they filled that episode with, it's really unbelievable. What a roller coaster ride?

Thankful, that the drama has calmed down a lot since that episode. I don't think this is really a great drama, but for now, I find it watchable.

ANIME.

+ Skip and Loafer (2023)(15 Apr-) ~ Airing. ★★★★★

I LOVE everything about this show. I am so enamored with the female lead. She is absolutely precious. This is such a cozy watch.

+ Tengoku Daimokyo (2023)(15 Apr-) ~ Airing. ★★★★☆

I don't understand what is going on. This show has so many secrets and mysteries that it is hiding. Yet for something I barely understand, I am having a blast watching this each week.

+ Hell’s Paradise: Jigokuraku (2023)(3 Apr-) ~ Airing. ♥ ★★★☆☆

I LIVE for this opening theme every single week. Is it strange that there is part of me that prefers the manga so far?

+ Yamada-kun to Lv999 no Koi wo Suru (2023)(1 Apr-) ~ Airing. ★★★☆☆

This is super cute and fun!

+ Insomniacs after School (2023)(15 Apr-) ~ Airing. ★★★☆☆

This is cute. The lead couple is adorable, but I find the pacing kind of slow.

+ Oshi no Ko (2023)(18 Apr-) ~ Airing. ★★☆☆☆

I feel like I am missing the charm here. I believe it's because I'm not often drawn to stories about celebrities or idols, but this dark side of fame take isn't really doing it for me.

Plan to Watch.

Bloodhounds (2023)(9 Jun)

See You in My 19th Life (2023)(17 Jun)

King of the Land (2023)(17 Jun)

Rikon Shiyou Yo (2023)(22 Jun)

Revenant (2023)(23 Jun)

Completed.

Black Knight (2023)(13 May-16 May)(3/10) ⏩

Koi no Kara Sawagi Drama Special ~ Love Stories III ~ Nidai ni Noserareta Onna (2006)(28 May)(6/10)

Love Village (2023)(5 May-29 May)(8/10) ♥ ~

Other Things I Watched.

Schmigadoon! (2023)(s2)(5 Apr-2 May)(1/10) ~

The Company You Keep (2023)(23 Mar-7 May)(6/10) ~

Hannah Gadsby: Something Special (2023)(9 May)(8/10) ♥

The Big Door Prize (2023)(2 Apr-16 May)(4/10) ~

King of Collectibles: The Goldin Touch (2023)(18 May)(5/10)

XO, Kitty (2023)(18 May-19 May)(8/10) ♥

A Man Called Otto (2022)(20 May)(5/10)

Queen Charlotte (2023)(19 May-21 May)(7/10)

Dorohedoro (2020)(21 May)(6/10)

Dorohedoro: Ma no Omake (2020)(21 May)(3/10)

Survivor (2023)(s44)(1 Mar-24 May)(7/10) ~

Jury Duty (2023)(21 May-26 May)(7/10)

The Summer I Turned Pretty (2022)(s1)(27 May)(8/10) ♥

Carole & Tuesday (2019)(1 May-28 May)(5/10)

American Born Chinese (2023)(28 May-29 May)(7/10)

Ted Lasso (2023)(s3)(18 Mar-31 May)(8/10) ~

#drama status #currently watching #the good bad mother

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gaast · 5 months

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Since October 2022, I've been playing only one game at a time. That might not sound like much but for something that struggles to keep its number of concurrent games even at two, it's a pretty big deal. I did it because I wanted to commit to games, and to commit to finishing them. And for the most part, I've been successful.

As part of this, I've been tracking the games I've played and want to play, and I've been marking down the days I started something (usually) and the days I've finished them.

Now that this much time has passed, I've got a year's worth of games down, and I wanna do little write-ups for everything I played in 2023.

That means that anything I played in late 2022 (Silent Hill 2, Xenosaga Episode 1, Observation, and Red Dead Redemption, among others) can only get mentioned honorably here. But I'm gonna go through everything I started in 2023, beginning with:

Outer Wilds, January 1-January 7

What a way to start the year. Outer Wilds is unique and charming. It's really fun to fly through space in the awfulest space ship ever with the worst autopilot (have fun in the sun!) and check destroyed, abandoned planets, read ancient peoples' logs of their attempts to save the universe, and to be there at the end of everything.

Unfortunately: the fucking angler fish. I hate those fucks so bad that I actually didn't finish the game. I never brought X to Y (no spoilers) because I hate dealing with those guys. So I can't class this a perfect game. Those dudes need some changes.

Still, highly recommended.

The Sims 4, January 6-the ride never ends

I'm not gonna lie. This is just a sex thing for me.

Even still, I don't quite get why people hate it so much. I played the third game, too. This one's fine. This franchise isn't amazing. It's weird and held together by Scotch tape. I like that about it.

What a weird world.

Anyway, this must be around the time my ISP sent me emails telling me to stop pirating shit or they'd kick me off their plan, which would be bad because that ISP is the only one we can get in our building! Imagine being unable to work because you wanted TS4 DLC.

Bioshock, January 14-January 28, canceled

I couldn't do it.

This was my second attempt at getting through this game and I had to just admit that it's not for me. I didn't enjoy it. It was a chore. I decided to just set it aside.

Wish I hadn't paid for a PS4 copy when I already had a Steam copy. Ah well.

The Liar Princess and the Blind Prince, January 31-February 2

A very aesthetically-pleasing puzzleish platformer with a cute story and good music. I enjoyed my time with this simple little game.

Half-Life, February 3-February 5

You starting to see a pattern where I only manage to finish games, like, late at night, so I can't start a new one until later? Anyway.

This was my second attempt to get through this game. I did it this time, and I regret it. I didn't have fun.

I don't really know why I didn't have fun, I just didn't. Maybe the combat was too tedious. Maybe the jumping was too iffy. Maybe it just went on for too long. Maybe it's a case of "Seinfeld Is Unfunny." I don't know. I just know I don't like Half-Life.

So maybe I don't like the game, but I love the Headcrab Fucker 9000.

Poison Control, February 8-February 11

Sometimes you just wanna play a mid game.

Look, I like poison. I love pink. I love androgynous characters in suits. I like NIS. This game had it all. And it was perfectly. It made me want to stop playing a little while before it was over. It had a really good OST. I got the platinum trophy and I didn't feel satisfied.

I liked it. And sometimes that's enough.

This is the first on a small series of mid NIS-related games. I'll have more to say when I hit the other.

Grasping, February 15

Obviously I couldn't play this as intended, but it's not hard to imagine having shoved your hand into an awful box.

Anyway, this was good, I think. I don't really remember it.

The House in the Woods, February 15

Another horror game I absolutely do not recall playing.

Apocryphauna, February 15

I remember this one! It's good! I liked it! I wish there were more to it--like, a lot more. A lot lot more.

Dark Souls II: Scholar of the First Sin, February 25-March 21

I held off on playing this for a long time because I had always heard it was "made by the B team" and "not as good as the other games." But I decided to play it. It was the gaping hole in my From résumé.

It's not as good. It has a ton of bosses and none of them are memorable except for a select few DLC bosses (Fume Knight, Sir Alonne, Sinh). It makes a lot of weird gameplay choices. It takes way too long for Estus sippies to heal you--like, in terms of the health bar going up. The Iron Keep is infuriating. So many of the runups are abominable. It runs with the clunkiness of Demon's Souls and Dark Souls despite having the svelte ambitions of Bloodborne and Dark Souls III. It has way too many sections where it just says, "okay, deal with a ton of enemies now."

And I loved it.

Honestly, this is probably my favorite of the three Dark Souls games. I think it is by far the most aesthetically complete game of the trilogy. It fulfills its own promise, you know? And I disagree with the people who call it bleak. I think it's the only game of the trilogy that actually offers hope. A real hope, too. One that says that, just because our struggle may not take us anywhere, at least our struggle itself is beautiful.

In a strange way, I think that Dark Souls II is the only Souls game that actually understands the Souls series.

"A lie will remain a lie."

Pokémon Violet, March 21-March 25

I didn't want to play this game. I didn't want to like it. I just wanted to play it. I love Pokémon. Sure, this wasn't a Pokémon game (according to me), but I wanted to play it anyway. The morning I finally decided to go for it, I had read that the professors were antagonists all along. How stupid!

And the reaction. Oh boy. All the glitches. All the performance issues. All the memes. What trash, right? Right?

I fell in love. I didn't think anything could unseat Gen 7 in terms of my love for a Pokémon generation, but honestly, this game might do it.

Did it need more time to cook? Absolutely. I'm not gonna sit here and say it should have been released as it was. No; it is in many ways a disaster, and it is certainly unacceptable.

But every inch of it oozes with love.

This game wasn't just shit out to make a buck. It feels that way at first, but no, everyone who had a hand in making the Gen 9 games absolutely loved what they were doing. You can feel it--from the sound design to the music to the character design to, fuck, everything. They did the best they could with what they had and they made one of the most charming, wonderful games I've had the pleasure of playing in far too long.

There is so much heart here. It convinced me that the future of Pokémon is still bright. Very much so.

Just... let's take a couple extra years to make the next one, all right?

Heroine Conquest, sometime in April

Look. It's actually pretty good.

The Elder Scrolls IV: Oblivion, March 31-April 18

I'll get this out of the way: I didn't really have fun.

The game has aged surprisingly well. Or Skyrim is just a truly unmotivated sequel. Either way, it holds up.

The problem is that I just don't think that TES games are for me. They're just so fucking boring. And I never end up liking literally any character in them.

I have fun actually playing for a while, but the general guideline with Oblivion is "don't level up." Fun! Either way, it's just rote after a while. Nothing really feels satisfying, and you're always worried something is going to break.

Frankly, the main story quest isn't compelling, either. With hindsight, knowing it'll lead to the rise of the Dominion again, it's like, well, shit.

Anyway, I played it. And it's certainly a game that you can play. If you wanna.

FEWAR-DVD, April 23

I called it "an arcade game" in my notes and that's basically what it is. Doesn't mean it isn't fun.

(Have you noticed I'm not reviewing games yet? It's write-ups; I'm giving my thoughts and impressions. Also, it's been a while, so I don't super remember a bunch of these. Oh well!)

Bleak Sword DX (Demo), April 23

I think I liked this? Apparently it's out. I should review it and see if I wanna get it at some point.

It looks pretty cool.

The Signal State (Demo), April 23

I liked this a lot because it's so unique and it taps into a specific type of autistic urge for me but god is its price tag just too high for what I suspect that it is.

Deltarune (Chapters 1 and 2), April 22-April 23

This was a replay of Chapter 1 and a first play of Chapter 2.

I think when I first played Chapter 1 I felt... you know, I didn't want Undertale, or a sequel to Undertale, but a secret third thing. And when I first played it in... late 2019? It wasn't whatever that secret third thing was. I liked it, don't get me wrong. But I think I didn't... get it?

Not to say I wasn't excited for me. It just took me a while to convince myself to finally get to Chapter 2 and to meet the funny spambot man.

Anyway, I won't bother spending too much time on Deltarune. I'll just say that in this play, I realized that Deltarune is that secret third thing, and that I think it's better than Undertale.

I'm scared.

Pizza Tower, April 14-April 23

I think I'm guilty of wanting this game to be something it isn't.

I wanted WarioLand, and it's like that, but it isn't precisely that. It isn't trying to be precisely that. It's trying to be Pizza Tower.

I like the game, but not as much as I thought I would. Not as much as I think I should.

I'll probably reply this game in a year or two and it'll click and I'll love it the way I was always meant to love it. But for now, I'll just let the "Tombstone Arizona" guitar impregnate me.

13 Sentinels: Aegis Rim, April 19-May 27

...It took me that long? Really? Huh.

Anyway, I love this game. I love love love it. I love the characters and the art style and the way they tell the story and the story itself and the gameplay (holy shit the gameplay!) and just. Man. I wish more games were just like this. Weird, experimental, talky, confident, cool, and unique.

This is the type of game that inspires you to write your own sci-fi. Or to write about its world. To think and to imagine.

And that's the best type of game.

Ace Combat 7: Skies Unknown, May 28-June 6

Come to think of it, how can a sky be unknown. There's just the one.

As mentioned above, I played this after Ace Combat 2. With both of those under my belt, I now know: the way I want to play these games is not the way I'm supposed to play these games.

And that's fine. I feel like "gamers" nowadays are so fixated on the idea that games should let you play them however you wanna play them, and that if they can't accommodate that then they're somehow inherently flawed. It's like everything needs the mutability of Minecraft, the problem-solving freedom of Scribblenauts, and the role-playing depth of Dungeons & Dragons. If it doesn't score highly on all those axes, it's got problems.

Obviously, I disagree. Games can and should have "supposed tos." You should be expected to play a specific diegetic role. You should be limited (and by the way, you're always limited, so don't act like you aren't).

If I ever play another Ace Combat game (and I wanna play Electrosphere), I might do it on easy. I like these games but man do I not know how they want me to engage with them.

no-one has to die, June 4

I had to replay this Flash game that I had originally played once when I was probably 14.

I'm glad I did.

Danganronpa 2: Goodbye Despair, sometime in 2022-sometime in mid-2023

The strange thing about the Danganronpa games is that they're actually really good.

They shouldn't be. They shouldn't work. But they do.

This was kind of a replay. I had read most of the original orenronen LP back in... 2012, 2013? I only now have actually played it. And it's good. It's really good. I'm glad I went through it, and I'm glad I went through it with my fiancé, and I'm glad he knew nothing of any of the twists, and I'm glad I got to experience someone experiencing those twists for the first time.

SCARLET NEXUS, June 4-June 6, canceled

This was a second attempt after a first attempt in 2022 got deep into Yuito's story before I aborted it.

It's not for me. Not to say I don't like it--I do. A lot. I wish I could play this game. But I demand such fucking perfection from myself when playing it that I get too caught up by how poorly I'm playing to enjoy myself and actually let myself proceed.

I had to stop because I just wasn't having fun. I'm sad about it.

Risky Sanctuary, June 10

This is one of those games that I hope the developer comes back to, not to spruce up but to make anew. Because it's a really fun concept that basically got held back by being made in a month for a jam.

It really shouldn't take that long to clean come off of a wall.

HYPNOSCREEN, June 10

I keep forgetting I gotta play this more.

Parasite Eve, June 9-June 15

I'm still not super sure how I feel about this one.

The plot is fun but it never becomes compelling. There's an obviously evil scientist and he does obviously evil things. Never a good sign.

The gameplay is fun but it never hits nearly the level of intricacy and care that a close relative, Vagrant Story, does.

The dungeons are well-designed, though, and even if the setting is New York, it feels... fresh? It feels like NYC is always a backdrop in games and its specifics aren't important to it (see: Prototype). Parasite Eve actually cares that it's in NYC and it goes to locations there. The game feels like the developers enjoyed making it.

Also the OST is awesome. And Daniel fucking jumping out of the helicopter, getting lit on fire, throwing the bullets to Aya, landing in the water, and surviving is by far the coolest shit I've ever seen in anything ever.

This feels like a game you have to play at least once. I don't know why it feels that way; it just does.

WASTE EATER, June 17

It asks for like 20 minutes of your time and makes you cry. It's awesome.

EXPERIMENT: GROCERIES, June 17

I was more bored than spooked. It was a good try and maybe someone else will find it more fun than I did.

I'm sure if I replayed it and turned a critical eye to it I could talk at length about it. But I just don't want to.

I feel like if you're going to make uncanny the grocery store, there's other ways to do it.

Final Fantasy X: HD, sometime in 2023-sometime in 2023

We're about to see schedule issues. You'll find out why later.

This was, obviously, a replay.

I swear, this game gets better every single time I play it. I don't know what it is. It's such a smart, insightful game, with lovingly crafted characters. I love the inexorable northward journey, the feeling like you're constantly outrunning something even if you know you're running straight into the very thing you're outrunning.

Maybe it's because once you're aware of the spiral, its pull becomes that much stronger. I swear, I cry more with each playthrough, maybe because it just becomes all the more apparent how hopeless the journey is, and how much strength it takes to hope regardless. Yuna and Tidus are fantastic.

The gameplay ages like a fine wine, too. I know, it's turn-based, so it's hard to get clunky, but the game knows how it's being lenient to you and it knows just how to turn it against you. It's a system you can get better at. It's a game that rewards you in proportion to the time you're willing to put into it.

I don't need to tell you that FFX is a masterpiece, I hope. But it's worth reminding ourselves that it is. Because I think it's willing to be vulnerable in a way that most games just aren't anymore. I think the only Final Fantasy game that I've played that is more vulnerable than X is XIII. I respect the hell out of that.

(Speaking of, another honorable mention from the end of 2022 is my replay of the Final Fantasy XIII trilogy--and frankly, my love and appreciation for those games grew only deeper. They rule!)

You can talk about X forever. You can live in its world. It's fantastic, and it's always worth returning to.

Even if you have to make Yuna dance again, at least you know there'll be a time when she won't have to anymore.

Succubus Academia, September?-September 16

I tend to stay away from RPG Maker games, not for any valid reason but because creators, especially of eroge, tend not to really edit much. They end up looking fairly samey, with similar gameplay. Menus don't get edited, music is pretty bland, it's a fantasy setting... Exceptions exist, like Miwashiba's games ("that's a different engine!" yeah well they're still well-crafted despite being Made Like That) and, apparently Succubus Academia.

I won't tell you what tag I searched to find it on DLSite but anyway, I found it, I got it, I played it, and I loved it.

The map graphics are standard RPG Maker fare, sure, but the battles are totally custom and they're actually really fun. The music, though, the music fucking rules. I was there to bust a move, not bust a nut, I swear.

The concept is really fun too. "The only way to proceed is to literally get killed the right way. Sorry! But hey, at least you'll save the world. Snrk." Coupled with a battle system that actually has a really fun push-pull kind of resource management/health system, it just works. It helps that the battles all have Live 2D animation work going on, too.

Give this one a shot (no pun intended) if you like eroge. Seriously.

Dohna Dohna, sometime in September?-sometime in October

All right, look. It's not the best at anything. But it's pretty good at everything.

The character designs rule. The color palettes are awesome. The gameplay is fun. The OST is actually pretty outstanding. The combat is really fun. The mechanics are interesting. The writing has a lot of care put into it.

Alicesoft wanted to celebrate its anniversary and they were welcome to do it. I enjoyed celebrating with them.

Kirakira best girl. Even if Joker is truly best girl.

Baldur's Gate 3, sometime in October-November 14

One of the first sounds you hear in this game is a Wilhelm scream. This is a subtly masterful introduction to the game, as it signals to attentive players a lot about the artistic experience they're about to embark on: It will be more or less the same as everything else they've ever experienced, just remixed so it will hopefully be less noticeable.

And that's the thing. We've seen everything that BG3 does before, over and over, and we're so used to seeing all of these signs and tropes that it's actually become difficult to tell when they're being used poorly. BG3 throws so much of the same old shit at the wall and it can only stick because the shit that's there from last time still hasn't dried.

But here's the thing: I don't even know if any of its shit sticks. It's all so bad.

For instance, the party. Each individual party member is a collection of about 3 traits, plus their own unique brand of "horny for you." They're about as complex as late-stage Tales characters, but they have way less charm because they don't have anything like skits to round them out. In fact, because there's no guarantee that you'll have X or Y party member, or that they'll be present for conversation A, your party doesn't really have conversations together so much as they just talk through you like you're a telephone. You don't really have a party. You are a guy who has friends.

So you drag along this uninteresting, blandly-designed crew of the same fucking shit you've seen a billion times (literally one dude's whole thing is "I'm a vampire and I have vampire problems") who never really engage with each other (they'll maybe trade quips here and there, and they've got some dialogue they'll run through ambiently when specific ones are in the party together, but it's clear that This Does Not Matter) through a pretty standard fantasy world that by its own popularity offers little novelty. As you do so you meet asshole upon asshole who has a quick trait or two and says things in a European accent and maybe you'll get the scummiest Narrator I've ever heard say something smarmy based on a passive roll you'll probably fail mid-conversation. Go kill some shit and come back and maybe I'll try to help you not die. Idiot.

But you can't not die. You need to keep dying, and people need to keep failing to help you not die, or people need to keep trying to kill you because you're dying the wrong way for them, or else there'd be no reason to have the game. Honestly, if you lost the tadpoles before you killed the final boss, like, two party members would probably just outright try to kill each other, and everyone else would fuck off back to their shitty little lives, except for the ones who managed to escape their shitty little lives, in which case I guess the adventure continues! I don't feel like any of these people, with maybe three exceptions, would actually keep litigating the campaign if their lives weren't on the line.

But hey, even if almost every time someone speaks it's just to either whine about how hard they have it or to criticize you for a choice you made or to give you a quest because everything in Faerûn is your fucking problem, at least you get to have the gameplay! At least you get to slog through some of the most bullshit combat encounters they can throw at you with their barely-working mess of a battle system! With the most boring bosses imaginable save one! (Why is Gortash the only fun boss? Why does he get to have those explosives systems that aren't anywhere else?)

But oh, you get to make so many choices! You can be whoever you want, so long as they're someone who'll make any of these specific choices. Fuck off.

Meanwhile the music makes you want to fucking tear your hair out because I swear to god every single track uses the exact same leitmotif and it is so boring. Oh my god this game takes absolutely no fucking risks with anything. There's no fucking reason to play this thing. It's miserable. It's miserable, it'll make you save scum, its loading times (to load saves; loading areas is quick as can be!) are atrocious, and every time you have an option to pick something cool, you get fucking despised for it. You can become a fucking mind flayer and the game makes sure to tell you you're a complete fucking scumbag for doing it.

I hate this game. I hate it so fucking much. It is so bad and it has nothing redeemable in it and it has nothing noteworthy in it and worst of all it is just not at all fun. It's awful.

Game of the Year. Play it.

Monark, November 25-December 3

Time to fulfill the promise I made back with Poison Control.

This game is good. It's not great. Maybe it's pretty good. I liked it a lot. I enjoyed playing it.

Does it have problems? Sure. Could they be easily corrected? Yep. Does that hamper my perception of it? Of course.

As I said, sometimes you just wanna play a mid game.

After I finished Monark, I checked out its TV Tropes page, and I of course linked to "So Okay, It's Average." The Quotes page on that trope all seem to imply that just being all right is somehow worse than being bad.

I can't agree with that.

First of all, I think the binary of "good" and "bad" art is a false one. There's value in literally all art. There's something to mine, to find, to take home, to use, to learn--to whatever--in everything. Meaning and worth aren't exclusive to the good.

Maybe something isn't as good as it could be, but it's certainly what it is, and nothing else is as good at being it. Monark maybe isn't a great game but it's awesome at being Monark. I doubt any other game could compare.

So many articles from game writers and journalists lament the concept that "there's so many great games out there that it's just impossible to want to make time for anything that isn't great." That's... such a sad state, to me. Imagine playing a game only because it is considered "great." Imagine needing everything you play to have an award or a green Metacritic score just so you'll make time for it.

I don't think these writers mean to do this when they say it, but they're really benefiting a capitalist mindset. Companies have to do everything they can to get your attention. They have to make "great" games, or you won't play them. They need hype machines. They need stellar reviews. They need people talking. They need public reception to manufacture their game's own greatness, so that it will be great and then be played and then make money. If the incentive to get good reviews is to make money then the game is just a product and it wasn't made to be art.

I don't think people purposely set out to make shitty games or average games. I just think they set out to make the game they make, and the question is how well they achieve that goal. And that's entirely personal. It's something that only the creators can decide.

But in the end, some of the creators are producers and directors and executives at publishing companies who look at games in terms overhead, costs, projected income, earnings statements, financial reports.

But these are the people who make great games. Because they have to money to spend to make them great, the clout they need to keep exploiting their specific workers, and the agents necessary to make sure that reviewing publications will be predisposed to helping make their game great (you know, like what Nintendo relies on pretty much exclusively). The game doesn't have to be good. People just have to be told that it is, and then when enough people believe, they'll police the narrative so much that others will be scared to voice their opinion without getting a ton of clown emojis in their inboxes.

I'm not saying that's every "great" game. I'm willing to argue it's probably most Games of the Year as determined by Big Industry Figure Geoff Keighley, though (borne out for sure with 2022's winner; Elden Ring is so mediocre, dude).

Anyway, there's no need to play all the "great" games that are out. You know what you can play instead? The games you want to play.

You don't have to agree with me that sometimes you just wanna play a mid game. But you'll probably agree that sometimes you just wanna play a specific game. Good, bad, or mid, it's what you want to play because it, in some way, speaks to you.

That's all you need.

Mediterranea Inferno, December 4-December 6

Until now, I was cautious about pandemic stories.

The problem has always been that, sure, the lockdown happened for a year (in the US, at least), but it was only a year. It was major, to be sure, and I'm not downplaying that, but in the grand scheme of human history, it was a year. There's no guarantee (or even, necessarily, reason to believe) anything like it will happen again for a long time. So, I thought, how applicable could stories that come from it be to the future?

Don't get me wrong, I always recognized that in the lockdown was stories about isolation, grief, illness, fear, loss. But those are all distinctly human things we've been writing about since we could write. They weren't unique to the pandemic. Why use the very specific imagery of the lockdown to tell a story about those things when there's definitely more universal things to use?

I'm, as always, an idiot.

Beyond just the fact that it was an event and we'll never stop needing to take stock of it, to examine it, to see who we were and became through it, the pandemic was a world-ending phenomenon, a sea change, a new way of understanding ourselves, or misunderstanding ourselves, or misunderstanding others.

Mediterranea Inferno is about having lost yourself. The lockdowns made three young Italian men lose themselves, and when they came back together in 2022 they found that they had lost each other, too. It presents continuity with their histories: their self-destruction wasn't inevitable, but the pandemic forcing them to grapple with their places in life created living nightmares of isolation, grief, powerlessness, loss of identity, and loneliness.

When you start a new game, a card informs you that the creator made it "about his generation." He seems to think that we're lost, not in the way that the Lost Generation was, but in a different way. Whereas in the 1920s we lost faith in symbols, institutions, and humanity, in the 2020s we lost faith in ourselves and each other.

It's terrifying to admit that we can't do this alone, and that the crutches we always used to get through each day were other people. Claudio relied on his family name; it lost all meaning when his father blew his inherited fortune, revealing that there isn't necessarily a continuity between past success (Nino) and the present. Mida relied on the ways he could keep people at arm's length and when he couldn't get closer to the only person he wanted to grow closer to, he decided that others were there for him to take. And Andrea was never able to identify precisely what he needed from other people to keep him going, mistaking sex and skin-deep pleasure for the validation he so desperately craved.

Of course, if one of them gets accepted to Heaven during the Assumption, one of the others kills their friends and, in one case, accidentally himself. And if none of them make it--or if all of them do--they tell themselves that they're no longer friends. They walk away. They fall to the ground. They feel, sharply, the absence. They try to feel it in the crutches they replaced each other with (the past, the prestige, the plenty). But it isn't there.

Alternatively, if they suffer enough, they can give their spiritual guide through their pain an opportunity as well, and through him learn that they went through all of it to encourage them to revolt against their fathers, against the endless history that suffuses every rock in Italy. Paraphrasing: "There's never been an Italian Revolution. We've always been satisfied with what our fathers gave us, so long as we had permission to kill our brothers." He, like so many, wanted the pandemic to become a watershed moment, one that spurred on change, made the world a better place.

And the Sun Guys reject it. Their revolt is to refuse to be told what to do.

Just give them time to figure out what to do next.

I don't think you can tell this story without the pandemic.

This game is bleak. It's harsh. The style is immaculate. The soundtrack rules. Play it.

Assassin's Creed: Valhalla, June 16-ongoing

Here is why the schedule slipped.

I like this game a lot. I burned myself out on it. Over the course of months.

I'm still not done. I'm not letting myself uninstall it until I'm done.

Jesus fucking Christ.

Pokémon Fool's Gold, unknown

The new music was great and the sprites were awesome and I love Eris. But to me this was mostly a fun new way to experience Gen 2. That's not a bad thing, really. Gen 2 isn't great, but there's a lot about it to love.

Pokémon Unbound, unknown

This and the previous entry are the only two Pokémon mods or fangames or whatever that I've ever played. I'm glad I started here!

If you're into playing fangames or whatever you know about this one and you know it rules. I'm not gonna bother praising it directly, though I'll say it earns all the good things said about it.

For me, projects like these really remind me of why we're still drawn to the Pokémon series even when the people in charge of it keep making pretty drastic decisions. I've said for years that the series is for kids and that it's not only fine but right to keep its focus firmly on kids, but Black and White proved that we can actually have our cake and eat it, too. We can have a game for kids that is also just flat-out a good game.

But for some reason, even if I ended up loving Gen 7 more than I did Gen 5, I feel like it's harder to call Ultra Sun and Ultra Moon good games? It's more like I can call them good Pokémon games. But are they good games?

I want them to be.

But what I want Pokémon games to be is totally different from what anyone else wants Pokémon games to be. Fool's Gold and Unbound confirmed that to me. I mean, I always knew it was true, but they confirmed it. What surprised me about them was that they were also good. That even if they weren't my vision, I still enjoyed them as a vision for Pokémon.

But to return to what I said a few paragraphs ago: We're still drawn to Pokémon because in each new entry we find more promises. We find new things to enjoy, to marvel at, to wonder about, to fill in. Every new mainline entry, especially since Black and White, feels like a new reinterpretation of what Pokémon is and can be, and even if we as fans don't always agree, we still have the conversation and we're still often compelled enough by something in the new interpretation that we hang onto it and let it be a part of what Pokémon is to us.

For as much as it stays the same, Pokémon is very much a living franchise, one that changes and, no pun intended, evolves. Maybe it does so in different ways than we might want, but there's nothing stopping us from knowing better. Well, nothing except Nintendo, a company that is more than welcome to fucking die immediately.

Pokémon, both the franchise and its fan works, is constantly grasping toward perfection. But we all know that perfection doesn't exist. We head towards and we know that we'll fail and we also know that even if we were to attain perfection, we'd reject it. Perfection is an illusion, a cruel one; even were it not, it would still be cruel, a poison pill. Real beauty isn't in perfection, it's in striving for it knowing you'll fail. It's about being weak, bad even, useless even, and still being loved. It's about trying, hard, getting nowhere close, and smiling afterward. It's about working together to make something new, something that loves, something that brings us all together to love even harder. It's about the struggle; it's about the effort; it's about the handshake after the battle.

Wherever Pokémon goes, no matter who's propelling it along, it'll be Pokémon. And that's what I want.

#long

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