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violetrose-art · 2 years
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Meet Celena and Kosey, the children of Rhodopis and Amasis from the Egyptian Cinderella
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Tiktok white women mad that a brown girl could play Repunzel cause "it's a German story"
And like lets ignore the racism (because if y'all think she'd be a great Mother Gothel but not a good Rapunzel because of her melanin especially after Mother Gothel is already a racist caricature ...) and focus on the fact that the Brothers Grimm went all around the world collecting stories which had been passed down orally and shared between cultures.
Rapunzel is not just a German story first, Even the Brothers Grimm got it as a French story. Rapunzel is an Italian story before that, and before that Rapunzel is a Persian story.
By the logic y'all are using Jasmine should be Chinese, Cinderella should be Egyptian Snow White should be Malay and Pocahontas should be 9 (and not in love with John Smith for god sake she was a real 9 year old girl)
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princesssarisa · 3 months
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In Heidi Ann Heiner's Cinderella Tales From Around The World, I've now read the variants from Germany, Belgium, and France.
*Of course the most famous German Cinderella story is Aschenputtel by the Brothers Grimm. If you don't know it from reading it, you probably know it from Into the Woods, and if you don't know it from there, you've probably heard of it in pop culture. Too many people mistakenly think it's the "original" version of Cinderella. But there are other German Cinderella stories too – all similar to the Grimms' version, but with differences here and there.
*In nearly every German version, and in both of the two Belgian versions the book features, the heroine gets her elegant gowns and shoes from a tree. It throws them down to her, or opens up to reveal them, after she either recites a rhyme underneath it or knocks on it.
**Some variants, like the Grimms', have the archetypal "father goes on a journey and asks for gift requests" plot line, and the heroine gets a hazel twig, which she plants on her mother's grave and which grows into a tree. But in other versions, the tree is seemingly a random one, which either a dove, a dwarf, or a mysterious old man or woman advises her to ask for finery.
**That said, there's one exception: a German version called Aschengrittel, where the heroine meets a dwarf who, like the fairies in some Italian versions, gives her a magic wand to grant her wishes.
*As in the Egyptian, Greek, and Italian versions, it varies whether the German versions have the heroine abused by a stepmother and stepsister(s) or by her own mother and sister(s), whether her father is alive or not, and whether the special event she attends is a royal ball/festival or a church service. In both of the two Belgian versions, the heroine's abusers are her own mother and sister(s).
*While in the Mediterranean versions, the heroine's future husband is always either a prince or (more rarely) a king, in the German versions he's occasionally a knight or a rich merchant instead.
*Other typical German and Belgian details are (a) the (step)mother forcing the heroine to sort lentils, seeds, or grain, usually by picking them out of the ashes, which is usually resolved by birds doing the job for her, (b) the prince (or king, or merchant) having the palace or church steps smeared with pitch so that the heroine loses her shoe, and (c) the notorious detail of the (step)sisters cutting off parts of their feet to make the shoe fit, which is revealed when either birds or a dog call out that there's blood in the shoe.
**One Greek version has the prince catch the heroine's shoe by having the church steps smeared with honey, but the Mediterranean Cinderellas usually lose their shoes either by accident or by choice, while in Germany and Belgium it's usually the prince's doing.
**The foot-cutting episode is clearly typical of German and Belgian versions, but the Grimms' other notorious detail, where the stepsisters' eyes are pecked out by doves at the end, isn't typical. The Grimms themselves added that grisly detail to give the story a more "moral" ending with the stepsisters appropriately punished.
*The Grimms' footnotes for their version are included in this book. They mention several other German variants, including two that continue after the heroine's marriage and have the stepmother and stepsister try to murder her, and one where the stepmother starts out as the heroine's childhood nurse and murders the girl's mother by pushing her out a window, then claims she committed suicide.
*The German, Belgian, and French Cinderellas aren't quite so cunning and unfazed as the Greek and Italian Cinderellas. Now we see more heroines who cry over their hardships, and/or who beg to be allowed to go to the ball/festival or church, and whose magical help is more given to them and less in their own control. One notable French exception to this pattern, though, is Madame d'Aulnoy's cunning and self-reliant Finette Cendron.
*France doesn't seem to have the same pattern of culturally-distinct oral versions of this tale that other countries do. Instead, the French examples in this book are nearly all literary versions, and each one is almost completely different from the others.
**Of course the most wildly famous and important French Cinderella is Charles Perrault's Cendrillon. This is the Cinderella we all know best, with the fairy godmother, the pumpkin coach, the magic only lasting until midnight, and the glass slipper.
**Published in the same year as Perrault's version was Madame d'Aulnoy's Finette Cendron. This is an interesting, much longer variation that starts out as a Hop o'My Thumb/Hansel and Gretel story, where three sisters are abandoned in the woods and nearly eaten by an ogre, only for the clever youngest, Finette, to outwit him, but then turns into a Cinderella story when the older sisters abuse Finette after they make the dead ogre's castle their home, but Finette follows them to a ball in finery she finds in a chest.
**Another French literary variant is The Black Cat, which starts out as a Cinderella tale, but then has the heroine be stranded on an island and give birth to a black cat son (long story), then turns into a Puss in Boots tale as the cat helps his mother. Yet another is The Blue Bull, where the heroine runs away from her stepmother with her only friend, a magical bull, only for the bull to be killed protecting her from lions, and which then becomes a Donkeyskin/All Kinds of Fur-type of story, where she becomes a servant at the prince's palace and gets her ballroom finery from the bull's grave.
*Perrault and d'Aulnoy's versions are the only two Cinderellas so far where the heroine has a fairy godmother. Yes, in some others there are fairies or mysterious old women who help her, but the concept of a fairy godmother seems to have French literary origins.
*These same two versions, Perrault's and d'Aulnoys are also where we first see strong emphasis on the heroine's virtue and kindness, even to her cruel (step)family. While some oral versions do have her forgive them in the end, these literary versions not only have her do that, but have her constantly be gracious and kind to them (Perrault) or save their lives even at great personal sacrifice (d'Aulnoy).
*Now that I've read Finette Cendron, I can see its slight influence on Massanet's opera Cendrillon. In Finette Cendron, instead of Perrault's choice to have the slipper taken from house to house, all the ladies are invited to the palace to try it on, and Finette's fairy godmother sends her a horse to ride there – just like Cinderella's fairy godmother transports her to the slipper-fitting at the palace in the opera. Finette Cendron's Prince Cherí also falls deathly ill with love for the mystery girl, but is cured when he finds her. (A recurring theme in many different variants, which I forgot to mention when I covered the Mediterranean versions.) In the opera, this has its parallel when Prince Charming faints in despair over the seeming failure of the slipper-fitting, and before that when Cinderella herself becomes gravely ill because she thinks she'll never see her prince again.
@adarkrainbow, @ariel-seagull-wings, @themousefromfantasyland
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adina123 · 11 months
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One of my favorite things in Steven Universe is fusion and my favorite part of fusion is the contrasting unique dance styles of the characters
so here is what I think the gemcyt characters individual styles are
Jimmy I don’t know the style but he has a lot of leg movements and kicks as a reference to his irl love of football 
Grian his style is disco because he had a hippie theme that one time and disco was around during that Time period also he uses that finger to the sky move to poke his partner because he is a little gremlin 
Joel does ballet like the pearls in cannon but even though he is not the shortest in this au he still over compensates by puffing out his chest like a peacock and he is on his tippy toes as much as possible and jumps into the air very often 
Lizzie Hula dancing because her design is based heavily on empires season one lizzie the ocean queen she takes inspiration from island dancing 
Cleo has very stiff movement because she is zombie Cleo and she dances like Michael Jackson in the thriller music video and she dances walk like an Egyptian because mummy’s are Kinda like zombies
Scott does not use his feet because as a sapphire floats and he does not use his legs he spins a lot and he has a very old Scottish style because he is Scottish 
Skizz dances like the prince from Cinderella because he is a prince amongst men 
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🪞 What to Read After Watching Bridgerton Season 3
🪞 Don’t Want You Like a Best Friend - Emma R. Alban 🪞 The Ladies Rewrite the Rules - Suzanne Allain 🪞 Confounding Oaths - Alexis Hall 🪞 Hathor and the Prince - J.J. McAvoy 🪞 Ne’er Duke Well - Alexandra Vasti 🪞 The Lord of Stariel - A. J. Lancaster 🪞 The Lily of Ludgate Hill - Mimi Matthews 🪞 To Catch a Suitor - Sarah Adams 🪞 To Woo and to Wed - Martha Waters 🪞 My Season of Scandal - Julie Anne Long 🪞 Damned If I Duke - Anna Bradley 🪞 A Viscount for the Egyptian Princess - Heba Helmy 🪞 The Diamond and the Duke - Christi Caldwell 🪞 An Unlikely Proposition - Rosalyn Eves 🪞 A Governess’s Guide to Passion and Peril - Manda Collins 🪞 Lies and Weddings - Kevin Kwan 🪞 Viscount in Love - Eloisa James 🪞 A Lady for a Duke - Alexis Hall 🪞 Lady Charlotte Always Gets Her Man - Violet Marsh 🪞 My Rogue to Ruin - Erica Ridley 🪞 Never Met a Duke Like You - Amalie Howard 🪞 Never Blow a Kiss - Lindsay Lovise 🪞 Wake Me Most Wickedly - Felicia Grossman 🪞 The Duke’s All That - Christina Britton 🪞 Bookshop Cinderella - Laura Lee Guhrke 🪞 Dukes Do It Better - Bethany Bennett
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madsmilfelsen · 5 months
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Hello! I'm really curious, what books/authors would you recommend to someone who's new to writing horror?
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Hi! Here is what I have on hand (minus my loaned out copies of my favorite book ever Mongrels by Stephen Graham Jones and Never Whistle At Night: an indigenous anthology of dark fiction which made me cry on an airplane and made the person next to me very uncomfortable, like she was just trying to build a cart at banana republic, apologies to seat 17B)
God’s Cruel Joke Lit Mag because I’m in them and will be in issue 4, too :) published either mid-January or February 2024– @labyrinthphanlivingafacade is in issue 3 with a great short story that I won’t spoil ***right now the magazines are available to purchase in physical copies but I was told all issues will be free to download as pdfs pretty soon!
Severance by Ling Ma (body horror but not in the way you think, the real horror is repetition and loneliness)
Wilder Girls by Rory Power (body horror)
The Female of the Species by Mindy McGinnis (adjacent the horror genre but a hell of a read)
ANYTHING BY STEPHAN GRAHAM JONES ANYTHING
We Have Always Lived in a Castle by Shirely Jackson (I read this for the first time last spring boy howdy, I also included The Lottery for its suspense)
Dean Koontz because my husband suggested it for the list— this was just the first title I grabbed, I think he said Patrician Crowell too but I was busy looking for Mongrels
A Good and Happy Child by Justin Evans (I didn’t finish this because depression set in shortly after I started but the first chapter plays with second pov which I really liked, I’m determined to read it this year)
Sharp Objects by Gillian Flynn (I really enjoyed HBO’s adaptation)
The Girl With All The Gifts by M.R. Carey (likely the only zombie stories that made me weep uncontrollably)
Girls & Sex by Peggy Orenstein (non-fiction: explores modern young women navigating sexuality and because I have a thing for loss of autonomy— it’s been a few years since I read it but there is discussion of sexual assault, but I appreciate the expanse of her research and even included a conversation with someone who is asexual)
Black Leopard Red Wolf by Marlon James (got a chill just typing this out— the audio book is exquisite)
You’ll notice some nonfiction because, as a historian undergrad, nothing scares me more than man. The battles of Leningrad and Stalingrad are particularly stomach churning. America’s Reconstruction Era is full of acted out malice and under taught in my opinion.
An Indigenous People’s History of the United States by Roxanne Dunbar-Ortiz
The 900 Days, The Siege of Leningrad by Harrison E. Salisbury
Enemy at the Gates by William Craig
(On the other side of WW2 I have a book of the experiences of German solider’s left over from a paper I wrote on the inadequacy of Nazi uniforms and how it expedited their failure in Russia, Frontsoldaten by Stephen G. Fritz)
Stony the Road by Henry Louis Gates, Jr (one of my favorite authors, try finding “How Reconstruction Still Shapes American Racism” Time Magazine, April 2, 2019, I used it as a source for a paper on the history of voting rights)
Bloodstoppers and Bearwalkers— folk tales of Canadians, Lumberjacks & Indians by Richard M. Dorson (published around 1952 but content collected from the Upper Peninsula of Michigan in the 40’s)
Raven Tells Stories: An Anthology of Alaskan Native Writing (I’m Alutiiq and the museum on Kodiak has a lot of stories recorded under Alutiiq Museum Podcast— my kids and I listen on Spotify)
I think the genre of horror is really mastering tension and playing on peoples fears which is why I included old school folk stories (An Underground Education had a great write up on the Grimm Brothers and the original fairy tales from around the world such as the Chinese and Egyptian Cinderella, as well as several different sections of funny tales, torture techniques, absolute weirdos etc etc) in this vein of thought The Uses of Enchanment: The Meaning and Importance of Fairy Tales by Bruno Bettelheim could prove to be useful
If you’re writing a character with Bad Parents— Adult Children of Emotionally Immature Parents and Toxic Parents (it has a longer subtitle but I don’t see my copy anywhere) might be able to help you shape character traits
I reached out to @littleredwritingcat who has a mind plentiful in sources who recommended
The Gathering Dark: an anthology of folk horror (I will be picking this one up asap)
Toll by Cherie Priest (southern gothic)
Anything by Jennifer MacMahon
The Elementals by Michael McDowell
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Round 1
Skystar and Graywing (Warrior Cats) vs Sasuke and Itachi Uchiha (Naruto)
Scar and Mufasa (The Lion King) vs Jude and Taryn Duarte (The Folk of the Air)
Krauss, Eva, Rudolf and Rosa Ushiromiya (Umineko) vs The Princes of Stormhold (Stardust)
Blitzø and Barbie Wire (Helluva Boss) vs Bardas and Gorgas Lordan (The Fencer Trilogy)
Vinsmoke Ichiji, Niji, and Yonji (One Piece) vs Nikolai and Vasily Lantsov (Grishaverse/Shadow and Bone)
The Batsiblings (Batman) vs Rattlesnake and Sirocco (Wings of Fire)
Dee and Dennis Reynolds (It's Always Sunny In Philadelphia) vs Folgers Coffee Siblings (Folgers Coffee commercial)
Ianthe and Coronabeth Tridentarius (The Locked Tomb) vs Therese and Jeanette Voerman (Vampire: The Masquerade - Bloodlines)
Junko Enoshima and Mukuro Ikusaba (Danganronpa) vs Queen Elizabeth and Queen Mary (English history)
Ruby and Aquamarine Hoshino (Oshi no Ko) vs Richard and Helen Gansey (The Raven Cycle)
The Endless (Sandman) vs Lark and Sparrow Oak-Garcia (Dungeons and Daddies)
The Bridgerton siblings (Bridgerton) vs Clary Fairchild and Sebastian Morgenstern (The Shadowhunter Chronicles)
The Sanderson Sisters (Hocus Pocus) vs Velvet and Veneer (Trolls 3)
The Seven Sisters Colleges (Real Life) vs Zeus and Hera (Greek mythology)
Akio Ootori and Anthy Himemiya (Revolutionary Girl Utena) vs Tom and Jake Berenson (Animorphs)
The Hargreeves siblings (Umbrella Academy) vs Ledroptha Curtain (The Mysterious Benedict Society)
Jiang Cheng and Wei Wuxian (MDZS/The Untamed) vs Rei Asaka and Fukiko Ichinomiya (Oniisama E)
Adam and Eve (NieR: Automata) vs Dys and Tangent (I Was A Teenage Exocolonist)
Percy Jackson and Polyphemus (Percy Jackson) vs Mercer and Gage (The Silt Verses)
King Richard and Prince John (Robin Hood/English history) vs Cleopatra VII and Ptolemy XIII (Egyptian history)
Uru Somezuki and Saito Sejima (AI: The Somnium Files) vs Illumi, Killua and Alluka Zoldyck (Hunter x Hunter)
Andrew and Ashley Graves (The Coffin of Andy and Leyley) vs Belzedar (The Belgariad)
Cersei, Jaime, and Tyrion Lannister (A Song of Ice and Fire) vs Torak (The Belgariad)
Phillip and Caleb Wittebane (Owl House) vs Ogata Hyakunosuke and Hanazawa Yuusaku (Golden Kamuy)
Ruffnut and Tuffnut Thorston (How To Train Your Dragon) vs Andrew and Aaron Minyard (All for the Game)
Goneril and Regan (King Lear) vs Ruby Rocks and Saccharina Frostwhip (Dimension 20: A Crown of Candy)
The Beagle Boys (Donald Duck universe) vs Catherine and Hindley Earnshaw (Limbus Company)
Sam and Dean Winchester (Supernatural) vs John Wilkes and Edwin Booth (US history)
Anne and Mary Boleyn (English history) vs Rodrick, Greg, and Manny Heffly (Diary of a Wimpy Kid)
Anastasia, Drizella, and Cinderella (Cinderella) vs Wolf 40f and Wolf 42f "Cinderella" (Real Life, Druid Peak wolf pack)
Byes: Azula and Zuko (Avatar: The Last Airbender), Cain and Abel (The Bible)
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mask131 · 11 months
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Seasonal theme: Magical summer (beginning)
This summer will be a season of wonders and enchantments, of spells and wizards - a magical summer!
Here is a list of beings, entities, objects and concepts you can check out if you want to add some magic to your summer:
In the myths, legends and so-called “real” world...
In the Arthurian literature: Merlin the enchanter, most famous of all wizards, derived from the legendary Welsh figure of Myrddin. Morgan le Fay, the ever-so-ambiguous enchantress of Arthurian mythos. Excalibur, the greatest and most iconic of all magical swords.
In Greek mythology: Hecate, the goddess of magic and witches. Circe, the divine enchantress of the Odyssey. Medea, the most frightening sorceress of the Greek legends. Lamia, a Greco-Roman bogeywoman that medieval times assimilated with various monsters and witches.
In Norse mythology: seidr, the old Norse magic, and its patron goddess Freya. Loki, expert shapeshifter and trickster supreme.
Christian legends, myths and beliefs: the Malleus Maleficarum, the unfamous manual used by many witch-hunters during the great witch hunts throughout Europe - a manual which was not accepted by the Church, unlike what many people believe. The Ars Goetia, both the art of invoking demons and the grimoire containing the secrets of said art. Astaroth, a demon often associated today with witchcraft. The famous witches sabbath, that was the great terror and fantasy of devil-fearing men of the Middle-Ages and the Renaissance. The paintings of Goya, which illustrated the various superstitions and beliefs surrounding witches in Spain.
The folklore of the British Isles: the British Grimalkin, with its cousins the English King of Cats and the Celtic Cat-sith. Lugh, the Irish Celtic god that mastered all of the arts, including magic.
Vaïnämöinen, the great bard-enchanter of Finland, and one of the sorcerer-heroes of the Kalevala alongside the magical blacksmith Ilmarinen, all fighting against the evil witch-queen Louhi.
In fairytales: the fairytales of the brothers Grimm brought many of the famous fairytale witches, from the evil queen with her magic mirror in Snow-White to the witch living in a house of bread and sugar in Hansel and Gretel. In Slavic fairytales, the great and iconic witch is the dreaded Baba Yaga. The French fairytales also brought the archetype of the fairy godmother: Cinderella, Toads and Diamonds, Donkeyskin, Cunning Cinders, The Hind in the Woods/The White Doe, Prince Marcassin... And let’s not forget Carabosse, the wicked fairy of the fairytale Princess Mayblossom, that became thanks to Tchaïkovsky’s ballet the old antagonistic fairy of Sleeping Beauty. Plus: the seven-league boots, one of the most famous magical items of French fairytales, appearing in Little Thumbling or The Orange Tree and the Bee.
The world of alchemy: the famous philosopher’s stone, elixir of life, and panacea that formed the ultimate goals of alchemists. Hermes Trismegistus, the mythological patron and ancestor of all alchemists (himself a mix of the Greek god Hermes and the Egyptian god Thoth). Nicolas Flamel, the 14th century book-seller everybody believed to be the discovered of the philosopher’s stone.
Some famous grimoires of our world: The Book of Abramelin, a tome of sacred Jewish magic. The Lesser Key of Solomon, a demonology grimoire of the 17th century inspired by the older book of sacred spells known as The Key of Solomon. The very famous duo of French grimoires known as the Grand Albert and Petit Albert. The Book of Shadows, a type of grimoire originally part of the Wicca religion, and that became popularized in America media thanks to the television series Charmed.
Principles, beliefs, personalities and practices of our world (which, as you will note, frequently mix magic with religion and folk-healing): Nostradamus, the great French prophet. The magi of Persia, Zoroastrian priests and astronomers that gave birth to the concept of the “mage” as we know it today. The original mana - not the video game mechanic, but the supernatural force of Oceanian beliefs. The Celtic druids and the most famous of their sacred sites: Stonehenge. The marabout, a type of Muslim holy man from Africa to whom was attributed some magical powers in folk-belief. The shamans of Siberia, the ones from which the very principle of “shamanism” was codified in the West. The medecine people of the First Nations in Northern America. The sangomas of Southern Africa, one of the most famous types of African “witch-doctors”. The Haitian Vodou and the Louisiana/New-Orleans Voodoo, folk-religions and magic beliefs deriving from the Vodun religion of West Africa (not to be confused with their various “cousins”, such as the Vodu of Cuba, the Jejé of Brazil or the Hoodoo).
More general magic tropes and concepts: the magic potion. The flying broomstick. The magic wand, or its variation the wizard’s staff. The familiar of the witch. The trope of the wizard duel, which, despite its prominence in modern literature and contemporary folk songs, has roots in ancient mythological fights and legendary magic hunts. The tempestarii, or the belief in weather-influencing, weather-changing sorcerers.
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lunarthing159 · 9 months
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One of my favorite things in Steven Universe is fusion and my favorite part of fusion is the contrasting unique dance styles of the characters
so here is what I think the gemcyt characters individual styles are
Jimmy I don’t know the style but he has a lot of leg movements and kicks as a reference to his irl love of football 
Grian his style is disco because he had a hippie theme that one time and disco was around during that Time period also he uses that finger to the sky move to poke his partner because he is a little gremlin 
Joel does ballet like the pearls in cannon but even though he is not the shortest in this au he still over compensates by puffing out his chest like a peacock and he is on his tippy toes as much as possible and jumps into the air very often 
Lizzie Hula dancing because her design is based heavily on empires season one lizzie the ocean queen she takes inspiration from island dancing 
Cleo has very stiff movement because she is zombie Cleo and she dances like Michael Jackson in the thriller music video and she dances walk like an Egyptian because mummy’s are Kinda like zombies
Scott does not use his feet because as a sapphire floats and he does not use his legs he spins a lot and he has a very old Scottish style because he is Scottish 
Skizz dances like the prince from Cinderella because he is a prince amongst men 
Ooo! These Are Fun!! If I May Share A Diffrence, I Agree With Joel Knowing Ballet, But I HC Joel Would Also Have A Do-Whatever Style, Leaning Into The Most Dramatic Moves He Can Do
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kuuyandere · 1 year
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Can you recommend any cool romance related manga?
Sseeing how this is a yandere blog, I will give you some of my suggestions on that end. Most of these can be found online.
Killer in Love (completed): although I was not that satisfied with the ending, this is one of my favourites. It is quite dark, psychological, and tragic with some excellent introspective panels.
Happy Sugar Life (completed): I would give the same the description as above, only add a mutual tender love and generally more cute scenes.
Love of Kill (ongoing): it is similar to Spy x Family with spies and rival organisations. It's not particularly yandere, but there is a decent amount of violence.
Ennead (ongoing): this BL manhua/webcomic is based off of Ancient Egyptian mythology, so note that I am heavily biased towards my preexisting interests. It is very mature so discretion is heavily advised.
I made a number of manga caps from Ojou to Banken-Kun, Assassin x Cinderella, and Chotto Kiken na Amaama Onii-san, but that is primarily because I like to use the art and less because of the plot and characters.
I hope this helped some- my tastes in manga are generally not romance.
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goldenwitherphoenix13 · 10 months
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One of my favorite things in Steven Universe is fusion and my favorite part of fusion is the contrasting unique dance styles of the characters
so here is what I think the gemcyt characters individual styles are
Jimmy I don’t know the style but he has a lot of leg movements and kicks as a reference to his irl love of football 
Grian his style is disco because he had a hippie theme that one time and disco was around during that Time period also he uses that finger to the sky move to poke his partner because he is a little gremlin 
Joel does ballet like the pearls in cannon but even though he is not the shortest in this au he still over compensates by puffing out his chest like a peacock and he is on his tippy toes as much as possible and jumps into the air very often 
Lizzie Hula dancing because her design is based heavily on empires season one lizzie the ocean queen she takes inspiration from island dancing 
Cleo has very stiff movement because she is zombie Cleo and she dances like Michael Jackson in the thriller music video and she dances walk like an Egyptian because mummy’s are Kinda like zombies
Scott does not use his feet because as a sapphire floats and he does not use his legs he spins a lot and he has a very old Scottish style because he is Scottish 
Skizz dances like the prince from Cinderella because he is a prince amongst men 
I love this. I love that Jimmy's style is just a bunch of kicks and flicks cause football. Guess he gets the jive by default lol.
If I has a nickel for every time Grian went on a hippy arc, I'd have 2 nickels, which isn't alot but it's weird that it happened twice. He's earning his discount vibes
Joel doing ballet is just... it's oddly amazing. It's funny, yet also fun to think about!
Lizzie doing hula is too perfect. I have nothing to say on this one it's just perfect.
Cleo does the robot, zombie style. Less stiff and more floppy with some flow but very little care in her movement. Just wants to get this over with lol.
Scott gets flung about lol.
Skizz just treats everyone like a princess when he fuses with them. Hand out, bowed down, just a sweet gentleman.
I'm gonna add 2 more here.
Mumbo just awkwardly does some form of lil hand jive or lil boogie in the corner cause that seems like it fits his personality.
Scar either does a tap dance, american smooth or theater jazz, its one of the 3 and you can not change my mind.
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violetrose-art · 1 year
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So what exactly does Rhodopis think of Set in your own Hercules AU? Has she met him in your personal Egyptian Cinderella re-telling?
She hasn't met him before she met Hercules. But at the end of the story when Amasis, the young Pharaoh Rhodopis falls in love with, asks her to be his queen, Set shows up and blows a fuse. He even threatens to destroy them all, but then Horus shows up and stops Set's tantrum. After that, Set never bothered her again... and saying she was relieved would be an understatement 😅
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One of my favorite things in Steven Universe is fusion and my favorite part of fusion is the contrasting unique dance styles of the characters
so here is what I think the gemcyt characters individual styles are
Jimmy I don’t know the style but he has a lot of leg movements and kicks as a reference to his irl love of football 
Grian his style is disco because he had a hippie theme that one time and disco was around during that Time period also he uses that finger to the sky move to poke his partner because he is a little gremlin 
Joel does ballet like the pearls in cannon but even though he is not the shortest in this au he still over compensates by puffing out his chest like a peacock and he is on his tippy toes as much as possible and jumps into the air very often 
Lizzie Hula dancing because her design is based heavily on empires season one lizzie the ocean queen she takes inspiration from island dancing 
Cleo has very stiff movement because she is zombie Cleo and she dances like Michael Jackson in the thriller music video and she dances walk like an Egyptian because mummy’s are Kinda like zombies
Scott does not use his feet because as a sapphire floats and he does not use his legs he spins a lot and he has a very old Scottish style because he is Scottish 
Skizz dances like the prince from Cinderella because he is a prince amongst men 
nodnodnod very true
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princesssarisa · 3 months
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I'm now reading Heidi Ann Heiner's book Cinderella Tales From Around the World. Hopefully it will make me as knowledgable about those stories as that inescapable old post of mine has probably made people think I am.
The different Cinderella stories are arranged in geographical order. So far I've read all the variants from Egypt, Greece, and Italy, and I'm about to start reading the German versions.
For now, I'll share the most interesting points from the versions I've read so far:
*Not all versions of the tale feature a stepmother and stepsisters. The Egyptian variants don't have any parents in them at all. In the proto-Cinderella story of Rhodopis, the title character is just a Greek slave-turned-courtesan with no family, while the other Egyptian tale, The Magic Jar, just has three sisters living together. Meanwhile, the Greek versions usually give the heroine a loving mother and two cruel biological sisters, with no father. In the Italian versions, there's almost always a father, but it varies whether the wicked women are the heroine's stepmother and stepsisters, or her own mother and sisters, or just two sisters with no mother.
*Greek versions typically have the heroine living with her mother and two older sisters. The sisters murder their mother, then cook and eat her flesh, but the grieving heroine lays her mother's bones to rest in a place of honor. Forty days later, the bones turn into three beautiful dresses and other finery and riches for her.
*Italian versions tend to come in two variants.
***One variant uses the archetypal "heroine's father goes on a journey" scenario, much like the Grimms' Aschenputtel or Beauty and the Beast. When he asks his daughters/stepdaughters for gift requests, the sisters want clothes, but the heroine asks for something unusual (e.g. a bird or a tree sapling), or else she asks him just to greet someone for her (e.g. a fairy, or a far-away relative), and when he does, that person gives him a tiny gift for her. Either way, the gift he brings back is what produces her finery.
***In the other variant, the heroine's stepmother or mother sends her out every day to pasture an animal (a cow, a sheep, or a goat), along with an impossible amount of spinning, weaving, or sewing to do. The animal tells the girl to place her work on its horns, and when she does so, it's magically done. Eventually, the (step)mother finds out and has the animal killed, but the heroine saves either the animal's bones or a golden ball she finds inside its body, and from there she gets her finery.
***That said, a few Italian versions include a fairy godmother-like figure: a kind old woman or a fairy who meets the heroine when she's out in the pasture and gives her a magic wand.
*In Italian versions with a stepmother as the villain, she typically starts out as the heroine's teacher or governess. She treats her kindly then, and urges the girl to convince her father to marry her, which she does. But after the marriage she turns cruel. (Some Italian versions of Snow White also begin this way.)
*Another detail from the Italian versions: in the "father goes on a journey" variants, the heroine warns her father that if he forgets her request, then his ship or his horse won't be able to move either forward or backward. He forgets, and sure enough, his ship or his horse freezes in place until he remembers.
*In the Greek versions, the special event the heroine attends in her magic finery is typically a Sunday church service. Some Italian versions have her go to church too, while others have a royal ball or festival, as does Egypt's The Magic Jar.
*In The Magic Jar, the heroine loses a bracelet instead of a shoe. I wonder if Gioachino Rossini and Jacopo Feretti knew about that version when they replaced the slipper with a bracelet for the sake of "propriety" in the opera La Cenerentola?
*In nearly all these versions, the heroine already has her magic source of finery and knows what it can do before the ball/church. So at no point does she beg to go, or cry because she thinks she can't go. She just lets her (step)family leave, then magically dresses herself.
*In both Greek and Italian versions, there are typically three balls or church services. Each time the heroine leaves, the prince has his servants chase after her. But the cunning heroine throws gold coins or jewels behind her, and the servants scramble to pick them up, letting her escape. Sometimes instead, or when she runs out of riches, she throws sand in their eyes to blind them. In a few versions, she doesn't lose her shoe by accident, but throws it to distract the servants because she has nothing else left to throw.
*Very rarely in any of these versions do the heroine and her prince actively "fall in love." They're not described as dancing together the way they do in the familiar Perrault and Grimm versions. The prince just sees her and falls in love with her beauty, with no mention of whether she ever speaks to him or not.
*In all three of these cultures, some versions continue after the heroine's marriage in the vein of the Grimms' Brother and Sister. The (step)mother and (step)sisters turn the newlywed heroine into a bird, or throw her into a river when she's weak from childbirth, or find some other way to get rid of her. But somehow or other she comes back to her husband in the end.
*The fate of the (step)mother and (step)sisters varies. In some versions, namely the ones where they try to get rid of the heroine after her wedding, they're executed. In some Italian versions that have just one stepsister, the stepmother puts the heroine in a pot or a barrel and plans to fill it with boiling water to kill her, but somehow or other she escapes and the stepsister takes her place, so the stepmother accidentally boils her own daughter to death. But in others, they're just left with their envy, and in still others, the heroine forgives them and shares her wealth with them.
I'll share more about different countries' variants as I read them!
@adarkrainbow, @ariel-seagull-wings, @themousefromfantasyland
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synergysilhouette · 4 months
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"Wish" rewrite: Setting the Scene (NOT the prologue)
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Welp, I'm finally doing a lengthier rewrite of "Wish." For those new to my account, I must stress that you do not--repeat: DO NOT--need to read my shorter two rewrites of the film as well as song rewrites in order to understand this story. (BTW, the above art is by Sanjaycreates on Twitter.) NOTE: THis is all subject to change before I get the prologue and stuff going!
The Setting
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The Kingdom of Nelke is a fantasy kingdom with German influences (but with racial demographics that you'd see in the Americas), but by no means should it be taken as something historically accurate, or even 100% culturally accurate. I kind of wanted something akin to "Baldur's Gate 3" where you see a mix of modern and historical garb--actually, it'd be pretty akin to many high fantasy RPGs, in my opinion, as well as the fashion for 2015's "Cinderella," if you will. I always loved the mix of modern and medieval aesthetics when used correctly. The royal family's crest is be a swan, in reference to "Swan Lake" and ruled by the favorable Queen Lina and overseen by her right-hand advisor, the sorcerer Eiko.
The Characters
(Note: I'm not an artist, so I'll simply use pics of characters who fit the overall vibe I'm going for, either in fashion, personality, or design.)
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Talia--For those who don't know, a variant of "Sleeping Beauty" sees the main character named Talia, which is fitting since "Wish" was visually inspired by it. She's a young woman in her early 20s, wears an orange dress, and while she is kind at heart, she is rather hot-headed, and not always in an endearing way. Right now I'm considering making her half-Egyptian, half-African in reference to the lead couple in Disney's play "Aida." She has been a sorcerer's apprentice ever since she discovered she had magical powers, but talent isn't everything. She's become a bit shy around crowds, concerned with bringing out their ire of making them overly dependent on her. She occasionally leads her friends--nicknamed "The Dreamers"--when making decisions. (Art by Jonuelsketch and Disney.)
Vocally, I imagine her to have a deep, theatrical voice, something booming and powerful. She loves to sing in order to de-stress, though this doesn't always become a song; sometimes she just sings a line or a few sentences to herself like a lot of people do at random moments in time. If I was an artist, one person who would inspire her design would be Janelle Monae.
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Aion--Taken from Aiionwatha, an alternate name for Hiawatha, a Native American figure who Disney made a short about and once tried to adapt into a feature film. He doesn't talk very often, and frequently tries to put on a brave face, despite his severe depression over losing one of his older brothers to magic when he was a child. He's the heart of the group, and often tries to diffuse conflict, as they stress him out. While he has great concern for Talia as a sorcerer's apprentice, he supports her, though Talia misunderstands his feelings and wants her to fail, since his own brother couldn't succeed at using magic. His main color is usually a flurry of colors, making him look like stained glass (which influences Talia's fashion at times).
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Lucy--A reference to the protagonist in Walt Disney Pictures' adaptation of "The Chronicles of Narnia" with Walden media. She's of Arab descent and dresses in purples to reference Princess Jasmine. A fast-thinker, she always tries to think up solutions quickly and ahead of time, making her Aion's best friend when it comes to crisis aversion. The daughter of a diplomat and a smooth talker, she has confidence to spare and while she can be self-centered at times, she's first and foremost a great friend. For health reasons, she is often accompanied by a (stylish) cane, sometimes a wheelchair if things are severe.
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Wolfgang--Not a Disney reference, but simply a German name. He has a lot going on with his life, largely due to being a political pawn all his life. While he has those he cares for, he isn't good at expressing it and consistently tries to control everything around him. It's been remarked that in another world, he and Talia could've been siblings, but not in this lifetime. He doesn't have many (real) friends, but his years of emotional abuse have led him to crave attention, even if it's not in the best possible way. Perhaps that's why he's often dressed in green; he has a bit of envy to spare.
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Queen Lina-- A reference to "Thumbelina." The greatest person you will ever meet, or at least that's how the slogan goes. She's beautiful, intelligent, and often takes to disguises in order to check on her citizens. She's quite dramatic when you get to know her, but more in a theatrical way that pulls you in, not an annoying way. Her husband, bless his heart, likes to stay out of the limelight often, so he lets her be the face of the kingdom, and it suits her vanity just fine. Her clothing is colorful and ALWAYS memorable. Of course, she has an edge to her, something she doesn't want to let the citizens know about. As someone with a couple chips on her shoulder, Talia can relate--but are they in the same boat?
I imagine a soprano-type voice for her, but she has an affinity to rap when she's frustrated.
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Princess Elsie--An occasionally clever, but altogether lazy princess. She enjoys her royal status and letting people fawn over her. Due to her commitment to being completely selfish, the people of Nelke assume this is an affront to a more caring future ruler (which Lina continually tries to support). When she's bored, she's been shown to be quite hilarious and astute, though you can be sure she won't let herself be bored for long. She's beautiful, but in a way slightly askew to mainstream society.
A good singer, albeit not the strongest; good enough for a movie, but not to sell albums.
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Eiko--The queen's right-hand man and flatteringly referred to as her fairy godfather. A man who's past is shrouded in mystery (ironically clad in purples and greens), he vowed his fealty to the queen when he found her to be a worthy ruler. As of late, however, he has been looking for an apprentice to take over his place. As magic by birth is extremely rare and magic by education is difficult without a trained tutor (which there are few of in the kingdom), he has had difficulty finding one--until he comes upon Talia. While she is highly skilled, she doesn't always think things through, making her a mixed public figure before she's even come to prominence. When he isn't conducting official business for the crown, he is quite relaxed--and an excellent singer.
He used to be a more powerful singer, but he prefers a much softer sound now due to age.
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Anselm--My Kingdom Hearts friends get this. The mysterious being in the west wing of the castle. It's said that his (their?) magic eclipses even Eiko's. But how Anselm came to be there--or what secrets lurk inside their mind--are anyone's guess. When Talia encounters him, they are a wise and mesmerizing figure, as she's able to see a sea of stars in his eyes. When he ventures beyond the wing and into the world below, he's shown to be playful and caring, always seeming to have one's best wishes at heart. Their magical form is a cascade of silvers, blues, and white, while as a human, they often wear "feminine" colors (bright/light colors, including pinks and purples) with flower motifs when in his human form, his favorite being a bleeding heart. His favorite room in the castle consists of a giant koi pond that frequently calms his soul. However, despite his outgoing nature, he can be quite shy when he develops a crush on someone, most recently Talia. Despite her attempts to look the other way, Talia reciprocates his feelings, and she finds that he may be hiding a mystery of his own, as she sees a sea of stars whenever she gazes into his eyes for a long time.
Probably the best singer, a tenor with heart and power.
Lemme know if you have any questions! IDK when I'll release the prologue, but it shouldn't be too long. Originally I was gonna include the storybook intro in this, but I've decided it's better to just put it in the prologue since I'm still figuring out my words. I may or may not write songs for this; I imagine it's a musical, but IDK if I'm gonna be happy with the songs I write.
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