can.. can I ask for an affectionate reader with characters who aren’t normally like… used to the love? like, not just through words but physical affection like hand-holding, kisses, hugs, all that shebang. probably with a few people like yelan, ei, basically any character that is either cut-off from society or seems socially distant or isolated. 😞
☆ affectionate reader with yelan, ei, & furina
[ 4.2 Archon Quest spoilers ]
× yelan
Varies between how you display your affection, to be honest. Just like being affectionate with people? She's cool with it as long as you don't pop by while she's working (mostly because she'll end up dragging you into it for a bit of fun). I don't think she's all that touchy feely herself, but she'll absolutely get you gifts instead– like pretty knick nacks? She'll make sure to snag any she thinks you might like. Like a good meal? Sure, she'll take you out to one of the restaurants in the city, doesn't matter how expensive. Her treat. If you do prefer physical gifts rather then being taken out, you'll eventually get used to the random unmarked letters and packages showing up where your staying pretty often. It's obvious to know who it came from even if she never signs anything.
Flirty reader, though? Whole nother can of worms and now it's a challenge. The more confident you are the more interested she is. The other acolytes would absolutely seethe at the idea but she has no hesitation at just straight up flirting back– she's as charismatic as they come and she's got a poker face that's basically impenetrable. She'll probably also make a bet to see who cracks first (she always wins, unsurprisingly). Probably won't get dragged into any of her schemes this way but if you ask politely maybe she'll consider it, anyway.
The smell of freshly brewed tea and the clatter of dice across wood was a common sight at the Yanshang Teahouse– less common was the woman secluded in the far corner, her lips pulled into a grin that flashed fangs and a look that would scare off the most confident of men.
She'd normally try to scope out any new blood that'd made the mistake of stepping into her teahouse and was equally stupid enough to accept a gamble against her just for the thrill of it, but she was far too absorbed in the warm body at her side, one of her die clasped tightly in their hand as she guided them through the motions– they had a knack for it, she had to admit. The thought made her preen, the clatter of the die as it rolled across the table giving her that subtle, familiar rush.
Even if she knew exactly where it'd land.
"Six. Hm, maybe you're just lucky," She muses, plucking the die from the table and holding it up to her eye like a prized jewel, "Or maybe you're not as innocent as you'd have us believe." There's a sharp glint in her eyes at the prospect, but everyone else has the sense to keep their heads down and their words to themselves as she tosses the die herself.
"So why don't we find out and make a bet, just between you and me?"
× ei
Varies between Ei and the Shogun, because you'll probably be seeing either as much as the other. Sometimes you gotta really squint to tell who it is sometimes, but you get used to it. Both are fairly similar, though, in that their first instinct (especially in public) is to tense up like you're about to attack them or something. Difference is Ei eventually relaxes after a solid minute of trying to process your sudden affection and, if no one else is around, she might even reciprocate. Just don't tease her for being a little stiff and awkward about it, she's trying. That's what happens when your only company is a robot and uh. Nothing. For like 500 years. She's trying. Raiden, on the other hand, is just about as awkward as you can imagine. She's polite (blunt) about it because Ei is fond of you and also you are. The Creator. But she's not really built to deal with personal relationships and so she doesn't know how to deal with affection.
..Depending on what you do you may or may not blue screen Ei hard enough that she retreats back to PoE
Ei usually isn't fond of sitting still, unless it's to meditate. At least then she goes in with a purpose, something to achieve– but now, she's just focused on trying not to make a fool of herself. Her muscles are starting to ache from how hard she's tensing, though, in an effort to sit as straight and still as possible as their hands glide through her hair, weaving it into a single braid.
She can just barely hear the subtle lilt of their voice as they hum– and though it is soothing, it is also..very distracting. She can't focus long enough to try and meditate, too lost in the gentle rise and fall of their voice and the care they take to braid her hair. If she'd had a heart, she'd sure it'd be beating so wildly against her ribcage they could hear it.
But then it stops– their hands fall back to their sides and their humming falters. She freezes, too, racking her brain for any slights she must have committed. Instead, she is met with a calm, tender touch on the back of her neck, making her inhale sharply.
"Am I making you uncomfortable, Ei? You're so tense.." She has to grit her teeth to stop herself from bowing so low her head presses against the ground, her hands folded in her lap, clenching instinctively. "..No, Divine One." She answers simply, trying to contain the adoration swelling in her chest.
Yet as much as she tries to relax, to ease their worries, she finds that she cannot.
"Hm." That small murmur, a simple sound that nearly made her jump, was the only warning she got before they scooted closer, wrapping their arms around her stomach and resting their chin on her shoulder with a grin she would liken to Miko's, if she dared to make such a comparison. "Really?"
She swears she must've been feverish at the affection, lightheaded and dazed until she thought she might simply perish at the brush of their hands against her own.
Much to her embarrassment, however, she doesn't realize she's instinctively pulled back into Plane of Euthymia until she sees the familiar dull purples engulf her vision once again.
Though only a small solace, it seemed a little..brighter, this time.
× furina
Varies between pre 4.2 and post 4.2 archon quests to be honest.
Pre 4.2 she comes off as very vain– of course the most Divine would see fit to spoil her with affection! She deserves it, and is obviously their favorite! Just don't look too hard because she's terrible at hiding how flustered she actually is. Absolutely goes home right after and screams into her pillow for at least thirty minutes minimum.
Post 4.2 she's a lot more openly bashful and flustered. She's really not used to affection and even the smallest show of it has her folding immediately. Now that she doesn't need to worry about being found out she's a lot more receptive to affection. Cup her cheeks and compliment her and her knees are buckling. Like. Especially weak for compliments and praise (she deserves it. please spoil her).
She swears she must be hallucinating– she had been having trouble sleeping recently. But..no. The visage of the Creator was as real as the sweat beading on her brow as she stared at them for a long, awkward moment. Should..she let them in? But then they'd see the pathetic state she was in, and the last thing she wanted to do was make a fool of herself in front of them-!
Her choice was quickly made for her, anyway, as she let out an undignified squeak of surprise when they suddenly tugged her forward into their chest, enclosing her in a hug.
Her first reaction was to freeze– her second was becoming absolutely flustered, her cheeks flushing a soft pink and her mouth closing and opening as she tried to find her words.
"I– ah..um." She stumbled over her words instead, floundering like a fish out of water. Yet she felt a distinct sense of emptiness wash over her when they finally pulled back, looking a touch sheepish. "Sorry, sorry– you just looked like you needed a hug."
The silence spoke for itself, her shoulders tensing slightly. But the way the concern and affection bled through their voice made her waver, her hands trembling as she let out a shaky breath that almost sounded like a sigh.
"It's..It's fine! Fine, I'm fine." She repeated, trying desperately to ignored the way her voice cracked and how hot her face felt– though it was more an attempt to affirm herself that she was not thinking about how warm they felt, how much she..actually enjoyed the hug. She wasn't thinking about it all! Absolutely not!
..Maybe a little.
"Just warn me next time, please?"
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Ride 742: Sudden death match!!
Pag 1
1: Woah, Danchiku, oh-
And Sugimoto-san too!?
2: They passed us so quickly!! Such high pace!!
Huh!?
They're doing some sort of serious race!?
3: I get it
4: I can feel it
5: This guy....!!
Pag 2
1: He's not giving up at all!!
Pag 3
3: Earlier, at the line, I thought I had won this race
I thought he was far behind me and would cross the line with his head hanging down
4: And yet....
Pag 4
1: He caught up to me....!!
2: The preliminary of this race was already done on the “second day”!!
3: That time, the result
5: was a draw!!
6: So it would be better to have a more precise result, wouldn't it
We'll decide it with this lap!! The rules are simple: the starting point line is 4km from here, the one who crosses it first wins!!
7: And then the loser shouldn't “surpass” the winner anymore!! Sugimoto-san!!
Pag 5
1: Imaizumi-san too!!
2: …. yeah
It's better to make it clear with a proper race like this
3: So you have no regrets....!!
4: Let's go!!
5: Crush him, Danchiku!!
Pag 6
2: At the same time....!!
Ah.... “at the same time” again!?
3: Seriously!?
Are you being for real, Sadatoki!?
Pag 7
1: You're just seeing things as you wish they were,since he's your brother!!
Oon!! No that's not it, on!!
It's true, Kaburagi, I saw it too
2: They arrived at the same time, Sugimoto stretched at the last moment
3: Kawada!!
It's “san”!!
4: Are you an accomplice too!!
What are you talkin abut
5: A- amazing, Sugimoto-kun
6: Amazing!!
Pag 8
1: “Amazing”, huh, Onoda
2: Imaizumi-kun....
Pfui
3: You thought Sugimoto would win? ….This race
Huh
4: You didn't think he would, that's why when we heard the results you could say “amazing”
Ah!!
5: I'm- I'm sorry Sugimoto-kun!! I didn't believe in you, even though you worked so hard....!!
Who are you yelling at
6: Me too
Pag 9
2: During these past four days.... Sugimoto worked hard, but, after their race on the second day and after seeing how remarkably stronger Danchiku has gotten
3: When they decided to do another race, I thought Sugimoto would definitely lose
4: Then, when the time came
5: If you lose, you feel better if you gave it your all, so
6: “So you have no regrets”
7: I said that
But
8: He turned it around
Sugimoto really is amazing
Pag 10
1: Even with no one believing in him, with only his own strength, he snatched a “draw” against Danchiku!!
Pag 11
1: Keep going!! Let's keep going with the race, Danchiku!!
2: Even though he's having such an hard time, he's still following me!!
3: Since earlier I've increased the pace many times
4: Garuaaa
Even if I tear him off
Pag 12
1: Every time
2: While saying
3: “Kuaa kuaa”
“Kuaa kuaa”
5: Kuaaa-
6: Kuaaaaaaa
He catches up to me
Pag 13
2: You keep following me....
3: No....
4: You're the one who said “please follow me”, Danchiku
Pag 14
1: Garuaaa!!
2: Ahhhh
Don't make fun of me, there's no way!!
3: Aaaaaaaa
4: Hiigaruaaaa!!
There's no way I'll lose!!
Pag 15
1: To Sugimoto-san!!
4: I was careless – I was careless and that's why he caught up to me!! The second time too!!
I won't be careless this time!!
Pag 16
1: Ill take a plunge firmly, throw my handles, and cross the line
2: At full throttle!!
The last curve!!
3: He's not following me anymore!! He's....
Pag 17
1: He's here!!
Cough cough
2: Kuaaaa
We're entering the final sprint!!
3: Dammit, this guy is gonna stretch from here!!
4: Hiigaruaaaaa!!
Take a plunge!!
5: Take a plunge!!
Pag 18
1: Throw your handles!!
Pag 19
1: Wooooah!!
No... wait, even now....
2: It's a draw!!
Ya!!
On!!
Woah
3: Dammit, what happened, Danchiku what are you doin!!
You should be much stronger..... should....
Pag 20
1: Don't tell me.... that Sugimoto-san.... is strong too!?
2: You.... you mean it's a draw for the third time!!
How long will they keep going, at this pace it won't ever end!!
3: …. no
5: It's a shame, but there's no time left...
6: This lap is the last
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You know, I think what really bugs me about the "Dadworth" dynamic applied to Kay and Edgeworth's relationship is that it usually makes Kay out to be this hyperactive, slight problem child (in the 'stealing and pranking' sense rather than the 'moody and abrasive' sense), occasionally with deep-rooted daddy issues like Edgeworth has, when that's... the opposite of her character.
(This post got away from me, so TL;DR: Kay is a quick-witted and independent young woman who has worked very hard to be both emotionally and practically intelligent enough to be seen as a legitimate successor to her father's legacy. Making her out to be the traits mentioned above, so she functions as Edgeworth's daughter rather than his investigative partner and equal, undermines her character and semi-conflates her with Maya [the deep-rooted issues bit]. Also I don't like it wksgskaj)
Kay is very, very sharp.
The thing about Kay is that she's not actually in the series as much as it feels like she is, which makes it easy for her character to be altered to suit the needs of the story (which I think happens in The Forgotten Turnabout, but I won't talk about that here). She turns up in two cases as herself in AAI (as in, teenager Kay whom we're most familiar with) and shares her role with Gumshoe, Ema and Franziska when she does, lessening her appearances even further. Nevertheless, there are still concrete elements to her personality that we're made aware of right from the beginning, and the first major one which I feel gets overlooked in favour of her hyperactive characterisation is this:
In terms of mainline assistants, I'd consider her the sharpest of all (maybe after Trucy? But I don't remember enough of AJ to comment on that). Yes, she's shown to be reckless and impulsive, but, when it comes to actual investigating and reasoning, she is solid. With Nick and Maya, you sometimes get the impression that they're both fumbling along until Phoenix catches on (most of the time with Maya's usually a little accidental help, and he still has to explain things to her near every time [not Maya's fault. Following Phoenix's reasoning is like being on a rollercoaster in a minecart]), but Kay is very rarely like that with Edgeworth. Within minutes of meeting him, she can predict what he's going to say (or 'steal his lines', as the game puts it), and there are several moments after he uses Logic and is about to explain what he's connected where Kay interrupts with the correct conclusion herself:
Edgeworth: A second Blue Badger that shouldn't exist... Clearly, the true identity of the person underneath is...
Kay: Oh, I know! It's one of the kidnappers, right!?
There's even a point where she tells him off for overexplaining things to her:
Kay: Yeesh, I told you I got it! Do you feel the need to explain everything!?
And, near the end of their first case together, he acknowledges that's she's generally quite quick:
Kay: OK, what should I re-create first?
Edgeworth: ...You haven't figured it out yet?
Kay: Heh, maybe I have, and maybe I haven't.
Even if you don't take these points into consideration, the fact that she comes up with a new way to use Little Thief, and knows how to use it at all actually, shows you that she's a really intelligent girl! Continuing on a bit from the point I made earlier about her being brash, Kay may be reckless, but she isn't irresponsible. Whenever she rushes into situations, she doesn't expect other people to come save her; she's quite assured that she can and will get herself out of them on her own, and, if she needs help, she asks for it in advance. She treats Edgeworth less like her guardian and more like her investigative partner:
Kay: I didn't get permission to enter Allebahst... so we're going to go gather whatever info we can over on the Babahlese side, OK!?
Edgeworth: Alright, I'm counting on you two.
Kay: Right, and I'm counting on you and Ms. von Karma to sniff out clues in Allebahst!
...
Edgeworth: A number of pieces connect in a very complicated way in this case... It's almost enough to make one completely mentally exhausted.
Kay: Let's not over-complicate matters, OK, Mr. Edgeworth? We've been so focused, like a laser, on only what seems strange and out of place... it's no wonder nothing's clicked and we haven't unlocked anything yet. But, if we think things through calmly, the answer should come to us!
There's an independence to her proactiveness that kind of forces Edgeworth to meet her on equal grounds, and this too is an element that gets lost when the Dadworth dynamic comes in because it involves making Edgeworth responsible -- or feel responsible -- for her actions and general wellbeing when Kay has never expected nor wanted that. She does things on her own terms, and she walks the path she's chosen by herself:
Edgeworth: Preposterous! On what grounds do you suspect her of such a thing!?
Shih-na: The fact that she calls the Yatagarasu. That in itself is a more elegant proof.
Kay: Ms. Shih-na.
Shih-na: Yes?
Kay: I... have no intention of taking back any of what I've said.
Shih-na: ...?
Kay: I am the Great Thief Yatagarasu. And I refuse to allow some imposter to claim that name as their own! The path of justice that my father pointed me towards... I will walk it the best I can!
Her relationship with Edgeworth works as an inverse to that of Nick and Maya's in the way that, where Nick and Maya have deep respect for one another beneath layers upon layers of playful insults and messing about, Kay outwardly respects Edgeworth first (and expects that respect to be returned) and razes him second -- that, too, never to an extent she wouldn't with anyone else or that crosses a certain boundary. Her messing with Edgeworth is shown to be more an attempt to get him to lighten up or not take himself too seriously than an act of (platonic) intimacy as it is with Nick and Maya (which makes sense because Nick and Maya have spent years together, while she's known Edgeworth for all of two weeks) or genuine obliviousness/silliness (although it definitely sometimes is). This is pretty obvious simply from the fact that she always calls him 'Mr Edgeworth', though she's perfectly comfortable calling Gumshoe and Badd, people whom she is more familiar and comfortable with, 'Gummy' and 'Uncle Badd' respectively. Also Kay, in general, is quite polite? Edgeworth calls something she said rude at one point and she gets insulted, and, when you ask for her opinion, she doesn't go 'What?' or 'What is it?', she specifically says, 'Yes?' (this changes in AAI2, which I promise I'm not discussing here) Upon meeting Oldbag, she has this exchange with her, where Kay chooses a more formal mode of address than what is actually offered:
Oldbag: My name is Wendy Oldbag. But you can call me "Wendy", or "Granny", or whatever suits your fancy.
Kay: Nice to meet you, Ms. Oldbag! I'm Kay Faraday.
She's also had moments where she calls Edgeworth out for being 'tactless', and she's shown to feel very strongly about rudeness throughout the whole game. I'm not saying she isn't mischievous or playful, she very much is, but the point is that she's really quite respectful, and this extends to her relationship with him. Her characterisation in Turnabout Ablaze, where she's considerably more excitable/high-strung than in Kidnapped, seems largely due to them chasing down Calisto Yew. Edgeworth even comments on this:
Edgeworth: Kay, you need to look before you leap. You tend to lose your cool when it comes to anything related to that woman.
Generally, though, you can tell that she was obviously raised with an adherence to certain formalities. She's not looking for another parental figure (because she doesn't need one, which I'll go into after this), but, if she was, she'd make that clear.
Kay's a very straightforward person at heart; she doesn't hide any part of herself, even the part that should be hidden (i.e. the Yatagarasu). There are points where she suggests that Edgeworth reminds her of her father, but, in AAI, she specifically mentions that it's both Edgeworth and Gumshoe who remind her of her father and Detective Badd. It's not about her seeing Edgeworth as a father figure; it's about their and her own dedication to the truth. Even in AAI2, where her comments could be read as leaning more towards the former angle, she doesn't get cut up about him not picking up on that or really paying it much emphasis at all, because it doesn't matter. The fact that he reminds her of Byrne is just that: a fact.
Returning to the point about Kay not needing/wanting another parental figure, I think it's pretty self-explanatory, but to put it succinctly: Kay has the guidance she needs without him.
To put it less succinctly, Edgeworth's possibly the worst candidate to go for for emotional support and guidance in the first place, and by the time she meets him again, she's basically processed her father's passing and has a better handle on herself emotionally than Edgeworth does (not a brag; most characters have higher EQ than Edgeworth); what she wants isn't necessarily closure for Byrne's death in the emotional sense but in the I-want-answers-to-this-mystery-that-will-restore-my-family's-honour sense. You could make the argument that Kay becoming the second Yatagarasu and shaping her entire future around continuing her father's work prove that she isn't over his death, but I don't think that's true and more of a result of conflating her with Maya a bit.
With Maya, becoming the Master isn't something she chooses; it's given to her by Misty and Mia. With Kay, it's the opposite. Kay's decision to become the Yatagarasu and pursue the truth is wholly her own, and her approach to that goal reflects that. While Maya uses her cheery, upbeat attitude to conceal a lot of self-doubt and vulnerability (and Franziska does the same with her hostility), Kay does not. Her cheerfulness is precisely who she is; it's not a mask so much as it is a distraction. It keeps people from looking at her too closely and realising exactly how capable she is, and, while I don't think it's fully intentional (again, she believes in living her life in a straightforward and upfront manner), she does imply that it's sort of her (or the Yatagarasu's) MO:
Kay: Well! By the time everyone notices, it's already gone! That's the Yatagarasu way!
Interestingly enough, this unintentional tactic of using humour and cheeriness as a distraction from her abilities makes her a mirror to Calisto Yew, who also uses her seemingly always light-hearted nature as a disguise for what she's actually capable of (Calisto's joviality is her true self, too, or at least as 'true' as she can get). The difference between them is that Calisto delights in ironically mocking the world around her, whereas Kay finds joy in life itself, and she's stronger for it.
The only part where we see Kay attempt to mask her feelings is when she's a child, and even then she admits that she feels better after crying, which, I believe, led to her becoming more open with her emotions later in life (see how her older self has a teary sprite which makes pretty frequent appearances where her younger self does not). In any case, to me, this shows that she has people in her life already who are helping, and have helped, her confront and process her trauma. She's not looking to Edgeworth to help her make sense of her father's death and she definitely isn't looking for a replacement (again, literally dedicated to continuing her father's [and Badd's] legacy). Whenever Edgeworth even gets close to becoming parental with her, she dismisses it, unless she acknowledges that she is in the wrong:
Edgeworth: ...Kay, it's not good for you to stay up late, you know.
Kay: Yes, gramps!
...
Edgeworth: ...I appreciate your sense of justice, however... I would appreciate it if you wouldn't go running into the heart of any more raging fires.
Kay: Nngh... Yes, Mr. Edgeworth... I'll try...
Despite her buoyancy and bright attitude, Kay is quite firm that she be treated as an adult (she doesn't see her cheeriness as a mark of youth; it's joie de vivre, it's who she is, and that's that), and, throughout the game, she gets annoyed when people don't respect that (her arguments with Lang are largely over how he calls Little Thief a toy and her crow-girl). She holds her own and relies on herself while being unafraid of asking for help.
Anyway, this post has gone on for long enough and I think I've addressed the points I wanted to. I should mention that I realise that a lot of how many people portray/interpret their relationship is validated by AAI2 but that's honestly a discussion for a separate post HAHA I feel like, when it comes to AAI, the father/daughter interpretation can maybe be argued with regards to the way Edgeworth treats her? Honestly, though, I think he'd treat any young lady who suddenly becomes part of his team/responsibility in pretty much the same way. And, like, he drops the ball almost every time he's supposed to give "fatherly" advice because he's just not that great with it/children!! It's actually hilarious HSKSDHSK
Either way, yeah! I just think Kay is actually given a lot less credit than she's due when the Dadworth card gets played and I just! Want better for her!!
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I'm really loving this poster and boy do I have a story behind it
So looking at all the paint splashes on everyone, this is my theory
All the DigiDestined and their Digimons have gathered for an art class for a weekend activity.
Everyone has picked a different canvas and style of art to do with their Digimon.
Everyone is in great spirits and having fun.
Mimi and Hikari are next to each other and are talking, giggling, gossiping and having a blast.
Tai overhears them giggling and wants to know the joke. Mimi and Hikari tease him and have fun. Tai splashes paint on them and the three of them begin to throw paint on each other.
Izzy who was next to Tai and Kari gets splashed and they all quite down because they think he will get angry.
Izzy surprised slowly wipes the paint from his face, while the three of them apologise. Very slowly he dips his paint brush in the can that Tentomon was holding and splashes paint on the three of them.
A full on paint war starts and Mimi goes to splash everyone with all the colours from her paint pallet.
Tai is running behind Agumon as the paint fight continues, because he was teasing Tai that Kari and Mimi got the better off him.
Sora was busy with her work and got splashed by Izzy, Mimi and Kari.
Mimi sees Yamato and Joe working on their art and goes quietly towards them and applies her paint on them.
Yamato starts running behind Mimi, laughing and wanting to splash her for covering him in green, blue and pink from her pallet.
Mimi runs and just as Yamato is about to spray his colour on her, she hides behind Joe, who is now also coloured in Yama's blue. Joe tries to get Yamato with his brush, but Yamato runs away.
Mimi comes later on and applies a green on his face as victory and Yama just smiles and lets her apply the paint.
And of course Takeru happily lets Mimi put paint on him
.
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